WEBVTT

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<v Speaker 1>Author's Playhouse.

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<v Speaker 2>Authors Playhouse presents Tonight, a story of romance south of

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<v Speaker 2>the Border.

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<v Speaker 3>In Mexico City's gay hotel Pizzaro.

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<v Speaker 2>One of the world's few remaining luxury hotels. It's well

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<v Speaker 2>be a crowded with tourists, three of whom we're particularly

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<v Speaker 2>interested in. Before we go any further, though, it might

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<v Speaker 2>be a good idea to make the acquaintance of the

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<v Speaker 2>persons in question. Hi Kramer, the reporter, For example, I.

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<v Speaker 4>Got a telegram from the office. A character with the

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<v Speaker 4>name of Manchester Smallwood's coming in this morning. The magazine

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<v Speaker 4>wants us to cover his arrival with story and pictures.

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<v Speaker 4>And then his photographer petit Mary Jane Fraser.

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<v Speaker 5>Don't disturb me. Genius at work. This picture of Manchester

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<v Speaker 5>small Wood in the throes of a samba is going

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<v Speaker 5>to be the crowning point of my career.

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<v Speaker 2>And less, but by no means least mister big himself.

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<v Speaker 2>Manchester Smallwood, will you be kind enough to put away

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<v Speaker 2>your camera.

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<v Speaker 1>I do not wish any pictures taken. My affairs are

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<v Speaker 1>definitely not your concern.

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<v Speaker 2>Now, if all of this leaves you with the impression

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<v Speaker 2>that all is not too neighborly among the northern good neighbors.

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<v Speaker 2>You're right, but it all leads to merriment and Mexico

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<v Speaker 2>Beginning on an early morning of a bright, warm day.

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<v Speaker 3>It's too beautiful for work, but just.

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<v Speaker 2>Right for idling in the sunshine. Mary Jane Fraser and

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<v Speaker 2>Robert Carson's story Southern Exposure.

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<v Speaker 6>Good morning, hankle, dear, meet.

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<v Speaker 1>A different woman.

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<v Speaker 5>I'd love to where Oh, very funny, very funny, mister Kramer. Look,

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<v Speaker 5>this is our first day in Mexico City. I have

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<v Speaker 5>no pictures to take, you have no story to write

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<v Speaker 5>for our magazine of the Masses. We go to Sandborn's

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<v Speaker 5>for breakfast, a nice, long, luxurious breakfast. Then we'll go

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<v Speaker 5>sit in the park on a sunny bench with the rest.

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<v Speaker 1>Of the box.

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<v Speaker 3>Huh.

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<v Speaker 4>I got a telegram from the office, a character but

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<v Speaker 4>the name of Manchester. Small Wood's coming in this morning.

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<v Speaker 4>They want us to cover his arrival.

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<v Speaker 6>What's he coming for? To fight a bull?

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<v Speaker 4>He's not coming to fight anybody. This is good neighbour

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<v Speaker 4>stuff with our sister Republic, A big delicate deal.

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<v Speaker 6>Why is he news? Is the Truman Committee after him?

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<v Speaker 4>He's probably gonna see the presidents here and everybody. You

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<v Speaker 4>seem politically ignorant.

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<v Speaker 5>Honey, Well, I'm not ignorant. I just can't think without

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<v Speaker 5>my breakfast, that's all. What's cooking with this Manchester?

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<v Speaker 4>Oh, Manchester is a hot man for putting the fix

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<v Speaker 4>on Latin America's troubles. Every time there's a heartache south

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<v Speaker 4>of the border, does mister Anthony. He speaks Spanish with

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<v Speaker 4>a strong University Wisconsin accent.

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<v Speaker 6>I don't get it well.

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<v Speaker 4>As Manchester was a child lawyer back in the days

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<v Speaker 4>when they were calling for a new deal. He had

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<v Speaker 4>a deck that wasn't marked, so they dragged him into Washington.

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<v Speaker 4>He's been there ever since. Nothing flashy about Manchester, but

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<v Speaker 4>he gets resolved.

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<v Speaker 6>Never heard of him. Shall we go to breakfast before?

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<v Speaker 4>I think, they say in New York it's important if

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<v Speaker 4>it was me now, i'd photographed the guy and.

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<v Speaker 3>Here his pitiful little story.

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<v Speaker 5>Right after breakfast.

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<v Speaker 3>Later, his plane gets here in forty minutes.

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<v Speaker 1>I checked with the desk.

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<v Speaker 6>Oh, you diamond, lagree.

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<v Speaker 5>Why does life have.

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<v Speaker 6>To be so bitter for a lone woman?

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<v Speaker 3>A woman must suffer, my child.

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<v Speaker 4>It's the woman who pays, especially if she can get

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<v Speaker 4>a good job like you have. Go Senorita and procure

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<v Speaker 4>your little picture taking black box.

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<v Speaker 1>Where now riving?

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<v Speaker 5>No, don't let anyone get away handy. Now, one navy guy,

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<v Speaker 5>and if I charged him for looking, I could make

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<v Speaker 5>a fortune. One fat Mexican signor a lady with a

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<v Speaker 5>baby to ask her hank, that might be small when

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<v Speaker 5>she's carrying.

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<v Speaker 3>No sarcasm, sweetheart, this is big time. You're a sneering

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<v Speaker 3>at hey. I think coming up as our man, he's

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<v Speaker 3>the last one.

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<v Speaker 5>Up speaking is an acute professional.

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<v Speaker 6>I should say.

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<v Speaker 5>The lad's no pinup boy. But there is character in

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<v Speaker 5>his kisser.

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<v Speaker 1>You know.

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<v Speaker 5>He looks a little like Gary Cooper playing Abraham Lincoln.

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<v Speaker 4>Yeah, well come on, we'll give him a chance to

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<v Speaker 4>free the slaves.

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<v Speaker 1>Uh, mister small one Manchester, That is correct, sir.

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<v Speaker 4>I'd know you any place, especially when you give me

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<v Speaker 4>your name. How you feeling enjoy.

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<v Speaker 1>Your trip very much? May I ask your name?

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<v Speaker 3>Yes, you may, but it just take up time and

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<v Speaker 3>we have work to do. Now.

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<v Speaker 4>I have the honor of representing Lenz, the greatest weekly

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<v Speaker 4>picture magazine.

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<v Speaker 3>In the world.

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<v Speaker 5>He's pretty Stick him in the doorway.

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<v Speaker 1>I beg your pardon.

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<v Speaker 4>I'll just back up. Look at the lady with the camera.

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<v Speaker 4>Let's see a big, happy smile. This can be quick

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<v Speaker 4>if you'll cooperate.

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<v Speaker 5>No small, but I've changed my mind. Go back in

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<v Speaker 5>the plane and come out for me, and then low

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<v Speaker 5>as you do so, I'll have a little light over you,

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<v Speaker 5>and let's see your teeth.

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<v Speaker 1>Madam? Would you be kind enough to put away your camera.

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<v Speaker 1>I do not wish any pictures taken.

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<v Speaker 5>Oh I don't think you understand. We're from a picture magazine, Lynch.

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<v Speaker 1>I understand perfectly, and I don't want my picture taken.

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<v Speaker 5>Are you kidding?

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<v Speaker 6>Everybody wants his picture taken.

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<v Speaker 1>There is always the exception that proves the road. Madam.

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<v Speaker 1>I am that exception. Good day.

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<v Speaker 5>Did you hear what he called me?

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<v Speaker 6>Madam?

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<v Speaker 5>They can't do that to me?

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<v Speaker 4>Follow me, eh, madam. This requires a little diplomacy. We'll

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<v Speaker 4>nab him in customs.

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<v Speaker 5>Hey, I could steal a shot from here?

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<v Speaker 6>Not very clear?

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<v Speaker 3>Oh no, that wouldn't be ethic. Only beef about fuzzy

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<v Speaker 3>stuff at the office.

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<v Speaker 4>Somebody has to make that boy see the light, and

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<v Speaker 4>I'm just the cookie to do it.

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<v Speaker 3>He's begging for the super X treatment. You wait here

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<v Speaker 3>for me.

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<v Speaker 5>Hang on a minute, he'll be at our hotel. He's

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<v Speaker 5>got a reservation there.

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<v Speaker 3>Yeah, it isn't all.

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<v Speaker 4>He's got strong principles too, doesn't drink besides, and doesn't smoke.

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<v Speaker 3>His only bise is taking long walks alone.

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<v Speaker 5>Hush your chatter, son, and make what they're running. Supporter's

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<v Speaker 5>piling his luggage.

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<v Speaker 3>Into a can.

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<v Speaker 5>And if we too are homeward.

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<v Speaker 6>Donner, pardon me.

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<v Speaker 5>I hear you're going.

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<v Speaker 6>To the Pizarro that's our hotel. Do you find if

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<v Speaker 6>we share a ride?

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<v Speaker 1>Not at all, Mary.

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<v Speaker 5>Jane Fraser, you've already met my father here.

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<v Speaker 6>Get in daddy.

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<v Speaker 3>Coach now, then, mister Smallwood, leave me. Have your views

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<v Speaker 3>on the deal you're handling here, and make them colorful.

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<v Speaker 1>I am in Mexico entirely unofficially. The purpose of my

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<v Speaker 1>trip is rest in relaxation. I do not desire to

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<v Speaker 1>have anything credit about.

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<v Speaker 3>Fine. Fine. I hear you're going to meet with a

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<v Speaker 3>lot of high government officials.

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<v Speaker 1>You have been misinformed.

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<v Speaker 4>Look Smallwood, now we better be frank with each other.

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<v Speaker 4>This is getting us nowhere.

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<v Speaker 1>I'll be frank with you, mister Kramer. My affairs are

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<v Speaker 1>definitely not your concern. I won't answer any of your questions.

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<v Speaker 1>I suggest you stop bothering me.

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<v Speaker 5>This man I don't like him.

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<v Speaker 4>Eat your breakfast and don't quibble. He's a fine, upstanding kid.

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<v Speaker 4>They probably told him to come down here with a

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<v Speaker 4>clamp on his lip. You know, one reason he's done

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<v Speaker 4>so well is because he never gets into any trouble.

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<v Speaker 4>You mustn't confuse his public life with his private life.

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<v Speaker 4>His private life's undoubtedly awful.

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<v Speaker 5>His public life is going to be awful by the

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<v Speaker 5>time I'm through with him.

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<v Speaker 3>And you will arrange that house Snorita by means.

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<v Speaker 6>Known only to myself.

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<v Speaker 5>I may put a flour in my hair, wear a

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<v Speaker 5>long black dress, and carry castanets.

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<v Speaker 6>Remember the story of Carmen.

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<v Speaker 3>Nope, never knew the dame. But I expect to get

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<v Speaker 3>a lot of laughs out of you, and maybe a

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<v Speaker 3>jail senter.

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<v Speaker 5>Oh, don't worry, Pappy. Tomorrow's Sunday. I always behave that day. Monday,

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<v Speaker 5>we cover all the sides of Mexico City. I'll be

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<v Speaker 5>under your eagle eye.

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<v Speaker 7>And Tuesday, Ah, Tuesday.

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<v Speaker 1>Don't go too quickly here. Let me help you. Are

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<v Speaker 1>you badly hurt? Madam?

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<v Speaker 5>I don't know my ankle.

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<v Speaker 1>You haven't fractured it.

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<v Speaker 5>Oh no, no, no, it's only a bad sprain.

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<v Speaker 6>I think.

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<v Speaker 1>Well in that case, you mustn't put any weight on it.

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<v Speaker 1>I'll carry you. Shall it be the hotel?

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<v Speaker 6>Oh you're too kind.

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<v Speaker 5>It's so dark out here.

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<v Speaker 6>Yes, yes, this is my hotel.

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<v Speaker 1>Can you place an arm about my neck?

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<v Speaker 3>Why?

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<v Speaker 6>Small Wood? This is so unexpected.

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<v Speaker 1>Oh it's miss Fraser, not at all, you see, in

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<v Speaker 1>order to facilitate our progress under what might be difficulty.

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<v Speaker 5>I wouldn't dream of causing you difficulty.

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<v Speaker 6>There is that better?

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<v Speaker 5>Uh?

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<v Speaker 1>Yes, quite Perhaps if.

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<v Speaker 5>I leaned my head on your shoulder I could RelA.

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<v Speaker 1>That is certainly a point to consider.

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<v Speaker 6>Considered and sound satisfactory.

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<v Speaker 4>Are you comfortable?

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<v Speaker 1>Yes? Very that is Your light is a feather to hold.

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<v Speaker 7>Well.

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<v Speaker 6>You're nice to take pity on poor little meat.

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<v Speaker 1>Not a bit my good fortune. I didn't know you

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<v Speaker 1>enjoyed strolling in the evening.

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<v Speaker 5>Oh, I adore the simple pleasures walking reading.

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<v Speaker 1>I assure you. It's a pleasure to be of service Manchester.

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<v Speaker 5>You must be for whom the girl's scout.

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<v Speaker 6>You're so very.

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<v Speaker 1>Sweet, not at all. I hope to be able to

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<v Speaker 1>get you safely through this crowded lobby.

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<v Speaker 5>Do you see Hank around?

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<v Speaker 1>Yes, I believe he's there at the desk.

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<v Speaker 5>Oh, uncle, Henry, what's happened?

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<v Speaker 1>Mary Jane's speak to me? Please get miss Fraser's key.

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<v Speaker 1>I must take her to her room. She'll need hot

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<v Speaker 1>water for her ankle more.

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<v Speaker 5>Oh please don't worry about me, Manchester. I'll be all right.

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<v Speaker 5>I only hope you didn't wreck your back carrying me

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<v Speaker 5>up to my room.

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<v Speaker 1>Not at all. I liked it, I mean helping you.

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<v Speaker 5>You're awfully strong, not at all.

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<v Speaker 1>That is no stronger than any man my size. Mister

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<v Speaker 1>Kramer could have carried you just as well.

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<v Speaker 3>Oh no, he couldn't.

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<v Speaker 5>It was so wonderful your being there. I don't know

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<v Speaker 5>what I'd have done. I was friping out of my wits.

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<v Speaker 1>You're very brave for such a little girl. Oh yes

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<v Speaker 1>you are.

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<v Speaker 5>Yes, something bothering you, mister Cramer. No, how can I

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<v Speaker 5>ever thank you?

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<v Speaker 6>Manchester?

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<v Speaker 5>I know I've put you to a great deal of trouble,

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<v Speaker 5>not at all. You know, we seem to have so

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<v Speaker 5>many things in common that I'd like to talk over.

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00:10:44.840 --> 00:10:48.559
<v Speaker 5>We ought to wait a minute. What about tonight? Hank

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00:10:48.600 --> 00:10:50.759
<v Speaker 5>and his girlfriend and I have planned a little celebration.

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<v Speaker 6>Yes, yes, you remember.

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<v Speaker 5>Could you join us?

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<v Speaker 1>Uh celebration?

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<v Speaker 5>Yes, you know, a nightclub or two, and maybe a

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<v Speaker 5>ride along the Paca.

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<v Speaker 6>I own an open taxi.

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<v Speaker 1>It sounds delightful. I shall be happy to join all.

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<v Speaker 6>Let's swell, let's make it to eight o'clock.

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<v Speaker 1>Eight o'clock it is.

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<v Speaker 4>I look forward to seeing you and you, sir, Yes,

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<v Speaker 4>not at all, Mary Jane. Not that you didn't use

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<v Speaker 4>that old lady in distress chestnut that I.

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<v Speaker 8>Did that I did.

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<v Speaker 5>There he is walking up and down the pasello and

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<v Speaker 5>a fellow Anglo Saxon takes a fall right in front

256
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<v Speaker 5>of him.

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<v Speaker 6>Turns out to be a girl.

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<v Speaker 5>From his own hotel, so he picks her up. I

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00:11:31.360 --> 00:11:33.759
<v Speaker 5>had my arms around his neck and groaned and whispered

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<v Speaker 5>in his ear the whole trip. And by an odd coincidence,

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00:11:37.759 --> 00:11:40.360
<v Speaker 5>I was wearing a perfume called Bewilderment.

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<v Speaker 1>You see what happened.

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<v Speaker 3>Yeah, but they don't go for that anymore. Turned ankle

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<v Speaker 3>trick was washed up in the nineties.

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<v Speaker 5>History Henry has a habit of repeating itself, And.

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<v Speaker 4>You have a habit of being right, Well, when do

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00:11:52.120 --> 00:11:53.000
<v Speaker 4>I hear the rest of the plot?

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<v Speaker 3>Now, fine, We're.

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<v Speaker 5>Going to do a story on how marvelous Manchester spends

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<v Speaker 5>his spare time during a mission to Mexico with My

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00:12:01.120 --> 00:12:02.919
<v Speaker 5>angle is to furnish him with some spare time and

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<v Speaker 5>photograph it.

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<v Speaker 4>I get it.

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<v Speaker 5>Yours is to take down his thoughts, if any, and

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00:12:07.279 --> 00:12:10.639
<v Speaker 5>furnish a continuity if any. With luck, we ought to

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<v Speaker 5>be able to give him quite a reputation in the

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<v Speaker 5>nation's capital.

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<v Speaker 6>Do you mind to coin a phrase?

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<v Speaker 3>Not at all?

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00:12:16.200 --> 00:12:19.360
<v Speaker 4>What about Manchester is going to? Furthermore, that guy, though

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00:12:19.399 --> 00:12:21.320
<v Speaker 4>backward in many respects, it's too smart to fall for

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00:12:21.320 --> 00:12:22.519
<v Speaker 4>such an open and shat routine.

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<v Speaker 5>Now you mark my word, you mark mine. I've turned

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<v Speaker 5>the fatal powers of my fascination on him. If he

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00:12:27.679 --> 00:12:29.960
<v Speaker 5>bought the ankle stuff, you'll buy anything. There's a little

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00:12:30.000 --> 00:12:31.559
<v Speaker 5>left to do except knock him off.

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00:12:31.759 --> 00:12:33.159
<v Speaker 3>Well, thanks for the interview.

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<v Speaker 4>Be careful at poison dripping from your fangs doesn't ruin

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00:12:36.559 --> 00:12:56.759
<v Speaker 4>your Toothbruce, Hey, you surprise me.

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00:12:57.440 --> 00:12:58.639
<v Speaker 6>You're not speaking Frankly.

291
00:12:58.720 --> 00:13:01.360
<v Speaker 5>I expected to tread a few measures with you might

292
00:13:01.480 --> 00:13:03.960
<v Speaker 5>leave me a main woman, And here I am floating

293
00:13:04.000 --> 00:13:04.960
<v Speaker 5>around like sixty.

294
00:13:05.320 --> 00:13:07.960
<v Speaker 1>I learned to dance very thoroughly as part of my job.

295
00:13:08.679 --> 00:13:10.480
<v Speaker 1>You never know whose wife you'll have to dance with

296
00:13:10.519 --> 00:13:12.919
<v Speaker 1>in the light of duties in an agreement might be

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00:13:13.000 --> 00:13:14.559
<v Speaker 1>recolized having on their own toes.

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00:13:14.799 --> 00:13:20.519
<v Speaker 5>I see on your room mode major hemispheric solidarity. Do

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00:13:20.600 --> 00:13:22.320
<v Speaker 5>you ever have to make love in the course of

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00:13:22.360 --> 00:13:22.799
<v Speaker 5>your duty?

301
00:13:23.320 --> 00:13:23.919
<v Speaker 1>Not at all?

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00:13:24.200 --> 00:13:25.720
<v Speaker 6>Oh, that's a pity, Manchester.

303
00:13:26.000 --> 00:13:29.879
<v Speaker 5>Why do you say that life and love inseparable?

304
00:13:29.919 --> 00:13:34.080
<v Speaker 1>You know so, the philosophers tell us. True, I hadn't

305
00:13:34.080 --> 00:13:35.120
<v Speaker 1>given the money thought before.

306
00:13:35.360 --> 00:13:36.279
<v Speaker 6>Oh, but you should.

307
00:13:36.919 --> 00:13:39.159
<v Speaker 5>Well, you're forgetting that love makes the world go wrong

308
00:13:39.679 --> 00:13:41.679
<v Speaker 5>in some way or another. It's behind all our right.

309
00:13:41.919 --> 00:13:43.600
<v Speaker 5>You'd find that out if you knew more people.

310
00:13:43.759 --> 00:13:46.120
<v Speaker 1>But I do. I meet scores of them all the time.

311
00:13:46.240 --> 00:13:48.399
<v Speaker 5>Oh, those people you meet a stand which their real

312
00:13:48.480 --> 00:13:51.039
<v Speaker 5>selves away. It's not like the guy who parades along

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00:13:51.080 --> 00:13:54.000
<v Speaker 5>Broadway between two wards. You barely see him, but you

314
00:13:54.039 --> 00:13:55.399
<v Speaker 5>can't miss what he's advertised.

315
00:13:55.399 --> 00:13:58.679
<v Speaker 1>But these people don't advertise. They're not commercial.

316
00:13:58.840 --> 00:14:02.919
<v Speaker 5>Oh you grow younger by the minute, honey shop. Look,

317
00:14:03.600 --> 00:14:09.679
<v Speaker 5>everyone who is dead advertises something beauty, brains, poverty, wickedness.

318
00:14:09.720 --> 00:14:11.679
<v Speaker 5>Only I have to be able to distinguish the real

319
00:14:11.720 --> 00:14:13.320
<v Speaker 5>thing from the build up he gives himself.

320
00:14:13.879 --> 00:14:18.919
<v Speaker 1>You amaze me. Let us take a specific example. I

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00:14:19.200 --> 00:14:22.679
<v Speaker 1>see it for teeth, figure, curly brown hair, and deep

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00:14:22.720 --> 00:14:25.799
<v Speaker 1>blue eyes. Now tell me, miss Fraser, what other hidden

323
00:14:25.879 --> 00:14:27.039
<v Speaker 1>quality should I search for.

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00:14:27.519 --> 00:14:29.879
<v Speaker 5>Well to make it colorful? Let's say teach read the

325
00:14:29.960 --> 00:14:31.720
<v Speaker 5>seat and jump plain skullduggery.

326
00:14:31.919 --> 00:14:35.799
<v Speaker 1>You try too hard to deny the evidence as an eyewitness.

327
00:14:35.840 --> 00:14:38.720
<v Speaker 1>I believe you are a forthright and lawyers too kind

328
00:14:38.759 --> 00:14:41.799
<v Speaker 1>hearted to take advantage of anyone and heard.

329
00:14:41.679 --> 00:14:44.639
<v Speaker 5>I'm really a double crossing count.

330
00:14:44.480 --> 00:14:46.879
<v Speaker 1>Not at all. I shall prove how long you are

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00:14:46.919 --> 00:14:47.600
<v Speaker 1>to leave us.

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00:14:47.519 --> 00:14:50.080
<v Speaker 5>Practice on me some other times. Right now, I want

333
00:14:50.120 --> 00:14:52.480
<v Speaker 5>Hank's girlfriends to know that you cut a mean rug.

334
00:14:52.799 --> 00:14:55.159
<v Speaker 1>I hope Senorita Cary will favor me with a dad.

335
00:14:55.440 --> 00:15:01.159
<v Speaker 6>I'm sure she will. And here we are too a matha.

336
00:15:01.759 --> 00:15:04.480
<v Speaker 5>You won't have to spend the whole evening waltzing with Willie.

337
00:15:05.200 --> 00:15:07.000
<v Speaker 4>Henry Gramer is the name, and I'll thank you to

338
00:15:07.039 --> 00:15:10.120
<v Speaker 4>have a little respect for my twin text little that's possible.

339
00:15:10.600 --> 00:15:12.960
<v Speaker 5>What I want to get across to Amatha is Manchester's

340
00:15:12.960 --> 00:15:16.480
<v Speaker 5>play with the sumber Oh signor you like the man

341
00:15:16.879 --> 00:15:19.960
<v Speaker 5>with Manchester Spanish gold a Mama, he's our gifts to

342
00:15:20.039 --> 00:15:25.399
<v Speaker 5>Mexico and it comes to free. Then we must speak together, Jeremy,

343
00:15:25.679 --> 00:15:27.840
<v Speaker 5>do you find our country interest?

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00:15:28.159 --> 00:15:34.720
<v Speaker 1>Whoa see Senorita me magusta machismot. I'll make it.

345
00:15:35.240 --> 00:15:36.879
<v Speaker 3>There's your chance, baby, make with a camera.

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00:15:38.240 --> 00:15:40.720
<v Speaker 5>Manchester that's got the device I have in my hand

347
00:15:40.840 --> 00:15:43.000
<v Speaker 5>is the thing I keep for recording many a jolly moment.

348
00:15:43.360 --> 00:15:45.440
<v Speaker 5>And then I put the photographs in my album and

349
00:15:45.480 --> 00:15:47.879
<v Speaker 5>spend the lonely evenings remembering what big.

350
00:15:47.679 --> 00:15:48.399
<v Speaker 6>Times I've had.

351
00:15:48.720 --> 00:15:50.919
<v Speaker 5>Would it know your Manchester if I committed this plan

352
00:15:51.000 --> 00:15:52.360
<v Speaker 5>back to the film.

353
00:15:51.919 --> 00:15:52.519
<v Speaker 1>Of course not.

354
00:15:53.279 --> 00:15:55.039
<v Speaker 5>Now, how about a special one of you, framed with

355
00:15:55.080 --> 00:15:56.240
<v Speaker 5>these cunning little wine gods.

356
00:15:57.919 --> 00:15:58.679
<v Speaker 1>I would love to.

357
00:16:03.279 --> 00:16:05.480
<v Speaker 3>Lookay, he'll be giving away no secrets to tell you.

358
00:16:05.480 --> 00:16:07.720
<v Speaker 4>You're out with a gent who's getting himself photographed right

359
00:16:07.759 --> 00:16:08.480
<v Speaker 4>into oblivion.

360
00:16:08.519 --> 00:16:11.919
<v Speaker 8>Well you mean that character small right. I'm glad he

361
00:16:12.120 --> 00:16:15.399
<v Speaker 8>is not Spanish. She's a musical language, but he makes

362
00:16:15.440 --> 00:16:18.080
<v Speaker 8>it sound like basic English.

363
00:16:18.399 --> 00:16:19.320
<v Speaker 1>Oh my years.

364
00:16:19.399 --> 00:16:21.919
<v Speaker 4>It's stillers have a pretty quick repete well too, But

365
00:16:22.000 --> 00:16:23.919
<v Speaker 4>we're staying right out here until the murder's over.

366
00:16:24.159 --> 00:16:26.759
<v Speaker 8>Now with that many flashboats and all the angle she

367
00:16:26.879 --> 00:16:27.919
<v Speaker 8>is covering him from.

368
00:16:28.120 --> 00:16:28.360
<v Speaker 1>Mary.

369
00:16:28.440 --> 00:16:31.120
<v Speaker 8>Jane is committing it all right, but you will have

370
00:16:31.200 --> 00:16:32.799
<v Speaker 8>to go back for the main events.

371
00:16:32.919 --> 00:16:33.519
<v Speaker 3>What are you saying?

372
00:16:33.720 --> 00:16:33.879
<v Speaker 9>Well?

373
00:16:34.039 --> 00:16:36.840
<v Speaker 8>Night, Jane wants to shot of Manchester doing this number,

374
00:16:37.320 --> 00:16:39.240
<v Speaker 8>and I promise to take him on.

375
00:16:39.960 --> 00:16:43.200
<v Speaker 5>He should look cute doing that little jump in the middle.

376
00:16:43.000 --> 00:16:46.720
<v Speaker 3>Of woman's in humanity to man And don't you like

377
00:16:46.799 --> 00:16:47.240
<v Speaker 3>to stay?

378
00:16:47.639 --> 00:16:53.240
<v Speaker 8>Okay, it's senior small Wood?

379
00:16:53.519 --> 00:16:54.559
<v Speaker 6>Have you forgotten us?

380
00:16:54.720 --> 00:16:55.120
<v Speaker 8>Zamba?

381
00:16:55.720 --> 00:16:58.200
<v Speaker 1>This music is what we have been waiting for. I

382
00:16:58.360 --> 00:17:02.600
<v Speaker 1>hear sanreta carrec pardon that's please, not at all.

383
00:17:05.400 --> 00:17:07.960
<v Speaker 5>They make cheese and Wisconsin, of which we have with

384
00:17:08.079 --> 00:17:09.319
<v Speaker 5>us a sample brand.

385
00:17:09.400 --> 00:17:11.200
<v Speaker 3>I ought to wash your mouth out with Scott.

386
00:17:11.279 --> 00:17:14.279
<v Speaker 5>Don't disturb me. Genius at work. This picture of small

387
00:17:14.319 --> 00:17:15.960
<v Speaker 5>Wood in the throes of a samba is going to

388
00:17:16.000 --> 00:17:17.559
<v Speaker 5>be the crowning shot of my career.

389
00:17:25.079 --> 00:17:26.119
<v Speaker 8>You know I mean it.

390
00:17:26.240 --> 00:17:28.880
<v Speaker 1>You are very good SENDI not at all.

391
00:17:28.960 --> 00:17:31.000
<v Speaker 5>Oh, this has been a wonderful party. I hope all

392
00:17:31.000 --> 00:17:33.400
<v Speaker 5>my exposures were right. Then I'll have some swell memories

393
00:17:33.400 --> 00:17:34.960
<v Speaker 5>for a cold, rainy night back home.

394
00:17:35.200 --> 00:17:37.440
<v Speaker 4>Leaving well enough alone, I should say we'd better shove

395
00:17:37.480 --> 00:17:38.599
<v Speaker 4>off y'all said about.

396
00:17:39.880 --> 00:17:44.279
<v Speaker 1>We'll join you in the fall year immediate. Right now

397
00:17:44.319 --> 00:17:47.640
<v Speaker 1>that we're alone this phraser, I just want to say

398
00:17:47.640 --> 00:17:49.559
<v Speaker 1>that this has been one of the happiest nights of

399
00:17:49.599 --> 00:17:55.640
<v Speaker 1>my life, and that I hope the pictures turn out well.

400
00:17:55.680 --> 00:17:57.200
<v Speaker 6>Thanks so do I.

401
00:17:59.480 --> 00:18:01.680
<v Speaker 1>Although I may have seemed to pay a good deal

402
00:18:01.720 --> 00:18:05.960
<v Speaker 1>of attention to Senorita carry, my thoughts were actually elsewhere

403
00:18:06.799 --> 00:18:10.079
<v Speaker 1>on you, to the exact, you are my main interest.

404
00:18:10.599 --> 00:18:13.279
<v Speaker 6>Well, I'll be done. When did that start.

405
00:18:13.480 --> 00:18:15.720
<v Speaker 1>When you pretended to sprain your ankle and let me

406
00:18:15.799 --> 00:18:23.039
<v Speaker 1>carry you? I never enjoyed lifting anything so much as you.

407
00:18:35.279 --> 00:18:37.599
<v Speaker 5>So that's what he tells me at the table last night.

408
00:18:38.000 --> 00:18:39.119
<v Speaker 3>Don't kid yourself.

409
00:18:39.119 --> 00:18:41.599
<v Speaker 4>The pride of Madison's catching on or was wise from

410
00:18:41.640 --> 00:18:43.799
<v Speaker 4>the start. His next step is to take your cute

411
00:18:43.799 --> 00:18:45.720
<v Speaker 4>little camera and bust it over your cute little head.

412
00:18:45.880 --> 00:18:47.920
<v Speaker 4>And cameras are hard to get these days, So a.

413
00:18:47.960 --> 00:18:50.920
<v Speaker 6>Man who can dance, maybe I should go easy on

414
00:18:51.000 --> 00:18:51.720
<v Speaker 6>him from now on.

415
00:18:52.000 --> 00:18:53.079
<v Speaker 3>What do you mean from now on?

416
00:18:53.640 --> 00:18:54.720
<v Speaker 6>Oh, that's when.

417
00:18:54.559 --> 00:18:57.599
<v Speaker 5>I started to tell you he wants to come along

418
00:18:57.640 --> 00:18:59.160
<v Speaker 5>on the rest of the trips we have to take.

419
00:18:59.319 --> 00:19:01.839
<v Speaker 6>And I've been saying thinking hank All last night.

420
00:19:01.920 --> 00:19:03.920
<v Speaker 3>You feel a little strained. You shouldn't overdo it, you

421
00:19:04.000 --> 00:19:04.599
<v Speaker 3>know the first.

422
00:19:04.440 --> 00:19:06.839
<v Speaker 6>Time, save you're poisoned. Arrow's friend.

423
00:19:07.359 --> 00:19:11.119
<v Speaker 5>My conscience isn't bothering me yet, it's well trained. Look

424
00:19:11.279 --> 00:19:13.960
<v Speaker 5>the guy is direct and honest, smart in his own

425
00:19:13.960 --> 00:19:17.680
<v Speaker 5>government way. He's got a dignity I like too, And

426
00:19:17.720 --> 00:19:20.839
<v Speaker 5>after the Wolves of Three Continents, he's a refreshing change.

427
00:19:20.920 --> 00:19:23.079
<v Speaker 4>Then one day he'll be seeing himself in the pages

428
00:19:23.079 --> 00:19:24.000
<v Speaker 4>of Lens and there'll.

429
00:19:23.720 --> 00:19:24.559
<v Speaker 3>Be another change.

430
00:19:24.880 --> 00:19:27.559
<v Speaker 4>He won't be associating anymore with the female of the species,

431
00:19:27.759 --> 00:19:29.079
<v Speaker 4>which rumor has it.

432
00:19:28.960 --> 00:19:29.960
<v Speaker 3>Is deadlier than the male.

433
00:19:46.240 --> 00:19:48.400
<v Speaker 4>Well, here we are in Tasco, after what I call

434
00:19:48.440 --> 00:19:49.240
<v Speaker 4>a good week's work.

435
00:19:49.599 --> 00:19:52.440
<v Speaker 3>The town's the same, but I'll never be We've.

436
00:19:52.279 --> 00:19:54.960
<v Speaker 5>Only put in a day. And besides, remember the vacation angle.

437
00:19:55.279 --> 00:19:57.119
<v Speaker 5>You not only have a story on Tasco, but you

438
00:19:57.200 --> 00:19:58.880
<v Speaker 5>got it firsthand, not out of.

439
00:19:58.799 --> 00:20:02.799
<v Speaker 1>The National geographic I guess I'll always remember Tasco a

440
00:20:02.880 --> 00:20:06.000
<v Speaker 1>beautiful place, the drive up out of the valley and

441
00:20:06.640 --> 00:20:09.440
<v Speaker 1>over the mountains to fifty six hundred feet high, and

442
00:20:10.279 --> 00:20:11.720
<v Speaker 1>life in another century.

443
00:20:12.279 --> 00:20:15.559
<v Speaker 5>And I'll always remember you Manchester. You've been a right

444
00:20:15.640 --> 00:20:18.200
<v Speaker 5>guy about all these pictures. I've got you in a

445
00:20:18.200 --> 00:20:20.720
<v Speaker 5>boat at Zacamulco, there's one of you in the National

446
00:20:20.759 --> 00:20:23.359
<v Speaker 5>pawn Shop looking at the Hawk diamonds, one at the

447
00:20:23.359 --> 00:20:25.640
<v Speaker 5>flower markets, and there's the other one of you met

448
00:20:25.640 --> 00:20:30.240
<v Speaker 5>bullfighters Eustis, and now you and Tasco keeping company with

449
00:20:30.279 --> 00:20:30.720
<v Speaker 5>a burrow.

450
00:20:31.319 --> 00:20:34.119
<v Speaker 4>I hope that's present company accepted. If not, as soon

451
00:20:34.160 --> 00:20:36.759
<v Speaker 4>will be because I'm getting sleepy. Speaking of the pastoral

452
00:20:36.839 --> 00:20:39.880
<v Speaker 4>scene reminds me. I've often thought that after this world

453
00:20:39.960 --> 00:20:44.480
<v Speaker 4>conflict is over, I'd be perfectly happy to retire to

454
00:20:44.519 --> 00:20:47.680
<v Speaker 4>a farm and watch the milk cams fill up. Cows

455
00:20:47.680 --> 00:20:49.799
<v Speaker 4>are a pretty good company when you get to know them, you.

456
00:20:49.720 --> 00:20:51.759
<v Speaker 6>Know, I'd like to get to know a few cows myself.

457
00:20:52.279 --> 00:20:54.200
<v Speaker 1>My cows, perhaps why not?

458
00:20:54.480 --> 00:20:56.400
<v Speaker 4>I think we better shut the barn door now and

459
00:20:56.440 --> 00:20:58.400
<v Speaker 4>get going. This kind of conversation is bad for my

460
00:20:58.440 --> 00:20:58.960
<v Speaker 4>hay fever.

461
00:20:59.359 --> 00:21:01.880
<v Speaker 1>Do you wish to retire? Also? Miss Fraser, by the.

462
00:21:02.000 --> 00:21:04.759
<v Speaker 6>Thing for my thoughts in either sense of the words, I.

463
00:21:04.759 --> 00:21:06.359
<v Speaker 1>Admire your unflagging spirit.

464
00:21:06.519 --> 00:21:08.720
<v Speaker 3>Well that's not a pleasure you're likely to overindulge.

465
00:21:09.039 --> 00:21:09.920
<v Speaker 1>See you're two in the morning.

466
00:21:10.079 --> 00:21:12.599
<v Speaker 6>Good night, run approaches Hank all.

467
00:21:14.400 --> 00:21:17.079
<v Speaker 1>Shall we walk down the hills of the plaza, watch

468
00:21:17.119 --> 00:21:21.480
<v Speaker 1>the people maybe, or have some refreshment in the pulk carrier.

469
00:21:21.759 --> 00:21:23.440
<v Speaker 5>Oh, it sounds like the perfect ending.

470
00:21:23.559 --> 00:21:24.119
<v Speaker 6>Let's go.

471
00:21:29.720 --> 00:21:33.119
<v Speaker 1>Lovely, isn't it. The flickering lights from the crest of

472
00:21:33.200 --> 00:21:33.640
<v Speaker 1>this hill.

473
00:21:34.079 --> 00:21:35.519
<v Speaker 5>Oh, it's almost too beautiful.

474
00:21:36.519 --> 00:21:38.880
<v Speaker 6>Nights like this UN's fair in what way?

475
00:21:39.240 --> 00:21:39.400
<v Speaker 5>Oh?

476
00:21:39.480 --> 00:21:41.759
<v Speaker 6>They make me go all soft and sentimental.

477
00:21:42.680 --> 00:21:47.519
<v Speaker 1>Do you have some particular objection to feeling sauce and sentimental?

478
00:21:47.880 --> 00:21:51.400
<v Speaker 5>Definitely, A working girl can't afford romantic sauces. They never

479
00:21:51.440 --> 00:21:52.440
<v Speaker 5>pay time and a half for.

480
00:21:52.440 --> 00:21:56.599
<v Speaker 1>Overtime five ten dollars and cents perhaps, But they might

481
00:21:56.640 --> 00:21:58.839
<v Speaker 1>have other compensations.

482
00:21:58.200 --> 00:21:58.920
<v Speaker 6>Name one.

483
00:21:59.119 --> 00:22:06.240
<v Speaker 1>Well. Marriage is generally recognized as the outstanding consummation of romance.

484
00:22:06.599 --> 00:22:09.119
<v Speaker 5>Wedding bells are for sweet young things with starry eyes.

485
00:22:09.400 --> 00:22:11.319
<v Speaker 5>In career women, that's the light that failed.

486
00:22:12.319 --> 00:22:14.559
<v Speaker 1>I've noticed nothing but a sparkle in your eyes.

487
00:22:14.759 --> 00:22:16.039
<v Speaker 5>It could be you know.

488
00:22:16.079 --> 00:22:18.200
<v Speaker 6>Early in life I invested in a book called how.

489
00:22:18.039 --> 00:22:20.119
<v Speaker 5>To Take Pictures and make enemies or keep the love

490
00:22:20.200 --> 00:22:23.559
<v Speaker 5>light glowing to hypnotize her subject. Remember our first meeting.

491
00:22:24.079 --> 00:22:26.839
<v Speaker 1>That is a source of constant pain to me. I

492
00:22:26.920 --> 00:22:29.759
<v Speaker 1>bitterly regret and apologize for my lack of insight.

493
00:22:29.920 --> 00:22:32.279
<v Speaker 5>Oh, no, hard feelings, take it eating. Besides, it was

494
00:22:32.319 --> 00:22:33.160
<v Speaker 5>all in the routine.

495
00:22:33.480 --> 00:22:37.400
<v Speaker 1>I realized that now I also have realized your advice

496
00:22:37.480 --> 00:22:37.759
<v Speaker 1>to be.

497
00:22:37.720 --> 00:22:40.640
<v Speaker 5>Excellent, and which golden rule is bead.

498
00:22:41.359 --> 00:22:43.359
<v Speaker 1>Learn about life and love?

499
00:22:43.720 --> 00:22:45.960
<v Speaker 5>Oh fine, I ought to charge you a slight fee.

500
00:22:46.000 --> 00:22:47.839
<v Speaker 5>Now that you're a satisfied customer.

501
00:22:48.039 --> 00:22:49.960
<v Speaker 1>I'm not yet thoroughly happy.

502
00:22:50.039 --> 00:22:52.440
<v Speaker 5>Oh that'll never do. What's bothering?

503
00:22:52.480 --> 00:22:55.960
<v Speaker 1>Now? How to overcome your prejudice against love?

504
00:22:56.359 --> 00:22:57.000
<v Speaker 3>Oh?

505
00:22:57.079 --> 00:22:59.480
<v Speaker 5>I have nothing against the stuff? Just been too busy,

506
00:22:59.559 --> 00:22:59.960
<v Speaker 5>that's all.

507
00:23:00.799 --> 00:23:03.200
<v Speaker 1>Is a photography going to occupy.

508
00:23:02.799 --> 00:23:05.640
<v Speaker 5>Your entire life, probably until I need blinkers and a

509
00:23:05.640 --> 00:23:06.839
<v Speaker 5>pair of wooden legs.

510
00:23:07.200 --> 00:23:09.400
<v Speaker 1>Don't you ever consider another existence?

511
00:23:09.920 --> 00:23:10.680
<v Speaker 6>Certainly I do.

512
00:23:12.319 --> 00:23:14.880
<v Speaker 5>On a night like this sight, I dream of a

513
00:23:14.920 --> 00:23:18.200
<v Speaker 5>cottage by a brooks with a road leading past us.

514
00:23:18.839 --> 00:23:20.920
<v Speaker 6>All the people in the world can go down that road.

515
00:23:21.359 --> 00:23:24.519
<v Speaker 5>But I never even look up from my knitting, because

516
00:23:24.799 --> 00:23:27.039
<v Speaker 5>I'm just a farmer's daughter and I don't know a

517
00:23:27.119 --> 00:23:28.079
<v Speaker 5>thing about a camera.

518
00:23:28.839 --> 00:23:31.160
<v Speaker 1>Couldn't it be as wonderful a dream if you were

519
00:23:31.200 --> 00:23:34.079
<v Speaker 1>a farmer's wife, wife's daughter.

520
00:23:33.880 --> 00:23:37.640
<v Speaker 5>I won't equipped it's only a dream.

521
00:23:36.599 --> 00:23:40.960
<v Speaker 1>Then, let's take reality. Look down a task, go below

522
00:23:41.039 --> 00:23:44.799
<v Speaker 1>us here. Think of all the people down there who

523
00:23:44.839 --> 00:23:51.960
<v Speaker 1>have met and loved and are now engaged in raising children. Economically,

524
00:23:52.000 --> 00:23:55.160
<v Speaker 1>they have much to desire and the solid diet of startup.

525
00:23:55.240 --> 00:23:57.440
<v Speaker 5>I speak to the point you were telling me about

526
00:23:57.440 --> 00:23:59.640
<v Speaker 5>the people who've met and loved.

527
00:24:00.039 --> 00:24:05.799
<v Speaker 1>Oh, yes, well, I've got a funny name, and I'm

528
00:24:05.839 --> 00:24:06.960
<v Speaker 1>not much to look at.

529
00:24:07.200 --> 00:24:10.640
<v Speaker 5>You look a little like Gary Cooper in The Dog Who.

530
00:24:12.160 --> 00:24:12.720
<v Speaker 6>Never mind?

531
00:24:13.200 --> 00:24:13.960
<v Speaker 5>What were you saying?

532
00:24:14.880 --> 00:24:18.359
<v Speaker 1>Just that I love you. A man doesn't get rich

533
00:24:18.400 --> 00:24:22.559
<v Speaker 1>working for the government, so I have practically nothing to offer. Nevertheless,

534
00:24:23.440 --> 00:24:26.599
<v Speaker 1>I want you to become my wife.

535
00:24:26.799 --> 00:24:30.160
<v Speaker 6>What I don't know what to say?

536
00:24:30.200 --> 00:24:32.480
<v Speaker 5>Manchester. This is so sudden, and.

537
00:24:32.400 --> 00:24:33.279
<v Speaker 6>I'm not exaggerating.

538
00:24:33.440 --> 00:24:36.119
<v Speaker 1>I know it is. Passion has carried me away. Please

539
00:24:36.160 --> 00:24:38.839
<v Speaker 1>forgive me. I'll see you tomorrow. Will you shake hands?

540
00:24:38.839 --> 00:24:40.440
<v Speaker 5>Of course? Good night? Not at all?

541
00:24:44.200 --> 00:24:45.160
<v Speaker 6>Well, how do you like that?

542
00:24:46.920 --> 00:24:53.200
<v Speaker 5>Alone? With flickering lights? People who met and loved? Tascal

543
00:24:55.799 --> 00:24:57.559
<v Speaker 5>not much use standing around.

544
00:24:59.039 --> 00:25:24.640
<v Speaker 9>I guess I do wish to retire after all.

545
00:25:26.880 --> 00:25:28.519
<v Speaker 3>Okay, if it's okay, break it up.

546
00:25:28.559 --> 00:25:30.279
<v Speaker 4>It's not a four to eleven alarm the sanway.

547
00:25:30.319 --> 00:25:30.799
<v Speaker 1>It isn't hurt.

548
00:25:30.839 --> 00:25:33.119
<v Speaker 4>There's no damage done. So just step away, so the

549
00:25:33.160 --> 00:25:37.440
<v Speaker 4>smoke and clear out, all right? Now, Tell Daddy, why

550
00:25:37.519 --> 00:25:38.680
<v Speaker 4>do you want to burn this joint down?

551
00:25:38.839 --> 00:25:39.359
<v Speaker 6>I don't.

552
00:25:39.519 --> 00:25:41.559
<v Speaker 5>I was burning the negatives of the pictures I took

553
00:25:41.559 --> 00:25:43.359
<v Speaker 5>of Manchester, and they flared up for a minute and

554
00:25:43.359 --> 00:25:44.160
<v Speaker 5>got away from me.

555
00:25:44.240 --> 00:25:45.200
<v Speaker 1>Why are you destroying them?

556
00:25:45.480 --> 00:25:49.519
<v Speaker 5>Oh hank, he proposed to me. I can't double cross

557
00:25:49.559 --> 00:25:51.160
<v Speaker 5>a man who wants me to be as bride.

558
00:25:51.400 --> 00:25:52.920
<v Speaker 3>When did this change of heart occur?

559
00:25:53.279 --> 00:25:55.599
<v Speaker 5>Well, he knew me better than I did myself.

560
00:25:55.640 --> 00:25:56.160
<v Speaker 6>After all?

561
00:25:56.440 --> 00:25:57.240
<v Speaker 3>Are you in love with him?

562
00:25:57.279 --> 00:26:01.319
<v Speaker 5>I don't know. It may just be the altitude or fatigued.

563
00:26:00.960 --> 00:26:02.880
<v Speaker 1>I heard the commotion. Is there something the matter?

564
00:26:03.039 --> 00:26:07.319
<v Speaker 5>Yes, there is, Manchester. I've been a bad girl. I

565
00:26:07.359 --> 00:26:09.039
<v Speaker 5>took all of those pictures of you to use in

566
00:26:09.079 --> 00:26:09.519
<v Speaker 5>a lens.

567
00:26:09.720 --> 00:26:13.079
<v Speaker 1>I know you know that is why I was doing

568
00:26:13.119 --> 00:26:14.599
<v Speaker 1>all I could to help you get them.

569
00:26:14.799 --> 00:26:17.200
<v Speaker 5>Weren't you forgetting the exception to the rural business?

570
00:26:17.319 --> 00:26:20.960
<v Speaker 1>Exactly? I'm sick of being an ambassador of goodwill and

571
00:26:21.359 --> 00:26:23.640
<v Speaker 1>of having people shrink at my spanning.

572
00:26:23.319 --> 00:26:24.559
<v Speaker 3>Meaning us no doubt, and.

573
00:26:24.519 --> 00:26:26.279
<v Speaker 1>Taking such care of how I act you.

574
00:26:26.480 --> 00:26:28.880
<v Speaker 4>We have had moments when we loved you for yourself alone,

575
00:26:28.880 --> 00:26:29.400
<v Speaker 4>small Wood.

576
00:26:29.480 --> 00:26:31.279
<v Speaker 1>I wanted those pictures of yours to come out and

577
00:26:31.319 --> 00:26:33.720
<v Speaker 1>cause me trouble in Washington. Then I could resign and

578
00:26:33.720 --> 00:26:35.720
<v Speaker 1>get in the army where I belong. As long as

579
00:26:35.720 --> 00:26:37.680
<v Speaker 1>I keep doing all right, they won't let me go.

580
00:26:37.960 --> 00:26:39.960
<v Speaker 5>In other words, you've merely been leading me on.

581
00:26:40.119 --> 00:26:42.559
<v Speaker 1>Not at all. I want you to be my wife,

582
00:26:42.799 --> 00:26:46.599
<v Speaker 1>as I stated previously. This evening, however, I accept that's

583
00:26:46.599 --> 00:26:46.920
<v Speaker 1>the deal.

584
00:26:47.039 --> 00:26:48.640
<v Speaker 5>Let's say good night again, and this time we're not

585
00:26:48.640 --> 00:26:49.440
<v Speaker 5>going to shake hands.

586
00:26:49.440 --> 00:26:51.079
<v Speaker 3>This is going to be a most interesting finish. I'm

587
00:26:51.160 --> 00:26:52.279
<v Speaker 3>very happy to have a ring sights.

588
00:26:52.400 --> 00:26:54.400
<v Speaker 5>Well, no, you don't hang. This is one continuity that

589
00:26:54.440 --> 00:26:55.839
<v Speaker 5>you went strictly from imagination.

590
00:26:55.920 --> 00:26:58.160
<v Speaker 4>Wait outside, what National Geographic doesn't funny?

591
00:26:58.160 --> 00:27:01.480
<v Speaker 5>Seems like that Outside? I am going to kiss Manchester

592
00:27:01.559 --> 00:27:02.839
<v Speaker 5>and it may knock him cold.

593
00:27:22.720 --> 00:27:26.519
<v Speaker 2>You have heard Robert Carson's story Southern Exposure, adapted for

594
00:27:26.720 --> 00:27:30.440
<v Speaker 2>Author's Playhouse by Mary C. Quinn and directed by Harry Bubeck.

595
00:27:54.039 --> 00:27:58.039
<v Speaker 2>The cast of Author's Playhouse Tonight included Geraldine Kay as Mary,

596
00:27:58.119 --> 00:28:03.240
<v Speaker 2>Jane Olin Sole as Hank Kramer, Clarence Hartzel as Manchester, Smallwood,

597
00:28:03.680 --> 00:28:08.759
<v Speaker 2>and Cheer Bramson as Senorita amata Akire. The Mexican background

598
00:28:08.799 --> 00:28:12.200
<v Speaker 2>melodies were sung by Senor Luthio Garthia, and the musical

599
00:28:12.200 --> 00:28:16.720
<v Speaker 2>score was conducted by Joseph Galligil. Next week, same time,

600
00:28:16.920 --> 00:28:20.359
<v Speaker 2>same station, Author's Playhouse will bring you Frederick J. Lipp's

601
00:28:20.400 --> 00:28:23.920
<v Speaker 2>dramatic story of a man whose mind snapped, and of

602
00:28:23.960 --> 00:28:25.839
<v Speaker 2>how he came back to the world he had once

603
00:28:25.920 --> 00:28:28.839
<v Speaker 2>known and cherished. Cry for the Hunted
