Speaker 1: The National Broadcasting Company presents Radio City Playhouse Attraction eighteen,
Speaker 1: Ladies and Gentlemen, here's the director of Radio City Playhouse,
Speaker 1: Harry W. Junkins, to tell you something of tonight's play.
Speaker 2: Thank you, Bob One, ladies and gentlemen.
Speaker 3: In response to your many hundreds of letters asking to
Speaker 3: hear him again, we're very happy to welcome mister John
Speaker 3: Larkin back to Radio City Playhouse. Two weeks ago he
Speaker 3: played the part of Lloyd Bruckner in The Door and
Speaker 3: gave a performance which drew rave notices from all over
Speaker 3: the country. Tonight, mister Larkin appears in a similar type
Speaker 3: of play, but in a diametrically opposite type of role,
Speaker 3: the role of a writer, an intellectual who is a
Speaker 3: little cynical, a little disillusioned, and highly indignant at society
Speaker 3: over the conviction of a twenty year old boy from murder.
Speaker 3: The script is called five Extra Newses and was written
Speaker 3: by Charles Lee Hutchings, a writer new to Radio City
Speaker 3: Playhouse and from whom we hope to receive more plays
Speaker 3: in the very near future. We like this particular script
Speaker 3: because it is both entertaining and socially significant, a combination
Speaker 3: of ingredients, which few writers achieve. Here then is John
Speaker 3: Larkin as the writer in five extra newses by Charles
Speaker 3: Lee Hutchings Attraction eighteen on Radio City Playhouse.
Speaker 2: Nice jail you got here, Warden?
Speaker 4: Yeah?
Speaker 2: All these cells empty? Yeah, maybe you got an answer
Speaker 2: to the housing shortage. Look.
Speaker 5: I don't like reporters, and I don't think that was funny.
Speaker 2: I'm not a reporter. I write for magazine and I
Speaker 2: don't particularly care what you think.
Speaker 5: This kid's done a murder and he's gonna hang in
Speaker 5: the morning, and you come nosing around like a dog.
Speaker 2: Stick to your job, Warden. You know I got permission
Speaker 2: from way up top where I wouldn't be here tonight.
Speaker 5: All the kids in this cell here, Hi, Jake, it's
Speaker 5: the writing guy I.
Speaker 2: Was telling you about.
Speaker 6: What's the type?
Speaker 5: Nah, you don't have to talk to this guy if
Speaker 5: you don't want to see That's what the boss told me.
Speaker 2: He said, you don't have to hold it, Bob, hold it. Look, kid,
Speaker 2: here's the setup. I went to a lot of trouble
Speaker 2: to get the okay to see you. I want to
Speaker 2: get in that cell and talk to you a few minutes.
Speaker 2: I'm gonna write a story. For a magazine.
Speaker 6: Was he here before?
Speaker 2: No, No, I'm not a newspaper reporter. I just want
Speaker 2: to talk to you for a few minutes.
Speaker 5: Now, you don't have to you don't have to even
Speaker 5: talk to him if I.
Speaker 2: Wait a minute. Look, kid, I got permission from the
Speaker 2: top guy to come and see you tonight. I'll just
Speaker 2: come in there and you can well, you can watch
Speaker 2: me write my story. Did you ever see anybody write
Speaker 2: a story? Won't do any harm, might do some good
Speaker 2: for somebody.
Speaker 6: I don't know. I guess it'll be all right.
Speaker 2: I mean, you don't have the kid open the door
Speaker 2: and let me. And you heard the kids say it's okay.
Speaker 3: Hmm.
Speaker 2: Don't go in for space. Not enough room in here
Speaker 2: to swing a cat. I'll sit on the edge of
Speaker 2: this cot and get going.
Speaker 6: What's that?
Speaker 2: What's what?
Speaker 6: What you got in a black bag? You're a doctor?
Speaker 6: Who are you? Anyway?
Speaker 2: Take it easy now, that's not a black bag. That's
Speaker 2: my typewriter in a black case. Hey see, it opens up,
Speaker 2: that's up on its own legs like this. I've set
Speaker 2: that baby up on the deck of a battleship and
Speaker 2: then a tent in Holland and Berlin and Tokyo.
Speaker 6: I never seen no typewriter like that. Was you at
Speaker 6: the war?
Speaker 2: Yeah? Yeah, war correspondent fought the Battle of the Space Bar.
Speaker 2: What were you doing while the war was on? Oh?
Speaker 6: Moving around? They said. I wasn't old enough to get
Speaker 6: in the air force. Hey, you heard anything about but me?
Speaker 2: What do you mean?
Speaker 6: You know what I mean? Yesterday they told me.
Speaker 2: He said, No, Oh, you mean about your sentence. I
Speaker 2: heard that No, was final tomorrow morning. What's the time
Speaker 2: now it's about ten thirty. Now, let's get going.
Speaker 6: What's the time? I asked you.
Speaker 2: Twenty five minutes to eleven, and that's right by radio. Now. Look,
Speaker 2: I'm here to write a story. I can watch if
Speaker 2: you like. Tonight, I am sitting on the edge of
Speaker 2: a prison cot in the cell of a condemned murderer.
Speaker 2: Between him and the rope which will break his neck
Speaker 2: and choke the breath from his throat are nine hours
Speaker 2: of tortured darkness. Soon, the collective hand of society will
Speaker 2: reach out and pull the lever that will spring the
Speaker 2: trap and send his feet kicking in mid air in
Speaker 2: the death struggle. Perhaps the collective conscience of society will
Speaker 2: permit itself a slight qualm. As I write, the murderer
Speaker 2: watches me. He is nothing more than a big, bone hulking,
Speaker 2: somewhat dull kid who continually trembles, And he will die
Speaker 2: in the first light of the morning. I shall write
Speaker 2: them about the court which should have fried him. It
Speaker 2: is a purely imaginary court, a court that exists only
Speaker 2: in this article that I write. But it is a
Speaker 2: special court, a very special court.
Speaker 5: This is a special court, a most unusual court, sitting
Speaker 5: tonight in judgment on the ordinary people, you and you,
Speaker 5: and you.
Speaker 2: Who lead what might be called a blame his life.
Speaker 5: But now you see a new American law is being past,
Speaker 5: which reads, in part quote, whereas the state decrees that
Speaker 5: no one lacking twenty one full years age can now
Speaker 5: alone be held responsible for any murder. It is ordered
Speaker 5: that a minimum of six shall then be hanged if
Speaker 5: one such youth is condemned to die.
Speaker 4: Now that's the law.
Speaker 5: And suddenly we find that such a youth, coming under
Speaker 5: the requirements of the Act, is to be hanged tomorrow morning.
Speaker 5: And so this court's been called to quickly find the
Speaker 5: necessary five the five additional newses which you wait along
Speaker 5: with the one society's decreed for the young murderer acting
Speaker 5: for the state in this emergency, A young man or
Speaker 5: writing fellow, I believe, will now address the.
Speaker 2: Court ur honor. There is little time. The crack of
Speaker 2: dawns are deadline, and there seems to be a wealth
Speaker 2: of candidates for those five extra mooses. Your officers are
Speaker 2: rounding up some prospects. Now I must request a brief
Speaker 2: recess while I investigate a few and gather evidence to
Speaker 2: find the next Which do most rightfully? You belong in
Speaker 2: those five.
Speaker 4: Extra belong in those five extra nuss?
Speaker 7: What time is it's about?
Speaker 2: It's exactly twenty one minutes to eleven.
Speaker 6: What's all that stuff you're putting down there?
Speaker 2: That's what we call a lead on my story. It's
Speaker 2: about an imaginary court that doesn't really exist in that Look, kid,
Speaker 2: you don't need to be afraid of me. I can't
Speaker 2: do any harm or any good.
Speaker 6: I'm not scared of you or anybody. What time is it? Look? Here,
Speaker 6: you why don't you go away?
Speaker 8: Here?
Speaker 5: You?
Speaker 2: Look kid? Take it easy. Now tell me about where
Speaker 2: you went to school, things like that?
Speaker 6: What four?
Speaker 2: Oh, never mind?
Speaker 4: What for?
Speaker 2: How do you get along with the.
Speaker 6: Teacher is okay, except for old lady pastness.
Speaker 9: She put me out of class one day, hoson through
Speaker 9: and nothing, she just jumps me.
Speaker 2: Then, the first person we shall call in this imaginary
Speaker 2: court of mind, this very special court, is the teacher
Speaker 2: of this boy who is to hang tomorrow a the
Speaker 2: You're the teacher of the boy who is to hang tomorrow?
Speaker 6: What if I was?
Speaker 10: Is any reason to haul a president in the public court?
Speaker 2: We don't know yet.
Speaker 5: We'll see if your indignant neck will fit into one
Speaker 5: of our five news.
Speaker 2: Will our write prosecutor state the facts. You didn't like
Speaker 2: this boy. You put him out of class one day.
Speaker 2: That day I think was chapter one in this particular story.
Speaker 10: Did six? He was a bad one?
Speaker 4: Bad?
Speaker 10: I well remember him here bother little girls. If you
Speaker 10: know what I mean.
Speaker 2: Fare is the details, and get on. You tossed him up?
Speaker 2: What then?
Speaker 10: I don't have time at trifle with his type? Do
Speaker 10: you know what happens when one apple in the basket
Speaker 10: is not good?
Speaker 2: It isn't headline news? Now then, as inspector of this
Speaker 2: human fruit, how did you dispose of this bad apple?
Speaker 2: Which I think was only slightly bruised? About that time?
Speaker 10: I sent him to the principle and got on with
Speaker 10: the lessons. I remember I wrote a note. It said
Speaker 10: I will not have this youth fat in my class.
Speaker 2: He is a potential murderer. Did you write that? I
Speaker 2: know he could not, but he was just a boy
Speaker 2: the honor. We waste time, I think with her, this
Speaker 2: teacher is no better and no worse than others. And
Speaker 2: it's true she has no time to spend on battered fruit.
Speaker 2: Let's have the principle. I am the principal, and I
Speaker 2: consider it an imposition to be summoned intercourse. I have
Speaker 2: more important.
Speaker 5: Let's share what the prosecution thinks. We've got to find
Speaker 5: sun necks for these five newses.
Speaker 2: How then did you dispose of this unworthy apple cast
Speaker 2: out from the perfect company? You mean, this fellow that
Speaker 2: they're going to hang? Now, let's have no nonsense. I
Speaker 2: simply strapped him sound adding yet another brules or driving
Speaker 2: deeper the same blemish. And what then?
Speaker 6: I sent him home?
Speaker 2: I gave him a sharp note to show his parents. Look,
Speaker 2: do you know I have six hundred pupils in my school,
Speaker 2: and there's no time for nonsense with just one. He
Speaker 2: tore that note to pieces and wandered to a racetrack,
Speaker 2: where an older fellow told him how to beat this
Speaker 2: little rap. I did my duty to my pupil and
Speaker 2: helped the boy to graduate to murder. Your honor, I
Speaker 2: would say, we have but sympathy for this, and all
Speaker 2: for work. And under bestowed official who sees his simple beauty,
Speaker 2: he has no time. He says, it happens all that
Speaker 2: through his minor punishments, justly and sternly meet it out
Speaker 2: for minor crimes. He did set the rigid pattern for
Speaker 2: the larger crime, and so as he must share the
Speaker 2: larger punishment. I find it so. In that enclosure, we
Speaker 2: have set five places for five people. Those to fill
Speaker 2: the five.
Speaker 5: Additional news is now decreed by our new law. You, sir,
Speaker 5: the principle, may take your place in the first of these,
Speaker 5: and may God give you full marks and pass you on.
Speaker 2: So we hang the principle. How many were there in
Speaker 2: your family?
Speaker 6: Me, Tom and Harry, and Isabelle and Sarah.
Speaker 2: Were you afraid of your father?
Speaker 6: Nah?
Speaker 9: I wasn't afraid of him or anybody else. He used
Speaker 9: to come home stinking on Saturday nights. We'd all run
Speaker 9: out and hide in the dump behind our house.
Speaker 2: Did he ever catch you?
Speaker 6: Yeah? Mostly he'd go back in the house and pass out.
Speaker 2: Has your father been to see you here?
Speaker 6: Hah hah. I ain't seen him since the cops ran
Speaker 6: him out of town.
Speaker 2: And so to this imaginary court about which I write,
Speaker 2: we will summon this youth's parents, his mother and his father.
Speaker 2: Let them be heard in this strange and special court. First,
Speaker 2: we'll call upon the mother. Quiet, you are the mother
Speaker 2: of this youth.
Speaker 3: Yes, there you're.
Speaker 11: An He was one of mine. I've always done my best,
Speaker 11: but Jake was too much for me. I looked him
Speaker 11: all right, proper, but Jake had never bore. He'd stand
Speaker 11: and kind of shiver as I whack him with a strap.
Speaker 2: He never was no good.
Speaker 11: But once he stood up to his paw and he
Speaker 11: was kicking little Sarah I I I kind of liked
Speaker 11: the way he he heed that rock and hit his paw.
Speaker 2: Rana were wasting time with his poor travesy of motherhood.
Speaker 2: That's the moment when this woman's hands were needed to
Speaker 2: caress with tenderness and loving care. They were filled with
Speaker 2: scouring wolves and busy with the corridors in someone else's
Speaker 2: house and when her understanding might have torn away dark fears,
Speaker 2: permitting her poor brood to see the light, her mind
Speaker 2: was occupied with pennies dropping in the jar to pay
Speaker 2: the rent and buy the jug, the liquid equalizer that
Speaker 2: made her just as good as anyone. Take it away
Speaker 2: and send her home, Bring us the father and the peace.
Speaker 2: Then they do something.
Speaker 12: Then, I ain't been in trouble now for years. He
Speaker 12: ain't got not on me. See I want.
Speaker 2: About I'd jake in the papers. I was three hundred
Speaker 2: miles away from here. I can prove it all. If
Speaker 2: your small confession for a court which has more time,
Speaker 2: there are four nooses left to fill. One morning comes
Speaker 2: so very soon, four nooses.
Speaker 6: He what is this?
Speaker 12: I ain't never done, no waste in some receiving. You
Speaker 12: can string up a guy for that.
Speaker 5: Now.
Speaker 6: Look, I know my rights.
Speaker 12: I'm white told the angels not killing you.
Speaker 6: You can't mix mean any mode, red.
Speaker 2: By some quaint caprice of nature. You are in it.
Speaker 2: It seems to me that we can save some time
Speaker 2: here by nominating for a noose. This bright eyed dodging rodent,
Speaker 2: to whom fatherhood was but an odious consequence of turning
Speaker 2: in his bed one wretched knight.
Speaker 5: He hangs, remove him to the place mark number two,
Speaker 5: and may God finds something where.
Speaker 2: Your soul should be.
Speaker 9: What are you putting down all that stuff for? About
Speaker 9: extra noosis?
Speaker 6: He wrote something about my father. He ain't even here, skipper.
Speaker 2: It's just a magazine article about a court that doesn't
Speaker 2: even exist. So you went to industrial school and you
Speaker 2: worked as an exercise boy at the track. Did you
Speaker 2: ever get into court, that is before before? Now?
Speaker 6: Nah? They didn't catch me, but once that was just
Speaker 6: a juvenile court. All I had to do was report.
Speaker 2: Say where did you learn how to use a gun?
Speaker 6: What do you mean? Say? What are you trying to do? Anyway?
Speaker 6: I don't have to even talk to you, like the
Speaker 6: warden said.
Speaker 2: Hey, okay, I just wondered if he used to practice
Speaker 2: on a rock or a bottle or something.
Speaker 6: Nah.
Speaker 9: I never even fired a gun before in my life.
Speaker 9: I never even seen a real gun before.
Speaker 2: When you fired that first shot, did it seem to
Speaker 2: make a lot more noise than you'd seen in the movies.
Speaker 6: Yeah? Yeah it did, and it sort of jumped in
Speaker 6: my hand.
Speaker 9: I'd never seen that neither. And there was a funny
Speaker 9: burning smell. Hey, what you're getting at huh. I don't
Speaker 9: have to tell you. I don't even have to cut.
Speaker 2: Up, sit down, or even smelled powder. And so we'll
Speaker 2: call upon a social worker in my imaginary court. You, sir,
Speaker 2: are a social worker. Let us hear from you.
Speaker 13: I do my work, and that's all I know. These
Speaker 13: theorists who build up pedestals for petty crooks. They talk
Speaker 13: and talk of recreation centers and flower boarded playgrounds where
Speaker 13: there is no sin, and boys will all be boys
Speaker 13: or captains of the local nine. I think if they
Speaker 13: would step outside and see their precious little heroes happily
Speaker 13: engage in gouging eyes or picking locks, then they might.
Speaker 2: Do some good.
Speaker 5: And further all on, my little man, and we'll explain
Speaker 5: you are a candidate for our next news, and we
Speaker 5: will see.
Speaker 2: How well you fit it. Let's have the evidence. The
Speaker 2: facts are playing your honor, that this embittered civil servant
Speaker 2: is employed in juvenile affairs, and thus he specializes in
Speaker 2: the task of bending the twig so that the three
Speaker 2: shall grow up fine and straight. I feel that he's
Speaker 2: not to blame. It's just that he has not the time,
Speaker 2: the wit, nor the weight for such a monumental task.
Speaker 2: Take him away. Let's have words with his superior, his legislator.
Speaker 6: You call on me.
Speaker 8: I represent the people and can say without the fear
Speaker 8: of contradiction, that I do my duty by those pine
Speaker 8: upstanding souls who vote for me. O, what is this
Speaker 8: a farse.
Speaker 2: And mockery in the name of justice?
Speaker 8: A court without a prisoner, a trial which brings out
Speaker 8: honest people from their beds.
Speaker 5: A politician, We've no time for speeches. Our job is
Speaker 5: finning news, is not extracting votes. You figure in this
Speaker 5: piece by having hired such little men as these, who
Speaker 5: juggled juvenile delinquents and fill out the.
Speaker 2: Necessary forms, give us the facts. They are all directed
Speaker 2: at this man, who was elected by the people who
Speaker 2: speak up for the rights of all the families in
Speaker 2: the very district from which our youth in waiting sprung.
Speaker 2: I nominate him for a noose, your honor, for he
Speaker 2: did nothing when the need for action screamed out loud
Speaker 2: from every dirty hovel and dead end. He voted thousands
Speaker 2: for a waterway and kept his eyes uplifted as he
Speaker 2: cried for all to see how well he carried out
Speaker 2: his solemn pledges won by little What What is.
Speaker 8: This arrant nonsense? Didn't I applaud the move to build
Speaker 8: more parks and carry out my promises? Why I even
Speaker 8: voted for a grant to beautify the waterfront? And if
Speaker 8: our appointed courts cantled their start, a buck.
Speaker 2: Is swiftly, deftly passed along without more time. I'll state
Speaker 2: sufficient reason why this man should rate a noose. He
Speaker 2: sees the value of transplanting shrubs and trees to where
Speaker 2: they'll get more chance. What shuts his eyes and leaves
Speaker 2: a human being to twist and struggle, and perhaps to
Speaker 2: rock among the garbage in which fell the sea.
Speaker 5: We have no time to belabor our decisions in this court.
Speaker 5: You take place three and wait until we have the
Speaker 5: other two. You, the politician, are elected next the man.
Speaker 2: Who hatched the murder plot, the one who gave the
Speaker 2: lesson on the guns. Ah, look, your honor, I'm a
Speaker 2: movie producer, but radio magazines are all the same guns
Speaker 2: murder plots. What else? I'm sick to death of amateurs
Speaker 2: who make a couple of bucks a day and yet
Speaker 2: can tell me how to run my business. How I
Speaker 2: make pictures forced our pictures that you see by making
Speaker 2: up your mind that you will pay to go into
Speaker 2: the show. I don't drag you in this time. You've
Speaker 2: gone too far, m maybe not quite far enough. Your
Speaker 2: picture showed the youth that he could scare a big
Speaker 2: man with a little gun.
Speaker 6: And did you see the picture to my friends?
Speaker 2: And did you see the criminal at last waiting, waiting
Speaker 2: with fear for his reward in jail? And so again
Speaker 2: crime did not pay what pictures pay. And Bogart lived again,
Speaker 2: and Robinson and Ladd again next week will swagger with
Speaker 2: their rods and set a million youthful trigger fingers twitching.
Speaker 2: Sure you showed the criminal and irons, but in full
Speaker 2: grease painting, with lights picking the romantic sweat beads on
Speaker 2: his brow. I'll show you a murderer in a cell
Speaker 2: and send you creeping out with crawling flesh. His drooping
Speaker 2: mouth wouldn't take well. He whimples, and then he throws
Speaker 2: out on the floor. Oh you can't show that now. Now, look,
Speaker 2: I've got to get away. We're shooting at each minute.
Speaker 11: Costs a foe.
Speaker 2: Stay here and I'll support the lead In this particular piece.
Speaker 2: You got a young man started up to where the
Speaker 2: gun went off. Then He was on his own, no lines,
Speaker 2: no lights, no pattern. Now you direct him to the end.
Speaker 5: Number four now has an eck, And so we move
Speaker 5: along and hope the critics will approve your closing sequence.
Speaker 2: There is but one noose left to fill. Who is
Speaker 2: this candidate, your honor. He's an average citizen and far
Speaker 2: removed from any part of crime or sin. Heh you're
Speaker 2: done right, and I'll have you know. I'd pay my
Speaker 2: taxes and plenty those. We put an office own enough,
Speaker 2: why throw out and put some others in. We found
Speaker 2: him in his slippers by the fire, listening to the radio,
Speaker 2: and his hand was on the knob so that he
Speaker 2: could turn it down and air his views in no
Speaker 2: uncertain term.
Speaker 13: You're done right. I'm not a politician. If I were,
Speaker 13: you'd see some action. You can bet it's crime wave. Now,
Speaker 13: don't spare the rod.
Speaker 2: It's good old fashioned discipline.
Speaker 6: We need the lash and things like that.
Speaker 2: You're somewhat in coherent, like the headlines, but you study
Speaker 2: firstily to gain your meager knowledge of your time. Do
Speaker 2: you know I assisted in the murder for which a
Speaker 2: youth will hang tomorrow morning. All I know is that
Speaker 2: we need protection, that the honest may sleep safe within
Speaker 2: their home. Perhaps there's been too much of this sound sleeping.
Speaker 2: Perhaps you'd better stay awake and take a look, because,
Speaker 2: my friend, you figure in this murder. If I may
Speaker 2: make a joke right up to your neck. Now, first
Speaker 2: we'll have the Institute of Learning, a man you hired
Speaker 2: to educate the boy his school principal. I trapped him soundly,
Speaker 2: and I sent him home. I have no time. I
Speaker 2: have too many pupils. I did my duty and I
Speaker 2: threw him up. And here all, citizen, your chosen speaker,
Speaker 2: who carries out your business, makes your laws, your legislator.
Speaker 8: Oh, enough of this. I have no time for trifling.
Speaker 8: You know my stand on crime. I'm against it. Still
Speaker 8: no time, mister, citizens. These men you hire are burden
Speaker 8: down with matters of great importance. Who is then to
Speaker 8: turn a hand to helping this fellow He was tossing
Speaker 8: in that giant stream which flows by your front door.
Speaker 2: Now look at it here.
Speaker 13: I know you're angled, but I wonder if you've heard
Speaker 13: about the outfits which go round doing things to help
Speaker 13: the poor.
Speaker 2: We've all seen in the plot of that brave, slim
Speaker 2: trickle of human kindness which drips so gallantly into an arid,
Speaker 2: deserted in humanity.
Speaker 13: Wait a minute, where's the kid's father. He's the one
Speaker 13: I always say that crime begins at home. Now you
Speaker 13: take my two boys.
Speaker 2: We know them well. They shine and glow and grow up,
Speaker 2: all surrounded by the fences which you built to keep
Speaker 2: them safe from nasty things like crime. Here is the father.
Speaker 12: I ain't been in trouble now for years. Jake shot
Speaker 12: this guy. I was even here in my wrath.
Speaker 2: So there, you, citizen. That's how you got another son.
Speaker 2: Not one so bright or well behaved as those two
Speaker 2: you have mentioned, but one abandoned, one kicked out, bruised
Speaker 2: and battered, one not quite so well endowed in the beginning.
Speaker 2: He is a son of yours, not by an act
Speaker 2: of father but or love, but by a greater principal
Speaker 2: example some two thousand years ago. He is your son,
Speaker 2: your honor. The time is getting on. I say that
Speaker 2: this citizen should sit the final news that's file. I
Speaker 2: do agree.
Speaker 5: Since he does cries so long and lustily for the
Speaker 5: rewards which do arise from membership and our fair state,
Speaker 5: then he must help to.
Speaker 6: Put the bill.
Speaker 5: With this citizen the fifth and final, hey you and
Speaker 5: your time's up, come on out, okay, Warden.
Speaker 2: Well let's all kid tell and pick this typewriter. And
Speaker 2: then and how you fix the smokes?
Speaker 6: I do smoke? Are you gonna do anything about but me?
Speaker 2: No, nothing I can do.
Speaker 6: How about how about all that stuff you put down?
Speaker 6: Was that just just a story?
Speaker 2: Yeah, just a story. That's why.
Speaker 7: Hey you, yes, you have just heard.
Speaker 1: Radio City Playhouse attracts in eighteen five Extra Noises, written
Speaker 1: by Charles Lee Hutsings and directed by Harry W. Duncan.
Speaker 1: John Lockin starred as the writer. Others in the cast
Speaker 1: were Paul Nugent, Jack Lloyd, Adelaide Klein, mart Lawrence, Eugene
Speaker 1: Francis and Joe Halgerson. The music was composed and conducted
Speaker 1: by doctor Roy Shield. Radio City Playhouse is supervised for
Speaker 1: the National Broadcasting Company by Richard P.
Speaker 4: McDonough.
Speaker 2: This is Harry Juncan again. Next week The Heritage of
Speaker 2: Wimpole Street.
Speaker 14: The story of what happened when the son of Elizabeth
Speaker 14: Barrett Browning returned to England after his mother's death in Italy.
Speaker 14: It's a warm and beguiling story and we're sure you'll
Speaker 14: enjoy it be with us next week for the Heritage
Speaker 14: of Wimpole Street Attraction nineteen on Radio City
Speaker 1: Playhouse, Robert Warren speaking, This is NBC, the national broadcasting
Speaker 1: company