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<v Speaker 1>Do you really want to leave with these idiots? I'm

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<v Speaker 1>afraid so. But I cleansed you of your evil. I

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<v Speaker 1>had a little left between my toes. It quickly multiplied

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<v Speaker 1>and now I'm a bigger bestard than ever. But I

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<v Speaker 1>must know what was it about me that made you try?

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<v Speaker 2>Because I've killed so many rich white men, I thought

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<v Speaker 2>i'd do right by at least one.

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<v Speaker 1>We're not so different. You and I get your skinny

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<v Speaker 1>ass out of here. Four finger discounted to this the

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<v Speaker 1>podcast where we get curbs on because this is what

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<v Speaker 1>we hit to review American History accident.

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<v Speaker 3>I'm Dander and I am god. Oh yeah, thanks for

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<v Speaker 3>bringing back fond memories of American history. X.

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<v Speaker 1>We had to do a score report on that movie.

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<v Speaker 1>We have to watch it at school in year ten,

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<v Speaker 1>and yeah, it changed me, I imagine.

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<v Speaker 3>So this is a movie that has not just probably

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<v Speaker 3>the most brutal and vivid curb stomping and you don't

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<v Speaker 3>even in actually really see the curb stop here, also

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<v Speaker 3>has a bunch of prison rape in it.

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<v Speaker 1>That's uh wow. Stuff to show the year tens, The Simpsons,

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<v Speaker 1>everybody in American History excellent. There's no curb stomping or

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<v Speaker 1>a prison rape in this episode. However, No before we

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<v Speaker 1>get into our review of this episode, THO, I've got

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<v Speaker 1>some news. I'm no longer married to an English girl.

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<v Speaker 1>Wait what? No, wait what, I'm married to an English Australian.

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<v Speaker 1>She did a citizenship. Oh I think it was Australian. Now, well,

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<v Speaker 1>according to the opposition, she's part of the problem, all

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<v Speaker 1>the immigrants. Yeah, I knew it was him. Congratulations for

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<v Speaker 1>being now part of Australian Yeah's. And she says it felt

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<v Speaker 1>weird because nothing really feels different, but now she has to.

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<v Speaker 1>It's like that she care about she must vote because

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<v Speaker 1>in Australia, you must vote. You want to pay the fine.

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<v Speaker 1>We get a sausage. Yeah, we get a snag. Yeah,

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<v Speaker 1>of course, democracy sausage. She's also now several jobs that

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<v Speaker 1>she wanted to go for, but she couldn't go for

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<v Speaker 1>them because she wasn't the citizens and jobs and so

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<v Speaker 1>you got me take it more of our Australian money. Yeah,

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<v Speaker 1>give it a roof over my head, allowing you to.

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<v Speaker 3>Keep talking about the Simpsons and other fine progrems.

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<v Speaker 1>First things first, this episode a lot better than last week. Correct, Yes,

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<v Speaker 1>holy Mully, Oh yeah, if you've listened.

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<v Speaker 3>To our episode about the Greatest Story ever old, well,

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<v Speaker 3>you'll know that neither Dando nor I were fans.

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<v Speaker 1>But American History excellent, look a little better. It's still

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<v Speaker 1>it's got its problem. Certainly. I've got here an upgrade

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<v Speaker 1>from last week, not saying much a good point. Yes,

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<v Speaker 1>anything better than rock Bottom is an improvement, but we're

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<v Speaker 1>slightly up for rock Bottom here. The thing is, I've

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<v Speaker 1>done it a lot recently, parroting stuff that is so

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<v Speaker 1>dated in a sense of like so Parry the Green

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<v Speaker 1>Mile and the short shat redemption in this right eleven

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<v Speaker 1>years after Green Mile came out, where people still talking

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<v Speaker 1>about Green Mile, I feelt maybe the visual of on

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<v Speaker 1>coffee maybe, but I just don't think people really cared

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<v Speaker 1>about the Green Mile by twenty ten, not as much.

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<v Speaker 3>No, No, I mean shaw Shank has really got staying power.

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<v Speaker 3>The Green Mile, of course, is another Frank Dreblant movie

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<v Speaker 3>based on the Stephen King book.

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<v Speaker 1>I think The Green Mile has more staying power than Shawshank,

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<v Speaker 1>to be completely honest, really yeah, I think everyone. I think,

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<v Speaker 1>as someone who grew up in the nineties, I have

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<v Speaker 1>more knowledge of you know, the big dude, what's his name?

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<v Speaker 1>Michael Clark, Michael Clarke, Duncan from the Green Mile. You know,

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<v Speaker 1>than I do anything from Shawshank. Really, I love Shawshank,

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<v Speaker 1>but I don't think as a kid from that era, Okay,

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<v Speaker 1>I have any sort of that's interesting because yeah, I

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<v Speaker 1>mean I don't look it up at the rain. That's

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<v Speaker 1>the visual, sure, but I mean shaw Shank was not

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<v Speaker 1>hit at the time. It wasn't. No, not all well.

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<v Speaker 3>I mean it's burned with a fairly sort of unwieldy title.

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<v Speaker 3>The stars names but not necessarily movie star names. I

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<v Speaker 3>think it really sort of helped put Morgan Freeman on

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<v Speaker 3>the map in a lot of way.

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<v Speaker 1>Really, I was wondering that because I watched Unforgiven for

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<v Speaker 1>the first time the other day, right that one's best film?

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<v Speaker 1>Did it? It did? Yeah? How what I liked it?

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<v Speaker 1>I was just like, oh, this was best film of

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<v Speaker 1>the year. I don't know. It just felt very by

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<v Speaker 1>the numbers. I think a lot of it had to

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<v Speaker 1>be slow and well the dialogue felt clunky. Oh no,

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<v Speaker 1>not to.

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<v Speaker 3>Me, And I think to some people, yeah, some people

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<v Speaker 3>slow as and other people sort of deliberate and measured.

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<v Speaker 1>I think another thing is it was you know, I'm like,

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<v Speaker 1>I know where this is going, so can we just

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<v Speaker 1>get okay? Yeah, I didn't enjoy the journey as as

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<v Speaker 1>much as I thought I would. It's interesting. I'm a huge,

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<v Speaker 1>huge fan of Unforgiven. I love it.

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<v Speaker 3>I think it's I think it's one of the Eastwood's

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<v Speaker 3>best And it also came to a time when I

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<v Speaker 3>wouldn't say Eastwood's sort of.

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<v Speaker 1>Career was on the decline.

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<v Speaker 3>But he had a rough sort of late eighties even

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<v Speaker 3>total eighties, and this was regarded as he's going back

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<v Speaker 3>to the cowboy. Well, but he's viewing it from a

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<v Speaker 3>different active, and there's a lot of talking about revisionist

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<v Speaker 3>Westerns when it's kind of like, oh, it used to

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<v Speaker 3>be all cowboys and in his white hat and black

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<v Speaker 3>hats and all that, and its kind of like the

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<v Speaker 3>old West was kind of murky and muddy and morally

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<v Speaker 3>gray and and pretty violent, and Eastwood was kind of

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<v Speaker 3>subverting all that kind of stuff.

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<v Speaker 1>So I think that's why. I don't think that's the

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<v Speaker 1>only reason they got best picture, but I think it

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<v Speaker 1>was a bit of a you can borrow my four

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<v Speaker 1>cave you like, sure, I can have it. It sounds like, oh,

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<v Speaker 1>why were you talking about I don't think it was

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<v Speaker 1>sure Shank and just Morgan Morgan, Morgan free My point

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<v Speaker 1>was I was like, was Morgan Freeman a star when

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<v Speaker 1>he was younger?

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<v Speaker 3>No, because he worked for years and years and years. Yes,

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<v Speaker 3>just as a working actor. He made a movie in

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<v Speaker 3>the late eighties called Street Smart. This is really interesting

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<v Speaker 3>because it was a Christopher Reeve sort of movie and

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<v Speaker 3>he only he only did Superman four. So the company

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<v Speaker 3>that bankrolled it, he said, you have to also have

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<v Speaker 3>to make this movie street Smart, where he plays like

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<v Speaker 3>this this journalist who's written this huge story about Oh,

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<v Speaker 3>it's about a pimp in the streets, except he made

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<v Speaker 3>it all up because he couldn't find a pimper. We

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<v Speaker 3>talked to him and then this real life pimp, his

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<v Speaker 3>sort of story coincides with it's Morgan Freeman, and he's

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<v Speaker 3>fantastic and.

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<v Speaker 1>He's so good it's absolutely terrifying. And he was like, well,

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<v Speaker 1>this guy's pretty good. That's why they have At the

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<v Speaker 1>start of Laura order the following story, it's not to

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<v Speaker 1>picked any actual person. Can I I'm sorry I'm doing

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<v Speaker 1>stories within stories here, but this just struck me as

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<v Speaker 1>extremely funny. It's very online, but it was very, very funny.

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<v Speaker 1>Are you aware of someone called Club Vicula? Are you

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<v Speaker 1>online enough to know about this person? No, okay, this

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<v Speaker 1>is someone who's called a look Smaxer's like he's like

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<v Speaker 1>an influence. He's this young dude.

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<v Speaker 3>He's like, all I care about is looking hot, and

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<v Speaker 3>I'll do whatever it takes.

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<v Speaker 1>He went bored, had fake hair that came off. I

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<v Speaker 1>don't know that's the guy.

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<v Speaker 3>No, no, no, he's like to get better cheekbones. Do

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<v Speaker 3>these things called microfraction. You hit yourself in the in

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<v Speaker 3>the in the cheek with a hammer and you get

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<v Speaker 3>these micro refractions. That makes you it makes your even sharper.

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<v Speaker 1>Now.

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<v Speaker 3>He recently he recently went to court for something and

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<v Speaker 3>the judge overseeing his case was this really sort of handsome,

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<v Speaker 3>middle aged dude.

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<v Speaker 1>Yeah, where are you going with this? Okay, let me try.

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<v Speaker 1>Here's clivicular. Yeah, this young dude. Here's the judge who

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<v Speaker 1>was overseeing. What does you have to do with Morgan Freeman.

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<v Speaker 1>It has to do with law and order. There was

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<v Speaker 1>this great tweet that said, in the looks backching justice system,

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<v Speaker 1>mog Baker fenses are considered especially No, no, it just

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<v Speaker 1>made me laugh because there's this new tom called mogging.

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<v Speaker 1>You heard that. I'm trying to keep up to date

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<v Speaker 1>with the kids. If you mog someone means you sort

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<v Speaker 1>of overpower them by your own charisma or something like that,

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<v Speaker 1>or by all your own prowwares. It's like, oh, man,

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<v Speaker 1>you guy totally moggeddand on that podcast with his knowledge

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<v Speaker 1>of zeppooned stunted on someone or something like that. Anyway,

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<v Speaker 1>but yeah, Lauren Order and where we were talking about

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<v Speaker 1>Lauren Order because I was saying, how oh yeah that

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<v Speaker 1>depiction especially heinous. Yes, but yeah. Then I think a

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<v Speaker 1>couple of years after that did Driving Miss Daisy, which

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<v Speaker 1>turned out to be a huge hit as well, and

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<v Speaker 1>it was like, we like this Morgan Freeman guy. But

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<v Speaker 1>it wasn't until the nineties, but I think Shorwhank was

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<v Speaker 1>one of the one of the first movies that sort

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<v Speaker 1>of had him above the title as a star. Okay, yeah,

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<v Speaker 1>I'm begiveven was certainly one of those. Yeah, Morgan Freeman,

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<v Speaker 1>what a man, what a guy? A man? Indeed Shure Shank, yes,

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<v Speaker 1>but Shaw Shank was I don't know, sixteen years It's

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<v Speaker 1>always become a bit of a running gage on the

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<v Speaker 1>footy record. They would have like profiles of football players

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<v Speaker 1>and they would have like various questions about what's your

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<v Speaker 1>favorite food, what's your favorite whatever? And favorite movie? Eight

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<v Speaker 1>times out of ten was like Shawshank. Really yeah, in

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<v Speaker 1>the next movie, just a Blokes movie. It's like one

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<v Speaker 1>of those movies. It's like, so I go, so I

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<v Speaker 1>got to crime Matus shaw Shank.

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<v Speaker 3>It's like Tominated too well yeah, or Fiel The Dreams,

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<v Speaker 3>good Will Hunting I Am.

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<v Speaker 1>I used to always confuse it with the Castle, so

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<v Speaker 1>I'm like, oh, James got off. He's not the warden.

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<v Speaker 1>He's a warden in the Castle. Oh, the Last Castle,

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<v Speaker 1>Last Castle, the Castle, the Last Castle. Yeah, not telling

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<v Speaker 1>me his dream And no, no, no, I don't know

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<v Speaker 1>that he's the warden in that one. Here's here's the way,

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<v Speaker 1>easy way to distinguish those two. Shawshank. Redemption is a

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<v Speaker 1>good movie. The Last Castle is a bad movie. Is

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<v Speaker 1>it really? I don't think it's a good movie.

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<v Speaker 3>I ever liked it when I was younger. Okay, okay,

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<v Speaker 3>Greenmand was apparently a huge hit.

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<v Speaker 1>That's the thing. It's Greenma was a huge hit. Yeah. Yeah,

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<v Speaker 1>but it's a movie I really really like. I don't know.

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<v Speaker 1>The thing is, though, I'm watching this, and the story

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<v Speaker 1>is that Burns goes to prison because for reasons of whatever,

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<v Speaker 1>he's still stolen art and stuff, right, he goes to prison,

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<v Speaker 1>So he's in prison. Yeah, this felt like they were

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<v Speaker 1>more focused on trying to parody prison film films than

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<v Speaker 1>actually tell a story. That is kind of the case.

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<v Speaker 3>It's like we're taking a bit from Georghank, we're taking

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<v Speaker 3>a bit from Green Malin, and we're taking a bit

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<v Speaker 3>from American History X.

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<v Speaker 1>It's did I take anything of American History X? Besides

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<v Speaker 1>the title?

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<v Speaker 3>I think it was just I'm trying to remember because

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<v Speaker 3>it's been a while since i've seen it. But I

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<v Speaker 3>thought that Edward Norton stops being a Nazi because he's

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<v Speaker 3>befriended by a black guy in prison.

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<v Speaker 1>That's just a green mile, isn't it not really Coffee?

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<v Speaker 3>Yeah, Yeah, that's very that's very green mile. And the

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<v Speaker 3>big black guy is supposed to look like John Coffee

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<v Speaker 3>played by Michael Clark duncan rest in Peace. I'm pretty

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<v Speaker 3>sure that American History X has Yeah, he's converted by

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<v Speaker 3>a black eye.

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<v Speaker 1>Whether it's to do with religion or Christianity or whatever.

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<v Speaker 1>I'm not undertentual, but I think that's the reference because

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<v Speaker 1>I was, Yeah, why would you call it American history

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<v Speaker 1>excellent when there's no American History X stuff in it?

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<v Speaker 1>I don't know. I think that's it. But the thing is,

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<v Speaker 1>there's three there's three stories in this episode, two of

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<v Speaker 1>which in particular, could have been fully fledged episodes. Right

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<v Speaker 1>the Smither's becoming the boss of the power plant, that's

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<v Speaker 1>an episode in itself. Yes, there was so much you

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<v Speaker 1>could have doved into the prison, Smithers runs the power

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<v Speaker 1>and you have the side story of Bartley's with the

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<v Speaker 1>knot cut that out that didn't need to be cut

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<v Speaker 1>it out entirely. I didn't like it. I did not

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<v Speaker 1>like it. Yeah, there was something you could have worked

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<v Speaker 1>with there, but it just wasn't executed very well. Here

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<v Speaker 1>my theory was with the Bart and Lisa one, you

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<v Speaker 1>could have done more of it. For example, when it

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<v Speaker 1>first happens, maybe Bart is not sympathetic towards the ants,

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<v Speaker 1>and it's a way of Lisa teaching but empathy towards animals.

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<v Speaker 1>And also maybe you could have had like, you know,

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<v Speaker 1>they have rival ant farms something like that. Right here,

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<v Speaker 1>they're just sort of looking after this little ant and

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<v Speaker 1>then they spend a wholesode looking after it, release it

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<v Speaker 1>to be free because I was about to die and

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<v Speaker 1>the doctor just eats it up.

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<v Speaker 3>They're doing this a bit recently, kind of just humor

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<v Speaker 3>that if you want to be generous is like, oh,

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<v Speaker 3>that's a bit dark and subversive.

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<v Speaker 1>Was like, now, that's just mean spirited. I touched on

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<v Speaker 1>a little bit in the last episode with the Jerusalem visit,

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<v Speaker 1>but this one was felt more so. There was just

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<v Speaker 1>lots of random short scenes right that ended with a

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<v Speaker 1>random gag that really had nothing to do with the

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<v Speaker 1>story and didn't progress the story. So I was like,

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<v Speaker 1>why these gags here? Tell me more. The big one

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<v Speaker 1>for me was Grandpa. Oh yeah, and he has like

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<v Speaker 1>the dream of his I'm not in my mind im

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<v Speaker 1>and then he has a dream of him in a cage,

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<v Speaker 1>and I was like that didn't further the story. It

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<v Speaker 1>didn't need to be there. It's like, why are these

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<v Speaker 1>random things here that they're not They're not, are you?

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<v Speaker 1>Like the Parker and the Stony thing. Everything needs to happen,

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<v Speaker 1>needs to be furthering the story. Sure, why are we

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<v Speaker 1>just throwing in these random Well, like I said in

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<v Speaker 1>the previous episode, this is in our previous episode when

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<v Speaker 1>we were talking about the greatest story of but No,

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<v Speaker 1>I said that this episode I think has just got

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<v Speaker 1>a really strong foundation, a really interesting van. Burns in

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<v Speaker 1>prison could have been a great story. I think, Yeah,

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<v Speaker 1>him letting the prison life and realize he's being humbled,

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<v Speaker 1>Smithers being corrupted. Yeah, it almost gives you a bit of

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<v Speaker 1>pove thought. It's like, what was Burns always bad? Or

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<v Speaker 1>was he sort of corrupted by power? Why does Smithers?

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<v Speaker 1>Why do we never have Smithers visiting Burns in prison?

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<v Speaker 3>That's good point, Like, that's a very good p Yeah.

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<v Speaker 3>Cut out all the an farm ship so any of that, No, no,

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<v Speaker 3>and have like Smithers visiting Burns less and less frequently.

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<v Speaker 3>It's been two weeks. You haven't come up because I'm

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<v Speaker 3>running the planet, you know, and you see me. He

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<v Speaker 3>looks a little more flash every time. He's like the

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<v Speaker 3>last time I see him's like got gog chains or something.

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<v Speaker 3>I think that could be really interesting.

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<v Speaker 1>My theory was he could have had Smithers at first

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<v Speaker 1>being a pushover, and he goes to visit Burns in

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<v Speaker 1>prison and ask for advice on how do I control

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<v Speaker 1>these guys? How do I make them fear me that

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<v Speaker 1>they fear you? And then he gives Smithers the advice,

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<v Speaker 1>and then all of a sudden, Smithers stopped visiting now

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<v Speaker 1>because now Smith doesn't need him anymore. Correct the Smither's

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<v Speaker 1>characters always needed Burns. So if it felt odd to

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<v Speaker 1>me that from the first, from the get go, he

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<v Speaker 1>was like, I'm going to be the boss that everyone wanted,

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<v Speaker 1>not like mister Burns. I'm like, you worship this guy.

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<v Speaker 1>Your whole character is the fact that you fucking love him.

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<v Speaker 1>You do it, you die for him. So why are

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<v Speaker 1>you now now You're the boss? Be everything he wasn't? Well,

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<v Speaker 1>that's sense, does he he loves mister.

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<v Speaker 3>Burns, but does he respect mister Burns's way of doing things.

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<v Speaker 3>It's kind of like, you know, hate the hate the player,

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<v Speaker 3>not the game, or something along those lines. I mean,

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<v Speaker 3>I kind of like the idea of like him thinking, oh,

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<v Speaker 3>there are ways that this could run more efficiently, could

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<v Speaker 3>run better, you know, we could make money but still

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<v Speaker 3>be a good work. And then it turns out all

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<v Speaker 3>these workers are dickheads.

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<v Speaker 1>Yeah, but we don't see Yeah, that's true. We don't

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<v Speaker 1>see enough at the power plant of we see one

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<v Speaker 1>like town meeting of him saying I'm gonna be a

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<v Speaker 1>better boss, and then it's just them most saying you're

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<v Speaker 1>a great boss. Smithers. He goes outside for a phone call,

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00:14:15.799 --> 00:14:17.480
<v Speaker 1>which is the most cliche thing ever comes back in

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00:14:17.600 --> 00:14:21.279
<v Speaker 1>over here. Is that Smithers guy? Hey, what he's such

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<v Speaker 1>a pushover? It's like that is the most basic it

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00:14:24.759 --> 00:14:29.159
<v Speaker 1>really storytelling ever. Yeah, I was. I was a little disappointed, Yeah,

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00:14:29.360 --> 00:14:31.879
<v Speaker 1>which I mean a lot disappointed. Yeah, the Smithers in

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<v Speaker 1>control of the power plant could work as his own story.

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<v Speaker 1>Having Burns go for some other reason besides because Burns

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<v Speaker 1>in Prison should have been a full length episode in itself.

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<v Speaker 1>Absolutely that you could have had Burns realizing I'm not

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<v Speaker 1>in control here. I don't have the power. I can't

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<v Speaker 1>tell people what to do. Yes, the work is way

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00:14:46.559 --> 00:14:49.159
<v Speaker 1>up the chain. And that's when the Michael Clark Dougling

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<v Speaker 1>Carriacter John Coffee says, I need to stop this guy.

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<v Speaker 1>He's becoming too evil. That's yeah, Yeah, that's having become

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<v Speaker 1>the shot caller in the prison, and then and then

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<v Speaker 1>he tries to save him as opposed to just going

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00:14:58.799 --> 00:15:01.240
<v Speaker 1>because he's not calling any sh that would be I

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00:15:01.519 --> 00:15:04.360
<v Speaker 1>watch a whole Simpsons movie about that it or watching

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00:15:04.440 --> 00:15:06.679
<v Speaker 1>like a two part episode of him going to prison

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00:15:06.799 --> 00:15:10.279
<v Speaker 1>and just make it like Oz yes, and just become

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00:15:10.600 --> 00:15:13.519
<v Speaker 1>there's weedy old man who's just like sheer, cunning and manipulation,

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<v Speaker 1>becomes the most powerful player in the Jay Yeah. And

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<v Speaker 1>then but John Coffee is the one guy he can't

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00:15:18.960 --> 00:15:22.000
<v Speaker 1>get to. Yeah, and then John Coffee makes him realize

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00:15:22.000 --> 00:15:26.279
<v Speaker 1>he's been a bad person. Correct, that's wild. That's would

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00:15:26.320 --> 00:15:28.080
<v Speaker 1>you watch that episode? We'd watch it.

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00:15:28.799 --> 00:15:34.840
<v Speaker 3>We should write it, but eventually I pour writing before

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00:15:34.879 --> 00:15:36.679
<v Speaker 3>though I want it's something I want to talk about

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00:15:36.720 --> 00:15:38.799
<v Speaker 3>a little bit. I mean, I've written down here this

335
00:15:38.919 --> 00:15:40.720
<v Speaker 3>is poorly written in terms of that scene where it's

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00:15:40.720 --> 00:15:43.000
<v Speaker 3>like I'm a kid, doesn't even have anything or does everything.

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00:15:43.039 --> 00:15:45.120
<v Speaker 1>I'm not going to it. This guy is such a dickhead,

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00:15:45.159 --> 00:15:47.759
<v Speaker 1>such a loser, blah blah blah. That was poor. That

339
00:15:47.879 --> 00:15:48.360
<v Speaker 1>was not great.

340
00:15:48.519 --> 00:15:52.320
<v Speaker 3>But even at the start of the episode where you're

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<v Speaker 3>all working at my fourth of July thing, his I've

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00:15:55.000 --> 00:15:57.360
<v Speaker 3>wrote down what is wrong with Burns's villain here. And

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<v Speaker 3>I'm not saying, hey, what's wrong with It's not all bad.

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<v Speaker 3>I'm just saying, why is this not sticking? Why is

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00:16:02.000 --> 00:16:02.799
<v Speaker 3>this not landing for me?

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00:16:02.919 --> 00:16:04.120
<v Speaker 1>Is it too overblown?

347
00:16:04.639 --> 00:16:07.759
<v Speaker 3>I mean it's degrading enough that he's getting all these

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00:16:07.759 --> 00:16:09.879
<v Speaker 3>people to come work on the fourth of July for

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00:16:10.000 --> 00:16:12.440
<v Speaker 3>no money. You don't have to all put on a

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00:16:12.519 --> 00:16:15.320
<v Speaker 3>show for me, you know, put on this grand musical

351
00:16:15.399 --> 00:16:17.960
<v Speaker 3>extravaganza or something. It's just like, just come and do

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00:16:18.440 --> 00:16:21.320
<v Speaker 3>menial labor for me. I think that would resonate with

353
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<v Speaker 3>a lot more people, and it would sort of make

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<v Speaker 3>Burns' villainy more vivid.

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<v Speaker 1>You know what it is? Because the Burns, the Burns

356
00:16:27.200 --> 00:16:29.799
<v Speaker 1>we grew up with, right, the Burns from the Golden era,

357
00:16:30.399 --> 00:16:32.840
<v Speaker 1>wanted to spend his list less time with the employees

358
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<v Speaker 1>as possible, even hated doing Employee Night of the Year

359
00:16:36.120 --> 00:16:38.559
<v Speaker 1>or whatever you didn't want to be there. He would

360
00:16:38.639 --> 00:16:40.720
<v Speaker 1>not want to spend his Fourth of July with his

361
00:16:40.799 --> 00:16:43.000
<v Speaker 1>employees doing even though doing shit for him. He's like,

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<v Speaker 1>I want no one here, leave me alone. Yeah, or okay,

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00:16:48.360 --> 00:16:51.759
<v Speaker 1>it's make this a story. It's my turn to host

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<v Speaker 1>the Fourth of July party for you know, the billionaire

365
00:16:55.399 --> 00:16:56.360
<v Speaker 1>Coalition or whatever.

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<v Speaker 3>Fine, and yeah, you're all coming to work for me,

367
00:17:00.960 --> 00:17:03.200
<v Speaker 3>you know, to do it. Make it working stiffs versus

368
00:17:03.279 --> 00:17:05.279
<v Speaker 3>one percenters kind of do where it's like people are

369
00:17:05.359 --> 00:17:07.960
<v Speaker 3>just throwing food over their shoulder and hitting home in

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00:17:08.000 --> 00:17:09.839
<v Speaker 3>the eye with a half eaten cupcake or some ship

371
00:17:09.920 --> 00:17:11.880
<v Speaker 3>like that. I don't know, I'm just thinking of a

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<v Speaker 3>story here. Have there's an episode where it's Fourth of

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<v Speaker 3>July and the fireworks abandoned Springfield. I feel like Sheennigan's

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<v Speaker 3>coming suit with that.

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<v Speaker 1>Yeah, let's do something about that. The beer baron, but

376
00:17:20.119 --> 00:17:22.599
<v Speaker 1>the fireworks baron. Yeah. I'm just watching this going there's

377
00:17:22.640 --> 00:17:25.160
<v Speaker 1>too much happening in this one, and nothing's actually being

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00:17:25.160 --> 00:17:27.359
<v Speaker 1>fleshed out. Too much and not enough. Nothing like the

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00:17:27.400 --> 00:17:29.920
<v Speaker 1>whole Burns prison. There's nothing to it. So he goes

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00:17:29.960 --> 00:17:31.960
<v Speaker 1>to prison for a reason. That's because he stole it.

381
00:17:32.039 --> 00:17:33.880
<v Speaker 1>Apparently that's a real thing. Apparently that art was actually

382
00:17:33.920 --> 00:17:36.799
<v Speaker 1>stolen from the Boston Museum and lud just randomly knew that.

383
00:17:36.920 --> 00:17:38.480
<v Speaker 1>But they went there to arrest the three guys for

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00:17:38.599 --> 00:17:40.599
<v Speaker 1>ruining his house. And they don't arrest the three guys

385
00:17:40.680 --> 00:17:42.759
<v Speaker 1>for ruining his house that has arrest burns. He gets

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00:17:42.799 --> 00:17:45.559
<v Speaker 1>taken to prison, and then he immediately is like, I'm

387
00:17:45.599 --> 00:17:48.279
<v Speaker 1>going to pick my sorority because apparently he's a oblivious idiot,

388
00:17:48.319 --> 00:17:51.839
<v Speaker 1>he doesn't understand that prison has the gangs. Which sorority

389
00:17:51.880 --> 00:17:54.160
<v Speaker 1>would I choose? And then and then John Coffee is

390
00:17:54.160 --> 00:17:57.079
<v Speaker 1>like he's mine. I'm like, why damn? What is going

391
00:17:57.119 --> 00:18:00.680
<v Speaker 1>on here? Why? And then by the end of it

392
00:18:00.839 --> 00:18:02.519
<v Speaker 1>is like, no, I still had some evil in between

393
00:18:02.519 --> 00:18:05.759
<v Speaker 1>my toes, so I'm still an evil bastard. And I'm like, so,

394
00:18:06.440 --> 00:18:08.960
<v Speaker 1>what was the point of any of this? There was none.

395
00:18:09.200 --> 00:18:10.839
<v Speaker 1>There was none. And it ends with John Coffee with

396
00:18:10.880 --> 00:18:14.200
<v Speaker 1>fat Tony you were mentioning dark gags. I thought it

397
00:18:14.279 --> 00:18:16.240
<v Speaker 1>was going to end with him going the delightful guy

398
00:18:16.400 --> 00:18:19.440
<v Speaker 1>back in prison, right, and him going telling a story

399
00:18:19.640 --> 00:18:21.160
<v Speaker 1>and pans out and he's actually sitting on the electric

400
00:18:21.200 --> 00:18:23.039
<v Speaker 1>chair about to be ax. I thought that's where they

401
00:18:23.079 --> 00:18:25.319
<v Speaker 1>were going, you know, that's the Green Mile. Actually it

402
00:18:25.440 --> 00:18:27.000
<v Speaker 1>is I'm Afraid of the Dark.

403
00:18:27.000 --> 00:18:27.160
<v Speaker 2>Boss.

404
00:18:27.240 --> 00:18:30.359
<v Speaker 1>Is that when he says I'm afraid the dark? The Dark? Heartbreaking?

405
00:18:30.519 --> 00:18:32.880
<v Speaker 1>Yes it is. Yeah, it was a really good movie. Yeah,

406
00:18:33.319 --> 00:18:37.119
<v Speaker 1>but yeah, this one here seems to be a recurring thing,

407
00:18:37.319 --> 00:18:44.559
<v Speaker 1>lots lots of potential untapped. Correct, he my favorite. Did

408
00:18:44.599 --> 00:18:46.039
<v Speaker 1>you have any favorite moments from the episode?

409
00:18:46.960 --> 00:18:48.400
<v Speaker 3>Look, there were one or two lines in here that

410
00:18:48.480 --> 00:18:51.519
<v Speaker 3>were reminiscent, as we like to say, reminiscent of classic Simpsons.

411
00:18:52.160 --> 00:18:54.079
<v Speaker 3>I liked when they had initially where they're having the

412
00:18:54.119 --> 00:18:57.200
<v Speaker 3>first meeting or whatever. Yeah, and are saying, oh, we

413
00:18:57.480 --> 00:18:59.720
<v Speaker 3>regret the death of so and so who died from

414
00:18:59.759 --> 00:19:01.880
<v Speaker 3>common aplications due to union organizing.

415
00:19:02.599 --> 00:19:04.200
<v Speaker 1>That feels like old school burns.

416
00:19:04.640 --> 00:19:07.880
<v Speaker 3>Yeah, he's like, don't just speakable person, don't try and

417
00:19:08.000 --> 00:19:09.680
<v Speaker 3>unionize now you'll get bumped off.

418
00:19:09.759 --> 00:19:09.960
<v Speaker 1>Yeah.

419
00:19:11.519 --> 00:19:14.319
<v Speaker 3>You mentioned before about the painting that burns out, the

420
00:19:14.359 --> 00:19:15.839
<v Speaker 3>whole thing that sort of gets him sent to Printon.

421
00:19:16.119 --> 00:19:17.920
<v Speaker 3>I don't approve his motivation, but I like it from

422
00:19:17.960 --> 00:19:21.519
<v Speaker 3>a storytelling sense, like why should all these paupers get

423
00:19:21.559 --> 00:19:23.160
<v Speaker 3>to look at priceless works of art?

424
00:19:23.759 --> 00:19:26.119
<v Speaker 1>No, it's it's for me. I did write my notes.

425
00:19:26.160 --> 00:19:29.440
<v Speaker 3>He's not wrong, So I like his motivation that regard.

426
00:19:29.480 --> 00:19:32.160
<v Speaker 3>I find that really interesting. H And, as I said,

427
00:19:32.160 --> 00:19:34.680
<v Speaker 3>the interesting idea of the veteran too. I see slash

428
00:19:34.680 --> 00:19:38.839
<v Speaker 3>assistant being given the seat of power and becoming corrupted

429
00:19:38.880 --> 00:19:39.119
<v Speaker 3>by it.

430
00:19:39.519 --> 00:19:42.480
<v Speaker 1>And someone like I don't know if he'd be really

431
00:19:42.599 --> 00:19:45.240
<v Speaker 1>seen of Smith's. But he never gets corrupted. That's the problem. Yeah,

432
00:19:45.839 --> 00:19:49.279
<v Speaker 1>he's a nice guy who these dickheads take advantage advantage

433
00:19:49.319 --> 00:19:51.440
<v Speaker 1>of and then were supposed to feel smpathy from here's

434
00:19:51.480 --> 00:19:54.559
<v Speaker 1>my other grit. Right, So the whole premise is we

435
00:19:54.720 --> 00:19:57.680
<v Speaker 1>find out the episode starts with Burns being taken by

436
00:19:57.720 --> 00:19:59.559
<v Speaker 1>guards in prison. But you wonder how I got here

437
00:20:00.000 --> 00:20:02.279
<v Speaker 1>a week earlier whatever, Right, And it turns out the

438
00:20:02.319 --> 00:20:04.319
<v Speaker 1>guys are like, how can we get rid of Smithers?

439
00:20:04.440 --> 00:20:06.279
<v Speaker 1>We want Burns back. I know, we'll just break into

440
00:20:06.279 --> 00:20:08.119
<v Speaker 1>the prison by putting on prison guard outfits and just

441
00:20:08.200 --> 00:20:10.880
<v Speaker 1>walking him out the door. Now, they don't even showed

442
00:20:10.880 --> 00:20:12.680
<v Speaker 1>them how they got in there the correct Yeah, and

443
00:20:13.240 --> 00:20:15.319
<v Speaker 1>I must have been I was thinking all that time.

444
00:20:15.400 --> 00:20:18.119
<v Speaker 1>So he's just going to break him out and then

445
00:20:18.160 --> 00:20:20.519
<v Speaker 1>he's going to resume his normal life. Order they do

446
00:20:20.720 --> 00:20:23.359
<v Speaker 1>try to get themselves an escape hatch with like men of.

447
00:20:23.400 --> 00:20:25.319
<v Speaker 3>Wealth can beat the system. Now it's like, okay, that's

448
00:20:25.400 --> 00:20:28.599
<v Speaker 3>not unfunny. Yeah, and Home has got his bit about

449
00:20:29.240 --> 00:20:30.559
<v Speaker 3>Yeah the past never had a chance.

450
00:20:30.680 --> 00:20:30.799
<v Speaker 1>Man.

451
00:20:31.880 --> 00:20:34.480
<v Speaker 3>I thought that was kind of funny, but again that's

452
00:20:34.960 --> 00:20:36.319
<v Speaker 3>it's kind of sloppy as well.

453
00:20:36.640 --> 00:20:39.839
<v Speaker 1>I like the they thought it had the best insulation

454
00:20:40.279 --> 00:20:42.640
<v Speaker 1>and it was the best asbestos and then not the

455
00:20:42.680 --> 00:20:45.079
<v Speaker 1>best asbestos. Yeah, I don't mind. That is all right.

456
00:20:45.440 --> 00:20:47.000
<v Speaker 1>They did it in the first Trains of Horror with

457
00:20:47.039 --> 00:20:50.480
<v Speaker 1>the how to Cook for forty Humans. Correct. I didn't

458
00:20:50.519 --> 00:20:52.599
<v Speaker 1>mind the various heads that were on the wall and

459
00:20:52.680 --> 00:20:56.599
<v Speaker 1>a suber tooth tiger t extent trespasser just passay.

460
00:20:56.359 --> 00:20:58.480
<v Speaker 3>Speaking, which what did I just lend you on Blu

461
00:20:58.640 --> 00:21:02.279
<v Speaker 3>Ray oh Man. We talked about this on a previous episode.

462
00:21:02.359 --> 00:21:07.079
<v Speaker 3>I wait to watch it, and I didn't mind. Someone

463
00:21:07.119 --> 00:21:10.519
<v Speaker 3>you'll see from in Trespass is William Sadler.

464
00:21:10.720 --> 00:21:12.599
<v Speaker 1>He is Death from Bill and Ted's Burgers Journey.

465
00:21:12.640 --> 00:21:16.039
<v Speaker 3>You'll also see him in The Green Mile and Redemption.

466
00:21:16.160 --> 00:21:19.279
<v Speaker 3>He's a he's a Frank Darabont regular, like that guy.

467
00:21:19.519 --> 00:21:21.119
<v Speaker 1>And my final favorite moment here was I know you

468
00:21:21.160 --> 00:21:24.880
<v Speaker 1>didn't like the Barton Lisa story, but it just felt

469
00:21:24.960 --> 00:21:27.680
<v Speaker 1>very kiddish. So he's like your eight legs and this

470
00:21:27.880 --> 00:21:29.039
<v Speaker 1>is like they got six leagus. I thank god, I

471
00:21:29.079 --> 00:21:31.119
<v Speaker 1>thought I broke to off. Yeah, actually that's pretty good. Yeah,

472
00:21:31.119 --> 00:21:32.839
<v Speaker 1>I didn't mind that. I have one more favorite moment.

473
00:21:32.920 --> 00:21:35.720
<v Speaker 3>Okay, yep, A shout out to a man, Joe Montagna.

474
00:21:36.319 --> 00:21:39.200
<v Speaker 3>His dedication to being fat Tony is unparalleled.

475
00:21:39.279 --> 00:21:41.640
<v Speaker 1>Shows up for one line. What a guy. I wonder

476
00:21:41.720 --> 00:21:43.799
<v Speaker 1>if he just says, give me all the fat Tony

477
00:21:43.839 --> 00:21:46.240
<v Speaker 1>lines for the season and I'll record them all at

478
00:21:46.240 --> 00:21:52.279
<v Speaker 1>once and he doesn't crusty style throwing cards over and oppressional.

479
00:21:54.519 --> 00:21:57.079
<v Speaker 1>What a guy? Yeah? I know, right, yeah, use your

480
00:21:57.160 --> 00:22:01.680
<v Speaker 1>dark magic. You've got so Manyson's staffers on to talk to.

481
00:22:02.160 --> 00:22:03.799
<v Speaker 1>We should get Joe on. I've already had Joe on,

482
00:22:04.240 --> 00:22:08.720
<v Speaker 1>Well get him, get him back on, Mitch, I need

483
00:22:08.759 --> 00:22:10.880
<v Speaker 1>to speak so you see, he's got criminal minds, money. Now,

484
00:22:10.920 --> 00:22:17.799
<v Speaker 1>I just care about us. Joe Montagnure doesn't care about

485
00:22:17.880 --> 00:22:20.279
<v Speaker 1>four Finger discussed to be Baby's day out and Godfather three.

486
00:22:20.359 --> 00:22:24.240
<v Speaker 1>Now it's he's got Father three, wasn't he He's got

487
00:22:24.279 --> 00:22:27.400
<v Speaker 1>Father three? Joey Zasa? Yeah, all right, what am I

488
00:22:27.400 --> 00:22:27.799
<v Speaker 1>gonna do it?

489
00:22:27.920 --> 00:22:27.960
<v Speaker 2>This?

490
00:22:28.039 --> 00:22:32.079
<v Speaker 1>Gay? Next question? You there eating the paste trivia time?

491
00:22:32.480 --> 00:22:35.720
<v Speaker 1>My first question is how many puzzle pieces worth? The

492
00:22:36.440 --> 00:22:37.720
<v Speaker 1>old Man? What is it going to be Old man

493
00:22:37.799 --> 00:22:38.039
<v Speaker 1>or something?

494
00:22:38.039 --> 00:22:39.200
<v Speaker 3>Oh that's what I was going to ask you, and

495
00:22:39.240 --> 00:22:41.480
<v Speaker 3>the answer is five hundred in the Scared Old Man

496
00:22:41.559 --> 00:22:43.920
<v Speaker 3>Jigsaw puzzle. You would like that kind of thing. You're

497
00:22:43.920 --> 00:22:44.880
<v Speaker 3>a big fan of jigsaws.

498
00:22:45.440 --> 00:22:48.039
<v Speaker 1>You know what it is, though, is because my name Marlene,

499
00:22:48.079 --> 00:22:50.920
<v Speaker 1>God bless her. She passed six years this month. Yeah,

500
00:22:51.240 --> 00:22:54.200
<v Speaker 1>six it's actually six years tomorrow she passed, right. She

501
00:22:54.319 --> 00:22:56.240
<v Speaker 1>used to do jigsaws all the time. So school holidays

502
00:22:56.359 --> 00:22:58.519
<v Speaker 1>were saying at NaN's house doing jigsaw puzzles were there.

503
00:22:59.480 --> 00:23:01.759
<v Speaker 1>I was always when she let you do the last piece.

504
00:23:02.039 --> 00:23:04.400
<v Speaker 1>Oh that's very nice. I'm a fan of Jigsaw, but

505
00:23:04.519 --> 00:23:06.680
<v Speaker 1>by which I mean the killer from the Saw movies. Yes,

506
00:23:08.119 --> 00:23:10.240
<v Speaker 1>there is no a movie called Jigsaw. There is. I

507
00:23:10.400 --> 00:23:13.640
<v Speaker 1>keep I keep trying to bring Saw back. After the

508
00:23:13.720 --> 00:23:15.359
<v Speaker 1>third one, I was like, I think I think I'm done.

509
00:23:15.480 --> 00:23:19.880
<v Speaker 3>I'm tapped out. So I'm asking you a question. There's

510
00:23:19.880 --> 00:23:23.319
<v Speaker 3>a two parter if you like. Where was the concert

511
00:23:23.480 --> 00:23:25.079
<v Speaker 3>by the Mere stolen from?

512
00:23:25.640 --> 00:23:28.920
<v Speaker 1>And in what year? And that's the Boston Boston Museum

513
00:23:28.960 --> 00:23:29.519
<v Speaker 1>of some kind.

514
00:23:29.680 --> 00:23:31.599
<v Speaker 3>Okay, well it was in Boston, but yeah, the name

515
00:23:31.640 --> 00:23:34.839
<v Speaker 3>of the museum, I don't know. The Isabella Stewart Gardener

516
00:23:34.920 --> 00:23:35.559
<v Speaker 3>Museum was.

517
00:23:35.720 --> 00:23:39.960
<v Speaker 1>In ninety three. It was ninety ninety. All right. My

518
00:23:40.119 --> 00:23:43.599
<v Speaker 1>next question, final question for you is sorry, no second question.

519
00:23:45.359 --> 00:23:49.279
<v Speaker 1>Lenny gives mister Burns what type of meal and what

520
00:23:49.440 --> 00:23:53.400
<v Speaker 1>is your request in exchange? At the he serves him something. Oh, well,

521
00:23:53.759 --> 00:23:59.000
<v Speaker 1>here are your spear ribs and he wants strike ribs,

522
00:23:59.039 --> 00:24:04.960
<v Speaker 1>strike bowling reference. Oh yeah, that's right here. Wow, they

523
00:24:05.000 --> 00:24:09.440
<v Speaker 1>can't all be winners. Um. Burns has a cell mate

524
00:24:09.559 --> 00:24:12.839
<v Speaker 1>when he first gets to prison. Yeah, Dartmouth.

525
00:24:13.200 --> 00:24:15.119
<v Speaker 3>Yeah, but no, but he got his masters from somewhere

526
00:24:15.160 --> 00:24:18.119
<v Speaker 3>else and it's called the public IVY according to this gentleman.

527
00:24:18.200 --> 00:24:21.279
<v Speaker 1>Okay, don't know. That was the University of Virginia. Alrighty.

528
00:24:21.480 --> 00:24:23.680
<v Speaker 1>My final question for you is Burns has a movie

529
00:24:23.720 --> 00:24:26.839
<v Speaker 1>stub from which film? From nineteen fourteen? Oh?

530
00:24:27.680 --> 00:24:29.640
<v Speaker 3>I can see it in my head from the subtitles,

531
00:24:29.640 --> 00:24:32.559
<v Speaker 3>and I can't remember, like it's three words. Yeah, I know,

532
00:24:33.440 --> 00:24:36.599
<v Speaker 3>And I want to say, like the tarnished something, Tilly's something,

533
00:24:36.720 --> 00:24:40.039
<v Speaker 3>Tilly's punctured lung, punctured romance, romance.

534
00:24:41.319 --> 00:24:43.160
<v Speaker 1>Till He's puncured lung. Yeah, let's starring Jigsaw.

535
00:24:45.680 --> 00:24:47.799
<v Speaker 3>One last question for you, I don't want to me Okay, uh,

536
00:24:48.200 --> 00:24:51.559
<v Speaker 3>what magazine is snake reading in the laundering.

537
00:24:51.880 --> 00:24:54.480
<v Speaker 1>I don't know, so I looked down to write type

538
00:24:54.559 --> 00:24:57.119
<v Speaker 1>notes out looked up and SHO, Bob's in a dryer.

539
00:24:57.160 --> 00:24:57.799
<v Speaker 1>What happened there?

540
00:24:58.400 --> 00:24:59.559
<v Speaker 3>He was in the washer and then he was in

541
00:24:59.599 --> 00:25:04.799
<v Speaker 3>the dry Why prison torture? He's reading pe Pole Pole?

542
00:25:04.920 --> 00:25:16.680
<v Speaker 1>Okay, now it's off for some stonecutter shoutouts. Do you reckon?

543
00:25:16.759 --> 00:25:19.599
<v Speaker 1>Katie Jeez have been to prison? If she did, she'd

544
00:25:19.640 --> 00:25:22.440
<v Speaker 1>be like the shot caller being delightful. Oh yeah, yeah.

545
00:25:23.200 --> 00:25:26.799
<v Speaker 1>What's she charge of you for being a legend? You're

546
00:25:26.799 --> 00:25:29.680
<v Speaker 1>getting there. You're getting five to ten for just being awesome. Yes.

547
00:25:30.559 --> 00:25:33.640
<v Speaker 1>Also the following people are also awesome. We've got Glenn Gomez,

548
00:25:33.920 --> 00:25:38.400
<v Speaker 1>Justin Parker, Zach Prut, Shannimcher, Elliott j O'Neil, Isabella Murphy,

549
00:25:38.799 --> 00:25:42.799
<v Speaker 1>Rach Beasley, Stephen Roberts, Sean d V, Pete Anderson, Timothy Bearlson,

550
00:25:42.880 --> 00:25:47.480
<v Speaker 1>Andrew Davis, Kevin Dental, Planned Flood, Bello, Window Bank, Jack McFadden, Heath, Appleby,

551
00:25:47.599 --> 00:25:52.319
<v Speaker 1>Adrick McCleod, March Eleven Ginger and Pickle, Preston, Murray, Tullia, Enriquez,

552
00:25:52.400 --> 00:25:57.000
<v Speaker 1>Declan Phoenix, Brian McCoy, Logan b James Shephard, Joe Reading, Sec,

553
00:25:57.119 --> 00:26:00.680
<v Speaker 1>Dave Pretzels, McNally, Gavin Lang, damn you Miller, Charlie Joe,

554
00:26:00.920 --> 00:26:05.480
<v Speaker 1>Abigail b Sharpkata, and Craig Alti smash globsster time up

555
00:26:05.480 --> 00:26:09.279
<v Speaker 1>for good behavior for those guys. Yes they're still gone

556
00:26:09.279 --> 00:26:11.359
<v Speaker 1>to prison though, Oh yeah, are you doing time? I

557
00:26:11.400 --> 00:26:13.440
<v Speaker 1>didn't get enough. No, no, but thank you guys for

558
00:26:13.599 --> 00:26:15.279
<v Speaker 1>all of your support. All right, let's get into a review,

559
00:26:15.319 --> 00:26:19.039
<v Speaker 1>shall we? Of American History excellent. The original edit of

560
00:26:19.160 --> 00:26:21.920
<v Speaker 1>this episode was April eleventh, twenty ten. We wanted to

561
00:26:22.119 --> 00:26:24.519
<v Speaker 1>correct something last week when we did a review of

562
00:26:24.519 --> 00:26:26.680
<v Speaker 1>the Greatest Story Ever doed, I did the top three

563
00:26:26.720 --> 00:26:30.160
<v Speaker 1>films from May twenty eighth, not March twenty eight. Got

564
00:26:30.200 --> 00:26:32.960
<v Speaker 1>ahead of yourself, So I will do the March twenty

565
00:26:33.039 --> 00:26:35.839
<v Speaker 1>eighth movies when we get to the May twenty eighth. Okay,

566
00:26:36.160 --> 00:26:39.039
<v Speaker 1>oh man, And here's the thing I think I was

567
00:26:39.079 --> 00:26:41.160
<v Speaker 1>all like, oh unified theory of four thing? A discut

568
00:26:41.200 --> 00:26:42.680
<v Speaker 1>comes through again because a lot of these movies take

569
00:26:42.680 --> 00:26:45.240
<v Speaker 1>plays in the desert in the Holy Land, So oh no,

570
00:26:45.799 --> 00:26:47.480
<v Speaker 1>no one cared enough to actually go back in movies

571
00:26:47.519 --> 00:26:49.519
<v Speaker 1>of that shit. But number three is How To Train

572
00:26:49.559 --> 00:26:51.720
<v Speaker 1>Your Dragon. Number two is Date Night and number one

573
00:26:51.880 --> 00:26:54.559
<v Speaker 1>is Clash of the Titan. Still at number one, nice

574
00:26:54.960 --> 00:26:58.079
<v Speaker 1>Starry Amen, Sam Worthington, right, oh, mate, Sam Worthington, Yeah,

575
00:26:58.799 --> 00:27:04.119
<v Speaker 1>this yeah all time. Yeah, trying to watch accent. Yeah,

576
00:27:04.119 --> 00:27:05.599
<v Speaker 1>I'm trub watch avatarpe the other day and I was like,

577
00:27:05.640 --> 00:27:07.839
<v Speaker 1>I just can't do this. You mean, like, go back

578
00:27:07.839 --> 00:27:09.119
<v Speaker 1>to the first one. I was like, I'm gonna watch

579
00:27:09.160 --> 00:27:10.519
<v Speaker 1>the first one again so i can watch the new ones.

580
00:27:10.559 --> 00:27:12.759
<v Speaker 3>And I was like, apparently Far and Ash is it

581
00:27:12.839 --> 00:27:16.160
<v Speaker 3>on Disney Plus at the moment is now because as

582
00:27:16.200 --> 00:27:17.920
<v Speaker 3>I've said before, I tapped out halfway through a Way

583
00:27:17.960 --> 00:27:20.519
<v Speaker 3>of Water. Even though everyone loves Pire, can.

584
00:27:21.480 --> 00:27:22.039
<v Speaker 1>The Big Whale?

585
00:27:22.119 --> 00:27:26.559
<v Speaker 3>See James Cameron's like, everyone's like, he's going to do it,

586
00:27:26.640 --> 00:27:28.799
<v Speaker 3>isn't he? The whole way is gonna be a big

587
00:27:28.880 --> 00:27:30.559
<v Speaker 3>Jim is saying, it's like, yeah, I can make for

588
00:27:30.680 --> 00:27:31.440
<v Speaker 3>and fire for like you.

589
00:27:31.440 --> 00:27:35.799
<v Speaker 1>Know, half the cost. Yeah, if he does it, it's over.

590
00:27:35.880 --> 00:27:40.200
<v Speaker 1>It's game over. Yeah. Yeah, it's funny.

591
00:27:40.200 --> 00:27:42.720
<v Speaker 3>It comes film Come film FIRSTIV is on at the moment,

592
00:27:43.640 --> 00:27:45.119
<v Speaker 3>and you know a lot of people are sort of

593
00:27:45.160 --> 00:27:47.039
<v Speaker 3>being asked about AI. I think, to me, Moore was

594
00:27:47.079 --> 00:27:48.400
<v Speaker 3>kind of like, you know, you've got to work with it,

595
00:27:48.480 --> 00:27:51.000
<v Speaker 3>and Peter Jackson was like it's a tool like everything else.

596
00:27:52.079 --> 00:27:55.279
<v Speaker 1>All these people like, oh no, there accepting it. The

597
00:27:55.400 --> 00:27:58.079
<v Speaker 1>walls are crumbling. Yeah. Yeah, it's just because, like I

598
00:27:58.599 --> 00:28:01.119
<v Speaker 1>talked about in the podcast, should Star Wars ones on

599
00:28:01.160 --> 00:28:03.400
<v Speaker 1>YouTube and it's like this ship ain't perfect, but it's

600
00:28:03.400 --> 00:28:10.480
<v Speaker 1>close enough, well good enough. It's like for someone watching

601
00:28:10.599 --> 00:28:13.240
<v Speaker 1>on YouTube, oh sure, I've paid nothing for this and

602
00:28:13.319 --> 00:28:18.319
<v Speaker 1>a story and it's better storyteller than Disney correct see

603
00:28:18.319 --> 00:28:22.319
<v Speaker 1>the man Lauren and Grogan in So, I haven't seen it.

604
00:28:23.200 --> 00:28:24.960
<v Speaker 1>I did see a funny tweet that was like Grogu

605
00:28:25.079 --> 00:28:26.880
<v Speaker 1>on the red carpet doing something, so I was like,

606
00:28:27.119 --> 00:28:28.720
<v Speaker 1>I should be tired as the fun but I'm just not.

607
00:28:28.920 --> 00:28:36.599
<v Speaker 1>He's still got He's got the still got it. Imagine

608
00:28:36.640 --> 00:28:41.039
<v Speaker 1>if someone went up and shot him Jack Jack Ruby style,

609
00:28:47.440 --> 00:28:54.440
<v Speaker 1>actual living being. We've been full this whole time. It's

610
00:28:54.440 --> 00:29:01.359
<v Speaker 1>a puppet someone, it's a brows motherfucker. You do you

611
00:29:01.559 --> 00:29:03.519
<v Speaker 1>usually call him Grogan? Do you still go like baby yo,

612
00:29:03.599 --> 00:29:08.799
<v Speaker 1>baby Yoda. It's pretty cute. The funck is still got

613
00:29:08.839 --> 00:29:13.359
<v Speaker 1>it as opposed a bet you were just sending me

614
00:29:13.400 --> 00:29:15.759
<v Speaker 1>all these means what is he doing? Like? Just go

615
00:29:15.960 --> 00:29:19.400
<v Speaker 1>wait now, mate, I said. We went from.

616
00:29:20.759 --> 00:29:27.039
<v Speaker 2>Willis and Stallone and Swartzenegger and Letterman to fucking past

617
00:29:27.440 --> 00:29:29.400
<v Speaker 2>kissing each other. What the hell is can you imagine

618
00:29:29.440 --> 00:29:31.920
<v Speaker 2>principels ever say hey, let him, let's let's smooch.

619
00:29:32.400 --> 00:29:34.079
<v Speaker 1>Look what are we doing. There's nothing wrong with two

620
00:29:34.119 --> 00:29:35.640
<v Speaker 1>guys kissing. But what the fuck did they have to

621
00:29:35.680 --> 00:29:39.119
<v Speaker 1>do with anything? He was mid mid interview and Pasco's goes.

622
00:29:39.319 --> 00:29:41.039
<v Speaker 1>He's like, what do you do? He's like, kiss me?

623
00:29:41.119 --> 00:29:44.079
<v Speaker 1>And I'm like, what the hell is going on? Why

624
00:29:44.079 --> 00:29:46.799
<v Speaker 1>are you doing that? Because you know why? Because it

625
00:29:46.920 --> 00:29:49.440
<v Speaker 1>creates a clip for social media? Of course it does.

626
00:29:49.559 --> 00:29:51.440
<v Speaker 1>Oh my god, Oh you look. You don't want to

627
00:29:51.559 --> 00:29:52.680
<v Speaker 1>you don't want to get me sat on this. I

628
00:29:52.920 --> 00:29:58.319
<v Speaker 1>had a whole rant would do for the movie guy. Yeah,

629
00:29:58.319 --> 00:29:59.960
<v Speaker 1>it's not about that. It's just about how.

630
00:30:00.880 --> 00:30:02.720
<v Speaker 3>This is not my This is not a new philosophy.

631
00:30:02.720 --> 00:30:05.039
<v Speaker 3>It's probably not even my philosophy. But everything is k

632
00:30:05.240 --> 00:30:08.799
<v Speaker 3>fave now, yeah, everything is k fave. Everything is soap

633
00:30:08.839 --> 00:30:09.079
<v Speaker 3>op bro.

634
00:30:09.200 --> 00:30:14.119
<v Speaker 1>Yeah, yeah, I'll tell you about it off camera. Liberty

635
00:30:14.200 --> 00:30:19.240
<v Speaker 1>time here times of But it kicks off at the prison,

636
00:30:19.759 --> 00:30:22.160
<v Speaker 1>but you want to do the whole? Yes? Sorryeh? Originally

637
00:30:22.359 --> 00:30:25.359
<v Speaker 1>Every Eleventh twenty ten, written by Michael Price, directed by

638
00:30:25.400 --> 00:30:28.079
<v Speaker 1>Bob Anderson, guest starring Joe Montagna as Fat Tony and

639
00:30:28.119 --> 00:30:30.759
<v Speaker 1>Kevin Michael Richardson, who is now the voice of doctor Hibbertt.

640
00:30:30.839 --> 00:30:33.720
<v Speaker 3>Okay then, but yes, I'm assuming he was the John

641
00:30:33.759 --> 00:30:37.079
<v Speaker 3>Coffee esque character character even have a name, No, just

642
00:30:37.079 --> 00:30:38.519
<v Speaker 3>says salm mate burns a sal mate?

643
00:30:38.559 --> 00:30:42.920
<v Speaker 1>Yeah again laziness. Yeah, I know, at least call them

644
00:30:42.920 --> 00:30:45.599
<v Speaker 1>what John T or something? Just something stare or yeah,

645
00:30:46.960 --> 00:30:51.240
<v Speaker 1>Johnny T. But the chortboard gay hot dogs are not bookmarks.

646
00:30:51.279 --> 00:30:52.880
<v Speaker 1>And the couch gave the family sits on the couch,

647
00:30:52.920 --> 00:30:54.720
<v Speaker 1>which is the front lawn in front of the house,

648
00:30:54.759 --> 00:30:56.480
<v Speaker 1>falls down around them, similar to a cash gave from

649
00:30:56.480 --> 00:30:59.440
<v Speaker 1>Buster Keaton's Steamboat Bill Junior. That is correct. Actually didn't

650
00:30:59.440 --> 00:31:00.400
<v Speaker 1>mind the cash game for this one.

651
00:31:00.559 --> 00:31:04.319
<v Speaker 3>That's pretty good. I mean, when you think about actually

652
00:31:04.400 --> 00:31:07.440
<v Speaker 3>doing that, that could have killed the bust the balls

653
00:31:07.480 --> 00:31:10.079
<v Speaker 3>on that manager to sit there, Buster, he put.

654
00:31:10.039 --> 00:31:12.599
<v Speaker 1>Himself through Helen back for hour entertainment. Shout out to

655
00:31:12.599 --> 00:31:15.839
<v Speaker 1>Buster Keaton. Also billboard gag? What's the billboard gag for?

656
00:31:15.880 --> 00:31:18.839
<v Speaker 3>This billboard gag was duff two hundred, nothing but booze.

657
00:31:19.200 --> 00:31:20.319
<v Speaker 3>You could try a little harder with that.

658
00:31:20.599 --> 00:31:21.720
<v Speaker 1>You also have in the.

659
00:31:22.039 --> 00:31:25.079
<v Speaker 3>Flying through the air thing during Lucyimton's I think it

660
00:31:25.200 --> 00:31:27.440
<v Speaker 3>was the it was a Texas billionaire, as like evil

661
00:31:27.480 --> 00:31:27.920
<v Speaker 3>can eat.

662
00:31:27.759 --> 00:31:31.039
<v Speaker 1>The rich Texan? What do we call it? Just the Lurdock?

663
00:31:32.960 --> 00:31:37.680
<v Speaker 1>What's his name? Lets murder? Is the daredevil that's firing

664
00:31:37.720 --> 00:31:40.599
<v Speaker 1>the guns? Yeah it was Lance Murdock. Yeah, is Lance

665
00:31:40.640 --> 00:31:44.400
<v Speaker 1>Murdock the the rich Texan? No, it wasn't the rich Textan.

666
00:31:44.440 --> 00:31:45.319
<v Speaker 1>It was evil and evil?

667
00:31:45.480 --> 00:31:47.519
<v Speaker 3>Oh okay, but yeah, as evil can evil though, but

668
00:31:47.559 --> 00:31:49.640
<v Speaker 3>it was like, yeah, no it was it was him.

669
00:31:50.400 --> 00:31:52.359
<v Speaker 3>It was oh okay, then was a Lance Murder. It

670
00:31:52.359 --> 00:31:52.880
<v Speaker 3>was LANs Murdock.

671
00:31:52.920 --> 00:31:53.759
<v Speaker 1>Okay, well I'm okay with that.

672
00:31:54.079 --> 00:31:57.160
<v Speaker 3>There is that right there, There is Lands Murdock. That's

673
00:31:57.200 --> 00:32:02.400
<v Speaker 3>this actual screenshot, So it is, wow, welcome to guy

674
00:32:02.480 --> 00:32:05.759
<v Speaker 3>didn't do his research. Yes, it did a better research,

675
00:32:05.759 --> 00:32:06.039
<v Speaker 3>it's just not.

676
00:32:06.119 --> 00:32:09.119
<v Speaker 1>That aut The prison and birds is in there and

677
00:32:09.200 --> 00:32:11.079
<v Speaker 1>we have his voiceover. He's saying he's going to explain

678
00:32:11.119 --> 00:32:13.079
<v Speaker 1>how we're gonna You suppose I suppose you're wondering, how

679
00:32:13.200 --> 00:32:17.400
<v Speaker 1>do you I don't mind that. Sometimes sometimes it works.

680
00:32:17.519 --> 00:32:19.400
<v Speaker 1>It's become a bit of a cliche, but you wondering

681
00:32:19.440 --> 00:32:20.799
<v Speaker 1>how this has happened. I've been doing it a lot

682
00:32:20.880 --> 00:32:22.920
<v Speaker 1>on Law and Order, where things are happening and it's

683
00:32:22.960 --> 00:32:26.319
<v Speaker 1>like thirty six hours early and I'm like, come on, man,

684
00:32:26.559 --> 00:32:28.759
<v Speaker 1>was it on Rick and Morty? Did you ever see that?

685
00:32:28.960 --> 00:32:31.079
<v Speaker 1>Watch like two seasons maybe? And then I was like,

686
00:32:31.200 --> 00:32:35.720
<v Speaker 1>I'm done. They had there's nine seasons now, Oh no, yeah,

687
00:32:35.839 --> 00:32:38.920
<v Speaker 1>I forgot when I tapped out. But yeah, the most

688
00:32:38.920 --> 00:32:41.640
<v Speaker 1>animated shows now like Family Guy, American Dad's like season

689
00:32:41.759 --> 00:32:44.720
<v Speaker 1>twenty something. You're like, how how is this happening? But

690
00:32:44.799 --> 00:32:48.319
<v Speaker 1>they had an episode where Morty had to went to

691
00:32:48.359 --> 00:32:51.000
<v Speaker 1>a lighthouse or something and the lighthouse keeper had to

692
00:32:51.000 --> 00:32:52.640
<v Speaker 1>help me with something. He said, for me to help you,

693
00:32:52.839 --> 00:32:56.839
<v Speaker 1>you have to listen to me read my screenplay, reads

694
00:32:56.880 --> 00:32:59.799
<v Speaker 1>the screenplay to him, and it's only like thirty six

695
00:33:00.039 --> 00:33:03.720
<v Speaker 1>hours earlier. Look, it was pretty good. I just don't

696
00:33:03.799 --> 00:33:05.680
<v Speaker 1>like stories that you know they should start at the start,

697
00:33:05.720 --> 00:33:09.920
<v Speaker 1>and got really pissed off it. Anyway, Yeah, that's how

698
00:33:09.960 --> 00:33:12.319
<v Speaker 1>I usually felt after watching Rick and Morty pretty much.

699
00:33:13.279 --> 00:33:16.119
<v Speaker 1>It was good to begin with. Yeah, like so many things. Yes, indeed,

700
00:33:16.440 --> 00:33:18.680
<v Speaker 1>then this is where we have a week earlier and

701
00:33:18.799 --> 00:33:21.799
<v Speaker 1>mister Burns is explaining Roger Ducett. I think it's the

702
00:33:22.440 --> 00:33:24.480
<v Speaker 1>farewell party for him, basically, isn't it like his funeral

703
00:33:24.559 --> 00:33:27.279
<v Speaker 1>or whatever it was? He was going to be employeed

704
00:33:27.319 --> 00:33:29.400
<v Speaker 1>the month but he tragically dies due to complications from

705
00:33:29.839 --> 00:33:30.960
<v Speaker 1>union organizing. Correct.

706
00:33:31.160 --> 00:33:32.720
<v Speaker 3>I think it's just a staff meeting and they're sort

707
00:33:32.720 --> 00:33:34.880
<v Speaker 3>of various things. He's passed away in all hands.

708
00:33:34.920 --> 00:33:37.400
<v Speaker 1>He's announced that there's a company picnic and it's going

709
00:33:37.480 --> 00:33:39.279
<v Speaker 1>to be only him who's invited because they are going

710
00:33:39.319 --> 00:33:42.079
<v Speaker 1>to be there working and getting no pay. I'm not

711
00:33:42.119 --> 00:33:43.640
<v Speaker 1>sure he has the power to do that. I don't

712
00:33:43.640 --> 00:33:47.200
<v Speaker 1>think that's the care logical. But anyway, it's the fourth

713
00:33:47.200 --> 00:33:50.240
<v Speaker 1>of July. Yeah, that's doesn't make any sense why they're there.

714
00:33:50.240 --> 00:33:53.319
<v Speaker 1>It's a day off. Writing can be tough, so I

715
00:33:53.400 --> 00:33:55.839
<v Speaker 1>don't want to say this is lazy writing on the part. Yeah, no,

716
00:33:55.960 --> 00:33:57.440
<v Speaker 1>he can't say it's lazy writing. But it doesn't make

717
00:33:57.440 --> 00:34:00.359
<v Speaker 1>any say that if it's something so simple, Just give

718
00:34:00.440 --> 00:34:03.000
<v Speaker 1>a reason why they have to work, or show that

719
00:34:03.119 --> 00:34:06.599
<v Speaker 1>Burns is a master manipulated by saying you don't have

720
00:34:06.759 --> 00:34:09.039
<v Speaker 1>to show up to this, but here are six reasons why,

721
00:34:09.119 --> 00:34:10.960
<v Speaker 1>and they'll all be bad for you if you don't

722
00:34:11.000 --> 00:34:14.400
<v Speaker 1>show up, or you just go. Lenny saying, hey, it's

723
00:34:14.440 --> 00:34:15.960
<v Speaker 1>that day off. It's a fourth for July, and you

724
00:34:16.039 --> 00:34:19.119
<v Speaker 1>say was a day off, and then Quimby with money bags,

725
00:34:19.199 --> 00:34:20.960
<v Speaker 1>He's like, I've changed a law, so you have to

726
00:34:21.000 --> 00:34:25.519
<v Speaker 1>work easy. There you go, man, God damn, just give

727
00:34:25.559 --> 00:34:28.679
<v Speaker 1>me a I don't care if the reason is I logical,

728
00:34:29.039 --> 00:34:32.840
<v Speaker 1>just acknowledge it. Give me a reason. Just give me something.

729
00:34:33.119 --> 00:34:35.199
<v Speaker 1>But it's fourth of July and they're all there working.

730
00:34:36.480 --> 00:34:39.119
<v Speaker 1>Independence Day is now these sixth of July in the

731
00:34:39.239 --> 00:34:43.000
<v Speaker 1>Springfield area. Yeah, that's it. I just wanted to do

732
00:34:43.039 --> 00:34:46.599
<v Speaker 1>a Quimby Lenny gives him spare rivers. He wants strike ribs.

733
00:34:46.639 --> 00:34:48.320
<v Speaker 1>He tells Carl to go ask the doctor why he

734
00:34:48.360 --> 00:34:51.199
<v Speaker 1>would ask for something so crazy. Then Smith suggests maybe

735
00:34:51.239 --> 00:34:52.199
<v Speaker 1>they should have the rest of the day. So I

736
00:34:52.239 --> 00:34:53.719
<v Speaker 1>guess this is planning to see the psmith's being a

737
00:34:53.800 --> 00:34:55.519
<v Speaker 1>nicer boss. Yeah, maybe you should have the rest of

738
00:34:55.519 --> 00:34:57.079
<v Speaker 1>the day off, and he says he wants them to

739
00:34:57.199 --> 00:35:00.360
<v Speaker 1>first perform his play Burns Blessed America tells him to

740
00:35:00.400 --> 00:35:02.079
<v Speaker 1>break a leg. Guy pulls it a hammer and brace

741
00:35:02.159 --> 00:35:05.159
<v Speaker 1>his own leg and then it was a bigerous peach,

742
00:35:05.199 --> 00:35:07.840
<v Speaker 1>you idiot, No, you're even more fired or something. And

743
00:35:07.920 --> 00:35:09.960
<v Speaker 1>they perform the show, do a good job, and he

744
00:35:10.039 --> 00:35:13.519
<v Speaker 1>Tells Smithers to clap his hands sarcastically, and Homo suggests

745
00:35:13.559 --> 00:35:17.519
<v Speaker 1>a party in Burns's wine cellar. They go downstairs, just.

746
00:35:17.599 --> 00:35:20.800
<v Speaker 3>A ship replay of like the people of Australia have

747
00:35:21.239 --> 00:35:23.360
<v Speaker 3>joined hands? Is a happy birthday, mister Burns.

748
00:35:23.360 --> 00:35:24.039
<v Speaker 1>Look at it leader.

749
00:35:24.199 --> 00:35:24.400
<v Speaker 2>Yeah.

750
00:35:24.639 --> 00:35:27.679
<v Speaker 1>Homer finds their sixty thousand dollar bottle, which is his

751
00:35:27.719 --> 00:35:31.039
<v Speaker 1>annual salary. Apparently he drinks it or he spills it,

752
00:35:31.159 --> 00:35:33.800
<v Speaker 1>does whatever. They drinks a lot of He drinks his

753
00:35:33.920 --> 00:35:36.360
<v Speaker 1>share and he spills. He spills his text because then

754
00:35:36.400 --> 00:35:37.800
<v Speaker 1>he says he's going to be taxed on it. Yeah,

755
00:35:38.280 --> 00:35:41.480
<v Speaker 1>just ruining Burns's house. Kyl is in that the Diver's suit.

756
00:35:41.599 --> 00:35:44.119
<v Speaker 1>Then Burns comes in and says call. He says call

757
00:35:44.159 --> 00:35:46.079
<v Speaker 1>the police like an old timey way. I think he says,

758
00:35:46.840 --> 00:35:49.480
<v Speaker 1>wake the beatle. Yes, indeed, which a beatle is like

759
00:35:49.559 --> 00:35:53.440
<v Speaker 1>an official or a sheriff in olden times. Okay, so

760
00:35:53.800 --> 00:35:56.719
<v Speaker 1>they're playing twister of all the various iconic paintings like

761
00:35:56.800 --> 00:36:00.199
<v Speaker 1>ren Brand and whatnot, and then Lou the Officer's Walk

762
00:36:00.239 --> 00:36:03.599
<v Speaker 1>in Lou realizes that the stolen painting from Boston's Isabella

763
00:36:03.639 --> 00:36:06.239
<v Speaker 1>Stuart Garden the Museum is there. And as Ben says

764
00:36:06.239 --> 00:36:08.039
<v Speaker 1>here you're mentioned earlier, is it a crime to want

765
00:36:08.119 --> 00:36:10.159
<v Speaker 1>nice things and then steal them from a public museum

766
00:36:10.199 --> 00:36:13.199
<v Speaker 1>where any gum chewing monkey in a toughest university jacket

767
00:36:13.239 --> 00:36:16.320
<v Speaker 1>can gork with them? I think not. It's anti human, yes,

768
00:36:16.800 --> 00:36:19.280
<v Speaker 1>But at the same time, anyone who anyone with a

769
00:36:19.320 --> 00:36:22.480
<v Speaker 1>sizeable another ego would probably go, oh, these guys looking

770
00:36:22.480 --> 00:36:25.360
<v Speaker 1>at him, Yeah, I shouldn't belong to everyone, and half

771
00:36:25.400 --> 00:36:28.559
<v Speaker 1>these people are appreciating it. Correct, yes, but his burns appreciated.

772
00:36:28.559 --> 00:36:31.679
<v Speaker 1>I'm not sure that probably not. But they they cuff him,

773
00:36:31.679 --> 00:36:33.519
<v Speaker 1>not around his wrists, around his waist because you know

774
00:36:33.840 --> 00:36:37.320
<v Speaker 1>he's mister says twenty one. Yeah. Then he has a

775
00:36:37.400 --> 00:36:39.239
<v Speaker 1>public humiliation, so they put him in a cage and

776
00:36:39.239 --> 00:36:43.440
<v Speaker 1>people throwing to what, don't get it, just throwing to

777
00:36:44.079 --> 00:36:46.920
<v Speaker 1>was selling veggies Millhouse wants to rot one because they're

778
00:36:47.239 --> 00:36:49.480
<v Speaker 1>but they're two dollars. And then I don't like he's

779
00:36:49.519 --> 00:36:51.159
<v Speaker 1>like why would I do that? You're not like you're

780
00:36:51.159 --> 00:36:52.639
<v Speaker 1>going to hit him anyway, because Millhouse is not good

781
00:36:52.679 --> 00:36:54.480
<v Speaker 1>at throwing. But since his birthday buys them. The rotten

782
00:36:54.480 --> 00:36:57.480
<v Speaker 1>tomatoes marches the Homer and but aren't allowed to hurl

783
00:36:57.559 --> 00:37:00.519
<v Speaker 1>anything at mister Burns. And then she makes ate the

784
00:37:00.559 --> 00:37:04.920
<v Speaker 1>rotten pumpkin. What a petting in this episode more than

785
00:37:04.960 --> 00:37:07.920
<v Speaker 1>I thought? And then and then mister burn says. They

786
00:37:07.960 --> 00:37:11.760
<v Speaker 1>continue for some time until and then ar going back

787
00:37:11.760 --> 00:37:13.039
<v Speaker 1>and forth. I'm not gonna eat it, Yes, you are

788
00:37:13.039 --> 00:37:15.719
<v Speaker 1>gonna eat it? Whatever, and then he eats the rotten pumpkin.

789
00:37:16.199 --> 00:37:18.679
<v Speaker 1>Margin goes shopping because the mall is always deserted during

790
00:37:18.760 --> 00:37:19.280
<v Speaker 1>a riot.

791
00:37:20.320 --> 00:37:25.920
<v Speaker 3>But it wasn't right though, well when when my was

792
00:37:26.000 --> 00:37:29.159
<v Speaker 3>selling his rotten vegetables and stuff, it was like turn.

793
00:37:29.079 --> 00:37:32.239
<v Speaker 1>This gathering into a riot something there? Who knows? And

794
00:37:32.679 --> 00:37:37.760
<v Speaker 1>just what might that be? This is my lunch, really, okay,

795
00:37:38.039 --> 00:37:41.320
<v Speaker 1>eat your lunch, but you set it your lunch, eat it,

796
00:37:41.639 --> 00:37:45.800
<v Speaker 1>eat my lunch, yes, and joy okay I will, He

797
00:37:46.039 --> 00:37:49.239
<v Speaker 1>continued for some time in this vein. Until you don't

798
00:37:49.280 --> 00:37:51.440
<v Speaker 1>think I'm going to I don't see any chilling, okay,

799
00:37:52.840 --> 00:37:57.679
<v Speaker 1>not air bites, real bites she says, go play with Lisa.

800
00:37:57.960 --> 00:37:59.920
<v Speaker 1>He says, you don't play with Lisa. You played despite her,

801
00:38:00.440 --> 00:38:02.559
<v Speaker 1>and Lisa says they might need each other for organ

802
00:38:02.559 --> 00:38:04.280
<v Speaker 1>transplants it one day, so maybe we should be nice

803
00:38:04.320 --> 00:38:06.679
<v Speaker 1>to each other. She offers to show him the ant farm,

804
00:38:07.159 --> 00:38:09.679
<v Speaker 1>and they bicker over it because they don't like each

805
00:38:09.679 --> 00:38:12.400
<v Speaker 1>other anymore. No one likes anyone. Margin doesn't like home.

806
00:38:12.519 --> 00:38:14.280
<v Speaker 1>She makes me the rotten pumpkin. Bart doesn't like Lease.

807
00:38:14.360 --> 00:38:17.760
<v Speaker 1>Lisa doesn't like Bart. Where's Maggie? Second episode straight, Where's Maggie? Wow?

808
00:38:18.760 --> 00:38:23.000
<v Speaker 1>Called DHS Yeah. Burns Now arrives at prison and he

809
00:38:23.039 --> 00:38:25.599
<v Speaker 1>says to Smith's you're now running the power plant and

810
00:38:25.760 --> 00:38:28.199
<v Speaker 1>he says, well, since I'm telling the story, I'm gonna

811
00:38:28.199 --> 00:38:30.280
<v Speaker 1>make it rain. And he said that's not traumatic enough,

812
00:38:30.400 --> 00:38:33.679
<v Speaker 1>and he makes it start snowing, and then frostbite took

813
00:38:33.679 --> 00:38:36.760
<v Speaker 1>his nose. Excellent. That's the voice over speaking, by the way,

814
00:38:37.280 --> 00:38:40.039
<v Speaker 1>now where in the prison he's giving up his items.

815
00:38:40.199 --> 00:38:43.039
<v Speaker 1>I've always thought this is interesting. So people get arrested, right,

816
00:38:43.599 --> 00:38:45.079
<v Speaker 1>and they get you know, pat down by the cops,

817
00:38:45.360 --> 00:38:46.719
<v Speaker 1>but they get to prison. The voice still got ship

818
00:38:46.760 --> 00:38:50.159
<v Speaker 1>their pockets. Give me your stuff. It's like you got this,

819
00:38:50.400 --> 00:38:53.320
<v Speaker 1>you got that, and like actually happened. Yeah.

820
00:38:53.360 --> 00:38:55.119
<v Speaker 3>I think if I was going to prison, I'd just

821
00:38:55.159 --> 00:38:56.760
<v Speaker 3>be having I'd be carrying very little.

822
00:38:56.880 --> 00:38:59.320
<v Speaker 1>Yeah. So he's got one movie stuff from Chilli's Punctured

823
00:38:59.400 --> 00:39:02.960
<v Speaker 1>Romance and Mark bribe which is empty. Well it had

824
00:39:03.000 --> 00:39:05.360
<v Speaker 1>a bribe in it. Oh yeah yeah, but he took

825
00:39:05.360 --> 00:39:09.039
<v Speaker 1>it out, it says, yeah empty. Yeah. Then the social

826
00:39:09.039 --> 00:39:11.800
<v Speaker 1>Security card, which he says is not a social Security card,

827
00:39:11.840 --> 00:39:12.840
<v Speaker 1>is something else. Here's the thing.

828
00:39:12.920 --> 00:39:14.599
<v Speaker 3>I thought this could have been better. I thought this

829
00:39:14.639 --> 00:39:16.960
<v Speaker 3>could have been a pretty funny Gaga in terms of

830
00:39:17.079 --> 00:39:21.159
<v Speaker 3>like one social Security card that's not social Security. You

831
00:39:21.280 --> 00:39:22.880
<v Speaker 3>cut to the card that's got s S on it.

832
00:39:23.559 --> 00:39:26.599
<v Speaker 1>Oh, he is a napty. I didn't say it was

833
00:39:26.639 --> 00:39:27.920
<v Speaker 1>going to be a great gig, but it could have

834
00:39:27.960 --> 00:39:32.239
<v Speaker 1>been better. A yes. Then the blackmails that's very it's

835
00:39:32.400 --> 00:39:34.480
<v Speaker 1>very reverse Blues Brothers this as well. You know the

836
00:39:34.559 --> 00:39:39.320
<v Speaker 1>start with frank Gosh with frank O's one one proofh

837
00:39:39.360 --> 00:39:43.760
<v Speaker 1>electic one swilled, then the black and then he tries

838
00:39:43.800 --> 00:39:46.039
<v Speaker 1>to blackmail the warden with potential info that he hasn't

839
00:39:46.079 --> 00:39:48.880
<v Speaker 1>quite got yet, and it says he's addicted to something

840
00:39:48.920 --> 00:39:51.719
<v Speaker 1>that starts with age, which he says, hams, I no,

841
00:39:51.800 --> 00:39:53.480
<v Speaker 1>he's got more than three letters, and he kicks him

842
00:39:53.480 --> 00:39:55.280
<v Speaker 1>out and it turns out he's addicted to heal helium.

843
00:39:56.360 --> 00:39:59.719
<v Speaker 1>Is that a thing from Last Last Castle? Think it's

844
00:39:59.760 --> 00:40:03.320
<v Speaker 1>just prick, wasn't he in Shawshank in the Last Castle?

845
00:40:03.400 --> 00:40:04.159
<v Speaker 1>In the Last Well?

846
00:40:04.519 --> 00:40:06.880
<v Speaker 3>In Last Castle? Because it's Robert Redford is this war

847
00:40:06.960 --> 00:40:10.320
<v Speaker 3>hero has been sent to the stockade. James Ganelfini is

848
00:40:10.440 --> 00:40:12.840
<v Speaker 3>the warden, and he really admires Robert Redvord, and Robert

849
00:40:12.880 --> 00:40:16.239
<v Speaker 3>Redford's like, now, this guy's a chump. The guy, this guy,

850
00:40:16.360 --> 00:40:20.280
<v Speaker 3>this warden is a dead ringer for the Shawshank. Okay, yeah,

851
00:40:20.320 --> 00:40:22.159
<v Speaker 3>in terms of his look and his glasses and everything

852
00:40:22.199 --> 00:40:22.360
<v Speaker 3>like that.

853
00:40:22.480 --> 00:40:23.760
<v Speaker 1>Has he did it to it? He's not addicted to

854
00:40:23.800 --> 00:40:27.079
<v Speaker 1>anything except fraudulent schemes that make him money.

855
00:40:27.480 --> 00:40:30.559
<v Speaker 3>With the help of Tim Robbins, Shaw Shanks good movie.

856
00:40:30.679 --> 00:40:34.079
<v Speaker 3>I'm going to petition Leonard Moulton and say, hey, let's

857
00:40:34.119 --> 00:40:34.960
<v Speaker 3>do the Shawshank Redemption.

858
00:40:35.119 --> 00:40:37.480
<v Speaker 1>When did it come out? What year ninety four? I believe?

859
00:40:37.679 --> 00:40:43.599
<v Speaker 1>So Tim Robinson, Anything Soon, Morgan Freeman's Anything Soon not

860
00:40:43.719 --> 00:40:45.880
<v Speaker 1>really just a good movie. It's just a good movie.

861
00:40:47.320 --> 00:40:49.440
<v Speaker 1>Sometimes you just need a good movie. That's correct. You

862
00:40:49.519 --> 00:40:51.280
<v Speaker 1>get to be our motto. He gets hosed down in

863
00:40:51.360 --> 00:40:54.199
<v Speaker 1>the shower and the mugshot takes the photo and the

864
00:40:54.239 --> 00:40:56.039
<v Speaker 1>flash sends him back and shoots him back as well.

865
00:40:56.360 --> 00:40:58.199
<v Speaker 1>It's time for a cavity search. She says he hasn't

866
00:40:58.199 --> 00:41:00.639
<v Speaker 1>had one in forty years. I wasn't talking to your teeth,

867
00:41:00.679 --> 00:41:04.519
<v Speaker 1>and he says, nor was I not completely unfunny. No,

868
00:41:05.400 --> 00:41:08.119
<v Speaker 1>Then he meets his roommate and it's a guy from

869
00:41:08.239 --> 00:41:12.239
<v Speaker 1>Dartmouth and he wants out immediately because he's a snob. Yes.

870
00:41:12.880 --> 00:41:15.639
<v Speaker 1>Then Lisa is admiring the ants and she realizes they're

871
00:41:15.639 --> 00:41:17.440
<v Speaker 1>not eating anything. It's because Bart has already fed them

872
00:41:17.440 --> 00:41:21.079
<v Speaker 1>a pop tart, which wasn't locally farmed or sourced. And

873
00:41:21.280 --> 00:41:23.280
<v Speaker 1>Bart says, I'm so glad I'm not your kid. If

874
00:41:23.280 --> 00:41:25.199
<v Speaker 1>I was in your tummy, i'd pooh in your throat.

875
00:41:25.320 --> 00:41:30.519
<v Speaker 1>I was like, what is going on here? Under different circumstances,

876
00:41:30.559 --> 00:41:35.519
<v Speaker 1>I could think Throatah, it's a it's a fun, gross

877
00:41:35.719 --> 00:41:38.320
<v Speaker 1>kid gag that you would make to someone to gross

878
00:41:38.360 --> 00:41:41.519
<v Speaker 1>them out. And it's like, oh, well, yeah, when I

879
00:41:41.639 --> 00:41:44.199
<v Speaker 1>was When I was I was taking dumps all the

880
00:41:44.239 --> 00:41:47.880
<v Speaker 1>times like, oh, that's gross. There would always be a

881
00:41:47.920 --> 00:41:49.519
<v Speaker 1>kid at school who would probably say something that was

882
00:41:49.559 --> 00:41:50.960
<v Speaker 1>like when you were a baby, you know you were

883
00:41:50.960 --> 00:41:52.280
<v Speaker 1>sitting in your mum's tummy.

884
00:41:54.199 --> 00:41:56.880
<v Speaker 3>Well, no, no, what happened to you're going to drink it?

885
00:41:57.920 --> 00:42:03.000
<v Speaker 3>You were swimming around your own piss. There was always

886
00:42:03.039 --> 00:42:05.559
<v Speaker 3>some kid who had the ability for that, who had

887
00:42:05.559 --> 00:42:07.000
<v Speaker 3>the ability to come up with just like the worst

888
00:42:07.039 --> 00:42:07.679
<v Speaker 3>off color stuff.

889
00:42:07.960 --> 00:42:10.239
<v Speaker 1>And he's always the one that ruins ruined Christmas for you.

890
00:42:10.360 --> 00:42:14.559
<v Speaker 1>Oh but then they fight over the farm and they

891
00:42:14.840 --> 00:42:16.960
<v Speaker 1>splits open. The dog eats up all the ants except

892
00:42:16.960 --> 00:42:19.079
<v Speaker 1>for one. Lessa rescues him or her. I should say,

893
00:42:19.760 --> 00:42:23.400
<v Speaker 1>who knows it's an end? And then Bart says, I

894
00:42:23.400 --> 00:42:25.199
<v Speaker 1>will never forgive you for this, says or how but

895
00:42:25.320 --> 00:42:27.440
<v Speaker 1>licks his face. Ah. Then Lisa says the same to Bart,

896
00:42:27.480 --> 00:42:30.159
<v Speaker 1>and Bart licks her face, but not to forgiveness, just

897
00:42:30.199 --> 00:42:34.079
<v Speaker 1>to annoy her. Sure Spinners then moves into mister Burns's office.

898
00:42:34.519 --> 00:42:36.199
<v Speaker 1>They never wanted this job, but I've got it, and

899
00:42:36.280 --> 00:42:38.440
<v Speaker 1>he sees it. It's a chance to be an employee

900
00:42:38.519 --> 00:42:41.719
<v Speaker 1>friendly boss. So he hosts he hos a worker meeting.

901
00:42:42.039 --> 00:42:43.920
<v Speaker 1>He says he's going have a better health plan and

902
00:42:44.159 --> 00:42:45.880
<v Speaker 1>a suggestion box with no gill a team, which I

903
00:42:45.880 --> 00:42:49.119
<v Speaker 1>thought was quite funny because he says something. He says,

904
00:42:49.159 --> 00:42:52.039
<v Speaker 1>productive workers are happy workers. Now you could have lappy

905
00:42:52.079 --> 00:42:56.159
<v Speaker 1>workers are productive workers? Yeah, yeah, sorry, God, they're back, yes.

906
00:42:57.440 --> 00:43:00.760
<v Speaker 3>But you lay the seeds for that little early when

907
00:43:00.800 --> 00:43:03.000
<v Speaker 3>all the employees are sort of milling around at the

908
00:43:03.039 --> 00:43:05.760
<v Speaker 3>Fourth of July parties like, oh, well they're not. They

909
00:43:05.880 --> 00:43:08.440
<v Speaker 3>hate being here, so they're not doing anything.

910
00:43:08.800 --> 00:43:08.960
<v Speaker 1>You know.

911
00:43:09.039 --> 00:43:11.039
<v Speaker 3>It's like, well, maybe the opposite, that's true, you know,

912
00:43:11.159 --> 00:43:13.800
<v Speaker 3>if if they if they're happy, they'll work there.

913
00:43:13.840 --> 00:43:16.719
<v Speaker 1>I want to be here. Yeah, I don't know. It's

914
00:43:16.840 --> 00:43:19.960
<v Speaker 1>not necessarily something that is going to be a laugh

915
00:43:20.039 --> 00:43:21.199
<v Speaker 1>a minute or something like that, but it's just a

916
00:43:21.280 --> 00:43:23.599
<v Speaker 1>nice little thing. At the start. Your brain would get

917
00:43:23.639 --> 00:43:25.599
<v Speaker 1>it again, though, this should have been an entire episode,

918
00:43:25.800 --> 00:43:27.599
<v Speaker 1>should have Smith's turning to the dark side. Do you

919
00:43:27.639 --> 00:43:30.880
<v Speaker 1>think happy workers are productive workers? I think so. Yeah. Well,

920
00:43:30.880 --> 00:43:31.960
<v Speaker 1>if you want to be then you feel like you

921
00:43:32.039 --> 00:43:34.599
<v Speaker 1>respected career. Why a lot of us aren't working in

922
00:43:34.639 --> 00:43:37.159
<v Speaker 1>certain places anymore anyway. So Lisa now has Annie the

923
00:43:37.239 --> 00:43:39.280
<v Speaker 1>aunt in a bag because little orphan Annie, it's the

924
00:43:39.320 --> 00:43:42.360
<v Speaker 1>only ant left Homer thinks that she said though, because

925
00:43:42.480 --> 00:43:44.159
<v Speaker 1>she says the butt you kill all the ants, and

926
00:43:44.360 --> 00:43:47.800
<v Speaker 1>she he thought that she said aunts. And he thinks

927
00:43:47.840 --> 00:43:50.719
<v Speaker 1>Patty and Summer are dead. He celebrates and then he

928
00:43:50.840 --> 00:43:54.480
<v Speaker 1>sees them and screams and runs away. Even this with

929
00:43:55.360 --> 00:43:59.360
<v Speaker 1>Homer just being so happy about the death of Patty

930
00:43:59.400 --> 00:44:01.119
<v Speaker 1>and so, I mean, no, they don't get along and

931
00:44:01.159 --> 00:44:04.039
<v Speaker 1>all that, But just the way it's phrasing this, it's like, wow,

932
00:44:04.119 --> 00:44:07.039
<v Speaker 1>you're kind of me Well, why that doesn't work anymore?

933
00:44:07.079 --> 00:44:09.960
<v Speaker 1>It's because we've had episodes where Homer like genuinely helps

934
00:44:10.039 --> 00:44:13.519
<v Speaker 1>like some get a baby, and it's just it doesn't

935
00:44:13.599 --> 00:44:16.119
<v Speaker 1>work anymore. It worked in the beginning. It's just the

936
00:44:16.159 --> 00:44:19.960
<v Speaker 1>OLDEO stereotypical the in laws and the sisters that don't

937
00:44:20.039 --> 00:44:21.880
<v Speaker 1>like Homeorkay anything. He's good enough for March. But it's

938
00:44:21.920 --> 00:44:24.360
<v Speaker 1>just like they've had we've had stories now where they've

939
00:44:25.159 --> 00:44:28.119
<v Speaker 1>not smooth things over but being nice to each other. Sure,

940
00:44:28.800 --> 00:44:31.960
<v Speaker 1>who cares that, it's just season twenty one Simpsons whatever.

941
00:44:32.360 --> 00:44:34.320
<v Speaker 1>We're out back at the prison yard and burn Burns

942
00:44:34.400 --> 00:44:37.559
<v Speaker 1>is trying to choose which sorority wants to join the Shiners.

943
00:44:37.920 --> 00:44:41.079
<v Speaker 1>Who's the ROTC Shriners.

944
00:44:41.239 --> 00:44:45.039
<v Speaker 3>The rt C is it's like the military cadets. I think,

945
00:44:45.480 --> 00:44:47.039
<v Speaker 3>look I forgot what it actually stands for.

946
00:44:47.920 --> 00:44:50.920
<v Speaker 1>Or google ROTC is, see what comes up. Reserve Officers

947
00:44:51.000 --> 00:44:54.199
<v Speaker 1>Training Corps. Yeah, yeah, it's basically the college version of

948
00:44:54.639 --> 00:44:57.559
<v Speaker 1>military cadets. The Sunday Funnies, I think. He says, well,

949
00:44:57.719 --> 00:44:59.480
<v Speaker 1>they've all got tats all over them, so yeah. Yeah,

950
00:45:00.000 --> 00:45:01.760
<v Speaker 1>and then John Coffee I guess who it is, yeah,

951
00:45:01.960 --> 00:45:04.800
<v Speaker 1>grabs him and says he's mine, and he screams out

952
00:45:04.800 --> 00:45:07.119
<v Speaker 1>to the warden to help him. But the warden is high,

953
00:45:07.239 --> 00:45:11.280
<v Speaker 1>literally on helium on helium now at Mose and the

954
00:45:11.360 --> 00:45:13.519
<v Speaker 1>guys are just really happy with Smithers. They think he's

955
00:45:13.519 --> 00:45:15.239
<v Speaker 1>the best boss ever. But we haven't seen any of it.

956
00:45:15.760 --> 00:45:17.559
<v Speaker 1>You just said, you guys, you know, I think a

957
00:45:17.599 --> 00:45:20.119
<v Speaker 1>happy workers of productive workers. But we don't see him

958
00:45:20.199 --> 00:45:22.920
<v Speaker 1>being nice, and there's none of it. It's just cutting

959
00:45:22.960 --> 00:45:24.800
<v Speaker 1>to them going, you're a great boss, Mithers. And then

960
00:45:25.239 --> 00:45:27.239
<v Speaker 1>Homer flushes his man boobs at him. Yeah.

961
00:45:27.440 --> 00:45:31.119
<v Speaker 3>Cut out, as I said, cut out all the Leisa

962
00:45:31.159 --> 00:45:34.760
<v Speaker 3>stuff and flesh out the existing stuff. I mean what

963
00:45:34.880 --> 00:45:36.559
<v Speaker 3>you were saying, what we were talking about, just a

964
00:45:36.599 --> 00:45:38.559
<v Speaker 3>minute ago with which gang?

965
00:45:38.559 --> 00:45:39.239
<v Speaker 1>Shall I joint?

966
00:45:39.840 --> 00:45:42.440
<v Speaker 3>Have a scene where he's like hanging with all of them,

967
00:45:43.000 --> 00:45:45.280
<v Speaker 3>you know, have a scene where he's like in a

968
00:45:45.400 --> 00:45:47.559
<v Speaker 3>do rag and he's joined the Latino. Okay, and you

969
00:45:47.639 --> 00:45:50.280
<v Speaker 3>hear Lowrider on the soundtrack or something. You know, you

970
00:45:50.400 --> 00:45:52.199
<v Speaker 3>got money, give it to the w A I have

971
00:45:52.239 --> 00:45:55.760
<v Speaker 3>a low Rider or you know, have him shave he says, oh,

972
00:45:55.840 --> 00:45:56.280
<v Speaker 3>not a good look.

973
00:45:56.320 --> 00:45:59.840
<v Speaker 1>Get a tattoo or something. Yeah, yeah, get like some.

974
00:46:00.039 --> 00:46:04.280
<v Speaker 3>Awful tattoo that he's yeah, good to have to have

975
00:46:04.440 --> 00:46:07.880
<v Speaker 3>that fixed or something like, I don't anything, yeah but something.

976
00:46:08.039 --> 00:46:11.159
<v Speaker 3>But these could all be fun little gags, you know,

977
00:46:11.480 --> 00:46:13.599
<v Speaker 3>just trying all these different gangs on his eyes. Or

978
00:46:14.039 --> 00:46:16.719
<v Speaker 3>he's so racist that even the NATS is like kicking

979
00:46:16.800 --> 00:46:17.119
<v Speaker 3>him out.

980
00:46:19.760 --> 00:46:24.400
<v Speaker 1>I did it. But somehow it becomes the guy leading

981
00:46:24.440 --> 00:46:27.480
<v Speaker 1>the prison yard essentially. Yes, he becomes the shot caller,

982
00:46:27.559 --> 00:46:29.199
<v Speaker 1>and then it's him versus the warden.

983
00:46:29.760 --> 00:46:32.639
<v Speaker 3>Sure, yeah and yeah, and then John Cos has to

984
00:46:32.719 --> 00:46:35.559
<v Speaker 3>step in. Yeah you know, no, this jar works on

985
00:46:35.599 --> 00:46:37.639
<v Speaker 3>a certain set of rules, and you're breaking all those rules.

986
00:46:38.039 --> 00:46:39.719
<v Speaker 3>So I've got to Yeah, I've got to fix you.

987
00:46:40.000 --> 00:46:42.599
<v Speaker 1>Yeah, there's a whole story there which they just decided

988
00:46:42.639 --> 00:46:45.119
<v Speaker 1>not to do, and see we got this wet d.

989
00:46:45.920 --> 00:46:48.079
<v Speaker 1>So they all love Smithers r. Most. Then he has

990
00:46:48.199 --> 00:46:50.360
<v Speaker 1>to They ask if he can leave earlier the next day,

991
00:46:50.360 --> 00:46:52.719
<v Speaker 1>because Homer says, my kid has a thing, and then

992
00:46:52.880 --> 00:46:54.480
<v Speaker 1>Karl says, I've got to do something as well. They

993
00:46:54.519 --> 00:46:56.519
<v Speaker 1>all basically we want to leave work early tomorrow, so

994
00:46:56.639 --> 00:46:58.320
<v Speaker 1>there's a grease. Lets him do it. I think, gets

995
00:46:58.320 --> 00:47:01.039
<v Speaker 1>a phone call from I think it's a mechanic, Yes, yeah,

996
00:47:01.159 --> 00:47:04.920
<v Speaker 1>saying can you rate my performance as your mechanic or whatever? Anyway,

997
00:47:05.159 --> 00:47:08.480
<v Speaker 1>and even then he's like five five four five, actually

998
00:47:08.480 --> 00:47:10.880
<v Speaker 1>go back four or five, then comes back in and

999
00:47:10.960 --> 00:47:15.440
<v Speaker 1>overhears him just being an absolute yeah prick to Smithers, smit,

1000
00:47:15.559 --> 00:47:18.079
<v Speaker 1>it's what a marshmallow. I don't have a thing with

1001
00:47:18.199 --> 00:47:20.840
<v Speaker 1>my kid tomorrow. You told me you did. I do,

1002
00:47:21.000 --> 00:47:24.159
<v Speaker 1>but I'm not going to it. To Smithers, the world's

1003
00:47:24.280 --> 00:47:27.599
<v Speaker 1>dumbest loser, there's nothing sweeter than being nice to a

1004
00:47:27.639 --> 00:47:29.599
<v Speaker 1>guy's face and then stab at him in the back

1005
00:47:29.679 --> 00:47:34.000
<v Speaker 1>the minute he walks away. All right, that's it. You know,

1006
00:47:34.239 --> 00:47:37.920
<v Speaker 1>I used to wonder why mister Burns hated humanity. Now

1007
00:47:38.159 --> 00:47:41.360
<v Speaker 1>I know you open your heart and they mock your

1008
00:47:41.639 --> 00:47:46.920
<v Speaker 1>very decency. We make very decency again. It makes you

1009
00:47:47.039 --> 00:47:51.119
<v Speaker 1>lose sympathy for these characters. Yeah, just have them say, yeah,

1010
00:47:52.000 --> 00:47:54.360
<v Speaker 1>just have a homer say my kid does everything, and

1011
00:47:54.360 --> 00:47:56.840
<v Speaker 1>I wouldn't go anywhere, or I didn't need to have that.

1012
00:47:57.000 --> 00:47:59.920
<v Speaker 1>Smithers is such a kid. Just didn't it any of

1013
00:48:00.079 --> 00:48:02.280
<v Speaker 1>that anyway. But the custs of the guys cleaning up.

1014
00:48:02.639 --> 00:48:05.800
<v Speaker 1>We got the best brand silly insulation best not the

1015
00:48:05.880 --> 00:48:08.239
<v Speaker 1>best asbestus, which I didn't mind. But yeah, again, you

1016
00:48:08.360 --> 00:48:11.000
<v Speaker 1>deserve this exactly. You had a good boss and you'd

1017
00:48:11.079 --> 00:48:14.280
<v Speaker 1>just been a prick. Then the sale mate is telling

1018
00:48:14.400 --> 00:48:16.800
<v Speaker 1>the story about Helter Skelter, so it rips the pati

1019
00:48:16.800 --> 00:48:18.559
<v Speaker 1>if that's from dream mile or no, it's not sure

1020
00:48:18.599 --> 00:48:22.079
<v Speaker 1>shape shape, Yeah. And the good book, which is Helter

1021
00:48:22.119 --> 00:48:25.159
<v Speaker 1>Skelter is the book tries getting Burns to come to Jesus,

1022
00:48:25.360 --> 00:48:27.840
<v Speaker 1>sucks out all the pre evil, then the evil out

1023
00:48:27.880 --> 00:48:29.840
<v Speaker 1>of him, and then he feels it coursing through his veins,

1024
00:48:29.880 --> 00:48:32.239
<v Speaker 1>all the goodness, and he joins the choir, he joins

1025
00:48:32.320 --> 00:48:35.440
<v Speaker 1>the Prison Beetles Tribute band. He's raked the zen Garden,

1026
00:48:35.840 --> 00:48:37.559
<v Speaker 1>and then and then that's when I was writing that down,

1027
00:48:37.599 --> 00:48:40.199
<v Speaker 1>and I'll look up and Snake is watching Bob in

1028
00:48:40.360 --> 00:48:45.480
<v Speaker 1>a dry and what happened here? Now, Annie, she's only

1029
00:48:45.519 --> 00:48:48.559
<v Speaker 1>carrying thirty times her weight as opposed to fifty. I

1030
00:48:48.559 --> 00:48:51.000
<v Speaker 1>don't want to throw a shout out to ants. You know,

1031
00:48:51.199 --> 00:48:53.400
<v Speaker 1>we spray them, we step on them, we probably kill it.

1032
00:48:54.000 --> 00:48:55.559
<v Speaker 1>The average person kills one hudred out to day by

1033
00:48:55.639 --> 00:48:59.400
<v Speaker 1>just walking around or something. They are incredible creatures. Oh goodness,

1034
00:48:59.480 --> 00:49:03.239
<v Speaker 1>yet yeah, unbelievable, Like I've said, I definitely have said this,

1035
00:49:03.320 --> 00:49:05.000
<v Speaker 1>but Nicholas. One of my favorite things Nichol ever did

1036
00:49:05.159 --> 00:49:07.559
<v Speaker 1>was a job interview, right, and they said what elephant?

1037
00:49:07.639 --> 00:49:10.239
<v Speaker 1>That's sorry? What animal do you most represent? And she

1038
00:49:10.320 --> 00:49:12.960
<v Speaker 1>said an aunt because I work best in a team.

1039
00:49:13.679 --> 00:49:17.400
<v Speaker 1>And then I was like, job is yours? Like I

1040
00:49:17.440 --> 00:49:19.440
<v Speaker 1>would never think to say I'm an aunt because I'm

1041
00:49:19.679 --> 00:49:22.159
<v Speaker 1>strong willed, I'm a hard worker and I work well

1042
00:49:22.199 --> 00:49:24.800
<v Speaker 1>on a team, and I can carry fifty times my

1043
00:49:24.880 --> 00:49:27.280
<v Speaker 1>own weight. Yeah she probably can. There to Nicholas, been

1044
00:49:27.320 --> 00:49:30.280
<v Speaker 1>working out, she's jacked. Probably she's doing this thing called

1045
00:49:30.360 --> 00:49:32.079
<v Speaker 1>high rocks. Yes, yeah, I think I told you.

1046
00:49:32.360 --> 00:49:34.400
<v Speaker 3>Yeah, Well, I mean that's part of the forty five thing,

1047
00:49:34.400 --> 00:49:36.480
<v Speaker 3>which is what I do. Yeah, I've known you haven't

1048
00:49:36.480 --> 00:49:39.239
<v Speaker 3>known how Jack, Diane, I'll cover you a lot with

1049
00:49:39.280 --> 00:49:41.280
<v Speaker 3>your north face. That's correct, I'll show you my man

1050
00:49:42.159 --> 00:49:43.280
<v Speaker 3>exist anymore, just.

1051
00:49:43.320 --> 00:49:47.119
<v Speaker 1>Rock hard pecks. But so she's only carrying thirty times

1052
00:49:47.159 --> 00:49:49.519
<v Speaker 1>her weight, and Marge walks by with you seeing Marg

1053
00:49:49.559 --> 00:49:51.199
<v Speaker 1>walking by in the back of with cat chow, and

1054
00:49:51.199 --> 00:49:53.320
<v Speaker 1>then Bart thinks we should let her go because she

1055
00:49:53.320 --> 00:49:55.679
<v Speaker 1>doesn't even have a few days left of life. Let

1056
00:49:55.719 --> 00:49:58.239
<v Speaker 1>her free instead of dying in captivity like Grandpa. Then

1057
00:49:58.360 --> 00:50:00.119
<v Speaker 1>is where he walks in and says, I'm not in

1058
00:50:00.199 --> 00:50:02.880
<v Speaker 1>captivity in my mind, I'm free. In his mind is

1059
00:50:02.920 --> 00:50:06.840
<v Speaker 1>a bubble and he's in a cage. Sure. We're now

1060
00:50:06.960 --> 00:50:09.559
<v Speaker 1>back at Moe's and Lenny is complaining that Smithers is

1061
00:50:09.719 --> 00:50:13.039
<v Speaker 1>worse than Burns, and I'm like, because you're addictive fault.

1062
00:50:13.719 --> 00:50:16.559
<v Speaker 1>Then he says he almost he releases wolverines instead of

1063
00:50:16.599 --> 00:50:18.480
<v Speaker 1>the hounds and homes. So I can't believe him saying this,

1064
00:50:18.559 --> 00:50:20.679
<v Speaker 1>but I wish Burns was back. Moe brings up the

1065
00:50:20.760 --> 00:50:22.960
<v Speaker 1>idea of busting him out of prison, and they all

1066
00:50:23.039 --> 00:50:25.400
<v Speaker 1>exchange looks. It's too late to turn back now, He's no, no,

1067
00:50:25.440 --> 00:50:27.360
<v Speaker 1>it's not too late until you have a whispering huddle.

1068
00:50:27.599 --> 00:50:31.000
<v Speaker 1>Have a whispering huddle. Yeah, I mean sorry, I don't.

1069
00:50:31.440 --> 00:50:33.079
<v Speaker 3>I don't want to keep fixing this episode because I

1070
00:50:33.079 --> 00:50:36.000
<v Speaker 3>could probably turn it into a yeah bloody epic saga

1071
00:50:36.119 --> 00:50:38.199
<v Speaker 3>or something like that. But I I like the whole

1072
00:50:38.360 --> 00:50:42.599
<v Speaker 3>idea of Yeah, Smithers having this responsibility thrust upon him,

1073
00:50:42.760 --> 00:50:45.159
<v Speaker 3>not wanting to be a bad boss, but having to

1074
00:50:45.199 --> 00:50:47.119
<v Speaker 3>be a bad boss because the workers will take advantage

1075
00:50:47.119 --> 00:50:49.199
<v Speaker 3>of him. He's like, oh, I have I overreached by

1076
00:50:49.559 --> 00:50:51.880
<v Speaker 3>replacing the hands with wolverines and feeling bad about it,

1077
00:50:51.960 --> 00:50:54.800
<v Speaker 3>And underneath he feels bad and he's happy to have

1078
00:50:54.840 --> 00:50:56.800
<v Speaker 3>Burns back and that restores the status quo.

1079
00:50:57.119 --> 00:51:00.239
<v Speaker 1>So that's good. I think this episode needs to end

1080
00:51:01.039 --> 00:51:03.280
<v Speaker 1>with Burns being back in charge of a plant and

1081
00:51:03.440 --> 00:51:06.760
<v Speaker 1>him saying to the guys because I feel like, take

1082
00:51:06.800 --> 00:51:08.480
<v Speaker 1>all this bit out where they're being dicks to him, right,

1083
00:51:08.519 --> 00:51:10.800
<v Speaker 1>have Smith is being corrupted, but not because the guys

1084
00:51:10.840 --> 00:51:13.360
<v Speaker 1>are crueled to him. He's corrupted for other manners. And

1085
00:51:13.480 --> 00:51:15.599
<v Speaker 1>at the end, burn says, do this or whatever, and

1086
00:51:15.679 --> 00:51:17.519
<v Speaker 1>the Smith comes back and goes when you feel like

1087
00:51:17.559 --> 00:51:18.960
<v Speaker 1>it or something, just to sort of show. There's good

1088
00:51:19.000 --> 00:51:22.440
<v Speaker 1>in there still, yes you know, yes, yes, I'm just

1089
00:51:23.039 --> 00:51:26.000
<v Speaker 1>something I don't know. But we're now in real time

1090
00:51:26.239 --> 00:51:28.119
<v Speaker 1>and the guys are now just randomly wear in prison

1091
00:51:28.119 --> 00:51:30.320
<v Speaker 1>guard outfits and they're taking Burns out, who doesn't want

1092
00:51:30.360 --> 00:51:32.119
<v Speaker 1>to leave. He doesn't want to leave, but then he says,

1093
00:51:32.119 --> 00:51:34.559
<v Speaker 1>before we continue, first, I'm going to daydream about sports

1094
00:51:34.639 --> 00:51:38.480
<v Speaker 1>utility vehicle, a sandwich and a blue pill. Apparently because

1095
00:51:38.480 --> 00:51:40.159
<v Speaker 1>that's a commercial break, I's cut to the end. Yeah,

1096
00:51:40.760 --> 00:51:42.960
<v Speaker 1>we come back and the sale mate is trying to

1097
00:51:43.000 --> 00:51:46.360
<v Speaker 1>stop them from escaping. Then custom button Leasa releasing Annie

1098
00:51:47.000 --> 00:51:49.320
<v Speaker 1>and Santas sort Helpoul just walk by an itto. That's

1099
00:51:49.360 --> 00:51:52.199
<v Speaker 1>the end of that story. There's pointless, absolutely pointless to it.

1100
00:51:52.239 --> 00:51:53.480
<v Speaker 1>There was, there was something you could have done with it,

1101
00:51:53.519 --> 00:51:55.920
<v Speaker 1>but there's no point to this one. Burns then decides

1102
00:51:56.000 --> 00:51:58.639
<v Speaker 1>to leave because he still had some evil between his toes.

1103
00:51:58.639 --> 00:52:00.599
<v Speaker 1>He's still a mean but he's ever a more mean

1104
00:52:00.679 --> 00:52:02.559
<v Speaker 1>bastard now than he was before. I don't know, It's

1105
00:52:02.599 --> 00:52:04.360
<v Speaker 1>like we have to Burns being evil again.

1106
00:52:04.519 --> 00:52:07.239
<v Speaker 3>Okay again, Sorry, here's a fix it. Not a fix it,

1107
00:52:07.320 --> 00:52:12.159
<v Speaker 3>but you know something about it? How when John Coffee

1108
00:52:12.559 --> 00:52:15.360
<v Speaker 3>is sucking all the evil out of him. Make that

1109
00:52:15.480 --> 00:52:18.159
<v Speaker 3>like a Cape far gag where it's like there's still

1110
00:52:18.199 --> 00:52:20.360
<v Speaker 3>evil in you. Yeah, he's sucking it out for like,

1111
00:52:20.440 --> 00:52:23.000
<v Speaker 3>but cut away to something else. You know, still going

1112
00:52:23.320 --> 00:52:25.920
<v Speaker 3>break come back from them. Bak, he's still suck How.

1113
00:52:25.920 --> 00:52:28.840
<v Speaker 1>Much boy you got in here? Who can tell? You know?

1114
00:52:29.800 --> 00:52:31.079
<v Speaker 3>At the ends, like I thought, I got all that

1115
00:52:31.199 --> 00:52:34.679
<v Speaker 3>evil out of you. Good luck it's a buttomless pit

1116
00:52:35.039 --> 00:52:37.840
<v Speaker 3>or something along those. I guess that's what he's saying

1117
00:52:37.880 --> 00:52:39.480
<v Speaker 3>with it A little bit still between my toes. It

1118
00:52:39.480 --> 00:52:41.559
<v Speaker 3>would have been nice if there's sort of a little bit.

1119
00:52:41.960 --> 00:52:44.199
<v Speaker 3>John Coffee says, I still think there's some good and

1120
00:52:44.280 --> 00:52:47.679
<v Speaker 3>new mister Burns whatever, And maybe mister Burns gets used

1121
00:52:47.800 --> 00:52:50.440
<v Speaker 3>his power, his privileged to get John Cofee aut of

1122
00:52:50.440 --> 00:52:51.360
<v Speaker 3>prison and he gets a job.

1123
00:52:51.239 --> 00:52:54.400
<v Speaker 1>At the power plant. Sure, I don't know what we're

1124
00:52:54.400 --> 00:52:57.960
<v Speaker 1>doing is trying to fix this one. We went into this.

1125
00:52:58.039 --> 00:53:00.960
<v Speaker 3>One thinking, ohew, Lisa's greatst story of a dog. But

1126
00:53:01.000 --> 00:53:02.360
<v Speaker 3>I think we're finding a lot more holes.

1127
00:53:02.519 --> 00:53:06.639
<v Speaker 1>But there's potential here. There's no potential with the we've really.

1128
00:53:06.519 --> 00:53:09.880
<v Speaker 3>Sort of tapped out halfway through the greatest stories, like uh,

1129
00:53:10.840 --> 00:53:14.000
<v Speaker 3>a redeemer, I don't care. Yeah, it's like we're really

1130
00:53:14.079 --> 00:53:14.360
<v Speaker 3>trying to.

1131
00:53:14.719 --> 00:53:18.320
<v Speaker 1>Genuinely good episode in here somewhere. Sure burns and arrives

1132
00:53:18.400 --> 00:53:20.239
<v Speaker 1>as Smithers is pacing around the office. He kicks them

1133
00:53:20.280 --> 00:53:22.480
<v Speaker 1>all out, including Smithers, and looks at the photo of

1134
00:53:22.519 --> 00:53:24.519
<v Speaker 1>the sale mate and a cust to him with fat tony,

1135
00:53:25.400 --> 00:53:29.639
<v Speaker 1>Uh have you heard about Jesus? Like? I am Italian?

1136
00:53:29.679 --> 00:53:31.320
<v Speaker 1>Do you think I know about this? But go away

1137
00:53:31.599 --> 00:53:34.280
<v Speaker 1>and then burns things over the credits. I've got no problems.

1138
00:53:34.320 --> 00:53:36.960
<v Speaker 1>Bluest Heartbreak Hotel? I think it was. Yeah, it was

1139
00:53:36.960 --> 00:53:38.079
<v Speaker 1>a prison blues falsome.

1140
00:53:39.199 --> 00:53:43.199
<v Speaker 3>It doesn't sound like foalsome prisons do doo. That's heartbreak Hotel,

1141
00:53:43.280 --> 00:53:43.519
<v Speaker 3>isn't it.

1142
00:53:45.519 --> 00:53:49.039
<v Speaker 1>It's really the tune of heartbreak Hotel, Break Hotel. He goes,

1143
00:53:49.480 --> 00:53:55.239
<v Speaker 1>dirt Dirt, Dirt dirt? Is it okay? Because the rock

1144
00:53:55.280 --> 00:53:57.639
<v Speaker 1>is to do a parody of it called SmackDown Hotel.

1145
00:53:57.639 --> 00:53:59.800
<v Speaker 1>He goes, it's at the end of ja Brawny Driver

1146
00:54:00.119 --> 00:54:03.519
<v Speaker 1>SmackDown Hotel. The rock is the big fun like that

1147
00:54:06.159 --> 00:54:11.719
<v Speaker 1>stand up your caddy ass. Lots of anal stags. Shut up.

1148
00:54:12.800 --> 00:54:15.960
<v Speaker 1>That's the best reply for anyone on Twitter. So I said,

1149
00:54:16.000 --> 00:54:20.199
<v Speaker 1>shut up, bitch, gender neutral by the way, he's saying

1150
00:54:20.239 --> 00:54:26.039
<v Speaker 1>it to a male though, yeah, shut up, bitch. We

1151
00:54:26.199 --> 00:54:28.440
<v Speaker 1>need more heel turns from the Rock on the big screen.

1152
00:54:28.559 --> 00:54:29.880
<v Speaker 1>But he wasn't a heel when he said that, though,

1153
00:54:29.920 --> 00:54:32.519
<v Speaker 1>I no know. But he's so good at being gonners.

1154
00:54:33.360 --> 00:54:36.840
<v Speaker 1>That's why. That's why he's rolling in fast and furious movies.

1155
00:54:36.920 --> 00:54:39.000
<v Speaker 1>Was the best. It's like, oh, you're kind of an

1156
00:54:39.000 --> 00:54:41.840
<v Speaker 1>antagonist and yeah, kind of a big swaggering prick. Yeah,

1157
00:54:41.840 --> 00:54:45.280
<v Speaker 1>I like it, and and that's the end of the episode.

1158
00:54:45.280 --> 00:54:50.239
<v Speaker 1>But American History excellent, which trailed off because like, oh, yeah,

1159
00:54:50.239 --> 00:54:52.239
<v Speaker 1>that's the episode. Let's talk about the Rock. The American

1160
00:54:52.320 --> 00:54:54.920
<v Speaker 1>History excellent. I enjoyed this lot more than last week.

1161
00:54:55.039 --> 00:54:57.360
<v Speaker 1>I do think there was a lot of potential in

1162
00:54:57.440 --> 00:54:59.199
<v Speaker 1>this one, which I have said a lot. It's just

1163
00:54:59.239 --> 00:55:00.719
<v Speaker 1>a shame that they was to be, as I said,

1164
00:55:00.760 --> 00:55:03.440
<v Speaker 1>focus more on parroting things as opposed to actually telling

1165
00:55:03.480 --> 00:55:07.280
<v Speaker 1>a soul story. Correct. Yes, what do we learn? Bomb?

1166
00:55:07.920 --> 00:55:09.960
<v Speaker 1>So what do you learn from the episode, mister Davis?

1167
00:55:10.519 --> 00:55:12.280
<v Speaker 3>If I want to be serious, I could say that

1168
00:55:12.360 --> 00:55:16.360
<v Speaker 3>I found out what the Beatle actually is. But really

1169
00:55:16.440 --> 00:55:18.639
<v Speaker 3>the lesson that you learn from this is that men

1170
00:55:18.719 --> 00:55:19.719
<v Speaker 3>of wealth can beat the system.

1171
00:55:19.760 --> 00:55:21.800
<v Speaker 1>Now they can. Indeed, Yeah, I learned that if a

1172
00:55:21.880 --> 00:55:23.800
<v Speaker 1>perfect place to hide something is in between you toes

1173
00:55:23.800 --> 00:55:29.079
<v Speaker 1>apparently can check and what is it?

1174
00:55:29.239 --> 00:55:29.280
<v Speaker 2>Is?

1175
00:55:29.480 --> 00:55:34.039
<v Speaker 1>Evil? Hasn't he kept some evil? Evil? Evil? Yes? From

1176
00:55:34.119 --> 00:55:37.039
<v Speaker 1>miss me forward, your name will be all right, It's

1177
00:55:37.079 --> 00:55:40.719
<v Speaker 1>time for the Guy Davis new Nan Championship for American History. Excellent.

1178
00:55:40.880 --> 00:55:43.679
<v Speaker 1>The current leaderboard stands at this In first position we

1179
00:55:43.719 --> 00:55:46.199
<v Speaker 1>have Philip Jay Hawkins on twenty two points, in second

1180
00:55:46.199 --> 00:55:48.920
<v Speaker 1>position we have Clever Kyle on fourteen points, and in

1181
00:55:49.000 --> 00:55:52.480
<v Speaker 1>third position we have Briggsy Nathan Briggs on thirteen points.

1182
00:55:52.519 --> 00:55:56.559
<v Speaker 1>Take it away, so Briggsy alright. One point goes to

1183
00:55:57.360 --> 00:56:01.760
<v Speaker 1>the Greedy Mile. Not bad the cover, Carl. He's getting

1184
00:56:01.800 --> 00:56:04.599
<v Speaker 1>closer again. What look out, Philip Jay is coming for

1185
00:56:04.719 --> 00:56:09.079
<v Speaker 1>you now, fifteen points sneak attack, I know, Clever Kyle.

1186
00:56:10.480 --> 00:56:15.400
<v Speaker 1>Two points goes to burns Man of Alcatraz. Philip Jay

1187
00:56:15.400 --> 00:56:19.199
<v Speaker 1>Hawkins with the old two points there Philip.

1188
00:56:21.400 --> 00:56:23.079
<v Speaker 3>Looking at the back when I just giving him the finger.

1189
00:56:26.079 --> 00:56:28.880
<v Speaker 3>So sorry about that, Carl, But yeah, burns Man and Alcatraz.

1190
00:56:29.280 --> 00:56:32.199
<v Speaker 3>Two points to Philip Jay Hawkins. But who gets three

1191
00:56:32.239 --> 00:56:36.519
<v Speaker 3>points for this title? The sure shank don't.

1192
00:56:36.320 --> 00:56:39.280
<v Speaker 1>Mention was Adam Wolhouse. What was your name of Adam Moorehouse?

1193
00:56:40.719 --> 00:56:42.800
<v Speaker 1>I thought it was something in the house. I can't

1194
00:56:42.840 --> 00:56:49.440
<v Speaker 1>remember Adam Moorehouse. Well, I've got three points something very

1195
00:56:49.480 --> 00:56:52.519
<v Speaker 1>wide point Adam Woolhouse at the three points there. Thank

1196
00:56:52.559 --> 00:56:54.880
<v Speaker 1>you guys for all getting involved with the Guy Davis

1197
00:56:54.960 --> 00:57:00.480
<v Speaker 1>New Nan Championship once again? Was it it's a wool House? No,

1198
00:57:00.760 --> 00:57:05.199
<v Speaker 1>mat there wasn't that. Should I ever do that again? Yeah,

1199
00:57:05.199 --> 00:57:09.960
<v Speaker 1>it's a dance. It's perfect for radioc. You've got to

1200
00:57:09.960 --> 00:57:14.840
<v Speaker 1>get into character. Yeah, I know, Yeah, there's the podcast.

1201
00:57:14.880 --> 00:57:17.679
<v Speaker 1>It's not radio alrighty guys, So yeah, as I said,

1202
00:57:17.679 --> 00:57:19.199
<v Speaker 1>think if you get involved with the Guy Davis New

1203
00:57:19.239 --> 00:57:21.519
<v Speaker 1>Name Championship, we I've still got, you know, about five

1204
00:57:21.559 --> 00:57:23.360
<v Speaker 1>episodes left the season twenty one, so plenty of time

1205
00:57:23.440 --> 00:57:25.199
<v Speaker 1>for you guys to catch up to Phillip Tuble. I say,

1206
00:57:25.559 --> 00:57:28.119
<v Speaker 1>some of you, probably Adam will House onwards, maybe the

1207
00:57:28.159 --> 00:57:29.920
<v Speaker 1>only people we can do it. Some of you're like,

1208
00:57:30.639 --> 00:57:32.440
<v Speaker 1>who is that? I can't see them, they're so far

1209
00:57:32.480 --> 00:57:34.559
<v Speaker 1>ahead of me. But some of you, yeah, you've got PJ.

1210
00:57:34.840 --> 00:57:37.159
<v Speaker 1>H insight. But if you get your name read out.

1211
00:57:37.199 --> 00:57:38.760
<v Speaker 1>If you get involved in thea read out, you go

1212
00:57:38.840 --> 00:57:40.440
<v Speaker 1>into the wild card draw for the end of the

1213
00:57:40.519 --> 00:57:43.079
<v Speaker 1>season as well. So get involved. Support your pals going

1214
00:57:43.119 --> 00:57:45.920
<v Speaker 1>down on Patreon for as little as just one dollar

1215
00:57:46.039 --> 00:57:47.519
<v Speaker 1>per month. If you are listening to this and you're

1216
00:57:47.559 --> 00:57:50.280
<v Speaker 1>not supporting us yet, what are you doing dollar a month?

1217
00:57:51.039 --> 00:57:53.760
<v Speaker 1>You should even know it was not there. You should

1218
00:57:53.760 --> 00:57:55.840
<v Speaker 1>go to prison. If all of you guys listening gave

1219
00:57:55.920 --> 00:58:00.679
<v Speaker 1>us a dollar a month, we'd be thousand airs. And

1220
00:58:00.800 --> 00:58:02.559
<v Speaker 1>you can only be at a dollar. That's you can't

1221
00:58:02.559 --> 00:58:04.559
<v Speaker 1>even get a what can you get for a dollar?

1222
00:58:04.719 --> 00:58:07.199
<v Speaker 1>You can't even get a small ass candy bar from

1223
00:58:07.239 --> 00:58:09.280
<v Speaker 1>the supermarket, can't even get a dimmy from the fish

1224
00:58:09.280 --> 00:58:11.559
<v Speaker 1>and chip shop anymore for a dollar? Correct, but you

1225
00:58:11.599 --> 00:58:14.360
<v Speaker 1>know you give it to your pals. Dann On guy. Yeah,

1226
00:58:14.519 --> 00:58:17.400
<v Speaker 1>oh my goodness, so much entertainment. Yeah. For five dollars

1227
00:58:17.440 --> 00:58:19.119
<v Speaker 1>you get over one hundred and fifty hours of exclusive

1228
00:58:19.159 --> 00:58:21.480
<v Speaker 1>content and to get early in add free access, no ads.

1229
00:58:21.559 --> 00:58:23.280
<v Speaker 1>To get it early, you get to band with us

1230
00:58:23.320 --> 00:58:26.760
<v Speaker 1>on Discord and Facebook and all the other good stuff.

1231
00:58:26.840 --> 00:58:29.880
<v Speaker 1>The bands alone is dollarspot your paws going down, though,

1232
00:58:30.079 --> 00:58:32.320
<v Speaker 1>Please do it, please do indeed, all right, guys, this

1233
00:58:32.440 --> 00:58:35.320
<v Speaker 1>has been our review of American history. Excellent. The next

1234
00:58:35.360 --> 00:58:38.159
<v Speaker 1>season twenty one episodes shall be Chief of Heart. So

1235
00:58:38.199 --> 00:58:40.239
<v Speaker 1>I have no knowledge of this episode, but I think

1236
00:58:40.719 --> 00:58:42.760
<v Speaker 1>I've read somewhere where it may have been something of

1237
00:58:42.760 --> 00:58:44.840
<v Speaker 1>a Chief Wigham. That's where the Chief comes into it.

1238
00:58:44.960 --> 00:58:47.639
<v Speaker 1>So we'll find out. It's very good to hopefully we're

1239
00:58:47.679 --> 00:58:49.280
<v Speaker 1>on the way up again because we've had we had

1240
00:58:49.320 --> 00:58:51.639
<v Speaker 1>the worst episode last week and this one was like,

1241
00:58:51.719 --> 00:58:55.719
<v Speaker 1>you know better, We've got a slight updraft. Let's see

1242
00:58:55.719 --> 00:58:58.519
<v Speaker 1>how things go with Chief of Heart. Yes, indeed, all right, guys,

1243
00:58:58.920 --> 00:59:01.440
<v Speaker 1>think again for all of this here at four Finger Discount.

1244
00:59:01.480 --> 00:59:03.920
<v Speaker 1>Mister Davison, your final words for those incredible listeners out

1245
00:59:03.920 --> 00:59:04.079
<v Speaker 1>there

1246
00:59:04.280 --> 00:59:07.239
<v Speaker 3>Well, much like the concert by Vermere, this podcast is

1247
00:59:07.400 --> 00:59:09.960
<v Speaker 3>a miracle of measure and harmony,
