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Speaker 1: World premiere.

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Speaker 2: Here we Joe has a story uncle out of count

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that we all know you couldn't touch about pretty goods

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and the best expody shows. He thinks that he's the

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bomber everything that that he wants to be in his arm.

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Speaker 3: Just take a little cat his mask.

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Speaker 2: And you don't realize that's full loves Press Tompson. But

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he thinks he's said everybody's friend.

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Speaker 4: Oh boy, he's so tool.

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Speaker 2: But we all know that he's took a fool.

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Speaker 5: A top ten issue.

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Speaker 3: He's got praise like ring.

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Speaker 2: I turned them seas from a time winning A man

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of surprising will break every one's time reader's dead rise

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like glass is he gons match.

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Speaker 6: You want to turn around and shout it up.

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Speaker 2: In Franchise's he's the work the boys back. The man's

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really upsurd these teams of the past. A high school

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captain still smoking.

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Speaker 5: Team pass.

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Speaker 3: Was here johns Sam.

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Speaker 2: He thinks he's saying three bodies.

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Speaker 5: Then, oh boy, he's so cool.

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Speaker 3: Well we all know that he's just up fool. The

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jack is sick you.

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Speaker 6: He's got praise like no.

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Speaker 3: Turn dol Sea.

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Speaker 5: Food Watch one.

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Speaker 7: And we know the truck.

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Speaker 3: When it's caused wone.

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Speaker 1: There he goes poof.

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Speaker 5: When he comes out.

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Speaker 2: What he thinks he's a Fred Body's friend.

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Speaker 6: Oh boy, he's so cool.

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Speaker 2: Well we all know that he sut up.

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Speaker 7: He's got pretty fi.

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Speaker 5: A dirt bec like your sid.

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Speaker 8: Oh that is so good. That is Braggadocio. And the

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band is Troll. And we've got Troll here with us,

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live in studio, and so happy to have you with us.

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That is the world radio premiere of that track, by

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the way, that has not been heard on the radio

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prior to today. So we do love the world radio premieres.

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And we've got the members of trall all four guys

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are here with us live in studio. Welcome, gentlemen, let's

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do this. Let's uh start with you, sir. We'll go

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around the room and tell us who you are and

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what you do in the band.

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Speaker 1: I am Sean. I am the singer of Well. I

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make mouth noises. Let me get that right. I make

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mouth noises for Troll.

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Speaker 8: All right, welcome shot.

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Speaker 6: I'm Adam. I hit things.

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Speaker 8: Adam, you hit things?

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Speaker 9: Okay.

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Speaker 1: I played guitar justin you play guitar.

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Speaker 9: Very good, seth, I play the big guitar or also

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known as the Bass the bass.

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Speaker 8: Yes, yes, well welcome. By the way, I did enjoy

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we were talking off here. I really like that that

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bass solo there and braggadocio. That's really good.

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Speaker 9: Thank you so much.

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Speaker 6: That every band has to have a bass solo song.

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Speaker 8: Well actually a lot of bands would disagree with that,

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but I'm all for it.

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Speaker 9: I can sneak one in there. I'm always psyched.

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Speaker 8: Absolutely absolutely man. And by the way, so I appreciate

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you guys traveling too. You know, we have a lot

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of artists on the show from various parts. We just

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talked to awaiting Abigail from Texas of course, and they

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skyped in or what we're using in place of Skype

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now because Skype has apparently gone away. But usually, you know,

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when people are joining us live in studio, they're usually

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you know, maybe within within an hour max. But you

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guys drove all the way down from Portland on a

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rainy Saturday morning. So I really appreciate that you're here. Yeah,

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absolutely pleasure. And of course our friend Nathan Hill, he's

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in the chat room. He was he drove a long

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way too to get here. He was on the show recently,

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and so I think he's the one who actually connected

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us with you guys, who connected Jenny. Yes, but we've

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been aware of you for a long time. I certainly have.

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In fact, Jay Bellow from Chasing the Devil he had

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said something about you guys in the chat room I

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think a couple of weeks ago, and he might be

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listening hyj and yeah, he said, because I think they

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did they play a show with you.

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Speaker 1: Yeah, we basically them. That was the last summer show, yeah,

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non Poaching the Devil's last July.

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Speaker 9: Yeah.

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Speaker 8: Oh very cool.

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Speaker 1: Great dudes love Chasing the Devil. Would love to get

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you know, hooked up at them again because they put

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on a hell of a show.

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Speaker 8: So oh absolutely, Yeah, they're incredible. And I've known Jay forever,

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uh since back in his purge d I days. Yeah,

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long time, long time. But yeah, so I've been uh

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forgive me, my allergies have been out of control and

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then I hope the rain washes away to pollen, but

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it doesn't seem to.

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Speaker 9: Work that way.

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Speaker 8: So if I a couple of times, that's why I'm sorry.

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I'm not sick. I'm just uh, it's a it's a

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rough spring. But uh but yeah, so I've been aware

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of you guys for a while. I've seen you live.

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I can't remember where it was. It might have been

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a few years ago. Oh yeah, if you played a

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few years ago we played. We've played a couple of

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places in Manchester. We've played a Jewel right up the street.

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That's where I was.

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Speaker 9: Okay, yeah, I remember Jewel.

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Speaker 1: And then last time we were down here we played

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at the Goat. We played the Blackstone Cherry. It was

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a little mini run we did for we had our

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CD release, and then we played two shows back to

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back with Blackstone Cherry, once in the Goat down here,

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and then we went to Wally's in Hampton Beach to

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you know out so yeah, yeah, yeah.

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Speaker 8: I remember seeing you guys a Jewel. That's that's the

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show I was at, and yeah, we were just very impressed.

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But you've been around for a while, right, Pral's been

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around for at least five or six years.

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Speaker 9: Right, Yeah. We started in about I think June of

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twenty eighteen, so it's been next month will be seven

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years for trial, So.

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Speaker 8: Okay, yeah, same lineup or has that changed over the years.

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Speaker 9: It just changed a little. Sean and I have been

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in the entire time. And we've known Adam and Justin

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for for a very long time and they've been friends

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and fellow musicians, and Adam and I were in a

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band together for a long time. But Justin on guitar

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came in almost five years ago, and then Adam came

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in three years ago. So we've been the same lineup

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for three years and I really feel like we've, in

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my opinion, kind of hit our stride with the line

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I feel like this is the lineup. Yeah. Yeah.

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Speaker 8: In terms of your live shows, does any of the

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early material survive? Is that carried forth?

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Speaker 5: Oh?

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Speaker 9: Yeah, Yeah.

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Speaker 1: We play a lot of you know, everything that we've written.

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We pretty much play okay, kind of in a rotation

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depending on you know, where we are, who we're playing with.

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We try to cater to the set, you know, who's there.

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You know, if it's heavier, we might tend to push

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ourselves a little bit in the heavier direction. But we

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play pretty much everything. I think there's two songs that

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we just kind of retired based on and we wrote

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them and we like them, and then it's like, yeah,

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kind of outgrew it. It's just not it doesn't hit

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the way it hit when we wrote it.

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Speaker 8: Yeah, I'm always curious because I've been in bands where

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sometimes if there's a change in members, you know, there's

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sometimes there might be somebody in the band who's like, ah,

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that's from before, we shouldn't do that, which which I

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would always fight against because I was always like, I

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was in a band called My Life Crisis, which went

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through a lot of different permutations through through the years,

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and I was always like, well, I know these songs

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are from an old lineup, but still, you know, these

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are songs that we made. I mean, we made this music.

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It's our music.

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Speaker 6: A good song is a good song exactly worth it

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than play it exactly.

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Speaker 8: And it's heartbreaking to have to retire something just because

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you know, like if you've got one guy in the

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band who's like, I don't want to play that anymore

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because you know that's tied to a previous lineup, and

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it's like, oh, come on, man, I've.

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Speaker 6: Done that a few times. And it's like if the

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guy who left actually wrote the song like that was

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his baby, yeah kind of understand it, Yeah.

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Speaker 8: I yeah, I can kind of understand although that that

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ended up in the band. I was talking about that

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I was in that that did become a big point

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of contention. It all worked out in the end, but yeah.

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Speaker 9: Yeah, and we kind of like let the the people

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tell us what they want to hear too, because a

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lot of times we'll reach out and say, hey, what

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do you want to what do you want to see

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this weekend? And and some of our older songs people

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want want to see live. So we're you know, we

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actually close with car chard On and it's like it

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was one of the first songs we ever wrote, and

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it's literally been our closer for like our entire of

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the band.

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Speaker 1: Yeah, really, yeah, yeah, it was the first song we

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recorded and put out, and honestly, like when we got

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it going, it was just a hey, we got to

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have something to show what we're do when like we

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are playing shows. But car Chardon was the first one

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we recorded, and Seth sold like a bunch of comic

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books to help pay for it and stuff like that. Yeah,

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Like it was funny because the conversation we had the

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songs about a shark from the point of view of

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a shark. Yeah, and Seth sold the Batman comic book

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that had shark on the cover, and we were.

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Speaker 9: Saying about it was like Batman two fifty one. There

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it is Batman Fights a Shark. It's the one with

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Joker on the cover, with the with the actual playing card,

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really and it's an iconic cover and I ended up

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parting ways with it to get the money to to

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go record that song. Yeah, but I don't regret it.

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I don't regret it, and I'll buy it back some days.

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Speaker 8: Yeah, yeah, exactly. You can always get it first.

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Speaker 1: There we recorded and it's been our closer ever since,

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just because we feel like it's just a fun song. Yeah,

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it always is a good time and people when we

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first played it. I remember the faces. People were like, Okay,

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they were getting into all the stuff we'd done and

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this song came on and they weren't anticipating what would

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happen towards the end of it, and they were like,

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what just occurred was not in my purview of what

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was going on this entire set. And so it's just

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been one of those fun surprises. If you've never seen

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us and you come see this and you hear that song,

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you're like, what was that?

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Speaker 8: Yeah, yeah, that's pretty cool. Is it being a band

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from Portland?

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Speaker 6: Is it? Uh?

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Speaker 5: Is it?

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Speaker 8: This might be a strange question.

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Speaker 9: I don't know.

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Speaker 8: Is it hard to stand out there when you're first

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starting to build a following, because people say this about Boston, like,

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if you're a Boston band, there's so many Boston bands,

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it's hard to stand out, and like up here it's

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a little easier. But but Portland, for as long as

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I can remember, has always had a pretty incredible music

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scene too. It seems like there's a lot of really

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good bands in Portland. I mean, is that is it competitive?

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Like what's the I haven't I used to do a

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lot in Portland. I used to promote shows and stuff

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when I was more into that part of the business.

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But but but I've been kind of disengaged from Portland

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as a city for a long time, so I don't

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really know, like what the vibe is there now.

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Speaker 9: Yeah, i'd say it is it is tough to stand out.

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I think it's just about kind of finding your other peers,

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your other bands that like you fit well with, and

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kind of trying to create critical mass with like two

242
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or three bands that like everyone will come out and

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see and the and the audience makes sense, which has

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been a rotating cast over the years because a lot

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of bands, you know, fall off and break up, and

246
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new bands are always popping up. So we're always trying

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to find new bands to play with that that are

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exciting to us, that we like their sound. But Portland

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in general is is tough because you've got a lot

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of tourism and you kind of got this whole upper

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end rising up with the you know, luxury condos and whatnot,

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and so you've got you've got kind of two Portland's.

253
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You know, you got the the sort of the tourists

254
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and and sort of higher priced end, and then you've

255
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got your your bars and clubs and you know, sort

256
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of the local scene end. And and there's a lot

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of clubs that don't cater to rock and metal, and

258
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there's a there's a few that do, and those are

259
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always a movie target. And it's been tough through the

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pandemic like that. You know, some of them didn't survive,

261
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and so we're we're always trying to like take the

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pulse of like, okay, what's happening now, you know, where

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should we be playing now? What places should we be

264
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looking to play if we haven't yet, And so it's

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I think it's literally changes probably every six months to

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a year. Yeah, so it's yeah, it's hard like and

267
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I don't I don't think it used to move that quickly.

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Things seem to stay the same for every couple of years,

269
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but now things moved so quickly.

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Speaker 8: But yeah, that's interesting.

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Speaker 9: Yeah.

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Speaker 6: I call it the snow globe effect. And I saw it.

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I used to. I grew up in mass and played

274
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in bands for Boston. Yeah, it's like every couple of years,

275
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you just kind of shake up the snow globe and

276
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put it back down. And this guy's moved over here,

277
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and this guy's moved over here. This guy retired and left,

278
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and but this dude came out of nowhere and now

279
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he took his spot. Yeah, so it's still the same

280
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core group of people. You've just kind of shaken it

281
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up a little bit.

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Speaker 8: Yeah, that makes sense. That makes sense. Are there bands

283
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that you're you know, because it does happen organically, are

284
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there other bands in Portland that you play a lot

285
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of shows with that you've kind of sort of teamed

286
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up with. Maybe, just like I said, sometimes it just

287
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kind of happens, you know.

288
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Speaker 6: I think it's cyclical, Yeah, kind of rotation, Like he's

289
00:14:13,759 --> 00:14:15,279
six months and you just kind of latch on.

290
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Speaker 1: Yeah, And it's like like Seth was saying, a lot

291
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of bands, unfortunately, they just they retire. They they they're

292
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done playing, and that's kind of crappy. We like, you know,

293
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some of the bands we really like, they just decided

294
00:14:30,679 --> 00:14:33,320
it wasn't in them and theymore they didn't have the drive,

295
00:14:33,480 --> 00:14:35,840
so they kind of just laid it to rest. And

296
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it's like, well that stinks. I really like, we really

297
00:14:39,559 --> 00:14:41,639
liked playing with you guys, and they're like, yeah, well

298
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we got other projects coming out, and it's like, well,

299
00:14:44,080 --> 00:14:46,000
let us know, we'd love to connect with you and

300
00:14:46,080 --> 00:14:48,240
do it again. And yeah, it's it's always a matter

301
00:14:48,320 --> 00:14:51,360
of if those people are coming back into the scene

302
00:14:51,440 --> 00:14:53,200
or if they just they did lay it to rest

303
00:14:53,240 --> 00:14:55,919
and they're just they're moving on. So yeah, it's hard.

304
00:14:56,039 --> 00:14:59,480
It's it is very competitive up there, but a big

305
00:14:59,559 --> 00:15:01,360
thing for us, we just want to have fun. Yeah,

306
00:15:01,519 --> 00:15:03,679
and if you're having fun, you're doing it right.

307
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Speaker 9: Yep.

308
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Speaker 1: If you're not having fun, you screwed up somewhere and

309
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you need to fix that.

310
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Speaker 5: Yeah.

311
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Speaker 9: Yeah, absolutely, And we also play in New Hampshire quite

312
00:15:11,919 --> 00:15:14,360
a lot. Yeah, we've actually I'd say we probably play

313
00:15:14,399 --> 00:15:15,480
in New Hampshire half the time.

314
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Speaker 1: Probably you're a little more than half the time.

315
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Speaker 9: Yeah, we've got often enough where we could like apply

316
00:15:20,200 --> 00:15:22,919
for residency and save some money on taxes or something.

317
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Speaker 6: But right, right, next two shows are actually in New Hampshire,

318
00:15:26,720 --> 00:15:27,960
yeah are yeah, yeah.

319
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Speaker 8: Yep, yeah, so we should mention those.

320
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Speaker 1: Yeah.

321
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Speaker 9: Yeah, let's see Friday, so less than two weeks away. Friday,

322
00:15:36,000 --> 00:15:40,480
May twenty third, we're at the Stone Church in Newmarket, excellent,

323
00:15:41,240 --> 00:15:44,720
and then our next show after that is Sunday, June

324
00:15:44,759 --> 00:15:49,159
twenty second, we're playing Seacoast Metalfest at the Garage at

325
00:15:49,200 --> 00:15:53,120
the Governor's in in Rochester. I'm sure. So those are

326
00:15:53,120 --> 00:15:55,600
our next two shows, okay, and then we're actually playing

327
00:15:55,600 --> 00:15:58,639
in Manchester way later this year. It's on the books,

328
00:15:58,679 --> 00:16:01,600
it's it's been floated out there, but not like it's

329
00:16:01,720 --> 00:16:03,679
it's public, but they're not pushing it yet.

330
00:16:03,840 --> 00:16:04,080
Speaker 8: Yeah.

331
00:16:04,399 --> 00:16:09,879
Speaker 9: It's Friday November seventh at the Shaskiene with with Polka

332
00:16:09,919 --> 00:16:12,399
Dot Cadaver. Oh no, it'll be a cool show. Yeah.

333
00:16:12,639 --> 00:16:14,799
Speaker 8: I don't know Polka Dot Caver, but that's a cool name.

334
00:16:14,799 --> 00:16:17,879
I'm I'm very I'm very intrigued just from the name.

335
00:16:19,120 --> 00:16:22,159
Speaker 9: They're a crazy band. They are from kind of in

336
00:16:22,279 --> 00:16:26,519
Baltimore slash Baltimore slash Maine. They've got members kind of

337
00:16:26,559 --> 00:16:30,240
in both places. Wow, but they're they're Florida or kind

338
00:16:30,279 --> 00:16:33,559
of derived from the members of Dog Fashion Disco, who

339
00:16:33,639 --> 00:16:35,759
were a band for for from.

340
00:16:35,679 --> 00:16:39,879
Speaker 8: Late from Baltimore. I remember them. I saw I saw

341
00:16:39,960 --> 00:16:40,720
them in Boston.

342
00:16:41,320 --> 00:16:41,600
Speaker 6: Wow.

343
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Speaker 8: That yeah a long time ago.

344
00:16:43,080 --> 00:16:43,600
Speaker 6: Oh my god.

345
00:16:43,720 --> 00:16:45,879
Speaker 9: All the same guys in both bands. They actually play

346
00:16:46,000 --> 00:16:48,519
songs from both. So yeah, we're excited to do We're

347
00:16:48,559 --> 00:16:50,879
doing a two show run with them in November this year.

348
00:16:50,960 --> 00:16:54,240
Speaker 1: So Jason are just absolutely amazing dudes to work with

349
00:16:54,440 --> 00:16:56,600
and we love, you know, hanging out with them and

350
00:16:56,679 --> 00:16:58,879
being able to do this. And last year we were

351
00:16:58,960 --> 00:17:02,720
gonna play down here, but somebody in the band caught

352
00:17:02,799 --> 00:17:03,320
the plague.

353
00:17:03,639 --> 00:17:05,039
Speaker 10: Oh and we had to.

354
00:17:05,119 --> 00:17:07,799
Speaker 1: Kill off two shows just because still seth I was

355
00:17:07,880 --> 00:17:10,920
sick and yeah, and it happens. And honestly, they were

356
00:17:11,559 --> 00:17:14,279
really nice and said, hey, let's do this again. You know,

357
00:17:14,440 --> 00:17:16,319
we don't care. You guys got sick, you know, And

358
00:17:16,599 --> 00:17:19,720
it was actually didn't you go down and cover? Yeah?

359
00:17:19,799 --> 00:17:22,759
Speaker 6: Yeah, band played instead, Oh kick over for.

360
00:17:22,799 --> 00:17:24,960
Speaker 1: One of our spots. But it was. It was really

361
00:17:25,000 --> 00:17:26,880
cool and they were super nice to be like, hey,

362
00:17:26,960 --> 00:17:29,000
let's do it again. We're really excited about playing with

363
00:17:29,039 --> 00:17:31,640
you guys. Yeah, we were like absolutely, because Seth and

364
00:17:31,720 --> 00:17:34,319
I have been listening to the Dog Fashion Slash Polka

365
00:17:34,359 --> 00:17:38,160
Dot for for forever twenty five years now almost thirty years.

366
00:17:38,200 --> 00:17:39,640
What however long they've been a band.

367
00:17:39,480 --> 00:17:44,039
Speaker 9: So talking about bands with longevity from Maine, though, Adam's

368
00:17:44,079 --> 00:17:47,240
band Loki has been around for twenty five years. Wow,

369
00:17:48,119 --> 00:17:49,880
in some former fashion.

370
00:17:49,640 --> 00:17:52,279
Speaker 6: I've only been in it for like eighteen Yeah, oh

371
00:17:52,400 --> 00:17:54,079
is that all? And we were eighteen.

372
00:17:54,599 --> 00:17:56,720
Speaker 9: We were in that band together for seven years.

373
00:17:56,880 --> 00:17:57,000
Speaker 10: Oh.

374
00:17:57,119 --> 00:17:58,519
Speaker 9: So that's where Adam and I know each other from.

375
00:17:58,599 --> 00:18:02,680
So we collectively have a decade of rhythm section jamming.

376
00:18:02,799 --> 00:18:05,480
Speaker 1: So so it's funny that that the band Loki comes

377
00:18:05,559 --> 00:18:08,960
up because before either of these guys were involved, I

378
00:18:09,200 --> 00:18:11,559
was roommates with the drummer for a while and it

379
00:18:11,640 --> 00:18:15,039
was actually the Roady four Loki for a couple of years,

380
00:18:15,119 --> 00:18:17,119
and then like I moved out with my current wife

381
00:18:17,240 --> 00:18:19,519
and you know, stopped doing roady work for them. But

382
00:18:19,640 --> 00:18:22,440
then these guys came in. And it's funny because Justin

383
00:18:22,480 --> 00:18:25,160
and I about the same time that these guys started

384
00:18:25,200 --> 00:18:27,599
with Loki, him and I had a band together like

385
00:18:28,000 --> 00:18:31,240
forever ago, and it was interesting.

386
00:18:32,559 --> 00:18:36,160
Speaker 9: And actually actually Adam and I met justin because Loki

387
00:18:36,359 --> 00:18:41,480
played with one of his former bands probably yeah twenty.

388
00:18:41,359 --> 00:18:43,079
Speaker 6: I think eight eight or something like that.

389
00:18:43,160 --> 00:18:44,079
Speaker 9: Yeah, I'm going to say eight.

390
00:18:44,160 --> 00:18:45,440
Speaker 1: Yeah, what we're saying.

391
00:18:48,039 --> 00:18:49,079
Speaker 9: I'm feeling it anyway.

392
00:18:51,440 --> 00:18:55,759
Speaker 1: Last week, Yeah, you don't look a day under fifty.

393
00:18:55,559 --> 00:18:56,319
Speaker 6: Bunch of weaps.

394
00:18:57,359 --> 00:19:00,720
Speaker 8: Oh my goodness, wow wow, Okay, So where does the

395
00:19:00,799 --> 00:19:02,559
name come from? Troll? What does that mean?

396
00:19:03,400 --> 00:19:06,119
Speaker 9: So trall is something that I just you know, I

397
00:19:06,839 --> 00:19:10,720
I searched for a long time for I love one

398
00:19:10,799 --> 00:19:15,000
word band names. Yeah, you know, Rush, Tool, Primus, Clutch, Clutch,

399
00:19:15,559 --> 00:19:19,359
bands like that, and it's so hard to find a

400
00:19:19,440 --> 00:19:21,799
one word band name that just hits. It has, you know,

401
00:19:22,000 --> 00:19:26,200
one syllable, and I liked troll. It also means, you know,

402
00:19:26,599 --> 00:19:29,400
like with a trolling net, you're you're you're dragging behind

403
00:19:29,440 --> 00:19:32,440
a boat. It's like, you know, like picking up the

404
00:19:32,519 --> 00:19:34,319
sea life and all that. But but it also means

405
00:19:34,400 --> 00:19:37,039
to search, to troll through something, to search through something. Yeah,

406
00:19:37,119 --> 00:19:39,160
and I thought it was cool because you know, you

407
00:19:39,240 --> 00:19:41,880
can kind of apply the meaning to search to anything,

408
00:19:41,960 --> 00:19:45,680
you know, whether you're looking for you know, just like uh,

409
00:19:45,839 --> 00:19:48,880
you know, friendship or or like, uh, you know, a

410
00:19:48,920 --> 00:19:51,640
good time, or like searching for meaning in something like

411
00:19:51,759 --> 00:19:54,559
you can kind of apply that to just about anything.

412
00:19:54,640 --> 00:19:56,279
So I thought it was a cool name and it suck.

413
00:19:56,519 --> 00:19:58,720
Speaker 8: Yeah, yeah, totally, it's funny. So I didn't know what

414
00:19:58,799 --> 00:20:01,200
trill meant. But then when you expl but I don't know.

415
00:20:01,599 --> 00:20:03,039
Maybe in the back of my mind I did know,

416
00:20:03,119 --> 00:20:06,079
maybe subconsciously, because when when you said it had something

417
00:20:06,119 --> 00:20:06,279
to do.

418
00:20:06,319 --> 00:20:09,359
Speaker 9: With voting, and you know, yeah, like a troller net. Yeah,

419
00:20:09,480 --> 00:20:09,720
for some.

420
00:20:09,839 --> 00:20:15,200
Speaker 8: Reason that like, oh that makes sense. Yeah, no, very cool.

421
00:20:15,279 --> 00:20:17,559
And what about the logo was that you?

422
00:20:17,880 --> 00:20:18,799
Speaker 9: That was me too? Yeah?

423
00:20:18,920 --> 00:20:19,079
Speaker 6: Yeah.

424
00:20:20,559 --> 00:20:24,759
Speaker 1: Our stuff, like art wise is Seth. Okay, this is

425
00:20:24,839 --> 00:20:27,000
a mad genius when it comes to the artwork and

426
00:20:28,200 --> 00:20:31,920
setting things up. So like the CD designs. He doesn't

427
00:20:31,960 --> 00:20:34,759
do the cover art. That's somebody. We have a couple

428
00:20:34,799 --> 00:20:36,640
of different people we've used for that. But okay, I

429
00:20:36,720 --> 00:20:40,079
mean any T shirt you see is Seth. The original

430
00:20:40,160 --> 00:20:42,599
logo of the shark with the triangle is Seth. I mean,

431
00:20:42,680 --> 00:20:44,519
Seth is a mad genius when it comes to art

432
00:20:44,559 --> 00:20:46,240
and that's kind of our blessing.

433
00:20:47,799 --> 00:20:50,039
Speaker 9: Yeah, I appreciate that and the things that I know

434
00:20:50,160 --> 00:20:53,880
I can't do. I you know, I love to find

435
00:20:53,920 --> 00:20:56,839
other artists. I'm always out there on like Instagram looking

436
00:20:56,880 --> 00:21:00,000
for other artists. I like, there's something I'm trying to accomplish,

437
00:21:00,319 --> 00:21:03,400
I'll commission somebody else. A lot of the covers of

438
00:21:03,480 --> 00:21:06,200
our EPs were commissioned. Actually, the guy who did our

439
00:21:06,240 --> 00:21:10,480
previous one was a tool poster artist. He's done, he's done.

440
00:21:10,720 --> 00:21:13,200
The one for Cosmic Aquatic was actually done by a

441
00:21:13,279 --> 00:21:18,519
tool poster artist named George Malonas out of Greece. Oh wow,

442
00:21:18,759 --> 00:21:21,279
really cool. So, and we've had people from Oliver. Actually

443
00:21:21,759 --> 00:21:25,519
our our latest EP, Tempest, Uh, the cover was paint

444
00:21:25,799 --> 00:21:28,359
was painted. It's actually an oil painting that was done

445
00:21:29,480 --> 00:21:32,680
by a lady named Colleen Woodward right here in New Hampshire.

446
00:21:32,839 --> 00:21:33,319
Speaker 1: Oh wow.

447
00:21:33,680 --> 00:21:36,519
Speaker 9: Yeah, so it was actually hand painted and then I

448
00:21:36,680 --> 00:21:40,039
had it scanned and archived at a at a place

449
00:21:40,920 --> 00:21:42,759
so that we could make it into the album cover.

450
00:21:42,880 --> 00:21:45,079
Speaker 1: But oh wow, we did buy the painting too to

451
00:21:45,160 --> 00:21:46,599
support local artists too.

452
00:21:47,000 --> 00:21:47,200
Speaker 9: Yeah.

453
00:21:47,279 --> 00:21:49,279
Speaker 6: Yeah, because it's awesome.

454
00:21:49,640 --> 00:21:51,160
Speaker 1: Yeah, great portrait and we love it.

455
00:21:51,440 --> 00:21:55,880
Speaker 8: Yeah, absolutely, absolutely is that challenging when you're when you're

456
00:21:55,920 --> 00:21:59,079
talking to somebody about art artwork, like, because you've got

457
00:21:59,160 --> 00:22:01,559
to be able to communicate to them. Yeah, what you

458
00:22:01,839 --> 00:22:05,480
have in mind? I mean, is there some trial and error?

459
00:22:05,559 --> 00:22:07,279
Like if you're working with someone you've never worked before,

460
00:22:07,359 --> 00:22:10,279
like an artist you've never worked before before, but you're

461
00:22:10,319 --> 00:22:12,799
interested in having them do something, is it challenging to

462
00:22:13,680 --> 00:22:16,480
get them to kind of come up with something that

463
00:22:16,559 --> 00:22:17,440
matches the vision that.

464
00:22:17,480 --> 00:22:21,119
Speaker 9: You have Sometimes? But I try to like meticulously look

465
00:22:21,160 --> 00:22:23,599
for an artist that I just love their style. Yeah,

466
00:22:23,640 --> 00:22:27,160
and I know that whatever they do, and I've always

467
00:22:27,240 --> 00:22:31,039
found you know, if you let an artist do what

468
00:22:31,079 --> 00:22:34,759
they're best at, they're gonna it's gonna be awesome. So

469
00:22:34,920 --> 00:22:37,319
like sometimes if you give and I'm the same way

470
00:22:37,400 --> 00:22:40,480
when because I help other bands with graphic design and

471
00:22:40,559 --> 00:22:44,400
flyers and sometimes album art as well. And the more

472
00:22:45,359 --> 00:22:47,680
the more you try to give them, the more you're

473
00:22:47,759 --> 00:22:50,720
kind of pigeonholing them. Yeah, And I think the less

474
00:22:50,759 --> 00:22:52,920
sometimes you can give somebody it like it lets them

475
00:22:52,960 --> 00:22:55,079
do what they do best. So I try to just

476
00:22:55,240 --> 00:22:57,559
like pick the right artists and put the trust in

477
00:22:57,640 --> 00:22:59,440
them to do the right to do the thing that

478
00:22:59,519 --> 00:23:02,240
we asked and let them there. But so and it's

479
00:23:02,279 --> 00:23:04,960
so far it's worked out, you know, And there's been

480
00:23:04,960 --> 00:23:07,000
a few that like I tried to have an artist

481
00:23:07,079 --> 00:23:08,680
to do something and then we didn't really like the

482
00:23:09,079 --> 00:23:11,400
result and we just won't. We just won't use it.

483
00:23:11,519 --> 00:23:13,440
You know, Well, it'll be in the archives, or maybe

484
00:23:13,440 --> 00:23:15,519
we'll use it later for a flyer or something less,

485
00:23:16,079 --> 00:23:18,119
you know, dire it just you know, it's not going

486
00:23:18,160 --> 00:23:19,559
to be the album art, but it might be like

487
00:23:19,599 --> 00:23:22,880
a flyer later on or something. But yeah, yeah, are you.

488
00:23:22,880 --> 00:23:26,000
Speaker 8: Ever surprised, like hopefully pleasantly, But do you ever got

489
00:23:26,039 --> 00:23:28,160
into a situation where they come up with something that's

490
00:23:28,200 --> 00:23:30,119
totally not what you had in mind, but it's so

491
00:23:30,279 --> 00:23:31,720
good that you're like, yeah, let's.

492
00:23:31,559 --> 00:23:31,880
Speaker 1: Go with it.

493
00:23:32,400 --> 00:23:36,720
Speaker 9: Yeah, totally. The actually our album cover for from the

494
00:23:36,799 --> 00:23:40,839
Murky Depths. It was our second EP. I actually commissioned

495
00:23:41,039 --> 00:23:44,559
a an NFT artist because at the time, like right

496
00:23:44,640 --> 00:23:48,000
during the pandemic, that NFT movement with art was just

497
00:23:48,079 --> 00:23:50,519
going crazy, and this guy really didn't want to do

498
00:23:51,039 --> 00:23:54,039
just regular commission work because they were making way more

499
00:23:54,119 --> 00:23:56,640
money putting it out on like Open Sea as an

500
00:23:56,759 --> 00:23:59,839
NFT and then selling it for like thousands of dollars. So,

501
00:24:00,279 --> 00:24:04,240
but I found this guy he uh he's from Washington State,

502
00:24:04,559 --> 00:24:08,160
and uh yeah. He he was just like, yeah, okay,

503
00:24:08,200 --> 00:24:10,119
I'll try this. And I gave him a bunch of

504
00:24:10,200 --> 00:24:13,079
ideas and he came up with this like monstrosity of

505
00:24:13,319 --> 00:24:16,759
like deep sea diver helmet with like all these various

506
00:24:16,839 --> 00:24:19,759
sea life like eels and fish and everything, and it's

507
00:24:19,759 --> 00:24:23,160
all like in this one, it's you go go out

508
00:24:23,160 --> 00:24:25,640
there and look at it. But it's uh, I could

509
00:24:25,720 --> 00:24:27,960
have never like given him that as a direction. He

510
00:24:28,119 --> 00:24:30,160
just was like, all right, here's here's your album cover.

511
00:24:30,200 --> 00:24:31,799
And I'm like, yeah, this is so cool. All right,

512
00:24:31,839 --> 00:24:35,839
we're running with it. Yeah. So yeah, sometimes yeah, it's

513
00:24:35,920 --> 00:24:38,599
it's awesome to be surprised y because yeah, yeah.

514
00:24:38,480 --> 00:24:41,200
Speaker 8: Yeah excellent. And then do you guys all have to

515
00:24:41,599 --> 00:24:43,240
you all have to agree on it, right, like once

516
00:24:43,279 --> 00:24:45,519
you've got the art, like everyone, do you ever have

517
00:24:45,640 --> 00:24:48,000
a situation where maybe maybe one of you isn't quite

518
00:24:48,039 --> 00:24:49,720
feeling it, like I'm not sure.

519
00:24:51,519 --> 00:24:53,599
Speaker 1: Yeah, we're all pretty much on the same boat with

520
00:24:53,720 --> 00:24:57,759
a lot of stuff. It's it's it's really just a

521
00:24:57,839 --> 00:25:00,880
matter of working together and when you do it well,

522
00:25:01,319 --> 00:25:05,559
like we've done for three straight years now. It's almost

523
00:25:05,640 --> 00:25:10,319
too easy. We we write new songs quickly. When Seth

524
00:25:10,559 --> 00:25:13,200
comes up with an idea for something like art wise,

525
00:25:13,240 --> 00:25:17,079
we're like, can you make a green All right? Cool? Perfect?

526
00:25:17,119 --> 00:25:20,519
There it is. I mean, lyrics are something we goof

527
00:25:20,559 --> 00:25:23,960
around with and it's it's just simple. We get together,

528
00:25:24,079 --> 00:25:27,559
we have fun. We write stuff that you know, fun,

529
00:25:27,680 --> 00:25:31,119
we want to write. Fun is key to getting the

530
00:25:31,200 --> 00:25:34,279
forward progression that we have had for the last three years.

531
00:25:34,359 --> 00:25:37,920
It's just we have fun. I mean, you'll see us

532
00:25:37,960 --> 00:25:41,720
on stage. We're goofing off, we're being stupid, we're having fun,

533
00:25:41,759 --> 00:25:47,720
and we're playing the music nothing but serious. It's straight faced,

534
00:25:47,839 --> 00:25:48,319
straight lace.

535
00:25:48,720 --> 00:25:51,079
Speaker 9: You know, we're serious in terms of like practicing and

536
00:25:51,160 --> 00:25:53,519
making sure that like you know, we can we can

537
00:25:53,640 --> 00:25:56,319
play well, we can deliver well, we're on time. We're

538
00:25:56,359 --> 00:25:58,720
that band that's like, you know, we're like the considerate

539
00:25:58,839 --> 00:26:01,880
ninjas of like load in, load out, you know, like

540
00:26:02,240 --> 00:26:04,519
I want to make sure that like the night runs

541
00:26:04,599 --> 00:26:07,440
good and like we're we're professionals. But at the same time,

542
00:26:07,559 --> 00:26:09,160
when we're up there, we're gonna have a blast. We

543
00:26:09,480 --> 00:26:09,839
have fun.

544
00:26:09,960 --> 00:26:12,400
Speaker 8: So yeah, yeah, that's really cool. And when it's when

545
00:26:12,440 --> 00:26:14,759
it's easy like that where where you're all on the

546
00:26:14,799 --> 00:26:17,240
same page and it's no and nobody's arguing, nobody, you know.

547
00:26:17,319 --> 00:26:19,799
I mean, that's you know, hold on to that because

548
00:26:19,839 --> 00:26:24,039
that's great. Man's that's when you know you've really got something,

549
00:26:24,079 --> 00:26:26,400
when everyone's moving in the same direction and it's it's

550
00:26:26,480 --> 00:26:30,799
not hard, it's not contentious, it's just you know, no anxiety.

551
00:26:30,920 --> 00:26:34,200
That's that's fantastic. So yeah, no, you guys are definitely

552
00:26:34,279 --> 00:26:36,480
on the right track. Speaking of tracks, I think we

553
00:26:36,519 --> 00:26:39,559
should play another one. Yeah, what what should we play next?

554
00:26:39,599 --> 00:26:40,799
And then we'll we'll talk some more.

555
00:26:40,880 --> 00:26:46,200
Speaker 1: By always pointing at me, No geez, Honestly, I think

556
00:26:46,279 --> 00:26:48,559
a really good one to play would be Majesty. It's

557
00:26:48,599 --> 00:26:52,160
one we've been really hitting off with live. It's a

558
00:26:52,200 --> 00:26:56,599
fun track. That's to kind of talk about Tempest real quick.

559
00:26:56,640 --> 00:26:59,880
This whole album was a really different direction for us

560
00:27:00,000 --> 00:27:02,880
as a band. Braggadocio was a very fun song that

561
00:27:02,960 --> 00:27:06,759
we we always write fun stuff, and this album happened

562
00:27:06,759 --> 00:27:09,480
to be a little bit darker, hence the name Tempest,

563
00:27:09,559 --> 00:27:11,599
and the artworks a little bit darker in color, and

564
00:27:11,680 --> 00:27:14,799
the lyrics are all a little bit darker in style,

565
00:27:14,880 --> 00:27:18,799
But Majesty's about friends who aren't really friends. They're kind

566
00:27:18,839 --> 00:27:21,160
of backstabbing jerks that come back into your life and

567
00:27:21,200 --> 00:27:23,799
they're like, hey, buddy, let's be friends again. It's like

568
00:27:23,880 --> 00:27:27,039
the last time you were around, I lost my cat,

569
00:27:27,480 --> 00:27:30,839
my car got stolen, and I somehow was negative three

570
00:27:30,880 --> 00:27:33,680
hundred dollars in my bank account. Okay, let's see how

571
00:27:33,759 --> 00:27:36,680
this burns me again. So it's talking about people that

572
00:27:36,839 --> 00:27:46,480
just kind of check yeah, no, no, no, well.

573
00:27:46,440 --> 00:27:48,279
Speaker 8: Let's give this a spin. If you are just joining us,

574
00:27:48,319 --> 00:27:51,039
We've got the members of Trall here with us alive

575
00:27:51,079 --> 00:27:54,160
in studio, and this is called a majesty.

576
00:28:06,960 --> 00:28:11,000
Speaker 2: Hello Bell, my your friend, it's going to see you

577
00:28:11,400 --> 00:28:16,599
last again. It's been a Brown said you broke behead

578
00:28:16,759 --> 00:28:19,160
with your a minute.

579
00:28:19,759 --> 00:28:22,279
Speaker 8: Quite sure, that's awesome.

580
00:28:22,920 --> 00:28:28,440
Speaker 2: Bacons kinda feel a bit as you played the pillow

581
00:28:28,759 --> 00:29:03,279
rash fell and so convincion my joy. The pieces start

582
00:29:03,559 --> 00:29:07,319
vollying from the infusion of the life.

583
00:29:07,720 --> 00:29:10,480
Speaker 6: The one is just doesn't with.

584
00:29:10,799 --> 00:29:16,359
Speaker 2: That, I can't finally find the ms in such is

585
00:29:16,440 --> 00:29:21,279
a born body trim and now it's time to problem

586
00:29:21,960 --> 00:29:23,319
with your face down.

587
00:29:23,279 --> 00:29:39,119
Speaker 5: The back and now tation My goal.

588
00:29:43,000 --> 00:30:04,599
Speaker 10: Prest your face in this place.

589
00:30:05,480 --> 00:30:22,880
Speaker 3: Just relation too right Lake what I said? Yea, why

590
00:30:22,920 --> 00:30:29,720
I want to say, y'all right, I want to tell

591
00:30:29,799 --> 00:30:30,480
you out by.

592
00:30:33,839 --> 00:30:36,680
Speaker 5: That side? So what to do?

593
00:30:43,160 --> 00:30:47,839
Speaker 2: The time has come from this funny come to his feet.

594
00:30:49,079 --> 00:30:52,279
Speaker 6: Broken minds sometimes don't a lot.

595
00:30:52,400 --> 00:30:56,960
Speaker 2: The frist field of webstads sage the time stories down

596
00:30:57,440 --> 00:30:58,720
this tenderos.

597
00:30:58,319 --> 00:31:38,799
Speaker 8: Shm me to this file, as I like to say.

598
00:31:38,839 --> 00:31:40,640
If that doesn't get you move and check your pulse,

599
00:31:40,680 --> 00:31:43,000
you might be dead. I love that. That is majesty.

600
00:31:43,359 --> 00:31:45,880
The band is Troll. We've got Troll here in the

601
00:31:45,960 --> 00:31:48,759
studio with us, and uh yeah, that's another great track.

602
00:31:48,839 --> 00:31:51,400
And uh, well done, guys, well done. Where do you record?

603
00:31:51,480 --> 00:31:53,440
By the way, everything sounds really great?

604
00:31:53,839 --> 00:31:54,160
Speaker 9: Where do you?

605
00:31:55,519 --> 00:31:56,640
Speaker 8: I'm always it's.

606
00:31:56,359 --> 00:31:57,240
Speaker 1: All pre recorded.

607
00:31:57,279 --> 00:32:00,920
Speaker 6: It's actually not even ai.

608
00:32:02,000 --> 00:32:05,400
Speaker 1: It is pretty amazing what you can do now with Tempest.

609
00:32:05,519 --> 00:32:09,400
We actually kind of piecemealed this together. We uh, we're

610
00:32:09,480 --> 00:32:14,960
big supporters of things. That's you know, that helped things.

611
00:32:15,119 --> 00:32:16,960
That's that's the whole point of what we're doing is

612
00:32:17,039 --> 00:32:19,799
just try to be positive in this dark world. And

613
00:32:20,400 --> 00:32:24,480
Adam actually was able to win from seth one seth one,

614
00:32:24,599 --> 00:32:27,599
that's right, Adam used it, but we got some studio

615
00:32:27,680 --> 00:32:31,160
time at Halo Studios up in Maine. Yeah, because we

616
00:32:31,400 --> 00:32:33,839
uh the Marcathon Mark Curto up and c y Y

617
00:32:34,440 --> 00:32:37,799
for the benefits the Center for Grieving Children. So Seth

618
00:32:37,880 --> 00:32:40,839
won studio time for Halo bidding on that. So we

619
00:32:40,960 --> 00:32:43,640
went up and said, Adam, you have studio time, let's

620
00:32:43,680 --> 00:32:46,519
go do five songs. You've got you know, a day.

621
00:32:46,720 --> 00:32:49,839
And he did it and not even a day and

622
00:32:49,920 --> 00:32:54,400
crushed it. And with the guitars and bass, we actually

623
00:32:54,480 --> 00:32:57,440
do it in house because uncle Justy over here owns

624
00:32:57,519 --> 00:33:00,720
the Cold Northeast Studios, so we have our own little

625
00:33:01,200 --> 00:33:04,440
situation in there where we were able to you know,

626
00:33:04,519 --> 00:33:06,720
piecemeal together the guitars and make them sound you know

627
00:33:07,519 --> 00:33:11,079
like guitars and stuff. Yeah, kind of. Justin does a

628
00:33:11,119 --> 00:33:13,680
great job. He's gonna downplay himself, but he does a

629
00:33:13,759 --> 00:33:17,160
fantastic job when it comes to recording that stuff. Because

630
00:33:17,160 --> 00:33:20,599
you said you'd buy me a hot dog later, I'm nice.

631
00:33:22,039 --> 00:33:24,839
But then that was all in house with guitars and

632
00:33:24,960 --> 00:33:29,319
then vocals. We actually worked with John Wyman. I believe

633
00:33:29,440 --> 00:33:37,240
this sounds good. Yeah, he's an amazing, amazing person to

634
00:33:37,279 --> 00:33:37,559
work with.

635
00:33:37,720 --> 00:33:39,519
Speaker 6: He's he's a little busy right now. He's working with

636
00:33:39,599 --> 00:33:41,759
the small band called the Pretty Reckless. Yeah.

637
00:33:41,799 --> 00:33:44,200
Speaker 8: Oh, that him came up this morning on the show

638
00:33:44,200 --> 00:33:45,839
when I was talking to Wading Abigail.

639
00:33:46,039 --> 00:33:48,680
Speaker 1: Yeah, it was funny. He was like, I've got a

640
00:33:48,799 --> 00:33:50,680
few weeks before I have to go to New York

641
00:33:50,759 --> 00:33:53,200
to record with the Pretty Reckless. And we're like, yeah, well,

642
00:33:53,359 --> 00:33:55,599
we'll come in to do vocals. So yeah, I did

643
00:33:56,000 --> 00:33:59,480
five sessions and worked with him, and it was just

644
00:33:59,519 --> 00:34:01,160
amazing because he was sitting there, He's like, how do

645
00:34:01,200 --> 00:34:03,799
you feel about that? And it didn't realize until after

646
00:34:03,880 --> 00:34:06,279
they'd talk about the Wyman effect with the vocals, and

647
00:34:06,319 --> 00:34:09,679
it's basically he's going to make you realize you wanted

648
00:34:09,719 --> 00:34:11,639
to do something. But it was his idea and it

649
00:34:11,800 --> 00:34:15,400
was perfect because everything he came up with that helped

650
00:34:15,440 --> 00:34:19,039
me push past where we'd been before. It was just

651
00:34:19,440 --> 00:34:20,519
it's what needed to be there.

652
00:34:20,719 --> 00:34:22,840
Speaker 6: And then Seth and I have worked with him for years.

653
00:34:23,320 --> 00:34:25,360
We did all of any time that I was in Loki,

654
00:34:25,400 --> 00:34:27,840
all the LOGI records were done by it Oh, by Wyman,

655
00:34:27,920 --> 00:34:29,679
So we already knew like his style and he just

656
00:34:29,960 --> 00:34:32,199
he has a good producer has a way of just

657
00:34:32,320 --> 00:34:35,239
pulling that little extra out of you and he's just

658
00:34:35,360 --> 00:34:37,440
always been great with that. So we've gotten the chance

659
00:34:37,480 --> 00:34:39,360
to work with him before and we're like, Sean, we

660
00:34:39,440 --> 00:34:41,360
want to get we want to give you a little

661
00:34:41,400 --> 00:34:42,480
bit a little taste of that.

662
00:34:42,800 --> 00:34:46,320
Speaker 1: Yeah, So having that opportunity was fantastic. I highly recommend

663
00:34:46,360 --> 00:34:48,880
if he has the time, people like, book him to

664
00:34:48,920 --> 00:34:51,760
do your vocal anything, Yeah, record anything. He's fantastic.

665
00:34:52,159 --> 00:34:54,559
Speaker 6: It's funny because he has a psychology degree and one

666
00:34:54,639 --> 00:34:57,119
day I asked him, like, how does that actually play

667
00:34:57,159 --> 00:34:59,599
out in music? He goes more often than you think, Oh,

668
00:34:59,679 --> 00:35:02,519
I bet, and then after coming out of a session

669
00:35:02,559 --> 00:35:04,000
you're like, oh that's why.

670
00:35:04,280 --> 00:35:04,519
Speaker 9: Yeah.

671
00:35:04,880 --> 00:35:07,079
Speaker 1: Yeah, but it was it was piecemeal together and then

672
00:35:07,119 --> 00:35:11,719
we had him mix it and then Pat Keene mastered

673
00:35:11,760 --> 00:35:13,719
it for us for this new album. So it's most

674
00:35:13,920 --> 00:35:15,599
a lot of it. Actually, I think almost all of

675
00:35:15,679 --> 00:35:17,559
it has been in house, except for the last couple

676
00:35:17,639 --> 00:35:19,440
we've gone a little bit outward.

677
00:35:19,639 --> 00:35:22,480
Speaker 8: Yeah yeah, but yeah that also, I mean, you know,

678
00:35:22,559 --> 00:35:27,280
the final product sounds great, really really good. Absolutely do

679
00:35:27,360 --> 00:35:29,360
you sell you You brought us a couple of physical copies,

680
00:35:29,400 --> 00:35:32,719
you sell those at shows and absolutely I'm the thing

681
00:35:32,800 --> 00:35:34,760
that's I was talking to. I forget who it was now.

682
00:35:34,840 --> 00:35:36,880
It's probably a conversation I've had with a lot of guests.

683
00:35:36,960 --> 00:35:38,440
But there seems to be I feel like in the

684
00:35:38,519 --> 00:35:41,320
last five or six years kind of a newfound, uh

685
00:35:41,840 --> 00:35:45,559
focus on physical media because I've been I've been interviewing

686
00:35:45,639 --> 00:35:47,559
bands on the radio for a very long time, and

687
00:35:47,679 --> 00:35:53,880
there was definitely a period where nobody was doing that,

688
00:35:54,400 --> 00:35:56,039
you know what I mean, where it was like everything

689
00:35:56,239 --> 00:35:59,880
was everything was digital, or there was even a period

690
00:36:00,039 --> 00:36:03,679
where and I'm glad this is passed, but there was

691
00:36:03,760 --> 00:36:06,840
a time when so everyone would release everything digitally, but

692
00:36:07,119 --> 00:36:09,440
they would show up This was before I was at

693
00:36:09,599 --> 00:36:12,239
W M and H. But they would show up with

694
00:36:12,639 --> 00:36:17,000
a CD. They'd do the classic not even in a case,

695
00:36:17,400 --> 00:36:20,880
just handy a CD with and they are not sometimes

696
00:36:20,960 --> 00:36:23,280
not even a slips like on a finger.

697
00:36:23,760 --> 00:36:23,880
Speaker 3: You know.

698
00:36:23,960 --> 00:36:26,280
Speaker 1: Here you go it's like, well that's sper not scratching that.

699
00:36:26,480 --> 00:36:30,280
Speaker 8: Yeah, exactly exactly. Although we do actually so here we

700
00:36:30,400 --> 00:36:32,119
have a CD player. I think Rob as a Vedo

701
00:36:32,159 --> 00:36:33,880
who wants to show here called granted state of Mind

702
00:36:33,880 --> 00:36:35,679
on Friday nights. I think he's the only one who

703
00:36:35,760 --> 00:36:37,519
uses it, but we do have one and we even

704
00:36:37,559 --> 00:36:40,199
have a turntable here now. One of the guys who

705
00:36:40,199 --> 00:36:41,760
wants to show here brought it in and he said,

706
00:36:41,760 --> 00:36:44,000
you know, whoever wants to use it can, so so

707
00:36:44,119 --> 00:36:48,079
that's pretty cool. But and vinyl too, like there seems

708
00:36:48,119 --> 00:36:52,440
to be a new new focus on vinyl the really.

709
00:36:52,559 --> 00:36:55,480
Speaker 1: And so getting a little circumvent there, like a big

710
00:36:55,599 --> 00:36:59,119
thing for us has always been physical first, then digital. Yeah,

711
00:36:59,320 --> 00:37:02,960
and some of ours that do a podcast actually noticed

712
00:37:03,079 --> 00:37:06,280
that data. Remember just recently did the exact same thing

713
00:37:06,320 --> 00:37:09,159
where they released all the physical stuff for their album

714
00:37:09,639 --> 00:37:13,239
and then said in a month, you can have the digital,

715
00:37:13,519 --> 00:37:16,400
and they were like, you guys kinda kind of did

716
00:37:16,480 --> 00:37:19,960
that first. And it's like, I mean we like physical stuff.

717
00:37:20,039 --> 00:37:23,079
Seth and I are huge in the vinyl and collect

718
00:37:23,159 --> 00:37:25,480
Like I had a huge CD collection up until recently,

719
00:37:25,639 --> 00:37:28,000
and I still have one. Yeah, he still has one.

720
00:37:28,039 --> 00:37:31,039
I mean you still use an iPod to hold your music,

721
00:37:31,159 --> 00:37:33,760
so wow. But the physical part's always been huge for

722
00:37:33,880 --> 00:37:37,519
us because I grew up going to CD in record stores,

723
00:37:38,000 --> 00:37:41,000
buying as much CDs as I could, and then like

724
00:37:41,159 --> 00:37:42,760
my parents being like, where are you going to keep

725
00:37:42,760 --> 00:37:46,280
all this crap? You have like hundred CDs in your

726
00:37:46,360 --> 00:37:48,480
bedroom and you have like two milk crates that are

727
00:37:48,559 --> 00:37:52,199
just overflowing. It's like, yeah, I don't care, I need CDs. Yeah,

728
00:37:52,639 --> 00:37:55,440
that was a big thing, was physical seth and I've

729
00:37:55,480 --> 00:37:57,440
always talked about we want to make sure we do

730
00:37:57,519 --> 00:38:01,440
it right by what we would want when we were kids,

731
00:38:01,440 --> 00:38:04,199
because I know as a kid growing up, if I

732
00:38:04,239 --> 00:38:06,920
got a new CD, that was my world. Yeah, like

733
00:38:07,280 --> 00:38:09,159
the month, Oh yeah, the greatest thing ever.

734
00:38:09,239 --> 00:38:11,440
Speaker 6: Half of the enjoyment of the music was sitting there,

735
00:38:11,559 --> 00:38:15,320
like opening up the CDs. Oh yeah, reading the lyrics totally.

736
00:38:15,519 --> 00:38:18,159
Speaker 9: Yeah, yeah, yeah, that's so it's been an important part

737
00:38:18,280 --> 00:38:21,079
for us. And also got to shout out Bull Moose

738
00:38:21,199 --> 00:38:25,000
Music because Bull Moose has carried all of our EPs.

739
00:38:26,360 --> 00:38:28,480
I know that there's one down here, and then there's

740
00:38:28,480 --> 00:38:31,880
one in Portsmith. I think there's one in Keen, but

741
00:38:32,119 --> 00:38:34,920
yeah they there. You know, there's I think ten record

742
00:38:35,000 --> 00:38:37,480
stores and they've carried our stuff for the entire time,

743
00:38:37,559 --> 00:38:39,559
and it's it's been huge. We all grew up buying

744
00:38:39,639 --> 00:38:42,840
records there and and yeah we have you know, some

745
00:38:43,000 --> 00:38:44,960
of us have big vinyl collections as well.

746
00:38:45,039 --> 00:38:47,559
Speaker 1: And okay, you have a big vinyl collection. I have

747
00:38:47,760 --> 00:38:50,719
like thirty or forty. You've got way more than me.

748
00:38:50,960 --> 00:38:54,760
Speaker 9: So yeah, I have a living control. But yeah, so

749
00:38:54,960 --> 00:38:58,880
I'm a big I'm big into the vinyl. But but eventually,

750
00:38:59,039 --> 00:39:01,639
for us, it's a goal, it's a dream. I'd love

751
00:39:01,719 --> 00:39:05,360
to press something on vinyl. Yeah, even if it's kind

752
00:39:05,400 --> 00:39:10,000
of like a collected you know piece or or you know.

753
00:39:11,400 --> 00:39:13,679
Speaker 1: Yeah, we've we've played around with the idea for a

754
00:39:13,760 --> 00:39:16,239
while now with you know, kind of not even like

755
00:39:16,280 --> 00:39:19,800
the greatest hits, just a we've done so far four EPs,

756
00:39:19,880 --> 00:39:21,400
and it's like we could take a couple of songs

757
00:39:21,440 --> 00:39:23,719
off each of them, and we've played around with like

758
00:39:23,800 --> 00:39:26,119
calling it like the chum Bucket and other things to

759
00:39:26,239 --> 00:39:29,320
just kind of make it like this is a vinyl

760
00:39:29,440 --> 00:39:32,719
because Set's pressed vinyl before with one of his previous vans,

761
00:39:33,280 --> 00:39:36,400
and I've never had that opportunity, and it's like, I

762
00:39:36,440 --> 00:39:38,079
wouldn't mind my own vinyl.

763
00:39:38,320 --> 00:39:42,079
Speaker 9: Yeah. Yeah, it's kind of this ultimate right of passage,

764
00:39:42,119 --> 00:39:44,559
I think, because you know, I mean, for the for

765
00:39:44,679 --> 00:39:49,800
the longest period of recorded the recorded music industry, vinyl

766
00:39:50,159 --> 00:39:53,239
was king, and then you had your CD era in

767
00:39:53,639 --> 00:39:56,719
the nineties and early two thousands, but it's just a

768
00:39:56,800 --> 00:40:00,199
lot of music, you know, was that's the format that

769
00:40:00,320 --> 00:40:03,880
it was created to be on, and nothing, nothing sounds

770
00:40:03,960 --> 00:40:06,480
better kind of a write of passage to it.

771
00:40:06,599 --> 00:40:09,400
Speaker 1: So yeah, we're hoping to get that soon. I say soon,

772
00:40:09,480 --> 00:40:11,519
but we're hoping to do that at some point in

773
00:40:11,599 --> 00:40:14,000
the near future, as long as Adele and Taylor Swift

774
00:40:14,079 --> 00:40:16,800
don't mess that up and buy all the vinyl in

775
00:40:16,880 --> 00:40:18,039
the world, you know.

776
00:40:19,320 --> 00:40:19,559
Speaker 10: Years.

777
00:40:20,000 --> 00:40:22,239
Speaker 9: Yeah, yeah, it's hard to get in the schedule.

778
00:40:22,480 --> 00:40:25,679
Speaker 6: Just be Jack White sitting in a back room in Nashville. No, guys,

779
00:40:25,719 --> 00:40:26,320
it's still.

780
00:40:26,159 --> 00:40:32,559
Speaker 8: Good, very cool. And then so what's what's kind of

781
00:40:32,599 --> 00:40:34,679
the uh, this has been out for a little while, right,

782
00:40:34,960 --> 00:40:36,079
or how long has this been out?

783
00:40:36,119 --> 00:40:36,480
Speaker 6: Tempest?

784
00:40:36,760 --> 00:40:40,840
Speaker 9: So we released that in October of last year, October

785
00:40:40,920 --> 00:40:42,440
twenty twenty four, Okay.

786
00:40:42,239 --> 00:40:44,119
Speaker 8: Yeah, it's not too too long. So do you have

787
00:40:44,320 --> 00:40:46,440
are you already planning for the next one or are

788
00:40:46,480 --> 00:40:47,000
you still we.

789
00:40:47,039 --> 00:40:51,280
Speaker 1: Have already started right, yeah, yeah, we've got some fun stuff.

790
00:40:51,360 --> 00:40:54,119
It's it's we we always kind of find ourselves in

791
00:40:54,159 --> 00:40:57,159
these situations when we're writing that. You know, what, what

792
00:40:57,320 --> 00:41:01,880
are we listening to and what's kind of driving us

793
00:41:02,000 --> 00:41:04,880
into certain directions and then honestly, we got this new

794
00:41:05,000 --> 00:41:08,119
song called Autumn in a Car that I can't wait

795
00:41:08,159 --> 00:41:10,079
for people to hear it. Yeah, it's really fun. I

796
00:41:10,239 --> 00:41:12,599
love the way we've written it and you know, put

797
00:41:12,639 --> 00:41:15,000
it together. We have another one that we're working on

798
00:41:15,119 --> 00:41:20,760
that's interesting. Yeah, but we're working our way around building

799
00:41:20,800 --> 00:41:23,960
it properly. And we just had practice past Thursday night

800
00:41:24,000 --> 00:41:27,280
and we did we kind of pieced together two songs

801
00:41:27,320 --> 00:41:30,159
that are in the beginning stages that I think they'll

802
00:41:30,199 --> 00:41:32,079
definitely end up on the next EP year.

803
00:41:32,559 --> 00:41:34,760
Speaker 6: I think writing for us never really stops. Yes, it's

804
00:41:34,800 --> 00:41:36,800
just a perpetual thing. And then at some point we're like,

805
00:41:36,840 --> 00:41:39,599
all right, we got enough, let's yeah, let's fine tune

806
00:41:39,679 --> 00:41:42,360
these five and stick them out. Yeah, we can be

807
00:41:42,440 --> 00:41:44,320
working on those and still end up coming up with

808
00:41:44,400 --> 00:41:46,000
more riffs and it's like, oh, we'll just save that

809
00:41:46,079 --> 00:41:47,440
for those that right, right.

810
00:41:47,719 --> 00:41:53,239
Speaker 9: So the forty p's that we have have been every year,

811
00:41:53,440 --> 00:41:57,400
so OK, twenty one was Shark Pinata, twenty two was

812
00:41:57,480 --> 00:42:00,800
from the Murky Depths, twenty three was Cosmic Aquatic, and

813
00:42:00,840 --> 00:42:03,760
then twenty four was Tempest. So yeah, I don't know

814
00:42:03,840 --> 00:42:05,880
if we'll be able to do the fifth one in

815
00:42:06,239 --> 00:42:09,719
this physical year. We'll see, Okay, writing I would say,

816
00:42:10,719 --> 00:42:13,360
but yeah, it might be a Christmas, it might be

817
00:42:13,760 --> 00:42:15,199
a very Christmas. Who knows.

818
00:42:15,360 --> 00:42:19,320
Speaker 1: Yeah, yeah, very sharky Christmas, very sharky Christmas.

819
00:42:19,599 --> 00:42:26,639
Speaker 8: Right right, Well we should uh, we should play another one.

820
00:42:26,679 --> 00:42:28,719
What do you guys want to play next? We'll hear

821
00:42:28,719 --> 00:42:32,679
another studio track here so here so so yeah, yeah, yeah,

822
00:42:32,760 --> 00:42:34,960
we were talking about this one earlier. What should we

823
00:42:35,039 --> 00:42:36,360
know about this before we hear it anything.

824
00:42:36,360 --> 00:42:37,559
Speaker 6: I always thought it was going to be like the

825
00:42:37,679 --> 00:42:38,119
radio hit.

826
00:42:39,119 --> 00:42:39,599
Speaker 1: Really yeah.

827
00:42:39,679 --> 00:42:41,719
Speaker 6: I thought it was the closest we've come to like

828
00:42:41,840 --> 00:42:43,440
a standard format.

829
00:42:43,920 --> 00:42:46,800
Speaker 1: It's pretty solidly there. It's it's yeah, a little bit

830
00:42:46,880 --> 00:42:48,960
less heavy, Yeah, it's a bit less heavy.

831
00:42:49,039 --> 00:42:49,280
Speaker 3: It is.

832
00:42:49,440 --> 00:42:52,960
Speaker 1: Again, like I said before, the music for this album

833
00:42:53,920 --> 00:42:56,880
and lyrical content was a lot darker. So this one

834
00:42:57,079 --> 00:43:00,599
is about a lot of people in the world, know this,

835
00:43:01,119 --> 00:43:04,599
somebody cheating on you with their cell phone and you know,

836
00:43:04,880 --> 00:43:07,119
you're laying in bed, you just got home from a

837
00:43:07,159 --> 00:43:09,159
fifteen hour shift and you lay down and you're like,

838
00:43:09,280 --> 00:43:11,239
why are they on their phone? It's three in the morning.

839
00:43:11,800 --> 00:43:14,320
What is going And that's you know, the whole thing.

840
00:43:14,480 --> 00:43:18,599
Is somebody using their cell phone to be a dirt bag,

841
00:43:18,679 --> 00:43:21,639
you know, to not be a good person, and yeah

842
00:43:22,159 --> 00:43:24,719
it stinks absolutely Well.

843
00:43:24,679 --> 00:43:26,320
Speaker 8: Yeah this will be relatable for a lot of people,

844
00:43:26,400 --> 00:43:28,480
no doubt, no doubt. Well let's give this a spend.

845
00:43:28,679 --> 00:43:30,519
If you are just joining us, we have trall here

846
00:43:30,559 --> 00:43:33,719
with us in studio and this is called cell.

847
00:43:57,719 --> 00:44:01,840
Speaker 3: Righting s no.

848
00:44:03,760 --> 00:44:05,440
Speaker 4: Snow and so.

849
00:44:07,480 --> 00:44:08,159
Speaker 10: So nice.

850
00:44:09,480 --> 00:44:11,920
Speaker 5: I'm got to say something.

851
00:44:13,719 --> 00:44:15,679
Speaker 7: I get some sounding too.

852
00:44:17,920 --> 00:44:20,079
Speaker 3: It's a potamous.

853
00:44:22,159 --> 00:44:27,000
Speaker 5: So that's not drama stick but I know this.

854
00:44:27,559 --> 00:44:36,360
Speaker 2: I'm going there when we set time, I mean, miles,

855
00:44:39,239 --> 00:44:39,880
I'm joying.

856
00:44:42,519 --> 00:45:03,400
Speaker 5: I got. It's telling me.

857
00:45:05,440 --> 00:45:06,880
Speaker 2: Go live there.

858
00:45:08,400 --> 00:45:10,480
Speaker 7: In a Saturn world.

859
00:45:11,519 --> 00:45:14,760
Speaker 2: Whither's word and deal and snake?

860
00:45:15,039 --> 00:45:18,880
Speaker 5: That's tad and what you did was lost.

861
00:45:20,079 --> 00:45:22,239
Speaker 10: I'm gonna show yourself.

862
00:45:24,360 --> 00:45:25,599
Speaker 5: I guess I'm solid.

863
00:45:28,480 --> 00:45:29,119
Speaker 10: It's no w.

864
00:45:32,760 --> 00:45:34,639
Speaker 3: Sus my life for you.

865
00:45:36,760 --> 00:45:38,960
Speaker 8: Well, I know this time come up.

866
00:45:41,119 --> 00:45:47,280
Speaker 2: O when we set time night, I'm miles of.

867
00:45:49,880 --> 00:45:53,639
Speaker 5: I'm going mine. I got.

868
00:46:30,679 --> 00:46:35,760
Speaker 7: I can say your son, but I guess it's.

869
00:46:35,719 --> 00:46:40,440
Speaker 5: Soundly to liston what it is.

870
00:46:43,159 --> 00:46:49,639
Speaker 2: Besides, well I know the stall daughter.

871
00:46:51,679 --> 00:46:52,639
Speaker 3: Go wait.

872
00:46:57,199 --> 00:47:06,840
Speaker 5: My son, are you doing? Going on?

873
00:47:15,199 --> 00:47:32,320
Speaker 8: So the band is troll and that is really really good.

874
00:47:32,360 --> 00:47:34,639
I can see, I can see where you guys would think,

875
00:47:34,679 --> 00:47:36,760
you know, this might be a radio hit because that's yeah,

876
00:47:36,760 --> 00:47:40,360
it's catchy as hell, really good and relatable, you know,

877
00:47:40,480 --> 00:47:43,639
lyrics as we were talking about before, so all.

878
00:47:43,559 --> 00:47:45,320
Speaker 6: That good nineties music we grew up listening to.

879
00:47:45,480 --> 00:47:47,000
Speaker 1: Oh yeah, no doubt, no doubt.

880
00:47:47,119 --> 00:47:51,679
Speaker 8: Absolutely absolutely. So what's what's what's next for you guys? Like,

881
00:47:51,760 --> 00:47:54,239
what's kind of the short term or the long term?

882
00:47:54,480 --> 00:47:55,199
Speaker 1: Much future?

883
00:47:56,840 --> 00:47:57,880
Speaker 8: Right he owes you a hot dog?

884
00:47:58,000 --> 00:48:04,880
Speaker 1: Yes, well, long longer term. I mean, we're just gonna

885
00:48:04,960 --> 00:48:09,360
keep grinding away at what we're doing. We're having fun

886
00:48:09,400 --> 00:48:13,199
writing music together. We're doing just what we want to do.

887
00:48:13,519 --> 00:48:15,880
And it's weird to say that as a band because

888
00:48:16,079 --> 00:48:18,159
we've all been in bands where it's like, okay, just

889
00:48:18,320 --> 00:48:21,119
just keep working, just work, and it's like, this isn't

890
00:48:21,199 --> 00:48:25,320
work anymore. It's it's fun. We go to practice, we

891
00:48:26,320 --> 00:48:29,639
hang out for a bit, you know, talk about crap,

892
00:48:29,920 --> 00:48:32,239
and then we write these great songs that we have

893
00:48:32,400 --> 00:48:35,920
fun writing and recording. And I think, I mean, we've

894
00:48:36,000 --> 00:48:39,280
got a really good slew of shows this year set up.

895
00:48:39,400 --> 00:48:42,639
Speaker 9: It's definitely the year of the shows, definitely. Yeah, I

896
00:48:42,679 --> 00:48:46,079
think it's shaping up to be probably our busiest year

897
00:48:46,239 --> 00:48:50,639
ever nice in terms of shows. You know, we we

898
00:48:50,760 --> 00:48:53,719
were just getting going before the pandemic. You know, we

899
00:48:53,800 --> 00:48:56,559
had like one solid year to really play and then

900
00:48:56,639 --> 00:48:58,880
from then, you know, it was kind of a gradual

901
00:48:59,079 --> 00:49:04,039
slow climb back to normal, you know, playing shows. But

902
00:49:04,159 --> 00:49:06,280
this year is shaping up to you know, we're just

903
00:49:06,440 --> 00:49:09,079
we're taking on a good amount of shows, and and

904
00:49:09,559 --> 00:49:12,920
not necessarily because we've done we've had the honor of

905
00:49:13,000 --> 00:49:15,719
doing some bigger stuff. We've you know, open for some

906
00:49:15,880 --> 00:49:19,679
cool national acts and things. But this year it's really

907
00:49:19,760 --> 00:49:22,760
been a lot about our own shows, you know, building

908
00:49:22,800 --> 00:49:26,239
our own shows and figuring out kind of our way

909
00:49:26,360 --> 00:49:29,800
to be sustainable, no matter if we're playing at a

910
00:49:29,960 --> 00:49:33,039
big room or a small room with a killer PA

911
00:49:33,400 --> 00:49:36,639
sounds some more like barely any sound system, you know,

912
00:49:36,800 --> 00:49:39,280
just learning how to be you know, work together as

913
00:49:39,320 --> 00:49:40,960
a team and be super sustainable.

914
00:49:41,039 --> 00:49:44,119
Speaker 1: And not only that, just just focus on having fun.

915
00:49:44,519 --> 00:49:46,639
That's the big thing. Every show we've played this year,

916
00:49:47,880 --> 00:49:51,320
it's just the main priority. Like, yes, there's four people here,

917
00:49:51,760 --> 00:49:53,920
just have fun. Yeah, just have fun, because guess what

918
00:49:54,679 --> 00:49:56,920
four people or four thousand people if you put on

919
00:49:56,960 --> 00:50:00,480
the same show and have fun. Everyone will know it

920
00:50:00,599 --> 00:50:04,880
and feel it. And we've had shows in recent memory

921
00:50:04,920 --> 00:50:06,760
that we're like, yeah, there is four people here, so

922
00:50:06,840 --> 00:50:09,440
this is a really fancy practice. But we're just gonna

923
00:50:09,440 --> 00:50:12,039
still have fun with it because if I'm not putting

924
00:50:12,119 --> 00:50:15,280
my all on the stage, I know people will notice it, right,

925
00:50:15,400 --> 00:50:18,480
And Adam will definitely feed off of my energy, and

926
00:50:18,519 --> 00:50:20,480
I feed off of his, and justin I mean we

927
00:50:20,559 --> 00:50:22,519
all feed off of each other. When the songs start

928
00:50:22,599 --> 00:50:25,320
going and our sample pad hits and we hear like

929
00:50:25,519 --> 00:50:29,760
the intros we use and all the sound effects, Yeah,

930
00:50:29,840 --> 00:50:32,800
we have into this groove and we can like look

931
00:50:32,840 --> 00:50:36,000
at each other and it's just like this almost like a.

932
00:50:37,840 --> 00:50:38,079
Speaker 6: Like a.

933
00:50:39,639 --> 00:50:42,800
Speaker 1: A crap eating grin where you're just like, we're gonna

934
00:50:42,880 --> 00:50:45,199
have fun. Yeah, and it's just you look at each

935
00:50:45,239 --> 00:50:49,400
other and then it's like there goes and again having fun.

936
00:50:50,159 --> 00:50:53,239
It relaxes you when you're on stage. I've been I

937
00:50:53,360 --> 00:50:55,639
know we've had shows where we've traveled like two hours

938
00:50:55,719 --> 00:50:58,519
to get there. Yeah, it's stressful. You're driving for two

939
00:50:58,599 --> 00:51:00,519
hours and you don't know if anything is going to show,

940
00:51:00,639 --> 00:51:01,840
and then all of a sudden you look out there

941
00:51:01,880 --> 00:51:03,440
and you're like, wow, there's a lot of people here.

942
00:51:03,639 --> 00:51:03,840
Speaker 8: Yep.

943
00:51:04,800 --> 00:51:07,119
Speaker 1: Oh, there's our sound effect. It's rolling. And I look

944
00:51:07,159 --> 00:51:09,159
back at Adham and he's just smiling, and then I

945
00:51:09,239 --> 00:51:11,480
look at Seth and he's got the same smile on.

946
00:51:11,559 --> 00:51:13,880
And Justin just looks at me like, don't fall on

947
00:51:14,000 --> 00:51:17,920
my stuff, like don't touch me. Yeah, and then we

948
00:51:18,039 --> 00:51:22,480
get going and it's it's fun. We have fun. That's it.

949
00:51:22,719 --> 00:51:25,280
Speaker 8: Yeah, I can say, no, that's that's great. That's the key.

950
00:51:25,440 --> 00:51:28,679
That's the key, right, What should people know about where

951
00:51:28,719 --> 00:51:30,519
to find you guys online? And where's the best place

952
00:51:30,599 --> 00:51:34,159
to go? So best place to go trollband dot com.

953
00:51:34,800 --> 00:51:37,239
It's got everything, all of our links to all of

954
00:51:37,280 --> 00:51:40,280
our social media. It's a good website. By the way,

955
00:51:40,280 --> 00:51:43,320
I'm a web design nerd. I pay a lot of it.

956
00:51:43,360 --> 00:51:45,599
I'm like like like the guy from Rock, except I

957
00:51:45,679 --> 00:51:51,000
critique websites. But it's a good site because I say

958
00:51:51,039 --> 00:51:52,760
that because there's a lot of a lot of musicians,

959
00:51:52,800 --> 00:51:55,159
as I'm sure you guys know, have terrible websites and

960
00:51:55,199 --> 00:51:56,440
it's like, oh my god, what are you doing?

961
00:51:58,280 --> 00:52:00,360
Speaker 9: Yeah, so yeah, that's the best hub to go. We're

962
00:52:00,360 --> 00:52:03,119
also on all the all the sites out there, you know,

963
00:52:03,159 --> 00:52:05,440
everything from like the Spotify and your Apple Music and

964
00:52:05,519 --> 00:52:08,679
your band camp and but and then you know, we're

965
00:52:08,719 --> 00:52:11,039
out there brick and mortar record stores as well, all

966
00:52:11,320 --> 00:52:11,960
those outlets.

967
00:52:12,480 --> 00:52:14,920
Speaker 1: So yeah, come bind us on all the social medias.

968
00:52:14,960 --> 00:52:15,559
Speaker 9: Yeah, find us.

969
00:52:15,800 --> 00:52:18,000
Speaker 1: Yeah, we love hanging you know, we love talking with people.

970
00:52:18,320 --> 00:52:22,760
We make friends like Nate Dog. Shout out, shout out

971
00:52:22,800 --> 00:52:25,920
Nate Dog. But we love you know, we love interacting

972
00:52:26,000 --> 00:52:29,119
with people, and and just hit us up. We love

973
00:52:29,199 --> 00:52:31,039
talking to people. If you find our music and you

974
00:52:31,119 --> 00:52:33,199
dig it, let us know. We love to hear it

975
00:52:33,320 --> 00:52:37,079
because it makes us feel like we did right by going, hey,

976
00:52:37,159 --> 00:52:39,559
this was fun to write. And then yeah, somebody's like

977
00:52:39,639 --> 00:52:42,159
that song really cool. It's like, okay, we didn't we

978
00:52:42,239 --> 00:52:43,400
didn't miss this one, right.

979
00:52:43,360 --> 00:52:51,000
Speaker 8: Right, Yeah, yeah, exactly exactly. Like, well, listen, I want

980
00:52:51,039 --> 00:52:52,199
to thank all four of you for coming in.

981
00:52:52,320 --> 00:52:53,000
Speaker 9: This has been great.

982
00:52:53,360 --> 00:52:55,239
Speaker 8: Sean Adam Seth justin.

983
00:52:55,159 --> 00:52:56,840
Speaker 9: Thank you all, thank you for having me, thank you,

984
00:52:56,880 --> 00:52:57,440
thank you so much.

985
00:52:57,480 --> 00:52:59,639
Speaker 8: Absolutely thank you for for coming all this way too.

986
00:52:59,719 --> 00:53:01,440
That's you know, it's a little bit of a haul

987
00:53:01,480 --> 00:53:03,559
in the rain. So I really appreciate you guys, and

988
00:53:03,599 --> 00:53:05,760
we will of course close out the segment with let's

989
00:53:05,760 --> 00:53:07,679
see what can we ow sos that's the one we

990
00:53:07,719 --> 00:53:11,000
have not played yet, And what should we know about

991
00:53:11,000 --> 00:53:12,400
this one anything, Here's the deep.

992
00:53:12,280 --> 00:53:14,679
Speaker 1: One, here's the Here's well, this is the second deep one.

993
00:53:14,679 --> 00:53:17,159
I'd say on the album. The one track that I

994
00:53:17,239 --> 00:53:19,400
think you mentioned you might play later is called Nova.

995
00:53:19,519 --> 00:53:24,159
That one's for loss. If you've ever lost anyone, family, friend, pet,

996
00:53:24,480 --> 00:53:28,960
It's it's not meant to be happy. I We'll save

997
00:53:29,039 --> 00:53:30,400
that for the next time we come down here to

998
00:53:30,440 --> 00:53:34,400
talk with you, Matt. But SOS is it's written from

999
00:53:34,400 --> 00:53:36,760
a very dark place in my own and honestly, the

1000
00:53:36,840 --> 00:53:39,280
one thing I will say about this song is if

1001
00:53:39,360 --> 00:53:47,679
you need help, ask for help. Yes, whether it's mental, financial, religious,

1002
00:53:47,840 --> 00:53:50,519
it doesn't matter. There are people in this world who

1003
00:53:50,559 --> 00:53:52,519
will talk to you, who will listen to you, who

1004
00:53:52,559 --> 00:53:55,280
will help you. And if you don't ask for help,

1005
00:53:55,400 --> 00:53:57,960
what are you doing. You're messing yourself up. You're not

1006
00:53:58,159 --> 00:54:01,719
getting the energy that you need in your life to

1007
00:54:01,920 --> 00:54:05,599
be a good person, to go further and maybe change

1008
00:54:05,639 --> 00:54:08,960
somebody else's life. Yes, I know from writing the lyrics

1009
00:54:09,000 --> 00:54:13,599
to this song, I was in a very bad place,

1010
00:54:14,079 --> 00:54:16,000
and honestly, it was I don't remember who it was

1011
00:54:16,079 --> 00:54:17,880
in the band, but somebody sent me a message and

1012
00:54:17,960 --> 00:54:20,960
it just changed. It flipped the switch and it was

1013
00:54:21,519 --> 00:54:22,679
I was going to get you a hot there it is.

1014
00:54:23,199 --> 00:54:27,679
It was a hot dog talk, but it changed perspective

1015
00:54:27,760 --> 00:54:31,679
and gave me a new focus to keep my head

1016
00:54:31,800 --> 00:54:34,719
above ground. And honestly, if it weren't for these guys,

1017
00:54:34,840 --> 00:54:37,000
these are my best friends. If it weren't for these guys,

1018
00:54:37,000 --> 00:54:39,960
I wouldn't be here. And this song is my way

1019
00:54:40,000 --> 00:54:43,079
of saying, if you need help, please please, For the

1020
00:54:43,159 --> 00:54:45,440
love of whoever you pray to, it doesn't matter.

1021
00:54:45,639 --> 00:54:45,880
Speaker 10: Ask.

1022
00:54:47,039 --> 00:54:49,599
Speaker 1: There are priests, they are a psychologists. There's your best friend,

1023
00:54:49,639 --> 00:54:51,880
there's your mother, your father, your brother, your sister, your dog,

1024
00:54:52,000 --> 00:54:55,119
your cat, your bartender, your bartender, your bearded dragon, or

1025
00:54:55,599 --> 00:54:59,239
the urn that's on your mantle that is your great grandmother. Yeah,

1026
00:54:59,599 --> 00:55:04,000
talk to somebody because getting that help can change your

1027
00:55:04,280 --> 00:55:07,639
entire world, and you may end up doing something that

1028
00:55:07,760 --> 00:55:10,280
changes somebody else's world that keeps them here. And that

1029
00:55:10,440 --> 00:55:13,599
person who knows, they could cure cancer, they could be

1030
00:55:13,760 --> 00:55:17,000
the next president, they could be who knows. But if

1031
00:55:17,039 --> 00:55:20,559
you don't ask for help, you're just shooting yourself in

1032
00:55:20,639 --> 00:55:24,119
the foot and it's not okay. So talking is huge

1033
00:55:24,239 --> 00:55:27,880
and mental health is a big thing that is still

1034
00:55:28,360 --> 00:55:33,320
stigmatized negatively. Absolutely, So if you have even here, I'll

1035
00:55:33,360 --> 00:55:35,400
say it right now. If you want to talk to us,

1036
00:55:35,519 --> 00:55:38,000
we'll listen. Get us up on all our social media's,

1037
00:55:38,320 --> 00:55:41,000
send us an email, we'll talk with you. We have.

1038
00:55:41,920 --> 00:55:43,519
Speaker 9: We've done it a lot too. You know, people have

1039
00:55:43,599 --> 00:55:47,960
reached out and it's something that like I'm proud of that, Like,

1040
00:55:48,199 --> 00:55:50,719
you know, since this song has come out, said a

1041
00:55:50,760 --> 00:55:52,079
lot of people kind of reach out to us.

1042
00:55:52,280 --> 00:55:52,480
Speaker 10: Wow.

1043
00:55:52,639 --> 00:55:54,880
Speaker 1: And some good friends of ours have reached out.

1044
00:55:55,039 --> 00:55:55,239
Speaker 8: Wow.

1045
00:55:55,559 --> 00:55:57,599
Speaker 9: I absolutely I love that aspect of it, Like, please

1046
00:55:57,679 --> 00:55:59,519
reach out to us. We'd love to talk, you know,

1047
00:55:59,639 --> 00:56:01,440
with you about anything. It doesn't have to be about

1048
00:56:01,679 --> 00:56:03,880
deep stuff. It could just be like talk about our

1049
00:56:03,880 --> 00:56:05,039
favorite music corners, had a.

1050
00:56:05,159 --> 00:56:07,639
Speaker 1: Terrible day, my car broke down, Like yeah, we'll talk

1051
00:56:07,639 --> 00:56:09,840
about you. Yeah, come to a show and talk to us.

1052
00:56:09,840 --> 00:56:11,719
Because that's even better because then if you need a

1053
00:56:11,840 --> 00:56:15,679
hug because you're feeling depressed enough that you might try

1054
00:56:15,760 --> 00:56:18,400
to do something, I'll hug the crap out of you.

1055
00:56:18,719 --> 00:56:21,199
I'll stand there all night and drink PEPSI and hug you.

1056
00:56:21,480 --> 00:56:22,280
Speaker 6: I'm hugged bunny.

1057
00:56:22,360 --> 00:56:25,719
Speaker 1: Yeah, hug bunny right there. It's we want people to

1058
00:56:25,800 --> 00:56:29,400
be here because not only are you here, but you

1059
00:56:29,519 --> 00:56:32,519
can make a difference in this world, whether it's positive

1060
00:56:32,760 --> 00:56:36,239
negative it you might change the whole perspective of somebody's life.

1061
00:56:36,400 --> 00:56:36,599
Speaker 9: Yeah.

1062
00:56:36,920 --> 00:56:39,239
Speaker 1: If you just take one second to send a text message,

1063
00:56:39,559 --> 00:56:43,239
a phone call, an email, drive twenty minutes to your

1064
00:56:43,440 --> 00:56:46,000
your grandmother's house and see how she's doing, sit down

1065
00:56:46,039 --> 00:56:49,320
with her. Yeah, what are you doing. You're making somebody's

1066
00:56:49,400 --> 00:56:51,559
day better and it could be your day. Yeah, so

1067
00:56:51,960 --> 00:56:53,239
ask for help. That's what I'm saying.

1068
00:56:53,320 --> 00:56:56,480
Speaker 8: No, very very well said. I love it. I absolutely

1069
00:56:56,559 --> 00:56:59,800
love it. Awesome. Well, now I'm especially excited to play this.

1070
00:57:00,199 --> 00:57:01,480
So guys, thank you again.

1071
00:57:01,840 --> 00:57:02,719
Speaker 9: This is S O S.

1072
00:57:03,159 --> 00:57:05,280
Speaker 8: The band is Stroll and thank you so much.

1073
00:57:05,360 --> 00:57:06,599
Speaker 9: Guys, thank you, thank you.

1074
00:57:58,719 --> 00:58:14,320
Speaker 4: Try shoot umbo only set up shairs my friends, because.

1075
00:58:16,880 --> 00:58:24,239
Speaker 5: I think I.

1076
00:58:31,599 --> 00:58:45,920
Speaker 7: So how it Rob, I'm not selling, I'm.

1077
00:58:45,800 --> 00:58:46,960
Speaker 10: Getting stop.

1078
00:58:51,639 --> 00:58:55,360
Speaker 1: All these team bands inside.

1079
00:58:57,840 --> 00:58:59,760
Speaker 5: Boys just coming up.

1080
00:59:06,440 --> 00:59:07,719
Speaker 4: That's a rush of.

1081
00:59:37,119 --> 00:59:38,440
Speaker 7: Cow mead in Selma.

1082
00:59:40,639 --> 00:59:42,079
Speaker 10: You know, I'm media and Salmon.

1083
00:59:44,559 --> 00:59:45,800
Speaker 5: I'm mean in Salmon.

1084
00:59:50,559 --> 00:59:53,840
Speaker 4: All the patients in the world, they could have stopped

1085
00:59:53,840 --> 00:59:58,800
the monsters to night. The blasting gets burning inside.

1086
00:59:58,440 --> 01:00:05,280
Speaker 7: Out, telling you cold help some wich. Why couldn't I

1087
01:00:05,480 --> 01:00:06,199
ask for help?

1088
01:00:06,960 --> 01:00:08,360
Speaker 4: Why was I selfish?

1089
01:00:09,119 --> 01:00:10,199
Speaker 3: Why did I hurt them?

1090
01:00:10,880 --> 01:00:13,960
Speaker 7: Why didn't I show the pay? Why do I go

1091
01:00:14,159 --> 01:00:16,719
from here? Why can't I be normal?

1092
01:00:17,639 --> 01:00:18,480
Speaker 5: Why do I hurt?

1093
01:00:20,360 --> 01:00:21,840
Speaker 1: Why don't we hurt.

1094
01:00:23,159 --> 01:00:23,199
Speaker 3: You?

1095
01:00:23,480 --> 01:00:25,400
Speaker 5: Why aren't we nor about?

1096
01:00:27,519 --> 01:00:27,800
Speaker 10: Bye?

1097
01:00:27,880 --> 01:00:29,679
Speaker 3: Why bye?

1098
01:00:29,920 --> 01:00:30,440
Speaker 5: Ate out.

1099
01:00:31,760 --> 01:00:41,440
Speaker 1: What I'm feeling, And I've feen so well.

1100
01:00:42,960 --> 01:00:55,440
Speaker 7: See I mean by n.

1101
01:01:05,800 --> 01:01:28,039
Speaker 5: Y Dower, I'm.

1102
01:01:20,880 --> 01:01:25,440
Speaker 7: Mating door, can't ask us for

1103
01:01:28,000 --> 01:01:29,159
Speaker 6: I'm playing more