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Speaker 1: Hey, guys, welcome to another behind the scenes episode of

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Good Morning from Hell.

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Speaker 2: My name is Blaine.

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Speaker 1: I played the voice of Clayton, and joining me today

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is Chris, who plays Chris. Chris, Eric who is our producer,

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and Nick who is our sound engineer and lead. What

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were you your broadcast? A fancy name that director of

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audio production, Director of audio production? What are we doing today?

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Speaker 2: Chris? So, I have here a bunch of questions that

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a lot of people send us on social media to

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really about how we make the show.

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Speaker 1: And I'm not doing this in character.

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Speaker 2: Nope, not in character.

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Speaker 1: Cool, just yourself, sweet, we burn a hole in my throat.

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Speaker 2: Well, here's that's a good question.

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Speaker 1: That wasn't a question at all.

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Speaker 2: No, No, it was not by you, but by people

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who sent me questions. Uh, this is from fragrant Rooster

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on Good Morning from Hell. Suber How much water slash

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honey slash deals with actual satan does Blaine go through

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to keep that Clayton voice going for so long? A

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lot of people ask that kind of question.

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Speaker 1: Yeah, I mean I have like a thirty two ounce

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water bottle and it is full at the beginning of

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each episode, and then it's empty. By the end of it,

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so like that's normally. My bladder also acts as like

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a clock to where it's like, Okay, we need to

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start winding this up now. I think we've shot enough

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content because I gotta go piss. And no. It's actually

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it's been weird because in light of all this COVID stuff,

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you know, I've been like trying to be very aware

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of how my body has been feeling. I've been in

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quarantine and stuff, but I still have to take Dutch

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out and I'm still exposed to some things, and like

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it's like every Thursday or every Friday, it's like, oh man,

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my throat can hurt. It's like, oh god, I hope

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I'm not getting sick. I hope I can catch it.

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And then my girlfriend has to remind me every week

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she's like, did you record Good Morning from Hell? I

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was like yeah, and she's like, okay, that's why. So no,

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it's I don't know. Everybody was like super concerned I

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was gonna blow out some vocal cords when we started

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first making the show. It hasn't affected my voice, and honestly,

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if it does, I hope it makes it cooler, because

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like I want that smoker voice without having to smoke

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cigarettes and smell like shit.

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Speaker 2: Huh, so this is just your cigarettes.

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Speaker 1: These are my cigarettes. See yep?

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Speaker 2: Cool? Uh And then you got a question. Uh, there's

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actually a bunch of people asked this. I'm just gonna

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read one of them from at Slither and Cindio. How

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hard is it to keep continuity between episodes with such

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a diverse, revolving guest cast. Do you guys write things

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down or is when are you just storing everything in

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your brain? Like how do we keep track of our

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like cannon man, it's in our brains.

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Speaker 1: Honestly, between the both of us, and like you know,

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we'll have been.

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Speaker 2: And been one of our producers.

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Speaker 1: Yeah, I've been, and Nick and Eric, they're all they're

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all chime in. Like between all of us, we kind

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of have the pantheon of characters and like all the lore,

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so like we can remember for the most part and

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like that. We've done a couple of things that have contradicted,

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but I think for the most part we've actually been

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really good on being on top of the cannon.

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Speaker 2: I think it helps because a lot of time before

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we even when this is kind of getting ahead of ourselves,

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before we even go into like who a character is,

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we kind of talk through like where we're gonna go

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in the episode to make sure it makes sense within

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the world, and then we kind of even give that

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breakdown to a guest. We're like, okay, so here's you

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know this, this this like as little of a of

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a setup as we can give them without doing something

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that accidentally breaks the world. You know. Yeah, where it's

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like again, like sometimes people make jokes about Santa, It's like, oh, well, actually,

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in our universe, Santa is an evil clone of Satan,

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So like little things.

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Speaker 1: Like that, can I say something that always makes me cringe?

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Speaker 2: What?

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Speaker 1: And You're gonna feel really self conscious about it from

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now on? And I'm sorry, but for the sake of content,

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I think it's okay for me to call you out.

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What whenever you are introducing like a new guest, like

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I think most recently is like what's good games? The

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Andrea in brit They're fucking great to work with. But

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I think at one point you started on this tangent

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where you said something about Santa Claus and you're like, yeah,

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in our world, Santa Claus is a failed clone of Satan,

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and he lives in the North Pole where he fucks

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a bunch of elves who are actually from the d

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and say that.

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Speaker 2: I didn't say fuck.

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Speaker 1: Basically, you just rambled on for like five to ten

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minutes about no good morning from hell.

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Speaker 2: Oh. That was it. That was it, and I was like,

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extent of it. That was the extent of it. Blaine

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was just like Chris, they don't need to know any

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of this, bro. That was the extent of it, and

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it was relevant to the conversation. I don't remember why.

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Speaker 3: I will say, like it's the Santa one in specific

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where you'll just go back and be like yeah, man,

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like I mean, just like, for an example, in our universe,

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Santsa is a failed clone of Satan and he lives

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up in the North Pole and he fos all the

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l's from the I.

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Speaker 4: Never said, I just I can't believe you said that

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about the elves.

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Speaker 2: That's that's messed up. He might. I mean he does,

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and I guess technically, but like that's not important. Why

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do you keep then?

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Speaker 4: Why do you keep bringing it up?

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Speaker 1: Yeah?

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Speaker 2: Correct, I didn't bring it up, and you said five minutes.

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I bet you. We have it on a recording and

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we can go back and look, it was probably like

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ten seconds.

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Speaker 1: Yeah, I'm sure Nick's gonta get it right on top

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of looking at it.

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Speaker 2: No, I'm not asking him to, but I'm just saying, Nick,

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was it that long?

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Speaker 5: It might have been okay, four minutes, ten minutes, four minutes.

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Speaker 2: No, it was none of those minutes. It was like

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thirty seconds. So anyway, we keep track of the continuity

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in our heads. Oh my god, I was gonna say, uh,

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it helps that whenever we you know, we after we

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record it through the editing, we'll each listen to it,

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you know, several couple of times, so it's like kind

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of we may not remember when or what we said exactly,

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but it'll stick in there. Oh didn't we say this

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one time? Yeah? Okay.

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Speaker 1: Yeah. Another thing that we try to do, and this

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is kind of unrelated to continuity, but it's also just

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kind of finding a diversity and variety of characters, is

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we try to like make sure that we're not like

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we have three episodes in a row that are all

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just celebrity impersonations, Like we want to mix it up

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to where it's like there's just such a wide variety

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of people, Like we have demons, we have people from Heaven,

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people who are evil, people who are mistakenly in Hell. Yeah.

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Speaker 2: I think we kind of have three I don't know

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buckets that we typically put guests in. There's historical, like

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real life people. Then there's like fictional in a fictional world,

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like a Voldemort or you know, someone from Greek mythology.

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And then there's like the third. It's just like people

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who live in Hell or Heaven who may not necessarily

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be characters, like Hell's number one chef. You know, like

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that's not an existing character, but it's like, you know,

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someone in that a transplant of Earth to Hell character,

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if that makes sense.

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Speaker 1: I've been wanting to do aliens too, we haven't found

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the opportunity to do that yet. Yeah, an alien who

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died while visiting Earth and then therefore gets caught an

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hour afterlife because of zoning stupid.

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Speaker 2: Here's a question from Miranda on Twitter. She asked, do

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you tell your guests what characters are playing or do

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they choose their roles. It's a mixture. Yeah. Sometimes people

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will come to us saying, hey, I have an idea

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for a character, and then sometimes we'll go to people

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and say, hey, we think you would be really good

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at this character that we want to have on the show.

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Or a lot of times if it's someone say we

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don't know and we're like, we're you know, working with

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a new group or other podcasts, we'll say, you know, like, hey,

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would you want to be on the show? Uh, And

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then we'll say, let us know if you have any

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characters you'd be interested in playing. If not, here's like

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three options. If so, you can either like pitch us

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like an idea for a character you have, or you

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can take one of our pitches. Whatever you know sounds

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fun to you.

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Speaker 1: Yeah, Because I remember we weren't going to ask Troy

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Baker to do the Joker. He was just like I

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can do the Joker. And we're like, oh, okay, yeah.

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Well like and then and then like James and Lease

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were always like, hey, do you guys want to try

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these characters?

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Speaker 2: And they're like no, and they like they want to

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do the Beatles And then we're like, okay, we'll do

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the Beatles, And I mean I really like that up.

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So I think it's really funny.

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Speaker 4: I think I think when people bring an idea to it,

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it lets them kind of like, you know, they have

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like ownership over what they're doing and what they're bringing

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and everything. Like the one that I'll always point to

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is Cole being on as the guy who drank milk

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for the first time. Yeah, like what, like what an

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insane character? I think that character is great. Oh yeah,

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And like I don't think we ever would have come

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up with a pitch that would have been like, cold,

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do you want to be the guy who drank milk

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for the first time? So I love when like their

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ideas that are like that wacky.

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Speaker 2: I think that's like a lot of fun. Yeah, And

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I was hot with that one. No, it was I

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remember because I was like, I was like, that's an

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awesome idea. And then Blame was like, I don't know

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if we have enough material? Is there enough to talk about?

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I was like there is, there's a lot of a

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lot of I was like, this is I think we

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can go for hours on the milk guy.

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Speaker 1: I mean, it was one of those things and this

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has happened a couple of times where it's like the

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initial pitch for it is just like it just makes

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everybody laugh, and that's like that is a good starting

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point because like if you think of it from a

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viewer's perspective if they hear about like the first man

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who drank milk? What another one was like Titanic, like

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the guy that designed the Titanic but he he died

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on the ship and didn't know that it was sank.

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You know, like we immediately have those and then we

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laugh at the potential and just like the initial joke

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and then and then we actually have to go in

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and kind of like break down how that episode would work.

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What's the structure for it? Do we have enough jokes

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to tell? And yeah, yeah, I.

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Speaker 2: Think that is a big thing. Like whenever we like

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when we're like because we have a whole idea bank

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of like characters that we want to have on and

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it's like obviously like we know it's like there's a

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famous historical character or famous thing. We know we can

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figure out enough material to have a whole episode on it,

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but we always like to uh, and this kind of

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goes I guess this goes well into a question which

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we got asked a ton which is how much is

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planned and how much is improvised, And that really varies

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depending upon the episode. There are some episodes that you know,

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either someone will come in with a good idea, or

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we just know that like the people were going to

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like if it's someone we've worked with a whole lot,

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we know that, like the rhythm, we won't plan as

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much and we'll just kind of go with it and

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see what happens. And then there's some episodes where we

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like we'll plan out a little, like we like to

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have a beginning, in a middle, and an end, like

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what's you know, how are we getting these characters in?

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What are like the talking points like oh we can

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we know we can talk about this and this and this,

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and then like how we want to wrap it up?

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We want like a fun ending. Yeah, but I think

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of like thinking up characters, it's very much like okay,

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well here's this character, but like what's what's a twist

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on them that's different? You know, like what's everyone has

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you know knows about you know, well, Santa Claus or whatever?

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Am I going? What does Santa Claus do? He's an

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even bone of Satan. I'm just saying like like what

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else or or another example. I don't know, I think

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that example was good, well, like okay, then another recently

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it's like canaan Abel. It's like, well, like one of

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them murdered the other and we you know, we got

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with the Sugar Pine guys and we're like brainstorming with them.

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That was one where we were like, you know, let's

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work together, and we just got on a video call

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and like chatted for like twenty minutes tossing around ideas

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and eventually settled on the one that we have. But yeah,

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it was like, oh, well, what if one of them

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is like what's the technical thing of what happened of

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like in the Bible, It's like, well, one of them

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is walking the earth forever. The other one it's like, well,

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we don't know what technically happened to him. What if

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one of them was in hell, the one that got murdered,

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And it's like it's like a twist on what you

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might you know, what you would think where the other

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one would be in murder.

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Speaker 1: It's just the easiest and dumbest form of storytelling. There's

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very little that goes into the pre planning. I mean,

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like we think about it, you know, but like it's

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just nice being able to like have this fully flushot

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story that we just make up on the spot. I

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think one of my favorite ones that we did that

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we had zero idea with what direction you were supposed

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to go in. It was a very impromptu episode and

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it was just Chris and I were out in Los

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Angeles because we're doing something for Arizona Circle, and we

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were out in the Funhouse offices and we had John

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Smith and Jacob Fullerton and like somehow like one of

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us pitched like John Jacob Gingoheimer Smith and.

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Speaker 2: We were on the airplane over there. We're like because

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we were like, oh, what could we do with these

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people at Funhouse? And it's it was I think it

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was their names, John Smith and John and Jake. I

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was like John, Jacob Jingo Heimer Smith. One of them

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could be that and the other one could be John Smith.

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And then we're like, oh, from that, it was like

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what if we had a whole episodes about John Smith? Right?

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But then like that was that was? That was it?

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Speaker 1: Yeah, And then when we got there then we like

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by the end of it, like we were like going

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off to found a new island with just people who

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were named John Smith in hell. It was so stupid,

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but like that's one of my favorite episodes.

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Speaker 2: Yeah, Yeah, And that was we had literally just like

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the characters and the idea of like, oh, well, we'll

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just keep saying John Jacob, Jingo, Himer Smith U over

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and over. That was like it.

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Speaker 1: But then also like satan would be a clon of

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cTTO on a satan.

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Speaker 2: Uh well, that was a question too. Someone asked would

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we ever could we ever post one of our outlines?

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I was like, I'd be up for doing that, like

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posting an outline of an episode so you can kind

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of see like where what we started and where we

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ended up. It varies a lot episode to episode though,

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and also sometimes we'll work with on the outline with

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the guest on what we want to cover, so it's

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they're not like one outline isn't necessarily indicative of everything.

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Speaker 1: It's like our version of a set list. But yeah, cool,

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less cool, and we don't get laid.

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Speaker 2: So when asked, do we ever record different takes? That's

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Internet nobody six asset. Yeah, sometimes we do. So, Like

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what's our typical recording process is we record for augh,

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we try to aim for like forty five minutes and

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that's and then that includes like starts and stops, and

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then we try and cut that down to like a

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good thirty like just cutting Oh that bit didn't really

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go anywhere. Oh we can lose these lines just kind

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of make it tighter and punchier. But also yeah, within

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that forty five minutes of recording, a lot of times

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it's like, Uh, actually, hey, can you say that to

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me again? Let me set me up again, or oh,

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actually can you ask me this question? Or sometimes it'll

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be something like one of us will think of a

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line that doesn't make sense for us to say as

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our characters. We're like, hey, actually, what if you said this?

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Speaker 4: I think it it really helps get people to understand that,

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Like when we have guests in, I think they're a

328
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little bit hesitant because not everyone's improv you know, person

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that we have on a lot are just friends or

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people that we're just gonna have on And I think

331
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it really helps in that pitch to go like, don't

332
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feel like you have to be on your a game here.

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We stop down and feed each other lines or set

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00:16:16,799 --> 00:16:18,679
each other up for jokes or say like, oh no,

335
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you have this as like a punchline. Like there's a

336
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lot of in the room sort of collaboration that I

337
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don't know that a lot of other podcasts have, And

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I really like I like how often you guys kind

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of do that stuff because I think it loosens up

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the guests a lot too.

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Speaker 2: Yeah, I didn't thought about that, but yeah, I guess

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it does kind of.

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Speaker 4: Like I mean, there are people who just don't do improv.

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There are people that are just you know, it's not

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like you have everyone on and they're just like constantly

346
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doing these kinds of shows. But when they know that

347
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they can come in, like Alfredo is like, yeah, you know,

348
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I'm not like, you know, am I gonna be good

349
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at this whatever? I just told them easy, Like you

350
00:16:55,120 --> 00:16:56,879
just come in, you feel like you give it as

351
00:16:56,960 --> 00:16:58,919
much as you want to because whatever's gonna happen in

352
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the room, you guys are going to like feed each

353
00:17:00,879 --> 00:17:04,759
other and have like you're gonna elevate each other in

354
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the space and it's not just like a one go

355
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we keep everything in type of show.

356
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Speaker 1: Yeah.

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Speaker 2: Oh yeah, And I love the Alfredo episode with him

358
00:17:15,119 --> 00:17:20,119
and Trevor. It was a for people listening by name,

359
00:17:20,160 --> 00:17:24,039
it's the interview with the Vampire Hunter episode where yeah, yeah,

360
00:17:24,160 --> 00:17:27,240
and that was I love that episode. That's that's I mean,

361
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I don't I start to say which ones are my favorite,

362
00:17:29,119 --> 00:17:33,079
but I love The ending for that one was my favorite,

363
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and that was an ending that we found in the room.

364
00:17:35,480 --> 00:17:37,880
Mm hmm, like that maybe maybe that'll be a good

365
00:17:37,880 --> 00:17:43,559
one to post. The then outline for yeah, and she's like, hey,

366
00:17:43,599 --> 00:17:46,440
because we went you know, I think we initially approached Alfreda.

367
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We're like, hey, here's here's three ideas for characters. Let

368
00:17:51,519 --> 00:17:53,599
us know which one you're you want to play, and

369
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he was like, oh, I want to do the Vampire Hunter.

370
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And then while me and Blaine were kind of talking

371
00:17:57,599 --> 00:17:59,720
through the Vampire Hunter, we're like, oh, man, be good

372
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to do, like have a vampire come on. So then

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we're like, okay, well we need another character. Oh I

374
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bet Trevor would be really good at that. So then

375
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we approached Trevor like, hey, could would you want to

376
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be a Vampire Hunter? And then we just kind of

377
00:18:10,279 --> 00:18:14,839
like yeah, put together like loose ideas, but the ending

378
00:18:15,039 --> 00:18:16,960
with the way they hug each other and like, I

379
00:18:17,640 --> 00:18:20,720
love that and we didn't know what that was beforehand.

380
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That's like one of my favorite endings.

381
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Speaker 4: And if you like them, you can go check out

382
00:18:24,000 --> 00:18:25,960
Red Web their new podcast.

383
00:18:26,119 --> 00:18:29,920
Speaker 2: Oh here's a question from Surreal Serif on the Good

384
00:18:29,920 --> 00:18:33,720
Morning from hell subreddit, like Blaine thought, I guess so

385
00:18:34,799 --> 00:18:36,400
s I'm real with that. I'm gonna see what that

386
00:18:36,480 --> 00:18:39,920
looks like. Does Blaine paint himself read for every episode

387
00:18:40,039 --> 00:18:42,200
or as he is well known method actor to get

388
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into a character.

389
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Speaker 1: I'm gonna I'm gonna print my business cards up and

390
00:18:46,400 --> 00:18:51,359
surreal saraf uh. Yeah, no, I'm painted right now, just

391
00:18:51,400 --> 00:18:53,200
in case I have to w about the Clayton voice,

392
00:18:53,319 --> 00:18:55,359
you know, because like it's method, man, I got it.

393
00:18:55,359 --> 00:18:58,400
Speaker 2: Well, actually, character, you're only half You're painted on half

394
00:18:58,440 --> 00:19:01,200
of your face so that you can flip between them, right,

395
00:19:01,960 --> 00:19:07,400
because you're you're blained some of the time right now, right, Yes, Chris.

396
00:19:10,480 --> 00:19:12,960
Speaker 4: We've had a lot of conversations about doing this, some

397
00:19:13,200 --> 00:19:15,680
like other shows or if there's video or whatever, because

398
00:19:15,759 --> 00:19:19,279
the conversation always goes it's always blame going, I don't

399
00:19:19,319 --> 00:19:20,680
want to have to do all the makeup.

400
00:19:22,799 --> 00:19:25,279
Speaker 2: It's a pain in the ass, and like you know,

401
00:19:25,680 --> 00:19:27,920
but you're also very particular about it. You're like, oh,

402
00:19:27,960 --> 00:19:29,759
it such a pain in the ass. I was like, well,

403
00:19:30,279 --> 00:19:32,039
maybe don't stress about it. What if you do you know,

404
00:19:32,079 --> 00:19:34,519
what if you just had like the little prop porns

405
00:19:34,559 --> 00:19:36,359
and like, oh no, I don't want it to look

406
00:19:36,400 --> 00:19:39,079
like shit. I'm like, well, I mean it's like we

407
00:19:39,160 --> 00:19:41,839
either go all in and like make it look fucking

408
00:19:42,000 --> 00:19:44,839
good and like we get mileage out of it, you know,

409
00:19:44,920 --> 00:19:47,440
like we do multiple videos and take photos and shit

410
00:19:47,559 --> 00:19:49,359
for marketing material, or.

411
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Speaker 1: Like we don't do it at all, and if it's

412
00:19:51,480 --> 00:19:54,000
gonna look like ass, you know. Like I think I

413
00:19:54,079 --> 00:19:57,880
was super resistant because we have this once a year

414
00:19:58,200 --> 00:20:01,920
live stream where we uh raised money for children's hospitals

415
00:20:01,960 --> 00:20:05,559
and or it's an extra life and Chris signed us

416
00:20:05,640 --> 00:20:10,759
up for an hour or like half hour of me

417
00:20:11,039 --> 00:20:16,400
dresses Clayton torturing him, and uh, I was so pissed off,

418
00:20:16,440 --> 00:20:18,279
Like I obviously want to raise money for the kids,

419
00:20:18,279 --> 00:20:19,160
but I was also just.

420
00:20:19,119 --> 00:20:19,960
Speaker 2: Like not that much.

421
00:20:20,319 --> 00:20:22,160
Speaker 1: Yeah, well no, I was like, dude, I got to like,

422
00:20:22,319 --> 00:20:24,880
fucking this is gonna be a whole prep nightmare. And

423
00:20:24,880 --> 00:20:26,000
then I got to take it off and I'm gonna

424
00:20:26,000 --> 00:20:29,039
be right on camera like immediately after that. And then

425
00:20:29,799 --> 00:20:31,200
and then we did it, and I was very happy

426
00:20:31,200 --> 00:20:33,759
that we did, and like, you know, people really enjoyed

427
00:20:33,759 --> 00:20:37,480
the segment. And then I didn't like jokingly torture you,

428
00:20:37,519 --> 00:20:39,519
like I actually tortured you like you had a shot

429
00:20:39,559 --> 00:20:42,240
collar and I was like putting legos on the ground

430
00:20:42,279 --> 00:20:43,640
for you to step on, Like no, he.

431
00:20:43,640 --> 00:20:46,799
Speaker 2: Went through l Yeah, it was like at some point

432
00:20:46,839 --> 00:20:50,160
I was like I think whenever I got doused and mustard,

433
00:20:50,200 --> 00:20:52,519
I was super happy because then the shot caller got

434
00:20:52,599 --> 00:20:54,839
less shocky and I was like, oh my god, thank

435
00:20:54,880 --> 00:20:57,480
you because it was getting It was a lot.

436
00:20:58,279 --> 00:21:06,319
Speaker 1: Yeah, anyways, had to put on face paint and that's hurt.

437
00:21:06,559 --> 00:21:11,720
Speaker 2: Someone's asked Liam cutting or cutting at cutting Liam, he

438
00:21:11,759 --> 00:21:14,359
can't decide the order. On Twitter, asked how long does

439
00:21:14,400 --> 00:21:16,160
it actually take to find a guest, set up and

440
00:21:16,279 --> 00:21:19,799
record an episode and like get it ready? Uh kind

441
00:21:19,799 --> 00:21:22,599
of depends, Like yeah, We've done some episodes where we

442
00:21:22,640 --> 00:21:25,680
recorded the like when we were behind and we had

443
00:21:25,680 --> 00:21:28,359
to like get a guest, record it on like a Monday,

444
00:21:28,799 --> 00:21:33,400
and then edit it together super fast and then released

445
00:21:33,400 --> 00:21:36,119
it a few days later. So like, I think a

446
00:21:36,160 --> 00:21:38,079
week is the minimum of what we want. There was

447
00:21:38,599 --> 00:21:41,839
actually whenever we first launched the show, the Doug Gug episode,

448
00:21:41,839 --> 00:21:45,440
the second episode, we actually moved that one up. We

449
00:21:45,480 --> 00:21:49,359
rearranged the order, and you we that was edited in

450
00:21:49,359 --> 00:21:50,680
like two days.

451
00:21:51,079 --> 00:21:55,519
Speaker 1: I remember that episode because I think at one point

452
00:21:55,599 --> 00:21:57,680
I slammed my fists on the tables and I just

453
00:21:57,720 --> 00:22:01,720
went fuck, fuck, fuck, because I knew I had to

454
00:22:01,759 --> 00:22:03,359
get that one around in time because the other one

455
00:22:03,359 --> 00:22:05,480
we were working on just needed more tinkering and it

456
00:22:05,559 --> 00:22:07,240
just wasn't in a place that we were happy with.

457
00:22:09,799 --> 00:22:10,240
Speaker 2: Yeah.

458
00:22:10,319 --> 00:22:12,000
Speaker 1: Yeah, we had to turn that one on really quick,

459
00:22:12,000 --> 00:22:14,279
and I think I pulled like a partial all nighter

460
00:22:14,319 --> 00:22:18,400
to just get it ready another great episode. I mean, honestly,

461
00:22:18,440 --> 00:22:20,759
there hasn't been many episodes that I've walked away and

462
00:22:20,799 --> 00:22:23,160
I've been like that was a disappointment, Like I don't

463
00:22:23,200 --> 00:22:25,039
like that one. There's a couple where I feel like

464
00:22:25,079 --> 00:22:25,799
they could have been better.

465
00:22:25,839 --> 00:22:28,319
Speaker 2: But like, I mean, that's the thing too. I feel

466
00:22:28,359 --> 00:22:30,720
like there's a lot of times we're in the room

467
00:22:30,799 --> 00:22:32,799
we're like, I don't think that was a very good one,

468
00:22:32,920 --> 00:22:36,400
or oh man, that one felt like a slog, and

469
00:22:36,440 --> 00:22:39,680
then it comes out and it's like it's really good.

470
00:22:40,519 --> 00:22:43,079
And that's just like a testament to like the editing

471
00:22:43,200 --> 00:22:48,880
with Nick and just like just the process.

472
00:22:48,400 --> 00:22:51,759
Speaker 1: You know, yeah, I mean, trusting each other and stuff

473
00:22:51,799 --> 00:22:54,559
like that, and like it's another thing great that we do,

474
00:22:54,720 --> 00:22:57,960
is you and I switch every other week, so sometimes

475
00:22:57,960 --> 00:23:00,640
you listen to a Chris episode and sometimes a Blain episode.

476
00:23:00,640 --> 00:23:02,920
And by that I mean Nick always has his hands

477
00:23:03,000 --> 00:23:03,160
on it.

478
00:23:03,559 --> 00:23:03,680
Speaker 2: Uh.

479
00:23:04,079 --> 00:23:06,400
Speaker 1: I guess recently you passed editing off.

480
00:23:06,279 --> 00:23:08,000
Speaker 2: Of Dennis helps out a lot too.

481
00:23:08,319 --> 00:23:10,599
Speaker 1: Yeah, Dennis is great, so like and I think Peyton

482
00:23:10,640 --> 00:23:14,480
did one or two, but like you'll, we'll swap over

483
00:23:14,599 --> 00:23:17,680
direction and like kind of guide like what the story

484
00:23:17,799 --> 00:23:18,960
is the post need to be made?

485
00:23:19,160 --> 00:23:21,640
Speaker 2: Yeah, posts of it. Yeah, we both like we both

486
00:23:21,680 --> 00:23:23,799
work on the on the the front end of like

487
00:23:24,279 --> 00:23:27,680
the characters and creative, and then we take turns like

488
00:23:27,759 --> 00:23:28,720
kind of oversenc post.

489
00:23:29,039 --> 00:23:31,200
Speaker 1: Well even that though, I mean like one of us

490
00:23:31,240 --> 00:23:34,480
will take the charge with leading you know, the emails

491
00:23:34,480 --> 00:23:36,640
and the correspondence of setting it up and you know,

492
00:23:36,720 --> 00:23:39,440
before it hands off to their producers. And then after

493
00:23:39,480 --> 00:23:41,359
that we'll take over the edit and we'll like, you know,

494
00:23:42,160 --> 00:23:43,759
we used to do a thing where we would have

495
00:23:43,839 --> 00:23:46,079
to step in for the last bit of editing just

496
00:23:46,119 --> 00:23:48,359
to add a level of polish. But it's gotten to

497
00:23:48,400 --> 00:23:51,160
where we become so efficient and Nick has like gotten

498
00:23:51,200 --> 00:23:53,200
so fucking good at sound design that we don't even

499
00:23:53,200 --> 00:23:54,880
need to do that. We hardly ever have to touch

500
00:23:54,880 --> 00:23:56,440
the edit anymore, which is yeah, great.

501
00:23:56,480 --> 00:23:59,000
Speaker 2: I think it's I think it's because we talk about,

502
00:23:59,039 --> 00:24:02,119
like in the earlier days, also we weren't as we

503
00:24:02,160 --> 00:24:04,599
didn't have as good of a schedule, and so me

504
00:24:04,640 --> 00:24:06,200
and and also I think me and Blaine were still

505
00:24:06,200 --> 00:24:09,640
figuring out the voice of the show and so we

506
00:24:10,000 --> 00:24:13,119
did a lot more editing ourselves because we wanted, you know,

507
00:24:13,160 --> 00:24:16,319
like we're still kind of figuring it out and the

508
00:24:16,359 --> 00:24:18,720
workflow and just the best way of getting it done.

509
00:24:19,240 --> 00:24:22,160
And now, I mean we don't really edit anything other

510
00:24:22,200 --> 00:24:26,599
than just like like giving notes on like on like

511
00:24:26,640 --> 00:24:30,279
our you know, editing note system. Yeah, but yeah, I

512
00:24:30,279 --> 00:24:32,960
mean that's that's I mean, that's a I mean that's

513
00:24:33,000 --> 00:24:35,279
all Nick, you can talk to that. How annoying are

514
00:24:35,279 --> 00:24:38,960
we to work with in posts? It's not annoying.

515
00:24:39,599 --> 00:24:43,640
Speaker 5: I think we've gotten to a really good spot now too,

516
00:24:43,920 --> 00:24:47,519
because initially we would kind of go back and forth,

517
00:24:47,680 --> 00:24:49,680
and you guys would both have an idea of what

518
00:24:49,839 --> 00:24:52,880
you wanted for specific things and sometimes didn't see even

519
00:24:52,920 --> 00:24:55,519
I'd eye on certain decisions. And I think like now

520
00:24:55,599 --> 00:24:57,519
that you've kind of like I got this episode, I've

521
00:24:57,519 --> 00:24:59,920
got this episode. You both have you have your endi

522
00:25:00,319 --> 00:25:02,599
idea for how an episode is. We go through around

523
00:25:03,200 --> 00:25:06,359
to three of notes depending on like how heavy a

524
00:25:06,440 --> 00:25:07,200
sound design is.

525
00:25:07,240 --> 00:25:09,559
Speaker 2: Sound design is really the main thing.

526
00:25:10,119 --> 00:25:12,680
Speaker 5: Yeah, And and through all that it's just gotten a

527
00:25:12,720 --> 00:25:15,640
lot simpler. And when we ever have a chance now

528
00:25:15,680 --> 00:25:18,319
we try to record as far in advance as possible,

529
00:25:18,400 --> 00:25:21,599
just in case, you know, right now, if we run

530
00:25:21,640 --> 00:25:24,359
into a recording issue and you know, with the COVID

531
00:25:24,359 --> 00:25:26,960
stuff the way it is, it's like we don't know

532
00:25:27,000 --> 00:25:28,559
how it all turn out. So it's like, if we

533
00:25:28,599 --> 00:25:29,920
ever get back to the studio, we'd like to be

534
00:25:29,920 --> 00:25:32,359
able to record there and all that, but trying to

535
00:25:32,359 --> 00:25:35,160
get as far ahead as possible to really give us

536
00:25:35,160 --> 00:25:37,680
a lot of lead time and that that that's been

537
00:25:37,799 --> 00:25:39,000
very helpful for us as well.

538
00:25:40,119 --> 00:25:44,079
Speaker 2: Yeah, because I do feel like, well, this is the

539
00:25:44,440 --> 00:25:46,480
kind of like the sound design. This is a question

540
00:25:47,240 --> 00:25:50,599
Stephen Goem has asked on Twitter. Do the sound designers

541
00:25:50,599 --> 00:25:52,559
hate y'all every time you make a joke that require

542
00:25:53,039 --> 00:25:54,480
requires sound going off?

543
00:25:54,519 --> 00:25:58,400
Speaker 1: Like absolutely, no, no, not at all.

544
00:25:59,119 --> 00:26:03,680
Speaker 5: It's funny because initially when we started doing some episodes

545
00:26:03,720 --> 00:26:07,799
that were really sound design heavy, I come from more

546
00:26:07,839 --> 00:26:10,680
of a radio background. So I hadn't had as much

547
00:26:10,720 --> 00:26:13,920
experience with, like, you know, making more of this hellscape

548
00:26:14,079 --> 00:26:16,039
kind of sounds breaking stuff. You know, it was more

549
00:26:16,119 --> 00:26:19,839
like music and like a straight read over something. So

550
00:26:20,240 --> 00:26:23,519
learning to kind of put together these different sound designs

551
00:26:23,559 --> 00:26:26,759
has been really something. And using some of the sound

552
00:26:26,799 --> 00:26:28,880
effects that we have has also been interesting because we

553
00:26:28,920 --> 00:26:31,079
have to sometimes make shift a lot of stuff.

554
00:26:31,119 --> 00:26:32,200
Speaker 2: Like a fight.

555
00:26:31,960 --> 00:26:36,000
Speaker 5: Scene could be a lot of clothing rustling sound effects

556
00:26:36,000 --> 00:26:38,359
with chairs being knocked over and things like that. But

557
00:26:38,680 --> 00:26:41,160
you know, certain sounds may not be what you want

558
00:26:41,240 --> 00:26:43,480
me to be, so we a lot of times have

559
00:26:43,559 --> 00:26:45,400
to implement different sound.

560
00:26:45,240 --> 00:26:50,480
Speaker 1: Effects for other sound effects. Like what was the one

561
00:26:50,559 --> 00:26:50,880
it was?

562
00:26:51,240 --> 00:26:53,400
Speaker 5: We had like it was a bubbling Oh it was

563
00:26:53,440 --> 00:26:56,400
in the one with What's Good Games when we were

564
00:26:56,400 --> 00:26:58,240
trying to figure out how to do like that melting

565
00:26:58,319 --> 00:27:02,240
and explosion sound. Oh yeah, and it's like boil water

566
00:27:02,640 --> 00:27:07,319
and uh like somewhat of like a firecracker sizzle and

567
00:27:07,319 --> 00:27:10,880
some other uh what was the rest. There's like a

568
00:27:10,920 --> 00:27:13,039
lot of little clinks and clacks that I put in there,

569
00:27:13,240 --> 00:27:15,799
and like all together popping.

570
00:27:15,640 --> 00:27:18,279
Speaker 2: Yeah, I know, because we wanted like the exploding and

571
00:27:18,319 --> 00:27:22,000
then blah blah, blah blah blah. Uh but yeah, I

572
00:27:22,039 --> 00:27:25,119
mean and like yeah, you and uh and everyone who

573
00:27:25,200 --> 00:27:27,799
helps with Dennis. I mean, it's got so good at

574
00:27:27,880 --> 00:27:31,359
doing it. And it's like and that is even a

575
00:27:31,359 --> 00:27:35,119
thing too, even in like our because we use a

576
00:27:35,160 --> 00:27:38,440
cy called a FRAMEO for like notes, and it's like

577
00:27:38,519 --> 00:27:40,559
we'll like have threads. Whe were like, what could be

578
00:27:40,599 --> 00:27:44,440
a good sound effect for this? Maybe something like Jello's

579
00:27:44,920 --> 00:27:48,279
or you know, like I don't It's like like what

580
00:27:48,400 --> 00:27:50,680
could what? I know, It's like, oh, we couldn't find

581
00:27:50,680 --> 00:27:53,119
a good sound effect for this? What exactly were you

582
00:27:53,279 --> 00:27:55,079
envisioning or like what? It's like we'll have like a

583
00:27:55,119 --> 00:27:57,920
whole discussion on like the right like oh well, maybe

584
00:27:57,960 --> 00:27:59,920
speed it up like twenty percent.

585
00:28:00,720 --> 00:28:04,200
Speaker 1: I remember it was the the Jack Patillo episode where

586
00:28:04,200 --> 00:28:07,240
we were doing football and I think I had, like

587
00:28:07,400 --> 00:28:09,000
I told Nick, I was like, hey, man, I know

588
00:28:09,039 --> 00:28:10,519
that I'm leading a lot on you, so like I'm

589
00:28:10,559 --> 00:28:12,680
happy to take over, so like between you and me,

590
00:28:12,759 --> 00:28:14,799
we had to like assemble the sound design for that,

591
00:28:14,880 --> 00:28:18,000
and it was I mean, there was like fucking Godzilla,

592
00:28:18,079 --> 00:28:19,200
there's a war going on.

593
00:28:19,440 --> 00:28:21,640
Speaker 2: That was the biggest sound design episode we've had, right

594
00:28:22,039 --> 00:28:22,440
by far.

595
00:28:22,519 --> 00:28:25,119
Speaker 1: Because I remember we were even acknowledging it while making it,

596
00:28:25,160 --> 00:28:26,799
and we're like, oh man, we're gonna this is gonna

597
00:28:26,839 --> 00:28:28,559
be so funny. We're gonna hate ourselves in the future.

598
00:28:28,559 --> 00:28:31,319
And I was like I was done with it, no, because.

599
00:28:31,079 --> 00:28:34,319
Speaker 2: I remember this, Blaine. I remember before we were recording it,

600
00:28:34,359 --> 00:28:36,440
when we sat down with Jack, I was like, we're

601
00:28:36,440 --> 00:28:38,839
explaining and you know, we'll do obviously, we'll have this

602
00:28:38,880 --> 00:28:40,480
is like on locations, we'll have a lot of stuff.

603
00:28:40,519 --> 00:28:43,440
But I said something just you know, trying to try

604
00:28:43,480 --> 00:28:45,119
to be conscious not to be like to throw out

605
00:28:45,119 --> 00:28:47,160
too much stuff because we have to do sound design

606
00:28:47,240 --> 00:28:49,119
for it. So and You're like, no, no, don't think

607
00:28:49,119 --> 00:28:51,799
about that. Do whatever you want. And I was like

608
00:28:51,920 --> 00:28:54,799
I want to go nuts. Yeah, And I was like, okay, cool, Blaine,

609
00:28:54,799 --> 00:28:56,960
you're gonna edit this one. You're trying to post on

610
00:28:57,000 --> 00:28:57,359
this one.

611
00:28:57,920 --> 00:28:59,279
Speaker 1: But so happy it turned out. Like there was like

612
00:28:59,319 --> 00:29:01,079
at one point like a origial No, it was it

613
00:29:01,160 --> 00:29:04,599
was the dropping off wrestlers, and then it exploded and

614
00:29:04,759 --> 00:29:07,319
I loved it. Yeah, so much fun. There was another

615
00:29:07,319 --> 00:29:09,119
one where like it was like it was like the

616
00:29:09,759 --> 00:29:12,440
I was like, what would the sound of a field goal?

617
00:29:12,759 --> 00:29:16,160
Or like a touchdown. How would they celebrate that in hell?

618
00:29:16,200 --> 00:29:19,319
And I found this like horrifying horn that I pitched

619
00:29:19,359 --> 00:29:23,519
down and it just sounded like awful. It's just just fun. Man.

620
00:29:23,720 --> 00:29:25,839
Speaker 5: There was one on there too where I think they

621
00:29:25,960 --> 00:29:27,799
kicked a head through an upright, So I had to

622
00:29:27,839 --> 00:29:30,000
found to find a sound effect that was like the

623
00:29:30,119 --> 00:29:34,000
thump of a head, like a blood splee ye.

624
00:29:34,079 --> 00:29:40,279
Speaker 2: Yeah, I guess people ask how many people are working

625
00:29:40,279 --> 00:29:44,440
on this production? I mean like generally on like the

626
00:29:45,279 --> 00:29:47,480
me and Blaine more on the pre production and then

627
00:29:47,519 --> 00:29:53,519
either like Ben or Eric for like helping coordinate and

628
00:29:53,720 --> 00:29:58,440
you know, getting cast, and then and then like in

629
00:29:58,559 --> 00:30:01,799
the post in like Nick, whoever's editing it. I mean, Nick,

630
00:30:01,839 --> 00:30:03,960
you can tell more like it's generally just one person

631
00:30:04,000 --> 00:30:04,920
per episode, right.

632
00:30:04,880 --> 00:30:07,480
Speaker 5: Yeah, it's one editor per episode and then you two

633
00:30:07,960 --> 00:30:09,799
or whichever one of you is taking the lead on

634
00:30:10,240 --> 00:30:13,000
notes at that point, so it's really just two people

635
00:30:13,000 --> 00:30:14,240
in post at that point.

636
00:30:14,480 --> 00:30:19,079
Speaker 2: Yeah. This is question from Benjamin something on the subreddit.

637
00:30:19,200 --> 00:30:22,720
Any figures you won't have on the show or ones

638
00:30:25,599 --> 00:30:28,799
the ones that have been suggested and turned down? Uh, well,

639
00:30:28,799 --> 00:30:30,440
we haven't put Hitler on the show. I think that

640
00:30:30,519 --> 00:30:33,119
was like one that like at the top or like

641
00:30:33,119 --> 00:30:34,839
oh we could have but like I don't know, it

642
00:30:34,839 --> 00:30:36,519
just seemed like the easy, low hanging fruit.

643
00:30:36,599 --> 00:30:38,640
Speaker 4: So I think that one's I think it's just too easy.

644
00:30:38,640 --> 00:30:41,440
It's just I think everyone with this like that would

645
00:30:41,440 --> 00:30:43,759
have an idea like this is that's the first thing

646
00:30:43,799 --> 00:30:45,680
they would go to, and it's like, yeah, let's try

647
00:30:45,720 --> 00:30:48,200
to like not just go for like the easiest thing.

648
00:30:48,680 --> 00:30:48,920
Speaker 2: Yeah.

649
00:30:48,920 --> 00:30:50,799
Speaker 1: Well it's hard too, because like you don't want to

650
00:30:50,880 --> 00:30:52,799
you want to pick somebody that you can have a

651
00:30:52,799 --> 00:30:56,480
comedic hook on, and like they like someone like Hitler

652
00:30:56,519 --> 00:30:59,559
committed so many fucking atrocities, and it's like there's there's

653
00:30:59,599 --> 00:31:02,200
a degree in like with Nazis being back in the

654
00:31:02,200 --> 00:31:06,279
news for whatever fucking reason, like we just want to

655
00:31:06,319 --> 00:31:09,319
shit on that character and not even make light of

656
00:31:09,359 --> 00:31:12,440
some of those situations. It's it's a weird predicament.

657
00:31:13,119 --> 00:31:16,440
Speaker 2: Yeah, that is a weird thing. Someone asks what's the

658
00:31:16,480 --> 00:31:19,839
most difficult aspect of the show to develop? Uh, I

659
00:31:19,839 --> 00:31:21,319
mean I think it's like that it is kind of

660
00:31:21,359 --> 00:31:24,359
finding that that that balance of like okay, well, what

661
00:31:24,519 --> 00:31:27,640
is who is this character or guess that we're gonna

662
00:31:27,640 --> 00:31:30,680
have and then what what where's the line of like

663
00:31:30,720 --> 00:31:34,880
what we can joke about and and what's appropriate right

664
00:31:34,920 --> 00:31:39,319
now in the world. Uh, And that's that's like because

665
00:31:39,359 --> 00:31:41,440
we want it to be a we want the podcast

666
00:31:41,519 --> 00:31:45,480
to be fun and entertaining and not something that's gonna, like,

667
00:31:47,799 --> 00:31:49,319
I don't know, be a downer.

668
00:31:49,759 --> 00:31:52,000
Speaker 1: Yeah, we don't want to and we don't like wanna

669
00:31:52,960 --> 00:31:56,319
there's a level of offensiveness that we're willing to toe

670
00:31:56,400 --> 00:31:58,680
the line up to. But like there's parts of it

671
00:31:58,720 --> 00:32:01,079
where it's like even when one of us says I'm

672
00:32:01,119 --> 00:32:03,160
not comfortable doing that, we're all just like, yeah, I know,

673
00:32:03,319 --> 00:32:05,599
you're right, Like it's it's nice. I feel like we've

674
00:32:05,599 --> 00:32:09,799
been operating in a pretty decent comfort zone. But like, yeah, man,

675
00:32:09,799 --> 00:32:11,480
we're not here to piss anybody off or to like

676
00:32:11,640 --> 00:32:13,599
super offend anybody.

677
00:32:13,759 --> 00:32:16,839
Speaker 2: Yeah, because I think it's there's really easy to have

678
00:32:16,960 --> 00:32:18,839
like we try not to like have someone on the

679
00:32:18,839 --> 00:32:22,400
show who like whose death was super tragic really recently,

680
00:32:22,400 --> 00:32:24,599
because then it's like, well it's not really it's not

681
00:32:25,240 --> 00:32:29,480
the people who are alive, you know, it's a little

682
00:32:29,519 --> 00:32:34,799
too tragic to like make comedy show about. Yeah, not

683
00:32:34,880 --> 00:32:37,079
that there haven't been tragic things in the show, but

684
00:32:37,119 --> 00:32:39,359
we try to just like figure out where that balance is.

685
00:32:41,680 --> 00:32:45,400
Speaker 1: It's weird too, because I feel like my parents are

686
00:32:45,400 --> 00:32:50,119
pretty religious, and anytime I talk to my dad about

687
00:32:50,160 --> 00:32:52,640
the show, he refers to it as that show that

688
00:32:52,680 --> 00:32:55,480
you and Chris do, because I think he's really bothered

689
00:32:55,519 --> 00:32:58,799
by the fact that I play a demon and you know,

690
00:32:58,960 --> 00:33:02,680
raising being raised Christian, you know, household and stuff like that.

691
00:33:03,160 --> 00:33:05,240
Demons always scared the shit out of me. The idea

692
00:33:05,279 --> 00:33:08,480
of the of like a a creature firm that could

693
00:33:08,480 --> 00:33:10,519
take your soul from the underworld. It was like very

694
00:33:10,599 --> 00:33:12,880
spooky to me, and I didn't like movies like The Exorcist,

695
00:33:13,599 --> 00:33:16,400
but like, I don't know, there's something about making fun

696
00:33:16,440 --> 00:33:19,079
of stuff that kind of gives you power over it. Also,

697
00:33:19,079 --> 00:33:21,039
I don't believe any of that stuff anymore, and like

698
00:33:21,440 --> 00:33:24,279
it's weird, Like I hope when people listen to it

699
00:33:24,480 --> 00:33:26,839
that their beliefs aren't being challenged and they're able to

700
00:33:26,880 --> 00:33:29,440
just enjoy a piece of content, you know. I don't know.

701
00:33:29,480 --> 00:33:31,680
Speaker 2: Yeah, I think I think we try and also approach

702
00:33:31,839 --> 00:33:35,200
like the religion aspect of it, where it's like, hey,

703
00:33:35,200 --> 00:33:37,160
we're gonna tell you what religion is, right, or wrong.

704
00:33:37,359 --> 00:33:40,640
They were all right, you know, like we're not you know,

705
00:33:40,759 --> 00:33:45,640
like every religion is right in our universe essentially, they

706
00:33:45,720 --> 00:33:48,880
just have different like territories or like dimensions or whatever.

707
00:33:49,319 --> 00:33:55,880
Yeah or yeah, uh, there was a question. I can't

708
00:33:55,880 --> 00:33:59,960
find it, but it was basically, uh about doing life

709
00:34:00,160 --> 00:34:03,720
shows or doing it in a more video aspect or

710
00:34:04,799 --> 00:34:07,000
I mean, besides Blaine doing the paint. But yeah, we

711
00:34:07,119 --> 00:34:10,760
actually definitely want to do some live shows at some

712
00:34:10,800 --> 00:34:15,599
point whenever it's safe, and also have plans we want to, like,

713
00:34:15,599 --> 00:34:17,400
we like these characters in this world and we want

714
00:34:17,440 --> 00:34:20,079
to do more with it. So uh, we we do

715
00:34:20,159 --> 00:34:22,039
want to do more than just a podcast.

716
00:34:23,119 --> 00:34:25,400
Speaker 1: Yeah, we have. We have a big plan in mind

717
00:34:26,440 --> 00:34:30,400
for when all that stuff is a possibility, and I'm

718
00:34:30,480 --> 00:34:34,199
very stoked about it, like our you know, r t X.

719
00:34:34,239 --> 00:34:36,360
I guess we could talk about that in particular, like

720
00:34:36,400 --> 00:34:38,519
that's always been an exciting time and it's very.

721
00:34:38,519 --> 00:34:42,199
Speaker 2: A big events convention, yeah, right, and.

722
00:34:42,159 --> 00:34:43,840
Speaker 1: That we've been doing for I mean, I've been going

723
00:34:43,880 --> 00:34:45,599
to like I think I've been a seven or eight

724
00:34:45,639 --> 00:34:50,199
of them, but this is the first time in a

725
00:34:50,239 --> 00:34:52,920
while that I've been like, holy shit, I'm so excited

726
00:34:52,920 --> 00:34:57,639
to do this thing this idea. Yeah, well wait till

727
00:34:57,639 --> 00:34:59,400
next year. But it's still gonna be worth it.

728
00:34:59,360 --> 00:35:04,760
Speaker 2: Though, see of simping ass that's funny. Jesus on Twitter,

729
00:35:05,639 --> 00:35:07,679
what has been your favorite episode to record?

730
00:35:08,199 --> 00:35:11,719
Speaker 4: I think mine was the Coal Milk one. It's so

731
00:35:12,239 --> 00:35:14,800
it's just so off the wall and it's like, why

732
00:35:14,840 --> 00:35:15,840
would this guy be in hell?

733
00:35:15,960 --> 00:35:16,480
Speaker 2: I loved it.

734
00:35:16,559 --> 00:35:19,119
Speaker 4: I thought that episode and like being in the room

735
00:35:19,159 --> 00:35:21,599
when that one was being recorded was like a blast.

736
00:35:21,760 --> 00:35:25,400
It was so weird just trying to like follow this thread.

737
00:35:25,719 --> 00:35:28,039
It was really really fun. I've read that's like one

738
00:35:28,039 --> 00:35:29,599
of the few that I've like re listened to.

739
00:35:31,159 --> 00:35:36,199
Speaker 1: I would say that mine is definitely Jeremy is Doug

740
00:35:36,239 --> 00:35:40,559
gug Chaos because he just he just slipped right into it.

741
00:35:40,719 --> 00:35:42,159
I mean in the beginning I was a little worried.

742
00:35:42,199 --> 00:35:44,280
It's like his voice kind of sounds like mine. And

743
00:35:44,320 --> 00:35:48,840
then like that had everything else was fucking fantastic and

744
00:35:49,199 --> 00:35:51,440
we were I mean it's something when you have a

745
00:35:51,480 --> 00:35:55,000
guest that comes in and they're on then like everybody's

746
00:35:55,440 --> 00:35:59,199
comedy is elevated, you know, and like that's just such

747
00:35:59,199 --> 00:36:00,400
a good, good appisode.

748
00:36:00,840 --> 00:36:02,760
Speaker 2: Yeah, I mean this is hard because I do love

749
00:36:03,159 --> 00:36:06,480
all of them in different ways. Uh, maybe it was

750
00:36:06,519 --> 00:36:11,599
the intervention with the Vampire Hunter, because I just like,

751
00:36:11,679 --> 00:36:13,960
I love the ending of that. That's like my favorite ending.

752
00:36:16,440 --> 00:36:19,880
I don't know. I love the reading. I love the

753
00:36:19,960 --> 00:36:20,960
Right Brothers episode.

754
00:36:21,119 --> 00:36:24,920
Speaker 5: I think the difference between Gus's character and Eric's character

755
00:36:25,039 --> 00:36:25,440
is just.

756
00:36:25,639 --> 00:36:27,480
Speaker 2: So it's so good.

757
00:36:27,519 --> 00:36:29,960
Speaker 5: I was laughing so hard in that recording, and you

758
00:36:29,960 --> 00:36:31,800
can hear me on any of them anyway, but I

759
00:36:31,960 --> 00:36:33,000
just lost it in that one.

760
00:36:34,280 --> 00:36:34,480
Speaker 1: Man.

761
00:36:34,840 --> 00:36:36,719
Speaker 2: You know what I love about that one is we

762
00:36:36,880 --> 00:36:43,519
totally mixed up the Right Brothers I had, We had

763
00:36:43,519 --> 00:36:45,840
it in our thing and I don't know how, like

764
00:36:46,000 --> 00:36:48,280
we swapped them up in some way, Like I had

765
00:36:48,400 --> 00:36:50,599
the names written down and maybe I was like is

766
00:36:50,639 --> 00:36:52,320
that right, and it's like, oh no, that's wrong, and

767
00:36:52,360 --> 00:36:55,000
then we swapped it. I don't know, but like we

768
00:36:55,000 --> 00:36:57,119
didn't realize until the comments came out, like why wait,

769
00:36:57,280 --> 00:37:04,800
isn't Wilbur the the older one? You're like, oops, whatever,

770
00:37:05,199 --> 00:37:05,920
that's pretty much it.

771
00:37:05,920 --> 00:37:06,400
Speaker 4: Who cares?

772
00:37:06,559 --> 00:37:10,760
Speaker 2: That's fine? Yeah, Okay, last question, what is the best

773
00:37:10,760 --> 00:37:13,719
part of working on the show. That's from Cole cork Caon.

774
00:37:15,639 --> 00:37:20,920
It's from who Cole Corkoran I don't know. I don't

775
00:37:20,920 --> 00:37:23,480
pick their Twitter names.

776
00:37:24,559 --> 00:37:29,440
Speaker 1: Best aspect of working on the show, I don't know.

777
00:37:29,559 --> 00:37:34,679
I think having a creative outlet where you don't have

778
00:37:34,760 --> 00:37:38,039
to do any sort of like being able to do

779
00:37:38,119 --> 00:37:43,360
something in audio only podcast is fun because like you

780
00:37:43,360 --> 00:37:45,920
don't have to worry about any other amount of performance.

781
00:37:45,960 --> 00:37:49,519
It's just like your voice, and like there's something really

782
00:37:49,519 --> 00:37:52,360
freeing about being in a space where you can add

783
00:37:52,400 --> 00:37:54,880
in any sound design you want and post and just

784
00:37:54,920 --> 00:37:57,119
like the story could go in any direction that you

785
00:37:57,159 --> 00:37:59,639
want to. It's just a really fun creative space. So

786
00:37:59,639 --> 00:38:01,719
I think just like the recordings themselves are always like

787
00:38:01,960 --> 00:38:05,719
really fun challenges that are kind of a nice break

788
00:38:05,719 --> 00:38:10,119
from the mundane work that you know we might do otherwise.

789
00:38:11,880 --> 00:38:16,559
Speaker 2: I guess for me, I love telling stories and like

790
00:38:16,920 --> 00:38:23,360
writing and creating like narratives, and like there's so many

791
00:38:24,079 --> 00:38:28,639
obstacles sometimes to getting stuff made and being able to

792
00:38:28,760 --> 00:38:32,440
every single week sit down and like do something creative

793
00:38:32,440 --> 00:38:35,000
and like tell a story that's not in this world

794
00:38:35,039 --> 00:38:39,320
that's like a fantasy, fictional thing and do it with

795
00:38:39,440 --> 00:38:45,079
friends and have fun and laugh is incredibly I don't know, exciting,

796
00:38:45,239 --> 00:38:49,159
and and like it's every every recording is a is

797
00:38:49,199 --> 00:38:53,519
a highlight of the week. And getting to write something

798
00:38:53,639 --> 00:38:56,440
or you know, and I say write very loosely, but like,

799
00:38:56,480 --> 00:39:00,400
you know, tell a story in that way is great.

800
00:39:01,079 --> 00:39:04,840
Speaker 1: It's keeping a sharp too, you know, like it's working

801
00:39:05,039 --> 00:39:08,000
our improv muscles. It's working our storytelling muscles and our

802
00:39:08,039 --> 00:39:11,679
acting stuff. It's just like it's just a nice little

803
00:39:11,679 --> 00:39:13,360
thing that we keep coming back to, and I feel

804
00:39:13,360 --> 00:39:14,880
like we've gotten better with it over time.

805
00:39:17,320 --> 00:39:21,480
Speaker 4: I think my favorite part is probably when it comes together,

806
00:39:21,800 --> 00:39:23,519
not like in the edit or whatever, but I mean

807
00:39:23,599 --> 00:39:27,280
like in the room, when it clicks and you can

808
00:39:27,320 --> 00:39:30,719
see it click and then everybody's kind of all pulling

809
00:39:30,719 --> 00:39:33,920
in the same direction. Everyone starts firing on all cylinders.

810
00:39:33,960 --> 00:39:35,920
I think that's like and.

811
00:39:36,039 --> 00:39:37,360
Speaker 2: It's like the best part.

812
00:39:37,519 --> 00:39:40,639
Speaker 4: It's what you could hope for from any production. And

813
00:39:40,840 --> 00:39:44,559
being able to see it more often than not in

814
00:39:44,639 --> 00:39:47,639
this where you don't usually get to see it in

815
00:39:47,679 --> 00:39:49,639
like a lot of longer form stuff that you're maybe

816
00:39:49,639 --> 00:39:51,320
making that involves like a lot of camera, a lot

817
00:39:51,360 --> 00:39:53,239
of people in everything where it's just maybe three or

818
00:39:53,239 --> 00:39:56,320
four people that are just all of a sudden really

819
00:39:56,360 --> 00:39:59,320
on the same page. I get a lot of satisfaction

820
00:39:59,440 --> 00:40:01,840
from seeing that, like, oh, we put this together well

821
00:40:02,119 --> 00:40:04,440
and we're executing really well on it right now.

822
00:40:04,639 --> 00:40:05,159
Speaker 2: I love that.

823
00:40:05,920 --> 00:40:10,039
Speaker 5: Yeah, I love theater of the mind, and this show

824
00:40:10,239 --> 00:40:13,559
to me perfectly encapsulates what that is. It's a show,

825
00:40:13,639 --> 00:40:17,599
you know, based entirely on this concept of being in

826
00:40:17,639 --> 00:40:20,960
hell and then everything that happens around that, and I

827
00:40:21,039 --> 00:40:23,280
love being able to like build a world through it.

828
00:40:23,320 --> 00:40:26,360
And it's just so cool because without the visual element,

829
00:40:26,519 --> 00:40:30,079
it's all it all has to be done in your head.

830
00:40:30,400 --> 00:40:33,159
And that's one of my favorite things about audio only stuff.

831
00:40:33,239 --> 00:40:35,840
And I'm really happy that this show is the one

832
00:40:35,840 --> 00:40:36,840
that kicked.

833
00:40:36,599 --> 00:40:42,599
Speaker 2: It all off. Yeah, it's having a world of your

834
00:40:42,639 --> 00:40:47,000
own is really special. So thank you everyone listening for

835
00:40:47,199 --> 00:40:48,920
allowing us to have it and share.

836
00:40:48,679 --> 00:40:49,039
Speaker 1: It with you.

837
00:40:49,519 --> 00:40:52,880
Speaker 2: So we will be back in a week or two,

838
00:40:53,360 --> 00:40:55,199
depending on when this actually comes out. I think a

839
00:40:55,199 --> 00:41:00,239
week or two. I'm not sure of the dates. Uh,

840
00:41:01,000 --> 00:41:05,320
but if you like the show, please you know, as

841
00:41:05,360 --> 00:41:09,639
always tell your friends and really you know, to get

842
00:41:09,639 --> 00:41:13,800
people caught up, like tell them to listen, and because

843
00:41:13,800 --> 00:41:14,800
we want to keep making it.

844
00:41:14,880 --> 00:41:17,000
Speaker 1: And god, I love the pleading you're doing with the

845
00:41:17,119 --> 00:41:17,800
audience right now.

846
00:41:17,880 --> 00:41:26,000
Speaker 5: Chris Well, please please find.

847
00:41:26,039 --> 00:41:28,800
Speaker 2: All right? Well, does anyone else have anything? Thanks?

848
00:41:28,960 --> 00:41:36,119
Speaker 4: Thanks, Yes, rate and subscribe and there's more fun coming

849
00:41:36,159 --> 00:41:39,960
your way. Until next time, Bye bye