WEBVTT 1 00:00:00.480 --> 00:00:02.120 It's Night's Side with Dan Way. 2 00:00:02.759 --> 00:00:06.320 I'm WBZY Canton's new radio. 3 00:00:06.639 --> 00:00:11.359 I'm Morgan. Hello, my voice is a bit better. I 4 00:00:11.599 --> 00:00:16.120 on Friday doing night Side as I'm doing now had 5 00:00:16.199 --> 00:00:21.719 Bradley Jay on, and Bradley Jay was on because there 6 00:00:21.760 --> 00:00:25.839 was an event Saturday at the Paradise. He was a 7 00:00:25.879 --> 00:00:29.440 part of it, and he won the publicize that there 8 00:00:29.519 --> 00:00:36.920 was a whole celebration with legendary eighties musical performers in 9 00:00:37.000 --> 00:00:43.119 Boston at the Paradise. They had an auction, a silent auction, 10 00:00:44.399 --> 00:00:47.920 and you could have gotten your hands on some great memorabilia. 11 00:00:48.520 --> 00:00:53.799 I had already scheduled my next guest, but now I'm 12 00:00:53.840 --> 00:00:59.320 able to tie both events together my next guest or 13 00:00:59.359 --> 00:01:04.239 I'll mention this name shortly, and that event at the 14 00:01:04.280 --> 00:01:11.879 Paradise Saturday. And ironically, my next guest had called in 15 00:01:12.000 --> 00:01:16.760 last Monday or Tuesday and brought up the fact that 16 00:01:16.840 --> 00:01:21.599 it would be a great show to put a tip 17 00:01:21.640 --> 00:01:25.000 of the hat to all the people that played in Boston, 18 00:01:25.560 --> 00:01:28.959 which is why a couple of days later I called 19 00:01:29.000 --> 00:01:33.599 him to be on, and Cleil will accept any opportunity 20 00:01:34.200 --> 00:01:39.280 to have my microphone shared with him. He's been on 21 00:01:39.319 --> 00:01:43.480 a a number or number of times. And this goes 22 00:01:43.560 --> 00:01:47.519 back about ten twelve years, Morgan, can I be on 23 00:01:47.599 --> 00:01:49.799 with you just once? I want to be on with 24 00:01:49.840 --> 00:01:55.400 you just O Ncee wants to talk about music. And 25 00:01:55.439 --> 00:01:58.799 I said, all right, Cleo, have you on. That was 26 00:01:59.200 --> 00:02:03.560 eight nine, ten appearances ago, and here you are again. 27 00:02:04.560 --> 00:02:08.240 Welcome tonight's Cleo Campbell Logan. 28 00:02:08.280 --> 00:02:10.960 First of all, thanks for having me on. And like 29 00:02:11.199 --> 00:02:16.199 I always like to say, you always inspire me to 30 00:02:16.280 --> 00:02:22.560 do radio. And part of doing radio is the showmanship 31 00:02:22.800 --> 00:02:26.439 and you have that quality. And I do borrow from 32 00:02:26.439 --> 00:02:28.080 you when I'm on area once in a while. 33 00:02:28.719 --> 00:02:29.439 Oh thank you. 34 00:02:30.479 --> 00:02:30.680 Yep? 35 00:02:30.960 --> 00:02:41.759 Is it borrow or is it theft? Okay? Perfect move perfect. 36 00:02:42.159 --> 00:02:46.520 Now I'm going to say something to you that you 37 00:02:46.520 --> 00:02:51.240 you may hate, You may shiver, you may tremble. This 38 00:02:51.360 --> 00:02:55.199 is an hour it would be It could be two. 39 00:02:56.360 --> 00:02:56.879 Even three. 40 00:02:57.879 --> 00:03:00.840 No, it would not be three. I will not be 41 00:03:00.919 --> 00:03:04.280 three because Barbara Feldon is scheduled for eleven o'clock. But 42 00:03:04.400 --> 00:03:07.960 the guest I had scheduled for eight o'clock wasn't where 43 00:03:08.000 --> 00:03:11.159 he was supposed to be. I had to move Joanne 44 00:03:11.240 --> 00:03:15.680 from ten to eight. And I've got you so I 45 00:03:15.759 --> 00:03:20.759 may keep you up to eleven. We'll see. 46 00:03:22.159 --> 00:03:28.520 Yes, there's no problem. We're talking first of all, Boston music. 47 00:03:29.280 --> 00:03:31.080 Hands down, I'm all in. 48 00:03:32.360 --> 00:03:35.199 And two hours isn't even enough to do the subject right. 49 00:03:36.120 --> 00:03:37.879 And it might be one, it might be two. 50 00:03:39.080 --> 00:03:44.719 Yes, You're absolutely right, and and I what I'm going 51 00:03:44.800 --> 00:03:49.919 to say is I'm a huge supporter of Boston music. 52 00:03:51.479 --> 00:03:54.439 I'm in my sixties. I've been seeing a lot of 53 00:03:54.439 --> 00:03:59.719 these bands for a number of years, and luckily I 54 00:03:59.759 --> 00:04:02.960 had a chance to interview this group called Lady Anamoya. 55 00:04:03.240 --> 00:04:07.560 They just changed their name to Avery Machel Music, who 56 00:04:08.039 --> 00:04:12.120 she is such a phenomenal singer. Some of the places 57 00:04:12.319 --> 00:04:14.800 to the Places. She just played with another group she 58 00:04:14.879 --> 00:04:18.959 does double Duty. She played with this group called Little 59 00:04:19.000 --> 00:04:23.240 Lies and she does the Christine mcv pot it's a 60 00:04:23.279 --> 00:04:28.759 tribute to Fleetwood Mac plus her own group, the Avery 61 00:04:28.800 --> 00:04:36.160 Machel Music. And she's actually releasing a new song this Friday, 62 00:04:36.879 --> 00:04:40.120 which is I'm really exciting. The name of the song 63 00:04:40.879 --> 00:04:45.360 is Away from Me. People, support your local app check 64 00:04:45.399 --> 00:04:50.319 out the song. Check out the song, go download it, listen, 65 00:04:50.600 --> 00:04:56.000 enjoy it, and some of the I watched some clips 66 00:04:56.279 --> 00:04:59.279 from a dad. He sends me clips of her performing 67 00:04:59.319 --> 00:05:02.000 with this group a little lies and he's such a 68 00:05:02.040 --> 00:05:05.319 great band. I just love I lovely with Mac. They're 69 00:05:05.360 --> 00:05:07.480 not a Boston band, but I do lovely with Mac. 70 00:05:08.639 --> 00:05:10.319 Is your dad listening to you tonight? 71 00:05:12.120 --> 00:05:13.079 No, he is. 72 00:05:13.240 --> 00:05:15.480 You didn't tell your dad that you were. 73 00:05:15.360 --> 00:05:19.319 On I did tell him. I did tell him, and 74 00:05:19.360 --> 00:05:23.319 he pretty much just was like, my dad, okay. For gospel. 75 00:05:23.439 --> 00:05:28.279 My dad does gospel show. And for gospel show. One 76 00:05:28.279 --> 00:05:31.360 of the groups I can honestly say from Boston that 77 00:05:31.519 --> 00:05:34.079 I know is the Bullet Brothers. I saw them as 78 00:05:34.120 --> 00:05:37.240 a kid. You know, Mike Bulk there, that's their family member, 79 00:05:37.600 --> 00:05:40.879 and I saw that, you know, they were they were 80 00:05:40.879 --> 00:05:42.639 a great gospel But I don't know if they're still 81 00:05:42.680 --> 00:05:46.600 toring or anything anymore. But I really enjoyed it as 82 00:05:46.639 --> 00:05:49.879 a kid, you know, growing up in the seventies. So 83 00:05:51.560 --> 00:05:58.040 you know, Dad, you know, I wish he would okay, 84 00:05:58.279 --> 00:06:02.160 and it's early enough, but I like I could rebroadcast 85 00:06:02.199 --> 00:06:05.839 the show and play it for him. I listened to 86 00:06:05.839 --> 00:06:08.759 my dad show. I listened to my Dad show. He 87 00:06:08.839 --> 00:06:11.360 plays a lot of great gospel music. He plays the 88 00:06:11.399 --> 00:06:17.040 earlier stuff of gospel music. He hangs out well, used 89 00:06:17.079 --> 00:06:20.519 to go to Skippy White, who you had on several times. 90 00:06:20.800 --> 00:06:25.920 Give me White. Skippy White had the best, not just 91 00:06:26.839 --> 00:06:28.800 gospel music, but he had a lot of R and B. 92 00:06:29.439 --> 00:06:33.199 He was he was Skippy. 93 00:06:33.360 --> 00:06:37.600 Just did a show this summer with all the legendary 94 00:06:37.839 --> 00:06:42.079 soul groups of the seventies stylistics. 95 00:06:42.399 --> 00:06:44.560 Yeah, yeah, I'll tell you what. 96 00:06:45.600 --> 00:06:49.279 Let's go over some of the I'll say two or three. 97 00:06:49.439 --> 00:06:54.480 You say two or three legendary performers from the eighties 98 00:06:54.759 --> 00:07:02.639 that had Boston roots like uh Aeros Smith or New 99 00:07:02.800 --> 00:07:08.360 Edition or Peter Wolf turn. 100 00:07:08.319 --> 00:07:13.279 Jig was then mm hmm. Now for me, I would 101 00:07:13.439 --> 00:07:15.839 go a little bit deeper. I would go to Pixies, 102 00:07:17.240 --> 00:07:23.639 the Del Fuegos, Yes, and James Taylor. And I'm gonna 103 00:07:23.639 --> 00:07:27.560 bring up James Taylor, James Taylor football. Hear James Taylor 104 00:07:27.720 --> 00:07:31.800 live Chef like the record? Have you do you listen 105 00:07:31.800 --> 00:07:32.560 to James Taylor. 106 00:07:33.279 --> 00:07:37.199 I have't listened to James Taylor since before I ever 107 00:07:37.240 --> 00:07:37.759 heard of you. 108 00:07:41.040 --> 00:07:45.920 Well, he's the I call him the founder of singer songwriters. 109 00:07:46.480 --> 00:07:48.959 I mean he signed with Apple Records. He signed with 110 00:07:49.000 --> 00:07:52.720 the Beatles. That's how much of a great oddist he is. 111 00:07:52.920 --> 00:07:56.759 And the Beatles, you know, sold off Apple Records and 112 00:07:57.240 --> 00:07:59.800 closed it down. And then he became James Taylor and 113 00:08:00.040 --> 00:08:04.399 he was married to Colie Simon and they had Brocking Bird. 114 00:08:05.040 --> 00:08:07.399 I used to like that song now his brother Livingston. 115 00:08:07.480 --> 00:08:09.040 Have you ever seen Livingston perform? 116 00:08:09.680 --> 00:08:14.240 Yes, I have. Remember I've got you beat by about 117 00:08:14.279 --> 00:08:14.879 a decade. 118 00:08:15.879 --> 00:08:17.040 Yes, you do. So. 119 00:08:17.160 --> 00:08:19.600 When you were still in junior high and high school, 120 00:08:20.519 --> 00:08:33.279 I was going to clubs and again the Paradise Everybody, Everybody, Uh, 121 00:08:33.399 --> 00:08:40.360 Jazz Workshop, Paul's Mall, the Channel, the Rat, the conglomeration 122 00:08:40.480 --> 00:08:46.919 of clubs in Chemo's Square, Coacadis, Lipstick, and yesterday I 123 00:08:47.080 --> 00:08:50.480 went to all of these clubs and some of the 124 00:08:50.519 --> 00:08:58.279 places outside of Greater Boston. Uh say, I've got a 125 00:08:58.279 --> 00:08:59.879 mental block in the name of the place. 126 00:09:01.159 --> 00:09:01.600 Uh. 127 00:09:01.720 --> 00:09:05.960 Swingers that was up in Framingham. 128 00:09:07.879 --> 00:09:09.000 I never heard of that one. 129 00:09:10.639 --> 00:09:14.480 They were round and their gimmick was they had an 130 00:09:14.519 --> 00:09:19.480 attractive young lady too swinging while the groups are on 131 00:09:19.559 --> 00:09:23.679 stage playing. I saw can you remember seeing Harold Melvin 132 00:09:23.679 --> 00:09:25.720 and the Blue Notes at Swingers? 133 00:09:26.600 --> 00:09:32.519 Oh Wow? And Teddy with them. 134 00:09:32.759 --> 00:09:36.879 Teddy was still with them before he realized that Harold 135 00:09:36.919 --> 00:09:40.879 Melvin was ripping him off, which is another story entirely 136 00:09:41.279 --> 00:09:45.759 tell you what. Let me take my break. This subject 137 00:09:45.879 --> 00:09:50.279 is for you, the listeners, the night Side listeners. If 138 00:09:50.320 --> 00:09:54.720 you partook of all of these places and names that 139 00:09:54.799 --> 00:09:58.159 we just mentioned, give us a call. Six one, seven, five, 140 00:09:58.279 --> 00:10:02.360 four thirty, eight, eight, eight, nine to nine, ten thirty. 141 00:10:03.000 --> 00:10:08.200 This is Nightside without Denray. But this is Nightside fifty 142 00:10:08.240 --> 00:10:08.960 one degrees. 143 00:10:10.200 --> 00:10:13.360 Now back to Dan Ray live from the Window World 144 00:10:13.480 --> 00:10:16.559 Nightside Studios on WBZ News Radio. 145 00:10:17.399 --> 00:10:19.960 Oh if only they would pay me? How many times 146 00:10:20.000 --> 00:10:24.639 I say, Dan, it's off tonight. I'm Morgan, Morgan went Junior. 147 00:10:24.720 --> 00:10:28.120 Been a part of the BZY landscape for Good Grief 148 00:10:28.720 --> 00:10:32.200 nineteen ninety five ninety six. I do my own show 149 00:10:32.240 --> 00:10:37.320 on Saturday evenings nine to midnight. I say that because 150 00:10:37.840 --> 00:10:42.039 I've just gone back to starting at nine and I'm 151 00:10:42.080 --> 00:10:47.960 here with a buddy Clinton. I used to hang out 152 00:10:48.000 --> 00:10:53.879 together prior to me doing BZY Radio, and we had 153 00:10:53.879 --> 00:10:57.240 a friend and I used to have I used to 154 00:10:57.320 --> 00:11:01.799 have Frank o'ching on periodically as well. And Frank knew 155 00:11:01.919 --> 00:11:07.279 sixties and seventies television better than anybody I had ever met. 156 00:11:07.960 --> 00:11:09.480 Oh my god, he was fantastic. 157 00:11:10.000 --> 00:11:15.360 He took it personally when Prunell Roberts quit Bonanza. It 158 00:11:15.440 --> 00:11:20.399 was like Frank was insulted. That's a decision an actor 159 00:11:20.480 --> 00:11:25.480 made for his own career. But he passed away. Frank 160 00:11:25.559 --> 00:11:29.879 passed away, and yeah I started miss him, But yeah 161 00:11:29.879 --> 00:11:30.440 I do too. 162 00:11:30.639 --> 00:11:34.320 I mean he was such a such a fantastic person 163 00:11:34.360 --> 00:11:34.840 to talk to. 164 00:11:35.080 --> 00:11:40.559 And you know, like and we we used to ask. Yeah, 165 00:11:40.600 --> 00:11:42.600 we go back and walk with certain groups, I mean 166 00:11:42.879 --> 00:11:46.919 cern TV shows, and and I could never catch him. 167 00:11:47.080 --> 00:11:49.840 He always was on point when he came to a TV. 168 00:11:49.919 --> 00:11:52.120 Always, always, always, always. 169 00:11:52.080 --> 00:11:54.320 Not trick him, could not trick him. 170 00:11:55.200 --> 00:11:58.080 Well, let's let's stay on. Let's stay on subject. 171 00:11:58.200 --> 00:12:02.480 Yes, well, I tell you one of the things I 172 00:12:02.759 --> 00:12:05.320 like about the Boston music scene. I want you to 173 00:12:05.320 --> 00:12:09.120 think back in the seventies. Okay, you were around I 174 00:12:09.159 --> 00:12:11.840 was still a kid at the time. You know, we 175 00:12:12.039 --> 00:12:17.360 dominated the radio airwaves if you think from like seventy 176 00:12:19.240 --> 00:12:24.360 seventy four to about eighty eight, you know, at that 177 00:12:24.480 --> 00:12:27.879 time period because in the seventies we had Let's start 178 00:12:27.919 --> 00:12:30.759 off with one of my favorite groups to listen to 179 00:12:30.960 --> 00:12:38.679 is Boston And you know Tom Shows an engineer Tolaroid. 180 00:12:39.320 --> 00:12:44.440 He developed a demo called the Boston First Album, and 181 00:12:45.080 --> 00:12:48.559 the music on there was It's timeless, like the greatest 182 00:12:48.600 --> 00:12:53.320 hits album. The only feeling, oh yeah, more in the 183 00:12:53.360 --> 00:13:00.440 feeling the guitar work, four play. You know, you listen 184 00:13:00.519 --> 00:13:04.559 to that particular album, you could listen to it continuously 185 00:13:04.639 --> 00:13:09.039 and it never loses. It's that that that feeling. There's 186 00:13:09.080 --> 00:13:10.480 more than the feeling. That's why he had it on 187 00:13:10.519 --> 00:13:14.000 that album. So I think when I for me personally, 188 00:13:14.080 --> 00:13:15.879 when I put I still look at that album to 189 00:13:16.000 --> 00:13:19.200 date and believe it or not, Whoony in the Blowfish 190 00:13:20.120 --> 00:13:23.919 beat them for the like for the most albums sold 191 00:13:24.000 --> 00:13:28.360 by a new group, And I don't even consider that. 192 00:13:28.519 --> 00:13:31.320 I'm sorry, I can't consider it. I always say Boston 193 00:13:31.559 --> 00:13:36.120 is that is that group? I mean that that album, 194 00:13:36.200 --> 00:13:39.639 hands down was one of the greatest first albums ever released. 195 00:13:40.000 --> 00:13:42.360 And I have a bunch of them, and that's that's 196 00:13:42.360 --> 00:13:45.720 the whole show within itself. I know they, I know 197 00:13:45.759 --> 00:13:49.159 they played the Paradise and another group that played the 198 00:13:49.200 --> 00:13:51.559 Paradise I'm gonna bring up and you definitely know who 199 00:13:51.600 --> 00:13:59.480 it is, John Butcher Axis. Yeah, I saw ad. I'm 200 00:13:59.480 --> 00:14:00.759 sorry you saw him. 201 00:14:01.080 --> 00:14:03.799 I was about to say all of the music that 202 00:14:03.840 --> 00:14:12.320 we have brought up will discuss this hour. Yes, legendary, legendary, legendary, 203 00:14:12.679 --> 00:14:17.440 and the music still holds up today. Any of the 204 00:14:17.440 --> 00:14:23.200 groups or musical acts that we have just mentioned, anything 205 00:14:23.279 --> 00:14:26.919 by them, you put on a turntable and play it, 206 00:14:26.919 --> 00:14:32.200 it holds up fifteen twenty years later. Here we are 207 00:14:32.840 --> 00:14:36.200 on the cusp of twenty twenty five, and we're talking 208 00:14:36.200 --> 00:14:40.159 about music that held the charts in the seventies and 209 00:14:40.279 --> 00:14:44.799 eighties that still can compete with anybody out there today. 210 00:14:44.879 --> 00:14:49.559 You talk about Hooty and the Blowfish five, you mentioned 211 00:14:49.720 --> 00:14:57.720 you know, John put your access or Aerosmith or I can't. 212 00:14:58.159 --> 00:14:59.960 There are so many different acts that you can pay 213 00:15:00.360 --> 00:15:03.960 and it depends if you want to go with rock 214 00:15:04.200 --> 00:15:11.480 versus pop, versus soul versus folk, all of them, all 215 00:15:11.519 --> 00:15:16.879 of them. Go to your old record collection, take out 216 00:15:16.919 --> 00:15:21.120 an album, put it on your turntable right now, nine 217 00:15:21.200 --> 00:15:28.000 twenty four, on December thirtieth, right now. It still comforts 218 00:15:28.039 --> 00:15:29.240 you as you listen to it. 219 00:15:29.960 --> 00:15:32.240 You have to listen to un vinyl. You cannot listen 220 00:15:32.279 --> 00:15:33.879 on a CD. You have to listen to it un 221 00:15:33.960 --> 00:15:38.080 vinyl to hear the popping. And it's just the vinyl 222 00:15:38.240 --> 00:15:42.519 is where it's at and it's making it. It's bad 223 00:15:42.600 --> 00:15:47.840 people prefer vinyl today than they did instead of the CD. Myself, 224 00:15:48.559 --> 00:15:50.559 I had a bunch of vinyl. I had the Group's 225 00:15:50.559 --> 00:15:55.000 Slave samrth Wind and Fire my Nerds. I had to 226 00:15:55.039 --> 00:16:00.960 host Star Wars Star Wars album with John Williams. And 227 00:16:01.639 --> 00:16:04.039 you know you have to listen to that on vinyl 228 00:16:04.320 --> 00:16:08.240 and you can't look like I said, the CD is great, 229 00:16:08.639 --> 00:16:11.600 but it's like putting the Beatles album on and just 230 00:16:11.720 --> 00:16:15.399 listening to the snap crack on pop. It's so great 231 00:16:15.399 --> 00:16:16.559 to listen to it on vinyl. 232 00:16:17.559 --> 00:16:23.679 I agree with that. And the problem with CDs and 233 00:16:23.720 --> 00:16:29.039 they are Christine. There are very few background noises the 234 00:16:29.080 --> 00:16:35.440 pops that you refer to them. Yes, but the envelopment 235 00:16:36.000 --> 00:16:42.440 that the music coming off of vinyl just cannot be replaced. No, 236 00:16:42.559 --> 00:16:44.440 it can't, No, it can't. 237 00:16:44.600 --> 00:16:50.360 And my daughter calls me a musical snob. She mentions 238 00:16:50.360 --> 00:16:53.360 a bunch of the group she listens to, right, honey, 239 00:16:53.399 --> 00:16:57.159 I can't listen to it. They don't have the equality. 240 00:16:57.759 --> 00:17:01.240 And you know she loves Taylor Swift. I have none 241 00:17:01.240 --> 00:17:07.279 against Taylor Swift. Oh you know, I know, but I 242 00:17:07.440 --> 00:17:10.759 definitely like I compare, I said, until she could sing 243 00:17:10.799 --> 00:17:15.039 like Tina Turner, you know, Tina Turner was selling out stadiums. 244 00:17:15.279 --> 00:17:21.160 And Janet Jackson, you know, obviously Stevie Nicks, who I 245 00:17:21.240 --> 00:17:25.480 think I love her voice. She has such I like, 246 00:17:25.759 --> 00:17:29.519 very distinctive voices that delsa tone voice, you know, and 247 00:17:29.839 --> 00:17:30.839 Stevie Nicks has that. 248 00:17:32.319 --> 00:17:34.680 Anyone, I'm going to interrupt you here to take a call, 249 00:17:35.240 --> 00:17:37.240 to get this call in before I have a news hit. 250 00:17:37.880 --> 00:17:41.640 So let's go to New Hampshire and speak to Wendy. Wendy, 251 00:17:41.880 --> 00:17:42.759 good evening to you. 252 00:17:43.799 --> 00:17:46.079 Happy New Year, Wendy, Happy news. 253 00:17:48.200 --> 00:17:51.160 I wanted to just mention a couple of clubs I 254 00:17:51.279 --> 00:17:57.839 used to go to in the late eighties or early nineties. Okay, okay. 255 00:17:58.160 --> 00:18:02.119 One was in Somervella. Was Club three. 256 00:18:02.519 --> 00:18:04.920 I'm familiar with Club three, I'm not. 257 00:18:05.119 --> 00:18:12.680 Yeah. And there was a couple in Revie Sammy's Patio, Yes, 258 00:18:14.240 --> 00:18:17.559 and the Atlantic Lounge. 259 00:18:17.920 --> 00:18:19.960 And what do you remember any of the acts that 260 00:18:20.000 --> 00:18:23.599 you saw at these places? 261 00:18:24.640 --> 00:18:31.599 They were all kind of bands from throughout the the US, 262 00:18:31.640 --> 00:18:33.839 but they were just all starting out. 263 00:18:34.720 --> 00:18:39.480 Okay. And I don't mean to be embarrassing when a 264 00:18:39.559 --> 00:18:43.079 man asks this question of a woman, but what age 265 00:18:43.480 --> 00:18:44.599 bracket were you. 266 00:18:46.400 --> 00:18:49.839 And those days? I was in my mid. 267 00:18:49.680 --> 00:18:55.319 Twenties, okay, okay, And. 268 00:18:57.680 --> 00:19:01.640 To either of you, Statio Sammy's Statio is a very 269 00:19:01.680 --> 00:19:08.000 popular music place in Revere. It was on Revere Beach. 270 00:19:08.880 --> 00:19:14.640 Okay, I've heard of it. I don't think I ever 271 00:19:15.160 --> 00:19:18.799 went in there, and do either of you. I'm trying 272 00:19:18.799 --> 00:19:22.559 to think of the place coming in down route to 273 00:19:24.119 --> 00:19:27.440 into Boston. What was the name of that bar, that 274 00:19:27.440 --> 00:19:32.400 that legendary place. I can't think of it. Either of 275 00:19:32.400 --> 00:19:35.160 you remember, no. 276 00:19:35.839 --> 00:19:38.519 Or what year? More than for me, Like I said. 277 00:19:38.319 --> 00:19:40.599 I'm very eighties and nineties. 278 00:19:42.200 --> 00:19:43.960 Was it Akuku that restaurant? 279 00:19:44.000 --> 00:19:47.599 No? No, no, no, that was a Chinese rest strat, No, no, 280 00:19:47.599 --> 00:19:51.880 no no. If anyone out there knows of the establishment 281 00:19:51.920 --> 00:19:54.279 that I am mentioning, call in and help me with 282 00:19:54.319 --> 00:19:59.359 the name. Six seven, five, four, ten thirty or eight eight, eight, nine, nine, 283 00:19:59.359 --> 00:20:02.000 ten thirty. And Wendy, maybe some of. 284 00:20:01.960 --> 00:20:05.000 Your listeners will remember these places. 285 00:20:05.480 --> 00:20:09.799 Okay, anybody who remembers the places Wendy just brought up, 286 00:20:09.839 --> 00:20:13.160 please call in and thank you for listening. 287 00:20:14.359 --> 00:20:18.880 Oh yes, I'd love to listen. Yeah, all right, enjoyed 288 00:20:18.880 --> 00:20:19.279 the show. 289 00:20:19.920 --> 00:20:26.480 Happy New Year, Wendy. Yeah, by bye, all right, perfect time. 290 00:20:27.319 --> 00:20:28.920 You think that will probably play damn more than it 291 00:20:28.920 --> 00:20:32.079 would probably be the Stompers, not that that whole area, 292 00:20:32.839 --> 00:20:35.960 that whole north Shore area. The Stompers was covering every 293 00:20:36.200 --> 00:20:39.160 everywhere at the time, and they're they're great there and. 294 00:20:39.200 --> 00:20:43.480 The Fools World Dance Party. It was a great song. 295 00:20:44.000 --> 00:20:46.640 Tell you what. Yes, we've got too more people calling in, 296 00:20:47.359 --> 00:20:49.640 so I'm going to take my break right now. Oh 297 00:20:49.720 --> 00:20:52.839 we've got full lines. I'm going to give Robert chance 298 00:20:52.880 --> 00:20:55.960 to answer these calls and put them in queue. You 299 00:20:56.000 --> 00:20:59.359 want to call in, don't the lines are full time 300 00:20:59.440 --> 00:21:03.640 and temperature here on nights side. I'm not Dan Ray, 301 00:21:03.680 --> 00:21:07.319 I'm Morgan. Dan is off. He'll be back on Wednesday. 302 00:21:07.799 --> 00:21:11.559 Time and temperature again, nine thirty fifty one degrees. 303 00:21:13.480 --> 00:21:18.599 It's Night with Dan Ray on WBZ, Boston's news radio. 304 00:21:19.039 --> 00:21:22.880 No Dan tonight, No Dan tomorrow. You got me, Morgan 305 00:21:23.119 --> 00:21:27.039 White Junior been a proud of BZ roughly since nineteen 306 00:21:27.079 --> 00:21:30.200 ninety five ninety six. I've been doing my show on 307 00:21:30.359 --> 00:21:34.720 Saturday night here for years, beginning nine o'clock this weekend. 308 00:21:35.480 --> 00:21:38.400 And let's go right back to our phone calls. Heather 309 00:21:38.599 --> 00:21:41.759 and Arlington, thank you for calling in. Happy news. 310 00:21:41.920 --> 00:21:44.240 Hey, how I'm frey New Year? 311 00:21:44.319 --> 00:21:46.559 How are you good? 312 00:21:46.640 --> 00:21:49.079 Thang? So I was calling in with the place that 313 00:21:49.200 --> 00:21:51.599 was on Route two. I grew up in Islington and 314 00:21:51.599 --> 00:21:53.759 it's faces. Is that what you're talking about? 315 00:21:54.079 --> 00:21:56.480 That's exactly the name. I couldn't think of it. Think 316 00:21:56.559 --> 00:21:57.599 I knew somebody would know. 317 00:21:59.200 --> 00:22:01.559 I think that I remember going there. 318 00:22:02.000 --> 00:22:05.960 All right, and who did you see? What music lacks? 319 00:22:05.960 --> 00:22:09.000 It was a lot of the nights that when I 320 00:22:09.039 --> 00:22:11.000 would go, it was a lot of DJ nights, a 321 00:22:11.079 --> 00:22:16.559 lot of culture club like it was Glate eighties, a 322 00:22:16.559 --> 00:22:19.559 lot of DJ stuff or cover bands or they would have. 323 00:22:19.559 --> 00:22:25.880 Cover bands right, and cover bands were everywhere in Boston 324 00:22:26.480 --> 00:22:29.880 surrounding area, and they were going a lot of these 325 00:22:29.920 --> 00:22:36.599 cover bands were fantastic equal to the act that they 326 00:22:36.640 --> 00:22:41.599 were covering. Maybe the Smitch and Better Man. 327 00:22:41.880 --> 00:22:46.160 I remember seeing a great Zeppelin one mmm. 328 00:22:47.559 --> 00:22:50.799 Mmmm and clon what we were about to say. 329 00:22:51.480 --> 00:22:53.640 One of the groups I used to see for me, 330 00:22:54.480 --> 00:22:57.400 Joey Scott in the Connection. I used to see them 331 00:22:57.440 --> 00:22:59.279 all the times at Frank You might have saw them 332 00:22:59.279 --> 00:23:01.839 through the years. You might have passed cross pass with 333 00:23:01.920 --> 00:23:06.240 them sometimes and they Joey Joe I got to know 334 00:23:06.359 --> 00:23:10.400 Joey and he used to play like a lot of 335 00:23:11.279 --> 00:23:17.039 classic O, R and B songs like covers and it's 336 00:23:17.079 --> 00:23:19.680 you know him and John Zuko. They did a great job. 337 00:23:20.680 --> 00:23:25.559 And those when you listen to cover band, make sure 338 00:23:26.720 --> 00:23:28.599 don't go there just say I'm gonna hate the band. 339 00:23:28.640 --> 00:23:31.680 Go there and enjoy the music and enjoy it. That's 340 00:23:31.720 --> 00:23:33.440 all I can say. 341 00:23:34.279 --> 00:23:38.720 He's just something you think of this group, Mason Dixon 342 00:23:38.880 --> 00:23:43.119 in the line, and they were a group that was mixed. 343 00:23:43.160 --> 00:23:46.920 You didn't find either found a white group or a 344 00:23:46.960 --> 00:23:49.880 black group. It's rare that you would find all the 345 00:23:49.920 --> 00:23:52.960 personnel being black and white combined. 346 00:23:53.960 --> 00:23:56.880 Yes, and. 347 00:23:58.720 --> 00:24:01.920 I didn't think of it. Yeah. 348 00:24:01.960 --> 00:24:07.160 And obviously of all of the bands that had Boston 349 00:24:07.400 --> 00:24:13.920 as their base, I'm probably gonna say New Edition sold 350 00:24:14.039 --> 00:24:22.640 more records. Aerosmith was close, but New Addition they're still together. 351 00:24:23.599 --> 00:24:27.279 They've broken up, getting back, broken up, gutting back, and 352 00:24:27.319 --> 00:24:32.200 they are still together even though Bobby Brown left them 353 00:24:32.240 --> 00:24:36.160 for a while. And a lot of people feel if 354 00:24:36.200 --> 00:24:39.440 it weren't for Bobby Brown getting to know Whitney Houston, 355 00:24:39.519 --> 00:24:40.640 she would still be here. 356 00:24:41.920 --> 00:24:43.839 Yeah, he. 357 00:24:45.440 --> 00:24:51.039 Influenced bad habits around the both of them yes, and 358 00:24:51.079 --> 00:24:57.839 I won't go any further. So so Heather, yea true 359 00:24:58.400 --> 00:25:00.680 what are you doing on New Year's Tomorrow? New Year's Eve? 360 00:25:02.759 --> 00:25:05.279 Debating whether or not to go into town or stay 361 00:25:05.319 --> 00:25:06.680 home and watch a movie? 362 00:25:08.359 --> 00:25:10.559 You know what, Heather, stay home and watch a movie. 363 00:25:11.839 --> 00:25:14.039 That's kind of what I'm thinking. That's kind of where 364 00:25:14.079 --> 00:25:15.720 I'm leaning towards, truthfully. 365 00:25:16.920 --> 00:25:21.920 That's that's a great suggestion and cuts down on the 366 00:25:22.039 --> 00:25:26.960 opportunity for anything unforeseen happening to you. 367 00:25:28.960 --> 00:25:32.160 Right, And you know, by the time you get into 368 00:25:32.200 --> 00:25:35.400 town and get back out of town and yeah, yeah, yeah, 369 00:25:35.559 --> 00:25:35.880 and you. 370 00:25:35.920 --> 00:25:38.920 Have to take pup of transportation because there's no place 371 00:25:39.000 --> 00:25:44.240 to park, you can't drive the streets. So I understand that. 372 00:25:46.319 --> 00:25:47.839 More than what are you doing? 373 00:25:49.240 --> 00:25:51.920 I'm here tomorrow night. I'm here tomorrow night from me 374 00:25:52.119 --> 00:25:56.480 to midight. Okay, my plans are already in cement. But 375 00:25:56.559 --> 00:25:59.440 I'll tell both of you something. For like three or 376 00:25:59.440 --> 00:26:02.960 four years in a row, I did first night they 377 00:26:03.000 --> 00:26:07.079 had me at the Hinds Auditorium and I did my 378 00:26:07.200 --> 00:26:16.759 trivia show three different time slots two No. One to 379 00:26:16.839 --> 00:26:21.759 two thirty three to four thirty five to six thirty 380 00:26:22.960 --> 00:26:26.400 and I was wiped at the end of each of those. 381 00:26:27.279 --> 00:26:33.559 And one night it was just the worst weather, sleep snow, 382 00:26:33.720 --> 00:26:39.359 freezing temperatures, and getting there was okay. I had to 383 00:26:39.440 --> 00:26:41.400 park in the area because they had stuff to carry, 384 00:26:42.440 --> 00:26:46.640 but going home I kept wishing I had parked a 385 00:26:46.680 --> 00:26:52.160 little closer and was gone awful. Got home, head pillow 386 00:26:52.240 --> 00:26:56.720 became good friends, and I was asleep within a half hour. 387 00:26:57.319 --> 00:27:01.160 I bet, yep, let me let you go. 388 00:27:01.240 --> 00:27:02.000 But thank you. 389 00:27:03.359 --> 00:27:06.079 All right, thanks, take care, Happy New Year to you both. 390 00:27:06.759 --> 00:27:10.720 Thank you, Thank you so much more than what I 391 00:27:10.720 --> 00:27:13.440 was gonna say to you. Smiths had a second life 392 00:27:13.519 --> 00:27:18.480 when they did a duet with run DMC because they 393 00:27:18.559 --> 00:27:22.079 were they were really down in the eighties, you know, 394 00:27:22.119 --> 00:27:25.200 they were barely making it, and they did that duet 395 00:27:25.240 --> 00:27:28.640 with run DMC and Arrow SMIs just blew up again 396 00:27:28.920 --> 00:27:33.839 and they did quite well. And Errol Smith, when you 397 00:27:33.880 --> 00:27:38.200 think Boston, when you say Boston, who do you think 398 00:27:38.279 --> 00:27:41.160 up off the top of your head, like right away. 399 00:27:41.599 --> 00:27:48.279 Musically Boston, Okay, to the group Boston, that's one. 400 00:27:49.400 --> 00:27:51.599 I think, Errol Smith, I think new edition. 401 00:27:52.640 --> 00:27:53.039