WEBVTT

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<v Speaker 1>Presenting Orson Wells as the Third Man. The Lives of

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<v Speaker 1>Harry Lyme, the fabulous stories of the immortal character originally

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<v Speaker 1>created in the motion picture The Third Man with zither

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<v Speaker 1>music by Anton kra.

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<v Speaker 2>That was the shot that killed Harry Lyme.

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<v Speaker 3>He died in a sewer beneath the nascuse of.

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<v Speaker 2>You know who saw the movies The Third Man. Yes,

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<v Speaker 2>that was the end of.

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<v Speaker 3>Herry life, but it was not the beginning.

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<v Speaker 2>Now, he had many lives.

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<v Speaker 3>But I can tell you about all of them.

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<v Speaker 2>How do I know? Because my name is Harryline Fella.

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<v Speaker 2>I know once told me I was a poet that

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<v Speaker 2>he was so wrong.

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<v Speaker 3>Poets are always singing about daffodils and brooks and skylights

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<v Speaker 3>and the women they're faithful.

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<v Speaker 2>To in their fashion.

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<v Speaker 3>I sort of metri with her, was I if I

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<v Speaker 3>sang at all, would sing about money and the women.

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<v Speaker 3>I'd know, But in an offbeat rhythm, money and women

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<v Speaker 3>and how they go together, and either is much use

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<v Speaker 3>without the other, as he's that's the stuff that Harry

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<v Speaker 3>Lyone sings about. Those are the themes to which he

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<v Speaker 3>dances in Life's ballet. Sometimes pleasant, occasionally a little painful,

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<v Speaker 3>like that time in Tehran and now orson wells as Harry.

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<v Speaker 4>Lyon, the third man in every.

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<v Speaker 2>Frame has a silver lining. It was in Tehrana, was

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<v Speaker 2>some years ago.

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<v Speaker 3>I had just come there, and I was pretty sure

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<v Speaker 3>that in the country, with all that oil and all

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<v Speaker 3>that intrigue, with so many people playing the game of

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<v Speaker 3>empire building and empire busting, I could promote something that

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<v Speaker 3>suited my special talents. I was walking on the street

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<v Speaker 3>when I heard some shouting. A small frightened man out

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<v Speaker 3>of dress and frantic things wheeling around the corner and.

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<v Speaker 1>Piled into me head on, Hey, hey there, what's the

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<v Speaker 1>where's the fight there?

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<v Speaker 5>Now?

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<v Speaker 2>For my way?

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<v Speaker 3>They're not so fast, papas, papas.

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<v Speaker 2>Don't you recognize me?

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<v Speaker 3>How lie right?

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<v Speaker 6>It was after you, the devil? The police are chasing me. Heah,

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<v Speaker 6>take this okay, what is it? Fifty thousand dollars worth

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<v Speaker 6>of popular what's that few opium? Fifty thousand dollars worth?

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<v Speaker 3>Take your Tell them what am I.

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<v Speaker 5>Going to do with it?

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<v Speaker 6>Then if they catch me, they'll have to let me

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<v Speaker 6>go to night at seven point thirty, bring it to

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<v Speaker 6>the examplete my principles will be there.

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<v Speaker 3>And we'll cut you in Okay, I'm where they beat

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<v Speaker 3>it now, that's down this alley.

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<v Speaker 7>Thank you had it foll night.

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<v Speaker 6>That's seven plus a night at seven thirty.

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<v Speaker 5>Are you hey? You just a minute.

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<v Speaker 3>You're the police, aren't you?

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<v Speaker 5>Yes?

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<v Speaker 3>Are you chasing the little man who ran around the

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<v Speaker 3>corner here, the one in the dirty white sealed terre

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<v Speaker 3>you time he went down that alley?

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<v Speaker 5>Come?

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<v Speaker 3>I wait until the police disappeared, and then I did

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<v Speaker 3>some running on my own account to my hotel. I

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<v Speaker 3>repacked my bag, making start to conceal among my handkerchiefs,

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<v Speaker 3>and shure, it's the package my friend pompos has been

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<v Speaker 3>so kind as to give me.

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<v Speaker 2>Then hello, would ask mister.

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<v Speaker 3>Lime from one one, two three on a reservation of

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<v Speaker 3>the two o'clock train for Paris. Yes, yes, I I know,

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<v Speaker 3>I know, I've just arrived, but I'm I'm leaving now.

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<v Speaker 3>I was now the sole owner of fifty thousand I

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<v Speaker 3>was worth of Opio in Paris. I could protect myself

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<v Speaker 3>to some extent because of connections and the other problem

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<v Speaker 3>I was hard to smuggled into America.

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<v Speaker 2>When I knew I'd be able to get.

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<v Speaker 3>The best price for it in Paris, I set about

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<v Speaker 3>to find some likely tourists into its luggage and able

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<v Speaker 3>to put my package. It took me three days to

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<v Speaker 3>find my American, very lovely looking American outside a cafe,

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<v Speaker 3>A lovely, fresh, unspoiled girl sat watching the parisiancy. Some

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<v Speaker 3>men would merely have looked at their hunger until the

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<v Speaker 3>cafe closed. Not really, Hello, do.

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<v Speaker 8>I know you?

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<v Speaker 3>My name is Harryline. I don't know your I just

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<v Speaker 3>introduced myself.

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<v Speaker 8>Perhaps I should warn you that I'm waiting for my parents.

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<v Speaker 3>Oh good, fine, Uh, very much like to meet your parents,

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<v Speaker 3>aren't you.

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<v Speaker 4>You don't really believe that, you don't.

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<v Speaker 3>A man can see a girl and know that this

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<v Speaker 3>is the good one I've always thought must be somewhere

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<v Speaker 3>on earth, the one I've never met, always wanted to meet.

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<v Speaker 3>But he doesn't speak, and she goes away and he

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<v Speaker 3>never sees her again. So is it rudeness if he

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<v Speaker 3>speaks to her? Is it wisdom?

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<v Speaker 8>You're very bold?

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<v Speaker 2>I hope I'm also convincing. I very much wonder me,

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<v Speaker 2>And I said, don.

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<v Speaker 8>M well, since my parents are coming, thank you?

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<v Speaker 2>Hum better now?

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<v Speaker 4>Maybe I ought to know your.

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<v Speaker 8>Name, Helen?

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<v Speaker 3>Both, how do you do American of course, I'm from

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<v Speaker 3>New York, but you're not.

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<v Speaker 8>How can you tell?

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<v Speaker 3>Because you're unself conscious, because you're direct and simple and

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<v Speaker 3>best sense of that word, you're you're I'm from a

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<v Speaker 3>large city, but you're not a farm girl either. From

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<v Speaker 3>a small city, probably the Midwest, right.

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<v Speaker 8>I'm from Youngstown. You see, you're very clever.

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<v Speaker 3>Oh, I'm interested in this one, so interested that I

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<v Speaker 3>can't be satisfied with anything less than a close and

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<v Speaker 3>complete study of you.

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<v Speaker 8>Will you make me sound like a picture in the louver?

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<v Speaker 2>You're much too natural for that. I hope you're going

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<v Speaker 2>to be in Fantis for a one.

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<v Speaker 8>Well, we're leaving in about a week.

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<v Speaker 3>I think it doesn't give you much time. Tell me

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<v Speaker 3>your parents, do you hear any minute?

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<v Speaker 5>No?

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<v Speaker 8>I'm supposed to meet them here in an hour, but

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<v Speaker 8>I didn't know where else to go.

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<v Speaker 3>Good, have an hour, at least an hour for me

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<v Speaker 3>to show your parents. Come on, well, really, let's make

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<v Speaker 3>it more than an hour. That's even no for them.

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<v Speaker 3>We can meet them later to try to tell, and I'll

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<v Speaker 3>take you all to dinner.

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<v Speaker 8>Goodness, you're so sudden, so bright.

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<v Speaker 2>I have much time, you you know, only a week pass.

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<v Speaker 4>All who went to the garden of the cleaners.

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<v Speaker 3>So I was tempted to see whether I could leading

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<v Speaker 3>this girl away from her parents the whole evening, and

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<v Speaker 3>for once acted the perfect gentleman. Refinement is not among

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<v Speaker 3>many skills boring, but useful in my trade. This girl

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<v Speaker 3>and her Midwestern parents were perfect to smother the opium

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<v Speaker 3>into the us for me, so I questioned. It was

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<v Speaker 3>real interest about herself and to her family.

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<v Speaker 8>My brother Jack was killed in the Lord. We came

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<v Speaker 8>over here to see his grave.

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<v Speaker 2>I was very solicitous.

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<v Speaker 3>I knew that Americans are always happy to meet compatriots

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<v Speaker 3>have brought all Americans, but I there isn't this time

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<v Speaker 3>even I was delighted and took her back to a hotel,

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<v Speaker 3>met her parents, took them all to dinner.

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<v Speaker 7>Yes, sir, mister Lamia. If there's no place like Youngstown,

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<v Speaker 7>isn't that right? Mother?

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<v Speaker 8>It's a nice town. I mean, it's nice.

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<v Speaker 3>And you, Helen, you like your hometown too? Why or

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<v Speaker 3>she does?

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<v Speaker 7>Why shouldn't she?

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<v Speaker 9>She was born mer Oh, Jaddy, that's no reason for

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<v Speaker 9>liking the place. I do like it, for Helms had

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<v Speaker 9>some of the nicest times back home. Mister Lime I mean,

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<v Speaker 9>she's really enjoyed herself with the young folks.

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<v Speaker 3>Know what I mean, Hey, I'm getting jealous.

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<v Speaker 7>You come to Youngstown, mister Lyme, We'll be sure you

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<v Speaker 7>what living can be.

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<v Speaker 8>I mean the real folks, mister Lyon.

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<v Speaker 3>They were perfect for my guy, real homespun boos who

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<v Speaker 3>wouldn't suspect I'd planned anything in their luggage and would

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<v Speaker 3>not be suspected by customers officials, and knew after five

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<v Speaker 3>minutes that I had the answer to my problem. After dinner,

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<v Speaker 3>they took me back to the hotel suite, and here,

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<v Speaker 3>in a city full of the greatest art treasures in

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<v Speaker 3>the world, I was made to exclaim over the family

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<v Speaker 3>photograph albums that they brought from Youngstown.

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<v Speaker 10>This picture was taking to the picnic role, mister lad

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<v Speaker 10>See dad and his white flannel.

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<v Speaker 7>See who are my high scream fans that day?

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<v Speaker 2>This picture doesn't do justice to.

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<v Speaker 8>Helen Well, you're making fun at all.

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<v Speaker 7>I'm not making it easy to see rich member of

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<v Speaker 7>the family of this young feathers interested in and.

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<v Speaker 2>Now you're embarrassing me.

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<v Speaker 11>Oh, personally, I think it would be impossible to embarrass you.

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<v Speaker 2>Mister call me Harry, won't you, Helen, that's.

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<v Speaker 8>An example of what I mean. Oh, mister Lime, here

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<v Speaker 8>here's a picture of our poor dead boy.

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<v Speaker 3>Oh things are fine looking boring because it's a wonderful picture.

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<v Speaker 3>I'm judy frame.

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<v Speaker 7>Read would look nice and a friend, wouldn't I.

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<v Speaker 2>Sure would, And maybe I could get one for you.

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<v Speaker 2>Why not?

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<v Speaker 3>I know where I can get a beauty and overhear

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<v Speaker 3>things don't cost like to do in the States, so

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<v Speaker 3>we don't have to settle that now doing right now,

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<v Speaker 3>all I'd like to do is.

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<v Speaker 2>To have you all agree to be my guests on

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<v Speaker 2>a tour of the city tomorrow.

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<v Speaker 3>I'd like that person rate and one other thing, with

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<v Speaker 3>your permission, and with Helen's consent. Of course, I'd like

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<v Speaker 3>to take Helen to the followdays.

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<v Speaker 2>Yeah, right now, that's up to Helen.

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<v Speaker 8>Oh, I'd like it's very much.

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<v Speaker 3>That's great, let's go in two or three days. I

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<v Speaker 3>was in solid with the family, and so the day

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<v Speaker 3>before they were to leave for Sherbury to take the

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<v Speaker 3>boat for New York, I felt I could move in

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<v Speaker 3>with my presence with a silver frame, good size, when

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<v Speaker 3>a thick one, a hollow one for the boy's picture.

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<v Speaker 3>My room. I opened a little package I received from

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<v Speaker 3>Papas and concealed its contents.

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<v Speaker 2>In the hollow of the frame. Then I visited the

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<v Speaker 2>Bold family in the suite.

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<v Speaker 7>Wow, this is a wonderful present.

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<v Speaker 5>Line.

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<v Speaker 2>I'm glad you like it.

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<v Speaker 8>Oh, thank you, Harry. It's such a beautiful thing.

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<v Speaker 10>You've done this so we can have Jack's picture on

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<v Speaker 10>the piano back home. I mean, it's the nicest thing

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<v Speaker 10>that's happened on the whole.

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<v Speaker 2>Well, believe me, it's my pleasure.

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<v Speaker 8>See how the picture fits, isn't it?

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<v Speaker 3>Nice?

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<v Speaker 4>One?

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<v Speaker 3>And now, one time you leave for Sherburg, I've been

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<v Speaker 3>thinking I'd like to go with you if I name no, no, no, no.

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<v Speaker 7>There's no names.

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<v Speaker 8>You'll be seeing us in Youngstown when you come back

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<v Speaker 8>to America.

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<v Speaker 5>Harry.

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<v Speaker 8>Of course, we don't want to put you out.

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<v Speaker 3>You'd rather stay in pass my dear people. I'd rather

224
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<v Speaker 3>not stay in for us. I'd rather do with you.

225
00:12:13.200 --> 00:12:14.480
<v Speaker 3>I want to wave goodbye to you.

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<v Speaker 2>As you sail.

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<v Speaker 7>Wow, it's very nice, Harry.

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<v Speaker 11>But I insist, well, oh, mother, I think if he insists, well,

229
00:12:24.440 --> 00:12:27.039
<v Speaker 11>that is a compliment to us. If Harry insane and

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<v Speaker 11>I do, then we've got to let him come.

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<v Speaker 8>Don't you see that? Don't you agree? Father?

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<v Speaker 7>I guess I do? Okay, young cler Gee, Thanks.

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<v Speaker 5>Orson Wells returns in just a moment as the third man.

234
00:13:41.639 --> 00:13:42.360
<v Speaker 2>Orson Welles.

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<v Speaker 1>As the third man continues with every frame has a

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<v Speaker 1>silver lining.

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<v Speaker 3>I wanted to go to Sherbury, so I have to

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<v Speaker 3>tell you, because I I never believed in leaving anything

239
00:14:05.360 --> 00:14:08.360
<v Speaker 3>a chance. I had to know which suitcase the picture

240
00:14:08.399 --> 00:14:11.240
<v Speaker 3>of the silver frame got packed, and I was determined

241
00:14:11.240 --> 00:14:12.080
<v Speaker 3>to put them on the boat.

242
00:14:12.600 --> 00:14:14.639
<v Speaker 2>So I went to Sherby the night before they were

243
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<v Speaker 2>to sail, I walked with Helen done by the woods.

244
00:14:19.840 --> 00:14:21.120
<v Speaker 8>So still to me, m.

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<v Speaker 3>The night is holding its breath for its form or

246
00:14:25.440 --> 00:14:28.960
<v Speaker 3>last night. Yes, and last night it is sad, of course,

247
00:14:29.039 --> 00:14:32.519
<v Speaker 3>but there is something beautiful about it too, isn't it.

248
00:14:33.000 --> 00:14:35.000
<v Speaker 8>That there's always something beautiful about side?

249
00:14:35.120 --> 00:14:39.240
<v Speaker 2>Yes, Helen, I'd like to make believe tonight. I'd like

250
00:14:39.320 --> 00:14:41.720
<v Speaker 2>to pretend that this is the end.

251
00:14:42.519 --> 00:14:46.679
<v Speaker 8>Well, we're never gonna see each other, agare mm could be.

252
00:14:47.360 --> 00:14:48.200
<v Speaker 2>Oh, I don't mean it.

253
00:14:48.279 --> 00:14:50.480
<v Speaker 3>But even though I'd soon come to you in Youngstown,

254
00:14:51.360 --> 00:14:54.360
<v Speaker 3>even though we might soon be married, I wanna say

255
00:14:54.399 --> 00:14:56.679
<v Speaker 3>goodbye to you tonight. The way a man says goodbye

256
00:14:56.679 --> 00:14:59.720
<v Speaker 3>to a girl he loves who we'll never see again.

257
00:15:00.279 --> 00:15:03.279
<v Speaker 8>I know how you feel. I feel that way too,

258
00:15:04.879 --> 00:15:13.759
<v Speaker 8>Harry Darling, look at me. Yes, oh, just mmm.

259
00:15:25.480 --> 00:15:27.399
<v Speaker 3>I delivered to finding the hands of her parents, and

260
00:15:27.440 --> 00:15:29.399
<v Speaker 3>before we had a nightcap together, I helped him pack,

261
00:15:29.519 --> 00:15:31.840
<v Speaker 3>helped to put the frame i'd bought them in the opium.

262
00:15:31.879 --> 00:15:36.320
<v Speaker 3>They didn't know about to a certain suitcase. So when

263
00:15:36.320 --> 00:15:37.720
<v Speaker 3>I put them on a boat and I take the

264
00:15:37.759 --> 00:15:38.120
<v Speaker 3>plane to.

265
00:15:38.120 --> 00:15:41.120
<v Speaker 2>America, before they arrived, i'd have certain friends of mine ready.

266
00:15:40.960 --> 00:15:42.759
<v Speaker 3>To hijack that suitcase as soon as they got it

267
00:15:42.840 --> 00:15:45.399
<v Speaker 3>to the customers. Everything was working for the.

268
00:15:45.440 --> 00:15:48.399
<v Speaker 2>Best and the best of all possible worlds.

269
00:15:50.559 --> 00:15:55.759
<v Speaker 3>I slept well till next morning. Quite early, I went

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<v Speaker 3>to my room.

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<v Speaker 12>Tell them, I'm honest you, you must not make so

272
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<v Speaker 12>much noise.

273
00:16:20.000 --> 00:16:23.519
<v Speaker 3>I'm trying to arouse my friends. That's mistaken nonsense. The

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00:16:23.600 --> 00:16:24.480
<v Speaker 3>balls are staying here.

275
00:16:24.559 --> 00:16:27.759
<v Speaker 13>No, monsieur, they have left at two o'clock this morning. See,

276
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<v Speaker 13>I assure you, papant, they have gone.

277
00:16:38.960 --> 00:16:41.799
<v Speaker 2>I stood there in the doorway, looking into the room vacated.

278
00:16:41.440 --> 00:16:44.679
<v Speaker 3>By my arrest wire friends, and in my mind's ear

279
00:16:44.840 --> 00:16:47.759
<v Speaker 3>I heard the voice of Papa's my principals will reach

280
00:16:47.799 --> 00:16:51.159
<v Speaker 3>with Mike in the Grand Hotel. They met me, all right,

281
00:16:52.360 --> 00:16:56.399
<v Speaker 3>they met me Papas's principles and took me perhaps Papa's who.

282
00:16:56.279 --> 00:16:59.039
<v Speaker 2>Knew me well. I told them that I I liked

283
00:16:59.080 --> 00:16:59.799
<v Speaker 2>a pretty face.

284
00:17:00.320 --> 00:17:02.840
<v Speaker 3>Now they were gone, and so was my opium, and

285
00:17:02.960 --> 00:17:06.279
<v Speaker 3>so was my fifty thousand dollars. I advanced into that room.

286
00:17:09.480 --> 00:17:11.359
<v Speaker 12>But monsieur, you have no heart in here?

287
00:17:11.720 --> 00:17:11.920
<v Speaker 5>Yeah?

288
00:17:12.039 --> 00:17:13.000
<v Speaker 3>Is this give me the ride?

289
00:17:13.480 --> 00:17:15.279
<v Speaker 8>I thank you, monsieur, thank you?

290
00:17:15.960 --> 00:17:17.000
<v Speaker 12>Can I help you in anyway?

291
00:17:17.039 --> 00:17:17.160
<v Speaker 4>Now?

292
00:17:17.240 --> 00:17:22.119
<v Speaker 2>I'm looking for something and for what I don't know clues?

293
00:17:22.920 --> 00:17:25.880
<v Speaker 8>Is this pictures a flaw, monsieur, brother Jack.

294
00:17:26.799 --> 00:17:29.920
<v Speaker 2>If they only left the frame around that picture, I

295
00:17:30.000 --> 00:17:31.720
<v Speaker 2>never mind it? And what's this?

296
00:17:32.000 --> 00:17:32.039
<v Speaker 5>What?

297
00:17:32.480 --> 00:17:34.799
<v Speaker 2>And the that's brother there? Someone was writing on the

298
00:17:34.839 --> 00:17:36.519
<v Speaker 2>paper of his blood and he bought on her.

299
00:17:36.640 --> 00:17:39.160
<v Speaker 3>Let's see, let's see if we can make it out

300
00:17:39.559 --> 00:17:42.119
<v Speaker 3>that what we do?

301
00:17:43.119 --> 00:17:46.119
<v Speaker 2>Sure don't? If we really sure, I'll say I'm.

302
00:17:45.960 --> 00:17:51.559
<v Speaker 12>Off, monsieur, Ah says America.

303
00:18:04.480 --> 00:18:08.680
<v Speaker 3>Theresi and marsays and short and quiet, straight, quiet to

304
00:18:08.759 --> 00:18:11.839
<v Speaker 3>the point of being suspicious. The street was more vacant

305
00:18:11.880 --> 00:18:15.400
<v Speaker 3>lots than dilapidated frame houses in need of paint, and

306
00:18:15.599 --> 00:18:18.960
<v Speaker 3>the twenty three was there a house with streaked windows,

307
00:18:19.000 --> 00:18:22.240
<v Speaker 3>a house seemingly deserted. No one was watching. So I

308
00:18:22.359 --> 00:18:25.240
<v Speaker 3>mounted the steps of the porch with my automatic in

309
00:18:25.319 --> 00:18:39.759
<v Speaker 3>my hand. How do you hollow, papas? This guy has

310
00:18:39.799 --> 00:18:41.839
<v Speaker 3>real bullets in it. I'm coming in.

311
00:18:42.720 --> 00:18:47.599
<v Speaker 2>Come in here, come in, Okay, where are they people

312
00:18:47.640 --> 00:18:48.440
<v Speaker 2>you're holding? Presenter?

313
00:18:49.559 --> 00:18:51.880
<v Speaker 3>Papas have come to take them out? Where's that girl?

314
00:18:53.119 --> 00:18:59.559
<v Speaker 2>Where are they in that room? Okay, lead on like Papa's.

315
00:19:03.960 --> 00:19:04.559
<v Speaker 3>Open the door.

316
00:19:06.279 --> 00:19:08.799
<v Speaker 2>Hello darling, Hello, mother and father.

317
00:19:09.680 --> 00:19:10.720
<v Speaker 7>Wait a minute, we're gonna make.

318
00:19:10.680 --> 00:19:13.759
<v Speaker 2>A deal with you over the corner. Papas were always.

319
00:19:13.519 --> 00:19:14.480
<v Speaker 12>Intended to cut your in.

320
00:19:14.680 --> 00:19:16.160
<v Speaker 8>Oh that's a silly thing to say, Grace.

321
00:19:16.240 --> 00:19:20.319
<v Speaker 2>He knows better, Gray, sir, not mother. I'm relieved. Listen

322
00:19:20.400 --> 00:19:22.119
<v Speaker 2>to me. And there's the opium right on the table,

323
00:19:22.160 --> 00:19:24.039
<v Speaker 2>still in the frame. Well, thank you one and all.

324
00:19:24.279 --> 00:19:26.240
<v Speaker 11>Now, wait a minute, there's a man coming to pick

325
00:19:26.319 --> 00:19:28.079
<v Speaker 11>up that opium and give us some money for it.

326
00:19:28.319 --> 00:19:30.359
<v Speaker 8>He's still here any minute, when you're not. We thought

327
00:19:30.359 --> 00:19:30.839
<v Speaker 8>he'd comes.

328
00:19:31.079 --> 00:19:32.680
<v Speaker 7>He's playing American prices line.

329
00:19:32.720 --> 00:19:33.640
<v Speaker 12>Yes, we'll cut you in.

330
00:19:33.759 --> 00:19:35.519
<v Speaker 8>Well was intended to what you saying.

331
00:19:35.640 --> 00:19:38.200
<v Speaker 2>Line, it's a good deal for you, Haddie, sounds like

332
00:19:38.279 --> 00:19:40.200
<v Speaker 2>a good deal for me.

333
00:19:40.759 --> 00:19:41.240
<v Speaker 4>What do you mean?

334
00:19:41.519 --> 00:19:45.920
<v Speaker 3>Hold the door the next room, Ella, that's fine. It'd

335
00:19:45.920 --> 00:19:47.799
<v Speaker 3>be nice to tie you people up in here. No,

336
00:19:48.079 --> 00:19:51.119
<v Speaker 3>you don't real, Line, you're not here. Harry, you know,

337
00:19:51.279 --> 00:19:53.519
<v Speaker 3>used to argue with Haddie. I know, and he's nothing

338
00:19:53.599 --> 00:19:57.200
<v Speaker 3>from this man. Come on, all of you in here,

339
00:19:59.599 --> 00:20:01.160
<v Speaker 3>all right, and now all of your set to work

340
00:20:01.240 --> 00:20:07.759
<v Speaker 3>tearing down these brakes. Come on, hop to it, Helen.

341
00:20:08.000 --> 00:20:11.359
<v Speaker 3>You're going to tie them up and then you'll tie

342
00:20:11.440 --> 00:20:11.759
<v Speaker 3>me up.

343
00:20:12.079 --> 00:20:13.119
<v Speaker 2>How would you like to come with me?

344
00:20:13.799 --> 00:20:14.359
<v Speaker 4>Do you mean?

345
00:20:14.640 --> 00:20:16.200
<v Speaker 2>I mean it? We could be an excellent team.

346
00:20:16.240 --> 00:20:18.759
<v Speaker 3>Nobody more innocent looking than you, and nobody more full

347
00:20:18.799 --> 00:20:21.480
<v Speaker 3>of excellent ideas making use of your innocent appearance than I.

348
00:20:21.559 --> 00:20:22.039
<v Speaker 2>What are you saying?

349
00:20:22.119 --> 00:20:22.920
<v Speaker 8>All right, Harriet?

350
00:20:23.039 --> 00:20:23.200
<v Speaker 5>To do?

351
00:20:26.680 --> 00:20:27.240
<v Speaker 2>Shut up?

352
00:20:27.599 --> 00:20:28.079
<v Speaker 4>Shut up?

353
00:20:28.480 --> 00:20:29.599
<v Speaker 2>All right, Helen? Tie them up?

354
00:20:29.720 --> 00:20:32.000
<v Speaker 8>Tag him, all right, darling launch.

355
00:20:44.119 --> 00:20:46.119
<v Speaker 3>She tied them well, and afterwards she and I went

356
00:20:46.119 --> 00:20:48.200
<v Speaker 3>into the other room and waited for the messenger.

357
00:20:47.799 --> 00:20:48.279
<v Speaker 2>With the money.

358
00:20:50.079 --> 00:20:51.440
<v Speaker 8>It's going to be a merry light.

359
00:20:51.559 --> 00:20:53.039
<v Speaker 2>Oh what is that is? You know?

360
00:20:53.119 --> 00:20:55.640
<v Speaker 3>It's a relief? Helen is discovering that you're not a

361
00:20:55.680 --> 00:20:58.319
<v Speaker 3>little maiden from Youngstown. I can like you just as

362
00:20:58.400 --> 00:21:01.160
<v Speaker 3>much this way more, but it's I'm not pretending. Oh

363
00:21:01.240 --> 00:21:03.960
<v Speaker 3>you pretended well, not have so well as you do.

364
00:21:04.119 --> 00:21:06.880
<v Speaker 3>You love me, Harry, Now there you are. A woman

365
00:21:06.960 --> 00:21:09.720
<v Speaker 3>can have all the wackedness and all the terrible precocious.

366
00:21:09.319 --> 00:21:12.799
<v Speaker 2>Knowledge of the street, Edson, and still she remains a woman.

367
00:21:13.079 --> 00:21:15.400
<v Speaker 2>Do I love you? Yeah, Helen, and I love you.

368
00:21:15.799 --> 00:21:18.079
<v Speaker 2>I'm glad I have a soft spot. You see.

369
00:21:18.480 --> 00:21:20.000
<v Speaker 3>I could have left you in that room and the others.

370
00:21:20.000 --> 00:21:21.480
<v Speaker 2>I could have taken all the money for myself.

371
00:21:21.519 --> 00:21:22.279
<v Speaker 5>But I love you.

372
00:21:22.519 --> 00:21:25.119
<v Speaker 8>Oh, I'm glad you have that soft spot. And I

373
00:21:25.240 --> 00:21:28.119
<v Speaker 8>am a woman. Really, there's messages.

374
00:21:29.160 --> 00:21:33.559
<v Speaker 3>Come on, No, wait a minute. Automatic never can tell

375
00:21:33.599 --> 00:21:34.640
<v Speaker 3>when you're dealing with crooks.

376
00:21:35.440 --> 00:21:40.839
<v Speaker 2>All right, let's go. I'll cover the door with a gun.

377
00:21:41.960 --> 00:21:42.519
<v Speaker 2>You open it.

378
00:21:44.759 --> 00:21:48.559
<v Speaker 3>Please put on the guns your ticket from him jackaby. Gentlemen, gentlemen,

379
00:21:48.640 --> 00:21:49.440
<v Speaker 3>wait wait now.

380
00:21:51.599 --> 00:21:53.200
<v Speaker 5>There will be no waiting most year.

381
00:21:53.279 --> 00:21:54.440
<v Speaker 4>We know you have opium here.

382
00:21:54.480 --> 00:21:56.599
<v Speaker 3>We've been watching the eyes. They've also got the man

383
00:21:56.599 --> 00:21:57.480
<v Speaker 3>who's here with the monk.

384
00:21:57.559 --> 00:21:58.480
<v Speaker 8>Okay, what can we do?

385
00:21:58.839 --> 00:21:59.000
<v Speaker 3>Ah?

386
00:21:59.079 --> 00:22:01.240
<v Speaker 2>There, gentlemen, is a clever girl.

387
00:22:01.440 --> 00:22:03.000
<v Speaker 7>What do you mean, Harry, you hear her.

388
00:22:03.240 --> 00:22:05.599
<v Speaker 2>She's making it sound as though I was one of them, Harry,

389
00:22:05.920 --> 00:22:06.640
<v Speaker 2>what are you saying?

390
00:22:06.839 --> 00:22:06.880
<v Speaker 5>You?

391
00:22:07.039 --> 00:22:08.799
<v Speaker 3>Well, you saw me the gun trained on her. I

392
00:22:08.880 --> 00:22:10.119
<v Speaker 3>made her open the door, and I was going to

393
00:22:10.200 --> 00:22:12.680
<v Speaker 3>take the messenger. Did not realize, of course, that you

394
00:22:13.240 --> 00:22:16.960
<v Speaker 3>so efficient policeman, had already taken him. I made this

395
00:22:17.079 --> 00:22:18.960
<v Speaker 3>girl confess to me where the opium was hit.

396
00:22:19.079 --> 00:22:21.759
<v Speaker 8>He's lying, he's heard me here. He's making love too.

397
00:22:21.880 --> 00:22:23.799
<v Speaker 5>I wanted proof, Ma, If you won't get.

398
00:22:23.720 --> 00:22:25.920
<v Speaker 3>It from her, General said you loved me.

399
00:22:26.119 --> 00:22:27.240
<v Speaker 8>You said we were to be mad.

400
00:22:27.359 --> 00:22:30.200
<v Speaker 3>Gentlemen, this is a most wicked liar. In the back room,

401
00:22:30.240 --> 00:22:32.599
<v Speaker 3>you will find the rest of her gang tied up

402
00:22:32.680 --> 00:22:34.880
<v Speaker 3>as I tied to myself. You can easily trace this

403
00:22:35.000 --> 00:22:37.519
<v Speaker 3>girl to these people. She's gone everywhere in the continent

404
00:22:37.559 --> 00:22:38.920
<v Speaker 3>with them, pretending to be the daughter.

405
00:22:38.759 --> 00:22:40.599
<v Speaker 2>Of the two of them. Is that a lie, young lady?

406
00:22:40.839 --> 00:22:43.000
<v Speaker 5>You you monsieur.

407
00:22:43.079 --> 00:22:45.680
<v Speaker 3>If your story is true, France will be most great.

408
00:22:45.759 --> 00:22:48.799
<v Speaker 2>Oh it's quite right, that's quite You'll find the gang

409
00:22:48.880 --> 00:22:49.240
<v Speaker 2>back there.

410
00:22:49.480 --> 00:22:51.400
<v Speaker 3>Jacques, you will stay here with these people. I myself

411
00:22:51.440 --> 00:22:52.480
<v Speaker 3>will go and see.

412
00:22:53.680 --> 00:22:55.079
<v Speaker 2>Or by the way, Captain.

413
00:22:56.440 --> 00:22:58.559
<v Speaker 3>Yes, just in case you're.

414
00:22:58.440 --> 00:23:01.559
<v Speaker 2>Wondering about my angle and this, I believe you're so gracious.

415
00:23:01.599 --> 00:23:04.920
<v Speaker 3>Country offers a reward in cases like this, that is true.

416
00:23:05.279 --> 00:23:06.640
<v Speaker 2>I do hope you'll be able to put it through

417
00:23:06.680 --> 00:23:07.559
<v Speaker 2>for me quite speedily.

418
00:23:07.640 --> 00:23:09.799
<v Speaker 3>Captain, I really shouldn't stay in nice say much longer.

419
00:23:10.000 --> 00:23:12.680
<v Speaker 3>I will do my best mess you, Thank you very much.

420
00:23:13.319 --> 00:23:15.720
<v Speaker 8>Dirty dirty swine.

421
00:23:15.279 --> 00:23:17.680
<v Speaker 3>Haw I how easy out of darling. I'm a realist,

422
00:23:18.240 --> 00:23:20.240
<v Speaker 3>if you know, my sweet Though you are so beautiful,

423
00:23:20.279 --> 00:23:22.160
<v Speaker 3>I'm afraid that I cannot undertake to wait for you

424
00:23:22.279 --> 00:23:24.240
<v Speaker 3>to get out of whatever that steel is about to

425
00:23:24.319 --> 00:23:26.759
<v Speaker 3>embrace you through. All the time for everything is a

426
00:23:26.799 --> 00:23:29.799
<v Speaker 3>time for seeing pennists and a time for making another

427
00:23:29.880 --> 00:23:33.000
<v Speaker 3>time to Sentiment's time for you in about ten years,

428
00:23:33.039 --> 00:23:34.359
<v Speaker 3>I should think, So long.

429
00:23:34.200 --> 00:24:00.599
<v Speaker 5>Are Harry Lyme returns in in just a.

430
00:24:00.720 --> 00:24:55.839
<v Speaker 2>Month, and now Verry lies.

431
00:25:05.480 --> 00:25:06.039
<v Speaker 4>I'd rather wait.

432
00:25:06.039 --> 00:25:08.400
<v Speaker 3>As a PostScript to that story, I told you once

433
00:25:08.440 --> 00:25:10.039
<v Speaker 3>before I don't approve of dope, and you may have

434
00:25:10.079 --> 00:25:13.279
<v Speaker 3>felt from this little adventure that I've gone against my principles.

435
00:25:13.400 --> 00:25:15.359
<v Speaker 2>Really you should know me better right now. Harry Lyon

436
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<v Speaker 2>may be a trifle.

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<v Speaker 3>Underweight on some of the virtues that touch upon his principles,

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<v Speaker 3>and I want you to watch out. The police of

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<v Speaker 3>Us got the dope. But even if they hadn't arrived

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<v Speaker 3>at that rather dramatic moment on that you're not a secret,

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<v Speaker 3>I'd already come to a decision. I was going to

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<v Speaker 3>claim that police reward anyway, same may have been influenced

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<v Speaker 3>by reading about the size of the reward, not about

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<v Speaker 3>the size of the risk. In all the way things

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<v Speaker 3>are going, They pay to be honest, charge us to

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<v Speaker 3>prove that even Harry Lyon may not be incorruptible.

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<v Speaker 14>Do you see what I meant as.

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<v Speaker 15>Any from basin.

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<v Speaker 14>In take into the animas.

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<v Speaker 11>And don't have.

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<v Speaker 5>It.

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<v Speaker 15>It's from bathing in fat in compassa
