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<v Speaker 1>We're Tom and Lorenzo and this is the Pop Style

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<v Speaker 1>Opinion Fest. Hell look it and walk back to another

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<v Speaker 1>edition of the Pso I am the Tea and you're

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<v Speaker 1>Telow Tom Fitzgerald, and I'm here with the low and

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<v Speaker 1>your te lot. Lorenzo my cousin husband, and you're.

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<v Speaker 2>Here we tab Hunter on the table.

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<v Speaker 1>Tab Hunter a twenty five pound cat who has been

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<v Speaker 1>drawing blood lately. Oh my god, yeah, fit me the

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<v Speaker 1>other night in bed because he got very excited. I

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<v Speaker 1>was rubbing his belly in the wrong spot. And this boy,

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<v Speaker 1>you have to understand, he is a big cat, and

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<v Speaker 1>he's got teeth like a dog's teeth, and cats they

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<v Speaker 1>will nip when they want you to stop doing something,

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<v Speaker 1>and you know they're usually pretty good at the Tab's

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<v Speaker 1>teeth are so freaking huge that he wound up drawing blood.

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<v Speaker 1>It was like one in the morning, and I had

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<v Speaker 1>to get out of bed to wash because you don't

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<v Speaker 1>want to get cats scratch fever or anything like that.

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<v Speaker 1>And then yesterday he wanted to jump in my seat

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<v Speaker 1>while I was He loves when I do my duo

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<v Speaker 1>lingo lessons. Whenever he hears duo lingo, he comes running.

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<v Speaker 1>It's so cute because he wants to sit in my

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<v Speaker 1>lap and learn Portuguese with me. And he tried to

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<v Speaker 1>jump in my lap and I was wearing a pair

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<v Speaker 1>of shorts, and he's getting old, which means he can't

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<v Speaker 1>make jumps as quickly as gracefully as he once did.

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<v Speaker 1>So he dug his massive sabertoothed tiger claws right into

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<v Speaker 1>my bare thigh and then slid. I know, yeah, so

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<v Speaker 1>I have a slash on my lap.

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<v Speaker 2>Oh my god.

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<v Speaker 1>I don't know why we're starting off the podcast with

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<v Speaker 1>this nonsense. Anyway, we have a pod porie of topics

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<v Speaker 1>to discuss. We actually once again relate with this because

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<v Speaker 1>we really couldn't pull together an entire podcast, and then

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<v Speaker 1>ultimately we said, all right, well, it's just been five

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<v Speaker 1>minutes on a bunch of different podcasts, like this is

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<v Speaker 1>some sort of weekend update. So but what I do

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<v Speaker 1>like about these pod pori things is that we don't

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<v Speaker 1>get stuck in one thing. We're not just talking about

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<v Speaker 1>a TV show or just talking about celebrity gossip. We

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<v Speaker 1>have a bunch of things to talk about here. I

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<v Speaker 1>want to start off with a red carpet topic, especially

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<v Speaker 1>because this one's a little late. We're getting to this one,

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<v Speaker 1>and it's a holdover from the Met collar A couple

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<v Speaker 1>of weeks back, we were contacted by Lamonde, the French newspaper,

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<v Speaker 1>to give our thoughts on theme dressing and cosplay dressing

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<v Speaker 1>and everything. And I kind of love that our dislike

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<v Speaker 1>of that sort of thing has reached an international audience.

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<v Speaker 1>And I did say I don't think it wound up

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<v Speaker 1>in the final piece, but I did say one of

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<v Speaker 1>the things I don't like about this move away from

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<v Speaker 1>fashion on the Red Carpet is that we're going to

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<v Speaker 1>get more and more into spectacle and costumes. And sure enough,

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<v Speaker 1>a couple of days later, the Metgala happened, and here

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<v Speaker 1>comes Heidi Cloom in her Halloween costume, and here comes

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<v Speaker 1>bed Bunny in his old man makeup. And I hate it.

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<v Speaker 1>I hate it so much that people are starting to

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<v Speaker 1>use prosthetics for events that are entirely about fashion.

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<v Speaker 2>Yeah, I think it was. The Hollywood Reporter had an

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<v Speaker 2>article this week about the whole The Devil's Wear product

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<v Speaker 2>preparation for the for the Red Carpet everything, and how

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<v Speaker 2>much they thought about all those things like right wearing costumes.

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<v Speaker 2>They're wearing things that no costumes, you know, wearing things

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<v Speaker 2>that the characters would wear, Yes, exactly, that would remind

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<v Speaker 2>people of the costumes in the movie and all that.

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<v Speaker 2>And it was just like, yeah, that that's the direction.

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<v Speaker 1>Now I hate it, and I'm going to use my

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<v Speaker 1>platform to rail against it. And if Lamon wants to

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<v Speaker 1>call me up, I'll yell about that too. Listen. I

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<v Speaker 1>don't think we're likely to see a lot of costume,

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<v Speaker 1>a lot of makeup effects or prosthetics going forward on

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<v Speaker 1>the Red carpet, but I do feel like I need to,

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<v Speaker 1>you know, sound the alarm a little bit. The met

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<v Speaker 1>Gala is not like a Marvel movie promotional event or

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<v Speaker 1>something like that. It is not about people going out

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<v Speaker 1>and promoting projects. It's literally about elevating fashion. It is

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<v Speaker 1>an entire night devoted to fashion. It is the one

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<v Speaker 1>red carpet that we cover every year that is only

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<v Speaker 1>about fashion. It's not about awards, it's not about premieres,

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<v Speaker 1>it's not about debut albums or anything like that. It

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<v Speaker 1>is strictly a bunch of people getting together in the

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<v Speaker 1>most outrageous outfits they can devise to celebrate fashion. And

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<v Speaker 1>to raise money for a costume institute. And for me,

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<v Speaker 1>it's very alarming. On this the premiere fashion event of

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<v Speaker 1>the year, people are showing up in freaking rubber masks

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<v Speaker 1>and fake noses and shit like that. And I hate

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<v Speaker 1>that Anna Winter has lost control of this sort of thing.

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<v Speaker 1>I think she's trying so hard to soften her image.

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<v Speaker 1>That's why she sort of embraced the Devilwares product too,

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<v Speaker 1>even though she wouldn't even talk about the first film.

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<v Speaker 1>That's true, it's and now she's like letting just anybody

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<v Speaker 1>walk onto that Macalla red carpet in anything, like Troy

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<v Speaker 1>Savann was wearing jeans, and I was like, you know what,

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<v Speaker 1>I've been covering this for fifteen years and she never

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<v Speaker 1>would have allowed that. Even five years.

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<v Speaker 2>People weren't even allowed to take pictures inside, licking the

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<v Speaker 2>basket or anything like that. I mean, but.

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<v Speaker 1>It's she's you know, and I get it, because this

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<v Speaker 1>event is, you know, you invite all of these celebrities

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<v Speaker 1>to generate the kind of press that you know this

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<v Speaker 1>event generates, and you kind of have to let celebrities

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<v Speaker 1>do whatever they want to do otherwise they're not going

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<v Speaker 1>to show up well.

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<v Speaker 2>And they have new owners. Yeah, what do you mean

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<v Speaker 2>the Macala has new owners, you know, so to speak.

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<v Speaker 2>I mean you have the Amazon people knowing.

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<v Speaker 1>Well, they don't own it.

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<v Speaker 2>They just well, if you give money, you own it.

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<v Speaker 1>Yeah, I guess anyway, I just wanted to rail against

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<v Speaker 1>that because I feel like, if they're doing this at

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<v Speaker 1>the Metgala, then yes, someone's going to show up at

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<v Speaker 1>the next Marvel movie or DC movie or Star Wars

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<v Speaker 1>movie work in some sort of goofy ass makeup effect.

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<v Speaker 1>That is not what the Red Carpet is about. I know.

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<v Speaker 2>I think I think you're going to We're gonna see

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<v Speaker 2>that more and more.

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<v Speaker 1>I hate it. I'm going to make such an issue

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<v Speaker 1>out of it.

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<v Speaker 2>Yeah, but I think there's always going to be people

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<v Speaker 2>who will say no to it because they're they're too

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<v Speaker 2>self aware of how they look on the red carpet,

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<v Speaker 2>and they don't want to look a certain way that

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<v Speaker 2>doesn't go with whatever they think if their view.

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<v Speaker 1>Yes, but the reason that I am somewhat fearful of

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<v Speaker 1>this is that a lot of celebrities hate the red carpet.

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<v Speaker 1>They hate the idea of fashion, they hate the idea

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<v Speaker 1>of putting themselves on display. And I am not unsympathetic

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<v Speaker 1>to that perspective, but I really hate the idea of

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<v Speaker 1>stepping out in a frickin rubber mask because you don't

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<v Speaker 1>like being photographed. Like, suck it up, Just suck it up.

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<v Speaker 1>You don't have to wear tour or whatever. You pose

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<v Speaker 1>for five pictures and walk off. But I think it

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<v Speaker 1>depends on Mary in a Halloween costume is a no.

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<v Speaker 2>I agree, And I think it depends on the person

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<v Speaker 2>and how they feel on the red carpet. I'll give

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<v Speaker 2>you an example of mars Ree. You could tell that

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<v Speaker 2>she was loving all those gigantic coats on her because

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<v Speaker 2>it's a.

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<v Speaker 1>Weird, dumpy Yeah, it's coffee.

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<v Speaker 2>You don't have to worry about anything.

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<v Speaker 1>Not wearing shape wear. She probably didn't shave her let.

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<v Speaker 2>You're completely covered up.

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<v Speaker 1>And I fully I am not standing here saying. You know,

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<v Speaker 1>everyone needs a manny petty. You know everyone has to

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<v Speaker 1>be tanned and moisture and now cover yourselves up. That's

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<v Speaker 1>the beauty of fashion. Fashion is not just about exposing

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<v Speaker 1>the body. It's about, you know, obscuring the body, if

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<v Speaker 1>that's what you want. Fashion isn't just about standing out.

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<v Speaker 1>Sometimes it's about receding in a way that is eleg

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<v Speaker 1>and the strain.

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<v Speaker 2>Yeah, but people do like look at the kardash and

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<v Speaker 2>they're like, all right, I can't show I can't show

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<v Speaker 2>my real nipple, so I'm gonna show a plastic one.

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<v Speaker 1>Yeah, fake nipple. Anyway, that was my one takeaway from

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<v Speaker 1>the Macala was like, oh shit, they're gonna start wearing

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<v Speaker 1>this shit on regular red carpet. Not that I think honestly,

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<v Speaker 1>if only Heidi had showed up like that, I would

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<v Speaker 1>have rolled my eyes and said, yeah, this is what

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<v Speaker 1>we said in the in the post about her, which

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<v Speaker 1>was this this isn't a Halloween party. But when bad

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<v Speaker 1>money shows up, I'm like, oh no, you were opening

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<v Speaker 1>the door. You are a trendsetter. Heidi Klum is not

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<v Speaker 1>a trends I.

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<v Speaker 2>Think it's people again watering down a great idea. I

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<v Speaker 2>go back to the Barbie movies. That was clever because

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<v Speaker 2>he was like, all right, let's pay homage to old barbiees,

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<v Speaker 2>giving a new giving a twist, you know, giving every

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<v Speaker 2>look a twist. That's what he did. He Andrew Komo, Yeah,

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<v Speaker 2>that's what he did. I mean, every look wasn't exactly

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<v Speaker 2>what the dog looked like, but it was some sort

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<v Speaker 2>of like you know, interpretation of it. So that was clever.

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<v Speaker 2>But then we're just like, now we're just going with

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<v Speaker 2>you know, you know, with tennis both.

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<v Speaker 1>Yeah, I hate it anyway, that's my little rant. Yeah,

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<v Speaker 1>why don't we move on to your little rant about

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<v Speaker 1>costume design or do you want to No, No, let's

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<v Speaker 1>talk about costume design.

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<v Speaker 2>And I thought I thought it was interesting. I mean,

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<v Speaker 2>it's it's very common that people watch TV, especially the

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<v Speaker 2>young generation. They watch shows and they love monsters. The

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<v Speaker 2>youngsters on TikTok and social media, they they love to

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<v Speaker 2>watch what the you know, the characters are wearing, and

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<v Speaker 2>they're going they go after the items, they want to

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<v Speaker 2>buy the items, and they complain that the items are

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<v Speaker 2>too expensive, blah blah blah. So the latest conversation was

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<v Speaker 2>about Aria, which is a horrible season by the way, terrible,

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<v Speaker 2>terrible season anyway, So what they're they were complaining that

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<v Speaker 2>Jacob or LORDI, the character Nate Jacobs, has been wearing

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<v Speaker 2>nothing but but tiga Veneda, very expensive items and it

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<v Speaker 2>doesn't go with the character. So they were all there

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<v Speaker 2>was like a huge backlash against it because he was

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<v Speaker 2>wearing this plaid fannel flannel and the shirt is like

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<v Speaker 2>six dollars, So which is.

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<v Speaker 1>This is something that's been going on for a while

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<v Speaker 1>in costume design.

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<v Speaker 2>Go ahead.

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<v Speaker 1>I just want to note that this was also an

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<v Speaker 1>issue in the last season of The Bear when they

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<v Speaker 1>were working in that kitchen wearing like Louis Vuitton jackets

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<v Speaker 1>and Montclair and stuff like that.

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<v Speaker 2>And her uniform was Tom Brown.

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<v Speaker 1>Yeah, And I mean, I don't want to jump in

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<v Speaker 1>this is your rant, but this is a thing that's

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<v Speaker 1>been happening with costume design for a while, and you

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<v Speaker 1>see it in Like, You saw it in Like and

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<v Speaker 1>just like that, where when you go back to Sex

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<v Speaker 1>and the City, when Pat Fields was doing that that series,

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<v Speaker 1>she was pulling from vintage shops and boutiques. The items

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<v Speaker 1>were high label items, but she did not have a

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<v Speaker 1>rolodex of contacts at all of the cature house, so

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<v Speaker 1>she had to go out and shop for that stuff.

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<v Speaker 1>And subsequently, those characters wardrobes had real personality. They felt

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<v Speaker 1>like real New York stylish New Yorkers, New Yorkers with

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<v Speaker 1>a lot of money. And then you come to and

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<v Speaker 1>just like that, where Pet Fields was not involved. Pet Field.

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<v Speaker 1>People always put anss on the end of her it

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<v Speaker 1>is Field, I think anyway, she was not involved. And

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<v Speaker 1>in the years since the show, the franchise had become

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<v Speaker 1>this like fantasy fashion franchise, which is not what it

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<v Speaker 1>was back in the day. And subsequently, all the characters

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<v Speaker 1>in and just like that were tottering around in high

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<v Speaker 1>heels on New York City sidewalks, six thousand dollars shoes,

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<v Speaker 1>ten thousand dollars bags. The outfit, every outfit was you

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<v Speaker 1>could have bought a house with it, and there was

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<v Speaker 1>nothing realistic about it. And these are wealthy New Yorkers

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<v Speaker 1>and even those characters, those people are not walking around

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<v Speaker 1>in on the street with a cup of coffee in

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<v Speaker 1>ten thousand dollars shoes exactly. That's the kind of stupidity

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<v Speaker 1>that I don't like.

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<v Speaker 2>I'm sorry so because if is a show for the

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<v Speaker 2>young generation that I see again, they were very outspoken,

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<v Speaker 2>very loud on on TikTok and everywhere, talking about how

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<v Speaker 2>ridiculous that is that a character like you know, Nate

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<v Speaker 2>Jacobs is wearing a six thousand dollar shirt. So bad.

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<v Speaker 2>Excuse me that the custom designer Natasha Newman Thomas for

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<v Speaker 2>the show came out with a statement. She gave an

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<v Speaker 2>interview and everything that she said, you know, HBO had

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<v Speaker 2>a very tight budget. We're very happy that. But take

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<v Speaker 2>up and Aida you know, came and help us with

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<v Speaker 2>the you know, gave us you know, support, blah blah blah.

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<v Speaker 2>But it doesn't go with a character. And then she

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<v Speaker 2>tried to defend the character, say, well, the character is

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<v Speaker 2>trying very hard to look a certain way because he

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<v Speaker 2>has all these investors and he wants to look like

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<v Speaker 2>you know, he's wearing expensive clothes. But he's in I

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<v Speaker 2>forget office someplace in his house wearing just a basic

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<v Speaker 2>plaid flannel. You know, It's not like he's wearing a

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<v Speaker 2>suit to go to a meeting or something. So they

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<v Speaker 2>all complained about it. They said, it's ridiculous. But the

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<v Speaker 2>whole the thing with the whole show is that the

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<v Speaker 2>show this isn't really bad. And the feeling that I

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<v Speaker 2>get is that nobody wanted to go back, Zendy Jacob

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<v Speaker 2>I mean, they all have incredible careers now, they didn't

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<v Speaker 2>want to go back. I think they were forced to

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<v Speaker 2>go back. And I think Jacob El already pretty much said, fine,

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<v Speaker 2>I'll go back, but I'm gonna wear but Tikavania, you know.

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<v Speaker 2>And that's what he's doing and which is so against

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<v Speaker 2>everything that we talk about when he comes to costume design.

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<v Speaker 2>You know, we interview custom designers and they talk about

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<v Speaker 2>the process of creating these looks and how much, you know,

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<v Speaker 2>all the research they do, everything they do to to

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<v Speaker 2>come up with those costumes, when in this case, you

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<v Speaker 2>just go to the store and you pick what.

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<v Speaker 1>You're not even going to the story. You're just you're

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<v Speaker 1>calling up a design house and saying send pieces. Oh,

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<v Speaker 1>and we'll just say exactly, and this is not costume design,

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<v Speaker 1>this is you're servant. You're a stylist. At that point.

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<v Speaker 1>The difference between being a stylist and being a costume

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<v Speaker 1>designer is that a stylist is there to project an

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<v Speaker 1>image on a client, whereas a costume designer is there

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<v Speaker 1>to build a character right exactly and to make sure

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<v Speaker 1>that all the choices that they are making for that

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<v Speaker 1>character makes sense for that character and tell you something

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<v Speaker 1>about that character. Just calling up Botega Vanetta and saying

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<v Speaker 1>send over some shirts, you're not doing that. And that

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<v Speaker 1>is and the reason I brought up in just like

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<v Speaker 1>that is because this has been a trend in costume

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<v Speaker 1>design for years now. You can go back to like

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<v Speaker 1>crazy rich Asians. Because I was doing research on the

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<v Speaker 1>costumes in that film for something I was working on,

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<v Speaker 1>and the costume designer said, we just had you know

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<v Speaker 1>once once everything was set in place, that it was

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<v Speaker 1>you know that we were making this film based on

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<v Speaker 1>this book. They just all called her, all of the

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<v Speaker 1>fashion houses called her, and she just had to pick dresses.

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<v Speaker 1>That's all she had to do. And at least in

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<v Speaker 1>that instance, those people do there for that they were

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<v Speaker 1>like the one percent they do wear those clothes. I agree,

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<v Speaker 1>but I use that as an example of I think

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<v Speaker 1>that opened up a floodgate of like, let's just let's

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<v Speaker 1>just call up design houses and have them even Devil

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<v Speaker 1>Wear's product too. For the most part, because I did

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<v Speaker 1>think when we were covering the shoots and everything, I

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<v Speaker 1>did think, I'm like, oh my god, they're all going

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<v Speaker 1>to be in clown clothes. They're going to look ridiculous.

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<v Speaker 1>And for the most part, they didn't look ridiculous. But

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<v Speaker 1>I could tell that Andy was wearing some very expensive

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<v Speaker 1>items and supposedly that's not who she is, right, And

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<v Speaker 1>I don't mean the stuff that she was pulling from

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<v Speaker 1>the closet. I mean like she was showing up on

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<v Speaker 1>her first day at Runway in what was a very

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<v Speaker 1>expensive at.

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<v Speaker 2>Her excuse was that she was going to Vinture store

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<v Speaker 2>and whatever and buying those items. That's yeah, such bullshit.

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<v Speaker 1>That is such bullshit. It's lazy costumes.

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<v Speaker 2>People have had the same complete with Blake Lively in

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<v Speaker 2>her movie that she was wearing Chanel bags or whatever,

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00:16:09.000 --> 00:16:10.679
<v Speaker 2>you know, Louis Vuittone bags or whatever, when.

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<v Speaker 1>Her character was not wealthy, no owns a shop. That's

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<v Speaker 1>I hate that. It's not character work, it's not costume design.

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<v Speaker 1>It's just lazy styling. Yeah, all right, are we done

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<v Speaker 1>with that anyway?

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<v Speaker 2>I just think it's an interesting conversation. I wonder what

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<v Speaker 2>you guys think. Do you care if they're wearing those items?

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<v Speaker 2>Do you think you know it's at all? I mean,

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<v Speaker 2>I guess you should love fashion. You see these items

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<v Speaker 2>right away when you watch a movie you know, or

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<v Speaker 2>a TV show, you recognize those items. Does it bother you?

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<v Speaker 2>Do you care? Anyway?

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<v Speaker 1>All right, let's take a sharp break and we'll be

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<v Speaker 1>back to talk. About more things that have piste us

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<v Speaker 1>off this week. We'll be right back. We're back, and

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<v Speaker 1>Lorenzo has a whole bunch of TikTok stuff about Billie Eilish,

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<v Speaker 1>and I gotta say he started telling me about it.

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<v Speaker 1>I'm like, I don't, I don't understand. What the We'll

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<v Speaker 1>just save it for the mic, So go Lorenzo.

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<v Speaker 2>Billy Eilish, bless her heart. She has good intentions and

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<v Speaker 2>and she but she always makes those statements that people

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<v Speaker 2>are always talking about it. And you know, like when

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<v Speaker 2>she said that you all look like me, you know,

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<v Speaker 2>and or she talked about the billionaires, why don't you

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<v Speaker 2>give you money to everybody? You know? Or the illegal

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<v Speaker 2>immigrants you know, talking about that, you know, you know,

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<v Speaker 2>that's not your land.

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<v Speaker 1>That's little, all these things. You're just talking and you

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<v Speaker 1>look like me.

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<v Speaker 2>You look like me. It's when she was on stage

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<v Speaker 2>in Ireland and she said that she looked at the

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00:17:34.160 --> 00:17:36.079
<v Speaker 2>crowd and she said, wow, you all look like me.

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<v Speaker 2>And there was a huge backlash against that because people were.

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<v Speaker 1>Like, all right, they thought it was racist. Talked I

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<v Speaker 1>thought it was racist.

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<v Speaker 2>We talked about that one the I know, some of

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<v Speaker 2>the other ones The other one is she was at

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<v Speaker 2>the ws the Washington what is it, the w s

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<v Speaker 2>J magazine, Wester Journay, Thank your magazine, Uh Innovator Awards,

347
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<v Speaker 2>and she said, you know, she looked at the crowd

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<v Speaker 2>and she said, oh, you were a bunch of billionaires.

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<v Speaker 2>Why are you a billionaire? Give your money away? And

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<v Speaker 2>they all again backlash, You are a millionaire yourself, so

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<v Speaker 2>why aren't you giving you money away? As well? I'm

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<v Speaker 2>just repeating what people were saying.

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<v Speaker 1>Then I think that's bullshit.

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<v Speaker 2>Yeah.

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<v Speaker 1>I thought the Ireland thing was bullshit too, but okay,

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<v Speaker 1>go ahead.

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<v Speaker 2>The other thing was the Grammy Awards two tenty twenty six.

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<v Speaker 2>She said no one is illegal on stolen land f

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<v Speaker 2>ice and then against again. The backlash was like, well,

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<v Speaker 2>you live in a mansion. Why don't you give you

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<v Speaker 2>a mention to the immigrants?

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<v Speaker 1>These are all very I know. I'm sorry. I don't

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<v Speaker 1>agree with any of these.

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<v Speaker 2>I agree, but they just go after those statements and

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<v Speaker 2>I see where she's going with this. Well, let me

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<v Speaker 2>go to the glass. That's pretty much it. And then

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<v Speaker 2>the last one lately, because she's promoting her documentary, is

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<v Speaker 2>that she said she was asked about because she is

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<v Speaker 2>vegan and she's been vegan for a long time, since

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<v Speaker 2>she was a little girl. And then she said something

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<v Speaker 2>about you cannot love animals if you eat meat at

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<v Speaker 2>the same time, something like that, and that one has

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<v Speaker 2>really exploded. All that one is because you can't talk

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<v Speaker 2>about meat without having a huge discussion about it. So anyway,

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<v Speaker 2>and then she wasn't finished. She went to her Instagram

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<v Speaker 2>account and she kept saying, you know, you know, stay

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<v Speaker 2>fucking mad at me. I don't give a fuck, and

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<v Speaker 2>those are her words. And then that she wasn't done,

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<v Speaker 2>she started posting on her story all these horrible images

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<v Speaker 2>of animals and getting tortured and stuff like that. So anyway, so.

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<v Speaker 1>People I respond to number one, I think, oh, people

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<v Speaker 1>are made of Billie Eilish. I'm like, oh, it's a

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00:19:46.920 --> 00:19:49.720
<v Speaker 1>day that ends in wide. A female pop star is

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<v Speaker 1>getting backlash, like true, and she's an outspoken female pop star,

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00:19:53.839 --> 00:19:58.319
<v Speaker 1>so anything she says is going to get backlash. That's

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<v Speaker 1>number one. Number one too. I do think the animal

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<v Speaker 1>thing is inflammatory as hell. I mean, you can't go

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<v Speaker 1>around it's one thing to advocate for veganism or vegetarianism

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<v Speaker 1>or to talk about the cruelty of the meat industry.

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00:20:14.640 --> 00:20:17.160
<v Speaker 1>But you if you go around saying you can't claim

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<v Speaker 1>to love animals like ooh girl, no, no, that doesn't fly.

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<v Speaker 1>I eat burgers and I love my cats, and there's

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<v Speaker 1>no I don't have any sort of problem with I.

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00:20:26.839 --> 00:20:30.680
<v Speaker 2>Don't eat meat. I understand what she's saying. I understand,

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<v Speaker 2>and it is a very touchy subject, even when I

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00:20:35.440 --> 00:20:38.599
<v Speaker 2>talk to my family or my brother loves meat and he.

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00:20:38.559 --> 00:20:40.559
<v Speaker 1>Looked at me like he's crazy.

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00:20:40.880 --> 00:20:44.440
<v Speaker 2>We were we were in the Netherlands and he was

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00:20:44.480 --> 00:20:46.200
<v Speaker 2>preparing dinner and I said I don't eat meat, and

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00:20:46.240 --> 00:20:48.119
<v Speaker 2>he looked at me like, no, no meat at all.

401
00:20:48.200 --> 00:20:52.559
<v Speaker 2>You should want that anyway. So I tend to avoid

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00:20:52.599 --> 00:20:56.640
<v Speaker 2>these discussions because they're they're heated, and I understand why.

403
00:20:57.519 --> 00:20:59.720
<v Speaker 2>And the point people were making very mad at her

404
00:20:59.880 --> 00:21:02.319
<v Speaker 2>is that not everyone has the money to be vegan

405
00:21:02.400 --> 00:21:05.599
<v Speaker 2>or vegetarian. It's very expensive to buy food, you know,

406
00:21:05.680 --> 00:21:08.480
<v Speaker 2>vegetarian food or vegan food. That's what people were saying.

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00:21:08.519 --> 00:21:11.160
<v Speaker 2>I'm repeating what people were saying. They were also saying

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00:21:11.200 --> 00:21:13.799
<v Speaker 2>that you should go after the animal farming industry, not

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<v Speaker 2>people who actually eat meat. And also the cultural part

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00:21:17.680 --> 00:21:19.960
<v Speaker 2>of it. That there there are many many countries, many

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<v Speaker 2>many places where people eat a lot of meat. It's

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<v Speaker 2>part of their culture.

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<v Speaker 1>Now I agree with that. I mean it was a

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<v Speaker 1>very anytime you have these discussions, they almost always come

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00:21:30.960 --> 00:21:35.559
<v Speaker 1>from a place of privilege. To deny yourself, you know, meat,

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00:21:35.599 --> 00:21:40.400
<v Speaker 1>to have a meat free diet. Pardon me. It's indicative

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00:21:40.400 --> 00:21:42.039
<v Speaker 1>of privilege for most people.

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<v Speaker 2>Right, And I just want to make one more point

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<v Speaker 2>before you make your argument. People were also saying, which

420
00:21:47.799 --> 00:21:49.720
<v Speaker 2>is true. I went and checked that she has to

421
00:21:49.720 --> 00:21:53.319
<v Speaker 2>deal with cosmetic companies that test on animals. Yeah, I

422
00:21:53.359 --> 00:21:56.279
<v Speaker 2>mean that's I mean, it's out there. I mean I.

423
00:21:56.160 --> 00:21:59.720
<v Speaker 1>Didn't think cosmetics companies did that much testing on animals.

424
00:21:59.400 --> 00:22:01.279
<v Speaker 2>And do what are you talking about this?

425
00:22:01.480 --> 00:22:02.880
<v Speaker 1>I do think got rid of most of them.

426
00:22:02.880 --> 00:22:05.279
<v Speaker 2>I don't think so anyway. So that's what they were saying,

427
00:22:05.559 --> 00:22:07.680
<v Speaker 2>that she's a hypocrite, that she has a lot of money,

428
00:22:07.680 --> 00:22:10.359
<v Speaker 2>and that she throws these things out there, uh, to

429
00:22:10.480 --> 00:22:13.319
<v Speaker 2>create this kind of backlash and then you know it

430
00:22:13.440 --> 00:22:14.839
<v Speaker 2>doesn't have much to back it up.

431
00:22:14.880 --> 00:22:19.519
<v Speaker 1>Okay, what I hate about this is that it, uh,

432
00:22:19.559 --> 00:22:23.279
<v Speaker 1>it's just the same old celebrity should not speak up, right,

433
00:22:23.319 --> 00:22:25.920
<v Speaker 1>and they should just count their money. And I don't

434
00:22:25.920 --> 00:22:29.160
<v Speaker 1>believe that. I don't believe that. She has always been

435
00:22:29.200 --> 00:22:32.079
<v Speaker 1>an artist who has convictions about certain things, and she's

436
00:22:32.119 --> 00:22:35.519
<v Speaker 1>always been outspoken about certain things. And the idea that, oh,

437
00:22:35.519 --> 00:22:38.000
<v Speaker 1>you're a millionaire, you shouldn't talk about veganism, well, that's

438
00:22:38.039 --> 00:22:41.759
<v Speaker 1>just bullshit. That's stupid. And the other thing is, uh,

439
00:22:42.000 --> 00:22:45.759
<v Speaker 1>I really dislike the idea, like you can't listen. The

440
00:22:45.759 --> 00:22:48.440
<v Speaker 1>whole thing about you know, being on stolen land and

441
00:22:48.480 --> 00:22:52.920
<v Speaker 1>everything is it's so easy to turn that against someone

442
00:22:53.119 --> 00:22:56.680
<v Speaker 1>who makes those comments, you know, land acknowledgments and that

443
00:22:56.720 --> 00:22:59.839
<v Speaker 1>sort of thing. It's so easy to paint people who

444
00:22:59.839 --> 00:23:02.200
<v Speaker 1>may those sort of comments as just out of touch

445
00:23:02.359 --> 00:23:06.039
<v Speaker 1>liberals or whatever. But there's nothing wrong with pointing out,

446
00:23:06.440 --> 00:23:12.119
<v Speaker 1>you know, the colonialist history of America. And the idea

447
00:23:12.160 --> 00:23:14.720
<v Speaker 1>that she shouldn't because she lives in a mansion. That's

448
00:23:14.839 --> 00:23:16.920
<v Speaker 1>that when people say you shouldn't talk about that because

449
00:23:16.920 --> 00:23:18.880
<v Speaker 1>you live, well, that's bullshit. That has nothing to her.

450
00:23:19.000 --> 00:23:21.480
<v Speaker 1>Living in a mansion does not have anything to do

451
00:23:21.599 --> 00:23:24.799
<v Speaker 1>with us stealing land from indigenous people. That's not the

452
00:23:24.880 --> 00:23:28.119
<v Speaker 1>same thing, right, And it's fine for her or anybody

453
00:23:28.160 --> 00:23:31.319
<v Speaker 1>else to talk about it. It's like that cartoon that

454
00:23:31.319 --> 00:23:33.319
<v Speaker 1>you see on social media all the time where it's

455
00:23:33.640 --> 00:23:36.680
<v Speaker 1>it's like a peasant saying we should, you know, improve

456
00:23:36.720 --> 00:23:39.680
<v Speaker 1>society someone and then the person is like, curious, you

457
00:23:39.680 --> 00:23:43.279
<v Speaker 1>you're but you're part of society, you can't you know.

458
00:23:44.680 --> 00:23:47.559
<v Speaker 1>I guess this goes back to certain things like when

459
00:23:47.599 --> 00:23:53.359
<v Speaker 1>we when we spoke out against Dulchankabana for for all

460
00:23:53.359 --> 00:23:55.880
<v Speaker 1>the racism that was in their work, or when we

461
00:23:55.920 --> 00:24:00.880
<v Speaker 1>spoke when we spoke out we wouldn't for Johnny Depp

462
00:24:01.079 --> 00:24:04.519
<v Speaker 1>because you know, his divorce case got so ugly and everything,

463
00:24:06.680 --> 00:24:08.559
<v Speaker 1>and we made statements to that effect, we're not going

464
00:24:08.640 --> 00:24:10.319
<v Speaker 1>to cover this, you know, blah blah blah. We're standing

465
00:24:10.319 --> 00:24:13.039
<v Speaker 1>on principles, and then we were attacked for the routinely

466
00:24:13.160 --> 00:24:17.119
<v Speaker 1>to this day. Oh you people will just pick something

467
00:24:17.599 --> 00:24:19.759
<v Speaker 1>and say, oh, you spoke out against this, but you

468
00:24:19.799 --> 00:24:23.720
<v Speaker 1>won't speak out against I remember that a bunch of

469
00:24:23.759 --> 00:24:27.920
<v Speaker 1>people went to Dubai for some event and we made

470
00:24:27.920 --> 00:24:32.640
<v Speaker 1>some comment about, you know, the human rights abuses against

471
00:24:33.079 --> 00:24:36.680
<v Speaker 1>LGBTQ people in you know, the UAE, and we got

472
00:24:36.680 --> 00:24:38.279
<v Speaker 1>a bunch of comments about, well, I guess you don't

473
00:24:38.279 --> 00:24:40.599
<v Speaker 1>care about how they treat women. So it's one of

474
00:24:40.599 --> 00:24:44.079
<v Speaker 1>those things where if you speak out against something, someone

475
00:24:44.200 --> 00:24:47.519
<v Speaker 1>will eventually well immediately say, well, why aren't you speaking

476
00:24:47.519 --> 00:24:48.759
<v Speaker 1>out against everything?

477
00:24:49.039 --> 00:24:52.200
<v Speaker 2>Yeah, my experience, go ahead, My experience would no, no,

478
00:24:52.200 --> 00:24:55.799
<v Speaker 2>go go. My experience would Celebrities in general saying anything

479
00:24:56.000 --> 00:24:58.440
<v Speaker 2>is that it's fine when you agree with them, it's

480
00:24:58.440 --> 00:25:01.240
<v Speaker 2>not okay when you don't agree with him. Uh. In general,

481
00:25:01.279 --> 00:25:03.279
<v Speaker 2>that's how people, wow, the public reacts.

482
00:25:03.519 --> 00:25:07.480
<v Speaker 1>Listen, if some celebrity wants to make some maga conservative commentary,

483
00:25:07.559 --> 00:25:09.920
<v Speaker 1>that's not the right to do it. I don't think

484
00:25:09.960 --> 00:25:11.160
<v Speaker 1>they shouldn't do That's.

485
00:25:11.079 --> 00:25:13.119
<v Speaker 2>Where I'm getting it. Like, you know, we can't be

486
00:25:13.200 --> 00:25:16.000
<v Speaker 2>mad when people support Trump or or anything and then

487
00:25:16.079 --> 00:25:19.559
<v Speaker 2>talk about all these things horrible things, you know, and then.

488
00:25:19.440 --> 00:25:20.519
<v Speaker 1>At I can be mad at them.

489
00:25:20.559 --> 00:25:22.279
<v Speaker 2>I can be mad at them, but my point is

490
00:25:22.319 --> 00:25:24.799
<v Speaker 2>that they have the right the right to say it.

491
00:25:24.799 --> 00:25:26.599
<v Speaker 2>That's my point. They have the right to say that

492
00:25:26.880 --> 00:25:30.200
<v Speaker 2>these horrible things in my opinion. Yeah, and then you know,

493
00:25:30.319 --> 00:25:32.480
<v Speaker 2>she means the only problem that I have here a

494
00:25:32.559 --> 00:25:35.039
<v Speaker 2>little bit is that she throws the line and that's it.

495
00:25:35.279 --> 00:25:38.039
<v Speaker 1>She's young and she's young. Yeah, yeah, I'm not saying

496
00:25:38.079 --> 00:25:41.519
<v Speaker 1>she's some yeah that she's well considered or anything. I

497
00:25:41.519 --> 00:25:44.519
<v Speaker 1>think she's an artist. I don't think as a spokesperson

498
00:25:44.599 --> 00:25:47.440
<v Speaker 1>she's the first person I would turn to. But she's young,

499
00:25:47.759 --> 00:25:50.759
<v Speaker 1>she's outspoken, and as far as I'm concerned, I think

500
00:25:50.759 --> 00:25:52.599
<v Speaker 1>her politics are largely in the right place. The other

501
00:25:52.599 --> 00:25:55.400
<v Speaker 1>thing I wanted to point out was the her calling

502
00:25:55.400 --> 00:25:57.759
<v Speaker 1>out billionaires and people saying, well, why are you doing that?

503
00:25:57.799 --> 00:26:01.319
<v Speaker 1>You're a millionaire and people, the difference between a million

504
00:26:01.359 --> 00:26:06.559
<v Speaker 1>dollars and a billion dollars is just almost unfathomable, and

505
00:26:06.599 --> 00:26:11.279
<v Speaker 1>the power that billionaires hold is not even comparable to

506
00:26:11.319 --> 00:26:14.000
<v Speaker 1>what your average millionaire pop star holds. Like, I don't

507
00:26:14.000 --> 00:26:18.279
<v Speaker 1>even know in twenty twenty six, with Elon Musk out

508
00:26:18.319 --> 00:26:20.839
<v Speaker 1>in the world, Jeff Bezos out in the world, how

509
00:26:20.839 --> 00:26:24.160
<v Speaker 1>you could possibly think that they are comparable to Billy

510
00:26:24.200 --> 00:26:25.240
<v Speaker 1>Freakin Eilish right.

511
00:26:25.799 --> 00:26:28.759
<v Speaker 2>I agree, I totally agree. I just think that in

512
00:26:29.160 --> 00:26:32.960
<v Speaker 2>her case, specifically, she tends to just throw one line there,

513
00:26:33.359 --> 00:26:37.200
<v Speaker 2>you know, it's just one liners and then okay.

514
00:26:37.240 --> 00:26:40.640
<v Speaker 1>But I guess my hackles are up whenever some young

515
00:26:40.759 --> 00:26:45.000
<v Speaker 1>female star is suddenly getting slammed for having, you know,

516
00:26:45.599 --> 00:26:48.319
<v Speaker 1>saying something or saying the wrong thing or doing the

517
00:26:48.319 --> 00:26:51.119
<v Speaker 1>wrong thing. I just have a tendency that like, all right,

518
00:26:51.200 --> 00:26:53.640
<v Speaker 1>let's take a step back here. I don't think she's

519
00:26:53.839 --> 00:26:56.480
<v Speaker 1>anybody should be looking at her for their politics. Not really.

520
00:26:56.519 --> 00:26:58.359
<v Speaker 1>I don't think you should be looking to celebrities for

521
00:26:58.400 --> 00:27:00.680
<v Speaker 1>that sort of thing. But I do think they have

522
00:27:00.759 --> 00:27:03.200
<v Speaker 1>the right to talk about the world as they see it.

523
00:27:03.480 --> 00:27:05.200
<v Speaker 1>They are artists. That is their job.

524
00:27:05.319 --> 00:27:07.640
<v Speaker 2>I agree with all that, but you can't, Okay, I'm

525
00:27:07.640 --> 00:27:10.079
<v Speaker 2>gonna be brutal here. You can't phrase something like you

526
00:27:10.079 --> 00:27:11.039
<v Speaker 2>cannot love animals.

527
00:27:12.039 --> 00:27:15.079
<v Speaker 1>I agree. That to me is she shoots her mouth up.

528
00:27:15.240 --> 00:27:17.960
<v Speaker 1>That's stupid. It is stupid.

529
00:27:18.640 --> 00:27:21.160
<v Speaker 2>I see your point. I love animals, I don't eat meat.

530
00:27:21.279 --> 00:27:23.319
<v Speaker 2>I know where you're coming from, but that's not well.

531
00:27:23.319 --> 00:27:25.680
<v Speaker 1>It's sort of like the Ireland statement. I know exactly

532
00:27:25.720 --> 00:27:27.720
<v Speaker 1>where she was coming from. It was a stupid thing

533
00:27:27.720 --> 00:27:29.759
<v Speaker 1>for her to say on stage. But we talked about

534
00:27:29.799 --> 00:27:32.440
<v Speaker 1>this the last time. When we were in Dublin. I

535
00:27:32.480 --> 00:27:34.400
<v Speaker 1>turned to Lorenzo and said, I feel like I'm at

536
00:27:34.400 --> 00:27:36.720
<v Speaker 1>a family reunion. We're walking down the street and literally

537
00:27:36.759 --> 00:27:40.680
<v Speaker 1>everybody looks like me. But I'm not a publisher. She

538
00:27:40.720 --> 00:27:43.759
<v Speaker 1>didn't say that on stage. I didn't say it on stage, okay,

539
00:27:43.880 --> 00:27:46.680
<v Speaker 1>and I agree that's the difference. I know where she

540
00:27:46.920 --> 00:27:50.079
<v Speaker 1>was coming from that, but it was not smarter her

541
00:27:50.160 --> 00:27:50.480
<v Speaker 1>to say.

542
00:27:50.680 --> 00:27:52.480
<v Speaker 2>I just want to add one more thing. There's another

543
00:27:52.640 --> 00:27:54.880
<v Speaker 2>video of her talking about how much she she took

544
00:27:54.920 --> 00:27:57.680
<v Speaker 2>pr lessons or whatever, Yeah, and how much she hated

545
00:27:57.680 --> 00:27:58.920
<v Speaker 2>it and she stopped taking them.

546
00:27:59.200 --> 00:28:02.960
<v Speaker 1>Well, there you go, there you go, all right? Have

547
00:28:03.079 --> 00:28:05.119
<v Speaker 1>we yes? Yes, we're beat her up.

548
00:28:05.160 --> 00:28:05.279
<v Speaker 2>Now.

549
00:28:05.519 --> 00:28:09.160
<v Speaker 1>I'm glad that we took opposing sides on this, because yeah,

550
00:28:09.240 --> 00:28:11.240
<v Speaker 1>I didn't want us to do a hole this, this

551
00:28:11.440 --> 00:28:14.640
<v Speaker 1>young girly is wrong. Now I'm actually going to defender

552
00:28:14.799 --> 00:28:17.519
<v Speaker 1>she should say these things, and people need to back off.

553
00:28:17.680 --> 00:28:20.880
<v Speaker 1>Just be whatever. Who cares if she's a millionaire, she's

554
00:28:20.960 --> 00:28:23.240
<v Speaker 1>led to speak. Anyway, Why don't we take a break

555
00:28:23.240 --> 00:28:25.039
<v Speaker 1>and come back, and we have a few things to

556
00:28:25.039 --> 00:28:28.359
<v Speaker 1>say about the Camp Film Festival. We'll be right back.

557
00:28:30.640 --> 00:28:33.640
<v Speaker 1>We're back, and we might be ending this very quickly

558
00:28:33.680 --> 00:28:37.079
<v Speaker 1>because the freaking workmen next door have started banging.

559
00:28:37.960 --> 00:28:39.799
<v Speaker 2>Nightmare. Oh my god, I hate them so much, and

560
00:28:40.039 --> 00:28:42.759
<v Speaker 2>I'm sure some of you have experienced something similar, but

561
00:28:42.799 --> 00:28:44.079
<v Speaker 2>my god, I hate.

562
00:28:44.119 --> 00:28:47.240
<v Speaker 1>It's this massive building project that has been going on

563
00:28:47.359 --> 00:28:50.039
<v Speaker 1>for a year and a half. They are way behind

564
00:28:50.160 --> 00:28:53.160
<v Speaker 1>schedule and I don't even think they're not. I mean

565
00:28:53.200 --> 00:28:55.960
<v Speaker 1>it'll be another nine months probably. I hate them.

566
00:28:56.400 --> 00:28:59.480
<v Speaker 2>I'm so annoying anyway.

567
00:28:59.359 --> 00:29:04.759
<v Speaker 1>Can't film this. The cam Film Festival is underway. And

568
00:29:04.799 --> 00:29:07.680
<v Speaker 1>when you know, in our line of work, there is

569
00:29:07.720 --> 00:29:10.240
<v Speaker 1>a calendar that you look at in terms of when

570
00:29:10.759 --> 00:29:12.599
<v Speaker 1>when the red carpet's going to be heavy and when

571
00:29:12.599 --> 00:29:14.480
<v Speaker 1>it's going to be light, and you you know, we

572
00:29:14.559 --> 00:29:19.319
<v Speaker 1>have these discussions every single month, and every April we

573
00:29:19.359 --> 00:29:21.920
<v Speaker 1>always say the same thing. We've got the met Pala

574
00:29:22.000 --> 00:29:23.519
<v Speaker 1>in the beginning of the month, and then we'll have

575
00:29:23.559 --> 00:29:25.799
<v Speaker 1>the cam Film Festival. The CAM Film Festival used to

576
00:29:25.839 --> 00:29:30.759
<v Speaker 1>be later than May. But you go into these things

577
00:29:30.759 --> 00:29:33.039
<v Speaker 1>knowing when the major events are, when the vent Is

578
00:29:33.119 --> 00:29:35.799
<v Speaker 1>Film Festival is, when Toronto is, when all the awards

579
00:29:35.839 --> 00:29:38.880
<v Speaker 1>ceremonies are, when the big blockbusters are coming out.

580
00:29:38.839 --> 00:29:41.599
<v Speaker 2>And because of what we do, we get excited about

581
00:29:41.599 --> 00:29:44.200
<v Speaker 2>these things because we're going to have more more red card.

582
00:29:46.240 --> 00:29:51.079
<v Speaker 1>This means money, money, money for your uncles. And it

583
00:29:51.240 --> 00:29:54.440
<v Speaker 1>came out this this month that and there was an

584
00:29:54.519 --> 00:29:56.720
<v Speaker 1>article in The Hollywood Reporter this week that most of

585
00:29:56.759 --> 00:30:00.799
<v Speaker 1>the American studios are not coming to camp and there

586
00:30:00.839 --> 00:30:04.799
<v Speaker 1>will not be any major American releases that Can, which

587
00:30:04.839 --> 00:30:07.759
<v Speaker 1>means there won't be a lot of major American movie

588
00:30:07.799 --> 00:30:12.279
<v Speaker 1>stars at CAN and that frick I.

589
00:30:12.279 --> 00:30:14.960
<v Speaker 2>Don't understand that. What is the what is there the

590
00:30:15.000 --> 00:30:15.720
<v Speaker 2>reason behind it?

591
00:30:15.759 --> 00:30:18.480
<v Speaker 1>From what I read was that, well, first off, they

592
00:30:18.480 --> 00:30:21.759
<v Speaker 1>didn't like they talked about that last Indiana Jones movie,

593
00:30:21.759 --> 00:30:24.799
<v Speaker 1>which apparently got a lot of booze at CAN, and

594
00:30:25.799 --> 00:30:28.160
<v Speaker 1>I mean they boo movies all the time, and then

595
00:30:28.279 --> 00:30:31.640
<v Speaker 1>it did poorly. There were a couple other like big Blockbuster.

596
00:30:31.720 --> 00:30:34.640
<v Speaker 1>I think was it Mission Impossible or maybe it was

597
00:30:34.720 --> 00:30:41.640
<v Speaker 1>Top Gune one of those. Anyway, that these big amusement

598
00:30:41.680 --> 00:30:45.480
<v Speaker 1>park movies that American American studios do now are not

599
00:30:45.920 --> 00:30:49.839
<v Speaker 1>getting the kind of reception American studio executives would like

600
00:30:49.920 --> 00:30:53.240
<v Speaker 1>to get at the Can Film Festival, and so they

601
00:30:53.440 --> 00:30:56.079
<v Speaker 1>they think that, you know, well we should just skip it,

602
00:30:56.279 --> 00:31:00.079
<v Speaker 1>and you know whatever. It's not for me to say

603
00:31:00.119 --> 00:31:02.720
<v Speaker 1>whether that's the correct way. I mean, I'm not a

604
00:31:02.759 --> 00:31:03.960
<v Speaker 1>studio executive. I don't know.

605
00:31:04.000 --> 00:31:06.880
<v Speaker 2>I don't care about real movies anymore. I a real

606
00:31:06.960 --> 00:31:08.160
<v Speaker 2>discussion about movies.

607
00:31:08.279 --> 00:31:10.720
<v Speaker 1>I did think I don't know if this is related

608
00:31:10.880 --> 00:31:14.039
<v Speaker 1>or not, but I remember when the devilwaar Is productwo

609
00:31:14.279 --> 00:31:18.200
<v Speaker 1>thing was fully underway, and I said to you again,

610
00:31:18.279 --> 00:31:20.240
<v Speaker 1>because you always think of these things, I was like, Oh,

611
00:31:20.240 --> 00:31:22.200
<v Speaker 1>they'll be going to Paris next. I'm sure we'll be

612
00:31:22.240 --> 00:31:24.480
<v Speaker 1>covering them. And they didn't go to Paris. No, they

613
00:31:24.519 --> 00:31:26.880
<v Speaker 1>didn't go anywhere. Yeah, And they did a London one

614
00:31:26.960 --> 00:31:30.960
<v Speaker 1>and that was it. And they did Tokyo and Seoul

615
00:31:31.039 --> 00:31:35.799
<v Speaker 1>and Mexico City, and I think they did Berlin, but

616
00:31:35.920 --> 00:31:38.920
<v Speaker 1>most of those were just photocols. I was actually really surprised,

617
00:31:38.920 --> 00:31:41.559
<v Speaker 1>but about Paris, I was like, it's a fashion movie.

618
00:31:41.880 --> 00:31:44.279
<v Speaker 1>How are you not opening in Paris? But I am

619
00:31:44.400 --> 00:31:46.680
<v Speaker 1>starting to get the impression that a lot of these

620
00:31:46.720 --> 00:31:53.160
<v Speaker 1>international premieres and stuff are just not looking lucrative enough

621
00:31:53.279 --> 00:31:56.319
<v Speaker 1>or worth the I will say these massive ones, like

622
00:31:56.319 --> 00:31:58.960
<v Speaker 1>when they do the big London premieres, premieres in the

623
00:31:59.039 --> 00:32:02.680
<v Speaker 1>UK or massive, I'm always like, how much did that

624
00:32:02.759 --> 00:32:03.720
<v Speaker 1>cost to pull on?

625
00:32:03.880 --> 00:32:06.000
<v Speaker 2>What I have noticed lately, because I look for pictures

626
00:32:06.039 --> 00:32:09.240
<v Speaker 2>every day, is that they're doing more fan events.

627
00:32:08.839 --> 00:32:09.680
<v Speaker 1>Because that's easier.

628
00:32:09.839 --> 00:32:12.519
<v Speaker 2>Because it's easier, it's smaller. You know, everybody's gonna love

629
00:32:12.519 --> 00:32:16.960
<v Speaker 2>the movie there because they're fans and no celebrities.

630
00:32:17.319 --> 00:32:21.440
<v Speaker 1>No one's going to start yeah, yeah, yeah, and yeah,

631
00:32:21.519 --> 00:32:23.440
<v Speaker 1>you only need like two or three cast members to

632
00:32:23.480 --> 00:32:24.920
<v Speaker 1>show up to a fan event.

633
00:32:25.119 --> 00:32:27.400
<v Speaker 2>Or even sometimes they don't have anybody.

634
00:32:27.480 --> 00:32:31.200
<v Speaker 1>Yeah, So it's just interesting. And then the other thing

635
00:32:31.519 --> 00:32:35.680
<v Speaker 1>I just wanted to tie it to, uh, Colbert is

636
00:32:35.759 --> 00:32:40.640
<v Speaker 1>ending next week and the whole late night talk show

637
00:32:41.519 --> 00:32:43.480
<v Speaker 1>thing is up in the air as to how long

638
00:32:43.519 --> 00:32:45.759
<v Speaker 1>it's going to continue. I don't think they're all going

639
00:32:45.839 --> 00:32:49.599
<v Speaker 1>to get canceled anytime soon, but they are embattled. And again,

640
00:32:49.680 --> 00:32:53.720
<v Speaker 1>it's one of those things where that leaves a hole.

641
00:32:53.880 --> 00:32:57.240
<v Speaker 1>Colbert not existing actually leaves a hole in our coverage

642
00:32:57.319 --> 00:32:59.920
<v Speaker 1>because we probably cover at these three or four appearing

643
00:33:00.240 --> 00:33:02.599
<v Speaker 1>is a week on his show. It's not going to

644
00:33:02.640 --> 00:33:05.240
<v Speaker 1>be some sort of massive financial hit for us, but

645
00:33:05.359 --> 00:33:10.480
<v Speaker 1>it's just one of the many ways in which you know,

646
00:33:10.559 --> 00:33:13.359
<v Speaker 1>we kind of constantly have to shift our expectations or

647
00:33:13.359 --> 00:33:15.400
<v Speaker 1>what we're One of the major things that are being

648
00:33:15.440 --> 00:33:18.799
<v Speaker 1>talked about right now with celebrity promotion is the fact

649
00:33:18.880 --> 00:33:21.119
<v Speaker 1>that so many of them are going onto podcasts now,

650
00:33:21.480 --> 00:33:23.359
<v Speaker 1>but they're not going on to talk shows. And part

651
00:33:23.400 --> 00:33:25.480
<v Speaker 1>of the reason they're going onto podcasts is because they

652
00:33:25.519 --> 00:33:28.160
<v Speaker 1>don't well. Part of the reason these podcasts are becoming

653
00:33:28.160 --> 00:33:32.000
<v Speaker 1>so popular is because you don't need unions to pull

654
00:33:32.000 --> 00:33:33.720
<v Speaker 1>them off, so you don't like you would with a

655
00:33:33.759 --> 00:33:36.839
<v Speaker 1>television show. So now you can go out and promote

656
00:33:36.880 --> 00:33:38.519
<v Speaker 1>your work and you don't have to pay a union,

657
00:33:38.839 --> 00:33:40.640
<v Speaker 1>and you don't have to get dressed up, because who

658
00:33:40.680 --> 00:33:43.680
<v Speaker 1>gets dressed up for a podcast. That's the kind of

659
00:33:43.680 --> 00:33:47.359
<v Speaker 1>stuff that sucks for us because if you start removing

660
00:33:47.480 --> 00:33:52.680
<v Speaker 1>fashion or pulling away from it, I don't know how

661
00:33:52.880 --> 00:33:55.000
<v Speaker 1>much of that stuff we could possibly.

662
00:33:54.680 --> 00:33:56.759
<v Speaker 2>I don't think that's sustainable because I don't think it

663
00:33:56.799 --> 00:33:58.880
<v Speaker 2>is easy. I don't think so. Because the only reason

664
00:33:58.960 --> 00:34:01.960
<v Speaker 2>why we pay attention to things is when we see them,

665
00:34:02.119 --> 00:34:04.599
<v Speaker 2>actually visually see them in front of us. Right, you

666
00:34:04.680 --> 00:34:06.880
<v Speaker 2>have to see the actor all the time so that

667
00:34:06.960 --> 00:34:09.119
<v Speaker 2>you go like, oh, maybe I should see this movie. Yeah,

668
00:34:09.159 --> 00:34:10.599
<v Speaker 2>you know, that's what happens.

669
00:34:11.000 --> 00:34:14.719
<v Speaker 1>It has been the way Hollywood and even the theater

670
00:34:14.840 --> 00:34:18.039
<v Speaker 1>world and the music world has promoted itself for one

671
00:34:18.159 --> 00:34:22.239
<v Speaker 1>hundred and fifty years is that you get performers in

672
00:34:22.400 --> 00:34:28.119
<v Speaker 1>outfits in front of crowds to drum up excitement so

673
00:34:28.960 --> 00:34:30.920
<v Speaker 1>I don't have anything to say about this except it's

674
00:34:30.960 --> 00:34:34.440
<v Speaker 1>one of the many, many ships that we're constantly dealing

675
00:34:34.440 --> 00:34:37.000
<v Speaker 1>with in our line of work. And it's because the

676
00:34:37.039 --> 00:34:40.559
<v Speaker 1>industry itself, the fashion industry and the entertainment industry are

677
00:34:40.639 --> 00:34:43.719
<v Speaker 1>in so much flux at the moment that nobody understands

678
00:34:44.039 --> 00:34:48.480
<v Speaker 1>or knows what works and what doesn't. I think all

679
00:34:48.480 --> 00:34:51.280
<v Speaker 1>of the studios skipping Can is a huge mistake for

680
00:34:51.320 --> 00:34:52.880
<v Speaker 1>the studios. But what do I know?

681
00:34:54.320 --> 00:34:56.440
<v Speaker 2>I mean, why would you eliminate one of the places

682
00:34:56.440 --> 00:34:57.639
<v Speaker 2>where you're going to promote yourself.

683
00:34:57.679 --> 00:35:00.440
<v Speaker 1>I mean I don't understand why. I know it's already opened,

684
00:35:00.480 --> 00:35:03.159
<v Speaker 1>but why wouldn't you want the Double Wears product to

685
00:35:04.119 --> 00:35:09.119
<v Speaker 1>a big splashing moment? I can with that cast, I

686
00:35:09.199 --> 00:35:12.679
<v Speaker 1>still get it. I don't get it. Whatever, do you

687
00:35:12.679 --> 00:35:14.039
<v Speaker 1>have anything else you want to add to that?

688
00:35:14.039 --> 00:35:16.599
<v Speaker 2>That's it. That's it. It's just and again it's it's

689
00:35:16.679 --> 00:35:18.800
<v Speaker 2>I see that with the fashion industry and the movie

690
00:35:18.800 --> 00:35:22.039
<v Speaker 2>and lazy it's just like, oh, let's go with this

691
00:35:22.159 --> 00:35:24.480
<v Speaker 2>and it doesn't work, and then to go back to

692
00:35:24.519 --> 00:35:27.920
<v Speaker 2>the old fashion, you know, the old ways, and it's

693
00:35:27.960 --> 00:35:32.119
<v Speaker 2>just yeah, it's people, it's people with money making this

694
00:35:32.199 --> 00:35:32.880
<v Speaker 2>stupid decision.

695
00:35:33.159 --> 00:35:35.599
<v Speaker 1>It's people with money getting lazier and lazier, like we

696
00:35:35.639 --> 00:35:37.599
<v Speaker 1>shouldn't have to do this, we shouldn't have to put

697
00:35:37.599 --> 00:35:41.079
<v Speaker 1>the effort in, and you know, they take control whatever

698
00:35:41.199 --> 00:35:42.639
<v Speaker 1>is the cheapest, easiest route.

699
00:35:42.719 --> 00:35:46.039
<v Speaker 2>Yeah, it's like leadership, you know, one oh one. That's

700
00:35:46.079 --> 00:35:48.719
<v Speaker 2>the basics. I'm in charge. Now, let's change everything.

701
00:35:48.920 --> 00:35:51.079
<v Speaker 1>And this is a good segue into our next topic,

702
00:35:51.360 --> 00:35:55.519
<v Speaker 1>which also is related to CAN, which suddenly everyone that

703
00:35:55.599 --> 00:36:01.239
<v Speaker 1>CAN is talking about AI and apparently embracing it. To

704
00:36:01.320 --> 00:36:05.079
<v Speaker 1>me more. During the press conference for the jewelry came

705
00:36:05.159 --> 00:36:09.079
<v Speaker 1>out with these very pro AI kind of I mean

706
00:36:09.119 --> 00:36:13.079
<v Speaker 1>it set people off because again it's the way people

707
00:36:13.159 --> 00:36:16.320
<v Speaker 1>talk about AI that that because she talked about this

708
00:36:16.480 --> 00:36:18.760
<v Speaker 1>battle that we're not going to win and we have

709
00:36:18.800 --> 00:36:20.840
<v Speaker 1>to just succumb to it and everything. And that's the

710
00:36:20.920 --> 00:36:23.639
<v Speaker 1>kind of thing that makes people panic because you're not

711
00:36:23.760 --> 00:36:27.960
<v Speaker 1>talking about this this you know, this technology in a

712
00:36:27.960 --> 00:36:30.079
<v Speaker 1>way that's like this is how it's going to improve

713
00:36:30.079 --> 00:36:32.159
<v Speaker 1>your life, this is what it can do for you. No,

714
00:36:32.280 --> 00:36:34.639
<v Speaker 1>it's you have to succumb to this because it's coming

715
00:36:34.639 --> 00:36:37.679
<v Speaker 1>whether you want. And I have never heard a technology

716
00:36:37.719 --> 00:36:41.119
<v Speaker 1>spoken about in that way not the Internet, not social media,

717
00:36:41.239 --> 00:36:43.199
<v Speaker 1>not computers on art phones.

718
00:36:43.280 --> 00:36:45.519
<v Speaker 2>I was listening to someone talk about AI this morning

719
00:36:45.559 --> 00:36:49.679
<v Speaker 2>on NPR and I and he was right when he said,

720
00:36:49.719 --> 00:36:52.039
<v Speaker 2>we don't really understand the whole thing yet.

721
00:36:52.199 --> 00:36:53.199
<v Speaker 1>That's what's scary about it.

722
00:36:53.239 --> 00:36:55.760
<v Speaker 2>That's what's scary about it. We're embracing it. We're investing

723
00:36:55.800 --> 00:36:58.280
<v Speaker 2>all this money on something that we're not know.

724
00:36:58.639 --> 00:37:01.519
<v Speaker 1>It's everywhere. It's it's in your emails, it's in your

725
00:37:01.599 --> 00:37:03.400
<v Speaker 1>Google it's a listen.

726
00:37:03.400 --> 00:37:06.280
<v Speaker 2>I'm I'm on social media at the time, TikTok, Instagram,

727
00:37:06.519 --> 00:37:10.000
<v Speaker 2>and I have the hardest time trying to figure out, Okay,

728
00:37:10.079 --> 00:37:13.599
<v Speaker 2>is this real or fake? It's like a constant battle

729
00:37:13.679 --> 00:37:15.639
<v Speaker 2>now that you're like, all right, is this real that

730
00:37:16.440 --> 00:37:17.719
<v Speaker 2>you know? Is this a real picture?

731
00:37:18.800 --> 00:37:20.440
<v Speaker 1>And the only thing I want to say about this

732
00:37:20.519 --> 00:37:23.360
<v Speaker 1>is when then Peter Jackson came out yes, and he

733
00:37:23.440 --> 00:37:26.400
<v Speaker 1>was he made some very I've read his comments like

734
00:37:26.400 --> 00:37:27.960
<v Speaker 1>five times now and I'm like, Okay, this is a

735
00:37:28.000 --> 00:37:30.920
<v Speaker 1>very confusing point. And that's the thing. It's like, whenever

736
00:37:30.960 --> 00:37:34.679
<v Speaker 1>someone tries, especially in the creative community, tries to make

737
00:37:34.719 --> 00:37:37.559
<v Speaker 1>a pitch as to why we should accept AI, their

738
00:37:37.599 --> 00:37:40.440
<v Speaker 1>reasoning is always kind of muddled, and he made some

739
00:37:40.519 --> 00:37:44.079
<v Speaker 1>bullshit point about Andy serkis never getting an oscar for

740
00:37:44.159 --> 00:37:46.119
<v Speaker 1>playing Gollum, and I'm like, what does that have to

741
00:37:46.119 --> 00:37:50.239
<v Speaker 1>do with AI? That wasn't AI anyway. He made similar

742
00:37:50.320 --> 00:37:53.880
<v Speaker 1>comments about embracing AI, and he said something that is

743
00:37:54.000 --> 00:37:57.639
<v Speaker 1>very very illuminating to me, at least where he said it.

744
00:37:57.760 --> 00:38:00.679
<v Speaker 1>To me. It's just it's another special effect, that's all

745
00:38:00.719 --> 00:38:04.079
<v Speaker 1>it is. And if you look at it from that perspective, like, oh,

746
00:38:04.119 --> 00:38:06.960
<v Speaker 1>this is just another way to jazz up filmmaking, to

747
00:38:07.039 --> 00:38:11.239
<v Speaker 1>make things. Sure, that's but the problem that so many

748
00:38:11.360 --> 00:38:18.840
<v Speaker 1>people have with AI, especially when it's injected into creative endeavors,

749
00:38:18.880 --> 00:38:22.119
<v Speaker 1>is that it's putting people out of work, right, Like, Okay, yes,

750
00:38:22.199 --> 00:38:25.360
<v Speaker 1>it's a special effect that is putting your special effects

751
00:38:25.360 --> 00:38:28.719
<v Speaker 1>department out of work. And I know that's alarmist because

752
00:38:28.719 --> 00:38:31.280
<v Speaker 1>what's going to happen is a lot of special effects

753
00:38:31.360 --> 00:38:33.880
<v Speaker 1>artists are going to become AI special effects artists.

754
00:38:33.880 --> 00:38:36.400
<v Speaker 2>That's the same reason why we scan our items, we

755
00:38:36.440 --> 00:38:39.280
<v Speaker 2>beg our items when we go to every store because

756
00:38:39.280 --> 00:38:41.239
<v Speaker 2>they don't want to pay people, not because it makes

757
00:38:41.280 --> 00:38:45.360
<v Speaker 2>it more practical or easier for us. No, they're just eliminating.

758
00:38:45.519 --> 00:38:50.280
<v Speaker 1>They're eliminating jobs and pushing it onto right in the

759
00:38:50.320 --> 00:38:54.920
<v Speaker 1>case of creative use of AI, they're eliminating jobs. And

760
00:38:54.960 --> 00:38:57.280
<v Speaker 1>what they're putting out so far from what I have

761
00:38:57.360 --> 00:39:00.239
<v Speaker 1>seen about like AI videos and stuff like that. They're

762
00:39:00.280 --> 00:39:02.800
<v Speaker 1>putting out stuff that looks subpar to me. It does

763
00:39:02.840 --> 00:39:06.480
<v Speaker 1>not look as good as the best digital special effects

764
00:39:06.599 --> 00:39:09.159
<v Speaker 1>I have ever seen on film. It never does. The

765
00:39:09.199 --> 00:39:12.599
<v Speaker 1>people never look fully believable, the backgrounds don't work, the

766
00:39:12.719 --> 00:39:15.000
<v Speaker 1>voices sound weird so.

767
00:39:15.119 --> 00:39:15.800
<v Speaker 2>As of now.

768
00:39:16.239 --> 00:39:19.480
<v Speaker 1>But my point is, you're so pushing this thing on us,

769
00:39:19.519 --> 00:39:22.840
<v Speaker 1>and none of us can say why. The idol's and

770
00:39:22.920 --> 00:39:26.400
<v Speaker 1>the only reason the people with the power are pushing

771
00:39:26.440 --> 00:39:29.400
<v Speaker 1>this on us is because it's going to eliminate jobs,

772
00:39:29.480 --> 00:39:32.239
<v Speaker 1>because it's going to make things cheaper.

773
00:39:32.159 --> 00:39:33.519
<v Speaker 2>And they're going to make more money.

774
00:39:33.280 --> 00:39:36.320
<v Speaker 1>And people like to mean more. You see actors embracing

775
00:39:36.360 --> 00:39:39.760
<v Speaker 1>it now, Ben Affleck and Matt Damon Reese, Witherspoon to

776
00:39:39.800 --> 00:39:41.760
<v Speaker 1>me more all coming out and making these you know

777
00:39:41.800 --> 00:39:44.519
<v Speaker 1>why money because they're investing.

778
00:39:44.559 --> 00:39:47.360
<v Speaker 2>Because the all the names you mentioned are producers and

779
00:39:47.400 --> 00:39:49.400
<v Speaker 2>they create shoes and they have their own companies.

780
00:39:49.440 --> 00:39:53.400
<v Speaker 1>So they're cutting jobs. They're cutting jobs and making subpar products.

781
00:39:53.880 --> 00:39:56.480
<v Speaker 1>But I also want to say, the reason you're seeing

782
00:39:56.519 --> 00:40:00.920
<v Speaker 1>so many people I think in Hollywood make these comments

783
00:40:00.960 --> 00:40:04.639
<v Speaker 1>more and more is because they're scared and they know

784
00:40:04.800 --> 00:40:07.719
<v Speaker 1>that they can't I mean, they have to embrace that

785
00:40:07.800 --> 00:40:11.320
<v Speaker 1>otherwise you know the future's coming. And I think this

786
00:40:11.360 --> 00:40:13.039
<v Speaker 1>is what to me, Moore was trying to say. The

787
00:40:13.039 --> 00:40:15.079
<v Speaker 1>future is coming whether you want it or not. So

788
00:40:15.719 --> 00:40:18.199
<v Speaker 1>people need to figure out how to get on board

789
00:40:18.320 --> 00:40:18.920
<v Speaker 1>with something.

790
00:40:20.000 --> 00:40:21.639
<v Speaker 2>It's not going to go away. It's not going to

791
00:40:21.679 --> 00:40:26.199
<v Speaker 2>go maybe you will get reshaped or something, but but

792
00:40:26.239 --> 00:40:28.400
<v Speaker 2>it's not gonna go away. It's it's part of the future. Now.

793
00:40:28.440 --> 00:40:32.719
<v Speaker 1>I mean, I agree, and saying this is just acknowledging reality.

794
00:40:32.840 --> 00:40:35.880
<v Speaker 1>It's not. I am not advocating that we should embrace AI.

795
00:40:36.000 --> 00:40:38.280
<v Speaker 1>I don't use it in my search results, I don't

796
00:40:38.360 --> 00:40:42.639
<v Speaker 1>use it in my emails and my pledge to you

797
00:40:42.719 --> 00:40:45.599
<v Speaker 1>never never will we use it on the site. Nothing

798
00:40:45.599 --> 00:40:48.199
<v Speaker 1>on the site has ever been written by AI or

799
00:40:48.239 --> 00:40:54.840
<v Speaker 1>anything like that. But it is an inevitability. And I

800
00:40:54.880 --> 00:40:59.760
<v Speaker 1>do think sometimes when people I think the backlash against

801
00:40:59.800 --> 00:41:03.800
<v Speaker 1>it is sometimes as poorly informed as the people who

802
00:41:03.800 --> 00:41:06.119
<v Speaker 1>were advocating for it. And that's really all I wanted

803
00:41:06.119 --> 00:41:09.480
<v Speaker 1>to say is that it's coming for Hollywood. Hollywood is

804
00:41:09.519 --> 00:41:12.599
<v Speaker 1>going to embrace it, and honestly, it'll be up to

805
00:41:12.679 --> 00:41:14.920
<v Speaker 1>us as the consumers too. You know, if you see

806
00:41:14.960 --> 00:41:17.880
<v Speaker 1>some shitty Lord of the Rings movie that was done

807
00:41:17.880 --> 00:41:22.639
<v Speaker 1>with AI, don't buy a ticket, don't support this stuff.

808
00:41:22.719 --> 00:41:25.239
<v Speaker 1>That's the only way it's going to It's never going

809
00:41:25.320 --> 00:41:28.280
<v Speaker 1>to go away, but we can force it as consumers

810
00:41:28.280 --> 00:41:30.599
<v Speaker 1>to be used in a way that we want it

811
00:41:30.599 --> 00:41:32.480
<v Speaker 1>to be used, and not to have it forced on

812
00:41:32.599 --> 00:41:35.760
<v Speaker 1>us with shitty special effects and stuff like that. That's

813
00:41:35.800 --> 00:41:37.679
<v Speaker 1>the end of my rant. I'm sorry, No.

814
00:41:37.760 --> 00:41:41.480
<v Speaker 2>I totally agree with you. Yeah, I think you can

815
00:41:41.559 --> 00:41:43.760
<v Speaker 2>use all this stuff to help humans to do a

816
00:41:43.800 --> 00:41:46.079
<v Speaker 2>better job. But when you take the work of.

817
00:41:46.039 --> 00:41:49.760
<v Speaker 1>The human using it as a shortcut for human labor,

818
00:41:50.440 --> 00:41:54.119
<v Speaker 1>I mean, all technology provided shortcuts to human labor, but

819
00:41:54.960 --> 00:42:00.920
<v Speaker 1>the product has to be as good. It's sort of

820
00:42:01.480 --> 00:42:04.119
<v Speaker 1>a lot of people aren't going to like this, but

821
00:42:04.480 --> 00:42:07.199
<v Speaker 1>it's sort of like cake mixes. Cake mixes made it

822
00:42:07.199 --> 00:42:09.920
<v Speaker 1>so that everybody could bake a cake, but no cake

823
00:42:10.000 --> 00:42:12.000
<v Speaker 1>mix is as good as a cake from a bakery,

824
00:42:12.039 --> 00:42:13.880
<v Speaker 1>and you sort of have to make that, you know.

825
00:42:14.480 --> 00:42:16.800
<v Speaker 1>I'm not arguing against cake mixes, but I just want

826
00:42:16.840 --> 00:42:18.519
<v Speaker 1>to make sure that we still have access to really

827
00:42:18.519 --> 00:42:20.559
<v Speaker 1>good baked goods. I guess that's what I'm trying to say.

828
00:42:20.559 --> 00:42:22.880
<v Speaker 2>The same thing the typewriter. We don't have typewriters anymore.

829
00:42:22.960 --> 00:42:25.000
<v Speaker 2>We have you know, keyboards, but but you're.

830
00:42:25.320 --> 00:42:27.559
<v Speaker 1>It's still the writing long hand anymore.

831
00:42:28.440 --> 00:42:30.480
<v Speaker 2>But it's still your brain writing this stuff.

832
00:42:30.639 --> 00:42:33.360
<v Speaker 1>It's just what's scary about it is that the people

833
00:42:33.360 --> 00:42:36.199
<v Speaker 1>who are most invested in this literally in every sense

834
00:42:36.199 --> 00:42:38.880
<v Speaker 1>of the word, are the ones that are pushing it

835
00:42:38.960 --> 00:42:41.239
<v Speaker 1>the most, and they don't seem to care about the

836
00:42:41.239 --> 00:42:43.440
<v Speaker 1>effects that we'll have on the people who aren't going

837
00:42:43.480 --> 00:42:44.320
<v Speaker 1>to make money off of this.

838
00:42:44.480 --> 00:42:47.039
<v Speaker 2>It's always people trying to make more money. They don't care.

839
00:42:47.239 --> 00:42:49.320
<v Speaker 2>It's the same thing, I mean, the people will benefiting

840
00:42:49.360 --> 00:42:52.280
<v Speaker 2>from destroying the environment and all those things. You know,

841
00:42:52.320 --> 00:42:53.639
<v Speaker 2>they just want to make more money.

842
00:42:54.280 --> 00:42:59.039
<v Speaker 1>All right. I think we have ranted and they're grinding

843
00:42:59.159 --> 00:43:01.800
<v Speaker 1>or something's going on next door, and I apologize for

844
00:43:01.840 --> 00:43:03.960
<v Speaker 1>the noise, but we're going to end it here. We

845
00:43:04.000 --> 00:43:06.719
<v Speaker 1>will be back on Friday with the Bitterkin Movie Club.

846
00:43:06.760 --> 00:43:10.039
<v Speaker 1>We are doing. My name is Dolomite, Dolomite is my name.

847
00:43:10.760 --> 00:43:13.039
<v Speaker 1>I always get that wrong. Dolomite is my name. We're

848
00:43:13.039 --> 00:43:14.880
<v Speaker 1>doing that on Friday, and then we'll be back next

849
00:43:14.880 --> 00:43:17.239
<v Speaker 1>week with whatever crosses rise, it crosses our does. Until then,

850
00:43:17.320 --> 00:43:19.000
<v Speaker 1>take care of yourselves, love you mean it.

851
00:43:19.039 --> 00:43:19.840
<v Speaker 2>Bye bye bye
