Speaker 1: Some things are going to happen.
Speaker 2: What's going to happen?
Speaker 3: What a.
Speaker 4: Welcome to the occult rejects. This episode, we got a
Speaker 4: packed house today. We got we got eight of us here,
Speaker 4: magical number.
Speaker 1: Uh.
Speaker 4: First off, we'll start off with Lisa, your cult rejected
Speaker 4: mad scientists. What is going on? Lisa? How are you?
Speaker 4: Thank you for joining us?
Speaker 5: Thank you, thank you for inviting me. And I'm very
Speaker 5: excited to hear all the discussions. AGA I'm doing already
Speaker 5: and so anyway, I wanted to plug at the beginning
Speaker 5: the Cult Research Institute dot org check us out.
Speaker 4: Awesome, Thank you very much, appreciate you joining us. And
Speaker 4: frader Jin the Ninja. What is going on? Sir?
Speaker 6: Hello Cardinal, good evening. Okay, So I'm jan Ninja. You
Speaker 6: can find me on ex, Twitter, at ucom. We're born
Speaker 6: to the UK one g be born. The show account
Speaker 6: is at Threshold Saints on both ig and Twitter. My
Speaker 6: show is Serial Experiments in Speculative Ontology. We just launched
Speaker 6: a news series on the Gray Lodge entitled Welcome to
Speaker 6: Hapaboia So Speculative American Narcissism, So interested.
Speaker 4: To awesome, awesome, Thank you very much, sir, and Riccardo.
Speaker 4: What is going on? Ricardo? Please let everybody know what
Speaker 4: your deal is where they can find all your amazing research.
Speaker 7: Oh, thank you, thank you. So my name is Ricardo
Speaker 7: Varu and you can find me at Ricardo Calvary one
Speaker 7: at x or History, miss and Legends on YouTube. But
Speaker 7: you I would recommend not myself, but for instance, Institute
Speaker 7: for Natal Philosophy that I'm part on. You can go
Speaker 7: to Institute for Naturphilosophy dot org and find out magazine
Speaker 7: Pharaohs that it's free to download or to watch directly
Speaker 7: and if anyone wants to participate, they have the context
Speaker 7: there to reach us.
Speaker 4: Thank you awesome, Thank you very much for Kardo and
Speaker 4: Heidi Love.
Speaker 8: What is o?
Speaker 4: Heidi?
Speaker 2: Please let everybody know, thank you, Thank you, Cardinal.
Speaker 1: I'm so happy to be here because you know, the
Speaker 1: Pope was like elected today and the cardinals here with
Speaker 1: us and freighters and we have all these people now.
Speaker 1: I'm Heidi Love of the Unfiltered Rise. I'm everywhere podcasts
Speaker 1: are served. You can find me mostly on Spotify. If
Speaker 1: you do YouTube, it's just one show a week because
Speaker 1: they hate me, so check it out there.
Speaker 4: Thank you very much, Id you. Always appreciate you coming
Speaker 4: on the show. And Ethan Indigo, my man, how's it going?
Speaker 9: Peace, got to be here, honored to hear you guys
Speaker 9: speak joy, love your ideas. I have a couple of
Speaker 9: articles on the Cult Research Institute and I am easy
Speaker 9: to find on social media, So honor to be here.
Speaker 8: You guys.
Speaker 4: Definitely go check out his stuff. I got his links
Speaker 4: in the bottom as well, and less but not least
Speaker 4: so well, no, not last, but at least Headless made it.
Speaker 4: JJ Vance real quick, let everybody know what your deal
Speaker 4: is as well, so everybody can find your amazing work
Speaker 4: in your podcast.
Speaker 8: Nicks.
Speaker 10: Always, I appreciate the invite, sir, fellow occult rejects folks.
Speaker 10: I always be looking forward to the conversation. We just
Speaker 10: got one more here with Headless, Uh Joey. Great to
Speaker 10: meet you, U. JJ Vance, host of Operation gc D.
Speaker 10: More notably not the vice president. It's important to note
Speaker 10: that Grock a I even thinks I'm the vice president,
Speaker 10: like that's the JD Vance host the Operation GCD podcast.
Speaker 10: I'm you know, I have to tell Grock that's mistaken.
Speaker 10: But I also have an alibi for the death of
Speaker 10: the Pope because.
Speaker 4: He's off for that. So well, yeah, this conversation what's
Speaker 4: that be and you are podcasting would have happened right exactly.
Speaker 10: I've got an alibi now looking for the combo. Definitely
Speaker 10: agreed to meet.
Speaker 4: You there, Joey, thank you awesome. And now finally, last
Speaker 4: but not least, Headless Giant. Please let everybody know what
Speaker 4: you do?
Speaker 3: Is you doing? Yeah, I'm the Headless Giant. You can
Speaker 3: find my show on YouTube. I'm also on x Just
Speaker 3: look at the Headless Giant and if you have it
Speaker 3: to occult slash, scary, slash creepy stories you want to
Speaker 3: tell me, just send it to the Headless Giant podcast
Speaker 3: at gmail dot com and we will get those up
Speaker 3: there for you.
Speaker 4: Awesome. Definitely go hit them up with some emails. And
Speaker 4: now finally to the guest, Joey Pas back on again
Speaker 4: from the Library of Untold. Please, man, let everybody know
Speaker 4: where they can find all your amazing work.
Speaker 11: Well, I host Library of the Untold and write it
Speaker 11: and whatever else.
Speaker 8: But something that's new that was not last time.
Speaker 11: And actually this is the first time I've said this,
Speaker 11: So a little announcement for your show. Here fucking finally
Speaker 11: we have library off theuntold dot com where just everything
Speaker 11: is now in one place. So I've been needing that
Speaker 11: for some time because in the comments people always like, hey, man,
Speaker 11: where can I find your old videos all in one place?
Speaker 8: Or your music?
Speaker 11: It's all now, it's right there. But the bookstore doesn't
Speaker 11: work yet. Don't buy a book, it won't work. So
Speaker 11: we're getting there. Other stuff is available, honesty.
Speaker 4: Yeah no, but good for you, man, that is great.
Speaker 4: That is great. Listen, we had a great time the
Speaker 4: last time you were on. Man. I am so stoked
Speaker 4: that you decided to come on the show too, to
Speaker 4: even cover a topic that I don't think you've really
Speaker 4: covered on your show. So no, to me, this is
Speaker 4: you know, it was an honor. I was like, damn,
Speaker 4: he's asking me to come on. My should go something.
Speaker 4: That's what's up? Thank you? So please, Joey, let us
Speaker 4: know what's been going on through your head for a while.
Speaker 11: So for like years now, obviously, I've been just curious
Speaker 11: about the Pyramids, just like anybody else. But along with
Speaker 11: ancient sites and everything else. And uh, I was aware
Speaker 11: of the power plant theory and I wasn't quite fascinated
Speaker 11: by it because it seemed like one of those fringe
Speaker 11: subjects that you would, you know, get to eventually, but
Speaker 11: whenever they kind of did that maybe bonk, maybe not
Speaker 11: study with Cofre the sar thing or whatever. That piqued
Speaker 11: my interests a little bit and it.
Speaker 8: Kind of went nowhere.
Speaker 11: But while it was piquing my interests, I started getting
Speaker 11: into Chris Dunn and many other just the no nonsense
Speaker 11: engineers who are miles from anything esoteric, who look at
Speaker 11: the Pyramids and cross sections of it and they're like,
Speaker 11: that's a machine. And knowing that I'm not qualified as
Speaker 11: a machinist to argue with any of these guys, I
Speaker 11: started reading. And usually I used these books for reference, dude,
Speaker 11: but these two books in particular caught me and I
Speaker 11: just was cover to cover with them. In like two weeks,
Speaker 11: I couldn't put them down. And that became what's going
Speaker 11: to be I guess about the next three episodes on
Speaker 11: the show starting tomorrow.
Speaker 8: So the way that these.
Speaker 11: Three episodes will, the way they start is the first
Speaker 11: one's just going to be no nonsense, just cold hard
Speaker 11: facts about the Pyramids before anything speculative comes out. I
Speaker 11: want to lay down a foundation of what is absolutely determinable.
Speaker 11: And what that part is I think is obvious that
Speaker 11: they weren't tombs.
Speaker 8: First of all, I think that's out the window.
Speaker 11: And now that that's out the window, it's still taboo
Speaker 11: to speculate anything else, which is really weird because we
Speaker 11: have a gap to fill, and with that gap, this
Speaker 11: power plant hypothesis just knocks it out of the park.
Speaker 11: All of the parts fit, and what's strangest about it
Speaker 11: is there's no parts of the pyramid that seem like
Speaker 11: they don't add here to a power plant type of hypothesis.
Speaker 11: That's not to say that they used a power plant the.
Speaker 8: Way that we do today.
Speaker 11: That might have been the case, but their usage of
Speaker 11: electromagnetic energy might be so alien to us that we
Speaker 11: don't know what they use it for.
Speaker 8: All we know is that.
Speaker 11: The pyramid, these three pyramids in a row themselves, are
Speaker 11: set up to be able to harness electro magnetic power,
Speaker 11: and what they did with it we don't know, but
Speaker 11: it's absolutely fascinating. So after reading these books, I wanted
Speaker 11: to make a video that was just a straight rundown
Speaker 11: of what the pyramid did from A to Z in
Speaker 11: order of energy from the Earth to exupporting energy just
Speaker 11: like a power plant does today, but without.
Speaker 8: Any of the fluff.
Speaker 11: Because these these books, they I love these guys. They
Speaker 11: tell their story and they enter around you know, it'll
Speaker 11: always be like, you know, I was on site here
Speaker 11: and there and the sunset whatever, and I got this
Speaker 11: feeling or whatever, and that's great. I love those, but
Speaker 11: I don't want it on the show. So I just
Speaker 11: wanted to make a show that it was just straight
Speaker 11: a to Z what the pyramid did and how, and.
Speaker 8: That's what I'd like to present.
Speaker 7: To you today.
Speaker 8: So do you happen to have a cross section of
Speaker 8: the pyramid?
Speaker 4: I have to go through the pictures here real quick.
Speaker 11: Yeah, all of these pictures a month ago would not
Speaker 11: have haunted me. But now it's like it's a whole
Speaker 11: it's a whole crazy thing. There's a good there's a
Speaker 11: good one right there, all right. So everyone kind of
Speaker 11: knows that the pyramid is a is a map of
Speaker 11: the earth, so to speak. The dimensions of the pyramid,
Speaker 11: when multiplied by four and thirty two, is the dimensions
Speaker 11: of the Earth itself. So people used to think that
Speaker 11: this was to be a message to future generations that
Speaker 11: they knew the circumference of the Earth. Christn had a
Speaker 11: different idea in his profession as an aerospace engineer.
Speaker 8: He uses what are called coupled oscillators.
Speaker 11: Something that is the same dimensions of something else but
Speaker 11: are a different octave will vibrate when the other thing vibrates.
Speaker 8: For example, a two tuning forks. You know how one
Speaker 8: will ring and then the other one will ring without touching.
Speaker 11: It, right, that's a loose form of a coupled oscillator
Speaker 11: that works with octaves as well. Like on a piano,
Speaker 11: if you hit one key, the other octaves would start
Speaker 11: vibrating as well if there weren't dampeners and the piano, however,
Speaker 11: the other strings won't. So the pyramid itself, the whole shape,
Speaker 11: is a coupled oscillator with the Earth. According to Chris Dunn,
Speaker 11: down in the very bottom shaft down here would have
Speaker 11: been some kind of device that inspired Nicola Tesla to
Speaker 11: create what he called it earthquake machine.
Speaker 8: It would basically start the engine.
Speaker 11: It would vibrate or pulse in such a way that
Speaker 11: would get the pyramid rumbling with the earth. So it's
Speaker 11: important to in sanctify that the Earth is always vibrating.
Speaker 8: That's a perpetual As long as the moon.
Speaker 11: Is doing its thing, the Earth is going to be
Speaker 11: fully perpetual energy.
Speaker 8: So this whole chamber right here on the right.
Speaker 11: This entire like uh, that large guy right there is
Speaker 11: the Grand Gallery and that was filled. Now there's a
Speaker 11: if we have a picture of the Grand Gallery gallery,
Speaker 11: it's black and white. It's one of those little diagram
Speaker 11: picture looking things, and uh might might have been backwards. Yeah, no,
Speaker 11: that's the King's chamber, but we're getting there. That's where
Speaker 11: that's like, that's where the big ship happens right there,
Speaker 11: right there.
Speaker 8: So that's that's the Grand Gallery right there.
Speaker 11: That there's uh, several of these slots, these notches now
Speaker 11: going down the gallery that held some kind of components
Speaker 11: that were a mystery even to well, I.
Speaker 8: Say, even its egyptologist. They didn't know.
Speaker 11: But uh, it was predicted by these engineers, including including
Speaker 11: Chris Dunn, that that would have been filled with Helmholds
Speaker 11: resonators that are obviously gone now, either stolen by grave
Speaker 11: robbers or you know, tucked behind closed doors by egyptologists themselves.
Speaker 11: But a Helmholtz resonator is similar to how you blow
Speaker 11: wind into a bottle, and it makes a pitch same
Speaker 11: thing as a wineglass if you were to lick your
Speaker 11: finger and go around the outside, which I think headless
Speaker 11: will be able to do here any moment. Now I'm
Speaker 11: almost positive of it, but maybe.
Speaker 3: It's only Terry RC. I can't I.
Speaker 7: Can't use the one.
Speaker 1: Yeah.
Speaker 11: Well, so the Grand Gallery functions as an acoustic amplifier,
Speaker 11: basically where any pitch going in is going to be
Speaker 11: amplified going into the King's chamber.
Speaker 8: So we didn't really know.
Speaker 11: What the Helmholtz resonators look like until we realized they
Speaker 11: were under our noses the entire times. There's things like
Speaker 11: the shists, disc and these units of pottery that are
Speaker 11: absolutely built perfectly and laser scanned that would have worked
Speaker 11: as mechanisms inside of these individual slats and shafts, slats
Speaker 11: and shafts that, by the way, would not function for
Speaker 11: a tomb in any way, shape or form any more
Speaker 11: than any of.
Speaker 8: The rest of this would. The bottom here is the.
Speaker 11: Reason this is connected to the Grand Galleries, because this
Speaker 11: is the Queen's chamber down here, and the queen's chamber
Speaker 11: was filled with liquid hydrogen.
Speaker 8: And that's not speculation.
Speaker 11: That is taking salt, scraping it off the wall and
Speaker 11: testing it in a lab and.
Speaker 8: Saying that is absolutely hydrogen.
Speaker 11: It was filled with hydrogen fuel, just like we used
Speaker 11: today in batteries, backup generators.
Speaker 8: I mean, you name it.
Speaker 11: So another thing that, by the way, does not function
Speaker 11: in any way.
Speaker 8: Shape or form for a tomb.
Speaker 11: If you ask an Egyptologist why the chamber is filled
Speaker 11: with hydrogen, they'll say it's because that's.
Speaker 8: Where people urinated over the years when they visit that.
Speaker 11: Some of these things that I'll say, they don't make
Speaker 11: any sense and they're almost an insult to the listener.
Speaker 11: How crazy it is that some of these explanations from
Speaker 11: the Egyptologists.
Speaker 8: In fact, if we could.
Speaker 11: Get a picture of the Queen's chamber and sorrow, we
Speaker 11: have to kind of go into random mode to get
Speaker 11: to it. But inside the Queen's chamber there's there's two shafts.
Speaker 11: There's well, actually you can see it on this picture
Speaker 11: right here, and one was a kind of acid solution
Speaker 11: and the other one was I'm gonna forget the chemical name,
Speaker 11: but there was two chemicals that came into the queen's chamber,
Speaker 11: which is very interesting because I love saying that the
Speaker 11: Queen's chamber took on two shafts, because that you could
Speaker 11: really have a good B movie with that little fact.
Speaker 11: But there is double penetration into the Queen's chamber, and this,
Speaker 11: this salt in the Queen's chamber wouldn't make any sense
Speaker 11: unless it was a kitchen.
Speaker 8: Okay, I'll move on. I'm sorry.
Speaker 11: So this, this fucking this hydrogen fuel would ignite the
Speaker 11: energy of this sound frequency going through the Grand Gallery
Speaker 11: and it would go into the King's chamber. Could we
Speaker 11: if we could pull up the King's chamber, which is
Speaker 11: the one that you were just at a moment ago.
Speaker 8: Right there.
Speaker 11: So right off the bat we see that this is
Speaker 11: this is weird, This is a strange thing.
Speaker 8: It's a device.
Speaker 11: Like they try to talk about this as a they
Speaker 11: say it's a relieving chamber for the weight of the
Speaker 11: rest of the pyramid, to relieve the weight. However, it
Speaker 11: doesn't perform that function and it never has and we
Speaker 11: know specific and so Egyptologists would say that, well, maybe
Speaker 11: it doesn't, but it was meant to. That went out
Speaker 11: the window really quick whenever we realized and this is
Speaker 11: also not speculation. The entire King's chamber is isolated and
Speaker 11: floating inside of the pyramid. It's on top of corrugated
Speaker 11: like a Carton type stone, so that it's not there's
Speaker 11: no dampener involved, so the entire chamber is able to
Speaker 11: vibrate on its own accord, much less these individual stones,
Speaker 11: which goes exactly with what our friend was saying here,
Speaker 11: with what Ricardo was saying here about people going into
Speaker 11: the fucking King's chamber.
Speaker 8: Would make a quick exit because it freaked them out.
Speaker 8: There's a weird ambient energy in there that supposedly not supposedly,
Speaker 8: but was measured at six herts. And the supposedly part is.
Speaker 11: Simply, why does six hearts make people have this dizzy
Speaker 11: spell bound effect?
Speaker 8: You know? But each one of.
Speaker 11: These stones you can see five here, but if we
Speaker 11: go to the next slide, you'll notice that they're stacked
Speaker 11: in the back as well, and each stone.
Speaker 8: Was able to ring like a bell. Let's see here
Speaker 8: a little bit more. I didn't number them. I shouldn't number.
Speaker 4: One, but.
Speaker 8: Right there, so there's like forty six of.
Speaker 11: These things and none of them are touching each other either.
Speaker 11: That's very important because that's very odd for a structure
Speaker 11: there's like a like a guitar has a nut and
Speaker 11: a bridge that bind the stones together, but there's nothing
Speaker 11: in the middle.
Speaker 8: For them to dampen on each other. They just they
Speaker 8: can vibrate freely.
Speaker 11: And that was what's that's what causes the F sharp
Speaker 11: specific F sharp chord that comes from the King's Chamber,
Speaker 11: which is very strange because Native Americans and Hindu people
Speaker 11: both tune their flutes to F sharp, claiming that it's
Speaker 11: the resonance of the earth, giving even more credence to
Speaker 11: the speculation that the pyramid vibrated to the same to
Speaker 11: a higher octave of the earth itself.
Speaker 8: So, so what.
Speaker 3: You're saying is that the stones stocked up there are lithophones.
Speaker 3: They're actually like instruments that can be played right, so they.
Speaker 11: Have acoustical properties if you were if you tap on one.
Speaker 11: So on my episode tomorrow, I play samples from people
Speaker 11: tapping and knocking on this on these stones and they do.
Speaker 11: They sound super eerie too. It's it's a very magical type.
Speaker 8: Sound to it. So Chris Dunn wanted to confirm that
Speaker 8: it was an F sharp chords.
Speaker 11: He brought his like tuning equipment and stuff in there
Speaker 11: so that he could.
Speaker 8: Actually record the information.
Speaker 11: Because everything up until that point, they knew that it
Speaker 11: did acoustical things, they knew it was f sharp, all
Speaker 11: this stuff, but no one had ever recorded it and
Speaker 11: had it like on record where it can be proven,
Speaker 11: shown and then.
Speaker 8: Open to the public. And that's exactly what he did.
Speaker 11: And God bless him for doing the leg work, because
Speaker 11: that's the only reason that I'm able to hear be
Speaker 11: talking about.
Speaker 8: It, you know.
Speaker 11: But there is the weirdest thing here is what goes
Speaker 11: into the King's chamber, and so between the grand gallery
Speaker 11: you can see it here in the middle, but this
Speaker 11: isn't quite clear.
Speaker 8: There's if we go either.
Speaker 11: To the last slide, I think, or one of these
Speaker 11: corresponding Oh, by the way, this top is white limestone,
Speaker 11: by the way, just like the out take you stop
Speaker 11: right here.
Speaker 8: Though, the outside of the higher pyramid was in.
Speaker 11: Smooth, glossy, shiny white limestone, which is hard to imagine now,
Speaker 11: but if you look at my scalp you can see
Speaker 11: that's what that would have looked like, Caucasian limestone. And
Speaker 11: so the top of that King's chamber right there was
Speaker 11: also limestone. What's strange about This is that they didn't
Speaker 11: use the limestone.
Speaker 8: That was native to Egypt.
Speaker 11: They traveled five hundred miles to get this specific limestone
Speaker 11: that is free of magnesium therefore not conductive.
Speaker 8: Now it can be open.
Speaker 11: To speculation whether or not they got it because it
Speaker 11: was non conductive. But this limestone looks and wastes the
Speaker 11: same as the typical limestone found in Egypt, and it
Speaker 11: could be polished to a mirror smooth finish which would
Speaker 11: have reflected sunlight right off of that puppy, which would
Speaker 11: have been important for.
Speaker 8: Any kind of engineering perspective.
Speaker 11: Whether or not the gold the tip was gold is speculative,
Speaker 11: but that's what a lot of people have said over
Speaker 11: the years, and that also lines up with Kristn's theory
Speaker 11: along with Nicola Tesla, who based his Wardencliffe tower on
Speaker 11: the Peermi on the Great Pyramid design. That's where he
Speaker 11: got h He had the idea on his own in
Speaker 11: a flash, like a vision.
Speaker 8: Like he did all the time.
Speaker 7: But he actually, if I may, yeah, the material that
Speaker 7: was supper, if there has it was there was a
Speaker 7: tip material. In translation from Egyptian translates to Korea's name.
Speaker 7: There is Electroun and all we know is that it
Speaker 7: is a mixture between gold, silver and something else. Wow,
Speaker 7: there are still samples of the material.
Speaker 8: Nevertheless, it must have been something conductive.
Speaker 7: Though well, electrom is a quite a telling name.
Speaker 11: So yeah, I'm fascinated by the usage of the word
Speaker 11: l and ancient cultures because I don't think there's a
Speaker 11: coincidence there.
Speaker 7: You know, coincidence explaining, right.
Speaker 11: And so if we get that King's chamber one more time,
Speaker 11: I want to show you these baffles right here. Yes,
Speaker 11: so where you see that number nine right there, that
Speaker 11: is the top and end of the Grand gallery, and
Speaker 11: that acoustical signal would have went through this horizontal shaft
Speaker 11: here and into the King's chamber to vibrate these stones
Speaker 11: above it. But where it says number two right there
Speaker 11: is where we get really really weird. So those three
Speaker 11: stones are hooked up by ropes and they're hooked up
Speaker 11: to Polley's which, by the way, they said that the
Speaker 11: Egyptians didn't have the wheel. However, this is a police
Speaker 11: system that still exists to this day. There's three stones
Speaker 11: that are hooked up to Polly's and it could have
Speaker 11: and raised and lowered none of them going all the
Speaker 11: way up, but none of them going all the way down,
Speaker 11: which is really weird because again, the the the the
Speaker 11: explanation by Egyptologists was once the king was entered into
Speaker 11: the into this king's chamber, that's.
Speaker 8: How they would shut the door.
Speaker 11: However, it doesn't do that function, and there's three of them.
Speaker 3: So if I could, that would actually change the helmhole
Speaker 3: residents based off the changing shape of the of that chamber.
Speaker 7: Right, That's that's the purpose of the portocolis yes, Right, So.
Speaker 11: They would tune that's that that cored frequency coming from
Speaker 11: the grand gallery and get it down to a sharpened
Speaker 11: single pitch before going into the king's chamber, hitting this
Speaker 11: box right here that they called a sarcophagus, and then
Speaker 11: would echo straight up into these stones to vibrate the
Speaker 11: corresponding stones that we just got done talking about, mean
Speaker 11: while not disturbing any of the rest of the pyramid
Speaker 11: with its vibrations being that it was isolated, just like
Speaker 11: an engine and a car. So that's the basics of
Speaker 11: the pyramid from A to Z, skipping quite a few
Speaker 11: different details like that the inside stone is quartz granted
Speaker 11: rather than regular grantite, and a million other little bitty
Speaker 11: things that I'm for to take about an hour and
Speaker 11: a half to cover, as you'll see tomorrow hopefully, but
Speaker 11: we can open it up to like discussion at this
Speaker 11: point because that's that's pretty much what the pyramid did,
Speaker 11: or that's the capabilities that the pyramid has.
Speaker 8: What they use this energy for, though, is for anybody's guests.
Speaker 7: You know, well, I would like to ask you, for instance,
Speaker 7: to me the salt that you'd say you find inside
Speaker 7: is also found up to the third exterior layer of stones,
Speaker 7: and if you can connect that to the four thousand
Speaker 7: BC event the Burkele Crater, you'll find out that Egypt
Speaker 7: was actually flooded by the impact in the Indian Ocean
Speaker 7: around four thousand BC, and that the wave kept Egypt
Speaker 7: submerge for quite a time, enough to create even fossils
Speaker 7: new fossils in the liestone. How you call the exterior
Speaker 7: of the pyramid the casing stones. So up to the
Speaker 7: third level you find where the water was, so even
Speaker 7: the spinch was underwater. Probably it was that wave that
Speaker 7: knocked the head of the sphinch down or damage it.
Speaker 7: That's why they had to be shaped it again and
Speaker 7: so on.
Speaker 11: Sometimes I wonder if that surge of water was due
Speaker 11: to the Younger Dryest.
Speaker 7: No, no, no, no, no, that's completely different times. Now, the
Speaker 7: Younger Dryest is eleven six thousand years ago and the
Speaker 7: Burkele Crater is from thirty two hundred to four thousand BC,
Speaker 7: so it's a completely different taste. So the Burkele created
Speaker 7: impact is what caused the Great Flood, the Biblical flood,
Speaker 7: the story of no of Atarasis, of all of those
Speaker 7: people that escape on a boat. So it's all this
Speaker 7: is not very divisible because sorry, not very debatable, because
Speaker 7: it's been shown that it justifies exactly all we see
Speaker 7: in myths, in legend and even in a Bible. So
Speaker 7: you find marks of these waves three hundred kilometers inside Australia,
Speaker 7: and Australia is much further away than Egypt from the
Speaker 7: zone of impact, so all of that area was completely destroyed.
Speaker 7: So and if you will add that to the multiple impacts,
Speaker 7: because now we know that it wasn't just one impact
Speaker 7: the Burkele Crater, it was followed by multiple impacts. You
Speaker 7: have two under Pacific, one in the Atlantic, so you
Speaker 7: have another searching wave coming from the Atlantic into the Mediterranean,
Speaker 7: and that cause havoc in all of that area. That's
Speaker 7: why you find many civilizations ending at it at that time,
Speaker 7: and change in cultures and so on. So my question
Speaker 7: is regarding that the salt could very well be from
Speaker 7: this flooding, So the seawater evaporated, you get the salt
Speaker 7: and cross it in the walls.
Speaker 11: That is addressed in the book. He talks about there
Speaker 11: not being the.
Speaker 8: Same salt in the well shaft of the pyramid, which
Speaker 8: is kind of interesting because the well shaft where that
Speaker 8: little vibration machine speculatively would have taken place is the
Speaker 8: lowest point in the pyramid and none of it is
Speaker 8: particularly water proof. There is a residue from salt.
Speaker 11: Water throughout the pyramid that I didn't realize was from
Speaker 11: that particular event. I just thought that there was flooding
Speaker 11: that took place, and that's awesome to know. However, this
Speaker 11: particular salt that is you kind of say, specific to the.
Speaker 8: Queen's chamber is inches thick of.
Speaker 11: This salt, and the salt whenever it's tested, doesn't line
Speaker 11: up with sea salt.
Speaker 8: It's it's specifically.
Speaker 11: A combination of these two chemicals that create the hydrogen.
Speaker 11: And he talks about there being this residue in the
Speaker 11: in the shafts that come into the Queen's chamber, as
Speaker 11: each shaft can be tested for each each individual chemical,
Speaker 11: one of which that had the acid solution corroded the
Speaker 11: stone away almost the hell. That's that was one of
Speaker 11: the debunks was people were saying, if if this hydrochloric
Speaker 11: acid came in this shaft, it would erode the stone,
Speaker 11: and they were absolutely right.
Speaker 8: The stone is heavily eroded on the.
Speaker 11: Walls and the floor of that shaft, but not the ceiling,
Speaker 11: whereas the other shaft has a different chemical that came
Speaker 11: into it.
Speaker 7: But if, for instance, in the anciente text you have
Speaker 7: one paper called the Singing Pyramids, and it speaks of
Speaker 7: a traveler that is going towards Giza, and way before
Speaker 7: you can see the pyramids, it starts hearing this tump tump, tump, tump, tump,
Speaker 7: And this is one of the things that inspired Christopher
Speaker 7: dun for instance. And so this stump is produced by
Speaker 7: how much air you allow to enter through the Portcali
Speaker 7: is there is a system that you are defining that
Speaker 7: creates a suction that creates a constant pumping of the
Speaker 7: water in the bowels of the pyramid that creates this frequency,
Speaker 7: this pump pump, that is a modulated frequency. So how
Speaker 7: much you modulate the frequency, it turns out you need
Speaker 7: to calculate how much water you let in and how
Speaker 7: much air you allowed to go in too. So it's
Speaker 7: like an engine exactly as you were describing. So you
Speaker 7: have the butterfly to put air, the air puts the fuel,
Speaker 7: so it's it's the same thing. So if you have
Speaker 7: this constant pumping of water inside the Queen's chamber and
Speaker 7: the grotto and all of that, and you have even
Speaker 7: that small channel they called the well that was kind
Speaker 7: of escape security valve or whatever you want to call it.
Speaker 7: So if you have this constant pumping, it's the water
Speaker 7: is constantly being bounced into the ceiling of the structure
Speaker 7: and going down and completely it will erode right right,
Speaker 7: there's no It's like thousands of years of erosion are
Speaker 7: done in a period of views of one hundred or
Speaker 7: two hundred or five hundred years, so it's exponentiated. But
Speaker 7: my question to you is this, how do you see
Speaker 7: because I don't know if you are aware of the
Speaker 7: of this fellow called the abyss that Nick already had
Speaker 7: him in the show, and it has a very we
Speaker 7: have discussed this theory and I think he even developed
Speaker 7: further than Christopher Dunn in his studies and and he
Speaker 7: tries to explain the hydrogen, and to me, the hydrogen
Speaker 7: is just a byproduct of what is going on inside
Speaker 7: the chamber and not a fuel that it's dumped into
Speaker 7: the chamber. Because like electricity, the Egyptians had no use
Speaker 7: whatsoever for that amount of electricity. So the production has
Speaker 7: that byproduct, but it's not something that they're using so
Speaker 7: that their their civilization of the base. It's not based
Speaker 7: on electricity. They could use those small bases to do
Speaker 7: plating or to have that energy for some purpose that
Speaker 7: we don't know. But it's it's lile low voltage, and
Speaker 7: it's it can be done with some ease. It's not
Speaker 7: a very complicated thing. It's the funny thing is that
Speaker 7: they knew how to do it. That's that's the curious thing,
Speaker 7: not that they used it. So my question is do
Speaker 7: you see that as they are putting eye gen inside
Speaker 7: or do you see it as a byproduct? Do you
Speaker 7: see what's the functionality that you see for it? That's
Speaker 7: that's my question shot.
Speaker 8: I guess in two parts.
Speaker 11: I would say that I see it as functionality because
Speaker 11: of the rest of the pyramid, because of the association
Speaker 11: with the other components. It lines up with the with
Speaker 11: everything else that the pyramid does as kind of a
Speaker 11: amalgamation of different things.
Speaker 8: It might be a byproduct.
Speaker 11: It's important at this point to make clear that I've
Speaker 11: never been there and I've never conducted the studies. All
Speaker 11: the leg work was done by other people, you know,
Speaker 11: I'm just here to kind of translate all of the stuff.
Speaker 8: But that is personally how I seen it. Now. That's
Speaker 8: because I read Chris Dumb's work.
Speaker 11: Though had I read it read this gentleman's work, it
Speaker 11: might augment my my.
Speaker 8: Hypothesis quite a bit.
Speaker 11: But the other way I might answer the question is
Speaker 11: the non use of electricity in Egypt, I'm not so
Speaker 11: sure about because of the saw, the wheel blade, the
Speaker 11: wheel sawing that's found in Egypt, where they had what
Speaker 11: seemed like gigantic saws cutting through limestone, and drills power
Speaker 11: drills that were being used that were I mean gigantic
Speaker 11: hollow two drilling that were used in Egypt that they
Speaker 11: can microscopically look at these ruts in the stone and
Speaker 11: see that a high rpm drill was going through this
Speaker 11: stone at one point. And there's these discarded stones in
Speaker 11: Egypt that have the cut mark in the stone going
Speaker 11: off kilter for several feet in a row, sometimes up
Speaker 11: to six feet in a row before they stopped realized
Speaker 11: that this or might have really that this is their
Speaker 11: own direction, and then discarded that stone stone back to
Speaker 11: the quarry for us to find later and be like, what.
Speaker 8: Made that cut like that?
Speaker 11: Because the Egyptologists, who are not engineers, say that they
Speaker 11: did it with string.
Speaker 8: They would rub the.
Speaker 11: String back and forth, or have copper chisels, and it's
Speaker 11: very strange to see those hYP a copper chisel going
Speaker 11: and creating a tube through granite stone.
Speaker 8: It's never made any sense.
Speaker 11: And then it gets even more senseless whenever we see
Speaker 11: that to cut quartz granite, they today they use hydrosonic technology,
Speaker 11: so it's like almost like a needle sized cutting wheel
Speaker 11: that's a gem with not a diamond, and they speed
Speaker 11: up this diamond tip cutter which is small, to the
Speaker 11: speed of this sound frequency that comes through it, and
Speaker 11: then they can cut through small gems like quartz However,
Speaker 11: when they cut through limestone, that's the only way to
Speaker 11: get the limestone completely flat, because if you take a
Speaker 11: saw and you cut through a limestone block, no matter
Speaker 11: how smooth you get it, even if you polish it down, microscopically,
Speaker 11: those little quartz particles are bulbous compared to the rest
Speaker 11: of the particles.
Speaker 8: Because they're harder.
Speaker 11: So the saw hits the other particles first and are
Speaker 11: more effective on them than the actual quartz, leaving these
Speaker 11: little microscopic nubs right what they found and Chris Dunn
Speaker 11: sent the sample into a laboratory to say, hey, you
Speaker 11: know what does this because it's perfectly flat.
Speaker 8: The quartz is as flat as the rest of the
Speaker 8: granite stone is.
Speaker 11: And they said that, well, they introduced to him their
Speaker 11: hydro cutting technology, and then their reply was, now we're
Speaker 11: curious who's got tech who can do that kind of
Speaker 11: cutting in the world. We want to know who's got
Speaker 11: this new technology. And when he told him it was
Speaker 11: from ancient Egypt, they just about passed out. In fact,
Speaker 11: the email responding to them acid was a prank, a
Speaker 11: wild story.
Speaker 3: I had something to add on the hydrogen angle. So
Speaker 3: hydrogen is a common off gas from electrolysis of water,
Speaker 3: and you've got the salt to act as the conductor
Speaker 3: or the electrolyte, and then you've got the electricity that
Speaker 3: we're talking about here, and the two of them together
Speaker 3: might create this sort of hydrogen and oxygen. Browns gas
Speaker 3: that you get from the water, and Brown's gas has
Speaker 3: an interesting property. It's used to cut through different metals,
Speaker 3: but it's not hot enough to do that. So there
Speaker 3: are certain properties of just electronically separated water as it's
Speaker 3: burning that don't make any physical sense, and so there
Speaker 3: is kind of an alchemical angle to just electronically separated water.
Speaker 3: They could have been using that in this process.
Speaker 11: Right, And that is interesting about the water too, because
Speaker 11: with your saying and what Ricardo was saying is Egypt
Speaker 11: was synonymous with water once upon a time. The pyramid
Speaker 11: is built on an actual aquifer, which I think a
Speaker 11: lot of ancient sites are, and the Nile came up
Speaker 11: to the pyramids. We don't I mean, I don't know
Speaker 11: how long ago that was. And it should note by
Speaker 11: the way that I'm almost under the hypothesis that the
Speaker 11: pyramids are older than people are saying, and I know
Speaker 11: that's redundant to say, but I'm thinking that they were
Speaker 11: in operation before the younger dryas and were put into
Speaker 11: disuse due to the younger dryas. And a lot of
Speaker 11: that does have to do with water as well.
Speaker 1: But if they're using the Browns gas, if it's creating
Speaker 1: Brown's gas and vibration, it makes sense that this would
Speaker 1: be like possibly for healing. Yes, like I've heard that.
Speaker 11: That's the big speculation is if they weren't, if they
Speaker 11: weren't creating literal electricity for a civilization like we would
Speaker 11: would today, then what was it for?
Speaker 7: Like have you heard of the Assaris shift?
Speaker 8: Oh? Yeah, no I have not.
Speaker 7: It's not the Ossyrion, no, no, So the Assaris shift
Speaker 7: is in the causeway. It's a it's a three one
Speaker 7: third when you go from the sphinx to the pyramid
Speaker 7: on the left side, if you're going up to the pyramid,
Speaker 7: there is an entry. There's lots of entries, but this
Speaker 7: one was studied and this is called the Ossari's shift.
Speaker 7: So Yossari's shift. If if you look at you can
Speaker 7: look at my paper about it, you sis shift have
Speaker 7: three levels, probably more, but they found three levels and
Speaker 7: those three levels have three vertical shafts from the second
Speaker 7: level to the top without coming out of the ground,
Speaker 7: so they are inside the market information that whereas ZA
Speaker 7: is placed, and so this work as tunnels of resonance.
Speaker 7: Let's call it that way. So of all of the
Speaker 7: archacoustic sites that I study, this is the only one
Speaker 7: that is autonomous. It doesn't need any introduction of sound.
Speaker 7: It works on its own. It is still working, and
Speaker 7: we know that it's still working because the water in
Speaker 7: the lowest level is structured water or easy water, and
Speaker 7: it doesn't take impurities. So it is full of garbage
Speaker 7: rotten wood, but it can't contaminate the water. It just
Speaker 7: doesn't happen because it formed exagons. The water formed molecules
Speaker 7: that are exagons, and there's no space in the connection
Speaker 7: of the molecules to be any impurities into it.
Speaker 8: So we need to do yeah.
Speaker 7: Yeah, So what happens is if you apply bandages with
Speaker 7: ungwents to treat wounds with easy water or structured water,
Speaker 7: it makes the ungwent permeate the skin because the easy
Speaker 7: water enters the skin like nothing else, so the treatment
Speaker 7: is much faster. But if you add these granite boxes
Speaker 7: that are in specific sized chambers cut into the limestone.
Speaker 7: Each of them will produce a different resonance of the
Speaker 7: main frequency of the Osiris shift, so you can produce
Speaker 7: different treatments if you put this water inside the stone
Speaker 7: boxes and put a person inside it, exactly as we
Speaker 7: are seeing now in high advanced medicine testing. They are
Speaker 7: putting people inside of these containers as we see in
Speaker 7: dragon Ball or Star Wars or whatever. They're putting these
Speaker 7: liquid So if you go to the bottom level, you'll
Speaker 7: find a specific granite box that is not above the ground.
Speaker 7: It is completely inside the water. Only the lid is
Speaker 7: the top of the water. Besides, they have four highly
Speaker 7: quartz pillars that they broken, probably on purpose, these four
Speaker 7: pillars that surround the coffin itself. And so that's why
Speaker 7: it's called the Osiris shift, because, as legend would imply,
Speaker 7: that's where they're resuscitated and cured Osiris. That's the revival
Speaker 7: chamber down there, because it's the most powerful effect because
Speaker 7: the box itself is within the water.
Speaker 11: So I've never thought of that story as being literal,
Speaker 11: but with that the healing and stuff being that might
Speaker 11: there might be more literal to that story than allegory.
Speaker 7: Thinking about sure, sure compared to testing and using the
Speaker 7: mechanisms described by the ancient Egypts associating with this Osiris shift,
Speaker 7: the healing of a broken leg, for instance, would be
Speaker 7: forty five to sixty percent faster for.
Speaker 11: Instance, So an ancient hospital where they didn't poison exactly,
Speaker 11: an ancient hospital without a Dorito's vending machine.
Speaker 7: Amazing wells time. But yes, that's the idea.
Speaker 8: Look into that. I didn't know about the Osiris temple
Speaker 8: at all.
Speaker 9: It makes me think of a whole new understanding or
Speaker 9: comprehension of hermetically sealed and cults right going under there
Speaker 9: and getting getting healed. You know. Another an esoteric idea
Speaker 9: that I more think now is hearing your presentation and
Speaker 9: contemplating those book ideas might have some even mechanical instruction
Speaker 9: to it. The King's chamber is in a corresponding design
Speaker 9: with the jed pillar, and the jed pillar being the
Speaker 9: symbol for Osirius's spine and stability, and and it's often
Speaker 9: depicted with the anc.
Speaker 3: And a.
Speaker 9: The waws of staff, and all of those seem very
Speaker 9: you know, occulted mechanical constructs in a way too, But
Speaker 9: just I mean it's not an exact to Jed, but
Speaker 9: it's so similar the King's chamber, the level of it,
Speaker 9: that it's worth just contemplation.
Speaker 8: Yeah, both the.
Speaker 11: Jet pillar and the anc to me, uh, supersede anything
Speaker 11: that would be just a symbol.
Speaker 8: They talk about the ank.
Speaker 11: It's a symbol for life, and then they say the
Speaker 11: jet pillar, Oh, it's a symbol for transformation. And I'm
Speaker 11: over here like where, who's got that answer?
Speaker 9: And why?
Speaker 11: Because if I compare those answers to the other answers
Speaker 11: Egyptologists give, it's so bizarre that I have to almost
Speaker 11: throw them out the windows.
Speaker 8: A symbol for life?
Speaker 1: What is?
Speaker 11: You know? Meanwhile, the ancient Egyptians described these things as
Speaker 11: devices that you can hold up to your nose and
Speaker 11: they did something, you know. So if they look they
Speaker 11: look like technology. Especially the jet pillar looks like technology,
Speaker 11: you know, just to face value alone, there is one
Speaker 11: I wanted to talk about the shafts that I wanted
Speaker 11: to talk about, the Gatten Brink's door.
Speaker 8: Have you guys heard of the Gaten Brinks door at all?
Speaker 9: So?
Speaker 8: All right, so I might go back to the slides
Speaker 8: one more time if that's okay for this part. But
Speaker 8: this part is a lot of fun.
Speaker 11: And this is where there's a little bit of drama
Speaker 11: going on between science and Egyptologists, because basically there's when
Speaker 11: you go off this shaft, it dead ends and it
Speaker 11: doesn't go out, which the Egyptologists always say that at
Speaker 11: the shafts were magical means for the pharaoh's soul to leave.
Speaker 11: And then they would say, and this is this is
Speaker 11: on the documentary where they say, well, if they if
Speaker 11: they could, if the soul left through the shafts, why
Speaker 11: is there a why is it closed off? The Egyptology
Speaker 11: dead ass says oh, because he's a magical pharaoh. His
Speaker 11: spirit is so magical he can get past the door.
Speaker 11: And then they say, then, well why is there a door?
Speaker 11: And dude, they they came up with a different answer,
Speaker 11: and each answer they gave was on the fly, and
Speaker 11: each answer they gave were different than the other Egyptologists.
Speaker 8: It was so bizarre to watch.
Speaker 11: But I had to find these clips in different places
Speaker 11: and put them all into one and put them back
Speaker 11: to back just to make it so as comical as
Speaker 11: it did. Nevertheless, knowing that the cheft dead ended into
Speaker 11: this Gattenbrink store with the two copper handles. Chris Dunn
Speaker 11: made a prediction in his book about what that room
Speaker 11: would contain. A gyptologist said, if you go in that room,
Speaker 11: you're going to find a mommy, some kind of like tapestry,
Speaker 11: ancient papyrus. You're going to find treasures of cufu, all
Speaker 11: this stuff. They said, that's what you're going to find
Speaker 11: back there. And Chris Dunn, under the power plant hypothesis
Speaker 11: in nineteen ninety eight, said, I bet you that room
Speaker 11: is about nine inches by nine inches, maybe a foot
Speaker 11: by a foot. And he said those copper handles that
Speaker 11: the pharaoh would grab onto so his spirit could go
Speaker 11: out were probably electrodes that hook up to copper into
Speaker 11: that room in the back. That signaled like a fuel
Speaker 11: level center in a in a fuel tank, that it
Speaker 11: would get low, that the hydrogen would get low. And
Speaker 11: this kind of takes us back to the hydrogen too,
Speaker 11: And that was his prediction. He drew the whole thing
Speaker 11: up in the book in uh in nineteen ninety eight,
Speaker 11: and then in two thousand and two a new rover
Speaker 11: came to town and they said they got permission, and
Speaker 11: they said, can we drill through Gattenbrink's door and see
Speaker 11: what's in there, and after years of getting hard up
Speaker 11: on it, they finally got permission to do so under
Speaker 11: under a controlled setting. But when they did it, they
Speaker 11: went live on Fox.
Speaker 8: To look in that door for the first time, and
Speaker 8: it is it is an absolute spectacle to watch doctor
Speaker 8: Zahi Halas damn near lose his fucking mind live on
Speaker 8: TV when they had to shut down the cameras real quick.
Speaker 8: And no he wasn't. But it was one of those, right,
Speaker 8: That's what it was like. And no one expected this.
Speaker 8: Everyone thought it was a flop. They're like, oh, this
Speaker 8: is a flop discovery.
Speaker 11: Meanwhile, hawasses in the back, he's sweating, he's red in
Speaker 11: the face, which it is.
Speaker 8: It's hot and Egypt whatever.
Speaker 11: But he starts, he pounds the table and he's like,
Speaker 11: he's not making an angry face, he's forcing this weird smile.
Speaker 8: And he's like, all right, well, you know that's all
Speaker 8: we have today, and he's like interrupting the presenter and shit.
Speaker 11: So basically what happened was, so if can we pulled
Speaker 11: up a picture of Gatten.
Speaker 8: Bringstore real quick? So keep on going. I'll tell you when,
Speaker 8: I'll tell you when.
Speaker 6: I have a quick note, sorry, sorry, Joy, No, you're good,
Speaker 6: You're good.
Speaker 11: Oh so let me stop right here real quick. The
Speaker 11: top here is a piece of cedar. It's a piece
Speaker 11: of wood, right He's autologists through it in the museum
Speaker 11: because they had no idea it would completely undermine their
Speaker 11: entire theory.
Speaker 8: Now I don't even I don't even call it a theory.
Speaker 11: Basically the guesswork that Egyptologists did early in the nineteenth
Speaker 11: century before we had machines.
Speaker 8: By the way, this is important to remember.
Speaker 11: Egyptology became a career before machines were invented. We have
Speaker 11: nothing to compare it to in our in our hive
Speaker 11: mind yet, so not only would this have been unspeakable,
Speaker 11: it would have been unthinkable, weirder than we can imagine.
Speaker 11: But nevertheless, this piece of theater was hooked up to
Speaker 11: this copper hook right here, and it was in it
Speaker 11: was in the queen, the Queen's chamber where with the hydrogen.
Speaker 8: So if we go back to that one slide where
Speaker 8: a gat and bring store was that which is actually
Speaker 8: a clip that I took.
Speaker 11: This is a freeze frame from the live footage that
Speaker 11: I showed tomorrow, which you don't have to wait for
Speaker 11: my episode tomorrow. This is it's called Opening of the
Speaker 11: Secret Shaft Live on Fox. You can watch it. It's
Speaker 11: two hours long, but just skip to the end. So
Speaker 11: these circles here, these red circles, are copper recessed copper prongs. Basically,
Speaker 11: the Egyptologists would say that those copper prongs would put
Speaker 11: there so that the block could not be lifted up.
Speaker 8: Out of place by grave robbers.
Speaker 11: After finding out that they would not serve that purpose
Speaker 11: because that entire part of the pyramid is completely closed off,
Speaker 11: they switched their theory to, well, that's where they hooked
Speaker 11: the ropes up so that they could enter this stone
Speaker 11: into the shaft. Then they found out that these copper
Speaker 11: prongs are actually recessed in the back, so they're flush
Speaker 11: with the stone. After that was thrown out, they switched
Speaker 11: it to the newest one, which is that's where the
Speaker 11: pharaohs magical spirit grabbed on so that his soul could
Speaker 11: exit the shaft. Each explanation getting weirder and weirder as
Speaker 11: it goes. But nevertheless, that copper hook we just looked
Speaker 11: at is the same dements as those copper prongs right there.
Speaker 11: They would have hooked up to that according to the
Speaker 11: power plant theory, and when the cedar would float on
Speaker 11: the hydrogen fluid, it would go down with the fluid.
Speaker 11: The copper prongs would disconnect from these from these anti noodes.
Speaker 8: I'm messing that word up.
Speaker 11: What did Chris call them? I forgot that. You get
Speaker 11: the idea, though, there's a there's a charge between the
Speaker 11: two of them. And just like a fuel level level
Speaker 11: center in our gas tank, it would let the guys
Speaker 11: know outside the pyramids that re up on that good
Speaker 11: good whenever it got low, so whenever that that hole
Speaker 11: is drilled into that door right there, that's that's the
Speaker 11: hole right there that they.
Speaker 8: Drilled in for Fox News to do their live presentation.
Speaker 11: The camera and this is spoiler by the way, the
Speaker 11: camera goes into that hole and immediately finds a debt
Speaker 11: into a room that is nine inches by nine inches
Speaker 11: the dimensions that Chris Dunn came up with as to
Speaker 11: fit the rest of the power plant.
Speaker 7: So but now you're saying that this was also flooded.
Speaker 8: Uh, this was this part was not flooded as far
Speaker 8: as I know.
Speaker 7: Oh, you're saying that the seedar was floating right.
Speaker 11: So on the back of gatten Brink's door, there would
Speaker 11: have been a room in there that would have been
Speaker 11: the floater.
Speaker 8: So to speak.
Speaker 7: Hm.
Speaker 11: So it's it's a it's a it's it's an insane
Speaker 11: it's so it's one of those things where no one
Speaker 11: can really be positive as to what this did. But
Speaker 11: what I think can be said for sure is that
Speaker 11: it did something. And it wasn't for a magical spirit
Speaker 11: to go floating out into the stars unless unless it was.
Speaker 8: See I'm glad you mentioned that, Joey. I was about
Speaker 8: to get back to that.
Speaker 10: There you mentioned Pharaoh's spirits launching all from of the stars,
Speaker 10: right were they catching Haley's comment, See where the roads
Speaker 10: and some nikes?
Speaker 8: What are we talking about here? That's that? So this
Speaker 8: is where we kind of come unhanted a little bit.
Speaker 4: And so.
Speaker 11: Where where it goes from things we can hold measure
Speaker 11: and weigh. And THENTO speculation is when we mixed, we
Speaker 11: mixed mythology with the rest of this, these these utilities here.
Speaker 8: So let's see we drop.
Speaker 11: The power plant's idea for a moment and say, okay,
Speaker 11: maybe it didn't create free energy like we would all
Speaker 11: hope and dream, and it wasn't a Nicole Tesla thing
Speaker 11: like everyone's perfect reality would be.
Speaker 8: What could what's up?
Speaker 4: You could do both? Right?
Speaker 8: Well, so this is where it gets. Yeah, it gets
Speaker 8: kind of weird.
Speaker 11: Is mythology states that the Pharaohs would exit their soul
Speaker 11: through and this was exacerbated by Egyptologists, of course, who
Speaker 11: didn't understand science.
Speaker 8: So what if it's both.
Speaker 11: If it's both, this gets really weird because the world
Speaker 11: over in mythology, pyramids were built by giants. If you
Speaker 11: go to Mexico, if you go, I mean, you name
Speaker 11: the continent and you ask the indigenous people who built that,
Speaker 11: they will tell you giants built it, and then we
Speaker 11: dismiss it because well that's it's fantasy.
Speaker 10: Right, Well, that's the evidence here in America, right, they're
Speaker 10: the giants that built the some of the older mound structures.
Speaker 11: Right, right to always attributed to giants, right. So if
Speaker 11: we go to the Bible, where the pyramid is never mentioned,
Speaker 11: by the way, the reason giants exist was because of
Speaker 11: interbreeding with fallen angels, and then they became called nephelin.
Speaker 11: So in America there's roughly half a dozen different words
Speaker 11: for nephilim, But in Native American cultures, all of which did.
Speaker 8: The same thing.
Speaker 11: They brought technology to human beings from the stars and
Speaker 11: then mate it with human women. Not a fair trade,
Speaker 11: by the way, if you ask me, but then got
Speaker 11: them pregnant and then gave they gave birth to giant,
Speaker 11: hyper capable, hyper intelligent men who could who could bend.
Speaker 8: Reality with magic.
Speaker 11: Now, let's assume that magic isn't real and say that
Speaker 11: a good way to explain magic with quotes is technology
Speaker 11: we don't understand. So given that these Nephilim understood the
Speaker 11: mechanics of the universe enough to create incredible technology power,
Speaker 11: Hence is why the Bible says, and all these other
Speaker 11: myths say that they got technology from these fallen angels
Speaker 11: and then pass it down to their sons, the Nephelim.
Speaker 11: These hyper capable beings trapped here on Earth would probably
Speaker 11: want to phone home.
Speaker 8: They want to get out of.
Speaker 11: Here, which all of a sudden brings me to the
Speaker 11: wackiest and silliest conspiracy about the Pyramids, that they were
Speaker 11: built by aliens, something I don't adhere to. Nevertheless, if
Speaker 11: you combine all three of these theories, electromagnetic power involving
Speaker 11: plasma a form of plasma. I know plasma is an
Speaker 11: umbrella term, but let's plasma for now. You mix that
Speaker 11: with mythology they were built by giants who had technology
Speaker 11: and were frankly angry to be here, and then you
Speaker 11: mix that with the modern conspiracy theory that they were
Speaker 11: built by aliens. If you combine all three together, it
Speaker 11: seems to me that the Pyramids, along with a lot
Speaker 11: of other ancient sites that were used to make your
Speaker 11: brain outside your body, might have been built by Nephelin
Speaker 11: people who couldn't stand being here next to all of
Speaker 11: us animals.
Speaker 2: Well, there's a lot of case for that. With John Dye.
Speaker 1: He he constantly talks about how the angels do not
Speaker 1: like us, period dot and they don't want how we smell,
Speaker 1: they don't like how we are, they don't like anything.
Speaker 2: They don't like us.
Speaker 10: And so.
Speaker 2: Yeah, I could see that.
Speaker 1: And when we're talking about you know, nephilim, I mean
Speaker 1: probably talking about interdimensional type situation anyways, I mean, you
Speaker 1: know they're going to try to get out of here,
Speaker 1: but obviously.
Speaker 2: They didn't know.
Speaker 10: Yeah, I say, Joey, is the astro theological aspects how
Speaker 10: you explained these launching the pharris to the stars. That
Speaker 10: is the mound builders. You know theology as well, right,
Speaker 10: the these Adeena mound cultures. We were just talking about
Speaker 10: to Greg, doctor Greg Little, about the same subject their
Speaker 10: day here on the occult rejects. Not sure that that
Speaker 10: shows publish yet though, but good conversation none the less.
Speaker 10: And that is their their culture, and they are you know,
Speaker 10: they're those giants at the base of those Adana mounds
Speaker 10: came from somewhere, I mean, and.
Speaker 11: And if mythology, according to mythology, they came from the stars.
Speaker 11: In fact, in native cultures, the words that I can't
Speaker 11: pronounce for them translate to rebel stars, uh star people.
Speaker 8: Sure.
Speaker 11: And the pyramid shafts, by the way, and again this
Speaker 11: is one of those things that undermines Chris Dunn's power
Speaker 11: plant theory, but it can't be ignored. Those shafts are
Speaker 11: aimed to particular stars, one of which is Draco and
Speaker 11: one of which is uh serious.
Speaker 8: Yeah, sure, so, I.
Speaker 11: Mean that opens up to a lot of conspiracy about
Speaker 11: their their species being reptile in nature. But on that
Speaker 11: point we kind of start tiptoeing on some other you know,
Speaker 11: some other facets. But then again this theory and throws
Speaker 11: from ancient times that were pre nephylin where there a
Speaker 11: lot of times were depicted as feathered serpents. Uh Dagon
Speaker 11: was a fish, they all had scales basically.
Speaker 1: Well, it says that the giants needed with not only
Speaker 1: humans but animals, and that there were things that were created.
Speaker 6: Yes, right, But to go back to something that even
Speaker 6: said about the Jed, that was really interesting to me
Speaker 6: because the Things chamber has the five tiers, so an
Speaker 6: original di Jed also has five tiers, just like in
Speaker 6: original safary Etcera. There actually are five worlds, even though
Speaker 6: most people only know there are four. But the fifth
Speaker 6: is is like ineffable, its formless. There's no husk gets
Speaker 6: the Adam Cadvan whatever alternate quicksilver Man dimension. But so
Speaker 6: I like the speculative idea, Joey, that you're talking about
Speaker 6: like that that's my personal orientation where I think that
Speaker 6: the they're more of a thurgic vehicle. If you could
Speaker 6: say that there's part of the pyramids that are heck
Speaker 6: a lot, and then there's also part that's a Marcaba,
Speaker 6: because that's the architectural physical.
Speaker 7: Form the husk.
Speaker 6: Maybe you could say, of the pyramid, but like the
Speaker 6: energy flows inside, that's the vehicle, that's the heck lot. Yeah,
Speaker 6: and then they want to project outwards or upwards. And
Speaker 6: you showed that image of the three dots. Well in Tantra,
Speaker 6: this makes a lot of sense because you would have
Speaker 6: a key, so like the onc there would be a
Speaker 6: key to turn wheels right. And like even the pyramids,
Speaker 6: it does seem to I personally think of them as
Speaker 6: more locks maybe or representations of maybe chathonic events, so
Speaker 6: like how the nile turns, the nile flows backwards compared
Speaker 6: to their rivers. I have a crazy theory that maybe
Speaker 6: they turn the lock, and the locks actually aren't universal,
Speaker 6: like they don't work throughout the world. Maybe there are ripples,
Speaker 6: but it's localized, so then they turn the nile back
Speaker 6: in that specific area. But I actually don't really think
Speaker 6: that they know how to fix it, because I think
Speaker 6: if they did know how to fix it or rectify it,
Speaker 6: then maybe they would. I don't know, this is an idea,
Speaker 6: but I like the speculative idea that they are urgic tools,
Speaker 6: like it could be like you said, like maybe there
Speaker 6: are like rebel magicians who just want to get out
Speaker 6: of this like hellish, you know, like material. They're very gnostic, right,
Speaker 6: like they're like, we want to leave the body. But
Speaker 6: the interesting thing about to jet is it refers to
Speaker 6: a cyrus's spine. So in Hebrew, this is the lose,
Speaker 6: So this is the almond. So you are always reserraud.
Speaker 6: This is the part of you if you want to believe,
Speaker 6: not cosmology that gets reincarnated. It's the part that's eternal.
Speaker 8: Right.
Speaker 1: Maybe maybe with the enophilue, because they're they're here illegally. See,
Speaker 1: they're here without a spirit, and they're not really a
Speaker 1: creation of God, they're created by other means, right, So
Speaker 1: possibly with them, maybe they need that obscene energy you know,
Speaker 1: to exist or and or recreate and come back like
Speaker 1: or they're trying to get out, but at least.
Speaker 2: Continue to exist, is what I'm saying.
Speaker 11: Right, If we are to accept the Hindu cosmology that
Speaker 11: kind is similar to gnostic ideas, that that there is
Speaker 11: a closed system around the orbit of Saturn that has
Speaker 11: been called loosely the black cube. You would need a
Speaker 11: lot of power to break through that dare I say
Speaker 11: firmament without too many viewers losing their minds, But ah uh,
Speaker 11: like if some sorrow is a closed system where even
Speaker 11: if these nephel men who can't stand it on earth,
Speaker 11: if they were to kill themselves to get out of it,
Speaker 11: they they would just be reincarnated right back down and
Speaker 11: this time maybe not even into a giant's body, but
Speaker 11: into one of us, you know, rascally bastards down here.
Speaker 8: They are orphaned, orphaned on earth, and no fault of
Speaker 8: their own.
Speaker 1: No, And you did mention that they're reptilian, but possibly
Speaker 1: that lack of a spirit, you're going to act a
Speaker 1: lot different than a regular person as well.
Speaker 8: Well.
Speaker 11: I think how the fallen angels were described as reptilian
Speaker 11: like Dagon or uh, you know these uh, these these
Speaker 11: fish quats, aquatal serpent people, the Nephilim.
Speaker 8: However, as far as I know.
Speaker 1: They weren't they weren't fallen worthy, weren't they weren't they
Speaker 1: the mixed breeding creation with animals as what I thought.
Speaker 11: Those like like Dagon squaddle they said came directly from
Speaker 11: the stars.
Speaker 8: They were like they here now Dagon came up out
Speaker 8: of the water. Now, I mean, so just a.
Speaker 11: Distinction there, so's it's really fuzzy, but it wasn't so
Speaker 11: that they were descendants of the Fallen Angel so so much,
Speaker 11: which by the way, they don't attribute Dagon as the
Speaker 11: Fallen Angel per se. But these are two different I mean,
Speaker 11: it's to me whenever something's got scales and it's described
Speaker 11: this way and it came from the stars that came
Speaker 11: to teach mankind or whatever, I start to say, maybe
Speaker 11: we have different names for the same story, like the
Speaker 11: old axiom goes, the names.
Speaker 8: Have changed, but the story stays the same, you know.
Speaker 11: And but these giants are described as human without scales,
Speaker 11: without feathers, and they were just hyper capable, hyper smart,
Speaker 11: you know, hyper big or whatever.
Speaker 8: And they would have.
Speaker 11: Not and like you're saying, though, they would have had
Speaker 11: that divine spark in them that was it was popping,
Speaker 11: you know, like they they were not all humans, so
Speaker 11: to speak, which is very strange because.
Speaker 8: They were. They were big mammals.
Speaker 11: If you ever you've ever seen a liger before, it's
Speaker 11: a cross between a lion and a tiger, and they're huge,
Speaker 11: far bigger than both parents. The only way a liger
Speaker 11: can happen is if a male lion mates with a
Speaker 11: female tiger.
Speaker 8: You can't have it the other way around. That's all.
Speaker 11: All these fallen angels were male. They were attracted to women.
Speaker 11: They they none of them were female.
Speaker 8: That's this is where it starts to get really kind
Speaker 8: of eerie.
Speaker 11: Because a lion, a male lion, has dominant growth hormone genes,
Speaker 11: and when he it's.
Speaker 8: Called unregulated growth hormone.
Speaker 11: And when the tiger who was the mother obviously wants
Speaker 11: that regulated growth hormone to be press so that it
Speaker 11: can carry this baby because it's gonna be a huge
Speaker 11: pandas so.
Speaker 1: Well, the birth of the mixed children didn't go well
Speaker 1: for Yeah.
Speaker 8: That's the first seat. And that I was shocked when I.
Speaker 11: Read about c sections in the Bible that it blew
Speaker 11: my mind because if this is allegory, why are they
Speaker 11: talking about surgery, you know? But the fact that a
Speaker 11: liger across between a male line and a female tiger,
Speaker 11: they grow to well over one thousand pounds, much not bigger.
Speaker 8: Than both parents, much larger than both parents.
Speaker 11: I start to say, this is the same story, but
Speaker 11: that would make fallen angels mammal, so that throws a
Speaker 11: wrench in the whole damn thing.
Speaker 6: Well, speaking of mammals, Joey I just wanted to jump
Speaker 6: in and add something you mentioned the like a serpentine
Speaker 6: star when you were showing the chamber. We're speculatively saying
Speaker 6: that the soul projects outwards towards these three stars, right,
Speaker 6: No Draco, excuse me. So there's an idea in TNTRA that,
Speaker 6: like we even spoke about this on the Steiner episode
Speaker 6: we just did. Is there's an idea of like Lucifer
Speaker 6: and Araman. But like I always say, it's very much
Speaker 6: like the TNTRAC cosmology is like Rahu and Katu, and
Speaker 6: even in the Egyptian things, Like I'm not versed in that,
Speaker 6: like everyone else knows a lot more about that than me,
Speaker 6: but I do know like my Himalayan cosmology quite well.
Speaker 6: So when I look at the Egyptian stuff, I do
Speaker 6: see a lot of similarities, but I can't necessarily map
Speaker 6: it one to one. But I do think that there's
Speaker 6: an element of what you're talking about, like a dragon
Speaker 6: who is numinous, meaning he's of space. In Buddhism, Rahu
Speaker 6: is the king of Zaw, so he is the king
Speaker 6: of space, the black matter, and he's also the lord
Speaker 6: of the demonic hosts of the planets. And the stars.
Speaker 6: So something kind of interesting about that.
Speaker 11: If we were to speculate that, uh the word you
Speaker 11: used wasn't ether, but it remind refreshed me.
Speaker 6: Uh you could say it's like a catsha.
Speaker 8: Yeah, well like like ether.
Speaker 11: To me, it sounds like plasma, you know, like the
Speaker 11: fifth state of matter, like you said about I.
Speaker 8: Think the Kabbala, how there's those four I mean, those
Speaker 8: those five stages.
Speaker 11: You know.
Speaker 8: I don't know if there's a correlation there.
Speaker 6: But yeah, there is, because there's only five chakras in
Speaker 6: the original contric system. Okay, seven chakras are actually uh
Speaker 6: for only for how the yoga.
Speaker 8: I did not know that.
Speaker 11: See that that's that is very strange because that it
Speaker 11: sounds a lot like the five basic elements that Aristotle proposed.
Speaker 11: And if ether is plasma, therefore, you know, the lack
Speaker 11: of space stars, we we start we might get a
Speaker 11: little keyhole into this mammal problem. How did fallen angels
Speaker 11: mate with human women to make giants in the first
Speaker 11: place if they weren't mammal? And so stars are made
Speaker 11: out of plasma, which is they're called fallen stars, they're
Speaker 11: called rebel stars. And plasma is the only thing that
Speaker 11: we would be able to use to artificially inseeminate a
Speaker 11: virgin a woman. You can't an angel fallen angels don't
Speaker 11: have dicks, like my grandma used to say, how were
Speaker 11: they knocking anyone up? So if this was a form
Speaker 11: of technology instead of literally, because in the Bible says
Speaker 11: they came onto the darts of man, that sounds like sex,
Speaker 11: and it also says they sinned against when they got
Speaker 11: done coming onto the women, they send against other creatures
Speaker 11: like beasts of the earth and birds.
Speaker 8: Of the sky send against.
Speaker 11: So if we are to say maybe they didn't have
Speaker 11: a word for in vitro back then, which they didn't.
Speaker 11: The people doing this who wrote this years later, by
Speaker 11: the way, certainly didn't have a word for artificial inseminating
Speaker 11: in vitro. Well, the way to do this would be
Speaker 11: through plasma, of which stars are made out of.
Speaker 8: This might be a translation mix up. What if people.
Speaker 11: Took this technology that was associated with the stars, which
Speaker 11: is plasma, and used it to experiment on us, on
Speaker 11: people and created Nesselin by mistake out of curiosity, like
Speaker 11: fucking Jurassic part and then it became a whole biblical
Speaker 11: mythology later, what's up head.
Speaker 3: Loss, I had something to throw in. They did call
Speaker 3: Egypt the land of Kem, right, and this land of
Speaker 3: cam is where we get our term chemistry from, and
Speaker 3: the agent form of alchemy heavily relied on the the
Speaker 3: astrological positions of planets and stars for them to get
Speaker 3: the right proper mix. And you're you're saying that these
Speaker 3: shafts are aiming towards these different stars on different dates.
Speaker 3: So not only that, but they also used a lot
Speaker 3: of astrology when it came to animal husbandry as well,
Speaker 3: So there is that angle as well. So if you're
Speaker 3: if you're talking about artificial insemination during these uh, these
Speaker 3: times during the year when these stars are lining.
Speaker 5: Up, talking about there's also a lot of documentation of
Speaker 5: artificial exemination being used in horses around the twelfth century,
Speaker 5: eleventh century. It's highly documented some of these texts. So
Speaker 5: they already had.
Speaker 1: And and Diana of Ephesus. They talk of this clearback,
Speaker 1: like way back in India. They talk about this, So yeah.
Speaker 7: They knew how to do it a long long time ago.
Speaker 7: But if I may, I would to say one thing,
Speaker 7: if if the pyramid was built by giant and I
Speaker 7: like to state the difference because people tend to confuse
Speaker 7: this gigantism is a disease. Being a giant isn't. So
Speaker 7: we still have giants today, and there are very fair
Speaker 7: amount of giants documented. You can go into my paper
Speaker 7: there were Giants upon the Earth, you'll find lots of
Speaker 7: reference to actual giant people. We don't need mojo jumbo
Speaker 7: to try to justifica something that is actually real and undeniable.
Speaker 7: We have documentation from at least two thousand and three
Speaker 7: thousand years of giants well documented. But if the pyramids
Speaker 7: were built by giants and you go to the king's
Speaker 7: chamber and you find the granite box that is in there,
Speaker 7: you cannot fit a giant in there, right. And if
Speaker 7: you have a granite box in a highly acoustic chamber
Speaker 7: within a electromagnetic prepare structure, you are actually telling that
Speaker 7: you are going to put someone into the box and
Speaker 7: that person is going to the stars. That's literally what
Speaker 7: you're doing. So it's an isolation chamber. It's an initiation
Speaker 7: chamber because if you see these Awkwult people are obsessed
Speaker 7: with rituals of death and rebirth. And if you go
Speaker 7: even to the assiren every place in the world, be
Speaker 7: the Maya, the Inca, it doesn't matter. The pros even today,
Speaker 7: to the Rosaccrusians, to the Masons, to the Mero Ofvingians,
Speaker 7: all of them follow the same protocol. You descend into
Speaker 7: the underworld. That means you go through a tunnel into
Speaker 7: the depth of the earth. You go into a box
Speaker 7: and you die. Then you are revitalized at dawn you
Speaker 7: go through the waters into the light. So there's always
Speaker 7: the element of darkness, simulation of death. Some or granite
Speaker 7: box or wooden box, it doesn't matter, it depends on
Speaker 7: how they do this. Then you are awakened, probably take
Speaker 7: a drug. You are awakened at dawn, and you are
Speaker 7: driven through the water. That's exactly what you see on
Speaker 7: the Asyrum. You see the tunnel, you see the city,
Speaker 7: the place where they put to sleep or they meditat,
Speaker 7: or whatever you want to call it. And then they
Speaker 7: were brought through that vein of water into that east
Speaker 7: because that balcony that was filled water is completely driven
Speaker 7: to the east. So they emerge from the water into
Speaker 7: the light exactly as a buff you come from the
Speaker 7: water of the mother. It's exactly the same process so exactly.
Speaker 11: So a question comes to my mind though, So the coffer,
Speaker 11: so to speak, in the in the king's chamber is
Speaker 11: too small just about for anybody. How big are those
Speaker 11: boxes that you said were in.
Speaker 7: The water more than enough for a normal human?
Speaker 8: That's interesting, more enough, And they are must.
Speaker 7: Much more robust than the one that is on the
Speaker 7: on the arm chamber. They are movable. The queen's chamber
Speaker 7: is not movable.
Speaker 11: Right right, Yeah, that I wonder if there's a connection there.
Speaker 11: I mean at this point where almost in the in
Speaker 11: the realm of speculation. But I wonder why those boxes
Speaker 11: were so big and what those were used for, I
Speaker 11: mean the healing thing, of course.
Speaker 7: No, they are not as big as the ones in
Speaker 7: the what what is it called? Don't there's ones in underground?
Speaker 7: They are actually bigger than than than the gigantic bull
Speaker 7: of mythology. I don't remember how it's called. If anyone
Speaker 7: there knows how the name of that structure where you
Speaker 7: have that those massive sarcophagus.
Speaker 8: Yeah, yeah, I got it. So, uh, this is a sakara,
Speaker 8: right if I can angle this? Right?
Speaker 11: So, in Don's second book, which I don't really cover
Speaker 11: much yet, but it's on the way. Also, you the
Speaker 11: picture here, So there's these gigantic tubs exactly, there's twenty
Speaker 11: two of them, and the dimensions of these tubs are
Speaker 11: thirteen feet by seven and a half feet and eight
Speaker 11: feet high, so they're about the size of a bus,
Speaker 11: a small bus. And I don't know if each totologists
Speaker 11: have ever listed what their explanation for.
Speaker 7: Yes, cubs are to the cremation of the what's the
Speaker 7: name of the the bull god?
Speaker 8: Did you know who? Headless? Are you talking about?
Speaker 3: Molech?
Speaker 8: No?
Speaker 7: No, that is could it be appy? I'm not sure.
Speaker 7: So they made I'm not saying that's the initial purpose, right,
Speaker 7: but at least we know that they is well documented
Speaker 7: that sometime they were burning bulls and putting the bones
Speaker 7: inside of this of this boxes. But if that was
Speaker 7: the problem of those boxes is how did they got there?
Speaker 7: Because they don't fit the tunnels.
Speaker 8: They must have been built first. That's wild, dude. It was.
Speaker 5: It only bulls, It was not hers.
Speaker 7: Oh did I think they found different bones of animals?
Speaker 7: Not just one specific animal, but different ones. I can't
Speaker 7: remember exactly which ones.
Speaker 5: Yes, it's reminiscent of the episode we did the Ashes
Speaker 5: of a boss taurus, right, the breed or the species
Speaker 5: is used for purification in rituals.
Speaker 7: So sure you find in Portugal you have a place
Speaker 7: in the north that although they say that was used
Speaker 7: by the Romans, it's much older than that. But the
Speaker 7: Romans used it as an Egyptian temple, So you have
Speaker 7: Egyptian characters in a structure up north in Portugal. So
Speaker 7: it was dedicated to Isis and god of death that
Speaker 7: I can't remember the name right now, you are muted.
Speaker 3: Isis and Osiris. This book right here, the Golden Ass
Speaker 3: talks about how Osiris and Isis worship was still being
Speaker 3: practiced well into the one hundred AD period, so they
Speaker 3: still had those tults pretty active during the Roman period,
Speaker 3: So there is a lot of continuity going on between
Speaker 3: the Egyptian and the Roman time periods.
Speaker 7: Sure, and they carved this little boxes into some big,
Speaker 7: some very big, some small boxes indirect into the murder rock.
Speaker 7: Some had marks where you find that they used to
Speaker 7: have the lid, and they say that according to the
Speaker 7: markings that are carved there by the Romans, they were
Speaker 7: burning people's pets. So when someone Roman lost a cat
Speaker 7: or dog, they would take it there it would be
Speaker 7: burned inside of this boxes to help to take it
Speaker 7: to another realm or something like that. But that was
Speaker 7: not the initial use because if you look at the
Speaker 7: floor of the whole site, the floor is covered with
Speaker 7: at least what you called this thick I don't know
Speaker 7: if this is half an inch or whatever of quartz dust.
Speaker 7: The whole floor after all this time, still has a
Speaker 7: huge layer of quartz dust on the box. Whatever they're doing,
Speaker 7: they were grinding something, and something had to do with crystal.
Speaker 7: So I theorized that they were creating massive amounts of
Speaker 7: crystal inside these boxes that were then used for several
Speaker 7: purposes as lighthouses, as mirrors, as magical objects or whatever.
Speaker 7: So they were made in there. They grind the quartz,
Speaker 7: they put it into these boxes, and I looked in
Speaker 7: if science did the same thing today, and they do
Speaker 7: so they can grind the quartz and then create this
Speaker 7: Industrials from that use an additive to the mixture and
Speaker 7: it solidifies into whatever structure is put it on. So
Speaker 7: this this granite box would be perfect for that. But
Speaker 7: this doesn't apply to Egyptian I was just saying that
Speaker 7: these ceremonies of using these boxes has been passed from
Speaker 7: many meanings and many uses through the ages. We have
Speaker 7: no idea why they were made in the first place,
Speaker 7: or how they were made for that matter.
Speaker 11: I think that is an important distinction for everybody to
Speaker 11: hear that that's not it's not so strange to think
Speaker 11: that these sites were inherited, found and reused for ceremonial
Speaker 11: purposes without ever knowing what the original intent was.
Speaker 8: Hell, I live in Saint Louis, and if you go down.
Speaker 11: If you go to an old there's a bar, you
Speaker 11: have some drinks, right, and it's like stone pillars and
Speaker 11: like gargoyles.
Speaker 8: Well it never it wasn't a bar before.
Speaker 11: It used to be a post office, you know, and
Speaker 11: now it's been refurbished or whatever. So you kind of
Speaker 11: you go to the bar and you look around and
Speaker 11: you're like, this used to be something else, Which is
Speaker 11: the eerie feeling people get when they go to these
Speaker 11: ancient sites and they're like this, you're calling this a tomb.
Speaker 8: Why is there crystals all over the place? Why are
Speaker 8: you know?
Speaker 11: And I'm really glad you said that about the crystals, dude,
Speaker 11: because in this book he also says that he's got
Speaker 11: a list of possible purposes for these giant granite boxes,
Speaker 11: and one of them is kind of tucked away in
Speaker 11: the book, but he talks about how it's recessed. The
Speaker 11: boxes are recessed into the ground below floor level, below
Speaker 11: ground level, and the tunnel, the tube that comes in
Speaker 11: to this room, it doesn't.
Speaker 8: Go to the floor.
Speaker 11: It's like four feet above the floor to where there's
Speaker 11: a temperature drop when you go in. And then you
Speaker 11: mix that with the flat, the fact that the inside
Speaker 11: of those tubs are, like we were talking about earlier.
Speaker 8: Completely flat.
Speaker 11: They're microscopically mirror flat to a points where we have
Speaker 11: difficulty doing it today and.
Speaker 7: Don't do it today on large scale sounds and of
Speaker 7: an inch, yes, it tells about it.
Speaker 11: Yeah, And he talks about this need for perfection would
Speaker 11: only be necessary, and that's where he gets to the list.
Speaker 11: He's like airplane components, blah blah blah, and then it
Speaker 11: says crystals right there. Grow He says, growing crystals, which.
Speaker 12: Man, if you're growing crystals, then I mean you're doing
Speaker 12: you're doing something that we don't understand today, you know,
Speaker 12: because I don't think we understand crystals today.
Speaker 8: We use them on our phones, but you.
Speaker 7: Use it in everything, right, it's their vibration that tells
Speaker 7: the time. It's not your watch, right, it's the vibration
Speaker 7: of the crystal.
Speaker 3: Well, particularly when it comes to growing crystals, you want
Speaker 3: completely flat surfaces so you can predict where the seed
Speaker 3: crystals are going to take root and then start growing
Speaker 3: from there. So yeah, that would kind of makes sense.
Speaker 8: That's wild right.
Speaker 7: Well, I would add that Dan showing in many archaeological sites,
Speaker 7: and they are adding this layer of information that you
Speaker 7: don't find in previous studies. So you start requesting, so
Speaker 7: were that the team of archaeologists as was before in
Speaker 7: the same site was blind or what was going on?
Speaker 7: Because now they are staying that sites that we know
Speaker 7: have papers before these new ones. They are now describing
Speaker 7: lots of crystals around these sites and the mounds in
Speaker 7: the United States, in megalithic sites around Europe, they are
Speaker 7: now describing that what are all of these crystals doing
Speaker 7: in here? Why are they they not documented? And I
Speaker 7: speculated this first in terms of the mounds we in
Speaker 7: Europe because of movies and cartoons. They told us that
Speaker 7: the Indians would make a fire and with a blanket
Speaker 7: they will shape the smoke to communicate to long distances. Well,
Speaker 7: there are a lot of problems with this system of communication.
Speaker 7: It's dependent of wind, of rain, of lots of things,
Speaker 7: and so it makes it practically impractical. But there is
Speaker 7: one thing that works all the time, no matter how
Speaker 7: the weather is, and that is UH turbal luminiscence. So
Speaker 7: what happens is if you grab two pieces of quartz
Speaker 7: or crystal and you rub them together, you create this
Speaker 7: this turbal luminiscence that are flashes of light and you
Speaker 7: can control them, so you can use it as a
Speaker 7: Morse code. And we know that this ancient UH. In
Speaker 7: business peoples, most of them have a system of communication
Speaker 7: that is almost like dots or and and so you
Speaker 7: start thinking of dots as signals of lights. And so
Speaker 7: even during the night, you could communicate from mound to
Speaker 7: mount using this this reminiscence of quartz. And that would
Speaker 7: justify because each time you produce a flare of light
Speaker 7: that comes from inside the crystal, not outside. This this
Speaker 7: this this effect happens in side the quartz. It's not external.
Speaker 7: But the quartz is extremely fragile material. So each time
Speaker 7: you do that, you'll flake the quartz and you constantly
Speaker 7: need new bits because you're constantly scraping and I have
Speaker 7: quarts to do that, and you just grabbing them too
Speaker 7: strong and you flake them. So yeah, it's the material
Speaker 7: is very gone.
Speaker 1: Could it be the resonation between the crystal and the
Speaker 1: energy if they're illegal spirits and they don't have the
Speaker 1: silver cord, like a possibility of a false silver cord.
Speaker 2: Well, this is just a thought.
Speaker 11: Well that reminds me of the pizo electricity that takes
Speaker 11: place when you put friction on quartz crystal, especially with
Speaker 11: another quartz crystal that we have in the middle of.
Speaker 8: Our head in the pineal land.
Speaker 11: And if that is as many ancients have everythink all
Speaker 11: of them have introduced the idea that we are a
Speaker 11: transducer that picks up divine uh saynos messages whatever culture
Speaker 11: calls them through like a receiver like an antenna through
Speaker 11: a pine eeld man, And that's quartz crystal that specifically
Speaker 11: does that. They would want to mass produce those puppies on.
Speaker 8: An epic level, like we see in the Sakara tom
Speaker 8: and in the Osire shaft.
Speaker 7: And that's that's the funny thing, because we are told
Speaker 7: that the pie zero electric effect needs pressure, right, which means,
Speaker 7: for instance, if you are in a very dark room
Speaker 7: and you have a very high quartz stone and you
Speaker 7: put it in an hygdralic press, if you have complete darkness,
Speaker 7: you can see the veins of quartz in the matrix.
Speaker 7: The crystalline matrix of that piece will lighten up. Yeah,
Speaker 7: depending on the pressure. But what they didn't want to
Speaker 7: recognize but are not forced to, is that you don't
Speaker 7: need the weight. You can also do it sound. The
Speaker 7: sound can create these standing waves inside these structures because
Speaker 7: the sound has nowhere to go, so it goes back
Speaker 7: and forward until it creates a standing wave with these notes.
Speaker 7: So have you seen the acoustic levitation stationary position? I
Speaker 7: have not, Okay. So they produce these two metal plates
Speaker 7: and they produce a frequency, okay, and as soon as
Speaker 7: it reaches the point of a standing wave, you can
Speaker 7: grab these balls of what do you call spherophyte. How
Speaker 7: do you call this material that is very light, the
Speaker 7: white stuff that comes to protect the TVs and all
Speaker 7: of that stuff.
Speaker 8: I don't know.
Speaker 4: It's called sterophone.
Speaker 7: Okay. They put these balls of stereophone and they throw
Speaker 7: it into the middle of the plates and they get
Speaker 7: stuck in the same place because the waves are not moving.
Speaker 7: They are completely static. Yeah, and that suspends that ball
Speaker 7: wherever they place it. They have these nodes and it
Speaker 7: stays there. It doesn't move, right, So this is a
Speaker 7: standing wave. And so when you reach this point, you
Speaker 7: start creating pressure into the quarts of the materials. So
Speaker 7: that's why you when you go to the medicallythic world,
Speaker 7: you go to New Range, you go to West Kennet,
Speaker 7: Long Barrow, you go to I don't know, all of
Speaker 7: these kirns and types of spaces. You see that there
Speaker 7: is something called vibration in printing, and vibration in printing
Speaker 7: is something that we are starting to use today. There
Speaker 7: is to excite crystal to absorb information and that information
Speaker 7: is stable across a vast distance of time. It's far
Speaker 7: better than any system that we have right now. And
Speaker 7: they didn't manage to reach the limits that the crystal
Speaker 7: can contain information. So it just can put it in
Speaker 7: and in and in and in, and it doesn't it
Speaker 7: doesn't overload. So you have this culture of the ancestors, right,
Speaker 7: So it's the religion of the ancestors, honoring the ancestors.
Speaker 7: But what if that is a misunderstanding of what it
Speaker 7: was actually there is you go to these megaallythic sites,
Speaker 7: you create a ceremony, and according to specific frequencies or
Speaker 7: specific songs that create spacific frequencies that create specific standing waves,
Speaker 7: you activate these crystals in a sense that you can retrieve,
Speaker 7: even if metaphysically, even if just by brain entrainment, you
Speaker 7: can receive the information of previous cults that were there,
Speaker 7: or of ceremonies that are being done on the other
Speaker 7: side of the world. But because the frequency signature is
Speaker 7: the same, they are completely connected. So these long distance
Speaker 7: communications systems existed in the past. For instance, you can
Speaker 7: communicate from the mainland Greece, sorry mainland Malta to an
Speaker 7: island that is called Lampaducer. There is sixty kilometers away
Speaker 7: right across the ocean, and you can speak within this
Speaker 7: temple and it's the Hargan Hagar does haggardak or something
Speaker 7: like that. It's not the ice cream, but it's close
Speaker 7: to that. You speak on that temple and you hear
Speaker 7: the sound sixty kilometers away on this smaller Smith Circle
Speaker 7: that is on the island of lapaduza, so you can
Speaker 7: pass on the communication from one side to the other.
Speaker 7: Because the coolness of the water, so when you emit
Speaker 7: a sound, it starts to stretch and lose volume. But
Speaker 7: the coolness of the water in a calm day which
Speaker 7: constantly recompress the wave, so it reaches sixty kilometers away
Speaker 7: exactly the same volume that it was emitted where it
Speaker 7: was placed. Another example is in the main chamber of
Speaker 7: the West Cannet long barrel. If you speak, your sound
Speaker 7: will appear at the same volume six hundred and sixty
Speaker 7: seed fixed away in the West cannet short barrel that
Speaker 7: is not connected only fields around it, and the sound
Speaker 7: will appear on that chamber exactly as it was spoken
Speaker 7: on the Western long barrel, for.
Speaker 8: Instance, six hundred and sixty seven feet away.
Speaker 7: No, no, the chamber is exactly six hundred it's two
Speaker 7: hundred meters, so I'm just translating it to feet. So
Speaker 7: they knew how to do these things. They knew how
Speaker 7: to communicate long distance you found in America. In France,
Speaker 7: the recessed areas in clifts, some are natural, some are
Speaker 7: further enhanced by human hand, and there are imagine, there
Speaker 7: are one hundred and forty of them on this clift
Speaker 7: through the miles that it goes. But when they tested them,
Speaker 7: only those that have pictographs, only those that have drawings
Speaker 7: on the walls worked. And what they did is they
Speaker 7: seated a person in front of this recess, and then
Speaker 7: someone beyond the horizon would speak directly to the cliff,
Speaker 7: and the person that is sitated here, we'll hear that
Speaker 7: person as if he was next to him. And if
Speaker 7: you want to communicate to that person, you just turn
Speaker 7: around and speak to the recess on the wall and
Speaker 7: the person on the other side will receive your sound.
Speaker 7: So yeah, So that's why I believe that Megaltic world,
Speaker 7: the original one, was a type one civilization. They obtain
Speaker 7: all the energy, all the things that they needed from
Speaker 7: the ears itself or from the sun indirectly. And now
Speaker 7: we are very far away from that. So when we
Speaker 7: speak that we are most advanced right now, I just
Speaker 7: my feeling is too left because we are far from
Speaker 7: being advanced in anything.
Speaker 6: Well, I will just jump in and say that I
Speaker 6: have a friend who is very innovative in the field
Speaker 6: of crystal quantum computing, and it's very real technology, and
Speaker 6: he is also very skilled cabalist. So I think that
Speaker 6: there is like what Joey was saying, that there is
Speaker 6: a place where technology and magic are exactly the same thing.
Speaker 6: There's really no distinction, it's barely any difference really is
Speaker 6: up to us and our discernment.
Speaker 8: I agree with that.
Speaker 6: But about the crystals, I think, like in Buddhism, how
Speaker 6: we describe it as you have these large quarts, you
Speaker 6: produce the specific seeds using maybe instruments, but there's an
Speaker 6: idea that you can also produce it from yourself, and
Speaker 6: so maybe it's also linked to consciousness. So when you're
Speaker 6: speaking the seed and you're also applying like those forces
Speaker 6: of consciousness are mind, you can create the five primordial colors,
Speaker 6: which is yellow, green, red, white, and of course clear.
Speaker 6: So I don't know about long distance, but this is
Speaker 6: this is considered very possible to like perform like even now. Yeah,
Speaker 6: well we'll talk about those kinds of experiences.
Speaker 7: Look, I'm not trying. I'm not trying to promote myself,
Speaker 7: and I will send the book freely to anyone that asks.
Speaker 7: But if you read the Resonancers, I explore all these
Speaker 7: facts from the scientific point of view, and I substantiate
Speaker 7: every claim that I make for wild I said, it
Speaker 7: is with science that we are doing right now. People
Speaker 7: just don't associate things right. We are doing exactly the
Speaker 7: same thing that they were doing back then, in fact,
Speaker 7: about trying to learn how to do it with all
Speaker 7: some success, and they were actually doing it back then.
Speaker 11: I'll read this out of your book, dude, don't be.
Speaker 8: I'll talk about it on an episode or something like that.
Speaker 8: I can't wait.
Speaker 4: You know something I want to mention real quick too.
Speaker 4: You're talking about uh, I guess uh, you know crystals
Speaker 4: and tran transferring things. Anton Asius Kurture, which I think
Speaker 4: was like in the sixteen hundreds maybe seventeen hundreds, he
Speaker 4: was stating that he believed that in the future, with
Speaker 4: light and crystals, you'll be able to transmit spirits and demons.
Speaker 4: And basically when you look at you know, crystals in
Speaker 4: your TV and how the internet works, the optical cable,
Speaker 4: I mean, that's exactly what's going on right now.
Speaker 7: Yeah, no one knows how it works.
Speaker 4: Just with Priest was telling you it was gonna happen.
Speaker 8: Had something a hot minute ago. If I'm not mistaken, huh.
Speaker 8: Mad science has had something to say, but she didn't.
Speaker 11: Get quite Oh yeah, Lisa about the crystals thing.
Speaker 5: Oh about the crystals in your ear?
Speaker 2: That's how you hear?
Speaker 4: Yeah, yeah, you had mentioned that, but yeah, what was
Speaker 4: that about again? You had said that real quick, and
Speaker 4: can you talk a little bit more about that actually.
Speaker 5: Because we were talking about how the pineal it is
Speaker 5: crystallized or it's a crystal. Yeah, what are you saying
Speaker 5: about the paper?
Speaker 8: Well, they didn't.
Speaker 1: If they become destabilized, they you lose all sense of balance.
Speaker 1: This happens when people fly or go on cruises or whatever.
Speaker 1: The crystals in your ear literally are hugely important to Lisa.
Speaker 8: Dude, Okay, hold up pression.
Speaker 11: So I'm deaf in my left ear and I have
Speaker 11: been since I was very young, and I can't be
Speaker 11: in the car for any amount of time.
Speaker 8: I get very car I get very nauseous.
Speaker 11: I have done all of the whatever I uh, ginger
Speaker 11: you dude.
Speaker 7: I cannot.
Speaker 2: There's some maneuvers that you can look up.
Speaker 1: Look up ear crystal maneuverry.
Speaker 2: What I got real messed up after a cruise. This
Speaker 2: is why I got landsick. I was seasick.
Speaker 7: I just right walked.
Speaker 2: Straight for a week after my cruise. So this is
Speaker 2: why I ended up knowing this.
Speaker 8: You get easily? Huh was a whoops.
Speaker 9: I'm sorry, my internet broke out right when I said
Speaker 9: something to does that affect your dizziness?
Speaker 7: Do you get dizzy easily?
Speaker 11: It's it's verty, it's kind of. It's just it's a claustrophobic,
Speaker 11: nauseous vertigo when I'm in a car, and it doesn't
Speaker 11: matter with the windows open, windows down, dude.
Speaker 8: I'll go on a boat, I'll go on a roller coaster.
Speaker 8: None of that ship bothers me. A car. I can't
Speaker 8: do it.
Speaker 11: It's just subtle enough or whatever. It just I've always
Speaker 11: associated because I get sick right here.
Speaker 8: But I've nevern driving, not if I'm driving as a passenger.
Speaker 2: So for everybody, this is called the Eppley maneuver.
Speaker 1: Just so you know, this is a real medical thing
Speaker 1: and it can help realign the crystals in your ear.
Speaker 11: Dude, I've been alive for thirty eight years and no
Speaker 11: one has brought this to my attention.
Speaker 8: I had no.
Speaker 5: Oneir's Maneir's disease is also another thing where you have
Speaker 5: to go and not like you you're you're physiologically incapacitated
Speaker 5: and and it's all due to the disalignment like hew
Speaker 5: do you was saying of crystals, but also there it's
Speaker 5: also the point is causing inflammation as well, and it's
Speaker 5: mimicking kind of like you know, like to go and everything,
Speaker 5: but it's also mimicking car sickness and you're just standing stiff.
Speaker 8: Right.
Speaker 5: There's there's If you've an anti I'm sure they'll tell
Speaker 5: you all kinds of like you know, putting steroids in
Speaker 5: your ear or severing the nerve to your ear. They'll
Speaker 5: go through all of that and usually it does not
Speaker 5: do anything but mitigate symptoms. But definitely I've I've that
Speaker 5: from several people that acupuncture has almost corrected and eliminated
Speaker 5: the situation as well as doing the maneuvers to where
Speaker 5: you need to realign and out of place and they
Speaker 5: have fallen in disalignment, so you need to you know,
Speaker 5: head maneuvers or whatever.
Speaker 1: Also makes some special ear plugs for this as well.
Speaker 4: Just fyi, it's that.
Speaker 2: You wear during the day that minimize certain sounds. You
Speaker 2: can look into this, it will help you. I'm I'm
Speaker 2: a nurse.
Speaker 4: This is real.
Speaker 8: That's fantastic. I just I've always assumed it was something. No,
Speaker 8: it's it's good.
Speaker 7: You won't walk for a year, but when you talk.
Speaker 8: It's perfect.
Speaker 7: The game had a couple of things.
Speaker 3: So, uh, my great grandmother had this home remedy that
Speaker 3: always worked when I was car sick. You take a
Speaker 3: brown paper bag and you put it in your pants.
Speaker 3: I don't.
Speaker 8: You already do that? It's done? Is that not normal?
Speaker 3: I don't know, but I don't know, but she said
Speaker 3: that that gets rid of carsick. She was going across
Speaker 3: the prairie and a covered wagon.
Speaker 4: So focusing on the uncomfortable, that's awesome.
Speaker 9: There there's a yoga system called the Five Tibetan Rights
Speaker 9: of Rejuvenation. I recommend it to literally everyone, and the
Speaker 9: first move of five it takes like ten minutes. It's
Speaker 9: pretty exertive, so even like people that are not really
Speaker 9: yogi's can get into it. And the first movement is
Speaker 9: walking is spinning in a circle essentially, and most people
Speaker 9: find it useless, but it really is supposed to work
Speaker 9: out the inner ear. So look into the five Tibetans
Speaker 9: because it's really helpful for the inner ear problems. Not
Speaker 9: that years might be distinct, but right, Yeah, anything.
Speaker 10: I I have a question real quick here the serious
Speaker 10: back Joey, back to egypt stuff, away from your nose
Speaker 10: and throat stuff. Although this all sounds like great, great advice,
Speaker 10: I obviously have a lot of signus issues myself. I'm
Speaker 10: dealing with some of that right now. But you know,
Speaker 10: when you're mentioning all this Egyptology stuff in the Western
Speaker 10: I you know, the West cultural understanding of ancient Egypt
Speaker 10: and stuff, and you know how that's you know, that
Speaker 10: narrative is being controlled by a small group of folks
Speaker 10: and you folks like Zahi Woss who kind of think
Speaker 10: floats back between the you know, the locals and the
Speaker 10: British kind of westnize you know, sides of that argument.
Speaker 10: You know, like he's a fense center of sorts, it seems.
Speaker 10: But it seems like a lot of that's the Gyptology
Speaker 10: stuff came back to Napoleon right around cir K ten hundred,
Speaker 10: and they've kind of just been controlling that, at least
Speaker 10: the Western side of that story ever since then.
Speaker 8: Yeah.
Speaker 11: The reason I love Napoleon in particular was because he
Speaker 11: was the first person to tell his boys to be
Speaker 11: like guys, stop speculating about what the pyramids were.
Speaker 8: None of us in our time are going to.
Speaker 11: Understand it, and it's going to depend on future generations
Speaker 11: to be able to decode it, because we will. He
Speaker 11: just he got it, he knew. He was like, there's
Speaker 11: something we are missing or don't out yet, or didn't
Speaker 11: have or or they had that we don't. He's like,
Speaker 11: but knock it off, because we're wasting our time. We're
Speaker 11: spinning our wheels. Sure, if this thing had a utility,
Speaker 11: whether electoral, magnetic, or or otherwise or literally I lectured whatever,
Speaker 11: any of anything that would involve some kind of machine,
Speaker 11: he nailed it because none of his guys would have
Speaker 11: ever been able to cross that barrier into that speculation whatever,
Speaker 11: So it would have been thought of as magic for
Speaker 11: I mean centuries, centuries, you know. And so there there's
Speaker 11: just whenever Egyptology got a hold of this speculation in
Speaker 11: the first place, we have to remember it became a career.
Speaker 11: And once it's a career, there is a grip that
Speaker 11: is that's into this thing that no one involved is.
Speaker 13: Going to let go of, especially especially if letting go
Speaker 13: of that grip not only hurts your own wallet, but
Speaker 13: hurts the wallet of people who say create energy.
Speaker 8: Also, that might be a con with that. For sure.
Speaker 10: There's obviously some very monetarily back to utilitarian, you know,
Speaker 10: purposes for doing these silly censorship things.
Speaker 8: But you know, the point.
Speaker 10: One thing that interests me about Napoleon, I you know
Speaker 10: that is some great points you make there. It's interesting character.
Speaker 10: He's often described as you know, just losing it Waterloo
Speaker 10: and whatnot, but he's a he's got a lot of
Speaker 10: interesting character. And he's part of the secret society that
Speaker 10: actually started America, the Society of the Cincinnati. They had
Speaker 10: a French chapter and he was part of it, and
Speaker 10: he uh, you know, I think it's interesting that maybe
Speaker 10: you know that within that secret society that they hold
Speaker 10: some secrets within these things relative to ancient Egypt still today,
Speaker 10: you know, I often wonder that.
Speaker 7: That's why the descriptions of Egypt that Napoleon commissioned to
Speaker 7: artists and when he invaded Egypt don't represent anything that
Speaker 7: is i'll chemical or esoteric, because that was kept all
Speaker 7: for themselves. But I strongly recommend I have posted all
Speaker 7: of it, but I can send the book anyone that wants.
Speaker 7: The volumes there are five volumes. So they did a
Speaker 7: complete drawings, perfect drawings, magnificent drawings of everything that existed,
Speaker 7: from the fauna to the flora, to the temples to
Speaker 7: the pyramids. They documented everything in magnificent drawings that are
Speaker 7: as good as photographs. And these were done in nineteen eighties.
Speaker 7: So it's an amazing work that he commissioned, and no
Speaker 7: one else, all those people that invaded Egypt before, no
Speaker 7: one else remembered to document everything that could be seen,
Speaker 7: and he did it so many things that we now
Speaker 7: know how Egypt was in the nineteen the beginning, the
Speaker 7: ending of the beginning of the nineteenth century comes from
Speaker 7: this disc the legit that Napoleon commanded. But I would
Speaker 7: want to say so just one small thing, that is
Speaker 7: why do egyptollers say that pyramids were tombs? And this
Speaker 7: is not discussed openly, but the fact is there are
Speaker 7: documents stating that that even something that broke the slab
Speaker 7: that he entered in the pyramid and did that toll
Speaker 7: that still used today, I think to enter there. He
Speaker 7: actually broken the lid. He documented it that he broken
Speaker 7: the lid, took a mummy from there and burned it
Speaker 7: outside next to the pyramid. So but that doesn't discredit
Speaker 7: anything else, because the fact that he was used once
Speaker 7: as a tomb doesn't mean it was built to be
Speaker 7: a tomb. Surpos But that's why they say because not
Speaker 7: as one single mummy was ever found inside any pyramid
Speaker 7: in it never sure.
Speaker 10: Right if I'm a close my point there on the side,
Speaker 10: ADDI Cincinnati Napoleon's group there, like I was saying, the
Speaker 10: start of America. You know, I get creeped out when
Speaker 10: I see Donald Trump, who's a member of that same
Speaker 10: secret society by virtue of being President of the United States.
Speaker 10: His wife danced around the Giza plateau looking like an
Speaker 10: Indiana Jones character.
Speaker 4: You know what I mean?
Speaker 11: Yeah, oh shit, Hey, I want to let you guys
Speaker 11: know real quick.
Speaker 8: I'm at ten percent on my pad.
Speaker 4: We're gonna have to wrap it up anyway.
Speaker 8: Here headless.
Speaker 3: I had something to read real quick.
Speaker 8: So.
Speaker 3: An Arab historian from the tenth century A. D Abdul
Speaker 3: Hassan al Ali al Mussidi, wrote about ancient Egypt and
Speaker 3: the methods he alleged were used to move massive stones,
Speaker 3: including those used to build the pyramids. He claimed that
Speaker 3: a magic papyrus imprinted with symbols was placed under each stone,
Speaker 3: after which a metal rod was struck against the stone
Speaker 3: to initiate the levitation process. According to al Musadi, the
Speaker 3: stone would be guided along a fenced path that could
Speaker 3: be like electrogravitics, which would be guided along the fence
Speaker 3: path with metal poles placed on each side. Some believe
Speaker 3: these poles could have been used to create high frequency
Speaker 3: sound vibrations, which would have been responsible for creating the
Speaker 3: levitation effects. However, outside this written testimony, there is nothing
Speaker 3: to corroborate that.
Speaker 8: What about frames, those extrames that float.
Speaker 7: Mag latter.
Speaker 3: Mag labs.
Speaker 7: Yeah, but in this case, it's more like you described
Speaker 7: with a fork tune. So the explanation scientifically is quite simple.
Speaker 7: If you have a material and you find out how
Speaker 7: to vibrate it to a specific frequency where it's no
Speaker 7: longer connected to the laws of physics. It's like that
Speaker 7: cryogenic quantum lock that they did first with very cold liquid.
Speaker 7: Did you see any time that. So they have a
Speaker 7: a magnetic.
Speaker 8: Road.
Speaker 7: Let's put it. You have a magnetic road in me too,
Speaker 7: and you have this this disc is placed into a
Speaker 7: cryogenic liquid, and they take this disk and they put
Speaker 7: it on top of that magnetic track and he doesn't move.
Speaker 7: You can put it in any position that you want,
Speaker 7: and he's floating. But now they are already doing that
Speaker 7: without needing the cryogenic so they are doing it at
Speaker 7: room temperature already.
Speaker 2: Which vibration.
Speaker 1: Yeah, we know that it actually happened, and we do
Speaker 1: have proof because emergency services were called in eighteen ninety
Speaker 1: eight New York City when Tesla made an earthquakes. Yeah,
Speaker 1: I mean they figured this out so sure.
Speaker 11: That's one of my favorite stories of all time. When
Speaker 11: Tesla is smiling. You never see this dude smiling, and
Speaker 11: he's talking to the reporter and he's like, we told
Speaker 11: him it must have been an earthquake, that's all we
Speaker 11: ever told him. And he's just he's granted, he's not
Speaker 11: even damn near knockdown a building.
Speaker 8: Talk about fucker on to find out.
Speaker 4: Man, he was the king, all right. Unfortunately, Joey, I
Speaker 4: do have another guess before your thing dies, and the
Speaker 4: next guest tells me to go fuck myself because I'm late.
Speaker 4: I have to wrap this up.
Speaker 8: You you are a man, right, dude.
Speaker 4: I don't know how you do it, yes, but I
Speaker 4: really appreciate. I appreciate everybody jumping on. That was really
Speaker 4: awesome talk. I didn't want to have to cut it,
Speaker 4: cut it to an end, right like the way I am.
Speaker 4: But unfortunately there is somebody else waiting. So uh yeah, Joey,
Speaker 4: please real quick, let everybody else know where they can
Speaker 4: find your amazing works.
Speaker 11: I am on Library of the Untold on YouTube. That's
Speaker 11: primarily it. I mean, I've got stuff on all the
Speaker 11: other platforms too, but that's.
Speaker 8: Because I have to to keep up.
Speaker 11: But everything, including music, full length episodes, scripts, just some
Speaker 11: people like the the episodes with no music and no
Speaker 11: visuals just like they can listen to it. Those are
Speaker 11: available all on the website Library of the Intold dot com.
Speaker 11: Basically all my ship is under Library of the in Told,
Speaker 11: just keeping it consolidated.
Speaker 7: What's yours?
Speaker 8: What's up?
Speaker 7: What's your attics?
Speaker 8: I'm not sure?
Speaker 4: What are you on Twitter? You're not? Are you?
Speaker 8: Library Told?
Speaker 11: Oh?
Speaker 8: I just followed you about an hour ago.
Speaker 4: I think he was on that.
Speaker 8: Okay, so I have a parking space on all of
Speaker 8: these plays the Ricardo, But okay.
Speaker 7: Thank you.
Speaker 8: Maybe I should start using that. I don't know, I'll try.
Speaker 11: I'm gonna start hitting it up. I need I need
Speaker 11: to hit all these platforms. I can't keep by the
Speaker 11: time I hit them all, there's a new one that
Speaker 11: comes out.
Speaker 4: Oh yeah, yeah yeah, but uh yeah, I'll leave uh
Speaker 4: I'll leave your links in the bottom. Thank you very
Speaker 4: much man. And again, people, if this is the first
Speaker 4: time you've seen him, he's been on the Ocult Rejects before.
Speaker 4: Just recently something dropped with Coral Castle. Go check that out,
Speaker 4: and definitely go check out all his other amazing work.
Speaker 4: I really appreciate it. Man, Thank you so much for
Speaker 4: asking us to, you know, to have you come on
Speaker 4: and host.
Speaker 8: Thank you for having me.
Speaker 4: Hell yeah, it's always a blast. And thank you all.
Speaker 4: In the chat that's what's up. There was a hell
Speaker 4: of appeal, a lot of people in there, all from
Speaker 4: all channels. That's what's up. Thank you. I tried to
Speaker 4: throw as many up on the screen that I could.
Speaker 4: I appreciate you all and until the next one, everybody
Speaker 4: be well later.