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Speaker 1: Oh gods, your god. So I thought you wanted to stay.

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Speaker 2: It's not supply side you want in a way, she said,

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another day you'll ever go down me?

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Speaker 3: Got side? Come, oh, I said, another go away.

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Speaker 1: Some clous and stuff I think got some discot some

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I think untrue.

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Speaker 4: So sis, oh that is so good. That is pretty girl.

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The band is the Doldrums and we're going to talk

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to those guys in just a minute. They're here with

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us in studio. But welcome everybody. Here we go. It

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is time that time again Matt Connorton Unleashed and we

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are live from the studios of wm NH ninety five

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point three FM and Glorious Manchester, New Hampshire. Of course,

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also streaming. If you go to Matt connorton dot com

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slash live you can find the show from anywhere all

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your live streaming options, social media links, contact info, show archives, etc.

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Et cetera. Today is Saturday, April nineteen, twenty twenty five,

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and I am not alone the best.

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Speaker 5: Fast, good morning sunshine.

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Speaker 4: Yes, Jenny is here in the studio with us. And

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uh it's gonna be eighty degrees today, I believe, which

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is a big change. I was just reflecting. Uh, last

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week when we were sitting here going wow, I can't

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believe it's winter again.

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Speaker 5: When we lay last weekend, it was snowing.

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Speaker 4: Yeah, we woke up to a winter wonderland that was

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just total not good. And today it's gonna be eighty degrees.

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So we're excited about that. Absolutely, let me get these

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mics up here because we've got the band The Doldrums

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here with us live in studio. Welcome, guys, what's going on?

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What's up? I love that song, pretty Girl? You know

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it's I really like your sound because your songs are

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they're very, very catchy, but also heavy, and not everyone

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can do catchy and heavy at the same time, you

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know what I mean. Yeah, so I like that a lot.

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Speaker 6: Appreciate that.

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Speaker 4: I like that a lot. Absolutely, here, let's do this.

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Let's start in the quarter here, let's go around the room.

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You can each uh, tell us who you are, what

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you do in the band.

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Speaker 6: What's up.

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Speaker 7: My name is Rob O'Neill. I am the lead singer

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and guitarist.

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Speaker 8: Welcome, what's up, everybody? My name is tom Na Koja.

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I play bass and do backing vocals.

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Speaker 4: Welcome, thank you.

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Speaker 9: Hello, I'm Brendan Lacenti. I play guitar and do backup

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vocals as well.

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Speaker 4: Very good, very good. And you, sir, hey Rob Choder,

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I play drums, all right, very good. Wow that's all

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I do. Man, you got the easy one, although well you.

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Speaker 8: Do the most.

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Speaker 4: You do the most work though, right, because you use

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all four of your limbs when you play, and you

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have to log the most stuff.

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Speaker 10: It's a team effort, right right.

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Speaker 4: That's good. That's good. Is there really do they help you?

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Do they help you load in and load out?

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Speaker 6: Because I don't ever help most the.

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Speaker 4: I was gonna say not. You know sometimes in bands,

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not everyone, not everyone shares that particular division of labor,

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you know, so wugging the equipment, we.

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Speaker 10: All help each other luckily get it wrong.

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Speaker 8: We do not want to do.

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Speaker 4: That, right right, Yeah, that's true. Right, Oh, I understand,

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I understand. Absolutely. We should mention too before we go

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any further right off the top, and obviously we'll mention

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it again later in the conversation. But you guys have

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a show tonight for those listening live on Saturday morning

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at the Shafts Skiing Correct.

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Speaker 7: Yes, we do headlining as Shaskiene Doors at nine.

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Speaker 6: I believe eight eight doors at eight.

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Speaker 10: Okay, it starts at nine.

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Speaker 4: Yep, gotcha, gotcha? Who else is playing? I know Regals

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is up. We had them on the show. They're fantastic.

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Speaker 6: Yeah, they're great.

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Speaker 9: Yeah, we have to playing with them. Our friends Still Sleeping,

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it's their debut show tonight. Oh I'm kidding, so that'd

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be awesome. And then another band, Birds in Theory.

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Speaker 4: Okay, okay, I don't know. I don't know Still Sleeping

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or Birds in Theory, but very cool, very cool. And

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then you guys playing out a lot, you're doing a

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lot of shows or what's what's kind of the live

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live situation?

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Speaker 7: Like, I feel like we haven't been doing many shows

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as of recently. We've been kind of focusing on recording

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new music. Yeah, we got a music video coming out

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somewhat soon as well. Oh, we've had a lot of

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focus on writing and everything. But yeah, we're probably gonna

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try to book a lot more shows for the summer.

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Speaker 4: Nice. What track is the video for that's coming?

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Speaker 6: It's for Why for Why?

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Speaker 4: Okay, yeah, okay, and we're gonna play that. We'll play

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that in a few minutes. Yeah, very cool. Is this

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gonna be your first video as a band, your first

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music video or yeah.

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Speaker 6: Yeah, the full music video.

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Speaker 7: Yeah, we have some like teaser videos, but this is

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gonna be the first full one.

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Speaker 4: Oh very good. Is it a concept or is it

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just you guys playing live or I don't know how

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much you want to divulge about it.

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Speaker 6: Oh no, it's it's all good.

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Speaker 7: Yeah, there's some concept we have who we call kind

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of our fifth member of the band, Devin Perry. He

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does our videos and he does our photography. Okay, so

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he also comes up with creative ideas for for videos.

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So it's kind of a little bit of an abstract idea. Yeah,

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we got a cool place over like in the Mills

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that we recorded in.

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Speaker 8: Oh, actually a friend of Brendan's.

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Speaker 9: Yeah, Karen Jerzych Photography. She's over in over in Morgan Mills.

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Speaker 4: Oh okay, Oh very cool. Good good. Yeah, it's a

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wicked cool spot. Yeah excellent. Is that where you guys

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rehearsed to We rehearse at at Rob's house. Oh nice, Yeah,

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a mansion, very good, very good.

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Speaker 11: It's a little raised ranch and hooks it excellent?

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Speaker 4: Is it? Is it kind of uh? Is it soundproof or.

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Speaker 10: They're a little crazy with it.

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Speaker 4: Yeah, yeah, do they actually do they actually complain?

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Speaker 3: No?

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Speaker 11: Actually, I have one neighbor that's a little odd that

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will just spread them witches walk in the house and

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come down and hangs.

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Speaker 6: Out, good old Roger.

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Speaker 4: Yeah, that's cool though. That's validation, right, Like to have

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a neighbor who wants to come and check out what

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you're doing, that's pretty cool.

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Speaker 10: Maybe about to check up on.

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Speaker 4: Yeah. Yeah. Now, the the tracks that we're playing today,

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are these from an album, from an EP or they

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just singles or because there's so many different ways now

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that artists are releasing music.

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Speaker 6: Yeah, they're gonna be on an upcoming EP.

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Speaker 4: Oh, so the EP is upcoming? Any idea when any

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kind of an ETA?

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Speaker 7: So we we plan on releasing a single next Friday,

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and uh we we figured that, you know, may as

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well start plugging it here on the radio show.

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Speaker 6: We haven't really talked about it much.

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Speaker 7: The EP is going to be called the lunch Box EPA.

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And yeah, we're gonna be putting a single out. We

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don't have a release date quite yet for the actual

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EP itself. We're gonna start we're gonna start pushing that.

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What's the single, the single It's Gonna be Freaking Me out?

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Speaker 4: Oh right, right right, okay, yes, yes I have I

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have a version of that are prepared that we can

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play on the show YEP.

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Speaker 6: Version. Yeah, very cool.

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Speaker 1: Yeah.

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Speaker 4: When I was listening to these, like I said, you

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know earlier, like I said at the end of Pretty Girl,

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you know, your songs are heavy, but they're catchy. And

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I really like that because, like I said, you know,

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most bands they try to kind of be one or

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the other, you know, and and so you got I

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mean it sounds like, you know, really a lot of effort,

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Like who are the songwriters in the band? Because it's

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it's it sounds like you really put like you think

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about the craft of songwriting and it shows in your music,

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Like who writes the songs or do you all write together?

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Speaker 6: Yeah?

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Speaker 9: Yeah, all this stuff on the EP has been pretty

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much written by everybody at the same time.

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Speaker 4: Yeah.

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Speaker 6: Yeah, we have a pretty big hand in it.

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Speaker 4: No, that's great, that's great.

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Speaker 3: I do.

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Speaker 8: I will give credit where credit is due. Rob comes

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up with incredible melodies right out the jump. We we

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we come up with a riff idea and the rest

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of us are jamming it out and he just sings

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gibberish the first time around, but he always gets an

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awesome melody right out the jump. So we always where

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we we videotape ourselves practicing. Yeah, so we can come

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back to that and make sure we don't lose that melody.

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Speaker 1: You know.

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Speaker 4: That's that's a smart thing. I was in a band.

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This was a long time ago. I was in a

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band called First Shove, and we had we had a

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couple of songs that we were trying to work on

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one day at practice and like we we found ourselves

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actually forgetting parts to one of them. And it was

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a conversation. There was a conversation about maybe we should

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start recording, you know, because we would tend to write

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at our rehearsals. It would kind of be you know,

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we'd practice if we had shows, but we'd also write

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stuff at the same time, and and uh, yeah, there

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was a point where we were actually forgetting things and

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it's like, oh, that's really bad.

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Speaker 6: Yeah.

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Speaker 12: Yeah, that's why we always do some sort of a video.

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Speaker 8: Yeah, And we have a shared Google drive too, so

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we we always post up those. Every one of the

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songs that we've ever written has like fifteen different versions

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on video of the progression towards you know, the finished product.

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Speaker 4: Yeah, that's a really good idea. Yeah, that's really smart.

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It helps. Yeah, definitely. You guys want to play another song,

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another track? Yeah? Yeah, so what should we do next?

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We want to go why next?

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Speaker 6: Yeah, we can do Why.

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Speaker 4: Okay, that's a good one we had talked about. Now,

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was this the first single?

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Speaker 9: Yeah, that was the first one that we released at

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the beginning in like February or March of twenty twenty four. Okay,

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the version that we're hearing now is going to sound

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a little different than the one that we were released.

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Speaker 12: Oh really drums, oh entirely.

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Speaker 10: Oh, no, credit recorded some stuff.

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Speaker 4: Oh cool, okay, okay, And I'm just I'm always so

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curious about this kind of thing. Well, why did you

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decide to do that? What did they just not come

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out so well?

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Speaker 10: The songs with Eric at Blackhearts sound.

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Speaker 4: Oh Erics So his name, Yeah, his name comes up

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on the show almost on a weekly basis.

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Speaker 8: Literally one of the coolest people on the planet.

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Speaker 4: Absolutely, Eric.

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Speaker 11: Yeah, but we did three songs with them, and then

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we're like, you know, maybe let's go back and do

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a couple more and then when we started doing the

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other three that are going to be on the EP,

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the drum sound was just so different, really, and it

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sounded so much better, and we were like, you know what,

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let's let's make it that way. It's all consistent. Yeah,

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and it just came out so much better.

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Speaker 9: We learned a lesson there, which would be, if we

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I think we're not going to just do three songs,

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we might as well just do it all at once.

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And then that way, folks, ye to do it to

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day here, day here, day here. You just get a

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week and do it all at once.

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Speaker 4: Yeah, there you go, there you go. All right, let's

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give this a spin. This is called Why. And the

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band is the Doldrums.

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Speaker 3: Up.

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Speaker 1: That's got.

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Speaker 13: That's I'm not trying that said, I not that s

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T S.

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Speaker 1: S T so wow wow.

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Speaker 3: Wow, so.

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Speaker 14: God say what?

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Speaker 1: Also, O God, can.

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Speaker 3: You say?

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Speaker 4: I love it? That is so good? That is called Why.

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And by the way, that is why not just the

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letter why if you're wondering. The band is the Doldrums.

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And we've got the band the Doldrums here with us

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alive in studio on this Saturday morning here at w

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M n H. And uh yeah, I love that track.

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That is really good, really really good. Do you guys

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how many how many songs do you guys have? Like,

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do you have additional songs that you play live that

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that are not yet recorded or not yet recorded?

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Speaker 8: No, there are additional songs that we do play live.

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There was actually, well, there was a previous release from

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the band before me, Tom and the drummer Rob were

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in the band. They had a a I think it

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was what a four track of five track?

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Speaker 9: Yeah, we had a there was a previous iteration that

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were me and Rob singer Rob, and we released a

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four song EP with a couple of guys back in

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twenty twenty.

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Speaker 7: Yeah, twenty twenty. Yeah, we started the band of twenty eighteen.

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That's before we had these new handsome gentlemen here Tom

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and drummer. Uh yeah, so twenty eighteen and then like

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we kicked out a couple of members because see not

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good people.

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Speaker 4: Oh, and then we.

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Speaker 12: Had a hiatus sound for a while.

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Speaker 4: Sounds like there's a story there.

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Speaker 6: Oh, there's definitely a story there with a long story.

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Speaker 4: One you can tell or probably not. Probably I would

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I would go with probably, yeah, probably.

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Speaker 15: I'm always looking for the dirt always maybe not on air, yeah,

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always looking for the for the dirt, but you know,

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off air dirt is the next best thing, yeah selfishly.

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Speaker 4: Okay. By the way, so where does a name come from?

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The Doldrums.

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Speaker 6: It's like a I came up with it.

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Speaker 7: I mean like twenty eighteen when I started the bands,

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I like heard of the word and I was like,

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that would make a cool band name. It's like the

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the meaning of doldrums is like the part of the

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ocean where like boats like can't there's no wind.

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Speaker 6: There's like no wind, so they kind of sink stuck

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in place.

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Speaker 4: I didn't know that was the etymology of the term. Yeah.

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Speaker 7: So it's kind of like people say like I'm in

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the doldrums, meaning like you know, they're almost like being

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like depressed, no progress yeaheah okay, which is.

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Speaker 10: A bunch of sad boys.

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Speaker 9: Yeah yeah, yeah, a fitting fitting name.

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Speaker 6: Yeah yeah yeah.

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Speaker 4: I mean, well, I don't know. The music's pretty high

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energy now. It's not like I didn't. I didn't know

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quite what to expect when I saw the name of

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the Doldrums. I thought it might be punk. I thought

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it might be like, you know, kind of more stoner metal.

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I don't know, how do you guys describe for people

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who haven't heard heard your sound, Like, how do you

302
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how do you describe it?

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Speaker 12: That's really I don't think we know any difficulty.

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Speaker 7: That's why it makes it like, Yeah, I at least

305
00:19:04,920 --> 00:19:07,920
personally have a lot of like garage rock influence. Yeah,

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so I kind of like try to show that in

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the band. I think we have some of that sound

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in there. Yeah.

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Speaker 11: Yeah, it's really hard, but it kind of like started

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off as like surface supposed to be.

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Speaker 10: Like when I joined the band, I was kind of

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metal drummer.

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Speaker 11: Yeah, I'm a very heavy drummer, and they were looking

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for that. And I think when I joined the band,

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I kind of got away from the surf punk thing,

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and I think we just kind of meshed.

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Speaker 8: Yeah, so I do think we still dip back into

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the surf punk surf punk roots every once in a while.

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Speaker 4: But yeah, yeah, I mean I can hear that. I

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can hear that mix of influences, and I can actually

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imagine you guys doing a surf punk song, you know. Yeah, yeah,

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I can hear that.

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Speaker 11: And I think that's why it's it's so like, you know,

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we have some tracks that are very heavy and then

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they're very melodic. Yeah, like we we kind of just

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thrive off each other with that.

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Speaker 4: Yeah. So is there anybody in the area that you

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00:19:58,880 --> 00:20:00,440
guys play a lot of shows with, you know, it

329
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kind of happens organically sometimes fans a lot of shows.

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Speaker 8: Yeah, yeah, definitely Geers Okay, Yeah, but I mean, honestly,

331
00:20:13,640 --> 00:20:17,839
we haven't played that many live shows overall. Yeah, it's

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it's we we We've spent a lot of time on

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this EP.

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Speaker 16: Yeah.

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Speaker 8: Yeah, going into the studio and getting these recordings.

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Speaker 4: Yeah. What's interesting about you guys doing a lot of

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00:20:27,000 --> 00:20:28,920
shows with the Regels is obviously they have a very

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00:20:28,960 --> 00:20:32,680
different sound than you. Yeah, but but they're interesting too,

339
00:20:32,680 --> 00:20:34,319
and that they've got like a real like you can

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hear a lot of different influences in their music as well.

341
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Absolutely great and it's but yeah, they are so good.

342
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It was just the well we had them on the show.

343
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It was just the two guys came in and played live.

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But it was it was so good, I bet. But

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we saw them. We met them at the Shasking Jenny

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and I did, uh originally right, it was that was

347
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the first time we'd met them, right, the Shasking that night. Yeah, yeah,

348
00:20:56,440 --> 00:20:59,599
because Jenny's son, Jesse was playing there Jesse Coffee, and

349
00:20:59,759 --> 00:21:01,240
uh that was Yeah, that was the first time we'd

350
00:21:01,279 --> 00:21:03,359
met Regals and it was like, wow, I don't know

351
00:21:03,359 --> 00:21:04,920
if it was the full Oh no, wait, didn't we

352
00:21:04,920 --> 00:21:08,640
meet them before that at Mosaic Mosaic Arts Studio. That

353
00:21:09,599 --> 00:21:12,720
was the full band that was playing that night. Yeah. Yeah,

354
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but they're uh, they're really really good. What are what

355
00:21:15,480 --> 00:21:17,160
are kind of the long term plans as far as

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you guys, are you looking to tour? Like do you were?

357
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I know you haven't played a ton of shows yet,

358
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but are you looking to to kind of get on

359
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the road or what's what's really talked about touring?

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Speaker 8: We are submitting for a contest with this music video

361
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that we just made, and I mean the prize being

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00:21:36,599 --> 00:21:40,559
a stage at Warped Tour like playing at war So

363
00:21:41,160 --> 00:21:42,759
I mean fingers crossed obviously a.

364
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Speaker 4: Little bit of a try.

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Speaker 6: I believe we can do it.

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Speaker 4: Yeah, yeah, I believe you can too. That would be cool.

367
00:21:50,200 --> 00:21:52,720
I can imagine you guys have warped to her definitely. Yeah,

368
00:21:53,279 --> 00:21:54,759
you want to play the what do you want to

369
00:21:54,759 --> 00:21:56,039
play next? We should play another one?

370
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Speaker 8: We should play the single out for Friday. Yeah, so

371
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this will this will be the first time anybody's hearing.

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Speaker 4: So this is the uh so obviously first time on

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the radio. Then, so this is the world radio premiere, world.

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Speaker 6: Period, world premiere.

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Speaker 10: It's a banger.

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Speaker 4: We love the world premieres here and this is uh so,

377
00:22:15,359 --> 00:22:18,039
this is freaking me out, freaking me out. Yeah, And

378
00:22:18,079 --> 00:22:19,920
I just got to make sure I've got the right

379
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version cut big things coming, got to make sure and

380
00:22:25,960 --> 00:22:28,119
uh the heck did I do with it?

381
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Speaker 8: Oh?

382
00:22:28,319 --> 00:22:28,839
Speaker 10: Maybe I didn't.

383
00:22:28,880 --> 00:22:30,640
Speaker 4: Maybe I didn't download that one onto the computer. He

384
00:22:30,799 --> 00:22:33,160
That's okay, though, I can do that really quick. Tell

385
00:22:33,240 --> 00:22:35,079
us about this while I'm doing that, Like, what what

386
00:22:35,119 --> 00:22:36,359
should we know about this song?

387
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Speaker 8: Freaking me out? Probably heavier than every other one of

388
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our songs.

389
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Speaker 9: Definitely weirder, definitely also considerably weirder, kind of all over

390
00:22:45,960 --> 00:22:46,359
the place.

391
00:22:46,440 --> 00:22:48,680
Speaker 8: But a little bit of a Latin beat in there,

392
00:22:48,839 --> 00:22:55,160
a little bit of a circus gem Okay, yeah, yeah.

393
00:22:55,240 --> 00:22:57,400
Speaker 6: It's got a little bit of everything, to be honest.

394
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Speaker 12: Okay, definitely a strange one.

395
00:23:00,359 --> 00:23:02,440
Speaker 4: Okay. And what went into the decision to make this

396
00:23:02,480 --> 00:23:05,480
the next single? Any any method to that or do

397
00:23:05,519 --> 00:23:06,599
you just really like the track.

398
00:23:06,680 --> 00:23:07,680
Speaker 10: It's how it always happens.

399
00:23:07,759 --> 00:23:10,039
Speaker 11: We were in the studio and I get done with

400
00:23:10,079 --> 00:23:11,799
my parts, and all of a sudden, they go, well, we.

401
00:23:12,200 --> 00:23:13,480
Speaker 10: Got a little bit of time, you want to maybe

402
00:23:13,559 --> 00:23:17,400
try to lay down some drum tracks for this, And

403
00:23:17,400 --> 00:23:18,599
I'm like, oh, we'll see if we do. And then

404
00:23:18,599 --> 00:23:21,279
all of a sudden, it just became like our favorite.

405
00:23:20,880 --> 00:23:25,119
Speaker 8: Every yeah, yeah, yeah, every song becomes our new favorite song.

406
00:23:25,119 --> 00:23:29,160
Speaker 9: Right right, Yeah, But we're also like pushing what like

407
00:23:29,200 --> 00:23:31,640
the envelope of what we've been doing with each new song,

408
00:23:31,720 --> 00:23:36,240
Like everything's been getting weirder and crazier. We're kind of

409
00:23:36,359 --> 00:23:38,279
finding our sound a little more, especially with the songs

410
00:23:38,279 --> 00:23:40,039
that we're working on now, Like I'm starting to come

411
00:23:40,079 --> 00:23:43,079
into place, and so this one definitely we all were like,

412
00:23:43,680 --> 00:23:44,640
this rules all.

413
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Speaker 4: Right, that's so good, all right, and this is coming

414
00:23:46,680 --> 00:23:52,000
out Friday. Yeah, very good, very good things coming all right,

415
00:23:52,759 --> 00:23:55,400
Let's give this a listen. This is the uh this

416
00:23:55,440 --> 00:23:58,359
is an exclusive here on WMNH World Radio Premiere. Oh

417
00:23:58,400 --> 00:24:05,319
Jenny's ready for Easter World. We'll have to take a

418
00:24:05,319 --> 00:24:06,799
picture of that later because people aren't going to know

419
00:24:06,839 --> 00:24:10,200
what I'm talking about. But I didn't expect that World

420
00:24:10,279 --> 00:24:13,519
radio premiere. This is brand new from the Doldrums. This

421
00:24:13,559 --> 00:24:14,839
is called Freaking Me Out.

422
00:24:15,279 --> 00:24:17,920
Speaker 1: You are listening to Talumination.

423
00:24:19,240 --> 00:24:20,720
Speaker 10: World Premiere.

424
00:24:23,319 --> 00:24:25,160
Speaker 1: Play coming Back from the Time.

425
00:24:27,880 --> 00:24:39,839
Speaker 3: All this is freaking all, this freaking me down.

426
00:24:42,599 --> 00:24:48,359
Speaker 1: I got my tie car talking. I'm money the way,

427
00:24:49,519 --> 00:24:51,359
I just want to fee away.

428
00:24:54,839 --> 00:25:00,960
Speaker 3: Call me lastly signed the head and calls him.

429
00:25:00,200 --> 00:25:06,519
Speaker 1: Say they're coming back from the turn father.

430
00:25:06,920 --> 00:25:16,119
Speaker 3: This is raping me sweep. I'm playing six in all

431
00:25:16,480 --> 00:25:18,240
and shaking me down.

432
00:25:20,960 --> 00:25:24,759
Speaker 1: I got that cold on skin. I'm so so so breakless.

433
00:25:24,799 --> 00:25:28,920
This it's like getting up playing it on them.

434
00:25:30,559 --> 00:25:34,759
Speaker 3: I'm coming cold and sucking away and breaking the shape.

435
00:25:35,319 --> 00:25:41,720
Then nobody comes on on on, I'm getting trying to.

436
00:25:42,200 --> 00:25:48,279
Speaker 1: Crushing out, falling from space. I'm here and let's get

437
00:25:48,279 --> 00:25:51,759
out of this spot. They're coming back from the dead.

438
00:25:53,960 --> 00:26:48,680
Speaker 3: And all this is freaking me out, coming back.

439
00:26:48,400 --> 00:26:49,119
Speaker 1: From the day.

440
00:26:51,559 --> 00:26:54,799
Speaker 4: Wow, that is awesome. I love it. I love love

441
00:26:54,880 --> 00:26:57,799
the good. I was so into it I forgot to

442
00:26:58,000 --> 00:26:59,839
keep an eye on when when the track was ending.

443
00:27:00,359 --> 00:27:04,039
So good, that's so good, thank you. That is the

444
00:27:04,039 --> 00:27:07,079
world radio premiere, Freaking Me Out from the dol Drums,

445
00:27:07,079 --> 00:27:09,599
and that's coming out this coming Friday or next Friday,

446
00:27:09,880 --> 00:27:13,240
the Friday comes Friday around? Okay, very good, very good?

447
00:27:14,079 --> 00:27:15,839
Is it just a single coming out? Or will will

448
00:27:15,839 --> 00:27:17,400
the video be out at the Is.

449
00:27:17,319 --> 00:27:19,599
Speaker 8: That when you're doing the video just the single this

450
00:27:20,039 --> 00:27:22,960
is coming out coming Friday? The video we're doing is

451
00:27:22,960 --> 00:27:24,920
for why I want to That's right.

452
00:27:24,799 --> 00:27:26,880
Speaker 4: That's right, that's for why are you gonna also do

453
00:27:26,920 --> 00:27:28,319
a video for Freaking Me Out? Do you think?

454
00:27:28,400 --> 00:27:28,440
Speaker 3: Or?

455
00:27:28,519 --> 00:27:28,640
Speaker 13: Oh?

456
00:27:28,720 --> 00:27:30,599
Speaker 6: Yeah, definitely definitely, I think so.

457
00:27:31,559 --> 00:27:32,559
Speaker 4: No, it deserves one?

458
00:27:33,200 --> 00:27:33,519
Speaker 14: Uh?

459
00:27:34,000 --> 00:27:36,000
Speaker 4: Is that? Is that one of the more challenging songs

460
00:27:36,000 --> 00:27:38,000
to play because you've got that middle part with the

461
00:27:38,039 --> 00:27:39,599
time change and that.

462
00:27:39,960 --> 00:27:43,200
Speaker 8: It's interesting that one not so much in my opinion, I.

463
00:27:43,160 --> 00:27:44,839
Speaker 4: Mean, what would you say?

464
00:27:44,920 --> 00:27:47,000
Speaker 8: What's your It's more important to know what the drummer

465
00:27:47,839 --> 00:27:49,119
what's your heart is song?

466
00:27:49,720 --> 00:27:51,759
Speaker 11: What's my hardest song to play? I think depending on

467
00:27:52,119 --> 00:27:55,440
where we are in the set lists, I think sometimes

468
00:27:55,440 --> 00:27:57,359
big black, big Black, Bottle of Booth.

469
00:27:59,279 --> 00:28:01,960
Speaker 10: Say it, but it's hard to high energy.

470
00:28:02,319 --> 00:28:03,079
Speaker 4: It's like two and a.

471
00:28:03,079 --> 00:28:05,039
Speaker 10: Half minutes of like I'm just sweating.

472
00:28:05,200 --> 00:28:07,839
Speaker 11: Yeah, yeah, I will say Freaking Me Out was the

473
00:28:07,839 --> 00:28:09,519
first song that ever recorded where I did.

474
00:28:09,519 --> 00:28:13,640
Speaker 4: Blast beats yet I'm like, I've never done this before.

475
00:28:13,799 --> 00:28:16,119
Speaker 10: Yeah, that was that was interesting?

476
00:28:16,680 --> 00:28:19,039
Speaker 4: Was it harder to that? That? That come pretty easy once.

477
00:28:18,920 --> 00:28:20,920
Speaker 11: You w F and I just went for it and

478
00:28:20,960 --> 00:28:23,000
I was like, okay, but I've never done it before,

479
00:28:23,079 --> 00:28:26,240
so yeah, but it came out great, very cool, very cool.

480
00:28:26,319 --> 00:28:26,920
Speaker 10: Yeah.

481
00:28:26,960 --> 00:28:29,079
Speaker 4: By the way, in the chat room, let's see, I

482
00:28:29,119 --> 00:28:33,519
see uh Nick Nemitz says, sup dudes, Hell yeah, is

483
00:28:33,559 --> 00:28:37,400
that somebody? You guys? What's Nick? Hell? Yeah, I'm sorry

484
00:28:37,440 --> 00:28:40,480
I misread that, sup dude? Hell? Yes, okay, well, there

485
00:28:40,480 --> 00:28:42,599
you go. Also, Be Panard is in there and says

486
00:28:42,599 --> 00:28:44,720
good morning everyone, and our friend Maria Vanish. She's a

487
00:28:44,759 --> 00:28:47,359
big supporter of the show and all the shows. Here.

488
00:28:47,440 --> 00:28:47,880
Be Pinard.

489
00:28:47,960 --> 00:28:50,119
Speaker 10: Yeah, do you know I think it's a bet Bernard.

490
00:28:50,200 --> 00:28:51,960
Oh that's my friend Brian, but.

491
00:28:52,039 --> 00:28:55,519
Speaker 4: Okay, no, Be Bernard. Yeah, she's she's always in there

492
00:28:55,559 --> 00:28:59,240
on Saturday morning. Also, I see, uh, cheryld Krakowski is

493
00:28:59,240 --> 00:29:03,359
in the chat room. Who does uh Jenny's beautiful nails? Correct?

494
00:29:03,960 --> 00:29:05,599
Yes she does? She does.

495
00:29:05,839 --> 00:29:13,039
Speaker 5: Oh, very pretty, very springy today. Yeah, nice metallic rainbow

496
00:29:13,119 --> 00:29:15,319
going on. Yeah, go ahead and want to give her

497
00:29:15,319 --> 00:29:16,400
a website a plug if you want.

498
00:29:18,160 --> 00:29:19,279
Speaker 4: Oh, you don't have the.

499
00:29:19,319 --> 00:29:20,480
Speaker 1: Website in front of me.

500
00:29:20,680 --> 00:29:22,200
Speaker 6: Oh I'm a terrible human.

501
00:29:22,319 --> 00:29:23,680
Speaker 4: Oh sorry, well, we'llcome back to it later.

502
00:29:23,839 --> 00:29:28,279
Speaker 5: It is so many choices, so manny as an m

503
00:29:28,319 --> 00:29:30,720
A n I choices dot com.

504
00:29:31,039 --> 00:29:36,079
Speaker 4: Very nice, very nice, very nice. Now, so all these

505
00:29:36,440 --> 00:29:39,559
these were all recorded with Eric? Is that is that correct? Yeah? Yeah,

506
00:29:39,559 --> 00:29:41,720
his Like I said earlier, his name comes up on

507
00:29:41,759 --> 00:29:43,440
the show all the time. How did how did you

508
00:29:43,480 --> 00:29:45,240
guys come to work with him? Or had you worked

509
00:29:45,240 --> 00:29:47,200
with him before the CP or Yeah?

510
00:29:47,319 --> 00:29:51,759
Speaker 9: So the first in the original uh iteration back in

511
00:29:51,759 --> 00:29:54,680
twenty eighteen, me and Rob had gone to him when

512
00:29:54,720 --> 00:29:57,559
he basically just first opened Black Heart in the building

513
00:29:57,559 --> 00:30:00,920
that he has now, Yeah, and we did, we started

514
00:30:00,960 --> 00:30:05,480
recording a whole album, and then we took that little

515
00:30:05,519 --> 00:30:07,680
hiatus and we came back did the four songs that

516
00:30:07,680 --> 00:30:09,680
we actually released with him. Yeah, and then I mean,

517
00:30:09,839 --> 00:30:13,640
since then, it's just yeah, it's just we're always gonna

518
00:30:13,640 --> 00:30:13,920
go back.

519
00:30:14,000 --> 00:30:15,680
Speaker 4: Yeah. I was gonna say, like, why would you even

520
00:30:15,720 --> 00:30:16,839
want to work with anybody else?

521
00:30:16,880 --> 00:30:17,039
Speaker 5: You know.

522
00:30:17,119 --> 00:30:18,519
Speaker 4: I don't get me wrong. There's a lot of great,

523
00:30:18,599 --> 00:30:21,319
great recording studios around and everything, and people who are

524
00:30:21,519 --> 00:30:23,359
really good at what they're doing. But I kind of

525
00:30:23,359 --> 00:30:24,559
feel like Eric is the best.

526
00:30:24,640 --> 00:30:28,200
Speaker 9: I mean, Eric just get yeah, yeah, you know, he

527
00:30:28,519 --> 00:30:30,880
always has ideas too to add into the song and stuff.

528
00:30:30,920 --> 00:30:34,000
Speaker 12: He has no fear of just jumping in and being.

529
00:30:33,960 --> 00:30:35,720
Speaker 6: Yeah, let me just put this little guitar lock on.

530
00:30:36,000 --> 00:30:39,640
Speaker 4: Yeah, yeah, yeah, absolutely, Yeah, like I said, because when

531
00:30:39,640 --> 00:30:41,640
we had him on the show, because I told him,

532
00:30:41,680 --> 00:30:45,079
you know, your name comes up constantly. So yeah, we

533
00:30:45,079 --> 00:30:46,680
had him on the show. I don't know, maybe six

534
00:30:46,720 --> 00:30:49,160
months ago, maybe longer. We should, we should get him

535
00:30:49,200 --> 00:30:52,119
back on. But uh, but he's busier than ever, you know. Yeah,

536
00:30:52,160 --> 00:30:59,119
he's doing great. And yeah, absolutely he's He's fantastic. Yeah,

537
00:30:59,319 --> 00:31:00,880
and and what a out to now? As far as

538
00:31:00,880 --> 00:31:03,720
the video for for why Why is the song you've

539
00:31:03,720 --> 00:31:05,920
got the video for? Is that? Are you doing that

540
00:31:06,000 --> 00:31:08,160
all your yourselves? Or is the video already done or

541
00:31:08,240 --> 00:31:10,799
are you going to film it? The filming is ed

542
00:31:11,279 --> 00:31:13,319
oh okay, the film is not. It just needs editing.

543
00:31:13,359 --> 00:31:16,359
Speaker 7: Yeah, the film he's done, like I said, our videographer,

544
00:31:16,839 --> 00:31:19,759
like he had the idea for it and he just

545
00:31:19,799 --> 00:31:21,839
he just needs to edit it now. And we have

546
00:31:21,920 --> 00:31:26,599
a submission date for May third, I believe, to send

547
00:31:26,640 --> 00:31:29,759
it to uh the contest for you know.

548
00:31:30,240 --> 00:31:31,160
Speaker 4: For the spot on Warped.

549
00:31:31,200 --> 00:31:33,640
Speaker 6: Yeah, yeah, the Wharf tour. I think we get money.

550
00:31:33,400 --> 00:31:40,440
Speaker 8: And but but well we'll release it then, I mean yeah, yeah, yeah, oh.

551
00:31:40,359 --> 00:31:44,920
Speaker 4: Yeah, very cool, very cool. We should uh, I want

552
00:31:44,920 --> 00:31:46,519
to make sure we get we get one or two

553
00:31:46,519 --> 00:31:49,079
more in. Uh, let's let's play. Let's play another track.

554
00:31:49,119 --> 00:31:50,759
What do you guys want to play? Should we do

555
00:31:50,839 --> 00:31:51,640
Big Black Bottle?

556
00:31:52,599 --> 00:31:52,720
Speaker 8: Oh?

557
00:31:52,759 --> 00:31:57,160
Speaker 6: Yeah, we were just talking about yeah, party tracks.

558
00:31:57,039 --> 00:31:57,480
Speaker 4: Not a lot of.

559
00:31:59,000 --> 00:32:00,599
Speaker 9: It might have been the first song we wrote back

560
00:32:00,599 --> 00:32:03,200
in twenty eighteen, really as a joke, but now it's

561
00:32:03,200 --> 00:32:04,559
turned into I think.

562
00:32:04,359 --> 00:32:06,559
Speaker 10: A lot of us and it actually has Tom mainly

563
00:32:06,599 --> 00:32:07,039
on b y.

564
00:32:07,359 --> 00:32:09,319
Speaker 12: Yeah.

565
00:32:09,759 --> 00:32:11,920
Speaker 8: After after I had joined the band, me and Rob

566
00:32:11,920 --> 00:32:14,279
had joined the band, they played us some of their

567
00:32:14,279 --> 00:32:17,880
old tracks that didn't make it onto the previous eph

568
00:32:17,960 --> 00:32:19,799
and they played me Big Black Bottle of Booze, and

569
00:32:19,839 --> 00:32:24,839
I was like, that is one of the greatest punk songs.

570
00:32:23,880 --> 00:32:28,680
So I forced them all to continue to play that song.

571
00:32:29,400 --> 00:32:33,039
Uh yeah, And we went back into the studio and.

572
00:32:33,359 --> 00:32:35,839
Speaker 10: I hated playing that song like the longest time.

573
00:32:37,200 --> 00:32:38,279
Speaker 8: It is so good.

574
00:32:38,799 --> 00:32:41,240
Speaker 6: Yeah, it turned out it gets the crowd going for sure.

575
00:32:41,359 --> 00:32:44,799
Speaker 8: Yeah, but yeah, this one mainly I'm I'm I'm mostly

576
00:32:44,880 --> 00:32:45,400
lead on this.

577
00:32:45,759 --> 00:32:48,640
Speaker 4: Okay, vocally it was really cool. All right, sweet, let's

578
00:32:48,640 --> 00:32:51,400
give this a spin. This is big, big black bottle.

579
00:32:51,480 --> 00:32:54,480
But yeah, that is hard to second, big black bottle

580
00:32:54,480 --> 00:33:09,880
of booze. The band is the Doul Drums.

581
00:33:09,920 --> 00:33:13,200
Speaker 3: I gotta bag fly by lah Bus. I gotta bag

582
00:33:13,559 --> 00:33:17,519
fly by la bus. I got a bag fly baa bus.

583
00:33:17,559 --> 00:33:22,720
I gotta bags. I gotta bag fly Fila bus. I

584
00:33:22,759 --> 00:33:25,920
got a bag black bi bus. I got a bag

585
00:33:26,279 --> 00:33:29,119
laugh blah blahs. I gotta bag black bottle.

586
00:33:30,920 --> 00:33:33,799
Speaker 1: No one's ever gonna take it away. No, no one's

587
00:33:33,799 --> 00:33:36,920
ever gonna take it away. No, no what's ever gonna

588
00:33:36,960 --> 00:33:39,839
take it away. No, no one's even gonna take it a.

589
00:33:39,920 --> 00:33:53,920
Speaker 14: White No, no.

590
00:33:50,319 --> 00:33:52,920
Speaker 1: I got back fine by blah blahs.

591
00:33:52,960 --> 00:33:55,839
Speaker 3: I gotta bag fly bah blah blahs. I got a

592
00:33:55,920 --> 00:33:59,279
bag fly by lah bus. I gotta bag black bah

593
00:33:59,279 --> 00:34:00,559
blah blah.

594
00:34:01,200 --> 00:34:02,880
Speaker 4: No one's ever gonna take it away.

595
00:34:03,000 --> 00:34:04,960
Speaker 1: No, no one's ever gonna.

596
00:34:04,720 --> 00:34:05,400
Speaker 3: Take it away.

597
00:34:05,519 --> 00:34:08,840
Speaker 16: No, no one's ever gonna take it away. No no

598
00:34:08,920 --> 00:34:11,880
one telling gonna take it away. No, no one's ever

599
00:34:12,000 --> 00:34:14,599
got to take it away. No, no one's ever got

600
00:34:14,719 --> 00:34:15,519
to take it away.

601
00:34:15,639 --> 00:34:19,039
Speaker 3: No, no one tell I gotta take it don't why no, No.

602
00:34:50,960 --> 00:34:51,719
Speaker 1: I gotta bag.

603
00:34:53,559 --> 00:34:56,480
Speaker 3: I got a bag by the clothes. I got a

604
00:34:56,559 --> 00:34:59,280
big blacks. I gotta tag.

605
00:35:14,159 --> 00:35:15,199
Speaker 4: That was a little bit at the end.

606
00:35:15,199 --> 00:35:25,519
Speaker 17: Here ready, big black bottle of booze.

607
00:35:25,760 --> 00:35:30,559
Speaker 4: Hey, I did it by the Doldrums and we've got

608
00:35:30,599 --> 00:35:32,519
the Doldrums here with us in studio. Yeah, that is

609
00:35:32,559 --> 00:35:34,440
a great track. That is really really everything you guys

610
00:35:34,480 --> 00:35:38,320
have is really catchy. I love you. I love that absolutely,

611
00:35:38,400 --> 00:35:40,320
and I can imagine too that that gets the crowd

612
00:35:40,320 --> 00:35:42,519
going live because that's why you can definitely sing along

613
00:35:42,559 --> 00:35:43,280
to you know for.

614
00:35:45,199 --> 00:35:45,920
Speaker 8: Two lines.

615
00:35:46,599 --> 00:35:47,599
Speaker 6: Yeah.

616
00:35:47,039 --> 00:35:49,679
Speaker 7: I used to sing this song and then I was like,

617
00:35:49,719 --> 00:35:51,800
I need a vocal break during the set. So I

618
00:35:51,880 --> 00:35:53,960
was like, you know, Tom, I'm gonna have you sing this.

619
00:35:54,360 --> 00:35:55,119
Speaker 4: Yeah.

620
00:35:55,159 --> 00:35:58,880
Speaker 7: So yeah, it's it's nice to I just play guitar

621
00:35:58,960 --> 00:36:01,320
and I do a little bit of backing vocals during

622
00:36:01,320 --> 00:36:01,760
that track.

623
00:36:01,800 --> 00:36:04,280
Speaker 8: But we usually put that one towards the middle of

624
00:36:04,320 --> 00:36:05,800
the set just so he can take a breather.

625
00:36:06,079 --> 00:36:07,519
Speaker 4: Yeah, yeah, that makes sense.

626
00:36:07,599 --> 00:36:09,679
Speaker 12: That's not a vocal break for me, though, No, it

627
00:36:09,760 --> 00:36:10,119
is not.

628
00:36:10,360 --> 00:36:14,639
Speaker 7: Right right, it's a vocal break for drummer over here though.

629
00:36:14,519 --> 00:36:17,039
Speaker 8: Yeah, yeah, you do.

630
00:36:17,039 --> 00:36:18,199
Speaker 4: You sing backups live?

631
00:36:18,559 --> 00:36:20,800
Speaker 11: I mean I have, but typically I just kind of

632
00:36:20,840 --> 00:36:22,960
focus on, you know, just carrying the beat.

633
00:36:23,159 --> 00:36:25,559
Speaker 10: Yeah, you got it. We got enough vocal power. Yeah,

634
00:36:26,440 --> 00:36:28,079
it's really it would just be redundant.

635
00:36:28,119 --> 00:36:28,760
Speaker 4: We do have.

636
00:36:29,199 --> 00:36:31,079
Speaker 8: I mean there's a lot of gang vocals on a

637
00:36:31,119 --> 00:36:31,960
lot of our tracks.

638
00:36:32,079 --> 00:36:35,000
Speaker 4: Yeah, yeah, yeah, I think that's yeah. I think that's

639
00:36:35,000 --> 00:36:36,280
a big part of what you guys do. That's a

640
00:36:36,320 --> 00:36:39,119
big part of what brings the energy to it too. Yeah.

641
00:36:39,159 --> 00:36:43,239
But uh yeah, that's that's really really good. What do

642
00:36:43,239 --> 00:36:44,920
you What else do you guys have coming up? Obviously

643
00:36:44,920 --> 00:36:47,000
you have the show tonight at the Shaft Skiing, and

644
00:36:47,039 --> 00:36:49,880
then do you have some other stuff coming up or

645
00:36:49,920 --> 00:36:52,199
I don't know if you're more focused on on promoting

646
00:36:52,199 --> 00:36:55,559
the singles or or I assume summer you're gonna be busy,

647
00:36:55,599 --> 00:36:57,559
right because every everybody plays a lot in the summer.

648
00:36:57,599 --> 00:36:59,679
Speaker 9: It seems like, yeah, I think the plan is, well,

649
00:36:59,719 --> 00:37:01,400
we just to take some time to kind of dial

650
00:37:01,400 --> 00:37:04,000
in and get in the studio, get everything mixed, get

651
00:37:04,000 --> 00:37:05,480
everything mastered, figure out.

652
00:37:05,400 --> 00:37:07,119
Speaker 12: The video thing, all that stuff.

653
00:37:07,599 --> 00:37:09,400
Speaker 9: So we took a little bit of break from playing

654
00:37:09,440 --> 00:37:12,679
shows since like I don't know January or February, but

655
00:37:12,719 --> 00:37:16,639
I think for the summer we're gonna start accepting shows again.

656
00:37:16,800 --> 00:37:19,119
Speaker 4: Yeah. Good, yeah, good good.

657
00:37:19,159 --> 00:37:20,920
Speaker 10: Only serious inquiries.

658
00:37:20,559 --> 00:37:23,519
Speaker 4: Yeah yeah.

659
00:37:23,800 --> 00:37:24,840
Speaker 8: Yeah, hit us up.

660
00:37:24,880 --> 00:37:29,280
Speaker 4: Everybody, play your show. Yeah, very cool, very cool. Uh,

661
00:37:29,599 --> 00:37:31,719
let's talk about tonight once again too. We want to

662
00:37:31,719 --> 00:37:33,519
make sure people know. For people just joining us, you

663
00:37:33,559 --> 00:37:37,039
got a big show tonight at the Shaft Skiing absolutely tonight.

664
00:37:37,119 --> 00:37:39,639
Speaker 6: Tonight. Doors are our san doors are at eight.

665
00:37:40,320 --> 00:37:43,519
Speaker 7: Okay, we are headlining, so I'm sorry, but we're going

666
00:37:43,559 --> 00:37:44,960
on probably around like ten thirty.

667
00:37:45,159 --> 00:37:45,519
Speaker 4: Yeah.

668
00:37:45,599 --> 00:37:48,559
Speaker 6: Yeah, so a little bit late, but it'll be worth it.

669
00:37:48,800 --> 00:37:51,159
Speaker 4: Yeah, we'll have some beers with you before we go on.

670
00:37:52,920 --> 00:37:55,639
Speaker 6: We were playing yeah with our good friend TJ.

671
00:37:56,000 --> 00:37:59,719
Speaker 7: Rushton. It's his new band's first show. Oh so is

672
00:38:00,079 --> 00:38:02,519
his debut show, and we're excited about that. We heard

673
00:38:02,519 --> 00:38:05,440
some tracks from them recently and they're fantastic.

674
00:38:06,079 --> 00:38:06,280
Speaker 8: Yeah.

675
00:38:06,519 --> 00:38:07,639
Speaker 10: Also recorded with Eric.

676
00:38:08,599 --> 00:38:10,440
Speaker 4: Yeah, which band is that?

677
00:38:10,840 --> 00:38:11,519
Speaker 12: Still Sleeping?

678
00:38:11,679 --> 00:38:15,519
Speaker 7: Still Sleeping? Yeah yeah, they're they're they're great, So we're exciting.

679
00:38:15,559 --> 00:38:17,599
We we got a banging line up tonight.

680
00:38:17,719 --> 00:38:19,960
Speaker 4: Yeah.

681
00:38:19,760 --> 00:38:22,840
Speaker 7: Yeah, Regles there fourth maybe fourth time playing with them.

682
00:38:23,159 --> 00:38:24,679
Speaker 4: Will be yeah.

683
00:38:24,920 --> 00:38:30,039
Speaker 9: Four okay, okay, cool, And it was and there's Birds

684
00:38:30,039 --> 00:38:31,960
in Theory band.

685
00:38:32,119 --> 00:38:34,639
Speaker 4: Okay, very cool. I wonder where that name comes from.

686
00:38:34,639 --> 00:38:38,719
Birds in Theory, Well, they're birds in Theory. Well, because

687
00:38:38,760 --> 00:38:40,519
when I hear the name, I think of that, uh

688
00:38:40,599 --> 00:38:42,320
you know that fake because you guys know what I'm

689
00:38:42,320 --> 00:38:44,800
talking about, that fake conspiracy theory that what about birds

690
00:38:44,800 --> 00:38:45,239
aren't real?

691
00:38:46,519 --> 00:38:48,559
Speaker 9: I don't think any of us have met them yet.

692
00:38:48,599 --> 00:38:52,280
So we'll find out tonight. We're back on that very curious. Yeah, yeah,

693
00:38:52,280 --> 00:38:53,599
we'll have to. We'll have to get them on the

694
00:38:53,639 --> 00:38:54,079
show too.

695
00:38:54,480 --> 00:38:57,199
Speaker 4: Uh, let's see. And then, uh, let's remind everybody to

696
00:38:57,320 --> 00:38:59,119
about the new single coming out.

697
00:38:59,280 --> 00:39:02,079
Speaker 6: Freaking out, freaking me out, freaking me out.

698
00:39:02,119 --> 00:39:03,239
Speaker 8: Yeah, I went out on Friday.

699
00:39:03,239 --> 00:39:05,440
Speaker 6: It's a freaky freaky song, Freaky.

700
00:39:05,119 --> 00:39:08,800
Speaker 4: Friday that will be on all the streaming platforms and everything,

701
00:39:08,840 --> 00:39:09,159
I assume.

702
00:39:09,239 --> 00:39:12,079
Speaker 6: Yeah, oh yeah, yeah, we're excited about that.

703
00:39:12,360 --> 00:39:15,639
Speaker 4: Excellent, excellent, And uh, where should people go online to

704
00:39:15,679 --> 00:39:17,239
keep up with everything that you guys are doing. Where's

705
00:39:17,239 --> 00:39:18,480
the best place to go right now?

706
00:39:18,519 --> 00:39:19,480
Speaker 8: That's an excellent question.

707
00:39:19,480 --> 00:39:20,440
Speaker 12: Probably the Instagram.

708
00:39:20,800 --> 00:39:26,039
Speaker 7: Yeah, we're mostly active on Instagram. Okay, we have a

709
00:39:26,920 --> 00:39:30,679
Brendan's girlfriends doing our social media now, so okay, shout

710
00:39:30,679 --> 00:39:31,800
out Haley.

711
00:39:31,920 --> 00:39:34,960
Speaker 9: Just starting to get things working more consistently and less

712
00:39:35,039 --> 00:39:35,599
dis jointed.

713
00:39:35,880 --> 00:39:38,800
Speaker 4: Okay, yeah, yeah, well it's hard. You know, it's a

714
00:39:38,800 --> 00:39:40,880
lot with social media especially, there's a lot to keep

715
00:39:40,960 --> 00:39:41,199
up with.

716
00:39:41,679 --> 00:39:42,840
Speaker 6: Yeah, it's exhausting.

717
00:39:42,920 --> 00:39:43,000
Speaker 5: Ye.

718
00:39:43,559 --> 00:39:47,440
Speaker 11: Sometimes we show our age on social media, definitely cringe.

719
00:39:48,000 --> 00:39:49,960
Speaker 12: Me and Rob think were really funny, but nobody else thinks.

720
00:39:51,159 --> 00:39:51,239
Speaker 3: So.

721
00:39:51,440 --> 00:39:53,119
Speaker 6: Yeah, we have a lot of inside jokes that we

722
00:39:53,599 --> 00:39:54,679
don't like.

723
00:39:54,679 --> 00:39:56,039
Speaker 12: The artist of the band is like, what is wrong

724
00:39:56,039 --> 00:39:56,239
with you?

725
00:39:56,280 --> 00:39:56,519
Speaker 4: Guys?

726
00:39:56,920 --> 00:39:57,480
Speaker 10: I love it?

727
00:39:57,719 --> 00:40:00,559
Speaker 4: Oh that's awesome. That's awesome. Well, guys, thank you so much.

728
00:40:00,599 --> 00:40:04,000
This has been wonderful. And what should we play to

729
00:40:04,199 --> 00:40:05,639
close the segment?

730
00:40:06,320 --> 00:40:09,360
Speaker 8: What you guys got to do?

731
00:40:09,400 --> 00:40:09,840
Speaker 10: Bad Man?

732
00:40:10,039 --> 00:40:13,360
Speaker 4: Bad Man? Okay, why why why do you say gotta

733
00:40:13,400 --> 00:40:17,639
do bad man? It ripped? Anything else you want us

734
00:40:17,639 --> 00:40:18,719
to know about it before we play it?

735
00:40:18,800 --> 00:40:22,320
Speaker 7: Or it's about being a bad man.

736
00:40:21,800 --> 00:40:24,159
Speaker 10: A love of sad boys being bad man.

737
00:40:24,880 --> 00:40:26,320
Speaker 7: A lot of us, A lot of our songs are

738
00:40:26,320 --> 00:40:28,920
just being sad and bad.

739
00:40:28,800 --> 00:40:32,119
Speaker 4: Being sad and bad. All right, I love it, I

740
00:40:32,159 --> 00:40:34,119
love it. All right, guys, thank you again, have a

741
00:40:34,159 --> 00:40:36,719
great show tonight and we will definitely do this again

742
00:40:36,760 --> 00:40:39,800
in the future. And check this out. This is this

743
00:40:39,880 --> 00:40:42,320
is bad Man and the band is the Doldrums.

744
00:41:04,760 --> 00:41:05,719
Speaker 1: She should see no.

745
00:41:08,000 --> 00:41:13,239
Speaker 3: Shit, Okay, I'm go miss boys.

746
00:41:13,280 --> 00:41:22,280
Speaker 1: Anything but so so and so tell you should say mom,

747
00:41:22,320 --> 00:41:23,039
I gives the something.

748
00:41:23,079 --> 00:41:52,079
Speaker 18: Sha't t say sit.

749
00:41:40,920 --> 00:41:46,239
Speaker 1: Sit, I won't drink up trump per situs, how you going? No?

750
00:41:46,480 --> 00:41:51,960
Tell him to stay up? But someone so father he

751
00:41:52,239 --> 00:41:54,960
so fo you fall? You should have to shake you

752
00:41:55,119 --> 00:41:56,400
un I guess her something change.

753
00:41:56,440 --> 00:41:58,599
Speaker 3: I'm outside sah.

754
00:41:58,639 --> 00:42:59,119
Speaker 1: I really lie him Clossop's talk story. So that's not not.

755
00:43:05,159 --> 00:43:05,519
Speaker 14: You know.

756
00:43:08,079 --> 00:43:09,480
Speaker 1: So bas some.

757
00:43:14,199 --> 00:43:14,559
Speaker 3: Call it.

758
00:43:14,960 --> 00:43:16,119
Speaker 10: I want to.

759
00:43:17,719 --> 00:44:01,800
Speaker 3: Jill too, so start a content.

760
00:44:10,960 --> 00:44:24,280
Speaker 1: No set shining CLS in the corner sound so it's

761
00:44:24,360 --> 00:44:40,280
still stop dup, it's five s chilling very much.

762
00:44:46,480 --> 00:44:54,480
Speaker 3: Shove me out. Don't you can spot.

763
00:44:57,440 --> 00:44:59,400
Speaker 1: Shot stre.

764
00:45:03,320 --> 00:45:05,519
Speaker 13: The teachers?

765
00:46:01,039 --> 00:46:07,360
Speaker 1: You go so so? You come from fay so go

766
00:46:09,800 --> 00:46:13,840
so so.

767
00:46:14,199 --> 00:47:02,679
Speaker 2: Try CLS in the cou