1 00:00:05,000 --> 00:00:05,960 Speaker 1: Goody from Hell. 2 00:00:05,960 --> 00:00:09,320 Speaker 2: It's a good friend Clayton, younger brothers Satan reporting for duty. 3 00:00:09,679 --> 00:00:12,039 Speaker 1: New Year, knew me, Same me. Here's Chris. 4 00:00:12,160 --> 00:00:15,000 Speaker 3: I'm Chris and I'm dead and my eternal punishments to 5 00:00:15,039 --> 00:00:17,600 do this podcast where we interview everyone in hell. 6 00:00:17,839 --> 00:00:20,920 Speaker 1: So New Year, New you, No, same me, Same year. 7 00:00:20,960 --> 00:00:23,839 Speaker 2: Actually, I'm curious you say that you know your eternal punishment. 8 00:00:23,879 --> 00:00:25,679 We gotta we gotta interview everybody in hell. Can we 9 00:00:25,679 --> 00:00:27,839 get like a current status check on how many people 10 00:00:27,879 --> 00:00:29,519 we have left? I mean we've got to knocked out 11 00:00:29,559 --> 00:00:31,640 at least five, maybe ten percent. 12 00:00:32,240 --> 00:00:34,119 Speaker 3: You would know better than me. Let's say we got 13 00:00:34,159 --> 00:00:36,920 about one hundred and forty or so episodes, Okay, so 14 00:00:37,000 --> 00:00:38,640 let me do the mass. Some of those weren't even 15 00:00:38,679 --> 00:00:41,039 in Hell. Some of those were people like in heaven 16 00:00:41,079 --> 00:00:41,520 and stuff. 17 00:00:41,560 --> 00:00:43,600 Speaker 1: So we're gonna do some rough calculations. 18 00:00:43,679 --> 00:00:47,039 Speaker 2: We got about point zero zero zero zero zero zero 19 00:00:47,759 --> 00:00:53,840 zero zero zero zero zero zero zero zero one percent 20 00:00:53,920 --> 00:00:56,320 have been complete. Okay, Hey, we're doing great. We're well 21 00:00:56,320 --> 00:00:57,840 on track. That is, we have plenty of material. 22 00:00:57,960 --> 00:01:00,719 Speaker 1: This show that's got legs. We're gonna be on for forever, 23 00:01:00,880 --> 00:01:01,280 all right. 24 00:01:01,520 --> 00:01:03,719 Speaker 2: Yeah, man, we're gonna be a rolling in the money 25 00:01:03,759 --> 00:01:05,959 because of Patreon. And if you're listening now and you 26 00:01:05,959 --> 00:01:07,959 don't know, we have a Patreon, so go check us 27 00:01:07,959 --> 00:01:09,439 out at from Hell dot com. 28 00:01:09,480 --> 00:01:10,159 Speaker 1: Balls over there. 29 00:01:10,239 --> 00:01:12,680 Speaker 3: Yeah, so what you got going on for the year, 30 00:01:12,879 --> 00:01:14,000 like any big plans? 31 00:01:14,159 --> 00:01:15,840 Speaker 2: We talked about it last year, but it was the 32 00:01:15,879 --> 00:01:18,280 first full year of Good Morning from Hell. It's a 33 00:01:18,319 --> 00:01:20,079 big accomplishment. So I thought, I treat myself to a 34 00:01:20,120 --> 00:01:20,719 little vacation. 35 00:01:20,879 --> 00:01:21,280 Speaker 3: Uh huh. 36 00:01:21,280 --> 00:01:24,040 Speaker 2: I booked a little vac a little trip oh to 37 00:01:24,120 --> 00:01:26,120 where well, I mean, you're not coming, so that's what 38 00:01:26,159 --> 00:01:26,599 you're asking. 39 00:01:26,680 --> 00:01:28,799 Speaker 1: Don't even bother. But I found a nice hotel. 40 00:01:29,079 --> 00:01:31,480 Speaker 2: It was very cheap, very affordable, but it seemed like 41 00:01:31,560 --> 00:01:32,799 it was in a decent part of the Hell. 42 00:01:33,280 --> 00:01:34,519 Speaker 1: It was at the JW Booth. 43 00:01:34,599 --> 00:01:38,200 Speaker 3: Okay, yeah, man, Yeah, you mean the JW Marriott. 44 00:01:38,280 --> 00:01:39,560 Speaker 1: That's a nice that's what I said. 45 00:01:39,920 --> 00:01:42,879 Speaker 3: No, you said JW Booth, JW Booth, JW Marriott. I 46 00:01:42,879 --> 00:01:44,840 did not know they had a location in Hell. But 47 00:01:44,879 --> 00:01:45,680 that's a nice hotel. 48 00:01:45,840 --> 00:01:48,560 Speaker 2: They like smart home versions, like instead of a full room, 49 00:01:48,599 --> 00:01:50,120 it's kind of like a tiny house. 50 00:01:50,120 --> 00:01:53,640 Speaker 3: Maybe JW Booth. Yeah, like a phone booth kind of thing. Yeah, yeah, 51 00:01:53,799 --> 00:01:54,400 tiny home. 52 00:01:54,560 --> 00:01:57,439 Speaker 2: That's what I assumed. It's JW. Booth, So I assumed 53 00:01:57,439 --> 00:01:59,560 he was part of the JW. Marriott subsidiary R. 54 00:01:59,640 --> 00:01:59,799 Speaker 4: Yeah. 55 00:01:59,840 --> 00:02:01,319 Speaker 3: Yeah, I mean here's the receipt if you want to 56 00:02:01,319 --> 00:02:03,159 take a look at it. Okay, Well, one, this is 57 00:02:03,200 --> 00:02:05,000 not a receipt. You just have a thing written down J. 58 00:02:05,120 --> 00:02:07,719 Lily Booth and you have today. That's not a receipt. 59 00:02:07,719 --> 00:02:09,560 That is just a note you made to yourself. Yeah, 60 00:02:09,680 --> 00:02:11,000 so okay, well then what is it? 61 00:02:11,000 --> 00:02:12,840 Speaker 1: Then? You tell me? I don't know it now. It 62 00:02:12,879 --> 00:02:18,280 says for now, for right now. What does that even mean? Hello? Hello, Hello, Yes? 63 00:02:18,919 --> 00:02:24,120 Speaker 4: Is I you're esteemed podcast guest John Wilkes. 64 00:02:23,680 --> 00:02:25,800 Speaker 1: Booth, John J. W. 65 00:02:26,039 --> 00:02:32,080 Speaker 5: Booth, Oh oh yes, okay, congratulations on having esteemed actor 66 00:02:32,199 --> 00:02:36,759 and savior of the Confederacy John Wilkes Booth on your cast. 67 00:02:37,280 --> 00:02:40,759 Speaker 2: Yes, yes, please have a seat, mister John Wilkes Booth. 68 00:02:40,879 --> 00:02:44,000 Speaker 1: Wow, yeah, I know you from somewhere. Where have I 69 00:02:44,039 --> 00:02:46,840 seen you before? It's tip of my tongue. John Wilkes Booth. 70 00:02:46,960 --> 00:02:52,840 Speaker 6: Yes, I murdered that Tyrant Abraham Lincoln. Oh, bestly saving 71 00:02:52,879 --> 00:02:56,159 the Confederacy, and that's why you know the United States 72 00:02:56,199 --> 00:02:58,680 as the Confederate States of America. 73 00:02:59,000 --> 00:03:01,919 Speaker 1: Yeah right, yes, yes, course, and. 74 00:03:01,840 --> 00:03:03,800 Speaker 7: That's why I'm here in heaven. 75 00:03:04,199 --> 00:03:09,240 Speaker 6: Umm hmm eternally experiencing bliss and peace for my incredible 76 00:03:09,280 --> 00:03:11,840 accomplishments and my incredible acting works. 77 00:03:12,000 --> 00:03:15,479 Speaker 3: Yes, of course you were an actor accomplished You mentioned 78 00:03:15,520 --> 00:03:16,520 being in heaven. 79 00:03:16,680 --> 00:03:19,039 Speaker 7: Yes, there's Confederate flags everywhere. 80 00:03:19,759 --> 00:03:22,719 Speaker 4: Yes, it has to be heaven, right, All my pals 81 00:03:22,759 --> 00:03:24,560 are here, generally. 82 00:03:24,240 --> 00:03:27,400 Speaker 2: Is here, Yeah, he's here, Yeah, all the slave owners 83 00:03:27,439 --> 00:03:27,840 are here. 84 00:03:27,919 --> 00:03:31,759 Speaker 3: Obviously this has to be heaven. Well, okay, what do 85 00:03:31,800 --> 00:03:33,479 you think of heaven so far? John? 86 00:03:33,800 --> 00:03:35,680 Speaker 1: Tell us about your heavenly experience. 87 00:03:35,800 --> 00:03:38,560 Speaker 4: Most of it's pretty cool, except for the demons from 88 00:03:38,599 --> 00:03:41,800 hell Raiser are here, and they're always poking me with 89 00:03:41,840 --> 00:03:45,639 their pins or sending tinier demons into my body to 90 00:03:45,639 --> 00:03:47,199 torture me from the inside. 91 00:03:47,240 --> 00:03:49,599 Speaker 1: Okay, so yeah, yeah, one never gets. 92 00:03:49,319 --> 00:03:52,080 Speaker 4: More than fifteen minutes of sleep, which is strange and 93 00:03:52,159 --> 00:03:53,319 sort of hellish for heaven. 94 00:03:53,360 --> 00:03:55,800 Speaker 1: I'm find Yeah, weird, forced to gnash my. 95 00:03:55,800 --> 00:03:59,319 Speaker 4: Teeth continuously by a hellish demon. That's what I've sort 96 00:03:59,319 --> 00:04:02,479 of found. Interesting thing is that somehow I'm enslaved now. 97 00:04:02,759 --> 00:04:06,159 I assumed when I got here that I would continue 98 00:04:06,199 --> 00:04:09,360 to experience the life that I dreamed of there on earth, 99 00:04:09,360 --> 00:04:11,599 but I'm continuously enslaved by a demon. 100 00:04:11,719 --> 00:04:12,000 Speaker 5: Huh. 101 00:04:12,120 --> 00:04:15,439 Speaker 2: Interesting, it's almost as if you're not having a very 102 00:04:15,439 --> 00:04:16,319 heavenly experience. 103 00:04:16,360 --> 00:04:18,079 Speaker 1: It's like you're having the opposite. 104 00:04:17,879 --> 00:04:21,040 Speaker 4: Now that you mention it. The time is meaningless and 105 00:04:21,079 --> 00:04:23,240 the only experience is pain here. 106 00:04:23,519 --> 00:04:23,959 Speaker 1: Yeah. 107 00:04:24,079 --> 00:04:26,279 Speaker 3: Yeah, have you tried filing a complaint? 108 00:04:26,560 --> 00:04:30,399 Speaker 4: Yes, the DMV is our main source for bureaucracy. It's 109 00:04:30,519 --> 00:04:34,920 three thousand miles square feet and the line is longer 110 00:04:34,959 --> 00:04:37,000 than any line anyone's ever seen. So I've stood in 111 00:04:37,000 --> 00:04:40,600 that line for millennium and nothing of a came of it. 112 00:04:40,800 --> 00:04:40,879 Speaker 2: No. 113 00:04:41,079 --> 00:04:43,360 Speaker 1: Interesting, I didn't have the proper paper where I. Oh, 114 00:04:43,480 --> 00:04:44,720 I finally arrived at the day. 115 00:04:44,800 --> 00:04:46,120 Speaker 2: So you made it all the way through the line 116 00:04:46,120 --> 00:04:47,879 and then they sent you away, is what you're saying. 117 00:04:48,279 --> 00:04:51,279 Speaker 1: Interesting. Yeah, I didn't have the proper identification yet. No, 118 00:04:51,839 --> 00:04:54,439 and they didn't recognize you. Strange, so strange. 119 00:04:54,680 --> 00:04:58,920 Speaker 2: No one has really acclaimed actor from the Booth family 120 00:04:59,040 --> 00:04:59,839 because you had brothers. 121 00:05:00,000 --> 00:05:01,560 Speaker 1: Your father was an actor as well. 122 00:05:01,800 --> 00:05:05,079 Speaker 6: Yes, my hated brother Edwin, who everyone felt was a 123 00:05:05,120 --> 00:05:06,639 more talented actor than me. 124 00:05:07,879 --> 00:05:10,639 Speaker 7: Can you imagine, listen to my voice. Isn't this wonderful 125 00:05:10,639 --> 00:05:11,439 acting right now? 126 00:05:11,639 --> 00:05:11,879 Speaker 4: Yeah? 127 00:05:11,959 --> 00:05:14,920 Speaker 2: Yeah, I mean it's heavenly compared to mine. You know, hey, 128 00:05:15,120 --> 00:05:17,439 I can actually for once, I can actually relate to 129 00:05:17,560 --> 00:05:19,720 John Wilkespooth because I got an asshole brother. 130 00:05:19,879 --> 00:05:21,240 Speaker 1: You know, I know what that life is like. 131 00:05:21,399 --> 00:05:25,079 Speaker 7: Right, pretty rough, dude. Yeah, yeah, that's the thing down here. 132 00:05:25,120 --> 00:05:30,279 We uh will wait, we are below, Okay, I see. 133 00:05:30,120 --> 00:05:32,399 Speaker 4: What's I was gonna say, there's no way this is 134 00:05:32,439 --> 00:05:34,439 hell because Frederick Douglas isn't here. 135 00:05:35,439 --> 00:05:38,879 Speaker 2: But then I realized the dots are connecting, aren't they. 136 00:05:39,040 --> 00:05:41,680 Speaker 1: Uh Oh, it's okay, it's okay, you can cry, It's okay, 137 00:05:41,720 --> 00:05:42,720 don't worry about it. 138 00:05:42,800 --> 00:05:44,959 Speaker 7: She's why there's constantinal work. 139 00:05:45,120 --> 00:05:45,879 Speaker 1: Yeah. 140 00:05:46,000 --> 00:05:48,879 Speaker 2: Yeah, yeah, that's why you're just faar assed. 141 00:05:48,920 --> 00:05:51,879 Speaker 1: And it's red, like redder than me even it's all 142 00:05:51,879 --> 00:05:54,319 the spankings. It's all the spankings because you're in hell, 143 00:05:54,399 --> 00:05:55,160 John Wilkespooth. 144 00:05:55,279 --> 00:05:59,560 Speaker 3: Yeah, sorry, ah crap, Yeah, yeah, it's okay. 145 00:05:59,839 --> 00:06:02,199 Speaker 1: You've been here for like hundreds of years, right, what 146 00:06:02,360 --> 00:06:04,480 was eighteen sixty five to carry the one? 147 00:06:04,639 --> 00:06:04,959 Speaker 7: I know? 148 00:06:05,120 --> 00:06:08,079 Speaker 4: But if you know anything about us, Confederates were really 149 00:06:08,240 --> 00:06:09,959 really able to live in delusion. 150 00:06:10,079 --> 00:06:10,360 Speaker 6: Ah. 151 00:06:10,439 --> 00:06:11,399 Speaker 1: Yeah, so I. 152 00:06:11,399 --> 00:06:14,439 Speaker 4: Had just convinced myself that all the bad stuff was 153 00:06:14,600 --> 00:06:16,959 just kind of a test, like the test I had 154 00:06:16,959 --> 00:06:18,480 to go through to murder a man. 155 00:06:18,560 --> 00:06:19,639 Speaker 3: Yeah, you know, things like that. 156 00:06:19,600 --> 00:06:22,240 Speaker 1: That's somehow God wanted this pain for me. 157 00:06:22,600 --> 00:06:23,160 Speaker 6: Yeah. 158 00:06:23,240 --> 00:06:25,560 Speaker 2: Yeah, you're in the bad place. I'm so sorry, John 159 00:06:25,560 --> 00:06:27,319 Wilkes boo. I mean, I'm not sorry because he kind 160 00:06:27,319 --> 00:06:28,600 of deserved it, to be honest. 161 00:06:28,639 --> 00:06:31,319 Speaker 3: So you mentioned you're a slave, now, so how's that? 162 00:06:31,560 --> 00:06:33,959 Speaker 1: Yeah, what's that like? Bad? Bad, bad bad? 163 00:06:34,079 --> 00:06:38,600 Speaker 4: Yeah, it stinks, these unending fields of I would describe 164 00:06:38,600 --> 00:06:41,879 the plants as like cotton plants, but without cotton, they're 165 00:06:42,120 --> 00:06:43,600 just the thorns. 166 00:06:43,600 --> 00:06:45,519 Speaker 3: Oh yeah, yeah, you pick thorns. 167 00:06:45,720 --> 00:06:47,720 Speaker 4: Yeah, so I'm to collect one thorn at a time, 168 00:06:47,759 --> 00:06:50,759 but of course invariably I get forty or fifty. 169 00:06:50,399 --> 00:06:53,680 Speaker 1: In my hand thumber. Then I weep and I weep 170 00:06:53,720 --> 00:06:57,079 and I weep. Yeah, very theatrically though. 171 00:06:57,240 --> 00:06:57,480 Speaker 3: Yeah. 172 00:06:57,759 --> 00:07:00,839 Speaker 8: Yes, there's a lot of dabbing of my eyes with hackkerchiefs. 173 00:07:01,000 --> 00:07:05,240 Speaker 1: Yeah yeah, So have your views changed at all? Your perspective? 174 00:07:05,439 --> 00:07:08,879 Speaker 4: Well, now that I'm realizing and finally acknowledging to myself 175 00:07:08,879 --> 00:07:11,279 that I am in hades and if I'm real with 176 00:07:11,319 --> 00:07:12,519 you guys, can I be real? 177 00:07:12,680 --> 00:07:13,279 Speaker 7: That's why? Yeah? 178 00:07:13,319 --> 00:07:15,279 Speaker 3: Go ahead, Yeah, you're an actor, san not you used 179 00:07:15,279 --> 00:07:15,879 to being real? 180 00:07:16,160 --> 00:07:18,199 Speaker 7: Right? Exactly? No, that's what you're trying. 181 00:07:18,000 --> 00:07:20,800 Speaker 1: To avoid, is any sort of authenticity? Yes? 182 00:07:21,120 --> 00:07:22,839 Speaker 7: Yes, yes, I think part of me. 183 00:07:22,800 --> 00:07:26,199 Speaker 4: Knew I've been in hell for a long time and 184 00:07:26,319 --> 00:07:28,720 I refuse to acknowledge it. And now that makes me 185 00:07:28,800 --> 00:07:31,279 think that what else might I have been wrong about? 186 00:07:31,399 --> 00:07:34,680 Speaker 1: Oh that's interesting. There's some self reflection, you know. This 187 00:07:34,800 --> 00:07:35,120 is good. 188 00:07:35,199 --> 00:07:38,040 Speaker 2: I think as a performer, this might be beneficial to you. 189 00:07:38,040 --> 00:07:41,639 You're reflecting on your own character, who you are John Wilkspooth. 190 00:07:41,800 --> 00:07:44,519 Speaker 4: But again, the sort of acting that we were train 191 00:07:44,600 --> 00:07:48,199 to do is simply be loud and sort of English. 192 00:07:48,240 --> 00:07:51,560 So when y'all saying introspection, is that some sort of 193 00:07:51,720 --> 00:07:53,480 modern acting technique. 194 00:07:53,759 --> 00:07:55,560 Speaker 1: Yeah, it's like seeking out the character. 195 00:07:55,639 --> 00:07:58,000 Speaker 2: It's more than just getting on stage and being as 196 00:07:58,040 --> 00:08:01,319 barrel chested loud. Because we have microphones now so we 197 00:08:01,360 --> 00:08:03,519 don't have to be quite as loud. You don't have 198 00:08:03,519 --> 00:08:04,879 to project nearly as much. 199 00:08:05,120 --> 00:08:05,360 Speaker 4: Yeah. 200 00:08:05,480 --> 00:08:07,480 Speaker 2: Another thing too, is like you were a theater guy, 201 00:08:07,560 --> 00:08:09,680 so you're acting to the back row but like now, 202 00:08:09,680 --> 00:08:11,199 we've got these things called movies. 203 00:08:11,279 --> 00:08:15,079 Speaker 7: Hold on briefly, Matthew Perry was down here, don't worry. 204 00:08:15,199 --> 00:08:17,600 He was sent back up. Yeah, and he. 205 00:08:17,759 --> 00:08:20,120 Speaker 1: Was talking about the sort of moving picture. 206 00:08:20,199 --> 00:08:20,360 Speaker 3: Huh. 207 00:08:20,399 --> 00:08:22,079 Speaker 2: Well, that was nice for Matthew Perry to catch you 208 00:08:22,160 --> 00:08:23,680 up on movies, but he was really more of a 209 00:08:23,720 --> 00:08:24,319 TV guy. 210 00:08:24,439 --> 00:08:27,399 Speaker 3: Oh, that's not fair to Matthew Perry, mostly because he 211 00:08:27,399 --> 00:08:29,399 shouldn't have gone to Hell in the first place, but 212 00:08:29,519 --> 00:08:32,519 it was a mistake, but also because he was more 213 00:08:32,600 --> 00:08:33,720 than just a TV actor. 214 00:08:34,240 --> 00:08:35,720 Speaker 7: He was in the whole nine yards. 215 00:08:36,000 --> 00:08:41,840 Speaker 1: That's a good movie, and the whole ten yards. Thank 216 00:08:41,879 --> 00:08:42,840 you for proving my point. 217 00:08:42,960 --> 00:08:45,080 Speaker 2: So, John Wilkes Booth, what have you been doing for 218 00:08:45,120 --> 00:08:47,679 the last one hundred, one hundred and fifty years or so? 219 00:08:47,919 --> 00:08:51,440 Speaker 4: I've been picking thoughs Oh that's true, okay, and blaming 220 00:08:51,519 --> 00:08:53,080 minorities for my problems. 221 00:08:53,200 --> 00:08:54,559 Speaker 3: M Yeah. 222 00:08:54,679 --> 00:08:56,879 Speaker 2: Yeah, you were an actor back up on Earth before 223 00:08:56,919 --> 00:08:59,360 you assassinated a Lincoln, which we want to touch on that. 224 00:08:59,720 --> 00:09:01,120 Speaker 3: Yeah, let's put a bullet in that one. 225 00:09:01,200 --> 00:09:05,360 Speaker 1: Yeah. Have you done any other activities while in Hell? 226 00:09:05,639 --> 00:09:07,679 Speaker 8: I do have a side job, which is I'm teaching 227 00:09:07,799 --> 00:09:09,399 at risk demon youth. 228 00:09:09,559 --> 00:09:10,559 Speaker 7: The art of acting. 229 00:09:11,559 --> 00:09:12,600 Speaker 1: They're not into it. 230 00:09:12,879 --> 00:09:16,279 Speaker 7: If I'm being honest. No, not huge fans. 231 00:09:15,840 --> 00:09:20,080 Speaker 4: Of Shakespeare or speaking loudly, which again is the only 232 00:09:20,159 --> 00:09:21,360 dactic technique. 233 00:09:20,960 --> 00:09:24,639 Speaker 7: I'm familiar with. Yeah, right, some broad gesturing. 234 00:09:24,799 --> 00:09:27,000 Speaker 4: There was a very long period where all of them 235 00:09:27,039 --> 00:09:32,120 were interested in something called SoundCloud wraph. I see, yeah, 236 00:09:32,159 --> 00:09:33,960 your little pumps, et cetera. 237 00:09:34,559 --> 00:09:37,759 Speaker 3: So the at risk demon use, does that mean they're 238 00:09:37,919 --> 00:09:39,320 in danger of being good? 239 00:09:39,440 --> 00:09:40,720 Speaker 1: Think that that's what that means. 240 00:09:40,840 --> 00:09:42,600 Speaker 2: Yeah, because we want to train them up to be 241 00:09:42,759 --> 00:09:45,159 like senior demons that are like real fucking bad. 242 00:09:45,240 --> 00:09:48,480 Speaker 4: So yeah, exactly, some of them, they start to experience 243 00:09:48,639 --> 00:09:51,000 this thing that I understand. 244 00:09:50,399 --> 00:09:52,360 Speaker 7: All the liberals up there. 245 00:09:53,159 --> 00:09:56,360 Speaker 4: Safe space is what they're always looking for, a place 246 00:09:56,440 --> 00:09:59,600 to express their feelings in regards to I put a 247 00:09:59,679 --> 00:10:03,039 quotes for this healing trauma. Still, there's any such thing 248 00:10:03,279 --> 00:10:06,200 as though we're perhaps driven by some sort of anger 249 00:10:06,320 --> 00:10:10,120 that remains suppressed, and actually our actions are not based 250 00:10:10,120 --> 00:10:12,759 in reality, but based on some sort of lie we've 251 00:10:12,799 --> 00:10:18,600 been telling ourselves. Ha ha, that's ridiculous, that's crazy, that's crazy. 252 00:10:18,639 --> 00:10:20,879 Speaker 8: And that being said, so yes, when that happens, they're 253 00:10:20,919 --> 00:10:24,159 immediately beheaded. But of course they're demons, so the heads 254 00:10:24,240 --> 00:10:28,399 regrass and then usually they become so angry that they 255 00:10:28,480 --> 00:10:31,120 give over to the darkness and they no longer allow 256 00:10:31,159 --> 00:10:32,600 themselves to experience empathy. 257 00:10:32,600 --> 00:10:34,320 Speaker 7: That's what we handle that. 258 00:10:34,320 --> 00:10:34,960 Speaker 1: That's very noble. 259 00:10:35,000 --> 00:10:36,600 Speaker 2: If you didn't take care of those kids, you're looking 260 00:10:36,600 --> 00:10:38,039 out for the next generation of demons. 261 00:10:38,320 --> 00:10:40,919 Speaker 1: Man. For once you did something good, you could argue. 262 00:10:40,960 --> 00:10:43,240 Speaker 3: Yeah, I mean good in hell, which is bad? 263 00:10:43,440 --> 00:10:45,559 Speaker 1: It gets gigs confusing? Yeah, yeah, yeah. 264 00:10:45,639 --> 00:10:48,159 Speaker 4: I explained to them how people that look different than 265 00:10:48,399 --> 00:10:50,080 us are three fifth the person. 266 00:10:50,159 --> 00:10:51,480 Speaker 7: It's pretty simple. 267 00:10:52,480 --> 00:10:55,440 Speaker 4: We play a lot of short form improv games down 268 00:10:55,480 --> 00:10:55,919 here too. 269 00:10:56,039 --> 00:10:58,639 Speaker 1: That's the only real sort of theater that they're allowed. 270 00:10:58,639 --> 00:11:01,320 Speaker 8: So a lot of zip zips hopping and this game 271 00:11:01,320 --> 00:11:03,200 where I pretend to be your arms. 272 00:11:04,320 --> 00:11:06,279 Speaker 1: You have to respond to what my arms are doing. 273 00:11:06,320 --> 00:11:08,759 Speaker 4: We do that forty to fifty months in a row 274 00:11:08,799 --> 00:11:09,480 without break. 275 00:11:09,559 --> 00:11:10,320 Speaker 7: Things of that nature. 276 00:11:10,440 --> 00:11:13,279 Speaker 1: Cool. Do you do that one? The Fred Schneider gag? 277 00:11:16,360 --> 00:11:18,840 Speaker 7: Hey, Fred Schneider, what are you doing? 278 00:11:19,240 --> 00:11:21,279 Speaker 1: Yeah, that's the one. I'm not gonna know butt on 279 00:11:21,320 --> 00:11:21,720 this one. 280 00:11:21,799 --> 00:11:22,039 Speaker 4: Sorry. 281 00:11:22,600 --> 00:11:25,720 Speaker 3: Yeah, So you're kept up with acting. That's great. 282 00:11:25,840 --> 00:11:26,120 Speaker 7: Again. 283 00:11:26,279 --> 00:11:30,320 Speaker 4: Briefly, Matthew Perry was gone, it was a paperwork miscommunication thing. 284 00:11:30,440 --> 00:11:32,679 Oh okay, because he was an addict, So he turns 285 00:11:32,679 --> 00:11:35,639 out wasn't to blame, whereas my actions were exclusively. 286 00:11:35,159 --> 00:11:36,919 Speaker 1: My own decision. Yeah, it's why I'm here. 287 00:11:36,919 --> 00:11:41,360 Speaker 4: But I really love multiicam sitcoms. Oh that's what I've learned. 288 00:11:41,440 --> 00:11:45,759 I like a big broad things of that. Oh yeah, 289 00:11:45,960 --> 00:11:46,960 that's what I've been studying. 290 00:11:47,039 --> 00:11:50,080 Speaker 3: Is well, like a live audience, studio audience reaction at 291 00:11:50,120 --> 00:11:51,960 studio audience, Yeah, getting real kick event. 292 00:11:52,080 --> 00:11:53,440 Speaker 1: I like when they're told to last. 293 00:11:53,639 --> 00:11:54,759 Speaker 7: That makes me feel good. 294 00:11:54,919 --> 00:11:55,120 Speaker 1: Yeah. 295 00:11:55,159 --> 00:11:58,279 Speaker 3: Yeah, you come from this whole family of actors. So 296 00:11:58,320 --> 00:12:00,919 how did you get into the Confederate because you were 297 00:12:01,000 --> 00:12:04,360 from the north right. Yes, that's true. I hated my 298 00:12:04,559 --> 00:12:07,159 brother and his perceived talent. 299 00:12:07,759 --> 00:12:11,519 Speaker 8: So I decided to do this thing that angsty teenagers 300 00:12:11,559 --> 00:12:15,080 often do, which is completely totally live my life in 301 00:12:15,120 --> 00:12:17,399 direct opposition to the beliefs I. 302 00:12:17,360 --> 00:12:18,000 Speaker 4: Was raised with. 303 00:12:18,399 --> 00:12:21,039 Speaker 1: Oh okay, So I really. 304 00:12:20,799 --> 00:12:24,879 Speaker 4: Went one hundred p into believing the truth of the South, 305 00:12:25,000 --> 00:12:28,159 which is that where a given dominion over all things 306 00:12:28,159 --> 00:12:32,080 and all people, and thus le we deserve to Winslay, I. 307 00:12:32,080 --> 00:12:33,080 Speaker 1: See, I see. 308 00:12:33,360 --> 00:12:36,519 Speaker 2: So you've talked a lot about acting and how I 309 00:12:36,519 --> 00:12:38,200 guess great you were at it, But like, let's talk 310 00:12:38,200 --> 00:12:39,759 about what ultimately got. 311 00:12:39,559 --> 00:12:41,679 Speaker 1: You down here with the assassination and whatnot. 312 00:12:41,759 --> 00:12:44,279 Speaker 3: Yeah, says here that you actually started with trying to 313 00:12:44,320 --> 00:12:45,200 abduct Lincoln. 314 00:12:45,279 --> 00:12:47,879 Speaker 1: Is that true? Oh? Interesting, Yeah, that's correct. 315 00:12:47,919 --> 00:12:50,440 Speaker 4: Me and my pals were sitting around in a barn 316 00:12:50,519 --> 00:12:56,080 house he just finished rehearsing a Midsummer Night's Dream, okay, and. 317 00:12:55,919 --> 00:12:58,960 Speaker 7: We started discussing how angry we were at Lincoln. And 318 00:12:59,000 --> 00:13:01,240 somebody said, why re abductive? And we said that's not 319 00:13:01,320 --> 00:13:02,600 possibly so huge? 320 00:13:02,639 --> 00:13:05,120 Speaker 4: How could we possibly And then I said, brilliantly, well, 321 00:13:05,159 --> 00:13:08,720 we'll take off his hat and no one will recognize him. 322 00:13:08,200 --> 00:13:11,360 Speaker 7: Yeah. Yeah, we punch him so hard that he'll fall asleep. 323 00:13:11,559 --> 00:13:11,720 Speaker 3: Huh. 324 00:13:11,840 --> 00:13:13,720 Speaker 4: And then we'll take him to the South and with 325 00:13:13,799 --> 00:13:17,039 any luck, convince him that, hey, you know what, actually 326 00:13:17,200 --> 00:13:19,120 the Southern politics are pretty cool. 327 00:13:19,240 --> 00:13:21,159 Speaker 7: Dude. Again, we say dude a lot. Yeah. 328 00:13:21,200 --> 00:13:24,279 Speaker 3: Yeah, so you tried to abduct link In. I guess 329 00:13:24,320 --> 00:13:26,080 that didn't work because it didn't happen. 330 00:13:26,200 --> 00:13:26,440 Speaker 1: Huh. 331 00:13:26,519 --> 00:13:28,200 Speaker 7: No, I said, what we'll do. 332 00:13:29,200 --> 00:13:33,240 Speaker 4: We'll place a pair of large shoes half a block away, 333 00:13:33,320 --> 00:13:35,919 uh huh, and he'll be so desirous of these shoes 334 00:13:35,960 --> 00:13:37,399 for his giant, weird feet. 335 00:13:37,840 --> 00:13:40,039 Speaker 7: He'll run towards the shoes and then we'll tackle him. 336 00:13:40,120 --> 00:13:42,279 But we put the shoes out and he never went out. 337 00:13:42,279 --> 00:13:45,840 Speaker 1: Oh darn, Oh wow, I don't know how that didn't work. Yeah, 338 00:13:45,919 --> 00:13:47,759 foolproof man, sounds like a solid plan. 339 00:13:47,960 --> 00:13:52,279 Speaker 6: There's one nice shoes man polished it along, so the 340 00:13:52,320 --> 00:13:54,360 shoe thing didn't fit the shoe trap. 341 00:13:54,440 --> 00:13:54,679 Speaker 1: Nope. 342 00:13:54,679 --> 00:13:56,360 Speaker 3: Then you're like, I'll just shoot. 343 00:13:56,279 --> 00:13:59,039 Speaker 4: Like all people with great imaginations, I said, I know, 344 00:13:59,240 --> 00:14:00,919 I'll just kill Yeah. 345 00:14:00,960 --> 00:14:02,840 Speaker 2: And so he was kind of on your home turf. Right, 346 00:14:02,879 --> 00:14:04,879 you got him at the theater. Did you feel like 347 00:14:04,919 --> 00:14:06,679 you had the home field advantage a little bit? 348 00:14:06,720 --> 00:14:06,919 Speaker 1: There? 349 00:14:07,039 --> 00:14:09,840 Speaker 4: It was like walking into my living room if every 350 00:14:09,919 --> 00:14:12,000 time you walked into your living room you plan to 351 00:14:12,080 --> 00:14:12,440 kill him. 352 00:14:12,440 --> 00:14:13,600 Speaker 1: Ah see. 353 00:14:13,600 --> 00:14:16,320 Speaker 2: How did you go about sneaking up on the president 354 00:14:16,360 --> 00:14:18,919 of the United States? Was there any sort of like stealthy? 355 00:14:19,039 --> 00:14:19,240 Speaker 3: Yeah? 356 00:14:19,480 --> 00:14:19,679 Speaker 1: Right. 357 00:14:19,759 --> 00:14:22,440 Speaker 8: There was a guy standing at the door whose job 358 00:14:22,600 --> 00:14:25,120 was to block it, and I said, brilliantly, Hey, what's 359 00:14:25,200 --> 00:14:26,000 that over there? 360 00:14:27,639 --> 00:14:28,080 Speaker 3: Uh huh. 361 00:14:28,080 --> 00:14:30,120 Speaker 7: He didn't respond, And then after a while he had 362 00:14:30,120 --> 00:14:30,879 to go to the bathroom. 363 00:14:30,879 --> 00:14:32,519 Speaker 3: Wow, I just went in the door after he went 364 00:14:32,600 --> 00:14:33,120 to the bathroom. 365 00:14:33,120 --> 00:14:35,000 Speaker 2: I see, so I want to hear about what your 366 00:14:35,000 --> 00:14:37,759 thoughts were about Lincoln when you briefly met him. 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Use code GMFH at 393 00:15:37,320 --> 00:15:38,440 monarch dot com. 394 00:15:38,240 --> 00:15:39,519 Speaker 1: For half off your first year. 395 00:15:39,600 --> 00:15:42,320 Speaker 2: That's fifty percent off your first year at monarch dot 396 00:15:42,320 --> 00:15:45,679 com with co GMFH. All right, so, John Wilkes Booth, 397 00:15:45,799 --> 00:15:48,080 what did you think of Lincoln when you saw him 398 00:15:48,080 --> 00:15:48,840 that night in the theater? 399 00:15:49,000 --> 00:15:51,679 Speaker 4: Can I be real with you, guys, I'm gonna be 400 00:15:51,759 --> 00:15:53,440 real for one So I'm gonna be real. 401 00:15:53,519 --> 00:15:54,480 Speaker 7: Here's the story. 402 00:15:54,600 --> 00:15:56,799 Speaker 4: I walked into the booth and I'm gonna tell you 403 00:15:56,960 --> 00:15:59,879 from behind. Yeah, I was blown away by the charisma 404 00:16:00,000 --> 00:16:00,480 where I. 405 00:16:00,360 --> 00:16:03,799 Speaker 1: Said, oh oh wow, being in his aura, I had 406 00:16:03,840 --> 00:16:06,000 this feeling of this is a great man. 407 00:16:06,200 --> 00:16:06,919 Speaker 7: I admit it. 408 00:16:07,000 --> 00:16:09,559 Speaker 4: I finally acknowledged the fact that when faced with this 409 00:16:09,639 --> 00:16:11,519 person's presence, I thought. 410 00:16:11,360 --> 00:16:14,120 Speaker 1: Hey, maybe this is a mistake. And then I looked 411 00:16:14,240 --> 00:16:16,279 at the stage. Uh huh, and. 412 00:16:16,320 --> 00:16:19,000 Speaker 7: I thought to myself, that should be me down there. 413 00:16:19,159 --> 00:16:23,559 Why are I being celebrated in this moment, and my 414 00:16:23,759 --> 00:16:26,240 rage took over and brought me back to sanity. 415 00:16:26,480 --> 00:16:29,080 Speaker 4: Yeah, well, yeah, sure, And then I thought, this is 416 00:16:29,159 --> 00:16:30,960 black people's fault and I killed him. 417 00:16:31,480 --> 00:16:31,879 Speaker 3: Okay. 418 00:16:32,720 --> 00:16:35,480 Speaker 2: And so I heard that Lincoln actually lasted like a 419 00:16:35,559 --> 00:16:38,159 date or something like that after getting shot in the head. 420 00:16:38,320 --> 00:16:38,480 Speaker 4: Yah. 421 00:16:38,519 --> 00:16:40,159 Speaker 1: Did that freak you out at all? Were you like 422 00:16:40,200 --> 00:16:42,639 a little worried? Honestly, even then, I was like, that's 423 00:16:42,679 --> 00:16:46,159 pretty cool. That's like if you shot Dwayne the Rock 424 00:16:46,279 --> 00:16:47,200 Johnson or something. 425 00:16:47,279 --> 00:16:49,320 Speaker 7: Matthew Perry told me about him when he was down. 426 00:16:50,080 --> 00:16:52,440 Speaker 3: Okay, And it was an interesting choice of words you 427 00:16:52,480 --> 00:16:55,200 said when you saw Lincoln. You said you were blown 428 00:16:55,240 --> 00:16:57,919 away by his presence, But I guess it went both ways, 429 00:16:57,960 --> 00:17:00,559 because he was blown away by your present sins too, 430 00:17:00,720 --> 00:17:01,759 So yes, he was. 431 00:17:01,879 --> 00:17:05,079 Speaker 2: I heard you also made a large proclamation while pulling 432 00:17:05,119 --> 00:17:07,160 the trigger. I said the wrong phrase. 433 00:17:07,240 --> 00:17:10,000 Speaker 8: My theater acting took over and it decided to speak 434 00:17:10,039 --> 00:17:12,279 some Latin, which, looking back now even I think was 435 00:17:12,319 --> 00:17:13,279 a little pretentious. 436 00:17:13,440 --> 00:17:15,000 Speaker 7: I mean, who do you think you are? 437 00:17:15,000 --> 00:17:17,799 Speaker 4: Honestly, it's like you think you hit a home run 438 00:17:17,839 --> 00:17:20,160 and you're screaming, I'm the greatest person in the world. 439 00:17:20,200 --> 00:17:22,240 Speaker 7: And it's actually just a pop fly out to set 440 00:17:22,279 --> 00:17:22,680 a field. 441 00:17:22,839 --> 00:17:24,440 Speaker 3: Yeah, that's what it was. 442 00:17:24,480 --> 00:17:26,720 Speaker 2: Like, what I meant to say was take that your 443 00:17:26,759 --> 00:17:28,960 told piece of crab, uh huh. But then it came 444 00:17:29,000 --> 00:17:33,160 out sick simper turanic. We're talking about dinosaur tyrannus. What 445 00:17:33,200 --> 00:17:34,880 does that mean? I'm sorry, I don't speak Latin. 446 00:17:35,079 --> 00:17:38,960 Speaker 1: It means apparently always to tyrants or something. 447 00:17:39,079 --> 00:17:39,559 Speaker 7: I don't know. 448 00:17:39,680 --> 00:17:42,960 Speaker 1: Man, I was freaking out. I never shot anybody before. Okay. 449 00:17:43,039 --> 00:17:45,440 Speaker 6: At that point, I was like, okay, I didn't really 450 00:17:45,440 --> 00:17:47,079 plan the escape very well. 451 00:17:47,119 --> 00:17:50,039 Speaker 3: Here. Yeah, you just like jumped onto the states, probably 452 00:17:50,079 --> 00:17:52,680 about like twelve feet at least as an actor. Was 453 00:17:52,720 --> 00:17:55,319 that not a little rude to interrupt the performance? 454 00:17:55,440 --> 00:17:57,559 Speaker 7: Totally? Again, I was out of my gorge. 455 00:17:57,640 --> 00:18:01,519 Speaker 4: Dude, I tell you what I honestly, when I I'm trained, 456 00:18:01,839 --> 00:18:03,240 I'm a trained vocalist. 457 00:18:03,480 --> 00:18:04,839 Speaker 7: Yeah, my voice. 458 00:18:04,480 --> 00:18:06,599 Speaker 4: Cracked like I was a twelve year old boy who 459 00:18:06,880 --> 00:18:08,240 just saw Pamela Anderson. 460 00:18:09,000 --> 00:18:10,000 Speaker 7: He was embarrassing. 461 00:18:10,039 --> 00:18:13,920 Speaker 4: I said, six sounded like the Pipoy kid from the Simpsons. 462 00:18:14,000 --> 00:18:16,000 Speaker 1: Matthew Perry told us about the Simpsons when he was 463 00:18:16,039 --> 00:18:17,680 down here. Yeah. Yeah, you spent a lot of time 464 00:18:17,680 --> 00:18:18,480 with Matthew Berry he. 465 00:18:18,400 --> 00:18:20,000 Speaker 7: Did six months down here, the poor guy. 466 00:18:20,440 --> 00:18:22,160 Speaker 1: Wowmer I realized the mistake. 467 00:18:22,240 --> 00:18:24,599 Speaker 2: I know, when you made that jump onto the stage, 468 00:18:24,640 --> 00:18:27,119 did you not break something as well? 469 00:18:27,160 --> 00:18:29,680 Speaker 3: I think you hurt yourself. Oh you broke a leg. 470 00:18:29,920 --> 00:18:33,559 Let's it's fitting. Oh that's lucky though, right, yeah, lucky. 471 00:18:33,559 --> 00:18:36,039 Speaker 7: It would have been to have immediately sprinted away and 472 00:18:36,160 --> 00:18:37,839 kind of bust. That would have been lucky. Have you 473 00:18:37,839 --> 00:18:38,960 guys ever been really hurt. 474 00:18:39,119 --> 00:18:42,319 Speaker 4: This embarrassing thing happens where whatever you really hurt badly, 475 00:18:42,359 --> 00:18:44,039 you immediately announced the injury. 476 00:18:44,599 --> 00:18:46,319 Speaker 1: So what I said was and this. 477 00:18:46,319 --> 00:18:52,079 Speaker 7: Isn't documented, but I said, that's what I immediately yelled, humiliating. 478 00:18:52,200 --> 00:18:54,480 Speaker 2: And I also heard too, like the audience was in 479 00:18:54,559 --> 00:18:57,279 such shock that you spent a good five minutes on 480 00:18:57,359 --> 00:18:58,880 stage wailing about your leg. 481 00:18:58,759 --> 00:19:00,720 Speaker 1: Before you actually ran out the building. 482 00:19:00,920 --> 00:19:03,200 Speaker 7: I said, and I quote aUI aUI A. 483 00:19:03,440 --> 00:19:05,319 Speaker 3: Yeah, trying to do a little monologue. 484 00:19:05,480 --> 00:19:07,839 Speaker 4: I tried to do one that I'd written about how 485 00:19:07,880 --> 00:19:09,000 hard it was to be. 486 00:19:09,000 --> 00:19:14,559 Speaker 3: White now, and then you managed to escape somehow, Yeah, somehow, I. 487 00:19:14,640 --> 00:19:16,200 Speaker 7: Kind of baby crawled out of there. 488 00:19:16,400 --> 00:19:18,720 Speaker 4: I was saying, part of me, part of me, you know, 489 00:19:18,880 --> 00:19:20,440 still trying to be polite for some reason. 490 00:19:20,400 --> 00:19:21,720 Speaker 7: The whole thing's humiliating. 491 00:19:21,920 --> 00:19:24,039 Speaker 1: Yeah, and yeah you got tracked down, and. 492 00:19:24,039 --> 00:19:25,359 Speaker 7: Yeah they caught me in a barn? 493 00:19:25,640 --> 00:19:26,079 Speaker 1: A barn? 494 00:19:26,880 --> 00:19:29,039 Speaker 2: What were you doing in this bar? You can act 495 00:19:29,039 --> 00:19:31,799 out a little scene role play, Yeah, yeah. 496 00:19:31,519 --> 00:19:32,279 Speaker 3: Ju I love that. 497 00:19:32,400 --> 00:19:34,000 Speaker 7: Yeah, absolutely so, I'll be me. 498 00:19:34,279 --> 00:19:37,519 Speaker 1: John Wilkes Booth, Okay, who should be? Yeah, castAR roles. 499 00:19:37,559 --> 00:19:39,319 You can direct us as well. John Wilkes Booth. 500 00:19:39,359 --> 00:19:41,599 Speaker 4: All right, let's do this like a short form improv scene. 501 00:19:41,680 --> 00:19:42,960 Chris your Kermit the Frog. 502 00:19:43,079 --> 00:19:45,519 Speaker 3: Okay he was there, no, but we're gonna do it 503 00:19:45,559 --> 00:19:48,000 for humor, right, okay, yeah, okay, and then who am I? 504 00:19:48,160 --> 00:19:50,799 Speaker 7: Yes, Clayton, you'll be uh Matthew Perry. 505 00:19:50,559 --> 00:19:54,319 Speaker 2: Okay, okay, I will be Matthew Perry as a cop, 506 00:19:54,400 --> 00:19:55,480 as one of the bound out there. 507 00:19:55,680 --> 00:19:58,480 Speaker 1: Okay, great, good, This is gonna be a lot of fun. Okay, 508 00:19:58,640 --> 00:19:59,759 I'm not coming out, Copp. 509 00:20:00,160 --> 00:20:02,960 Speaker 7: I've saved the Confederacy. You can kill me. My life's 510 00:20:02,960 --> 00:20:03,720 work is done. 511 00:20:04,000 --> 00:20:07,480 Speaker 1: Come out your hands up. I sorry, I haven't seen 512 00:20:07,519 --> 00:20:08,480 friends in years. Here. 513 00:20:08,559 --> 00:20:12,359 Speaker 3: You beat Kermit the Frog? Okay, we're recasting, yeah yeah, okay, Uh, 514 00:20:12,400 --> 00:20:16,039 could you be any more trapped? It's good. 515 00:20:16,559 --> 00:20:17,039 Speaker 1: That's good. 516 00:20:17,880 --> 00:20:18,720 Speaker 7: God damn it. 517 00:20:18,960 --> 00:20:19,440 Speaker 3: Wow. 518 00:20:19,599 --> 00:20:21,240 Speaker 7: I really did miscast. 519 00:20:21,359 --> 00:20:23,160 Speaker 4: And I hung out with Perry. It was a lot 520 00:20:23,279 --> 00:20:26,400 like that character. No, Matthew Perry the police officer. I 521 00:20:26,440 --> 00:20:28,960 cannot come out, absolutely not, no. 522 00:20:29,000 --> 00:20:29,559 Speaker 7: Way, dude. 523 00:20:29,920 --> 00:20:33,640 Speaker 1: Uh rib it, miss Piggy. I don't know. 524 00:20:34,039 --> 00:20:36,319 Speaker 3: Uh, I guess if you don't come out, then uh 525 00:20:36,640 --> 00:20:37,599 we'll go in. 526 00:20:37,960 --> 00:20:40,480 Speaker 7: God good, I beg you come on in. Please. 527 00:20:40,960 --> 00:20:44,599 Speaker 2: It's not easy being green. Fuck you guys are nailing 528 00:20:44,720 --> 00:20:46,680 his scene and I'm sucking up. I'm the worst. I'm 529 00:20:46,680 --> 00:20:47,559 the third wheel here. 530 00:20:47,640 --> 00:20:48,119 Speaker 3: God damn it. 531 00:20:48,119 --> 00:20:50,119 Speaker 7: Okay, okay, cut to you. Guys are inside the book. 532 00:20:50,359 --> 00:20:52,920 Speaker 1: Okay, okay, all right, Look guys, can I be real 533 00:20:53,000 --> 00:20:55,160 with you? Is this in the scene or is this 534 00:20:55,160 --> 00:20:55,680 this is in the scene. 535 00:20:55,720 --> 00:20:56,240 Speaker 7: This is in the scene. 536 00:20:56,240 --> 00:20:59,640 Speaker 1: Okay, yeah yeah. Hey, look I'm in a lot of 537 00:20:59,680 --> 00:21:02,279 pain here and I don't do well with paid. 538 00:21:02,359 --> 00:21:03,279 Speaker 7: This is the deal man. 539 00:21:03,319 --> 00:21:04,720 Speaker 1: Look, I'm a total coward. 540 00:21:04,759 --> 00:21:06,559 Speaker 7: That's why I shot the guy from behind. 541 00:21:06,640 --> 00:21:08,480 Speaker 1: That's why I'm always proclaiming what a hero. 542 00:21:08,480 --> 00:21:11,480 Speaker 8: I am, because I'm actually have very very low self worth, 543 00:21:11,799 --> 00:21:14,039 as do all people who are racist. 544 00:21:14,160 --> 00:21:16,240 Speaker 4: You know the deal, right, Look, Hey, if you just 545 00:21:16,279 --> 00:21:18,240 take me out of here and put me in jail. 546 00:21:18,400 --> 00:21:22,400 Speaker 7: I'll go quietly. Let's just pretend like I'm fighting. 547 00:21:22,039 --> 00:21:22,720 Speaker 3: You on the way out. 548 00:21:22,759 --> 00:21:24,759 Speaker 1: Okay, if you're in a lot of pain, I happen 549 00:21:24,839 --> 00:21:26,960 to have a lot of pain meds. 550 00:21:27,880 --> 00:21:29,440 Speaker 7: Hey, we're gonna have to pull the gun. 551 00:21:29,519 --> 00:21:30,799 Speaker 3: And this just becoming Seinfeld. 552 00:21:30,880 --> 00:21:34,359 Speaker 7: Oh it's hard not to The cross was pretty intense. 553 00:21:34,640 --> 00:21:37,279 Speaker 1: Uh, could you be anymore dead? 554 00:21:37,440 --> 00:21:37,839 Speaker 3: Boom? 555 00:21:38,119 --> 00:21:44,640 Speaker 4: Oh sick sick temper the Confederacy forever my work here, 556 00:21:44,880 --> 00:21:47,799 there's no way this won't totally work. 557 00:21:48,240 --> 00:21:50,799 Speaker 1: And seeing kermit any final words, hurry. 558 00:21:50,519 --> 00:21:53,880 Speaker 7: Ho, I don't pay not bad. There you go. 559 00:21:54,000 --> 00:21:55,400 Speaker 2: It feels like hat on a hat, you know, like 560 00:21:55,400 --> 00:21:57,440 I'm a red guy playing green guy. It's just not working. 561 00:21:57,480 --> 00:21:59,640 I didn't really grasp that character. I don't know you're 562 00:21:59,640 --> 00:22:01,240 an acting coach. What kind of tips you got from me? 563 00:22:01,279 --> 00:22:02,000 John Wilkes Booth. 564 00:22:02,039 --> 00:22:04,279 Speaker 4: The fun of short form improv is that we pay 565 00:22:04,400 --> 00:22:07,519 no attention to any sort of comedic theory or reality 566 00:22:07,519 --> 00:22:10,079 at any capacity. You just go out there and say stuff. Okay, 567 00:22:10,119 --> 00:22:11,319 so I thought you did great. 568 00:22:11,319 --> 00:22:12,799 Speaker 1: Thank you. I thought I could have done better. 569 00:22:12,839 --> 00:22:14,480 Speaker 7: I feel like you were a little afraid to get 570 00:22:14,519 --> 00:22:16,079 into the kermit until the end. 571 00:22:16,240 --> 00:22:18,079 Speaker 1: Yeah, yeah, you just got to stick your hand up 572 00:22:18,119 --> 00:22:20,599 it and like embrace the role. We could try another 573 00:22:20,680 --> 00:22:22,519 scene if we want to do like a different character. 574 00:22:22,599 --> 00:22:24,359 I don't know. I'm like, I'm kind of enjoying this 575 00:22:24,400 --> 00:22:25,160 whole acting thing. 576 00:22:25,279 --> 00:22:28,039 Speaker 7: Well, okay, is there anyone you've always dreamed of playing, like. 577 00:22:28,160 --> 00:22:30,319 Speaker 2: I don't know, like Sean Connery and like he hits 578 00:22:30,359 --> 00:22:31,440 women and I've always. 579 00:22:31,160 --> 00:22:34,160 Speaker 1: Looked up to him for that, you know, say no more? 580 00:22:34,240 --> 00:22:36,680 Speaker 2: Okay, all right, By the way, that was next on 581 00:22:36,720 --> 00:22:38,279 the agenda for the Confederacy. 582 00:22:38,519 --> 00:22:39,480 Speaker 3: Oh, hitting women. 583 00:22:39,640 --> 00:22:41,880 Speaker 4: Yeah, it was already legal, but to make a situation 584 00:22:41,960 --> 00:22:43,920 where if you hit a woman or a child you 585 00:22:43,960 --> 00:22:46,319 get elected to an official position. 586 00:22:46,480 --> 00:22:48,880 Speaker 2: Okay, up on Earth that you haven't gotten updates except 587 00:22:48,920 --> 00:22:50,279 for what Matthew Perry gave you. 588 00:22:50,359 --> 00:22:54,720 Speaker 1: But you're not far off from where we kind of landed. Hey, right, No, 589 00:22:54,799 --> 00:22:56,599 we're not gonna high five you put those hands down, 590 00:22:56,680 --> 00:22:58,720 John Wilkes Booth. No, we're not high five and over 591 00:22:58,720 --> 00:23:01,640 that give me some no, no skin for you. 592 00:23:01,759 --> 00:23:04,839 Speaker 7: Now, let's just Sean Connery arresting John Wilkes Booth. 593 00:23:04,880 --> 00:23:09,480 Speaker 1: Shall we Oh yeah, yeah, sure, uh freeze, you're under arrested. 594 00:23:09,680 --> 00:23:11,960 Speaker 4: Sean Connery, Why, I can't believe you've made it all 595 00:23:11,960 --> 00:23:13,440 the way to the south, my friend. 596 00:23:13,559 --> 00:23:15,920 Speaker 7: I am an admirer of your acting technique. 597 00:23:16,519 --> 00:23:19,000 Speaker 1: Their names Bond, James Bond. 598 00:23:19,519 --> 00:23:22,599 Speaker 7: Yeah, wow, Well you'll commitment to character profound. 599 00:23:22,680 --> 00:23:24,599 Speaker 2: I know I'm like three levels deep on this character, 600 00:23:24,640 --> 00:23:25,839 but I'm kind of liking it is. 601 00:23:25,880 --> 00:23:26,960 Speaker 1: Matthew Perry still here? 602 00:23:27,160 --> 00:23:27,480 Speaker 3: Uh? 603 00:23:27,559 --> 00:23:30,759 Speaker 1: Why would I leave? This is my apartment we traded. 604 00:23:30,920 --> 00:23:31,680 I live in a barn. 605 00:23:31,720 --> 00:23:33,720 Speaker 3: Now we had a whole thing where the girls they 606 00:23:33,720 --> 00:23:36,000 went from the barn and to the main manor now 607 00:23:36,079 --> 00:23:36,880 I live in the barn. 608 00:23:37,039 --> 00:23:39,519 Speaker 4: That was always so funny. How you and the women 609 00:23:39,599 --> 00:23:41,480 were not attracted to each other. I don't know the 610 00:23:41,519 --> 00:23:43,240 whole thing. The tension made me laugh. 611 00:23:43,319 --> 00:23:47,079 Speaker 1: Could there be any more tension between Sean Connery and 612 00:23:47,279 --> 00:23:50,759 John Wilkes Booth? There can only be one Highlander. I 613 00:23:50,799 --> 00:23:53,920 am clearly a man from Spain. Does that work? 614 00:23:53,960 --> 00:23:54,400 Speaker 7: Beautiful? 615 00:23:54,440 --> 00:23:56,839 Speaker 1: And I think you'll illustrating his range as well? Yeah, yeah, 616 00:23:56,839 --> 00:23:57,880 I try a big admirer. 617 00:23:58,079 --> 00:23:59,200 Speaker 7: Yeah, this has been great. 618 00:23:59,240 --> 00:23:59,440 Speaker 3: Guys. 619 00:23:59,480 --> 00:24:02,079 Speaker 8: I'd love to invite you to perhaps teach a class 620 00:24:02,160 --> 00:24:05,400 or two for the at risk affected demon youth if possible. 621 00:24:05,480 --> 00:24:07,759 Speaker 2: Oh wow, it's quite the opportunity. I think Chris would 622 00:24:07,880 --> 00:24:08,519 have been kick out of that. 623 00:24:08,559 --> 00:24:10,920 Speaker 3: Can't do it as Matthew Perry, my friend, I wouldn't 624 00:24:10,920 --> 00:24:12,400 have it any other way. Are you good? 625 00:24:12,440 --> 00:24:13,400 Speaker 7: Although I gotta warn you. 626 00:24:13,440 --> 00:24:15,799 Speaker 4: Are you familiar with the films like Stand By Me 627 00:24:16,000 --> 00:24:19,079 and those sort of like Teacher Makes Good with children 628 00:24:19,119 --> 00:24:20,440 who are badly behaved? 629 00:24:20,599 --> 00:24:20,799 Speaker 3: Yeah? 630 00:24:20,920 --> 00:24:22,519 Speaker 1: That goodwill hunting kind of thing. 631 00:24:22,759 --> 00:24:22,960 Speaker 7: Yeah. 632 00:24:23,200 --> 00:24:26,119 Speaker 3: Sure, there's a Sean Connery one. Uh, the Older Man 633 00:24:26,240 --> 00:24:26,759 now Dog? 634 00:24:26,920 --> 00:24:29,480 Speaker 1: Oh yes, and the socks with the inside out. Yeah, 635 00:24:29,480 --> 00:24:30,240 I remember that one. 636 00:24:30,279 --> 00:24:33,960 Speaker 8: It's like that if you never connect with the children. Okay, 637 00:24:34,079 --> 00:24:36,200 so picture the first twenty minutes of those. 638 00:24:36,039 --> 00:24:38,680 Speaker 2: Movies over and them, or just the low point in 639 00:24:38,720 --> 00:24:40,359 the second act, just on repeat. 640 00:24:40,720 --> 00:24:43,480 Speaker 9: Oh yeah, but it's hundreds of children, So you're having 641 00:24:43,480 --> 00:24:46,880 that moment every single day with hundreds of different kids. 642 00:24:46,920 --> 00:24:48,559 Speaker 2: So when you're going in and you're just saying, it's 643 00:24:48,599 --> 00:24:50,400 not your fault, it's not your fault. You're trying to 644 00:24:50,400 --> 00:24:52,000 go in for the hug. Are they just stabbing you? 645 00:24:52,079 --> 00:24:53,039 Speaker 7: Oh, they're stabbing your baby. 646 00:24:53,039 --> 00:24:54,359 Speaker 3: It is your fault is yeah. 647 00:24:54,400 --> 00:24:57,440 Speaker 4: Here in Hell, every child is issued one pen knife 648 00:24:57,799 --> 00:24:59,039 for school yeah, it's true. 649 00:24:59,079 --> 00:25:01,400 Speaker 3: I still have mine for my I guess your legacy 650 00:25:01,519 --> 00:25:04,039 John Wilkes Booth, Besides what you mentioned, what do you 651 00:25:04,039 --> 00:25:05,200 feel like your legacy is? 652 00:25:05,359 --> 00:25:05,599 Speaker 7: Well? 653 00:25:05,680 --> 00:25:08,240 Speaker 8: Up until today, I would have said a hero who 654 00:25:08,359 --> 00:25:11,839 saved the country and thusly the word yeah, But now 655 00:25:11,920 --> 00:25:15,079 I think my legacy is like kind of a pathetic 656 00:25:15,200 --> 00:25:19,119 weirdo who really like thought very highly of himself without 657 00:25:19,200 --> 00:25:23,880 much evidence, and instead of transforming his resentment into a 658 00:25:23,880 --> 00:25:27,759 thing that could help people, he ultimately caused the destruction 659 00:25:28,240 --> 00:25:31,119 of a person who could have gone on to improve 660 00:25:31,200 --> 00:25:33,920 civil rights in untold ways in America. 661 00:25:34,079 --> 00:25:37,519 Speaker 2: John Wilkes Booth, you did it. You've come full circle. 662 00:25:37,599 --> 00:25:38,359 You've learned your. 663 00:25:38,319 --> 00:25:41,640 Speaker 1: Lesson, and now you can move on. You can go 664 00:25:41,680 --> 00:25:42,759 to heaven. You can do that. 665 00:25:42,799 --> 00:25:45,519 Speaker 2: Now you can go on right now. I'm just kidding, 666 00:25:45,519 --> 00:25:48,440 I'm acting. How did I do? 667 00:25:48,480 --> 00:25:49,079 Speaker 7: You got me? 668 00:25:49,319 --> 00:25:49,559 Speaker 1: Wow? 669 00:25:49,640 --> 00:25:50,400 Speaker 7: That was beautiful. 670 00:25:50,400 --> 00:25:52,599 Speaker 4: There was a brief moment of hope in my heart 671 00:25:52,680 --> 00:25:53,720 and then you dashed it. 672 00:25:53,799 --> 00:25:54,519 Speaker 7: Yeah. 673 00:25:54,240 --> 00:25:56,839 Speaker 2: Yeah, I tried to do a whole Christmas Carol thing. 674 00:25:56,880 --> 00:25:59,119 I'm a great admirer of those films. And oh, you 675 00:25:59,119 --> 00:26:01,359 can move on with your life. You've redeemed yourself and 676 00:26:01,400 --> 00:26:02,440 then I pulled the rug out. 677 00:26:02,480 --> 00:26:02,920 Speaker 7: That's fun. 678 00:26:02,960 --> 00:26:05,119 Speaker 4: We do a version of a Christmas Carol down here, 679 00:26:05,200 --> 00:26:07,440 but at the end he takes money from poor people. 680 00:26:07,599 --> 00:26:11,920 Speaker 2: Oh yeah, the classic Scrooge. Scrooge two too, Scrooge too furious. 681 00:26:12,039 --> 00:26:13,279 Speaker 7: Yeah, yeah, still scrooging. 682 00:26:13,519 --> 00:26:16,720 Speaker 4: Yeah, okay, guys, I gotta take off, But do me 683 00:26:16,759 --> 00:26:19,960 a favorite. Tell whoever the presidents of the Confederacy is now? 684 00:26:20,000 --> 00:26:20,880 Speaker 7: I said, what's up? 685 00:26:21,400 --> 00:26:22,200 Speaker 3: Uh? 686 00:26:22,319 --> 00:26:24,519 Speaker 1: Did Matthew Perry not break the news to you that 687 00:26:24,640 --> 00:26:26,559 eventually Friends was canceled? 688 00:26:26,640 --> 00:26:27,680 Speaker 7: Yeah we got that news. 689 00:26:27,880 --> 00:26:30,440 Speaker 1: No, No, no, it's something on a broader scale. Uh. 690 00:26:30,519 --> 00:26:34,079 Speaker 2: Yeah, the Confederacy fell apart pretty fucking swiftly. 691 00:26:34,400 --> 00:26:35,720 Speaker 3: Yeah you're kidding me. 692 00:26:36,400 --> 00:26:39,119 Speaker 1: Yeah, that was my whole thing. 693 00:26:39,440 --> 00:26:41,599 Speaker 2: You can still see remnants of it in like the 694 00:26:41,799 --> 00:26:44,240 parking lot of the Walmart in the South, but that's 695 00:26:44,279 --> 00:26:44,799 about all. 696 00:26:45,200 --> 00:26:45,440 Speaker 3: Yeah. 697 00:26:45,559 --> 00:26:46,440 Speaker 1: Yeah, well, at. 698 00:26:46,440 --> 00:26:49,559 Speaker 4: Least there's like the occasional statue or something, right that 699 00:26:49,640 --> 00:26:51,000 people tweet with respect. 700 00:26:51,039 --> 00:26:53,119 Speaker 2: They had their day for you know, about a hundred years. 701 00:26:53,160 --> 00:26:55,119 But no, they recently they started tearing those down. 702 00:26:55,240 --> 00:26:55,400 Speaker 1: Yeah. 703 00:26:55,440 --> 00:26:57,000 Speaker 7: Yeah, you guys. 704 00:26:57,079 --> 00:26:59,640 Speaker 4: But certainly the people that follow our edicts and stuff, 705 00:26:59,640 --> 00:27:02,799 they're good guys, right, they're not people who exploit other 706 00:27:02,880 --> 00:27:07,240 people and profuse themselves to be like alphas who sort 707 00:27:07,240 --> 00:27:09,079 of dominate women and other people. 708 00:27:09,160 --> 00:27:10,680 Speaker 7: That they don't like us, right. 709 00:27:10,880 --> 00:27:14,119 Speaker 2: Yeah, no they do. They actually quite love you. If 710 00:27:14,119 --> 00:27:18,160 it's any consolation that mindset is pretty prominent in the 711 00:27:18,200 --> 00:27:21,359 podcasting space. Not this podcast, but right, I. 712 00:27:21,319 --> 00:27:24,799 Speaker 1: Mean, hey, look, we'll always have podcasts. Yeah. Yeah, well 713 00:27:25,000 --> 00:27:29,119 it's it's been a thing, yeah, John Woks Booth. I 714 00:27:29,160 --> 00:27:31,720 wouldn't say it's a treat, but it's certainly been an episode. 715 00:27:31,799 --> 00:27:34,079 John Wilkes Booth. That's how most people feel when they 716 00:27:34,079 --> 00:27:34,400 see me. 717 00:27:34,440 --> 00:27:34,880 Speaker 7: You're talking. 718 00:27:35,400 --> 00:27:39,119 Speaker 3: Yeah, well, we got a play to catch. 719 00:27:39,559 --> 00:27:42,480 Speaker 1: Yeah, so I've got my vacation. Oh yeah yeah, ooh fun. 720 00:27:42,519 --> 00:27:44,839 Speaker 4: Hey I could just do monologues for you guys for 721 00:27:44,880 --> 00:27:47,480 a while if you want, tell you what. 722 00:27:47,519 --> 00:27:48,880 Speaker 7: I'll come with you wherever you go. 723 00:27:49,160 --> 00:27:52,920 Speaker 2: Yeah, yeah, go ahead, win outside first, John Wilkes Booth. 724 00:27:52,920 --> 00:27:54,480 We're gonna wrap things up in here, but we'll be 725 00:27:54,559 --> 00:27:55,960 right out there here in a second. 726 00:27:56,039 --> 00:27:58,599 Speaker 4: Okay, cool, all right, you guys have really good pals 727 00:27:58,599 --> 00:28:00,680 of mine. Now see, we'll see you soon. 728 00:28:00,759 --> 00:28:00,960 Speaker 1: Yeah. 729 00:28:01,039 --> 00:28:03,880 Speaker 2: Yeah, we're gonna go out the other entrance. Chris, we 730 00:28:03,880 --> 00:28:05,720 can just go out the window. Yeah. Yeah, but uh, hey, 731 00:28:05,720 --> 00:28:07,279 if you want to support us, go to our patreon 732 00:28:07,319 --> 00:28:08,880 at good Morning from hell dot com. 733 00:28:08,960 --> 00:28:11,559 Speaker 1: Yeah, we get the Saint hatreon Saint tyr. What is 734 00:28:11,559 --> 00:28:12,519 that six sixty six? 735 00:28:12,759 --> 00:28:15,039 Speaker 3: Yeah, there's so many options. And hey, do you want 736 00:28:15,039 --> 00:28:17,279 to get recommend by Clayton on LinkedIn? That's the only 737 00:28:17,279 --> 00:28:17,799 way to do it. 738 00:28:17,839 --> 00:28:19,960 Speaker 1: That's right, you might connection on LinkedIn. You gotta pay 739 00:28:19,960 --> 00:28:24,160 for that, that's premium stuff. Yeah, Salvett Clayton. That's that's 740 00:28:24,240 --> 00:28:28,599 Latin for Hail Clayton. Oh yeah, it didn't land, Yeah, 741 00:28:28,680 --> 00:28:31,079 lat okay. All right, see you guys next week. 742 00:28:32,200 --> 00:28:35,440 Speaker 3: Thank you mort Burke for coming on. Tell the people 743 00:28:35,880 --> 00:28:36,839 where they can find you. 744 00:28:37,000 --> 00:28:38,640 Speaker 1: Yeah, thanks guys for having me. That was fun. 745 00:28:38,680 --> 00:28:41,799 Speaker 9: You can find me at mort Burke on Instagram. Specifically, 746 00:28:41,839 --> 00:28:43,839 I'm posting a bunch of sketches lately, so go check 747 00:28:43,880 --> 00:28:47,200 that out. And I got a podcast with Ashley Burch, 748 00:28:47,240 --> 00:28:49,359 my wife, called Rebrand that's a ton of funk, so 749 00:28:49,400 --> 00:28:51,359 please go listen to that. And I got a stand 750 00:28:51,400 --> 00:28:53,720 up special called Spiritually Filthy that you can look up. 751 00:28:53,759 --> 00:28:56,640 Speaker 7: That's on YouTube. And I got another one coming soon 752 00:28:57,079 --> 00:28:58,799 that's gonna be called There's beauty in it all. 753 00:28:58,920 --> 00:29:00,000 Speaker 1: Oh brd, I just. 754 00:29:00,160 --> 00:29:02,279 Speaker 2: The connection that your wife is your co host on 755 00:29:02,279 --> 00:29:04,880 that show. We were talking about your wife and then 756 00:29:05,119 --> 00:29:07,599 your co hosts on your podcast as if they were 757 00:29:07,599 --> 00:29:10,359 two separate entities, and now they're a oh really yeah, 758 00:29:10,400 --> 00:29:15,359 oh yeah, sorry sorry, anyways, if you want to hear 759 00:29:15,599 --> 00:29:16,480 Mortan his wife. 760 00:29:16,480 --> 00:29:18,319 Speaker 9: But I told that whole story about how she wanted 761 00:29:18,319 --> 00:29:19,440 Emmy and she's very busy. 762 00:29:19,599 --> 00:29:21,640 Speaker 2: Well but then you were like, yeah, my wife the 763 00:29:21,640 --> 00:29:23,880 Emmy winner and then my podcast hosts the Emmy winner, And. 764 00:29:23,839 --> 00:29:24,920 Speaker 1: I was like, all right, he's just surrounded. 765 00:29:26,960 --> 00:29:29,359 Speaker 3: Yeah, so real quick, tell people what is rebrand if 766 00:29:29,359 --> 00:29:31,279 they haven't had the opportunity to listen for sure, Yes, 767 00:29:31,359 --> 00:29:32,920 we just rebrand anything. 768 00:29:33,079 --> 00:29:36,200 Speaker 9: So we did an episode where we rebranded Ohio, We'll 769 00:29:36,240 --> 00:29:39,559 rebrand Death, will rebrand Snickers. Like it's basically just a 770 00:29:39,559 --> 00:29:42,279 fun excuse to do an entire episode talking about one 771 00:29:42,279 --> 00:29:44,880 specific idea or brand. So we talk about how things 772 00:29:44,920 --> 00:29:46,559 suck and then we talk about how to make them better. 773 00:29:46,599 --> 00:29:49,119 We did an episode where we rebranded Dwayne the Rock 774 00:29:49,240 --> 00:29:53,079 Johnson as a dramatic actor before he did that, like 775 00:29:53,119 --> 00:29:56,680 we like predicted the whole thing. Although that one we 776 00:29:56,799 --> 00:29:58,599 really knew the idea of him working with Paul Thomas 777 00:29:58,640 --> 00:30:02,920 Anderson and him changing his name specifically to Dwayne the. 778 00:30:03,000 --> 00:30:07,880 Speaker 3: Actor John say, yeah, people go look for rebrand wherever 779 00:30:07,880 --> 00:30:10,039 we listen to podcasts, and we might be doing a 780 00:30:10,079 --> 00:30:12,519 collaboration where I, me and Blane comm on, so we'll 781 00:30:12,559 --> 00:30:15,000 probably try and coordinate that. So you might be able 782 00:30:15,039 --> 00:30:16,640 to find me in Blaine. If you go search for 783 00:30:16,680 --> 00:30:18,039 a rebrand of all. 784 00:30:17,960 --> 00:30:20,519 Speaker 1: The episodes, that's going to be one of them. It's 785 00:30:20,559 --> 00:30:24,279 going to be great. We're going to be able to 786 00:30:24,359 --> 00:30:27,599 keep up with you and Ashley Emmy Winner. Yeah yeah, 787 00:30:27,759 --> 00:30:28,799 so yeah, thanks for coming on. 788 00:30:28,839 --> 00:30:30,559 Speaker 3: We're going to go talk about why we're going to hell. 789 00:30:30,680 --> 00:30:32,319 Speaker 1: Bye bye, Thanks, Dad's bye.