WEBVTT

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<v Speaker 1>Hello, welcome back to Rose Pricks. You are listening to

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<v Speaker 1>the end, just like that recap, this is part two

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<v Speaker 1>and Stephanie's gonna get really pissed. But if you are

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<v Speaker 1>listening to this and you did not listen to part one,

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<v Speaker 1>it's chock full of information. We's got the jokes, there's

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<v Speaker 1>all the stuff. So you really want to go back

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<v Speaker 1>so hard.

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<v Speaker 2>You're gonna want to understand why we think that Aiden

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<v Speaker 2>needs to be arrested possibly if for sure needs to

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<v Speaker 2>be arrested.

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<v Speaker 1>In fact, we had and you have to go back

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<v Speaker 1>to hear the first part of this, but we actually

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<v Speaker 1>have a little information. Maybe this can be our macro

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<v Speaker 1>going into this one. Because I had said at the

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<v Speaker 1>end of last episode, like, didn't John Corbett slash Aiden

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<v Speaker 1>also get kind of canceled at one point I thought

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<v Speaker 1>he had maybe not because we were talking about big

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<v Speaker 1>So what did you find? She looked up a little

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<v Speaker 1>John Corbett, what did you think?

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<v Speaker 2>I looked up a little bit and this is what

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<v Speaker 2>I found. It says what this is from Jezebel, which

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<v Speaker 2>is a good journalism source. It's not like I don't

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<v Speaker 2>think it exists nomore, but it was, Yeah, it says,

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<v Speaker 2>what the heading headline is? What insult did John Corbett

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<v Speaker 2>make to mary Lynn Rice Cub Mary Lynn from twenty

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<v Speaker 2>four was on Tonight Show Last Night discussing her former

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<v Speaker 2>career as a waitress and strange run in with former

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<v Speaker 2>Northern Exposure actor.

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<v Speaker 1>Okay, so she started it? Got it?

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<v Speaker 2>Currently years ago, when mary Lynn was working at the

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<v Speaker 2>hard Rock Cafe, she waited on John Corbett, who was

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<v Speaker 2>then the quote hot guy from Northern Exposure. He came

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<v Speaker 2>in with his quote skeleton girlfriend and asked Marylynd something

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<v Speaker 2>that was so bad NBC had to bleep it out.

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<v Speaker 2>Corbett said something along the lines of do you have blank?

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<v Speaker 2>And it says we're thinking it's herpes? But can't they

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<v Speaker 2>say that on TV, which made mary Lynn quote frown inside.

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<v Speaker 2>The clip ends with mary Lynn pointing out that even

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<v Speaker 2>if I did have blank, I could wait tables after this.

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<v Speaker 1>Like he was trying to say, don't touch she's probably

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<v Speaker 1>she probably put her She probably served something and had

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<v Speaker 1>her finger a little in the cop This is what

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<v Speaker 1>I'm imagining. And then he made a dumb joke. That's

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<v Speaker 1>what happened, right, I guess I can't believe that has

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<v Speaker 1>to be so because she's saying something stupid. It's gross. Yeah,

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<v Speaker 1>because remember when Jeremy Pivens said that I was at

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<v Speaker 1>a coffee shop and when I first moved to La

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<v Speaker 1>Do you remember the story. I don't think I told

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<v Speaker 1>you this. I was at like Buzz Coffee and I'd

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<v Speaker 1>gotten I was sitting there, I wasn't getting it to go.

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<v Speaker 1>So it was like in those you know, mid nineties

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<v Speaker 1>giant mugs like like Seattle, yeah, big glass whatever, and

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<v Speaker 1>I was carrying it kind of slowly to my table

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<v Speaker 1>and Jeremy Pivens's like, what's that? And I was like,

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<v Speaker 1>it's a cappuccino or mocha or whatever, and he was like,

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<v Speaker 1>can I have some? I don't have herpies. I was like, okay,

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<v Speaker 1>I knew who he was. And he took a sip

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<v Speaker 1>of it and he's like, I like it. And so

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<v Speaker 1>then he got one, and I was like, am I

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<v Speaker 1>going to be really good friends with Jeremy Pitten? Now?

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<v Speaker 1>This is before Jeremy Piven. Jeremy Piven out right, and

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<v Speaker 1>just so we know, like he was always like that, right,

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<v Speaker 1>So it's not that insane. And also I'm not speaking

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<v Speaker 1>for Stephanie. I'm no fan of Mary Lynd, so I

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<v Speaker 1>mean I am actually taking Aiden's side on this one. Well,

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<v Speaker 1>here's something else. Here's just another little story.

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<v Speaker 2>I don't know how interesting this is, but this is it,

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<v Speaker 2>says John Corbett, is reportedly on Sarah Jessica Parker's bad side.

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<v Speaker 1>This is been a long time ago.

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<v Speaker 2>According to sources who spoke with The National Inquirer, the

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<v Speaker 2>Sex and the City's staple is pissed over Corbett's recent

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<v Speaker 2>public statements disparaging his career, labeling his job unfulfilling and boring.

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<v Speaker 2>So he was on the Fly on the Wall podcast

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<v Speaker 2>and he admitted that he wished he'd instead worked behind

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<v Speaker 2>the scenes as a screenwriter or producer. Said, I remember that. Look,

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<v Speaker 2>I'm in the fourth quarter of the football game now.

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<v Speaker 2>In life and in show business, it's just a fact.

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<v Speaker 1>So I can.

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<v Speaker 2>Reveal now I picked the wrong, the fucking wrong thing

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<v Speaker 2>to do with my life. I picked something to do

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<v Speaker 2>with my whole life for my fulfillment of work life,

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<v Speaker 2>which is dude, stand here, say this, put this on,

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<v Speaker 2>look this way, say it faster. Cut your hair like this,

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<v Speaker 2>he said, O.

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<v Speaker 1>Sixty three year old, So he was sixty three at

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<v Speaker 1>the time that he said this, So maybe it wasn't

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<v Speaker 1>it was during and just like that obviously. Yeah, that

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<v Speaker 1>podcast has only been around for a few years.

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<v Speaker 2>Yeah, he added quote, have you ever sat in a

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<v Speaker 2>fucking waiting room of a doctor's office for like an

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<v Speaker 2>hour and been like?

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<v Speaker 1>What the fuck? He said? God, I'm me he's real hatable,

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<v Speaker 1>He's not nice, like so he's complaining about the hurry

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<v Speaker 1>up and wait aspect of it all, which we get that.

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<v Speaker 1>So then he says, for me, that's what making a

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<v Speaker 1>movie is like, because I'm not part of any creative process.

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<v Speaker 1>Parker is offended. Sarah Jessica finds John's comments deeply insulting

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<v Speaker 1>to the.

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<v Speaker 2>Entire crew, cast, writers, uh basically and saying that it

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<v Speaker 2>pays all his bills. There are a million a million

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<v Speaker 2>actors who would give their left arm to have the

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<v Speaker 2>career John has to have given him the opportunity. Not

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<v Speaker 2>to mention the money and then have it thrown back

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<v Speaker 2>in your face is terrible.

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<v Speaker 1>My god. I agree with her. I have two shitty people.

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<v Speaker 1>Why why kill off? They loved Chris, they got along

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<v Speaker 1>with him really well. Well, I understand why he couldn't

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<v Speaker 1>work there anymore. But like, maybe none of them should

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<v Speaker 1>bring Trey back. Maybe then Carrie could get with Trey.

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<v Speaker 1>That would be fun. You know who could be helped

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<v Speaker 1>a little bit. Well, I was gonna say Aidan could

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<v Speaker 2>back to the show. Now we go to Miranda. Let's

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<v Speaker 2>get to Miranda. She's sold on by Bingo, right, this

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<v Speaker 2>is where we are. Yeah, so when back when she

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<v Speaker 2>was in her like work kitchen or opening sequence to

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<v Speaker 2>Black Mirror, she was like poo pooing that these women

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<v Speaker 2>are watching a reality show.

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<v Speaker 1>But now she's really into it. Mm hmm, she's super

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<v Speaker 1>into it. She loves it, she's obsessed with it. Oh wait, wait, wait, no,

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<v Speaker 1>we forgot something very big.

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<v Speaker 2>Okay, not big the actor, but the next day after

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<v Speaker 2>what we talked about before. After after she and Aiden

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<v Speaker 2>are ways, she's like, hey, so she decides she's gonna

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<v Speaker 2>She said before he left, something about like I want

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<v Speaker 2>to buy a table for us, So she's she's like, oh, now,

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<v Speaker 2>Aiden and I are like kind of together.

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<v Speaker 1>Remember, yeah, I remember that, but I had that later,

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<v Speaker 1>I guess, but maybe that maybe, yeah, I know this

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<v Speaker 1>happens because it's it's all right because she's dressed in

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<v Speaker 1>a ballgang she's dressed. There's a moment where we see

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<v Speaker 1>Miranda first, just so you know that I wasn't skipping it,

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<v Speaker 1>but yes, she's back. I just wrote she's the richest

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<v Speaker 1>lady in all the land, dressed in a ball gown.

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<v Speaker 1>And then she finds the table. So for some reason, she's.

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<v Speaker 2>Become really obsessed with the fact that he needs to

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<v Speaker 2>approve a freakin' table, which lets she's not. Do we

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<v Speaker 2>like the table ourselves?

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<v Speaker 1>I didn't. I didn't like it. But it's also but

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<v Speaker 1>who cares whether he likes it or not? It's your table? Like,

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<v Speaker 1>who is this character that's like, Oh, let me ask

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<v Speaker 1>my boyfriend.

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<v Speaker 2>Who doesn't want to be in my life for five years?

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<v Speaker 2>Who I'm allowed to possibly text or call, but he

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<v Speaker 2>won't answer. Yeah, it's no obligation to answer your call,

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<v Speaker 2>but I need to ask him if he's permission to

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<v Speaker 2>buy a table.

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<v Speaker 1>And she writes such a Carrie long thing about it's

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<v Speaker 1>like it's old like you, she says old. For some reason,

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<v Speaker 1>she don't know where Sarah is from, but she she does.

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<v Speaker 1>She goes, it's range like us us. Yeah, it's kind

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<v Speaker 1>of in a weird place right now, but she says, old,

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<v Speaker 1>I've noticed this all these years. She says old. She

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<v Speaker 1>doesn't say the l like it like she's from Philly.

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<v Speaker 1>But she's not right, so she says, uh, she's like

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<v Speaker 1>it's old like us, and you're you, and it's would

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<v Speaker 1>work like you, and this whole magical thing. She sends it,

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<v Speaker 1>and then she doesn't send it. No, she doesn't. Oh, yes, sorry,

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<v Speaker 1>you're right, you're absolutely right. She sends it, but he

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<v Speaker 1>doesn't and then doesn't respond just yet. We're going to

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<v Speaker 1>find out his response in just a second, right or soon,

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<v Speaker 1>because the response is unacceptable. But is it I don't know.

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<v Speaker 2>So the next day, Yeah, she's at lunch with Seamantha. Uh,

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<v Speaker 2>I just kept calling her Seema, Samantha right, and Miranda right.

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<v Speaker 2>And then she's like, guys, if you write somebody a text,

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<v Speaker 2>what is it that you think should come back from

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<v Speaker 2>a text?

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<v Speaker 1>Is it this? And she shows them, she shows them

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<v Speaker 1>the picture of the table and they're like, they're like ooh, yeah.

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<v Speaker 1>She's like, that should be the response, not this. And

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<v Speaker 1>then she shows the emoji of Aiden, a thumbs down emoji.

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<v Speaker 1>He's taken the time to send it that, which is

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<v Speaker 1>just one other thing to dislike about this character, Like

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<v Speaker 1>he just sucks so much. Even though I did just

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<v Speaker 1>take John Corbett's sid against Marilyn Reiskop, I feel kind

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<v Speaker 1>of weird about that. So then a guy is like,

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<v Speaker 1>kind of flirting, We need to you need to work

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<v Speaker 1>on that. Yeah. Well, a guy is kind of flirting

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<v Speaker 1>with Seema and she's like, now, I dated him like

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<v Speaker 1>you did. And she's like, basically, there's only is five

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<v Speaker 1>guys in New York. And I understand what she's now.

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<v Speaker 1>I got to say single Sema, I can relate to

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<v Speaker 1>her dating stuff. So I have kind of liked the

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<v Speaker 1>way some of this was written, because there are sometimes

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<v Speaker 1>you could say there's just like five dudes, you kind

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<v Speaker 1>of see, especially when you're on the apps. You're like,

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<v Speaker 1>oh god, that's that's a guy who's going to sleep

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<v Speaker 1>on your couch. That's the guy that's going to pretend

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<v Speaker 1>that's the guy who speaks seven languages. But it is

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<v Speaker 1>really weird. That's it's there are It is kind of

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<v Speaker 1>a thing.

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<v Speaker 2>I get it, but then it's I think her character

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<v Speaker 2>is so mean and cartoony and entitled. Samantha Gray, who

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<v Speaker 2>you're trying to emulate, is wasn't like that.

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<v Speaker 1>Well. I like that they kind of differentiate them a

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<v Speaker 1>little bit because Samantha was like, oh I don't care,

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<v Speaker 1>I'll fuck them again, Like she's she's that one. So

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<v Speaker 1>I think they are trying to modernize the Samantha type

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<v Speaker 1>a little bit by saying like, I'm older now and

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<v Speaker 1>I'm sick of it and these guys suck. So she's

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<v Speaker 1>a little bit different. I'm sorry, but.

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<v Speaker 2>I just don't I don't buy into every guy that

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<v Speaker 2>they're always like, oh my god, look at that guy

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<v Speaker 2>over there is hitting on you.

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<v Speaker 1>It just doesn't know. I agree, balistic, I agree, and

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<v Speaker 1>she does stick.

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<v Speaker 2>That she's in this position where she's just apparently so

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<v Speaker 2>absolutely drop dead beautiful that every guy wants her, and

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<v Speaker 2>she just doesn't want them because she's just too picky.

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<v Speaker 1>I know, I'm with you. But meanwhile, okay, so Miranda,

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<v Speaker 1>she's still she's still trying to get some I'm gonna

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<v Speaker 1>say simples. Eh. Well, she's she's watching she's talking all

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<v Speaker 1>about this the Bye Bye what's it called? By Bingo?

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<v Speaker 1>By Bingo?

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<v Speaker 2>And and there she's like gossiping about it, and there's

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<v Speaker 2>then the server comes over to make guacamole at the table,

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<v Speaker 2>and then lady yeah, and she's trying to tell these girls,

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<v Speaker 2>her friends about this show that she's watching. In the

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<v Speaker 2>server's like, are you talking about buy Bingo? And she's

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<v Speaker 2>like yes, oh my god. And then the server goes

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<v Speaker 2>the gay dating show mm hmmm, Like we need to

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<v Speaker 2>make sure that she knows.

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<v Speaker 1>I have to let you know because yeah, and so

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<v Speaker 1>we're giving her all the clues that Miranda needs to

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<v Speaker 1>be like, I guess she's gay. Okay, So because she

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<v Speaker 1>does say some stuff like, oh my god, can you

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<v Speaker 1>believe this one? Can you believe this one? Oh my god, Jamie, Yeah,

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<v Speaker 1>how is she so stupid? Oh my god? So I

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<v Speaker 1>just wrote their bonding they are ms.

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<v Speaker 2>So then they do this thing though, where SEMA's complaining

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<v Speaker 2>about the guy the dating scene, and they show a

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<v Speaker 2>little like snippets of her on.

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<v Speaker 1>Dates with different ways. I joined this. I liked this.

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<v Speaker 1>I have to tell you, I like watched it a

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<v Speaker 1>couple times. I really from the writing standpoint, I liked it.

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<v Speaker 1>I know you probably didn't. I really did, do you.

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<v Speaker 2>I wouldn't have minded it from the from the writing

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<v Speaker 2>standpoint if it wasn't if Sema didn't come off as

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<v Speaker 2>just so mean to each one and unrealistic that she

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<v Speaker 2>would be like, yeah, next, Oh, I.

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<v Speaker 1>Agree with you. But I loved when she told the

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<v Speaker 1>guy off, like, let me guess you're you're gonna say

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<v Speaker 1>you say you're divorced, but you haven't filed yet and

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<v Speaker 1>your name is really Dan. I mean, it was good.

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<v Speaker 1>I was like, I want to write this shit down.

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<v Speaker 1>She they whoever wrote that scene might be a woman

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<v Speaker 1>who dates on the apps, because that felt re and

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<v Speaker 1>yes it was. Yeah, you're right, it was coming from

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<v Speaker 1>the wrong person. It was unfortunate that was Sema, But like, yeah,

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<v Speaker 1>I think.

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<v Speaker 2>Also it bothers me because I'm still smarting from the

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<v Speaker 2>fact that she blew got so mad at the director

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<v Speaker 2>because you know, oh my god, I have to eat

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<v Speaker 2>doritos in a van. How dare you take me to

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00:15:21.240 --> 00:15:23.320
<v Speaker 2>see or see what you do for a living. How

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<v Speaker 2>dare you fly from Egypt because I'm whining and feel

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00:15:27.720 --> 00:15:29.919
<v Speaker 2>like I'm not getting enough of your time? How dare

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00:15:29.960 --> 00:15:33.639
<v Speaker 2>you stop what you're doing making a movie that you're

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<v Speaker 2>being paid a lot of money to do and want

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<v Speaker 2>me to come with you on a location scout.

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<v Speaker 1>She's gonna find her guy, but they're making it. She's

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00:15:42.879 --> 00:15:46.559
<v Speaker 1>very it's expensive to be meo like, she's really making

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00:15:46.559 --> 00:15:49.759
<v Speaker 1>it difficult. And it's so like you said, it's so cartoony.

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<v Speaker 1>So the different dudes, and the last one, I wasn't

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<v Speaker 1>even sure on that one, the guy that just showed up,

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<v Speaker 1>And she's like, Nope, that was weird. Yeah, I like

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<v Speaker 1>the rest of them. I really, for some reason liked it.

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<v Speaker 1>That's cool. Oh yeah. The one was like, you're gonna

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<v Speaker 1>come here, that's right, You're gonna ask to split the check,

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<v Speaker 1>You're gonna blah blah blah. I mean that. I the

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<v Speaker 1>way she said those lines, it was like, is somebody

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<v Speaker 1>listening to my phone conversations with Stephanie. You're gonna come here,

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<v Speaker 1>You're going to order a bunch of shit, you're gonna

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<v Speaker 1>ask to split the check, and then you're not going

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00:16:19.000 --> 00:16:22.799
<v Speaker 1>to have no thanks. Yeah. I don't know why she

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00:16:22.879 --> 00:16:24.919
<v Speaker 1>said such a hard note for the little beard guy.

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<v Speaker 1>He didn't really do anything, yeah, the last one. Okay.

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<v Speaker 1>So then Miranda, she's at work. She's at work and

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<v Speaker 1>her friend Joy comes by, who we love Joy. We

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<v Speaker 1>remember her from last year. Yes, she's from the Baby Sea.

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<v Speaker 1>She's like, Miranda, it's been going on and then she's like,

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00:16:45.559 --> 00:16:47.279
<v Speaker 1>well I fucked it. Un. She's like, let me close

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<v Speaker 1>the door. Then, but we like her because she's she's

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<v Speaker 1>she's adorable. I like when they bring characters on that

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00:16:53.080 --> 00:16:55.840
<v Speaker 1>you actually want to spend time with. That's very important.

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<v Speaker 1>And Joy is a character that's a good actress, that's

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00:16:58.440 --> 00:17:03.039
<v Speaker 1>a good written character. So great, Miranda has a friend. Yeah,

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00:17:03.080 --> 00:17:07.079
<v Speaker 1>and I am liking Miranda's care. I mean, Miranda is

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00:17:07.119 --> 00:17:08.759
<v Speaker 1>being normal and like.

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00:17:09.079 --> 00:17:11.599
<v Speaker 2>That's a real, non cartoony joke that you would make

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00:17:11.640 --> 00:17:14.160
<v Speaker 2>you be like, well I took a nun's virginity.

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<v Speaker 1>Right, And she's being funny and then she's like okay,

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<v Speaker 1>She's like, so you're the Antichrist, and she's like, would

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00:17:18.400 --> 00:17:21.160
<v Speaker 1>the Antichrist have an office the small Yes, they were

345
00:17:21.160 --> 00:17:25.440
<v Speaker 1>being kiddy, they were, and she's being like, here's the difference.

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00:17:25.440 --> 00:17:27.680
<v Speaker 1>It's like, Miranda is in on the joke.

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<v Speaker 2>Miranda is in on the awkwardness of dating as a

348
00:17:32.519 --> 00:17:36.160
<v Speaker 2>late in life lesbian. Yeah, which, so she's being realistic

349
00:17:36.319 --> 00:17:40.279
<v Speaker 2>about that. Like you said at the beginning of episode one,

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<v Speaker 2>if you guys would just fucking go back and listen

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<v Speaker 2>episode one, you'd know what we're talking about.

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<v Speaker 1>But as Cecily said, uh, you know, it's it's I

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<v Speaker 1>think it's unrealistic with the other women, but they're making

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<v Speaker 1>Miranda's storyline kind of realistic. Yes, we love it. It's

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00:17:58.519 --> 00:18:01.839
<v Speaker 1>hard and change and older woman maybe trying. She dyed

356
00:18:01.880 --> 00:18:04.599
<v Speaker 1>her hair back to a good red like not that

357
00:18:04.680 --> 00:18:05.920
<v Speaker 1>you have to. I know a lot of people go

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<v Speaker 1>silver and that's great. Nothing, no no judgment on that,

359
00:18:09.119 --> 00:18:11.119
<v Speaker 1>but I think I think it was a good choice

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<v Speaker 1>for her character, and I really liked from episode one.

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<v Speaker 2>The one thing that I liked was, which was Miranda

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<v Speaker 2>feeling like, oh my god, I just decided to have

363
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<v Speaker 2>some crazy sex for one do a one nighter, and

364
00:18:25.279 --> 00:18:27.680
<v Speaker 2>now this woman is like, oh my god, she's stopping

365
00:18:27.680 --> 00:18:31.559
<v Speaker 2>a nun and she keeps calling me and she wants

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<v Speaker 2>me to meet her, and she's just not, there's no

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<v Speaker 2>possibility I'm going to date her, you.

368
00:18:36.319 --> 00:18:41.359
<v Speaker 1>Know what I mean, that's real, that's what the show was. Yeah, okay,

369
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<v Speaker 1>so then I just wrote, So we move on from

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00:18:44.160 --> 00:18:47.039
<v Speaker 1>that cute thing, and then Charlotte is stop. They start

371
00:18:47.079 --> 00:18:50.480
<v Speaker 1>stalking Charlotte's Owas gallery and she's got like there's a

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<v Speaker 1>young girl, like an assistant at the gallery maybe, oh yeah,

373
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<v Speaker 1>who's like helping her stock finger lady. She's like, yeah,

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<v Speaker 1>I'm sorry, not just a good call, not just stock.

375
00:19:00.799 --> 00:19:04.359
<v Speaker 1>They hacked into her Instagram account. They that's what That's

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00:19:04.359 --> 00:19:06.200
<v Speaker 1>the way she put it. Now. I think she meant

377
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<v Speaker 1>to say, I went to the Instagram account and looked

378
00:19:08.880 --> 00:19:11.559
<v Speaker 1>at her Instagram account, because she said I hacked in.

379
00:19:11.599 --> 00:19:13.279
<v Speaker 1>I was like, well, no, hacked in, and now you're

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00:19:13.359 --> 00:19:17.200
<v Speaker 1>Lisa fingerfuck like you're controlling it exactly because they didn't

381
00:19:17.279 --> 00:19:19.880
<v Speaker 1>understand what they were talking about. But what they meant.

382
00:19:19.920 --> 00:19:22.119
<v Speaker 1>What she meant was that the.

383
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<v Speaker 2>Woman was private, so she didn't want to try to

384
00:19:26.119 --> 00:19:30.759
<v Speaker 2>friend her as Charlotte, so she so she had the assistant. Well,

385
00:19:30.799 --> 00:19:34.920
<v Speaker 2>the assistant friended her pretending to be having a having

386
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<v Speaker 2>a wine bottle.

387
00:19:36.559 --> 00:19:39.039
<v Speaker 1>That's her file, right, because that's in that way she

388
00:19:39.079 --> 00:19:42.079
<v Speaker 1>would totally okay, then we were not going to use

389
00:19:42.079 --> 00:19:44.799
<v Speaker 1>our real pictures. But Lisa fing fingerfuck is a very

390
00:19:44.839 --> 00:19:47.960
<v Speaker 1>serious person about getting people into yes ivy League school,

391
00:19:48.039 --> 00:19:51.000
<v Speaker 1>but she loves a wine bottle. So yep, immediately let follow.

392
00:19:51.160 --> 00:19:52.960
<v Speaker 1>We don't know this person. But then they don't have

393
00:19:52.960 --> 00:19:56.279
<v Speaker 1>any friends or anything on Facebook or Instagram. But yep,

394
00:19:56.960 --> 00:19:58.960
<v Speaker 1>I'm going to go on private for you. So they

395
00:19:59.039 --> 00:20:01.039
<v Speaker 1>go in and they find out, well, oh my god,

396
00:20:01.240 --> 00:20:04.039
<v Speaker 1>she's her son is in little league. Oh my god. Well,

397
00:20:04.119 --> 00:20:05.039
<v Speaker 1>first of all, I.

398
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<v Speaker 2>Just have something else that I need to say before

399
00:20:07.039 --> 00:20:10.079
<v Speaker 2>we get to that part, because okay, so we flash

400
00:20:10.119 --> 00:20:13.960
<v Speaker 2>over to Lisa who's in the bay of she's in

401
00:20:14.000 --> 00:20:18.039
<v Speaker 2>an edit bay for her documentary. Okay, and this just

402
00:20:18.079 --> 00:20:21.240
<v Speaker 2>is making me mad about this character. Every time we

403
00:20:21.279 --> 00:20:23.559
<v Speaker 2>see Lisa, we just don't we can't let her be

404
00:20:23.599 --> 00:20:28.160
<v Speaker 2>a serious person, like everything comes first. So remember that

405
00:20:28.240 --> 00:20:29.960
<v Speaker 2>the last time she was like in a kind of

406
00:20:29.960 --> 00:20:32.960
<v Speaker 2>an important meeting like Herbert called, which I know you

407
00:20:33.000 --> 00:20:36.400
<v Speaker 2>didn't mind, but it bugged me that she was like, oh,

408
00:20:36.599 --> 00:20:39.480
<v Speaker 2>oh no, my husband's calling me. I need to stop

409
00:20:39.519 --> 00:20:42.640
<v Speaker 2>this important meeting and waste everybody's time because like, oh god,

410
00:20:42.680 --> 00:20:43.960
<v Speaker 2>god forbid, I should let.

411
00:20:43.799 --> 00:20:47.599
<v Speaker 1>My husband go to fucking voicemail. So then the same

412
00:20:47.640 --> 00:20:51.000
<v Speaker 1>thing happens. She's in the edit bay with a person

413
00:20:51.240 --> 00:20:56.799
<v Speaker 1>whose time is valuable, who's editing her documentary, her important project,

414
00:20:57.279 --> 00:21:00.720
<v Speaker 1>and she's like, oh, oh, my friend Charlotte's calling, and

415
00:21:00.759 --> 00:21:05.559
<v Speaker 1>then apparently so then Charlotte's like, yeah, she's posting pictures

416
00:21:05.559 --> 00:21:08.440
<v Speaker 1>of a little league game, and she's and then suddenly

417
00:21:08.519 --> 00:21:12.759
<v Speaker 1>she's like, okay, bye, mm hmm, leave my job. Who cares?

418
00:21:12.799 --> 00:21:19.039
<v Speaker 1>I guess they're not serious people. I mean, I agree,

419
00:21:19.119 --> 00:21:20.960
<v Speaker 1>I one hundred percent agree. It's so stupid. And then

420
00:21:21.000 --> 00:21:22.960
<v Speaker 1>we had the cutesy music. But then I was just

421
00:21:23.000 --> 00:21:25.279
<v Speaker 1>furious because it's like, okay, we're going to this little

422
00:21:25.319 --> 00:21:27.640
<v Speaker 1>league game now. And then the best part is like

423
00:21:27.680 --> 00:21:29.920
<v Speaker 1>they're a little league and it's live. So you're trying

424
00:21:29.920 --> 00:21:32.359
<v Speaker 1>to tell me that Lisa finger or Lois fingerfuck is

425
00:21:32.519 --> 00:21:36.440
<v Speaker 1>live streaming. Yes, well, even if let's take it down

426
00:21:36.480 --> 00:21:38.599
<v Speaker 1>a notch and say she just posted it, she's posting

427
00:21:38.599 --> 00:21:41.440
<v Speaker 1>from the bleachers. She probably wouldn't do that either. But

428
00:21:41.519 --> 00:21:44.000
<v Speaker 1>she's live, Like, oh my god, it's live. We got

429
00:21:44.039 --> 00:21:47.640
<v Speaker 1>to get there now now now like the pressure's on

430
00:21:47.720 --> 00:21:50.039
<v Speaker 1>that they got to go find this Lois finger fuck.

431
00:21:50.279 --> 00:21:53.160
<v Speaker 1>We get there and may I say? She is played

432
00:21:53.160 --> 00:21:56.200
<v Speaker 1>by Kristin Shawl, who I just mentioned on probably bord

433
00:21:56.240 --> 00:21:59.039
<v Speaker 1>A f Yes, now I know most people her. There

434
00:21:59.079 --> 00:22:00.960
<v Speaker 1>is very few people that would have a run in

435
00:22:01.160 --> 00:22:03.839
<v Speaker 1>with probably someone by Kristin shaw I enjoyed her very

436
00:22:03.920 --> 00:22:05.960
<v Speaker 1>much on Flight of the Concords and then I sort

437
00:22:05.960 --> 00:22:08.759
<v Speaker 1>of stopped enjoying her because she was great on that

438
00:22:08.799 --> 00:22:11.240
<v Speaker 1>show because it was different. But then I realized, like, oh,

439
00:22:11.279 --> 00:22:14.119
<v Speaker 1>she's that's how she just talks. I don't know if

440
00:22:14.119 --> 00:22:15.920
<v Speaker 1>I need to retell the story, but let's just say

441
00:22:16.000 --> 00:22:18.640
<v Speaker 1>I was dating a guy. I want to give him

442
00:22:18.640 --> 00:22:21.640
<v Speaker 1>a different name. Let's say his name is John O'Donnell. Okay, okay,

443
00:22:22.079 --> 00:22:24.319
<v Speaker 1>I was dating a guy and we were walking down

444
00:22:24.359 --> 00:22:28.000
<v Speaker 1>the street like together, holding hands, and she knew him,

445
00:22:28.039 --> 00:22:32.640
<v Speaker 1>and she came up and she's like, Hi, Dona, doesn't

446
00:22:33.240 --> 00:22:35.920
<v Speaker 1>look at me at all. I mean we're standing up

447
00:22:35.920 --> 00:22:38.480
<v Speaker 1>for minutes, like a very long time, and it's on

448
00:22:38.599 --> 00:22:41.960
<v Speaker 1>John O'Donnell as well not to have introduced us, right,

449
00:22:42.160 --> 00:22:44.119
<v Speaker 1>but he didn't, and I think he'd forgotten her name,

450
00:22:44.279 --> 00:22:46.960
<v Speaker 1>you know, one of those things or mine, who knows.

451
00:22:47.680 --> 00:22:49.880
<v Speaker 1>But yeah, he was just like oh, and she's like,

452
00:22:49.960 --> 00:22:52.960
<v Speaker 1>you shall come to the show. We still have a

453
00:22:53.039 --> 00:22:55.599
<v Speaker 1>shot jaa Donna. And then finally he was like, hi,

454
00:22:55.640 --> 00:22:58.920
<v Speaker 1>I'm Cecily. After imagine like four minutes of that and

455
00:22:58.960 --> 00:23:03.079
<v Speaker 1>I was like hello and she's like Hi, no, thank you.

456
00:23:03.519 --> 00:23:05.240
<v Speaker 1>So now I have to sit with this person that

457
00:23:05.279 --> 00:23:07.839
<v Speaker 1>I have met in real life and she's lowest fingerfuck

458
00:23:08.079 --> 00:23:11.160
<v Speaker 1>and I just don't want any part of it. And

459
00:23:11.480 --> 00:23:13.599
<v Speaker 1>so she's like, give me thirty seconds. She's like, all right,

460
00:23:13.680 --> 00:23:17.039
<v Speaker 1>do your best. You have thirty seconds. What were we

461
00:23:17.039 --> 00:23:19.039
<v Speaker 1>going to say about lowest Fingerfuck? No? I wasn't going

462
00:23:19.079 --> 00:23:21.359
<v Speaker 1>to say anything. Go ahead, do you what if you

463
00:23:21.359 --> 00:23:23.599
<v Speaker 1>were scared? You like her? You're really good friends with

464
00:23:23.720 --> 00:23:26.279
<v Speaker 1>Kristin Shaw and you're like no, go ahead, I had

465
00:23:26.279 --> 00:23:31.759
<v Speaker 1>nothing to say. Nope, and then you're like Kristen, yeah,

466
00:23:31.759 --> 00:23:37.200
<v Speaker 1>like she's there. Okay. So that was dumb. So they

467
00:23:37.200 --> 00:23:39.480
<v Speaker 1>have their big pitch right that they are about to

468
00:23:39.480 --> 00:23:42.960
<v Speaker 1>start because she's like, well, change, we're about to get

469
00:23:42.960 --> 00:23:45.000
<v Speaker 1>thirty seconds like she would even say that, I'd be like,

470
00:23:45.039 --> 00:23:46.279
<v Speaker 1>get the security.

471
00:23:47.799 --> 00:23:50.079
<v Speaker 2>Yeah, I would think it would be very very weird

472
00:23:50.559 --> 00:23:54.119
<v Speaker 2>if people were like stalked me totally game.

473
00:23:54.519 --> 00:23:57.240
<v Speaker 1>And then so they've agreed, they do their little pitch

474
00:23:57.279 --> 00:23:59.440
<v Speaker 1>and they've agreed like Okay, I'll give them one hour

475
00:23:59.519 --> 00:24:03.319
<v Speaker 1>or whatever. So now everybody's just like rushing. She's like,

476
00:24:03.319 --> 00:24:06.319
<v Speaker 1>I gotta get to Lily. Lily's playing piano at the ballet,

477
00:24:06.400 --> 00:24:09.240
<v Speaker 1>you know, with the guy that she has a crush on, right,

478
00:24:09.319 --> 00:24:12.119
<v Speaker 1>and we're at that point now, yeah, right, so we're heard,

479
00:24:12.400 --> 00:24:16.359
<v Speaker 1>what is it like in art school? Yeah, I guess so, Yeah,

480
00:24:16.440 --> 00:24:21.279
<v Speaker 1>Lily's playing the piano while the ballet dancers are practicing

481
00:24:21.640 --> 00:24:26.599
<v Speaker 1>for training guy because she likes the guy, Diego m hm,

482
00:24:27.279 --> 00:24:30.920
<v Speaker 1>and uh, they're like making eyes at each other. But

483
00:24:31.079 --> 00:24:33.359
<v Speaker 1>her phone is on her piano where she's playing, and

484
00:24:33.480 --> 00:24:37.160
<v Speaker 1>it just keeps saying Mom is calling. So then the

485
00:24:37.279 --> 00:24:41.000
<v Speaker 1>next the next thing, you know, Diego and Lily are

486
00:24:41.119 --> 00:24:45.319
<v Speaker 1>just making out in a stairwell and Charlotte comes running

487
00:24:45.400 --> 00:24:49.599
<v Speaker 1>up the stairs, right because we have to go meet

488
00:24:49.720 --> 00:24:52.319
<v Speaker 1>miss Fingerpuck right now, we have an appointment. I've been

489
00:24:52.359 --> 00:24:54.839
<v Speaker 1>trying to call you, Hi. Very nice to meet you

490
00:24:54.920 --> 00:24:56.960
<v Speaker 1>diego and he's like all right, and then even he's

491
00:24:57.240 --> 00:24:59.480
<v Speaker 1>like all right, go ahead, Lily, like, we'll make out

492
00:24:59.480 --> 00:25:02.440
<v Speaker 1>another time. Right, I've got twenty other people to make

493
00:25:02.480 --> 00:25:07.759
<v Speaker 1>out with god mom, right man? Right, She's always but

494
00:25:07.920 --> 00:25:10.200
<v Speaker 1>we would be too, I mean I'd be mortified.

495
00:25:10.480 --> 00:25:14.000
<v Speaker 2>But this is how she's been through every fucking scene. Okay,

496
00:25:14.440 --> 00:25:17.519
<v Speaker 2>season one, season two, and now season three. She is

497
00:25:17.680 --> 00:25:22.480
<v Speaker 2>just a one dimensional kid who's apparently super obnoxious yet

498
00:25:23.200 --> 00:25:25.799
<v Speaker 2>lives for her. There hasn't been one scene where she's

499
00:25:25.839 --> 00:25:30.200
<v Speaker 2>been normal. Like, it's just the most cartoony. Oh she's

500
00:25:30.240 --> 00:25:34.599
<v Speaker 2>a teenager. Eh, I hate my mom My Mom's so annoying.

501
00:25:34.759 --> 00:25:37.240
<v Speaker 1>I mean they wrote Brady off for the same reason.

502
00:25:37.359 --> 00:25:39.640
<v Speaker 1>We have hardly had to deal with him. So it's like,

503
00:25:39.799 --> 00:25:41.440
<v Speaker 1>why do we have to have Lily so much? Can't

504
00:25:41.480 --> 00:25:43.799
<v Speaker 1>she just be doing stuff? Right? I was never home

505
00:25:43.839 --> 00:25:46.559
<v Speaker 1>in high school. I had a job, I was, I

506
00:25:46.759 --> 00:25:48.680
<v Speaker 1>loved being, I had app plays all the time I

507
00:25:48.759 --> 00:25:50.480
<v Speaker 1>was doing, I had a lot of friends. I was

508
00:25:50.599 --> 00:25:52.799
<v Speaker 1>I can't even I was way more out than I

509
00:25:52.960 --> 00:25:56.160
<v Speaker 1>was home. You could make that, Lily, Yeah, I ever

510
00:25:56.240 --> 00:25:59.279
<v Speaker 1>do stuff? Okay, So she does have that little job. Meanwhile,

511
00:25:59.359 --> 00:26:01.119
<v Speaker 1>Lisa don't have to give too much time to this,

512
00:26:01.200 --> 00:26:03.480
<v Speaker 1>but she also has to go get her kid on

513
00:26:03.640 --> 00:26:07.519
<v Speaker 1>the lacrosse field, so she sneaks in and he's like

514
00:26:07.720 --> 00:26:12.519
<v Speaker 1>mom oh, but like another cartoon, she's like wearing heels

515
00:26:12.599 --> 00:26:16.839
<v Speaker 1>and she's running into his lacrosse practice, like kind of

516
00:26:17.039 --> 00:26:20.359
<v Speaker 1>tripping and like excuse me, excuse me? Like who would

517
00:26:20.440 --> 00:26:23.319
<v Speaker 1>do that? Nobody would do that? I know, So why

518
00:26:23.400 --> 00:26:26.319
<v Speaker 1>do you have Well the storyline is dumb, yes, yes,

519
00:26:26.599 --> 00:26:30.480
<v Speaker 1>so dumb, Like I all right, so now we've got

520
00:26:30.640 --> 00:26:35.000
<v Speaker 1>Seema Yah. Seema is Boston. She's Boston, I wrote, she's

521
00:26:35.079 --> 00:26:40.519
<v Speaker 1>business business and Boston, so like she they're like Wolf called,

522
00:26:40.599 --> 00:26:42.480
<v Speaker 1>She's like, ah, the guy I was mean to of

523
00:26:42.559 --> 00:26:44.519
<v Speaker 1>course he called tell him I want nothing to do

524
00:26:44.599 --> 00:26:46.839
<v Speaker 1>with him, Like who has time for any of this?

525
00:26:47.759 --> 00:26:49.960
<v Speaker 1>And then her boss and this Elia again.

526
00:26:50.319 --> 00:26:53.279
<v Speaker 2>I just I know I'm a broken record, but now

527
00:26:53.480 --> 00:26:57.319
<v Speaker 2>like every guy's obsessed with her, m I just find

528
00:26:57.359 --> 00:27:00.680
<v Speaker 2>it insulting to myself as a woman of a age.

529
00:27:01.680 --> 00:27:03.200
<v Speaker 1>It's just the wrong message.

530
00:27:03.240 --> 00:27:06.200
<v Speaker 2>It's like, yeah, if you're her, you know every guy,

531
00:27:06.359 --> 00:27:08.480
<v Speaker 2>every man you go on a date with. It's just

532
00:27:08.599 --> 00:27:11.279
<v Speaker 2>insulting to other women in their fifties and sixties who

533
00:27:11.400 --> 00:27:14.039
<v Speaker 2>are just having a horrible time of it. And can't

534
00:27:14.359 --> 00:27:16.519
<v Speaker 2>you know, I mean, we complain all the time, like

535
00:27:16.640 --> 00:27:19.279
<v Speaker 2>you said earlier, that these guys that are SEMA's age

536
00:27:19.519 --> 00:27:21.920
<v Speaker 2>are going to be going after twenty five year olds, right,

537
00:27:22.200 --> 00:27:25.480
<v Speaker 2>So to act like, oh, he's obsessed with me, First

538
00:27:25.480 --> 00:27:27.599
<v Speaker 2>of all, he's not obsessed with you because you were

539
00:27:27.680 --> 00:27:30.240
<v Speaker 2>mean to him. He's obsessed with you because the writers

540
00:27:30.480 --> 00:27:31.720
<v Speaker 2>are making every guy want you.

541
00:27:32.680 --> 00:27:35.920
<v Speaker 1>That's exactly right. For no reason. She hasn't earned it.

542
00:27:36.000 --> 00:27:38.759
<v Speaker 1>That's what's making you mad. Samantha earned it. She started

543
00:27:39.039 --> 00:27:42.000
<v Speaker 1>being nice. So she's just a bitch. But all these

544
00:27:42.079 --> 00:27:44.279
<v Speaker 1>guys just love her. She can just have her pick.

545
00:27:44.720 --> 00:27:47.200
<v Speaker 1>And Samantha, by the way, never played it bitchy. She's

546
00:27:47.240 --> 00:27:49.720
<v Speaker 1>never saying. She was very strong and she didn't give it.

547
00:27:49.799 --> 00:27:51.640
<v Speaker 1>She was avoidant and she didn't care about these guys,

548
00:27:51.680 --> 00:27:54.160
<v Speaker 1>but she was never really like mean to their face exactly,

549
00:27:54.480 --> 00:27:55.440
<v Speaker 1>ever exactly.

550
00:27:55.519 --> 00:27:58.480
<v Speaker 2>And I'm afraid, and i don't know because I'm not

551
00:27:59.039 --> 00:28:02.920
<v Speaker 2>a six episodes in, but I'm afraid that Seema's that

552
00:28:03.039 --> 00:28:05.160
<v Speaker 2>that character is going to get rewarded with a guy

553
00:28:05.200 --> 00:28:08.119
<v Speaker 2>who's just like, we'll do anything for her and loves her,

554
00:28:08.279 --> 00:28:10.000
<v Speaker 2>and I just think that's weird. I think it's a

555
00:28:10.079 --> 00:28:13.880
<v Speaker 2>weird message that she's super mean to the director and

556
00:28:14.160 --> 00:28:18.519
<v Speaker 2>intolerant of him having a career. Right, but yet we'll

557
00:28:18.640 --> 00:28:19.720
<v Speaker 2>probably reward that.

558
00:28:21.079 --> 00:28:23.759
<v Speaker 1>Well, all right. Her boss Elliott pops out from nowhere,

559
00:28:23.839 --> 00:28:25.640
<v Speaker 1>as though he would have time to do this with

560
00:28:25.759 --> 00:28:28.200
<v Speaker 1>whatever their boss and around and he's like, I'd like

561
00:28:28.240 --> 00:28:30.119
<v Speaker 1>to see you in my office please, And he's like,

562
00:28:30.200 --> 00:28:32.480
<v Speaker 1>I've seen you go through all these problems with men

563
00:28:33.079 --> 00:28:35.519
<v Speaker 1>time and time again. I it's time to help. We

564
00:28:35.680 --> 00:28:39.640
<v Speaker 1>talked about such a terrible acting job. This was this

565
00:28:39.799 --> 00:28:41.640
<v Speaker 1>is the one that I was telling you that I

566
00:28:41.799 --> 00:28:44.480
<v Speaker 1>was like this. This stood out to me as being like,

567
00:28:44.640 --> 00:28:50.960
<v Speaker 1>what is this acting? I didn't even notice? Said yes, Seema,

568
00:28:51.599 --> 00:28:55.599
<v Speaker 1>I need to speak to you about your love life,

569
00:28:56.240 --> 00:28:58.119
<v Speaker 1>right like as though a boss would do his boss.

570
00:28:58.599 --> 00:29:01.200
<v Speaker 1>I see you make bad. Choy says it's time for

571
00:29:01.319 --> 00:29:05.119
<v Speaker 1>you to meet Sydney. I'm going to set you up,

572
00:29:05.160 --> 00:29:07.599
<v Speaker 1>and she's like, who's Sydney. It's like, you'll see I've

573
00:29:07.680 --> 00:29:10.400
<v Speaker 1>already set it up. Go meet Sydney and guess who

574
00:29:10.480 --> 00:29:14.200
<v Speaker 1>Sydney is, you, guys, Sydney is Cherio Terry. Now I'm

575
00:29:14.240 --> 00:29:16.720
<v Speaker 1>going to say something that's going to shock you. Okay.

576
00:29:16.960 --> 00:29:19.319
<v Speaker 1>I didn't hate Sydney. I know she's trying to do

577
00:29:19.440 --> 00:29:23.799
<v Speaker 1>like a Patty millionaire matchmaker type vibe, like kind of

578
00:29:23.920 --> 00:29:26.960
<v Speaker 1>mean matchmaker lady, right, but I kind of enjoyed seeing

579
00:29:27.000 --> 00:29:29.119
<v Speaker 1>her on my television, to be honest. Do you know

580
00:29:29.279 --> 00:29:33.240
<v Speaker 1>she's like Cherio Cheerio Terry is supposed to be like

581
00:29:33.359 --> 00:29:37.559
<v Speaker 1>pretty nuts. Yeah, not just nuts, I'm gonna say pretty mean.

582
00:29:37.960 --> 00:29:40.359
<v Speaker 1>I've heard, but so she but she played the part well.

583
00:29:40.519 --> 00:29:42.000
<v Speaker 1>I liked that she kept calling what was she calling

584
00:29:42.039 --> 00:29:44.359
<v Speaker 1>her cookie or something? I kind of liked it. Yeah,

585
00:29:44.839 --> 00:29:47.160
<v Speaker 1>it was. I don't know, it didn't. It brought a

586
00:29:47.279 --> 00:29:51.799
<v Speaker 1>little energy to the to the episode I think that

587
00:29:51.880 --> 00:29:54.799
<v Speaker 1>we needed. And so she sits Seaman down. They meet

588
00:29:54.799 --> 00:29:55.920
<v Speaker 1>and she's like, I've got to tell you I'm not

589
00:29:55.960 --> 00:29:57.640
<v Speaker 1>a lesbian. She's like, I'm not either. I'm you know,

590
00:29:57.880 --> 00:30:00.359
<v Speaker 1>here to fix your match maker. I'm Patty. I'm Patti

591
00:30:00.440 --> 00:30:04.160
<v Speaker 1>Sanger right basically, so she's like, your two bossy, you know,

592
00:30:04.400 --> 00:30:06.519
<v Speaker 1>we need you to dress in pastels with a kill

593
00:30:06.599 --> 00:30:09.319
<v Speaker 1>you would it kill you? Stop wearing animal prints?

594
00:30:09.400 --> 00:30:09.559
<v Speaker 2>You know?

595
00:30:09.799 --> 00:30:14.960
<v Speaker 1>Animal princes spelled predator right and italics are cold. She's like,

596
00:30:15.079 --> 00:30:16.960
<v Speaker 1>and you got to do it the Sydney jerk Off way.

597
00:30:17.039 --> 00:30:19.200
<v Speaker 1>Now we all know she's saying like cherk off or something,

598
00:30:19.440 --> 00:30:21.519
<v Speaker 1>but that the joke is going to come anyway. We

599
00:30:21.640 --> 00:30:23.599
<v Speaker 1>know it is. So we're just gonna call her Sydney

600
00:30:23.680 --> 00:30:26.920
<v Speaker 1>jerk off because that's what you want. That's what they want, right,

601
00:30:27.079 --> 00:30:31.279
<v Speaker 1>you get it. So that's them, that's the annoying. So

602
00:30:31.400 --> 00:30:34.440
<v Speaker 1>she's like, I feel so it just shows one little

603
00:30:34.519 --> 00:30:36.720
<v Speaker 1>moment where she's like, I don't think so. But then

604
00:30:36.759 --> 00:30:38.720
<v Speaker 1>she looks at her empty bed and she's like, I

605
00:30:38.759 --> 00:30:41.880
<v Speaker 1>guess jerk off it is. Yep, that's that's how we

606
00:30:41.960 --> 00:30:44.720
<v Speaker 1>deal with that. Okay. So now let's go back to

607
00:30:44.799 --> 00:30:47.640
<v Speaker 1>Carrie where she doesn't want the rats. The poor rat

608
00:30:47.680 --> 00:30:49.799
<v Speaker 1>I just wrote this, poor rat guy. Oh I don't

609
00:30:50.000 --> 00:30:51.839
<v Speaker 1>have that. Did I just not write this? It's probably

610
00:30:51.839 --> 00:30:54.240
<v Speaker 1>a cute little it's a very short sometimes the scenes

611
00:30:54.240 --> 00:30:57.400
<v Speaker 1>are so short, okay, so it just doesn't want rats.

612
00:30:57.480 --> 00:31:00.319
<v Speaker 1>The guy comes out. Oh, there's a little moment she's

613
00:31:00.440 --> 00:31:02.440
<v Speaker 1>yelling at this guy like you better get rid of

614
00:31:02.480 --> 00:31:04.359
<v Speaker 1>these rats. And a lady comes up and she's like,

615
00:31:04.440 --> 00:31:06.839
<v Speaker 1>you are using organic, non toxic.

616
00:31:07.359 --> 00:31:08.960
<v Speaker 2>Because she says to the guy, you got to get

617
00:31:09.039 --> 00:31:10.359
<v Speaker 2>rid of the rats, and she's like, I don't care

618
00:31:10.440 --> 00:31:12.200
<v Speaker 2>how you do it. And he's like, yeah, okay, I'm

619
00:31:12.200 --> 00:31:15.119
<v Speaker 2>gonna use really toxic chemicals that are just going to kill.

620
00:31:15.039 --> 00:31:18.680
<v Speaker 1>All the rats. And she's like perfect. And then this

621
00:31:18.839 --> 00:31:22.160
<v Speaker 1>lady is like, and that's supposed to be so hilarious. Okay,

622
00:31:22.279 --> 00:31:24.880
<v Speaker 1>She's like, yo, I'm gonna say though, that it is

623
00:31:25.039 --> 00:31:27.400
<v Speaker 1>weird and look at I'm not trying to be like

624
00:31:27.720 --> 00:31:31.400
<v Speaker 1>the person on next door dot com. He's like yelling

625
00:31:31.400 --> 00:31:32.000
<v Speaker 1>at everybody.

626
00:31:32.400 --> 00:31:36.960
<v Speaker 2>But if you do use really high toxic chemicals to

627
00:31:37.079 --> 00:31:39.440
<v Speaker 2>kill rats, you are going to kill people's pets.

628
00:31:40.039 --> 00:31:43.119
<v Speaker 1>Yeah, that's so true. And she has a cat. Yeah,

629
00:31:43.119 --> 00:31:45.359
<v Speaker 1>she doesn't care about that cat. She doesn't give a fuck.

630
00:31:45.440 --> 00:31:47.359
<v Speaker 1>It is just a weird it's a weird thing to

631
00:31:47.440 --> 00:31:50.519
<v Speaker 1>be like, you know, Carrie, she doesn't care about animals. Like,

632
00:31:50.640 --> 00:31:52.440
<v Speaker 1>it's just a weird stance to go.

633
00:31:52.559 --> 00:31:54.119
<v Speaker 2>I'm not going to try to do any I'm just

634
00:31:54.200 --> 00:31:56.359
<v Speaker 2>so scared of rats that I really don't care if

635
00:31:56.400 --> 00:31:57.519
<v Speaker 2>dogs in the neighborhood die.

636
00:31:58.160 --> 00:32:02.279
<v Speaker 1>Right, It's weird. It is weird and stupid, and we don't,

637
00:32:03.119 --> 00:32:05.359
<v Speaker 1>and that the writers would think that's funny is just

638
00:32:05.480 --> 00:32:09.079
<v Speaker 1>weird to me. Okay, Charlotte and Lisa have their cutes

639
00:32:09.160 --> 00:32:12.400
<v Speaker 1>it's cutesy music time and what and they're like, you're

640
00:32:12.480 --> 00:32:15.240
<v Speaker 1>up against the door. What is Lois fingerfuck doing in there? Now?

641
00:32:15.319 --> 00:32:20.079
<v Speaker 1>Are they got Lois Fingerfuck's office? I think there are

642
00:32:20.480 --> 00:32:22.519
<v Speaker 1>houses Charlotte's house, yeah, I think.

643
00:32:22.680 --> 00:32:27.599
<v Speaker 2>Okay, so Fingerfuck came over did a house call, but weirdly,

644
00:32:27.880 --> 00:32:29.960
<v Speaker 2>and I don't know if it was like to save time,

645
00:32:30.119 --> 00:32:32.920
<v Speaker 2>if the writers were like, look, we don't have time

646
00:32:32.960 --> 00:32:35.279
<v Speaker 2>to have them each have a meeting, so I guess

647
00:32:35.359 --> 00:32:36.079
<v Speaker 2>she'll just meet.

648
00:32:35.960 --> 00:32:38.440
<v Speaker 1>With both their kids together. Yeah. I didn't even think

649
00:32:38.480 --> 00:32:41.079
<v Speaker 1>about that, but that is so so stupid. But what

650
00:32:41.240 --> 00:32:44.000
<v Speaker 1>happens next is even stupider. So they're like, how did

651
00:32:44.039 --> 00:32:45.359
<v Speaker 1>it go? And she said can I use your bathroom?

652
00:32:45.359 --> 00:32:48.039
<v Speaker 1>So they go in, like how'd it go? For some reason,

653
00:32:48.720 --> 00:32:52.559
<v Speaker 1>Lily is hyperventilating into a bag. Yeah, let's let me

654
00:32:52.680 --> 00:32:56.160
<v Speaker 1>ask this question. Where did she get the bag? So like,

655
00:32:56.279 --> 00:32:58.640
<v Speaker 1>why is there like a paper bag just sitting right

656
00:32:58.680 --> 00:33:01.079
<v Speaker 1>next do her because the parents Charlotte didn't give it

657
00:33:01.119 --> 00:33:03.720
<v Speaker 1>to her. This is all happened since she met with her.

658
00:33:03.799 --> 00:33:07.319
<v Speaker 1>So Lisa Lois Fingerpuck didn't have the bag, how did

659
00:33:07.400 --> 00:33:10.000
<v Speaker 1>she get a bag to use? Because they're just trying

660
00:33:10.039 --> 00:33:12.799
<v Speaker 1>to make a cartoon. If this was a if this

661
00:33:13.079 --> 00:33:16.240
<v Speaker 1>was any more realistic, If it was, they could have

662
00:33:16.400 --> 00:33:19.720
<v Speaker 1>had fingerfuck leave. And this is how I would have

663
00:33:19.799 --> 00:33:22.480
<v Speaker 1>rewritten the scene. Lisa and Charlotte are like, thank you

664
00:33:22.720 --> 00:33:25.200
<v Speaker 1>so much, and then she leaves and then they go

665
00:33:25.519 --> 00:33:27.960
<v Speaker 1>Then they go into the bedroom and they're like starting

666
00:33:28.039 --> 00:33:30.960
<v Speaker 1>to talk to them and they're getting upset recounting what

667
00:33:31.079 --> 00:33:34.319
<v Speaker 1>she said, and then they're starting to like hyperventilate. It's

668
00:33:34.359 --> 00:33:37.319
<v Speaker 1>so stupid because then Charlotte after then she picks up

669
00:33:37.319 --> 00:33:39.400
<v Speaker 1>the bag and starts hyper Nobody does that in real life.

670
00:33:39.759 --> 00:33:41.920
<v Speaker 1>I've never seen anyone take a bag and hypervent and

671
00:33:41.960 --> 00:33:44.640
<v Speaker 1>blow into it like that. I've had many of my

672
00:33:44.759 --> 00:33:47.799
<v Speaker 1>own like anxiety. I have never even thought to get

673
00:33:47.799 --> 00:33:50.799
<v Speaker 1>a bag. In fact, I'm I assure you that would

674
00:33:50.799 --> 00:33:53.480
<v Speaker 1>make it worse. It was so annoying. And then so

675
00:33:53.599 --> 00:33:55.640
<v Speaker 1>she's freaked out. She's like, I'm not supposed to mention

676
00:33:55.720 --> 00:33:58.000
<v Speaker 1>that I was adopted or Asian. That was kind of funny.

677
00:33:58.039 --> 00:33:59.920
<v Speaker 1>I got I thought a little bit like they were.

678
00:34:00.160 --> 00:34:02.480
<v Speaker 1>I get what they were doing. And this is actually

679
00:34:02.559 --> 00:34:03.160
<v Speaker 1>a true thing.

680
00:34:03.519 --> 00:34:05.559
<v Speaker 2>When when she said to Herbert, when she was like

681
00:34:05.680 --> 00:34:10.159
<v Speaker 2>Herbert Junior HJ. When she said, you know you're too

682
00:34:10.239 --> 00:34:12.519
<v Speaker 2>well rounded or whatever. You need to be more pointy.

683
00:34:12.960 --> 00:34:16.119
<v Speaker 2>That that is a joke about what college counselors literally

684
00:34:16.239 --> 00:34:20.320
<v Speaker 2>do call it point like they want a little edge, right. No,

685
00:34:20.800 --> 00:34:23.519
<v Speaker 2>they want you to be more specific. They want you

686
00:34:23.599 --> 00:34:26.440
<v Speaker 2>to do one thing, for like through your whole high

687
00:34:26.480 --> 00:34:29.639
<v Speaker 2>school career, instead of like a million different They want

688
00:34:29.679 --> 00:34:32.159
<v Speaker 2>you to have been very focused on like the violin,

689
00:34:32.360 --> 00:34:36.599
<v Speaker 2>like you're all about violin, more specificting. What they mean

690
00:34:36.639 --> 00:34:39.480
<v Speaker 2>by point is specific and not like you did a

691
00:34:39.519 --> 00:34:43.159
<v Speaker 2>whole bunch of different things. Like I was a mime, yes,

692
00:34:43.800 --> 00:34:47.559
<v Speaker 2>and you're super into miming. And like right now you're

693
00:34:47.599 --> 00:34:49.800
<v Speaker 2>pretending that you're in a box, which I am always

694
00:34:50.000 --> 00:34:50.440
<v Speaker 2>in a box.

695
00:34:50.639 --> 00:34:53.840
<v Speaker 1>Well that and that's because you really were focused and

696
00:34:53.960 --> 00:34:56.880
<v Speaker 1>pointy when you were in I was very pointy. Yeah,

697
00:34:56.920 --> 00:34:59.280
<v Speaker 1>I would point at the box and then climb inside

698
00:34:59.320 --> 00:35:01.440
<v Speaker 1>of it. So got me into a lot of pretty

699
00:35:01.440 --> 00:35:05.400
<v Speaker 1>good schools. Now they're hyperventive. So he's upset. Lisa's upset.

700
00:35:05.480 --> 00:35:07.480
<v Speaker 1>He's like, oh am I not, like do I need

701
00:35:07.519 --> 00:35:10.840
<v Speaker 1>to be different? Everyone's so finger fuck comes out because

702
00:35:10.840 --> 00:35:13.159
<v Speaker 1>I remember she's still in the bathroom and she's like, okay,

703
00:35:13.880 --> 00:35:15.960
<v Speaker 1>I'm out, and then they beg her to leave and

704
00:35:16.039 --> 00:35:18.440
<v Speaker 1>she's like no, so we don't know what's going to

705
00:35:18.480 --> 00:35:23.119
<v Speaker 1>happen there, but nobody cares. Wait what no? They yes, no, Charlotte.

706
00:35:23.559 --> 00:35:24.880
<v Speaker 1>Charlotte is like fuck this.

707
00:35:25.079 --> 00:35:29.679
<v Speaker 2>She's like fingerfuck and fingerfuck overhears it, and it's like

708
00:35:29.719 --> 00:35:30.079
<v Speaker 2>her she.

709
00:35:30.119 --> 00:35:32.760
<v Speaker 1>Comes out of the bathroom because she'd been in the bathroom, right,

710
00:35:33.000 --> 00:35:35.800
<v Speaker 1>and she's saying the same thing she hears. Charlotte basically

711
00:35:35.920 --> 00:35:38.639
<v Speaker 1>call her finger like a sult her right. But then

712
00:35:38.800 --> 00:35:40.760
<v Speaker 1>then she's like all right, well good luck. So she

713
00:35:40.920 --> 00:35:42.280
<v Speaker 1>leaves and then they beg her. They're like, don't you

714
00:35:42.320 --> 00:35:45.519
<v Speaker 1>want your chocolates? Yeah yeah, we're saying the same, but

715
00:35:45.760 --> 00:35:48.880
<v Speaker 1>they beg her not to leave. Yeah yeah right.

716
00:35:49.360 --> 00:35:53.639
<v Speaker 2>But basically Charlotte is telling Lily like, oh uh, you know,

717
00:35:53.960 --> 00:35:57.400
<v Speaker 2>like let's know, worry about it or whatever, or we

718
00:35:57.559 --> 00:35:58.519
<v Speaker 2>have to worry about it.

719
00:35:58.639 --> 00:35:58.880
<v Speaker 1>I don't.

720
00:35:58.920 --> 00:36:02.079
<v Speaker 2>They're so like this is such a side story. Yeah,

721
00:36:02.239 --> 00:36:07.360
<v Speaker 2>so ridiculous, And Charlotte has no point of view. She's like, Mom,

722
00:36:07.679 --> 00:36:09.960
<v Speaker 2>remember you said you weren't gonna do this. We weren't

723
00:36:09.960 --> 00:36:11.719
<v Speaker 2>going to get so carried away about this. And she

724
00:36:12.000 --> 00:36:14.599
<v Speaker 2>she's like, but I am or she said that earlier.

725
00:36:14.719 --> 00:36:17.480
<v Speaker 2>She goes, we are in, we are we are in deep,

726
00:36:17.559 --> 00:36:20.920
<v Speaker 2>We're going deep. Like it's just such a cartoon. It

727
00:36:21.079 --> 00:36:21.760
<v Speaker 2>is cartoon.

728
00:36:21.920 --> 00:36:25.480
<v Speaker 1>Mom, I hate it. Let's move on to as a parent.

729
00:36:26.320 --> 00:36:29.440
<v Speaker 1>I really don't like this portrayal. I don't need. As

730
00:36:29.480 --> 00:36:31.599
<v Speaker 1>a non parent, I do not like this portrayal. I'm

731
00:36:31.800 --> 00:36:33.880
<v Speaker 1>bored by it. I don't understand how it fits into

732
00:36:33.920 --> 00:36:36.559
<v Speaker 1>the show. It's so stupid, and it's not that it

733
00:36:36.599 --> 00:36:38.840
<v Speaker 1>should fit in because you know, sure they're going to

734
00:36:38.880 --> 00:36:41.639
<v Speaker 1>have kids, at least a couple of them this group,

735
00:36:41.760 --> 00:36:43.679
<v Speaker 1>and like, of course, yeah, these are things that really

736
00:36:43.719 --> 00:36:45.880
<v Speaker 1>do happen, and if it's going to be anybody, it's

737
00:36:45.920 --> 00:36:49.079
<v Speaker 1>gonna be Charlotte. But it's a shame because it just

738
00:36:49.280 --> 00:36:53.000
<v Speaker 1>is too much. It's bad. Yeah, So Sema has a

739
00:36:53.039 --> 00:36:55.239
<v Speaker 1>hot date. She goes on her hot date that's been

740
00:36:55.320 --> 00:36:58.960
<v Speaker 1>set up by Sydney jerkof. She goes to meet this

741
00:36:59.079 --> 00:37:01.280
<v Speaker 1>guy and he's kind of talk and he's real smooth

742
00:37:01.840 --> 00:37:03.639
<v Speaker 1>and he's like God, I feel like I've just been

743
00:37:03.719 --> 00:37:05.599
<v Speaker 1>talking the whole time. I don't I don't know.

744
00:37:05.679 --> 00:37:08.360
<v Speaker 2>We should say that Seema is wearing she's got her

745
00:37:08.440 --> 00:37:12.159
<v Speaker 2>hair very straight, she's looking very conservative. She is wearing

746
00:37:12.199 --> 00:37:14.840
<v Speaker 2>the pestels, she's wearing pearls.

747
00:37:15.159 --> 00:37:18.079
<v Speaker 1>Right, she does the thing that jerk Off tells her

748
00:37:18.719 --> 00:37:21.119
<v Speaker 1>and so whatever, and then she can't stand it. She

749
00:37:21.199 --> 00:37:23.360
<v Speaker 1>can't stay together for like eight seconds because he's like,

750
00:37:23.360 --> 00:37:25.199
<v Speaker 1>I don't even know. She's like, you don't know, Sema,

751
00:37:25.400 --> 00:37:28.280
<v Speaker 1>I'm actually a really loud woman. I don't like the

752
00:37:28.360 --> 00:37:31.960
<v Speaker 1>cab you ordered, a cabernet you ordered. I'm I'm this person.

753
00:37:32.039 --> 00:37:34.400
<v Speaker 1>These pearls are fake. I don't share your views on

754
00:37:34.559 --> 00:37:38.000
<v Speaker 1>campaign reform, oh please? And yeah, what are your views

755
00:37:38.039 --> 00:37:39.440
<v Speaker 1>on campaign reforms? Right?

756
00:37:39.599 --> 00:37:42.440
<v Speaker 2>But also he ordered them both, Terra Mesu, which is

757
00:37:42.760 --> 00:37:46.519
<v Speaker 2>which is okay? I don't If I were her, I'd

758
00:37:46.559 --> 00:37:48.039
<v Speaker 2>be like, and I don't love the way you just

759
00:37:48.280 --> 00:37:50.159
<v Speaker 2>ordered dessert for me without even asking.

760
00:37:50.280 --> 00:37:53.679
<v Speaker 1>But she's like, and Tara Mesu's tired. That was such

761
00:37:53.719 --> 00:37:56.760
<v Speaker 1>a trying to hear it. That was such a Seamantha moment,

762
00:37:57.239 --> 00:38:01.639
<v Speaker 1>which was like, stop trying to let let Samantha live

763
00:38:02.000 --> 00:38:07.119
<v Speaker 1>off of this show. It's so insulting to Samantha what's

764
00:38:07.159 --> 00:38:12.079
<v Speaker 1>her name, Yeah, Samantha, right, Kim Ktrell. It's so insulting

765
00:38:12.119 --> 00:38:14.760
<v Speaker 1>to Kim Control. It's like they're trying to fucking bother

766
00:38:14.880 --> 00:38:18.159
<v Speaker 1>Kim Control. It's just like, let me live my life.

767
00:38:18.199 --> 00:38:20.000
<v Speaker 2>I don't want to be on your stupid fucking show,

768
00:38:20.400 --> 00:38:22.119
<v Speaker 2>you know, or if I do, I'm not going to

769
00:38:22.159 --> 00:38:24.679
<v Speaker 2>work with you bitches. And they're like, oh really, then

770
00:38:24.719 --> 00:38:27.079
<v Speaker 2>we're just gonna make We're just gonna take your character

771
00:38:27.159 --> 00:38:28.159
<v Speaker 2>and write it for someone else.

772
00:38:28.840 --> 00:38:31.559
<v Speaker 1>Well, so okay, yes, and so she says all that,

773
00:38:31.639 --> 00:38:33.760
<v Speaker 1>and he's like, I really like that you opened up

774
00:38:33.760 --> 00:38:37.079
<v Speaker 1>about yourself. Could you excuse me for a second. Actually,

775
00:38:37.119 --> 00:38:39.960
<v Speaker 1>your honesty's refreshing. It's really refreshing. I'll be right back

776
00:38:40.039 --> 00:38:42.639
<v Speaker 1>out of the bathroom. So then he leaves and then

777
00:38:42.679 --> 00:38:46.599
<v Speaker 1>immediately Scherio Terry's like, you'll blow it. Y'll blow it,

778
00:38:47.000 --> 00:38:49.599
<v Speaker 1>jerk in and use the jerk off way, and so

779
00:38:49.760 --> 00:38:51.280
<v Speaker 1>she's just like, what are you doing here? Is like

780
00:38:51.679 --> 00:38:54.679
<v Speaker 1>I always watch my first dates and ye blew it.

781
00:38:55.559 --> 00:38:58.599
<v Speaker 1>It comes with the sea. Yeah, it's so yeah, she's so,

782
00:38:58.960 --> 00:39:00.800
<v Speaker 1>and she's like, well, I don't I rather be alone

783
00:39:00.840 --> 00:39:02.840
<v Speaker 1>than take the jerk off way or whatever the fuck?

784
00:39:02.880 --> 00:39:05.000
<v Speaker 1>Who cares? Yeah, then she gets up and then I

785
00:39:05.119 --> 00:39:08.440
<v Speaker 1>do like that. Cherio Terry is like, okay, kitten whatever,

786
00:39:08.519 --> 00:39:10.679
<v Speaker 1>She's like, can you bring me another fork? And she's

787
00:39:10.719 --> 00:39:12.599
<v Speaker 1>just gonna eat the meal. Yes, I know that that's

788
00:39:12.719 --> 00:39:15.199
<v Speaker 1>very cartoony too, and it's like, I can't really have

789
00:39:15.280 --> 00:39:17.519
<v Speaker 1>it both ways, but it is case. It likes there.

790
00:39:17.639 --> 00:39:18.559
<v Speaker 1>But here's the thing.

791
00:39:18.719 --> 00:39:21.920
<v Speaker 2>If you want to do cartoony stuff, I'm okay with it.

792
00:39:22.119 --> 00:39:24.559
<v Speaker 2>That's if that's the vibe of the show. Like my

793
00:39:24.719 --> 00:39:27.480
<v Speaker 2>crazy ex girlfriend had a bit of that. You can

794
00:39:27.559 --> 00:39:30.199
<v Speaker 2>do stuff that's over the top, but make it the characters, like,

795
00:39:30.639 --> 00:39:33.920
<v Speaker 2>let it be just the Scherio Terry character. Stop making

796
00:39:34.000 --> 00:39:36.280
<v Speaker 2>your main characters be cartoons.

797
00:39:36.559 --> 00:39:39.480
<v Speaker 1>Do you know what I mean? Agree? You can have

798
00:39:39.719 --> 00:39:42.480
<v Speaker 1>You could have finger fuck Lady be a be sort

799
00:39:42.519 --> 00:39:44.719
<v Speaker 1>of a cartoon over the top thing, but don't make

800
00:39:45.280 --> 00:39:48.079
<v Speaker 1>but we don't need Charlotte to be acting like she's

801
00:39:48.119 --> 00:39:51.119
<v Speaker 1>a freaking cartoon in every scene. It's too much. Oh

802
00:39:51.199 --> 00:39:55.039
<v Speaker 1>so your kids they're seniors. Hi, John o'donald, I'm doing

803
00:39:55.119 --> 00:39:57.480
<v Speaker 1>a comedy show at the Virgil. You should do it.

804
00:39:58.000 --> 00:40:03.239
<v Speaker 1>This is my girlfriend Cecily, Hi, John o'donald, Hey, hey listen,

805
00:40:03.599 --> 00:40:08.559
<v Speaker 1>pay attention to me. You're not all that. Yeah, you're not. Okay.

806
00:40:08.840 --> 00:40:12.360
<v Speaker 1>So now Miranda's still back to flirting. She calls the restaurant,

807
00:40:12.360 --> 00:40:14.119
<v Speaker 1>which we find out in a minute to find out

808
00:40:14.119 --> 00:40:17.920
<v Speaker 1>if walk lady is working there that which is pretty creepy,

809
00:40:19.079 --> 00:40:21.559
<v Speaker 1>and she brings Carrie. They're going to eat there with Carrie,

810
00:40:22.079 --> 00:40:24.559
<v Speaker 1>and Carrie's like, did you did you like lesbian call?

811
00:40:24.679 --> 00:40:28.679
<v Speaker 1>And she's like yeah, whatever, She's cute, right, So they're

812
00:40:29.119 --> 00:40:31.719
<v Speaker 1>they're having this conversation where Miranda is starting to get

813
00:40:31.800 --> 00:40:35.079
<v Speaker 1>a little bit obsessed, which they're still obsessed about talking

814
00:40:35.079 --> 00:40:37.719
<v Speaker 1>about the show that's their connection. So Carrie is like,

815
00:40:38.079 --> 00:40:40.400
<v Speaker 1>I will see myself to the bathroom because she wants

816
00:40:40.480 --> 00:40:44.239
<v Speaker 1>to text Aidan anyway, she's still obsessed with Aiden texting.

817
00:40:44.800 --> 00:40:49.679
<v Speaker 1>And then Miranda, unfortunately is this where she says She's like, hey,

818
00:40:49.760 --> 00:40:51.039
<v Speaker 1>you know what else is hot? Yeah?

819
00:40:51.920 --> 00:40:54.119
<v Speaker 2>Yeah, She's like you know they well, she brings up

820
00:40:54.199 --> 00:40:57.679
<v Speaker 2>by Bingo again when the waitress comes over, and Carrie

821
00:40:57.800 --> 00:40:58.639
<v Speaker 2>is starting.

822
00:40:58.360 --> 00:41:01.199
<v Speaker 1>To just be like, what is how happening here? Right?

823
00:41:01.239 --> 00:41:04.760
<v Speaker 1>So get when Carrie leaves, Miranda's like yeah.

824
00:41:04.840 --> 00:41:09.320
<v Speaker 2>So, and this was very cringey. You know, else's hot.

825
00:41:09.519 --> 00:41:12.360
<v Speaker 2>You know, yeah it's so and so's hot. Else's hot.

826
00:41:12.719 --> 00:41:15.000
<v Speaker 1>You your hat? You want to get out of here.

827
00:41:15.119 --> 00:41:17.079
<v Speaker 1>You want to get out of here. I know a place.

828
00:41:17.400 --> 00:41:20.719
<v Speaker 1>And the lady's like, oh, I'm straight and married with kids.

829
00:41:21.360 --> 00:41:24.079
<v Speaker 1>But this was kind of mean because Miranda goes, yeah, oh,

830
00:41:24.199 --> 00:41:24.760
<v Speaker 1>I'm sorry.

831
00:41:24.880 --> 00:41:27.519
<v Speaker 2>I just thought because you watched like by Bingo and

832
00:41:27.559 --> 00:41:29.639
<v Speaker 2>you were so into it, and the waitress goes, well,

833
00:41:29.719 --> 00:41:31.920
<v Speaker 2>I watched The Walking Dead doesn't mean I'm a zombie.

834
00:41:32.320 --> 00:41:33.880
<v Speaker 1>Yeah it was. She was a little but she was

835
00:41:34.119 --> 00:41:36.360
<v Speaker 1>she was, Yeah, it was. It was a hard No,

836
00:41:36.559 --> 00:41:39.559
<v Speaker 1>let's just say that she left. No, there's no flirting,

837
00:41:39.679 --> 00:41:43.599
<v Speaker 1>no confusion, which is fine, But why not just go, oh,

838
00:41:43.679 --> 00:41:47.280
<v Speaker 1>I'm straight, straight, shuttle. Why would you go Why would

839
00:41:47.320 --> 00:41:50.360
<v Speaker 1>you go like, I watched The Walking Dead? Doesn't he

840
00:41:50.360 --> 00:41:52.480
<v Speaker 1>even let me push back? Let me push back. Let's

841
00:41:52.480 --> 00:41:54.719
<v Speaker 1>say it was you and somebody was flirting, right, you'd

842
00:41:54.920 --> 00:41:57.280
<v Speaker 1>be flattered by that. But they and then they were like,

843
00:41:57.920 --> 00:42:00.519
<v Speaker 1>but you watched Uh, let's say it's by Bingo, but

844
00:42:00.599 --> 00:42:02.800
<v Speaker 1>you watch by Bingo like you would, that would be

845
00:42:02.840 --> 00:42:06.159
<v Speaker 1>a little annoying. You'd be like, yeah, I mean, yeah,

846
00:42:06.199 --> 00:42:10.239
<v Speaker 1>I like the show, right, I guess you don't have

847
00:42:10.400 --> 00:42:12.199
<v Speaker 1>to bring up Walking Dead, but I can see why

848
00:42:12.320 --> 00:42:15.719
<v Speaker 1>she did. Okay, it was a little weird, but either way,

849
00:42:15.840 --> 00:42:18.480
<v Speaker 1>Miranda got shut down. So then we see Carrie in

850
00:42:18.519 --> 00:42:21.360
<v Speaker 1>the bathroom and again now she's voice memoing Aiden like

851
00:42:21.719 --> 00:42:22.960
<v Speaker 1>a super long So.

852
00:42:23.079 --> 00:42:25.960
<v Speaker 2>We find out that she's still upset about the fact

853
00:42:26.000 --> 00:42:29.920
<v Speaker 2>that he center the thumbs down, and basically Miranda's like, well,

854
00:42:29.960 --> 00:42:31.599
<v Speaker 2>you know Tom how you feel, you know.

855
00:42:31.960 --> 00:42:35.519
<v Speaker 1>But and here's just another thing. It's like, so Carrie

856
00:42:36.119 --> 00:42:38.519
<v Speaker 1>is supposed to be waiting five years for Aiden, but

857
00:42:38.679 --> 00:42:41.960
<v Speaker 1>she can't even talk to him. It's insane, right, But

858
00:42:42.079 --> 00:42:43.920
<v Speaker 1>then so she can't write him. She's gonna say all

859
00:42:43.920 --> 00:42:45.320
<v Speaker 1>this stuff, but in stead, she's like, well, I guess

860
00:42:45.360 --> 00:42:47.519
<v Speaker 1>I'll just speak his language, and she sends an eye

861
00:42:47.599 --> 00:42:52.199
<v Speaker 1>roll emoji, right, So that got I mean it kind of.

862
00:42:52.519 --> 00:42:55.039
<v Speaker 1>So then they're walking down the street, Carrie and Miranda

863
00:42:55.079 --> 00:42:57.639
<v Speaker 1>are walking down the street like old time. Hary's like,

864
00:42:57.800 --> 00:42:58.360
<v Speaker 1>I don't know.

865
00:42:58.719 --> 00:43:00.920
<v Speaker 2>Like, I don't know if I'm happy with this relationship

866
00:43:01.519 --> 00:43:03.480
<v Speaker 2>because like, I guess I have to wait five years

867
00:43:03.519 --> 00:43:06.639
<v Speaker 2>and I can't really even call him. There's no promise

868
00:43:07.119 --> 00:43:09.679
<v Speaker 2>he'll even answer the call, and he you know, he

869
00:43:09.880 --> 00:43:13.079
<v Speaker 2>masturbates in bed with his son, and I just don't know.

870
00:43:13.280 --> 00:43:16.159
<v Speaker 1>I'm just not sure if that's like a great relationship

871
00:43:16.239 --> 00:43:19.320
<v Speaker 1>for me. And we're just like talking in emojis, and

872
00:43:19.679 --> 00:43:22.800
<v Speaker 1>Miranda's like, yeah, whatever, Anyway, I think I have a

873
00:43:22.840 --> 00:43:25.199
<v Speaker 1>crush on a British lady at work. I know, She's like, yeah,

874
00:43:25.360 --> 00:43:28.599
<v Speaker 1>what up with me? The nonnah the straight waitress. And

875
00:43:28.679 --> 00:43:31.239
<v Speaker 1>then it's like, how about BBC Joy. It's like, of

876
00:43:31.400 --> 00:43:34.960
<v Speaker 1>course BBC Joy. So Carry's like, we'll be careful, like oh,

877
00:43:35.039 --> 00:43:37.719
<v Speaker 1>and then this made me so mad. They have that conversation.

878
00:43:37.760 --> 00:43:40.480
<v Speaker 1>It's like, uh, I think you might be overthinking it, Carrie.

879
00:43:40.840 --> 00:43:43.559
<v Speaker 1>You have no right. Carrie's the most overthinking of all

880
00:43:43.639 --> 00:43:44.840
<v Speaker 1>of them. That was her a thing, that was the

881
00:43:44.920 --> 00:43:47.280
<v Speaker 1>thing I related to that character about all these years.

882
00:43:47.760 --> 00:43:49.880
<v Speaker 1>So then she has the fucking gall to say that

883
00:43:50.000 --> 00:43:52.159
<v Speaker 1>to Miranda, who then owns it. She's like, yeah, I

884
00:43:52.280 --> 00:43:56.119
<v Speaker 1>know me, No, not you. Carrie's the one that does.

885
00:43:56.239 --> 00:43:58.480
<v Speaker 1>Carrie's the one that was in a bathroom stall for

886
00:43:58.559 --> 00:44:00.800
<v Speaker 1>two hours. If she should send any I roll emoji

887
00:44:01.079 --> 00:44:04.079
<v Speaker 1>fuck off Carrie? Yes, Yeah, it made me so mad.

888
00:44:04.159 --> 00:44:06.280
<v Speaker 1>It was so stupid. They both overthink that is something

889
00:44:06.320 --> 00:44:08.440
<v Speaker 1>that people do, but Carrie like wrote books about it,

890
00:44:08.920 --> 00:44:12.079
<v Speaker 1>so relax on that. And then it's also so stupid though,

891
00:44:12.119 --> 00:44:14.280
<v Speaker 1>because she's like, well, maybe you sure she's getting She's like,

892
00:44:14.360 --> 00:44:16.760
<v Speaker 1>oh yeah, no, she's out. So it's like yes. Then

893
00:44:16.840 --> 00:44:20.199
<v Speaker 1>of course the smart, pretty woman from work who's like

894
00:44:20.440 --> 00:44:24.440
<v Speaker 1>flirts with you yes, also doesn't work in your office. Nat.

895
00:44:24.920 --> 00:44:28.519
<v Speaker 1>It's so dumb. It's like she's it's not your coworker,

896
00:44:29.119 --> 00:44:32.239
<v Speaker 1>it's she's she lives in doesn't she live in Like, uh,

897
00:44:32.400 --> 00:44:35.199
<v Speaker 1>she lives in England? Yes, right, so then but she's

898
00:44:35.239 --> 00:44:39.280
<v Speaker 1>back and forth. She so okay, so that makes sense.

899
00:44:39.480 --> 00:44:42.039
<v Speaker 1>Then then off she goes. She comes back and she

900
00:44:42.159 --> 00:44:44.679
<v Speaker 1>can't find shoe her cat back at her house. Right,

901
00:44:44.880 --> 00:44:46.880
<v Speaker 1>So then all of a sudden, oh there's a cute guy.

902
00:44:47.199 --> 00:44:48.679
<v Speaker 1>This is the whole thing. We could be doing this

903
00:44:48.719 --> 00:44:50.639
<v Speaker 1>whole time. Oh my god, how exciting. A cute guy,

904
00:44:50.800 --> 00:44:53.840
<v Speaker 1>another young, cute guy who she just happens to me,

905
00:44:54.079 --> 00:44:56.519
<v Speaker 1>who likes Well that's not true though, because he doesn't

906
00:44:56.559 --> 00:44:59.360
<v Speaker 1>because she he says like he has the cat and

907
00:44:59.440 --> 00:45:00.679
<v Speaker 1>she's like, oh my god, thank god, you were just

908
00:45:00.719 --> 00:45:02.119
<v Speaker 1>walking by, and he's like, well, no one really just

909
00:45:02.159 --> 00:45:04.679
<v Speaker 1>walks by anymore. I'm Adam, I have an appointment for

910
00:45:04.760 --> 00:45:08.360
<v Speaker 1>Adam's gardens. I'm helping you. So he just shows up, yes,

911
00:45:08.480 --> 00:45:10.880
<v Speaker 1>So he's not just hitting on her, like he does

912
00:45:11.000 --> 00:45:12.800
<v Speaker 1>have a job to do. But I just wrote date

913
00:45:12.920 --> 00:45:16.480
<v Speaker 1>him anyone but Aiden. And he's wearing a shirt that

914
00:45:16.639 --> 00:45:22.119
<v Speaker 1>says dead weight right, which is Kate is spelled wait right,

915
00:45:22.199 --> 00:45:23.840
<v Speaker 1>And she's like, is that a story. He's like, I

916
00:45:23.880 --> 00:45:26.119
<v Speaker 1>don't know you yet. He's very New York. Yeah, but

917
00:45:26.480 --> 00:45:28.519
<v Speaker 1>he reminds me a little bit, even though he doesn't

918
00:45:28.559 --> 00:45:30.679
<v Speaker 1>look like him of Matthew Modine. And I'm going to

919
00:45:30.760 --> 00:45:33.519
<v Speaker 1>tell you why, because Matthew Modin has this Really he

920
00:45:33.599 --> 00:45:36.280
<v Speaker 1>had the cool Hugh Grant hair remember in the nineties,

921
00:45:36.440 --> 00:45:39.679
<v Speaker 1>very very good looking guy. But then when he talks,

922
00:45:39.760 --> 00:45:42.800
<v Speaker 1>he's very New York and it comes out of nowhere.

923
00:45:42.800 --> 00:45:45.760
<v Speaker 1>It doesn't fit. So this guy's like, weird, I grew

924
00:45:45.880 --> 00:45:48.760
<v Speaker 1>up in the village. Attitude doesn't match. He looks like

925
00:45:48.800 --> 00:45:52.480
<v Speaker 1>he'd be from Portland. He doesn't match up to me

926
00:45:52.679 --> 00:45:56.480
<v Speaker 1>or what. I still find him hot. And then finally

927
00:45:56.559 --> 00:45:58.480
<v Speaker 1>he's like, yeah, we were in a band and the

928
00:45:58.840 --> 00:46:00.880
<v Speaker 1>band sucked, but bought the T shirts.

929
00:46:01.400 --> 00:46:04.960
<v Speaker 2>Yeah, then I had a T shirt business. And she's like, oh,

930
00:46:05.079 --> 00:46:06.760
<v Speaker 2>you had a T shirt business when you were in

931
00:46:06.840 --> 00:46:07.320
<v Speaker 2>high school.

932
00:46:07.320 --> 00:46:09.920
<v Speaker 1>And he's like, yeah, I'm pretty good at the things

933
00:46:09.960 --> 00:46:11.880
<v Speaker 1>I do or whatever. You think there's a little flirty

934
00:46:12.199 --> 00:46:15.760
<v Speaker 1>you think maybe right, but then this is very carey.

935
00:46:15.840 --> 00:46:17.360
<v Speaker 1>They're trying to bring it back to Carrie doesn't know

936
00:46:17.360 --> 00:46:19.360
<v Speaker 1>who she is anymore, because he's like, what are you

937
00:46:19.440 --> 00:46:21.599
<v Speaker 1>thinking for the space? And she's like, what do you think?

938
00:46:21.679 --> 00:46:25.760
<v Speaker 1>And he's like, it's very like, I'm just a girl.

939
00:46:26.400 --> 00:46:29.079
<v Speaker 1>I just to find a wats hold me and get

940
00:46:29.119 --> 00:46:31.039
<v Speaker 1>the wats out so you can make it with effel

941
00:46:31.119 --> 00:46:33.840
<v Speaker 1>pink or yeo who. He's like, girl, what do you

942
00:46:34.039 --> 00:46:35.519
<v Speaker 1>think we'll get your carry necklace?

943
00:46:35.639 --> 00:46:40.599
<v Speaker 2>Fucking woman guard it up with like some other probably

944
00:46:40.719 --> 00:46:44.840
<v Speaker 2>crazy lady. You're like an overgrown sixty five year old.

945
00:46:45.000 --> 00:46:46.159
<v Speaker 2>What do you fucking want?

946
00:46:46.400 --> 00:46:48.480
<v Speaker 1>What do you want? You've got to know by now, listen,

947
00:46:48.840 --> 00:46:50.920
<v Speaker 1>big paid for the house. Now you can do whatever

948
00:46:51.000 --> 00:46:53.559
<v Speaker 1>you want, right, you can buy whatever, tape whatever. But

949
00:46:54.239 --> 00:46:58.000
<v Speaker 1>she has no vision, no none, I don't is this

950
00:46:58.119 --> 00:46:59.719
<v Speaker 1>when she sits down to write again, So then he

951
00:47:00.039 --> 00:47:03.599
<v Speaker 1>eaves what comes next. I don't know what comes next

952
00:47:03.639 --> 00:47:06.239
<v Speaker 1>in the space. Oh yeah, they have some dumb conversation

953
00:47:06.320 --> 00:47:08.920
<v Speaker 1>and it's like, I don't know it's going to show itself.

954
00:47:09.679 --> 00:47:13.679
<v Speaker 2>Yeah, back to the novel. Sometimes that's more exciting the unknown,

955
00:47:13.760 --> 00:47:16.920
<v Speaker 2>because then then what's meant to be has the space

956
00:47:17.079 --> 00:47:19.400
<v Speaker 2>to show up with bigs money, Like he's really going

957
00:47:19.480 --> 00:47:20.239
<v Speaker 2>to talk that way.

958
00:47:20.079 --> 00:47:23.079
<v Speaker 1>To her of course. Yeah, after he just said he's

959
00:47:23.079 --> 00:47:24.639
<v Speaker 1>like kind of a failed band guy and he's a

960
00:47:24.679 --> 00:47:26.960
<v Speaker 1>little New York He like, I don't know now he's

961
00:47:26.960 --> 00:47:30.360
<v Speaker 1>as a philosopher. Yeah, So then she sits back down

962
00:47:30.400 --> 00:47:33.239
<v Speaker 1>with her stupid novel. The cat is outside, so she

963
00:47:33.360 --> 00:47:38.880
<v Speaker 1>basically is like, let me just bring this cat, mister cheese. Yeah,

964
00:47:38.960 --> 00:47:42.840
<v Speaker 1>she brings scoo cheese inside the house. But she was

965
00:47:42.880 --> 00:47:44.639
<v Speaker 1>gonna say goodbye to him. She's like, thank you for

966
00:47:44.719 --> 00:47:48.039
<v Speaker 1>that philosophy, picks up the cat, goes upstairs and just

967
00:47:48.159 --> 00:47:49.960
<v Speaker 1>leave it. Like. So he's I'm sure he's like, did

968
00:47:50.039 --> 00:47:52.880
<v Speaker 1>I get the job? Like she starts immediately working on

969
00:47:52.960 --> 00:47:57.320
<v Speaker 1>her eighteenth, eighteen seventy five novel, right, and then he's

970
00:47:57.440 --> 00:48:04.280
<v Speaker 1>just like did he leave? Did they come to any agreement? No? No, well,

971
00:48:04.320 --> 00:48:06.079
<v Speaker 1>you know, what you're not going to tell me. I

972
00:48:06.360 --> 00:48:07.760
<v Speaker 1>do know, and I'm not going to tell you. I'll

973
00:48:07.800 --> 00:48:10.400
<v Speaker 1>never spoil again. I learned my lesson the first time. Yeah,

974
00:48:10.960 --> 00:48:14.760
<v Speaker 1>all right, you guys. That's it. That's a lot. It

975
00:48:14.960 --> 00:48:17.599
<v Speaker 1>was a lot. Episode to two parts. If you're listening

976
00:48:17.639 --> 00:48:21.199
<v Speaker 1>and didn't hear the first part, go back because boil

977
00:48:21.360 --> 00:48:26.119
<v Speaker 1>boy and thank you for being here. And we're sorry

978
00:48:26.159 --> 00:48:28.960
<v Speaker 1>about all of it, all of it. We love you, guys,

979
00:48:29.800 --> 00:48:31.760
<v Speaker 1>We love you very much. Okay, bye,