WEBVTT

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<v Speaker 1>KFI AM six forty. You're listening to Dean Sharp The

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<v Speaker 1>House Whisper on demand on the iHeart Radio app. I

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<v Speaker 1>Am Dean Sharp the House Whisper. I design Custom Homes

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<v Speaker 1>and every weekend I'm your guide to better understanding that

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<v Speaker 1>place where you live. We want to take your ordinary

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<v Speaker 1>house and do our best to help you make it

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<v Speaker 1>an extraordinary home. Today on the show, we're going to

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<v Speaker 1>tackle one of the most difficult things ever ever in

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<v Speaker 1>the world of design, in the world of remodeling, construction.

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<v Speaker 1>Updating your home is it is critically important and yet

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<v Speaker 1>so difficult, and that is the concept and the use

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<v Speaker 1>of color. Color. Color. You would think, all right, Dean,

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<v Speaker 1>all right, color fine, Yeah, they're all around us. But

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<v Speaker 1>if you've ever tried to do some thing very very

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<v Speaker 1>special with your home, if you've ever tried to you know,

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<v Speaker 1>like you're at the paint store or at the paint

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<v Speaker 1>department at the big box store and you're thinking, all right,

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<v Speaker 1>I'm standing in front of this huge board, and these

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<v Speaker 1>colors look really good. You get them home, you put

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<v Speaker 1>them up on your wall. The samples don't look the

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<v Speaker 1>same as they did in the store. Maybe you bought

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<v Speaker 1>the sample pint of paint and you roll it around

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<v Speaker 1>a little bit and you're like, WHOA, where did all

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<v Speaker 1>that green come from? Why is it so pink? Yeah? Color,

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<v Speaker 1>Color is a tricky thing, and I'm going to give

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<v Speaker 1>you I'm going to lead you along this morning and

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<v Speaker 1>give you some tips, some critical tips on how to

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<v Speaker 1>get control of the world of color in your life.

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<v Speaker 1>What are complementary colors? What's a color wheel. I'm going

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<v Speaker 1>to introduce you to a tool that we used about

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<v Speaker 1>a ninety nine dollars tool that could literally save your

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<v Speaker 1>life and your project when it comes to color. And

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<v Speaker 1>I'm going to show you some things about color from

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<v Speaker 1>the science things. Now we're not going to nerd out

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<v Speaker 1>on science, but from the science side of things that

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<v Speaker 1>really you should know so that you can better determine

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<v Speaker 1>how color fits into your world and to your home,

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<v Speaker 1>into every single wall of every single room, because it

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<v Speaker 1>keeps changing. But I'm not going to get ahead of

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<v Speaker 1>myself right now. I'm also going to let you know,

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<v Speaker 1>of course, we're going to take your calls and our

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<v Speaker 1>number to reach us eight three three two. Ask Dean

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<v Speaker 1>eight three three the numeral two ask Dean eight three

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<v Speaker 1>three to ask Dean. It's just that easy. The phone

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<v Speaker 1>lines are open now and there is room for you

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<v Speaker 1>on this warm, sunny Mother's Day Sunday morning here in

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<v Speaker 1>southern California. Let me introduce our awesome team. Elmer is

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<v Speaker 1>on the board. Good morning, Elmer.

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<v Speaker 2>Good morning Dean, Good morning listener, Dean.

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<v Speaker 1>Yeah, yeah, all right, we got a special treat to

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<v Speaker 1>right here in the studio. Matt and Nicky producers Matt

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<v Speaker 1>and Nicky, who are going to be taking your calls,

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<v Speaker 1>are here. Grab a mic, guys and say hello, a.

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<v Speaker 2>Good ah.

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<v Speaker 1>Oh there they are there. They are Wait what what

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<v Speaker 1>what did you say, Gina? He is giving me hand signals. Oh,

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<v Speaker 1>I see, okay, all right, so Matt and Nicky. Uh,

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<v Speaker 1>these are the lovely voices. Let me hear your voices

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<v Speaker 1>once again, because these are the lovely voices you're gonna

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<v Speaker 1>hear when you call in this morning. Adian. Hey, there

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<v Speaker 1>you go. Matt and Nicky in studio with us. They

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<v Speaker 1>are They've already opened up the board and uh they

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<v Speaker 1>are ready to screen your call. They'll tell you everything

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<v Speaker 1>you need to know. Yes, that's Lucky the rooster in

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<v Speaker 1>the background. I don't know.

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<v Speaker 2>I wasn't sure if I was hearing him on the mic,

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<v Speaker 2>or I.

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<v Speaker 1>Think he's in the mic. I think you guys hear

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<v Speaker 1>Can you guys hear the rooster in the background?

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<v Speaker 2>Yeah, we can hear him?

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<v Speaker 1>Can you How can you hear that rooster?

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<v Speaker 2>Happy Mother's Day?

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<v Speaker 1>Get the hatchet?

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<v Speaker 2>No, I know what you're having for dinner.

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<v Speaker 1>It's Mother's Day chicken. Uh. And of course, my friend

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<v Speaker 1>Eileen Gonzalez at the news desk, Good morning, Eileen.

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<v Speaker 2>Good morning Dean. How are y'all doing?

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<v Speaker 1>Oh? Good? All right, So it's kind of a warm morning, right,

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<v Speaker 1>So what's fueling you today?

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<v Speaker 2>That considered, it's actually water.

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<v Speaker 3>I did have green tea, but oh it was warm

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<v Speaker 3>yesterday and I feel like I need extra water.

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<v Speaker 2>Yeah.

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<v Speaker 1>See, I had a feeling. I had a feeling. It

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<v Speaker 1>just it was just a hunch that it wasn't going

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<v Speaker 1>to be tea, at least not yet. But because of

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<v Speaker 1>the temperature.

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<v Speaker 2>Have you made Good Earth tea? What tea? Good Earth? Good? Oh?

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<v Speaker 4>Yeah?

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<v Speaker 3>I love Good Earth tea. I like their sweet and spicy.

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<v Speaker 3>That's my favorite.

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<v Speaker 2>That's the one. I just had that last night.

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<v Speaker 3>So you don't even need to put sugar in it's

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<v Speaker 3>so good exactly it's delicious and it's good cold too,

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<v Speaker 3>as a nice team.

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<v Speaker 2>Good stuff. I guess if I do the show now,

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<v Speaker 2>it's a show about tea.

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<v Speaker 1>Right sitting across the table from me. You just heard

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<v Speaker 1>her talking tea with Eileen, my better half, my design partner,

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<v Speaker 1>the co owner, co founder of House Whisper, and my

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<v Speaker 1>best friend in all the world, by the way, and

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<v Speaker 1>a wonderful mother. Tina is here. Oh, excuse you, pardon you.

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<v Speaker 1>It's all right, y'all. We have got a great show

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<v Speaker 1>set out for you, a very important show. You wouldn't

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<v Speaker 1>think that color is as tricky as it is until

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<v Speaker 1>you actually need to get something exactly right in your home,

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<v Speaker 1>and then you realize, holy cow, what is going on

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<v Speaker 1>with color? And why does it behave the way that

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<v Speaker 1>it behaves? Am I insane? Did we just? Was there

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<v Speaker 1>something wrong with me when I was at the paint

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<v Speaker 1>store and I picked out these things? Because when we

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<v Speaker 1>got them home and they're just it's just wrong and

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<v Speaker 1>it's chained. I'm gonna explain to you exactly why that

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<v Speaker 1>happens and how you can avoid it. We're talking color

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<v Speaker 1>this morning, and we will do it right after.

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<v Speaker 4>You're listening to Home with Dean Sharp on demand from

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<v Speaker 4>KFI AM six forty.

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<v Speaker 1>We only do the good kind of stuff on social media, uplifting, informative,

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<v Speaker 1>inspiring stuff. Not a lot of it, just enough. We're

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<v Speaker 1>on all the usual suspects Instagram, TikTok, Facebook x Home

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<v Speaker 1>with Dean, same handle for them all. And if your

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<v Speaker 1>home is in need of some personal house whisper attention personal.

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<v Speaker 1>What do you mean by personal? I mean me and

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<v Speaker 1>t standing in your home, staring at the problem, helping

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<v Speaker 1>you figure out how to change the game for your house.

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<v Speaker 1>Then you can book an in home design consult with us.

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<v Speaker 1>Just go to house Whisperer dot Design, house Whisperer dot Design.

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<v Speaker 1>I'm going to give the number out one more time.

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<v Speaker 1>We're taking calls in a bit as we do. Eight

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<v Speaker 1>three to three two. Ask Dean eight three three the

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<v Speaker 1>numeral two. Ask Dean eight three three two Ask Dean.

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<v Speaker 1>It's just that easy, all right, Let us dive in.

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<v Speaker 1>It's all around us at all times. Yet it remains

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<v Speaker 1>one of the least understood and single most difficult design

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<v Speaker 1>challenges for most people. That is getting the color right now.

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<v Speaker 1>I know, I know, I know your nightmares. I've stood

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<v Speaker 1>in your shoes. All you wanted to do was freshen

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<v Speaker 1>up the living room, so you innocently hopped into the

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<v Speaker 1>car head down to the paint store. Next thing you know,

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<v Speaker 1>you're standing paralyzed in front of a twenty foot long

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<v Speaker 1>wall of color samples. Behind you, the kid who pushes

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<v Speaker 1>the buttons to mix your paint last week she was

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<v Speaker 1>working at Forever twenty one. Although she knows how to

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<v Speaker 1>operate that paint machine, she has received received exactly zero

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<v Speaker 1>hours of color theory training, and therefore all tomate is

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<v Speaker 1>of no real help to you except when you're ready

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<v Speaker 1>to buy and you're completely overwhelmed. Even if you have

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<v Speaker 1>a decorator who suggested a triad of colors for you,

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<v Speaker 1>how do you know they're right? Do you even know

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<v Speaker 1>what a colored triad is? Do you have one? Do

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<v Speaker 1>you want one? Is there a way to check? You're

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<v Speaker 1>beginning to feel just a little nauseous now you're seriously

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<v Speaker 1>tempted to bolt out of there and give up on

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<v Speaker 1>the update, but you press on. You grab a few

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<v Speaker 1>samples which seem, you know, eh, kind of good, and

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<v Speaker 1>then you head home, only to discover when you walk

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<v Speaker 1>them into the room itself yeah, yeah, they don't look

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<v Speaker 1>good at all. And that was a long process to

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<v Speaker 1>get to something that you don't like. Now Here is

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<v Speaker 1>the good news. Human beings can discern over ten million

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<v Speaker 1>colors and almost three million distinct hues of color ten

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<v Speaker 1>million that you know what, we've We've got pretty decent

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<v Speaker 1>eyes when it comes to colors. The bad news none

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<v Speaker 1>of those capabilities stopped you from using too much green

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<v Speaker 1>in the family room and picking the wrong white for

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<v Speaker 1>the kitchen. Right, So it's time for a crash course

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<v Speaker 1>in color and more important, color theory. And you know

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<v Speaker 1>it's not going to get all sticky and academic. I

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<v Speaker 1>promise you we never do that. Right. Here's my promise

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<v Speaker 1>to you. Color is power, And if you heed the

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<v Speaker 1>simple advice which will roll off my lips to you,

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<v Speaker 1>you will not only master the art of color design

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<v Speaker 1>for your home, but you'll literally alter the moods and

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<v Speaker 1>the emotions. Dare I say the happiness quotion of all

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<v Speaker 1>those who dwell therein your home? Okay? Does that sound good?

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<v Speaker 4>All right?

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<v Speaker 1>So we got to do it. How do we start?

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<v Speaker 1>What is color? What the heck is it? The single

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<v Speaker 1>most important thing that I want you to understand about color.

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<v Speaker 1>And this is a hard thing for people to wrap

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<v Speaker 1>their head around. For some people to wrap their head

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<v Speaker 1>about color is all in your head. It's all in

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<v Speaker 1>your head. What I mean by that is the color

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<v Speaker 1>doesn't really exist in the physical universe. And you're like,

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<v Speaker 1>all right, is this how we're starting? Really? No, I

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<v Speaker 1>just don't. I want you to understand this. The colors

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<v Speaker 1>which we perceive as human beings, are our brains way

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<v Speaker 1>of interpreting different wavelengths of light. Okay, what exists are

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<v Speaker 1>wavelengths of light. That's what exists in the physical universe.

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<v Speaker 1>We can read them, we can track them, we can

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<v Speaker 1>monitor them, we can measure them. Okay, how those wavelengths

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<v Speaker 1>of light enter our eyeballs and the way that our

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<v Speaker 1>brain has evolved to distinguish between certain ways wavelengths of light.

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<v Speaker 1>I guess in one sense, since we can do math, right,

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<v Speaker 1>we human beings are capable of doing math. Otherwise, you know,

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<v Speaker 1>we wouldn't be able to balance our checking accounts. It's

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<v Speaker 1>in theoretical that those wavelengths of light, like the way

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<v Speaker 1>they hit a computer sensor, just result in different numbers

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<v Speaker 1>in our head, different digits of numbers, and that you

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<v Speaker 1>wouldn't actually be seeing color. You'd be seeing like instead

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<v Speaker 1>of green, you'd be seeing like nine point two seven zero,

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<v Speaker 1>you know something like that. Right, So that's what I

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<v Speaker 1>mean by color is something that's actually in our head.

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<v Speaker 1>It's our brain's way of interpreting a wavelength of light. Okay.

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<v Speaker 1>And the phrase as humans here very important because other

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<v Speaker 1>animals' brains can interpret the exact same light wavelength differently

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<v Speaker 1>for their own evolutionary purposes. Right. We know this to

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<v Speaker 1>be true. So the lesson here being this color is

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<v Speaker 1>a perception. It's not an absolute, which explains why it's

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<v Speaker 1>so fickle and it's so changeable because not only is

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<v Speaker 1>color about your brain's way of trying to interpret different

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<v Speaker 1>wavelengths of light, but also there are a lot of

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<v Speaker 1>wavelengths of light out there. Okay. One wavelength of light

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<v Speaker 1>coming off of something that we perceive to be orange, okay,

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<v Speaker 1>registers in our brain. When if it's a pure wavelength,

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<v Speaker 1>meaning that there aren't any other wavelengths around it, twisting

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<v Speaker 1>into it, mixing with it, then we get to perceive

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<v Speaker 1>pure orange. But but but we put that wavelength and

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<v Speaker 1>we put it into kind of a wavelength soup in

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<v Speaker 1>which there are other colors next to it, next to

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<v Speaker 1>that orange, near that orange, that are entering your eye

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<v Speaker 1>at the same time as the orange wavelength. And guess

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<v Speaker 1>what happens. The orange wavelength changes. It's not that the

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<v Speaker 1>light wavelength has changed, it's that the way you perceive

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<v Speaker 1>that orange changes, because now it's a mixed bag. And

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<v Speaker 1>so the orange starts turning maybe a little bit more red,

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<v Speaker 1>or maybe it starts turning a bit more yellow, or

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<v Speaker 1>maybe it starts turning more gray. It's a bizarre thing.

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<v Speaker 1>But if we start mixing wavelengths of light in our

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<v Speaker 1>eye at the same time, which is almost always the case.

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<v Speaker 1>In fact, it's hardly ever the case when you're just

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<v Speaker 1>staring at one color and no other color wavelengths are

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<v Speaker 1>entering your eyes. Therefore, colors change. They change. They change

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<v Speaker 1>as the wavelength patterns of light change. Inside a room,

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<v Speaker 1>they change as you look from one wall to the

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<v Speaker 1>next wall. They change as the sun comes up in

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<v Speaker 1>the morning and is low in the sky and then

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<v Speaker 1>is overhead in the sky and nice and bright, and

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<v Speaker 1>then starts to set in a soft golden hue. It

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<v Speaker 1>changes the colors on the walls in your room. It

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<v Speaker 1>changes again, when you turn on artificial lights which throw

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<v Speaker 1>out their own wavelengths, are you getting my vibe here?

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<v Speaker 1>Your brain interprets wavelengths of light as color, and when

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<v Speaker 1>there are multiple wavelengths hitting at different angles, at different frequencies,

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<v Speaker 1>at different measurements and intensities, colors change. They change. And

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<v Speaker 1>this is why you wrestle with color so much. Now,

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<v Speaker 1>the big question is can we overcome it and how

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<v Speaker 1>do we get around it? Well, the answer is yes,

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<v Speaker 1>but there are some specific things that we have to

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<v Speaker 1>do in order to make sure that the color we

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<v Speaker 1>pick is the color we want. And we'll start talking

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<v Speaker 1>about that right after.

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<v Speaker 4>You're listening to Home with Dean Sharp on demand from

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<v Speaker 4>KFI AM six forty.

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<v Speaker 1>Dean Sharp the house whisper here with you. Always a

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<v Speaker 1>privilege and a pleasure to spend a Sunday morning with you.

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<v Speaker 1>Hope you have some cool Mother's Day plans ahead of

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<v Speaker 1>you today. It's not going to be a cool mother's

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<v Speaker 1>day in that sense, in the weather sense in southern California.

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<v Speaker 1>Here it's a warm one. We're moving through a little

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<v Speaker 1>heat spike, but looks like it's going to be trailing

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<v Speaker 1>off starting tomorrow. We're going to be back into springtime

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<v Speaker 1>ish temperatures for this week ahead, I believe. But today,

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<v Speaker 1>you know, stay in the shade, enjoy the outdoors, Enjoy mom,

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<v Speaker 1>Celebrate mom. Hope you've got good plans today for that.

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<v Speaker 1>Right now here on the program, we're talking about color

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<v Speaker 1>and all the hassles that color brings to us and

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<v Speaker 1>how to overcome them. In just a bit, by the way,

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<v Speaker 1>just a bit, we're going to be going to the phones.

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<v Speaker 1>There's room on the board for you, so you get

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<v Speaker 1>to whenever I go to calls, regardless of what the

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<v Speaker 1>show is about, you get to pick the agenda for

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<v Speaker 1>the call. Anything at all you want to talk about

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<v Speaker 1>today about your home, whether it is outside, inside, construction,

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<v Speaker 1>diy design, architecture, you name it. Let's put our heads together.

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<v Speaker 1>We'll figure it out together. The number to reach me

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<v Speaker 1>eight three three two. Ask Dean eight three three the

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<v Speaker 1>numeral two ask Dean. Matt and Nikki are standing by.

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<v Speaker 1>They are ready to take your call. They'll tell you

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<v Speaker 1>everything you need to know. Popy into and listen to

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<v Speaker 1>the show while you wait, and then hopefully you and

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<v Speaker 1>I will put our heads together and we'll figure it

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<v Speaker 1>out all right. Back to color. We've talked about what

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<v Speaker 1>color is. It's a it's a weird it's a weird thing.

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<v Speaker 1>Color is the way that our brains interpret frequencies different

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<v Speaker 1>wavelengths of light, right, And there are a lot of

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<v Speaker 1>frequencies and wavelengths built into certain color patterns that we see. Now.

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<v Speaker 1>Most of you remember from what was it science in

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<v Speaker 1>school that you know, you take a prism, and you

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<v Speaker 1>can take white light, pure white light, and refract it

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<v Speaker 1>through a prism, and you get the entire rainbow. Right.

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<v Speaker 1>It's a beautiful thing. That's what's known as the color spectrum.

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<v Speaker 1>That's an important thing because what that prism is doing

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<v Speaker 1>is it's breaking apart those wavelengths into separate wavelengths of

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<v Speaker 1>different lengths, and as a result, our brain perceives that

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<v Speaker 1>rainbow of fruit flavors that comes through a prism from

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<v Speaker 1>white light, because white light, pure white light, contains all

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<v Speaker 1>of those wavelengths and as a result, if you break

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<v Speaker 1>them apart, you get the rainbow. Black. On the other hand,

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<v Speaker 1>pure black or darkness is the absence of any wavelength

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<v Speaker 1>of light approaching our eyes, and so our brain simply

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<v Speaker 1>in turn puts it as a void, as a non thing. Okay,

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<v Speaker 1>is black a color? Well, in practical terms, if we're

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<v Speaker 1>talking about you know, adding things. In fact, Elmer and

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<v Speaker 1>I were talking before the show. You know that he's

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<v Speaker 1>painted part of his apartment black. So yeah, it's a color.

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<v Speaker 1>You go and you request it, and there are all

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<v Speaker 1>sorts of shades I'm using air quotes here, shades of

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<v Speaker 1>black out there. What that is is pure black, a

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<v Speaker 1>non color mixed with all sorts of other faint colors

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<v Speaker 1>that get that nuance it in one direction or another.

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<v Speaker 1>But ultimately, the idea of like the void, the blackness

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<v Speaker 1>of space is simply the absence of light altogether, the

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<v Speaker 1>absence of light, no wavelengths of light approaching your eyes,

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<v Speaker 1>total darkness, and your brain simply has no information that

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<v Speaker 1>it's processing, and so the screen is black. That's the

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<v Speaker 1>way it works. When wavelengths of light start being introduced,

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<v Speaker 1>then the brain starts interpreting color. Okay, I don't want

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<v Speaker 1>to throw too much science stuff on you too fast,

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<v Speaker 1>but I just want you to understand some stuff. Here's

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<v Speaker 1>a let me just I'll throw out a fun fact here.

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<v Speaker 1>What is the most common color on planet Earth? It

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<v Speaker 1>also happens to be the most rare color in a

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<v Speaker 1>separate kind of category. So what do you think that is?

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<v Speaker 1>What do you think that is? Well? Here, it is

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<v Speaker 1>the most common color on planet Earth. Shouldn't surprise you. Blue, right,

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<v Speaker 1>The ocean is blue, the sky is blue. Our planet

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<v Speaker 1>is often described as a as a blue planet. Okay,

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<v Speaker 1>blue is the most common color on Earth, kinda kind

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<v Speaker 1>of what do I mean? Well, the ocean in the

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<v Speaker 1>sky only actually appear blue. They're not blue. And you're like, wait,

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<v Speaker 1>what Remember what I said? Color is something that is

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<v Speaker 1>interpreted in your head. Obviously. You know, when you pour

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<v Speaker 1>a glass of water and you look at it, it's

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<v Speaker 1>not blue. It's clear. It's clear water. Right. If you

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<v Speaker 1>grab a little chunk of air, put some air inside

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<v Speaker 1>and you look at it, it's colorless, or at least

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<v Speaker 1>it appears that way on a small scale. Okay. And no,

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<v Speaker 1>the sky is not blue because the ocean is blue,

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<v Speaker 1>and the ocean is not blue because the sky is blue.

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<v Speaker 1>It just so happens that they're both blue for their

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<v Speaker 1>own reasons. The particular chemical composition of our nitrogen oxygen

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<v Speaker 1>atmosphere and the hydrogen oxygen liquid that we call water,

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<v Speaker 1>they both tend to absorb the red side of the

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<v Speaker 1>light spectrum. They absorb it. They don't reflect it back

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<v Speaker 1>to you, Okay, they absorb it, and so it doesn't

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<v Speaker 1>come back at our eyes. They absorb the red side

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<v Speaker 1>of the spectrum, they reflect and distribute the blue side.

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<v Speaker 1>And so that's why when we look at the sky

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<v Speaker 1>it has tinted blue, and when we look at the

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<v Speaker 1>ocean it is blue. Okay. Both can change, by the way,

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<v Speaker 1>given certain conditions, like how the sky becomes golden and

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<v Speaker 1>crimson and orange at sunrise or sunset. And so that's

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<v Speaker 1>what I mean when I say blue is the most

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<v Speaker 1>common color. Kind of Also, did you know that blue

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<v Speaker 1>is everywhere on Earth except in most plants and animals.

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<v Speaker 1>Blue is actually the rarest biologically produced color. It is

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<v Speaker 1>the rarest biologically produced pigment, chemically blue pigment. Okay, some,

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<v Speaker 1>but not many plants and even fewer animals. Bluebirds, for instance,

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<v Speaker 1>and blue jays, they're not blue. They get their color

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<v Speaker 1>not from any real There is no blue pigment in

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<v Speaker 1>a blue jay, but the surface of their feathers there's

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<v Speaker 1>scatter light, Okay, there are microscopic beads on their feathers

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<v Speaker 1>that scatter light in a way that every other wavelength

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<v Speaker 1>of light is canceled out except blue. And therefore we

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<v Speaker 1>see a bluebird or a blue jay as blue. And

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<v Speaker 1>if you've ever seen a blue jay or a bluebird

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<v Speaker 1>on a cloudy day, you'll notice, Yeah, they look actually

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<v Speaker 1>kind of gray. Ah ah ah you see. Okay, So

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<v Speaker 1>think of it as like what bluebirds and blue jays

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<v Speaker 1>are any animal that has blue in them, It's kind

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<v Speaker 1>of like they're wearing noise canceling headphones. Right. The structure

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<v Speaker 1>of whatever's on their body is literally canceling out everything

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<v Speaker 1>else except that blue wavelength that's coming at us. Okay, Now,

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<v Speaker 1>why am I giving you this trivia? I'm just trying

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<v Speaker 1>to drive home the point that color is a tricky thing.

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<v Speaker 1>It truly, truly is a tricky thing, but there are

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<v Speaker 1>ways around it. Color is psychological, it's also cultural. We

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<v Speaker 1>need to talk about that little bit, and then we'll

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<v Speaker 1>start mastering color as we go. All right, you hang tight.

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<v Speaker 4>You're listening to Home with Dean Sharp on demand from

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<v Speaker 4>KFI AM six forty.

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<v Speaker 1>We're having fun here. We are talking color, and yes,

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<v Speaker 1>I have yet to get to the place where I'm

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<v Speaker 1>telling you exactly how you're going to wrestle color to

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<v Speaker 1>the floor and defeat it, because there are still a

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<v Speaker 1>few things you need to understand about color before you

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<v Speaker 1>take on this opponent. And I say opponent because so

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<v Speaker 1>many people struggle with getting color right in their home.

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<v Speaker 1>So we're doing a little bit of color theory first.

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<v Speaker 1>And so I've been telling you colors in your head.

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<v Speaker 1>Technically speaking, it's the way that your brain interprets wavelengths

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<v Speaker 1>of light. Color is not exactly what we think it is.

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<v Speaker 1>We you know, the most common color on this planet

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<v Speaker 1>is is actually the least common color on this planet.

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<v Speaker 1>The most common color on this planet that we perceive

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<v Speaker 1>is blue, blue, ocean, blue sky, so on. That's not

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<v Speaker 1>really blue. It's just the way that those chemical environments

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<v Speaker 1>scatter the rest of the wavelengths of light and only

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<v Speaker 1>send blue our way. And that's why it changes so radically.

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<v Speaker 1>And I told you that blue is the least common

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<v Speaker 1>biological color, meaning any living thing that produces a pigment

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<v Speaker 1>of blue extremely rare. In fact, the only exception in

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<v Speaker 1>nature that we're aware of is the Obrina olive wing

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<v Speaker 1>butterfly that has two stripes on its wings which are

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<v Speaker 1>what most people would call cyan, which, by the way,

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<v Speaker 1>is the primary blue color. The primary color is cyan,

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<v Speaker 1>and that's what that butterfly has on it. Bluebirds not blue.

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<v Speaker 1>And you're like, hey, what about me, I have blue eyes.

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<v Speaker 1>No you don't. Sorry, people, you should already know this

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<v Speaker 1>about yourself. That's one of the things people with blue

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<v Speaker 1>eyes should be able to tell other people. You have

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<v Speaker 1>blue eyes because you have actually zero pigment in your eyes,

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<v Speaker 1>none whatsoever. And because of that, the structure of your

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<v Speaker 1>eyes again like the ocean, like the sky, and it's true,

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<v Speaker 1>your eyes are like the sky, like pools of water.

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<v Speaker 1>It's scientifically true. They are scattering the other spectrums of

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<v Speaker 1>light and only reflecting black back the blue. And that's

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<v Speaker 1>why your eyes appear so blue. And you like the

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<v Speaker 1>blue jay. Yeah, it isn't news anout you like the

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00:25:40.000 --> 00:25:45.039
<v Speaker 1>blue jay. On cloudy days, on overcast days, your eyes

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00:25:45.079 --> 00:25:48.000
<v Speaker 1>are not as blue as they are on sunny, bright days.

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00:25:48.200 --> 00:25:51.039
<v Speaker 1>And that's because they're not actually blue at all. They're

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<v Speaker 1>just reflecting back what's out there. So that's a problem

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00:25:55.559 --> 00:25:59.359
<v Speaker 1>with color. Another problem with color is that color is

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<v Speaker 1>also psychological. There are things built into us as human beings.

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<v Speaker 1>We react to certain colors psychologically, okay, Like you know,

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00:26:11.920 --> 00:26:15.880
<v Speaker 1>things about red are kind of grounded in human emotions.

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<v Speaker 1>Red is the color of blood, and so it's difficult

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00:26:20.279 --> 00:26:25.519
<v Speaker 1>for us to see red and not related to excitement, alertness, arousal,

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00:26:26.359 --> 00:26:29.400
<v Speaker 1>but also danger in stress. So not a lot of

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<v Speaker 1>stop signs out there in soothing ocean blue, right, stop

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00:26:34.920 --> 00:26:39.039
<v Speaker 1>signs are red, like hello, that's because of our own

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<v Speaker 1>human psychology, okay, And that's true in a lot of

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<v Speaker 1>other areas as well. Color is also cultural, and that's

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00:26:47.279 --> 00:26:51.720
<v Speaker 1>an issue. For instance, the Chinese are taught to see

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<v Speaker 1>red as good luck, taught culturally to see red as

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00:26:55.880 --> 00:27:01.440
<v Speaker 1>good luck. Chinese brides wear red, not white because in China,

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00:27:01.640 --> 00:27:04.319
<v Speaker 1>white is the color of death or mourning for them,

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00:27:04.880 --> 00:27:09.319
<v Speaker 1>and it is inappropriate for a wedding, Okay, because that

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00:27:09.640 --> 00:27:12.599
<v Speaker 1>is the connotation. If you're like, well, that's weird, Well

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00:27:12.720 --> 00:27:17.359
<v Speaker 1>not if you consider that living things are flushed with color,

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00:27:17.559 --> 00:27:20.599
<v Speaker 1>like what we would say a blushing bride, that's red.

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00:27:21.480 --> 00:27:24.839
<v Speaker 1>Dead things tend to lose their color as in like

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00:27:25.039 --> 00:27:28.799
<v Speaker 1>going white as a ghost. Right, So yeah, it makes

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00:27:28.799 --> 00:27:32.640
<v Speaker 1>sense from a cultural context, it makes perfect sense. So

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<v Speaker 1>the point is this are we hopelessly lost in this

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00:27:35.920 --> 00:27:40.519
<v Speaker 1>confusing maze of color. There's psychology, there's culture, there's the

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00:27:40.880 --> 00:27:45.079
<v Speaker 1>physicality of color. There is the physiology of color, there's

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00:27:45.119 --> 00:27:46.240
<v Speaker 1>the chemistry of color.

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<v Speaker 2>What do you do?

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<v Speaker 1>Is there no science of color that we can just

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<v Speaker 1>grab our hands around, Well, there is there is a

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<v Speaker 1>science of color, that science which we will appeal to

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00:27:59.799 --> 00:28:01.559
<v Speaker 1>new and know you're not going to have to remember

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00:28:01.720 --> 00:28:05.319
<v Speaker 1>tomes of stuff. There are just a few steps to

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<v Speaker 1>take in order for you to start breaking apart the

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<v Speaker 1>world of color and understanding what works and what doesn't work.

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<v Speaker 1>But we are at the top of the hour, which

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<v Speaker 1>means when we return, we are going to press pause

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<v Speaker 1>on our colored discussion, and we are going to go

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<v Speaker 1>to the phones. The number to reach me eight three

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<v Speaker 1>three two. Ask Dean eight three three, the numeral two.

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<v Speaker 1>Ask Dean your home with Dean Sharp the house Whisper

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<v Speaker 1>on KFI. This has been Home with Dean Sharp, the

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<v Speaker 1>House Whisper. Tune into the live broadcast on KFI AM

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<v Speaker 1>six forty every Saturday morning from six to eight Pacific time,

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00:28:42.039 --> 00:28:45.119
<v Speaker 1>and every Sunday morning from nine to noon Pacific time,

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<v Speaker 1>or anytime on demand on the iHeartRadio app,
