WEBVTT 1 00:00:03.200 --> 00:00:11.679 Callaroga Shark Media. Hello, Jenny Mack with your daily comedy news. 2 00:00:11.759 --> 00:00:15.759 Jenny Mack, you never give any attention to Roywood Junior's 3 00:00:15.800 --> 00:00:17.719 news show. Have I got news for you on CNN? 4 00:00:17.839 --> 00:00:20.239 I know, and the CNN publicists put out so many 5 00:00:20.320 --> 00:00:22.960 articles about it, and I've barely talked about it. The 6 00:00:23.120 --> 00:00:26.559 La Times spoke to Roywood Junior. They talked about his 7 00:00:26.679 --> 00:00:29.519 time playing sports in high school. He warmed the bench. 8 00:00:30.000 --> 00:00:32.079 Roy said, your job as a bench of warmer is 9 00:00:32.079 --> 00:00:33.640 to come up with the heckles against the other team. 10 00:00:33.679 --> 00:00:35.679 I took pride in writing insults to hurl at other 11 00:00:35.719 --> 00:00:37.840 fifteen year olds. If I could get the umpire to laugh, 12 00:00:37.880 --> 00:00:39.359 that was like an applause break. If I got the 13 00:00:39.399 --> 00:00:42.119 parents to laugh, that was the standing. Oh. Roy says, 14 00:00:42.240 --> 00:00:44.320 We're a very interesting piece of real estate with this 15 00:00:44.399 --> 00:00:46.600 new show. In between say a Jimmy Fallon and a 16 00:00:46.679 --> 00:00:49.799 daily show, it's an opportunity to talk about the news, 17 00:00:49.880 --> 00:00:52.280 but we get to season it for taste in terms 18 00:00:52.280 --> 00:00:53.560 of the depth in which we want to go on 19 00:00:53.600 --> 00:00:57.039 a particular topic. A sidebar here. The La Times writes, 20 00:00:57.079 --> 00:00:59.640 as roy Wood said that sentence, he was alternating tips 21 00:00:59.640 --> 00:01:02.640 of two smoothie. Is one a fruity pink, the other 22 00:01:03.039 --> 00:01:06.599 a healthy green, fascinating. I might head over to the 23 00:01:06.599 --> 00:01:08.599 smoothie place after I record this. They have this new 24 00:01:08.640 --> 00:01:10.920 cinnamon smoothie that's so good. I might have to go 25 00:01:10.959 --> 00:01:12.680 get one. Where he says, the burden of making the 26 00:01:12.760 --> 00:01:15.120 argument every single time is not on my shoulders anymore. 27 00:01:15.120 --> 00:01:18.040 It's a chance to live within the jokes first, the opinions. Second. 28 00:01:18.439 --> 00:01:20.840 The conversation turned to his time at The Daily Show, 29 00:01:20.879 --> 00:01:22.319 and he said, the biggest thing I learned from watching 30 00:01:22.359 --> 00:01:25.120 Trevor Noah's not to let anger pollute your sense of humor. 31 00:01:25.480 --> 00:01:27.840 It's infuriating what's happening in America, But the moment you 32 00:01:27.879 --> 00:01:30.000 allow yourself to be consumed by the anger, you lose 33 00:01:30.040 --> 00:01:32.680 your ability to make fun of everything. I remember Trevor 34 00:01:32.760 --> 00:01:35.599 allowing not anger, but compassion to drive his segment about 35 00:01:35.640 --> 00:01:37.719 a police shooting. As I recall, there wasn't a single 36 00:01:37.799 --> 00:01:39.840 joke in the first act. He just spoke sincerely to 37 00:01:39.879 --> 00:01:41.599 the camera about where we are as a country. There 38 00:01:41.599 --> 00:01:43.280 were so many moments where Trevor could have used the 39 00:01:43.319 --> 00:01:45.519 pulpit to cuss America out, and he never did it, 40 00:01:45.560 --> 00:01:49.239 but instead he used calmness as a more precise scalpel. Interesting. 41 00:01:49.560 --> 00:01:51.760 I'm going to use the word spin here. This isn't 42 00:01:51.760 --> 00:01:55.519 the way I remember it, But the La Times rites. 43 00:01:55.560 --> 00:01:57.959 When it became clear that one time front runner Hassan 44 00:01:58.000 --> 00:02:00.480 Minhaj wasn't going to get the Daily Show job, Wood 45 00:02:00.599 --> 00:02:02.480 started to worry that there was no plan for the 46 00:02:02.560 --> 00:02:05.439 Daily Show as it headed into an election year. Roy says, 47 00:02:05.439 --> 00:02:07.280 at that point, John Stewart coming back was not in 48 00:02:07.280 --> 00:02:10.199 the conversation. For me, it felt like, well, what is 49 00:02:10.240 --> 00:02:11.759 life going to be for me after the Daily Show? 50 00:02:11.759 --> 00:02:13.120 If they picked somebody that doesn't want me it as 51 00:02:13.120 --> 00:02:15.039 a correspondent, then what am I gonna do next year? 52 00:02:15.280 --> 00:02:17.240 If I'm gonna have to eventually find a place to land, 53 00:02:17.280 --> 00:02:19.439 I should just start that process now, all right? That 54 00:02:19.599 --> 00:02:22.759 is fair. I think my point is that the La 55 00:02:22.800 --> 00:02:25.840 Times left out the part where they weren't obviously not 56 00:02:25.919 --> 00:02:29.719 considering Roy for the desk either. Amber Ruffin said, Roy 57 00:02:29.719 --> 00:02:31.840 knows every current news story but also the history of them, 58 00:02:31.879 --> 00:02:33.360 which is amazing to me. Even when you think, oh, 59 00:02:33.360 --> 00:02:35.080 he's not gonna have the backstory on this, he does. 60 00:02:35.360 --> 00:02:37.199 Roy has a kind of gravitas. He feels like he 61 00:02:37.280 --> 00:02:38.960 belongs in the chair. He just feels like a dude 62 00:02:39.000 --> 00:02:41.039 you might be hanging with around the grill at a barbecue, 63 00:02:41.360 --> 00:02:44.400 Whereas on the jerkvase, who's gonna be like, do you 64 00:02:44.439 --> 00:02:47.599 have impossible burgers? Roy Wood has been preparing for the 65 00:02:47.639 --> 00:02:51.400 show by watching Steve Harvey host Family Feud. Why because 66 00:02:51.439 --> 00:02:54.039 he's the king of hearing something ridiculous, pausing and reacting 67 00:02:54.080 --> 00:02:56.280 to it, and then getting the game back on track. 68 00:02:56.680 --> 00:02:59.000 He's keeping in open mind about the future and said 69 00:02:59.039 --> 00:03:01.240 if the Daily Show called, I'm not gonna send them 70 00:03:01.240 --> 00:03:04.719 a voicemail, but I am dating someone. The CNN press 71 00:03:04.719 --> 00:03:07.759 team got Vulture to write about the show, Hey, Amber ruffin, 72 00:03:07.840 --> 00:03:09.400 how did you wind up getting hired as one of 73 00:03:09.439 --> 00:03:11.080 the team captains? Amber said, they had a bunch of 74 00:03:11.159 --> 00:03:12.719 us tests for it, and it was just the most 75 00:03:12.719 --> 00:03:14.680 fun little reunion. It was everybody who's kind of in 76 00:03:14.719 --> 00:03:16.759 this space, was all the late night people, the funny 77 00:03:16.800 --> 00:03:19.719 news podcasters, the people who had late night shows. Well, 78 00:03:19.719 --> 00:03:21.960 should be asking her pals to be on her team. 79 00:03:22.280 --> 00:03:23.879 No one's asking me who should be on the show. 80 00:03:23.879 --> 00:03:25.479 I don't have any control of who's on the show 81 00:03:25.599 --> 00:03:27.280 or not, or else it'd be all my friends, which 82 00:03:27.319 --> 00:03:29.120 I guess it would be fine. I don't even know 83 00:03:29.120 --> 00:03:31.240 who's going to be on this Friday. They tape Friday 84 00:03:31.280 --> 00:03:33.560 and at air Saturday. How's the show different than the 85 00:03:33.639 --> 00:03:36.560 UK version? It's a little more game show. Esk gets 86 00:03:36.560 --> 00:03:39.439 overflowing with punchlines, the goals to give your fastest answered 87 00:03:39.479 --> 00:03:41.919 many times that's wrong or silly, and because we're all comedians, 88 00:03:42.199 --> 00:03:44.520 it's very much like an improvised late night show that's 89 00:03:44.520 --> 00:03:46.680 out behaves. We're spitting out punch lines at a teams 90 00:03:46.759 --> 00:03:48.759 and sat down and thought through, which makes it more 91 00:03:48.800 --> 00:03:51.439 fun and truer than your regular show. It'll be different 92 00:03:51.520 --> 00:03:53.520 that the segments are way tighter than your run of 93 00:03:53.520 --> 00:03:55.719 the mill British panel show. I think it's very segment 94 00:03:55.719 --> 00:03:57.719 heavy and bit heavy, whereas the other panel shows can 95 00:03:57.759 --> 00:04:01.039 get to yepping. How do you decide who wins? Roy 96 00:04:01.159 --> 00:04:03.000 is deciding who gets points and he can be bought 97 00:04:03.000 --> 00:04:04.919 before every show. It's on the whims of Roy. It's 98 00:04:04.919 --> 00:04:06.800 how he's feeling. So yeah, I'm gonna bring him presents. 99 00:04:06.800 --> 00:04:09.240 I want to win. Let's stay political for a second. 100 00:04:09.319 --> 00:04:12.520 The Daily Beast spoke to Samuel Wiles. He does stand 101 00:04:12.599 --> 00:04:15.719 up comedy in La and resembles jd Vance, and he 102 00:04:15.759 --> 00:04:18.920 has started doing a jd Vance impression. Wile said, I'm 103 00:04:18.920 --> 00:04:20.879 always kind of clocking guys with big round heads and 104 00:04:20.920 --> 00:04:23.680 beards and media, the fact that we both have light 105 00:04:23.720 --> 00:04:25.920 eyes and kind of high school teacher speaking voices. With 106 00:04:25.959 --> 00:04:29.160 a bonus coincidence. He started doing his Vance impression on 107 00:04:29.199 --> 00:04:32.160 TikTok on August seventh, while channeling jd Vance In a 108 00:04:32.199 --> 00:04:36.639 recent video, he had Vance reading letters from constituents and said, 109 00:04:36.680 --> 00:04:39.240 dear future VP Van s, a Haitian illegal broke into 110 00:04:39.279 --> 00:04:42.000 my house and ate my dog between two slices of wonderbread. 111 00:04:42.439 --> 00:04:44.160 He was wearing nothing but a cape and a sinister 112 00:04:44.279 --> 00:04:47.240 top hat. He escaped on a skateboard powered by dark magic. 113 00:04:48.160 --> 00:04:49.959 How does he come up with ideas? He thought about 114 00:04:50.040 --> 00:04:52.360 how much I don't like JD Vance, but also how 115 00:04:52.399 --> 00:04:54.480 awful would be to be him. I started writing down 116 00:04:54.519 --> 00:04:56.040 stuff I thought he would say, because I thought I 117 00:04:56.040 --> 00:04:57.560 could talk about it as stand up. But then I 118 00:04:57.560 --> 00:04:59.720 wrote for like ninety minutes straight. It was so easy. 119 00:05:00.120 --> 00:05:02.160 I read Hillbilly Eligi when it came out. I remember 120 00:05:02.240 --> 00:05:03.879 liking it while I was reading it, then putting it 121 00:05:03.920 --> 00:05:05.959 down and going, oh wait, what an a hole. Then 122 00:05:06.000 --> 00:05:08.240 when he became an outright conservative media figure that it 123 00:05:08.279 --> 00:05:11.000 seemed really logical. It'll never not be funny to me 124 00:05:11.079 --> 00:05:12.920 that he's a huge fraud. No one likes him. He 125 00:05:12.920 --> 00:05:15.040 doesn't even get the benefit of this weird lying. His 126 00:05:15.040 --> 00:05:16.839 life would be so much easier if he could be honest, 127 00:05:16.879 --> 00:05:19.079 but there's so many layers that he can't have an 128 00:05:19.079 --> 00:05:21.560 honest moment. Now part of what makes a good advance 129 00:05:21.600 --> 00:05:25.319 impression mascara, He says, My fiance works in beauty and 130 00:05:25.319 --> 00:05:27.160 did my eyeliner for the first round of videos, and 131 00:05:27.199 --> 00:05:29.160 we both kind of realized it needed to look worse. 132 00:05:29.560 --> 00:05:31.160 So now I just get the three dollars wet and 133 00:05:31.199 --> 00:05:33.360 wild from Walgreens and mash it into my eyes on 134 00:05:33.439 --> 00:05:37.720 my own. Shout out to Walgreens. Nick Swartzon spoke to 135 00:05:37.759 --> 00:05:40.399 the eight hundred pound Gorilla, and he said, one of 136 00:05:40.480 --> 00:05:42.839 my favorite stories is I did a performance arts center 137 00:05:42.879 --> 00:05:44.879 and I show up backstage. It's about two thousand seats. 138 00:05:44.920 --> 00:05:46.480 I look up the walls and big murals of the 139 00:05:46.519 --> 00:05:48.600 Lion King and Phantom and Wicked, and I go to 140 00:05:48.639 --> 00:05:50.680 the manager and I go, do you guys have comedy? 141 00:05:50.680 --> 00:05:52.639 Here and he goes, oh, yeah, I have comedy. Sometimes 142 00:05:52.639 --> 00:05:54.920 we had Lewis Black and I go, oh, no, do 143 00:05:55.000 --> 00:05:57.000 you have security here? And he goes no, but we 144 00:05:57.040 --> 00:05:59.519 have ushers. And I'm like, you don't understand. There's going 145 00:05:59.560 --> 00:06:02.759 to be a crapstorm coming in here. My fans are 146 00:06:02.759 --> 00:06:05.240 gonna be rowdy. And he's like, we'll be fine. And 147 00:06:05.279 --> 00:06:07.279 it's like, now you don't understand what I'm saying to you. 148 00:06:07.279 --> 00:06:09.480 The Nick Schwartz and crowd's gonna come in hot. And 149 00:06:09.519 --> 00:06:12.560 he's like, I'm not worried about it. Okay, whatever we go. 150 00:06:12.600 --> 00:06:15.000 I do my show. It's chaos. Girls got in a 151 00:06:15.040 --> 00:06:18.079 fight in a balcony. This brawl. People are being insane. 152 00:06:18.120 --> 00:06:19.839 It's super fun. I had a blast. And after the show, 153 00:06:19.839 --> 00:06:21.480 I got back to my green room and the manager goes, 154 00:06:21.680 --> 00:06:23.800 what the f And I'm like, yeah, I told you. 155 00:06:23.800 --> 00:06:26.079 People are doing cocaine in the crowd. There's vomit everywhere. 156 00:06:26.199 --> 00:06:27.920 Usher just didn't know what to do and I'm like, yeah, 157 00:06:27.959 --> 00:06:30.160 I know, I told you. Literally said that. I called 158 00:06:30.160 --> 00:06:32.360 my agent. I was like, maybe let's take a break 159 00:06:32.360 --> 00:06:34.439 from the Performing Arts Center. Like what am I gonna do? 160 00:06:34.439 --> 00:06:38.439 After the ballet slates has a big article on the 161 00:06:38.560 --> 00:06:41.759 arts of clowning, a little too deep for me to 162 00:06:41.759 --> 00:06:44.240 cover on this podcast, but a good read on Slate. 163 00:06:44.360 --> 00:06:47.680 The part I'll highlight here is they spoke to Natalie Palomides, 164 00:06:47.720 --> 00:06:51.480 who I think is fantastic, and the setup here was 165 00:06:51.560 --> 00:06:56.439 about how clown performers dress, and they said Natalie, by contrast, 166 00:06:56.600 --> 00:06:58.959 often isn't dressed in anything. In one of her more 167 00:06:59.000 --> 00:07:02.360 shocking Bitsmedies takes the stage dressed like the little mermaid 168 00:07:02.360 --> 00:07:04.639 looking for her true love. An audience member of volunzear 169 00:07:04.680 --> 00:07:06.519 is to fill that role. Natalie locks them in an 170 00:07:06.560 --> 00:07:09.319 aggressive tongue and make out, pulling their shirt over their 171 00:07:09.360 --> 00:07:14.040 head with passionate post nuptial Gusto, writes Slates. Later, Balamedes 172 00:07:14.040 --> 00:07:17.319 strips down completely and discovers that with the wonders of 173 00:07:18.480 --> 00:07:22.279 m enjoying yourself, maybe she doesn't need true love after all. 174 00:07:22.720 --> 00:07:24.560 She says, so much of the clowning in the modern 175 00:07:24.600 --> 00:07:26.800 scene is naked and horny, and that's not part of 176 00:07:26.879 --> 00:07:29.759 being a clown. Traditional clowning is supposed to be innocent, childlike, 177 00:07:29.759 --> 00:07:32.519 and playful, and I'm frustrated that I've become an example 178 00:07:32.560 --> 00:07:34.439 of this. It's become a creature people. If you're going 179 00:07:34.480 --> 00:07:37.040 to do nudity, you have to earn it. She's anxious 180 00:07:37.079 --> 00:07:40.000 that she might be bastardizing the form. She would rather 181 00:07:40.040 --> 00:07:42.879 say that I was a physical character comedian. I think 182 00:07:42.920 --> 00:07:44.680 more people on the outside started to refer to me 183 00:07:44.720 --> 00:07:47.040 as a clown before I called myself one. One of 184 00:07:47.079 --> 00:07:49.360 her friends made the case that clowning, just like any 185 00:07:49.399 --> 00:07:52.439 form of art, is subject to reinvention and deconstruction. Deal 186 00:07:52.480 --> 00:07:54.959 and went electric, Natalie, it might ditch your clothes in 187 00:07:54.959 --> 00:07:57.160 the middle of a show. Leslie Lao is one of 188 00:07:57.240 --> 00:08:00.759 Vulture's comedians you should know and will know. Oh. When 189 00:08:00.759 --> 00:08:03.800 they asked her if she were immortalized as a cartoon character, 190 00:08:03.879 --> 00:08:07.519 what would her outfit be? Interesting question? Stylish ath leisure, 191 00:08:07.680 --> 00:08:11.079 high waisted sweatpants, sports brawn a cool baggy vintage jacket, 192 00:08:11.160 --> 00:08:15.839 sexy clean sneakers. Sounds like, uh, Pouci from The Simpsons, 193 00:08:15.879 --> 00:08:19.319 didn't Pooci dress like that? What comedian's career trajectory would 194 00:08:19.319 --> 00:08:21.319 you like to follow? Bill Burr? I want to do 195 00:08:21.399 --> 00:08:22.920 stand up forever if you known for that first, and 196 00:08:22.959 --> 00:08:24.759 be competitive with myself and see if it can be 197 00:08:24.759 --> 00:08:26.439 better than it was there before. I want everything I 198 00:08:26.480 --> 00:08:29.240 do outside of stand up writing, acting, podcasting, directing, voice over, 199 00:08:29.240 --> 00:08:32.440 et cetera. Tolign with my voice in comedic style. Worst 200 00:08:32.480 --> 00:08:35.360 show ever. I recently did a show to college, so 201 00:08:35.480 --> 00:08:38.799 beforehand I assumed it was for college students. That is 202 00:08:38.840 --> 00:08:40.840 a good assumption. When I arrived, it was for a 203 00:08:40.879 --> 00:08:43.799 summer camp of high school students touring the college decide 204 00:08:43.879 --> 00:08:46.240 whether or not they wanted to apply. The average age 205 00:08:46.279 --> 00:08:48.919 had to be sixteen. They spent the entire day doing 206 00:08:48.960 --> 00:08:51.399 activities and were restless. All of them were on their 207 00:08:51.399 --> 00:08:53.600 phones and either talking to each other, shouting at questions 208 00:08:53.600 --> 00:08:55.480 that the comics, or trying to make each other laugh. 209 00:08:55.519 --> 00:08:58.440 The sound was awful. They were too young to grasp 210 00:08:58.480 --> 00:09:01.600 the concepts of my jokes, loneliness, isolation, agonizing over whether 211 00:09:01.679 --> 00:09:03.600 or not to have children, et cetera. They were not 212 00:09:03.720 --> 00:09:06.639 listening or laughing at anything I said, so I started 213 00:09:06.639 --> 00:09:10.039 doing Q and A. Questions range from what's your favorite movie? Too? 214 00:09:10.240 --> 00:09:13.320 Does life get worse? To what's your Snapchat? The lineup 215 00:09:13.399 --> 00:09:15.720 was stacked with amazing and talented comics, and one by 216 00:09:15.720 --> 00:09:18.039 one we were demolished emotionally by these children, and I 217 00:09:18.120 --> 00:09:20.759 hated it and it was amazing. All right, what's your 218 00:09:20.799 --> 00:09:23.240 joke writing process? She says, trying to be funny can 219 00:09:23.279 --> 00:09:25.480 backfire on me. When I first started, I naturally thought 220 00:09:25.480 --> 00:09:27.440 of what would make an audience laugh, and work backwards 221 00:09:27.440 --> 00:09:29.200 and tailoring the premise to it. Now I realize if 222 00:09:29.200 --> 00:09:31.440 I try to be funny first, my truth will get lost. 223 00:09:31.720 --> 00:09:33.200 If I start with the truth first, and I rant 224 00:09:33.200 --> 00:09:35.279 about my honest feelings and experience off in the humor 225 00:09:35.320 --> 00:09:38.039 On Once he relies on its own organically all right, 226 00:09:38.200 --> 00:09:41.919 comedy opinion hill that you'll die on, Leslie says, let's 227 00:09:41.960 --> 00:09:44.679 experiment with earlier show times. Shows that start past nine 228 00:09:44.679 --> 00:09:46.960 pm are challenge to us all. Everyone's pushing their limits 229 00:09:47.000 --> 00:09:49.200 to be awake and full of energy when reality we're 230 00:09:49.200 --> 00:09:53.200 all fighting there to doze off. Amen, preach Johnny Maco's 231 00:09:53.200 --> 00:09:55.279 to bed at nine point thirty half the time. Let 232 00:09:55.320 --> 00:09:57.039 me take a crack at a four pm show. We 233 00:09:57.039 --> 00:09:58.799 can all have a laugh at dinner at a reasonable 234 00:09:58.799 --> 00:10:00.960 hour and tuck ourselves in by nine pm. Oh, I 235 00:10:01.000 --> 00:10:03.120 think that's awesome, She says. I also love the no 236 00:10:03.240 --> 00:10:05.000 phones and shows policy. A stand up show is not 237 00:10:05.080 --> 00:10:06.639 a concert. It's a time to listen and laugh. When 238 00:10:06.679 --> 00:10:08.000 you're holding up your phone in front of your face 239 00:10:08.039 --> 00:10:10.639 and block other people's view and filming our sets, you're 240 00:10:10.679 --> 00:10:14.679 neither listening or laughing. Best comedy advice, Worst comedy advice. Best, 241 00:10:15.159 --> 00:10:17.320 don't try to lead with being relatable. Just focus on 242 00:10:17.360 --> 00:10:21.279 what's true for yourself and hope that connects with people. Worst. 243 00:10:21.639 --> 00:10:23.559 When I had my day job at Netflix, a few 244 00:10:23.559 --> 00:10:25.720 comics would find out and tell me that I was 245 00:10:25.759 --> 00:10:27.320 already in. All I had to do is get acquainted 246 00:10:27.360 --> 00:10:29.000 with someone on the stand up team and pitch myself 247 00:10:29.000 --> 00:10:31.960 and get a special that way, I'm well aware that's 248 00:10:32.000 --> 00:10:35.240 a backward, awkward and unprofessional strategy. These industry people have 249 00:10:35.279 --> 00:10:37.240 to come to you. If the comics approach them, they'd 250 00:10:37.279 --> 00:10:39.120 be a line of comics of the Netflix lobby waiting 251 00:10:39.159 --> 00:10:41.799 to pitch themselves to creative executives every day. Just be 252 00:10:41.879 --> 00:10:44.039 so good, funny, professional and special that someone who can 253 00:10:44.120 --> 00:10:46.279 change your life will notice you and come to you. 254 00:10:46.320 --> 00:10:48.519 And that is your comedy news for today. If you 255 00:10:48.639 --> 00:10:50.279 enjoy the program, tell a friend about it. They might 256 00:10:50.360 --> 00:10:52.120 like it too. You can share it on social media. 257 00:10:52.200 --> 00:10:54.039 You can follow me on social media. It Twitter's at 258 00:10:54.120 --> 00:10:57.559 dcnpod threads, seems to get a little more traction with 259 00:10:57.559 --> 00:10:59.879 the comedy community on threads. I have the proper at 260 00:11:00.120 --> 00:11:01.840 Daily Comedy News. If you want to be my friend 261 00:11:01.960 --> 00:11:05.679 over there. If you would like to program without commercial interruption, 262 00:11:05.759 --> 00:11:07.120 there's a link in the show notes that'll tell you 263 00:11:07.120 --> 00:11:08.759 how that works. You have an awesome day, and I'll 264 00:11:08.759 --> 00:11:09.399 see tomorrow.