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Speaker 1: And now the case of a larcenous luck. It's late

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Wednesday night in New York, and in Arnie Kessler's very

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private gambling club on E sixty ninth Street. Tall, handsome,

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gray haired George Watkins stands at the end of the

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dice table, shaking the dice cup in his manicured hand

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and makes his roll. Live's your number right?

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Speaker 2: All? Once again?

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Speaker 1: Watkins shakes the cup, Come on, little five and.

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Speaker 3: Makes his roll seven.

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Speaker 1: Watkins smiles, Riley shrugs lightly, puts down the cup and

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pushes through the crowd. He finds the door to Kessler's

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private office open and walks in.

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Speaker 3: Kessler is seated at the desk.

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Speaker 4: Oh Watkins shout on, thanks, how to go tonight for you? Fine?

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I'm clean, tough luck. I'll bound a change.

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Speaker 5: How's my credit strained the limit? I'm afraid I'll have

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to close the book on you.

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Speaker 2: That's all I wanted to know.

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Speaker 4: Good evening, Kessley, you're down for thirty five grand Watkins.

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Speaker 3: That's a lot of groceries.

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Speaker 4: I understand. I'm a realist, Kesley. Don't fool myself, no

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false pride. So I have to face the fact. The

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moment I'm no big shot. I'm flat bum investment. I'm

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surprised you carried me this far.

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Speaker 3: Oh you'll pay you off.

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Speaker 2: I'm glad you're so sure.

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Speaker 3: It's my business to be sure.

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Speaker 2: In that case, a little more credit.

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Speaker 4: Now, let's not overdo a good thing.

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Speaker 3: Chum. Gotta draw the line somewhere.

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Speaker 4: You know.

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Speaker 5: You just pay that thirty five and you can have

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all the credit you like.

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Speaker 2: All right, I'll get it.

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Speaker 3: You bet you were Watkins, You bet all right? Rex?

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Speaker 4: Here you are?

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Speaker 1: Just sign these papers now I'll run along just a minute, Watkins,

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way to get this? How do you like this phrase?

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You're right, it's corny. Maybe it's better like this now

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it was better before? Rex.

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Speaker 2: Please, I mean i've gotta be going.

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Speaker 1: Okay, Watkins, give me the papers.

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Speaker 2: Here you are, here's an okay.

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Speaker 1: You know it's funny. I had it the right way

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in my head, but it's gone.

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Speaker 3: No.

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Speaker 1: I'll tell you if I could remember, it's terrific.

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Speaker 6: All right, Rex, But look what you're doing.

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Speaker 3: Sign my name.

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Speaker 1: I gotta look for that.

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Speaker 6: Don't you even read what you're signed?

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Speaker 2: Can't be bothered.

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Speaker 1: That's what I pay Watkins for my business manager.

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Speaker 2: Watkins that's right now. Now these checks right.

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Speaker 1: I think you'd be interested interested? And where as is

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and double entries and capital gains. I say it's spinach

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into Watkins with it?

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Speaker 2: Okay? What can say?

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Speaker 1: I don't even get.

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Speaker 4: Back to your work and a long rex goodbye.

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Speaker 1: I'll be saying, yes, I I gotta catch it. It's

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a natural belief. What do you know about him?

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Speaker 3: Watkins?

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Speaker 2: Oh?

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Speaker 3: Great?

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Speaker 1: Save me nearly ten grand income taxes last.

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Speaker 6: Year if you don't even check on him.

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Speaker 1: I read, reader, I know what I'm doing. I make

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the mullah. What can see that? I don't spend it

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faster than I make it. He doesn't spend Oh, for

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the love of paid read mean it?

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Speaker 6: You expect me to marry you? You've got to have

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some sense of responsibility?

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Speaker 3: Yeah?

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Speaker 1: Sure, sure, baby, Maybe there it is. I know I

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get it. You like not bad? Not bad? It's great.

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Speaker 6: What are you doing?

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Speaker 1: Call him my no good of an agent?

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Speaker 6: I'm trying to check not.

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Speaker 1: Now, honey, no hell and hellar and listen. I've got

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another even you will be able to sell it. Who

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whe is at the cold porter of the fifties. I'm

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telling you I've got something that'll make you Rex, who else?

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Speaker 4: Look Rex, before you.

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Speaker 1: Get all will you shut up? You haven't even heard

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it yet? Goes with those lyrics I show you yesterday

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and now listen, do you hear?

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Speaker 4: Yes?

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Speaker 1: Well it's a nice tune, Rex, But no, buts hollo,

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and this is it? How soon can you get it

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to Sinatra?

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Speaker 2: He reasonable?

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Speaker 1: We can now? Look, I don't want any argument all

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the time. I'd bang out songs that sell themselves, you

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try to sit on them. If it wasn't for that contract,

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believe me, brother, you'd be out.

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Speaker 4: But fasten to the corn ball. Where were you before

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I took you over it? Strictly minor leagues? How's the

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big leagues? And you're beating them? Huh?

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Speaker 2: You got a nice tune?

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Speaker 1: I'll go and I can I look, shut up. I

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want you over here this afternoon, and understand that creep

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always got to give me conversation. You think a guy

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get some encouragement once in a while, but no nice tone,

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he says, And you won't even listen?

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Speaker 3: Got it?

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Speaker 1: Yep? About what?

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Speaker 2: Why listen?

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Speaker 1: Rex?

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Speaker 6: Is just that I'm worried you have to turn everything.

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Speaker 1: Over to watch you all right, Look, I'll take it

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once more.

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Speaker 3: Slow.

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Speaker 1: Now try to dig at this time, baby, will you

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when you're getting the chips, you hire yourself a business manager.

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Everybody does it. I'm not the only Thanks.

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Speaker 6: So much for telling me that everybody doesn't just sign

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papers and checks without even knowing what they are.

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Speaker 1: All right, let's not get in a hassle about it.

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Speaker 4: Huh.

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Speaker 6: Well, if we're going to get married, he.

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Speaker 1: Says, we're gonna get married. Well, if it's going to

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be nagnagnago serious, maybe I am. I don't know why.

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We're only trying to be helpful. I don't why you

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have Oh, for Pete's sake, Look, baby, I got a

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great idea banging a lot in my head. I want

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to get it on paper. You have to pitch your

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hissy now. I want you cut it out, honey, honey,

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look gone, listen, will you all right? I'll call what,

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I'll get an appointment. See, he'll explain just how I

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stand financially, black and white. Get it all figured out?

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Speaker 4: Now?

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Speaker 1: Will you please turn off the Niagara and let me

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get to work.

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Speaker 4: Oh, oh, Kessley, hello, Watkins? Might have I come in? No,

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of course not.

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Speaker 3: Thanks.

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Speaker 1: As a matter of fact, I have something for you glad.

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Speaker 2: I heard.

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Speaker 4: You are.

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Speaker 5: Five grand Oh god, at leastn't even thirty.

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Speaker 2: It may take little time.

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Speaker 5: Oh that's all right, just so long as you settle

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up before you leave town.

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Speaker 2: Leave town?

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Speaker 5: What makes you you bought a ticket for Chicago this morning?

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Speaker 2: How do you know? Have you been having me followed?

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Speaker 4: Let's just say I have a very sensitive weed you

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bought you, see Watkins. When I have money outstanding, I

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like to keep in touch. That's why I don't want

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you going away until the account is closed. I should

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have expected this very well, Kesley, You've got no use denying.

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There's the ticket I was leaving. As a matter of fact,

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I'm on a bit of a spot.

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Speaker 2: Let's face it. I I'm trapped.

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Speaker 4: How so, I'll tell you always was one for cards

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on the table.

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Speaker 2: It's like this.

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Speaker 4: That five thousand I just paid you came from rex

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Elber Only Albert doesn't know it. I had counted on

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him for considerably more from time to time. You understand

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I can't rush these things or they show up.

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Speaker 2: Well, he'll Elbert.

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Speaker 4: Call a few minutes ago, wants to go over the account.

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I don't know what's gotten into him. All of a

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sudden but there it is. Have to face it. He

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wants an accounting and I can't possibly explain the check

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I cashed it if it hadn't happened so fast. So

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you were going to run out?

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Speaker 2: Well, what can I do?

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Speaker 4: Perhaps if you give me back that five thousand and

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I return it to Rex, he may not press the charges. Sure,

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I blow five grand.

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Speaker 5: If Albert decides not to play ball, you're in the

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thronhou It was a thought.

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Speaker 3: I don't call that thinking.

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Speaker 1: Well, what can I do?

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Speaker 4: Albert is your only client? You have others. That's why

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I give you credit.

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Speaker 2: How they watch closer. Still, I suppose over a period

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of time I could raise the rest.

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Speaker 3: I take it time.

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Speaker 5: I won't rush things so long as I get payments

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on account like.

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Speaker 3: This every so often.

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Speaker 2: But I don't have time.

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Speaker 4: That's just it.

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Speaker 2: Elbert wants a showdown today.

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Speaker 3: Can't you stall him?

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Speaker 2: Not for long?

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Speaker 4: Only I could keep him from asking about that check.

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That there must be something I can do.

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Speaker 3: Not only there must be watkins that better be.

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Speaker 4: And then does.

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Speaker 1: Okay, now what can I do?

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Speaker 3: Hey?

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Speaker 1: Wait a minute, so what's the idea?

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Speaker 4: Yeah, that's where Mike Waring lives with Falkin Yeah, you him,

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I'm he Howard?

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Speaker 2: Is my name?

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Speaker 4: Vic Hallaran Rex Elvia's agent.

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Speaker 7: Congratulations on what being Elba's agents.

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Speaker 4: He must be a gold mine, gold and goose. More

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like somebody kill him? Oh yeah, that's why I'm here.

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I need a detective. Heard a lot about you. Always

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figure anybody has a reputation. He must have something on

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the board.

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Speaker 7: Oh, concede the point. So we go inside and talk business.

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Speaker 4: No need, I'll want to be a minute. I discovered

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the body. See so I'm on a spot. Cops just

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put me through the ringer. Any reason you should be

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suspected other than discovering the body, and they suspect everybody.

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Oh and you've got nothing to worry about, no more

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than anybody else. All right, it's like this. See who

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likes his agent all the time?

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Speaker 3: Gripes? How come you?

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Speaker 4: I do?

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Speaker 3: There's more for me?

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Speaker 4: Rerex and me head words often loud words. But he's

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my meal ticket. I'm going to knock off my own

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meal ticket.

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Speaker 7: Ah, yes, the golden goose.

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Speaker 2: Get out of what are you wearing?

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Speaker 3: Okay?

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Speaker 4: Hollerin try read of Vaughan war of at the Zigzag Club.

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Speaker 1: You think she did it?

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Speaker 3: She makes up in it.

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Speaker 1: How do you know she's a dame?

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Speaker 2: Rex's current.

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Speaker 4: I believe me in a thing like this, always include

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the dame in. I'll make a note of it, James said, Troup.

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But you can count of nothing but trouble.

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Speaker 1: Alerin, you're speaking of the women I love. Take it

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for me Wearing nothing but trouble, spoken like a confirmed bachelor.

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Speaker 4: Bachelor.

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Speaker 1: I'm paying alimony three ways, Now get on it, Wearing,

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we're in. Mike Wearing has been in Vic Hallarin's employee

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for twenty minutes, just long enough to get from his

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own place to the Zigzag Club where Rita Vaughan has

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just admitted him to her dressing room.

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Speaker 6: All right, just Wearing, Now, what is it?

242
00:11:00,120 --> 00:11:01,399
Speaker 7: Question about it? You're a dame?

243
00:11:02,039 --> 00:11:03,000
Speaker 2: What a detective?

244
00:11:03,159 --> 00:11:04,480
Speaker 7: And dame's a trouble?

245
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Speaker 1: Oh m hmm.

246
00:11:05,840 --> 00:11:07,639
Speaker 7: I have it on your authority of a three time.

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00:11:07,480 --> 00:11:09,559
Speaker 6: Loser and you're looking for trouble.

248
00:11:09,720 --> 00:11:11,720
Speaker 7: Rex Elber's trouble? Were you it?

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00:11:12,399 --> 00:11:15,639
Speaker 1: I was his dame, but I had nothing to do

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with his death.

251
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Speaker 6: So if that's what you want, you might as well

252
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run along.

253
00:11:19,720 --> 00:11:20,799
Speaker 7: Who said, it's all I want?

254
00:11:21,679 --> 00:11:22,360
Speaker 1: I can tell you.

255
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Speaker 4: Who killed Rex?

256
00:11:23,200 --> 00:11:25,279
Speaker 1: If that's what you want, Well, I'd like to get

257
00:11:25,279 --> 00:11:27,240
around with that angel, but I'm in no hurry.

258
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Speaker 6: He's a business manager, George Watkins.

259
00:11:29,159 --> 00:11:31,039
Speaker 1: Why do you say that Rex had an important with

260
00:11:31,080 --> 00:11:31,799
Watkins today?

261
00:11:31,840 --> 00:11:35,200
Speaker 6: To check on watkins handling of Rex's affairs. The murder

262
00:11:35,200 --> 00:11:38,120
was a little too opportune to be a coincidence.

263
00:11:38,360 --> 00:11:39,639
Speaker 7: All right, Rida, I'll check on it.

264
00:11:39,759 --> 00:11:42,440
Speaker 1: Well, you can't check on it here. Hey, you seem

265
00:11:42,480 --> 00:11:43,399
in a hurry to get rid of me.

266
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Speaker 6: I'm on in a few minutes.

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Speaker 1: I'd like to get ready, and the show must go on.

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Speaker 6: You said it, mister Warring. Maybe you think I'm taking

269
00:11:52,320 --> 00:11:57,399
Rex's death to Maybe you think it doesn't mean anything.

270
00:12:00,159 --> 00:12:00,840
Speaker 1: Out of you with.

271
00:12:14,240 --> 00:12:15,200
Speaker 7: Hello, George Watkins?

272
00:12:15,279 --> 00:12:16,919
Speaker 4: Run who wants to know?

273
00:12:17,440 --> 00:12:18,000
Speaker 7: Mike Wearing?

274
00:12:19,039 --> 00:12:23,159
Speaker 4: Well? Well, the fucon this is an unexpected pleasure.

275
00:12:23,759 --> 00:12:24,840
Speaker 1: You must be on a kissing.

276
00:12:25,039 --> 00:12:25,600
Speaker 4: I must be.

277
00:12:25,919 --> 00:12:26,840
Speaker 3: Can I have your drink?

278
00:12:26,919 --> 00:12:27,080
Speaker 7: Oh?

279
00:12:27,120 --> 00:12:31,320
Speaker 4: Thanks? You get around a lot thirty three? I'll come.

280
00:12:31,399 --> 00:12:32,639
You got around here?

281
00:12:33,360 --> 00:12:34,080
Speaker 7: Could be I like.

282
00:12:34,240 --> 00:12:37,600
Speaker 5: Lette, you know better than the buck the house percentage, Well.

283
00:12:38,399 --> 00:12:40,200
Speaker 1: That's no way to encourage business.

284
00:12:40,200 --> 00:12:43,879
Speaker 5: Some kinds of business I can do without. So you're

285
00:12:43,879 --> 00:12:45,639
looking for George Watkins?

286
00:12:45,720 --> 00:12:48,759
Speaker 4: H Yeah, I understand he's the regular patron here. I

287
00:12:48,799 --> 00:12:49,679
wanted to confirm it.

288
00:12:50,240 --> 00:12:51,480
Speaker 3: You expect an answer from me?

289
00:12:52,639 --> 00:12:53,360
Speaker 7: No, I guess not.

290
00:12:54,399 --> 00:12:55,440
Speaker 3: Is that all you wanted?

291
00:12:56,039 --> 00:13:00,360
Speaker 1: Well, i'd like to know how Watkins was doing. No,

292
00:13:00,799 --> 00:13:03,000
I mean, yeah, well I didn't think.

293
00:13:02,879 --> 00:13:05,200
Speaker 4: You tell me I'm not crazy.

294
00:13:05,360 --> 00:13:07,559
Speaker 5: I started talking about my client's affairs, i'd be out

295
00:13:07,600 --> 00:13:08,519
of business fast.

296
00:13:09,080 --> 00:13:10,879
Speaker 1: So that case, I guess I'm just wasting my time

297
00:13:10,919 --> 00:13:11,279
around here.

298
00:13:11,360 --> 00:13:12,960
Speaker 3: I'm glad you realize it might.

299
00:13:12,799 --> 00:13:13,559
Speaker 7: As well be running.

300
00:13:13,559 --> 00:13:17,240
Speaker 5: Oh no, need to run, Wearing, You can walk as

301
00:13:17,279 --> 00:13:18,759
long as it's to the nearest exit.

302
00:13:31,519 --> 00:13:34,840
Speaker 1: Hello, ask Kessler, what is it?

303
00:13:35,039 --> 00:13:35,159
Speaker 4: Oh?

304
00:13:35,240 --> 00:13:38,320
Speaker 1: No, that rex Elbo wanted to county with you today? Well,

305
00:13:38,320 --> 00:13:41,679
I didn't know anyone did accept you. Why Mike Wearing

306
00:13:41,799 --> 00:13:42,440
was just here.

307
00:13:42,399 --> 00:13:44,799
Speaker 4: The falcon He guessed you'd been losing.

308
00:13:44,480 --> 00:13:45,159
Speaker 1: At the tables.

309
00:13:45,320 --> 00:13:47,600
Speaker 2: Oh, dear, he's still guessing.

310
00:13:47,679 --> 00:13:48,879
Speaker 4: I didn't give him anything.

311
00:13:48,840 --> 00:13:51,120
Speaker 2: But if he's checking, I don't thinking.

312
00:13:51,480 --> 00:13:52,559
Speaker 1: But I thought you want to know?

313
00:13:52,840 --> 00:13:54,159
Speaker 2: Yes, yes, thanks Cassley.

314
00:13:54,519 --> 00:13:55,799
Speaker 1: But who could have put him on too?

315
00:13:56,879 --> 00:14:02,320
Speaker 4: Of course that girl what girl Readava never did care

316
00:14:02,360 --> 00:14:04,919
for her style of singing. Maybe I can figure a

317
00:14:04,960 --> 00:14:20,480
way to make her change her tune.

318
00:14:21,240 --> 00:14:24,039
Speaker 1: Hello, readA back again.

319
00:14:24,759 --> 00:14:26,000
Speaker 7: I thought i'd catch the last show.

320
00:14:26,720 --> 00:14:29,320
Speaker 4: But as long as you're table hopping, how about coaching

321
00:14:29,360 --> 00:14:30,080
at mine for a while.

322
00:14:30,080 --> 00:14:31,080
Speaker 6: Well, I only have a minute.

323
00:14:31,200 --> 00:14:36,720
Speaker 4: I'll set over that, all right. I've been checking on Watkins.

324
00:14:36,919 --> 00:14:37,759
Speaker 1: Find out anything.

325
00:14:37,879 --> 00:14:39,399
Speaker 7: Uh huh he likes to gamble.

326
00:14:39,879 --> 00:14:43,799
Speaker 6: Oh well I could explain, uh uh, what's wrong?

327
00:14:44,240 --> 00:14:48,120
Speaker 1: Speak of the devil? Ah, mister Watkins? Hello, Rida, Am

328
00:14:48,200 --> 00:14:51,399
I interrupting anything? As you certainly are? But sit down,

329
00:14:51,480 --> 00:14:54,759
you will devil. I beg your pardon, mister Watkins. This

330
00:14:54,879 --> 00:14:58,200
is Michael Wearing wearing. Oh yes, yes, I've heard of

331
00:14:58,240 --> 00:15:01,000
you from Annie Caslin. Why do you ask that?

332
00:15:01,320 --> 00:15:02,279
Speaker 7: Why don't you answer it?

333
00:15:03,360 --> 00:15:04,320
Speaker 2: I want to talk to Reata.

334
00:15:04,919 --> 00:15:06,080
Speaker 7: Get in the line. I was here first.

335
00:15:06,120 --> 00:15:08,080
Speaker 6: I'm afraid I'll have to disappoint both of your time

336
00:15:08,120 --> 00:15:08,759
for my number.

337
00:15:09,159 --> 00:15:09,679
Speaker 1: See you later.

338
00:15:10,919 --> 00:15:13,480
Speaker 7: It's readA been talking about me wearing ask Rita.

339
00:15:13,639 --> 00:15:14,840
Speaker 2: I intend to all.

340
00:15:15,000 --> 00:15:17,600
Speaker 1: Right, ladies and gentlemen, now here she is a little

341
00:15:17,679 --> 00:15:19,440
lady of all. Been waiting for her to.

342
00:15:19,480 --> 00:15:20,799
Speaker 7: Play and sing for you?

343
00:15:21,600 --> 00:15:22,279
Speaker 1: Read of all.

344
00:15:26,720 --> 00:15:29,200
Speaker 6: Well, I have something that I hope will be a

345
00:15:29,240 --> 00:15:32,000
treat for you. It's a brand new number that I

346
00:15:32,039 --> 00:15:35,639
wrote myself and here it is for the first time anywhere,

347
00:15:35,840 --> 00:15:36,279
hope you I.

348
00:15:54,120 --> 00:15:55,759
Speaker 4: I wonder why she didn't come back to the table

349
00:15:55,759 --> 00:15:57,159
wearing she said something scared.

350
00:15:57,559 --> 00:15:59,000
Speaker 7: Didn't you see her face when she left the floor?

351
00:15:59,039 --> 00:15:59,200
Speaker 3: Walk?

352
00:15:59,200 --> 00:15:59,879
Speaker 2: And how I didn't know?

353
00:16:00,159 --> 00:16:01,440
Speaker 4: That's why I wanted to get back here to the

354
00:16:01,559 --> 00:16:02,080
dressing room.

355
00:16:02,720 --> 00:16:07,919
Speaker 1: It is somebody's in there. Yeah, look out, Watkins.

356
00:16:08,039 --> 00:16:09,120
Speaker 7: Let's see if the stors online.

357
00:16:09,360 --> 00:16:12,080
Speaker 4: Yeah it is, yes, Reda, come to take you in

358
00:16:12,159 --> 00:16:15,120
my arms, not while they're waving shooting irons wearing She

359
00:16:15,240 --> 00:16:17,200
missed and so I see Hollerin, but let's not give

360
00:16:17,200 --> 00:16:17,960
her another shot at you.

361
00:16:18,559 --> 00:16:19,519
Speaker 1: What are you doing here anyway?

362
00:16:19,600 --> 00:16:21,120
Speaker 4: Helling her off? She's a cracky hit me.

363
00:16:21,200 --> 00:16:22,759
Speaker 6: That's why I wrapped the gun. It was self defense.

364
00:16:22,840 --> 00:16:24,039
Speaker 2: She's a cruck a great robber.

365
00:16:24,120 --> 00:16:24,639
Speaker 4: Did you hit her?

366
00:16:24,679 --> 00:16:26,320
Speaker 1: And we were arguing did you hit her?

367
00:16:26,519 --> 00:16:27,039
Speaker 2: What difference?

368
00:16:27,120 --> 00:16:27,679
Speaker 7: Did you hit her?

369
00:16:27,720 --> 00:16:29,799
Speaker 1: Hallarin? Well maybe I did, and the.

370
00:16:29,799 --> 00:16:32,559
Speaker 4: Gunplayer really was self defense, don't But I want Holleran

371
00:16:32,600 --> 00:16:33,000
to tell.

372
00:16:32,919 --> 00:16:35,240
Speaker 7: Me, well, yes, it was all right.

373
00:16:35,759 --> 00:16:38,320
Speaker 4: Then I can let her go, which as I enjoy

374
00:16:38,399 --> 00:16:39,919
holding you in my arms, Da, and I like it

375
00:16:40,039 --> 00:16:41,200
under different circumstances.

376
00:16:42,559 --> 00:16:43,080
Speaker 2: Now, what went on?

377
00:16:43,360 --> 00:16:45,240
Speaker 7: But when I heard her singing that song, did you hear?

378
00:16:46,000 --> 00:16:47,080
I didn't see you in the club.

379
00:16:47,279 --> 00:16:48,879
Speaker 4: I was over the side near the door.

380
00:16:49,320 --> 00:16:50,320
Speaker 1: All right, you heard the song?

381
00:16:50,440 --> 00:16:50,639
Speaker 4: Yeah?

382
00:16:50,840 --> 00:16:51,720
Speaker 3: She said it was her song.

383
00:16:51,840 --> 00:16:52,360
Speaker 2: She made it up?

384
00:16:52,399 --> 00:16:52,600
Speaker 1: I did.

385
00:16:52,679 --> 00:16:55,240
Speaker 4: Rex called here this morning, all hopped up. Here's a

386
00:16:55,279 --> 00:16:57,559
new number. Plays it for me over the phone. It's

387
00:16:57,600 --> 00:16:59,399
this very song, wearing this very song.

388
00:16:59,639 --> 00:17:00,480
Speaker 6: Played it for Rex.

389
00:17:00,519 --> 00:17:01,960
Speaker 1: That's where he got He said it was his.

390
00:17:02,399 --> 00:17:04,079
Speaker 6: We were going to publish it under his name. We

391
00:17:04,079 --> 00:17:05,119
thought it would be more popular.

392
00:17:05,200 --> 00:17:06,799
Speaker 4: Look, I know Rex's style. You can't.

393
00:17:06,880 --> 00:17:09,920
Speaker 6: I know his style too. I was influenced by it.

394
00:17:10,000 --> 00:17:10,480
Speaker 7: I admit that.

395
00:17:10,640 --> 00:17:11,759
Speaker 6: But I wrote that song.

396
00:17:11,880 --> 00:17:13,680
Speaker 1: That's a lie, even if it is halerin. Is that

397
00:17:13,759 --> 00:17:15,759
any call to slug the girl? Or did you just

398
00:17:15,880 --> 00:17:17,240
toss that in because you don't like Dane.

399
00:17:17,319 --> 00:17:19,640
Speaker 4: I couldn't help blowing my lid wearing I'm I'm sorry,

400
00:17:19,680 --> 00:17:20,480
but this crooked doll?

401
00:17:20,599 --> 00:17:20,759
Speaker 2: Right?

402
00:17:20,839 --> 00:17:21,240
Speaker 1: All right?

403
00:17:21,319 --> 00:17:24,559
Speaker 7: Hold it freedom? You say you made up the song?

404
00:17:24,839 --> 00:17:28,039
Speaker 6: When this morning Rex was working on a tune. It

405
00:17:28,119 --> 00:17:30,359
was something like this one, but not the same. What

406
00:17:30,519 --> 00:17:31,160
cans you were there?

407
00:17:31,200 --> 00:17:32,359
Speaker 1: You remember? Well?

408
00:17:32,440 --> 00:17:34,720
Speaker 6: Then Watkins left and Rex and I were talking.

409
00:17:34,599 --> 00:17:36,319
Speaker 1: And all of a sudden it came to it and.

410
00:17:36,400 --> 00:17:37,400
Speaker 7: You played it for Rex, Yes?

411
00:17:37,559 --> 00:17:39,359
Speaker 1: And he played it for Hallerin Yes, And he told

412
00:17:39,359 --> 00:17:41,920
me I know what he told you. Did you play

413
00:17:41,920 --> 00:17:42,480
it for anyone else?

414
00:17:42,519 --> 00:17:43,400
Speaker 7: Read them until the night?

415
00:17:43,519 --> 00:17:43,559
Speaker 4: No?

416
00:17:44,279 --> 00:17:45,839
Speaker 7: And it's just your word against Holarin's.

417
00:17:46,400 --> 00:17:48,920
Speaker 1: Yes, But I too hope to prove Wearing each one

418
00:17:49,000 --> 00:17:50,400
will stick to his own story.

419
00:17:50,720 --> 00:17:52,039
Speaker 7: Oh, I think I approved plenty?

420
00:17:52,160 --> 00:17:53,039
Speaker 2: What can what?

421
00:17:53,839 --> 00:17:57,160
Speaker 7: Who killed rex Elbert? You what I proved? Who killed

422
00:17:57,160 --> 00:17:57,759
rex Elbert?

423
00:17:58,480 --> 00:18:00,440
Speaker 4: Maybe that isn't as important as who wrote the music,

424
00:18:00,519 --> 00:18:01,640
but it should determine who's going.

425
00:18:01,599 --> 00:18:02,119
Speaker 3: To have to face it?

426
00:18:03,000 --> 00:18:03,559
Speaker 2: Who Wearing?

427
00:18:04,720 --> 00:18:06,559
Speaker 7: While considering that Watkins is in deep.

428
00:18:06,400 --> 00:18:09,799
Speaker 4: To Kessler, where'd you get that idea? Maybe from Kesler himself?

429
00:18:09,920 --> 00:18:13,640
Speaker 1: You couldn't. Why not because I because I don't owe him.

430
00:18:13,759 --> 00:18:14,920
Speaker 7: That's not what Kesler told me.

431
00:18:14,960 --> 00:18:17,160
Speaker 1: Watkins, he didn't tell you anything. What makes you so sure?

432
00:18:17,279 --> 00:18:19,400
He told me he didn't, And there must be something

433
00:18:19,440 --> 00:18:23,880
he could make Wearing. I've got the gun from her,

434
00:18:23,960 --> 00:18:25,480
And what good do you think it's going to do you? Now?

435
00:18:25,480 --> 00:18:27,680
This one sure thing won't do you any good if

436
00:18:27,680 --> 00:18:29,519
you make a move. So stay where you are, all

437
00:18:29,599 --> 00:18:29,759
of you.

438
00:18:30,319 --> 00:18:31,240
Speaker 4: I'm getting out of here.

439
00:18:46,640 --> 00:18:49,759
Speaker 1: Fifteen minutes have passed since George Watkins grabbed Rita's gun

440
00:18:49,799 --> 00:18:52,759
and beat a hasty retreat from the Zigzag Club. Mike

441
00:18:52,839 --> 00:18:55,519
has used that time to hurry to Arnie Kessler's apartment,

442
00:18:55,799 --> 00:18:58,319
where Kessler's thug Rocky has just ushered him in.

443
00:18:58,920 --> 00:19:04,160
Speaker 4: Here is mister, Yeah, aren't wearing? What is it this time?

444
00:19:04,880 --> 00:19:05,039
Speaker 3: Well?

445
00:19:05,039 --> 00:19:06,880
Speaker 4: I put you on kind of a spot, Kesser. I

446
00:19:06,960 --> 00:19:09,319
figured I ought to tell you what kind of a spot?

447
00:19:09,839 --> 00:19:12,240
I told George Watkins you tipped me about his oweing you.

448
00:19:12,720 --> 00:19:13,920
He grabbed a gun and cleared out.

449
00:19:14,200 --> 00:19:15,079
Speaker 7: I thought he might come here.

450
00:19:15,519 --> 00:19:16,279
Speaker 4: Thanks for the warning.

451
00:19:17,000 --> 00:19:18,079
Speaker 3: I can take care of myself.

452
00:19:18,640 --> 00:19:20,319
Speaker 7: Sure, still, I thought you ought to know, all right?

453
00:19:20,720 --> 00:19:23,319
Speaker 3: But how come he fel for you bluff?

454
00:19:23,960 --> 00:19:25,240
Speaker 1: Oh? I guess he's out of his elements.

455
00:19:25,960 --> 00:19:28,000
Speaker 4: I imagine it until the day except for a weakness

456
00:19:28,039 --> 00:19:30,200
for gambling, Watkins stuck pretty close to the straight and

457
00:19:30,240 --> 00:19:30,519
the arrow.

458
00:19:31,160 --> 00:19:33,680
Speaker 1: Yeah, and since he really is, And howk to you?

459
00:19:33,960 --> 00:19:35,279
Speaker 7: He's running out or to clinch it?

460
00:19:36,119 --> 00:19:39,119
Speaker 4: How do I know he ran out just because you

461
00:19:39,200 --> 00:19:39,519
say so?

462
00:19:41,799 --> 00:19:43,440
Speaker 1: And I see you're not as green as what cains?

463
00:19:43,720 --> 00:19:44,400
Speaker 3: Disappointed?

464
00:19:44,559 --> 00:19:45,480
Speaker 7: No, I expected it.

465
00:19:46,960 --> 00:19:49,640
Speaker 1: Well, that could be the answer to if I'm bluffing.

466
00:19:49,640 --> 00:19:53,680
Speaker 5: Yeah, Iraqi Okay, And just in case Wearing isn't bluffing you,

467
00:19:53,759 --> 00:19:54,480
that's Watkins.

468
00:19:54,759 --> 00:19:58,400
Speaker 3: Check him for artillery, right, I want to see Kessler?

469
00:19:58,640 --> 00:19:59,960
Speaker 4: Sure, turn around?

470
00:20:00,359 --> 00:20:02,599
Speaker 3: Why so find you're ride wearing. It's Watkins.

471
00:20:02,839 --> 00:20:04,559
Speaker 7: When you get to know me better, Kesler, you'll never

472
00:20:04,640 --> 00:20:04,920
doubt me.

473
00:20:05,119 --> 00:20:07,400
Speaker 4: I'm glad, all right, missus Kessler.

474
00:20:07,480 --> 00:20:10,880
Speaker 2: Here he is, and here's his either wearing.

475
00:20:11,200 --> 00:20:12,759
Speaker 7: Hello, Watkins. I've been expecting you.

476
00:20:13,000 --> 00:20:15,119
Speaker 1: I should have known you are on his side.

477
00:20:15,240 --> 00:20:17,119
Speaker 4: That's what he wants you to think. But if he

478
00:20:17,160 --> 00:20:18,920
shut up and let me do the talk, he certainly

479
00:20:19,079 --> 00:20:22,160
certainly might as well face it. I've bungled again, played

480
00:20:22,240 --> 00:20:24,079
right into his hand. Maybe, But now we have him

481
00:20:24,079 --> 00:20:24,759
on our home ground.

482
00:20:24,839 --> 00:20:25,519
Speaker 2: Please Castling.

483
00:20:25,599 --> 00:20:28,000
Speaker 1: No violence, not what I had in mind.

484
00:20:28,880 --> 00:20:29,599
Speaker 3: At least for now.

485
00:20:31,039 --> 00:20:33,440
Speaker 5: As long as we're both here together. He can't play

486
00:20:33,480 --> 00:20:35,400
one off against the other like he's been doing.

487
00:20:35,599 --> 00:20:37,720
Speaker 7: No, that's not necessary. I've proved my point.

488
00:20:37,799 --> 00:20:39,880
Speaker 4: I wouldn't say so. You rattled Watkins.

489
00:20:39,960 --> 00:20:42,400
Speaker 5: He lost his head and came running to you. Why

490
00:20:42,680 --> 00:20:44,920
to check on what you told him? He thought I

491
00:20:45,480 --> 00:20:46,599
might have lied about him.

492
00:20:46,960 --> 00:20:48,319
Speaker 4: Do you mean he wanted to see if you told

493
00:20:48,359 --> 00:20:51,519
the truth about him, it's now use Kesler, and I

494
00:20:51,680 --> 00:20:52,480
know he's in hock to you.

495
00:20:53,319 --> 00:20:54,880
Speaker 1: Now that I know who the murderer is, it's the

496
00:20:54,920 --> 00:20:55,799
only thing that makes sense.

497
00:20:56,160 --> 00:20:59,720
Speaker 5: Oh you know that too, sure, Wearing, I know how

498
00:20:59,720 --> 00:21:03,200
it will out of the talking, Watkins, Are you suggesting

499
00:21:03,279 --> 00:21:04,920
that Watkins.

500
00:21:04,599 --> 00:21:05,519
Speaker 4: Killed Elbow when?

501
00:21:06,240 --> 00:21:06,319
Speaker 3: Oh?

502
00:21:06,359 --> 00:21:09,440
Speaker 7: I haven't said that, But you shouldn't jump the conclusions, Watkins.

503
00:21:09,759 --> 00:21:13,240
Speaker 4: Well, but then I don't understand unless you think I'm

504
00:21:13,279 --> 00:21:15,319
the murderer. What difference does it make if I owe

505
00:21:15,359 --> 00:21:17,839
Kessler money? My relation to him doesn't affect anyone else.

506
00:21:17,920 --> 00:21:18,839
Speaker 7: It affects Kessler.

507
00:21:18,880 --> 00:21:21,440
Speaker 1: And but surely you can't think he killed Rex. Why

508
00:21:21,519 --> 00:21:22,799
they didn't even know each other.

509
00:21:23,079 --> 00:21:23,880
Speaker 7: I know they didn't.

510
00:21:24,440 --> 00:21:27,960
Speaker 4: Well then, oh wait, Elba demanded an accounting with you today,

511
00:21:28,000 --> 00:21:28,640
didn'ey Watkins?

512
00:21:28,759 --> 00:21:29,559
Speaker 1: Never mind, don't answer.

513
00:21:29,599 --> 00:21:30,319
Speaker 7: But you know he did.

514
00:21:31,000 --> 00:21:31,400
Speaker 1: And you've been.

515
00:21:31,359 --> 00:21:33,799
Speaker 7: Juggling your count to pay off Kessler. So you get panicked?

516
00:21:33,920 --> 00:21:37,559
Speaker 4: Well, shut up, Watkins, Yes, all right, you told Kesler

517
00:21:37,599 --> 00:21:38,400
about the spot you were in.

518
00:21:38,960 --> 00:21:40,839
Speaker 7: You paid off part of what you owed him, but

519
00:21:40,920 --> 00:21:42,000
there was still a heavy balance.

520
00:21:43,279 --> 00:21:44,240
Speaker 1: Elba sent you to jail.

521
00:21:44,319 --> 00:21:47,160
Speaker 4: Kessler would never get his balance, so he killed Elbert

522
00:21:47,200 --> 00:21:50,039
to protect his investment new So that's how many times

523
00:21:50,079 --> 00:21:52,319
do I have to tell you to shut up? Watkins?

524
00:21:52,519 --> 00:21:53,920
Speaker 1: I'm the one you have to shut up, Kesler.

525
00:21:54,279 --> 00:21:56,039
Speaker 4: But before you decide on the rough play you so

526
00:21:56,160 --> 00:21:59,480
thoughtfully postponed, before you ought to know the police know

527
00:21:59,599 --> 00:22:00,240
I came up here.

528
00:22:01,400 --> 00:22:03,400
Speaker 7: Yeah, I think I'd have stuck my neck out like this.

529
00:22:03,519 --> 00:22:17,759
Speaker 4: Otherwise, let's face it, Kessler, the jig is up. One

530
00:22:17,839 --> 00:22:21,559
thing I don't understand wearing what's that hollerin you set?

531
00:22:21,640 --> 00:22:24,200
My argument with Rita about the song is what tipped

532
00:22:24,240 --> 00:22:26,880
you to the murderer, as it did. But if Kessler's

533
00:22:26,880 --> 00:22:29,359
the murderer, he had nothing to do with the song.

534
00:22:29,640 --> 00:22:32,960
That's just the point. What he didn't know Elbert had

535
00:22:33,000 --> 00:22:35,359
nothing to do with him, then how could love calrain?

536
00:22:36,160 --> 00:22:38,960
Regardless of who really wrote the song? Either way, we

537
00:22:39,079 --> 00:22:41,279
know that until last night, only you and Rita and

538
00:22:41,359 --> 00:22:44,359
Elbert had ever heard the song. Right, Yes, but when

539
00:22:44,359 --> 00:22:46,359
I was at Kessler's before Rita played it at the club,

540
00:22:46,640 --> 00:22:49,920
Kessler was humming the song. He was he was, so

541
00:22:50,000 --> 00:22:52,519
I knew he must have been at Albert. Remember, Elbow

542
00:22:52,559 --> 00:22:54,599
was at the piano when he was murdered. He must

543
00:22:54,599 --> 00:22:56,720
have been playing the tomb and Kessler killed him. And

544
00:22:56,839 --> 00:23:00,559
I see, so that takes care of the murder. How

545
00:23:00,640 --> 00:23:01,680
everything is subtled.

546
00:23:01,400 --> 00:23:03,240
Speaker 7: Except who really wrote the song?

547
00:23:04,000 --> 00:23:07,480
Speaker 4: Oh that that's settled too, Yeah, yes, I was wrong,

548
00:23:07,960 --> 00:23:10,160
Rita wrote it all right. We had a long talk

549
00:23:10,200 --> 00:23:13,200
and she convinced me. Oh yeah, yeah, yeah, quite a

550
00:23:13,319 --> 00:23:15,079
dame wearing, Quite a dame.

551
00:23:15,799 --> 00:23:16,839
Speaker 7: But who didn't like dames?

552
00:23:17,079 --> 00:23:17,359
Speaker 1: Who me?

553
00:23:18,119 --> 00:23:20,559
Speaker 4: All I said was anybody who falls for a day

554
00:23:20,640 --> 00:23:25,880
must be nuts, well wearing shake hands with Napoleon Bonaparte,