1 00:00:00,080 --> 00:00:03,640 Speaker 1: Hello everybody, This is Brad Moore coming to you from Monroe, Louisiana, 2 00:00:03,839 --> 00:00:06,639 and you were listening to the one and only Surely 3 00:00:06,679 --> 00:00:08,080 you Can't Be Serious Podcast. 4 00:00:08,640 --> 00:00:24,640 Speaker 2: Enjoy Hello everybody, and welcome back to the Shirtley You 5 00:00:24,719 --> 00:00:26,719 Can't Be Serious Podcast. 6 00:00:27,039 --> 00:00:30,839 Speaker 1: I am back. I am driving a nice red convertible 7 00:00:30,960 --> 00:00:35,399 instead of a crappy blue Chevy Nova. I've got a 8 00:00:35,560 --> 00:00:39,439 Detroit Lions jacket. I've rest their poor souls. 9 00:00:40,359 --> 00:00:40,880 Speaker 3: Ah. 10 00:00:40,920 --> 00:00:43,640 Speaker 1: It's a tragic, tragic thing. I was so rooting for 11 00:00:43,679 --> 00:00:44,159 that team. 12 00:00:44,320 --> 00:00:47,439 Speaker 3: They were on their way to the super Bowl and 13 00:00:47,479 --> 00:00:51,039 then they do what they do choke. Yeah they blew it. Yeah, 14 00:00:51,039 --> 00:00:51,600 they blew it. 15 00:00:51,960 --> 00:00:52,200 Speaker 1: Hey. 16 00:00:52,399 --> 00:00:54,240 Speaker 3: That leads me right into something that I forgot to 17 00:00:54,240 --> 00:00:57,119 mention last time. Yeah, the Mumford T shirt that Eddie 18 00:00:57,200 --> 00:01:01,000 Murphy wears in Beverly Hills cop Yeah, was a actual 19 00:01:01,119 --> 00:01:05,319 high school in Detroit, Okay, where I found out Ali Willis, 20 00:01:05,400 --> 00:01:07,680 who wrote the song Neutron Dance. That's where she went 21 00:01:07,719 --> 00:01:08,359 to high school. 22 00:01:08,680 --> 00:01:11,239 Speaker 1: Yeah, so we're gonna talk about the soundtrack on a 23 00:01:11,319 --> 00:01:13,920 later episode. We're gonna do the soundtrack versus the Miami 24 00:01:14,000 --> 00:01:14,719 Vice soundtrack. 25 00:01:14,920 --> 00:01:15,599 Speaker 3: It's gonna be great. 26 00:01:15,599 --> 00:01:18,079 Speaker 1: But she's a part of the original the Beverly Hills 27 00:01:18,120 --> 00:01:18,920 Cop soundtrack. 28 00:01:19,319 --> 00:01:20,120 Speaker 3: Yeah, for sure. 29 00:01:20,319 --> 00:01:22,719 Speaker 1: She was working with the Pointer sisters, right, she did, 30 00:01:22,920 --> 00:01:23,319 no doubt. 31 00:01:23,439 --> 00:01:26,359 Speaker 3: Yeah, and they put Neutron dance to that opening car 32 00:01:26,400 --> 00:01:28,760 sequence in Beverly Hills Cop is awesome. 33 00:01:28,799 --> 00:01:29,280 Speaker 1: It's perfect. 34 00:01:29,319 --> 00:01:30,519 Speaker 3: It's off the charts good. 35 00:01:30,640 --> 00:01:32,879 Speaker 1: That's the stage perfectly. 36 00:01:32,439 --> 00:01:35,239 Speaker 3: And he's smashing cars and blowing crap up. 37 00:01:35,599 --> 00:01:38,280 Speaker 1: He had an ibam inside of his bumper to keep 38 00:01:38,280 --> 00:01:40,920 that thing from getting dented as he blasted through all 39 00:01:40,959 --> 00:01:41,120 of that. 40 00:01:41,280 --> 00:01:43,400 Speaker 3: Can we talk about the practical effects where they just 41 00:01:43,480 --> 00:01:44,760 destroying cars. 42 00:01:44,920 --> 00:01:45,560 Speaker 1: It's great. 43 00:01:46,280 --> 00:01:48,920 Speaker 3: We're back today to talk about Beverly Hills Cop One 44 00:01:49,000 --> 00:01:51,640 versus Beverly Hills Cop Part two. We keep leaking into 45 00:01:51,680 --> 00:01:52,640 Beverly Hills Cop one. 46 00:01:52,840 --> 00:01:54,799 Speaker 1: Well that's because it's the better movie. 47 00:01:54,920 --> 00:01:57,560 Speaker 3: Oh, your judgment is coming out here. 48 00:01:57,640 --> 00:02:00,400 Speaker 1: Well, I can't help it. I mean, I just like 49 00:02:00,599 --> 00:02:03,280 I watched that movie. I mean I enjoyed it in 50 00:02:03,359 --> 00:02:05,599 nineteen eighty seven or eighty eight or whenever it was 51 00:02:05,640 --> 00:02:07,840 that I finally watched you know, could sneak it on 52 00:02:08,039 --> 00:02:10,759 h HBO or whatever, right, and was able to watch 53 00:02:10,759 --> 00:02:13,560 Beverly Hills Cop Two. I liked it a lot and I. 54 00:02:13,639 --> 00:02:16,680 But in rewatching it, I was just like, there are 55 00:02:16,719 --> 00:02:20,120 three things that I like about this movie. Three number 56 00:02:20,199 --> 00:02:25,080 one Shakedown, Yeah, it's good. Number two the Playboy Mansion, volleyball, 57 00:02:26,159 --> 00:02:29,240 and number three the three eighty five Club. And those 58 00:02:29,240 --> 00:02:31,599 are the only figurings that I like about this movie. 59 00:02:31,639 --> 00:02:34,800 Speaker 3: Hey, listen, when you turn Eddie Murphy and Don Simpson 60 00:02:35,159 --> 00:02:38,639 loose and just say, let's crank up Beverly Hills Cop 61 00:02:38,680 --> 00:02:41,000 one two eleven, that's what you get. 62 00:02:41,280 --> 00:02:44,680 Speaker 1: Well, and Beverly Hills Cop two. I mean the original idea, 63 00:02:44,719 --> 00:02:47,280 Simpson's original idea was for it to take place in 64 00:02:47,400 --> 00:02:48,520 London in Paris. 65 00:02:49,080 --> 00:02:50,199 Speaker 3: That would have been fun. 66 00:02:50,319 --> 00:02:53,120 Speaker 4: Did you look at the title of the movie. It's 67 00:02:53,400 --> 00:02:57,479 Beverly Hills Cop. It's not London Cop. It's not Paris Cop. 68 00:02:57,560 --> 00:03:01,520 It's not an American detch cop in Paris. 69 00:03:01,800 --> 00:03:04,039 Speaker 3: Yeah. Well, here's the thing. Do I think that that 70 00:03:04,080 --> 00:03:06,919 would have been interesting? Well, I'm not positive, but it 71 00:03:06,919 --> 00:03:09,960 would have been different. Instead, we got basically a straight remake. 72 00:03:10,120 --> 00:03:11,919 Speaker 1: Right. They upped the ante on a lot of stuff. 73 00:03:11,960 --> 00:03:14,840 They picked the stuff that they liked the best, and 74 00:03:15,000 --> 00:03:15,680 that was different. 75 00:03:15,719 --> 00:03:17,840 Speaker 3: Here's where I think they missed the boat. I think 76 00:03:18,080 --> 00:03:20,240 that it would have been interesting to have you know, 77 00:03:20,240 --> 00:03:23,159 Bogamill shot and Rosewood and Taggart go to Detroit. 78 00:03:23,479 --> 00:03:24,159 Speaker 1: That could be good. 79 00:03:24,199 --> 00:03:26,080 Speaker 3: I think that that would have been interesting. Yeah, that 80 00:03:26,120 --> 00:03:28,319 could be good, you know, and maybe call it Beverly 81 00:03:28,400 --> 00:03:29,400 Hills Cops. 82 00:03:29,800 --> 00:03:32,680 Speaker 1: Oh yeah, I don't know, alien aliens thing. 83 00:03:32,800 --> 00:03:33,759 Speaker 3: Do something different. 84 00:03:34,080 --> 00:03:38,080 Speaker 1: Yeah, okay, all right. So, as I mentioned, Marty Brests 85 00:03:38,280 --> 00:03:40,919 did not direct this part two, why did he not 86 00:03:41,000 --> 00:03:43,319 come back for part two? Because well, they asked him, 87 00:03:43,400 --> 00:03:46,240 but he said, well, I already made my Beverly Hills 88 00:03:46,280 --> 00:03:48,080 Cop movie. I don't want to make it again. I 89 00:03:48,120 --> 00:03:51,080 want to do something else, okay, And so he does 90 00:03:51,159 --> 00:03:54,439 Midnight Run instead, which is I mean, it's similar to 91 00:03:54,479 --> 00:03:57,520 a buddy cop movie, but it's his movie. Like most 92 00:03:57,599 --> 00:04:00,439 of the movies that he did were things that he 93 00:04:00,479 --> 00:04:03,879 had had a heavy hand in writing, Beverly Hills Cops 94 00:04:03,960 --> 00:04:05,919 is an exception to that, and so he wanted to 95 00:04:05,960 --> 00:04:07,439 do his own take on this. 96 00:04:07,639 --> 00:04:09,639 Speaker 3: So Simpson and Bruckheimer are like, well, you know, we 97 00:04:09,680 --> 00:04:13,280 did just make this movie called Top Gun. It did, okay, 98 00:04:13,479 --> 00:04:15,400 so let's get our man, Tony Scott. 99 00:04:15,479 --> 00:04:18,279 Speaker 1: Yeah, they had pulled Tony again. Tony Scott was thinking 100 00:04:18,319 --> 00:04:20,319 he was hopeless as well. And this was a thing. 101 00:04:20,360 --> 00:04:22,920 This was a cool thing about Simpson and Bruckheimer is 102 00:04:22,959 --> 00:04:26,480 that they didn't they didn't try to necessarily get guys 103 00:04:26,560 --> 00:04:30,199 who were doing great things. They tried to pick guys 104 00:04:30,240 --> 00:04:33,680 who they thought could do great things. I love it. 105 00:04:33,680 --> 00:04:34,720 Speaker 3: It's like scouting talent. 106 00:04:34,879 --> 00:04:37,279 Speaker 1: Yeah. So, to throw back to our old Top Gun episode, 107 00:04:37,399 --> 00:04:41,399 Tony Scott had done this horrible vampire movie called The Hunger. 108 00:04:41,959 --> 00:04:43,199 Speaker 3: It was terrible. 109 00:04:43,399 --> 00:04:45,600 Speaker 1: It was yes, it was like, no, I've never heard 110 00:04:45,639 --> 00:04:48,639 anybody speak in a complimentary way of this movie. It was. 111 00:04:48,959 --> 00:04:52,600 It was an art house vampire, terrible movie, right right, 112 00:04:52,680 --> 00:04:54,240 with David Bowie is that right? 113 00:04:54,319 --> 00:04:55,319 Speaker 3: And Susan Sarandon. 114 00:04:55,480 --> 00:04:58,959 Speaker 1: Wow. Okay, So nobody wanted to him to direct anything, 115 00:04:59,240 --> 00:05:01,759 but he did doing commercials still, right. He and his 116 00:05:01,800 --> 00:05:04,920 brother Ridley had this commercial company over in England. Yep. 117 00:05:05,120 --> 00:05:08,160 They did advertisements and he did this one for the 118 00:05:08,199 --> 00:05:10,480 SOB car I believe, yeah, right, that's right. And it 119 00:05:10,240 --> 00:05:13,759 had a big jet in it. Yep. And they Bruckheimer 120 00:05:13,800 --> 00:05:16,279 and Simpsons see this ad and they're like, there's the 121 00:05:16,279 --> 00:05:18,519 guy that can do our aviator movie. Right. 122 00:05:18,759 --> 00:05:21,120 Speaker 3: Obviously perfect for Top Gun because he can do cars. 123 00:05:22,319 --> 00:05:24,040 Speaker 1: You know. Well it did have a jet in the 124 00:05:24,079 --> 00:05:26,839 in the ad, right, right, And so so they bring 125 00:05:26,959 --> 00:05:28,639 him in and he does a great job. He liked 126 00:05:28,639 --> 00:05:31,600 to do artistic movies like The Hunger, and he wasn't 127 00:05:31,639 --> 00:05:34,360 getting it whenever they first started trying to do things 128 00:05:34,439 --> 00:05:38,079 with Top Gun. And finally, after many many meetings with 129 00:05:38,120 --> 00:05:40,959 Simpson and Bruckheimer, he finally says, so, you just basically 130 00:05:40,959 --> 00:05:43,199 want me to make a rock video that's a full 131 00:05:43,240 --> 00:05:46,519 length movie. And they said, yes, right, that is exactly 132 00:05:46,560 --> 00:05:49,360 what we want you to do. So inner Beverly Hills 133 00:05:49,360 --> 00:05:52,000 Cop Two and they say, give us another rock video. 134 00:05:52,399 --> 00:05:55,680 Speaker 3: Absolutely absolutely. Now, before we get off, Tony Scott, I 135 00:05:55,720 --> 00:05:58,319 just want to talk about him for just a second. Yeah, 136 00:05:58,519 --> 00:06:01,639 tragically he committed to Side in twenty. 137 00:06:01,560 --> 00:06:03,360 Speaker 1: Twelve, that's right, yeah twelve. 138 00:06:04,079 --> 00:06:06,319 Speaker 3: I just love his movies, right, and you talk about 139 00:06:06,319 --> 00:06:08,600 how he wanted he was more interested in making art 140 00:06:08,600 --> 00:06:11,920 house movies. But listen to this run. Okay, So he 141 00:06:11,959 --> 00:06:15,560 does The Hunger in eighty three, which I thought sucked. Okay, Well, 142 00:06:15,600 --> 00:06:18,480 he does Top Gun in eighty six, which I absolutely adore, 143 00:06:18,639 --> 00:06:23,279 Belly Hills Cop two, Revenge with Kevin Costner, Days of 144 00:06:23,319 --> 00:06:26,120 thunder Last Boy Scout, True. 145 00:06:25,920 --> 00:06:28,000 Speaker 1: Romance, Damon Wayne's Again. 146 00:06:28,439 --> 00:06:33,959 Speaker 3: Crimson Tide, The Fan, Enemy State, Spy Game, Man on Fire, Domino, 147 00:06:34,160 --> 00:06:36,920 Deja Vous, The Taking a Pillom one two three, and 148 00:06:37,079 --> 00:06:42,279 Unstoppable Before his Death. That list, those are all good movies, Okay. 149 00:06:42,600 --> 00:06:44,600 Speaker 1: Man on Fire may be one of the few of 150 00:06:44,639 --> 00:06:48,040 those that I have seen. I kind of wonder if 151 00:06:48,560 --> 00:06:52,439 Damon Waynes, whenever he was auditioning for the Last Boy Scout, 152 00:06:52,720 --> 00:06:54,800 was like, I've already been in one of your movies before, 153 00:06:54,839 --> 00:06:58,360 you know, Chris, Tony Scout wasn't involved in Oh that's right, Yeah, 154 00:06:58,360 --> 00:07:00,439 that's right. It would have just been the yeah, yeah, 155 00:07:00,480 --> 00:07:03,040 But there you go. You do have at least a 156 00:07:03,279 --> 00:07:04,839 Kevin Bacon connection. 157 00:07:04,560 --> 00:07:08,279 Speaker 3: There, right. So I gotta tell you this Tony Scott 158 00:07:08,399 --> 00:07:12,879 Eddie Murphy story. Okay, Okay, So Simpson and Bruckheimer they 159 00:07:13,120 --> 00:07:15,519 had just done Top Gun with Tony Scott. They don't 160 00:07:15,519 --> 00:07:18,600 need to be convinced, right, but they want Tony Scott 161 00:07:18,639 --> 00:07:20,720 to meet Eddie Murphy. And let's make sure we get 162 00:07:20,759 --> 00:07:23,879 you know, the chemistry right. And Eddie Murphy's cool with this, right, 163 00:07:24,199 --> 00:07:27,399 because literally, Eddie Murphy is sitting on top of the 164 00:07:27,439 --> 00:07:30,199 world and really can call his own shot on this deal, right, 165 00:07:30,319 --> 00:07:32,800 So they fly Tony Scott out to New Jersey to 166 00:07:32,800 --> 00:07:35,439 meet with Eddie Murphy. So Tony Scott and Eddy Murphy 167 00:07:35,480 --> 00:07:38,399 go to a poolhole and they're playing pool, and Eddie 168 00:07:38,399 --> 00:07:41,040 plays a game and wins, and so they're gonna play 169 00:07:41,040 --> 00:07:42,639 a second game, and they're talking about the movie and 170 00:07:42,680 --> 00:07:45,319 they're working things out in their mind and they're discussing it, 171 00:07:45,360 --> 00:07:47,199 and so in the middle of the game, Eddie goes 172 00:07:47,240 --> 00:07:49,879 to the bathroom or whatever vanishes, and Tony Scott's just 173 00:07:49,920 --> 00:07:55,079 kind of standing there waiting and waiting and waiting middle 174 00:07:55,160 --> 00:07:58,360 of the game, middle of the game, like, it's your shot, Eddie. 175 00:07:58,360 --> 00:08:02,480 Speaker 1: Where are you had bet? Are you pooping? You have 176 00:08:02,560 --> 00:08:04,120 some taco bell before we got here. 177 00:08:04,560 --> 00:08:07,040 Speaker 3: So one of the guys in Eddie's entourage comes back 178 00:08:07,079 --> 00:08:09,959 and says, Eddie likes you. He's gonna work with you. 179 00:08:11,120 --> 00:08:14,759 And he's like, I guess we're done playing pool, and 180 00:08:14,800 --> 00:08:16,759 he just walked out. He didn't even say goodbye, he 181 00:08:16,839 --> 00:08:17,360 just left. 182 00:08:17,480 --> 00:08:22,639 Speaker 1: How yeah, Freema Donna indeed, yeah, yeah, Well this again, 183 00:08:22,639 --> 00:08:24,279 and that kind of goes back to what we talked 184 00:08:24,279 --> 00:08:27,319 about the difference between how Eddie Murphy was with John 185 00:08:27,399 --> 00:08:30,639 Landis on trading Places versus how they were together on 186 00:08:31,199 --> 00:08:33,080 coming to America. No, yeah, no doubt. 187 00:08:33,399 --> 00:08:36,200 Speaker 3: Okay, So let's talk about the production of Bellly Hills 188 00:08:36,200 --> 00:08:38,039 Cop Part two. Wake up. 189 00:08:38,519 --> 00:08:40,960 Speaker 1: This is what we always talked about. So look alive. 190 00:08:41,000 --> 00:08:43,759 You may never see it again. Okay. So here's the thing. 191 00:08:43,879 --> 00:08:47,639 Beverly Hills Cop Part Two was initially not supposed to 192 00:08:47,679 --> 00:08:50,399 be a movie. It was supposed to be a TV series. 193 00:08:50,519 --> 00:08:51,159 Speaker 3: That's crazy. 194 00:08:51,320 --> 00:08:53,399 Speaker 1: Yeah, I mean, I don't understand how you make three 195 00:08:53,480 --> 00:08:57,440 hundred million dollars on a movie and then say we 196 00:08:57,440 --> 00:08:59,440 should make a TV series out of this. I mean, 197 00:08:59,559 --> 00:09:01,879 is the money better for TV in the eighties. I 198 00:09:01,879 --> 00:09:03,480 can't think that that's possible. 199 00:09:03,559 --> 00:09:04,320 Speaker 3: I don't think so. 200 00:09:04,759 --> 00:09:05,360 Speaker 1: I don't get it. 201 00:09:05,480 --> 00:09:06,960 Speaker 3: You think Eddi Murphy's gonna make TV? 202 00:09:07,200 --> 00:09:09,480 Speaker 1: Yeah, he said no, I'm done with TV. I'm not 203 00:09:09,559 --> 00:09:12,120 doing that, and so they said, okay, I guess we'll 204 00:09:12,120 --> 00:09:15,679 make it a movie. Now. The original writers that were 205 00:09:15,679 --> 00:09:18,519 involved with that. I keep in mind, Dan Bach had 206 00:09:18,519 --> 00:09:21,240 written this thing in nineteen seventy seven, right, I mean, 207 00:09:21,279 --> 00:09:24,039 it took it took years before it even became a movie. 208 00:09:24,080 --> 00:09:26,919 And then Dan Petrie gets involved and makes it into 209 00:09:26,919 --> 00:09:29,639 a comedy, and you've had multiple relook rights, including one 210 00:09:29,679 --> 00:09:32,679 by Sylvester Stallone. Right, And so by the time you 211 00:09:32,720 --> 00:09:35,399 get to let's make part two, let's feed off, let's 212 00:09:35,480 --> 00:09:38,600 horror off of the success of our original movie, They're like, okay, well, 213 00:09:38,679 --> 00:09:41,120 let's bring in some guys that have written some good 214 00:09:41,120 --> 00:09:44,000 scripts or rewrites that they've done that will give us 215 00:09:44,000 --> 00:09:46,440 a good movie. And so they say, all right, we've 216 00:09:46,440 --> 00:09:50,399 got Larry Ferguson, who we talked about in our Highlander episode. 217 00:09:50,639 --> 00:09:50,879 Speaker 3: Wow. 218 00:09:51,399 --> 00:09:55,200 Speaker 1: Yeah. Larry Ferguson's the writer of Highlander. Wow. And he 219 00:09:55,320 --> 00:09:58,240 also did Hunt for Red October, and he also came 220 00:09:58,320 --> 00:10:00,440 up when we were talking about what the heck cappened 221 00:10:00,480 --> 00:10:03,360 with Alien three. He was one of those five or 222 00:10:03,480 --> 00:10:07,759 six different writers that was involved with Alien three. And 223 00:10:07,840 --> 00:10:11,360 then they also brought in Warren Scarin, who at this 224 00:10:11,480 --> 00:10:14,720 point was on the verge of something great because he 225 00:10:14,759 --> 00:10:18,919 had done Beetlejuice and he was about to help write Batman. 226 00:10:19,120 --> 00:10:22,759 Oh wow yeah Wow. So they bring those guys in 227 00:10:22,840 --> 00:10:26,399 to write the script, and the story idea comes from 228 00:10:26,600 --> 00:10:28,720 Eddie Murphy, or at least half of the story idea. 229 00:10:28,720 --> 00:10:31,919 Sure and so those guys come in, they put together 230 00:10:32,000 --> 00:10:34,559 the script. As I mentioned just a bit ago, Marty 231 00:10:34,639 --> 00:10:36,879 Brest is out because he doesn't want to do another 232 00:10:36,879 --> 00:10:41,039 Beverly Hills cop movie. He's doing Midnight Express and I run. Yeah, 233 00:10:41,120 --> 00:10:43,639 they wanted Hans Zimmer to do the soundtrack, and they're like, 234 00:10:43,879 --> 00:10:46,679 we should probably offer it to Harold Faltemeyer since you know, 235 00:10:46,759 --> 00:10:49,399 he had the number one hit song that was part 236 00:10:49,399 --> 00:10:50,120 of I. 237 00:10:50,120 --> 00:10:52,639 Speaker 3: Don't really get that because Harold Faltemyer was all over 238 00:10:52,720 --> 00:10:53,240 top gun. 239 00:10:53,360 --> 00:10:56,279 Speaker 1: Yeah. Yeah, I don't know. But as I said, original 240 00:10:56,279 --> 00:10:59,559 idea London, Paris, Eddie said, I do not want to 241 00:10:59,559 --> 00:11:01,360 go oversea, so he nixed that one. 242 00:11:01,440 --> 00:11:04,279 Speaker 3: So here's the deal, Eddie Murphy has all the power, right. 243 00:11:04,399 --> 00:11:06,639 Speaker 1: Yeah, he made eight million dollars for this movie. That 244 00:11:06,799 --> 00:11:08,799 was his salary for the movie, and it's worth every 245 00:11:08,799 --> 00:11:11,639 penny and probably had a you know, production credit as 246 00:11:11,639 --> 00:11:13,559 well that got him even more money. But sure that 247 00:11:13,679 --> 00:11:16,440 was he walked in the door with eight million bucks 248 00:11:16,440 --> 00:11:16,919 in his pocket. 249 00:11:16,919 --> 00:11:19,639 Speaker 3: So literally at this time, you're like, okay, Eddie, here's 250 00:11:19,639 --> 00:11:23,639 what we're thinking. Axel goes to Europe and he's like, 251 00:11:23,879 --> 00:11:25,080 now I don't I don't want to film out of 252 00:11:25,080 --> 00:11:28,559 the US. Okay, okay, Eddie says, no, No, that's it right. 253 00:11:28,519 --> 00:11:31,399 Speaker 1: All right, scratch that, Okay, that script away? 254 00:11:31,519 --> 00:11:33,080 Speaker 3: Where does this? Well, how did I come up with this? 255 00:11:33,399 --> 00:11:33,559 Speaker 1: Huh? 256 00:11:34,120 --> 00:11:36,399 Speaker 3: How about TV? We're gonna do TV. We we're thinking 257 00:11:36,440 --> 00:11:40,559 we're doing a TV show. No, Eddie says, no, okay, 258 00:11:41,039 --> 00:11:43,919 back to square one. Yeah, and Eddie gets involved with 259 00:11:43,919 --> 00:11:44,600 the storytelling. 260 00:11:44,799 --> 00:11:48,200 Speaker 1: Yeah. Well, and then here's what's interesting. The love interest 261 00:11:48,320 --> 00:11:50,720 character that was supposed to be the love interest in 262 00:11:50,759 --> 00:11:54,919 Beverly Hills Cop one right right, with Sylvester Stallone. Sylvester 263 00:11:55,000 --> 00:11:58,960 Stallone makes a movie, right, he makes this movie Cobra, Yes, 264 00:11:59,000 --> 00:12:02,039 and as his love interest from this script that he wrote, 265 00:12:02,159 --> 00:12:04,600 from what he did with the Beverly Hills cop he 266 00:12:04,759 --> 00:12:09,159 casts in that part. Who Brigitte Nielsen? Bridget Nielsen? 267 00:12:09,240 --> 00:12:11,519 Speaker 3: Yes, And of course she had been in Rocky four 268 00:12:11,799 --> 00:12:12,679 also with him. 269 00:12:12,559 --> 00:12:15,519 Speaker 1: Right, yes, yeah, and and and they were married. They 270 00:12:15,519 --> 00:12:18,080 were married at the point they were that Beverly Hills 271 00:12:18,080 --> 00:12:19,559 Cop two was getting cast. 272 00:12:19,399 --> 00:12:21,279 Speaker 3: Until Tony Scott started sleeping with his wife. 273 00:12:21,360 --> 00:12:23,919 Speaker 1: I don't know how you, as a guy who's built 274 00:12:23,960 --> 00:12:26,960 like Tony Scott, decide I'm going to sleep with Sylvester 275 00:12:27,039 --> 00:12:31,159 Stallone's wife. Right, wow, you were? You mentioned we did 276 00:12:31,279 --> 00:12:33,159 trivia the other night and you mentioned I'm ready for 277 00:12:33,200 --> 00:12:37,080 the question of name the actress that has had an 278 00:12:37,120 --> 00:12:39,080 affair with and what's the list? 279 00:12:39,440 --> 00:12:40,399 Speaker 3: Arnold Schwarzenegger. 280 00:12:40,679 --> 00:12:45,360 Speaker 1: So that's just alone, uh, Cobra, Rocky four yeah. 281 00:12:45,240 --> 00:12:50,759 Speaker 3: Right, Flavor Flave, oh whoa yea, and Tony's got yeah, 282 00:12:50,799 --> 00:12:53,120 and that football player too, right? Oh and mar Gastino 283 00:12:53,200 --> 00:12:53,639 that's right. 284 00:12:53,960 --> 00:12:55,919 Speaker 1: Yeah, she was living her good life. 285 00:12:55,960 --> 00:12:59,399 Speaker 3: I guess she is not afraid to try to latch 286 00:12:59,440 --> 00:13:01,440 onto different guys who can help her out. 287 00:13:01,519 --> 00:13:04,480 Speaker 1: Yeah. Well, and how can you blame any guy for 288 00:13:04,759 --> 00:13:06,200 getting caught up in that? 289 00:13:06,360 --> 00:13:08,399 Speaker 3: Hey, listen, I want to talk about that for just 290 00:13:08,440 --> 00:13:10,159 a second. I want to get off in the lured 291 00:13:10,200 --> 00:13:13,279 details here. But when she did red Sonya with Ernest Schwarzenegger, 292 00:13:13,360 --> 00:13:16,360 Arnes Schwarzenegger was about to get married to Maurice Shrever, 293 00:13:16,720 --> 00:13:20,919 right right, she was dating Sylvester Stallone and Arnie and 294 00:13:21,240 --> 00:13:23,840 Sly had had this incredible competition. 295 00:13:24,039 --> 00:13:25,480 Speaker 1: Oh yeah, I hated each other and. 296 00:13:25,480 --> 00:13:29,120 Speaker 3: Apparently she and Arnold got very freaky, like doing weird 297 00:13:29,120 --> 00:13:30,440 stuff in their relationship. 298 00:13:30,559 --> 00:13:33,320 Speaker 1: Okay, well, this is PG thirteen episodes, So we can't 299 00:13:33,559 --> 00:13:36,080 go into that. No, you could leave it. Let that. 300 00:13:36,279 --> 00:13:39,720 You can't go further than that. You've reached the door 301 00:13:39,759 --> 00:13:42,679 of the PG thirteen rate. There you go. Yeah, Okay, 302 00:13:42,759 --> 00:13:45,399 so they decide there needs to be a six foot 303 00:13:45,440 --> 00:13:47,000 blonde in this and now I just happen to have 304 00:13:47,000 --> 00:13:47,840 one in my back pocket. 305 00:13:48,039 --> 00:13:50,000 Speaker 4: I don't want to take the shave those legs anyway. 306 00:13:50,559 --> 00:13:55,799 Speaker 1: I suppose you're trying to be charming. Actually, I'm just 307 00:13:55,879 --> 00:13:57,480 offering my grooming services. 308 00:13:57,559 --> 00:13:59,519 Speaker 3: Let's talk about the cast before, I mean, we can 309 00:13:59,519 --> 00:14:02,960 talk about Nielsen. Yeah, she had done as we said, 310 00:14:03,080 --> 00:14:05,200 she had done red Sonia, she had done Rocky four, 311 00:14:05,399 --> 00:14:07,960 she had done Cobra and now I mean she's she's 312 00:14:07,960 --> 00:14:09,080 not on a hot strike herself. 313 00:14:09,120 --> 00:14:13,399 Speaker 1: Absolutely, she had done Playboy. Wow. Yeah, Google search. 314 00:14:15,600 --> 00:14:17,600 Speaker 3: So she's kind of one of the main bad guys 315 00:14:17,639 --> 00:14:20,320 in this movie. Yeah, Now, this movie suffers because it 316 00:14:20,399 --> 00:14:23,360 has too many bad guys in my opinion, maybe, Yeah, 317 00:14:23,399 --> 00:14:25,399 who's the real bad guy? And what are we doing? 318 00:14:25,480 --> 00:14:27,519 Who cares? We're having fun. We're hanging out with Eddie 319 00:14:27,559 --> 00:14:29,320 Murphy and we're driving cement trucks around. 320 00:14:29,759 --> 00:14:32,440 Speaker 1: Are you driving with your eyes open. Are you like 321 00:14:32,559 --> 00:14:33,279 using the flour? 322 00:14:33,799 --> 00:14:37,200 Speaker 3: So you've got Jurgen proc now plays Maxwell Dent. 323 00:14:37,399 --> 00:14:38,360 Speaker 1: What else has he been in? 324 00:14:38,559 --> 00:14:40,000 Speaker 3: He was in dos Boot. 325 00:14:40,039 --> 00:14:41,600 Speaker 1: I was gonna say, I feel like I remember him 326 00:14:41,639 --> 00:14:42,279 from dost Boot. 327 00:14:42,399 --> 00:14:45,279 Speaker 3: He plays like the Jesus character in the Demi Moore 328 00:14:45,399 --> 00:14:47,200 Seventh Sign movie from eight. 329 00:14:47,320 --> 00:14:49,360 Speaker 1: That's right, that's it, that's what I remember him from. 330 00:14:49,519 --> 00:14:54,759 Speaker 3: Yes, he actually dubbed Sylvester Stallone's lines in the German. 331 00:14:54,480 --> 00:14:58,399 Speaker 1: The German Double German of Rocky, Oh of Rocky. Yeah, 332 00:14:58,440 --> 00:14:59,240 that's hilarious. 333 00:14:59,360 --> 00:15:00,559 Speaker 3: Stallone's all the place. 334 00:15:00,679 --> 00:15:01,080 Speaker 1: Yeah. 335 00:15:01,159 --> 00:15:03,679 Speaker 3: In fact, he's on a poster in Billy's apartment. 336 00:15:03,879 --> 00:15:05,879 Speaker 1: Well, that's it, like they're making it there. That was 337 00:15:05,919 --> 00:15:08,320 a joke. That was the inside joke. Because it's part two. 338 00:15:08,559 --> 00:15:11,919 They know that Cobra was made from Sylvester Stalan's version 339 00:15:12,000 --> 00:15:14,399 of Beverly Hills Cops. So in addition to that, the 340 00:15:14,480 --> 00:15:18,399 other throwback is that Judge Reinhold at some point opens 341 00:15:18,440 --> 00:15:20,559 up his trunk and just starts pulling out all of 342 00:15:20,600 --> 00:15:22,960 these guns, which is a throwback to his first meeting 343 00:15:22,960 --> 00:15:25,480 with Don Simpson, where Don Simpson had done essentially the 344 00:15:25,559 --> 00:15:26,519 exact same thing. 345 00:15:26,480 --> 00:15:32,639 Speaker 3: Right and Taggart says, f Rambo, and you know somebody 346 00:15:32,720 --> 00:15:33,399 was aff and Rambo. 347 00:15:33,480 --> 00:15:33,639 Speaker 1: Who. 348 00:15:36,320 --> 00:15:39,120 Speaker 3: Okay, so we've got returning in part two. We've got 349 00:15:39,120 --> 00:15:41,200 Adie Murphy back. We've got Judge Rehnhold back. We get 350 00:15:41,240 --> 00:15:43,559 Ronnie Cox a little bit. He gets shot early on. 351 00:15:43,919 --> 00:15:46,480 Speaker 1: Well, he was filming RoboCop. He had gotten such a 352 00:15:46,519 --> 00:15:48,879 good reputation from playing the part that he did on 353 00:15:48,919 --> 00:15:52,039 the first Beverly Hills Cop that he's tapped to play 354 00:15:52,120 --> 00:15:55,840 RoboCop with the not evil police chief but evil corporate head, 355 00:15:55,879 --> 00:15:57,480 but still the same type of guy. 356 00:15:57,639 --> 00:16:00,799 Speaker 3: Absolutely. Then you've got John Ashton back as Taggart. 357 00:16:01,000 --> 00:16:02,639 Speaker 1: Do I really look like Gerald Ford? 358 00:16:03,000 --> 00:16:04,559 Speaker 4: You'll both look like Gerald Ford. 359 00:16:05,000 --> 00:16:07,559 Speaker 3: You get Paul Riser back as Jeffrey. You get gil 360 00:16:07,639 --> 00:16:09,360 Hill back as Detective Todd. 361 00:16:09,480 --> 00:16:12,200 Speaker 1: I just thought that there was a problem. Don't think 362 00:16:12,759 --> 00:16:13,799 it makes my skid. 363 00:16:14,240 --> 00:16:17,279 Speaker 3: And then you add kind of a hodgepodge of other people. Okay, 364 00:16:17,320 --> 00:16:19,600 I want to go through this. This is Don Simpson 365 00:16:19,679 --> 00:16:22,799 out of his coked out finest right here. Okay. You 366 00:16:22,840 --> 00:16:26,279 get Dean Stockwell as a bad guy. He's mister kin. 367 00:16:26,559 --> 00:16:26,960 Speaker 1: Yeah. 368 00:16:27,039 --> 00:16:29,759 Speaker 3: You get Gilbert Godfried in a cameo that's so weird. 369 00:16:29,960 --> 00:16:33,840 Speaker 1: Yeah, his character's name is Sidney Bernstein. Right, he plays 370 00:16:33,879 --> 00:16:36,679 the accountant, right, and oh, come in because the office 371 00:16:36,720 --> 00:16:39,279 door being closed is obviously an indication that you should 372 00:16:39,320 --> 00:16:39,759 walk right in. 373 00:16:40,720 --> 00:16:43,799 Speaker 3: Don't let that stop you, Dora shut. Yeah. 374 00:16:44,000 --> 00:16:45,960 Speaker 1: Yeah, so it's sid Bernstein. I don't know if you 375 00:16:46,000 --> 00:16:48,600 remember this, but when we did our Best of nineteen 376 00:16:48,639 --> 00:16:51,080 eighty four, just a couple of episodes ago, I mentioned 377 00:16:51,120 --> 00:16:55,200 that Laura Branigan, her manager's name was sid Bernstein. She 378 00:16:55,399 --> 00:16:57,840 ends up leaving him to go with this other lady 379 00:16:58,080 --> 00:17:00,879 and he sues her for fifteen million dollar. I don't 380 00:17:00,919 --> 00:17:03,279 know if the character has the same name because of that, 381 00:17:03,399 --> 00:17:05,640 or if it's just a very good accountant name. 382 00:17:05,880 --> 00:17:06,960 Speaker 3: But Sidney Bernstein. 383 00:17:07,039 --> 00:17:07,440 Speaker 1: There you go. 384 00:17:07,640 --> 00:17:11,519 Speaker 3: That's cool. You also get a cameo of Hugh Hefner 385 00:17:11,759 --> 00:17:13,000 at the Playboy Mansion. 386 00:17:13,119 --> 00:17:17,000 Speaker 1: Guard your blood out, Lily, isn't this sun? 387 00:17:17,319 --> 00:17:18,319 Speaker 3: Yeah? 388 00:17:19,599 --> 00:17:19,880 Speaker 4: No? 389 00:17:20,319 --> 00:17:23,119 Speaker 1: And thank goodness for that. I mean, you gotta die. 390 00:17:22,960 --> 00:17:27,240 Speaker 3: Sometimes fourteen year old Jason was having a blast hanging 391 00:17:27,279 --> 00:17:30,160 out at the Playboy Mansion. You get Chris Rock in 392 00:17:30,240 --> 00:17:33,599 his big screen debut as a parking Valley Yeah. 393 00:17:33,519 --> 00:17:36,240 Speaker 1: Yo, what the man? 394 00:17:36,359 --> 00:17:36,880 Speaker 4: Check this out? 395 00:17:36,920 --> 00:17:39,319 Speaker 1: I get ten dollars for cars. I get twenty dollars 396 00:17:39,319 --> 00:17:40,759 for limos? What the hell is this? 397 00:17:42,279 --> 00:17:44,440 Speaker 3: And then I was just gonna make mention one of 398 00:17:44,480 --> 00:17:48,160 the playmates at the Playboy Mansion is miss Kimberly Herron. 399 00:17:48,039 --> 00:17:50,640 Speaker 1: Hold On, hold On, one of the playmates. Okay, so 400 00:17:50,720 --> 00:17:56,000 they're playing volleyball like there's no lines, there's no one 401 00:17:56,240 --> 00:18:00,720 of the playmates. Jason Colvin decided to do some research 402 00:18:00,880 --> 00:18:03,440 and figure out whatever the other things they've been involved in. 403 00:18:03,559 --> 00:18:05,440 Speaker 3: I do a thorough job here at the Shirley Can't 404 00:18:05,440 --> 00:18:06,240 Be Serious podcast. 405 00:18:07,240 --> 00:18:10,279 Speaker 1: So let me ask you this. Yes, what's the name 406 00:18:10,359 --> 00:18:12,640 of the secretary at the gun club who actually has 407 00:18:12,680 --> 00:18:13,400 a speaking part. 408 00:18:13,440 --> 00:18:15,000 Speaker 3: Her name is Valerie Wildman. 409 00:18:15,240 --> 00:18:17,359 Speaker 1: Oh all right. You only know that because I told 410 00:18:17,400 --> 00:18:20,279 you anyway, and we had this conversation off the air. 411 00:18:20,359 --> 00:18:21,680 I was like, do you know her name? And you're like, no, 412 00:18:21,759 --> 00:18:26,920 I have no Yeah. I see where your research falls, 413 00:18:26,960 --> 00:18:28,799 my friend, I see what holes you go down. 414 00:18:29,400 --> 00:18:32,240 Speaker 3: Let me finish my thought on Kimberly Herren Hey. Okay, 415 00:18:32,400 --> 00:18:35,279 she plays one of the girls in the zz Top videos, 416 00:18:35,319 --> 00:18:38,640 which we talked about in our zz Top Eliminator Eliminator, 417 00:18:38,799 --> 00:18:41,160 and we also talked about her in Ghostbusters. 418 00:18:41,200 --> 00:18:42,759 Speaker 1: She's the blowjob ghost she. 419 00:18:42,960 --> 00:18:45,599 Speaker 3: Is, and now here she is back at the Playboy mansion. 420 00:18:45,759 --> 00:18:50,039 And then you have mister Allen Garfield who plays Chief. 421 00:18:49,920 --> 00:18:53,759 Speaker 1: Lutslots and biddle like kibbles and bits, kibble and bits. 422 00:18:53,839 --> 00:18:56,000 Speaker 3: Yeah, okay, that's all I got on cast. 423 00:18:56,160 --> 00:19:00,599 Speaker 1: Not very exciting, right, So this movie, as I said, 424 00:19:01,119 --> 00:19:04,039 I was not happy with the script. The difference between 425 00:19:04,079 --> 00:19:07,640 scripted lines and improv lines in part one couldn't tell 426 00:19:07,680 --> 00:19:11,240 you like I just couldn't because they put it together 427 00:19:11,319 --> 00:19:13,839 seamlessly with this one. I could tell that they were 428 00:19:13,839 --> 00:19:15,559 struggling to get out the lines that were on the 429 00:19:15,599 --> 00:19:18,880 paper in some scenes and other scenes I thought they're 430 00:19:18,920 --> 00:19:21,680 just making stuff up, like this is just dumb, ridiculous stuff. 431 00:19:21,720 --> 00:19:24,480 And sometimes it worked, but a lot of times it didn't. 432 00:19:24,559 --> 00:19:26,960 Your case in point, Jimmy Wishbone. 433 00:19:26,559 --> 00:19:29,920 Speaker 3: Or whatever, Johnny Wishbone scene is that painful to wise? 434 00:19:30,039 --> 00:19:31,400 It was not. It was obnoxious. 435 00:19:31,480 --> 00:19:34,880 Speaker 1: And the scene where he walks he takes he takes 436 00:19:35,119 --> 00:19:38,640 Rosewood's pills, his vitamins and walks into the gun club 437 00:19:38,680 --> 00:19:42,279 and does this whole thing where he's terrified. What the 438 00:19:42,319 --> 00:19:44,880 heck is that about? Why did he have to do that. 439 00:19:44,960 --> 00:19:47,000 Why could he not just have walked in the door 440 00:19:47,000 --> 00:19:49,599 and said, can you point me to so in those 441 00:19:49,599 --> 00:19:51,880 offices and need to talk to mister Kane. Can you 442 00:19:51,880 --> 00:19:55,839 tell me where his office is? Is that easy? Yeah? 443 00:19:56,400 --> 00:19:59,640 Just trying to plug Eddie Murphy's stuff in in a 444 00:19:59,680 --> 00:20:01,319 redic way. I couldn't stand it. 445 00:20:01,640 --> 00:20:03,880 Speaker 3: Okay, I've got a couple of things that they did, right, 446 00:20:04,559 --> 00:20:07,720 let's talk about Yeah, sure, are we already moving towards judgment? 447 00:20:08,039 --> 00:20:10,839 Speaker 1: We need some tidbits in here somewhere, but yeh sure, okay, 448 00:20:10,880 --> 00:20:12,440 all right, tell me about the things that you did 449 00:20:12,559 --> 00:20:13,960 that you think that they did, right. 450 00:20:14,000 --> 00:20:17,880 Speaker 3: Okay, So I do think that they didn't execute it. Well, 451 00:20:18,440 --> 00:20:21,880 but I think that this idea of having an alphabet 452 00:20:22,079 --> 00:20:23,359 crime is interesting. 453 00:20:23,440 --> 00:20:29,160 Speaker 1: They stole it from Agatha Christie. It's called the ABC Murders. 454 00:20:29,440 --> 00:20:32,799 Speaker 3: Well I didn't know that, so I thought that was good. Yes, 455 00:20:32,880 --> 00:20:36,880 it's a brilliant idea, right that someone else had. Okay, 456 00:20:36,920 --> 00:20:40,160 I mean, why would you do that? Like, why would 457 00:20:40,200 --> 00:20:43,039 you give people clues as to who you're. 458 00:20:42,839 --> 00:20:45,640 Speaker 1: Going to like what building you're going to rob next? 459 00:20:45,720 --> 00:20:48,319 Speaker 3: There's lots of pieces of this movie that make no sense, right, 460 00:20:48,640 --> 00:20:51,839 lots lots. So you open with the robbery at the 461 00:20:51,880 --> 00:20:55,519 jewelry store, which is Tony Scott. It's exciting anytime you 462 00:20:55,599 --> 00:20:58,680 have somebody calling out in thirty seconds. Yeah, you know, 463 00:20:58,759 --> 00:21:01,519 it's like point break. Yeah, you got the clock factor, 464 00:21:01,640 --> 00:21:04,839 you've got the pressure. But all I'm thinking is, why 465 00:21:04,880 --> 00:21:07,680 are you guys shattering all like you're gonna slice your 466 00:21:07,720 --> 00:21:10,319 hands up? I mean, just do a simple break and 467 00:21:10,519 --> 00:21:11,559 like get in the side. 468 00:21:11,640 --> 00:21:13,480 Speaker 1: What are you doing? It's just ridiculous. 469 00:21:13,559 --> 00:21:16,000 Speaker 3: Or the fact that she's a six foot one blonde 470 00:21:16,039 --> 00:21:19,799 woman who's incredibly beautiful and not in costume. Right, she 471 00:21:19,960 --> 00:21:23,480 was wearing sunglasses, so I couldn't tell who she was. 472 00:21:23,640 --> 00:21:24,240 Speaker 1: Uh huh. 473 00:21:24,240 --> 00:21:26,039 Speaker 3: So I like the alphabet crimes. I think that that 474 00:21:26,160 --> 00:21:26,519 was cool. 475 00:21:26,599 --> 00:21:28,079 Speaker 1: Yeah, good job back get the Christie. 476 00:21:28,160 --> 00:21:31,440 Speaker 3: Now they shoot Bogomil for letter B right off the bat. 477 00:21:31,839 --> 00:21:34,599 It's kind of quick, you know. For yeah, like he's 478 00:21:34,599 --> 00:21:36,480 like hot on their trail after one crime. 479 00:21:36,359 --> 00:21:38,599 Speaker 1: And yeah, they know he's hot on the trail because 480 00:21:38,680 --> 00:21:42,279 why because he's running in their oil pit and he 481 00:21:42,359 --> 00:21:43,319 picks up some dirt. 482 00:21:43,519 --> 00:21:45,880 Speaker 3: Right, that's it, that's it, That's all we need. 483 00:21:46,000 --> 00:21:49,279 Speaker 1: And when you see his shoes later I'm like, you 484 00:21:49,319 --> 00:21:52,359 couldn't glue that much dirt on his shoes that's on 485 00:21:52,400 --> 00:21:52,839 the ground. 486 00:21:52,880 --> 00:21:55,519 Speaker 3: It was so over the top. I'm like, oh my word, 487 00:21:55,799 --> 00:21:57,519 I would not walk in the house with those shoes. 488 00:21:57,559 --> 00:22:00,000 Speaker 1: Could you spoon feed it to us a little bit more? 489 00:22:00,200 --> 00:22:03,920 Speaker 3: Please? Okay, let's talk about what they really did. 490 00:22:03,799 --> 00:22:06,319 Speaker 1: Right though, Okay, you gotta tell me, Okay, I don't know. 491 00:22:06,400 --> 00:22:10,119 Speaker 3: Well, they gave us a great soundtrack with great songs, 492 00:22:10,480 --> 00:22:18,559 and it's a rock video. Do you wrong? And we've 493 00:22:18,680 --> 00:22:20,519 gone up pat fun. 494 00:22:21,839 --> 00:22:23,640 Speaker 1: I'm gonna go ahead and disagree with you on that one. 495 00:22:23,680 --> 00:22:28,200 I listened to the entire Beverly Hills two soundtrack. Shakedown 496 00:22:28,240 --> 00:22:30,160 is phenomenal, shakeounds the number one hit. 497 00:22:30,519 --> 00:22:34,279 Speaker 3: Everything else is Man, you tell Me I Want Your Sex, 498 00:22:34,640 --> 00:22:36,240 number one, number two hit. 499 00:22:36,279 --> 00:22:39,839 Speaker 1: That number one. It was not made for the album. 500 00:22:39,920 --> 00:22:42,279 It was just happened to get thrown in there. But 501 00:22:42,440 --> 00:22:44,920 it was already it's already a big hit. They took 502 00:22:44,920 --> 00:22:46,119 a song that was already a big hit. 503 00:22:46,200 --> 00:22:48,960 Speaker 3: No no no no no no no no no oh no. 504 00:22:49,000 --> 00:22:50,960 Speaker 1: This You're telling Me that I Want Your Sex by 505 00:22:50,960 --> 00:22:53,559 George Michael was written for this movie. 506 00:22:53,640 --> 00:22:54,920 Speaker 3: Well, it was used for that I don't know if 507 00:22:54,960 --> 00:22:57,079 it was written for this No, it was definitely not. 508 00:22:57,279 --> 00:22:59,119 They came out in November of eighty seven. 509 00:22:59,319 --> 00:23:02,160 Speaker 1: I unders stand. But what I'm saying is, I know 510 00:23:02,240 --> 00:23:05,119 he didn't write it. We've covered faith, we know why 511 00:23:05,160 --> 00:23:08,279 he wrote that. He wanted to smash his image of 512 00:23:08,319 --> 00:23:09,440 the pretty boy from Wayam. 513 00:23:09,480 --> 00:23:11,680 Speaker 3: All I'm saying is that was a huge song the 514 00:23:11,680 --> 00:23:14,000 summer of eighty seven in part because of this movie. 515 00:23:14,079 --> 00:23:15,799 Speaker 1: Yeah, it was a huge song because it was a 516 00:23:15,839 --> 00:23:18,160 huge song anyway, not because of this movie. You get the. 517 00:23:18,079 --> 00:23:20,000 Speaker 3: Strip club scene and you got well, I want your sex, 518 00:23:20,000 --> 00:23:20,319 which is. 519 00:23:20,319 --> 00:23:22,200 Speaker 1: Fine, right, so go ahead, what do you got else? 520 00:23:22,400 --> 00:23:24,319 Speaker 3: I mean, cres My Broken Heart by the Jets, the 521 00:23:24,319 --> 00:23:27,720 Wolf Grahams, we talked about them, terrible, top ten hit, 522 00:23:28,039 --> 00:23:32,279 Crossmer Broken Hot, terrible. You get another Pointer Sister song. 523 00:23:32,319 --> 00:23:35,039 Speaker 1: That sounds exactly like the other one, except not as good. 524 00:23:35,480 --> 00:23:38,079 Speaker 3: That's true, I'll give you that. And then you get 525 00:23:38,240 --> 00:23:40,119 Corey Hart followed Sunglasses at. 526 00:23:40,079 --> 00:23:41,559 Speaker 1: Night, Yeah, and also terrible. 527 00:23:41,680 --> 00:23:44,240 Speaker 3: And you get a cement Uh truck run through the 528 00:23:44,240 --> 00:23:48,559 streets on the soundtrack that they escaped from a robbery, 529 00:23:48,799 --> 00:23:52,559 drove straight to the Playboy Mansion, left the car parked outside. 530 00:23:52,680 --> 00:23:57,480 Speaker 1: They parked an armored truck outside the most visible house 531 00:23:57,640 --> 00:24:01,799 in a ten mile radius, and that was their escape plan. 532 00:24:01,960 --> 00:24:03,759 Speaker 3: And when they got out, they all looked like they 533 00:24:03,759 --> 00:24:05,400 were going to the Kentucky Derby. I mean they were 534 00:24:05,519 --> 00:24:08,000 dressed to the tee. 535 00:24:08,119 --> 00:24:10,680 Speaker 1: I mean. To go back to the gun room scene, 536 00:24:11,079 --> 00:24:13,319 he comes in to ask a question about a bullet, 537 00:24:13,440 --> 00:24:18,079 and in ten seconds or less, bridget Nielsen has seen 538 00:24:18,200 --> 00:24:21,480 him on the security cam, knows what he's talking about, 539 00:24:21,880 --> 00:24:24,400 comes and interrupts him to find out that he's a 540 00:24:24,440 --> 00:24:27,640 Detroit cop and comes in to tell the main bad guy, 541 00:24:27,759 --> 00:24:28,359 have him killed? 542 00:24:28,359 --> 00:24:28,880 Speaker 3: How he killed? 543 00:24:28,920 --> 00:24:31,319 Speaker 1: Immediately? Are you serious? Hey? 544 00:24:31,880 --> 00:24:33,680 Speaker 3: Do you guys know what this bullet is? 545 00:24:33,720 --> 00:24:34,640 Speaker 1: From? Killing? 546 00:24:35,920 --> 00:24:36,240 Speaker 3: Killing? 547 00:24:37,039 --> 00:24:39,400 Speaker 1: It's yeah, it's very bad, but. 548 00:24:39,400 --> 00:24:42,680 Speaker 3: Bye, listen. I have a high affection for this movie. 549 00:24:42,799 --> 00:24:43,039 Speaker 1: Yeah. 550 00:24:43,119 --> 00:24:44,799 Speaker 3: I think it's a lot of fun. I told you 551 00:24:44,799 --> 00:24:46,720 it is like it's like going to a party and 552 00:24:46,759 --> 00:24:48,319 you have a blast at the party, and then when 553 00:24:48,319 --> 00:24:50,400 you get home you realize that somebody had stolen your wallet. 554 00:24:51,599 --> 00:24:53,599 Speaker 1: What you did not tell me this? What? 555 00:24:53,759 --> 00:24:57,640 Speaker 3: Well, that's the clean up version, right, Okay, But I 556 00:24:57,720 --> 00:25:00,000 had a blast the whole time, and it's not until 557 00:25:00,079 --> 00:25:02,160 later that you realize, Man, that didn't make any sense, 558 00:25:02,200 --> 00:25:04,359 but it was still fun. All right, d let's go 559 00:25:04,359 --> 00:25:06,759 into tidbits. I've got some great tidbits for you, and 560 00:25:06,759 --> 00:25:08,680 then we can talk about final judgment because I could 561 00:25:08,680 --> 00:25:10,039 see you're itching to talk about that. 562 00:25:10,240 --> 00:25:13,160 Speaker 1: Well, yeah, I'm ready to get this this silliness over with. 563 00:25:13,960 --> 00:25:15,640 The nice part about this is we get to jump 564 00:25:15,680 --> 00:25:17,559 back to Beverly Hills Cop one and talk about a 565 00:25:17,559 --> 00:25:20,359 few things there. So very first scene that they filmed 566 00:25:20,480 --> 00:25:22,920 in Beverly Hills Cop one, very first scene. Do you 567 00:25:22,960 --> 00:25:23,319 know what it is? 568 00:25:23,440 --> 00:25:25,480 Speaker 3: It's the chase at the beginning, right, No, it is 569 00:25:25,519 --> 00:25:28,960 the strip club scene. Really, yes, which I mean it's 570 00:25:29,000 --> 00:25:31,039 my favorite scene in the whole movie, Like if you 571 00:25:31,559 --> 00:25:33,160 if you your favorite scene? 572 00:25:33,359 --> 00:25:37,759 Speaker 1: Well, yes, not yes, I realized how that came out. 573 00:25:38,640 --> 00:25:43,240 I definitely enjoyed it as a young man. For the stripping, 574 00:25:43,400 --> 00:25:46,559 of course, right, but no, the foiling of the crime. 575 00:25:46,640 --> 00:25:48,720 The guys who come in, well, I can't tell you 576 00:25:48,799 --> 00:25:50,839 how many times that I've been sitting somewhere and it's 577 00:25:50,880 --> 00:25:52,480 been a warm day and I've seen somebody come in 578 00:25:52,480 --> 00:25:54,799 with a big jacket on. I'm like, is that Gegan around? Buz? 579 00:25:55,000 --> 00:25:57,119 I'm watching that guy. Why has he got these long 580 00:25:57,200 --> 00:25:58,039 jackets on? Yeah? 581 00:25:58,079 --> 00:26:01,119 Speaker 3: I love that, yes, philm anyway, so you change, man, 582 00:26:01,640 --> 00:26:02,319 you change. 583 00:26:02,839 --> 00:26:05,400 Speaker 1: That's the first scene that they shoot, and of course 584 00:26:05,640 --> 00:26:08,000 Judge Reinhold has talked about the scene. He's like, I'm 585 00:26:08,680 --> 00:26:10,839 I'm kind of awkward. This is awkward. We've got these girls. 586 00:26:10,880 --> 00:26:13,640 So we're hours and these girls are stripping over us 587 00:26:14,079 --> 00:26:16,319 for hours. Yeah, and it's it's hard to you know, 588 00:26:16,440 --> 00:26:19,960 concentrate with all of this. But you know what the 589 00:26:19,960 --> 00:26:23,160 song nasty Girl, you know where it came from? Nanty six, right, 590 00:26:23,240 --> 00:26:25,079 but do you know who suggested it as the song 591 00:26:25,160 --> 00:26:29,839 that be playing in the strip club? No? The stripper really, yes, 592 00:26:29,960 --> 00:26:32,359 the stripper that was there was the one that said, guys, 593 00:26:32,400 --> 00:26:35,319 I'd really like I think you'd probably like this song. 594 00:26:35,359 --> 00:26:37,440 I would definitely dance to this song anyway. And that's 595 00:26:37,480 --> 00:26:38,799 how they put That's how it got in the movie. 596 00:26:38,920 --> 00:26:39,960 Speaker 3: Love it there, you go. 597 00:26:39,960 --> 00:26:41,319 Speaker 1: Love it? Yeah? What else you got? 598 00:26:41,519 --> 00:26:44,680 Speaker 3: Okay, So this was the highest grossing movie in nineteen 599 00:26:44,680 --> 00:26:46,680 eighty four. We talked about that and at the time, 600 00:26:46,799 --> 00:26:49,920 this was the third highest grossing R rated movie of 601 00:26:49,960 --> 00:26:50,559 all time. 602 00:26:51,279 --> 00:26:55,640 Speaker 1: Yeah, can you name the other two? The Godfather yes, 603 00:26:56,039 --> 00:26:57,599 I don't know. What do you got? 604 00:26:57,759 --> 00:27:01,680 Speaker 3: So the Godfather and the Exorcist, Oh yeah, yeah, finally 605 00:27:01,759 --> 00:27:06,119 knocked off its perch by the Matrix reloaded reloaded right? 606 00:27:06,200 --> 00:27:09,000 Speaker 1: What right? Not the first matrix, the second one that 607 00:27:09,079 --> 00:27:11,920 was crap, right exactly? That doesn't even make any sense. 608 00:27:12,039 --> 00:27:14,359 But hey, go back. If you guys haven't heard our 609 00:27:14,400 --> 00:27:18,000 episodes on The Godfather Part one and two versus Goodfellas, 610 00:27:18,000 --> 00:27:20,240 go back and check those out. Those are fun episodes. 611 00:27:20,599 --> 00:27:23,000 And then also we talked about the Exorcists when we 612 00:27:23,039 --> 00:27:25,960 did last year, did our top five Halloween movies from 613 00:27:25,960 --> 00:27:27,200 the nineteen SEVENTI, Yes, we did. 614 00:27:27,319 --> 00:27:29,519 Speaker 3: Yeah, okay, I've got a couple of tidbits I'm dying 615 00:27:29,519 --> 00:27:29,839 to tell you. 616 00:27:29,839 --> 00:27:30,079 Speaker 1: Okay. 617 00:27:30,279 --> 00:27:33,319 Speaker 3: Yeah, So the banana and the tailpipe one of the 618 00:27:33,400 --> 00:27:36,000 highlights of the movie, right, it's hilarious. Yeah yeah, not 619 00:27:36,039 --> 00:27:39,200 fall into the banana and the tailpipe. Yeah, okay, we're 620 00:27:39,240 --> 00:27:41,480 not going to fall for a banana and the tailpipe. 621 00:27:41,920 --> 00:27:44,599 You're not gonna fall for the banana and the tailpipe. 622 00:27:44,960 --> 00:27:47,119 Speaker 1: It should be more natural, brother, should flow out like this. 623 00:27:47,400 --> 00:27:50,079 Speaker 3: Look, man, I follo off a no banana my tairepipe. 624 00:27:50,119 --> 00:27:54,680 So apparently they did this on MythBusters. Okay, and it 625 00:27:54,720 --> 00:27:57,039 didn't work. They couldn't get the car to stall. 626 00:27:56,720 --> 00:27:58,839 Speaker 1: Out right, Hollywood magic, right right. 627 00:27:58,960 --> 00:28:03,640 Speaker 3: Basically the car would eject the bananas and sort of 628 00:28:03,799 --> 00:28:04,480 right itself. 629 00:28:04,519 --> 00:28:07,119 Speaker 1: Were they using the same making model of car? Was 630 00:28:07,160 --> 00:28:09,759 it a nineteen seventies model in Paula? I don't know. 631 00:28:10,720 --> 00:28:11,160 I don't know. 632 00:28:11,759 --> 00:28:13,160 Speaker 3: So that's kind of interesting. 633 00:28:13,359 --> 00:28:16,680 Speaker 1: So whenever in the Beverly Hills police station they're tracking 634 00:28:16,839 --> 00:28:21,000 Folly and Rosewood with the satellite tracking system, Yes, it 635 00:28:21,119 --> 00:28:24,720 did not exist at that point. It was a made 636 00:28:24,799 --> 00:28:27,200 up thing that of course would later become a real 637 00:28:27,279 --> 00:28:29,599 thing of GPS. Oh yeah, I. 638 00:28:29,559 --> 00:28:32,039 Speaker 3: Love it, Yeah real, Yeah, that's really cool. Okay, So 639 00:28:32,200 --> 00:28:35,200 actual Folly wears a Mumford fizz Ed T shirt throughout 640 00:28:35,240 --> 00:28:36,480 the entire first movie. 641 00:28:36,640 --> 00:28:38,680 Speaker 1: Mumford and Sons did not exist yet. 642 00:28:38,599 --> 00:28:40,359 Speaker 3: Says Mumford fizz Ed. I know, I had one. I 643 00:28:40,400 --> 00:28:41,000 had one a shirt. 644 00:28:41,079 --> 00:28:41,319 Speaker 1: Okay. 645 00:28:41,440 --> 00:28:44,319 Speaker 3: Yeah, So what is this, Well, it's got a couple 646 00:28:44,359 --> 00:28:45,400 of connections to the movie. 647 00:28:45,480 --> 00:28:45,720 Speaker 1: Yeah. 648 00:28:45,799 --> 00:28:48,480 Speaker 3: Ali Willis, who wrote the song Neutron Dance, grew up 649 00:28:48,519 --> 00:28:50,079 in Detroit, went to Mumford High School. 650 00:28:50,119 --> 00:28:52,279 Speaker 1: We talked about Ali Willis when we did our Patreon 651 00:28:52,359 --> 00:28:55,480 episode on September. Right, we did wid and Fire and. 652 00:28:55,599 --> 00:28:57,759 Speaker 3: Best Theme Songs of the nineteen nineties. We talked about 653 00:28:57,759 --> 00:28:59,599 her there as well. Oh yeah, all right, Ali Willis 654 00:28:59,640 --> 00:29:02,160 went there. She saw it. She thought, wow, they're honoring me, 655 00:29:02,359 --> 00:29:04,920 you know. Well, it turns out Jerry Brockheimer went to 656 00:29:05,039 --> 00:29:08,119 Mufford High School as well. Yeah, and so did Gilda Radner. 657 00:29:08,160 --> 00:29:10,359 As a matter of fact, So Detroit High School. This 658 00:29:10,440 --> 00:29:11,680 is a Detroit High school. 659 00:29:11,720 --> 00:29:15,920 Speaker 1: So Detroit High School has produced Jerry Bruckheimer, Gilda Radner, 660 00:29:16,319 --> 00:29:20,079 and Ali Willis. Ali Willis, Wow, that's crazy, pretty cool. 661 00:29:20,160 --> 00:29:23,240 Speaker 3: Yeah, Okay, I'm dying to tell you this tidbit on location. 662 00:29:23,440 --> 00:29:24,480 Speaker 1: Okay, give it to me. 663 00:29:24,880 --> 00:29:27,880 Speaker 3: So at the very beginning of Beverly Hills Cop Part one, 664 00:29:28,039 --> 00:29:31,519 after the cigarette diesel car chase actual, he goes to 665 00:29:31,559 --> 00:29:33,920 the police station, climbs up and says stairs, and that's 666 00:29:33,920 --> 00:29:36,279 where Jeffrey grabs him, and he's like, I'm not talking 667 00:29:36,319 --> 00:29:40,279 to you. I'm not listening to Jeffrey. Those stairs that 668 00:29:40,400 --> 00:29:43,079 he climbs up right there are the same stairs that 669 00:29:43,160 --> 00:29:47,319 Genie Buehler climbs to meet Charlie Sheen in Ferris Bueler's 670 00:29:47,400 --> 00:29:50,240 Day Off it's the same setup police station. 671 00:29:50,960 --> 00:29:55,279 Speaker 1: Wow. Nice okay, Yeah, a little different lighting from one 672 00:29:55,279 --> 00:29:56,000 to the other. It is. 673 00:29:56,119 --> 00:29:57,640 Speaker 3: Yeah, I got one more. This is kind of a 674 00:29:57,640 --> 00:30:01,240 deep cut for you. The Beverly Palm Hotel lobby that 675 00:30:01,279 --> 00:30:03,799 we actually spent a lot of time there. That was 676 00:30:03,880 --> 00:30:08,119 the same location where they shot Steve Perry's music video 677 00:30:08,279 --> 00:30:18,000 for O Sherry. 678 00:30:13,799 --> 00:30:18,559 Speaker 1: Whoa fantastic go check out our best of nineteen. 679 00:30:18,240 --> 00:30:20,359 Speaker 3: Eighty four songs, just talks about it. 680 00:30:20,559 --> 00:30:24,000 Speaker 1: That's fantastic. Okay, ready for this one. Yes, in part 681 00:30:24,039 --> 00:30:26,960 two when he comes into the gun club, instead of 682 00:30:27,000 --> 00:30:29,559 saying his name is Axel Foley, he says his name 683 00:30:29,759 --> 00:30:32,519 is Richard James. Right. Do you know who this is? 684 00:30:32,880 --> 00:30:36,960 Speaker 3: It's a reference to Rick James, right, James, bitch, you 685 00:30:37,000 --> 00:30:38,359 know the connection to Eddy Murphy. 686 00:30:38,440 --> 00:30:40,599 Speaker 1: Right. Yeah, he produced his album the album of Party 687 00:30:40,640 --> 00:30:41,799 All the Time, Party all the Time. 688 00:30:42,200 --> 00:30:44,839 Speaker 3: Yeah, that's right, okay, and we I know we talked 689 00:30:44,839 --> 00:30:47,039 about this for a minute. But on the set of 690 00:30:47,079 --> 00:30:49,960 Beverly Hills Cop Too, Brigitte Nielsen had an affair with 691 00:30:50,000 --> 00:30:52,359 Tony Scott. They were both married at the time. She 692 00:30:52,440 --> 00:30:56,200 ended up divorcing Sylvester Stallone. Tony Scott divorced his wife. 693 00:30:56,279 --> 00:30:57,279 It's kind of a disaster. 694 00:30:57,400 --> 00:30:58,039 Speaker 1: Oh my gosh. 695 00:30:58,079 --> 00:31:00,920 Speaker 3: One more tidbit for you on Beverly Hills Cop two. Yes, 696 00:31:01,119 --> 00:31:04,440 the song Shakedown was originally offered to Glenn Fry. 697 00:31:04,720 --> 00:31:05,400 Speaker 1: Yeah that's right. 698 00:31:05,559 --> 00:31:06,839 Speaker 3: No, Glenn Fries from Detroit. 699 00:31:06,960 --> 00:31:09,599 Speaker 1: Yeah, and he had had he'd had some success on 700 00:31:09,680 --> 00:31:10,759 the first album he did. 701 00:31:10,839 --> 00:31:12,119 Speaker 3: That heat is On was his song. 702 00:31:12,319 --> 00:31:13,640 Speaker 1: Yeah, but he lost his voice. 703 00:31:13,720 --> 00:31:17,119 Speaker 3: He couldn't sing, and so they went to Bob Seger. 704 00:31:16,920 --> 00:31:19,200 Speaker 1: Well, and they wanted Bronson ben Show to come back 705 00:31:19,240 --> 00:31:21,960 as well. Yeah. You know why he wasn't back because 706 00:31:22,000 --> 00:31:25,720 he was doing Perfect Stranger, same character on Perfect Strangers. Yeah, 707 00:31:25,720 --> 00:31:26,240 that's cool. 708 00:31:26,400 --> 00:31:30,279 Speaker 3: Okay. I do have one humongous gripe from part. 709 00:31:30,119 --> 00:31:32,039 Speaker 1: One, really I did. Oh yeah, I want to hear this. 710 00:31:32,039 --> 00:31:34,200 Speaker 3: This is like my It takes me out of the movie. 711 00:31:34,240 --> 00:31:35,000 I hate it so much. 712 00:31:35,079 --> 00:31:35,839 Speaker 1: Okay. Okay. 713 00:31:36,279 --> 00:31:39,759 Speaker 3: So Axel Foley, by the way, is running around Victor 714 00:31:39,839 --> 00:31:43,279 Maitland's mansion. Okay, Yes, which, I've got another tidbit for 715 00:31:43,359 --> 00:31:44,519 you location wise on this. 716 00:31:44,599 --> 00:31:48,160 Speaker 1: Okay, I feel like number number one. I feel like 717 00:31:48,400 --> 00:31:50,720 you've talked about what you're about to talk about. When 718 00:31:50,720 --> 00:31:53,319 we talked about Raiders, of lostar Yeah, yeah, yeah, okay, 719 00:31:53,319 --> 00:31:56,799 I did so our like our third episode. 720 00:31:57,119 --> 00:31:58,559 Speaker 3: God, that was four years ago. 721 00:31:58,559 --> 00:32:00,359 Speaker 1: When about it? That's crazy. Go ahead. 722 00:32:00,680 --> 00:32:04,279 Speaker 3: So the funny part is that the exterior of this 723 00:32:04,400 --> 00:32:07,440 mansion was shot at one house and the interior shots 724 00:32:07,480 --> 00:32:08,680 were shot at a different house. 725 00:32:08,720 --> 00:32:10,200 Speaker 1: For sure, not uncommon, right. 726 00:32:10,119 --> 00:32:13,440 Speaker 3: Right, So the interiors were shot at what a house 727 00:32:13,559 --> 00:32:15,200 called that has a name? Like, I want to have 728 00:32:15,240 --> 00:32:17,680 a house that has a name. Right, It's called Castillo 729 00:32:17,799 --> 00:32:20,799 de Lago, uh huh, which means Castle of the Lake. 730 00:32:21,079 --> 00:32:21,519 Speaker 1: Okay. 731 00:32:21,599 --> 00:32:24,400 Speaker 3: Now, the interesting thing about this mansion where they're running 732 00:32:24,400 --> 00:32:27,119 around shooting up the inside of this Bugsy Seagull lived 733 00:32:27,160 --> 00:32:31,559 Here's that was his house, Bugsy Bugsy. Yeah, and Madonna 734 00:32:31,720 --> 00:32:33,599 lived in this house for years in the nineties. 735 00:32:33,640 --> 00:32:38,079 Speaker 1: And then Madonna stars with and Mary's Warren Batty as 736 00:32:38,079 --> 00:32:41,480 he's playing Bugsy there you go. Wow, that's nuts. Okay, okay, 737 00:32:41,480 --> 00:32:43,440 But back to my was that Dick Tracy? Was she 738 00:32:43,480 --> 00:32:45,279 and Buggy or Dick Tracy? I can't remember. 739 00:32:45,880 --> 00:32:48,039 Speaker 3: She was in Dick Tracy. Oh yeah, well he played 740 00:32:48,759 --> 00:32:53,160 Breathless Mahony, Yeah, Dick Tracy. Okay, you want to hear 741 00:32:53,200 --> 00:32:54,400 my big complaint for part one. 742 00:32:54,559 --> 00:32:55,119 Speaker 1: Yeah, tell me. 743 00:32:55,440 --> 00:32:58,519 Speaker 3: Victor Maitland pulls out a three fifty seven magnum point 744 00:32:58,519 --> 00:33:02,279 blake shoots Axel in the shoulder. It could blow his 745 00:33:02,519 --> 00:33:06,720 arm off. Now he has a brief, painful moment and 746 00:33:06,759 --> 00:33:09,559 from there he doesn't even acknowledge that he's been shot. 747 00:33:09,839 --> 00:33:12,720 Speaker 1: Yeah, I've never been shot. I think it would be painful. 748 00:33:12,839 --> 00:33:15,440 I think I would react like Clu Diamond Phillips reacted 749 00:33:15,480 --> 00:33:17,960 when he gets shot in Young Guns Part two. I'd 750 00:33:17,960 --> 00:33:20,759 be screaming my head. But I don't know because I've 751 00:33:20,799 --> 00:33:21,359 never been shot. 752 00:33:21,720 --> 00:33:24,480 Speaker 3: They're all hanging out afterwards, and here comes the chief 753 00:33:24,519 --> 00:33:27,119 and actual, why haven't you gone to the hospital yet. Oh, 754 00:33:27,160 --> 00:33:29,599 I'm fine. He just got shot point blank in the 755 00:33:29,640 --> 00:33:32,559 shoulder and he's just no problem. 756 00:33:32,960 --> 00:33:36,960 Speaker 1: Yeah, speaking of police chief first one, Yeah, police Chief Hubbard. 757 00:33:36,960 --> 00:33:39,920 We didn't really talk about him. He's a great carmudgeon 758 00:33:40,000 --> 00:33:42,599 leygu guy, right. Yes, he kind of reminds me of 759 00:33:43,200 --> 00:33:48,160 the Grandpa off of The Lost Boys. He does. Yeah, anyway, 760 00:33:48,279 --> 00:33:51,720 when he walks in to do his scene and he's yelling, 761 00:33:51,880 --> 00:33:53,759 he's got rolled up papers in his hand. 762 00:33:53,960 --> 00:33:54,920 Speaker 3: Yeah, yeah, he does. 763 00:33:54,960 --> 00:33:57,440 Speaker 1: It's actually a copy of the script because they kept 764 00:33:57,480 --> 00:34:00,160 rewriting and rewriting, so he's literally trying to memorize the 765 00:34:00,200 --> 00:34:03,160 lines moments before he walks onto the screen and he 766 00:34:03,279 --> 00:34:04,920 brings the script in with him. 767 00:34:05,279 --> 00:34:07,839 Speaker 3: That's the man who wrecked the Muffey. 768 00:34:11,159 --> 00:34:13,800 Speaker 1: That's hilarious. I got one more little tidbit that kind 769 00:34:13,800 --> 00:34:17,079 of ties this all back in, right, Yeah, So Martin 770 00:34:17,119 --> 00:34:21,559 Brest got Inspector Todd as real homicide detective because he 771 00:34:21,679 --> 00:34:24,679 was in the Detroit police station. Right. The problem was 772 00:34:24,920 --> 00:34:27,840 the Beverly Hills Police station wouldn't let him in. They 773 00:34:27,840 --> 00:34:29,519 wouldn't let people in to see what it looked like. 774 00:34:29,599 --> 00:34:31,719 So all he could do was go, all right, I'm 775 00:34:31,719 --> 00:34:34,639 just going to do the exact opposite of what I 776 00:34:34,679 --> 00:34:37,880 saw in the Detroit police station. But in addition to that, 777 00:34:38,119 --> 00:34:40,400 and you think about what you saw in the Beverly 778 00:34:40,440 --> 00:34:43,960 Hills Police station, he took his ideas. He took all 779 00:34:43,960 --> 00:34:47,119 of the conceptual designs that he had had for the 780 00:34:47,159 --> 00:34:51,480 Norrid scenes in War Games and made that into his 781 00:34:51,519 --> 00:34:54,199 Beverly Hills police station. If you go back and watch 782 00:34:54,239 --> 00:34:56,800 that movie and you see them looking at their screens, 783 00:34:57,159 --> 00:35:01,400 you can will immediately recognize, Hey, this is straight out 784 00:35:01,440 --> 00:35:03,559 of the War Games. Warworom Oh, I love it. 785 00:35:03,639 --> 00:35:04,320 Speaker 3: Yeah, that's good. 786 00:35:04,360 --> 00:35:04,639 Speaker 1: All right. 787 00:35:04,639 --> 00:35:07,440 Speaker 3: I got a question for you. Yes, Beverly Hills Cop One. Yes, 788 00:35:07,480 --> 00:35:08,719 I'm guessing you love this movie. 789 00:35:08,760 --> 00:35:10,360 Speaker 1: I do love Beverly Hills Cup one. Yes. 790 00:35:10,599 --> 00:35:14,639 Speaker 3: This movie involves stolen Barra bonds. Yes, and cocaine. 791 00:35:14,920 --> 00:35:15,320 Speaker 1: Yes. 792 00:35:15,519 --> 00:35:18,719 Speaker 3: There's another movie in the nineteen eighties that involves stolen 793 00:35:18,760 --> 00:35:20,440 bearer bonds and cocaine. 794 00:35:20,559 --> 00:35:20,880 Speaker 1: Yes. 795 00:35:21,039 --> 00:35:21,920 Speaker 3: Which of those movies? 796 00:35:21,920 --> 00:35:22,480 Speaker 1: Do you prefer? 797 00:35:23,320 --> 00:35:26,480 Speaker 3: Beverly Hills Cop or Diehard. 798 00:35:29,239 --> 00:35:32,880 Speaker 1: Diehard? It's not even It's not close, Okay. I mean 799 00:35:32,920 --> 00:35:35,679 I love Beverly Hills Cop but Diehard is next level. 800 00:35:35,719 --> 00:35:39,239 It's Mount Rushmore. So yeah, sorry, there you go. 801 00:35:39,320 --> 00:35:41,440 Speaker 3: Okay, yeah, interesting, Okay, very good? 802 00:35:41,440 --> 00:35:41,760 Speaker 1: All right? 803 00:35:41,760 --> 00:35:42,880 Speaker 3: Are we on to final judgment? 804 00:35:43,000 --> 00:35:45,719 Speaker 1: Yes? I wonder if anybody wonders which one I'm gonna pick? 805 00:35:46,159 --> 00:35:47,119 Speaker 3: Why don't you lead us off? 806 00:35:47,599 --> 00:35:50,960 Speaker 1: Well, I've said it over and over again. I was 807 00:35:51,039 --> 00:35:54,440 really disappointed when I rewatched Beverly Hills Cop too. I 808 00:35:54,480 --> 00:35:57,880 rewatched Beverly Hills Cop One with my family over the summer. 809 00:35:58,079 --> 00:35:59,679 I was just like excited to watch it, and then 810 00:35:59,760 --> 00:36:02,440 I was like, I forgot how funny this was so good? 811 00:36:02,559 --> 00:36:06,519 So well, done so well, executed, meaningful, believable, all of 812 00:36:06,559 --> 00:36:10,639 it except maybe for the gunshot right right. And then 813 00:36:10,880 --> 00:36:13,000 I needed to watch Beverly Hills Cop Two. It's been 814 00:36:13,039 --> 00:36:14,639 a couple of decades since I've seen it, but I 815 00:36:14,639 --> 00:36:16,400 remembered loving it as a kid. But when I sat 816 00:36:16,440 --> 00:36:19,000 down to watch it again, from the very first scene, 817 00:36:19,039 --> 00:36:22,440 that very first bank robbery scene, I was immediately like, Ah, 818 00:36:22,559 --> 00:36:25,079 this is They're not doing this right. I don't know 819 00:36:25,079 --> 00:36:28,719 what's going on here. I expected better, you know, I expected, Hey, 820 00:36:28,760 --> 00:36:31,119 we've learned some things, and we brought in a new, 821 00:36:31,239 --> 00:36:35,719 very accomplished director and better screenwriters, and I think it 822 00:36:35,840 --> 00:36:39,760 all suffered. Like I agree with you, probably when I 823 00:36:39,800 --> 00:36:41,760 was a kid, I watched it and thought, oh, I 824 00:36:41,760 --> 00:36:44,239 had a great time, and then afterwards like, wow, what 825 00:36:44,719 --> 00:36:46,679 the heck was I doing there? Because that's what I 826 00:36:46,719 --> 00:36:48,679 was thinking the whole time, What the heck are they doing? 827 00:36:48,880 --> 00:36:51,880 A Number one, it's convoluted. Number two, they did things 828 00:36:51,920 --> 00:36:54,719 that didn't make any sense. And number three, the dialogue 829 00:36:54,719 --> 00:36:57,639 that they used was just off. It just nothing felt 830 00:36:57,679 --> 00:37:00,199 good about Beverly Hills Cop Two for me. And when 831 00:37:00,199 --> 00:37:02,599 I told you this initially you were like, have you 832 00:37:02,639 --> 00:37:06,440 seen Beverly Hills Cop three. Yeah, and I haven't because 833 00:37:06,880 --> 00:37:09,199 I've known from the beginning that it's a bad movie, 834 00:37:09,440 --> 00:37:12,880 and I don't watch I don't deliberately watch movies that 835 00:37:12,920 --> 00:37:16,000 I know is bad are bad. Right, So yeah, it's 836 00:37:16,079 --> 00:37:19,280 easily Beverly Hills Cop all day long, every day, twice 837 00:37:19,280 --> 00:37:21,920 on Sunday. I don't think I'll probably ever watch part 838 00:37:21,920 --> 00:37:22,320 two again. 839 00:37:22,440 --> 00:37:24,599 Speaker 3: Wow, this is like your vacation in Great Outdoors. 840 00:37:24,800 --> 00:37:27,679 Speaker 1: Yes, exactly, it's not even it's a landslide as you 841 00:37:27,679 --> 00:37:30,679 put it. It's a monumental landslide. 842 00:37:30,760 --> 00:37:34,119 Speaker 3: Okay, all right, So I told you initially. I told 843 00:37:34,159 --> 00:37:35,800 you when we first started doing this that I have 844 00:37:36,000 --> 00:37:39,360 great affection for Beverly Hills Cop Part two because I 845 00:37:39,400 --> 00:37:42,760 was fourteen. It came out early that summer. I snuck 846 00:37:42,800 --> 00:37:46,000 into an R rated movie. Eddie Murphy's going crazy and 847 00:37:46,039 --> 00:37:51,000 having fun and being his crazy f bombself, and I 848 00:37:51,280 --> 00:37:53,480 just thought it was great fun. It was full throttle. 849 00:37:53,639 --> 00:37:56,119 It's a Tony Scott movie. I love Tony Scott movies. 850 00:37:56,239 --> 00:37:59,000 The soundtrack I think is good, the fun is high. 851 00:37:59,199 --> 00:38:01,079 We have a scene at the Playboy Mansion. It was 852 00:38:01,199 --> 00:38:05,199 everything that a fourteen year old wanted to see. However, 853 00:38:05,400 --> 00:38:10,559 upon rewatch Beverly Hills Cop, the first one is way better. Okay, now, 854 00:38:10,599 --> 00:38:12,480 then I don't feel like you. I do think that 855 00:38:12,559 --> 00:38:14,719 there's value in Beverly Hills Cop two, and I still 856 00:38:14,719 --> 00:38:17,840 have a great time. But the scenes that they I mean, 857 00:38:17,880 --> 00:38:20,280 they absolutely hit out of the park. In Beverly Hills 858 00:38:20,360 --> 00:38:23,000 Cop one, I mean, the truck scene at the very 859 00:38:23,000 --> 00:38:25,559 beginning is out of this world. The strip club scene 860 00:38:25,559 --> 00:38:30,320 in part one shows Axel's competence, his ability, his talent, 861 00:38:30,519 --> 00:38:33,039 and the second one is just a chance to throw 862 00:38:33,079 --> 00:38:36,360 some boobs into the movie. He's more obnoxious in part two. 863 00:38:36,679 --> 00:38:39,599 Eddie Murphy says that Beverly Hills Cop two was a 864 00:38:39,639 --> 00:38:42,440 half assed movie. I agree with him. Beverly Hills Cop 865 00:38:42,480 --> 00:38:45,719 is way better. Although I still have a great time 866 00:38:45,840 --> 00:38:49,119 watching Beverly Hills Cup Part two, especially since I've also 867 00:38:49,119 --> 00:38:53,400 seen Beverly Hills CP Part three, and after watching part three, 868 00:38:53,440 --> 00:38:56,719 I think the value meter goes up on two. Now 869 00:38:56,760 --> 00:38:59,280 they don't do everything right, but part three they literally 870 00:38:59,280 --> 00:38:59,920 do everything wrong. 871 00:39:00,760 --> 00:39:05,840 Speaker 1: I think your words were like a kick in the nuts. Yes, 872 00:39:06,519 --> 00:39:09,320 if you want to hear more in depth analysis of 873 00:39:09,360 --> 00:39:12,360 Beverly Hills Cop Part three. Go check out our buddies 874 00:39:12,440 --> 00:39:15,079 at the thirty something Movie Podcast. They did a full 875 00:39:15,119 --> 00:39:17,519 episode on it. They were not excited about the movie either, 876 00:39:17,599 --> 00:39:18,880 but they do a great job with it. 877 00:39:19,119 --> 00:39:22,079 Speaker 3: I'm excited, though, I don't care. I love hanging out 878 00:39:22,079 --> 00:39:25,079 with Axle fully. I'm ready this summer or whenever it's 879 00:39:25,079 --> 00:39:27,239 coming out. Yeah, to watch Beverly Hills Cop. 880 00:39:27,280 --> 00:39:29,239 Speaker 1: Part four. We make a promise to you, guys, if 881 00:39:29,280 --> 00:39:31,239 we can do it, we will see that movie as 882 00:39:31,239 --> 00:39:33,400 soon as it's released, and we'll give you our review 883 00:39:33,599 --> 00:39:35,320 of Beverly Hills Cop. 884 00:39:35,679 --> 00:39:38,639 Speaker 3: Axel Foley, Okay, do what do we have next week? 885 00:39:38,800 --> 00:39:41,480 Speaker 1: Next week we have a little bit more Beverly Hills Cop. 886 00:39:41,519 --> 00:39:43,360 But now we're doing the soundtrack, you know, so we 887 00:39:43,400 --> 00:39:45,760 didn't cover it in our movie part because we're doing 888 00:39:45,800 --> 00:39:49,079 the full soundtrack because it was an incredible soundtrack. And 889 00:39:49,119 --> 00:39:53,159 then we are taking another fantastic cop driven soundtrack from 890 00:39:53,159 --> 00:39:56,960 the eighties nineteen eighty four, specifically Miami Vice. 891 00:39:57,480 --> 00:39:59,559 Speaker 3: Oh man, I can't wait. That was such a moment 892 00:39:59,599 --> 00:40:01,599 in time. I can't wait to dive back into those 893 00:40:01,639 --> 00:40:02,880 songs and talk about that. 894 00:40:03,079 --> 00:40:05,480 Speaker 1: Good dig it the most baby. 895 00:40:05,960 --> 00:40:07,559 Speaker 3: All right, guys, we'll see you back here next week, 896 00:40:07,719 --> 00:40:08,119 I guess.