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<v Speaker 1>Hear me, oh, hear me, oh paied the Lord, the

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<v Speaker 1>Lord Jehovah has given unto you.

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<v Speaker 2>He's fifteen.

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<v Speaker 1>Hey, ten ten commandments fall to pay. Welcome to this

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<v Speaker 1>special passover episode of Amusing Jews, where we celebrate Jewish

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<v Speaker 1>contributors and contributions to American popular culture. Passover Sadyers can

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<v Speaker 1>be a drag, long, slow, repetitive, inscrutable, leaving attendees young

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<v Speaker 1>and old snoring to the finish line. Of course, that

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<v Speaker 1>wasn't the case when the sator was held at Sid

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<v Speaker 1>Caesar's house, with a guest list that included mel Brooks,

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<v Speaker 1>Carl Reiner, Richard Lewis, Laney Kazan, Theodore Bikel, Connie Stevens,

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<v Speaker 1>Monty Hall, Arthur Hiller, Jeff Ross, and today's guest, I'm

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<v Speaker 1>Jonathan Friedman.

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<v Speaker 3>And I'm Joey Angelfield.

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<v Speaker 1>Producer engineer Mike Tomren is working somewhere behind the scenes.

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<v Speaker 1>Amusing Jews is a project of a Dad Javerin, Congregation

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<v Speaker 1>for Humanistic Judaism, the Jewish Museum of the American West,

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<v Speaker 1>and Atheist United Studios.

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<v Speaker 3>We're excited to chat again with Rena Strober, a Broadway

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<v Speaker 3>television film and voice actor who's currently working on a

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<v Speaker 3>memoir singing for Sid and other Wow moments. Rena, welcome

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<v Speaker 3>back to amusing Jews.

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<v Speaker 4>Thank you. You guys have not aged a bit.

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<v Speaker 3>That's so nice of you to say so. Rena, tell

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<v Speaker 3>us how'd you get to know the legendary said Caesar.

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<v Speaker 2>Oh my gosh, it just gets more and more Jewish.

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<v Speaker 4>I was doing a musical review in Los Angeles.

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<v Speaker 2>I just moved to LA from New York in twenty

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<v Speaker 2>twelve or twenty thirteen, and Jason Legs and cast me

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<v Speaker 2>in a.

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<v Speaker 4>Musical review called when You're in Love.

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<v Speaker 2>The Whole World is Jewish, based on the Bob Booker

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<v Speaker 2>albums A fear of that age. There were these records

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<v Speaker 2>that sort of broke down the traditional Jewish jokes into scenes,

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<v Speaker 2>and Jason directed sort of a stage version of it.

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<v Speaker 2>And I just moved from New York where I had

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<v Speaker 2>a lot of cool things going on in my life,

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<v Speaker 2>and one of them was I was a member of

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<v Speaker 2>the Friars Club because.

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<v Speaker 4>I am obsessed with old Jewish men. Not obsessed. I

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<v Speaker 4>think I am an old Jewish man. Let's just say that.

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<v Speaker 2>Born and raised in the Catskills, I'm a borsch belt person.

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<v Speaker 2>So in my bio it's talked about stuff I'd done,

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<v Speaker 2>and then it said I was a member of the

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<v Speaker 2>Friars Club. And afterwards at adorable couple came over to

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<v Speaker 2>me and they said, oh my god, you were great.

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<v Speaker 4>We used to run the Friars Club. Here, would you

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<v Speaker 4>want to meet Sid Caesar?

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<v Speaker 2>And I was like, I had been stalking Sid at

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<v Speaker 2>Factors Deli every Wednesday for good six months because he

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<v Speaker 2>was meeting his.

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<v Speaker 4>Writers there every Wednesday.

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<v Speaker 2>I've loved Sid Caesar since Greece, History of the World.

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<v Speaker 2>And then I got to know Caesar's hour, and I

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<v Speaker 2>knew that he had not met anyone in at least

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<v Speaker 2>in a year or so, because he was sort of

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<v Speaker 2>house bound and getting older. But this couple said that

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<v Speaker 2>they were his caretakers and would.

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<v Speaker 4>I want to go up and meet him? And they'd

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<v Speaker 4>never done this before, but something about me because.

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<v Speaker 5>I'm an old Jewish man, So yes, I said, And

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<v Speaker 5>the next day I was given the address and I

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<v Speaker 5>met Arthur Hiller actually in the driveway and we walked

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<v Speaker 5>in and there was Sid in a hospital bed.

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<v Speaker 2>Giant, He's still a giant, giant, hand giant, eyebrows, and

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<v Speaker 2>Arthur sat down next to him, and Arthur just started crying,

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<v Speaker 2>actually because the Sid looked.

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<v Speaker 4>Very old and frail and sort of not there. And

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<v Speaker 4>I stood and I let the men just have a moment.

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<v Speaker 2>And then lou this friend said, Brina sick because I

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<v Speaker 2>sung in the show for Jason, sing for him, sang

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<v Speaker 2>for him.

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<v Speaker 4>My whole life, I've been forced to sing in funny situations.

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<v Speaker 4>But so I started to sing.

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<v Speaker 2>Sid's eyes popped open and his giant eyebrows went up,

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<v Speaker 2>and he looked to me and and in like a

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<v Speaker 2>gravelly voice, he said, oh wow, which is the name

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<v Speaker 2>of the book I'm working on? And he started to

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<v Speaker 2>sing No very long.

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<v Speaker 4>There actual, and everyone was sort of shocked a bit.

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<v Speaker 2>And to make a long story short, for a year,

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<v Speaker 2>I went by his house every week and I sat

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<v Speaker 2>next to him, and I sang, and I sang Gershwin

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<v Speaker 2>and Rogers and Hart and Hammerstein, and the me music

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<v Speaker 2>started to bring him back, and he then in return

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<v Speaker 2>would tell me stories and I sort of became part

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<v Speaker 2>of the meshbucha and I was there a lot, and

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<v Speaker 2>Mel and Carl would go on other days. We all

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<v Speaker 2>had our days that we went, and the village loved

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<v Speaker 2>him and took care of him.

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<v Speaker 1>I know the era died in the Wold in New

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<v Speaker 1>Yorker and La is still not one hundred percent comfortable

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<v Speaker 1>for you. What is the difference or what was the

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<v Speaker 1>difference between the Friars Club in New York and in LA.

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<v Speaker 2>I never went to the Friars Club here from what

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<v Speaker 2>I know, because the New York Club made the La

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<v Speaker 2>Club shut down many years ago.

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<v Speaker 4>The New York Club was very exclusive.

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<v Speaker 2>You could only walk through those doors if you were

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<v Speaker 2>a member or with a member. We were fairly strict

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<v Speaker 2>about it. And for those who don't know the Friars Club,

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<v Speaker 2>we did the roasts, all the famous roasts we had.

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<v Speaker 2>Milton Burrell left his five story townhouse to us on

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<v Speaker 2>fifty fifth and actually all just shut down and it's gone.

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<v Speaker 2>But during the Hey today there were the roasts and

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<v Speaker 2>Freddie Roman. We would have lunch there, we would have

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<v Speaker 2>chopped liver, Happy Hour. I sang there every week.

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<v Speaker 4>But it was exclusive. It was a club for entertainers.

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<v Speaker 2>I say I brought the average age down to seventy

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<v Speaker 2>because it was mostly old people.

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<v Speaker 4>Then there was Jeff Ross and me and a few

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<v Speaker 4>other people. So the one in La.

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<v Speaker 2>Was open to everybody sort of towards the end, and

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<v Speaker 2>I think that was the problem.

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<v Speaker 4>Anyone could go sort of as a restaurant.

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<v Speaker 1>Enjoining the show, click like and subscribe. So how did

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<v Speaker 1>you end up doing a passover Satyr with Sid Caesar.

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<v Speaker 4>I'd heard that his satyrs were famous.

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<v Speaker 2>Him and Florence were very social people, and they had

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<v Speaker 2>this beautiful house in Beverly Hills, and they were infamous

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<v Speaker 2>for throwing a second I think it was mostly the

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<v Speaker 2>second night Satyr.

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<v Speaker 4>And I'd heard that.

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<v Speaker 2>Sid would only talk in his gibberish, and these were

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<v Speaker 2>famous satyrs, and at this point I don't know.

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<v Speaker 4>If they had been doing them, but we decided to

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<v Speaker 4>bring it back. That year.

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<v Speaker 2>It was his actually final satyr. I did two there,

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<v Speaker 2>but the following year he had already passed away. So

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<v Speaker 2>he was there in a jar with his wife in

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<v Speaker 2>a jar and his dog in a jar.

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<v Speaker 4>And I say that lighthearted because he would love that.

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<v Speaker 2>But the year that he was there, Theo Biquel, who

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<v Speaker 2>had just played My Father and Fiddler on the Roof.

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<v Speaker 4>I was on the national tour with.

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<v Speaker 2>Topel and Theo came in to fill in so I

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<v Speaker 2>knew the Theo, So me and THEO sort of put

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<v Speaker 2>this satyr together for Sid and all of his friends.

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<v Speaker 2>And I was the youngest by far, so I got

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<v Speaker 2>to sing the four Questions for the first time in decades.

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<v Speaker 2>So these satyrs were infamous, and they had about twenty people.

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<v Speaker 2>It was catered at from Brent's Delhi and they were

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<v Speaker 2>the same people. And just a few moments that I

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<v Speaker 2>want to share is mante Hall, who was one of

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<v Speaker 2>the kindest, Like I knew him a little bit, but

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<v Speaker 2>he is such a Nashama like he all he wanted

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<v Speaker 2>to do was the Schehriano, Like can I please do

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<v Speaker 2>the cheriano? Like that meant so much to him.

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<v Speaker 4>And he did it. We would have dinner parties there too.

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<v Speaker 2>We had a dinner for Sids ninetieth, his ninety first

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<v Speaker 2>and this satyr and and MANTSTI always.

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<v Speaker 4>Wanted to bring the cheeriano.

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<v Speaker 2>So I just I always love that. And like you said,

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<v Speaker 2>Lady Kazan was across from me. Connie Stevens Artie Butler,

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<v Speaker 2>theo bikel who's just I mean. I did fiddler with

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<v Speaker 2>him when he was eighty six. And this is a

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<v Speaker 2>man who's eighty nine at the time, who at first

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<v Speaker 2>feels very old, and then when he opens his mouth

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<v Speaker 2>to saying, he goes back to his forties. It's it's magical, magical.

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<v Speaker 2>He had an old, old Yiddish hagada. He's all so

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<v Speaker 2>incredibly progressive. He sounds like he wouldn't be, but the

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<v Speaker 2>orange was there on the satyr plate. He challenged every story,

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<v Speaker 2>he challenged every cashrew rule. He had a laptop on

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<v Speaker 2>the table because he had just met this woman and

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<v Speaker 2>in India, so he had her face timing on there

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<v Speaker 2>like and uh and.

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<v Speaker 4>Mel brooks Uh was what I called Melijah.

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<v Speaker 2>He was a few minutes late, and so we left

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<v Speaker 2>a chair for Melijah. And then I was because I

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<v Speaker 2>was the youngest, and I sat to theo's left, and

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<v Speaker 2>I had to do the four questions, And so before beforehand,

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<v Speaker 2>I thought, well.

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<v Speaker 4>I have to make this night different from all other nights.

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<v Speaker 2>And I rewrote the four questions to the tune of Pardon,

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<v Speaker 2>Pardon Me Miss, which was Sid's big song on Broadway

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<v Speaker 2>and from Little Mee.

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<v Speaker 4>And then I did too too.

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<v Speaker 2>If I were a rich man, I actually was to

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<v Speaker 2>do the fourth one to springtime for Hitler in honor

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<v Speaker 2>of mel But I was.

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<v Speaker 4>Like, maybe maybe not the best choice. So I did

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<v Speaker 4>if I were a rich man, and pardon me miss

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<v Speaker 4>to the four questions.

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<v Speaker 3>It sounds like it was more of a secular cultural

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<v Speaker 3>event than a religious one.

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<v Speaker 2>Well, I will preface this by saying, I think in

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<v Speaker 2>that room, if they, if these were people who knew

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<v Speaker 2>what humanistic Judaism was, they would sign up. Mel would

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<v Speaker 2>always say, you know, there's no He would say there's

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<v Speaker 2>no mel Brooks without Sidsey's, or there's only Melvin Kaminski.

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<v Speaker 2>And then he would talk about how he was raised

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<v Speaker 2>by Jewish parents, but he wasn't a religious Jew. He

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<v Speaker 2>was a cultural Jew. And I think that went for

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<v Speaker 2>everybody in the room. Maybe Monty Hall was probably your

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<v Speaker 2>more religious Jew. Rabbi Jerry Cutler, may he rest in peace.

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<v Speaker 4>May his memory be for a blessing who passed away

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<v Speaker 4>just last month. He was the rabbi there reform rabbi.

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<v Speaker 2>Though this was a culture event, this was a ritual

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<v Speaker 2>Even to theo Bakel, it felt very ritualistic in what's

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<v Speaker 2>on the sat or plate.

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<v Speaker 4>Whenever we said why, you know, why is this night

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<v Speaker 4>different from all others?

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<v Speaker 2>Mel Brooks would scream because we wait so long to eat,

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<v Speaker 2>Like the people were just yelling things out and Sid

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<v Speaker 2>was not doing it this time, but he was known

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<v Speaker 2>to just do the whole Hagada in Gibberish, like he

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<v Speaker 2>would tell the story of the Exodus in Gibberish. I'm

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<v Speaker 2>sure most of these people hadn't been to a satyr,

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<v Speaker 2>probably in a long time, but this gave them this

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<v Speaker 2>sense of connection the food, the bris kit. Even like

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<v Speaker 2>in this book that recently came out about Sid Caesar,

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<v Speaker 2>my quote that they use was when I walked in,

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<v Speaker 2>it smelled of shallamar and chop liver. It's this old

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<v Speaker 2>feeling and this old smell, and but that's what it

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<v Speaker 2>was about.

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<v Speaker 4>And to me, I think that's what Passover is about.

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<v Speaker 2>Ninety nine point nine percent of homes, that it's about

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<v Speaker 2>these rituals.

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<v Speaker 1>Yeah, and Passover is the most celebrated of the Jewish

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<v Speaker 1>holidays in the United States. And partly it's for all

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<v Speaker 1>the reasons that you're mentioning that it is self directed.

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<v Speaker 1>You don't really need a rabbi, even though there was

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<v Speaker 1>a rabbi there who I'm sure was just enjoying being

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<v Speaker 1>around all these legends just as viewer. But it can

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<v Speaker 1>be done however you want to do it. You can

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<v Speaker 1>do it in gibberish, you can do it quickly, you

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<v Speaker 1>can do it with a lot of sarcasm and humor,

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<v Speaker 1>which is I think something that outsiders don't necessarily understand

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<v Speaker 1>about the Satyr, that it really is kind of a

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<v Speaker 1>choose your own adventure cultural event. More than anything else.

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<v Speaker 2>It really reflected who those people were in the room,

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<v Speaker 2>and everybody had a voice.

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<v Speaker 4>We were at three round no no, I was.

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<v Speaker 2>At a rectangle table in the front, and then there

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<v Speaker 2>were like two round tables I think.

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<v Speaker 4>But it was a big event. I mean it was loud.

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<v Speaker 2>People are screaming, Landy's yelling whatnot, and and uh, you know.

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<v Speaker 4>Jeff Ross was just I've never seen him so quiet.

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<v Speaker 2>I knew him from New York in the Friars Club,

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<v Speaker 2>but he was in a state of awe.

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<v Speaker 4>Just watching all of these these legends.

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<v Speaker 2>I mean, I tell people, if I ever have a like,

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<v Speaker 2>if you ever have one of those dreams where you're

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<v Speaker 2>sitting at a table with all of your heroes, you.

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<v Speaker 4>Know, and then you wake up like that was this

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<v Speaker 4>for me.

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<v Speaker 2>I just was like, how how am I at a

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<v Speaker 2>Jewish event, which I love with these people like I

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<v Speaker 2>would not choose anyone else to be at a satyr with.

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<v Speaker 4>And then at one point mel Brooks called me over.

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<v Speaker 2>I hadn't really spent a lot of time with him yet,

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<v Speaker 2>and he has me sit down, and I was like,

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<v Speaker 2>I mean, he is he's my hush em.

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<v Speaker 4>I pray to mel Brooks and.

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<v Speaker 2>He said, so, I heard you're coming by weekly to

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<v Speaker 2>sing to Sid and I said yeah, and you know

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<v Speaker 2>and I said to him, I know he told me

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<v Speaker 2>the joke or the story the other day that when

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<v Speaker 2>he hung you out the window in Chicago.

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<v Speaker 4>And he goes, what do you mean he told you

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<v Speaker 4>that story? I said, well, we just.

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<v Speaker 2>Finished singing all of show Boat, and then he started

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<v Speaker 2>to tell me that story, and he got very sort

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<v Speaker 2>of quiet, and he took my face in his hands,

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<v Speaker 2>and I was like, oh my god, Oh my god,

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<v Speaker 2>what is happening. And he kissed me on my forehead

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<v Speaker 2>and he just sort of blessed me, uh like I

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<v Speaker 2>don't know how Moses felt when he had his stuff

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<v Speaker 2>going on, but this was this was biblical.

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<v Speaker 4>He thanked me because mel and Sid and Carl were

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<v Speaker 4>a trio, and then when Sid was the first one

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<v Speaker 4>to really succumb to age and dementia in a way.

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<v Speaker 2>I don't want to use that word medically because I

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<v Speaker 2>don't know if that was the diagnosis, but it really

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<v Speaker 2>affected them.

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<v Speaker 4>It affected Carl really hard that he didn't come by

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<v Speaker 4>a lot during the weekend. He more.

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<v Speaker 2>But mel had a hard time seeing his best friend

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<v Speaker 2>slowly die, and so he kissed my forehead and just

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<v Speaker 2>thanked me, and I was like, I need nothing else

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<v Speaker 2>in life.

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<v Speaker 1>I was gonna ask about that. It seems like this

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<v Speaker 1>is a peak experience and any other Satyr or any

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<v Speaker 1>other event at all is going to pale in comparison

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<v Speaker 1>for the rest of your life. Like how is that

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<v Speaker 1>sort of dealing with having that experience and then having

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<v Speaker 1>to do so many other things afterwards, you know.

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<v Speaker 4>I mean, I walk into Satyrs and I'm like, where's

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<v Speaker 4>mel Brooks? Because if he's not here, I'm leaving.

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<v Speaker 1>I wouldn't even go to Satyrs anymore after that.

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<v Speaker 2>I sometimes I think about it as a fever dream.

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<v Speaker 2>I'm like, did that just happen? Like, speaking of Monty Hall,

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<v Speaker 2>his daughter's Joanna Gleeson, one of my favorite Broadway actresses,

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<v Speaker 2>and I always sort of quote her into the woods.

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<v Speaker 2>She goes, what was that was that me? That him?

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<v Speaker 4>Did a prince really kiss me?

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<v Speaker 2>That's jo Wanna Gleeson And I sometimes go into that,

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<v Speaker 2>but I am like a seven year old.

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<v Speaker 4>I don't know. You guys know this.

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<v Speaker 2>I get so excited by everything. So I still get

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<v Speaker 2>so excited to do a sator.

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<v Speaker 4>You know.

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<v Speaker 2>I have my daughter now, who's going to be nine

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<v Speaker 2>next month, and I get to pass down traditions to her.

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<v Speaker 4>I get to watch herbie board and try to leave

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<v Speaker 4>the table. But you're right, it'll never compare.

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<v Speaker 2>But I also can compartmentalize a bit and honor that

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<v Speaker 2>and not expect another one because the fact that I

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<v Speaker 2>had one of those in a lifetime, and then I

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<v Speaker 2>had his ninetieth I had was part of his funeral planning, unfortunately,

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<v Speaker 2>slash fortunately. And then the following year we all met again,

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<v Speaker 2>everybody met again, and had that satyr in which I

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<v Speaker 2>led a lot more of it.

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<v Speaker 4>THEO wasn't there.

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<v Speaker 2>I think he was on his honeymoon, and so I

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<v Speaker 2>got to lead it and that was very meaningful, sort

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<v Speaker 2>of almost closure to end, you know, and knowing that

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<v Speaker 2>Sid and Florence and Carlin his dog, were there. And

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<v Speaker 2>it's been a while, but I hold it, you know,

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<v Speaker 2>I hold it in my heart.

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<v Speaker 3>And yeah, well that's, you know, a really wonderful story

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<v Speaker 3>that I've now heard you tell a couple of times, Rena,

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<v Speaker 3>and it gets better every time I hear it. I

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<v Speaker 3>want to take pieces of it into my statter this year.

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<v Speaker 3>But can you tell us a little more about your

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<v Speaker 3>memoir and what we can expect from it.

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<v Speaker 2>I hope it's normal that memoirs take a long time,

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<v Speaker 2>because I started writing my story with Sid the year

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<v Speaker 2>he died and we're talking twenty thirteen, because I didn't

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<v Speaker 2>want to forget a thing. He imparted a lot of

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<v Speaker 2>wisdom despite people not thinking he was there. He talked

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<v Speaker 2>to me about love, He talked to me about writing,

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<v Speaker 2>He talked to me about comedy, all because of music.

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<v Speaker 2>And so I have all these stories and so, but

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<v Speaker 2>believe it or not, Sid Caesar was one of many

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<v Speaker 2>wonderfully random, powerful men that entered my life. Sid and

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<v Speaker 2>mel But so I started writing these stories because I

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<v Speaker 2>want people, first of all, not to forget about him.

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<v Speaker 2>I want generations to know why they have the sitcom

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<v Speaker 2>like Sid Caesar is the reason we have comedy on television,

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<v Speaker 2>and I want him to be remembered for that. I

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<v Speaker 2>also am writing this book to encourage people to talk

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<v Speaker 2>to octogenarians. I don't just like celebrities at all, Like

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<v Speaker 2>I have an affinity for people who have lived in

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<v Speaker 2>our eighties and nineties.

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<v Speaker 4>It's why I loved the Friars Club.

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<v Speaker 2>Actually, I would sit with this old man, his name

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<v Speaker 2>was Richard and he was a dentist. He was sponsored

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<v Speaker 2>to be in the Friars Club and I would spend

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<v Speaker 2>hours listening to stories. And I want the book to

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<v Speaker 2>encourage people to open in those conversations. And then it

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<v Speaker 2>actually goes a little bit into my time at REOs,

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<v Speaker 2>which is a whole other story, but about other legendary

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<v Speaker 2>older men that came into my life. And that was

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<v Speaker 2>a mob mobsters, older mobsters. But my life has had

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<v Speaker 2>this weird rollercoaster in and out of these stories that

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<v Speaker 2>because I always say, don't write if you don't have

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<v Speaker 2>anything to write about, you know, And between Sid and

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<v Speaker 2>the Friars Club and REOs, I want to encourage people

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<v Speaker 2>to look beyond age and see story and then see change.

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<v Speaker 1>Well, thank you so much, Rina, for joining us. We

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<v Speaker 1>look forward to reading your memoir eventually.

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<v Speaker 4>I'm going to do it. It's going to happen.

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<v Speaker 1>It's going to happen, and to our audience. Now back

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<v Speaker 1>to your regularly scheduled lives.

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<v Speaker 3>Amusing Jews is here to amuse you. If you like

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<v Speaker 3>being amused, go ahead and click like and subscribe,
