WEBVTT

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<v Speaker 1>Hello, and welcome to Deep Blue Sea the podcast. I

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<v Speaker 1>am Mark Shark writer Hofmeyer, and I am Jay.

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<v Speaker 2>This is Bess Clerks. Welcome to your board. Deeply see

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<v Speaker 2>the podcast. On this show, we've been through the entire

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<v Speaker 2>Deep Blue Sea traergy scene by scene we're doing again.

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<v Speaker 2>We've already won for guests and this is Deep c one,

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<v Speaker 2>chapter thirty one. What happens in chapter thirty one, Let's

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<v Speaker 2>have a listen.

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<v Speaker 3>Howter tries to climb out of the water. He's in

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<v Speaker 3>the wholesome of fallen latter runs. The shark nears, so

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<v Speaker 3>he gives up and swims down. Opting is said to

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<v Speaker 3>wrangle the shark it sends his teeth in a terrifying manner.

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<v Speaker 3>How to grab the sharks fin and rise it to

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<v Speaker 3>the surface. Meanwhile, Preacher is alive and climb out of

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<v Speaker 3>the tower with the hopoon gun as the whole audience cheers.

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<v Speaker 3>Carda takes a deep breath as the sharks emerges again,

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<v Speaker 3>dragging him along. Richard painfully stands his feet on top

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<v Speaker 3>of the tower as a shark takes Carter on an

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<v Speaker 3>underwater tour through the struts and bowels of Aquatico. Preacher

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<v Speaker 3>raised the gun. As the shark surfaces with Carter still

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<v Speaker 3>clinging on, Preacher takes aim.

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<v Speaker 4>All right, lord dune it breage, this is the scar

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<v Speaker 4>shoot it.

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<v Speaker 3>He fires the bolt, whizzing through the air, go through

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<v Speaker 3>the shark's fin and Carter's thigh.

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<v Speaker 4>Ah wow, wod preach low it the battery it.

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<v Speaker 3>The gun is wrenched from Preacher's hand as Carter struggles

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<v Speaker 3>to extricate himself from the bolt it. Carter is dragged

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<v Speaker 3>back underwater as Preacher picks at the table end and

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<v Speaker 3>considers his choices.

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<v Speaker 2>So that was DEPC one, Chapter toty one. We have

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<v Speaker 2>a wonderful guest, johnn Yesterday. He becomes highly recommended from

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<v Speaker 2>our former guest Maria Lewis, who is directing an upcoming

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<v Speaker 2>film called untitled Shark movie that we cannot wait to see,

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<v Speaker 2>and he's actually in it and provided some shark expertise

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<v Speaker 2>for the production of it. We're looking forward to him,

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<v Speaker 2>he says. It's doctor Darren McPhee. Darrel, welcome to the show.

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<v Speaker 5>Thank you for having me.

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<v Speaker 2>Thrilled to have you here. We love having shark experts

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<v Speaker 2>on the show because this is a shark movie and

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<v Speaker 2>Mark and I just kind of like sharks. But we

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<v Speaker 2>like to talk to people who like form even more

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<v Speaker 2>than we do, and you.

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<v Speaker 1>Stay busy out there. I've been reading your article or articles.

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<v Speaker 1>It seems like every time something happens in Australia or beyond,

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<v Speaker 1>you get a call. So I've been reading a lot

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<v Speaker 1>of your interviews about like repopped, like moving away tiger sharks,

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<v Speaker 1>but then they just come back months later, and like,

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<v Speaker 1>I've learned a lot about the shark ecosystem in Australia

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<v Speaker 1>today reading your your interviews and articles. So I appreciate that.

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<v Speaker 5>Go thank you. Yes, it's certainly. I certainly do a

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<v Speaker 5>lot of media. Some of the media you'll see sort

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<v Speaker 5>of quite fun. It's designed that way, so more lighthearted

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<v Speaker 5>and more infotainment. But obviously it's very different when I'm

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<v Speaker 5>talking directly about an actual serious Bindo fatality. So you'll

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<v Speaker 5>see that very deliberate and legitimate change in time from

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<v Speaker 5>discussions and those sorts of discussions at the time, we

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<v Speaker 5>are very difficult, it's very heightened stress, and my focus

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<v Speaker 5>is always on the victim, the first responders in their family.

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<v Speaker 1>Absolutely. Yeah, yeah, So I have a question, what's your

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<v Speaker 1>what Sorry to jump in this, But what's your history

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<v Speaker 1>of Deep Blue Sea? By the way, Like, this is

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<v Speaker 1>a random show for you to be on, but I

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<v Speaker 1>just want to know if you love it, right, this

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<v Speaker 1>is your second favorite shark film behind Jaws? Correct, it is.

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<v Speaker 5>It's the second My second favorite shark film behind Untied

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<v Speaker 5>Shark movie hasn't been shot yet. I think I'm contractually

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<v Speaker 5>obliged to say that. But no, Look, I'm I've got

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<v Speaker 5>my next book coming out of Sharks down Under. So

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<v Speaker 5>in that book, I've sort of have a whole section

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<v Speaker 5>of sharks in the media, which is now sort of

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<v Speaker 5>more sharks in movies. So it's a bit of a

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<v Speaker 5>content analysis there. So whilst I white claim to have

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<v Speaker 5>watched the about one hundred and nine shark movies, is

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<v Speaker 5>obviously a couple that are that are standing out. It's

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<v Speaker 5>Jaws is obviously the og, but obviously Deep Blue Sea

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<v Speaker 5>given the caliber of actors and actresses that were in

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<v Speaker 5>it and so more attention to detail, it was a

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<v Speaker 5>movie that clearly try to elevate itself and succeededstrom above

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<v Speaker 5>that b level to something that was there was a

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<v Speaker 5>little bit more.

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<v Speaker 1>Substantive, and I love all movies do that this could

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<v Speaker 1>have been a B level film, but they threw seventy

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<v Speaker 1>million dollars at it. There's some very good set pieces,

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<v Speaker 1>and the sharks by Walt Conti, looked great. I think

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<v Speaker 1>the makos look gorgeous. I mean I've watched the videos

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<v Speaker 1>and the like, you know, marine biologists, people like shark experts.

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<v Speaker 1>They say that the animatronics, not the VFX, look gorgeously

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<v Speaker 1>kind of like makos that have been genetically modified. And

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<v Speaker 1>that makes me happy about this movie, like they actually

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<v Speaker 1>did it right ish.

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<v Speaker 5>Yeah. Look, I think we should never expect them to

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<v Speaker 5>be one hundred percent accurate, but it certainly didn't look

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<v Speaker 5>like a Maco Sharks, didn't look like a parody of

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<v Speaker 5>a Maco Shark. They looked pretty good. And particularly since

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<v Speaker 5>it's we're not talking about a movie that was shot

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<v Speaker 5>this year or last year, it's got a bit of uh,

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<v Speaker 5>it's a while ago, so for its time, it's excellent.

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<v Speaker 1>Yeah, I love it.

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<v Speaker 2>The chapter to about Today has my favorite bit with

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<v Speaker 2>the sharks in it, which is when the teeth kind

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<v Speaker 2>of come out a bit more. I'm not sure what

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<v Speaker 2>the term is for it, but as it's kind of

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<v Speaker 2>like about to bite, about to attack car to the

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<v Speaker 2>teeth just kind of come out more. I haven't seen

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<v Speaker 2>that in any other film, and that's always like a

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<v Speaker 2>visual that's stuck in my head as like being that

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<v Speaker 2>shot from this this this scene. Is that accurate? Does

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<v Speaker 2>that happen with with with Mako sharks or sharks in general?

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<v Speaker 2>Do the teeth extend when required?

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<v Speaker 5>It does? Hey, so, and it's believed to be. Yeah,

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<v Speaker 5>look at it. It's great. And that obviously struck me

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<v Speaker 5>cinematically as well, thinking geez, that's a good shot, and hey,

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<v Speaker 5>they've got that right. So it does. And there's several different,

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<v Speaker 5>several different explanations for that. One is and it pushes

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<v Speaker 5>the sharks jewels closer to its price, sort of an

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<v Speaker 5>extra second the bit that and I've slowed down that

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<v Speaker 5>bit and watched it several times and it's hinted at

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<v Speaker 5>but it's not clear, and that's fine. Is that the

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<v Speaker 5>other part of that binding reaction is that the the

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<v Speaker 5>shark's eyes roll back and that happens naturally, and it

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<v Speaker 5>is just hinted in that scene as well fleetingly. So

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<v Speaker 5>that's an adaptation to protect the shark's eyes when it's

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<v Speaker 5>going in to bite something.

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<v Speaker 2>We talked about that briefly on our previous chapter, because

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<v Speaker 2>as the shark kind of smells or senses the blood

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<v Speaker 2>in the water from when Susan cuts her hand, you

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<v Speaker 2>see the shark's eyes go from white to black and

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<v Speaker 2>then just about to attack Susan and they go back

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<v Speaker 2>here from black to white again. So I'm guess I'm

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<v Speaker 2>assuming that's also accurate when it senses the blood go black.

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<v Speaker 5>It is. And look, in terms of the Maco Shark,

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<v Speaker 5>it was just good to see the Maco Shark get

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<v Speaker 5>its day in the sun. That given that it's on

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<v Speaker 5>the Jaws poster, but it wasn't even credited.

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<v Speaker 1>Oh wait, that was a there's a maker in the Jaws.

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<v Speaker 1>That was a makeup on the Jaws poster.

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<v Speaker 5>The poster is in Mico Shark.

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<v Speaker 1>Yeah wait, well you're.

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<v Speaker 5>Obviously that's ally at the time determined that.

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<v Speaker 1>Yeah.

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<v Speaker 5>Look, Hollywood at the time must have determined, as Hollywood

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<v Speaker 5>did did they wanted something more slender than the slightly

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<v Speaker 5>rotund front end of a white shark, so they shoved

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<v Speaker 5>in a Mico shark.

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<v Speaker 2>That's amazing.

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<v Speaker 1>Yeah, We've been doing this podcast since twenty twenty and

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<v Speaker 1>I never knew that. And I do a lot of research.

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<v Speaker 1>I'm a researcher. I've never I never realized that you

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<v Speaker 1>just made my night and you made Jay's morning and

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<v Speaker 1>then you're more. That's amazing. That makes me so happy.

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<v Speaker 1>Like all I asked for movies is for them to try.

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<v Speaker 1>Like you know, I played tennis for years and I

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<v Speaker 1>would watch movies about tennis, and the tennis was horrifying

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<v Speaker 1>and it just really depressed me. Or I worked on

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<v Speaker 1>a lot of film sets, and you know, movies about

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<v Speaker 1>making movies, they're just so bad. Sometimes they don't try,

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<v Speaker 1>and I get frustrated by that. So it's kind of

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<v Speaker 1>nice when you see something and people are like, obviously,

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<v Speaker 1>you can't show a real movie being made in a

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<v Speaker 1>movie because you got to have some entertainment value because

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<v Speaker 1>it's mainly just people in like cargo shorts yelling at

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<v Speaker 1>each other. Like it's not exciting at all, but it's

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<v Speaker 1>it's nice when you see like something on screen where

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<v Speaker 1>people actually tried or they did something smart. So it's

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<v Speaker 1>kind of neat that they had the eyes roll back

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<v Speaker 1>and the teeth come out. That that makes me happy

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<v Speaker 1>like this, you know, I think a lot of movies

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<v Speaker 1>don't try that, and at least this one did.

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<v Speaker 5>I do, and I'm trying. And it's not a criticism

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<v Speaker 5>all because it's done in all movies. Is it something

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<v Speaker 5>that if I was giving advice ter make it even

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<v Speaker 5>more realistic? The sharp PI point of view shots, the

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<v Speaker 5>po view shots. It's in standard color. I've sort of

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<v Speaker 5>tweaked into shark vision, which would be more of a

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<v Speaker 5>high black and white highlight contrast. So I've always thought

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<v Speaker 5>that would have been visually a nice visual addition to

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<v Speaker 5>sort of drawing the drawing the viewer's attention. Again, Also,

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<v Speaker 5>it's black and white. What's happened? Oh that's how sharks

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<v Speaker 5>see things.

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<v Speaker 2>We're talking about the Anaconda franchise on this show as

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<v Speaker 2>well sometimes and a recent one had like a snake

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<v Speaker 2>vision where everything was yellow down the center of the screen.

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<v Speaker 2>So I don't know, I just how we need to

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<v Speaker 2>get a herpatologist on for that. I guess I don't

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<v Speaker 2>know how accurate that is.

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<v Speaker 5>But yeah, yeah, I don't do snakes, so so I

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<v Speaker 5>won't comment on snake vision. It's not my thing.

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<v Speaker 1>No worries note to sell. Yeah, I won't call you

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<v Speaker 1>about that. I'm an entomologist friend. But I don't have

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<v Speaker 1>a herpetologist friend. We need to, we need to, we

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<v Speaker 1>need to find somebody. Jay.

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<v Speaker 2>Yeah, I've got a bug guy as well. You've got

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<v Speaker 2>to have a bug guy in your life. You've got

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<v Speaker 2>to have something. You find a random bug center, a picture, Hey,

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<v Speaker 2>what's this?

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<v Speaker 1>They help on we talk about Starship Troopers for sure.

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<v Speaker 2>I was a guest on King Kong. Talk about the

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<v Speaker 2>bug scene. I send him like, hey, Pool, are these accurate?

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<v Speaker 1>And he's like, no, that's a horrifying scene right there.

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<v Speaker 1>Have you seen the King Kong scene, doctor Darryl?

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<v Speaker 5>I haven't.

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<v Speaker 1>No.

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<v Speaker 2>Jackson's two thousand and five King Kong remake. It's one

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<v Speaker 2>of my favorite films.

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<v Speaker 1>It's horrifying because you're like, I'm watching King Kong, this

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<v Speaker 1>is great. And then there's this nightmare scene in a

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<v Speaker 1>in a cavern with these bugs attack and Andy, I

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<v Speaker 1>won't say anything, but it gets it gets pretty gnarly,

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<v Speaker 1>So I like it. I like that a lot. Real quick,

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<v Speaker 1>what do you think about the the there's some good

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<v Speaker 1>shark movies coming out of Australia last year with dangerious

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<v Speaker 1>animals and a beast of war and what was the

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<v Speaker 1>other one Jay with the truck below Fear below. Did

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<v Speaker 1>Were you able to watch any of those or did you?

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<v Speaker 5>I haven't the first The first two are on my

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<v Speaker 5>list because I've sort of in my book, I've sort

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<v Speaker 5>of discussed the shark movies made and shot in Australia

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<v Speaker 5>and where they've been shot. So the other two I

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<v Speaker 5>need to first two in particular, I need to go

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<v Speaker 5>and sort of a have a look.

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<v Speaker 1>At got It. Yeah, it's interesting, Beat as well. Yeah,

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<v Speaker 1>Pete's good. Yeah, Beat Beat three D. The all the

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<v Speaker 1>filmmakers though, they basically said they wanted to make a movie,

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<v Speaker 1>and the producers just told them, like, listen, just make

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<v Speaker 1>a shark movie, put a shark in it. And then

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<v Speaker 1>they were able to kind of get projects off the ground.

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<v Speaker 1>So it's kind of interesting in this climate where you know,

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<v Speaker 1>you toss a shark in it, it's a lot easier

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<v Speaker 1>to get funding. They're kind of just universally play across

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<v Speaker 1>the world, don't they. It is.

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<v Speaker 5>One of the first shark movies was Tiger Shark I

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<v Speaker 5>think it was in nineteen thirty two, which was a

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<v Speaker 5>romance drama, and the shark bit was that the the

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<v Speaker 5>Maya lead had his was a tuna fisherman who had

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<v Speaker 5>his hand bitten off by a shark. So so obviously,

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<v Speaker 5>if you're going to call it tiger shark, you're going

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<v Speaker 5>to call a movie tiger shark. These days, you want

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<v Speaker 5>more shark than they were able to put in the

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<v Speaker 5>movie in nineteen thirty two. Yeah, but yeah, So look,

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<v Speaker 5>there's a long cinematic history of sharks. It actually started

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<v Speaker 5>before Jaws. But as I said before, Sharks of the

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<v Speaker 5>Jaws is the og of shark movies.

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<v Speaker 1>Yeah, how has that worked against her for you? Like

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<v Speaker 1>for conservation? And I mean, you know, I guess I've

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<v Speaker 1>always loved shark movies that They've always been my thing.

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<v Speaker 1>But I've never been like, yeah, I'm gonna go kill

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<v Speaker 1>a shark because you know, Jaws is terrible. I'm like,

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<v Speaker 1>that's their turf. So I've never been like had that reaction.

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<v Speaker 1>But has it been like I would assume most people

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<v Speaker 1>watching movies don't take it too seriously this month like

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<v Speaker 1>that fear, but like, how has that herder help their

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<v Speaker 1>plate in the decades since Jaws? Oh?

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<v Speaker 5>Look, it's a it's a bit of a dilemma. I think,

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<v Speaker 5>certainly in the US after Jaws, Like in the immediate

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<v Speaker 5>aftermath of the release of the movie, there was certainly

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<v Speaker 5>a lot more active shark shark hunting, including to extract

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<v Speaker 5>the Jaws, then including for large sharks such as great

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<v Speaker 5>whites and make coast. Look, there's a diversity views in

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<v Speaker 5>the scientific community on them. My view is that shark

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<v Speaker 5>movies are not going to go away.

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<v Speaker 2>With an accounting on it.

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<v Speaker 5>Yes, yes, you are, so. Again, it comes down to

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<v Speaker 5>they're not set for I actually I'm actually was more

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<v Speaker 5>critical historically if the Discovery Channel for Discovery Channel marketing

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<v Speaker 5>fictional stories as documentaries, and there was a history of

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<v Speaker 5>them doing.

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<v Speaker 1>That, or the Mermaid one, Yeah, the.

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<v Speaker 5>Mermaid one, the Shark of Darkness is there is the

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<v Speaker 5>other one where there was a fictitious Meglodon that was

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<v Speaker 5>marketed as killing killing people off South Africa and those

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<v Speaker 5>bites didn't occur. I think that's actually a more concern

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<v Speaker 5>than obviously fictional stories deep Blue Sea, Sharknado, et cetera. So,

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<v Speaker 5>and look, most students are fascinated by sharks, and most

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<v Speaker 5>students come from a wide range of places. They're not

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<v Speaker 5>environmental science students. Mostly they're business students from from Boston.

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<v Speaker 5>They're all sorts of students from Norway, Sweden, and I

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<v Speaker 5>asked about why what this fascination is with sharks, and

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<v Speaker 5>we're just I just love them, we love watching them

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<v Speaker 5>in movies, we feed them, and we want to know

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<v Speaker 5>more about them. So there's two sides to that coin. So,

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<v Speaker 5>and I haven't known anybody in a contemporary sense. Suddenly

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<v Speaker 5>the young people that's watched a shot movie and then

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<v Speaker 5>thinks I bet a gout and kill all the shops. Yeah,

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<v Speaker 5>I'm saying to be a seventies thing rather than a

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<v Speaker 5>twenty twenties thing.

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<v Speaker 1>Got it? Yeah, you know one interesting thing. And you're

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<v Speaker 1>right about the like movies portraying themselves real. And in

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<v Speaker 1>twenty ten, when I was working on my masters it's

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<v Speaker 1>in media and communication studies, I did a thing about

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<v Speaker 1>shark finning and how just there's thousands upon thousands upon

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<v Speaker 1>thousands of articles about shark attacks, but then there were

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<v Speaker 1>very few about the finning of sharks, which is killaid millions.

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<v Speaker 1>And I don't want to get political or whatever, like

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<v Speaker 1>you know, talk about cultural reasons, but it's interesting how

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<v Speaker 1>you don't need you don't need like a fake a

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<v Speaker 1>shark movie portraying it as real, because there's already enough

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<v Speaker 1>out there about the shark attacks around the world because

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<v Speaker 1>people are fascinated by that. But I just thought that

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<v Speaker 1>was kind of a bummer that, like millions of sharks

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<v Speaker 1>being killed, but then like we're talking like a thousand

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<v Speaker 1>times the amount or just about the attacks. So it's

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<v Speaker 1>just I don't know. Yeah, I guess you don't. You

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<v Speaker 1>don't need more of that out there.

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<v Speaker 5>Yeah, No, I think you're right.

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<v Speaker 1>Yeah, Hey, Jays, I think that's the first time I've

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<v Speaker 1>ever been one hundred percent right.

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<v Speaker 2>I like that, I think so, Yeah, we'll mark it

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<v Speaker 2>on the calendar. And so we had another shark expert

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<v Speaker 2>on recently and we asked him this question too. Is

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<v Speaker 2>there a shark your favorite shark that hasn't appeared in

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<v Speaker 2>films that you've seen yet? Do you have like a

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<v Speaker 2>shark you want to see get its its day in

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<v Speaker 2>the sun.

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<v Speaker 5>Absolutely, And that don't have to be a tiny shark,

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<v Speaker 5>the cookie cut of shark.

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<v Speaker 2>Yeah, he said the same one.

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<v Speaker 5>There we go, just because of all the of all

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<v Speaker 5>the diversity of sharks, we've got this little weirdo that

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<v Speaker 5>runs around with ridiculous teeth and just goes up to

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<v Speaker 5>a while or a dolphin and drills a hole in

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<v Speaker 5>it and takes a plug of flesh.

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<v Speaker 1>And wheel and a dolphin.

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<v Speaker 5>Yes, so there's yes. They attack pray much larger than

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<v Speaker 5>themselves and they just take a chunk out is his

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<v Speaker 5>nice circular ta literally is a cookie cutter and eats

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<v Speaker 5>it and swims off and hangs around for the next bite.

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<v Speaker 5>There's one shark bite. There's one. One actual shark bite

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<v Speaker 5>in Australia was from a cookie cutter shark in Townsville,

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<v Speaker 5>so in Queensland, so adjacent to the Great Barrier Reef.

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<v Speaker 5>It swam through a swimming enclosure and bit an eight

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<v Speaker 5>year old boy on the leg and took off. And

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<v Speaker 5>then there was an around the world sailor who was

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<v Speaker 5>sailing in his inflatable boat, had pretty much circumnavigated most

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<v Speaker 5>of the globe and as soon as he entered Australian waters,

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<v Speaker 5>the cookie cutter sharks drilled holes in his inflatable boat.

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<v Speaker 5>So that's just classic Australia. But look, I just think

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<v Speaker 5>if a cookie cutter shark didn't exist and it appeared

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<v Speaker 5>as a fictional shark in a movie, people would say, geez,

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<v Speaker 5>that's weird, but it actually exists.

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<v Speaker 1>And they should genetically modify it, make them eight feet

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<v Speaker 1>long and then a storm happens and they get let loose.

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<v Speaker 5>That seems to me. Yeah, that'd be close. Imagine that.

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<v Speaker 5>And I thought cookie cut a shark it coun drill

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<v Speaker 5>holes in anything.

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<v Speaker 1>But yeah, and also like evolutionary wise, it's smart that

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<v Speaker 1>they're small, right, because they can just do hidden runs

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<v Speaker 1>on larger things, Like it makes sense, like a mosquito.

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<v Speaker 1>They're so small they can just get on you and

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<v Speaker 1>get off. They're bigger, they could get most easier. Like,

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<v Speaker 1>that's pretty pretty good evolutionary trade of theirs, just to

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<v Speaker 1>get in and out right.

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<v Speaker 5>Absolutely, and from from a memory, that's sort of the

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<v Speaker 5>trade of salmon way for a mile seven. You either

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<v Speaker 5>need to be large or you need to be small.

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<v Speaker 1>Yeahs would go upstream, yes, and to reproduce to that

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<v Speaker 1>makes sense.

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<v Speaker 2>I mean that there is a that has cookie Cutt

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<v Speaker 2>of sharks in it, which is Shark Night three D

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<v Speaker 2>from twenty to eleven, which has like a bunch of

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<v Speaker 2>different sharks in it, which mark Mark Clakes far more

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<v Speaker 2>than I who.

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<v Speaker 1>Yeah, film it's like a bunch of spring breakers. Go

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<v Speaker 1>to a Louisiana somewhere in these black market guys like

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<v Speaker 1>they have sharks and they film people getting eat by

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<v Speaker 1>sharks and sell them on the black market.

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<v Speaker 5>And one of the yes, funny, funny, you mentioned spring breakers.

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<v Speaker 5>So my movie analysis suggests that the biggest risk of

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<v Speaker 5>someone being killed in a movie by a shark is

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<v Speaker 5>to be a college student, typically on spring break, to

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<v Speaker 5>be female, and to be wearing a two piece bikini,

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<v Speaker 5>not a one piece swimsuit. So that's that's the factors

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<v Speaker 5>which increases the risk in movies of somebody being killed

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<v Speaker 5>by a shark.

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<v Speaker 2>I'm just watching Mark's eyes go wide, because he loves

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<v Speaker 2>doing these stats I'm known.

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<v Speaker 1>For, like my d I figured out how far the

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<v Speaker 1>sharks swam and jaws avenge. I figured out how the

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<v Speaker 1>creature followed and it follows. I figure out how much

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<v Speaker 1>it was in the money stack at dark night. It's

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<v Speaker 1>like the data that you just dropped on me. I'm

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<v Speaker 1>both happy and jealous what you came up with.

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<v Speaker 2>It's just watching Mark's face was one.

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<v Speaker 1>It's like why I was like, this is amazing, But

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<v Speaker 1>why haven't I thought of that yet? I gotta see

386
00:20:19.839 --> 00:20:21.839
<v Speaker 1>these results when your book comes out, I'll buy it.

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00:20:21.880 --> 00:20:24.759
<v Speaker 1>I'll be uh yeah, and look.

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<v Speaker 5>And and and we're introduced to the shark in Deep

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<v Speaker 5>Blue Sea early in the movie in a similar scenario

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<v Speaker 5>with the group on the boat when the wine spills

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<v Speaker 5>in the water.

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<v Speaker 1>Yeah, I one dice surve It's kind of crazy that

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<v Speaker 1>the shark lets them live, but the shark just wanted

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<v Speaker 1>to get caught. It was like a test because as

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<v Speaker 1>soon as Carter Blake shoots it with that trank, it

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00:20:47.519 --> 00:20:51.079
<v Speaker 1>stops just dead still and the boat goes nowhere. So

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<v Speaker 1>I like smart sharks.

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<v Speaker 5>And it obviously didn't like the vintage of.

399
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<v Speaker 1>It's a cab guy cab so in like, you know,

400
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<v Speaker 1>what do you what are your favorite moments in Deep Lucy?

401
00:21:06.519 --> 00:21:08.519
<v Speaker 1>I mean we talked about Russell Franklin, but how much

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<v Speaker 1>do you love Stellin Scar's guard being taken on a

403
00:21:11.119 --> 00:21:14.000
<v Speaker 1>ride and uses a battering. Does that that brings you joy? Right,

404
00:21:14.039 --> 00:21:16.880
<v Speaker 1>because that's a that's a hilarious not hilarious, but it's

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<v Speaker 1>just a great scene.

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00:21:19.160 --> 00:21:21.480
<v Speaker 5>It is And he's one of my favorite actors since

407
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<v Speaker 5>I watched and or particular second season where he.

408
00:21:25.759 --> 00:21:26.400
<v Speaker 1>Just stole her.

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<v Speaker 5>Where he basically as we all know Star Wars had

410
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<v Speaker 5>a bit of a rocky contemporary time the franchise, but

411
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<v Speaker 5>it was just an out standout performance.

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<v Speaker 1>So yeah.

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<v Speaker 5>And the fact that not even I was expecting him

414
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<v Speaker 5>to lose his h uh to for his arm to

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<v Speaker 5>fall off, and it.

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<v Speaker 1>Just uses a battering round on there. That just makes me,

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<v Speaker 1>I don't know, you know, I know a lot of

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<v Speaker 1>Sam Jackson he gets at the credit, but that that

419
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<v Speaker 1>kill keeps it in the press. But that's still my

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<v Speaker 1>favorite because that shark swims around with him for a

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<v Speaker 1>long time and then uses him as a bat as

422
00:22:07.599 --> 00:22:10.480
<v Speaker 1>a battering I love that someone wrote that in a screenplay.

423
00:22:11.160 --> 00:22:14.559
<v Speaker 1>You know what, he catches a gurn, he swims around

424
00:22:14.559 --> 00:22:17.680
<v Speaker 1>with it us Like, that's that shark day you just

425
00:22:17.759 --> 00:22:20.359
<v Speaker 1>dropped in that scene. Make me very happy. I guess

426
00:22:20.400 --> 00:22:22.839
<v Speaker 1>that brings me a lot of a lot of happiness.

427
00:22:23.279 --> 00:22:27.559
<v Speaker 5>So yeah, it was an original. It was because you're right,

428
00:22:27.599 --> 00:22:28.960
<v Speaker 5>it's just thinking it would have just been a one

429
00:22:29.000 --> 00:22:31.920
<v Speaker 5>line in the screen probably in the screenply us Day

430
00:22:31.960 --> 00:22:36.160
<v Speaker 5>as battering Ram.

431
00:22:34.799 --> 00:22:36.960
<v Speaker 1>And then Renny Harlan's like, I'm gonna go on this

432
00:22:37.200 --> 00:22:40.000
<v Speaker 1>like I'm gonna kill something. Are you a Renny Harland fan.

433
00:22:40.079 --> 00:22:41.640
<v Speaker 1>Have you watched a lot of his other movies, like

434
00:22:41.680 --> 00:22:44.680
<v Speaker 1>die Hard Too? Or you're a Renny guy?

435
00:22:45.599 --> 00:22:49.680
<v Speaker 5>I haven't, no nice.

436
00:22:49.160 --> 00:22:50.960
<v Speaker 1>Jay, what can we recommend for Renni?

437
00:22:50.960 --> 00:22:52.960
<v Speaker 2>I'm I think if he's done in the Australian films,

438
00:22:52.960 --> 00:22:55.640
<v Speaker 2>and I don't think because he's he's directed a lot

439
00:22:55.839 --> 00:23:00.240
<v Speaker 2>around the globe, but I don't think he's gone to Australia.

440
00:23:00.200 --> 00:23:05.039
<v Speaker 1>Not yet. I think Cliffhanger, yeah, is like is the

441
00:23:05.079 --> 00:23:05.440
<v Speaker 1>best ones?

442
00:23:05.519 --> 00:23:06.480
<v Speaker 2>Yeah, Cliffhanger is great?

443
00:23:06.559 --> 00:23:10.039
<v Speaker 1>And what else? Die Hard Too, die Hard Too?

444
00:23:11.559 --> 00:23:12.799
<v Speaker 2>And Kiss good Night?

445
00:23:13.319 --> 00:23:15.519
<v Speaker 1>Yeah, he blows up people real real bad and die

446
00:23:15.519 --> 00:23:18.799
<v Speaker 1>Hard too. You love Renul those killing people hard like

447
00:23:18.880 --> 00:23:22.119
<v Speaker 1>he like in Deep Blue c there's some brutal things

448
00:23:22.160 --> 00:23:23.880
<v Speaker 1>and just imagine that across all of his he's not

449
00:23:23.960 --> 00:23:26.880
<v Speaker 1>content with like just an explosion. There has to be

450
00:23:26.880 --> 00:23:30.160
<v Speaker 1>an explosion next to like a gas tank, which is

451
00:23:30.200 --> 00:23:32.920
<v Speaker 1>next to like a trampoline, and then it's just like

452
00:23:32.960 --> 00:23:36.079
<v Speaker 1>a comical death and it's pretty great. I don't know.

453
00:23:36.759 --> 00:23:39.000
<v Speaker 1>And then also when it when it comes to sharks,

454
00:23:39.039 --> 00:23:40.680
<v Speaker 1>like you know, when Jay and I we watch a

455
00:23:40.680 --> 00:23:42.480
<v Speaker 1>lot of movies and there's just certain moments or like

456
00:23:42.519 --> 00:23:44.400
<v Speaker 1>smart decisions that bring us a lot of joy like

457
00:23:44.519 --> 00:23:46.839
<v Speaker 1>in your life when you hear about sharks, where you

458
00:23:46.880 --> 00:23:49.240
<v Speaker 1>learn about sharks, Like what lately has made you really

459
00:23:49.279 --> 00:23:51.680
<v Speaker 1>happy to learn about? Like what are some cool things

460
00:23:51.680 --> 00:23:53.960
<v Speaker 1>that have just put a smile on your face when

461
00:23:54.000 --> 00:23:58.400
<v Speaker 1>you've learned about learned about them.

462
00:23:58.599 --> 00:24:04.079
<v Speaker 5>Look, it's not exciting for the average hunter, as we'd

463
00:24:04.119 --> 00:24:07.359
<v Speaker 5>say in Australia, but sort of working on sort of

464
00:24:07.440 --> 00:24:12.119
<v Speaker 5>shark deterrence and in particular trying to trying to work

465
00:24:12.160 --> 00:24:16.200
<v Speaker 5>through what works, what doesn't work, and sort of helping

466
00:24:16.240 --> 00:24:21.240
<v Speaker 5>with the marketing of the things that do work. The

467
00:24:21.319 --> 00:24:27.200
<v Speaker 5>electric deterrence are the ones that probably have the most utility.

468
00:24:27.319 --> 00:24:29.319
<v Speaker 5>And then and I've known that for a while, and

469
00:24:29.359 --> 00:24:32.960
<v Speaker 5>that's not a that's commonly known, but it was a

470
00:24:32.960 --> 00:24:34.960
<v Speaker 5>little bit I found in a paper on sort of

471
00:24:34.960 --> 00:24:41.680
<v Speaker 5>shark physiology which suggested that sharks need that electric sense

472
00:24:41.880 --> 00:24:44.200
<v Speaker 5>that they sort the electric sense, the electric fields they

473
00:24:44.279 --> 00:24:48.000
<v Speaker 5>sense through the ampoolie of Lorenzini, those little jellyfill pools

474
00:24:48.279 --> 00:24:51.920
<v Speaker 5>around their head, because it's actually the critical part mechanically

475
00:24:51.920 --> 00:24:55.640
<v Speaker 5>in terms of the shark's jaws opening and positioning. So

476
00:24:55.680 --> 00:25:00.119
<v Speaker 5>there's a little millisecond tweak which sort of explains why

477
00:25:00.200 --> 00:25:03.759
<v Speaker 5>we expect electric deterrence to work, and probably why they

478
00:25:03.799 --> 00:25:06.640
<v Speaker 5>may work more than others, and also explains why in

479
00:25:06.680 --> 00:25:10.359
<v Speaker 5>the various testing shark will apse. Sharks will sometimes approach

480
00:25:11.599 --> 00:25:15.839
<v Speaker 5>debate or whatever's being used and then either turn away

481
00:25:15.960 --> 00:25:19.319
<v Speaker 5>very rapidly or just completely miss or not open their jaws.

482
00:25:19.319 --> 00:25:21.920
<v Speaker 5>So it's this little tipbit hidden away that sort of

483
00:25:22.039 --> 00:25:25.640
<v Speaker 5>to me explained a whole lot. Well, that's coore, that'll

484
00:25:25.680 --> 00:25:27.000
<v Speaker 5>take that'll be able to take forward.

485
00:25:27.640 --> 00:25:31.119
<v Speaker 1>Oh that's neat. What about the surfboards with the bottoms

486
00:25:31.160 --> 00:25:34.079
<v Speaker 1>that kind of make it resemble the ocean? Isn't there

487
00:25:34.119 --> 00:25:34.759
<v Speaker 1>something like that?

488
00:25:34.880 --> 00:25:35.039
<v Speaker 2>Now?

489
00:25:35.279 --> 00:25:36.440
<v Speaker 1>Are those effective or.

490
00:25:36.400 --> 00:25:40.880
<v Speaker 5>No, they're not. They're not effective, And I'll explain why.

491
00:25:40.920 --> 00:25:42.839
<v Speaker 5>But the first time I'd heard of it was when

492
00:25:42.880 --> 00:25:46.920
<v Speaker 5>I met a surfer from Reunion who had broccolie painted

493
00:25:47.000 --> 00:25:51.079
<v Speaker 5>under his board on the premise that sharks don't like broccoli. Now,

494
00:25:51.400 --> 00:25:56.240
<v Speaker 5>it was a joke, he understood that. But the whole

495
00:25:56.359 --> 00:25:59.160
<v Speaker 5>shark eyes on boards may actually be creating a greater risk.

496
00:25:59.200 --> 00:26:00.960
<v Speaker 5>And again this is something I've written about in the

497
00:26:00.960 --> 00:26:04.599
<v Speaker 5>next book. So the premise is that what we call

498
00:26:04.640 --> 00:26:10.039
<v Speaker 5>false eye spots are quite common in nature, so that

499
00:26:10.319 --> 00:26:16.000
<v Speaker 5>probably deters and confuses prey in the ocean. Most of

500
00:26:16.039 --> 00:26:18.000
<v Speaker 5>the fish that have those eye spots are very very

501
00:26:18.000 --> 00:26:20.920
<v Speaker 5>small coralery fish, so we're talking five to ten centimeters,

502
00:26:20.920 --> 00:26:24.400
<v Speaker 5>so they're not prey for large sharks. And the limited

503
00:26:24.440 --> 00:26:27.920
<v Speaker 5>testing that's been done on lemon sharks and bamboo sharks

504
00:26:28.359 --> 00:26:32.759
<v Speaker 5>showed that sharks actually bit false eye spots more than

505
00:26:35.279 --> 00:26:39.279
<v Speaker 5>the control that didn't have false eye spots. So the

506
00:26:39.440 --> 00:26:43.000
<v Speaker 5>nutshells to summarize, it's that those sort of stickers on

507
00:26:43.039 --> 00:26:47.759
<v Speaker 5>the bottom of the boards probably aren't an effective shark deturrent.

508
00:26:48.480 --> 00:26:50.440
<v Speaker 5>The area that's got a lot of promise and shark

509
00:26:50.480 --> 00:26:55.440
<v Speaker 5>deterrence is sort of visual deterrence is a system of lighting,

510
00:26:55.920 --> 00:26:59.759
<v Speaker 5>so little led lights that can measure the overhead light

511
00:26:59.799 --> 00:27:04.160
<v Speaker 5>can which is self dynamic, and then try and camouflage

512
00:27:04.160 --> 00:27:06.200
<v Speaker 5>the board based on those conditions.

513
00:27:07.799 --> 00:27:10.400
<v Speaker 1>That's the next level, though, right that's that's a ways away.

514
00:27:10.519 --> 00:27:13.720
<v Speaker 5>Next yeah, next level. That's not tomorrow, that's not the

515
00:27:13.759 --> 00:27:15.839
<v Speaker 5>next day after. It's probably a fair a long way

516
00:27:15.839 --> 00:27:19.079
<v Speaker 5>away before it's commercially available. And the challenge I've always

517
00:27:19.119 --> 00:27:22.799
<v Speaker 5>had with visual deterrence is that it assumes that vision

518
00:27:22.880 --> 00:27:26.480
<v Speaker 5>is the primary tool that sharks are using, and given

519
00:27:26.480 --> 00:27:29.119
<v Speaker 5>they've got eight sensors that they've gotta have seven to

520
00:27:29.200 --> 00:27:33.680
<v Speaker 5>choose from, so obviously it makes a contribution. But we're

521
00:27:33.720 --> 00:27:36.319
<v Speaker 5>not dealing with a visual We're not dealing with an

522
00:27:36.359 --> 00:27:37.640
<v Speaker 5>obligate visual predator.

523
00:27:40.839 --> 00:27:42.880
<v Speaker 2>I don't know what are the what are the eight sensors,

524
00:27:42.960 --> 00:27:44.480
<v Speaker 2>what are the extra sensors?

525
00:27:45.960 --> 00:27:48.960
<v Speaker 5>The extra sensors that sharks can detect movements through the water,

526
00:27:49.000 --> 00:27:50.920
<v Speaker 5>So they've got a lateral line and other fish have that.

527
00:27:51.759 --> 00:27:55.640
<v Speaker 5>They can detect electric currents, and they can also detect

528
00:27:55.720 --> 00:27:59.920
<v Speaker 5>magnetic fields. How they detect magnetic fields is fairly uncertain,

529
00:28:01.640 --> 00:28:04.519
<v Speaker 5>or probably I've probably been gentle there. It's largely uncertain.

530
00:28:05.839 --> 00:28:10.400
<v Speaker 2>In general, that makes makes sense. We don't stand fair enough.

531
00:28:11.519 --> 00:28:12.079
<v Speaker 2>That's incredable.

532
00:28:12.200 --> 00:28:18.359
<v Speaker 1>Just paint around the bottom of my surfboard, jaycause wipes

533
00:28:18.400 --> 00:28:20.440
<v Speaker 1>out some sharks in this So maybe if they're swimming,

534
00:28:21.000 --> 00:28:23.400
<v Speaker 1>I just canna look up and they're like, not preacher,

535
00:28:23.680 --> 00:28:25.160
<v Speaker 1>you know, I guess they could be annoyed by it

536
00:28:26.119 --> 00:28:28.799
<v Speaker 1>kills two sharks in this movie, Like I you know,

537
00:28:28.839 --> 00:28:31.640
<v Speaker 1>I wouldn't put quint you know, I know that's a

538
00:28:31.640 --> 00:28:34.680
<v Speaker 1>stupid thing to say, but uh yeah, like I'm not

539
00:28:34.720 --> 00:28:35.240
<v Speaker 1>messing with that.

540
00:28:35.640 --> 00:28:39.759
<v Speaker 5>And look, he does very well for he's not trained

541
00:28:39.799 --> 00:28:42.640
<v Speaker 5>in he's not trained in that particular area.

542
00:28:43.400 --> 00:28:45.640
<v Speaker 1>How much do you love his side quest? Like he

543
00:28:46.160 --> 00:28:47.960
<v Speaker 1>this is one of the greatest cinema side quests of

544
00:28:47.960 --> 00:28:48.400
<v Speaker 1>all time?

545
00:28:48.480 --> 00:28:48.640
<v Speaker 2>Is it?

546
00:28:48.680 --> 00:28:48.759
<v Speaker 6>Not?

547
00:28:49.000 --> 00:28:50.720
<v Speaker 1>Like he's just hanging out in the kitchen, gets into

548
00:28:50.720 --> 00:28:53.319
<v Speaker 1>a kitchen fight with a shark, blows it up, and

549
00:28:53.359 --> 00:28:55.799
<v Speaker 1>then saves the day at the end. Like, that's one

550
00:28:55.799 --> 00:28:57.480
<v Speaker 1>of the cinemas. But that's one of my favorite all

551
00:28:57.559 --> 00:28:59.039
<v Speaker 1>time side quests. I don't know if you're a fan

552
00:28:59.079 --> 00:28:59.599
<v Speaker 1>of that as well.

553
00:29:00.160 --> 00:29:04.319
<v Speaker 5>He saves a day with a parrot, of course, so

554
00:29:04.400 --> 00:29:09.240
<v Speaker 5>the side Quest had a sidekick, Yeah, and sort of

555
00:29:09.279 --> 00:29:11.400
<v Speaker 5>as the movie. It's the first time I watched it,

556
00:29:11.400 --> 00:29:15.640
<v Speaker 5>it seemed to me that Susan would be the real heroine,

557
00:29:15.359 --> 00:29:18.720
<v Speaker 5>the final girl is often the case in movies, including

558
00:29:18.759 --> 00:29:21.400
<v Speaker 5>sharp movies. But it's not. It's the Preacher.

559
00:29:21.799 --> 00:29:24.000
<v Speaker 2>Yeah, it was supposed to be. It was supposed to

560
00:29:24.000 --> 00:29:25.799
<v Speaker 2>be Susan. That was the original ending. It was Susan.

561
00:29:25.880 --> 00:29:29.799
<v Speaker 1>And then yes, yeah, we had some people well, yeah,

562
00:29:29.839 --> 00:29:32.119
<v Speaker 1>we had people from the test screening. I had a

563
00:29:32.160 --> 00:29:34.720
<v Speaker 1>guy from the test and people were brutal towards poor

564
00:29:34.759 --> 00:29:38.559
<v Speaker 1>doctor Susan McAllister. But do you think about the ethics

565
00:29:38.599 --> 00:29:42.000
<v Speaker 1>of her studies, like she's you know, you should never

566
00:29:42.079 --> 00:29:43.759
<v Speaker 1>do that. I'm not saying it's right, but I do

567
00:29:43.839 --> 00:29:46.160
<v Speaker 1>find I do like that once everything hits the fan,

568
00:29:46.240 --> 00:29:48.640
<v Speaker 1>she doesn't try to halt any like harm or anything. She's

569
00:29:48.680 --> 00:29:53.440
<v Speaker 1>there to help after that. But it's you know, I guess,

570
00:29:53.559 --> 00:29:55.720
<v Speaker 1>you know, there's so much things in like you know,

571
00:29:55.799 --> 00:29:59.079
<v Speaker 1>Frankenstein and all that of science gone wrong. But I

572
00:29:59.119 --> 00:30:04.039
<v Speaker 1>don't know is that what ethically it's wrong? What do

573
00:30:04.039 --> 00:30:06.559
<v Speaker 1>you think about that shark testing that she's doing in

574
00:30:06.599 --> 00:30:09.680
<v Speaker 1>this movie? Is it just like nonsense or is it

575
00:30:09.839 --> 00:30:11.759
<v Speaker 1>like is it interesting to you? Or no?

576
00:30:14.200 --> 00:30:17.759
<v Speaker 5>Look, if you look at if we go back to Jaws,

577
00:30:17.759 --> 00:30:19.559
<v Speaker 5>the view of the shark, there was the fact that

578
00:30:20.160 --> 00:30:24.920
<v Speaker 5>I forget the words, I forget the basically, they're just dumb.

579
00:30:25.440 --> 00:30:29.000
<v Speaker 5>They're just dumb animals that eat and reproduce. That's obviously paraphrasing.

580
00:30:29.559 --> 00:30:32.759
<v Speaker 5>We do know that shark's behavior is highly complex. There's

581
00:30:32.759 --> 00:30:39.240
<v Speaker 5>also significant individual variation between sharks, including their behaviors. So

582
00:30:39.279 --> 00:30:41.599
<v Speaker 5>there's a lot we don't know about sharks and how

583
00:30:41.599 --> 00:30:46.759
<v Speaker 5>they process information and their motivations. But in terms of

584
00:30:46.799 --> 00:30:52.240
<v Speaker 5>sort of the actual research and sort of curing ailments

585
00:30:52.279 --> 00:30:56.240
<v Speaker 5>such as Alzheimer's, probably not. I don't think there's any

586
00:30:56.319 --> 00:30:59.000
<v Speaker 5>sort of real merit in the real world in it.

587
00:30:59.039 --> 00:31:01.559
<v Speaker 5>But I just thought it was a good I did

588
00:31:01.599 --> 00:31:03.079
<v Speaker 5>think it was a good device. Is that he is

589
00:31:03.079 --> 00:31:06.400
<v Speaker 5>suddenly trying to work on some It gave a dichotomy

590
00:31:06.440 --> 00:31:10.920
<v Speaker 5>to her motivations. Here's somebody doing something that's unethical, but

591
00:31:11.039 --> 00:31:12.279
<v Speaker 5>for ethical reasons.

592
00:31:12.599 --> 00:31:13.039
<v Speaker 1>I agree.

593
00:31:13.240 --> 00:31:17.200
<v Speaker 2>Speaking of the shark behavior in this scene that we're

594
00:31:17.200 --> 00:31:20.960
<v Speaker 2>talking today, the shark goes to attack Carter with like

595
00:31:21.000 --> 00:31:24.279
<v Speaker 2>a like a head on, like a head butt kind

596
00:31:24.279 --> 00:31:27.400
<v Speaker 2>of attack under the water, and he manages to somehow

597
00:31:27.440 --> 00:31:30.039
<v Speaker 2>dodge it. We don't, I don't know how. He just

598
00:31:30.240 --> 00:31:33.480
<v Speaker 2>and then he grabs onto the fin and yes, goes

599
00:31:33.519 --> 00:31:38.480
<v Speaker 2>on an underwater theme park ride around the facility. From

600
00:31:38.559 --> 00:31:40.799
<v Speaker 2>the shark's perspective, Does that kind of make sense as

601
00:31:40.799 --> 00:31:42.400
<v Speaker 2>an attack pattern?

602
00:31:45.279 --> 00:31:47.880
<v Speaker 5>Well, it didn't work.

603
00:31:46.880 --> 00:31:49.400
<v Speaker 1>Yeah, he got cartered.

604
00:31:49.759 --> 00:31:51.720
<v Speaker 5>Is that I picked up a couple of things from

605
00:31:51.759 --> 00:31:56.839
<v Speaker 5>that scene. First, is it was Carter, wasn't it, Yes,

606
00:31:57.279 --> 00:32:00.759
<v Speaker 5>Carl Blake. So Carter became vertical in the water, which

607
00:32:00.839 --> 00:32:03.920
<v Speaker 5>is actually the method that is recommended if somebody has

608
00:32:03.920 --> 00:32:06.640
<v Speaker 5>been approached by a shark, which of course is easier said,

609
00:32:07.119 --> 00:32:10.680
<v Speaker 5>easier said than done, make yourself look bigger, which obviously

610
00:32:10.720 --> 00:32:13.039
<v Speaker 5>didn't work. The other thing I picked up on was

611
00:32:15.079 --> 00:32:17.799
<v Speaker 5>the sharks also fin. The trailing edge of it was serrated.

612
00:32:19.279 --> 00:32:23.519
<v Speaker 5>In reality, it's not straight. It's generally a bit frayed,

613
00:32:24.200 --> 00:32:27.079
<v Speaker 5>so it's not perfectly smooth and straight like the front edge.

614
00:32:27.720 --> 00:32:29.680
<v Speaker 5>But I personally thought the straight at edge was a

615
00:32:29.720 --> 00:32:34.319
<v Speaker 5>nice touch. If you're going to genetically manipulate the shark,

616
00:32:35.640 --> 00:32:37.839
<v Speaker 5>give it something different. So it wasn't overt it was

617
00:32:37.920 --> 00:32:41.039
<v Speaker 5>just a little tweak. Probably made the fin look more

618
00:32:41.079 --> 00:32:44.799
<v Speaker 5>menacing than the maker finish in real life. The second

619
00:32:44.799 --> 00:32:47.160
<v Speaker 5>one was HARKing back to the time the movie made.

620
00:32:47.200 --> 00:32:49.200
<v Speaker 5>I got a very first person to shoot a doom

621
00:32:49.240 --> 00:32:52.079
<v Speaker 5>feel as he's grasping the shark and it's flying through

622
00:32:53.039 --> 00:32:54.799
<v Speaker 5>as it's flying through the water, So I thought that

623
00:32:54.920 --> 00:32:57.960
<v Speaker 5>was a nice style of the times bit.

624
00:32:58.559 --> 00:33:02.880
<v Speaker 1>Yeah, shark, if you knew it was safe, would you?

625
00:33:02.920 --> 00:33:04.599
<v Speaker 2>Would you have you written the show?

626
00:33:04.799 --> 00:33:05.319
<v Speaker 5>Yeah?

627
00:33:05.319 --> 00:33:07.240
<v Speaker 1>Wait, did you get what did you do? Want? Today?

628
00:33:07.319 --> 00:33:11.400
<v Speaker 1>To get here? So you're recording? No is that like

629
00:33:11.400 --> 00:33:12.240
<v Speaker 1>an uber.

630
00:33:12.000 --> 00:33:16.720
<v Speaker 5>It's not, yeah, uber sharks maybe for the twenty thirty

631
00:33:16.720 --> 00:33:20.559
<v Speaker 5>two Olympics. It's something that we can look at up

632
00:33:20.599 --> 00:33:22.480
<v Speaker 5>and down the Brisbane River with the four hundred bull

633
00:33:22.519 --> 00:33:26.599
<v Speaker 5>sharks that live in there. No, personally I prefer not

634
00:33:26.680 --> 00:33:31.680
<v Speaker 5>to bother or touch the touch the sharks. But but

635
00:33:31.839 --> 00:33:33.920
<v Speaker 5>obviously for a movie, I thought it was a nice

636
00:33:34.559 --> 00:33:36.720
<v Speaker 5>I thought it was interesting seeing I did really like

637
00:33:36.759 --> 00:33:40.880
<v Speaker 5>that first shooter, first person shooter approach to navigating the

638
00:33:40.960 --> 00:33:42.839
<v Speaker 5>underwater ruins.

639
00:33:43.240 --> 00:33:44.839
<v Speaker 1>And they set it up earlier in the film too,

640
00:33:44.839 --> 00:33:47.400
<v Speaker 1>when he raised a tiger shark with the Jods license plate,

641
00:33:47.480 --> 00:33:50.519
<v Speaker 1>so you know that that he can ride the sharks.

642
00:33:50.559 --> 00:33:53.480
<v Speaker 1>So I think that worked. No, it made sense because

643
00:33:53.480 --> 00:33:55.720
<v Speaker 1>he had done it earlier. That kind of makes you.

644
00:33:57.680 --> 00:34:01.680
<v Speaker 5>It does, And and I'm sure somebody has a license

645
00:34:01.759 --> 00:34:06.039
<v Speaker 5>flight of that number of a real deep deep Blue

646
00:34:06.039 --> 00:34:09.000
<v Speaker 5>Sea fans probably got that personalized number play.

647
00:34:09.320 --> 00:34:13.599
<v Speaker 1>Yeah. Yeah, we have bumper stickers so we have someone

648
00:34:13.599 --> 00:34:15.400
<v Speaker 1>to Maria when you talk to her. But I have

649
00:34:15.480 --> 00:34:17.239
<v Speaker 1>this on the back of my car. I'd rather be

650
00:34:17.320 --> 00:34:21.920
<v Speaker 1>watching the nineteen ninety nine cinematic Blue Sea starring Llow

651
00:34:21.960 --> 00:34:24.800
<v Speaker 1>Cool Jay and Samuel L. Jackson I need to send

652
00:34:24.800 --> 00:34:25.000
<v Speaker 1>one to.

653
00:34:25.039 --> 00:34:26.639
<v Speaker 2>My wifriend and we put on all comes.

654
00:34:27.360 --> 00:34:29.320
<v Speaker 5>Yes, it's so we.

655
00:34:29.320 --> 00:34:32.719
<v Speaker 1>Don't have license plates, but we have bumper stickers. So

656
00:34:33.280 --> 00:34:35.320
<v Speaker 1>you know what I love. Sometimes I I'll look at

657
00:34:35.320 --> 00:34:36.800
<v Speaker 1>my rear view mirror and someone will kind of be

658
00:34:36.800 --> 00:34:38.719
<v Speaker 1>like squinting at the back of it. Or if I'll

659
00:34:38.719 --> 00:34:40.480
<v Speaker 1>be walking through a parking lot, I'll see somebody looking

660
00:34:40.519 --> 00:34:43.840
<v Speaker 1>at the back of it, going does that is that it?

661
00:34:43.880 --> 00:34:45.639
<v Speaker 1>And then you're like, is that yours? Like I love it.

662
00:34:46.119 --> 00:34:48.400
<v Speaker 1>So it's a fun little if you know, you know,

663
00:34:48.800 --> 00:34:51.880
<v Speaker 1>like you know, but yeah, sometimes I see people taking

664
00:34:51.880 --> 00:34:54.199
<v Speaker 1>photos of it makes me happy because the movie rules.

665
00:34:54.639 --> 00:34:57.920
<v Speaker 1>This movie's great. I think it is, yeah, and it's

666
00:34:58.559 --> 00:35:03.119
<v Speaker 1>I also love to that everything's going wrong. Susan died.

667
00:35:03.159 --> 00:35:05.920
<v Speaker 1>He's riding a shark, and then Preacher spears the shot.

668
00:35:06.079 --> 00:35:09.679
<v Speaker 1>He also spears Carter like it's such a like there's

669
00:35:09.719 --> 00:35:11.519
<v Speaker 1>little moments like that in this movie that make me

670
00:35:11.559 --> 00:35:13.840
<v Speaker 1>really happy because like that, that's a I don't know

671
00:35:13.840 --> 00:35:16.719
<v Speaker 1>why that was necessary just to stick them to the shark.

672
00:35:16.880 --> 00:35:20.400
<v Speaker 1>So then it blows up later, but it's still a

673
00:35:20.400 --> 00:35:22.400
<v Speaker 1>good little touch. I like that, did you you know?

674
00:35:22.440 --> 00:35:23.840
<v Speaker 1>I don't know if you enjoyed that scene where you

675
00:35:23.880 --> 00:35:25.199
<v Speaker 1>get speared Carter Blake.

676
00:35:25.400 --> 00:35:28.239
<v Speaker 5>I thought it was good because because I thought it

677
00:35:28.280 --> 00:35:30.800
<v Speaker 5>was good because it was unexpected. Yeah, because we're all

678
00:35:30.840 --> 00:35:31.920
<v Speaker 5>whiting for the hero shot.

679
00:35:33.039 --> 00:35:34.920
<v Speaker 1>There's a literal hero shot in this one.

680
00:35:35.239 --> 00:35:39.079
<v Speaker 5>There is there was a here I shot.

681
00:35:42.400 --> 00:35:44.360
<v Speaker 1>Yeah. No, It's That's why I love this movie. It's

682
00:35:44.360 --> 00:35:46.559
<v Speaker 1>filled so many little things and also too, I like

683
00:35:46.639 --> 00:35:49.320
<v Speaker 1>that there really is no evil corporation, like I love

684
00:35:49.360 --> 00:35:52.239
<v Speaker 1>the Alien franchise, but whalen you Tani, Like they just

685
00:35:52.280 --> 00:35:54.360
<v Speaker 1>make there just like yeah, get get us a xenomorph

686
00:35:54.400 --> 00:35:56.280
<v Speaker 1>and they mess everything up. So I kind of like

687
00:35:56.360 --> 00:35:59.000
<v Speaker 1>that that Russell Franklin showed up just to kind of

688
00:35:59.559 --> 00:36:02.119
<v Speaker 1>justify albly see what was going on with this investment.

689
00:36:02.119 --> 00:36:04.360
<v Speaker 1>He made like he's not there to shut it down

690
00:36:04.559 --> 00:36:06.199
<v Speaker 1>or do any of this. He's like, well, you know,

691
00:36:06.239 --> 00:36:08.239
<v Speaker 1>you guys let a shark out and almost killed some people,

692
00:36:08.679 --> 00:36:10.880
<v Speaker 1>and I should probably look into this. So I like

693
00:36:11.000 --> 00:36:15.519
<v Speaker 1>that that the movie's devoid of that unnecessary drama, like it's.

694
00:36:15.480 --> 00:36:19.559
<v Speaker 6>Yeah, yeah, it's kind of nice looking back when he appears,

695
00:36:19.639 --> 00:36:22.159
<v Speaker 6>at least in my mind, it was like, oh, this

696
00:36:22.199 --> 00:36:26.079
<v Speaker 6>could just be the tyial Corporation from Blade Runner, but no,

697
00:36:26.280 --> 00:36:28.119
<v Speaker 6>when a different when a different direction.

698
00:36:28.679 --> 00:36:31.280
<v Speaker 1>And especially oh Jay, why I forget his name, but

699
00:36:31.320 --> 00:36:32.280
<v Speaker 1>he has no lines.

700
00:36:32.079 --> 00:36:34.880
<v Speaker 2>In this movie next to Samuel Ronnie Cox.

701
00:36:35.159 --> 00:36:37.199
<v Speaker 1>Yeah, Running you have Ronnie Cox from Bubble Coop, like

702
00:36:37.239 --> 00:36:40.159
<v Speaker 1>the ultimate evil corporation movie, and he I guess I

703
00:36:40.239 --> 00:36:42.400
<v Speaker 1>think it doesn't get any lines because they get they

704
00:36:42.400 --> 00:36:44.440
<v Speaker 1>went to Sam Jackson and he doesn't cause any evil

705
00:36:44.480 --> 00:36:47.559
<v Speaker 1>corporation troubles. It's like that's another subversion of the trend,

706
00:36:47.599 --> 00:36:48.519
<v Speaker 1>which makes me happy.

707
00:36:49.159 --> 00:36:51.039
<v Speaker 5>Yeah, you sit there wanting for him to talk or

708
00:36:51.039 --> 00:36:53.159
<v Speaker 5>whiting for him. He just sits there.

709
00:36:54.280 --> 00:36:58.000
<v Speaker 1>So our theory, Our theory is he was cast to

710
00:36:58.119 --> 00:37:01.159
<v Speaker 1>be like a billionaire, but then Sam Jackson didn't want

711
00:37:01.199 --> 00:37:04.159
<v Speaker 1>the role. He was given something. Rennie quickly rewrote it

712
00:37:04.440 --> 00:37:06.280
<v Speaker 1>and they had already hired Ronnie Cox, and then they

713
00:37:06.320 --> 00:37:08.119
<v Speaker 1>just gave all of his lines to Sam Jackson.

714
00:37:08.639 --> 00:37:11.960
<v Speaker 2>He would have had a contract, he would still got paid. Yeah, yeah,

715
00:37:13.159 --> 00:37:13.400
<v Speaker 2>he goes.

716
00:37:13.519 --> 00:37:15.559
<v Speaker 1>Ronnie got his money.

717
00:37:15.639 --> 00:37:18.760
<v Speaker 5>But yeah, unless there was a bonus for the number

718
00:37:18.800 --> 00:37:21.320
<v Speaker 5>of lines, of which case he would have lucked out.

719
00:37:23.199 --> 00:37:25.039
<v Speaker 1>Yeah, he looks grumpy the whole time. I don't think

720
00:37:25.079 --> 00:37:26.679
<v Speaker 1>he was acting. I think Ronnie was.

721
00:37:28.480 --> 00:37:31.440
<v Speaker 5>I think you're right that as well. It's just geez,

722
00:37:31.440 --> 00:37:32.599
<v Speaker 5>that guy's angry.

723
00:37:33.119 --> 00:37:35.519
<v Speaker 1>Ronnie was pissed and he didn't even want to even

724
00:37:35.760 --> 00:37:38.679
<v Speaker 1>like pretend to not show it. So he's like, I'm

725
00:37:38.679 --> 00:37:40.679
<v Speaker 1>gonna go play golf after that. You know, Sam Jackson

726
00:37:40.679 --> 00:37:42.119
<v Speaker 1>took the role because he thought he was gonna golf

727
00:37:42.119 --> 00:37:45.800
<v Speaker 1>for most of the movie. There's scenes in the lab

728
00:37:46.199 --> 00:37:48.480
<v Speaker 1>where you see everybody else because he backs out of

729
00:37:48.480 --> 00:37:50.239
<v Speaker 1>the frame, and then he's not in it for a

730
00:37:50.280 --> 00:37:51.519
<v Speaker 1>while because he went golfing.

731
00:37:52.760 --> 00:37:53.639
<v Speaker 5>I didn't know that.

732
00:37:54.360 --> 00:37:56.840
<v Speaker 2>And there's a commentary with him and Rennie Harden where

733
00:37:56.880 --> 00:37:59.280
<v Speaker 2>when his character dies, he then leaves the commentary to

734
00:37:59.280 --> 00:38:02.039
<v Speaker 2>go and play golf. He just he checks out. It

735
00:38:02.119 --> 00:38:03.239
<v Speaker 2>just doesn't enit anymore.

736
00:38:03.559 --> 00:38:05.480
<v Speaker 1>He does the commentary until he dies. Is come out

737
00:38:06.280 --> 00:38:07.639
<v Speaker 1>and it's fun of Michael Rappaport.

738
00:38:07.639 --> 00:38:10.800
<v Speaker 5>Then he leaves and obviously the movie was a step

739
00:38:10.840 --> 00:38:12.039
<v Speaker 5>up for him after POLP fiction.

740
00:38:12.199 --> 00:38:13.960
<v Speaker 1>So job. Yeah, yea.

741
00:38:15.480 --> 00:38:17.840
<v Speaker 2>His career, he's never reached those heights again.

742
00:38:19.000 --> 00:38:20.519
<v Speaker 1>He should have won to ask her for this one,

743
00:38:20.559 --> 00:38:24.199
<v Speaker 1>you know exactly. That's one of the funniest If I

744
00:38:24.199 --> 00:38:25.880
<v Speaker 1>ever interview him, I'll be like so the peak of

745
00:38:25.920 --> 00:38:30.679
<v Speaker 1>your career Deep Blue Sea and then you know, how

746
00:38:30.920 --> 00:38:33.000
<v Speaker 1>are things ever better than that? So you had a

747
00:38:33.000 --> 00:38:34.719
<v Speaker 1>good time, you know. And he was in Phantom Menace

748
00:38:34.760 --> 00:38:35.039
<v Speaker 1>in this.

749
00:38:36.440 --> 00:38:39.760
<v Speaker 5>It was And in Australia, Australians often joke about the

750
00:38:39.840 --> 00:38:42.679
<v Speaker 5>peak of Nicole Kidman's career, which is a movie called

751
00:38:42.719 --> 00:38:45.760
<v Speaker 5>BMX Bandits when she when she shot enough nine eight seven,

752
00:38:45.840 --> 00:38:48.840
<v Speaker 5>which is about a group of kids chasing baddies on

753
00:38:48.880 --> 00:38:54.000
<v Speaker 5>BMX blokes something she's never lived down. So but yeah, look,

754
00:38:55.000 --> 00:38:58.039
<v Speaker 5>Samuel Jackson, it's obviously not pulp fiction. He just got

755
00:38:58.119 --> 00:39:00.679
<v Speaker 5>lucky there with an Oscar's.

756
00:38:59.840 --> 00:39:02.880
<v Speaker 1>Right, She's so Nicole Kimmens has been chasing that high

757
00:39:03.000 --> 00:39:04.400
<v Speaker 1>ever since BMX Bandits.

758
00:39:05.360 --> 00:39:09.920
<v Speaker 2>Absolutely he almost reached it with Paddington almost, but's not

759
00:39:09.920 --> 00:39:10.639
<v Speaker 2>not almost.

760
00:39:11.360 --> 00:39:13.119
<v Speaker 1>Wait that was the first she was in Paddington right. Oh,

761
00:39:13.199 --> 00:39:14.559
<v Speaker 1>Hugh Grant was in Paddington too.

762
00:39:15.239 --> 00:39:19.480
<v Speaker 2>Yeah, yeah, she chunts the stuff the world needs more BMX.

763
00:39:19.519 --> 00:39:23.320
<v Speaker 1>I miss eighties nineties movies where Airborne they're like skating

764
00:39:23.320 --> 00:39:26.480
<v Speaker 1>down hills in Cincinnati. There's that one with Josh Brolin

765
00:39:26.519 --> 00:39:29.840
<v Speaker 1>where they're skateboarding, and then BMX band And there's a

766
00:39:29.840 --> 00:39:35.320
<v Speaker 1>movie called rad I missed that era. Bring it backing.

767
00:39:35.320 --> 00:39:37.960
<v Speaker 2>In Charlie's Angels two, I want to say, in full throttle,

768
00:39:38.000 --> 00:39:39.199
<v Speaker 2>there's like a BMX scene.

769
00:39:39.920 --> 00:39:43.519
<v Speaker 5>Yeah, well it's it's an Olympic sport now, so it's

770
00:39:43.960 --> 00:39:45.199
<v Speaker 5>so it's big business.

771
00:39:45.599 --> 00:39:50.239
<v Speaker 1>Yeah, Nicole Kimmen should hand out the medals. That'd be amazing.

772
00:39:50.239 --> 00:39:53.960
<v Speaker 5>I think twenty thirty two Olympics in Australia. He's a chance.

773
00:39:54.280 --> 00:39:59.400
<v Speaker 1>Oh listen, how do we get this going's let's talk

774
00:39:59.440 --> 00:40:01.719
<v Speaker 1>to her about she hasn't been in a shark movie yet.

775
00:40:01.719 --> 00:40:04.159
<v Speaker 1>She was in Dead Calm. That was about it.

776
00:40:04.239 --> 00:40:05.199
<v Speaker 2>I haven't come with that yet.

777
00:40:06.119 --> 00:40:07.719
<v Speaker 1>A lot of water in that.

778
00:40:09.039 --> 00:40:14.239
<v Speaker 5>What Actually we actually needed a searchable database where all

779
00:40:14.280 --> 00:40:16.199
<v Speaker 5>the actors and actresses that have been in shark movies

780
00:40:16.239 --> 00:40:19.159
<v Speaker 5>are listed, so we sort of keep it tally. It's

781
00:40:19.199 --> 00:40:23.519
<v Speaker 5>the missing bit because I think if you ask the

782
00:40:23.559 --> 00:40:26.159
<v Speaker 5>average person Samuel L. Jackson ever been in a shark movie,

783
00:40:26.159 --> 00:40:30.519
<v Speaker 5>the answer would be, oh no, but and lots of

784
00:40:30.559 --> 00:40:31.639
<v Speaker 5>others as well.

785
00:40:31.760 --> 00:40:35.039
<v Speaker 1>So how do we categorize? So like in East Ventura

786
00:40:35.119 --> 00:40:37.719
<v Speaker 1>he gets bit by a great white do we count that?

787
00:40:38.239 --> 00:40:38.599
<v Speaker 1>Does that?

788
00:40:39.199 --> 00:40:39.280
<v Speaker 2>Is?

789
00:40:39.280 --> 00:40:40.719
<v Speaker 1>It? Is that not a shark movie?

790
00:40:41.800 --> 00:40:44.360
<v Speaker 5>It's sort of a cameo shark. I think. So, the

791
00:40:44.440 --> 00:40:47.119
<v Speaker 5>sharks are there, but it's sort of not the it's

792
00:40:47.159 --> 00:40:48.119
<v Speaker 5>not the central.

793
00:40:47.800 --> 00:40:50.480
<v Speaker 1>Plots like a central protagonist.

794
00:40:50.920 --> 00:40:52.800
<v Speaker 2>Yeah, it's a movie with a shark rather than a

795
00:40:52.800 --> 00:40:53.519
<v Speaker 2>shark movie.

796
00:40:54.159 --> 00:40:56.599
<v Speaker 1>Yes, that's the Yeah, I don't know what it is.

797
00:40:56.639 --> 00:40:59.840
<v Speaker 1>But like an Anchorman too. Will Ferrell fights a shark

798
00:41:00.199 --> 00:41:03.559
<v Speaker 1>and a's van Sura. He gets attacked by a shark

799
00:41:03.599 --> 00:41:05.719
<v Speaker 1>and then the second one he beats up a crocodile.

800
00:41:05.760 --> 00:41:08.559
<v Speaker 1>Happy Gyelmore fights an alley. Like comedians in the nineties

801
00:41:08.559 --> 00:41:13.400
<v Speaker 1>and two thousands just wanted to beat up sharks or crocodiles. Yep.

802
00:41:13.480 --> 00:41:15.760
<v Speaker 5>Yeah, it was the the animal punching genre.

803
00:41:18.280 --> 00:41:21.079
<v Speaker 2>Nicole Kippen, sorry Kibben, has been in a film with

804
00:41:21.119 --> 00:41:22.719
<v Speaker 2>a shark, and that film is Aquaman.

805
00:41:24.280 --> 00:41:26.039
<v Speaker 5>Course that's rat.

806
00:41:26.559 --> 00:41:28.480
<v Speaker 1>And it so that that movie goes two out of

807
00:41:28.480 --> 00:41:31.119
<v Speaker 1>three on the Hoffmeyer scale. So a movie is great

808
00:41:31.480 --> 00:41:35.639
<v Speaker 1>if it features three things a catapult, a jet ski,

809
00:41:35.719 --> 00:41:40.280
<v Speaker 1>action scene, c beasts, and Acaman features two of those.

810
00:41:40.760 --> 00:41:43.280
<v Speaker 1>And there's only two movies that feature all three, and

811
00:41:43.320 --> 00:41:48.159
<v Speaker 1>that's water World and The Mermaid, which is a really

812
00:41:48.199 --> 00:41:52.719
<v Speaker 1>good huh Chinese rom com with a mermaid. In it.

813
00:41:53.360 --> 00:41:55.400
<v Speaker 2>Does Aquaman get like a half point on the hoff

814
00:41:55.440 --> 00:41:59.079
<v Speaker 2>My scale for dope lungern being in it up with something?

815
00:42:00.039 --> 00:42:01.960
<v Speaker 1>Yeah, but he rides you know, he doesn't ride a

816
00:42:02.000 --> 00:42:04.440
<v Speaker 1>jets key. He just rides a sea horse. Which but

817
00:42:04.480 --> 00:42:07.239
<v Speaker 1>he's in it. Just saying that Dolph London rides a

818
00:42:07.239 --> 00:42:08.719
<v Speaker 1>sea horse in a movie.

819
00:42:09.440 --> 00:42:10.519
<v Speaker 2>Yeah, ridiculous.

820
00:42:10.559 --> 00:42:12.519
<v Speaker 1>Something looks like a predator. She looks like a yauja

821
00:42:12.800 --> 00:42:17.239
<v Speaker 1>in that movie. You know what, I'm gonna give it

822
00:42:17.280 --> 00:42:21.199
<v Speaker 1>two point five, Okay, the three I think that's fair.

823
00:42:21.440 --> 00:42:23.320
<v Speaker 1>Is there is there a scale of greatness for you

824
00:42:23.360 --> 00:42:25.599
<v Speaker 1>in shark movies? Is there something you love in shark films?

825
00:42:26.920 --> 00:42:31.920
<v Speaker 5>Not non expecific. I haven't got down in that qualification.

826
00:42:31.960 --> 00:42:34.960
<v Speaker 5>I haven't got down to some objective criteria yet as

827
00:42:35.000 --> 00:42:36.880
<v Speaker 5>you have. But look at something I could work on,

828
00:42:37.360 --> 00:42:39.440
<v Speaker 5>put it in the book. Put it in the book,

829
00:42:39.719 --> 00:42:41.360
<v Speaker 5>five point scale writings.

830
00:42:43.159 --> 00:42:47.119
<v Speaker 2>I'm excited not the little research to what is the

831
00:42:47.159 --> 00:42:51.519
<v Speaker 2>most shark movie doing like shark screen time, how many

832
00:42:51.519 --> 00:42:54.280
<v Speaker 2>sharks are in a time between kills? And you know,

833
00:42:54.400 --> 00:42:56.159
<v Speaker 2>Deep Bluz comes out as the film that is the

834
00:42:56.199 --> 00:42:57.559
<v Speaker 2>most shark film.

835
00:42:57.760 --> 00:43:00.239
<v Speaker 1>So it's not the best, but it's the most, which

836
00:43:00.239 --> 00:43:03.960
<v Speaker 1>is fair. Yeah, question for it. Do you like the

837
00:43:04.000 --> 00:43:08.519
<v Speaker 1>mag not really good?

838
00:43:10.639 --> 00:43:14.760
<v Speaker 5>Yeah, I didn't even set up that answer. I'm just

839
00:43:14.800 --> 00:43:18.360
<v Speaker 5>not fussed about. Look, I'm just not fussed about the

840
00:43:18.400 --> 00:43:23.199
<v Speaker 5>whole the use of Megalodon. Yes, it existed, it was

841
00:43:23.239 --> 00:43:28.039
<v Speaker 5>a big shark. I'm frustrated with with the people who

842
00:43:28.079 --> 00:43:30.079
<v Speaker 5>really do seem to believe that it still exists at

843
00:43:30.079 --> 00:43:31.960
<v Speaker 5>the bottom of the Marianna's trench, given it was a

844
00:43:31.960 --> 00:43:36.639
<v Speaker 5>coastal species, and given like a lot of giant things,

845
00:43:37.840 --> 00:43:40.679
<v Speaker 5>it needs a highly productive environment, which the deep sea

846
00:43:40.760 --> 00:43:47.840
<v Speaker 5>is not. So it's it's sort of, yeah, look, there's

847
00:43:47.960 --> 00:43:52.119
<v Speaker 5>enough fun living living sharks to to hang your hat on,

848
00:43:52.280 --> 00:43:54.280
<v Speaker 5>to hang the plot on. You don't sort of, in

849
00:43:54.320 --> 00:43:56.760
<v Speaker 5>my mind, you don't sort of need to resumeurect extinct

850
00:43:56.800 --> 00:43:58.159
<v Speaker 5>things and pretend they're not extinct.

851
00:43:58.880 --> 00:44:01.679
<v Speaker 1>I agree. You know a movie I want Jay Can.

852
00:44:01.719 --> 00:44:03.000
<v Speaker 1>I tell you what I came. I just came with

853
00:44:03.000 --> 00:44:05.960
<v Speaker 1>an idea, I want Jay Can. I all right, so

854
00:44:06.000 --> 00:44:08.400
<v Speaker 1>instead of forty seven meters down, like maybe two thousand

855
00:44:08.480 --> 00:44:13.199
<v Speaker 1>meters down where submarine gets stuck and those giant like

856
00:44:13.639 --> 00:44:16.920
<v Speaker 1>surface to like there's a blue planet where this whale

857
00:44:16.920 --> 00:44:23.559
<v Speaker 1>fall comes down in these massive sixteen feet sharks twenty feet,

858
00:44:23.719 --> 00:44:26.159
<v Speaker 1>you know, like five meters six meters seven meters sharks

859
00:44:26.519 --> 00:44:29.400
<v Speaker 1>just start tearing at the whale carcass. That'd be interesting

860
00:44:29.400 --> 00:44:31.079
<v Speaker 1>if you have them stuck in a submarine trying to

861
00:44:31.079 --> 00:44:33.559
<v Speaker 1>get back up and those things are coming around the submarine.

862
00:44:33.760 --> 00:44:35.840
<v Speaker 1>I don't know why, but those things scared the heck

863
00:44:35.880 --> 00:44:37.199
<v Speaker 1>out of me. I don't know if you remembered that

864
00:44:38.039 --> 00:44:41.679
<v Speaker 1>from Blue Planet. Yeah, it was.

865
00:44:41.920 --> 00:44:45.519
<v Speaker 5>Forty, which could be cross. Would sharks guard at the galaxy?

866
00:44:46.960 --> 00:44:51.360
<v Speaker 1>Yeah, there's no dolphins, no dolphins, no dolphins.

867
00:44:51.400 --> 00:44:53.559
<v Speaker 5>Yeah. I must admit that the gag on that one

868
00:44:53.599 --> 00:44:55.800
<v Speaker 5>is probably pretty thin, so it would be a one gag,

869
00:44:56.480 --> 00:44:57.440
<v Speaker 5>a one gag movie.

870
00:44:59.480 --> 00:45:03.119
<v Speaker 1>Man. I I love those giants. Let me find the

871
00:45:03.199 --> 00:45:08.519
<v Speaker 1>name of what they are. Six gill sharks, Yes, I

872
00:45:08.559 --> 00:45:11.079
<v Speaker 1>love those things. I think that's my favorite sharks.

873
00:45:11.079 --> 00:45:13.400
<v Speaker 2>One gill too many, surely.

874
00:45:13.920 --> 00:45:18.119
<v Speaker 1>I think those are my favorites. They're just really interesting sharks.

875
00:45:18.679 --> 00:45:22.480
<v Speaker 2>I love goblin sharks in my favorite I think, Yeah,

876
00:45:22.599 --> 00:45:24.440
<v Speaker 2>don't see enough of goblin sharks and films just because

877
00:45:24.440 --> 00:45:25.119
<v Speaker 2>they look so weird.

878
00:45:25.679 --> 00:45:26.239
<v Speaker 1>That's why.

879
00:45:28.840 --> 00:45:31.760
<v Speaker 5>I like thet I like the little Port Jackson shark,

880
00:45:31.800 --> 00:45:35.840
<v Speaker 5>which is where the mother lies an em in a

881
00:45:35.840 --> 00:45:39.239
<v Speaker 5>little egg case and then takes off and it's a

882
00:45:39.280 --> 00:45:41.199
<v Speaker 5>dad sharks job. Talk after the egg and the dad

883
00:45:41.199 --> 00:45:43.719
<v Speaker 5>sharks got to put the egg in its mouth, move

884
00:45:43.760 --> 00:45:46.480
<v Speaker 5>it around, sit there looking at it, make sure nothing

885
00:45:46.480 --> 00:45:49.159
<v Speaker 5>eats it. And that's what it does. And it has

886
00:45:49.199 --> 00:45:49.760
<v Speaker 5>no teeth.

887
00:45:50.639 --> 00:45:54.000
<v Speaker 1>Hmmm. So the dad just looked after, hangs out, watches

888
00:45:54.039 --> 00:45:54.559
<v Speaker 1>the eggs.

889
00:45:55.239 --> 00:45:59.960
<v Speaker 2>Penguins, yes, Ole Kevinson happy feet as well, that's that's

890
00:46:00.320 --> 00:46:03.199
<v Speaker 2>I don't think they're sharks are happy. But there's a whale.

891
00:46:03.840 --> 00:46:06.079
<v Speaker 1>Someone needs. Someone needs to put a camera down there

892
00:46:06.119 --> 00:46:07.519
<v Speaker 1>so we can watch that. So I have a bird

893
00:46:07.519 --> 00:46:09.119
<v Speaker 1>feeder and we have a camera in it and every

894
00:46:09.199 --> 00:46:11.239
<v Speaker 1>year birds lay eggs and then I just we get

895
00:46:11.280 --> 00:46:13.679
<v Speaker 1>to watch it and like see the eggs grow and everything,

896
00:46:13.719 --> 00:46:15.480
<v Speaker 1>and I kind of love it. So I want to

897
00:46:15.480 --> 00:46:18.519
<v Speaker 1>watch this this sharks thing underwater, I think because people

898
00:46:18.559 --> 00:46:20.199
<v Speaker 1>do like eagle eggs and stuff like that, that'd be

899
00:46:20.239 --> 00:46:22.840
<v Speaker 1>fun to do shark eggs.

900
00:46:23.320 --> 00:46:28.480
<v Speaker 5>Yeah, a bit, so that the egg does get moved around,

901
00:46:28.559 --> 00:46:30.239
<v Speaker 5>so it makes a little bit harder.

902
00:46:30.400 --> 00:46:32.199
<v Speaker 1>Yeah, that's true. It would be in frame for like

903
00:46:32.239 --> 00:46:32.800
<v Speaker 1>ten minutes.

904
00:46:33.760 --> 00:46:37.360
<v Speaker 2>Yeah, we talked about it a little bit earlier, but

905
00:46:37.360 --> 00:46:39.639
<v Speaker 2>we need to know what are your top four shark movies.

906
00:46:42.360 --> 00:46:47.920
<v Speaker 5>The fourth one is very is called Shark just playing Shark.

907
00:46:47.960 --> 00:46:52.199
<v Speaker 5>It's a It's a fourteen minute short film. What I

908
00:46:52.320 --> 00:46:54.039
<v Speaker 5>like about it, it's sort of in a way is

909
00:46:54.079 --> 00:46:57.360
<v Speaker 5>paying homage to in fourteen minutes is paying homage to

910
00:46:57.360 --> 00:47:01.679
<v Speaker 5>the to the traditional B movie of being the second

911
00:47:01.679 --> 00:47:05.599
<v Speaker 5>part of a double feature. It features Rose Byrne, who's

912
00:47:05.599 --> 00:47:10.920
<v Speaker 5>obviously now Golden Globe a global sorry Golden Globe winner.

913
00:47:12.480 --> 00:47:14.679
<v Speaker 5>Very simple plot, but it sort of picks up most

914
00:47:14.679 --> 00:47:17.519
<v Speaker 5>of the elements of a sharp movie in fourteen minutes.

915
00:47:18.599 --> 00:47:22.920
<v Speaker 5>It has some laconic Australian humor in it, most notably

916
00:47:23.000 --> 00:47:26.119
<v Speaker 5>when they're all going for a snorkloud on presumably the

917
00:47:26.119 --> 00:47:31.159
<v Speaker 5>Great Barrier Reef. There's the skipper does his safety talk,

918
00:47:32.239 --> 00:47:36.440
<v Speaker 5>which is completely which is complete waste of time. So

919
00:47:36.639 --> 00:47:40.039
<v Speaker 5>if somebody is in somebody's in strife, had to practice

920
00:47:40.039 --> 00:47:43.639
<v Speaker 5>putting out their hand and yelling help. And when there's

921
00:47:43.679 --> 00:47:46.199
<v Speaker 5>a real catastrophe happens, he's obviously asleep and has no

922
00:47:46.280 --> 00:47:50.199
<v Speaker 5>idea what's gonna what's gonna happen. So it's a very

923
00:47:50.239 --> 00:47:52.320
<v Speaker 5>simple movie, and that's obviously what it's designed to do.

924
00:47:52.920 --> 00:48:00.800
<v Speaker 5>But it just encapsulates the genre. Well, the victim.

925
00:47:59.599 --> 00:48:02.400
<v Speaker 1>In a shark Yeah, we got to add twenty one.

926
00:48:02.599 --> 00:48:05.000
<v Speaker 2>Yeah, I've just it's in twenty twenty one. Yeah, it's

927
00:48:05.000 --> 00:48:05.840
<v Speaker 2>been added to the Yes.

928
00:48:06.400 --> 00:48:08.400
<v Speaker 1>And I like the square. Nash Eddriton has done some

929
00:48:08.440 --> 00:48:10.239
<v Speaker 1>good movies. He also did Spider and Bear.

930
00:48:11.440 --> 00:48:16.199
<v Speaker 5>Yes, I think he's collecting the animals, and there's there's

931
00:48:16.320 --> 00:48:20.760
<v Speaker 5>one shark victim, but the Nash character is left floating

932
00:48:20.800 --> 00:48:22.800
<v Speaker 5>around with a shark fin on his back because he

933
00:48:23.079 --> 00:48:26.280
<v Speaker 5>bought a shape a fake shark fin on the boat

934
00:48:26.360 --> 00:48:30.360
<v Speaker 5>to terrorize the tourists, and it's his partner that gets

935
00:48:30.360 --> 00:48:36.320
<v Speaker 5>bitten by an actual shark. So I like that Jaws

936
00:48:36.360 --> 00:48:40.559
<v Speaker 5>just just because of its og because of its og value.

937
00:48:41.960 --> 00:48:44.400
<v Speaker 5>It's two shark movies. What Star Wars New Hope was

938
00:48:44.440 --> 00:48:48.920
<v Speaker 5>to science fiction Deep Blue Sea and then obviously untitled

939
00:48:48.920 --> 00:48:52.119
<v Speaker 5>Shark movie, which I'm contractually obliged to say is my

940
00:48:52.239 --> 00:48:55.079
<v Speaker 5>number one movie despite it not being shot yet.

941
00:48:56.280 --> 00:49:01.320
<v Speaker 1>Number ones again was Jost like Max Bandits was to

942
00:49:01.400 --> 00:49:02.159
<v Speaker 1>be a Max movie.

943
00:49:05.039 --> 00:49:07.840
<v Speaker 5>I think it's probably close. I think it's probably close

944
00:49:07.880 --> 00:49:11.440
<v Speaker 5>to it. There's probably been a lot less written in

945
00:49:11.480 --> 00:49:16.760
<v Speaker 5>the academic literature about VMX bandits. But but look, I'm

946
00:49:16.800 --> 00:49:18.159
<v Speaker 5>sure the literature will catch up.

947
00:49:18.320 --> 00:49:21.000
<v Speaker 1>Yeah, yeah, it'll get there. Yeah, we're just one like

948
00:49:21.039 --> 00:49:25.599
<v Speaker 1>specialty of release away of it. But yeah, so Jay,

949
00:49:25.599 --> 00:49:27.760
<v Speaker 1>you're you're sorry the untitled Shark movie. Does there a

950
00:49:27.840 --> 00:49:29.480
<v Speaker 1>date on that? You know? Any movement?

951
00:49:30.719 --> 00:49:31.000
<v Speaker 4>Uh?

952
00:49:31.079 --> 00:49:35.039
<v Speaker 5>In all serious is no. So it's got some funding

953
00:49:35.039 --> 00:49:37.960
<v Speaker 5>from Screen Queensland, it's got his lead, it's got its

954
00:49:38.039 --> 00:49:44.400
<v Speaker 5>lead actress, Timmy Suka Koshi from Great White, So somebody

955
00:49:44.400 --> 00:49:47.519
<v Speaker 5>who's experienced in sharp movies. So that's good. And obviously

956
00:49:47.559 --> 00:49:51.400
<v Speaker 5>Marie Lewis's producer, she really is passionate about it.

957
00:49:52.320 --> 00:49:55.159
<v Speaker 1>Yeah, it will happen. We we're big supporters.

958
00:49:56.119 --> 00:50:01.320
<v Speaker 2>Yeah, we can't wait. That sounds great, Oh, Jason, So

959
00:50:01.360 --> 00:50:03.880
<v Speaker 2>did you have any of any other thoughts, Darrel, about

960
00:50:03.920 --> 00:50:06.079
<v Speaker 2>Deep Blue Sea or the chapter we're talking about, or

961
00:50:06.119 --> 00:50:08.119
<v Speaker 2>the film as a whole m.

962
00:50:09.280 --> 00:50:13.960
<v Speaker 5>Yeah, look, I just thought that chapter, Chapter thirty one,

963
00:50:14.000 --> 00:50:17.039
<v Speaker 5>it'd had that nice bit of a recap here sort

964
00:50:17.079 --> 00:50:21.760
<v Speaker 5>of that nice vision of the shark's jaws protruding forward,

965
00:50:21.800 --> 00:50:26.760
<v Speaker 5>the rolling eyes going vertical in the water, that the

966
00:50:26.840 --> 00:50:30.199
<v Speaker 5>nice touch genetically modified touch of a serrated trailing fin

967
00:50:30.360 --> 00:50:33.719
<v Speaker 5>rather than slightly frayed, so it's made it nice and geometric,

968
00:50:33.760 --> 00:50:37.280
<v Speaker 5>but without it being the focus, so it's not too

969
00:50:37.360 --> 00:50:39.920
<v Speaker 5>ridiculous proportions. I just thought it was a nice, a

970
00:50:40.000 --> 00:50:42.960
<v Speaker 5>nice subtle touch, which without making it a parody. So again,

971
00:50:43.000 --> 00:50:44.679
<v Speaker 5>if this was a B movie, it probably looked like

972
00:50:44.760 --> 00:50:49.000
<v Speaker 5>some sort of some sort of band saw rather than

973
00:50:49.000 --> 00:50:52.000
<v Speaker 5>that nice subtle touch. And I just liked that sort

974
00:50:52.000 --> 00:50:55.639
<v Speaker 5>of doom swim through first person shooter swim through.

975
00:50:55.880 --> 00:50:56.519
<v Speaker 1>So to speak.

976
00:50:58.920 --> 00:51:03.760
<v Speaker 5>And the other thing I did likes card is exaggerated

977
00:51:03.800 --> 00:51:08.559
<v Speaker 5>hair swell as well. So really focus on, I'm being

978
00:51:08.599 --> 00:51:11.679
<v Speaker 5>dragged through the water by by a shark. How's my

979
00:51:11.760 --> 00:51:13.679
<v Speaker 5>hair gonna get out of my eyes for the shot?

980
00:51:13.800 --> 00:51:16.760
<v Speaker 1>So when does he do that? When he's riding he

981
00:51:16.800 --> 00:51:18.519
<v Speaker 1>pushes it out of his hair.

982
00:51:19.000 --> 00:51:24.079
<v Speaker 5>He does his big exagerated hey hair commercial hair swell.

983
00:51:24.239 --> 00:51:27.960
<v Speaker 2>So ah, he does that when they surface, when they

984
00:51:28.000 --> 00:51:30.360
<v Speaker 2>first like get out of Aguatica and the surfaces, he

985
00:51:30.400 --> 00:51:33.519
<v Speaker 2>does like a big come up to the surface shampoo

986
00:51:33.559 --> 00:51:39.280
<v Speaker 2>advert kind of hair toss then as well. Yeah, yes, so.

987
00:51:39.400 --> 00:51:41.400
<v Speaker 1>I never noticed that, and I never knew that a

988
00:51:41.400 --> 00:51:44.199
<v Speaker 1>mako shark was on the Jaws poster. So you you

989
00:51:44.360 --> 00:51:47.159
<v Speaker 1>drop some awesome and Rose Burn's in a Shark movie.

990
00:51:47.320 --> 00:51:49.719
<v Speaker 1>You've you went three for three on the half myre

991
00:51:49.760 --> 00:51:54.960
<v Speaker 1>scale to learn that's awesome, Like, yeah, I got I

992
00:51:54.960 --> 00:51:56.400
<v Speaker 1>get to watch out for that now and I get

993
00:51:56.440 --> 00:51:59.280
<v Speaker 1>to watch rose Burn and a thing called Shark very excited.

994
00:52:00.079 --> 00:52:02.280
<v Speaker 5>Yeah, because it's short, but you're just like, how much

995
00:52:02.519 --> 00:52:07.280
<v Speaker 5>how much sort of sharp movie stuff was packed into

996
00:52:07.440 --> 00:52:11.960
<v Speaker 5>forteen minutes without without it being, without it attempting to

997
00:52:12.079 --> 00:52:15.320
<v Speaker 5>or sort of overtly attempting to. I just thought it

998
00:52:15.400 --> 00:52:19.159
<v Speaker 5>was a nice and I would say novel, but just

999
00:52:19.199 --> 00:52:22.480
<v Speaker 5>a nice twist to a nice addition to the genre.

1000
00:52:23.119 --> 00:52:26.000
<v Speaker 1>Yeah, she's good around water. That her the movie If

1001
00:52:26.000 --> 00:52:27.440
<v Speaker 1>I Have Legs, They kick you. Her house gets in

1002
00:52:27.519 --> 00:52:30.320
<v Speaker 1>trouble with water damage, she gets hit by waves, and

1003
00:52:30.320 --> 00:52:38.039
<v Speaker 1>that movie Spy she gets told she was so yeah

1004
00:52:39.320 --> 00:52:41.400
<v Speaker 1>rules there is and look.

1005
00:52:41.480 --> 00:52:45.480
<v Speaker 5>I first saw her as a as a an actress

1006
00:52:45.519 --> 00:52:48.119
<v Speaker 5>in a movie called Two Hands, which is an Australian

1007
00:52:48.159 --> 00:52:50.519
<v Speaker 5>Australian movie. Also it was Heath Ledgers big sort of

1008
00:52:50.519 --> 00:52:56.440
<v Speaker 5>breakout role. So she just played a really natural, a

1009
00:52:56.480 --> 00:53:00.199
<v Speaker 5>really natural person, which just came across so well that's

1010
00:53:00.239 --> 00:53:02.079
<v Speaker 5>a movie in many Australians love.

1011
00:53:04.800 --> 00:53:11.559
<v Speaker 1>It's on Amazon, so I'll check that out. Yeah, and

1012
00:53:11.679 --> 00:53:15.480
<v Speaker 1>no Sharks in Troy either, which is a bummer. All right,

1013
00:53:15.639 --> 00:53:20.000
<v Speaker 1>this is on Amazon, so now I'll watch that too. Yes, awesome. Well, hey,

1014
00:53:20.000 --> 00:53:22.000
<v Speaker 1>thank you so much for joining us. This was awesome.

1015
00:53:25.320 --> 00:53:27.119
<v Speaker 2>Any of your books you want to plug or anything

1016
00:53:27.119 --> 00:53:28.239
<v Speaker 2>else you want to promote.

1017
00:53:29.159 --> 00:53:32.559
<v Speaker 5>The book would be called Sharks Sharks down Under. So,

1018
00:53:33.440 --> 00:53:35.360
<v Speaker 5>as I've sort of alluded to, it's got an analysis

1019
00:53:35.400 --> 00:53:38.559
<v Speaker 5>of sharks and movies, sharks in the media. It's got

1020
00:53:38.559 --> 00:53:42.079
<v Speaker 5>some more serious, serious sciencey stuff, so the evolution of sharks,

1021
00:53:42.119 --> 00:53:45.000
<v Speaker 5>a diversity of sharks, a lot of focus on the

1022
00:53:45.039 --> 00:53:48.280
<v Speaker 5>biology and ecology of whites, bulls and tigers. Then a

1023
00:53:48.360 --> 00:53:51.119
<v Speaker 5>fairly in depth discussion of the trend of unproduked shark

1024
00:53:51.159 --> 00:53:54.960
<v Speaker 5>bites in Australia, and then a large couple of chapters

1025
00:53:55.000 --> 00:53:56.840
<v Speaker 5>on what we can do in terms of mitigating the

1026
00:53:56.920 --> 00:54:00.000
<v Speaker 5>risk of a bite. So don't have a publication day

1027
00:54:00.159 --> 00:54:02.760
<v Speaker 5>for that, but probably like twenty twenty six, early twenty

1028
00:54:02.760 --> 00:54:03.320
<v Speaker 5>twenty seven.

1029
00:54:03.880 --> 00:54:05.440
<v Speaker 1>Nice. Well, if you want to come back, we can

1030
00:54:05.480 --> 00:54:07.280
<v Speaker 1>help you promote it on the show.

1031
00:54:08.039 --> 00:54:09.320
<v Speaker 5>I'd love that.

1032
00:54:09.360 --> 00:54:12.039
<v Speaker 2>Awesome fantastic marketing plugs.

1033
00:54:12.519 --> 00:54:14.840
<v Speaker 1>Just listen to the movies on the flicks.

1034
00:54:15.360 --> 00:54:17.199
<v Speaker 2>Great and listen as you can. Follow this show all

1035
00:54:17.199 --> 00:54:20.119
<v Speaker 2>over social media at deep Blue, seapod dot email US,

1036
00:54:20.119 --> 00:54:25.079
<v Speaker 2>deepcpod at gmail dot com. Next week this is Reddy

1037
00:54:25.079 --> 00:54:27.199
<v Speaker 2>Harden's new shark movie might be coming out next week.

1038
00:54:27.760 --> 00:54:30.039
<v Speaker 2>It's it's got a US release date, hasn't got a

1039
00:54:30.119 --> 00:54:33.039
<v Speaker 2>UK one yet, so maybe we'll be talking about Deepwater

1040
00:54:33.199 --> 00:54:36.000
<v Speaker 2>next week. If not, it'll be another Australian film. It'll

1041
00:54:36.039 --> 00:54:38.840
<v Speaker 2>be Rogue for the Crocodile film from two thousand and seven,

1042
00:54:38.920 --> 00:54:41.840
<v Speaker 2>which spoiler I really enjoyed, I loved wrote quite a bit,

1043
00:54:42.840 --> 00:54:45.599
<v Speaker 2>So come back next week for either Deepwater or Rogue,

1044
00:54:46.199 --> 00:54:48.840
<v Speaker 2>but for Deep c one chapter thirty one dive. To

1045
00:54:49.000 --> 00:54:51.440
<v Speaker 2>thank you once again to our wonderful guest doctor Darren McPhee.

1046
00:54:52.320 --> 00:54:55.800
<v Speaker 2>I have been Jake Lewett, Markafmeyer and we'll deep Blue

1047
00:54:55.800 --> 00:55:12.280
<v Speaker 2>see you next week.

1048
00:55:01.440 --> 00:55:03.639
<v Speaker 1>The s
