WEBVTT

1
00:00:00.360 --> 00:00:02.439
<v Speaker 1>Get loyalty that loves you back with my CenTra.

2
00:00:02.640 --> 00:00:03.839
<v Speaker 2>Download the my Center app.

3
00:00:03.680 --> 00:00:06.679
<v Speaker 1>And get exclusive offers this week, like Celsia Selected Range four,

4
00:00:06.719 --> 00:00:10.000
<v Speaker 1>Campac four Year a week selected nesle Ero Giant Blockbar

5
00:00:10.119 --> 00:00:13.119
<v Speaker 1>one fifty each and Corus ten Campact only sixteen ninety

6
00:00:13.160 --> 00:00:14.279
<v Speaker 1>six only.

7
00:00:14.039 --> 00:00:15.240
<v Speaker 3>With the my CenTra app.

8
00:00:15.560 --> 00:00:19.160
<v Speaker 1>CenTra Live every Day, enjoy a call Sensibly Dear.

9
00:00:19.000 --> 00:00:25.280
<v Speaker 4>Resupplies a cast Classics. Carrie Jade Does Not Exist is

10
00:00:25.320 --> 00:00:27.719
<v Speaker 4>a story of how one woman who took on over

11
00:00:27.839 --> 00:00:32.079
<v Speaker 4>six different identities infiltrated the lives of vulnerable people and

12
00:00:32.159 --> 00:00:34.000
<v Speaker 4>lied her way into gaining their trust.

13
00:00:34.240 --> 00:00:36.600
<v Speaker 5>It's almost like she has his rare gift of being

14
00:00:36.600 --> 00:00:40.320
<v Speaker 5>able to ascertain the exact hopes and dreams of a community.

15
00:00:40.479 --> 00:00:43.840
<v Speaker 5>She offers them exactly that, and THENT just bails.

16
00:00:44.119 --> 00:00:47.079
<v Speaker 4>This series tells a story of how Carrie Jade built

17
00:00:47.159 --> 00:00:50.439
<v Speaker 4>up a picture perfect persona until she finally got tindled

18
00:00:50.520 --> 00:00:53.399
<v Speaker 4>up in her own web of lives. Find out more

19
00:00:53.439 --> 00:00:56.359
<v Speaker 4>about Carrie Jade Does Not Exist at acast dot Com.

20
00:00:56.399 --> 00:00:58.200
<v Speaker 4>Forward Slash Classics.

21
00:01:00.880 --> 00:01:05.719
<v Speaker 2>Warning strange lights in the sky may be closer than

22
00:01:05.760 --> 00:01:09.719
<v Speaker 2>they appear. This month's Where Did the Road Go? Is

23
00:01:09.760 --> 00:01:15.200
<v Speaker 2>sponsored by the following awesome individuals, Greg Ross, Allison Cook,

24
00:01:15.359 --> 00:01:20.200
<v Speaker 2>Super Inframan, thirty six Dingo, Yvonne Williams, and Michael FRISKEA

25
00:01:20.519 --> 00:01:23.439
<v Speaker 2>thank you so much for helping make this show possible.

26
00:01:23.959 --> 00:01:28.920
<v Speaker 6>Transmission start Welcome to Where Did the Road Go? Join

27
00:01:29.000 --> 00:01:33.799
<v Speaker 6>us as we wander off the path and explore lost history, consciousness,

28
00:01:34.120 --> 00:01:41.000
<v Speaker 6>the paranormal, unexplained mysteries, alternative thought, and much more. We

29
00:01:41.079 --> 00:01:43.920
<v Speaker 6>are present on the web at where to Theroad Go

30
00:01:44.439 --> 00:01:59.480
<v Speaker 6>dot com. Now Here is your host, Soriah.

31
00:02:00.079 --> 00:02:02.519
<v Speaker 2>Welcome to this edition of Where Did the Road Go?

32
00:02:02.840 --> 00:02:07.200
<v Speaker 2>And this week I have joining me Danielle Drake, and yes,

33
00:02:07.319 --> 00:02:10.240
<v Speaker 2>your first time here, and you're going to be doing

34
00:02:10.919 --> 00:02:15.400
<v Speaker 2>something that is applies locally to this show in the

35
00:02:15.439 --> 00:02:17.879
<v Speaker 2>Ethica area. But you also have other stuff we're going

36
00:02:17.919 --> 00:02:19.800
<v Speaker 2>to talk about, but do you want to talk about

37
00:02:19.840 --> 00:02:20.280
<v Speaker 2>that first.

38
00:02:20.919 --> 00:02:23.879
<v Speaker 7>My name is daniel Drake and I'm a visual multi

39
00:02:23.919 --> 00:02:28.560
<v Speaker 7>media artist from Queens, New York. I was accepted to

40
00:02:28.680 --> 00:02:33.360
<v Speaker 7>the Constant Saltonstall Artists Foundation for an artist.

41
00:02:33.120 --> 00:02:36.560
<v Speaker 8>Residency in October this year. I will all of.

42
00:02:36.439 --> 00:02:40.840
<v Speaker 7>My work generally is based off of unexplained phenomena, be

43
00:02:40.919 --> 00:02:43.960
<v Speaker 7>it my own or people that come and talk to

44
00:02:44.000 --> 00:02:48.680
<v Speaker 7>me or things that I agreed, and I will be

45
00:02:48.840 --> 00:02:52.120
<v Speaker 7>doing a project that I pitched to them, making a

46
00:02:52.159 --> 00:02:56.400
<v Speaker 7>series of artwork based off of local unexplained folklore, be

47
00:02:56.520 --> 00:03:02.520
<v Speaker 7>it contemporary experiencer prescription or I was at the History

48
00:03:02.599 --> 00:03:06.240
<v Speaker 7>Center in their archives for some of your local folklore.

49
00:03:06.639 --> 00:03:09.240
<v Speaker 7>And it's been really interesting so far, and I'm really

50
00:03:09.280 --> 00:03:11.280
<v Speaker 7>excited to get my handster.

51
00:03:11.599 --> 00:03:15.439
<v Speaker 2>And you have collected stories from local people, and you

52
00:03:15.479 --> 00:03:18.039
<v Speaker 2>did say Connecticut Hill has one of the highest amount

53
00:03:18.120 --> 00:03:22.479
<v Speaker 2>of stories, So that's that's not surprising to me because

54
00:03:22.840 --> 00:03:25.639
<v Speaker 2>the whole area is is just full of weird stuff,

55
00:03:25.680 --> 00:03:27.840
<v Speaker 2>but Connecticut Hill seems to be a focal point.

56
00:03:28.000 --> 00:03:32.120
<v Speaker 7>So I've found when you are collecting stories are speaking

57
00:03:32.120 --> 00:03:36.680
<v Speaker 7>to people, especially in like a certain area of you know,

58
00:03:36.719 --> 00:03:40.240
<v Speaker 7>a geographical area, you do get you know here in

59
00:03:40.319 --> 00:03:43.039
<v Speaker 7>their stories and then they kind of drop off. But

60
00:03:43.360 --> 00:03:47.039
<v Speaker 7>I've found for the Finger Lakes region, it's, uh, it

61
00:03:47.080 --> 00:03:49.639
<v Speaker 7>doesn't stop. It's a bit more prevalent than I'm used to.

62
00:03:49.879 --> 00:03:52.280
<v Speaker 2>Well, that's good, You've got plenty of stuff to work with.

63
00:03:52.879 --> 00:03:55.039
<v Speaker 8>Yes, yes, I do, and explain to.

64
00:03:55.039 --> 00:03:57.199
<v Speaker 2>People what this, what this is that you're going to

65
00:03:57.240 --> 00:03:59.080
<v Speaker 2>be doing this residency sure.

66
00:03:59.319 --> 00:04:03.199
<v Speaker 7>So in our US residency is basically there's a set

67
00:04:03.240 --> 00:04:06.879
<v Speaker 7>amount of time that you can go to a physical

68
00:04:06.960 --> 00:04:14.039
<v Speaker 7>location and either collaborate with other artists, or work academically

69
00:04:14.080 --> 00:04:15.280
<v Speaker 7>with other artists.

70
00:04:14.960 --> 00:04:17.439
<v Speaker 8>Or just work on your own practice.

71
00:04:18.279 --> 00:04:22.720
<v Speaker 7>So when I applied to Saltonstall, I pitched this project

72
00:04:22.839 --> 00:04:25.439
<v Speaker 7>and then I gave them, you know, examples of my

73
00:04:25.720 --> 00:04:26.279
<v Speaker 7>own work.

74
00:04:26.439 --> 00:04:30.360
<v Speaker 8>And thankfully, it seems that the tides are turning.

75
00:04:30.560 --> 00:04:36.120
<v Speaker 7>People want to see more artwork and media about unexplained phenomena.

76
00:04:36.360 --> 00:04:38.279
<v Speaker 8>It's it's in vogue right now.

77
00:04:38.759 --> 00:04:42.560
<v Speaker 2>It's yeah. Well, I think over the last like three decades,

78
00:04:43.639 --> 00:04:45.720
<v Speaker 2>may two and a half decades, it's become more and

79
00:04:45.759 --> 00:04:49.879
<v Speaker 2>more acceptable, initially from reality shows like ghost Hunters and

80
00:04:49.920 --> 00:04:53.079
<v Speaker 2>Ancient Aliens, and now because of like the whole disclosure movement.

81
00:04:53.120 --> 00:04:55.439
<v Speaker 2>As much as I'm not particularly a fan of it,

82
00:04:55.439 --> 00:04:59.519
<v Speaker 2>it definitely has made it more It's reduced the ridicule factor,

83
00:04:59.560 --> 00:05:02.319
<v Speaker 2>so people a little more willing to talk about things. Yes,

84
00:05:02.480 --> 00:05:05.199
<v Speaker 2>and how long have you been doing this type of thing?

85
00:05:05.480 --> 00:05:11.360
<v Speaker 7>I've been paranormally inclined for my whole life, That's what

86
00:05:11.399 --> 00:05:15.160
<v Speaker 7>I kind of call it. But I've been working in

87
00:05:15.199 --> 00:05:19.839
<v Speaker 7>this regard since around twenty thirteen, working professionally.

88
00:05:19.360 --> 00:05:20.199
<v Speaker 8>In an artist sense.

89
00:05:20.319 --> 00:05:23.720
<v Speaker 2>Okay, okay, and also give people your website right up

90
00:05:23.759 --> 00:05:25.480
<v Speaker 2>frontier so they can go check it out.

91
00:05:25.600 --> 00:05:29.800
<v Speaker 7>Sure it is Daniel Drake dot com Drake d r

92
00:05:29.879 --> 00:05:33.160
<v Speaker 7>A I K. And I'm also art of d Drake

93
00:05:33.399 --> 00:05:35.480
<v Speaker 7>on most social media platforms.

94
00:05:35.560 --> 00:05:37.639
<v Speaker 2>Okay. Yeah, you have a link to I know, your

95
00:05:37.680 --> 00:05:39.959
<v Speaker 2>Instagram on the website, and I feel like there's a

96
00:05:40.000 --> 00:05:44.519
<v Speaker 2>couple others right Yeah. So as you've been collecting these stories,

97
00:05:44.560 --> 00:05:47.199
<v Speaker 2>do you find any commonalities in this area.

98
00:05:47.720 --> 00:05:51.079
<v Speaker 7>I've been getting a few triangle sidings, which I will

99
00:05:51.079 --> 00:05:53.480
<v Speaker 7>say are my favorite personally.

100
00:05:54.120 --> 00:05:55.480
<v Speaker 8>And a lot of orbs.

101
00:05:56.160 --> 00:05:59.959
<v Speaker 7>Orbs are kind of a common sighting that you see,

102
00:06:00.920 --> 00:06:03.920
<v Speaker 7>especially right now if we're looking at it kind of

103
00:06:03.959 --> 00:06:08.079
<v Speaker 7>on like a timeline of what types of craft sightings

104
00:06:08.160 --> 00:06:11.800
<v Speaker 7>you see. I think orbs are kind of the hot

105
00:06:11.879 --> 00:06:16.000
<v Speaker 7>shape right now. But so I got a lot of orbs,

106
00:06:16.519 --> 00:06:20.319
<v Speaker 7>I've got some triangles. I've been talking to a few

107
00:06:20.399 --> 00:06:25.839
<v Speaker 7>sensitive people, so some people with mediumship qualities. There are

108
00:06:25.920 --> 00:06:29.079
<v Speaker 7>a few hauntings, but mostly historical.

109
00:06:29.959 --> 00:06:30.920
<v Speaker 8>That's really interesting.

110
00:06:31.800 --> 00:06:36.800
<v Speaker 7>I have been in contact with the local Ithaca historian

111
00:06:37.120 --> 00:06:41.240
<v Speaker 7>and she's given me a purported Haunted House.

112
00:06:41.399 --> 00:06:42.839
<v Speaker 8>So that's that's interesting.

113
00:06:42.959 --> 00:06:45.839
<v Speaker 2>Yeah, okay, yeah, I mean, like I said, the whole

114
00:06:45.879 --> 00:06:48.360
<v Speaker 2>Upstate area is just I mean, it's where Streamer had

115
00:06:48.360 --> 00:06:53.079
<v Speaker 2>his experiences. It's where Mormonism started. It's not what were

116
00:06:53.120 --> 00:06:57.920
<v Speaker 2>the sisters there in spirit that started spiritualism some some called.

117
00:06:57.800 --> 00:06:59.959
<v Speaker 8>Some free love cults and the Oneida Silver Cult.

118
00:07:00.439 --> 00:07:02.759
<v Speaker 2>Right, Yeah, so it's I mean, there's so much stuff.

119
00:07:02.759 --> 00:07:07.879
<v Speaker 2>The Seth material was channeled here, and it's Ethica in particular.

120
00:07:08.240 --> 00:07:12.040
<v Speaker 2>There is a particular monastery there, and from what I understand,

121
00:07:12.079 --> 00:07:16.160
<v Speaker 2>it's considered one of the most powerful spots on the planet.

122
00:07:16.600 --> 00:07:19.199
<v Speaker 2>And judging from the number of things I've experienced here,

123
00:07:19.240 --> 00:07:21.959
<v Speaker 2>I would say that's not surprising.

124
00:07:22.279 --> 00:07:25.279
<v Speaker 8>But I really appreciate talk with me about.

125
00:07:26.879 --> 00:07:29.040
<v Speaker 2>I also wonder how much of it is just how

126
00:07:29.040 --> 00:07:31.959
<v Speaker 2>the area formed, you know, like a geological makeup that

127
00:07:32.000 --> 00:07:32.959
<v Speaker 2>maybe adds to it.

128
00:07:33.759 --> 00:07:38.120
<v Speaker 7>What would you say you think adds to it specifically

129
00:07:38.279 --> 00:07:40.920
<v Speaker 7>like limestone or the glacial type.

130
00:07:40.720 --> 00:07:45.160
<v Speaker 2>Of potentially the glacial type of stuff, but also the

131
00:07:45.199 --> 00:07:48.680
<v Speaker 2>all the fault lines, you know, because they store electricity,

132
00:07:48.720 --> 00:07:50.680
<v Speaker 2>and I think a lot of this stuff has to

133
00:07:50.720 --> 00:07:53.360
<v Speaker 2>do with electricity in some way, shape or form. Just

134
00:07:53.399 --> 00:07:55.959
<v Speaker 2>like you know, you're saying orbs. Like my thing forever

135
00:07:56.079 --> 00:07:57.959
<v Speaker 2>has been like if someone sees a light in the house,

136
00:07:57.959 --> 00:07:59.480
<v Speaker 2>they're like, oh, it's a ghost. They see it in

137
00:07:59.519 --> 00:08:01.560
<v Speaker 2>the sky like, oh, it's aliens. They see it in

138
00:08:01.639 --> 00:08:04.160
<v Speaker 2>the woods, they're like, oh, it's the fay, you know.

139
00:08:04.199 --> 00:08:06.279
<v Speaker 2>And it's like, but all of it's lights. Lights are

140
00:08:06.319 --> 00:08:08.839
<v Speaker 2>like one of the most common things you see in

141
00:08:08.920 --> 00:08:12.639
<v Speaker 2>all of these phenomena. And I mean that's it's one

142
00:08:12.639 --> 00:08:16.199
<v Speaker 2>of those things that when you take that and basically

143
00:08:16.199 --> 00:08:19.800
<v Speaker 2>poltergeist phenomena and you find it across the board. So

144
00:08:20.199 --> 00:08:23.920
<v Speaker 2>I think environmental stuff as well as cosmic stuff like

145
00:08:23.920 --> 00:08:26.240
<v Speaker 2>whether or not we're being hit with solar activity or

146
00:08:26.279 --> 00:08:28.800
<v Speaker 2>possibly you know, something from somewhere else in the galaxy

147
00:08:28.839 --> 00:08:30.800
<v Speaker 2>or you know somewhere else in the galaxy or whatever,

148
00:08:31.000 --> 00:08:33.559
<v Speaker 2>probably also has an effect of when this stuff happens.

149
00:08:33.639 --> 00:08:36.559
<v Speaker 2>I only recently realized a whole batch of my experiences

150
00:08:36.600 --> 00:08:39.679
<v Speaker 2>happened during some of the highest solar activity of the

151
00:08:39.720 --> 00:08:40.559
<v Speaker 2>twentieth century.

152
00:08:40.559 --> 00:08:42.200
<v Speaker 8>Oh, that's really interesting.

153
00:08:42.000 --> 00:08:44.919
<v Speaker 2>And I've noted it, but I didn't. I didn't really

154
00:08:44.919 --> 00:08:47.320
<v Speaker 2>look into it. And then I looked into it, and

155
00:08:47.320 --> 00:08:51.000
<v Speaker 2>I'm like, oh, this was actually really significant solar activity.

156
00:08:51.840 --> 00:08:54.360
<v Speaker 2>So people will be able to come and see your artwork.

157
00:08:54.679 --> 00:08:57.919
<v Speaker 8>Yeah, So on October eighteenth.

158
00:08:57.480 --> 00:09:01.159
<v Speaker 7>We'll be having an open house and people can come

159
00:09:01.240 --> 00:09:04.879
<v Speaker 7>to the foundation unless we're moving it off site. I

160
00:09:04.879 --> 00:09:08.519
<v Speaker 7>don't think the venue is particularly clear it, but they'll

161
00:09:08.559 --> 00:09:11.159
<v Speaker 7>be able to see the work that I've done. I

162
00:09:11.240 --> 00:09:15.519
<v Speaker 7>will probably bring some older work too, and they'll be able.

163
00:09:15.360 --> 00:09:16.159
<v Speaker 8>To talk to me there.

164
00:09:16.440 --> 00:09:19.080
<v Speaker 2>How have people reacted in the past to the art

165
00:09:19.080 --> 00:09:20.799
<v Speaker 2>work you've made of their experiences?

166
00:09:21.039 --> 00:09:26.080
<v Speaker 7>Mostly good, okay, I for the most part, I've had

167
00:09:26.159 --> 00:09:29.399
<v Speaker 7>people reach out to me rather than me reaching out

168
00:09:29.440 --> 00:09:29.759
<v Speaker 7>to them.

169
00:09:29.879 --> 00:09:32.360
<v Speaker 8>So this project and this foundation.

170
00:09:33.039 --> 00:09:36.440
<v Speaker 7>The foundation is actually NISKA funded, which is the New

171
00:09:36.519 --> 00:09:40.840
<v Speaker 7>York State Council for the Arts. So it's really nice

172
00:09:40.879 --> 00:09:44.080
<v Speaker 7>that I'm being given an opportunity in order to pivot

173
00:09:44.279 --> 00:09:47.200
<v Speaker 7>this kind of practice that I've been doing and kind

174
00:09:47.200 --> 00:09:50.759
<v Speaker 7>of open up in sort of a legitimate or more

175
00:09:50.879 --> 00:09:55.000
<v Speaker 7>legitimate way, rather than me just putting my artwork on

176
00:09:55.039 --> 00:09:57.679
<v Speaker 7>the Internet and having people reach out to me saying,

177
00:09:57.840 --> 00:10:00.240
<v Speaker 7>you know that they've seen similar thing.

178
00:10:01.600 --> 00:10:03.240
<v Speaker 8>So generally good.

179
00:10:03.480 --> 00:10:07.559
<v Speaker 7>I generally get you know, decent and interested people speaking

180
00:10:07.559 --> 00:10:11.159
<v Speaker 7>with me. I have had some issues with folk, which

181
00:10:11.240 --> 00:10:12.639
<v Speaker 7>is I guess part of the course of.

182
00:10:12.600 --> 00:10:18.360
<v Speaker 8>Being you know, someone on the internet, so you know

183
00:10:18.440 --> 00:10:20.919
<v Speaker 8>there is there is always that in the back of

184
00:10:20.960 --> 00:10:24.559
<v Speaker 8>your mind. But for the most part, it's opened me

185
00:10:24.639 --> 00:10:27.960
<v Speaker 8>up to a community of people that is it's great.

186
00:10:28.200 --> 00:10:30.679
<v Speaker 2>Well, I mean specifically, like, if you've done art work

187
00:10:30.679 --> 00:10:34.799
<v Speaker 2>about someone's experience, what is the general reaction you get

188
00:10:34.840 --> 00:10:36.279
<v Speaker 2>from them when they see your art?

189
00:10:36.399 --> 00:10:37.679
<v Speaker 8>Oh, it's generally very good.

190
00:10:37.759 --> 00:10:41.879
<v Speaker 7>And you know, I don't I'm not extremely derivative either,

191
00:10:42.240 --> 00:10:46.679
<v Speaker 7>Like I will do say a craft or something that

192
00:10:46.799 --> 00:10:49.039
<v Speaker 7>somebody has seen, but you know, how many people have

193
00:10:49.120 --> 00:10:50.240
<v Speaker 7>also seen that craft?

194
00:10:51.000 --> 00:10:53.159
<v Speaker 8>But also how am I breaking it down in an.

195
00:10:53.120 --> 00:10:57.080
<v Speaker 7>Artistic sense where this is a symbol that people gravitate

196
00:10:57.159 --> 00:11:02.679
<v Speaker 7>towards and then potentially see. Uh, you know, the physicality

197
00:11:02.799 --> 00:11:06.639
<v Speaker 7>of the experience is you know, left up to discussion.

198
00:11:07.919 --> 00:11:11.200
<v Speaker 7>So generally it has been good and it opens up

199
00:11:11.200 --> 00:11:12.559
<v Speaker 7>more conversations too.

200
00:11:12.919 --> 00:11:16.480
<v Speaker 2>Yeah, and you've had experiences of your own and you've

201
00:11:16.519 --> 00:11:17.960
<v Speaker 2>you've done art on some of those.

202
00:11:18.559 --> 00:11:19.480
<v Speaker 8>Uh, yes, here and there.

203
00:11:19.519 --> 00:11:24.240
<v Speaker 7>I have definitely put in, uh silently, my own experiences

204
00:11:24.320 --> 00:11:24.960
<v Speaker 7>into my work.

205
00:11:25.360 --> 00:11:28.039
<v Speaker 2>Do you feel like that helps you like understand it?

206
00:11:28.240 --> 00:11:31.639
<v Speaker 9>Yeah, you know, I feel like I feel that if

207
00:11:31.720 --> 00:11:36.879
<v Speaker 9>I were coming at the topic from an outsider standpoint,

208
00:11:37.000 --> 00:11:39.320
<v Speaker 9>not that that's not legitimate or anything, but I think

209
00:11:39.399 --> 00:11:43.240
<v Speaker 9>people trust me more with their stories because I have

210
00:11:43.360 --> 00:11:44.159
<v Speaker 9>my own stories.

211
00:11:45.200 --> 00:11:49.000
<v Speaker 8>They they don't think I'm going to disregard them or scoff.

212
00:11:48.639 --> 00:11:52.279
<v Speaker 2>At them, right right, Yeah, So what kind of experiences

213
00:11:52.279 --> 00:11:52.799
<v Speaker 2>have you had?

214
00:11:53.639 --> 00:11:56.600
<v Speaker 7>Well, like I've said, come from a paranormally inclined family,

215
00:11:56.720 --> 00:12:01.600
<v Speaker 7>so my whole family has kind of had experiences throughout

216
00:12:01.600 --> 00:12:06.960
<v Speaker 7>my whole life. And uh so I've lived in uh,

217
00:12:07.120 --> 00:12:10.679
<v Speaker 7>pretty hot places and I've lived in places with no activity.

218
00:12:11.519 --> 00:12:14.600
<v Speaker 8>So I've had, you know, some physical.

219
00:12:14.279 --> 00:12:18.960
<v Speaker 7>Movement of things I've had. I've had apparitions that I've seen.

220
00:12:19.799 --> 00:12:23.879
<v Speaker 7>I've also had you know, your your your light sightings,

221
00:12:24.639 --> 00:12:26.120
<v Speaker 7>your shadow sightings.

222
00:12:26.440 --> 00:12:29.639
<v Speaker 8>Uh and yeah, a coorts.

223
00:12:30.399 --> 00:12:33.200
<v Speaker 7>I know you and I were talking about that, things

224
00:12:33.200 --> 00:12:35.799
<v Speaker 7>that go missing for no explanation whatsoever.

225
00:12:36.120 --> 00:12:38.159
<v Speaker 8>And it's not just because I'm forgetful.

226
00:12:38.919 --> 00:12:43.039
<v Speaker 7>But uh, yeah, I've had I've had a strong gamut,

227
00:12:43.039 --> 00:12:45.480
<v Speaker 7>but I will say I've had no UFO activity.

228
00:12:45.720 --> 00:12:48.759
<v Speaker 2>The do you want to talk about the apports? Because

229
00:12:48.759 --> 00:12:51.759
<v Speaker 2>I know that was pretty interesting, sure, and.

230
00:12:51.720 --> 00:12:53.480
<v Speaker 8>It also had to deal with art too, So that

231
00:12:53.559 --> 00:12:54.679
<v Speaker 8>was that's pretty good.

232
00:12:56.039 --> 00:12:59.840
<v Speaker 7>So I I had a studio in a basement, and

233
00:13:00.879 --> 00:13:04.240
<v Speaker 7>you know, other people had access to the area, but

234
00:13:05.679 --> 00:13:10.240
<v Speaker 7>for no reason whatsoever would they be going through my things.

235
00:13:11.080 --> 00:13:11.759
<v Speaker 8>So I had just.

236
00:13:11.799 --> 00:13:15.360
<v Speaker 7>Purchased a material that I was very excited to use.

237
00:13:15.480 --> 00:13:17.600
<v Speaker 7>I had saved up for it, I had been itching

238
00:13:17.639 --> 00:13:19.600
<v Speaker 7>to use it for a while. So there was kind

239
00:13:19.600 --> 00:13:22.600
<v Speaker 7>of an energetic feeling towards this, if we want to put.

240
00:13:22.480 --> 00:13:23.480
<v Speaker 8>That factor into it.

241
00:13:24.399 --> 00:13:28.639
<v Speaker 7>I had I had all my materials in a bag

242
00:13:28.759 --> 00:13:33.159
<v Speaker 7>specifically that would zip up, and you know, this was

243
00:13:33.480 --> 00:13:34.360
<v Speaker 7>it had a lot.

244
00:13:34.240 --> 00:13:35.399
<v Speaker 8>Of expensive materials.

245
00:13:35.399 --> 00:13:39.679
<v Speaker 7>So again nobody would be touching this, and as soon

246
00:13:39.720 --> 00:13:42.120
<v Speaker 7>as I was ready to use it, it had vanished,

247
00:13:42.279 --> 00:13:44.600
<v Speaker 7>and it had vanished for three years.

248
00:13:45.360 --> 00:13:49.960
<v Speaker 8>I tore the place apart looking for it. And also.

249
00:13:51.759 --> 00:13:55.080
<v Speaker 7>Eventually after the story ends, I want to say that

250
00:13:55.200 --> 00:13:58.919
<v Speaker 7>if you open this material and use it, it drives out

251
00:13:59.000 --> 00:14:02.200
<v Speaker 7>very quickly. So the shelf life of this when opened

252
00:14:02.639 --> 00:14:03.840
<v Speaker 7>is very short.

253
00:14:04.080 --> 00:14:05.039
<v Speaker 8>Yeah.

254
00:14:05.080 --> 00:14:08.240
<v Speaker 7>So three years later I had opened up my bag

255
00:14:08.279 --> 00:14:11.120
<v Speaker 7>and it was sitting right on top of the pile

256
00:14:11.159 --> 00:14:13.600
<v Speaker 7>of paint and I had painted a lot, you know,

257
00:14:14.320 --> 00:14:17.879
<v Speaker 7>during that three years, So that was interesting. It's also

258
00:14:17.919 --> 00:14:19.639
<v Speaker 7>one of my favorite things to use. Now I have

259
00:14:19.759 --> 00:14:21.720
<v Speaker 7>rebought it after I had used that.

260
00:14:23.720 --> 00:14:28.559
<v Speaker 2>Yeah, that's sort of impossible. Yeah, like it jumped forward

261
00:14:28.600 --> 00:14:29.240
<v Speaker 2>in time.

262
00:14:29.679 --> 00:14:34.039
<v Speaker 7>You know, It's It's not one of my most standout experiences,

263
00:14:34.120 --> 00:14:35.960
<v Speaker 7>but it was definitely.

264
00:14:36.960 --> 00:14:38.960
<v Speaker 8>It made no sense whatsoever.

265
00:14:39.080 --> 00:14:44.759
<v Speaker 7>And I wonder what exactly would be the reasoning behind that,

266
00:14:45.279 --> 00:14:48.799
<v Speaker 7>if there was any intelligence taking it away from me.

267
00:14:49.840 --> 00:14:51.919
<v Speaker 8>Critic non human critic.

268
00:14:54.000 --> 00:14:55.639
<v Speaker 2>I don't think I like what she's doing with this.

269
00:14:55.720 --> 00:14:58.679
<v Speaker 2>I'm gonna throw it three years into the future. Fine,

270
00:15:00.240 --> 00:15:01.200
<v Speaker 2>at least she got it back.

271
00:15:01.240 --> 00:15:04.360
<v Speaker 7>At least I got it back. Yeah, I was very

272
00:15:04.399 --> 00:15:06.720
<v Speaker 7>happy to have it back. But I was also very pissed.

273
00:15:07.919 --> 00:15:11.600
<v Speaker 2>It's understandable. But I mean, like, I guess it's it's

274
00:15:11.639 --> 00:15:13.960
<v Speaker 2>also better than someone had stolen it.

275
00:15:14.039 --> 00:15:15.559
<v Speaker 8>Yes, that's very true.

276
00:15:16.159 --> 00:15:18.200
<v Speaker 2>So so what are some of the more visceral things

277
00:15:18.200 --> 00:15:18.799
<v Speaker 2>that have happened.

278
00:15:19.440 --> 00:15:24.480
<v Speaker 7>Well, when I was a teenager, I lived in an

279
00:15:24.519 --> 00:15:29.080
<v Speaker 7>apartment that was very active. It is the most active

280
00:15:29.080 --> 00:15:34.279
<v Speaker 7>place I've ever lived in. Unbeknownst to me, when my

281
00:15:34.399 --> 00:15:37.799
<v Speaker 7>family and I were moving into the place, the landlord

282
00:15:38.200 --> 00:15:41.480
<v Speaker 7>had told us that there was activity and then told

283
00:15:41.519 --> 00:15:45.240
<v Speaker 7>my parents they didn't share that with me because I

284
00:15:45.399 --> 00:15:48.879
<v Speaker 7>had experiences in other places as well.

285
00:15:49.519 --> 00:15:53.039
<v Speaker 8>I also want to preface that I have uh since

286
00:15:53.519 --> 00:15:54.000
<v Speaker 8>the family.

287
00:15:54.039 --> 00:15:56.960
<v Speaker 7>The family is paranormally inclined, we've always believed one another

288
00:15:56.960 --> 00:16:00.360
<v Speaker 7>one we've seen or experienced something and tried to figure you're.

289
00:16:00.240 --> 00:16:03.159
<v Speaker 8>Out if we could explain it, that's great. Yeah, I'm

290
00:16:03.360 --> 00:16:04.159
<v Speaker 8>very lucky for that.

291
00:16:05.240 --> 00:16:10.360
<v Speaker 7>So one of the more visceral experiences I've had doors

292
00:16:10.360 --> 00:16:15.679
<v Speaker 7>swing open, latched doors, swing open, door knobs turned, cups

293
00:16:16.080 --> 00:16:22.320
<v Speaker 7>moved in patterns that are impossible, and I some movement

294
00:16:22.600 --> 00:16:27.159
<v Speaker 7>of objects have been seen by other people, so that

295
00:16:27.279 --> 00:16:30.279
<v Speaker 7>is also validating you're not the only person seeing it.

296
00:16:31.360 --> 00:16:34.840
<v Speaker 7>There was an apparition, Uh, there were voices, it was

297
00:16:34.840 --> 00:16:36.759
<v Speaker 7>a it was a very active apartment.

298
00:16:37.039 --> 00:16:40.639
<v Speaker 10>And it was interesting too that like when it happened,

299
00:16:40.960 --> 00:16:44.279
<v Speaker 10>there was that feeling that a lot of people describe

300
00:16:44.480 --> 00:16:48.320
<v Speaker 10>of you don't care, you know it's happening, You're you're

301
00:16:48.320 --> 00:16:49.080
<v Speaker 10>seeing it happen.

302
00:16:49.240 --> 00:16:51.639
<v Speaker 7>It is frightening, but you kind of kind of just

303
00:16:51.759 --> 00:16:55.799
<v Speaker 7>rolls off of you. And I'm glad that that's how

304
00:16:55.840 --> 00:16:59.600
<v Speaker 7>I approach this. Now, I now that I think that

305
00:16:59.679 --> 00:17:02.639
<v Speaker 7>I'm doing work on it, and I wouldn't call it

306
00:17:02.759 --> 00:17:06.160
<v Speaker 7>looking for it. I'm certainly not, you know, not looking

307
00:17:06.200 --> 00:17:10.160
<v Speaker 7>for it. I think I think it doesn't want.

308
00:17:10.000 --> 00:17:14.680
<v Speaker 2>To play well. It does tend what was it a

309
00:17:14.759 --> 00:17:16.799
<v Speaker 2>little bit, just a little bit, It does tend to

310
00:17:16.799 --> 00:17:21.000
<v Speaker 2>be a trickster. So you know, I don't know that

311
00:17:21.039 --> 00:17:24.240
<v Speaker 2>most people's response is to let it slide off them.

312
00:17:24.359 --> 00:17:27.880
<v Speaker 2>I mean, sorry, depending on what it is, like maybe

313
00:17:27.920 --> 00:17:30.480
<v Speaker 2>a door opening. Yeah, but like a lot of people

314
00:17:30.519 --> 00:17:34.119
<v Speaker 2>get really freaked out by this stuff, so that's kind.

315
00:17:34.000 --> 00:17:37.200
<v Speaker 11>Of a little bit after I think the shock wears off,

316
00:17:37.279 --> 00:17:40.559
<v Speaker 11>or what I've heard is that you have the sighting,

317
00:17:40.799 --> 00:17:44.400
<v Speaker 11>especially like a craft sighting, and then you're like, oh okay,

318
00:17:44.640 --> 00:17:46.759
<v Speaker 11>and then it hits you a little later on.

319
00:17:47.200 --> 00:17:51.279
<v Speaker 2>Well, there's also those cases where people experience something, you know,

320
00:17:51.359 --> 00:17:53.480
<v Speaker 2>like they wake up, they have an experience, and then

321
00:17:53.519 --> 00:17:55.279
<v Speaker 2>they just go back to sleep. Yeah, And I know

322
00:17:55.319 --> 00:17:57.240
<v Speaker 2>that's happened to me before, and it's it's weird because

323
00:17:57.240 --> 00:17:58.839
<v Speaker 2>you think, how did I just go back to sleep?

324
00:18:00.720 --> 00:18:03.519
<v Speaker 2>So that's yeah, that's always been been an odd thing.

325
00:18:03.559 --> 00:18:06.519
<v Speaker 2>But I mean, I think people's responses to this stuff

326
00:18:06.680 --> 00:18:09.480
<v Speaker 2>very I've seen people who have experienced stuff with me

327
00:18:09.680 --> 00:18:12.599
<v Speaker 2>really lose lose it when stuff happens. You know, it's

328
00:18:12.640 --> 00:18:14.759
<v Speaker 2>not even like shock. They're just out and out scared.

329
00:18:15.559 --> 00:18:17.759
<v Speaker 2>My friend, my one friend used to say that if

330
00:18:17.799 --> 00:18:20.000
<v Speaker 2>you ever saw me running from something, he'd be rubbing

331
00:18:20.079 --> 00:18:24.839
<v Speaker 2>running double speed because to me, it just it happens.

332
00:18:24.880 --> 00:18:27.680
<v Speaker 2>And I'm like, okay, especially especially now because I've had

333
00:18:27.680 --> 00:18:29.599
<v Speaker 2>so much, none of it feels threatening.

334
00:18:29.720 --> 00:18:32.359
<v Speaker 8>That's kind of well, how active.

335
00:18:33.000 --> 00:18:37.559
<v Speaker 7>That place I've lived in was was a little you know, concerning,

336
00:18:38.279 --> 00:18:41.799
<v Speaker 7>But nothing I've experienced has been threatening thus far.

337
00:18:42.160 --> 00:18:43.279
<v Speaker 8>Knock on wood.

338
00:18:45.480 --> 00:18:48.000
<v Speaker 2>And you said you've experienced shadow people.

339
00:18:48.119 --> 00:18:49.279
<v Speaker 8>I've experienced shadows.

340
00:18:50.079 --> 00:18:54.359
<v Speaker 7>When I was very young, I had a lot of

341
00:18:54.359 --> 00:18:57.000
<v Speaker 7>shadows and that was kind of part of course for

342
00:18:57.400 --> 00:18:58.400
<v Speaker 7>other family members.

343
00:18:58.559 --> 00:19:01.079
<v Speaker 2>Okay. And you didn't get a bad feeling from that either,

344
00:19:01.839 --> 00:19:05.839
<v Speaker 2>not necessarily, Okay, you don't see anything like that more recently.

345
00:19:06.160 --> 00:19:09.680
<v Speaker 12>I live in a place now, so the last like

346
00:19:09.920 --> 00:19:13.839
<v Speaker 12>three places SIZE have lived in have been dead quiet.

347
00:19:13.920 --> 00:19:17.160
<v Speaker 12>But where I live now, being being in New Yorker,

348
00:19:17.240 --> 00:19:21.720
<v Speaker 12>you move a lot, it seems like it's a bit uh.

349
00:19:22.279 --> 00:19:24.680
<v Speaker 7>Things come and go, they don't, they don't hang around.

350
00:19:25.359 --> 00:19:29.440
<v Speaker 7>I was seeing a lot of lots of lights and

351
00:19:29.519 --> 00:19:32.079
<v Speaker 7>shadows and I'm gonna be honest. I was like, well,

352
00:19:32.119 --> 00:19:35.119
<v Speaker 7>I'm getting older, so maybe my vision's kind of not

353
00:19:35.240 --> 00:19:42.359
<v Speaker 7>great anymore. But I live across the hall from someone

354
00:19:42.359 --> 00:19:46.279
<v Speaker 7>who's lived in the building their whole life. And without prompting,

355
00:19:46.680 --> 00:19:49.079
<v Speaker 7>she was like. We were talking and she's like, you know,

356
00:19:49.400 --> 00:19:51.279
<v Speaker 7>I'm a little witchy. And I was like, oh, yeah,

357
00:19:52.519 --> 00:19:55.759
<v Speaker 7>what do you think this place is haunted? Able like,

358
00:19:56.640 --> 00:20:01.200
<v Speaker 7>and she explained everything and she's like, now my daughter's

359
00:20:01.240 --> 00:20:03.440
<v Speaker 7>seeing it too, and I was like, okay, cool, good

360
00:20:03.440 --> 00:20:03.680
<v Speaker 7>to know.

361
00:20:03.920 --> 00:20:04.480
<v Speaker 8>Good to know.

362
00:20:05.799 --> 00:20:09.240
<v Speaker 2>Did she think it was haunted or just a weird spot.

363
00:20:09.359 --> 00:20:10.119
<v Speaker 8>It's a weird.

364
00:20:09.920 --> 00:20:14.440
<v Speaker 7>Spot, which is also I've had friends over who are

365
00:20:14.880 --> 00:20:17.440
<v Speaker 7>sensitive and they feel the same way.

366
00:20:17.920 --> 00:20:21.359
<v Speaker 8>It's kind of we call it the way station. I

367
00:20:21.519 --> 00:20:25.440
<v Speaker 8>don't know why that is. There could be a multitude

368
00:20:25.440 --> 00:20:27.640
<v Speaker 8>of reasons. Maybe the building.

369
00:20:27.319 --> 00:20:31.759
<v Speaker 7>Is just covered in wire and electrical wires, and spectrum

370
00:20:31.839 --> 00:20:34.480
<v Speaker 7>hasn't been spectrum Internet is just flying.

371
00:20:34.240 --> 00:20:35.720
<v Speaker 8>Around everywhere, who knows.

372
00:20:36.799 --> 00:20:41.440
<v Speaker 7>Could be just a huge Faraday cage, who knows. But yeah,

373
00:20:41.680 --> 00:20:46.440
<v Speaker 7>it's odd. I've had some pretty sick, significant work sightings

374
00:20:46.480 --> 00:20:50.160
<v Speaker 7>in there. But you know, what I always say is like,

375
00:20:50.319 --> 00:20:52.200
<v Speaker 7>if you're not paying rent, get.

376
00:20:52.000 --> 00:20:52.720
<v Speaker 8>Out of my arm.

377
00:20:54.440 --> 00:20:56.440
<v Speaker 2>I encourage it. I wanted to do things.

378
00:20:56.599 --> 00:20:57.359
<v Speaker 8>Is the paying rent.

379
00:20:57.599 --> 00:20:59.240
<v Speaker 2>It didn't need to pay rent. It just has to

380
00:20:59.359 --> 00:21:03.680
<v Speaker 2>you know, stuff or be helpful. Yes, So what other

381
00:21:03.799 --> 00:21:05.200
<v Speaker 2>kind of experiences have you had?

382
00:21:05.599 --> 00:21:08.519
<v Speaker 8>That's about kind of the full gamut. I mean I've

383
00:21:08.559 --> 00:21:13.240
<v Speaker 8>had and I've done a project on some astral projection

384
00:21:13.400 --> 00:21:14.759
<v Speaker 8>experiences that I've had.

385
00:21:14.960 --> 00:21:15.279
<v Speaker 2>Okay.

386
00:21:16.240 --> 00:21:19.720
<v Speaker 7>In my family, I come from a line of dowsers,

387
00:21:19.920 --> 00:21:24.160
<v Speaker 7>so that's really interesting. Where originally from the Hudson Valley,

388
00:21:24.519 --> 00:21:27.880
<v Speaker 7>So it's like Queen's in the Hudson Valley. And so

389
00:21:28.400 --> 00:21:33.640
<v Speaker 7>my father's side is the sensitive side, and that is

390
00:21:34.119 --> 00:21:40.559
<v Speaker 7>the family of dowsers and mediums and psychics. Then my

391
00:21:40.680 --> 00:21:44.559
<v Speaker 7>grandmother also on my father's side, so his mother has

392
00:21:44.599 --> 00:21:48.759
<v Speaker 7>had multiple near death experiences. There was I did a

393
00:21:48.759 --> 00:21:52.359
<v Speaker 7>project of that, coupling it with you know what kind

394
00:21:52.359 --> 00:21:55.279
<v Speaker 7>of trauma that does to the person and the family,

395
00:21:55.680 --> 00:22:01.039
<v Speaker 7>and paranormal activity that happened after she had.

396
00:22:00.359 --> 00:22:01.200
<v Speaker 8>For the final time.

397
00:22:01.319 --> 00:22:03.279
<v Speaker 2>Wow. Okay, And I know you said you were you

398
00:22:03.279 --> 00:22:06.160
<v Speaker 2>were looking into the Monroe Institute gateway stuff, right.

399
00:22:06.279 --> 00:22:12.079
<v Speaker 8>Yeah. The concept of methods of meditation in order to

400
00:22:12.160 --> 00:22:17.079
<v Speaker 8>contact entities is pretty interesting because it kind of brings

401
00:22:17.079 --> 00:22:21.599
<v Speaker 8>the power back to the person for a multitude of reasons.

402
00:22:21.960 --> 00:22:26.319
<v Speaker 7>So I also like looking at the Gateway process as

403
00:22:26.440 --> 00:22:30.960
<v Speaker 7>kind of like a contemporary American occultism war type thing.

404
00:22:31.640 --> 00:22:34.440
<v Speaker 7>I know, we have CE five too, which apparently people

405
00:22:34.519 --> 00:22:37.759
<v Speaker 7>at the Monroe Institute have been also doing CE five,

406
00:22:38.480 --> 00:22:43.400
<v Speaker 7>which I recently found out. But the concept is really interesting,

407
00:22:43.480 --> 00:22:49.759
<v Speaker 7>and especially how Gateway was utilized for wartime or there

408
00:22:49.799 --> 00:22:54.119
<v Speaker 7>was an attempt. I appreciate the appropriation of government funding

409
00:22:54.200 --> 00:22:55.400
<v Speaker 7>into spooky projects.

410
00:22:57.480 --> 00:22:58.880
<v Speaker 8>I very much appreciate that.

411
00:22:59.839 --> 00:23:04.279
<v Speaker 7>Then, Uh also just kind of the seeking out, uh,

412
00:23:04.680 --> 00:23:07.559
<v Speaker 7>you know, kind of hidden knowledge from an entity and

413
00:23:07.720 --> 00:23:12.000
<v Speaker 7>making contact and usually you hit kind of a tricks

414
00:23:12.079 --> 00:23:14.519
<v Speaker 7>or entity that's kind of like, I mean, that's folklore,

415
00:23:14.680 --> 00:23:16.640
<v Speaker 7>like you know, you go looking for answers and you

416
00:23:16.759 --> 00:23:19.400
<v Speaker 7>found them, don't go looking for them.

417
00:23:19.599 --> 00:23:20.480
<v Speaker 2>Uh.

418
00:23:20.759 --> 00:23:26.640
<v Speaker 7>But Robert Monroe contacted a very benevolent entity, so like

419
00:23:26.680 --> 00:23:29.000
<v Speaker 7>we have the Gayway process, but later when you go

420
00:23:29.160 --> 00:23:33.440
<v Speaker 7>into it, uh, E was channeling or one of one

421
00:23:33.440 --> 00:23:37.799
<v Speaker 7>of his explorers was channeling a benevolent entity that helped

422
00:23:37.839 --> 00:23:40.440
<v Speaker 7>him kind of set up all of the focus levels

423
00:23:40.880 --> 00:23:43.799
<v Speaker 7>and it was a very helpful and benevolent entity. So

424
00:23:43.920 --> 00:23:47.079
<v Speaker 7>that's interesting too. I really I really enjoy that as

425
00:23:47.119 --> 00:23:49.559
<v Speaker 7>a story. But also as you know, people go to

426
00:23:49.599 --> 00:23:53.160
<v Speaker 7>the mon Row Institute all the time and and with

427
00:23:53.240 --> 00:23:59.799
<v Speaker 7>a resounding uh resounding success for them in whatever regard.

428
00:24:00.279 --> 00:24:02.079
<v Speaker 8>Not to say that you know that's going to be

429
00:24:02.160 --> 00:24:06.279
<v Speaker 8>like the story for everyone, of course, but it's it's

430
00:24:06.359 --> 00:24:07.039
<v Speaker 8>just interesting.

431
00:24:07.119 --> 00:24:11.359
<v Speaker 7>You don't really hear about people contacting benevolent entities without

432
00:24:11.400 --> 00:24:12.000
<v Speaker 7>there being.

433
00:24:11.880 --> 00:24:12.759
<v Speaker 8>Some sort of price.

434
00:24:13.920 --> 00:24:18.440
<v Speaker 7>So yeah, I am practicing a little bit myself, not

435
00:24:18.440 --> 00:24:20.960
<v Speaker 7>not too too much, but kind of been at the

436
00:24:21.000 --> 00:24:24.240
<v Speaker 7>researcher standpoint, and also like looking at it as kind

437
00:24:24.240 --> 00:24:27.119
<v Speaker 7>of this American cultural phenomenon.

438
00:24:26.680 --> 00:24:29.000
<v Speaker 2>Right, Yeah, have you had any success with it?

439
00:24:30.799 --> 00:24:36.720
<v Speaker 7>I'm not looking to contact entities, but yes, generally, do

440
00:24:36.880 --> 00:24:38.319
<v Speaker 7>you do notice some alterned states?

441
00:24:38.359 --> 00:24:38.559
<v Speaker 13>Yeah?

442
00:24:38.599 --> 00:24:42.039
<v Speaker 2>Okay, and U see five stuff. I mean, I think

443
00:24:42.119 --> 00:24:44.759
<v Speaker 2>anything anytime you're doing stuff like that, it has the

444
00:24:44.799 --> 00:24:48.640
<v Speaker 2>potential to work. But I also see someone like, uh,

445
00:24:49.039 --> 00:24:50.200
<v Speaker 2>who's the main guy who does it?

446
00:24:50.559 --> 00:24:50.839
<v Speaker 3>Greer?

447
00:24:51.039 --> 00:24:53.480
<v Speaker 2>Yeah, Greer. Greer almost comes across like a used car

448
00:24:53.519 --> 00:24:57.279
<v Speaker 2>sales and I've seen that. Yeah, it's a lot, I've

449
00:24:57.400 --> 00:24:59.920
<v Speaker 2>seen him, you know, be like every like the sky

450
00:25:00.160 --> 00:25:02.519
<v Speaker 2>is basically a UFO when they're doing CE five and

451
00:25:02.559 --> 00:25:05.319
<v Speaker 2>it's like, okay, well, I mean maybe that helps people

452
00:25:05.400 --> 00:25:08.160
<v Speaker 2>believe and actually manifest these things, but also does he

453
00:25:08.240 --> 00:25:10.519
<v Speaker 2>really think that or is he just trying to sell

454
00:25:10.559 --> 00:25:11.119
<v Speaker 2>it like that?

455
00:25:11.480 --> 00:25:15.200
<v Speaker 7>The comparison that I see with like, okay, so now

456
00:25:15.200 --> 00:25:19.319
<v Speaker 7>we're looking at two, I would call them contemporary American

457
00:25:19.359 --> 00:25:20.279
<v Speaker 7>occult practices.

458
00:25:21.039 --> 00:25:23.799
<v Speaker 8>That's what this is. Like, it's a it's a.

459
00:25:23.519 --> 00:25:28.440
<v Speaker 7>Deep trance like meditative process for you know, occult purposes.

460
00:25:29.440 --> 00:25:34.359
<v Speaker 7>So you have the Gateway process, which is very will

461
00:25:34.440 --> 00:25:37.839
<v Speaker 7>put in air quotes ritualistic, and you know, you go

462
00:25:38.000 --> 00:25:41.920
<v Speaker 7>into it it kind of cleansing yourself, protecting yourself and

463
00:25:41.960 --> 00:25:45.759
<v Speaker 7>then seeking answers and then CE five to me is

464
00:25:45.880 --> 00:25:48.640
<v Speaker 7>like going outside with the flash like you're gonna fucking

465
00:25:48.680 --> 00:25:49.119
<v Speaker 7>talk to me.

466
00:25:51.079 --> 00:25:53.400
<v Speaker 8>So it's a bit hubristic.

467
00:25:54.759 --> 00:25:58.079
<v Speaker 7>So uh, but you know what it gets results, So

468
00:25:58.240 --> 00:25:59.160
<v Speaker 7>like you can't knock it.

469
00:26:00.160 --> 00:26:04.039
<v Speaker 8>I cannot get a little bit. But yeah, it's it's.

470
00:26:04.400 --> 00:26:10.160
<v Speaker 7>Very interesting and I am excited to explore it a

471
00:26:10.200 --> 00:26:15.599
<v Speaker 7>little bit more from a kind of uh folklorics standpoint.

472
00:26:15.759 --> 00:26:17.839
<v Speaker 2>What I forgot what I was going to ask it

473
00:26:17.880 --> 00:26:19.240
<v Speaker 2>was something about the five.

474
00:26:21.599 --> 00:26:25.759
<v Speaker 13>For Bridgid Christ the road to love was nuts, so straightforward, Pridgie.

475
00:26:25.559 --> 00:26:28.920
<v Speaker 14>I forbid you from marrying that spendthrift you, Miles car

476
00:26:30.319 --> 00:26:31.200
<v Speaker 14>What the devil.

477
00:26:31.000 --> 00:26:33.480
<v Speaker 15>Is that I'm setting up an N fifty video account

478
00:26:33.559 --> 00:26:37.079
<v Speaker 15>on my mobile cellular telephone, thus but curing a discount

479
00:26:37.119 --> 00:26:39.119
<v Speaker 15>from the M fifty highway tower path.

480
00:26:39.400 --> 00:26:42.079
<v Speaker 14>Very prudent, mister Carr. It seems I've misjudged you.

481
00:26:42.319 --> 00:26:46.640
<v Speaker 13>EFO Presents Accounts on Accountability. Pay your toes automatically and

482
00:26:46.680 --> 00:26:49.319
<v Speaker 13>get a discount with a free M fifty video tolling

483
00:26:49.319 --> 00:26:50.720
<v Speaker 13>account at e flow dot Ie.

484
00:26:52.400 --> 00:26:56.440
<v Speaker 4>A cast classics, Carrie Ja Does Not Exist is a

485
00:26:56.480 --> 00:26:59.119
<v Speaker 4>story of how one woman who took on over six

486
00:26:59.240 --> 00:27:03.160
<v Speaker 4>different identity the infiltrated the lives of vulnerable people and

487
00:27:03.200 --> 00:27:05.039
<v Speaker 4>lied her way into gaining their trust.

488
00:27:05.279 --> 00:27:07.640
<v Speaker 5>It's almost like she has this rare gift of being

489
00:27:07.640 --> 00:27:11.319
<v Speaker 5>able to ascertain the exact hopes and dreams of a community.

490
00:27:11.519 --> 00:27:14.839
<v Speaker 5>She offered them exactly that and then just bails.

491
00:27:15.160 --> 00:27:18.119
<v Speaker 4>This series tells a story of how Carrie Jade built

492
00:27:18.200 --> 00:27:21.480
<v Speaker 4>up a picture perfect persona until she finally got tindled

493
00:27:21.559 --> 00:27:24.440
<v Speaker 4>up in her own web of lives. Find out more

494
00:27:24.440 --> 00:27:26.920
<v Speaker 4>about Carrie j Does Not Exist at a cast dot

495
00:27:27.000 --> 00:27:28.680
<v Speaker 4>com forward slash classics.

496
00:27:31.920 --> 00:27:34.759
<v Speaker 2>Uh oh, when you say they're just you know, demanding,

497
00:27:34.759 --> 00:27:36.559
<v Speaker 2>it kind of like the ghost Counters will go into

498
00:27:36.599 --> 00:27:39.880
<v Speaker 2>a house and be like, show yourself, and then when

499
00:27:39.920 --> 00:27:43.160
<v Speaker 2>something happens, they run away. You know, it's like demons,

500
00:27:43.240 --> 00:27:48.119
<v Speaker 2>it's me boy. Well, clearly it's all demons. I mean

501
00:27:48.119 --> 00:27:51.039
<v Speaker 2>that's the official stance at the moment.

502
00:27:54.000 --> 00:27:56.519
<v Speaker 8>So there wasn't In Syracuse.

503
00:27:56.640 --> 00:28:01.000
<v Speaker 7>There was a priest, a mon senior who as an exorcist,

504
00:28:01.119 --> 00:28:02.880
<v Speaker 7>and you know, we don't have a lot of those,

505
00:28:03.079 --> 00:28:07.440
<v Speaker 7>and he started, I think writing online or speaking that

506
00:28:07.519 --> 00:28:12.400
<v Speaker 7>he was making the you know, alien demonic connection, and

507
00:28:13.200 --> 00:28:16.079
<v Speaker 7>they took away his like I don't know if his

508
00:28:16.160 --> 00:28:18.880
<v Speaker 7>exorcist license. I don't know what they told him. He

509
00:28:18.920 --> 00:28:22.200
<v Speaker 7>couldn't do that anymore, which is that's I think it

510
00:28:22.240 --> 00:28:25.359
<v Speaker 7>was Syracuse, but I mean that's not a it's not

511
00:28:25.559 --> 00:28:28.240
<v Speaker 7>a and he was a Catholic priest too. You usually

512
00:28:28.279 --> 00:28:33.039
<v Speaker 7>get that kind of weird, obscure kind of descent from Jesuits.

513
00:28:34.119 --> 00:28:37.119
<v Speaker 7>In any case, Yeah, I'm I think it was in Syracuse.

514
00:28:37.160 --> 00:28:38.319
<v Speaker 7>It was definitely in New York state.

515
00:28:38.720 --> 00:28:42.400
<v Speaker 2>I'm vaguely familiar with that, but I don't remember any details.

516
00:28:43.799 --> 00:28:46.200
<v Speaker 2>The thing that I think the thing with the aliens

517
00:28:46.359 --> 00:28:50.240
<v Speaker 2>being demons is kind of structured off the hypnosis stuff

518
00:28:50.240 --> 00:28:52.680
<v Speaker 2>that people like Bud Hopkins and them did, where they're

519
00:28:52.720 --> 00:28:56.359
<v Speaker 2>treating these things like that they're coming in and they're

520
00:28:56.400 --> 00:28:59.000
<v Speaker 2>you know, they're abducting people against their will, rather than

521
00:28:59.079 --> 00:29:02.160
<v Speaker 2>this being a spiritual process with these things are trying

522
00:29:02.200 --> 00:29:04.880
<v Speaker 2>to interact with people, and I think once you see

523
00:29:04.920 --> 00:29:06.920
<v Speaker 2>it in a negative light, it's hard to see it

524
00:29:06.960 --> 00:29:07.599
<v Speaker 2>any other way.

525
00:29:08.200 --> 00:29:12.519
<v Speaker 7>I you know, in my camp, for whatever that's worth, Like,

526
00:29:12.720 --> 00:29:17.759
<v Speaker 7>I have encountered people who have had tons of negative experiences,

527
00:29:17.799 --> 00:29:21.240
<v Speaker 7>and then I've encountered the people that have positive experiences.

528
00:29:21.440 --> 00:29:23.279
<v Speaker 8>And yeah, so.

529
00:29:23.440 --> 00:29:28.559
<v Speaker 7>I can't fault someone who experiences trauma. I mean, anytime

530
00:29:28.640 --> 00:29:33.519
<v Speaker 7>someone's talking to me about this, especially from a trauma standpoint.

531
00:29:33.160 --> 00:29:33.240
<v Speaker 14>I.

532
00:29:35.039 --> 00:29:35.559
<v Speaker 8>Believe them.

533
00:29:36.119 --> 00:29:41.200
<v Speaker 7>I believe Yeah, it's I mean, and like I hate

534
00:29:41.200 --> 00:29:46.240
<v Speaker 7>to say, but Bud and David Jacobs, as problematic as

535
00:29:46.240 --> 00:29:49.640
<v Speaker 7>they are, I ate up their work and it was

536
00:29:49.799 --> 00:29:53.240
<v Speaker 7>very interesting to me when I started really researching the phenomenon.

537
00:29:54.200 --> 00:29:57.680
<v Speaker 7>But you know that being said, like what has that

538
00:29:57.880 --> 00:30:02.680
<v Speaker 7>done to kind of look collective unconscious of the phenomenon

539
00:30:03.200 --> 00:30:03.720
<v Speaker 7>in general?

540
00:30:03.839 --> 00:30:06.200
<v Speaker 8>Yeah, I think I'm reiterating what you just said to me.

541
00:30:09.079 --> 00:30:11.880
<v Speaker 2>It's it's put like blinders on it for one thing,

542
00:30:12.319 --> 00:30:14.079
<v Speaker 2>you know, like we see it, Like I said, you know,

543
00:30:14.119 --> 00:30:16.200
<v Speaker 2>we see lights in all this stuff. We see polticeist

544
00:30:16.240 --> 00:30:18.000
<v Speaker 2>and activity and all this stuff. But you'll get like

545
00:30:18.119 --> 00:30:20.799
<v Speaker 2>a UFO encounter and then a big foot encounter, and

546
00:30:20.839 --> 00:30:23.119
<v Speaker 2>the people researching it are only interested in the thing

547
00:30:23.160 --> 00:30:25.720
<v Speaker 2>they're researching and instead of being like, why are these

548
00:30:25.759 --> 00:30:27.519
<v Speaker 2>two things happening at the same time.

549
00:30:27.359 --> 00:30:28.960
<v Speaker 8>Now it's a holistic phenomenon.

550
00:30:29.039 --> 00:30:32.640
<v Speaker 2>Yeah, I know. I had small town Monsters I can't

551
00:30:32.680 --> 00:30:34.400
<v Speaker 2>remember his name, Adam On for one of his big

552
00:30:34.400 --> 00:30:38.079
<v Speaker 2>Foot movies, and I said, so any UFO settings when

553
00:30:38.079 --> 00:30:40.400
<v Speaker 2>this flap was happening, and he, you know, he was

554
00:30:40.400 --> 00:30:41.799
<v Speaker 2>more of a flesh and blood guy, and he was

555
00:30:41.880 --> 00:30:44.599
<v Speaker 2>very hesitant to admit that. Yeah, right across the road

556
00:30:44.680 --> 00:30:46.599
<v Speaker 2>from the house that was getting most of the activity,

557
00:30:46.759 --> 00:30:50.400
<v Speaker 2>a UFO came down, burned a circle into the yard.

558
00:30:52.559 --> 00:30:54.599
<v Speaker 2>And I'm like, you don't think that's you think that's

559
00:30:54.720 --> 00:30:58.880
<v Speaker 2>just a coincidence, you know. But I think most of

560
00:30:58.920 --> 00:31:03.039
<v Speaker 2>this research, for most of its existence in modern you know, studies,

561
00:31:03.079 --> 00:31:04.960
<v Speaker 2>has been very siloed.

562
00:31:05.160 --> 00:31:06.000
<v Speaker 8>Yeah, it has.

563
00:31:06.400 --> 00:31:08.240
<v Speaker 7>And there are a lot of people who are like

564
00:31:08.359 --> 00:31:12.359
<v Speaker 7>tried and true cryptozoologists and they do not like to

565
00:31:12.400 --> 00:31:15.759
<v Speaker 7>mention the UFO. And you know that the umbrella of

566
00:31:16.279 --> 00:31:18.400
<v Speaker 7>a lot of the sightings that were in kind of

567
00:31:18.480 --> 00:31:22.240
<v Speaker 7>like along the I ninety five, uh, like in West Virginia,

568
00:31:22.440 --> 00:31:26.799
<v Speaker 7>both Mothman and like flat Woods and then some other

569
00:31:27.119 --> 00:31:31.119
<v Speaker 7>monster sidings like they do get lumped in like with

570
00:31:31.599 --> 00:31:33.960
<v Speaker 7>the you know UFO and on that, and there were

571
00:31:34.079 --> 00:31:38.920
<v Speaker 7>sightings of craft or you know UAP sidings during that time,

572
00:31:39.079 --> 00:31:41.799
<v Speaker 7>and it's not really talked about that.

573
00:31:42.200 --> 00:31:43.240
<v Speaker 8>It's a little ridiculous.

574
00:31:43.599 --> 00:31:46.599
<v Speaker 2>Oh yeah, well, I mean Mothman both Man had at all.

575
00:31:46.839 --> 00:31:51.359
<v Speaker 2>Really I think, I mean one of my theories, which

576
00:31:51.480 --> 00:31:53.079
<v Speaker 2>takes a while, I had did a whole show on

577
00:31:53.119 --> 00:31:55.640
<v Speaker 2>it at one point, is that we know from SI

578
00:31:55.759 --> 00:31:58.359
<v Speaker 2>research and labs that stuff can move backwards in time,

579
00:31:58.480 --> 00:32:02.440
<v Speaker 2>especially emotionally charged of and I think that bridge collapse

580
00:32:02.759 --> 00:32:06.400
<v Speaker 2>sent back a mass of sigh energy that caused some

581
00:32:06.400 --> 00:32:08.680
<v Speaker 2>people to have dreams, you know, because they so pleasant,

582
00:32:08.680 --> 00:32:11.000
<v Speaker 2>you know, things floating in the presence, floating in the

583
00:32:11.119 --> 00:32:14.279
<v Speaker 2>river and stuff, and other people just had what amounted

584
00:32:14.319 --> 00:32:17.720
<v Speaker 2>to poltergeist activity it's set off either it set off

585
00:32:17.880 --> 00:32:21.400
<v Speaker 2>things for them or it pooled in an area that

586
00:32:21.480 --> 00:32:24.400
<v Speaker 2>something else was able to take advantage of that energy,

587
00:32:24.759 --> 00:32:27.359
<v Speaker 2>because you see it stop as soon as the bridge collapses,

588
00:32:27.839 --> 00:32:30.119
<v Speaker 2>and so it's like if it's moving backwards and it's

589
00:32:30.160 --> 00:32:32.359
<v Speaker 2>that strong and you already have you know, Keill used

590
00:32:32.400 --> 00:32:35.079
<v Speaker 2>to say, these people are very psychically attuned to begin with.

591
00:32:35.200 --> 00:32:38.599
<v Speaker 2>You know, I think that this was like basically it

592
00:32:38.640 --> 00:32:41.319
<v Speaker 2>was this massive SiGe energy created by this trauma in

593
00:32:41.359 --> 00:32:45.000
<v Speaker 2>the future. And it makes sense to all the research

594
00:32:45.119 --> 00:32:47.640
<v Speaker 2>we know about as far as like science stuff goes.

595
00:32:48.000 --> 00:32:51.200
<v Speaker 2>The doctor Bem who I think is still in Cornell

596
00:32:51.279 --> 00:32:54.440
<v Speaker 2>when he did his the study that got called orn

597
00:32:54.519 --> 00:32:58.400
<v Speaker 2>Predicts or Approves Psychic abilities or whatever, he was showing

598
00:32:58.559 --> 00:33:02.880
<v Speaker 2>images of violence and pornography at random to people, regular people,

599
00:33:03.000 --> 00:33:05.200
<v Speaker 2>and he would see a spike in their brain waves

600
00:33:05.240 --> 00:33:08.240
<v Speaker 2>before the image was even chosen, only by fractions of

601
00:33:08.279 --> 00:33:10.720
<v Speaker 2>a second. But these were just images. So the fact

602
00:33:10.720 --> 00:33:12.559
<v Speaker 2>that they were picking up on it before they were

603
00:33:12.599 --> 00:33:16.079
<v Speaker 2>shown the image and it was replicated and pure reviewed

604
00:33:16.079 --> 00:33:18.960
<v Speaker 2>and everything else is significant because it's saying that these

605
00:33:19.240 --> 00:33:22.160
<v Speaker 2>these strong emotional things are having I mean, they're they're

606
00:33:22.160 --> 00:33:24.880
<v Speaker 2>they're being detectable in the past because the brain reacts

607
00:33:24.920 --> 00:33:27.319
<v Speaker 2>to those images. So I think, you know, even something

608
00:33:27.400 --> 00:33:30.839
<v Speaker 2>like a bansheet might be something that is projected backwards.

609
00:33:30.960 --> 00:33:34.000
<v Speaker 2>It's trauma that goes backwards in time that the person

610
00:33:34.039 --> 00:33:37.319
<v Speaker 2>picks up on but can't quite translate. So you get

611
00:33:37.359 --> 00:33:40.519
<v Speaker 2>a giant moth I mean, because we know something like

612
00:33:40.559 --> 00:33:43.759
<v Speaker 2>a mothman can't be a flesh and blood creature. I mean, realistically,

613
00:33:43.839 --> 00:33:46.519
<v Speaker 2>you know a lot of these monsters, even Bigfoot, in

614
00:33:46.599 --> 00:33:50.119
<v Speaker 2>a lot of areas, couldn't survive. Have you have you

615
00:33:50.119 --> 00:33:51.640
<v Speaker 2>you've never had any encryptid sightings?

616
00:33:51.640 --> 00:33:55.839
<v Speaker 7>Have you no perfect sightings? I wouldn't call Queen's.

617
00:33:57.079 --> 00:34:00.480
<v Speaker 2>Squat, Yeah, but you've been out other places than Queens,

618
00:34:00.599 --> 00:34:01.200
<v Speaker 2>I would say.

619
00:34:01.240 --> 00:34:06.160
<v Speaker 7>I would say, if I were to see a weird

620
00:34:06.400 --> 00:34:09.840
<v Speaker 7>monster in New York City, I would just be like.

621
00:34:09.840 --> 00:34:16.480
<v Speaker 2>Okay, all right, that's a guy in a costume. Yeah.

622
00:34:16.480 --> 00:34:20.199
<v Speaker 2>We were going over a book that like listed where

623
00:34:20.239 --> 00:34:23.599
<v Speaker 2>all the UFO sightings happened each year as a reported

624
00:34:23.599 --> 00:34:25.960
<v Speaker 2>to move on. That was surprised how many UFO sightings

625
00:34:25.960 --> 00:34:27.960
<v Speaker 2>New York City had. It was by far the highest

626
00:34:28.119 --> 00:34:31.039
<v Speaker 2>in the I think Queens was one of the highest areas,

627
00:34:31.199 --> 00:34:33.360
<v Speaker 2>and that's interesting to me because I would think with

628
00:34:33.400 --> 00:34:36.000
<v Speaker 2>all the light pollution, it would be hard to spot

629
00:34:36.000 --> 00:34:36.480
<v Speaker 2>a UFO.

630
00:34:36.880 --> 00:34:37.159
<v Speaker 8>Yeah.

631
00:34:37.599 --> 00:34:40.719
<v Speaker 7>The only one that I can recall off the top

632
00:34:40.760 --> 00:34:44.800
<v Speaker 7>of my head was there was a siding in Chelsea,

633
00:34:45.000 --> 00:34:48.960
<v Speaker 7>I think, and Chelsea Manhattan was in twenty thirteen, I believe,

634
00:34:49.000 --> 00:34:54.079
<v Speaker 7>maybe maybe twenty eleven, but I didn't see that personally.

635
00:34:54.280 --> 00:34:57.880
<v Speaker 8>I know that Long Island is pretty active.

636
00:34:58.079 --> 00:35:01.519
<v Speaker 7>Yeah, I've had friends to see things in Long Island

637
00:35:01.679 --> 00:35:07.800
<v Speaker 7>on Long Island, but Queens, no, we have we have

638
00:35:07.920 --> 00:35:11.800
<v Speaker 7>a significant amount of cemeteries in Queens in Brookland, but

639
00:35:12.079 --> 00:35:13.079
<v Speaker 7>I would call them.

640
00:35:13.000 --> 00:35:17.360
<v Speaker 2>More beautiful than Okay. So so when you say thin,

641
00:35:17.719 --> 00:35:19.719
<v Speaker 2>what do you think is happening in these places?

642
00:35:19.760 --> 00:35:20.679
<v Speaker 8>Like thin places?

643
00:35:22.880 --> 00:35:26.239
<v Speaker 7>You know, I know there's that theory of what is

644
00:35:26.239 --> 00:35:29.880
<v Speaker 7>it the thirty seventh parallel or like kind of lay lines.

645
00:35:30.360 --> 00:35:32.199
<v Speaker 8>I know that there's, like.

646
00:35:32.199 --> 00:35:37.360
<v Speaker 7>You said, fault lines or what's very in vogue right now, liminality.

647
00:35:39.039 --> 00:35:43.960
<v Speaker 7>There there are some places where the gut the senses

648
00:35:44.000 --> 00:35:48.920
<v Speaker 7>are heightened. Do I I know exactly what what happens

649
00:35:48.960 --> 00:35:52.679
<v Speaker 7>in a thin place besides the body reacting and the

650
00:35:52.760 --> 00:35:57.079
<v Speaker 7>mind reacting, the gut feeling that you get in some

651
00:35:57.119 --> 00:35:59.800
<v Speaker 7>of these places is notable.

652
00:36:00.280 --> 00:36:04.320
<v Speaker 2>Yeah. Yeah, I guess when I hear it feels different

653
00:36:04.320 --> 00:36:05.760
<v Speaker 2>from the way you just described it.

654
00:36:05.880 --> 00:36:07.199
<v Speaker 8>What's your what's your definition?

655
00:36:07.679 --> 00:36:09.599
<v Speaker 2>If I hear than, I would say that it's a

656
00:36:09.599 --> 00:36:12.320
<v Speaker 2>place where the world's touch more versus the way you

657
00:36:12.400 --> 00:36:15.280
<v Speaker 2>described it, which is a place that makes us more sensitive.

658
00:36:15.320 --> 00:36:20.039
<v Speaker 2>And I think I think your description is probably more accurate.

659
00:36:20.119 --> 00:36:23.639
<v Speaker 7>I don't maybe maybe it peaks something in us, because

660
00:36:23.719 --> 00:36:26.559
<v Speaker 7>I do kind of believe that we all have this sense.

661
00:36:26.639 --> 00:36:29.119
<v Speaker 7>It's just you know, you gotta practice it or you

662
00:36:29.199 --> 00:36:32.480
<v Speaker 7>gotta you know, listen to it.

663
00:36:32.639 --> 00:36:34.239
<v Speaker 8>Then there are you.

664
00:36:34.199 --> 00:36:36.960
<v Speaker 7>Gotta listen to your gut. And that goes for a

665
00:36:36.960 --> 00:36:40.599
<v Speaker 7>lot of things, not just the paranormal.

666
00:36:41.280 --> 00:36:41.559
<v Speaker 2>True.

667
00:36:41.960 --> 00:36:42.639
<v Speaker 8>Yeah, So.

668
00:36:44.119 --> 00:36:49.039
<v Speaker 7>I think when you open yourself to kind of I

669
00:36:49.039 --> 00:36:51.440
<v Speaker 7>don't want to call it reading a room, but entering

670
00:36:51.519 --> 00:36:54.440
<v Speaker 7>a space and letting your body tell.

671
00:36:54.320 --> 00:36:56.440
<v Speaker 8>You how you feel, I think that's it.

672
00:36:57.119 --> 00:36:59.679
<v Speaker 7>So when you enter this kind of in space, which

673
00:37:00.280 --> 00:37:04.840
<v Speaker 7>worlds are touching, or dimensions are touching, or what have you, whatever,

674
00:37:06.840 --> 00:37:11.079
<v Speaker 7>your inner sense will peak your animal, the animal of

675
00:37:11.119 --> 00:37:13.280
<v Speaker 7>your body will will hone.

676
00:37:13.119 --> 00:37:13.519
<v Speaker 8>In on it.

677
00:37:13.800 --> 00:37:15.760
<v Speaker 2>I mean that's that's yeah, it's probably a little bit

678
00:37:15.800 --> 00:37:18.280
<v Speaker 2>of both, yeah, because we don't I mean, we don't

679
00:37:18.320 --> 00:37:20.320
<v Speaker 2>know where this stuff is coming from that we're witnessing.

680
00:37:20.360 --> 00:37:22.800
<v Speaker 2>If it's if it's just something that our brain is

681
00:37:22.960 --> 00:37:25.199
<v Speaker 2>projecting because it doesn't know what else to do with

682
00:37:25.280 --> 00:37:28.159
<v Speaker 2>the information it's getting, Yeah, or if it's something that

683
00:37:28.280 --> 00:37:30.800
<v Speaker 2>is normally invisible to us, or if it's something coming

684
00:37:30.840 --> 00:37:33.000
<v Speaker 2>from somewhere outside of our reality.

685
00:37:33.519 --> 00:37:35.400
<v Speaker 8>I think it's a little of all.

686
00:37:35.239 --> 00:37:39.400
<v Speaker 2>Free probably yeah. Yeah, I'm always love the the the

687
00:37:39.800 --> 00:37:42.440
<v Speaker 2>all of these are probably true type of camp. Like

688
00:37:42.480 --> 00:37:45.039
<v Speaker 2>there's yeah, there's so much stuff. Like if you look

689
00:37:45.039 --> 00:37:48.480
<v Speaker 2>at a ghost encounter and it's like, oh, it's a

690
00:37:48.920 --> 00:37:51.440
<v Speaker 2>you know, spirit of a dead person, yeah, in some cases.

691
00:37:51.559 --> 00:37:53.960
<v Speaker 2>In other cases it might be recording. Other cases, it

692
00:37:54.039 --> 00:37:57.119
<v Speaker 2>might be a spirit masquerading as that. It might be

693
00:37:57.119 --> 00:37:59.840
<v Speaker 2>something we've created because our belief in the place is

694
00:38:00.280 --> 00:38:02.840
<v Speaker 2>and we get a weird vibe from it, and repeated

695
00:38:02.840 --> 00:38:06.360
<v Speaker 2>people have now created a tulpa. So I think there's

696
00:38:06.400 --> 00:38:08.760
<v Speaker 2>a lot there that we we just don't understand what

697
00:38:08.800 --> 00:38:11.280
<v Speaker 2>we're capable of, much less what else is out there?

698
00:38:12.519 --> 00:38:14.880
<v Speaker 2>Why why are you fascinated with the triangles?

699
00:38:17.519 --> 00:38:20.599
<v Speaker 8>So my work is.

700
00:38:22.159 --> 00:38:25.920
<v Speaker 7>It is all about kind of language and visual language

701
00:38:26.119 --> 00:38:32.400
<v Speaker 7>and kind of the semiotics of how we can project

702
00:38:33.119 --> 00:38:39.119
<v Speaker 7>a message through time and through culture, and how there

703
00:38:39.159 --> 00:38:41.840
<v Speaker 7>there's kind of a unifying element to a lot of

704
00:38:42.280 --> 00:38:48.519
<v Speaker 7>shapes and design elements and all anyway.

705
00:38:48.679 --> 00:38:50.920
<v Speaker 8>The circle, the square in the triangle are basic.

706
00:38:50.679 --> 00:38:54.960
<v Speaker 7>Design elements and they span their cross cultural and they

707
00:38:55.000 --> 00:39:01.239
<v Speaker 7>spand time and they are so full with energy. This

708
00:39:01.320 --> 00:39:05.960
<v Speaker 7>is sounding a little woop, but the circle is a

709
00:39:06.800 --> 00:39:11.960
<v Speaker 7>beautiful shape. The circle is this active receiving portal, and

710
00:39:12.119 --> 00:39:16.639
<v Speaker 7>the squares the rectangle is rounding, and the triangle is

711
00:39:16.719 --> 00:39:23.000
<v Speaker 7>just this active, commanding, imposing shape. And these ideas are

712
00:39:23.079 --> 00:39:26.800
<v Speaker 7>not you know, just coming from me and my my

713
00:39:27.039 --> 00:39:33.920
<v Speaker 7>love of shape e spanning through through human species, through history.

714
00:39:35.000 --> 00:39:40.039
<v Speaker 7>So now we you know there there's disc craft, there's orbs,

715
00:39:40.199 --> 00:39:46.320
<v Speaker 7>there's rectangular craft, there's triangular craft. To see this imposing

716
00:39:46.440 --> 00:39:50.000
<v Speaker 7>triangle in the sky, and especially with you know, this

717
00:39:50.280 --> 00:39:55.440
<v Speaker 7>angular kind of phenomenon, it's it's imposing, it's beautiful, it's terrifying.

718
00:39:56.280 --> 00:39:58.159
<v Speaker 8>And why if.

719
00:39:57.960 --> 00:40:01.519
<v Speaker 7>This thing is intelligent, why is it choosing you know,

720
00:40:01.599 --> 00:40:05.280
<v Speaker 7>one shape over another, and why do humans see the

721
00:40:05.320 --> 00:40:06.440
<v Speaker 7>triangular craft?

722
00:40:06.840 --> 00:40:09.320
<v Speaker 8>Uh? And it's it's fearful.

723
00:40:09.400 --> 00:40:12.760
<v Speaker 7>It's fearful, and there's a lot of like a negative

724
00:40:13.039 --> 00:40:18.559
<v Speaker 7>phenomena around it too. I really love the triangle as

725
00:40:18.599 --> 00:40:24.119
<v Speaker 7>a shape, as a design concept, as as this imposing language,

726
00:40:24.559 --> 00:40:29.679
<v Speaker 7>this figurehead. So I gravitate towards that more when I'm

727
00:40:29.679 --> 00:40:33.800
<v Speaker 7>building out work. I have been getting more into the discs.

728
00:40:34.639 --> 00:40:37.000
<v Speaker 7>I do find them very interesting. I've been reading. I've

729
00:40:37.000 --> 00:40:41.280
<v Speaker 7>been reading more about Kenneth Arnald. Kenneth Arnold was the

730
00:40:41.480 --> 00:40:44.760
<v Speaker 7>one of the first sightings of the disc, but what

731
00:40:44.840 --> 00:40:49.039
<v Speaker 7>I recently found out is that he experienced hitchhiker effect

732
00:40:49.079 --> 00:40:52.119
<v Speaker 7>him and his family after that for his whole life.

733
00:40:52.480 --> 00:40:55.719
<v Speaker 2>Oh yeah, yeah. He also didn't see discs. He saw boomerangs.

734
00:40:56.960 --> 00:40:58.840
<v Speaker 8>Why do we always see it as the disc then?

735
00:40:59.239 --> 00:41:04.599
<v Speaker 2>So he just described the boomerangs as like this, like saucers,

736
00:41:04.639 --> 00:41:08.760
<v Speaker 2>like like yep, like a socially eat off of skipping

737
00:41:08.800 --> 00:41:12.280
<v Speaker 2>across the water, and so the newspapers then described it

738
00:41:12.320 --> 00:41:15.639
<v Speaker 2>as a flying saucer, but they were actually boomerang shaped.

739
00:41:15.679 --> 00:41:18.559
<v Speaker 7>So then that that, you know, then that permeates like

740
00:41:18.760 --> 00:41:22.840
<v Speaker 7>what people are seeing, Yes, so that goes into the

741
00:41:22.960 --> 00:41:29.920
<v Speaker 7>lower That's that's super interesting. And so anyway, just seeing

742
00:41:29.960 --> 00:41:35.440
<v Speaker 7>an imposing shape in the sky is terrifying concept, mind

743
00:41:35.480 --> 00:41:43.480
<v Speaker 7>breaking concept. It's an ontological shot. But yeah, so, yeah, triangles.

744
00:41:43.039 --> 00:41:46.199
<v Speaker 2>Are great and I and I wonder how many of

745
00:41:46.239 --> 00:41:50.400
<v Speaker 2>them are ours. That's always my issue. That's always my

746
00:41:50.480 --> 00:41:53.599
<v Speaker 2>issue with triangles, and there's no way to know because

747
00:41:53.639 --> 00:41:56.000
<v Speaker 2>we don't really know what we have. Have you found

748
00:41:56.039 --> 00:41:59.039
<v Speaker 2>a lot of old encounters with with triangles when you've

749
00:41:59.039 --> 00:41:59.719
<v Speaker 2>been looking for them?

750
00:41:59.800 --> 00:42:04.960
<v Speaker 7>Yeah, so I'm reading Triangular UFO is an Estimate of

751
00:42:05.000 --> 00:42:06.159
<v Speaker 7>the Situation by.

752
00:42:06.119 --> 00:42:10.239
<v Speaker 8>David Murler on book So.

753
00:42:10.239 --> 00:42:15.440
<v Speaker 7>I recently joined the UFO book club. It's on Blue

754
00:42:15.480 --> 00:42:19.800
<v Speaker 7>Sky through a user, the anomalist Jen and she's reviving

755
00:42:20.039 --> 00:42:22.960
<v Speaker 7>the UFO book club that was apparently on Twitter back

756
00:42:23.000 --> 00:42:26.199
<v Speaker 7>in the day. So every month we've been reading a

757
00:42:26.239 --> 00:42:28.960
<v Speaker 7>new book, and man, this book is just knocking it

758
00:42:29.000 --> 00:42:32.920
<v Speaker 7>out of the park. Yeah, David Marler, Okay, I would

759
00:42:33.079 --> 00:42:35.880
<v Speaker 7>and I would say this is one of the best

760
00:42:36.039 --> 00:42:39.320
<v Speaker 7>UFO books I've read in a long time. It's very

761
00:42:39.400 --> 00:42:43.480
<v Speaker 7>like analytical, straightforward. Here's a bunch of experiences. And yes,

762
00:42:43.519 --> 00:42:46.920
<v Speaker 7>there are a lot of historical experiences, so I think

763
00:42:47.000 --> 00:42:50.639
<v Speaker 7>the earliest one is in the late forties. And then

764
00:42:50.679 --> 00:42:53.920
<v Speaker 7>it's like fifty sixties, seventies and then kind of a boom,

765
00:42:54.079 --> 00:42:58.719
<v Speaker 7>and it's there's a lot of American signings, but then

766
00:42:58.920 --> 00:43:01.760
<v Speaker 7>there's a lot of UKs. There's I think some in

767
00:43:01.800 --> 00:43:06.000
<v Speaker 7>France and I think some in the southern heavensphere, so

768
00:43:06.360 --> 00:43:10.400
<v Speaker 7>he's collecting a ton of them. It's a really good book.

769
00:43:10.440 --> 00:43:12.960
<v Speaker 7>I'm not through it with it yet, and we have

770
00:43:13.079 --> 00:43:16.400
<v Speaker 7>our meeting on Sunday, and I gotta get through that

771
00:43:16.599 --> 00:43:22.599
<v Speaker 7>because I want the book. But yeah, it's really good,

772
00:43:22.760 --> 00:43:25.280
<v Speaker 7>and there are historical sightings, which is a.

773
00:43:25.239 --> 00:43:26.280
<v Speaker 8>Treat to read about.

774
00:43:26.400 --> 00:43:28.960
<v Speaker 7>Yeah, a lot of a lot of sightings where the

775
00:43:30.079 --> 00:43:34.559
<v Speaker 7>triangle then appears as a rectangle, which is super cool.

776
00:43:35.440 --> 00:43:39.079
<v Speaker 7>So it's like shape shifting as it is traveling throughout

777
00:43:39.079 --> 00:43:41.079
<v Speaker 7>the sky and as people are witnessing it.

778
00:43:41.159 --> 00:43:41.800
<v Speaker 2>Oh that's cool.

779
00:43:41.880 --> 00:43:42.519
<v Speaker 8>Yeah, it's great.

780
00:43:43.199 --> 00:43:45.079
<v Speaker 2>I think it's safe to say that in the forties

781
00:43:45.079 --> 00:43:46.960
<v Speaker 2>and fifties we probably didn't have these things.

782
00:43:47.039 --> 00:43:49.079
<v Speaker 8>Yeah, I would think that was a new constant.

783
00:43:49.960 --> 00:43:52.480
<v Speaker 2>I mean, unless there's a breakaway civilization out there, I'm

784
00:43:52.480 --> 00:43:55.199
<v Speaker 2>going to say that our culture did not have these things.

785
00:43:56.440 --> 00:43:59.440
<v Speaker 2>And yeah, that is a very primal symbol, the triangle,

786
00:43:59.480 --> 00:44:03.039
<v Speaker 2>the circle square. I mean obviously very basic. There was

787
00:44:03.119 --> 00:44:05.079
<v Speaker 2>a yep, going to try and remember a name, and

788
00:44:05.119 --> 00:44:07.320
<v Speaker 2>so my brain won't give it to me because the

789
00:44:07.400 --> 00:44:10.440
<v Speaker 2>other side of truth. Paul Kimball his idea was that

790
00:44:10.559 --> 00:44:13.800
<v Speaker 2>the other is it's one singular thing, and that all

791
00:44:13.800 --> 00:44:17.719
<v Speaker 2>these manifestations are just it's art project and it's basically

792
00:44:17.760 --> 00:44:21.079
<v Speaker 2>putting on theater for us. I like the I like

793
00:44:21.159 --> 00:44:22.840
<v Speaker 2>the concept. I don't know if it's right, but I

794
00:44:22.880 --> 00:44:26.360
<v Speaker 2>definitely like the concept. I mean, this stuff really does

795
00:44:26.440 --> 00:44:28.760
<v Speaker 2>speak in the same language that art does.

796
00:44:29.039 --> 00:44:33.719
<v Speaker 7>Yeah, that's why I think going at esoteric practices in

797
00:44:33.760 --> 00:44:36.119
<v Speaker 7>the way that I'm doing, because like I am a researcher,

798
00:44:36.239 --> 00:44:38.159
<v Speaker 7>this is very interesting, Like I have a background in

799
00:44:38.199 --> 00:44:41.320
<v Speaker 7>this from childhood, but like I'm an artist and I'm

800
00:44:41.360 --> 00:44:45.880
<v Speaker 7>trying to do this somewhat professionally where it allows me to.

801
00:44:45.480 --> 00:44:49.599
<v Speaker 8>You know, do do the wu. I say that lovingly

802
00:44:49.679 --> 00:44:50.760
<v Speaker 8>with my whole heart and soul.

803
00:44:51.920 --> 00:44:56.480
<v Speaker 7>But what tangent that I just got off of looking

804
00:44:56.679 --> 00:45:01.360
<v Speaker 7>at the phenomenon, especially because you have to flow what

805
00:45:01.880 --> 00:45:04.360
<v Speaker 7>is Jeffrey Kreib will call it think impossibly.

806
00:45:05.400 --> 00:45:07.400
<v Speaker 8>You have to kind of break.

807
00:45:07.159 --> 00:45:11.840
<v Speaker 7>What you know in order to even conceive of something

808
00:45:11.880 --> 00:45:14.360
<v Speaker 7>that like you have no kind of Rubert for it's

809
00:45:14.519 --> 00:45:17.400
<v Speaker 7>just happening. And I think coming at it from an

810
00:45:17.480 --> 00:45:21.320
<v Speaker 7>artistic standpoint, from a creative standpoint, and creativity is primal,

811
00:45:21.760 --> 00:45:25.639
<v Speaker 7>So coming at it from like your your bare bones

812
00:45:25.760 --> 00:45:30.000
<v Speaker 7>way of experiencing the world is it's a holistic practice,

813
00:45:30.159 --> 00:45:34.400
<v Speaker 7>and I think it's a very important way to conceptualize

814
00:45:34.440 --> 00:45:35.960
<v Speaker 7>this and then go forward.

815
00:45:36.159 --> 00:45:40.840
<v Speaker 2>Yeah, yeah, let's let's analytical more holistic. Because we got

816
00:45:40.880 --> 00:45:43.559
<v Speaker 2>tons of data, the data doesn't really tell us much.

817
00:45:43.440 --> 00:45:46.239
<v Speaker 8>And I'm not knocking data. The data is incredibly important.

818
00:45:46.400 --> 00:45:49.320
<v Speaker 7>Absolutely we need Yeah, it needs to be a holistic

819
00:45:49.360 --> 00:45:52.519
<v Speaker 7>practice and thankfully, like the artwork is allowing.

820
00:45:52.119 --> 00:45:52.760
<v Speaker 8>Me to do that.

821
00:45:52.880 --> 00:45:55.639
<v Speaker 2>It's also a lot about how, you know, people take

822
00:45:55.679 --> 00:45:59.360
<v Speaker 2>these reports down, you know, regardless of what particular phenomena is,

823
00:45:59.400 --> 00:46:01.639
<v Speaker 2>but they don't look to see like what effect did

824
00:46:01.639 --> 00:46:03.760
<v Speaker 2>this have on the person long term? Yeah, you know,

825
00:46:04.239 --> 00:46:06.440
<v Speaker 2>or what was going on in their life at the time.

826
00:46:06.880 --> 00:46:09.719
<v Speaker 2>It's just oh, here's your report, okay, raw data, which

827
00:46:09.800 --> 00:46:13.639
<v Speaker 2>is great, but now also you're leaving out the witness. Yeah,

828
00:46:13.960 --> 00:46:16.639
<v Speaker 2>it was sorry, there's.

829
00:46:16.960 --> 00:46:19.960
<v Speaker 7>Well that was kind of the concept of the area

830
00:46:19.960 --> 00:46:24.400
<v Speaker 7>of school documentary, where they had all this data like

831
00:46:24.920 --> 00:46:27.880
<v Speaker 7>John Mack collected all that data correct, like he goes wrong,

832
00:46:28.559 --> 00:46:33.199
<v Speaker 7>and but the children left school, like families were torn up,

833
00:46:33.400 --> 00:46:36.800
<v Speaker 7>Like it changed the trajectory of all of these people's lives,

834
00:46:37.000 --> 00:46:42.119
<v Speaker 7>and like we need outside of the phenomenon proper, Like

835
00:46:42.440 --> 00:46:45.360
<v Speaker 7>you have to focus on what this does to the

836
00:46:45.440 --> 00:46:47.000
<v Speaker 7>human being and how the.

837
00:46:47.039 --> 00:46:49.599
<v Speaker 8>Human beings mind processes all of it.

838
00:46:50.239 --> 00:46:54.719
<v Speaker 7>And it's happening so often that it's neglectful to not

839
00:46:54.880 --> 00:46:55.599
<v Speaker 7>focus on that.

840
00:46:55.840 --> 00:46:59.360
<v Speaker 2>Yes, absolutely, I'm trying to think of his name, because name.

841
00:46:59.400 --> 00:47:01.360
<v Speaker 2>My brain does this with names. If I need to name,

842
00:47:01.400 --> 00:47:02.719
<v Speaker 2>it won't give it to me, but it'll give it

843
00:47:02.760 --> 00:47:07.239
<v Speaker 2>to me later Onbidden I understand Tyson, who took over

844
00:47:07.320 --> 00:47:10.119
<v Speaker 2>for sake and who just put out his UFO book.

845
00:47:10.960 --> 00:47:12.559
<v Speaker 2>I can't remember the rest of his name. He's the

846
00:47:12.559 --> 00:47:15.760
<v Speaker 2>big media guy that everyone goes to for like astronomy

847
00:47:15.760 --> 00:47:18.920
<v Speaker 2>and stuff. Part of his name is Tyson, and I

848
00:47:18.920 --> 00:47:21.920
<v Speaker 2>can't remember the rest of it. Yes, thank you. So

849
00:47:22.199 --> 00:47:24.320
<v Speaker 2>I was watching an interview with him and he was

850
00:47:24.360 --> 00:47:27.880
<v Speaker 2>talking about how he doesn't care about witnesses because witnesses

851
00:47:27.920 --> 00:47:32.320
<v Speaker 2>are unreliable. Memory is unreliable, perception is unreliable. He's like

852
00:47:32.400 --> 00:47:34.880
<v Speaker 2>the witnesses. Therefore, he goes, I don't even think witnesses

853
00:47:34.920 --> 00:47:37.480
<v Speaker 2>should be used in court cases. I think witnesses are

854
00:47:37.559 --> 00:47:40.960
<v Speaker 2>useless in this stuff. And I'm thinking, you don't get it.

855
00:47:40.960 --> 00:47:47.960
<v Speaker 2>It's all about the subjective experience. The Yeah, it was

856
00:47:48.079 --> 00:47:52.360
<v Speaker 2>very materialistic. It's the this must be space aliens. So

857
00:47:52.559 --> 00:47:55.079
<v Speaker 2>if it's space aliens, you know, we need heart. You know.

858
00:47:55.239 --> 00:47:58.039
<v Speaker 2>He kept saying, well, show me the alien, and it's like, Okay,

859
00:47:58.079 --> 00:48:01.039
<v Speaker 2>I I agree with the disclosure stuff. If you have something,

860
00:48:01.119 --> 00:48:03.239
<v Speaker 2>show it because you've been you know, doing the character

861
00:48:03.320 --> 00:48:06.039
<v Speaker 2>the string thing for a decade now, well longer than

862
00:48:06.079 --> 00:48:08.639
<v Speaker 2>that to be fair. But like, when it comes down

863
00:48:08.639 --> 00:48:11.800
<v Speaker 2>to someone's experience, it is what they experienced and what

864
00:48:11.880 --> 00:48:14.440
<v Speaker 2>they got out of it, not whether or not you

865
00:48:14.519 --> 00:48:18.000
<v Speaker 2>can physically prove that it was aliens. And again, this

866
00:48:18.159 --> 00:48:21.039
<v Speaker 2>is where I think the hypnosis stuff does damage because

867
00:48:21.039 --> 00:48:24.679
<v Speaker 2>it can create false memories and it can change the

868
00:48:24.719 --> 00:48:28.199
<v Speaker 2>way the person views the experience from being an unknown

869
00:48:28.239 --> 00:48:33.039
<v Speaker 2>to being necessarily something negative, especially if the researcher thinks

870
00:48:33.039 --> 00:48:33.960
<v Speaker 2>it's something negative.

871
00:48:34.159 --> 00:48:37.960
<v Speaker 7>I have a very complicated opinion on hypnosis, Like well,

872
00:48:38.039 --> 00:48:41.480
<v Speaker 7>for compiling data and trying to get down to brass

873
00:48:41.519 --> 00:48:42.159
<v Speaker 7>tacks like.

874
00:48:42.360 --> 00:48:43.920
<v Speaker 8>It's incredibly problematic.

875
00:48:44.000 --> 00:48:48.840
<v Speaker 7>But if someone isn't really looking for answers and they're

876
00:48:48.880 --> 00:48:52.199
<v Speaker 7>just looking to get over the trauma, I think in

877
00:48:52.199 --> 00:48:53.639
<v Speaker 7>a therapeutic.

878
00:48:53.079 --> 00:48:56.559
<v Speaker 8>Sense, like I can't knock it because it help other people,

879
00:48:56.679 --> 00:48:59.760
<v Speaker 8>but I you know, if it.

880
00:48:59.800 --> 00:49:03.559
<v Speaker 2>Were Yeah, well, and that's the thing, like you can't

881
00:49:03.599 --> 00:49:06.599
<v Speaker 2>take the data, you can't take it as data. If

882
00:49:07.280 --> 00:49:10.800
<v Speaker 2>it lets you process the experience better, that's an entirely

883
00:49:10.840 --> 00:49:13.440
<v Speaker 2>different thing, hopefully in a positive way instead of a

884
00:49:13.440 --> 00:49:14.039
<v Speaker 2>negative way.

885
00:49:14.079 --> 00:49:20.079
<v Speaker 7>But well, that also opens up some dialogue about psychedelic

886
00:49:20.199 --> 00:49:23.280
<v Speaker 7>use and the experiences coming from psychedelic use.

887
00:49:23.440 --> 00:49:26.199
<v Speaker 2>Oh yeah, absolutely. And I was just gonna say hypnosis

888
00:49:26.199 --> 00:49:29.000
<v Speaker 2>is an aulted state of consciousness. There is. I think

889
00:49:29.000 --> 00:49:31.199
<v Speaker 2>Brent Rains talks about it, and it might have been

890
00:49:31.239 --> 00:49:34.440
<v Speaker 2>a juon keel thing initially. I just remember Brent talking

891
00:49:34.440 --> 00:49:37.920
<v Speaker 2>about it in one of his books. Psychiatrists had hypnotized

892
00:49:38.000 --> 00:49:41.199
<v Speaker 2>a UFO abductee and at some point they said, there's

893
00:49:41.239 --> 00:49:43.679
<v Speaker 2>a UFO outside right now, and so they got up

894
00:49:43.679 --> 00:49:46.039
<v Speaker 2>and went outside and there was a UFO over the building,

895
00:49:46.960 --> 00:49:49.920
<v Speaker 2>and so like that's one of those things where you go, what, Okay,

896
00:49:50.119 --> 00:49:52.440
<v Speaker 2>So did they connect with that thing. Like red Pill

897
00:49:52.519 --> 00:49:56.079
<v Speaker 2>Junkie has suggested that maybe under hypnosis people aren't reliving

898
00:49:56.079 --> 00:49:59.760
<v Speaker 2>an experience, but actually having the experience because there is

899
00:49:59.800 --> 00:50:02.840
<v Speaker 2>an altered state of consciousness and depending on how good

900
00:50:02.920 --> 00:50:06.480
<v Speaker 2>the psychotherapists or whatever, and it really shouldn't be done

901
00:50:06.519 --> 00:50:11.119
<v Speaker 2>by just amateurs, honestly, we'll determine how well that goes

902
00:50:11.159 --> 00:50:13.000
<v Speaker 2>for them. So we got to take a quick break.

903
00:50:13.079 --> 00:50:17.880
<v Speaker 2>We'll be right back with Danielle quick midshow break.

904
00:50:17.920 --> 00:50:18.159
<v Speaker 8>Here.

905
00:50:18.639 --> 00:50:21.800
<v Speaker 2>Contact info, which is Where Did the Roadgo? Dot Com

906
00:50:21.840 --> 00:50:25.320
<v Speaker 2>for everything including becoming a Patreon for only three dollars

907
00:50:25.360 --> 00:50:29.880
<v Speaker 2>a month and getting episodes weeks early commercial free with

908
00:50:30.000 --> 00:50:33.280
<v Speaker 2>extra Patreon segments on almost every show and extra bonus

909
00:50:33.280 --> 00:50:35.400
<v Speaker 2>stuff on top of all of that. And you can

910
00:50:35.440 --> 00:50:38.559
<v Speaker 2>find all our social media there, discord everything Where did

911
00:50:38.599 --> 00:50:41.719
<v Speaker 2>the Roadgo? Dot Com? And merch. I never mentioned the merch,

912
00:50:41.760 --> 00:50:44.960
<v Speaker 2>but there is merch. There's T shirt designs from Timothy

913
00:50:45.000 --> 00:50:48.719
<v Speaker 2>Renner and the late Jeff Ritzman all up there, as

914
00:50:48.800 --> 00:50:51.039
<v Speaker 2>well as all kinds of other stuff you can get

915
00:50:51.039 --> 00:50:54.000
<v Speaker 2>it on. As for a recommendation this week, I am

916
00:50:54.039 --> 00:50:59.199
<v Speaker 2>going to go with a book called Fractal Noise and

917
00:50:59.320 --> 00:51:04.199
<v Speaker 2>Fractal Noise is the prequel to a book I recommended before,

918
00:51:04.280 --> 00:51:07.119
<v Speaker 2>which is To Sleep in a Sea of Stars. Now

919
00:51:07.159 --> 00:51:11.000
<v Speaker 2>it's not as good as the original book. The first book,

920
00:51:11.280 --> 00:51:13.519
<v Speaker 2>To Sleep and the See of Stars, is an epic,

921
00:51:13.719 --> 00:51:17.679
<v Speaker 2>insanely big story, and I love it to death. This

922
00:51:17.760 --> 00:51:21.239
<v Speaker 2>is sort of a different type of story. It's very focused,

923
00:51:21.280 --> 00:51:24.159
<v Speaker 2>it's very bleak, and it seems like when I'm looking

924
00:51:24.239 --> 00:51:26.480
<v Speaker 2>up what other people thought of it, they either loved

925
00:51:26.480 --> 00:51:28.800
<v Speaker 2>it or hated it. There's not a lot in between.

926
00:51:29.159 --> 00:51:32.519
<v Speaker 2>It's a as I said, it's a prequel. They referenced

927
00:51:32.559 --> 00:51:35.079
<v Speaker 2>the events in this book in To Sleep in a

928
00:51:35.119 --> 00:51:39.039
<v Speaker 2>See of Stars. And it's written by Christopher Paolini and

929
00:51:39.079 --> 00:51:41.440
<v Speaker 2>it came out in twenty twenty three, and it's the

930
00:51:41.519 --> 00:51:44.519
<v Speaker 2>second book in his fractoverse I guess it's going to

931
00:51:44.760 --> 00:51:46.800
<v Speaker 2>be called and he's going to continue. I was a

932
00:51:46.840 --> 00:51:49.440
<v Speaker 2>little upset that it didn't continue the story of To

933
00:51:49.519 --> 00:51:51.639
<v Speaker 2>Sleep in a Sea of Stars, because it weaves off

934
00:51:51.760 --> 00:51:53.639
<v Speaker 2>for the next part and he is going to write

935
00:51:53.679 --> 00:51:57.719
<v Speaker 2>that apparently. But yeah, this one, this one's dark. It's

936
00:51:57.760 --> 00:52:01.440
<v Speaker 2>it's it's it's I thought it really good. I don't

937
00:52:01.480 --> 00:52:03.760
<v Speaker 2>know if I should recommend it to people. Are not.

938
00:52:03.960 --> 00:52:07.239
<v Speaker 2>But I'm going to say, if you like really dark

939
00:52:07.559 --> 00:52:10.599
<v Speaker 2>sci fi, his mole, but with like that hinge of

940
00:52:10.599 --> 00:52:13.320
<v Speaker 2>hope running through it, you know something deeper. You might

941
00:52:13.440 --> 00:52:15.559
<v Speaker 2>like this book, but read the other one first. The

942
00:52:15.559 --> 00:52:17.400
<v Speaker 2>other one To Sleep and to See the Stars, even

943
00:52:17.440 --> 00:52:20.480
<v Speaker 2>though it's really long, is really really good. Actually I

944
00:52:20.480 --> 00:52:23.079
<v Speaker 2>would have been fine with being longer. But this is

945
00:52:23.519 --> 00:52:26.599
<v Speaker 2>you know, they find this this hole on this planet

946
00:52:26.719 --> 00:52:28.559
<v Speaker 2>or moon, I can't remember which it is, and it's

947
00:52:28.639 --> 00:52:32.880
<v Speaker 2>it's giving out these heavy bursts of electromagnetic and audio

948
00:52:33.880 --> 00:52:36.400
<v Speaker 2>energy and it seems to have a fractal pattern to it.

949
00:52:36.440 --> 00:52:37.960
<v Speaker 2>So they decide they're going to go down and check

950
00:52:38.000 --> 00:52:40.719
<v Speaker 2>it out. And it's their trek to this hole because

951
00:52:40.719 --> 00:52:43.800
<v Speaker 2>I can't land too close to it because the electromagnetic

952
00:52:43.840 --> 00:52:47.119
<v Speaker 2>pulse will blow everything out, and they can't drop drones

953
00:52:47.159 --> 00:52:49.320
<v Speaker 2>into it, et cetera, et cetera. So it's these four

954
00:52:49.360 --> 00:52:53.679
<v Speaker 2>people trying to traverse this alien landscape, this barren landscape,

955
00:52:53.760 --> 00:52:55.800
<v Speaker 2>to get to the edge of this hole just to

956
00:52:55.880 --> 00:52:58.880
<v Speaker 2>find out what it is. And yeah, like I said,

957
00:52:58.920 --> 00:53:02.079
<v Speaker 2>it's it's kind of dismal, but also a nice, nice

958
00:53:02.280 --> 00:53:05.440
<v Speaker 2>string of hope going through it, So yeah, I thought

959
00:53:05.440 --> 00:53:08.159
<v Speaker 2>it was good, all right. So that's my recommendation. Bracktal

960
00:53:08.280 --> 00:53:14.559
<v Speaker 2>Noise by Christopher Paolini back to the show. And so

961
00:53:15.719 --> 00:53:19.639
<v Speaker 2>in conclusion, you mean the world to me.

962
00:53:20.400 --> 00:53:24.559
<v Speaker 14>My life changed forever when I met you, and I

963
00:53:24.719 --> 00:53:25.559
<v Speaker 14>just want you to know.

964
00:53:27.599 --> 00:53:27.880
<v Speaker 2>Love.

965
00:53:28.119 --> 00:53:34.639
<v Speaker 16>You get in touch with your tender side. Introducing KFC

966
00:53:34.760 --> 00:53:37.599
<v Speaker 16>Tenders with a new Krispy cosine and nine new dips

967
00:53:37.599 --> 00:53:40.320
<v Speaker 16>to savor. It'll be hard to resist falling in love

968
00:53:41.280 --> 00:53:43.400
<v Speaker 16>Surrender to Tender at KFC.

969
00:53:46.760 --> 00:53:48.719
<v Speaker 2>So you are listening to Where Did the Road Go?

970
00:53:48.760 --> 00:53:52.199
<v Speaker 2>And I have with me Danielle Drake, and during the

971
00:53:52.280 --> 00:53:55.079
<v Speaker 2>break I had mentioned I have tim Timothy Renner on

972
00:53:55.280 --> 00:53:57.840
<v Speaker 2>probably next week, and he has a new book on

973
00:53:58.280 --> 00:54:02.559
<v Speaker 2>basically the Fay phenomena not in Pennsylvania, which sounds kind

974
00:54:02.559 --> 00:54:06.480
<v Speaker 2>of weird, but it was. His theory is that people

975
00:54:06.480 --> 00:54:09.760
<v Speaker 2>bring their folklore with when they have these experiences they have.

976
00:54:10.440 --> 00:54:13.119
<v Speaker 2>It's because they've brought that sort of mask of what

977
00:54:13.159 --> 00:54:15.880
<v Speaker 2>they are, so they're not seeing them like the Native

978
00:54:15.920 --> 00:54:19.480
<v Speaker 2>American people would see them. They're seeing them in their

979
00:54:19.519 --> 00:54:24.519
<v Speaker 2>cultural narrative basically. And you had brought up the fact that,

980
00:54:24.719 --> 00:54:28.920
<v Speaker 2>like Ireland and the Appalachians, at one point the mountain

981
00:54:29.000 --> 00:54:30.280
<v Speaker 2>range was connected.

982
00:54:30.480 --> 00:54:34.360
<v Speaker 7>Yeah when I don't know if this was Pangaea proper

983
00:54:34.480 --> 00:54:38.199
<v Speaker 7>or one of the super continents, but the Appalachian Mountains

984
00:54:38.199 --> 00:54:42.199
<v Speaker 7>and the mountain ranges in Ireland and Scotland are the same.

985
00:54:42.519 --> 00:54:44.880
<v Speaker 8>And you know, if we're going.

986
00:54:44.639 --> 00:54:48.599
<v Speaker 7>To Spitball, if the fay are tied to the land

987
00:54:48.760 --> 00:54:52.280
<v Speaker 7>and they're you know, older than the trees when that

988
00:54:52.400 --> 00:54:56.760
<v Speaker 7>split happened, what kind of cultural differences would have emerged

989
00:54:57.039 --> 00:54:59.719
<v Speaker 7>from that movement and that displacement.

990
00:55:00.079 --> 00:55:01.960
<v Speaker 2>That's really interesting. And I think a lot of this

991
00:55:02.039 --> 00:55:05.159
<v Speaker 2>stuff is tied to I think, and I think we

992
00:55:05.239 --> 00:55:07.599
<v Speaker 2>as well are tied to this planet. I think it's

993
00:55:07.639 --> 00:55:09.639
<v Speaker 2>going you know, people are talking about going to Mars

994
00:55:09.639 --> 00:55:12.079
<v Speaker 2>and I don't totally know if we can. I think

995
00:55:12.119 --> 00:55:12.719
<v Speaker 2>we'll have.

996
00:55:12.599 --> 00:55:14.239
<v Speaker 8>A perfectly good planet here.

997
00:55:14.960 --> 00:55:17.800
<v Speaker 2>Well there's that too, But like I love the idea

998
00:55:17.800 --> 00:55:21.360
<v Speaker 2>of exploring other planets. But I'm wondering, like how interconnected

999
00:55:21.440 --> 00:55:23.760
<v Speaker 2>are we with this planet? Like if we get too

1000
00:55:23.840 --> 00:55:26.000
<v Speaker 2>far away from it, do we stop functioning?

1001
00:55:26.159 --> 00:55:34.599
<v Speaker 7>Yeah, Mars is not inhabitable. No, without some severe changes

1002
00:55:34.880 --> 00:55:39.480
<v Speaker 7>for us, the quality of life would be significantly reduced.

1003
00:55:39.519 --> 00:55:41.880
<v Speaker 2>Well, Like what I'm saying is like, are we is

1004
00:55:42.000 --> 00:55:45.280
<v Speaker 2>part of what we are part of the planet, and

1005
00:55:45.320 --> 00:55:48.000
<v Speaker 2>the faye or whatever this other stuff might be might

1006
00:55:48.039 --> 00:55:49.840
<v Speaker 2>also be a part of the planet.

1007
00:55:49.960 --> 00:55:54.880
<v Speaker 7>Yeah, it would be interesting to see how if they

1008
00:55:54.880 --> 00:55:58.559
<v Speaker 7>are timeless and you know, not bound to that kind

1009
00:55:58.599 --> 00:56:02.800
<v Speaker 7>of tot like you know, are linear time, how they

1010
00:56:02.960 --> 00:56:09.239
<v Speaker 7>would change with you know, however, they experience the passage of.

1011
00:56:09.679 --> 00:56:10.480
<v Speaker 8>What is time?

1012
00:56:11.679 --> 00:56:15.480
<v Speaker 2>That's a very good question. Time time. Time is a book,

1013
00:56:15.639 --> 00:56:18.280
<v Speaker 2>so you can hold it in your hand. It's all there.

1014
00:56:18.440 --> 00:56:20.199
<v Speaker 2>I mean, I think a video game is is a

1015
00:56:20.199 --> 00:56:22.280
<v Speaker 2>bet like an open world video game is a better

1016
00:56:22.320 --> 00:56:24.159
<v Speaker 2>example of that. Like you could you could have a

1017
00:56:25.079 --> 00:56:27.719
<v Speaker 2>drive with all of the data on it and it's

1018
00:56:27.760 --> 00:56:30.480
<v Speaker 2>but in order to go through that data and have

1019
00:56:30.519 --> 00:56:32.559
<v Speaker 2>it make any kind of sense, you have to experience

1020
00:56:32.599 --> 00:56:35.760
<v Speaker 2>it sequentially, and that's time. I also like that Seth

1021
00:56:36.000 --> 00:56:39.280
<v Speaker 2>the Seth material says time moves at the speed that

1022
00:56:39.320 --> 00:56:41.559
<v Speaker 2>we process our reality.

1023
00:56:42.159 --> 00:56:45.039
<v Speaker 7>That makes a lot of sense because there are time

1024
00:56:45.159 --> 00:56:47.239
<v Speaker 7>dilations in altered states and.

1025
00:56:47.199 --> 00:56:50.639
<v Speaker 2>Consciousness, right, and also just in basic consciousness. When you're

1026
00:56:50.679 --> 00:56:54.639
<v Speaker 2>really busy, time flies. When you're sitting around waiting, time crawls,

1027
00:56:54.760 --> 00:56:57.000
<v Speaker 2>So it's almost like the processor speed of your brain

1028
00:56:57.119 --> 00:57:00.159
<v Speaker 2>is how fast time moves and altered states are kind

1029
00:57:00.199 --> 00:57:04.719
<v Speaker 2>of like you know, like supercharging it. Now. One of

1030
00:57:04.800 --> 00:57:07.199
<v Speaker 2>the things you mentioned with your artwork to me was

1031
00:57:07.239 --> 00:57:08.519
<v Speaker 2>that it's exhausting.

1032
00:57:11.119 --> 00:57:16.400
<v Speaker 7>Yeah, well art work, Yeah, art work is exhausting. Having

1033
00:57:17.519 --> 00:57:22.039
<v Speaker 7>navigating the intricacies of our capitalist society while doing an

1034
00:57:22.119 --> 00:57:25.679
<v Speaker 7>artistic practice is very pretty exhausting.

1035
00:57:27.000 --> 00:57:29.199
<v Speaker 8>It's but but it's a it's a process.

1036
00:57:29.280 --> 00:57:33.880
<v Speaker 7>It's it's like I do call doing a creative endeavor,

1037
00:57:34.000 --> 00:57:37.199
<v Speaker 7>like the great work and focusing on the unknown is

1038
00:57:37.280 --> 00:57:41.800
<v Speaker 7>the great work. Yeah, cobbling and shifting things together is

1039
00:57:41.920 --> 00:57:47.239
<v Speaker 7>a chemical practice. But yeah, it can be very exhausting,

1040
00:57:47.480 --> 00:57:50.280
<v Speaker 7>but it's it's beautiful, it's fun. You have to have

1041
00:57:50.360 --> 00:57:53.480
<v Speaker 7>fun with the work that you're doing. It is a job,

1042
00:57:53.599 --> 00:57:54.320
<v Speaker 7>but it's fun.

1043
00:57:54.519 --> 00:57:57.159
<v Speaker 2>It's work, but it's fun, right, right, But you're also

1044
00:57:57.199 --> 00:57:58.920
<v Speaker 2>talking about the after effects.

1045
00:57:59.320 --> 00:58:04.800
<v Speaker 7>Yeah, so like when you make when when the way

1046
00:58:04.880 --> 00:58:08.880
<v Speaker 7>I see it is I kind of have a chaos

1047
00:58:09.000 --> 00:58:13.719
<v Speaker 7>magic lens on making artwork, Like you get into this

1048
00:58:13.719 --> 00:58:17.039
<v Speaker 7>this people call it the flow state, or like you

1049
00:58:17.119 --> 00:58:22.159
<v Speaker 7>try to push towards exaltion, and exaltion leads to nosis,

1050
00:58:22.199 --> 00:58:25.239
<v Speaker 7>which you know it's knowledge, and then this kind of

1051
00:58:25.280 --> 00:58:29.960
<v Speaker 7>transmuting and conquering this project that you're doing, or you know,

1052
00:58:30.880 --> 00:58:33.840
<v Speaker 7>the many abstract concepts that you're putting together, Like you

1053
00:58:34.400 --> 00:58:39.320
<v Speaker 7>go to nosis and and what do you do postnosis?

1054
00:58:40.039 --> 00:58:43.800
<v Speaker 7>I think that's everyone tries to just kind of view

1055
00:58:43.880 --> 00:58:48.400
<v Speaker 7>and reach exaltion and and the final point. But what

1056
00:58:48.559 --> 00:58:51.079
<v Speaker 7>happens afterwards is an interesting concept.

1057
00:58:51.199 --> 00:58:54.000
<v Speaker 2>I think, So, how do you usually feel once you've

1058
00:58:54.000 --> 00:58:57.280
<v Speaker 2>gotten a project done? Does it? Does it change you?

1059
00:58:58.239 --> 00:58:58.519
<v Speaker 8>Yes?

1060
00:58:58.840 --> 00:59:04.039
<v Speaker 7>But once a project is done, I kind of let

1061
00:59:04.079 --> 00:59:06.840
<v Speaker 7>it be on its own, like it's its own own

1062
00:59:07.079 --> 00:59:10.960
<v Speaker 7>entity of sorts, like uh, And I'm wondering if I'm

1063
00:59:11.039 --> 00:59:12.519
<v Speaker 7>kind of mentioning this because I do.

1064
00:59:13.000 --> 00:59:17.639
<v Speaker 8>I do wheel and deal and entity, but it's its.

1065
00:59:17.480 --> 00:59:21.320
<v Speaker 7>Own, it has its energy, and I think I kind

1066
00:59:21.320 --> 00:59:24.079
<v Speaker 7>of just let it be at that point. I'm not

1067
00:59:24.159 --> 00:59:27.280
<v Speaker 7>stranger to like revisiting a concept or reworking and they're

1068
00:59:27.360 --> 00:59:31.199
<v Speaker 7>letting it stagnate for a while. But I do think

1069
00:59:31.320 --> 00:59:36.599
<v Speaker 7>that artwork, when labored over intensely, is its own. It

1070
00:59:36.679 --> 00:59:39.719
<v Speaker 7>has its own objechood of intense energy.

1071
00:59:40.000 --> 00:59:43.119
<v Speaker 2>Okay, that makes sense, especially especially a piece of art.

1072
00:59:43.440 --> 00:59:46.480
<v Speaker 7>I also, I mean, I don't just paint, but I

1073
00:59:46.559 --> 00:59:48.840
<v Speaker 7>do include a lot of mirrors in my work, and

1074
00:59:48.880 --> 00:59:51.199
<v Speaker 7>I do do mirror meditation, so.

1075
00:59:51.960 --> 00:59:53.000
<v Speaker 8>These are I do.

1076
00:59:53.119 --> 00:59:55.519
<v Speaker 7>I'm kind of heavy handed in that kind of like

1077
00:59:55.639 --> 00:59:56.840
<v Speaker 7>transference of energy.

1078
00:59:57.039 --> 01:00:01.599
<v Speaker 2>Okay, all right, yeah, like mirrors or regular mirrors, regular mirrors.

1079
01:00:02.519 --> 01:00:04.360
<v Speaker 8>But I do have some black mirrors.

1080
01:00:04.360 --> 01:00:06.760
<v Speaker 7>I do have some like very silver mirrors that I

1081
01:00:06.880 --> 01:00:08.079
<v Speaker 7>use for practice alone.

1082
01:00:08.119 --> 01:00:10.280
<v Speaker 8>Like I don't meat on them or I don't, you know,

1083
01:00:10.440 --> 01:00:14.519
<v Speaker 8>use them in my artwork. But uh, it's a little kitsch.

1084
01:00:15.039 --> 01:00:17.000
<v Speaker 7>Like I I do use a lot of like like

1085
01:00:17.199 --> 01:00:22.000
<v Speaker 7>litter or color changing things, so I like different materials

1086
01:00:22.199 --> 01:00:24.000
<v Speaker 7>and things that kind of shift and move.

1087
01:00:24.159 --> 01:00:28.480
<v Speaker 8>Like it's very very heavy and intentions very It's very kitschy.

1088
01:00:28.599 --> 01:00:31.320
<v Speaker 2>Okay, interesting, But I know one of the things I

1089
01:00:31.320 --> 01:00:33.000
<v Speaker 2>wanted to get to before we run out of time

1090
01:00:33.159 --> 01:00:36.519
<v Speaker 2>is some of the folklore you've collected from this area. Yeah,

1091
01:00:36.719 --> 01:00:38.320
<v Speaker 2>you said a lot of it's haunted houses.

1092
01:00:38.679 --> 01:00:39.159
<v Speaker 8>Yeah.

1093
01:00:39.239 --> 01:00:42.400
<v Speaker 7>So outside of like what people have told me, which

1094
01:00:42.719 --> 01:00:46.239
<v Speaker 7>I kind of keep in confidence less they're overtly saying

1095
01:00:46.280 --> 01:00:49.000
<v Speaker 7>that I can talk about. So when I went to

1096
01:00:49.239 --> 01:00:51.599
<v Speaker 7>I went to the history center in like the Ethica

1097
01:00:51.639 --> 01:00:55.480
<v Speaker 7>comments area, and they were so kind to me and

1098
01:00:55.559 --> 01:00:59.280
<v Speaker 7>I was able to have anything on folklore pulled for

1099
01:00:59.360 --> 01:01:02.639
<v Speaker 7>me from their art tives. I spent three hours just

1100
01:01:02.679 --> 01:01:05.000
<v Speaker 7>kind of pouring over it. I wish I had more time,

1101
01:01:05.199 --> 01:01:07.320
<v Speaker 7>But the drive from Queens to.

1102
01:01:07.280 --> 01:01:10.280
<v Speaker 8>Anthica is it's a bit of a like but.

1103
01:01:11.719 --> 01:01:13.960
<v Speaker 7>So it's mostly you know, it was a lot of

1104
01:01:14.039 --> 01:01:20.920
<v Speaker 7>like there are some stories about Yuka cants. There's old

1105
01:01:21.079 --> 01:01:26.679
<v Speaker 7>Native American about the land and the water, and and

1106
01:01:26.800 --> 01:01:31.360
<v Speaker 7>there are areas in which are haunted, like older houses,

1107
01:01:32.159 --> 01:01:36.239
<v Speaker 7>which really interesting and reading that, and and then there

1108
01:01:36.239 --> 01:01:40.000
<v Speaker 7>were also like, you know, this is uh, this is

1109
01:01:40.039 --> 01:01:42.960
<v Speaker 7>a house for all the smugglarious live and whatnot. So

1110
01:01:43.239 --> 01:01:46.719
<v Speaker 7>I did get kind of a broader picture of older

1111
01:01:46.880 --> 01:01:47.480
<v Speaker 7>Ithaca and.

1112
01:01:47.519 --> 01:01:49.679
<v Speaker 8>Older Tomkins County, which was really interesting.

1113
01:01:50.239 --> 01:01:55.239
<v Speaker 7>My favorite one though was, uh, there was a giant

1114
01:01:55.400 --> 01:01:59.559
<v Speaker 7>that was unearthed in on a road that took up

1115
01:01:59.639 --> 01:02:02.920
<v Speaker 7>and what it was.

1116
01:02:01.880 --> 01:02:02.480
<v Speaker 8>Was a gaff.

1117
01:02:03.559 --> 01:02:07.800
<v Speaker 7>They this man opened up hotel and wanted to bring

1118
01:02:07.880 --> 01:02:10.960
<v Speaker 7>tourism to his hotel and he's like, how do I

1119
01:02:11.000 --> 01:02:11.320
<v Speaker 7>do this?

1120
01:02:11.400 --> 01:02:15.679
<v Speaker 8>So he makes this giant. He like he got iron

1121
01:02:15.760 --> 01:02:19.400
<v Speaker 8>ore butcher house, blood like pigs, blood.

1122
01:02:19.599 --> 01:02:23.760
<v Speaker 7>Phosphorus, some eggs and he made like he just like

1123
01:02:23.880 --> 01:02:26.719
<v Speaker 7>put it all together and he makes this giant. So

1124
01:02:26.760 --> 01:02:29.360
<v Speaker 7>it's and how it was described, it was just like

1125
01:02:29.559 --> 01:02:32.760
<v Speaker 7>the carving of a guy with really big feet, and

1126
01:02:32.800 --> 01:02:35.079
<v Speaker 7>it was just like a six to two guy, Like

1127
01:02:35.119 --> 01:02:36.880
<v Speaker 7>it wasn't really it wasn't like he was like eight

1128
01:02:36.880 --> 01:02:38.880
<v Speaker 7>feet or anything. It was just like a bigger guy

1129
01:02:39.119 --> 01:02:42.199
<v Speaker 7>with big feet. And so they were digging up the

1130
01:02:42.320 --> 01:02:45.360
<v Speaker 7>road to pay it so like more you know, traffic

1131
01:02:45.400 --> 01:02:48.760
<v Speaker 7>could come in. And so he calls up his friends

1132
01:02:49.039 --> 01:02:51.280
<v Speaker 7>and they help him bury this thing under the root

1133
01:02:51.320 --> 01:02:54.519
<v Speaker 7>of a tree, and like a couple of days later,

1134
01:02:54.679 --> 01:02:56.920
<v Speaker 7>like when they're doing roadwork, they like dig this thing

1135
01:02:56.960 --> 01:02:57.559
<v Speaker 7>up and they're.

1136
01:02:57.400 --> 01:03:00.760
<v Speaker 8>Like, oh my god, it's a giant and it works.

1137
01:03:00.800 --> 01:03:02.360
<v Speaker 8>Like people are coming to this hotel.

1138
01:03:02.760 --> 01:03:05.760
<v Speaker 7>Like everyone's like, oh my god, it is a giant,

1139
01:03:05.840 --> 01:03:07.920
<v Speaker 7>Like this is amazing, Like this.

1140
01:03:07.960 --> 01:03:09.519
<v Speaker 8>Is so wow.

1141
01:03:09.719 --> 01:03:12.400
<v Speaker 7>And then one of his friends that helped him bury it,

1142
01:03:12.559 --> 01:03:14.760
<v Speaker 7>like a couple of months later, gets drunk at a

1143
01:03:14.760 --> 01:03:15.639
<v Speaker 7>bar and it's.

1144
01:03:15.599 --> 01:03:19.320
<v Speaker 8>Like, yeah, that was all fake, so ruined.

1145
01:03:19.519 --> 01:03:22.039
<v Speaker 7>But that's also like the hodag in Wisconsin with the

1146
01:03:22.159 --> 01:03:25.880
<v Speaker 7>gaff or fake siting. There there have been a lot

1147
01:03:25.920 --> 01:03:29.719
<v Speaker 7>of like American folklore like you make a you make

1148
01:03:29.760 --> 01:03:30.920
<v Speaker 7>a fake siting to draw.

1149
01:03:30.880 --> 01:03:33.760
<v Speaker 8>Up tourism to your area, right, and you.

1150
01:03:33.760 --> 01:03:37.559
<v Speaker 7>Know what, I'll eat it up too. I love that stuff,

1151
01:03:37.639 --> 01:03:41.719
<v Speaker 7>like I am sad that at stake, But you know,

1152
01:03:41.800 --> 01:03:45.480
<v Speaker 7>it's still kind of in the local folklore. People love

1153
01:03:45.519 --> 01:03:48.920
<v Speaker 7>the whole dag. Yeah, so we could have had the

1154
01:03:48.920 --> 01:03:49.679
<v Speaker 7>Ethica Giant.

1155
01:03:50.400 --> 01:03:54.079
<v Speaker 2>I mean, there are there are Native American legends of

1156
01:03:54.119 --> 01:03:56.519
<v Speaker 2>giants in this area, and as far as I know,

1157
01:03:56.559 --> 01:03:59.519
<v Speaker 2>they did dig up a bunch of giants, especially headed

1158
01:03:59.519 --> 01:04:02.760
<v Speaker 2>out towards Ohio. That's I mean. But that stuff's all

1159
01:04:02.800 --> 01:04:03.400
<v Speaker 2>over the US.

1160
01:04:03.559 --> 01:04:07.039
<v Speaker 7>Honestly, there's there's like a the what is it The

1161
01:04:07.079 --> 01:04:09.840
<v Speaker 7>Nephilin are having a kind of a comeback right now,

1162
01:04:09.960 --> 01:04:15.519
<v Speaker 7>especially with like the internet star seed movement. We're talking

1163
01:04:15.519 --> 01:04:19.840
<v Speaker 7>about like what was the alien type of speechies that

1164
01:04:20.039 --> 01:04:22.079
<v Speaker 7>was tied to the Nephelin or something.

1165
01:04:22.840 --> 01:04:23.559
<v Speaker 8>I'm forgetting.

1166
01:04:23.639 --> 01:04:26.679
<v Speaker 7>I'm not I'm actually I'm not very privy on star

1167
01:04:26.760 --> 01:04:27.480
<v Speaker 7>seed folklore.

1168
01:04:27.760 --> 01:04:28.800
<v Speaker 2>Yeah, not me either.

1169
01:04:29.000 --> 01:04:33.000
<v Speaker 7>Yeah, but there was there was a really good article

1170
01:04:33.039 --> 01:04:36.960
<v Speaker 7>that I read about it and kind of the examination

1171
01:04:37.400 --> 01:04:39.639
<v Speaker 7>of kind of internet.

1172
01:04:40.800 --> 01:04:43.039
<v Speaker 8>Kind of the how do I say.

1173
01:04:42.880 --> 01:04:47.159
<v Speaker 7>It, the New Age movement in the Internet age, like

1174
01:04:47.239 --> 01:04:50.679
<v Speaker 7>two day in the in the mid twenty twenties, and

1175
01:04:50.920 --> 01:04:53.519
<v Speaker 7>you know the star Seeds, but the star Seed movement

1176
01:04:53.719 --> 01:04:55.119
<v Speaker 7>obviously didn't start recently.

1177
01:04:55.239 --> 01:04:58.119
<v Speaker 2>That was this is the star seed the people who

1178
01:04:58.159 --> 01:04:59.440
<v Speaker 2>think they're not human.

1179
01:04:59.719 --> 01:05:04.159
<v Speaker 7>They are are human, but they're reincarnated so that they

1180
01:05:04.960 --> 01:05:06.199
<v Speaker 7>were not human.

1181
01:05:05.920 --> 01:05:07.599
<v Speaker 2>In Okay, Okay.

1182
01:05:08.119 --> 01:05:11.480
<v Speaker 8>And I think that comes from like the Indigo Children of.

1183
01:05:11.440 --> 01:05:14.840
<v Speaker 2>The Apes, right, Yeah, Jenny Randalls wrote a book I

1184
01:05:14.880 --> 01:05:17.599
<v Speaker 2>think called star Children or whatever. That's great, and that

1185
01:05:17.679 --> 01:05:20.119
<v Speaker 2>was basically what it was. Whether or not this makes

1186
01:05:20.159 --> 01:05:21.039
<v Speaker 2>any sense.

1187
01:05:20.840 --> 01:05:25.760
<v Speaker 7>Yeah, there's like there's there's a few popular air quotes

1188
01:05:25.800 --> 01:05:32.000
<v Speaker 7>again interdimensional species that are seeing a rise right now,

1189
01:05:32.800 --> 01:05:36.280
<v Speaker 7>and and one of them is like a giant type

1190
01:05:36.400 --> 01:05:37.239
<v Speaker 7>that had.

1191
01:05:39.000 --> 01:05:42.239
<v Speaker 8>Had its hands in the creation of humans all.

1192
01:05:42.719 --> 01:05:45.559
<v Speaker 7>Actually again, I'm just stick falling off the top of

1193
01:05:45.559 --> 01:05:46.800
<v Speaker 7>my head from like what I know.

1194
01:05:47.079 --> 01:05:54.800
<v Speaker 8>Sure, yeah, yep, giants. Wow, you mentioned that big guys.

1195
01:05:55.440 --> 01:05:58.559
<v Speaker 2>You mentioned the Yuga canons and that I wasn't familiar with.

1196
01:05:58.599 --> 01:06:01.920
<v Speaker 2>I'm very familiar with the Senemic cannons. I didn't realize

1197
01:06:01.920 --> 01:06:04.280
<v Speaker 2>that the booms were heard in Kyuga too.

1198
01:06:04.519 --> 01:06:07.880
<v Speaker 7>So I because I was talking to Jim of the

1199
01:06:07.880 --> 01:06:11.679
<v Speaker 7>Seneca Lakes podcast when I first was told about like

1200
01:06:12.079 --> 01:06:14.920
<v Speaker 7>my acceptance of this project and so he mentioned to

1201
01:06:14.960 --> 01:06:19.320
<v Speaker 7>the booms at Seneca Lake. But when I put out

1202
01:06:19.480 --> 01:06:22.519
<v Speaker 7>my first call of like, hey, does anyone see anything

1203
01:06:22.559 --> 01:06:28.440
<v Speaker 7>in Ithaca, I heard about the Kyabac cannons. And there

1204
01:06:28.599 --> 01:06:32.039
<v Speaker 7>was also people being like, they don't happen in Cayuga Lake,

1205
01:06:32.159 --> 01:06:33.480
<v Speaker 7>and people were like, yes they did.

1206
01:06:33.639 --> 01:06:37.440
<v Speaker 8>And I think Cornell even looked into it too. But

1207
01:06:37.679 --> 01:06:41.239
<v Speaker 8>there is a so there's a legend that.

1208
01:06:41.280 --> 01:06:44.800
<v Speaker 7>It's a Native American legend that there was a woman

1209
01:06:44.880 --> 01:06:49.159
<v Speaker 7>who really liked Uh, like was you know, fawning over

1210
01:06:49.519 --> 01:06:54.280
<v Speaker 7>a warrior, and he did not like her. He was

1211
01:06:54.320 --> 01:06:58.800
<v Speaker 7>rejecting her advances. And when she got old and ugly,

1212
01:06:59.239 --> 01:07:03.599
<v Speaker 7>what it said is that he pushed her off like

1213
01:07:03.639 --> 01:07:07.400
<v Speaker 7>a cliff and into the lake and killed her. And

1214
01:07:08.039 --> 01:07:12.199
<v Speaker 7>the great spirit took said that she had suffered enough,

1215
01:07:12.400 --> 01:07:16.599
<v Speaker 7>and so she was a spirit of the lake and

1216
01:07:16.800 --> 01:07:22.519
<v Speaker 7>as over over time she fashioned a hammer to cause

1217
01:07:22.800 --> 01:07:26.320
<v Speaker 7>cause that noise to knock people into the lake, and

1218
01:07:26.440 --> 01:07:28.480
<v Speaker 7>you know, and she was kind of a beneful spirit.

1219
01:07:29.320 --> 01:07:31.920
<v Speaker 8>So that's the story that I read about that a

1220
01:07:31.960 --> 01:07:34.079
<v Speaker 8>couple of times in the In New York.

1221
01:07:35.239 --> 01:07:39.440
<v Speaker 7>There there were a few like jilted lover Uh folklore

1222
01:07:39.559 --> 01:07:42.880
<v Speaker 7>stories where like a woman becomes the spirit of a

1223
01:07:42.920 --> 01:07:47.599
<v Speaker 7>tree or they're like in linked So that was interesting.

1224
01:07:49.159 --> 01:07:51.400
<v Speaker 8>But yeah, that's uh, the cannon's I.

1225
01:07:51.360 --> 01:07:53.440
<v Speaker 7>Didn't I didn't hear the cannons when I was up there,

1226
01:07:53.840 --> 01:07:56.159
<v Speaker 7>but I've been told that they're there.

1227
01:07:56.519 --> 01:07:59.039
<v Speaker 8>I don't know if it's gas pockets in the lake,

1228
01:07:59.199 --> 01:07:59.840
<v Speaker 8>I'm not sure.

1229
01:08:00.559 --> 01:08:04.079
<v Speaker 2>It's hard to say. Yeah, I've honestly never heard about

1230
01:08:04.079 --> 01:08:06.039
<v Speaker 2>them in Kyu. Guy, I've heard about them in Seneca.

1231
01:08:06.079 --> 01:08:08.760
<v Speaker 2>I don't think i've ever heard them. I mean, there's

1232
01:08:08.800 --> 01:08:10.239
<v Speaker 2>been a couple of things where I'm like, well, that

1233
01:08:10.400 --> 01:08:12.320
<v Speaker 2>could have been. But you know, there's so much stuff

1234
01:08:12.360 --> 01:08:15.000
<v Speaker 2>around now, it's hard to say what's making noise. They

1235
01:08:15.079 --> 01:08:17.159
<v Speaker 2>used to be used to be a military based north

1236
01:08:17.159 --> 01:08:20.199
<v Speaker 2>of here, and I remember being home and they I

1237
01:08:20.239 --> 01:08:23.039
<v Speaker 2>guess they were doing testing of ammunition and stuff, and

1238
01:08:23.079 --> 01:08:24.760
<v Speaker 2>it was shaking the house. It sounded like there was

1239
01:08:24.760 --> 01:08:27.479
<v Speaker 2>someone upstairs in my house. And it turned out it

1240
01:08:27.520 --> 01:08:30.159
<v Speaker 2>was just them doing ammunition's test. So, you know, like

1241
01:08:30.199 --> 01:08:32.439
<v Speaker 2>it's hard to say, you know, in this day and age,

1242
01:08:32.560 --> 01:08:35.239
<v Speaker 2>what's what? You know, plenty of things can make loud booms.

1243
01:08:35.239 --> 01:08:37.880
<v Speaker 2>I did have, Man, it was like twenty nineteen. There

1244
01:08:37.920 --> 01:08:40.600
<v Speaker 2>was a boom so loud it shook the whole house,

1245
01:08:40.760 --> 01:08:44.239
<v Speaker 2>knocked plastered down from the ceiling, vibrated all the windows.

1246
01:08:45.560 --> 01:08:49.439
<v Speaker 2>I just assumed it was something like a meteorite blowing

1247
01:08:49.520 --> 01:08:51.640
<v Speaker 2>up in the air, but I mean it was. It

1248
01:08:51.720 --> 01:08:54.359
<v Speaker 2>was dramatic. It sounded like half my house collapsed.

1249
01:08:55.039 --> 01:08:55.920
<v Speaker 8>Did you look.

1250
01:08:57.600 --> 01:08:59.600
<v Speaker 2>At the time. I did, and I didn't see anything,

1251
01:08:59.600 --> 01:09:01.520
<v Speaker 2>and I didn't see any other reports of it. I mean,

1252
01:09:01.560 --> 01:09:04.039
<v Speaker 2>I have it on my cameras. I mean it it

1253
01:09:04.119 --> 01:09:06.760
<v Speaker 2>is visible and not only audible, but visible because you

1254
01:09:06.760 --> 01:09:08.960
<v Speaker 2>can see the plaster falling off the ceiling, like just

1255
01:09:09.319 --> 01:09:11.960
<v Speaker 2>bits of it kind of trickling down. Unfortunately, I only

1256
01:09:12.039 --> 01:09:13.760
<v Speaker 2>had a couple of cameras, but even the camera I

1257
01:09:13.800 --> 01:09:17.720
<v Speaker 2>had outside of my studio, the window shook so violently

1258
01:09:17.800 --> 01:09:20.319
<v Speaker 2>that like everything just vibrates because it was right up

1259
01:09:20.319 --> 01:09:22.560
<v Speaker 2>against the window. But I don't know if that counts

1260
01:09:22.560 --> 01:09:24.760
<v Speaker 2>as cannons or not. As far as gas pockets, I mean,

1261
01:09:24.800 --> 01:09:28.399
<v Speaker 2>it's certainly a possibility. I don't think anyone's proved there

1262
01:09:28.399 --> 01:09:31.760
<v Speaker 2>are the gas pockets to do it or not. There's

1263
01:09:32.439 --> 01:09:34.359
<v Speaker 2>And I mean how the lakes were formed too. I mean,

1264
01:09:34.399 --> 01:09:37.199
<v Speaker 2>they'll tell you that they were carved out by glaciers,

1265
01:09:37.239 --> 01:09:40.399
<v Speaker 2>but Randall Carlson, who's actually doing a tour in August

1266
01:09:40.439 --> 01:09:43.279
<v Speaker 2>September of the Finger Lakes in western New York, showing

1267
01:09:43.319 --> 01:09:45.359
<v Speaker 2>that this was actually that the lakes were actually carved

1268
01:09:45.359 --> 01:09:49.159
<v Speaker 2>out by meltwater, not ice, And there's hundreds of feet

1269
01:09:49.199 --> 01:09:51.199
<v Speaker 2>of sediment at the bottom of the lake from it

1270
01:09:51.239 --> 01:09:54.079
<v Speaker 2>as well. So I don't know, you know, like, I

1271
01:09:54.079 --> 01:09:57.520
<v Speaker 2>don't think anyone really These lakes are so deep despite

1272
01:09:57.560 --> 01:10:00.840
<v Speaker 2>being so thin, and they are very unw usual structure

1273
01:10:00.840 --> 01:10:03.239
<v Speaker 2>in the landscape, and they do look like fingers.

1274
01:10:03.880 --> 01:10:06.039
<v Speaker 8>They're very unusual looking and.

1275
01:10:06.079 --> 01:10:08.640
<v Speaker 2>For some reason. And even Watkins Glen at the bottom

1276
01:10:08.680 --> 01:10:10.800
<v Speaker 2>of Seneca Lake has some weird stuff to do it too,

1277
01:10:10.800 --> 01:10:12.880
<v Speaker 2>But I think that seems a lot weirder than then

1278
01:10:13.079 --> 01:10:13.840
<v Speaker 2>than Watkins.

1279
01:10:13.920 --> 01:10:18.359
<v Speaker 7>I spent some time near Walkins. I also spend some

1280
01:10:18.439 --> 01:10:22.039
<v Speaker 7>time in the Adirondacks. The whole of the state is

1281
01:10:22.239 --> 01:10:24.479
<v Speaker 7>just its teeming activity.

1282
01:10:25.079 --> 01:10:27.960
<v Speaker 2>So when when you do art about this stuff, do

1283
01:10:28.159 --> 01:10:30.439
<v Speaker 2>you feel like it's a now chemical process?

1284
01:10:31.199 --> 01:10:34.279
<v Speaker 7>You know, well, there is a transmutation type of thing,

1285
01:10:34.479 --> 01:10:37.399
<v Speaker 7>and like you know, when you look at the chemical process,

1286
01:10:37.560 --> 01:10:46.479
<v Speaker 7>like uh, subjectively, uh, theoretically, yeah, there is a changing uh,

1287
01:10:46.640 --> 01:10:50.520
<v Speaker 7>there is a changing from raw material to a finer

1288
01:10:50.640 --> 01:10:53.960
<v Speaker 7>material to the great.

1289
01:10:54.079 --> 01:10:57.039
<v Speaker 8>I would call it godhood, the.

1290
01:10:56.960 --> 01:11:01.119
<v Speaker 7>Purple, the end, the end point, because yeah, there's it

1291
01:11:01.199 --> 01:11:02.720
<v Speaker 7>is a spiritual transmutation.

1292
01:11:03.000 --> 01:11:05.920
<v Speaker 2>Yes, absolutely, Okay have you not thought about it like

1293
01:11:05.960 --> 01:11:06.479
<v Speaker 2>that before?

1294
01:11:07.560 --> 01:11:11.199
<v Speaker 7>To verbalize it is is a bit difficult because you

1295
01:11:11.239 --> 01:11:13.119
<v Speaker 7>know you will person you want to go through colors

1296
01:11:13.800 --> 01:11:20.520
<v Speaker 7>like black, red into yellow, which is that's kind of

1297
01:11:20.560 --> 01:11:21.520
<v Speaker 7>how how.

1298
01:11:21.560 --> 01:11:26.399
<v Speaker 8>The stages go. But the refinement of the energy.

1299
01:11:26.359 --> 01:11:30.560
<v Speaker 7>And the practice of yeah, it is chemical process creation

1300
01:11:31.000 --> 01:11:36.199
<v Speaker 7>of a large, complicated project is a transmutation.

1301
01:11:36.359 --> 01:11:41.199
<v Speaker 2>So let me give you an impossible question. Boy, what

1302
01:11:41.239 --> 01:11:42.359
<v Speaker 2>do you think this stuff is?

1303
01:11:43.279 --> 01:11:46.600
<v Speaker 8>It is something we exist with? Okay, yeah, that's it

1304
01:11:46.680 --> 01:11:48.880
<v Speaker 8>is something we exist with. It's part of our reality.

1305
01:11:49.199 --> 01:11:50.399
<v Speaker 8>That's that's your answer.

1306
01:11:52.600 --> 01:11:55.880
<v Speaker 2>All right, Okay, that's fair. Have you had any weird

1307
01:11:55.920 --> 01:11:57.479
<v Speaker 2>experiences with psychedelics?

1308
01:11:58.760 --> 01:11:59.359
<v Speaker 8>No comment?

1309
01:11:59.479 --> 01:12:04.359
<v Speaker 2>All right, okay, We've talked about that those type of

1310
01:12:04.359 --> 01:12:06.840
<v Speaker 2>things a lot on this show. That's that's the psychedelic

1311
01:12:06.880 --> 01:12:09.199
<v Speaker 2>angle was very interesting because I've had.

1312
01:12:09.359 --> 01:12:13.039
<v Speaker 8>I've had psychedelic experiences. Have I talked to any entities?

1313
01:12:13.079 --> 01:12:13.560
<v Speaker 7>No, I have not.

1314
01:12:14.399 --> 01:12:15.720
<v Speaker 2>Okay, have I have?

1315
01:12:15.800 --> 01:12:21.000
<v Speaker 7>I blessed myself into other realms, yes, and and but.

1316
01:12:21.119 --> 01:12:25.359
<v Speaker 8>You know, okay, so I do. I am currently completely

1317
01:12:25.399 --> 01:12:27.239
<v Speaker 8>off of breything right now, But.

1318
01:12:28.520 --> 01:12:34.479
<v Speaker 7>I do think using psychedelics therapeutically teaches you about how

1319
01:12:34.520 --> 01:12:38.439
<v Speaker 7>your brain processes thing, and it gives you a bit

1320
01:12:38.479 --> 01:12:44.119
<v Speaker 7>of experience into how your body works and how your body.

1321
01:12:44.359 --> 01:12:47.960
<v Speaker 7>You get in a in tune with how the brain

1322
01:12:48.000 --> 01:12:52.960
<v Speaker 7>and body connection works a little bit better. Would I

1323
01:12:53.039 --> 01:12:55.359
<v Speaker 7>any sort of weird phenomenon that I would see in

1324
01:12:55.399 --> 01:12:58.600
<v Speaker 7>an altered state like that, I wouldn't regard as something

1325
01:12:58.760 --> 01:13:01.520
<v Speaker 7>that I would bring up in kind of like.

1326
01:13:01.680 --> 01:13:03.600
<v Speaker 8>An experience or discussion.

1327
01:13:05.000 --> 01:13:09.920
<v Speaker 7>I've imvibed in something, and that's that's the way it is.

1328
01:13:10.680 --> 01:13:15.199
<v Speaker 7>If we're talking about commonalities in a psychedelic experience.

1329
01:13:14.680 --> 01:13:15.680
<v Speaker 8>Then that can come up.

1330
01:13:15.720 --> 01:13:17.680
<v Speaker 7>But like, no, I'm not going to be like, you know,

1331
01:13:17.760 --> 01:13:21.800
<v Speaker 7>I saw a thing outside and I am completely earnestly

1332
01:13:21.840 --> 01:13:23.319
<v Speaker 7>and honestly saying that it was there.

1333
01:13:23.399 --> 01:13:24.199
<v Speaker 8>No, I'm not going to.

1334
01:13:24.119 --> 01:13:27.199
<v Speaker 2>Say that right Well, sure, yeah, but.

1335
01:13:27.199 --> 01:13:30.479
<v Speaker 7>I do think therapeutic psychedelics are very helpful for a

1336
01:13:30.520 --> 01:13:33.840
<v Speaker 7>lot of people, even if just learning about brain body.

1337
01:13:33.960 --> 01:13:36.600
<v Speaker 2>I can't remember who it was that had the UFO experience.

1338
01:13:36.760 --> 01:13:39.159
<v Speaker 2>He and someone else were on LSD or whatever and

1339
01:13:39.199 --> 01:13:42.119
<v Speaker 2>they both saw the same UFO. That's interesting, and it

1340
01:13:42.159 --> 01:13:44.199
<v Speaker 2>was someone famous, but I can't remember who it was.

1341
01:13:44.359 --> 01:13:47.359
<v Speaker 2>I mean, it's very possible that that psychedelics are just

1342
01:13:47.479 --> 01:13:49.520
<v Speaker 2>allowing us to pick up more of what's in the

1343
01:13:49.640 --> 01:13:52.680
<v Speaker 2>environment around us. Absolutely, because it is changing the way

1344
01:13:52.720 --> 01:13:53.479
<v Speaker 2>your brain works.

1345
01:13:53.560 --> 01:13:56.239
<v Speaker 7>Yeah, and it's a transl like state where you can

1346
01:13:56.439 --> 01:13:58.760
<v Speaker 7>you can kind of kin it to a translate state.

1347
01:13:59.000 --> 01:14:00.920
<v Speaker 2>And I also think that the like even with stuff

1348
01:14:00.960 --> 01:14:02.800
<v Speaker 2>that I mean, any of this stuff, even if it

1349
01:14:02.800 --> 01:14:05.800
<v Speaker 2>turns out to be paradolia, is still telling you something

1350
01:14:05.840 --> 01:14:07.279
<v Speaker 2>about how your brain is working.

1351
01:14:07.439 --> 01:14:07.720
<v Speaker 8>Yeah.

1352
01:14:07.760 --> 01:14:12.359
<v Speaker 7>Absolutely, I don't get paradolia in an altered state like that,

1353
01:14:12.479 --> 01:14:16.039
<v Speaker 7>But when I'm completely exhausted, like I've gone moose to

1354
01:14:16.079 --> 01:14:19.640
<v Speaker 7>forty eight hours without sleep, I get paradolia very hard.

1355
01:14:20.600 --> 01:14:25.239
<v Speaker 7>And so to know that indicator and to know what

1356
01:14:25.279 --> 01:14:29.720
<v Speaker 7>my brain is gravitating towards because it knows that I'm unsafe.

1357
01:14:30.000 --> 01:14:33.159
<v Speaker 7>So like you know, I'm in an altered state. I'm unsafe.

1358
01:14:33.239 --> 01:14:36.199
<v Speaker 7>So I'm trying to look for threats or something like

1359
01:14:36.760 --> 01:14:41.279
<v Speaker 7>I'm seeing XYZ Like that's interesting. What does my brain

1360
01:14:41.359 --> 01:14:43.640
<v Speaker 7>gravitate towards in that kind of regard.

1361
01:14:43.920 --> 01:14:46.479
<v Speaker 2>Yeah, yeah, but it's also like it's a way of

1362
01:14:46.520 --> 01:14:49.560
<v Speaker 2>your paradolia, is a way of your subconscious to kind

1363
01:14:49.600 --> 01:14:52.520
<v Speaker 2>of like talk to you you know it, or at

1364
01:14:52.640 --> 01:14:54.960
<v Speaker 2>least tell you what kind of state it's in in

1365
01:14:55.000 --> 01:14:57.359
<v Speaker 2>a sense, you know, like all of this stuff become

1366
01:14:57.439 --> 01:15:00.600
<v Speaker 2>symbolic and artistic because that's the language. Use it, the

1367
01:15:00.600 --> 01:15:04.760
<v Speaker 2>same language that magic uses. We are almost out of time,

1368
01:15:05.000 --> 01:15:08.159
<v Speaker 2>and tell people again what your website is Daniel.

1369
01:15:07.880 --> 01:15:11.199
<v Speaker 8>Drink dot com.

1370
01:15:09.960 --> 01:15:13.279
<v Speaker 2>And it's d r ai K yes uh.

1371
01:15:13.319 --> 01:15:18.479
<v Speaker 7>And my social media handle in pretty much every place

1372
01:15:18.760 --> 01:15:21.920
<v Speaker 7>is art of d Drake and that's also d r

1373
01:15:21.960 --> 01:15:26.039
<v Speaker 7>a I K. I'm mostly on Instagram and Bluesky and

1374
01:15:26.159 --> 01:15:28.960
<v Speaker 7>I'm currently trying to work on a web one point

1375
01:15:29.079 --> 01:15:31.000
<v Speaker 7>zero website, so.

1376
01:15:31.239 --> 01:15:31.600
<v Speaker 8>That'll be.

1377
01:15:34.279 --> 01:15:37.560
<v Speaker 2>And your your residency is where and when?

1378
01:15:37.680 --> 01:15:40.520
<v Speaker 8>It is at the Constance Saltan Stall Foundation for the

1379
01:15:40.600 --> 01:15:44.520
<v Speaker 8>Arts in Ithaca, the outside of Ithaca, and it will

1380
01:15:44.520 --> 01:15:47.159
<v Speaker 8>be in the month of October, so the open house

1381
01:15:47.199 --> 01:15:48.239
<v Speaker 8>will be on the eighteen.

1382
01:15:48.479 --> 01:15:50.359
<v Speaker 2>All right, Well, thank you for joining me with this,

1383
01:15:50.640 --> 01:15:51.199
<v Speaker 2>thank you.

1384
01:15:51.279 --> 01:15:53.159
<v Speaker 8>Thank you for having me, and thanks for talking to me.

1385
01:15:53.159 --> 01:15:55.960
<v Speaker 2>About I want to take a couple of minutes here

1386
01:15:56.000 --> 01:15:59.920
<v Speaker 2>to thank all of my patreons, and a special chef

1387
01:16:00.159 --> 01:16:03.159
<v Speaker 2>out to those of you pledging ten dollars or more.

1388
01:16:03.359 --> 01:16:08.960
<v Speaker 2>Greg Ross, Cherry, Trapezoid tactical Therapist, John Blackburn, Mark Smith,

1389
01:16:09.079 --> 01:16:14.079
<v Speaker 2>Madeline j Marty Garza, Critter eighty, Alison Cook, super Inframan

1390
01:16:14.239 --> 01:16:20.159
<v Speaker 2>thirty six, Dingo, Sean Cosgrove, Matthew Sproll, Ruth Fortescue, Andrew Nichols,

1391
01:16:20.279 --> 01:16:27.439
<v Speaker 2>John Schretler, Marth Arthur, Christine, Stuart Began, Rothman, Brenn, Mark Brady,

1392
01:16:27.520 --> 01:16:32.399
<v Speaker 2>Patricia Guya, Quinta, Kevin Shrek, Lynz Jackson, Kay, Charles in Florida,

1393
01:16:32.479 --> 01:16:37.119
<v Speaker 2>Land of the Crazy and Communicable, Charles Davis, Kristin, l Jotto,

1394
01:16:37.479 --> 01:16:42.079
<v Speaker 2>Riker and Stark, Abby Allen Wright, Rectangle, Eric Citron, Kevin

1395
01:16:42.199 --> 01:16:47.479
<v Speaker 2>American Rambler, Sam Charon, thunder Boy, Eric Todd, An Watowski,

1396
01:16:47.720 --> 01:16:52.479
<v Speaker 2>Vincent Trewell, Will Powell, Jay empty K, History and Coffee,

1397
01:16:52.520 --> 01:16:58.520
<v Speaker 2>Diane b Joe Bowling, Beverly Williamson, Jim and Sophie, Victoria,

1398
01:16:58.720 --> 01:17:03.720
<v Speaker 2>John Bracken, All, j Jeffres Moon Baby, Janet's Planet, Ron Duprey,

1399
01:17:04.159 --> 01:17:11.279
<v Speaker 2>Laser Printer, jam mj Armstrong, Jack Huntington, Lauren McClain, Stacy Sherwood, James,

1400
01:17:11.279 --> 01:17:16.479
<v Speaker 2>Lindsay Linda from Michigan Billuminati, Strange Stories with The Seeker

1401
01:17:16.520 --> 01:17:21.439
<v Speaker 2>and Skeptic Podcast, Mark Shoemaker, Ron Duprey, Will Cherry, Calm

1402
01:17:21.560 --> 01:17:26.760
<v Speaker 2>Early Ritual, The Ghost Story Guys, Tyler Glimstead, Liam Hoodoc

1403
01:17:27.119 --> 01:17:32.640
<v Speaker 2>Harrol Ery, z Anna, Annabelle Smith, Caroline Walker, TDT Skunkworks,

1404
01:17:32.760 --> 01:17:37.399
<v Speaker 2>Craig Sagastumi, Collin Carris and Matthew Brown. Thank you all

1405
01:17:37.640 --> 01:17:40.720
<v Speaker 2>so very much. This show would not be what it

1406
01:17:40.840 --> 01:17:45.119
<v Speaker 2>is without your support. If you enjoyed that conversation, There's

1407
01:17:45.159 --> 01:17:47.279
<v Speaker 2>more in a Patreon segment, and you can become a

1408
01:17:47.319 --> 01:17:50.439
<v Speaker 2>Patreon for only three dollars a month at where didthroadgo

1409
01:17:50.560 --> 01:17:52.760
<v Speaker 2>dot com and it helps us out greatly, as does

1410
01:17:52.840 --> 01:17:56.800
<v Speaker 2>leaving reviews, good reviews and ratings wherever you're listening to

1411
01:17:56.920 --> 01:17:59.199
<v Speaker 2>this show. All right, I want to welcome a few

1412
01:17:59.279 --> 01:18:06.399
<v Speaker 2>new patrons, Lindsay Horton, Grimm, Dave Baxter again, Scrapbot thirteen

1413
01:18:06.840 --> 01:18:10.520
<v Speaker 2>and mister Universe. So welcome everyone. I hope you enjoy

1414
01:18:10.560 --> 01:18:13.720
<v Speaker 2>all the extra content. Next week I have Timothy Renner

1415
01:18:13.800 --> 01:18:18.119
<v Speaker 2>joining me to talk about his latest book about fay

1416
01:18:18.279 --> 01:18:22.159
<v Speaker 2>activity in Pennsylvania, which is a fascinating conversation as it

1417
01:18:22.159 --> 01:18:24.520
<v Speaker 2>always is with Tim. And I think the last time

1418
01:18:24.560 --> 01:18:26.640
<v Speaker 2>I talked to about the book, I don't remember if

1419
01:18:26.640 --> 01:18:28.960
<v Speaker 2>it was last week's show or not. I said August.

1420
01:18:29.079 --> 01:18:32.159
<v Speaker 2>It's probably gonna be closer to September, I am. I

1421
01:18:32.199 --> 01:18:36.000
<v Speaker 2>have Suzanne Chancellor who kindly offered to edit it for me,

1422
01:18:36.159 --> 01:18:39.439
<v Speaker 2>So she's going through just making some corrections and making

1423
01:18:39.479 --> 01:18:42.399
<v Speaker 2>it basically perfect, this perfect as it could possibly be.

1424
01:18:42.680 --> 01:18:44.560
<v Speaker 2>So I might push it back a little bit, but

1425
01:18:44.680 --> 01:18:46.880
<v Speaker 2>I'm still hoping to get it out before Alba Twitch,

1426
01:18:47.000 --> 01:18:50.920
<v Speaker 2>which is in October. All right, to take you out tonight,

1427
01:18:51.119 --> 01:18:53.640
<v Speaker 2>we're going to hear a band called a Nabasis. They

1428
01:18:53.640 --> 01:18:56.479
<v Speaker 2>were from Syracuse. I hear whispers they might be doing

1429
01:18:56.479 --> 01:18:58.359
<v Speaker 2>some more stuff, which would be great because they only

1430
01:18:58.359 --> 01:19:02.199
<v Speaker 2>did this one CD. It's called Conviction and it's progressive metal.

1431
01:19:02.319 --> 01:19:05.199
<v Speaker 2>And this is a song called until the Dust Clears.

1432
01:19:05.479 --> 01:20:09.079
<v Speaker 2>I'll see you next timeh.

1433
01:19:37.920 --> 01:19:42.520
<v Speaker 13>Sorry, Yeah, guys, right, you got.

1434
01:19:45.680 --> 01:19:55.359
<v Speaker 17>Yell out right now, have long aside this long last.

1435
01:19:58.119 --> 01:19:59.319
<v Speaker 7>You're lost, stop.

1436
01:20:00.640 --> 01:20:05.960
<v Speaker 3>Where you are water you have as reality.

1437
01:20:07.319 --> 01:20:08.640
<v Speaker 7>This is a place.

1438
01:20:10.239 --> 01:20:37.680
<v Speaker 17>I can't expected my swag, so so Sar shut off

1439
01:20:38.000 --> 01:20:43.640
<v Speaker 17>my voice. Jack turned to ESO dry flowing myself.

1440
01:20:43.319 --> 01:20:45.319
<v Speaker 3>At as I think I got don album.

1441
01:20:45.520 --> 01:20:49.479
<v Speaker 7>No, you have to gloat out light our what you

1442
01:20:49.600 --> 01:20:55.000
<v Speaker 7>have to yall die. We swung kind of size.

1443
01:20:55.600 --> 01:20:58.560
<v Speaker 8>Joe loses stupes where.

1444
01:20:58.399 --> 01:21:00.319
<v Speaker 3>You are now water grab s.

1445
01:21:05.520 --> 01:21:09.800
<v Speaker 17>It's hard time of godlaw re Florcise, never signed laws.

1446
01:21:15.880 --> 01:21:18.640
<v Speaker 8>A hard time of godlaw florcised.

1447
01:21:18.359 --> 01:21:19.159
<v Speaker 14>Never a.

1448
01:21:22.880 --> 01:21:23.680
<v Speaker 3>Reality.

1449
01:21:25.039 --> 01:21:27.560
<v Speaker 5>He is a face came real.

1450
01:21:27.920 --> 01:21:40.159
<v Speaker 3>I can't express came I can't expect.

1451
01:22:01.279 --> 01:22:02.359
<v Speaker 8>This bray.

1452
01:23:17.760 --> 01:23:20.520
<v Speaker 2>You have been listening to Where Did the Road Go?

1453
01:23:21.439 --> 01:23:21.479
<v Speaker 1>This?

1454
01:23:22.319 --> 01:23:25.359
<v Speaker 2>This show has brought you, in part by our patreons.

1455
01:23:26.239 --> 01:23:30.520
<v Speaker 2>You can find more at www dot Where did the

1456
01:23:30.640 --> 01:23:36.479
<v Speaker 2>Road Go? Dot com website designed by John Shooter from

1457
01:23:36.520 --> 01:23:40.399
<v Speaker 2>the strophe, The intro for the show was reimagined by

1458
01:23:40.560 --> 01:23:46.560
<v Speaker 2>Andrew Hamm a k A Lord Happiness on Spotify, and

1459
01:23:46.680 --> 01:23:52.239
<v Speaker 2>the voice is Psyche comire of Psyche Corporation. Artwork for

1460
01:23:52.319 --> 01:23:58.680
<v Speaker 2>the show resigned by Timothy Renner, Jeff Ritzman, and Nadim

1461
01:23:59.119 --> 01:24:05.439
<v Speaker 2>Mahi Bahi. General inquiries, comments, et cetera can be directed

1462
01:24:05.520 --> 01:24:08.960
<v Speaker 2>to contact at Where Did the Road Go? Dot com

1463
01:24:09.279 --> 01:24:14.159
<v Speaker 2>dot com list. Thank you all for listening and for

1464
01:24:14.319 --> 01:24:18.319
<v Speaker 2>all the support. Www dot Where did the road go

1465
01:24:19.319 --> 01:24:20.039
<v Speaker 2>dot com.

1466
01:24:23.439 --> 01:24:27.359
<v Speaker 13>For Bridget Christ The road to love was not so straightforward, Pridge.

1467
01:24:27.399 --> 01:24:30.760
<v Speaker 14>I forbid you from marrying. That's spendrift, you, Miles cor

1468
01:24:32.159 --> 01:24:32.439
<v Speaker 14>What the.

1469
01:24:32.520 --> 01:24:34.920
<v Speaker 15>Devil is that I'm setting up an N fifty video

1470
01:24:34.960 --> 01:24:38.439
<v Speaker 15>account on my mobile cellular telephone, thus but curing a

1471
01:24:38.520 --> 01:24:40.920
<v Speaker 15>discount on the M fifty highwaytoer Path.

1472
01:24:41.239 --> 01:24:43.880
<v Speaker 14>Very prudent, mister Carr. It seems I've misjudged you.

1473
01:24:44.159 --> 01:24:48.399
<v Speaker 13>EFO presents accounts on accountability. Pay your toes automatically and

1474
01:24:48.520 --> 01:24:51.159
<v Speaker 13>get a discount with a free N fifty video tolling

1475
01:24:51.159 --> 01:24:52.520
<v Speaker 13>account at eFlow dot ie.
