1
00:00:00,240 --> 00:00:02,560
Speaker 1: Arrow dot net is more than just a podcast. It

2
00:00:02,680 --> 00:00:06,960
is a podcast network, twenty different podcasts to choose from.

3
00:00:07,120 --> 00:00:10,000
One of my favorites is Foody Paradise, talking with the

4
00:00:10,240 --> 00:00:13,080
chefs who truly understand what it's like to be at

5
00:00:13,080 --> 00:00:17,480
home in your own kitchen, chefing a beautiful moment. That's

6
00:00:17,519 --> 00:00:20,839
the kind of respect these chefs have for you. Plus

7
00:00:20,920 --> 00:00:24,760
there's so much more on Foody Paradise only on Arow

8
00:00:24,800 --> 00:00:30,640
dot net, r r Oe dot net. Enjoy your exploration. Hello, Hello,

9
00:00:30,760 --> 00:00:34,920
and good morning. How are you doing, Peter, doing so well?

10
00:00:35,280 --> 00:00:38,079
Speaker 2: Doing this so well up here in the frosty Boston.

11
00:00:39,479 --> 00:00:40,880
Speaker 1: Well, come on down to the Carolinas.

12
00:00:40,920 --> 00:00:41,039
Speaker 2: Man.

13
00:00:41,039 --> 00:00:42,759
Speaker 1: We're a little cold today, but it's gonna be near

14
00:00:42,840 --> 00:00:45,280
eighty on Wednesday, so come on down. We'll sit here

15
00:00:45,320 --> 00:00:47,840
and we'll talk about writing and getting your book out

16
00:00:47,840 --> 00:00:50,560
there and putting you on a big national tour. Oh yeah,

17
00:00:50,600 --> 00:00:51,759
we'll do the authentic thing.

18
00:00:53,560 --> 00:00:54,679
Speaker 2: I love it, I love it.

19
00:00:54,759 --> 00:00:57,520
Speaker 1: I gotta ask you a question, only because I'm so inspired.

20
00:00:57,560 --> 00:00:59,200
They always tell us not to judge a book by

21
00:00:59,200 --> 00:01:01,479
its cover, but by god, I want this as a poster.

22
00:01:01,719 --> 00:01:05,040
I you know, I mean to have this thing framed

23
00:01:05,319 --> 00:01:08,840
and hanging on a wall when you dream big and

24
00:01:08,879 --> 00:01:12,159
then you jump into the story and the illustrations in there,

25
00:01:12,200 --> 00:01:14,280
with the wording and everything. I mean, you have got

26
00:01:14,319 --> 00:01:17,319
something here that is I can't wait to continue to

27
00:01:17,359 --> 00:01:20,319
share this with young adults as well as even younger readers.

28
00:01:22,200 --> 00:01:25,120
Speaker 2: Well, thank you. It's funny because I was just sketching

29
00:01:25,319 --> 00:01:29,920
a T shirt idea based on the book, and you

30
00:01:30,079 --> 00:01:32,680
just disparted me to do a print as well. This

31
00:01:32,719 --> 00:01:36,680
book was so much fun to create, and I guess

32
00:01:36,680 --> 00:01:38,200
it's coming true that I had a lot of fun

33
00:01:38,239 --> 00:01:38,840
with this book.

34
00:01:39,040 --> 00:01:41,079
Speaker 1: Yes, yeah, you can definitely feel it. You can feel it.

35
00:01:41,120 --> 00:01:43,040
One of the things that really inspires me, Peter, is

36
00:01:43,079 --> 00:01:46,000
the fact that the font that you chose to use

37
00:01:46,280 --> 00:01:48,760
looks like handwriting. And I think that to a young

38
00:01:48,799 --> 00:01:51,200
reader right now, in this digital age, I need to

39
00:01:51,239 --> 00:01:54,200
see that font. And I think kids do too, because

40
00:01:54,239 --> 00:01:56,519
the rest of us are still using a pencil or

41
00:01:56,560 --> 00:01:59,280
a pen and we're writing like this. And I just

42
00:01:59,319 --> 00:02:01,599
think that you, whoever put that in the book with

43
00:02:01,680 --> 00:02:04,959
that font, what a brilliant idea because it has to

44
00:02:05,000 --> 00:02:06,120
be in our lives.

45
00:02:07,519 --> 00:02:10,319
Speaker 2: Yeah, well, I appreciate that you pointed it out. That

46
00:02:10,479 --> 00:02:14,120
is actually my handwriting. I started my very first book

47
00:02:14,240 --> 00:02:16,800
was called The North Star, and I, just because I

48
00:02:16,840 --> 00:02:19,800
didn't have a computer handy, I wrote the whole book

49
00:02:19,840 --> 00:02:23,039
by hand, and the publisher looked at it and said, wow,

50
00:02:23,560 --> 00:02:26,639
we love your handwriting. Can we use it as the

51
00:02:26,680 --> 00:02:29,800
font in the book. So I handwrote. In fact, I

52
00:02:29,840 --> 00:02:33,319
would say probably eighty percent of my books are all

53
00:02:33,360 --> 00:02:37,599
done written by hand. So when you see that font,

54
00:02:38,599 --> 00:02:40,080
that's the Peter A. Truantle owned.

55
00:02:40,360 --> 00:02:43,479
Speaker 1: My god, did you take drafting class, because I mean,

56
00:02:43,520 --> 00:02:45,639
your lettering is spot on, dude, I mean, how did

57
00:02:45,639 --> 00:02:47,159
you get such legible lettering?

58
00:02:50,120 --> 00:02:54,439
Speaker 2: I loved writing. I remember mixing print and cursive together

59
00:02:54,919 --> 00:02:57,560
a teacher saying I would want to do that, and

60
00:02:57,599 --> 00:02:59,520
of course I was a bit of a gentle rebel.

61
00:02:59,520 --> 00:03:03,240
I'm like, well, I actually I sort it was fascinated

62
00:03:03,319 --> 00:03:08,280
with how letters connected, and I did take a calligraphy course,

63
00:03:08,319 --> 00:03:13,520
and I did in college, I took a architectural writing course,

64
00:03:14,439 --> 00:03:18,280
and I found it just fascinating writing by him. I

65
00:03:18,280 --> 00:03:21,080
think you're right, in the agent of AI, everything's being

66
00:03:21,120 --> 00:03:26,520
generated for us and I seeing something hand crafted. I

67
00:03:26,520 --> 00:03:29,560
think it's really important for kids to remind them that

68
00:03:29,599 --> 00:03:31,919
they are capable of that too.

69
00:03:33,159 --> 00:03:35,400
Speaker 1: I want to know how many moms and dads are

70
00:03:35,439 --> 00:03:38,759
going to reach this page, Charlie smiled. Ten toes all

71
00:03:38,800 --> 00:03:41,319
pointing in the right direction. Mom and dad are going

72
00:03:41,360 --> 00:03:43,000
to put the book down for a second and say,

73
00:03:43,080 --> 00:03:45,159
take a look at your toes. What do your toes

74
00:03:45,159 --> 00:03:47,159
look like? Are they all pointed? And I mean because

75
00:03:47,159 --> 00:03:49,879
it's that kind of book. It is such an interaction book.

76
00:03:50,039 --> 00:03:51,919
It is a tool for mom and dad or even

77
00:03:51,960 --> 00:03:54,960
a young reader to go, yeah, Charlie's my hero. I'm

78
00:03:55,000 --> 00:03:59,039
loving me some Charlie, right.

79
00:03:59,199 --> 00:04:01,759
Speaker 2: Yeah, there are lots of opportunity in the book. As

80
00:04:01,759 --> 00:04:04,080
you're reading. You know, when the teacher says, you know,

81
00:04:05,560 --> 00:04:08,039
you know who wants to share their dreams, hands shoot

82
00:04:08,120 --> 00:04:10,840
up waving wildly. So I asked, kids, you know, raise

83
00:04:10,840 --> 00:04:12,479
my end of the air and wave your arms, and

84
00:04:12,479 --> 00:04:15,479
they're all waving their arms. And you know, in the book,

85
00:04:15,520 --> 00:04:18,759
the teacher posts that big question, you know, what do

86
00:04:18,759 --> 00:04:20,519
you want to be when you grow up? And the kids,

87
00:04:20,639 --> 00:04:22,720
you know, most of the kids are excited. There are

88
00:04:22,720 --> 00:04:25,040
a couple of quiet ones, and there always are. Yeah,

89
00:04:25,199 --> 00:04:28,360
Charlie is that quiet one. It takes her a little while,

90
00:04:28,519 --> 00:04:30,720
and that's The message of the book is you don't

91
00:04:30,800 --> 00:04:34,639
have to know what you want to be, you know specifically,

92
00:04:35,720 --> 00:04:37,879
but you just have to stay positive, keep moving for it,

93
00:04:37,959 --> 00:04:41,839
don't freeze in your tracks, and eventually they'll it will

94
00:04:41,839 --> 00:04:44,199
come to you. And at the end of the book

95
00:04:44,199 --> 00:04:46,959
there's this joyous celebration of all the kids together and

96
00:04:47,040 --> 00:04:50,480
the teacher, and you know, Charlie is finally in step

97
00:04:50,519 --> 00:04:52,639
with the rest of the kids. She's made her big,

98
00:04:52,720 --> 00:04:55,319
colorful wings and she is ready to dream big.

99
00:04:55,480 --> 00:04:57,720
Speaker 1: Well, you must have been sitting at a Starbucks or

100
00:04:57,759 --> 00:04:59,759
at a mall or something, because the subjects that you

101
00:04:59,800 --> 00:05:02,360
can inside this book are so spot on. And I

102
00:05:02,680 --> 00:05:04,920
got to give you kudos here on how you handle

103
00:05:05,000 --> 00:05:08,079
how Charlie was nervous. And it was her school teacher

104
00:05:08,079 --> 00:05:10,240
that said, don't worry if you need more time. This

105
00:05:10,319 --> 00:05:13,079
is a very big question. And the thing about it is, though,

106
00:05:13,079 --> 00:05:16,120
the fact that you even brought up nervous that to

107
00:05:16,160 --> 00:05:19,199
me is in tune with who your listener and your

108
00:05:19,240 --> 00:05:22,360
reader really is, because you show me somebody who isn't

109
00:05:22,360 --> 00:05:25,079
nervous right now, and then you're speaking about it. See,

110
00:05:25,120 --> 00:05:27,720
it's not that big of a problem according to the teacher.

111
00:05:28,839 --> 00:05:32,120
Speaker 2: Right right, kids ain't grown up. I mean we grown up.

112
00:05:32,199 --> 00:05:35,199
You know, we get swam. It's we get overwhelmed. I mean,

113
00:05:35,199 --> 00:05:38,160
there's so much stuff coming at us. There's so many demands.

114
00:05:38,360 --> 00:05:40,240
You know, there's a lot of pressure to you know,

115
00:05:40,360 --> 00:05:42,720
to be correct, to be right and get it right

116
00:05:42,800 --> 00:05:45,879
and you know, have the perfect life and perfect body,

117
00:05:45,959 --> 00:05:49,439
and you know, people are just so much pressure and

118
00:05:49,800 --> 00:05:52,439
you know, being able to say, you know, it's okay,

119
00:05:53,160 --> 00:05:56,519
it's okay to be anxious, and but you know, there

120
00:05:56,560 --> 00:05:58,439
are some there are some tools that we have to

121
00:05:59,199 --> 00:06:01,759
deal with that. And in this book, you know, I say,

122
00:06:01,800 --> 00:06:04,480
wiggle your toes. You can't wiggle your toe, you can

123
00:06:04,519 --> 00:06:10,680
wiggle your fingers. You can just sort of activate your

124
00:06:10,680 --> 00:06:16,560
body in some way. And you know, I tell kids,

125
00:06:16,720 --> 00:06:18,839
you know, like I told the kids who were nervous

126
00:06:18,839 --> 00:06:21,920
about taking a test. Once. I said, the teacher said,

127
00:06:21,920 --> 00:06:23,639
do you have any advice for my kids? They're nervous

128
00:06:23,680 --> 00:06:28,160
about taking this big, you know test, And I said,

129
00:06:28,199 --> 00:06:32,920
tell your kids to take their left shoe off, and

130
00:06:32,920 --> 00:06:35,000
and she wrote back a few weeks later she said

131
00:06:35,160 --> 00:06:38,920
the kids also their left shoe off, and they they

132
00:06:39,000 --> 00:06:42,920
scored the highest of any classroom in their school. And

133
00:06:42,959 --> 00:06:49,160
they credit you for this great technique. But you know,

134
00:06:49,319 --> 00:06:52,959
all I said, I suggested something. It was, you know,

135
00:06:53,040 --> 00:06:55,720
kind of funny, but it turned out that it helped

136
00:06:55,720 --> 00:06:57,600
them with their confidence. And I think that's the big

137
00:06:57,959 --> 00:07:01,920
the key, right, if you're confident, if you're feeling like

138
00:07:01,959 --> 00:07:06,319
you've got this on, your brain works better. See.

139
00:07:06,360 --> 00:07:08,439
Speaker 1: I can still relate with that because I mean, I mean,

140
00:07:08,519 --> 00:07:10,680
I'm one of those people. I will take my right

141
00:07:10,720 --> 00:07:12,839
shoe off. If you see me somewhere and I've got

142
00:07:12,839 --> 00:07:15,240
my right shoe off to me, that should be a

143
00:07:15,240 --> 00:07:17,319
signal that I'm trying to find my focus and I'm

144
00:07:17,319 --> 00:07:20,240
confident about taking you know, something that is so uncertain,

145
00:07:20,279 --> 00:07:22,600
but I'm going to make sure that I learned from it.

146
00:07:22,639 --> 00:07:25,639
But man, that's got to be a thing that stretches

147
00:07:25,680 --> 00:07:27,639
across this nation about taking the shoe.

148
00:07:27,360 --> 00:07:31,040
Speaker 2: Off, right, Yeah, well that might I think that might

149
00:07:31,079 --> 00:07:34,759
be my next book. I wrote story down, so I

150
00:07:34,800 --> 00:07:36,439
have to find that one and share that. I've got

151
00:07:36,480 --> 00:07:42,680
sony book ideas. Arrow's counted about four hundred book ideas

152
00:07:42,959 --> 00:07:45,120
and they and they keep coming at me every day,

153
00:07:45,240 --> 00:07:47,759
So I love it. My brain is popping like.

154
00:07:47,720 --> 00:07:51,759
Speaker 1: Puffcorn and see, and that should be a lesson for

155
00:07:51,800 --> 00:07:54,360
these young adults too, and these readers. And the reason

156
00:07:54,360 --> 00:07:56,560
why I say that is because everybody I talked to,

157
00:07:56,920 --> 00:07:59,079
I got into writing because of an author that I

158
00:07:59,160 --> 00:08:00,959
had when I was young in my life. You see

159
00:08:00,959 --> 00:08:04,759
what I mean. You're setting up their future by saying, hey, look, yes,

160
00:08:05,120 --> 00:08:07,240
if you just take the time to write stuff down,

161
00:08:07,240 --> 00:08:09,319
then you will have future projects you can work on

162
00:08:09,519 --> 00:08:12,120
as well. If you've got four hundred on the way. God, dang,

163
00:08:12,160 --> 00:08:15,000
I'm proud of you, dude. That's exactly how it happens

164
00:08:15,040 --> 00:08:16,120
to a creative mind.

165
00:08:17,439 --> 00:08:20,519
Speaker 2: Yeah. Well, I do feel like my books are conversations.

166
00:08:20,519 --> 00:08:23,120
I feel like I'm having a conversation with that reader

167
00:08:23,439 --> 00:08:25,759
and if I can be there to cheer them on

168
00:08:26,160 --> 00:08:29,439
and say, you've got this, you know, keep going, don't stop,

169
00:08:29,600 --> 00:08:32,559
keep going, don't stop. You know. I feel like i've

170
00:08:34,240 --> 00:08:37,159
you know, I've had a pretty good life, you know,

171
00:08:37,240 --> 00:08:38,720
encouraging people around the world.

172
00:08:39,240 --> 00:08:42,080
Speaker 1: Please do not move. There's more with Peter H. Reynolds

173
00:08:42,200 --> 00:08:46,440
coming up next. The name of his book, and it

174
00:08:46,480 --> 00:08:49,639
really is for everybody. When you dream big. We are

175
00:08:49,720 --> 00:08:53,879
back with author Peter H. Reynolds. If I were sitting

176
00:08:53,960 --> 00:08:56,480
here with my grandchild, but they're up in their twenties now,

177
00:08:56,480 --> 00:08:58,320
but I mean if they were eighty biddies in front

178
00:08:58,360 --> 00:09:00,840
of me right now, I would put folks on Charlie

179
00:09:00,919 --> 00:09:03,240
waking up. And over here to the right is the

180
00:09:03,279 --> 00:09:06,799
word paris that is done in cursive writing. I would

181
00:09:06,799 --> 00:09:08,799
put focus on that. And that's what I love about

182
00:09:08,840 --> 00:09:12,279
your illustrations. Your illustrations are just as important as the

183
00:09:12,320 --> 00:09:16,320
paragraphs because in cursive writing, that's exactly what that word says.

184
00:09:16,440 --> 00:09:19,399
It says paris. But I want a young mind to

185
00:09:19,519 --> 00:09:23,080
know cursive writing is so important in your chapters.

186
00:09:23,879 --> 00:09:27,120
Speaker 2: Right, Yeah, Well, the picture books are lovely that you

187
00:09:27,159 --> 00:09:29,679
can keep reading them and seeing more and more and

188
00:09:29,759 --> 00:09:31,960
more detail. And I do pack a lot of in

189
00:09:31,960 --> 00:09:34,519
this particular one. You know, there's a whole classroom, so

190
00:09:34,559 --> 00:09:38,840
I had, you know, twenty twenty five chances to show

191
00:09:38,919 --> 00:09:43,360
a different kind of kid. And you also a little

192
00:09:43,360 --> 00:09:45,440
peak at their dreams. You see them working on their

193
00:09:45,519 --> 00:09:48,120
dreams on their desks. So there's a lot of there's

194
00:09:48,200 --> 00:09:51,200
just a lot packed into this book. So it'll take

195
00:09:51,240 --> 00:09:53,679
a long time to probably notice all the details, but

196
00:09:54,519 --> 00:09:56,360
have fun doing it. Well.

197
00:09:56,440 --> 00:09:58,799
Speaker 1: And here's some of those details as well, dude, And

198
00:09:58,840 --> 00:10:01,240
that is the fact that Charlie is sitting on her hands.

199
00:10:01,360 --> 00:10:03,480
I want you show me somebody who does not sit

200
00:10:03,559 --> 00:10:06,159
on one hand or both hands when they're confronted with

201
00:10:06,200 --> 00:10:08,960
a situation where they don't want to be chosen, they're

202
00:10:09,000 --> 00:10:10,320
going to go to Hazel instead.

203
00:10:12,320 --> 00:10:15,080
Speaker 2: Right. I think we all can experience that in school,

204
00:10:15,159 --> 00:10:17,440
right when the teachers like, all right, I need someone

205
00:10:17,480 --> 00:10:20,399
to you know, read their poems, and it's like, oh,

206
00:10:20,440 --> 00:10:23,679
please don't pick me, Please don't pick me. And I

207
00:10:23,879 --> 00:10:27,360
wanted to have that that capture that angst, and I thought,

208
00:10:27,399 --> 00:10:30,480
what better way than Charlie actually sitting on her hands.

209
00:10:30,480 --> 00:10:32,960
There's no way she's going to raise her hand and participate.

210
00:10:33,279 --> 00:10:37,799
But unfortunately she has a great teacher who does notice

211
00:10:37,799 --> 00:10:40,919
that she's she's having a little she's having an issue there,

212
00:10:41,080 --> 00:10:46,159
and she gives Charlie permission to relax, you know, and

213
00:10:46,200 --> 00:10:48,679
I do I do like that that what she says,

214
00:10:48,840 --> 00:10:51,919
you know that take your time. You know, this is

215
00:10:51,960 --> 00:10:55,360
a really big question. Your future is that's pretty big.

216
00:10:55,840 --> 00:10:57,600
Speaker 1: Well. And the fact is that I'm not going to

217
00:10:57,600 --> 00:10:59,960
spoil the book, and that is is that when when

218
00:11:00,159 --> 00:11:03,799
Charlie finally admits to something in class, and it's it's

219
00:11:03,879 --> 00:11:06,600
the page with the angel wings. But I don't want

220
00:11:06,639 --> 00:11:08,879
to spoil it because I want mothers and fathers with

221
00:11:08,960 --> 00:11:11,240
the readers to sit there and go through with what

222
00:11:11,279 --> 00:11:13,799
her answer is. But once again, this book is so

223
00:11:13,960 --> 00:11:16,480
in touch with the reality of what is right now

224
00:11:16,799 --> 00:11:19,240
and it just it just blows me away. How you're well,

225
00:11:19,279 --> 00:11:22,320
you said it, you write in conversational form. It's beautiful.

226
00:11:22,440 --> 00:11:23,519
It's beautiful.

227
00:11:25,440 --> 00:11:28,000
Speaker 2: Thank you. I love that you are so affusive about

228
00:11:28,039 --> 00:11:31,000
this book because I am super excited about this book.

229
00:11:31,039 --> 00:11:34,879
I can't wait for it to reach We'll reach everybody,

230
00:11:34,879 --> 00:11:36,440
but I think that they are going to be particular

231
00:11:36,480 --> 00:11:41,360
people who who this book is the exact right book

232
00:11:41,440 --> 00:11:44,360
at the right time. The kids, you know, kids and

233
00:11:44,480 --> 00:11:47,720
as I say, grown up too, who are struggling a

234
00:11:47,799 --> 00:11:50,879
little bit and need need that little encouragement. So I

235
00:11:50,919 --> 00:11:56,200
hope that when You Dream Big inspires people to to

236
00:11:56,200 --> 00:11:57,519
to do that, to dream big.

237
00:11:57,759 --> 00:12:00,440
Speaker 1: Where can people go to find out more aboutout you?

238
00:12:02,720 --> 00:12:06,600
Speaker 2: Well, you can go to PETERH. Reynolds dot com. Don't

239
00:12:06,600 --> 00:12:10,240
forget the h H stands for Hamilton. I'm based on

240
00:12:10,279 --> 00:12:15,120
a hip Broadway musical, so Periods dot com and you

241
00:12:15,159 --> 00:12:17,679
could order books autograph books from there, but I also

242
00:12:17,759 --> 00:12:21,080
encourage people to combine my books that anywhere to find.

243
00:12:21,080 --> 00:12:24,399
Books are sold online as well as if you're lucky

244
00:12:24,440 --> 00:12:28,039
enough to have an independent bookstore like I actually own

245
00:12:28,120 --> 00:12:32,039
my own independent books burgess outside of Boston, Massachusetts, called

246
00:12:32,039 --> 00:12:34,039
the Blue Bunny. So if you're in Boston, hop on

247
00:12:34,120 --> 00:12:39,240
down to my bookshop celebrate in twenty three years this year.

248
00:12:39,679 --> 00:12:43,399
Speaker 1: Oh my god, you are such the inspiration and the influence,

249
00:12:43,440 --> 00:12:45,600
because that's it's full circle for you. Dude.

250
00:12:47,600 --> 00:12:50,000
Speaker 2: It is well Era naxt time you're in Boston, come

251
00:12:50,080 --> 00:12:52,679
come over. We have a coffee shop too, will I

252
00:12:52,720 --> 00:12:56,039
will take your cappuccino and we will we will sit

253
00:12:56,120 --> 00:12:58,480
there and we will talk more because I feel like

254
00:12:58,519 --> 00:13:01,879
we have. We have hours and hours the book about

255
00:13:01,919 --> 00:13:02,840
all of these things.

256
00:13:02,879 --> 00:13:04,480
Speaker 1: You're so right, So you got to come back to

257
00:13:04,480 --> 00:13:06,600
the show anytime in the future. The door is always

258
00:13:06,600 --> 00:13:07,639
going to be open for you, Peter.

259
00:13:08,960 --> 00:13:11,200
Speaker 2: I love that the door is always open. That might

260
00:13:11,240 --> 00:13:11,840
be my new.

261
00:13:11,679 --> 00:13:14,200
Speaker 1: Book, Carol will be brilliant today.

262
00:13:14,240 --> 00:13:17,159
Speaker 2: Okay, thank you you too.

263
00:13:17,399 --> 00:13:20,799
Speaker 1: Thank you

