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<v Speaker 1>And now let's visit with our good friend, doctor Watson.

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<v Speaker 1>I'm always expecting.

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<v Speaker 2>Us good evening, mister Bartel Amy.

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<v Speaker 1>Doctor, oh you have the old black ten dispatch box

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<v Speaker 1>out again.

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<v Speaker 2>Yes, my boy, I've just been refreshing my memory on

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<v Speaker 2>one or two points in connections tonight story. Draw a perchair.

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<v Speaker 2>Thanks the tobacco's and the jar beside you.

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<v Speaker 1>Thanks doctor. You know I'm particularly excited about hearing your

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<v Speaker 1>story tonight. Last week you told us that Sherlock holmes

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<v Speaker 1>brother Microft Holmes.

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<v Speaker 2>Took part in the advantage.

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<v Speaker 3>That's quite right, mister bartell.

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<v Speaker 1>I didn't even know mister Holmes had a brother. I

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<v Speaker 1>wish you'd tell me something about it.

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<v Speaker 2>Well, Microft was seven years older than Charlotte, but the

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<v Speaker 2>difference between them was amazing. While Holmes was lean and

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<v Speaker 2>consumed with a burning energy, his elder brother was fat

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<v Speaker 2>and lazy. And yet Holmes has often told me that

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<v Speaker 2>Microft was his superior in passive observation and deduction.

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<v Speaker 1>Well, now that you've thoroughly whited my appetite, doctor, how's

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<v Speaker 1>about it?

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<v Speaker 2>Very well, my boy, I suppose this story really began

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<v Speaker 2>in Microft Holmes's room at the Foreign Office in London.

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<v Speaker 2>Although I've said he was a lazy man, he did

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<v Speaker 2>hold a position of considerable importance. In fact, you may

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<v Speaker 2>remember that on more than one occasion Holmes has said

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<v Speaker 2>Micraft is the British government. But do get back to

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<v Speaker 2>my story. So on a June morning in nineteen hundred

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<v Speaker 2>and twelve, just for the First World War, but the

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<v Speaker 2>young man in the Foreign Office named Guy Travers stood

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<v Speaker 2>talking to Microft Holmes, who sat sprawled in an armchair

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<v Speaker 2>before him, his feet resting on another chair, his cupped

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<v Speaker 2>hands cradling his ample scup.

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<v Speaker 4>Mister Holmes, I say, mister Holmes, you haven't gone to sleep,

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<v Speaker 4>have you, sir?

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<v Speaker 5>No, travelers, I'm not asleep. I'm just waiting for you

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<v Speaker 5>to get to the point.

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<v Speaker 4>Well, sir, the point is that I'm on the track

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<v Speaker 4>of a most elusive female spy. Dear me, how exhausting.

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<v Speaker 4>She's dangerous, sir, very dangerous. She's not only a collective

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<v Speaker 4>of information, but a sort of central clearinghouse of military seak.

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<v Speaker 5>It's as well you seem to be a little young, Travis,

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<v Speaker 5>to be on such a case.

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<v Speaker 4>I asked for the assignment, sir.

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<v Speaker 5>Why female spies aren't as glamorous as they sound.

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<v Speaker 4>You know, no one knows that better than I do, sir.

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<v Speaker 4>You see, my brother got mixed up with this girl

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<v Speaker 4>two years ago who was cashier from his regiment and

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<v Speaker 4>committed suicide.

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<v Speaker 3>I'm sorry, Travis.

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<v Speaker 5>Tell me what you found out about her. You say

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<v Speaker 5>you've beat on her track.

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<v Speaker 4>I have traced her to a number of seaside towns,

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<v Speaker 4>but she keeps slipping through my fingers.

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<v Speaker 3>Have you a list of the towns?

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<v Speaker 4>Yes, sir, here you are no, no, no, you read

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<v Speaker 4>them to me.

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<v Speaker 2>Well.

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<v Speaker 4>I first got on a track at Torquay. From there

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<v Speaker 4>I trailed a Weymouth, Bournemouth, Portsmouth, Wagner, Worthing Hove, Brighton,

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<v Speaker 4>and I.

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<v Speaker 5>Trust you drew the obvious.

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<v Speaker 4>Conclusion I think I did, sir. Several of those towns

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<v Speaker 4>are naval basis.

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<v Speaker 5>No, no, no, The list you just read me is

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<v Speaker 5>a recognized theatrical circuit.

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<v Speaker 4>Oh, I never thought of that.

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<v Speaker 5>The simplest way to track down your spy is to

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<v Speaker 5>find whether she was appearing in either a play or

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<v Speaker 5>variety act in all of the towns on the dates

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<v Speaker 5>covered by your inquiries.

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<v Speaker 4>Yes, mister Holmes, I'll do that at once and then

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<v Speaker 4>I'll report back to you.

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<v Speaker 5>Oh very well, if you must close the door quietly.

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<v Speaker 4>Won't you.

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<v Speaker 6>I'm confoundedly sleepy, mister Holmes.

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<v Speaker 4>Mister Holmes, you haven't gone to sleep again, have you?

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<v Speaker 7>Sir?

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<v Speaker 3>Oh it's you, travelers.

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<v Speaker 2>Well, how did you find out.

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<v Speaker 4>A great deal? Sir? The only theatrical show that was

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<v Speaker 4>appearing at all of those towns was a magician's act

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<v Speaker 4>called the Great Gandolpho.

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<v Speaker 3>I trust you went and saw the performance.

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<v Speaker 4>Yes, sir, last night at Hastings, and the magician's assistant

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<v Speaker 4>was a girl who looked exactly like the one I

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<v Speaker 4>saw my brother with two years ago.

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<v Speaker 3>Did you go backstage and talk to her?

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<v Speaker 4>Yes, sir. But it's a funny thing. For though she

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<v Speaker 4>looked exactly like the other girl, I swear she's in

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<v Speaker 4>the same one. This girl seemed utterly charming and sincere

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<v Speaker 4>when she told me she had never heard of my brother.

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<v Speaker 2>Hmm.

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<v Speaker 5>That's the danger of putting you, young fellows on.

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<v Speaker 3>A case of this kind.

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<v Speaker 5>A beautiful woman and a good actress can fool you

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<v Speaker 5>nine times out of ten.

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<v Speaker 3>What's your next move, travelers.

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<v Speaker 4>Well, sir, I was hoping preps. Perhaps you might come

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<v Speaker 4>down with me and see the act it's playing at

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<v Speaker 4>Eastbourne tomorrow. It's not very faster, stir.

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<v Speaker 5>My twenty stone, leave the comforts of my office and

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<v Speaker 5>club to track a spy. No, my boy, However, your

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<v Speaker 5>mention of Eastbourne gives me an idea. Yes, sir, my

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<v Speaker 5>young brother Sherlock is living on a bee farm a

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<v Speaker 5>few miles outside Eastbourne.

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<v Speaker 3>He might help you.

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<v Speaker 4>He's a great detective, isn't he, Sir?

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<v Speaker 5>I have never regarded him as one, though I will

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<v Speaker 5>admit that for a man with such a shocking excess

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<v Speaker 5>of physical energy, he possesses a relatively superior mind.

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<v Speaker 4>Yes, yes, go and ask Sherlock thank you, sir.

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<v Speaker 5>I will tell him that if he can't solve the case,

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<v Speaker 5>I'll do it for him.

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<v Speaker 4>And without leaving London. And so, mister Holmes, I did

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<v Speaker 4>at your brother suggested, and came down here to Eastbourne

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<v Speaker 4>to tell you about the King.

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<v Speaker 3>I quite understand, mister Travels the interesting story it is too,

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<v Speaker 3>my boy.

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<v Speaker 2>I'm certainly glad sad that I happen to be staying

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<v Speaker 2>down here with your homes. You will handle the case, of.

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<v Speaker 3>Course, I'm undecided, old fellow. The problem presents some interesting

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<v Speaker 3>possibilities and get my life here among the bees has

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<v Speaker 3>taken on a pleasant and soothing pattern. Oh I hate

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<v Speaker 3>this step.

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<v Speaker 2>Come, come, come, homes. It would be good for you

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<v Speaker 2>to get away from your wretched bees for a few days.

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<v Speaker 4>I forgot to tell you, mister Holmes, as I left

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<v Speaker 4>your brother he told me that if you couldn't solve

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<v Speaker 4>the case, he'd do it for you without leaving.

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<v Speaker 3>London, Dear Old Micraft. He meant that as a challenge.

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<v Speaker 3>Hand me the paper, will you, Watson? Thanks, o' chap.

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<v Speaker 3>What are you looking for, amusing guide? Ah? Here it

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<v Speaker 3>is Devonshire Theater, Eastbawn, twice nightive variety is six thirty

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<v Speaker 3>and nine The Great Gandolfo, King of Magic.

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<v Speaker 4>You mean you'll come to the theater with me tonight,

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<v Speaker 4>mister Holmes.

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<v Speaker 3>Certainly I can't allow my Craft's challenge to go unanswered.

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<v Speaker 3>And I'm sure that doctor Watson will accompany us when

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<v Speaker 3>I tell him. Miss Sissy Gitana is also appearing on

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<v Speaker 3>the bill, singing an old favorite of his. There was

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<v Speaker 3>I a white tin at the church, White tin at

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<v Speaker 3>the church, Oh white at the church.

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<v Speaker 8>Lord, that we did all certain me all at once.

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<v Speaker 9>He sent me round the note. Here's a very note.

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<v Speaker 8>If this is what he wrote, we can't get away

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<v Speaker 8>to marry you today.

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<v Speaker 7>My one wrote land.

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<v Speaker 2>That's the most entertaining woman, Fritzy Gaitana, and that's good

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<v Speaker 2>looking too.

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<v Speaker 4>The greats next mister Howes.

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<v Speaker 3>Yes, I'm just studying the program.

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<v Speaker 4>Haha.

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<v Speaker 3>He's not exactly modest in his claims. Is he the

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<v Speaker 3>great Gandolfo the world staggering illusionist presenting the Ceiling Cabinet Mystery,

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<v Speaker 3>assisted by miss Floren Lassur Dear me, I'm very florid.

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<v Speaker 2>I must say I love this old music hall flavor.

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<v Speaker 2>I remember going to the palace here a few years ago,

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<v Speaker 2>and she a perfectly charming girl who wore a white dress.

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<v Speaker 2>Made it look like a little white rabbit. That dress

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<v Speaker 2>did look rightly becoming. I must say I sent my

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<v Speaker 2>card around the stage door with some flowers, of course, but.

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<v Speaker 3>My maid's messa, sorry, old fellow that I'm afraid you

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<v Speaker 3>will have to finish. The later is going out.

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<v Speaker 4>There, he is. That's the great end offer by Joe.

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<v Speaker 2>This assistants very attractive, isn't you.

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<v Speaker 3>Listen, ladies and gentlemen.

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<v Speaker 7>It gives me great pleasure to be here before you tonight.

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<v Speaker 10>I may say that the sailing cabinet mystery that I

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<v Speaker 10>am about to present has entertained and perplexed half a

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<v Speaker 10>dozen of the crowned kings of Europe together with their queen.

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<v Speaker 7>Come, don't talk the much, get on with the check,

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<v Speaker 7>and I.

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<v Speaker 10>May say, and I'm hoping that you ladies and gentlemen

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<v Speaker 10>will give me the same courtesy and attention that was

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<v Speaker 10>given me by the royalty I have just mentioned. Now,

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<v Speaker 10>before I present my illusion, I should like to ask

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<v Speaker 10>for two volunteers from the audience who will come over.

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<v Speaker 10>Here has tightly on the stage, so that I may

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<v Speaker 10>be watching two volunteers.

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<v Speaker 3>Please wait for mister Clever very well, mister Holmes, come

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<v Speaker 3>on watch them.

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<v Speaker 2>You mean that we're going up on the stage.

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<v Speaker 3>Years it's a wonderful opportunity.

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<v Speaker 10>Do I see two gentlemen rising splendid, Two gentlemen are

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<v Speaker 10>coming up from the audience, Two gentlemen that I have

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<v Speaker 10>never seen before. Watch the step please, that's it, over

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<v Speaker 10>the footlights and on to the stage.

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<v Speaker 3>That's right.

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<v Speaker 7>And now, sir, have you ever seen me before?

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<v Speaker 11>Never?

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<v Speaker 10>And you, sir, don't be afraid to speak up, sir, I,

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<v Speaker 10>Miss Less, please see that the gentlemen are seated. I

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<v Speaker 10>think now, ladies and gentlemen, I want you to watch

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<v Speaker 10>me closely.

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<v Speaker 7>You will observe that there is a wooden cabinet on

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<v Speaker 7>the stage.

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<v Speaker 10>There is also another cabinet of the same shape size

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<v Speaker 10>hanging high above me, which you can pull.

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<v Speaker 7>All see a glass of water, please, mister Sewer, I'll

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<v Speaker 7>go on put a What did you say, sir?

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<v Speaker 12>You you ain't got claw here.

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<v Speaker 7>We will dispense with the glass of water.

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<v Speaker 10>Now, my assistant, Miss Florine Lesur will step into this

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<v Speaker 10>cabinet on the stage. I want you two gentlemen to

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<v Speaker 10>watch very closely. Miss the Sewer is now lying inside.

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<v Speaker 3>The cabinet, is she not?

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<v Speaker 7>Yes, very well. I close the lid, so I lock

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<v Speaker 7>it with these bombs. And now I ask.

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<v Speaker 10>One of you gentlemen to attach this padlock to the box. You, sir,

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<v Speaker 10>will you oblige me very well? I thank you, And now,

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<v Speaker 10>ladies and gentlemen, before your eyes you have seen mister

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<v Speaker 10>Sewer enter a cabinet on this stage.

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<v Speaker 5>A cabinet that has.

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<v Speaker 7>Been voted and padlocked. You can still see.

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<v Speaker 10>The duplicate cabinet and above me by an attachment of

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<v Speaker 10>wires and pulls. I now count a one, A two,

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<v Speaker 10>A three, and fire this revolver.

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<v Speaker 7>At the cabinet above me.

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<v Speaker 10>Yeah, if you two gentlemen will kindly help me, we

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<v Speaker 10>will lower the siling cabinet to the same. You will

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<v Speaker 10>notice that this cabinet is also volted and padlocked. I

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<v Speaker 10>will ask one of you two gentlemen to unvolt it.

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<v Speaker 4>I thank you, sir, And to.

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<v Speaker 10>This gentleman I shall end the key of the padlock

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<v Speaker 10>kindly unlocked, sir, I thank you.

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<v Speaker 7>And now if you will both raise the leader of

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<v Speaker 7>the cabinet.

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<v Speaker 10>And year, ladies and gentlemen, it is missus Florine Lassur.

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<v Speaker 3>Thank you, lad.

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<v Speaker 2>Why did we have to leave home having a one

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<v Speaker 2>who does?

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<v Speaker 3>Sorry to beg you allway about some of this work

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<v Speaker 3>to be done.

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<v Speaker 4>Mister Holmes, if you want to go backstage, I'll introduce

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<v Speaker 4>you to miss La sir.

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<v Speaker 3>Oh, before we do that, mister Travis, there's one important

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<v Speaker 3>fact I want to know. What is it?

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<v Speaker 2>Sir?

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<v Speaker 3>I presume you have a dossier of the available facts

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<v Speaker 3>concerning the spy.

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<v Speaker 4>Yes, sir, everything that we've been able to find out.

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<v Speaker 3>Among the evidence. Do you buy any chance have any

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<v Speaker 3>finer print records?

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<v Speaker 4>Yes, sir, I do spend it.

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<v Speaker 3>Then let's go it once to the nearest police station

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<v Speaker 3>and compare the finer prints on this glass with those

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<v Speaker 3>in your possession.

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<v Speaker 2>Where did you get that glass home?

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<v Speaker 3>You remember that miss La Seur before she entered that

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<v Speaker 3>cabinet on the stage handed gandal for a glass of water.

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<v Speaker 2>You mean that for glass?

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<v Speaker 3>Why else should I be carrying a drinking glass with me?

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<v Speaker 3>Old Chappin.

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<v Speaker 4>Very neat, mister Holmes, and right under the nose of

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<v Speaker 4>a magician too.

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<v Speaker 3>Well, I'm not exactly inept at the practice of a

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<v Speaker 3>leisure domain myself, mister Travers. Will come on, let's have

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<v Speaker 3>a talk with that local finger and expert job, mister Holmes.

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<v Speaker 11>A fingerprints on this glass you brought me are not

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<v Speaker 11>the same as the one.

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<v Speaker 4>Shown in this record?

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<v Speaker 3>Yeare positive?

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<v Speaker 2>Oh?

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<v Speaker 3>Absolutely, sir, Just as I thought. I'm much obliged to you.

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<v Speaker 3>Always glad to have a gentleman like you, mister Jane,

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<v Speaker 3>Thank you and good night. Come on, Travers Watson.

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<v Speaker 2>We should explain what you're up to home, So do.

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<v Speaker 4>I, sir. I'm completely in the dark.

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<v Speaker 3>Surely it's obvious. The only way Gandalfo's pick could be

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<v Speaker 3>done is by using twin girls dressed identically, of course,

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<v Speaker 3>one in the cabinet on the stage and the other

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<v Speaker 3>in the cabinet hanging from the ceiling. I don't know

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<v Speaker 3>whether you've noticed it, Watson, that there were some small

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<v Speaker 3>holes drilled around the base of the box, undoubtedly to

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<v Speaker 3>enable its occupant to breathe by George.

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<v Speaker 4>Of course, that would explain why the girl I spoke

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<v Speaker 4>to didn't seem to know me or my brother when

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<v Speaker 4>I spoke of.

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<v Speaker 3>Him exactly, And in any case, how bad I could

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<v Speaker 3>a spy hide herself from a role where her employer,

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<v Speaker 3>a magician, must, by the very nature of her trick

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<v Speaker 3>and deny her existence. The question is which girl is

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<v Speaker 3>the spy? This fingerprint test has given us the answer.

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<v Speaker 2>You mean, it isn't the girl on the stage, the

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<v Speaker 2>one who assisted Gandalfo.

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<v Speaker 3>It certainly is not all for your spy will be

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<v Speaker 3>in the cabinet, suspend it high above the stage of

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<v Speaker 3>the Defenshure Theater at nine o'clock this evening, But this

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<v Speaker 3>time we will watch the performance from the audience.

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<v Speaker 10>Now watch me closely, ladies and gentlemen, there is no

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<v Speaker 10>deception one A two.

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<v Speaker 5>A three.

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<v Speaker 7>And now if.

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<v Speaker 10>You two gentlemen will currently help me, we will untie

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<v Speaker 10>the ropes and lower the sailing cabinet to the stage.

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<v Speaker 2>Homes. We must never get away.

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<v Speaker 3>Don't worry, old jab to keep your eyes skined. You

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<v Speaker 3>may have a surprise for us.

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<v Speaker 10>Will now ask one of you, too, gentlemen, to unbolt

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<v Speaker 10>the cabinet.

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<v Speaker 2>I thank you, sir.

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<v Speaker 3>And now if this.

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<v Speaker 10>Gentleman will take the key and unlock the padlock, I

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<v Speaker 10>thank you, sir. And now if you will both raise

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<v Speaker 10>the lid of the cabinet, I thank you. And he here,

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<v Speaker 10>ladies and gentlemen, is miss Florine Lassur.

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<v Speaker 7>Mister Sawer.

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<v Speaker 10>Step out, please, mister Sawer, drink the come on.

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<v Speaker 4>Watching, Just get up on.

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<v Speaker 2>The stage right your home.

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<v Speaker 3>What happens?

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<v Speaker 1>Then?

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<v Speaker 7>It's mister La Sawer. She's been injured.

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<v Speaker 3>I'm a doctor.

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<v Speaker 2>Let me look at her.

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<v Speaker 3>I'm afraid she's beyond the health of doctors. Watson. Look

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<v Speaker 3>at that bullet wound in my head. She has been murdered.

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<v Speaker 1>We'll hear the rest of Dr Watson's story in just

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<v Speaker 1>a few seconds. So I'm just gonna make a very

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<v Speaker 1>quick suggestion. If you like good food, who doesn't, you'll

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<v Speaker 1>find that good food always tastes better when accompanied by

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<v Speaker 1>a good glass of Petree wine. And Petrie makes wonderful

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<v Speaker 1>meal time wines. If you like a red wine, you know,

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<v Speaker 1>to go with any meat or meat dish, you really

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<v Speaker 1>like Petrie California Burgundy. And if you prefer a white

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<v Speaker 1>wine to go with chicken or fish, you couldn't ask

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<v Speaker 1>for a better one than Petrie California So Turned. Remember

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<v Speaker 1>those two wines, huh, Petri Burgundy and Petree So Turned.

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<v Speaker 1>They're Petrie wines, so you know they're good. And now

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<v Speaker 1>back to Doctor Watson and tonight's new Sherlock Holmes Adventure,

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<v Speaker 1>The Great Gundolpho.

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<v Speaker 4>What happened next? Doctor?

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<v Speaker 1>You just got to the part where you and Sherlock Holmes,

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<v Speaker 1>on the stage of a vaudeville theater were examining the

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<v Speaker 1>dead body of one of the Great Gandolfo's assistant boy.

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<v Speaker 2>As you can imagine, the excitement was intense. The local

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<v Speaker 2>police was soon at the theater, and the obstinate charge

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<v Speaker 2>of certain Sergeant Buff Can you take a very great

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<v Speaker 2>personal dislike to show up home.

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<v Speaker 11>The great Sherlock Holmes comes out of retirement to teach

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<v Speaker 11>our police for us how to handle.

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<v Speaker 3>The case such Buffia being ridiculous. I'm not trying to

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<v Speaker 3>teach the police anything. You follow your own line of investigation,

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<v Speaker 3>and I'll follow mine.

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<v Speaker 11>And supposing I say I don't want private detectives poke

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<v Speaker 11>on their nose into a.

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<v Speaker 3>Police and lesident, then my good man, I shall report

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<v Speaker 3>your conduct to the local chief of police and obtain

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<v Speaker 3>the necessary permissioner.

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<v Speaker 11>No need to get up with you about it, mister Owenes.

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<v Speaker 11>But too many cooks spoil lebros.

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<v Speaker 3>You know of an extremely profound remark, Sergeant, And now,

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00:16:43.000 --> 00:16:44.279
<v Speaker 3>if you'll excuse me, I've work.

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<v Speaker 11>To do, and so have I and we'll see who

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<v Speaker 11>gets to the bottom of this. First, I'm going to

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<v Speaker 11>condolve those lesson room homes.

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<v Speaker 2>I'm worried about the dead girl's trinsister be looking for everywhere.

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00:16:53.840 --> 00:16:55.919
<v Speaker 2>No one seems to see her since the tragedy.

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00:16:56.200 --> 00:16:58.159
<v Speaker 3>My dear Chap, you would hardly expect her to reveal

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00:16:58.200 --> 00:17:00.440
<v Speaker 3>the secret of the cabinet tricked my expose the fact

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00:17:00.440 --> 00:17:02.080
<v Speaker 3>that the dead girl had a twin.

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<v Speaker 2>I never thought of that, but he saw there on

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<v Speaker 2>the stage when the trick started. Seems to me that

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<v Speaker 2>she's in great danger.

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<v Speaker 3>She is in very great danger. Don't worry. I had

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00:17:13.000 --> 00:17:15.920
<v Speaker 3>taken the precaution of having her guarded. Oh, I'll explain

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00:17:15.960 --> 00:17:17.200
<v Speaker 3>that to you later. In the meantime, we have to

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<v Speaker 3>work class. It appears that Sergeant buff is out to

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<v Speaker 3>try and show me up by solving the case first.

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<v Speaker 3>That makes the second challenge I perceived today. Well, mister Arms,

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00:17:37.000 --> 00:17:38.839
<v Speaker 3>and how are you getting the last brended?

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<v Speaker 1>With?

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<v Speaker 3>Thanks? Don't you beaten? I don't mind admitting it.

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<v Speaker 11>I thought at first the one man it couldn't be

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00:17:44.640 --> 00:17:47.480
<v Speaker 11>was Gondalful because he was on the stage all the time.

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00:17:47.960 --> 00:17:49.799
<v Speaker 11>But then it seemed to me that he might have

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00:17:49.839 --> 00:17:52.240
<v Speaker 11>fired a live bullet when he shot at the box.

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<v Speaker 3>On the ceiling.

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<v Speaker 2>The angle from the stage wouldn't turn side of the

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00:17:54.519 --> 00:17:56.720
<v Speaker 2>bullet hole in the bottom of the box. Sergeant, that

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00:17:56.720 --> 00:17:58.880
<v Speaker 2>shot must have been fired from the audience below.

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<v Speaker 11>Mister Elms, you know who did it, don't you?

385
00:18:03.880 --> 00:18:06.920
<v Speaker 3>Yes, Sergeant I do. I wish you'd tell me, mister Olmes,

386
00:18:06.960 --> 00:18:09.480
<v Speaker 3>it should be obvious. Sergeant, what's the new examine the corps?

387
00:18:09.480 --> 00:18:11.039
<v Speaker 3>Please tell the sergeant, you're finding some.

388
00:18:11.039 --> 00:18:12.960
<v Speaker 2>Girls lying on her back in the box. There was

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00:18:13.000 --> 00:18:14.920
<v Speaker 2>a small hole in the forehead and a large one

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00:18:14.920 --> 00:18:15.599
<v Speaker 2>in the nape.

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00:18:15.359 --> 00:18:18.319
<v Speaker 3>Of her neck, exactly. And since the point of entrance

392
00:18:18.319 --> 00:18:21.039
<v Speaker 3>of a bullet is smaller than the point of exit,

393
00:18:21.240 --> 00:18:23.240
<v Speaker 3>it proves that you must have been shot lying in

394
00:18:23.279 --> 00:18:26.680
<v Speaker 3>the box from above. Once the box was in position

395
00:18:26.720 --> 00:18:30.920
<v Speaker 3>over the audience. She could have been shot only from below. Therefore,

396
00:18:31.000 --> 00:18:33.680
<v Speaker 3>the girl had already been killed when the box was

397
00:18:33.720 --> 00:18:35.079
<v Speaker 3>hoisted to the ceiling. Jew.

398
00:18:35.279 --> 00:18:37.240
<v Speaker 2>Yes, and only one person could have.

399
00:18:37.240 --> 00:18:40.160
<v Speaker 3>Done that, only two. How do you figure that out?

400
00:18:40.200 --> 00:18:42.799
<v Speaker 3>Mister Arms, The dead girl's sister had the same opportunity

401
00:18:42.799 --> 00:18:45.440
<v Speaker 3>as the Great Gandolfo himself, of course he had.

402
00:18:46.039 --> 00:18:48.599
<v Speaker 11>Now I see why you were having or watched, mister Elmes.

403
00:18:48.920 --> 00:18:51.079
<v Speaker 11>If you'll excuse me saying so, sir, and begin to

404
00:18:51.079 --> 00:18:53.799
<v Speaker 11>think it's a good thing you're on this case after Oh.

405
00:18:53.799 --> 00:18:56.319
<v Speaker 3>That's very generous of you, sergeant. And now perhaps if

406
00:18:56.319 --> 00:18:58.480
<v Speaker 3>you will do me the favor of keeping an eye

407
00:18:58.519 --> 00:19:01.119
<v Speaker 3>on mister Gandolpho yourself, of course I will, sir. Where

408
00:19:01.119 --> 00:19:03.599
<v Speaker 3>are we going home to the Jolly Fisherman Hotel to

409
00:19:03.640 --> 00:19:05.680
<v Speaker 3>call on miss Lassur how do you know she's there?

410
00:19:05.920 --> 00:19:08.400
<v Speaker 3>I just received a message from young Travers. He followed

411
00:19:08.440 --> 00:19:10.480
<v Speaker 3>her on my instructions as she left the theater. Come on,

412
00:19:10.519 --> 00:19:23.400
<v Speaker 3>old Chap, there's no time to be lost. Ah, there

413
00:19:23.480 --> 00:19:25.920
<v Speaker 3>are tralors. Missus Lasur is still here, I trust.

414
00:19:26.000 --> 00:19:27.519
<v Speaker 4>Yes, mister Holmes, he's up in her room.

415
00:19:27.680 --> 00:19:29.400
<v Speaker 3>I wonder if you'd mind asking her to come down

416
00:19:29.400 --> 00:19:31.599
<v Speaker 3>and see me. I'm sure that we can talk privately

417
00:19:31.640 --> 00:19:32.440
<v Speaker 3>in the lounge over there.

418
00:19:32.599 --> 00:19:34.240
<v Speaker 4>Right you are, mister Holmes, I'll go and get her.

419
00:19:34.559 --> 00:19:36.319
<v Speaker 2>What are you going to say to mister sir Holmes?

420
00:19:36.319 --> 00:19:39.559
<v Speaker 3>That depends on her attitude, Old Chap, come on, let's

421
00:19:39.559 --> 00:19:41.960
<v Speaker 3>go into the lounge. Joy the lucky thing that you

422
00:19:42.039 --> 00:19:45.279
<v Speaker 3>had her followed. It was an obvious precaution, Watson news here.

423
00:19:45.359 --> 00:19:47.519
<v Speaker 3>I realized from the very nature of the cabinet trick

424
00:19:47.599 --> 00:19:49.799
<v Speaker 3>that miss las Cur would have to leave the theater

425
00:19:50.519 --> 00:19:53.519
<v Speaker 3>after escaping through the trap door below the cabinet that

426
00:19:53.680 --> 00:19:56.720
<v Speaker 3>was on the stage before her twin sister descended from

427
00:19:56.759 --> 00:19:59.279
<v Speaker 3>the cabinet that was suspended from the ceiling.

428
00:19:59.319 --> 00:20:01.279
<v Speaker 2>And she doesn't older sister has been murdered.

429
00:20:01.319 --> 00:20:04.720
<v Speaker 3>Huh. If she is innocent, she doesn't. And if she

430
00:20:04.920 --> 00:20:08.200
<v Speaker 3>is innocent, then we'll know that our murderer is gamdalfol

431
00:20:08.880 --> 00:20:09.359
<v Speaker 3>it comes.

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00:20:09.519 --> 00:20:11.160
<v Speaker 4>I've told mister Saw that you want to talk to

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<v Speaker 4>her privately, mister Helms.

434
00:20:12.359 --> 00:20:14.359
<v Speaker 8>If it's the act you want to talk about, mister Olmes,

435
00:20:14.359 --> 00:20:15.200
<v Speaker 8>I've nothing to say.

436
00:20:15.640 --> 00:20:17.039
<v Speaker 9>Magicians have a code of honor.

437
00:20:17.079 --> 00:20:19.400
<v Speaker 3>You know, I quite appreciate that fact, Miss Ler sir,

438
00:20:19.480 --> 00:20:20.200
<v Speaker 3>won't you sit down?

439
00:20:20.599 --> 00:20:21.440
<v Speaker 9>What do you want with me?

440
00:20:21.640 --> 00:20:25.640
<v Speaker 3>I have news for you, news of your twin sister.

441
00:20:25.720 --> 00:20:28.240
<v Speaker 9>Mike, I haven't got a twin sister.

442
00:20:28.319 --> 00:20:30.960
<v Speaker 2>My friend knows exactly how the cabinet trick is done.

443
00:20:30.960 --> 00:20:32.720
<v Speaker 4>My dear young Linyth, Yes, you might as well tell

444
00:20:32.759 --> 00:20:33.599
<v Speaker 4>the truth, missles sir.

445
00:20:34.119 --> 00:20:36.799
<v Speaker 9>Well, all right then, so I have a twin sister.

446
00:20:36.880 --> 00:20:38.319
<v Speaker 9>What of it? No crime in that?

447
00:20:38.519 --> 00:20:38.839
<v Speaker 10>Is there?

448
00:20:38.880 --> 00:20:39.680
<v Speaker 9>What you're getting at?

449
00:20:40.000 --> 00:20:41.559
<v Speaker 3>I want you to believe that I'm here to help you.

450
00:20:41.599 --> 00:20:45.480
<v Speaker 3>My dear, you are going to need help and courage.

451
00:20:45.960 --> 00:20:47.240
<v Speaker 9>What are you getting at?

452
00:20:47.759 --> 00:20:48.079
<v Speaker 12>Come on?

453
00:20:48.279 --> 00:20:51.079
<v Speaker 3>Tell me? I'm sorry to be the bearer of bad news.

454
00:20:51.599 --> 00:20:57.079
<v Speaker 3>Miss Lassur your sister is dead dead huh.

455
00:20:57.119 --> 00:20:57.960
<v Speaker 9>I don't believe it.

456
00:20:58.119 --> 00:21:01.200
<v Speaker 3>I'm afraid it's true. She was murdered.

457
00:21:01.400 --> 00:21:04.200
<v Speaker 9>You're lying. This is a trick you're trying to make

458
00:21:04.240 --> 00:21:05.079
<v Speaker 9>me give myself away.

459
00:21:05.200 --> 00:21:06.960
<v Speaker 3>I'm trying to give it the truth. Your sister was

460
00:21:07.000 --> 00:21:10.400
<v Speaker 3>found shot through the head when the cabinet was lowered

461
00:21:10.400 --> 00:21:11.279
<v Speaker 3>to the stage to night.

462
00:21:11.920 --> 00:21:13.559
<v Speaker 9>I still don't believe it.

463
00:21:13.720 --> 00:21:15.279
<v Speaker 2>Why should my friend lie to you?

464
00:21:15.799 --> 00:21:17.599
<v Speaker 3>How was your sister the last time you saw her

465
00:21:17.839 --> 00:21:19.039
<v Speaker 3>for the convincement of the act?

466
00:21:19.519 --> 00:21:21.000
<v Speaker 9>No different from any other time?

467
00:21:21.279 --> 00:21:24.759
<v Speaker 3>Was responsible for superintending her entry into the cabinet, Gandolpho

468
00:21:25.039 --> 00:21:25.240
<v Speaker 3>or me?

469
00:21:26.039 --> 00:21:27.880
<v Speaker 8>She used to go into it before the performance, when

470
00:21:27.880 --> 00:21:29.200
<v Speaker 8>the stage was dark and deserted.

471
00:21:29.240 --> 00:21:31.400
<v Speaker 2>Did you help her enter the box to night?

472
00:21:32.119 --> 00:21:33.640
<v Speaker 9>No, Gandolpho.

473
00:21:33.720 --> 00:21:37.039
<v Speaker 3>Did you knew, of course, of your sister's activities. How

474
00:21:37.079 --> 00:21:39.759
<v Speaker 3>do you mean that she was engaged in espionage?

475
00:21:39.920 --> 00:21:41.720
<v Speaker 9>That's not true.

476
00:21:42.319 --> 00:21:44.799
<v Speaker 3>Very well, mister san If you won't be honest with me,

477
00:21:44.839 --> 00:21:46.440
<v Speaker 3>I'm afraid I'll have to tell you whever to the police.

478
00:21:46.599 --> 00:21:48.759
<v Speaker 3>I think you'll find their methods are a little more

479
00:21:48.799 --> 00:21:49.480
<v Speaker 3>crude than mine.

480
00:21:49.480 --> 00:21:51.400
<v Speaker 4>All the police.

481
00:21:52.119 --> 00:21:55.680
<v Speaker 9>Oh no, don't do do that, mister rolmes All. I

482
00:21:55.759 --> 00:21:56.599
<v Speaker 9>got to tell you everything.

483
00:21:57.240 --> 00:21:58.960
<v Speaker 12>Gandolphe's got me so frightened of him.

484
00:21:59.039 --> 00:22:01.720
<v Speaker 9>I was lying to you. I knew that my sister

485
00:22:01.799 --> 00:22:02.559
<v Speaker 9>was working for him.

486
00:22:02.960 --> 00:22:05.759
<v Speaker 12>I tried to stop her, but she loved money, and

487
00:22:05.839 --> 00:22:07.240
<v Speaker 12>Gandolpho gave up plenty of that.

488
00:22:08.000 --> 00:22:10.359
<v Speaker 8>They had a row before the show tonight. She knew

489
00:22:10.359 --> 00:22:12.440
<v Speaker 8>you were on the stage at the first performance, mister Holmes.

490
00:22:12.799 --> 00:22:15.839
<v Speaker 12>Gandolfhold spotted you too because she was frightened, said she

491
00:22:15.920 --> 00:22:16.759
<v Speaker 12>knew you'd catch and she.

492
00:22:16.759 --> 00:22:17.559
<v Speaker 9>Wanted to run away.

493
00:22:18.160 --> 00:22:20.680
<v Speaker 8>Dandolphod told her that she had to appear tonight, and

494
00:22:20.720 --> 00:22:23.160
<v Speaker 8>they were still arguing about when they left the dressing room.

495
00:22:23.759 --> 00:22:25.799
<v Speaker 9>The dirty swine killed her because he was afraid.

496
00:22:25.839 --> 00:22:28.599
<v Speaker 2>You give him away now you till Rachel.

497
00:22:28.839 --> 00:22:30.880
<v Speaker 3>My dear, the great Gundalfo will be beyond the help

498
00:22:30.880 --> 00:22:32.319
<v Speaker 3>of magic before this night, desire.

499
00:22:32.400 --> 00:22:34.359
<v Speaker 2>Yes, he'll be behind bars where he belongs.

500
00:22:34.480 --> 00:22:36.640
<v Speaker 3>Calls, yes, sir, and stay here with miss Laser, will

501
00:22:36.640 --> 00:22:38.759
<v Speaker 3>you on. We'll be back later. At the moment, there

502
00:22:38.799 --> 00:22:41.400
<v Speaker 3>is unfinished business awaiting us at the Devonshire Theater.

503
00:22:53.880 --> 00:22:56.559
<v Speaker 11>Well, mister Ralms, I can't tell you how grateful I am.

504
00:22:56.720 --> 00:22:59.440
<v Speaker 11>Gandolpho safely in prison thanks to you. And now he

505
00:22:59.519 --> 00:22:59.960
<v Speaker 11>tells me.

506
00:22:59.920 --> 00:23:02.680
<v Speaker 3>You do no credit in the case. My dear sergeant,

507
00:23:03.119 --> 00:23:05.240
<v Speaker 3>I'm really a bee farmer, you know. In any case,

508
00:23:05.279 --> 00:23:08.279
<v Speaker 3>I want to restore your faith in private detectives. The

509
00:23:08.319 --> 00:23:10.400
<v Speaker 3>next time you meet one, I'm sure you won't be

510
00:23:10.440 --> 00:23:12.319
<v Speaker 3>so so unfriendly shod I say.

511
00:23:12.839 --> 00:23:16.000
<v Speaker 11>I'm mumble, sir, I'm very humble, and and I thank

512
00:23:16.039 --> 00:23:19.039
<v Speaker 11>you very kindly for all you've done. Oh and by

513
00:23:19.079 --> 00:23:21.680
<v Speaker 11>the way, mister Elms, this telegram arrived for you to the

514
00:23:21.720 --> 00:23:24.000
<v Speaker 11>theater while you were away, and here you are.

515
00:23:24.240 --> 00:23:25.000
<v Speaker 3>Oh, thank you, Sarching.

516
00:23:25.000 --> 00:23:27.799
<v Speaker 11>But no, sir, it's me that should be thanking you.

517
00:23:28.119 --> 00:23:30.200
<v Speaker 2>Who on earth knew that you were the turn tonight?

518
00:23:30.240 --> 00:23:31.160
<v Speaker 3>I soon find out?

519
00:23:32.440 --> 00:23:34.319
<v Speaker 2>Well, what does it say?

520
00:23:36.799 --> 00:23:39.119
<v Speaker 3>It's from my brother Mikecraft Micraft.

521
00:23:39.279 --> 00:23:40.160
<v Speaker 2>What's he going to sell?

522
00:23:40.400 --> 00:23:43.720
<v Speaker 3>Really, it's quite humiliating. For all he said he hadn't

523
00:23:44.400 --> 00:23:46.359
<v Speaker 3>he wouldn't have to anytive never did leave his arm

524
00:23:46.400 --> 00:23:49.920
<v Speaker 3>chair in London. Listen to this. Have just checked on

525
00:23:50.119 --> 00:23:54.119
<v Speaker 3>Gandolfo's repertoire of magic tricks. You will find spy in

526
00:23:54.240 --> 00:23:57.319
<v Speaker 3>box suspended from seeding a theater elementary a.

527
00:23:57.519 --> 00:24:01.279
<v Speaker 2>My dear Schlopp, it is amazing me.

528
00:24:01.640 --> 00:24:03.440
<v Speaker 3>He's also a prophet old chap profit.

529
00:24:03.839 --> 00:24:04.440
<v Speaker 2>How do you mean?

530
00:24:04.759 --> 00:24:07.480
<v Speaker 3>Well? He indicates the handwriting on the wall. I'm fast,

531
00:24:07.519 --> 00:24:11.160
<v Speaker 3>my prime, I'm too old for a lift detection. It's

532
00:24:11.200 --> 00:24:13.279
<v Speaker 3>back to my bee farm, old fellow, It's back to

533
00:24:13.319 --> 00:24:13.839
<v Speaker 3>my bee's
