1
00:00:00,080 --> 00:00:03,120
Speaker 1: The band is a Silent Season, and we have Silent

2
00:00:03,200 --> 00:00:05,000
Season here with us in studio. We're gonna talk with

3
00:00:05,040 --> 00:00:07,679
these guys in just a moment. But welcome everybody. You

4
00:00:07,719 --> 00:00:10,759
have entered our number two Newmarrow dose of Matt Connorton

5
00:00:10,839 --> 00:00:13,480
Unleashed and we are live from the studios of w

6
00:00:13,880 --> 00:00:17,440
m NH ninety five point three FM and Glorious Manchester,

7
00:00:17,559 --> 00:00:22,280
New Hampshire. Today is a Saturday, August thirtieth, twenty twenty five.

8
00:00:22,359 --> 00:00:24,399
Jennius here of course at the news table, there is

9
00:00:24,640 --> 00:00:27,440
accounted for and we've got the guys from Silent Season.

10
00:00:27,480 --> 00:00:29,679
Let me get these mics on here. Yeah, that is

11
00:00:29,719 --> 00:00:31,000
really good. That is really good.

12
00:00:31,039 --> 00:00:31,879
Speaker 2: Welcome guys.

13
00:00:32,159 --> 00:00:34,280
Speaker 3: Hey, Hi, how's everyone doing?

14
00:00:34,600 --> 00:00:36,960
Speaker 2: Good? Good? So what I think we should do?

15
00:00:37,200 --> 00:00:39,640
Speaker 1: Let's uh, because all five of you are here, let's

16
00:00:39,679 --> 00:00:42,320
start in the corner and I'm gonna have you.

17
00:00:42,320 --> 00:00:43,520
Speaker 2: Each introduce yourselves to us.

18
00:00:43,520 --> 00:00:45,359
Speaker 1: Who you are, what you do in the band, and

19
00:00:45,399 --> 00:00:47,280
anything else you want us to know, but mainly who

20
00:00:47,359 --> 00:00:48,600
you are and what you do in the band.

21
00:00:49,240 --> 00:00:50,119
Speaker 2: We'll start over here.

22
00:00:50,320 --> 00:00:52,200
Speaker 4: I am Jeremy and I'm the vocalist.

23
00:00:52,600 --> 00:00:53,840
Speaker 2: Welcome Jeremy, thank you.

24
00:00:54,079 --> 00:00:55,640
Speaker 5: I am Brendan I play guitar.

25
00:00:56,079 --> 00:01:00,479
Speaker 2: Welcome Brendan, right, Brendan or Brandon Brendan, Brendan Okay, Yeah,

26
00:01:00,520 --> 00:01:03,679
I'm Enzo and I do lead au car Enzo. Welcome.

27
00:01:04,519 --> 00:01:07,760
Speaker 6: I'm David and I played drums slash business magician.

28
00:01:08,359 --> 00:01:11,200
Speaker 2: Oh, business magician. I like that. All right. Welcome David,

29
00:01:11,239 --> 00:01:12,159
Thank you and you sir.

30
00:01:12,359 --> 00:01:14,040
Speaker 7: And I'm Joe and I pray to bees.

31
00:01:14,280 --> 00:01:17,560
Speaker 2: All right, welcome Joe. So yeah, and I'm glad that

32
00:01:17,599 --> 00:01:18,079
you're all here.

33
00:01:18,079 --> 00:01:20,000
Speaker 1: You know, sometimes not everyone we have a five fece span,

34
00:01:20,079 --> 00:01:22,079
there's usually at least one person who doesn't make it right.

35
00:01:22,200 --> 00:01:23,200
Speaker 2: So it's cool you're all here.

36
00:01:23,640 --> 00:01:26,879
Speaker 1: Uh so, uh, we should let's start with this because

37
00:01:27,280 --> 00:01:29,959
it was just announced. So you're now the co headliners

38
00:01:30,000 --> 00:01:32,040
on Swarmyfest right with Sepsis.

39
00:01:32,079 --> 00:01:33,799
Speaker 2: Yeah, coming up in November. That's pretty cool.

40
00:01:33,920 --> 00:01:36,680
Speaker 6: Yes, very excited about that. We can't wait to play

41
00:01:36,680 --> 00:01:39,799
that show on November fifteenth. And we've been friends with

42
00:01:39,840 --> 00:01:42,840
Stepsist for a while and it's uh, it's exciting to

43
00:01:42,879 --> 00:01:44,680
finally be able to play with those guys up here

44
00:01:44,799 --> 00:01:46,159
and gals in Manchester.

45
00:01:46,920 --> 00:01:50,040
Speaker 2: Yeah, at at Jewel November fifteenth. And so how did that?

46
00:01:50,159 --> 00:01:52,599
How did that come about how did that was that?

47
00:01:52,640 --> 00:01:55,760
Speaker 1: You're the you're the business magician, right, yes, so did

48
00:01:55,959 --> 00:01:57,359
are you the one who made that happen or how

49
00:01:57,439 --> 00:01:58,040
did that come about?

50
00:01:58,280 --> 00:02:00,680
Speaker 6: It was actually a great question, Mattie. It's a collaborative

51
00:02:00,680 --> 00:02:05,680
effort between Joe and I. Joe knows the promoter and

52
00:02:05,920 --> 00:02:09,240
most of the folks in Sepsis, so we got together.

53
00:02:09,879 --> 00:02:12,639
We had a good conversation with Will in their team

54
00:02:13,159 --> 00:02:16,319
and also the promoter Allowed Entertainment and they said, hey,

55
00:02:16,400 --> 00:02:18,800
let's let's do something. We want you guys to play

56
00:02:18,800 --> 00:02:21,840
the show. It's been a while and we're going to

57
00:02:21,960 --> 00:02:24,520
rock it and it's just history from there. So we're

58
00:02:24,560 --> 00:02:26,840
ready to go and we hope to see everyone at

59
00:02:26,840 --> 00:02:28,159
that show. It's going to be great.

60
00:02:28,560 --> 00:02:32,520
Speaker 2: The rhythm section makes it happen, right, it's right right, Joe.

61
00:02:32,759 --> 00:02:36,120
Speaker 1: I'm a bass player, so I you know, so I

62
00:02:36,120 --> 00:02:40,280
appreciate you. So you guys have been this band, Silent

63
00:02:40,319 --> 00:02:42,319
Season has been around since what two thousand and eight?

64
00:02:42,400 --> 00:02:43,639
Speaker 4: Is that corrects and eight?

65
00:02:43,719 --> 00:02:47,280
Speaker 1: Okay okay, I was commenting off air, you know how

66
00:02:47,280 --> 00:02:49,560
impressive that is to me because it's not you know,

67
00:02:49,599 --> 00:02:52,719
you don't see a ton of longevity in the in

68
00:02:52,719 --> 00:02:55,439
the music business. But I assume the lineup has changed

69
00:02:55,479 --> 00:02:58,120
over the years, right, somewhat right a few time?

70
00:02:58,439 --> 00:02:58,879
Speaker 8: Who are so?

71
00:02:58,919 --> 00:03:01,639
Speaker 1: Who are the original members? You guys have been here

72
00:03:01,840 --> 00:03:04,919
since the beginning? Yeah, and then uh and then everyone else,

73
00:03:04,919 --> 00:03:06,960
So everyone else has changed? So what So I'm curious,

74
00:03:06,960 --> 00:03:11,039
So what is it that because a lot of times

75
00:03:11,080 --> 00:03:14,759
when there's lineup changes, especially over the course of so

76
00:03:14,759 --> 00:03:15,599
I'm not good at math.

77
00:03:16,000 --> 00:03:19,759
Speaker 2: What is that? How many years?

78
00:03:18,319 --> 00:03:20,400
Speaker 6: Almost a lot of years?

79
00:03:20,439 --> 00:03:20,680
Speaker 7: Yeah?

80
00:03:20,759 --> 00:03:24,919
Speaker 1: Yeah, I mean, what is it that's driven you to

81
00:03:25,000 --> 00:03:25,879
keep this thing going?

82
00:03:26,039 --> 00:03:26,120
Speaker 4: Like?

83
00:03:26,199 --> 00:03:28,199
Speaker 1: How do you how do you keep or maybe you've

84
00:03:28,199 --> 00:03:30,039
taken breaks along the way with the band? I don't know,

85
00:03:30,080 --> 00:03:32,280
But but what is it that keeps Silent Season going

86
00:03:32,319 --> 00:03:33,159
after all this time?

87
00:03:33,840 --> 00:03:37,280
Speaker 9: I think it's the music. I think it's the fans

88
00:03:37,319 --> 00:03:40,280
who have supported us over the years. Yeah, I think

89
00:03:40,319 --> 00:03:44,280
it's the drive. You know, if you have all of

90
00:03:44,280 --> 00:03:46,919
those ingredients, I think it just leads to, you know,

91
00:03:47,080 --> 00:03:48,919
wanting to continue no matter what happens.

92
00:03:49,120 --> 00:03:50,680
Speaker 3: Yeah, it's so fun.

93
00:03:51,120 --> 00:03:55,120
Speaker 1: Yeah, yeah, yeah, So I'm curious between the two of you,

94
00:03:55,599 --> 00:03:56,520
Jeremy and Brendan.

95
00:03:56,919 --> 00:03:59,919
Speaker 2: Yes, I'm assume. I assume.

96
00:04:00,080 --> 00:04:02,840
Speaker 1: I mean, has there ever been when you've got to

97
00:04:02,919 --> 00:04:05,159
change members because you know, I've been in a lot

98
00:04:05,159 --> 00:04:06,759
of bands, and I know people come and people go.

99
00:04:06,840 --> 00:04:08,840
I was in a band a long time ago called

100
00:04:08,840 --> 00:04:11,039
My Life Crisis, and I was the only like there

101
00:04:11,039 --> 00:04:12,800
were so many changes over the years, but I was

102
00:04:12,840 --> 00:04:15,159
the only original member. I was the only one who

103
00:04:15,199 --> 00:04:17,839
was in every single lineup of that band. And it

104
00:04:17,920 --> 00:04:19,839
was hard, you know, always keeping it going. You know

105
00:04:20,160 --> 00:04:22,959
people you know, Sepsis has gone through that too. You know,

106
00:04:23,000 --> 00:04:25,600
they've had a lot of jeez, Jenny, do you remember

107
00:04:25,639 --> 00:04:27,879
that that night that you were online and you saw

108
00:04:27,959 --> 00:04:33,399
like they've lost Will and Melissa, like like everybody left

109
00:04:33,399 --> 00:04:36,079
and they had to replace everybody, like when one fell,

110
00:04:36,120 --> 00:04:39,399
Swoop ended up work it did.

111
00:04:39,439 --> 00:04:42,199
Speaker 2: It all worked out. But but but that's one of

112
00:04:42,240 --> 00:04:44,120
the challenges, right with the band's change.

113
00:04:44,120 --> 00:04:46,720
Speaker 10: And now you look at modern like these days, everybody's

114
00:04:46,800 --> 00:04:47,800
suing everybody else.

115
00:04:48,160 --> 00:04:48,920
Speaker 2: Oh yeah, yeah.

116
00:04:49,000 --> 00:04:51,800
Speaker 10: When you look at like old school rockers, right, oh yeah,

117
00:04:51,879 --> 00:04:53,399
guys we all grew up with and like.

118
00:04:53,319 --> 00:04:54,399
Speaker 2: Now they're all sewing each other.

119
00:04:54,480 --> 00:04:56,959
Speaker 10: Oh yeah, it's so great to see people stay together

120
00:04:57,120 --> 00:05:01,680
and play and continue the music. Yeah, in a positive way, right.

121
00:05:01,560 --> 00:05:04,319
Speaker 1: Yeah, But I'm curious between the two of you. At

122
00:05:04,360 --> 00:05:07,399
any point, has there ever been a discussion about, I

123
00:05:07,399 --> 00:05:09,199
don't know, do we want to keep doing this or

124
00:05:09,439 --> 00:05:11,360
or have you guys always been on the same page.

125
00:05:11,160 --> 00:05:14,560
Speaker 9: Or I mean, I think that for the most part

126
00:05:14,600 --> 00:05:16,759
we've been on the same page. There's been, you know,

127
00:05:16,839 --> 00:05:21,360
a question of like, you know, uh, if if it

128
00:05:21,920 --> 00:05:24,720
is worth doing and I think we always come back

129
00:05:24,759 --> 00:05:27,920
to the same answer that it is because we just

130
00:05:28,000 --> 00:05:30,399
love what we do. And yeah, I mean, it's just

131
00:05:30,480 --> 00:05:32,560
important to us. It's kind of like our baby at

132
00:05:32,600 --> 00:05:34,199
the end of the day, you know, right right.

133
00:05:34,639 --> 00:05:37,040
Speaker 1: Plus you know, you've had some success, you've gotten some

134
00:05:37,040 --> 00:05:39,040
some radio play. I was, I was, you know, as

135
00:05:39,079 --> 00:05:40,879
I was read about you guys, and it's like, you know,

136
00:05:40,959 --> 00:05:42,480
so you build up a name, it's like you don't

137
00:05:42,519 --> 00:05:44,480
want to just let all that go, right, just just

138
00:05:44,519 --> 00:05:46,040
because you know somebody else to go.

139
00:05:46,000 --> 00:05:49,439
Speaker 2: Or So, now, so, how long, so Enzo, how long

140
00:05:49,439 --> 00:05:52,480
have you been in the band? About two years? Two years? Okay?

141
00:05:52,519 --> 00:05:54,279
Are you the new are you the new guy? Are

142
00:05:54,319 --> 00:05:56,920
you the newest member. I'm not the newest member. That's

143
00:05:56,920 --> 00:06:00,560
actually Joe, Joe's newist. Okay, all right, and then so

144
00:06:00,759 --> 00:06:02,199
and David, how long have you been in the band?

145
00:06:02,279 --> 00:06:06,639
Speaker 6: So I actually I started the band with Jeremy back

146
00:06:06,639 --> 00:06:09,279
in two thousand and eight. Oh okay, and then Brendan

147
00:06:09,360 --> 00:06:14,199
came along shortly thereafter. And then as as Jeremy mentioned.

148
00:06:13,959 --> 00:06:16,240
Speaker 1: Oh so you're an original number two. Yeah, okay, so

149
00:06:16,399 --> 00:06:17,519
the three of you okay, gotcha?

150
00:06:17,600 --> 00:06:20,800
Speaker 6: Ok And then you know, some member lineup changes, you know,

151
00:06:21,040 --> 00:06:23,920
like every band typically goes through. Yes, we discussed, but

152
00:06:24,560 --> 00:06:27,480
then end Zo and Joe came into the fold, and

153
00:06:27,959 --> 00:06:31,120
you know, it works out. It's clicking really well, and

154
00:06:31,160 --> 00:06:33,319
we're very excited about the future of Silent Season.

155
00:06:33,519 --> 00:06:37,160
Speaker 2: Yeah. So where does the name come from? The obvious question,

156
00:06:37,199 --> 00:06:38,040
because it's a cool name.

157
00:06:38,439 --> 00:06:41,879
Speaker 6: So I was listening to a breaking Benjamin song. I

158
00:06:41,879 --> 00:06:44,600
believe it was called Sign of Season. Okay, but but

159
00:06:44,959 --> 00:06:47,279
I said to myself, hey, why don't we say something

160
00:06:47,279 --> 00:06:50,519
about Silent Season Because the time we started the band,

161
00:06:50,519 --> 00:06:52,639
there were a lot of venues closing, and there were

162
00:06:52,639 --> 00:06:55,040
a lot of negative things happening in the music industry

163
00:06:55,079 --> 00:06:57,800
with you know, just coming off the whole Napster thing

164
00:06:57,920 --> 00:07:00,839
and digital downloading, and there was just a mix of

165
00:07:00,879 --> 00:07:03,279
like a lot of crazy things happening. So we said,

166
00:07:03,319 --> 00:07:05,639
why do we try to come out with a positive

167
00:07:05,680 --> 00:07:09,560
message and you know, just say, hey, how can we

168
00:07:09,600 --> 00:07:12,879
overcome this? And especially in the rock genre, like how

169
00:07:12,920 --> 00:07:15,319
can we get everything back to a good spot and

170
00:07:15,360 --> 00:07:16,839
try to help influence the scene?

171
00:07:17,079 --> 00:07:19,279
Speaker 2: Yeah, yeah, now that's cool. I like that.

172
00:07:19,360 --> 00:07:21,000
Speaker 1: I like that it came from a good you know,

173
00:07:21,360 --> 00:07:27,279
a good positive perspective and yeah, I yeah, two thousand

174
00:07:27,279 --> 00:07:28,680
and eight, I'm trying to think of, like what was

175
00:07:28,720 --> 00:07:29,399
what was happening?

176
00:07:29,480 --> 00:07:31,120
Speaker 2: So yeah, I guess I was kind of just right

177
00:07:31,160 --> 00:07:33,759
after yeah, not too long, right after Napster.

178
00:07:33,519 --> 00:07:37,160
Speaker 1: And everything, and there was such a transition happening. It's

179
00:07:37,160 --> 00:07:40,639
almost in my mind sometimes it's hard to pinpoint because

180
00:07:40,920 --> 00:07:43,439
you know, the the music business has gone through so

181
00:07:43,560 --> 00:07:45,600
many just you know, in the last you know, twenty years,

182
00:07:45,600 --> 00:07:49,319
so many changes, right, it's it's uh, but you know,

183
00:07:49,360 --> 00:07:52,920
and not everyone can adapt to it, and you know,

184
00:07:53,319 --> 00:07:56,199
being able to adapt is is uh is so important.

185
00:07:58,199 --> 00:08:01,360
So when you so so how long like so the

186
00:08:01,360 --> 00:08:04,439
three of you guys started it together, and then like

187
00:08:04,600 --> 00:08:06,519
did it come together pretty quickly when you all started

188
00:08:06,519 --> 00:08:09,319
working together or or did it take a while to

189
00:08:09,319 --> 00:08:10,279
get it off the ground.

190
00:08:10,120 --> 00:08:12,480
Speaker 9: Or yeah, So, I mean Dave and I had been

191
00:08:12,480 --> 00:08:16,160
in a previous band together before, so we had chemistry

192
00:08:16,240 --> 00:08:18,560
as far as you know, knowing like you know, what

193
00:08:18,720 --> 00:08:20,360
musical interest we had and all that kind.

194
00:08:20,199 --> 00:08:21,240
Speaker 2: Of stuff that always helps.

195
00:08:21,360 --> 00:08:23,480
Speaker 9: Yeah, yeah, yeah, And then you know, after we had

196
00:08:23,480 --> 00:08:28,759
Brendan come in and then another original member and Brendan's

197
00:08:28,759 --> 00:08:33,120
brother actually, oh wow, that was our original lineup, and

198
00:08:33,200 --> 00:08:36,120
uh yeah no. After that, I mean, we we were recording,

199
00:08:36,159 --> 00:08:38,360
we were playing out. I think one of our first

200
00:08:38,840 --> 00:08:41,759
shows was with tap Root, which was pretty cool, nice

201
00:08:41,879 --> 00:08:44,960
at the time. So yeah, we we just were getting

202
00:08:44,960 --> 00:08:46,919
into it real fast. I think we had a couple

203
00:08:47,600 --> 00:08:51,320
connections and stuff which made it a little easier. But yeah,

204
00:08:51,320 --> 00:08:53,000
it wasn't It wasn't too hard at the time, I

205
00:08:53,000 --> 00:08:53,399
don't think.

206
00:08:53,679 --> 00:08:56,720
Speaker 6: And Matt quick backstory there quickly when we came together.

207
00:08:57,120 --> 00:08:59,399
I have to save this on all the interviews. Jeremy

208
00:08:59,440 --> 00:09:02,519
and I formulated this band idea at a Wendy's over

209
00:09:02,600 --> 00:09:04,279
some fries at Frosty.

210
00:09:04,039 --> 00:09:07,519
Speaker 1: No kidding, Yeah, yeah, that's where all the great ideas start.

211
00:09:07,360 --> 00:09:07,720
Speaker 3: That's right.

212
00:09:11,519 --> 00:09:12,080
Speaker 2: And then so.

213
00:09:13,519 --> 00:09:16,120
Speaker 1: The uh, the songs that we're hearing today now, these

214
00:09:16,159 --> 00:09:18,559
are are these from over a period of time, because

215
00:09:18,600 --> 00:09:20,440
you guys have obviously, you know, you've recorded a lot

216
00:09:20,440 --> 00:09:22,799
of music. I assume over over all these years. These

217
00:09:22,799 --> 00:09:25,480
aren't all from one album, correct or maybe I'm wrong

218
00:09:25,519 --> 00:09:25,840
about that.

219
00:09:26,240 --> 00:09:27,879
Speaker 4: No, They're they're kind of spread out.

220
00:09:27,720 --> 00:09:30,200
Speaker 2: Spread out. Yeah, yeah, Now one was in Flames. Is

221
00:09:30,240 --> 00:09:31,639
that one of the more recent ones? Or is that?

222
00:09:31,879 --> 00:09:34,440
Speaker 4: Yes? In Flames is are one of our newest ones

223
00:09:34,480 --> 00:09:35,320
that we're kind pushing.

224
00:09:35,440 --> 00:09:37,879
Speaker 1: Okay, yeah, great track, great track, thank you, thank you.

225
00:09:37,919 --> 00:09:39,759
Has the process changed over the years as far as

226
00:09:39,799 --> 00:09:42,279
writing and recording, and I mean, obviously with different members,

227
00:09:42,320 --> 00:09:45,559
I assume it changes somewhat. But what about the overall approach.

228
00:09:46,200 --> 00:09:48,120
Speaker 9: I think, like you were talking or you were talking

229
00:09:48,120 --> 00:09:51,399
about with the music industry, some things end up changing

230
00:09:51,440 --> 00:09:54,480
as far as uh, like technology and what you were

231
00:09:54,519 --> 00:09:57,120
able to do when we first started versus what we're

232
00:09:57,159 --> 00:09:57,919
able to do now.

233
00:09:58,039 --> 00:09:58,480
Speaker 2: Mm hmmm.

234
00:09:59,240 --> 00:10:01,399
Speaker 9: Because when we started, you know, we were all just

235
00:10:01,440 --> 00:10:04,279
in a basement and we were just writing there and

236
00:10:04,320 --> 00:10:06,200
like recording off of this.

237
00:10:06,480 --> 00:10:08,000
Speaker 4: Awful computer that we had.

238
00:10:08,399 --> 00:10:11,240
Speaker 9: Yeah, and and or just like a tape or something

239
00:10:11,279 --> 00:10:11,559
like that.

240
00:10:11,679 --> 00:10:13,440
Speaker 4: Yeah, really aging us at this point.

241
00:10:13,440 --> 00:10:17,679
Speaker 9: But but you know, now we have all this technology

242
00:10:18,039 --> 00:10:21,039
and you can just like record anything, you know, at

243
00:10:21,039 --> 00:10:22,879
the palm of your hands. You know, Yeah, you have

244
00:10:22,919 --> 00:10:25,639
computers that can do professional recordings and stuff like that.

245
00:10:25,720 --> 00:10:28,440
So oh yeah, we kind of get ideas, you know,

246
00:10:28,519 --> 00:10:31,039
based off of that. We also jammed together. It's kind

247
00:10:31,080 --> 00:10:33,559
of a mixture of both at this point. But yeah, yeah,

248
00:10:33,600 --> 00:10:35,759
but it's cool because you know, you have all this

249
00:10:35,799 --> 00:10:38,039
stuff at your fingertips, and oh yeah, it just makes

250
00:10:38,080 --> 00:10:38,840
it a lot easier.

251
00:10:39,120 --> 00:10:40,559
Speaker 2: It's an amazing time to be alive.

252
00:10:40,759 --> 00:10:44,360
Speaker 1: Yes, I always say too with the pandemic, which I

253
00:10:44,639 --> 00:10:47,080
assume affected you guys because it affected everybody, right, you know,

254
00:10:47,360 --> 00:10:51,200
it affected the music industry certainly. You know, it was

255
00:10:51,240 --> 00:10:54,360
a terrible experience collectively, but we got to find these

256
00:10:54,360 --> 00:10:56,080
silver linings where we can. And one of the silver

257
00:10:56,159 --> 00:10:58,080
linings of it is, I think it really and this

258
00:10:58,159 --> 00:11:00,519
comes up all the time on the show. I think

259
00:11:00,519 --> 00:11:02,679
it really forced people to kind of think of a

260
00:11:02,759 --> 00:11:05,200
thing outside the box creatively of you know, well, how can.

261
00:11:05,120 --> 00:11:06,240
Speaker 2: We continue to make music?

262
00:11:06,320 --> 00:11:10,120
Speaker 1: And and you know, the technology was already there as

263
00:11:10,120 --> 00:11:11,879
far as you know, we already had you know, so

264
00:11:11,960 --> 00:11:14,159
for example, if you're recording and you're sending tracks back

265
00:11:14,200 --> 00:11:15,840
and forth, we already had things like Google Drive and

266
00:11:15,919 --> 00:11:18,240
dropbox and everything. But I think the pandemic kind of

267
00:11:18,279 --> 00:11:21,000
forced people, some people who may have been a little

268
00:11:21,000 --> 00:11:23,559
bit technophobic and a little bit resistant to using that

269
00:11:23,600 --> 00:11:27,279
stuff to really embrace that and and you know, learn

270
00:11:27,480 --> 00:11:30,440
you know, what's going on in terms of technology, and

271
00:11:30,480 --> 00:11:33,200
how can I use that because you know, if I don't,

272
00:11:33,240 --> 00:11:35,120
if I don't learn this stuff, now I'm kind of screwed.

273
00:11:38,519 --> 00:11:40,399
I know, I can tell you for myself, just as

274
00:11:40,399 --> 00:11:44,279
an aside, I also work as a hypnotherapist, and I'd

275
00:11:44,320 --> 00:11:48,320
always been really resistant to doing sessions online until, you know,

276
00:11:48,840 --> 00:11:51,120
till that was the only way to do them for

277
00:11:51,159 --> 00:11:51,799
a while.

278
00:11:51,559 --> 00:11:51,720
Speaker 11: You know.

279
00:11:51,879 --> 00:11:54,320
Speaker 1: So, But but yeah, that's that's one of those few

280
00:11:54,360 --> 00:11:56,440
silver linings about the pandemic. I think it kind of

281
00:11:56,440 --> 00:12:00,639
forced everyone forward in terms of technology and uh, you know,

282
00:12:00,679 --> 00:12:02,840
and a lot of people, a lot of people we've

283
00:12:02,840 --> 00:12:04,360
had on the show over the years too, have talked

284
00:12:04,360 --> 00:12:06,879
about how you know, they'll say, I didn't think I

285
00:12:06,919 --> 00:12:08,840
could you know, I could play, I could write, but

286
00:12:08,879 --> 00:12:10,879
I didn't think I could record. I didn't think I

287
00:12:10,879 --> 00:12:14,000
could engineer something. But I was forced to learn how

288
00:12:14,080 --> 00:12:15,679
to do it. And now I'm really glad I learned

289
00:12:15,720 --> 00:12:18,120
how to do it, you know, so knowledge is power.

290
00:12:19,240 --> 00:12:21,279
Why don't we play another track? I really I love

291
00:12:21,320 --> 00:12:25,039
all of these songs, they're so good. Usually I leave

292
00:12:25,039 --> 00:12:27,000
it to the guests. I would like to be with

293
00:12:27,039 --> 00:12:29,159
your permission, I'd like to be a little bit selfish

294
00:12:29,159 --> 00:12:30,200
and play Hopeless.

295
00:12:30,759 --> 00:12:33,720
Speaker 2: Okay to do it, because this song.

296
00:12:33,840 --> 00:12:36,279
Speaker 1: I love this song, and I like all of them,

297
00:12:36,279 --> 00:12:39,840
but this one really connected with me. I'm curious if

298
00:12:39,840 --> 00:12:43,559
there's a story behind this one, or or anything anything

299
00:12:43,559 --> 00:12:44,840
we should know about it before we hear it.

300
00:12:44,960 --> 00:12:47,159
Speaker 9: Yeah, I mean it was it was kind of written

301
00:12:47,200 --> 00:12:52,000
at a time where I was feeling really I mean hopeless.

302
00:12:52,080 --> 00:12:54,240
Speaker 4: I was not I was not in a good place.

303
00:12:55,159 --> 00:12:57,440
Speaker 9: I didn't really know like where my life was going

304
00:12:57,519 --> 00:13:00,879
and know where you know what what in the future.

305
00:13:01,120 --> 00:13:03,080
Speaker 4: And and it's.

306
00:13:02,919 --> 00:13:04,679
Speaker 9: Kind we kind of try to put a positive spin

307
00:13:04,759 --> 00:13:07,440
on all of our music and you know, make it

308
00:13:07,480 --> 00:13:09,960
so like, you know, telling people they can get out

309
00:13:10,000 --> 00:13:12,720
of that, they can they can conquer, you know, whatever

310
00:13:12,799 --> 00:13:16,360
they're feeling or you know, all the negative stuff. Yeah,

311
00:13:16,480 --> 00:13:19,840
and you know, music is therapy for me in that sense.

312
00:13:20,240 --> 00:13:23,480
And that's that's how I got out of my hopeless

313
00:13:23,759 --> 00:13:27,399
kind of feeling. Is by you know, writing that with

314
00:13:27,519 --> 00:13:30,639
the guys and yeah and yeah, no, that's that's basically

315
00:13:30,679 --> 00:13:31,240
what it's about.

316
00:13:31,600 --> 00:13:33,519
Speaker 1: Well, that's the thing too, about you know, using music

317
00:13:33,559 --> 00:13:37,200
and creating art for for therapy, Because not only do

318
00:13:37,279 --> 00:13:38,919
I think it's the best therapy, right when you take

319
00:13:38,919 --> 00:13:41,039
anything that's bothering you or a trauma or anything and

320
00:13:41,080 --> 00:13:43,679
you create something out of it that is art, that's

321
00:13:43,759 --> 00:13:45,159
I think the best way to deal with it. But

322
00:13:45,200 --> 00:13:48,840
also with music as an example, it also ends up

323
00:13:48,879 --> 00:13:51,159
helping other people too, because then they can relate to

324
00:13:51,200 --> 00:13:53,679
it and you know, okay, I feel this and that's

325
00:13:53,919 --> 00:13:55,440
you know, and then they connect to the song too,

326
00:13:55,480 --> 00:13:57,480
So you're you help yourself, but you also help other

327
00:13:57,519 --> 00:14:00,120
people too. And you know you've probably had people tell

328
00:14:00,159 --> 00:14:02,240
you over the year, is that that's.

329
00:14:02,159 --> 00:14:04,080
Speaker 9: One of the most rewarding things that you can have

330
00:14:04,120 --> 00:14:06,440
a fan tell you is that this song helped me

331
00:14:06,480 --> 00:14:08,879
through this time, because I know that, you know, I

332
00:14:08,919 --> 00:14:10,360
went through a bunch of times when I was a

333
00:14:10,440 --> 00:14:12,360
kid and I listened to songs and they helped me

334
00:14:12,399 --> 00:14:12,799
through those.

335
00:14:13,000 --> 00:14:16,440
Speaker 1: Yeah. Absolutely, Well, let's give this a spend. When was

336
00:14:16,480 --> 00:14:18,399
this recorded. Is this one of the newer ones or

337
00:14:18,480 --> 00:14:19,679
this is also one of the newer ones.

338
00:14:19,679 --> 00:14:20,799
Speaker 2: Oh cool cool, I.

339
00:14:20,720 --> 00:14:23,399
Speaker 1: Thought, so, okay, excellent if you are just joining us,

340
00:14:23,519 --> 00:14:25,399
we have Silent Season here with us in studio, and

341
00:14:25,480 --> 00:15:22,000
let's listen to this. This track is called Hopeless.

342
00:14:54,320 --> 00:15:07,519
Speaker 8: A fairly trussure safe behind every single day all the

343
00:15:07,960 --> 00:15:09,559
same like.

344
00:15:09,639 --> 00:15:23,159
Speaker 11: My songs and champs just make me fall for my.

345
00:15:26,960 --> 00:15:27,440
Speaker 8: Chaps.

346
00:15:29,480 --> 00:15:35,879
Speaker 12: So I'll say, well glass.

347
00:15:37,080 --> 00:15:43,600
Speaker 8: And will know sad with s.

348
00:15:45,480 --> 00:15:52,240
Speaker 12: Glass I'm buried and then no raise, I hide how I.

349
00:15:52,360 --> 00:15:58,480
Speaker 11: Felt so sad answer I say that I can't break

350
00:15:58,919 --> 00:16:02,320
if I should say sure so.

351
00:16:04,120 --> 00:16:20,480
Speaker 8: That sert so raw. No I's gonna saying you no chancey.

352
00:16:21,679 --> 00:16:27,679
Speaker 12: S h s say well as.

353
00:16:29,240 --> 00:16:39,120
Speaker 8: You well know, thank god, it's a listening. I'm not

354
00:16:39,399 --> 00:16:46,360
a such with my inshine. I don't know which way

355
00:16:47,200 --> 00:16:47,879
is still.

356
00:16:47,960 --> 00:16:55,120
Speaker 13: For my yes, my shot, make you work.

357
00:16:54,080 --> 00:16:59,799
Speaker 12: God, you'll feel my god.

358
00:17:00,159 --> 00:17:02,600
Speaker 8: Watch and atala.

359
00:17:03,240 --> 00:17:20,160
Speaker 13: Very no chasy let s shaphome sass.

360
00:17:21,400 --> 00:17:22,400
Speaker 8: And well know.

361
00:17:24,640 --> 00:17:43,839
Speaker 12: They go been sound whist no chas chan chu, Well.

362
00:17:43,200 --> 00:17:51,400
Speaker 8: Know they go this been sun home tass.

363
00:17:54,359 --> 00:17:54,400
Speaker 11: S.

364
00:17:55,519 --> 00:17:56,880
Speaker 2: I love that that is hopeless.

365
00:17:57,519 --> 00:18:00,359
Speaker 1: The band is Silent Season, and we've got Silence Season

366
00:18:00,359 --> 00:18:03,359
here with us a live in studio. Yeah, that's that's

367
00:18:03,359 --> 00:18:05,240
such a great track. I love that chorus. It's very

368
00:18:05,319 --> 00:18:08,240
very strong. Whoops, there we go and have all those

369
00:18:08,279 --> 00:18:10,480
mics on. It's very uh yeah, this is a great chorus,

370
00:18:10,599 --> 00:18:13,079
is very catchy, lyrics are very inspiring. It's funny too

371
00:18:13,079 --> 00:18:14,839
because it kind of fools you, right because the song

372
00:18:14,920 --> 00:18:17,160
is called hopeless, but it's actually very hopeful.

373
00:18:17,319 --> 00:18:17,759
Speaker 2: Yeah.

374
00:18:18,319 --> 00:18:20,880
Speaker 1: So it's a little little twist there. That's that's nice.

375
00:18:20,880 --> 00:18:23,839
But no, I like that a lot. Yeah that that

376
00:18:23,839 --> 00:18:26,200
came out what last year? Was that what I was reading?

377
00:18:26,200 --> 00:18:26,759
Speaker 7: Correct? Right?

378
00:18:26,880 --> 00:18:29,000
Speaker 1: Yeah, so it's been out for a little bit, but yeah,

379
00:18:29,039 --> 00:18:33,559
great great track. I also want to mention too, Uh

380
00:18:34,240 --> 00:18:37,799
Sheila from paper Jam was she had messaged I think

381
00:18:37,839 --> 00:18:41,359
she had messaged. Did she message you that about uh

382
00:18:41,640 --> 00:18:43,640
how you guys are one of her favorite bands and

383
00:18:43,680 --> 00:18:45,640
she was so thrilled to be able to interview you

384
00:18:45,720 --> 00:18:48,279
on her birthday for paper Jam.

385
00:18:48,400 --> 00:18:51,039
Speaker 2: Yeah so yeah, so congratulations.

386
00:18:50,559 --> 00:18:52,720
Speaker 6: Right folks up there at paper Jam, we appreciate all

387
00:18:52,759 --> 00:18:53,240
their support.

388
00:18:53,359 --> 00:18:58,160
Speaker 2: Oh yeah, yeah, yeah. You always send me the best artists.

389
00:18:58,839 --> 00:18:59,440
Oh yeah, yeah.

390
00:18:59,440 --> 00:19:02,359
Speaker 1: We get a lot of guests from them, and uh,

391
00:19:02,440 --> 00:19:04,640
you know, every month we always look forward to getting

392
00:19:04,640 --> 00:19:06,519
paper Jam in the mail too. It's so cool that,

393
00:19:07,680 --> 00:19:11,279
you know, because to that's quite an undertaking in the

394
00:19:11,319 --> 00:19:13,720
digital age, you know, to to say Okay, we're gonna

395
00:19:13,759 --> 00:19:17,079
put out this magazine, you know what I mean. And

396
00:19:17,119 --> 00:19:20,000
I remember when we had them on the show. I asked, uh,

397
00:19:20,440 --> 00:19:22,720
I asked Sheila and Tony. I said, did anyone when

398
00:19:22,759 --> 00:19:24,759
you started payper jam did anyone try to talk you

399
00:19:24,799 --> 00:19:27,480
out of it? Did anyone say, you know, do you

400
00:19:27,480 --> 00:19:29,119
really want to you know, in a time when you know,

401
00:19:29,480 --> 00:19:32,880
traditional publications have struggled and have been struggling for well

402
00:19:32,960 --> 00:19:37,279
probably twenty years, Uh, with the rise of digital media,

403
00:19:37,319 --> 00:19:39,079
do you really want to do this? And they said no,

404
00:19:39,079 --> 00:19:41,079
No one really tried to. Like everyone was like super

405
00:19:41,079 --> 00:19:43,359
supportive and it worked out.

406
00:19:44,039 --> 00:19:45,720
Speaker 2: So you know, that's great. They're having a lot of

407
00:19:45,720 --> 00:19:46,359
success with it.

408
00:19:46,440 --> 00:19:46,720
Speaker 7: Yeah.

409
00:19:46,799 --> 00:19:49,839
Speaker 6: Yeah, Joe introduced introduced us to a paper jam. He

410
00:19:49,960 --> 00:19:52,039
was very connected to them before. So oh cool for

411
00:19:52,079 --> 00:19:53,799
every thankful for that connection as well.

412
00:19:53,960 --> 00:19:54,480
Speaker 2: Yeah. Yeah.

413
00:19:54,599 --> 00:19:57,039
Speaker 10: Being able to hold something in your hands and look

414
00:19:57,079 --> 00:19:57,359
at it.

415
00:19:57,440 --> 00:20:00,920
Speaker 2: Oh yeah, love that. Oh yeah, computer screen to doesn't

416
00:20:00,960 --> 00:20:03,799
do it right, right, Yeah, No, it's very very cool,

417
00:20:04,039 --> 00:20:04,519
very cool.

418
00:20:05,319 --> 00:20:07,079
Speaker 1: Have you guys been obviously, you know, we talked about

419
00:20:07,119 --> 00:20:09,279
Swarmy Fast coming up in November. Are you guys playing

420
00:20:09,279 --> 00:20:11,920
a lot of shows generally? Are you doing a lot

421
00:20:11,920 --> 00:20:13,880
of what's the live situation like?

422
00:20:14,119 --> 00:20:14,680
Speaker 3: Yeah?

423
00:20:14,720 --> 00:20:16,480
Speaker 6: As of late, we've been playing a lot of great

424
00:20:16,480 --> 00:20:19,960
shows over the New England base and area. We just

425
00:20:20,160 --> 00:20:22,599
opened up for the Word Alive at Brighton Music Hall

426
00:20:23,319 --> 00:20:26,839
a couple of weeks ago. It's amazing. We also jammed

427
00:20:26,880 --> 00:20:30,000
with Keith Wallen a breaking Benjamin at the Palladium in Worcester, Okay.

428
00:20:30,079 --> 00:20:34,759
That was an amazing show and Lakeview, Lakeview, shout out

429
00:20:34,799 --> 00:20:36,440
to those guys. They added us to a couple of

430
00:20:36,480 --> 00:20:39,839
their shows and we have more planned coming up. We'll

431
00:20:39,839 --> 00:20:41,799
be announcing some of the other shows, you know where

432
00:20:41,880 --> 00:20:44,079
We're not going to fall off. We're going to keep

433
00:20:44,079 --> 00:20:47,279
going hard. Yeah, And we appreciate everyone coming to these

434
00:20:47,279 --> 00:20:50,279
shows and giving us the support. And you know, we

435
00:20:50,400 --> 00:20:52,559
like to call the fans our friends. We look at

436
00:20:52,559 --> 00:20:54,640
them as our friends, you know, and they're helping us,

437
00:20:54,680 --> 00:20:58,200
they're getting the word out their paper, jam and everyone across.

438
00:20:58,200 --> 00:21:01,519
So let's keep it going and let's keep the train moving.

439
00:21:03,039 --> 00:21:06,279
Speaker 1: When you when you play live, do you play songs

440
00:21:06,319 --> 00:21:09,480
that span you know, the entire history of the band

441
00:21:09,559 --> 00:21:11,839
or how does that work, Because, like we talked about,

442
00:21:11,880 --> 00:21:14,000
you guys been around a while, you got a lot

443
00:21:14,039 --> 00:21:14,799
of music, right.

444
00:21:15,039 --> 00:21:17,799
Speaker 5: We try to get the ones that like the singles

445
00:21:17,839 --> 00:21:21,799
like Chance was a single from Breaking ben Breaking Breaking

446
00:21:21,839 --> 00:21:27,160
Me Down, Breaking Benjamin. Yeah, and then with the couple

447
00:21:27,200 --> 00:21:30,880
from the War Within and the definitely the newest ones.

448
00:21:30,920 --> 00:21:32,559
Speaker 3: We definitely try to fit in there as well.

449
00:21:32,720 --> 00:21:33,079
Speaker 2: Yeah.

450
00:21:33,160 --> 00:21:36,599
Speaker 1: Yeah, how many albums do you have as a band?

451
00:21:36,640 --> 00:21:38,160
Speaker 2: Or or albums and EPs?

452
00:21:38,359 --> 00:21:42,279
Speaker 9: Or we have one full album, we have one EP,

453
00:21:42,680 --> 00:21:44,480
and then we have a bunch of singles.

454
00:21:44,640 --> 00:21:45,519
Speaker 2: Okay, okay.

455
00:21:46,000 --> 00:21:48,680
Speaker 6: And you were saying earlier, Matt, about the time of COVID,

456
00:21:49,240 --> 00:21:51,480
we really sort of changed our stance, you know, with

457
00:21:51,559 --> 00:21:53,359
a lot of bands, like we saw bands like spirit

458
00:21:53,440 --> 00:21:57,039
Box and releasing singles. You know, it became a little

459
00:21:57,039 --> 00:22:00,920
bit more like get the content out quicker and you know,

460
00:22:01,039 --> 00:22:04,519
keep the base engage. So we decided to do more singles.

461
00:22:05,000 --> 00:22:06,759
And but we're, you know, we're you know, that's not

462
00:22:06,799 --> 00:22:08,839
going to stop us. I should say, we're we're thinking

463
00:22:08,880 --> 00:22:12,119
about you know, EPs and you know, get a collection

464
00:22:12,200 --> 00:22:14,680
of our art out there, you know, so we're I

465
00:22:14,680 --> 00:22:17,480
guess it just really depends on the mood and what's

466
00:22:17,519 --> 00:22:19,559
going on out there, because we don't. We also, you know,

467
00:22:19,599 --> 00:22:21,880
we want to be able to deliver what the fan,

468
00:22:22,039 --> 00:22:24,440
the friends and want from Silent Season.

469
00:22:24,799 --> 00:22:26,480
Speaker 1: That's another thing that's changed too, is the so many

470
00:22:26,480 --> 00:22:28,400
different ways to release music now. You know, when I

471
00:22:28,440 --> 00:22:30,839
was growing up, it was, you know, you've got an

472
00:22:30,880 --> 00:22:33,359
album and then you've got a series of singles. If

473
00:22:33,400 --> 00:22:35,000
you're lucky, you have a series of singles, or maybe

474
00:22:35,039 --> 00:22:37,279
only have one. You know, it depends. But now it's

475
00:22:37,359 --> 00:22:39,319
like a lot of artists do the inverse of that.

476
00:22:39,359 --> 00:22:42,039
They released a series of singles that eventually coalesce into

477
00:22:42,039 --> 00:22:44,759
an album or you know, or maybe they put out

478
00:22:44,839 --> 00:22:47,519
I forget who it was. Recently we had on the show.

479
00:22:47,640 --> 00:22:51,680
There was somebody who, oh is Jesse Rutstein. He's got

480
00:22:51,680 --> 00:22:55,359
an EP, but that EP is going to become part

481
00:22:55,440 --> 00:22:56,440
of a larger album.

482
00:22:56,799 --> 00:22:58,599
Speaker 2: You know. It's so there's so many different ways to

483
00:22:58,640 --> 00:22:59,200
do it now.

484
00:23:00,079 --> 00:23:03,720
Speaker 1: But I think the key, as you know you alluded to, David,

485
00:23:03,759 --> 00:23:05,680
is because you've got to feed that algorithm, right, you gotta.

486
00:23:05,839 --> 00:23:06,599
Speaker 2: So, you gotta.

487
00:23:07,519 --> 00:23:10,119
Speaker 1: Somehow even if you're even if you're only doing albums,

488
00:23:10,119 --> 00:23:12,319
because some some artists are stubborn and they will only

489
00:23:12,359 --> 00:23:14,039
do albums. But then it's like when you do an

490
00:23:14,079 --> 00:23:16,119
album and you release that album, so you've got that

491
00:23:16,119 --> 00:23:20,160
one shot to make a big splash, which is very difficult, uh,

492
00:23:20,200 --> 00:23:23,519
in the digital age that we live in. So you know,

493
00:23:23,599 --> 00:23:25,400
so you got to you gotta figure out ways to

494
00:23:25,440 --> 00:23:28,640
stay engaged with your audience so they don't forget about you.

495
00:23:28,640 --> 00:23:34,640
Speaker 6: You know, social media engagement content. You know, we're being

496
00:23:34,680 --> 00:23:36,960
in a band today, it's like, you know, we're we're

497
00:23:37,000 --> 00:23:39,880
creating art, but we're also becoming influencers in a way.

498
00:23:39,839 --> 00:23:42,680
Speaker 1: Yeah right, oh yeah, yeah, I mean that's kind of

499
00:23:42,680 --> 00:23:45,359
how I think of it. Everyone's an influencer now and

500
00:23:45,440 --> 00:23:48,000
some people don't like that term, but but but I

501
00:23:48,000 --> 00:23:52,079
mean it. Yeah, yeah, everyone's an influencer. Everyone's a brand.

502
00:23:52,440 --> 00:23:54,160
You got to kind of embrace that, you know, it's

503
00:23:54,200 --> 00:23:56,359
it's it's uh, if you want to have a long

504
00:23:56,880 --> 00:23:58,640
like I said, you know a lot of bands don't

505
00:23:58,680 --> 00:24:00,400
have the kind of longevity you guys have. But if

506
00:24:00,400 --> 00:24:01,839
you want to have that longevity, you know, you got

507
00:24:01,960 --> 00:24:04,640
to you got to embrace everything that you gotta do

508
00:24:04,720 --> 00:24:06,839
to you know, to stay in front of your fans

509
00:24:06,880 --> 00:24:09,799
and continue to grow that fan base. And so you

510
00:24:09,839 --> 00:24:12,000
guys are you have the right attitude. You're clearly on

511
00:24:12,000 --> 00:24:15,599
a on a good path. So that's great. I noticed too,

512
00:24:16,000 --> 00:24:18,799
you've had some airplay on Is It Octane?

513
00:24:20,039 --> 00:24:21,279
Speaker 2: Yeah, yeah, that's really cool too.

514
00:24:21,359 --> 00:24:23,160
Speaker 6: Yeah, yeah, there will a shout out to those guys.

515
00:24:23,200 --> 00:24:27,319
We appreciate their support. And but you know, we we've done, uh,

516
00:24:27,960 --> 00:24:31,119
we've done a lot of campaigns. Like you were saying earlier,

517
00:24:31,599 --> 00:24:34,440
what radio is again, I draw back to COVID. I

518
00:24:34,480 --> 00:24:37,640
mean trying to be creative during a time where we

519
00:24:37,680 --> 00:24:40,640
couldn't play out a lot yep, and yeah, we released

520
00:24:40,680 --> 00:24:42,960
some music, but it was trying to stay fresh out there?

521
00:24:42,960 --> 00:24:45,440
How can we stay fresh? And that was really Radio

522
00:24:45,559 --> 00:24:48,079
is a strong medium, you know, as a way to

523
00:24:48,079 --> 00:24:50,559
get our music out there, along with social media. So

524
00:24:50,640 --> 00:24:52,720
it really worked out well for us in that regards.

525
00:24:52,960 --> 00:24:56,400
Speaker 2: Yeah, yeah, one hundred percent. Why don't we play another track?

526
00:24:56,440 --> 00:24:57,799
What do you have? Now? This time? I will not

527
00:24:57,839 --> 00:24:59,599
be selfish. You guys can pick what what should we

528
00:24:59,680 --> 00:25:00,319
play next?

529
00:25:00,799 --> 00:25:03,119
Speaker 6: And so Joe you want to pick one? Oh yeah,

530
00:25:03,200 --> 00:25:07,039
let's do let's do and so and Joe will pick one. Okay, Oh,

531
00:25:07,240 --> 00:25:09,920
there's Wounds and Stars I think we went through the

532
00:25:09,960 --> 00:25:12,400
stars before wounds and chants.

533
00:25:12,559 --> 00:25:14,920
Speaker 1: I don't have stars in front of me for some reason. Okay,

534
00:25:15,039 --> 00:25:16,799
although I thought I thought you did send that though,

535
00:25:16,839 --> 00:25:17,960
but for so oh no, I do see it.

536
00:25:17,960 --> 00:25:19,799
Speaker 2: I'm sorry, I'm just wounds in chance.

537
00:25:19,839 --> 00:25:21,119
Speaker 6: I think those are still.

538
00:25:21,000 --> 00:25:23,079
Speaker 2: But but I do. I do have stars also. Yeah,

539
00:25:23,240 --> 00:25:25,079
I don't know why I don't see.

540
00:25:26,920 --> 00:25:28,000
Speaker 7: We'll go, We'll go wounds.

541
00:25:28,400 --> 00:25:29,160
Speaker 2: You want to go with wounds?

542
00:25:29,200 --> 00:25:31,559
Speaker 7: Okay, the right word. We'll keep keep it going that way,

543
00:25:31,640 --> 00:25:31,960
all right.

544
00:25:32,000 --> 00:25:34,920
Speaker 2: Cool? Anything we should know about this before we play it?

545
00:25:35,759 --> 00:25:39,799
Speaker 9: There is a story or uh oh yeah, no, I

546
00:25:39,839 --> 00:25:42,440
mean I feel like a lot of a lot of

547
00:25:42,720 --> 00:25:47,599
stuff around this time was just generally about anxiety and

548
00:25:47,599 --> 00:25:51,680
and how to get over it. Also keeping that positive

549
00:25:52,000 --> 00:25:54,599
vibe you know, with you know, not just being like

550
00:25:55,000 --> 00:25:57,039
you know, poor me or whatever, but like hey, like

551
00:25:57,279 --> 00:26:00,440
you know, you do get over this whatever. Yeah, yeah, no,

552
00:26:00,480 --> 00:26:01,880
it was kind of along the same lines.

553
00:26:02,519 --> 00:26:04,960
Speaker 1: Okay, all right, I like it. All right, let's give

554
00:26:05,000 --> 00:26:07,079
this a spin. This is Wounds and the band is

555
00:26:07,359 --> 00:26:08,519
Silent season.

556
00:26:27,039 --> 00:26:35,240
Speaker 12: Short load in tarch All the shadow side.

557
00:26:36,400 --> 00:26:37,680
Speaker 8: Launcher brag.

558
00:26:41,599 --> 00:27:07,759
Speaker 12: Comusing up chop shd on thankfuls, I Love Class, Snow,

559
00:27:10,000 --> 00:27:11,640
Side Suck so.

560
00:27:13,200 --> 00:27:28,440
Speaker 8: Thankful, Most.

561
00:27:24,400 --> 00:27:28,480
Speaker 12: Rokehim sound the Sword a part to what is lost

562
00:27:29,160 --> 00:27:31,440
of their hearts, sing me.

563
00:27:33,720 --> 00:27:38,119
Speaker 8: The self he Lost, and side.

564
00:27:37,559 --> 00:27:48,839
Speaker 12: Feel like comusic Console Love cut so Cat Console a

565
00:27:49,200 --> 00:27:56,440
sack care brown line, signe fucking so.

566
00:27:58,000 --> 00:28:23,200
Speaker 8: Thankful, Most, I'm snow, could you got yo shop shop

567
00:28:27,559 --> 00:28:32,720
s s show you shot that junky.

568
00:28:32,279 --> 00:28:46,359
Speaker 14: Fens stretch back. What's mine? Not things, wants or tides?

569
00:28:47,559 --> 00:28:53,279
Speaker 12: So I'm.

570
00:29:18,119 --> 00:29:28,039
Speaker 2: Shoe that is called wounds.

571
00:29:28,160 --> 00:29:31,119
Speaker 1: The band is a silent season, and we have silent

572
00:29:31,160 --> 00:29:35,160
season here with us live in studio. Another great track, Jeremy.

573
00:29:35,240 --> 00:29:36,680
Is it hard to sing like that when you gotta

574
00:29:36,880 --> 00:29:39,359
switch back and forth between the uh? I mean, does

575
00:29:39,480 --> 00:29:41,279
does that would bother your throat?

576
00:29:41,799 --> 00:29:42,640
Speaker 4: It's very hard.

577
00:29:43,640 --> 00:29:46,119
Speaker 9: It's it's funny because I've I've been really trying to

578
00:29:46,960 --> 00:29:50,839
hone in on both of those aspects lately, trying to

579
00:29:51,039 --> 00:29:54,079
you know, coach myself and you know, vocals, but also

580
00:29:54,359 --> 00:29:57,839
like not just vocal singing, but but then also like

581
00:29:58,039 --> 00:30:00,759
learning the the screams and stuff like that, and trying

582
00:30:00,799 --> 00:30:04,400
to get more knowledge about how to do it correctly,

583
00:30:04,880 --> 00:30:06,839
because I feel like for a long time I was

584
00:30:06,920 --> 00:30:09,279
just kind of just doing whatever I wanted to and

585
00:30:09,400 --> 00:30:11,880
not like actually like looking into it and like how

586
00:30:11,920 --> 00:30:16,759
you should. Yeah, but yeah, no, it's tricky sometimes, you know,

587
00:30:16,920 --> 00:30:19,359
like not as recently because I've been kind of doing

588
00:30:19,400 --> 00:30:22,440
a little bit more research into it, but uh, sometimes

589
00:30:22,480 --> 00:30:25,119
it was just so hard to like scream and then

590
00:30:25,160 --> 00:30:26,920
go back to singing and scream and go back to singing.

591
00:30:26,960 --> 00:30:30,160
But right, right, Yeah, it's it's constant, uphill battle. But

592
00:30:30,240 --> 00:30:32,640
I think that, uh, it's getting better.

593
00:30:33,039 --> 00:30:35,000
Speaker 1: Yeah, I've always kind of marveled at singers who can

594
00:30:35,079 --> 00:30:37,200
do that and seamlessly go back and forth like that.

595
00:30:37,440 --> 00:30:37,640
Speaker 2: Yeah.

596
00:30:37,759 --> 00:30:39,839
Speaker 1: Do you do anything special for your vocal cords, like

597
00:30:40,359 --> 00:30:42,440
for you know, some people use lemons, you know.

598
00:30:43,519 --> 00:30:48,519
Speaker 9: I have two different devices that I've been using as

599
00:30:48,599 --> 00:30:51,440
of recently. Ones kind of looks like a whistle. I

600
00:30:51,759 --> 00:30:54,319
can't specifically remember what these things are called, except for

601
00:30:55,039 --> 00:30:58,640
ones called doctor Vox, And it's like kind of like

602
00:30:58,720 --> 00:31:01,200
a water bottle that's like filled and then you like

603
00:31:01,279 --> 00:31:04,279
sing into it and it kind of like warms up

604
00:31:04,319 --> 00:31:05,079
your vocal cords.

605
00:31:05,160 --> 00:31:05,640
Speaker 2: Interesting.

606
00:31:05,799 --> 00:31:09,880
Speaker 9: Yeah, yeah, I feel like those things are are good

607
00:31:09,960 --> 00:31:11,880
for when you're you know, about to do like a

608
00:31:11,920 --> 00:31:14,759
recording session or something like that. But maybe not necessarily

609
00:31:14,880 --> 00:31:18,000
for when you're about to you know, go live on

610
00:31:18,079 --> 00:31:18,799
a set or whatever.

611
00:31:19,039 --> 00:31:21,880
Speaker 1: Yeah, yeah, now that makes sense. Oh I saw a

612
00:31:22,039 --> 00:31:24,960
chat room message too. I want to make sure I

613
00:31:25,119 --> 00:31:25,440
read this.

614
00:31:26,440 --> 00:31:31,920
Speaker 2: Renee Carlisle Abbott says, Hi, daddy love Devin and Riley

615
00:31:32,079 --> 00:31:32,759
and Julian.

616
00:31:33,039 --> 00:31:37,680
Speaker 7: So there you go. Yeah, my beautiful family and my wife.

617
00:31:37,759 --> 00:31:42,480
Speaker 2: Oh very nice. Now having a supportive family is definitely

618
00:31:42,640 --> 00:31:44,319
Uh do they come see you live?

619
00:31:45,680 --> 00:31:48,960
Speaker 7: Yeah? My orders ten has and my wife had two

620
00:31:49,079 --> 00:31:51,039
order ones not yet not yet. Yeah, I don't know

621
00:31:51,079 --> 00:31:51,920
if they can handle it.

622
00:31:52,160 --> 00:31:56,440
Speaker 1: Yeah, the volume of it, yeah, absolutely. So if you

623
00:31:56,480 --> 00:31:58,200
are just joining us, we do have silent season here

624
00:31:58,240 --> 00:32:03,720
with us live in studio. And what's the in terms

625
00:32:03,759 --> 00:32:05,480
of what is a future hold in terms of new music,

626
00:32:05,599 --> 00:32:07,359
Like are you guys always working on new music or

627
00:32:07,359 --> 00:32:09,799
obviously you've got you know, you're playing shows and you've

628
00:32:09,839 --> 00:32:11,640
got swarmy fests coming up, which is a big deal.

629
00:32:11,920 --> 00:32:14,480
But are you guys also actively working on new stuff.

630
00:32:14,319 --> 00:32:18,039
Speaker 9: Or Yeah, the summer has been packed with shows, so

631
00:32:18,319 --> 00:32:20,839
I mean between you know, work life and then playing shows,

632
00:32:20,960 --> 00:32:23,200
we've done a lot of a lot of that.

633
00:32:23,799 --> 00:32:24,000
Speaker 2: Yeah.

634
00:32:24,440 --> 00:32:27,319
Speaker 9: I think that now that things have kind of died

635
00:32:27,359 --> 00:32:29,599
down for a minute. We're going to be focusing on

636
00:32:29,799 --> 00:32:32,599
putting out new music and or writing new music. Yeah,

637
00:32:33,319 --> 00:32:35,039
we have a lot of things that are kind of

638
00:32:35,119 --> 00:32:38,119
in the vault right now. Yeah, so it should be

639
00:32:38,200 --> 00:32:39,160
easy to work with though.

640
00:32:39,400 --> 00:32:42,599
Speaker 1: Yeah, good good. And as far as the live shows go,

641
00:32:42,960 --> 00:32:44,640
is there anybody in the area. Are there any bands

642
00:32:44,680 --> 00:32:46,359
that you've kind of you know, what happens organically? Are

643
00:32:46,400 --> 00:32:48,279
there any bands you've kind of teamed up with. I

644
00:32:48,319 --> 00:32:51,359
mean Stepsis obviously for swarmy fests, but are there bands

645
00:32:51,400 --> 00:32:53,640
that you play a lot of shows with or.

646
00:32:56,000 --> 00:32:58,240
Speaker 6: We've been involved in the local scene for a while

647
00:32:59,119 --> 00:33:01,000
and a lot of bands have come and gone. But

648
00:33:01,200 --> 00:33:04,039
I as of recently, we've been playing shows with bands

649
00:33:04,119 --> 00:33:08,240
like Red Crown, Chasing the Devil. You know, we know

650
00:33:08,359 --> 00:33:12,319
those guys really well. We played a few shows what

651
00:33:12,480 --> 00:33:18,279
major moment they're doing their thing and there's just just

652
00:33:18,400 --> 00:33:21,079
so many of them. But those have been like really

653
00:33:21,160 --> 00:33:23,240
that I mentioned those because I know a lot of

654
00:33:23,279 --> 00:33:25,000
the bands so too. I mentioned at the beginning of

655
00:33:25,039 --> 00:33:28,480
from New Hampshire, So yeah, I mean, keep an eye out.

656
00:33:28,519 --> 00:33:31,720
We may end up doing more with those bands. But

657
00:33:31,839 --> 00:33:34,200
you know, we also have been really focused a lot

658
00:33:34,319 --> 00:33:37,000
on national shows as of late too, as a strategy

659
00:33:37,160 --> 00:33:38,920
good to get back. We were doing that and we

660
00:33:39,079 --> 00:33:42,279
toured in the past and we were writing and then

661
00:33:42,400 --> 00:33:44,599
we kind of started playing some local shows again. But

662
00:33:45,279 --> 00:33:47,680
everything we do we try to do with strategy in mind,

663
00:33:47,880 --> 00:33:51,240
you know, as the business grows and we evolve as

664
00:33:51,279 --> 00:33:51,559
a band.

665
00:33:51,799 --> 00:33:52,000
Speaker 2: Yeah.

666
00:33:52,440 --> 00:33:54,680
Speaker 1: Who are some of the I'm curious about national acts

667
00:33:54,680 --> 00:33:55,400
that you guys have played with?

668
00:33:55,680 --> 00:33:59,160
Speaker 6: Yeah, so over the years we've played with bands like

669
00:33:59,480 --> 00:34:02,799
Blackfield Brides at the Palladiums, Falling and Reverse. We we

670
00:34:02,880 --> 00:34:06,720
played with them when rag Key was getting out of

671
00:34:06,759 --> 00:34:10,239
his thing and getting back on the road. We've also

672
00:34:10,360 --> 00:34:14,559
played with seven seven Yeah, we toured with seven Dusts

673
00:34:15,400 --> 00:34:18,480
ten years in Gemini Syndrome, a few bands that mentioned

674
00:34:19,000 --> 00:34:20,960
twelve Foot Ninja. I got to throw those guys out

675
00:34:21,000 --> 00:34:26,480
too from Australia. Amazing, amazing band. But yeah, just just

676
00:34:26,599 --> 00:34:29,719
a slew of nationals over the years and we want

677
00:34:29,760 --> 00:34:31,599
to keep that, keep that ball rolling.

678
00:34:31,719 --> 00:34:34,800
Speaker 2: Oh yeah, no doubt, no doubt. You said you'd gone

679
00:34:34,840 --> 00:34:35,360
out on tour.

680
00:34:35,519 --> 00:34:37,840
Speaker 6: Yeah, yeah, we did a few a couple of weeks

681
00:34:37,920 --> 00:34:41,639
with Seven Dusts and Gemini Syndrome was on that, and

682
00:34:41,719 --> 00:34:43,920
then we did another tour with ten Years and twelve

683
00:34:43,920 --> 00:34:46,960
foot Ninja okay, and other offers came in.

684
00:34:47,360 --> 00:34:47,480
Speaker 8: Uh.

685
00:34:47,719 --> 00:34:50,559
Speaker 6: It just it's hard because it's all you know, it's

686
00:34:50,719 --> 00:34:54,280
it's a business. It's a big investment and uh, you know,

687
00:34:54,400 --> 00:34:57,199
but we're very thankful for those tours and Seven Dusts

688
00:34:57,320 --> 00:35:00,639
was just amazing. You know, they were very well. They

689
00:35:00,760 --> 00:35:03,639
treated us as family yea, and will forever be grateful

690
00:35:03,679 --> 00:35:05,679
for that. And we always keep in touch with those guys.

691
00:35:05,760 --> 00:35:08,400
So yeah, I just wanted to share.

692
00:35:08,880 --> 00:35:13,719
Speaker 1: Yeah, I met them when they played at Meadowbrook. Boy,

693
00:35:13,840 --> 00:35:15,440
how long ago is out? That was quite a while

694
00:35:15,480 --> 00:35:17,480
ago too, jeez, I might have been around two thousand

695
00:35:17,480 --> 00:35:19,920
and eight. But yeah, yeah, yeah, really nice guys.

696
00:35:19,960 --> 00:35:21,239
Speaker 2: Yeah yeah, yeah, they're great.

697
00:35:21,280 --> 00:35:23,920
Speaker 6: They're great and they're still doing it after all these years.

698
00:35:24,320 --> 00:35:28,519
They're road warriors and they're phenomenal musicians and great amazing music.

699
00:35:28,800 --> 00:35:30,119
Speaker 2: Yeah, yeah, absolutely.

700
00:35:30,679 --> 00:35:33,800
Speaker 1: Is there anybody you guys have wanted to like, do

701
00:35:33,800 --> 00:35:36,280
you have like a dream band that you'd love to

702
00:35:36,360 --> 00:35:38,039
open for or get to tour with.

703
00:35:38,760 --> 00:35:41,199
Speaker 15: I definitely have one, yeah, and We've tried a few

704
00:35:41,239 --> 00:35:43,559
times to try to open for them. But I'm a

705
00:35:43,679 --> 00:35:47,960
huge fan of the band He Is Legend. Okay, and yeah,

706
00:35:47,960 --> 00:35:51,679
they've come by the Taffta about a year ago. Oh really, yeah,

707
00:35:51,840 --> 00:35:56,039
and they they're coming by in September actually pretty pretty soon.

708
00:35:57,239 --> 00:35:58,280
Speaker 2: We tried to get on that show.

709
00:35:58,360 --> 00:36:01,360
Speaker 15: It seems like they were full for that, so but

710
00:36:01,519 --> 00:36:04,840
I'm gonna be there anyways the crowd because they're one

711
00:36:04,840 --> 00:36:05,719
of my favorite bands.

712
00:36:05,800 --> 00:36:07,239
Speaker 2: Oh yeah, that would definitely be mine.

713
00:36:07,400 --> 00:36:09,599
Speaker 6: Oh very and quick story on that. I'm a I'm

714
00:36:09,639 --> 00:36:11,280
a guy full of stories. I'll make this quick.

715
00:36:11,400 --> 00:36:13,360
Speaker 2: Nos, So before ends.

716
00:36:13,519 --> 00:36:17,039
Speaker 6: Well, actually, when Enzo joined, we had played a showman

717
00:36:17,280 --> 00:36:20,440
right before COVID with He Is Legend while She sleeps

718
00:36:20,639 --> 00:36:25,159
in Summerville. And uh, when Enzo was playing with us

719
00:36:25,559 --> 00:36:28,519
shortly after he joined, he said, hey, you know, you

720
00:36:28,599 --> 00:36:31,519
guys played with He Is Legend at once ballroom and

721
00:36:31,519 --> 00:36:32,719
some of them We're like, yeah, we did.

722
00:36:33,039 --> 00:36:34,920
Speaker 2: He was I was there. I'm like wow.

723
00:36:35,000 --> 00:36:37,360
Speaker 6: We were like wow, that's crazy a small world kind

724
00:36:37,400 --> 00:36:39,159
of vibe. And we didn't know him at the time.

725
00:36:39,239 --> 00:36:42,119
And a couple of years a few years fast forward,

726
00:36:42,559 --> 00:36:44,559
he then joined the band, and I think it was

727
00:36:44,639 --> 00:36:47,440
meant to be at that He Is Legend show. Now

728
00:36:47,480 --> 00:36:49,760
we just got to come full circle. Like Enzo said,

729
00:36:49,800 --> 00:36:51,480
we gotta play a show.

730
00:36:51,519 --> 00:36:52,199
Speaker 3: What he is legend?

731
00:36:52,280 --> 00:36:52,920
Speaker 4: So he is legend.

732
00:36:52,960 --> 00:36:55,239
Speaker 6: If you're listening, let's do this.

733
00:36:55,639 --> 00:36:59,719
Speaker 1: Yeah, yeah, no doubt, no doubt. Let's hit another studio tracks.

734
00:36:59,719 --> 00:37:01,360
We got a couple we haven't played, right, we haven't

735
00:37:01,360 --> 00:37:04,719
played a chance or Stars. We'll play one now and

736
00:37:04,719 --> 00:37:06,159
then we'll play one for the end of the segment.

737
00:37:06,199 --> 00:37:06,440
Speaker 7: How's that?

738
00:37:06,559 --> 00:37:09,400
Speaker 2: So, I'll let you guys pick which which one you

739
00:37:09,440 --> 00:37:10,639
want to go with next.

740
00:37:10,559 --> 00:37:13,519
Speaker 6: Brendon Joe Jeremy's Stars do Stars?

741
00:37:14,800 --> 00:37:16,639
Speaker 2: Is this the what's the newest one? By the way,

742
00:37:16,679 --> 00:37:17,239
is it Stars?

743
00:37:17,599 --> 00:37:17,639
Speaker 11: No?

744
00:37:17,800 --> 00:37:20,119
Speaker 4: The newest ones are in Flames and Hopeless.

745
00:37:20,159 --> 00:37:22,440
Speaker 1: Okay, those are the two that we Okay, all right, cool,

746
00:37:22,760 --> 00:37:24,800
let's give this a spend. If you're just joining us,

747
00:37:25,199 --> 00:37:27,440
We've got Silent Season here with us, live in studio,

748
00:37:27,480 --> 00:37:28,599
and we're gonna play another track.

749
00:37:28,679 --> 00:37:30,199
Speaker 2: This is called Stars.

750
00:37:42,800 --> 00:37:44,400
Speaker 8: Shoot Shoot you.

751
00:37:49,079 --> 00:37:52,440
Speaker 3: For sides?

752
00:37:54,079 --> 00:38:01,519
Speaker 8: Shoot you side needs an.

753
00:38:07,679 --> 00:38:14,719
Speaker 3: I say, I say, I shall.

754
00:38:19,519 --> 00:38:24,719
Speaker 8: Listen. My podcast starts a s.

755
00:38:26,599 --> 00:38:37,320
Speaker 12: Always good. So you chose cat?

756
00:38:37,840 --> 00:38:53,280
Speaker 8: I can't go this No one who should chose her child.

757
00:38:55,239 --> 00:39:06,960
Speaker 3: Soon? Way, sir, you can make a week thing. The

758
00:39:07,599 --> 00:39:08,599
Chi shot.

759
00:39:14,199 --> 00:39:15,199
Speaker 12: The I sing.

760
00:39:20,760 --> 00:39:29,840
Speaker 3: O s John what starts?

761
00:39:32,360 --> 00:39:35,840
Speaker 12: Jack my boy shot.

762
00:39:39,280 --> 00:39:47,039
Speaker 8: Myself shot. Jack Chet said, b.

763
00:40:01,000 --> 00:40:31,119
Speaker 3: You Jeff Stars, you show John.

764
00:40:37,800 --> 00:40:56,840
Speaker 16: Strand Jeff Stars if you should get a voice your s.

765
00:41:06,599 --> 00:41:08,440
Speaker 1: I didn't even want to talk over the feed. It

766
00:41:08,519 --> 00:41:11,119
sounds so cool. As a radio guy, I'm supposed to

767
00:41:11,159 --> 00:41:13,559
talk over the fade out rather not feed the fade out.

768
00:41:13,639 --> 00:41:15,360
But I just love that so much. I just wanted

769
00:41:15,400 --> 00:41:16,159
to let that ring out.

770
00:41:16,239 --> 00:41:16,760
Speaker 7: That's so cool.

771
00:41:16,880 --> 00:41:19,119
Speaker 2: That's an epic song. Great job, guys. I love that, man.

772
00:41:19,440 --> 00:41:19,840
Speaker 7: I love that.

773
00:41:19,960 --> 00:41:23,480
Speaker 1: That is Stars. The band is Silent Season. And hey,

774
00:41:23,639 --> 00:41:25,400
thank you all for joining us today. This has been

775
00:41:25,679 --> 00:41:27,519
This has been great. Really love talking to you guys.

776
00:41:27,960 --> 00:41:29,400
I want to make sure so a couple of things

777
00:41:29,400 --> 00:41:32,119
I want to make sure remind everybody about Swarmy Fest

778
00:41:32,159 --> 00:41:35,440
November fifteenth. You guys are co headlining with sepsis very

779
00:41:35,559 --> 00:41:40,360
very cool, right really right across the street Atole right

780
00:41:40,400 --> 00:41:42,960
here in Manchester. So I'm excited to see you guys live.

781
00:41:43,079 --> 00:41:46,000
That's going to be great. Matt Condorton Unleashed is one

782
00:41:46,039 --> 00:41:48,760
of the sponsors on the show, so we're really looking

783
00:41:48,800 --> 00:41:53,199
forward to that. And then let's see where should people go.

784
00:41:53,199 --> 00:41:54,719
Where's the best place for who will go online to

785
00:41:54,760 --> 00:41:56,199
keep up with everything that you guys are doing.

786
00:41:56,360 --> 00:41:58,880
Speaker 6: Yeah, we have a website, Silent Season Music dot Com.

787
00:41:59,079 --> 00:42:01,480
It lists so all our our socials on there. We're

788
00:42:01,519 --> 00:42:06,360
on Facebook, Instagram x where we just as recently started

789
00:42:06,519 --> 00:42:10,599
TikTok not dances really more show announcements and some cool

790
00:42:10,880 --> 00:42:15,000
live footage. But you know, so we're engaging there as well,

791
00:42:15,920 --> 00:42:18,239
and you know we're we're in a few different places,

792
00:42:18,280 --> 00:42:20,559
but if you go to our website, you'll really be

793
00:42:20,639 --> 00:42:23,239
able to find all our content. And Enzo is also

794
00:42:23,320 --> 00:42:25,519
helping running our website. He set up a mailing list,

795
00:42:25,599 --> 00:42:28,159
so sign up for our mailing list and find out

796
00:42:28,199 --> 00:42:30,280
the latest and greatest updates about Silent Season.

797
00:42:30,599 --> 00:42:33,920
Speaker 1: Excellent. And then when's your next show? Is Swarmy thus

798
00:42:34,039 --> 00:42:35,400
the next one? Or do you have something before? Then

799
00:42:35,400 --> 00:42:36,199
where's the next place?

800
00:42:36,519 --> 00:42:39,280
Speaker 6: It's a next one right now? But there. Even though

801
00:42:39,320 --> 00:42:41,119
we said we're going to be working on some things

802
00:42:41,199 --> 00:42:43,840
with music, we're gonna sort a multitask. There's a couple

803
00:42:44,239 --> 00:42:48,599
shows we're working on in Providence and also maybe New Jersey.

804
00:42:48,679 --> 00:42:50,880
That's all I can say for now, but as soon

805
00:42:50,920 --> 00:42:52,960
as more details come out, we'll be sure to let

806
00:42:53,760 --> 00:42:56,440
the show here, no, and we could let everyone to

807
00:42:56,840 --> 00:42:58,480
find out what's going on if they want to travel

808
00:42:58,559 --> 00:43:00,639
to come see us. Yeah, we're going to try to

809
00:43:01,639 --> 00:43:03,960
also do some more shows obviously around the area, so

810
00:43:04,039 --> 00:43:07,000
we don't lose the burn and uh, you know, just

811
00:43:07,159 --> 00:43:10,159
keep active, multitasking, writing shows, all that good stuff.

812
00:43:10,280 --> 00:43:12,039
Speaker 2: Yeah, there's a lot that goes into it. People who

813
00:43:12,039 --> 00:43:13,599
don't people who haven't done it don't know. There's a

814
00:43:13,639 --> 00:43:14,480
lot that goes into it.

815
00:43:15,079 --> 00:43:15,280
Speaker 7: Yeah.

816
00:43:15,480 --> 00:43:18,960
Speaker 1: Yeah, yeah, and shout out again to paper Jam Right,

817
00:43:19,199 --> 00:43:22,400
that's so cool, you know jam I know she she

818
00:43:22,719 --> 00:43:25,800
is probably listening right now. So yeah, yeah, if if

819
00:43:25,840 --> 00:43:27,599
you are just joining us and you don't know, Sheila was.

820
00:43:27,920 --> 00:43:30,000
She had messaged Jenny earlier and said how much she

821
00:43:30,079 --> 00:43:32,440
loved because you guys are like one of her favorite bands.

822
00:43:32,480 --> 00:43:35,559
She loved interviewing you on her birthday. So yeah, yeah, we've.

823
00:43:35,400 --> 00:43:39,920
Speaker 6: Got a special edition coming out with them September, in September,

824
00:43:39,920 --> 00:43:41,000
October edition.

825
00:43:41,440 --> 00:43:43,239
Speaker 2: Yeah. Yeah, very cool.

826
00:43:43,679 --> 00:43:45,920
Speaker 1: Well, I think so we will end the uh the

827
00:43:46,000 --> 00:43:49,480
only one we didn't play at is chance, correct, Yes,

828
00:43:49,559 --> 00:43:52,079
So we'll end the segment with this, And if you

829
00:43:52,159 --> 00:43:54,880
are listening live on Saturday, stick around We've got Cody

830
00:43:54,960 --> 00:43:58,519
Pope coming up in the third hour, so very excited

831
00:43:58,559 --> 00:44:00,760
about that. This is Matt Connor and Unleashed. We are

832
00:44:00,800 --> 00:44:03,639
live on w m n H ninety five point three FM,

833
00:44:04,079 --> 00:44:06,280
and we will close the segment with this. This is

834
00:44:06,400 --> 00:44:09,320
Chance and the band is Silent Season. And guys, thank

835
00:44:09,360 --> 00:44:10,239
you again so much.

836
00:44:10,159 --> 00:44:13,119
Speaker 7: Thank you so much, appreciate it, thank you for having you.

837
00:44:13,239 --> 00:44:13,559
Speaker 2: Got it.

838
00:44:38,360 --> 00:44:43,280
Speaker 8: Nch through the storm a waiting module.

839
00:44:44,280 --> 00:44:46,480
Speaker 3: It's time to let go.

840
00:44:47,199 --> 00:44:55,559
Speaker 12: At third, Joe Savage, your sum man is the same stage.

841
00:44:57,840 --> 00:45:01,199
Speaker 8: Sus.

842
00:45:01,360 --> 00:45:21,519
Speaker 12: And good chance such nothing so lovels a new turn

843
00:45:22,480 --> 00:45:29,280
so that it's the sole costreams a name for something,

844
00:45:31,000 --> 00:45:39,679
justa change your time and your busy bots the possum.

845
00:45:42,639 --> 00:45:44,760
Speaker 8: And that sound itself.

846
00:45:48,840 --> 00:45:57,360
Speaker 12: Chang losing Elder Chance, that poject.

847
00:45:58,480 --> 00:46:13,280
Speaker 8: Man good change studs come up to.

848
00:46:15,400 --> 00:46:16,920
Speaker 12: And that you want.

849
00:46:17,440 --> 00:46:19,159
Speaker 4: Stop, got on the.

850
00:46:23,320 --> 00:46:30,000
Speaker 12: Stop can hold the hole.

851
00:46:27,880 --> 00:46:33,800
Speaker 3: Say every shot side gets face.

852
00:46:35,599 --> 00:46:57,199
Speaker 12: How that sounds up? The Okaka said that pct always

853
00:46:57,360 --> 00:47:16,960
make that say o Stosh