WEBVTT

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<v Speaker 1>Tired from a strenuous weekend spring fever. Give you the wanderlust,

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<v Speaker 1>want to get away from it all? We offer you escape.

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<v Speaker 2>You are hanging by your fingertips on the sheer face

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<v Speaker 2>of a nice cliff, suspended one thousand feet above instant death,

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<v Speaker 2>with your strength running out and with no chance for escape.

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<v Speaker 1>Escape designed to free you from the four walls of

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<v Speaker 1>today for a half hour of high adventure.

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<v Speaker 2>Tonight, we escape to the cold, loneliness of a glacier

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<v Speaker 2>high and Swiss Alps, and to a man who learned

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<v Speaker 2>much about death, As told in C. E. Montague's Grim

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<v Speaker 2>Story Action.

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<v Speaker 3>I.

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<v Speaker 2>In the Swiss Alps, well above twelve thousand feet, a

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<v Speaker 2>man clings with desperation to the frozen glass wall of

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<v Speaker 2>the Challioch Glacier, hands and feet jammed into shallow steps

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<v Speaker 2>chopped an iron hard ice. A cold wind drives a

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<v Speaker 2>spray of dusty sleet along the overhanging wall, and the

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<v Speaker 2>sun has fallen away among the crags to the west.

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<v Speaker 2>Darkness lies one hour ahead. The man has climbed with

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<v Speaker 2>painful care, a thousand feet up the glacier's face. From

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<v Speaker 2>the broken moraine at the foot is moved now on

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<v Speaker 2>to the underside of a great bulge in the ice,

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<v Speaker 2>a part of the wall which breaks out beyond the perpendicular,

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<v Speaker 2>and the man is forced to hang from slots cut

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<v Speaker 2>by his axe, much as a sloth hangs from a

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<v Speaker 2>tree branch. Twelve more feet lie between.

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<v Speaker 4>Him and the brow of the overhang.

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<v Speaker 2>Six more steps to be chopped out with the axe,

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<v Speaker 2>and a thousand feet of void space waits beneath him.

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<v Speaker 2>A man is unable to lift his heavy axe for

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<v Speaker 2>even one more stroke. He's tired, and he's fifty two

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<v Speaker 2>years old. No experienced mountaineer would ever attempt the west

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<v Speaker 2>face of the Chaiyotte Glacier. And yet this man is

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<v Speaker 2>an experienced mountaineer. But why why? What strange events have

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<v Speaker 2>conspired to bring him along the path of his life

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<v Speaker 2>and leave him hanging now in peril on the brink

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<v Speaker 2>of eternity? Through What shadows has that path led him?

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<v Speaker 2>And where are those who saw him pass? Can we

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<v Speaker 2>ourselves move back along it? Move back, step by step

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<v Speaker 2>against the river of time, move backward along.

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<v Speaker 3>The life path of Christopher Belle. My name is Jean Valjele,

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<v Speaker 3>and I am a guide for all the mountain trails

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<v Speaker 3>on the vice and the shelley arm. I talked with

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<v Speaker 3>mister Bell this morning as he was leaving the village,

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<v Speaker 3>though of course at the time I did not know

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<v Speaker 3>that was his name.

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<v Speaker 4>The season is over, you understand.

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<v Speaker 3>Winter will come in another week or two, and most

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<v Speaker 3>all the visitors are gone, so you see, I was

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<v Speaker 3>very surprised to hear a stranger call out to me

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<v Speaker 3>in English. I mean a good morning, sir, Good morning.

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<v Speaker 3>I'm glad to see there's at least one of the

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<v Speaker 3>early riser in the village. Besides myself, only.

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<v Speaker 4>A few people out left in the village.

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<v Speaker 3>Sir. It is the end of summer. The end of summer.

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<v Speaker 3>Oh well, I know it. By the way, which are

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<v Speaker 3>these paths? Takes me to the foot of the sholier,

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<v Speaker 3>the one on the left. But you will find no

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<v Speaker 3>climbing there, sir. One arrives very soon at the glacier

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<v Speaker 3>and can go no farther, except of course, to climb

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<v Speaker 3>up it glacier.

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<v Speaker 4>That is impossible. It has never been.

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<v Speaker 3>Done, of course, it's never been tried. Well, there is

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<v Speaker 3>not anyone who would be so foolish. It isn't that

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<v Speaker 3>there are plenty of foolish people in the world, but

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<v Speaker 3>even they hold on to their margin of safety. Margin

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<v Speaker 3>of safety, yes, the difference between the point where a

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<v Speaker 3>man thinks he's reached his limit and the point where

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<v Speaker 3>the limit rarely is.

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<v Speaker 4>I mean, I'm afraid I do not understand.

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<v Speaker 5>This all right.

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<v Speaker 3>I'll take a mountain air such as yourself. Now, you

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<v Speaker 3>look at a slope, you estimate the effort needed to

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<v Speaker 3>climb it. Then you estimate your own endurance. And if

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<v Speaker 3>there isn't a good sized safety factor, you just don't

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<v Speaker 3>make the climb.

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<v Speaker 4>But it would be foolish not to do so.

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<v Speaker 5>I say, it's all tied up in the fear of death. HM.

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<v Speaker 3>Take that out of a man for one instant. There's

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<v Speaker 3>no telling what he might be able to do, what

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<v Speaker 3>blimity might reach. And how should a man lose that feel?

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<v Speaker 4>He can't.

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<v Speaker 5>He can't lose.

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<v Speaker 3>It has to be done for him by by things outside.

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<v Speaker 4>He turned and left me.

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<v Speaker 3>Then this, this mister Bell walked up the path toward

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<v Speaker 3>the glacier, And that was early this morning, and I

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<v Speaker 3>did not see him again. His talk with me made

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<v Speaker 3>no sense, and I could not understand what he meant

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<v Speaker 3>to do or why he was going to do it.

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<v Speaker 3>I remember thinking, Ah, what a strange man. But I

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<v Speaker 3>know really nothing more about him. I believe he arrived

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<v Speaker 3>in the village only last night and took a room

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<v Speaker 3>in the xenial.

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<v Speaker 4>Even Ah, my.

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<v Speaker 6>Name is greater than Gospar. And I'm staying out the

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<v Speaker 6>week here in Zennaw to close up the inn for

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<v Speaker 6>the winter. I have known mister Bell for the last

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<v Speaker 6>thirty years, always before he came in a summer season

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<v Speaker 6>for the climbing, and I was most surprised when you

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<v Speaker 6>arrived last night. I opened one of the rooms and

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<v Speaker 6>found something for him to eat, and then later we

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<v Speaker 6>sat and talked in front of the fire in a

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<v Speaker 6>big empty lounge.

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<v Speaker 5>This is very good coffee, Madame Gaspar.

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<v Speaker 7>Oh, thank you, mister Bell.

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<v Speaker 6>Had you let me know, I would have had everything

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<v Speaker 6>ready for you, just like all the other times, Like.

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<v Speaker 3>All other times. Eh, this one's a little different, Madame Gaspar.

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<v Speaker 3>You might call it a special visit. Ah.

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<v Speaker 6>It is all so different now from the old days.

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<v Speaker 6>Then it was you and your madam would come here,

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<v Speaker 6>and it was Gousper and I and the summer seemed

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<v Speaker 6>to last forever.

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<v Speaker 5>I thought everything would be forever. When she was alive.

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<v Speaker 3>Now.

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<v Speaker 5>I am rarely alone in.

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<v Speaker 7>The world as I am, and it is not good

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<v Speaker 7>to be alone.

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<v Speaker 8>It gives one little reason for living.

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<v Speaker 7>And it makes one no longer afraid of dying.

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<v Speaker 3>Yes, but there are stronger reasons for that than just

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<v Speaker 3>being alone.

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<v Speaker 7>Mister Bell, you look so strange. Is there something troubling you?

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<v Speaker 5>I know, not now. Oh there may have been, but

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<v Speaker 5>not now.

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<v Speaker 3>Well. I shall be leaving quite early in the morning

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<v Speaker 3>for a climb, so I think.

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<v Speaker 5>I'll go on to bed. Good night, Madame Caspar.

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<v Speaker 7>Mister Gosper left the inn this morning before I wakened

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<v Speaker 7>and have not seen him again.

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<v Speaker 6>I have never known him to act so strange before.

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<v Speaker 6>I have no idea what the reason is or what

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<v Speaker 6>he may be planning to do, but I'm sure something

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<v Speaker 6>is troubling him. Perhaps it may be something connected with

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<v Speaker 6>his business back in London.

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<v Speaker 9>My name is Matthew Bruff. I have been chief clerk

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<v Speaker 9>and mister Belt's run in office over the past twenty

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<v Speaker 9>five years. I've always found him to be a considerate,

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<v Speaker 9>independable employer. I've never noticed anything you might call unusual

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<v Speaker 9>about him until one day, about three weeks ago, mister

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<v Speaker 9>Bell entered the establishment a bit late, as I recall,

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<v Speaker 9>and passed immediately into his own office without acknowledging my

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<v Speaker 9>customary greeting.

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<v Speaker 5>A little while afterward, he sent for me, Well, Matthew,

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<v Speaker 5>where do we go from here? I can't say that

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<v Speaker 5>I follow you, mister Bell, And.

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<v Speaker 3>I mean the company is on a steady footing, so

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<v Speaker 3>if we use our heads at all, we don't stand

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<v Speaker 3>much chance of losing anything. Our position is quite secure.

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<v Speaker 3>On the other hand, we can't expect to do any

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<v Speaker 3>more growing. We're through expanding from now on.

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<v Speaker 5>It's just a matter of operation. Oh, most enviable conditions up,

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<v Speaker 5>Who is it?

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<v Speaker 3>There's nothing more to look forward to, nothing more to

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<v Speaker 3>work for. So, as I said, where.

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<v Speaker 5>Do we go from here?

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<v Speaker 3>Matthew, I'm putting you in charge of the business, turning

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<v Speaker 3>it over to you effective this week.

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<v Speaker 4>Mister Bell, you can't possibly.

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<v Speaker 5>Mean though, Yes, I've just decided.

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<v Speaker 3>But what are you going to do? I'm taking a trip.

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<v Speaker 3>I'm I'm going to Switzerland climb a mountain.

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<v Speaker 5>Oh oh, well, then at least it's only temporary, just

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<v Speaker 5>for whatever.

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<v Speaker 4>Time you're gone.

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<v Speaker 5>That's right, it's for whatever time I'm gone. Just for

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<v Speaker 5>whatever time I'm gone.

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<v Speaker 9>Before the end of the week, he had arranged all

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<v Speaker 9>the necessary papers and had left London. I haven't heard

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<v Speaker 9>a word from him since, though I'd presume he's somewhere

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<v Speaker 9>in Switzerland. Actually, however, I haven't the faintest idea where

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<v Speaker 9>mister Bell may be.

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<v Speaker 2>Right at this moment, minutes pass on the glacier, and

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<v Speaker 2>the shadows grow longer from the jagged peaks to the

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<v Speaker 2>west of the Shaiof Glacier and reach out with dark

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<v Speaker 2>fingers toward the man who clings to the icy wall

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<v Speaker 2>while his pounding heart beats out the number of his

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<v Speaker 2>time on Earth. Already those shadows have flowed into the

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<v Speaker 2>awful depths below his swaying figure, blurring the sharp points

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<v Speaker 2>of the tumbled rocks a thousand feet down and making

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<v Speaker 2>the harsh void seem soft and inviting.

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<v Speaker 5>The man's thoughts had grown.

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<v Speaker 2>As unwieldy as the heavy ice axe gripped in his hand.

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<v Speaker 2>He keeps trying to remember that he is Christopher Bell,

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<v Speaker 2>the human being, and not a part of this free

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<v Speaker 2>and empty space. Bo He knows if he stops remembering

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<v Speaker 2>that he may forget all else too, and then let go.

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<v Speaker 9>There's been no reason for trying to locate mister Belson's.

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<v Speaker 9>Nothing of very importance has occurred during these three weeks.

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<v Speaker 4>I'm sure he's quite all right.

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<v Speaker 9>Only one thing still puzzles me a bit, the remarkable

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<v Speaker 9>change in him on that morning three weeks ago. I

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<v Speaker 9>never heard him talk like that before, and whatever the

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<v Speaker 9>reason for it, I am quite sure it was something

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<v Speaker 9>that had happened that morning before he came to the office.

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<v Speaker 10>My name is John Hutsford, and I've been a conductor

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<v Speaker 10>on the Westminster route for some fourteen years now, and

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<v Speaker 10>during all that time, mister Bell has been a daily

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<v Speaker 10>persenger of mine. On the early morning in band Run,

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<v Speaker 10>as I recall it, the first time anything you might

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<v Speaker 10>say added the way you ever happened between us was

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<v Speaker 10>one morning about three weeks ago, I saw mister Bell

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<v Speaker 10>waiting at the usual place, so I signaled to the

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<v Speaker 10>driver to stop.

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<v Speaker 8>Good morning, mister Bell, Good morning.

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<v Speaker 5>I'll be right there.

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<v Speaker 10>Yeah, Now, let me come down and help you, sir.

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<v Speaker 8>I'll make it if you just take my arms to.

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<v Speaker 10>Hugsford, my arm please, But I have taken your arms, doll.

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<v Speaker 5>Oh, yes, of course, I'm sorry.

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<v Speaker 11>We go now.

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<v Speaker 4>Here you are, sir, I had.

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<v Speaker 5>A bit of a shock this morning. I'm right now.

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<v Speaker 10>Well, it's all right, now, that's fine, I say, I

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<v Speaker 10>take out of the strap there now.

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<v Speaker 3>Oh yes, of course, let me see I have the

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<v Speaker 3>fair share somewhere.

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<v Speaker 5>Oh yes you are, Thank you, sir, and thank you. Hi.

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<v Speaker 5>I'm afraid you've brought something home to mind.

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<v Speaker 10>I don't understand what you mean.

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<v Speaker 3>Well, mister Huxford, have you ever had anyone take your

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<v Speaker 3>arm and help you up a flight of steps?

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<v Speaker 10>No, and I might say that I hope the day

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<v Speaker 10>never comes when I well, I'm sorry, sir.

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<v Speaker 4>Not at all.

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<v Speaker 5>Thank you, mister Huts, thank you very much.

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<v Speaker 10>I don't rightly know what was wrong with him, though

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<v Speaker 10>it's certain that something was. I haven't seen him for

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<v Speaker 10>nearly three weeks now. I can't imagine what it might

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<v Speaker 10>have been, what happened to him that morning before he

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<v Speaker 10>got on the bus.

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<v Speaker 11>My name is Jenkins.

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<v Speaker 12>I've been mister Bell's personal valid for the past twelve

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<v Speaker 12>years and seven months. The Master's traveling somewhere on the

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<v Speaker 12>continent just at present. I've been gone something over two

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<v Speaker 12>weeks now. Decided rather suddenly, I believe, in fact, i'd

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<v Speaker 12>rather think something happened one morning about three weeks ago

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<v Speaker 12>that caused.

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<v Speaker 11>Him to make up his mind. I really haven't any

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<v Speaker 11>idea what it might have been. I can remember noticing

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<v Speaker 11>a very strange look.

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<v Speaker 12>On his face when he came down to breakfast that morning,

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<v Speaker 12>but thought nothing of it at the time.

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<v Speaker 5>Good morning, Jenkin, Good morning.

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<v Speaker 11>So I trust you had a pleasant night's rest.

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<v Speaker 3>Yes, yes, yes I did, thanks having the usual eyes

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<v Speaker 3>just turned some teeth.

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<v Speaker 5>No, no, I want nothing, he said, some coffee.

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<v Speaker 11>Very well, so I'll bring it right away.

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<v Speaker 5>I can't let him find out.

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<v Speaker 3>I can't let anyone find out about it. Maybe it's

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<v Speaker 3>a little better now, maybe it's going away.

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<v Speaker 5>Maybe I'm giving.

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00:14:43.240 --> 00:14:46.360
<v Speaker 3>It too much importance. But no, no, no, it's still there.

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<v Speaker 3>That seemed like a feeling clear down the whole right

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<v Speaker 3>side of my money. I can move my arm and

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<v Speaker 3>leg all right. There's no feeling in them than numb.

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00:14:56.559 --> 00:14:59.039
<v Speaker 3>It's simply that, at fifty two years of age, I've

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<v Speaker 3>had a light stroke.

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<v Speaker 11>Your coffee, sir, oh, thank you drinks. Would you care

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<v Speaker 11>for something more, sir?

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<v Speaker 5>No, no, no, no, all if your pardon, sir.

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<v Speaker 11>You don't quite yourself this morning. I do hope you're

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<v Speaker 11>not here.

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<v Speaker 5>No, no, no, no, I'm all right, Jackins.

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<v Speaker 12>And I hope you what am I saying this, mister Bell?

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<v Speaker 12>But you don't take very good care of yourself anymore. Oh,

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<v Speaker 12>please speak years now since you had to check out,

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<v Speaker 12>not since the mistress passed away.

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<v Speaker 5>In fact, I'm quite all right, Jenkins, I'm quite all right.

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<v Speaker 11>Yes, sir, I'm re leieved to hear it, sir. I'll

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<v Speaker 11>bring your paper now.

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<v Speaker 3>Good God, is this what a man slaves his life

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<v Speaker 3>away for, to end up helpless depending on others to

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<v Speaker 3>be wheeled about, put out in the sun, taken in

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<v Speaker 3>like some great fat Lava's disgusting.

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<v Speaker 11>Pardon me, sir, I didn't quite hear you.

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<v Speaker 5>Nothing nothing drinkings.

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<v Speaker 11>Here's your paper, sir, Oh, thank you. Please call if

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<v Speaker 11>you need anything else. Sir, I'd be in the pantry.

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<v Speaker 5>I couldn't go on that way.

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<v Speaker 3>I'd rather not go on.

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<v Speaker 5>I've got to face it.

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<v Speaker 3>This stroke is the first warning. There'll be others, worse ones,

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00:16:00.080 --> 00:16:01.000
<v Speaker 3>and in a short.

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00:16:00.720 --> 00:16:01.799
<v Speaker 5>Time I'll be helpless.

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<v Speaker 3>There must be some way out, not suicide, but someway.

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00:16:07.519 --> 00:16:08.799
<v Speaker 5>There's got to be some way.

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00:16:14.919 --> 00:16:18.919
<v Speaker 2>The icy wall hardens into cold vitreous steel. As the

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00:16:19.039 --> 00:16:24.200
<v Speaker 2>dust born shadows chill its surface, the merciless ice is

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00:16:24.240 --> 00:16:27.440
<v Speaker 2>beginning to freeze the cramped joints of the man's fingers. Now,

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00:16:28.279 --> 00:16:30.919
<v Speaker 2>and the heavy axe swings idly at his belt, tracing

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00:16:30.960 --> 00:16:32.200
<v Speaker 2>a fumbling.

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00:16:31.679 --> 00:16:33.559
<v Speaker 4>Pattern on the thin air of the void.

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00:16:34.879 --> 00:16:37.200
<v Speaker 2>How much longer can he cling to those slots in

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00:16:37.200 --> 00:16:40.960
<v Speaker 2>the glacier's face? How much longer does he have to live?

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00:16:41.039 --> 00:16:46.039
<v Speaker 2>Thirty seconds a minute? What's the margin of safety?

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00:16:46.080 --> 00:16:46.360
<v Speaker 5>Now?

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00:16:47.039 --> 00:16:50.080
<v Speaker 2>And what does a man think of while his pulse

301
00:16:50.440 --> 00:16:54.559
<v Speaker 2>beats slower and he waits to die?

302
00:16:56.919 --> 00:16:59.879
<v Speaker 3>Strange I'm able to go on, hanging to the slope,

303
00:17:00.039 --> 00:17:03.039
<v Speaker 3>clinging on to life, and I can't feel another ance

304
00:17:03.120 --> 00:17:08.359
<v Speaker 3>of strength left in me. Strange too, seems I could

305
00:17:08.359 --> 00:17:13.440
<v Speaker 3>stay here forever, becoming part of the glacier itself, looking

306
00:17:13.480 --> 00:17:15.799
<v Speaker 3>down at the rocks below, out across the peaks and

307
00:17:15.839 --> 00:17:20.400
<v Speaker 3>the ice. Now, it's right, dying isn't so bad, Rarely

308
00:17:20.880 --> 00:17:25.200
<v Speaker 3>not when it's like this rather pleasant. In fact, looks

309
00:17:25.279 --> 00:17:29.519
<v Speaker 3>so soft down there, the shadows and the snow, the wind.

310
00:17:31.160 --> 00:17:34.160
<v Speaker 3>Perhaps I could let go float out on the wind

311
00:17:34.359 --> 00:17:37.079
<v Speaker 3>like an eagle, or be blown along by it like

312
00:17:37.319 --> 00:17:44.880
<v Speaker 3>drifting snow. Er. The sun's gone now. It will be

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00:17:44.920 --> 00:17:48.039
<v Speaker 3>full dark in a few minutes. Maybe I can hold

314
00:17:48.079 --> 00:17:51.880
<v Speaker 3>on that long, But everything is dark, even the snow

315
00:17:52.000 --> 00:17:52.480
<v Speaker 3>and the ice.

316
00:17:54.079 --> 00:17:54.759
<v Speaker 5>And who knows.

317
00:17:55.440 --> 00:17:59.000
<v Speaker 3>Perhaps I'll watch the sunrise tomorrow and set again.

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00:17:59.400 --> 00:18:03.920
<v Speaker 5>And even be on. Oh no, no, no, no, I

319
00:18:03.960 --> 00:18:08.880
<v Speaker 5>can't last even one full minute longer. I'm true, I'm finished.

320
00:18:09.519 --> 00:18:10.759
<v Speaker 5>I can't even last to her.

321
00:18:12.000 --> 00:18:17.000
<v Speaker 3>Eh, chips of ice sliding over the edge. It's funny

322
00:18:17.000 --> 00:18:19.960
<v Speaker 3>how a glacier sheds off that way. I suppose the

323
00:18:19.960 --> 00:18:27.799
<v Speaker 3>difference in temperature between days. Oh wait, an ice axe,

324
00:18:28.359 --> 00:18:30.839
<v Speaker 3>I was an ax. Nor the sound in the world

325
00:18:30.880 --> 00:18:33.839
<v Speaker 3>like it fell from up above the overhang there. There

326
00:18:33.880 --> 00:18:36.319
<v Speaker 3>must be somebody up there on the slope coming down

327
00:18:36.359 --> 00:18:46.759
<v Speaker 3>from the top. There is wait, that's why six seven, eight, nine, ten.

328
00:18:49.160 --> 00:18:52.079
<v Speaker 3>That's a mountaineer's call for help. Someone's dropped his axe

329
00:18:52.079 --> 00:18:54.759
<v Speaker 3>and he's in trouble up there. It's right above this bulge.

330
00:18:55.240 --> 00:18:56.079
<v Speaker 5>If I can only.

331
00:18:58.680 --> 00:19:02.480
<v Speaker 3>No, no, no, no, my throat, my throats to dry well.

332
00:19:03.279 --> 00:19:07.839
<v Speaker 3>Six more steps to cut to reach the edge there,

333
00:19:07.880 --> 00:19:14.720
<v Speaker 3>all right, six more steps.

334
00:19:19.359 --> 00:19:21.519
<v Speaker 5>I was done in I was finished.

335
00:19:21.440 --> 00:19:28.359
<v Speaker 3>And now now five more steps?

336
00:19:35.680 --> 00:19:37.720
<v Speaker 5>Just about does it?

337
00:19:37.799 --> 00:19:40.680
<v Speaker 13>The last step you cut the rope and let me go.

338
00:19:41.359 --> 00:19:43.640
<v Speaker 8>There's no good lord, it's a woman and there's a

339
00:19:43.680 --> 00:19:44.799
<v Speaker 8>man upon the slope.

340
00:19:45.920 --> 00:19:48.359
<v Speaker 5>Hold on up there. I'll be with you in a minute.

341
00:19:49.519 --> 00:19:53.279
<v Speaker 14>Somebody's coming here over the.

342
00:19:55.440 --> 00:19:58.079
<v Speaker 5>Take it easy there, everything's going to be all right.

343
00:20:00.720 --> 00:20:02.440
<v Speaker 14>I don't know where you came from. The Thank Heaven,

344
00:20:02.480 --> 00:20:02.920
<v Speaker 14>you're here.

345
00:20:03.000 --> 00:20:06.240
<v Speaker 3>Yeah, easy enough, it's gotta step out for your feet.

346
00:20:07.759 --> 00:20:11.559
<v Speaker 3>I was just below the old hang there, I helped

347
00:20:11.559 --> 00:20:12.839
<v Speaker 3>the follow up above. Call out.

348
00:20:13.319 --> 00:20:14.559
<v Speaker 8>It's got quite a voice on him.

349
00:20:15.519 --> 00:20:16.400
<v Speaker 14>It's my husband.

350
00:20:16.720 --> 00:20:20.960
<v Speaker 3>He's in a step out yet in a second, you

351
00:20:21.319 --> 00:20:24.279
<v Speaker 3>put your feet on him, You get your breath, then

352
00:20:24.279 --> 00:20:25.279
<v Speaker 3>we'll tackle the slope.

353
00:20:26.160 --> 00:20:29.039
<v Speaker 8>Hennah, I'll strap his ice away.

354
00:20:29.839 --> 00:20:38.000
<v Speaker 5>Easy a hair. Yes, Oh, you're all right now. Just

355
00:20:38.079 --> 00:20:40.599
<v Speaker 5>lean there when you feel like it, we'll we'll go

356
00:20:40.680 --> 00:20:41.000
<v Speaker 5>on up.

357
00:20:42.240 --> 00:20:45.799
<v Speaker 13>My name is Christopher Bell, by the way, I'm and

358
00:20:45.920 --> 00:20:50.599
<v Speaker 13>a girl, and thank you. I thought we were done.

359
00:20:51.200 --> 00:20:53.119
<v Speaker 13>I was cutting steps down ahead on the slope and

360
00:20:53.119 --> 00:20:55.480
<v Speaker 13>I slipped and dropped my axe. The rope held me,

361
00:20:55.559 --> 00:20:57.599
<v Speaker 13>but neither of was dead to move.

362
00:20:58.440 --> 00:21:01.079
<v Speaker 3>Well, you're all right now. Soon as you rest up

363
00:21:01.119 --> 00:21:03.559
<v Speaker 3>a minute, we'll cut some more steps back up the slope.

364
00:21:04.279 --> 00:21:06.720
<v Speaker 3>You should have started down this way, you've never been

365
00:21:06.720 --> 00:21:08.359
<v Speaker 3>able to pass that bul Yes, I.

366
00:21:08.359 --> 00:21:11.400
<v Speaker 13>Can see that now. Of course, it's harder to tell

367
00:21:11.400 --> 00:21:12.680
<v Speaker 13>when you're moving down the slope.

368
00:21:12.960 --> 00:21:14.119
<v Speaker 5>Yes, I suppose it is.

369
00:21:15.000 --> 00:21:16.799
<v Speaker 14>You were coming up the slope, won't you?

370
00:21:16.920 --> 00:21:18.839
<v Speaker 5>Yes? I I I came up from the foot.

371
00:21:19.200 --> 00:21:20.920
<v Speaker 14>Alone and without a rope.

372
00:21:21.599 --> 00:21:24.279
<v Speaker 13>Can you deliberately climb under the under side of an

373
00:21:24.319 --> 00:21:26.319
<v Speaker 13>overhanging wall?

374
00:21:26.400 --> 00:21:28.400
<v Speaker 5>Let's just say we're both fool hard?

375
00:21:29.240 --> 00:21:30.240
<v Speaker 14>Is that what you call it?

376
00:21:30.559 --> 00:21:34.160
<v Speaker 3>Ah, If you've got your breath back, Now, suppose we

377
00:21:34.279 --> 00:21:35.240
<v Speaker 3>start up the slope.

378
00:21:35.599 --> 00:21:37.480
<v Speaker 5>Oh here, like to take my axe and cut the

379
00:21:37.480 --> 00:21:37.960
<v Speaker 5>first step?

380
00:21:38.359 --> 00:21:41.200
<v Speaker 14>You'd trust me with it? After I dropped my own.

381
00:21:41.559 --> 00:21:44.039
<v Speaker 3>Anybody could make a mistake like that, dropping an axe

382
00:21:44.680 --> 00:21:56.519
<v Speaker 3>or climbing up under an overhang. My name is Theodore Girden,

383
00:21:56.680 --> 00:21:58.599
<v Speaker 3>and I am the husband of the woman who slipped

384
00:21:58.640 --> 00:22:01.960
<v Speaker 3>and fell on the wall of the glease. I'm a physician,

385
00:22:02.160 --> 00:22:05.400
<v Speaker 3>formerly of Harley Street, London, who I have practiced in

386
00:22:05.440 --> 00:22:08.759
<v Speaker 3>Paris for several years now. I met mister Bell when

387
00:22:08.839 --> 00:22:10.799
<v Speaker 3>he and my wife reached the ice ledge where I

388
00:22:10.799 --> 00:22:14.359
<v Speaker 3>stood waiting above them. He was not immediately aware of

389
00:22:14.400 --> 00:22:16.960
<v Speaker 3>his trouble, but found out about it a short time later,

390
00:22:17.039 --> 00:22:18.599
<v Speaker 3>when we reached the rest her at the.

391
00:22:18.559 --> 00:22:19.440
<v Speaker 4>Top of the ridge.

392
00:22:20.200 --> 00:22:22.359
<v Speaker 3>While my wife heated water for tea at the far

393
00:22:22.480 --> 00:22:24.680
<v Speaker 3>side of the room, Bell and I fell into a

394
00:22:24.720 --> 00:22:28.440
<v Speaker 3>much more personal conversation than strangers normally do. But it

395
00:22:28.559 --> 00:22:31.319
<v Speaker 3>sometimes happens when people have been very close to death.

396
00:22:36.720 --> 00:22:39.519
<v Speaker 3>At any rate, doctor Gurlin, Ow, you can see how

397
00:22:39.559 --> 00:22:43.119
<v Speaker 3>it is the life of an invalid doesn't seem very appealing.

398
00:22:44.079 --> 00:22:47.200
<v Speaker 3>Tell me something, mister Bell, h gather you were pretty

399
00:22:47.200 --> 00:22:49.799
<v Speaker 3>well done in when I called out on the glacier.

400
00:22:50.319 --> 00:22:53.839
<v Speaker 3>You couldn't lift a hand. Then how do you account

401
00:22:53.880 --> 00:22:56.519
<v Speaker 3>for being able to chop six steps into their ice

402
00:22:56.640 --> 00:22:59.920
<v Speaker 3>in a matter of some five minutes. I don't know

403
00:23:00.039 --> 00:23:04.640
<v Speaker 3>exactly I was through. I couldn't have lasted thirty seconds more.

404
00:23:05.839 --> 00:23:09.759
<v Speaker 3>But when I realized someone was in danger, I don't know.

405
00:23:09.759 --> 00:23:11.200
<v Speaker 5>I've forgot about it.

406
00:23:11.200 --> 00:23:13.960
<v Speaker 3>And this numbness, this lack of feeling in your right side,

407
00:23:14.000 --> 00:23:16.680
<v Speaker 3>it didn't bother you, No, I didn't notice.

408
00:23:17.160 --> 00:23:18.960
<v Speaker 5>This is quite so bad now as matter of fact.

409
00:23:19.279 --> 00:23:23.759
<v Speaker 3>And there's your answer, mister bell I, I don't believe

410
00:23:23.759 --> 00:23:27.440
<v Speaker 3>I follow action when you were in action, working because

411
00:23:27.480 --> 00:23:30.640
<v Speaker 3>you had a reason living, because you had to because

412
00:23:30.680 --> 00:23:33.799
<v Speaker 3>somebody was depending on you. Then you were all right.

413
00:23:34.400 --> 00:23:37.799
<v Speaker 3>Everything was back in its place again. Perhaps, but a

414
00:23:37.839 --> 00:23:40.000
<v Speaker 3>man can't spend all his time climbing up a mountain

415
00:23:40.039 --> 00:23:43.119
<v Speaker 3>to save someone's life. Oh, I don't mean physical action movement.

416
00:23:44.039 --> 00:23:46.319
<v Speaker 3>Call it incentive if you like. Maybe that's a better

417
00:23:46.319 --> 00:23:46.920
<v Speaker 3>way to put it.

418
00:23:46.960 --> 00:23:47.640
<v Speaker 5>Incentive.

419
00:23:48.119 --> 00:23:51.359
<v Speaker 3>That's right. It's the one top pressure that keeps life

420
00:23:51.440 --> 00:23:53.640
<v Speaker 3>moving and growing, and it's what you need.

421
00:23:55.119 --> 00:23:57.480
<v Speaker 5>Well, it's an interesting theory.

422
00:23:57.200 --> 00:23:58.359
<v Speaker 4>Doctor hm.

423
00:23:58.359 --> 00:24:00.240
<v Speaker 3>But it's only a theory.

424
00:24:00.440 --> 00:24:03.119
<v Speaker 14>I'll have the tea ready in a moment. Is anybody interesting?

425
00:24:03.200 --> 00:24:05.240
<v Speaker 3>I am my dear lucky we brought it. If if

426
00:24:05.240 --> 00:24:07.359
<v Speaker 3>no one minds I I believe I'll have a turn

427
00:24:07.359 --> 00:24:09.839
<v Speaker 3>outside while we're waiting. Of course, not only be careful

428
00:24:09.880 --> 00:24:12.680
<v Speaker 3>out there in the dark ridge breaks off pretty sharply here,

429
00:24:12.720 --> 00:24:13.599
<v Speaker 3>Oh sir, I'll be.

430
00:24:13.640 --> 00:24:16.759
<v Speaker 5>Careful, Oh doctor girl.

431
00:24:17.759 --> 00:24:21.200
<v Speaker 3>If things were turned around, I wonder if it would

432
00:24:21.200 --> 00:24:31.440
<v Speaker 3>be any more than just a theory to you.

433
00:24:38.039 --> 00:24:41.240
<v Speaker 8>Mister Bellwell are you I'm over here, missus Gulan.

434
00:24:43.240 --> 00:24:46.839
<v Speaker 13>Beautiful, isn't it with the stars so clear and bright?

435
00:24:47.119 --> 00:24:47.519
<v Speaker 3>Yes?

436
00:24:48.799 --> 00:24:50.759
<v Speaker 5>Well, there won't be any more clear nights before the

437
00:24:50.799 --> 00:24:51.599
<v Speaker 5>winter storms.

438
00:24:52.279 --> 00:24:53.680
<v Speaker 14>It would be a shame to give it up?

439
00:24:53.920 --> 00:24:54.359
<v Speaker 3>You and I?

440
00:24:55.519 --> 00:24:56.119
<v Speaker 5>What do you mean?

441
00:24:57.039 --> 00:24:59.039
<v Speaker 13>I've got to say this quickly because I don't want

442
00:24:59.039 --> 00:25:02.960
<v Speaker 13>my husband to know. We're not the kind to commit suicide,

443
00:25:02.960 --> 00:25:05.160
<v Speaker 13>You and I. But I think we understand each other.

444
00:25:06.039 --> 00:25:08.640
<v Speaker 5>Well. You you'll have to say more than that.

445
00:25:09.519 --> 00:25:12.799
<v Speaker 13>You deliberately climbed into a dead end out on that glacier,

446
00:25:13.039 --> 00:25:18.079
<v Speaker 13>deliberately extended your safety margin beyond all possible limits, didn't you?

447
00:25:19.400 --> 00:25:22.039
<v Speaker 5>What do you mean we understand each.

448
00:25:21.839 --> 00:25:24.759
<v Speaker 13>Other because I did the same thing. I went ahead,

449
00:25:25.519 --> 00:25:28.319
<v Speaker 13>I picked that route down the slope. But no, please wait,

450
00:25:29.440 --> 00:25:31.599
<v Speaker 13>in thirty seconds, I would have cut myself loose from

451
00:25:31.599 --> 00:25:34.279
<v Speaker 13>that roofe Oh, we went to an awful lot of

452
00:25:34.319 --> 00:25:36.480
<v Speaker 13>trouble so we wouldn't have to call it suicide, didn't we?

453
00:25:36.839 --> 00:25:38.359
<v Speaker 5>You what why?

454
00:25:39.559 --> 00:25:43.279
<v Speaker 13>I have a brain condition. There's no point in going

455
00:25:43.279 --> 00:25:47.559
<v Speaker 13>into it, but it's incurable, and sooner or later, at

456
00:25:47.559 --> 00:25:51.200
<v Speaker 13>any moment, I shall go blind. My husband doesn't know

457
00:25:51.240 --> 00:25:54.799
<v Speaker 13>about it, and I don't want him to. Mister Bell, Yes,

458
00:25:56.200 --> 00:25:57.279
<v Speaker 13>I'll make a bargain with you.

459
00:25:57.799 --> 00:25:59.200
<v Speaker 5>What sort of bargain?

460
00:26:00.279 --> 00:26:04.039
<v Speaker 13>I'm not brave really to go on living. I need

461
00:26:04.079 --> 00:26:06.240
<v Speaker 13>something to cling to. I need to know all the

462
00:26:06.279 --> 00:26:10.640
<v Speaker 13>time that there's some one else with courage too, mister Bell,

463
00:26:11.599 --> 00:26:12.839
<v Speaker 13>I'll go on living if you will.

464
00:26:13.920 --> 00:26:15.960
<v Speaker 5>I'd say, you're amazingly brave.

465
00:26:16.319 --> 00:26:18.960
<v Speaker 13>If I were, I could do it alone without having

466
00:26:18.960 --> 00:26:21.680
<v Speaker 13>to make myself dependent on you and your courage.

467
00:26:22.880 --> 00:26:26.200
<v Speaker 5>But that sort of thing could work both ways. I

468
00:26:26.240 --> 00:26:27.480
<v Speaker 5>wouldn't dare let.

469
00:26:27.319 --> 00:26:31.359
<v Speaker 13>You down, nor could I You do you want to

470
00:26:31.400 --> 00:26:34.920
<v Speaker 13>make the bargain? Shall we go on living, mister Bell?

471
00:26:38.200 --> 00:26:41.880
<v Speaker 3>As I said before, I am doctor Theodore Galen and

472
00:26:41.960 --> 00:26:44.119
<v Speaker 3>name at mister Bell. Some three hours ago in the

473
00:26:44.160 --> 00:26:48.480
<v Speaker 3>schal Yoch Glacier at the moment he's outside, they had

474
00:26:48.519 --> 00:26:52.079
<v Speaker 3>a few yards away talking to my wife. I can

475
00:26:52.119 --> 00:26:54.160
<v Speaker 3>hear the sound of their voices, but I can't make

476
00:26:54.200 --> 00:26:57.720
<v Speaker 3>out the words. However, I know what they're talking about.

477
00:26:58.559 --> 00:27:01.839
<v Speaker 3>What his answer would be. My wife and I discussed

478
00:27:01.839 --> 00:27:04.759
<v Speaker 3>it before she went out to join him. You may

479
00:27:04.759 --> 00:27:08.000
<v Speaker 3>have heard of my wife incidently, though it would likely

480
00:27:08.039 --> 00:27:10.279
<v Speaker 3>have been under the stage name she uses in the

481
00:27:10.279 --> 00:27:33.680
<v Speaker 3>Paris theater. You see, she's she's quite a talented actress.

482
00:27:35.240 --> 00:27:39.160
<v Speaker 1>Escape is produced and directed by Norman MacDonald and Tonight

483
00:27:39.240 --> 00:27:43.319
<v Speaker 1>brought you action by C. E. Montague, Adapted for radio

484
00:27:43.440 --> 00:27:47.559
<v Speaker 1>by Les Crutchfield and featuring Joseph Kerns as Christopher Bell

485
00:27:48.039 --> 00:27:51.440
<v Speaker 1>and Eric Rolfe as the voice, with Louis van Ruten

486
00:27:51.519 --> 00:27:55.880
<v Speaker 1>as Doctor Goland, Marta Metrovitch as Greta. Jeff Cory has

487
00:27:55.920 --> 00:28:00.960
<v Speaker 1>brought Ray Lawrence as Huxford, Barry Kroger as Ankins, and

488
00:28:01.079 --> 00:28:05.400
<v Speaker 1>Joan Banks as Missus Goland. The musical score was conceived

489
00:28:05.440 --> 00:28:11.240
<v Speaker 1>and conducted by Wilbur Hatch. Next week.

490
00:28:14.720 --> 00:28:20.640
<v Speaker 2>You are in midd Ocean, a boarded Jinks ship. Already

491
00:28:20.680 --> 00:28:24.960
<v Speaker 2>three men have died, and you know that some malignant

492
00:28:25.039 --> 00:28:42.839
<v Speaker 2>forces aimed at you, and you cannot escape. Next week,

493
00:28:43.599 --> 00:28:47.119
<v Speaker 2>escape with Joseph Conrad's great story The Brute.

494
00:28:47.759 --> 00:28:48.200
<v Speaker 4>Good Night.

495
00:28:48.279 --> 00:28:51.480
<v Speaker 1>Then until the same time next week when we again

496
00:28:51.559 --> 00:29:13.119
<v Speaker 1>offer you escape. This is CBS, where ninety nine million

497
00:29:13.160 --> 00:29:30.680
<v Speaker 1>people gather every week. The Columbia Broadcasting System
