WEBVTT

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<v Speaker 1>Ladies and gentlemen of America. Tonight's sears, Roebuck.

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<v Speaker 2>And Company celebrates the Fistius Anniversary by presenting the first

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<v Speaker 2>of a new series of programs dedicated to you, the

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<v Speaker 2>people of America, Then.

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<v Speaker 3>And Now, a Santa Rama of American destiny, a review

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<v Speaker 3>of the past fifty years for which the Robuck Company

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<v Speaker 3>has probably grown up with America. Each week, Sennah Now

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<v Speaker 3>will recreate for you, in music, in drama, in song,

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<v Speaker 3>the unforgettable events of the past half tensury. Each week's

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<v Speaker 3>famous Mogonti discards, composers, singers, the world's greatest talent will

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<v Speaker 3>be brought into your home by Sirs.

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<v Speaker 1>Robuck and Company. The store We're all America's Jock.

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<v Speaker 3>Here's Roebuck and Company has called to present on Tonight's

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<v Speaker 3>premiere broadcast.

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<v Speaker 1>Mister Robert Montgomery, Let's put all the mayors a.

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<v Speaker 2>Miss Constant Bennett of twentieth Century Fox, Mister Fredstone beloves

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<v Speaker 2>either of Broadway, Miss Pollastone, Hollywood, Hugh Start, Mister Walter Hampton,

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<v Speaker 2>Dean of the American Theater, and Tonight, for the first

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<v Speaker 2>time on the air, a gramorization from the novel which

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<v Speaker 2>is thrilling one hundreds of thousands of Americans gone with

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<v Speaker 2>the winds. Eighteen eighty six, America's got two miracles that year.

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<v Speaker 1>One was the.

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<v Speaker 3>Statue of Liberty with French senters for our hundredth birthday.

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<v Speaker 3>The other was the electric light, a young inventor by

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<v Speaker 3>the name of Edison, installed in the uplicted hand of.

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<v Speaker 1>The Goddess of Liberty.

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<v Speaker 2>Let us look back into the life of this man

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<v Speaker 2>of destiny, to whom America and the world oh so much.

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<v Speaker 1>Mister Walter Hampton plays all of Thomas Elder.

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<v Speaker 3>Edison in his dimmit laboratory, sends the genius Thomas Edison.

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<v Speaker 3>He's in Derby thirty permanently death as a result of

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<v Speaker 3>beating the stage.

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<v Speaker 1>One a small boy. It's a distant John Croty.

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<v Speaker 2>And there's the laboratory Edison busily thinkers with a curious

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<v Speaker 2>looking machine.

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<v Speaker 1>What is it you are working on now, mister Edison?

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<v Speaker 2>Just a minute, John, m hm, you know it's boil

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<v Speaker 2>up plantified room you heart with dire fran he let

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<v Speaker 2>curious looking is?

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<v Speaker 1>I think I got it? So it's time?

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<v Speaker 2>What in Heaven's name is it, mister Edison? I can't

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<v Speaker 2>hear you. I'm not looking at st. John, But if

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<v Speaker 2>you want to know what it is, I'll tell you.

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<v Speaker 2>It's something I've been working on in secrets for a

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<v Speaker 2>long time.

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<v Speaker 1>It's the small prison.

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<v Speaker 2>That's right for locking up the human voice and preserving

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<v Speaker 2>it for posterity.

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<v Speaker 1>I don't get you that, Ron.

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<v Speaker 2>Tell me this is impractical too. This is a little

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<v Speaker 2>device that's going to talk. What cut Your thing is

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<v Speaker 2>not blank because a table that can't talk. There are

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<v Speaker 2>lots of things you don't believe possible.

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<v Speaker 1>John.

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<v Speaker 2>You know, for instance, that in mischair here there's enough

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<v Speaker 2>energy to run a whole factory.

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<v Speaker 1>Can you tell me what makes the little animal called

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<v Speaker 1>man go around? Then? What's the secret of life? Who

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<v Speaker 1>knows it? Priving? You mean, no one. That's why it's

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<v Speaker 1>so fascinating.

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<v Speaker 2>You will realize what it will mean to the world

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<v Speaker 2>if you can capture the human voice and keep it

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<v Speaker 2>in a little box and had it talk whenever we

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<v Speaker 2>wanted to do you realize.

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<v Speaker 1>What that will mean.

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<v Speaker 2>Don't think anything is impossible for I think now, just

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<v Speaker 2>one more tightening this little boat. I read a young.

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<v Speaker 1>Watch me. I turned this little shaft here and I talked.

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<v Speaker 2>Mary had a little lamb. It bleeped while white as slow,

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<v Speaker 2>and ever where that Mary went, that lamb was sure

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<v Speaker 2>to go. Now, let's see whether all my effort is wrong.

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<v Speaker 2>For not, I turned the shaft backward to the starting point,

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<v Speaker 2>IDUs the cube, and once more turn the handle.

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<v Speaker 1>That cost you never.

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<v Speaker 2>I don't care anything, So it doesn't work. I guess

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<v Speaker 2>you're right, Friday, it's impractical. I guess it can't harness sound.

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<v Speaker 1>But mister Everson, it does work. I heard it just

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<v Speaker 1>what you said it to it, the same word, the

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<v Speaker 1>same thing. It's not you. You are not lying to

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<v Speaker 1>me because I heard not. Oh no, mister Edison, I

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<v Speaker 1>was never like to you. You really heard it the

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<v Speaker 1>same world as are the same word? Or do I sound? John?

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<v Speaker 4>Oh?

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<v Speaker 1>Wonderful? That machine is a success.

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<v Speaker 5>The most amazing, the most fonderful things that the type

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<v Speaker 5>of being created.

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<v Speaker 2>No idea more amazing and wonderful is the thing God created.

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<v Speaker 6>Man immortal parmacetis the death man.

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<v Speaker 3>Who made a machine park, the genius who gave the

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<v Speaker 3>world life, the wizard who performed incredible miracles, Pharmacetism, whose

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<v Speaker 3>dreams have profoundly affected the destiny.

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<v Speaker 1>Of the world. The nineties.

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<v Speaker 3>The can nineties when five they go through a belt FORDO.

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<v Speaker 3>There were no movies in those days, but there were

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<v Speaker 3>mental hides.

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<v Speaker 2>This late evening in the spring of eighteen ninety six,

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<v Speaker 2>speaking along a dirt road in Louisiana, the red.

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<v Speaker 3>And gold wagons of the mcentireon heath Mentrol that nation

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<v Speaker 3>is the little village of Old Town just over the

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<v Speaker 3>next ride a top the lead wagons that Joe Hayden,

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<v Speaker 3>a member of the company, did our mets, conductor of

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<v Speaker 3>the Mentro.

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<v Speaker 2>Band, and Jim McIntire. Well, boys, we're coming in the

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<v Speaker 2>old und zoon. I wish you boys that song ready

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<v Speaker 2>so we could introduced to as tomorrow night's opening it ready.

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<v Speaker 2>You're right mate, don't.

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<v Speaker 1>You worry about that? It's said tatoo. That's worrying. Well,

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<v Speaker 1>we'll call it the song with all the title if necessary?

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<v Speaker 1>Pretty much? Hey, look down there in Neveda is a fire.

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<v Speaker 1>Why did the town on fire? Well? Well, there are

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<v Speaker 1>half time and old uns to night? All right? What's it?

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<v Speaker 1>Have you born? Crazy? Title?

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<v Speaker 6>Given us the title what time in.

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<v Speaker 4>The Old Town to night?

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<v Speaker 1>When you the monocot meaning all going.

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<v Speaker 2>Wrong and bringing you must sing and when the wool

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<v Speaker 2>and all going in the way of time, your.

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<v Speaker 1>Pal here it again. An obscure little town in.

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<v Speaker 3>Louisiana was the first to throb to the Ketyan poobul

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<v Speaker 3>out of Hot.

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<v Speaker 1>Prime in the Old Town.

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<v Speaker 3>For two years, the minstrels toured the country singing it,

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<v Speaker 3>popularizing it wherever they went. But it needed a sudden

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<v Speaker 3>shock of a tragic event to lift the song to

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<v Speaker 3>its place in the pattern of America's destiny.

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<v Speaker 2>US naval based reporting, the United States battleship Maine was

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<v Speaker 2>blown up in Havana Harbor last night. The circumstances of

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<v Speaker 2>the explosion are extremely mysterious, and the government has ordered

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<v Speaker 2>an immediately.

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<v Speaker 3>The blue ster that volunteers have ninety eight marched off

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<v Speaker 3>the Cuba to the town of hop Prime in the

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<v Speaker 3>Old Town.

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<v Speaker 1>They whistled it in a jungle camp. They sang it

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<v Speaker 1>as a god dumptown on hill. They needed the song

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<v Speaker 1>of the Spanish American War nineteen four, they America turned

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<v Speaker 1>for the same news expedition. In celebration of the hundreds.

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<v Speaker 3>Anniversary of the Louisiana Persons, thousands of thousands of people

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<v Speaker 3>panned the way into the paradels that hot cover, eager

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<v Speaker 3>to see how far America has come.

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<v Speaker 2>Ladies and gentlemen. Before you is the famous written a

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<v Speaker 2>lot of mobile older of the world's long distance records

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<v Speaker 2>of over one thousand miles. Yes mean practical one moment,

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<v Speaker 2>old timer. This card drove all the way from New

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<v Speaker 2>York just to come to the.

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<v Speaker 1>Exposition that the heart that tired po in spite of

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<v Speaker 1>the derision which greeted the automobile in nineteen four it

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<v Speaker 1>is indeed here to stay and it's coming.

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<v Speaker 3>Developed an industry which was to be digetic even among

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<v Speaker 3>the colossal industrial combinations of those early nineteen hundred.

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<v Speaker 2>This was an age of leisurely living and a cold

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<v Speaker 2>bottles and the birds. The picture had some harvel skirts.

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<v Speaker 1>When the holding walls is of the castle house.

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<v Speaker 3>Orchestra gave way to the toe tickling rhythms of frank time.

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<v Speaker 3>The campl quicking life was James Cafay the world Das

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<v Speaker 3>was talking about on the.

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<v Speaker 1>Edge of Within three shork years, America came of age

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<v Speaker 1>the World War. To me, missus La Gresham, you know

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<v Speaker 1>a telegram, I.

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<v Speaker 4>Don't have my lasser.

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<v Speaker 5>It's in the setadary of war he says, regrets to

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<v Speaker 5>inform you that your son, then Dresham, was the first

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<v Speaker 5>American soldier who to be killers in the world.

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<v Speaker 1>My supericized with the.

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<v Speaker 3>Jazz age, what's your frenzy, frostword puzzles, Bruno Valentino, Battle

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<v Speaker 3>bottom trousers, King Cut, the Tamil Swimmers, Bess Radio, And

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<v Speaker 3>out of the restless moil of twentieth century cirbulents came

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<v Speaker 3>the story of a beautiful friendship and a heartrending tragedy.

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<v Speaker 7>Lot of fighting.

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<v Speaker 3>Frontway places on their plane and you want to go

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<v Speaker 3>how to go to the pretty cooking the flow the walls.

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<v Speaker 1>Hello, Oh that's you call us? Yes, this is Will Rodgers.

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<v Speaker 4>Our bread feelings don't just can't tell how Daddy was

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<v Speaker 4>yet there We're looking to the best.

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<v Speaker 8>Listen out out this job is three tears. I read

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<v Speaker 8>in the paper that they don't call the whole thing off.

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<v Speaker 4>That's what the just started last night.

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<v Speaker 8>Well, uh, you tell those birds and New York that

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<v Speaker 8>I'm going to buy some California pink hips and to

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<v Speaker 8>the bed gets Well, tell him, uh might not dance.

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<v Speaker 8>It's funny, but I've seen his vow of bread and

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<v Speaker 8>said that not to take so hard, because oh Chuck,

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<v Speaker 8>you'll be up from Nason again.

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<v Speaker 1>Don't die, thank you, I will.

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<v Speaker 2>The nation's thrilled as Will Rogers rush to New York

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<v Speaker 2>to fill in for his injured friends. America loved Will

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<v Speaker 2>Rogers as I never loved anyone else. America was unprepared

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<v Speaker 2>for that tragic summer day when Will Rogers flew off

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<v Speaker 2>to a final landing. This is Fedstone's speaking friends, This

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<v Speaker 2>is Will rogers spots. But nobody can tink ship for

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<v Speaker 2>Will Rogers. For if Will was here, he'd be on

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<v Speaker 2>this program. The panorama of the America of the last

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<v Speaker 2>fifty years just has to include Will. It was you,

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<v Speaker 2>Will who gave America an inspiration she never had known before.

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<v Speaker 2>Your philosophy, your thinking, your little homespun sayings were bred

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<v Speaker 2>in the stile of this Nathan. You were America, Will,

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<v Speaker 2>and you were my friends. So I know you will

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<v Speaker 2>understand about me taking your spot tonight. They didn't know

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<v Speaker 2>of anyone else to get, and I wanted so much

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<v Speaker 2>to do it for you to return a beautiful favors.

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<v Speaker 2>So if you let my daughter Paula and me go

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<v Speaker 2>on for you, Bill, Indie Road, New York is remarkable.

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<v Speaker 1>Ferry. The names on the lampos is unnecessary.

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<v Speaker 4>You merely have sputy the girls to know what reager

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<v Speaker 4>are this.

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<v Speaker 9>Aven new Beauty and zero Broadmakers and Naylor makee Joffers

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<v Speaker 9>the Abbey new Makers. They're strictly all right, the circummer

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<v Speaker 9>and wiping in the differn.

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<v Speaker 1>I just talk you.

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<v Speaker 10>Mom a bow and not mine.

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<v Speaker 4>You cannot be everyone in.

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<v Speaker 1>Under corn he your mean y man gay mammy in

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<v Speaker 1>a hard queen.

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<v Speaker 7>Many May twenty first, nineteen twenty.

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<v Speaker 3>Seven, yank you stad him In New York City were

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<v Speaker 3>forty thousand rabbit pip fans gathered to witness the dim

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<v Speaker 3>below he deck Cockypce, the winner of which was to

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<v Speaker 3>meet Jack Empape.

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<v Speaker 7>Target the Hormoney places, Sirs of hard life and lesson.

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<v Speaker 1>He's making monium the pont and his going away with

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<v Speaker 1>one two one to one too, just like that and

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<v Speaker 1>look for all the fall and go on.

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<v Speaker 3>Believe you be both up wait the winner, Patties and gentlemen.

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<v Speaker 1>Joe Huls is just sep in the rain. This is

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<v Speaker 1>very unusual for Joey's going to make.

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<v Speaker 10>When house put in the midst of this night, ath.

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<v Speaker 11>Man coma quiet, please please get three teams from mile

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<v Speaker 11>less report that a young man kis apartment and they

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<v Speaker 11>are plans across the ocean alone.

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<v Speaker 10>He fron somewhere over the hope with the seat and

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<v Speaker 10>the same here it's CALLI Cally, Callie.

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<v Speaker 1>Listen for now.

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<v Speaker 11>I'm gonna ask you, ladies and gentlemen, if you don't

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<v Speaker 11>find me and I don't think the two fighters leaders

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<v Speaker 11>the call re quiet for one minute.

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<v Speaker 4>He got to get the boy a house and square.

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<v Speaker 4>I thought of you who f that out?

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<v Speaker 10>Just requiet anyway, m hmmm.

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<v Speaker 3>Twenty hours later, the Lone Eagles dropped under the French

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<v Speaker 3>guy to a memorable landing in Paris and placed his

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<v Speaker 3>name besides those of Columbus, Mademon, Harry and Paris.

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<v Speaker 1>And Today?

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<v Speaker 2>What interests America? What people fascinate her? What books drove her?

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<v Speaker 2>What is America thinking? A more sober, more reflective America.

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<v Speaker 2>Read such historical novels as Gone.

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<v Speaker 1>With the Winds by Margaret Mitchell, a scene.

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<v Speaker 2>From which is dramatized for the first time on the

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<v Speaker 2>air with Miss Thompson's Bennett at Scarlett o'hira and mister

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<v Speaker 2>Robert Montgomery as West butler Gone with the Wind the

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<v Speaker 2>story of Scarla O'Hara.

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<v Speaker 3>The daughter of a stousland Traditions have been gathered by

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<v Speaker 3>the Civil War. Scarlett o'helllla coquett viction, ready to recruit

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<v Speaker 3>every feminine while to achieve her personal pleasures and stability.

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<v Speaker 3>Who married a man she did not love, so fascinated

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<v Speaker 3>by a rest butler's charming scoundrel and blockade runner. Then

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<v Speaker 3>her husband is killed on the evening of his burials,

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<v Speaker 3>Scarlett sits alone in her room along with her scout,

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<v Speaker 3>reactionalizing as her brain insists, unformenting.

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<v Speaker 12>What's a put But did you repeater a man in

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<v Speaker 12>the city? Nothing, Lord controls the n tree. Not you

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<v Speaker 12>enough here, but you do an I caught my really shot,

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<v Speaker 12>got appointee for that. That Appanice is Mary and frank

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<v Speaker 12>And you really up to h I very unhappiness, thought

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<v Speaker 12>like a German. But I really didn't make an entirely unhappy.

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<v Speaker 12>I did my child up? Oh, trying to jo your

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<v Speaker 12>life nice?

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<v Speaker 4>I not putting. I could always find someone who'd let

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<v Speaker 4>me put my head on the clothing. I wouldn't see

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<v Speaker 4>frank kin that look. I wouldn't see him anymore, And I.

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<v Speaker 1>Want to talk with Doll.

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<v Speaker 4>Lying down.

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<v Speaker 1>You'll see me. Tell her I'm going away tomorrow. Tell

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<v Speaker 1>it's terribly important.

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<v Speaker 4>Yeah, I'll be done today. Let's put the mons forbidding

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<v Speaker 4>us until with the shop. I'm coming down there.

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<v Speaker 2>Forgive me the disturbing your scarllet. I'm sorry. I couldn't

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<v Speaker 2>be a Frank funeral. I understand your pardner that pity.

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<v Speaker 4>Oh definitely, I'll close the doors.

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<v Speaker 1>What are you telling me? I want to find out

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<v Speaker 1>what's the matter with you is? Yeah, you know you'll

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<v Speaker 1>tell us in it.

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<v Speaker 12>Last?

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<v Speaker 1>Good on, honey?

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<v Speaker 9>What is it?

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<v Speaker 1>Isn't it more than just old Frank dying?

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<v Speaker 4>I'm a trade out dying, go to hell.

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<v Speaker 1>Maybe there isn't any help, but I know there is,

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<v Speaker 1>But it's right here on it.

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<v Speaker 4>Well, I can. He was married, Frank, he was yellow,

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<v Speaker 4>he was too angry for he loved her nothing. I

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<v Speaker 4>lied to him and I told him she was gonna

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<v Speaker 4>marry from here, and I talked about some ship.

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<v Speaker 1>And that's how you got Frank. I always wondered.

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<v Speaker 4>I made him do all sorts of sinity to the

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<v Speaker 4>very jeep. I was so mean to him, but I

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<v Speaker 4>I really mean my mother was siddized your mother.

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<v Speaker 1>I've often wondered what your mother was like.

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<v Speaker 4>The first time. I'm glad she said because she can't

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<v Speaker 4>see me. He didn't Eve raise me to be mean

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<v Speaker 4>brother I'd have I'd guess, no husband do this. I've

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<v Speaker 4>told him to be like he everywhere, and I'm not

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<v Speaker 4>like her. It's not a beet. Mother died right off

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<v Speaker 4>to the antwerp. I had to turn amerge. I get

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<v Speaker 4>all cool when I think it's I can see all

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<v Speaker 4>everything in the spurn and still there's nothing to eat.

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<v Speaker 4>You know that's it? And I'm being I'm hungry again.

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<v Speaker 4>Go on, I'm hungry in my mind experience I ever

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00:21:57.680 --> 00:21:59.559
<v Speaker 4>did out of this, I'll never never be hungry again.

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<v Speaker 4>And then and then the being goes off in extreme infinuence.

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<v Speaker 4>Learned to harden het about the birth, and something is

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<v Speaker 4>taking me. I can't breathe, but you're thinking of I

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00:22:07.960 --> 00:22:10.400
<v Speaker 4>can just get the hob to stay. But I don't

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<v Speaker 4>know why I'm trying to get.

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<v Speaker 2>Only let's get the bottom of it. You see, if

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<v Speaker 2>you had it to do over again, you do it differently.

315
00:22:16.559 --> 00:22:18.200
<v Speaker 2>But would you think now would you?

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00:22:18.960 --> 00:22:19.400
<v Speaker 4>I don't know.

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00:22:21.440 --> 00:22:23.359
<v Speaker 1>Why don't you tell me the truth. Hasn't your conscience

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00:22:23.400 --> 00:22:24.160
<v Speaker 1>bothered you before this?

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00:22:25.640 --> 00:22:29.279
<v Speaker 4>I didn't talk much about conscience before. I guess I'm

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00:22:29.319 --> 00:22:30.880
<v Speaker 4>just making God but understand.

321
00:22:30.960 --> 00:22:33.240
<v Speaker 1>But you don't credit God with understanding why you married

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00:22:33.240 --> 00:22:33.599
<v Speaker 1>a friend.

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00:22:34.880 --> 00:22:36.640
<v Speaker 4>How can you talk about God and when you don't

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<v Speaker 4>even believe there is?

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00:22:37.440 --> 00:22:39.200
<v Speaker 2>You believe in a god of wrath, and that's what's

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00:22:39.240 --> 00:22:41.960
<v Speaker 2>important at the moment. I'm surprised that just got us

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00:22:42.000 --> 00:22:44.559
<v Speaker 2>a sprout in the conscience this late in life. Opportunities

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00:22:44.640 --> 00:22:48.039
<v Speaker 2>like you couldn't have me. Person takes it bage of

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00:22:48.079 --> 00:22:51.440
<v Speaker 2>opportunities at all. He's always been held in bad taste

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00:22:51.480 --> 00:22:54.480
<v Speaker 2>by those who had the same opportunities it didn't take them. Now,

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<v Speaker 2>I'll tell you why I came here this eason. I'm

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00:22:57.160 --> 00:22:59.920
<v Speaker 2>going away to England and I've got news.

333
00:23:01.319 --> 00:23:02.039
<v Speaker 1>My news is this.

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<v Speaker 2>I still want you more than any woman I've ever seen.

335
00:23:05.640 --> 00:23:07.839
<v Speaker 2>And now the prank is going. I thought you'd be

336
00:23:07.920 --> 00:23:08.640
<v Speaker 2>interested to know it.

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<v Speaker 4>Yes, but give them Mont your big man in the world,

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00:23:11.839 --> 00:23:14.680
<v Speaker 4>coming ahead of time like this is hardly.

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00:23:14.960 --> 00:23:17.720
<v Speaker 1>Means I'm afraid you missed my point.

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00:23:18.039 --> 00:23:20.079
<v Speaker 4>I don't miss anything. That don't mean get out here and.

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<v Speaker 1>I'm asking you to marry me. Would you be convinced

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<v Speaker 1>if I knelt down.

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<v Speaker 2>I've always intended having your collar since the first day

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<v Speaker 2>I saw your twelve hope when you're three of ours

345
00:23:27.839 --> 00:23:29.039
<v Speaker 2>and four are just to prove to me that you

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<v Speaker 2>want the lady.

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<v Speaker 4>You're still calm, just as the river.

348
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<v Speaker 1>I damn my soul when you're suspicious.

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00:23:36.160 --> 00:23:37.759
<v Speaker 2>I'm going away for a long time, and if I

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00:23:37.799 --> 00:23:40.160
<v Speaker 2>wait till I return, I'm afraid you have married someone

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<v Speaker 2>else with money. So I thought, why not me and

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00:23:43.200 --> 00:23:45.279
<v Speaker 2>my money? Really, scholar, I can't go on all my

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<v Speaker 2>life waiting to catch you between husbands.

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<v Speaker 4>I never married.

355
00:23:49.720 --> 00:23:53.839
<v Speaker 2>Oh, yes you will. You were born to be married. Drawback,

356
00:23:53.880 --> 00:23:55.960
<v Speaker 2>you love never loved Frank? Did you ever think of

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<v Speaker 2>marrying just for the.

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<v Speaker 1>Fun of him? Don't talk like a fool. There's no

359
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<v Speaker 1>fun before. I don't know. Why not try marrying a

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<v Speaker 1>fine young man who has a bad reputation and away

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<v Speaker 1>with women. Yes, you.

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<v Speaker 4>Is gone.

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<v Speaker 1>Fan, gotta say you're marrying her.

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<v Speaker 2>I'll say, around here and play guitar, and you win

365
00:24:12.960 --> 00:24:14.680
<v Speaker 2>there every night and see at the top of my voyage.

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<v Speaker 1>So you'll marry me to save your reputation.

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<v Speaker 4>But I don't want to marry anything.

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<v Speaker 1>You're a fool.

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<v Speaker 2>You're in my arms now, you're caing to me is

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<v Speaker 2>the only solid thing in the dizzy swam world. You've

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00:24:30.200 --> 00:24:33.640
<v Speaker 2>never felt like this before in your whole life. You've

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<v Speaker 2>had this coming to you for years. Some of the

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00:24:35.960 --> 00:24:37.720
<v Speaker 2>fool none of the fools you've known, have kissed you

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<v Speaker 2>like this?

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<v Speaker 1>Have they? Yeah?

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<v Speaker 2>Women know, But what do they know about women? What

377
00:24:41.319 --> 00:24:44.599
<v Speaker 2>do they know about you? I know you two years, scharllege,

378
00:24:44.839 --> 00:24:45.319
<v Speaker 2>two years?

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<v Speaker 1>You mean it? You don't want to take it back?

380
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<v Speaker 1>Just why did you say? You? Look at me? Is

381
00:24:53.279 --> 00:24:53.839
<v Speaker 1>it my money?

382
00:24:55.759 --> 00:24:55.920
<v Speaker 4>Chus?

383
00:24:56.079 --> 00:24:57.680
<v Speaker 1>Look up and don't try to sweet talk me.

384
00:24:58.240 --> 00:25:00.519
<v Speaker 4>I'm love with me? Are you? Why sa you?

385
00:25:01.279 --> 00:25:01.319
<v Speaker 1>No?

386
00:25:02.559 --> 00:25:05.799
<v Speaker 2>Oh, my dear, I'm not in love with you, no

387
00:25:05.960 --> 00:25:08.079
<v Speaker 2>more than you are with me. And if I were,

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00:25:08.160 --> 00:25:11.519
<v Speaker 2>you'd be the last person I'd ever tell. God helps

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00:25:11.559 --> 00:25:12.920
<v Speaker 2>a man who ever really loves it.

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00:25:13.759 --> 00:25:18.559
<v Speaker 1>You break his heart? My daughter? All right? Let me

391
00:25:18.680 --> 00:25:19.759
<v Speaker 1>know if you change your mind?

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00:25:21.359 --> 00:25:23.279
<v Speaker 4>Well answer to peak a back.

393
00:25:23.559 --> 00:25:25.359
<v Speaker 2>Do you think you've had enough kissing for one evening

394
00:25:26.039 --> 00:25:28.319
<v Speaker 2>to think of a modest, well brought up young woman.

395
00:25:29.000 --> 00:25:30.920
<v Speaker 1>Well? I told you it would be fun, didn't.

396
00:25:32.440 --> 00:25:35.000
<v Speaker 4>Just impossible? And I don't care if he never come back.

397
00:25:35.000 --> 00:25:38.160
<v Speaker 1>But I will come back. I will, and you will

398
00:25:38.240 --> 00:25:54.480
<v Speaker 1>wait until I do. Fifty years ago a man bought

399
00:25:54.480 --> 00:25:56.720
<v Speaker 1>a watch. It was a good watch.

400
00:25:57.440 --> 00:25:59.720
<v Speaker 2>That doesn't he ever expected to warn out of a

401
00:25:59.759 --> 00:26:03.119
<v Speaker 2>low price, and he ever expected to pay. The man

402
00:26:03.160 --> 00:26:08.359
<v Speaker 2>who bought the watch was Lewis Linderman of North Redwood, Minnesota,

403
00:26:09.319 --> 00:26:12.480
<v Speaker 2>and the man who bought it from was Richard W. Sears,

404
00:26:12.960 --> 00:26:18.279
<v Speaker 2>founder of Sears Roboton Company. Wherever you are, Lewis Linderman,

405
00:26:19.319 --> 00:26:24.160
<v Speaker 2>do you please stand up on Seers robut and Companies.

406
00:26:24.200 --> 00:26:31.400
<v Speaker 2>Golden Jubilee. Fifty thousand Seers employees join in nationwide tributes

407
00:26:31.920 --> 00:26:39.519
<v Speaker 2>to you, the first Spear's customer, you and Sears robutn Company. No,

408
00:26:40.240 --> 00:26:45.720
<v Speaker 2>mister Linderman, how far this country has really come?

409
00:26:48.240 --> 00:26:54.640
<v Speaker 1>Mister Linderman? What kind is this? Is it night fall.

410
00:26:56.039 --> 00:26:56.359
<v Speaker 7>Or just.

411
00:26:57.880 --> 00:26:58.319
<v Speaker 1>The door?

412
00:27:04.880 --> 00:27:09.480
<v Speaker 2>The forward mark of America marking into a new day, grander,

413
00:27:10.039 --> 00:27:14.000
<v Speaker 2>more beautiful than we have ever known before. Marching marching

414
00:27:15.799 --> 00:27:21.240
<v Speaker 2>to the music of the sphere and the fifth of

415
00:27:21.359 --> 00:27:23.960
<v Speaker 2>us Cook, What thank you, mister.

416
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<v Speaker 1>Hanley, Gone with the wind? The fourth coming Sells Make

417
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<v Speaker 1>International Production was.

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<v Speaker 2>Presented on the Night's broadcast by special permission of the

419
00:27:34.400 --> 00:27:37.119
<v Speaker 2>McMillan Company and sells Make Internation Now. Picture is the

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00:27:37.160 --> 00:27:40.759
<v Speaker 2>copyright Robert Montgomery appeared in my permission of Metal Role

421
00:27:40.799 --> 00:27:42.799
<v Speaker 2>than Mayor and Constant Manett.

422
00:27:42.519 --> 00:27:44.119
<v Speaker 1>With permission of twenty ofth Mecripox.

423
00:27:44.559 --> 00:27:47.039
<v Speaker 2>The songs line in Manhattan is from the Big Broadcast

424
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<v Speaker 2>The Parallel Picture Parcity BG one of.

425
00:27:49.640 --> 00:27:53.799
<v Speaker 1>The ductical Good News Next ers.

426
00:27:53.920 --> 00:27:55.559
<v Speaker 3>At the same time, she is invited you to go

427
00:27:55.680 --> 00:27:58.119
<v Speaker 3>back through the years again and to meet their guest stars,

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<v Speaker 3>Admiral Richard E. Burd, Helen Sweetman of the Metropolitan Opera

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<v Speaker 3>and the Abby Children Patient Richard and John, authors of

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<v Speaker 3>the best selling around the World in eleven years
