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Speaker 1: And joining us live in studio. We do have the

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members of Under the Horizon. We have Matt Jordan and

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is he did I everyone's name correctly? Yes? Welcome, welcome Matt.

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You've got a proud, proud papa in studio with you. Yes,

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he doesn't want to be on on the microphone. But

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uh but I know this man very well from back

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in the day. Yes, wonderful to see him. And he

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looks and he looks the same. He hasn't changed, which

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is cool.

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Speaker 2: I get that a lot. Actually, I hear that he

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looks pretty similar other than the hair.

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Speaker 1: Right right, Well, yeah, that's that's true of all of us.

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But right, but because when I when I run into people,

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when I see people I haven't seen in a really

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long time, I just expect them to be like, you know,

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not the same. Sure, but but he looks the same,

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which is nice, which is which is really cool. But

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uh no, I love that track now the three Well, actually,

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so what does everybody do in the band? So, Matt,

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you're the drummer, Yes, I am drummer and vocalist. Drummer

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and vocalists in Jordan, guitarists, vocals in.

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Speaker 3: Some vocals and bass and vocalists.

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Speaker 1: Okay, that's now. What's interesting about that is so and

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you probably hear this all the time. There's not a

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lot of singing bass players for whatever reason. There's some,

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but we were talking about that with our our guests

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in the previous hour. Ian Hemy his project Silicon Kong.

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He's a singing bass player, but it's not something you

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see a lot of for for whatever reason. But so, yeah,

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is it Is it just the three of you on

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all the recordings because you sound for a three piece

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and you probably hear this a lot too, but for

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a trio, you got a big sound.

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Speaker 2: Right Yeah, yeah, yeah, it's just the three of us,

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and we kind of we thought about adding like another

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guitarist into the mix, you know, like a lot of

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bands they rhythm in a lead guitarist. But part of

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the reason why we started this band was because we

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were aggravated with the difficulties of our previous bands that

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we were already in.

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Speaker 4: So we're like, we don't.

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Speaker 2: Want to add anyone to complicate the mix. Y. Yeah, so,

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oh yeah, it's just the three of us. We all

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really trying to kind of work together to create our sound,

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and on the album, we wanted, like you said, a

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big sound, but we also wanted it to not sound

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impossible to achieve live, you know what I mean?

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Speaker 1: Yeah, is that ever a challenge?

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Speaker 5: I don't, no, No, I mean there's definitely. There's definitely

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sometimes where like it feels a little different, but for

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the most part it seems pretty full like live.

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Speaker 4: Yeah, which is cool.

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Speaker 1: Yeah, that is that is By the way, I have

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to compliment you well, I think I mentioned it too

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when you walked in. But your shirt Ace Frehley thing.

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Kiss is my all time favorite band and I love Ace.

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Speaker 5: Yeah.

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Speaker 1: Yeah, oh, very cool, very cool. Yeah, ten thousand volts.

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I remember when that came out and it people were

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kind of surprised that it was as successful as it was,

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you know.

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Speaker 5: I mean it sounded was it compared to his last albums? Like,

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it sounded a little different. It had a different vibe

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to it. Yeah, it was douce and stuff, and his

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voice was a lot more. It seemed like he was

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doing a lot more actual thinging than just talking into

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the bike and being like New York.

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Speaker 1: Right right, I agree, I agree. So how long has

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this existed, this s band? How long have the three

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of you been been doing this.

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Speaker 3: Almost a year now, like I think late September will

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be a year.

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Speaker 1: So okay, well that's impressive that you know it's it's

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been under a year and you've already got how many

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tracks are on the album?

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Speaker 5: Nine nine?

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Speaker 4: Yeah, and oh.

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Speaker 1: And for people watching online here, let me put the

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overhead camera on so I can show so Mike gave

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me a copy of this under the horizon, and I'll

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kind of hold that up for the camera. Probably i'll

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hold it up in pictures too afterward. But who did

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the I like the artwork? Who did the artwork?

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Speaker 2: I mean, I guess I guess I would be the

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culprit of that, but yeah, he wasn't. I will admit

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we didn't like hand draw that. We used AI because

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I saw a lot of the stuff that people were

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doing with AI, creating images and all that, and I

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liked how it could create a somewhat surreal scenario, like

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almost something you would see in a dream, because it's

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not perfect, you know, it's it's different, it's nothing's exact,

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everything's a little mismatched and all that. So we used

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We came up with that, or we got that from

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AI when we were trying to figure out album covers

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and we just really liked it and we're like, you

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know what, let's embrace this new technology here. And that's

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what you see on the album cover there.

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Speaker 3: There is artwork though on the actual disc that.

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Speaker 1: Yes, oh no kidding, okay, yeah, okay, cool. I'm such

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a nerd for this stuff. Do you remember, like what

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kind of prompts you used to get that? Do you remember?

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Speaker 4: So?

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Speaker 2: I think it was like a it was like it's

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setting called like Halloween themed or something like that, because

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we wanted to go something like kind of gothy, kind

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of metal, kind of you know, to fit with our sound.

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So I got that and I got a couple of

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images and I sent them all to the band and

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they were like, yeah, we like that one.

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Speaker 4: So yeah, just ended up being the cover.

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Speaker 1: Yeah, no, I dig it. I know that's an odd question.

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Probably you know, you don't expect to be asked, you know,

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what kind of prompts did you use to I think it's.

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Speaker 3: A good question because I know that you had to do.

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Speaker 1: Yeah. Yeah, we're so fascinated around here by AI in general.

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It's something Jenny and I talked about a lot on

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the show. Is AI and the impact on the music

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industry and how people are using it to create and

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uh no, that's very very cool. Where was the where's

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the picture on the back of course as a band photo?

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Where was that taken my backyard? Yeah?

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Speaker 2: Yeah, we were taken. That was before we filmed the

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video for our song Orchids in the Sunrise, And we

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were just like, let's take band pictures, you know, because

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we're all done up or whatever and nice clothes or

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metal clothes, whatever you want to say. Yeah, And we

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were just going around my house taking photos and we

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went out back to uh, that truck that I'm leaning

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up against, that's a project truck of mine that I'm

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working on, and we were just random took the picture

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and we were looking through and we're like, wow, that's

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actually a really good photo of us.

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Speaker 4: Let's use that on the back cover.

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Speaker 1: Yeah. Yeah. Oh. We had a question I don't want

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to forget too, and Jenny mentioned it, there's a question

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in the chat room. Alan McIntyre joins us in the

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chat and says, ask is he what her favorite song

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by Vixen is? Lols? You don't have a favorite Vixen song?

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How dare you?

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Speaker 3: I did get to meet Frit Lightning though, did you. Yeah,

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in February.

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Speaker 1: Yeah, oh, because they just played at they was it

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at the Tupelo? They just played there, right, because it

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was because we had a band on, Purging Sin. I

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don't know if you know Purging Sin.

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Speaker 4: Ye heard of them.

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Speaker 1: Actually they they opened. They when they were here on

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the show a couple of months ago, they were talking

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about opening for Vixen, which was weird. Weird to me

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because Purging Sin they're very dark and heavy, and uh,

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I'm like, you you did, but I think that they did,

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and I think it was at the Tupelo. But yeah,

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so you met Brent Lightning, Yeah, I did.

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Speaker 3: Like this rock and roll fantasy camp in La Yeah,

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I have to meet a lot of like people who

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actually made it in the industry.

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Speaker 1: Like so you you went to one of those Yes,

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no kidding.

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Speaker 3: I got to meet Nancy Wilson as well.

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Speaker 1: Oh wow, so I was gonna say, yeah, she must

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be yeah, yeah, who else? Who else was there?

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Speaker 3: I mean there was like a really good handful. There

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was a couple of people like there were there to meet,

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like they had the Brothers of Stpha and I mean

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also some of the counselors that were there. Yeah, I

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mean there's a lot of like good people. There was

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a bassis of La Guns. His name is Johnny Martin. Okay, yeah,

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he was like a kind of the person who ran

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my little group because we had there was a couple

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of bands that we uh at the camp and we

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played at the Viper Room yea and the tributoor.

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Speaker 1: Oh very yeah. I always see I see videos of

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these these rock and roll fantasy camps online and they look, uh,

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they look really fun. So what so when you say

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you're a little group, so what what? What did they

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divide everyone into groups and then you had like one

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of these one of these famous rock stars kind of

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runs the group and and uh and then what is there?

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Is there a process of like you all read a

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song together or.

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Speaker 3: No, we more just like pick a couple of songs

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to work on between, like like it's about four days

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and we performed them. I mean I was with the

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other teenagers. We're all teens.

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Speaker 1: Oh very cool? Is it? How many days is it?

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Speaker 3: I think mine was four days?

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Speaker 1: Oh no kidding, Wow, that's wild, that's wild. What uh?

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Why did you why did you like what motivated you

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to to go and and do that?

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Speaker 6: Well?

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Speaker 3: I actually had gotten it as a gift, but mostly

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to meet Nancy Wilson.

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Speaker 1: Yeah yeah, huge, Yeah, Yeah, that's that's very cool. Is

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she I mean, is she an influence on you vocally

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or I mean I would think Anne Wilson would probably

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be a big influence. Yeah, huge, Yeah, yeah, no doubt.

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Who else has an influence on you in terms of.

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Speaker 3: Your vocals, I would say, uh, Pat Benatar a lot

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and a bit of Joan Jet as well.

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Speaker 1: Really yeah, yeah, oh that's cool. That's cool. Now what

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about you Jordan in terms of obviously as Frehley, Yeah,

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a big influence. Who else influences you on guitar?

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Speaker 5: In terms of guitar, I'd say like some van Halen, Yeah,

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Eddie van Halen definitely really influential called the tap and

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all that stuff. I've gotten some things about how there's

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Randy Rhodes type stuff.

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Speaker 4: Yeah, my guitar.

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Speaker 5: Playing, which like I do like Randy Rhodes, so i'd

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say him too.

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Speaker 1: Yeah.

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Speaker 4: Kirk Hammett, you know people like that.

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Speaker 1: Yeah.

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Speaker 5: They I think what makes them so special is they

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take sometimes they can take fairly simple things and they'll

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put it in the song as a solo and make

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it fit, which is like a pretty good skill to have,

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you know, like, just because it's fast and flashy doesn't

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mean it's good, you.

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Speaker 1: Know, right right? Yeah, No, I know what you mean.

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And I can hear. I can hear the Kirk Hammett

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and your solos. I can definitely hear that. Yeah. Yeah,

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what about you, Matt as far as drums and or

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vocal because you sing too.

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Speaker 2: Right, Yeah, oh god, there's a lot. I mean, my

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primary influence for drums, I mean a lot of people

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laugh when I say it, but I'll say it because

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it's true. Uh, it's Lars Ulrik from Metallica. I saw

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Metallica when I was like ten, and for some reason,

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something about Lars up on stage behind the drum set

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it just really inspired me to play.

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Speaker 4: So then I picked it up.

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Speaker 2: And I mean, I'm influenced by him and Joey Jordison

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a slip nood, all the drummers a slip not really,

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they're all great, Vinny, Paul neil Pert, you know, all

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the good guys who give you a lot to listen

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to on the drum set, right right, Yeah, And vocally,

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I'd say my primary influences are James Hetfield and Corey Taylor.

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Speaker 1: Yeah, I can hear the Corey Taylor.

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Speaker 4: Oh, thank you. I appreciate it.

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Speaker 1: Yeah, yeah, definitely. And in terms of the songwriting, I mean,

241
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how how does that work in the spand do you

242
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all write together? Does somebody bring in an idea and you.

243
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Speaker 4: I think what happened?

244
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Speaker 5: Yeah, it's a mix of It's definitely like one person

245
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will come in with lyrics or they'll have Like with

246
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Izzy Want You, she had the lyrics and she had

247
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the you know, bass notes, you know, whatever the notes were,

248
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and I was like, it kind of just formed together.

249
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He came up with his drum part on the spot,

250
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I made my own guitar part, and we kind of

251
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just experimented a couple of times, ran it, you know

252
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through three or four times, maybe that quick Yeah, it

253
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comes together really fast. It's surprising.

254
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Speaker 1: Well that's that's when you know you've really got something right.

255
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The songs come together quickly, and then you know, you

256
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know you've got that that magic you know, right. Yeah, Well,

257
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I assume some of these songs because you know, some

258
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of them are you know, that's a fairly straightforward song,

259
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but some of them are are pretty complex. I mean

260
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I would imagine the more complex ones take longer or

261
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maybe not.

262
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Speaker 2: I mean, realistically, all the songs that we have wrote,

263
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I mean were at max took us an hour, yeah,

264
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to write and get fully played with, you know, all

265
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of us together, or at the very least the instrumental

266
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part of it. Obviously, lyrics come later with some songs,

267
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but I mean most of the stuff that we have done,

268
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I mean there were days that we wrote three or

269
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four songs in a day, within the span of a

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four hour practice.

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Speaker 4: Oh yeah, yeah.

272
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Speaker 5: It wasn't it Like it was better in and out

273
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And I'm pretty sure it was.

274
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Speaker 2: It might have been within my eyes. I'm not sure though, Yeah, something. Yeah,

275
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because we all, you know, because we were all three

276
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of us used to be in cover bands. Oh yeah,

277
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Me and Jordan were in a cover band together, and

278
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Izzy was in a cover band. And actually, how me

279
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and Izzy met was that both of our cover bands

280
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played in a Battle of the Bands together. Oh wow,

281
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and we both met up afterwards. I'm like, hey, you're

282
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really good at vocals, and she's like, yeah, you're really

283
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good at drums. So we just kind of like okay,

284
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and then years later we decided let's form something here,

285
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so we were in our own cover band, so we

286
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had all this time to come up with these riffs

287
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and songs and lyrics and stuff for the day that

288
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we were eventually in an original band, but we wanted

289
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to be in. So it all came together really quickly.

290
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And I mean we've already started writing for the second album.

291
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We have like half of it already, no kidding.

292
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Speaker 3: Wow, I'd say we wrote most of our songs, Like

293
00:14:11,200 --> 00:14:15,320
we wrote the eight songs that we have the original within.

294
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Speaker 1: Like three or four months, no kidding.

295
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Speaker 3: Yeah, we started recording in April, so righteh, three months,

296
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I think yep.

297
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Speaker 1: Oh, by the way, talking about influences, somebody in the

298
00:14:25,639 --> 00:14:29,039
chat room made me realize I think it was I

299
00:14:29,039 --> 00:14:33,960
think it was Alan McIntyre. Oh, yeah, mentioned I never

300
00:14:34,000 --> 00:14:38,320
asked you about bass. I mean, I'm a bass player,

301
00:14:38,320 --> 00:14:39,759
so I can't believe I forgot to ask you about

302
00:14:39,759 --> 00:14:42,440
your influences on bass, and I am curious.

303
00:14:43,039 --> 00:14:45,679
Speaker 3: I mean, I guess like my bass lines aren't really

304
00:14:45,679 --> 00:14:48,159
too complex, because i'd say I do vocal like i'd

305
00:14:48,200 --> 00:14:49,360
focus more on the vocals.

306
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Speaker 1: Yeah, per se.

307
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Speaker 3: I mean there are a lot of great bassis that

308
00:14:52,360 --> 00:14:55,200
I love, but it is a bit difficult to sing

309
00:14:55,240 --> 00:14:57,480
and play the bass, which is why I feel you

310
00:14:57,559 --> 00:15:01,399
find a lot less basis interesting.

311
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Speaker 1: Yeah, see keep it fairly simple?

312
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Speaker 4: Yeah yeah, yeah.

313
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Speaker 1: What about like do you approach it any differently? Like

314
00:15:08,200 --> 00:15:11,559
if if Matt's singing, do you approach that any differently

315
00:15:11,559 --> 00:15:13,159
as far as your bass or.

316
00:15:13,080 --> 00:15:16,879
Speaker 3: Do you I mean like as of like like our

317
00:15:16,879 --> 00:15:20,519
first album, It's still not too complex, but I'm definitely

318
00:15:20,559 --> 00:15:24,559
getting more into the creative writing for basses.

319
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Speaker 1: Okay, Isaac Banks is asking, uh, and this isn't anyone

320
00:15:30,240 --> 00:15:33,000
you would know? We we Jenny and I are very

321
00:15:33,039 --> 00:15:37,799
familiar with Isaac Banks, aren't we? Isaac Banks is asking

322
00:15:38,159 --> 00:15:41,919
is he? Who are your influences? What's your favorite evan

323
00:15:42,039 --> 00:15:45,440
Essence song? Do you have a favorite Evanescence song? Probably

324
00:15:45,480 --> 00:15:48,080
more likely that you have a favorite Evanescence than Vixen.

325
00:15:51,720 --> 00:15:54,559
Speaker 3: Right now, it's going Under. I love that song vocally,

326
00:15:54,600 --> 00:15:55,440
It's amazing.

327
00:15:55,639 --> 00:15:58,480
Speaker 1: Yeah. No, Amy Lee's a great She's a great singer. Definitely,

328
00:15:58,600 --> 00:16:03,279
absolutely absolutely. Now in terms of in terms of the

329
00:16:03,320 --> 00:16:07,399
band and like, do you all as a band, do

330
00:16:07,440 --> 00:16:10,759
you have a particular vibe or a particular sound that

331
00:16:10,840 --> 00:16:14,799
you try to achieve or is it more it's organic.

332
00:16:14,919 --> 00:16:17,200
It's how does that? How does that work?

333
00:16:17,399 --> 00:16:20,799
Speaker 3: I mean, I think you have a various amount of sounds.

334
00:16:20,840 --> 00:16:22,840
All of our songs are kind of different, but they

335
00:16:22,879 --> 00:16:25,399
all still sound like they're made by us.

336
00:16:25,559 --> 00:16:30,080
Speaker 4: Yeah, yeah, yeah, I think my dad he was.

337
00:16:30,480 --> 00:16:31,919
Speaker 5: I think he might have been like one of the

338
00:16:31,919 --> 00:16:33,879
first people to be like yeah, I mean all the

339
00:16:33,960 --> 00:16:36,360
songs are like really unique, but they all have a

340
00:16:36,519 --> 00:16:40,279
specific touch to them that makes it like ident you know,

341
00:16:40,559 --> 00:16:44,960
has some identification to us yea, which is like great, Yeah,

342
00:16:44,960 --> 00:16:47,799
we have a different sound on every song, which makes

343
00:16:47,840 --> 00:16:51,240
the album seem a little more like experimental, I guess,

344
00:16:51,639 --> 00:16:54,279
but you can still be like, oh, yeah, this is

345
00:16:54,320 --> 00:16:57,159
that one band. It's not like there's features on the

346
00:16:57,200 --> 00:17:00,399
band or random people just coming in and playing songs

347
00:17:00,480 --> 00:17:00,879
or right.

348
00:17:00,919 --> 00:17:04,519
Speaker 4: So yeah, I mean it's definitely.

349
00:17:05,640 --> 00:17:10,400
Speaker 2: I'd say that our sound is definitely more metal focused,

350
00:17:10,480 --> 00:17:13,200
or at least we're you know, aiming to be more

351
00:17:13,559 --> 00:17:16,279
considered a metal band. But even then, you know, we

352
00:17:16,599 --> 00:17:19,200
have a lot of influences outside of you know, the

353
00:17:19,240 --> 00:17:22,720
basic rock and metal, but even within that, we like

354
00:17:22,960 --> 00:17:26,880
bands that often you know, you wouldn't picture their fans

355
00:17:26,960 --> 00:17:28,319
being in the same room.

356
00:17:28,279 --> 00:17:29,720
Speaker 4: Right, you know, what I mean.

357
00:17:30,240 --> 00:17:32,480
Speaker 2: I don't think there's a lot of dinner parties happening

358
00:17:32,519 --> 00:17:38,599
with Heart fans kiss fans and like, I don't know,

359
00:17:38,920 --> 00:17:41,319
Slayer fans or something like that. You know, I'm using

360
00:17:41,319 --> 00:17:44,160
that as an example, but I mean, I think from

361
00:17:44,200 --> 00:17:47,799
the beginning, with all our influences combined, we kind of

362
00:17:47,920 --> 00:17:53,359
tried to create something like if Heart was written by

363
00:17:53,480 --> 00:17:56,359
like slip Knot or something like that. You know, something

364
00:17:57,200 --> 00:18:00,279
heavy but with a little bit of like glam Edge

365
00:18:00,279 --> 00:18:02,720
of the Past or something like that. You know, something

366
00:18:02,759 --> 00:18:06,279
a sound that most people can listen to, you know,

367
00:18:06,359 --> 00:18:09,039
we you know, kind of like your second ever metal

368
00:18:09,079 --> 00:18:11,319
band you're listening to or whatever, something like that.

369
00:18:11,440 --> 00:18:12,079
Speaker 4: You know what I mean.

370
00:18:13,119 --> 00:18:16,000
Speaker 1: Well, what I think too is cool about about your

371
00:18:16,119 --> 00:18:19,240
sound and a band like this is there's a timelessness

372
00:18:19,279 --> 00:18:22,000
to it. Yeah, because you know if you if if

373
00:18:22,039 --> 00:18:24,559
you just played this for me and and I didn't

374
00:18:24,559 --> 00:18:26,240
know anything about you, and you said when do you

375
00:18:26,240 --> 00:18:29,799
think this was recorded, I wouldn't know. You know, it's

376
00:18:29,920 --> 00:18:32,519
it could have been yesterday, it could have been thirty

377
00:18:32,599 --> 00:18:36,000
years ago. There's a there's a timelessness to it that

378
00:18:36,119 --> 00:18:37,200
I think is really cool.

379
00:18:37,440 --> 00:18:37,960
Speaker 4: Well, thank you.

380
00:18:38,160 --> 00:18:42,039
Speaker 1: Yeah, absolutely are you playing a lot of shows. Are

381
00:18:42,079 --> 00:18:43,880
you doing a lot of live stuff.

382
00:18:43,640 --> 00:18:47,119
Speaker 2: Or uh yeah, actually funny enough, we're doing a show tonight.

383
00:18:48,240 --> 00:18:52,680
You were doing one with two other bands, Tainted Hearts

384
00:18:52,759 --> 00:18:53,759
and Day to Attend.

385
00:18:54,039 --> 00:18:56,440
Speaker 1: Oh, we had them on the show recently. I did

386
00:18:56,519 --> 00:18:58,640
you love Day to Attend? We've had amount a couple

387
00:18:58,640 --> 00:19:01,200
of times. Oh, they're amazing. I loved F's voice and

388
00:19:02,519 --> 00:19:05,440
and the new album is so good. Yeah, it's so

389
00:19:05,640 --> 00:19:08,759
good that they have this one song not coming back.

390
00:19:08,799 --> 00:19:10,799
It gets stuck in my head, like some days I

391
00:19:10,839 --> 00:19:13,799
wake up with it in my brain. Yeah, I love Sorry,

392
00:19:14,000 --> 00:19:15,160
I just I love Day to Attend.

393
00:19:15,240 --> 00:19:15,400
Speaker 4: Yeah.

394
00:19:15,400 --> 00:19:16,839
Speaker 1: Absolutely, So you're playing with them tonight?

395
00:19:17,079 --> 00:19:19,880
Speaker 2: Yeah at the Rochester Performing Arts Center.

396
00:19:20,039 --> 00:19:20,519
Speaker 1: Excellent.

397
00:19:22,039 --> 00:19:24,640
Speaker 2: Yeah, all ages show starts at eight for if anyone

398
00:19:24,759 --> 00:19:27,359
wants to come and see us. And then we're also

399
00:19:27,680 --> 00:19:31,799
opening up for Great White Yes at the Tupelow Music

400
00:19:31,799 --> 00:19:32,599
Hall and Dairy.

401
00:19:32,960 --> 00:19:35,319
Speaker 1: Yep, Jenny and I are going to be at that show.

402
00:19:35,519 --> 00:19:38,559
Speaker 2: Good to know anyone who wants to come to that

403
00:19:38,680 --> 00:19:43,880
again all ages five thirty, and then we have we're

404
00:19:43,920 --> 00:19:47,720
opening up for Queen's Reich again. Yeah at Tupelow Music

405
00:19:47,720 --> 00:19:51,240
Hall and Dairy. That one starts at six thirty, and

406
00:19:51,279 --> 00:19:56,359
then we have Keen Music Fest and Keen at one third.

407
00:19:56,400 --> 00:20:01,920
I'm looking at my notes here, sorry, one thirty to

408
00:20:02,000 --> 00:20:05,839
two fifteen. So yeah, we're starting to get some shows.

409
00:20:05,920 --> 00:20:09,200
And I mean the two shows they're Great White and

410
00:20:09,279 --> 00:20:12,319
Queen's Reike. I remember he came out to me. I

411
00:20:12,359 --> 00:20:13,960
was working on my car. He came out to me.

412
00:20:14,039 --> 00:20:16,599
He's like, I need to tell you something I don't

413
00:20:16,599 --> 00:20:17,559
even know if I can tell you.

414
00:20:17,640 --> 00:20:21,000
Speaker 4: And I'm like, what is it? You know what I mean?

415
00:20:21,640 --> 00:20:21,880
You know?

416
00:20:21,920 --> 00:20:25,000
Speaker 2: And he's like, I got you guys an opening slot

417
00:20:25,079 --> 00:20:27,160
for Great White and Queen's Reike. And we're like, what,

418
00:20:27,640 --> 00:20:29,039
you know what I mean? The thing in the group

419
00:20:29,119 --> 00:20:32,119
chat that we're like, how is this even possible? You know,

420
00:20:32,160 --> 00:20:34,039
it's still I don't even think it's still even fully

421
00:20:34,079 --> 00:20:34,960
set into.

422
00:20:36,240 --> 00:20:37,079
Speaker 4: Right, yeah, right?

423
00:20:38,400 --> 00:20:41,400
Speaker 1: So yeah, No, that's awesome. That's awesome. Oh, by the way,

424
00:20:41,400 --> 00:20:43,640
to your dad gave us these. I'll let me put

425
00:20:43,640 --> 00:20:45,400
the big camera on again so I can hold this up.

426
00:20:45,480 --> 00:20:46,960
You'll be able to see it better in the pictures.

427
00:20:47,000 --> 00:20:49,319
We'll take pictures after the show. But this, uh, this

428
00:20:49,400 --> 00:20:51,400
wonderful shirt. I love it. So is that your official

429
00:20:51,400 --> 00:20:52,279
logo on the shirt.

430
00:20:54,160 --> 00:20:57,119
Speaker 2: That's a that's a little bit of a complicated situation

431
00:20:57,240 --> 00:20:59,759
there that I well, I mean, I guess so yeah,

432
00:21:00,119 --> 00:21:02,799
it's kind of like our little I guess mascot.

433
00:21:02,839 --> 00:21:04,039
Speaker 4: You could say, we don't even.

434
00:21:03,880 --> 00:21:05,720
Speaker 2: Have like a name for it yet or anything, but

435
00:21:05,720 --> 00:21:08,839
it's just something I it's something I honestly like sketched

436
00:21:08,839 --> 00:21:10,799
out in a little piece of notebook paper and sent

437
00:21:10,880 --> 00:21:13,559
to them. They're like, we love that. Yeah, yeah, so yeah,

438
00:21:13,599 --> 00:21:16,680
I guess it's our logo mascot. I don't really know,

439
00:21:16,880 --> 00:21:17,640
like I will.

440
00:21:17,720 --> 00:21:21,519
Speaker 1: I will see it in my nightmares this evening, you know.

441
00:21:21,599 --> 00:21:24,440
But no, no, that's cool though, that's cool. Yeah, And

442
00:21:24,480 --> 00:21:26,119
I mean, you know, you've got plenty of time to

443
00:21:26,279 --> 00:21:28,599
you know, over time, you can always maybe come up

444
00:21:28,640 --> 00:21:31,640
with a backstory or whatever, give it a give it

445
00:21:31,680 --> 00:21:36,079
a name, you know, like, yeah, no, that's cool, that's cool.

446
00:21:36,440 --> 00:21:38,119
And I like the Yeah, I like that. Where does

447
00:21:38,119 --> 00:21:40,480
the name come from? By the way, under the horizon.

448
00:21:42,920 --> 00:21:44,440
Speaker 4: It it's funny.

449
00:21:45,079 --> 00:21:48,720
Speaker 5: We can't so when we first started to like write originals,

450
00:21:48,720 --> 00:21:50,720
we were like, yeah, we need a name. We came

451
00:21:50,799 --> 00:21:53,039
up with all these names. I think one that I

452
00:21:53,119 --> 00:21:56,640
remember is you came up with just In because you

453
00:21:56,680 --> 00:21:59,759
want like new generation of you know, artists or whatever.

454
00:22:00,640 --> 00:22:02,640
Speaker 1: I went on, wait, wait, what was it going to be?

455
00:22:02,759 --> 00:22:04,039
Speaker 4: It was going to be just In.

456
00:22:06,640 --> 00:22:09,680
Speaker 5: I went on to Google and started up like cool

457
00:22:09,839 --> 00:22:13,359
band names or whatever, and it came up with over

458
00:22:13,599 --> 00:22:16,319
the Horizon or something or over a Horizon.

459
00:22:16,920 --> 00:22:17,960
Speaker 4: I didn't like that.

460
00:22:18,480 --> 00:22:27,480
Speaker 5: Yeah, so I was like under Undersounds gloomy undersounds metal, yes, yeah, yeah,

461
00:22:27,519 --> 00:22:29,720
so and I came back and I was like, hey,

462
00:22:29,839 --> 00:22:32,559
what do you think about under the Horizon? And everybody

463
00:22:32,640 --> 00:22:35,319
was like, oh, yeah, you know, it's cool, we like it.

464
00:22:35,440 --> 00:22:35,759
Speaker 1: Yeah.

465
00:22:35,880 --> 00:22:39,279
Speaker 5: It wasn't until Izzy wrote the title track under the

466
00:22:39,319 --> 00:22:43,039
Horizon we were really like had a meaning behind it.

467
00:22:43,240 --> 00:22:46,559
Speaker 1: Yeah, no, that makes sense. Did you Did you go

468
00:22:46,640 --> 00:22:48,319
through any others that you kind of could? I love

469
00:22:48,559 --> 00:22:51,240
hearing about rejected band names? Were there? Were there any others?

470
00:22:51,319 --> 00:22:53,880
Or or did that one present itself pretty early?

471
00:22:54,000 --> 00:22:55,119
Speaker 4: I think you had some.

472
00:22:55,279 --> 00:22:57,799
Speaker 2: I was gonna say, I feel like I contributed some,

473
00:22:57,920 --> 00:23:00,599
but I can't. They must have been so bad that

474
00:23:00,640 --> 00:23:01,200
I can't.

475
00:23:00,960 --> 00:23:04,119
Speaker 5: Even what they are, right, I'm not gonna I'm not

476
00:23:04,119 --> 00:23:05,279
gonna say they were bad.

477
00:23:05,440 --> 00:23:09,480
Speaker 4: It was just they were a lot more. I didn't

478
00:23:09,480 --> 00:23:11,000
have that ring to it. They didn't have that.

479
00:23:12,000 --> 00:23:15,039
Speaker 5: They were very like I don't want to say stock

480
00:23:15,160 --> 00:23:19,839
metal names, but they had a very like predictable type

481
00:23:19,839 --> 00:23:23,559
of name to it. Yeah, they were cool, but like, right,

482
00:23:23,680 --> 00:23:25,759
it wasn't what we were looking for, right, They didn't

483
00:23:25,759 --> 00:23:29,119
really fit our style because I guess to me, with

484
00:23:29,200 --> 00:23:33,759
my musical influences, I always thought that the original band

485
00:23:33,759 --> 00:23:35,319
that I was going to end up in was going

486
00:23:35,400 --> 00:23:38,559
to be the next Slayer, the next Pantera, the next

487
00:23:38,960 --> 00:23:40,960
you know whatever. So I came up with all these

488
00:23:41,039 --> 00:23:43,799
names with like blood and like all this you know,

489
00:23:44,000 --> 00:23:47,720
angry violent things, you know what I mean in metal music,

490
00:23:47,759 --> 00:23:50,519
And then you know, here it was like, well, it's

491
00:23:50,559 --> 00:23:53,240
not just metal, it's not just speed, it's not just death,

492
00:23:53,279 --> 00:23:55,839
it's not whatever, you know what I mean, it's all

493
00:23:55,920 --> 00:23:57,319
these it's a.

494
00:23:58,880 --> 00:23:59,720
Speaker 4: What's that word, I.

495
00:23:59,680 --> 00:24:03,599
Speaker 2: Don't know, a melting pot of all our influences. Yeah, yeah,

496
00:24:03,640 --> 00:24:07,319
oh a crucible. That's the ten dollars vocabulary word for

497
00:24:07,480 --> 00:24:11,000
that one, right there. Yeah, well played sir, of all

498
00:24:11,039 --> 00:24:16,440
our musical influences. So my names didn't really work. But yeah,

499
00:24:16,519 --> 00:24:19,720
under the Horizon came and it was like yeah, yeah

500
00:24:19,799 --> 00:24:20,599
that fits for us.

501
00:24:20,720 --> 00:24:23,160
Speaker 1: Yeah, I mean, part of the challenge too, when when

502
00:24:23,200 --> 00:24:25,119
naming the band is trying to find something that nobody

503
00:24:25,119 --> 00:24:28,160
else already has or you know, so so you don't

504
00:24:28,160 --> 00:24:33,799
get in any trouble. You know, obviously there was a

505
00:24:33,839 --> 00:24:36,799
time and you know he's old enough to remember too,

506
00:24:36,799 --> 00:24:39,640
when you know, when you couldn't just go online and

507
00:24:39,680 --> 00:24:42,079
just google something and just you know, figure out if

508
00:24:42,079 --> 00:24:47,079
somebody else already already has it. So I I tell

509
00:24:47,160 --> 00:24:50,160
this story a lot. I went to high school with

510
00:24:50,279 --> 00:24:54,519
and he might even be listening. Xander Carlson really really

511
00:24:54,559 --> 00:24:57,400
talented guitarist. I think he's still active in the scene.

512
00:24:57,680 --> 00:24:59,559
But and he and I were in a band in

513
00:24:59,640 --> 00:25:02,079
high scho We just kind of briefly. But I ran

514
00:25:02,119 --> 00:25:04,240
into him after high school and he had a band

515
00:25:04,319 --> 00:25:07,559
called He's telling me about this new band he's in.

516
00:25:07,640 --> 00:25:10,720
He said, Uh, it's called Intuition, And he said that

517
00:25:10,799 --> 00:25:15,920
to me, and immediately I'm thinking, God, somebody's intuition. It's

518
00:25:15,960 --> 00:25:19,240
too obvious. It's probably already a thousand bands that are

519
00:25:19,400 --> 00:25:21,759
already out there using that name. And I swear to

520
00:25:21,759 --> 00:25:23,680
God I ran into him again. I just happened to

521
00:25:23,720 --> 00:25:27,279
run into We shopped at the same uh, convenience store.

522
00:25:27,440 --> 00:25:30,319
I run into him again like six months later, and

523
00:25:30,359 --> 00:25:33,319
I asked him how's the band? And he goes, oh, good,

524
00:25:33,400 --> 00:25:35,599
but we had to change our name because we heard

525
00:25:35,640 --> 00:25:39,400
from some cover band in Massachusetts. They're they're already using

526
00:25:39,440 --> 00:25:42,279
the name and they don't want us using it, and

527
00:25:42,519 --> 00:25:44,640
and I, you know, I'm too polite to say it,

528
00:25:44,839 --> 00:25:47,440
but in my mind I'm thinking, yeah, no kidding, but

529
00:25:47,799 --> 00:25:51,799
of course that happened. You called the band intuition, you know,

530
00:25:53,279 --> 00:25:56,079
But uh no, but I think Under the Horizon's a

531
00:25:56,200 --> 00:26:00,200
very very cool name. We should, uh, let's play another track?

532
00:26:00,839 --> 00:26:02,640
What but I'm gonna put you on the spot. I'll

533
00:26:02,720 --> 00:26:05,839
let you pick what would what would you like to

534
00:26:06,160 --> 00:26:09,720
uh to hear next or to share with the audience?

535
00:26:10,240 --> 00:26:11,920
Speaker 3: Maybe in and out, in and out.

536
00:26:12,160 --> 00:26:13,680
Speaker 4: Yeah, that's a good catch you one for all of

537
00:26:13,720 --> 00:26:14,200
you out there.

538
00:26:14,440 --> 00:26:16,920
Speaker 1: Yeah, yeah, I like that one. I like I said,

539
00:26:16,920 --> 00:26:18,720
I listened to the whole thing and that's That's also

540
00:26:18,759 --> 00:26:22,200
one of the ones that stood out to me. Are

541
00:26:22,240 --> 00:26:25,160
these all available? Are these on Spotify and everything for

542
00:26:25,160 --> 00:26:25,799
people who want.

543
00:26:25,720 --> 00:26:26,400
Speaker 3: To hear them?

544
00:26:26,680 --> 00:26:30,839
Speaker 2: Yes, every streaming platform that you could possibly think of

545
00:26:30,880 --> 00:26:34,400
the album's there. And also, if you still listen to

546
00:26:34,799 --> 00:26:37,279
physical music, which I know it's a rare breed out there,

547
00:26:37,319 --> 00:26:39,359
but for those of you that want to buy a CD,

548
00:26:39,559 --> 00:26:41,680
you can not only buy it off of our website

549
00:26:41,799 --> 00:26:44,559
Under the Horizon dot org, but also it's on sale

550
00:26:44,559 --> 00:26:48,960
at all Bull Moose locations, Good Music Connection down the

551
00:26:49,000 --> 00:26:54,160
Road in Manchester, and Pitchfork and Conquered and also, funnily enough,

552
00:26:54,480 --> 00:26:58,640
Tenny farm Stand in Antrim, New Hampshire. Yeah, kind of

553
00:26:58,640 --> 00:27:00,960
a it's weird to think of a metal band CD

554
00:27:01,119 --> 00:27:02,599
going on sale in a farm stand.

555
00:27:02,599 --> 00:27:04,599
Speaker 1: But do they have a CD section?

556
00:27:05,559 --> 00:27:05,640
Speaker 6: No?

557
00:27:05,839 --> 00:27:09,079
Speaker 2: Actually we're the first CD they've ever sold. But you know,

558
00:27:09,119 --> 00:27:15,960
we're what, Yeah, they're actually our best selling location. We're

559
00:27:16,039 --> 00:27:18,079
friends with the owner of it and he wanted to

560
00:27:18,119 --> 00:27:20,680
support so we're like, you want to sell our CDs?

561
00:27:20,720 --> 00:27:23,680
Like yeah, sure, so it's on sale, so you know,

562
00:27:23,720 --> 00:27:26,400
you can buy cucumbers and corn and then a brand

563
00:27:26,400 --> 00:27:27,960
new CD to listen to on the way home.

564
00:27:29,759 --> 00:27:32,599
Speaker 1: That's awesome. That's awesome. All right, let's give this a spin.

565
00:27:33,000 --> 00:27:34,720
This is called in and Out. If you are just

566
00:27:34,839 --> 00:27:36,920
joining us, we have Under the Horizon here with us

567
00:27:37,279 --> 00:27:39,279
live in studio. But check this.

568
00:27:39,279 --> 00:28:05,519
Speaker 6: Out, ye.

569
00:28:04,799 --> 00:28:08,880
Speaker 7: Bout couple of weeks since we made it up time

570
00:28:08,880 --> 00:28:09,880
at the time, I.

571
00:28:09,960 --> 00:28:12,680
Speaker 8: Get bed, uh about the ball.

572
00:28:13,160 --> 00:28:16,799
Speaker 7: We just sat here and you got bad no kidding

573
00:28:16,839 --> 00:28:20,319
A right, I'm following men and out and then say

574
00:28:20,400 --> 00:28:21,559
I love the dam.

575
00:28:24,079 --> 00:28:27,599
Speaker 9: People be light. I can't every what you said.

576
00:28:30,839 --> 00:28:35,400
Speaker 7: Every week it's something new, say you love me, but

577
00:28:35,599 --> 00:28:40,839
it is you tell confused somehow I feel, but gonna

578
00:28:40,960 --> 00:28:43,720
say say I'm a get I'm following that.

579
00:28:44,160 --> 00:28:50,279
Speaker 9: And I man and I love the gad you got

580
00:28:50,839 --> 00:28:55,759
go the to n you meet you.

581
00:29:22,000 --> 00:29:25,759
Speaker 7: In standing out and stand out those games.

582
00:29:27,759 --> 00:29:29,799
Speaker 9: You call in stand up s.

583
00:29:30,519 --> 00:29:30,839
Speaker 10: Some mo.

584
00:29:33,880 --> 00:30:22,519
Speaker 8: Lookid I'm losing.

585
00:30:38,359 --> 00:30:41,039
Speaker 1: That is catchy as hell. That is in and out

586
00:30:41,160 --> 00:30:43,720
and the band is under the Horizon and we have

587
00:30:43,960 --> 00:30:47,119
under the Horizon here with us live in studio. If

588
00:30:47,359 --> 00:30:49,640
so you've got you've got a show tonight, we should

589
00:30:49,680 --> 00:30:51,880
uh we should mention that again for for people just

590
00:30:52,000 --> 00:30:52,400
tuning in.

591
00:30:52,839 --> 00:30:59,359
Speaker 2: Yeah, show tonight, Rochester Performing Arts Center, All ages, ten

592
00:30:59,440 --> 00:31:03,519
dollars cover charge and the doors open at seven. We're

593
00:31:03,559 --> 00:31:06,640
playing with Day to a ten, which we talked about previously.

594
00:31:06,759 --> 00:31:11,480
Great band and uh, actually we're playing with another band,

595
00:31:11,519 --> 00:31:14,200
a cover band that is he's in called Tainted Hearts.

596
00:31:14,519 --> 00:31:18,480
Speaker 1: Oh cool, Yeah, cool, pretty cool? What's so?

597
00:31:18,920 --> 00:31:19,119
Speaker 6: Yeah?

598
00:31:19,160 --> 00:31:20,799
Speaker 1: Tell us about that? Do you does hanted Hearts do

599
00:31:20,880 --> 00:31:22,440
a lot of shows and what do you What kind

600
00:31:22,480 --> 00:31:23,079
of covers do you do?

601
00:31:23,519 --> 00:31:26,920
Speaker 3: Well, we haven't been together for too long, but we

602
00:31:27,039 --> 00:31:29,960
did play a show actually at the r Pack and

603
00:31:30,000 --> 00:31:32,160
we also played one at the Hotson Old Homes Day.

604
00:31:33,119 --> 00:31:38,240
But we do mostly like rock, like more poppier rock

605
00:31:38,720 --> 00:31:39,400
cover songs.

606
00:31:39,519 --> 00:31:41,279
Speaker 1: Okay, okay, cool? Cool?

607
00:31:41,720 --> 00:31:41,839
Speaker 6: Uh?

608
00:31:42,000 --> 00:31:43,480
Speaker 1: Now what about you guys? Are either of you in

609
00:31:43,680 --> 00:31:44,759
other projects as well?

610
00:31:44,920 --> 00:31:47,759
Speaker 4: Or I'm in a lot so Jordan, you go first?

611
00:31:48,160 --> 00:31:51,000
Speaker 1: Of course you are. You're a drummer, right, Yeah.

612
00:31:52,559 --> 00:31:54,240
Speaker 4: I don't know. I think the only other.

613
00:31:56,160 --> 00:32:00,519
Speaker 5: Projects that I'm in is a cover band that he's

614
00:32:00,599 --> 00:32:05,359
also in, Room three oh one. We kind of we covered.

615
00:32:06,680 --> 00:32:09,559
I don't really think we have a specific genre that

616
00:32:09,680 --> 00:32:13,519
we stick to. We just cover whatever is a hit

617
00:32:13,640 --> 00:32:15,640
song and okay good yeah.

618
00:32:15,960 --> 00:32:16,160
Speaker 4: Yeah.

619
00:32:16,240 --> 00:32:20,599
Speaker 2: It's a student lead rock cover band that's actually connected

620
00:32:20,680 --> 00:32:21,519
to our high school.

621
00:32:22,759 --> 00:32:23,599
Speaker 4: Yeah, the high school.

622
00:32:23,720 --> 00:32:27,519
Speaker 2: When I first came in as a freshman, it was

623
00:32:27,559 --> 00:32:31,519
like just starting out and you know, they were playing like,

624
00:32:31,599 --> 00:32:34,480
you know, Green Day Nirvana, a really basic, you know,

625
00:32:35,319 --> 00:32:39,160
intro level stuff. But I could tell that some of

626
00:32:39,200 --> 00:32:43,240
the musicians and there were really good, and to be

627
00:32:43,359 --> 00:32:45,200
honest with you, I saw the drummer they had at

628
00:32:45,200 --> 00:32:48,000
the time, and I didn't really think he was that good.

629
00:32:48,119 --> 00:32:50,960
So I eventually found myself behind the drum set and

630
00:32:51,000 --> 00:32:55,039
then the rest was history. So yeah, we're it's a

631
00:32:55,359 --> 00:32:58,759
student led rock cover band. So we play at like

632
00:32:58,960 --> 00:33:01,759
all the school bands concerts, along with you know, concert

633
00:33:01,839 --> 00:33:05,960
band and choir. But then we also do stuff like

634
00:33:06,119 --> 00:33:08,559
you know, school festivals, you know, like field days and

635
00:33:08,599 --> 00:33:11,400
stuff like that, and we also do some outside of

636
00:33:12,039 --> 00:33:14,960
school gigs. But it's kind of been slowing down a

637
00:33:15,039 --> 00:33:19,039
little bit because me and Jordan have been obviously occupied with.

638
00:33:21,000 --> 00:33:21,799
Speaker 4: This band here.

639
00:33:22,160 --> 00:33:27,680
Speaker 1: Yeah. Yeah, No, the reason I made the comment about, well,

640
00:33:27,680 --> 00:33:29,400
of course you're an other bands, you're a drummers because

641
00:33:29,559 --> 00:33:31,519
you know, it's it's it's it's a subject on the

642
00:33:31,559 --> 00:33:35,680
show a lot every I think it even actually it

643
00:33:35,759 --> 00:33:38,359
even came up when we were talking with Silicon KNG

644
00:33:38,440 --> 00:33:40,839
earlier about how every drummer is in so many bands,

645
00:33:40,880 --> 00:33:42,720
and you know, because drummers are hard to find.

646
00:33:43,599 --> 00:33:44,720
Speaker 4: I guess we are.

647
00:33:44,920 --> 00:33:48,039
Speaker 2: I don't know, Yeah, yeah, we're always every drummer I've

648
00:33:48,079 --> 00:33:50,359
talked to it's like, yeah, I'm in three bands, and

649
00:33:51,400 --> 00:33:54,799
me and myself, I'm also in three bands. So you know,

650
00:33:55,000 --> 00:33:57,640
I guess we're hard to find. And you know, we

651
00:33:57,880 --> 00:33:59,799
just kind of were like, yeah, whatever I can, we

652
00:33:59,839 --> 00:34:03,440
can both of these. Honestly, we're pretty bad. We're pretty

653
00:34:03,440 --> 00:34:06,160
famous for like cheating as musicians, you know what I mean,

654
00:34:06,279 --> 00:34:09,559
We're cheating on our previous bands with other bands and

655
00:34:09,679 --> 00:34:12,639
stuff like that. It's pretty bad, actually, but you know whatever.

656
00:34:14,079 --> 00:34:19,480
Speaker 1: Yeah yeah so what so what else? So there's a third.

657
00:34:19,320 --> 00:34:24,880
Speaker 2: BANDI yeah, well kind of it's like just starting out.

658
00:34:25,199 --> 00:34:29,000
It's a band called Blowflies. They're out of Keene and

659
00:34:29,079 --> 00:34:32,719
it's with a buddy that I actually met in the

660
00:34:33,119 --> 00:34:36,480
cover band Room three. I one the bass player, Doc Cassidy,

661
00:34:36,760 --> 00:34:40,159
wonderful bass player. But yeah, they're just starting out. It's

662
00:34:40,239 --> 00:34:42,880
more of a I don't even know what you would

663
00:34:42,960 --> 00:34:47,119
call it, like a post kind of grungy, kind of

664
00:34:48,639 --> 00:34:51,000
Midwest emo, kind of a little bit of everything. So

665
00:34:51,119 --> 00:34:52,800
a little bit more out of my style.

666
00:34:53,000 --> 00:34:57,880
Speaker 4: But they're just starting out and I've been playing with them.

667
00:34:57,920 --> 00:34:59,119
We've done one show together.

668
00:34:59,360 --> 00:35:04,000
Speaker 1: Yeah uh yeah. My my theory about the reason with

669
00:35:04,159 --> 00:35:06,440
drummers they're always in so many bands. Is because when

670
00:35:06,480 --> 00:35:08,440
you're when you're growing up and you first become interested

671
00:35:08,480 --> 00:35:10,119
in playing an instrument, you got to have to talk

672
00:35:10,159 --> 00:35:13,039
with the parents, right, you know, a lot of parents

673
00:35:13,079 --> 00:35:14,920
are gonna be like drums really Yeah?

674
00:35:15,360 --> 00:35:19,800
Speaker 2: Yeah, yeah, we had that conversation, but I mean they

675
00:35:19,840 --> 00:35:22,280
were kind of used to it because I started off

676
00:35:22,360 --> 00:35:26,239
on guitar, yeah, at like six, and then I moved

677
00:35:26,320 --> 00:35:29,000
on to bass, then went back to guitar, and I'm like,

678
00:35:29,000 --> 00:35:30,880
you know what, I don't really like or I like

679
00:35:31,000 --> 00:35:32,760
all both of these, but I'm not really that good

680
00:35:32,760 --> 00:35:34,519
at it, so I'll switch to drums. And then I

681
00:35:34,639 --> 00:35:37,119
finally when I was ten and I finally found my

682
00:35:37,280 --> 00:35:38,480
home behind the drum set.

683
00:35:38,519 --> 00:35:39,679
Speaker 4: I was like, this is where I belong.

684
00:35:40,000 --> 00:35:44,320
Speaker 1: Yeah, yeah, yeah, very cool. Did did all three of you?

685
00:35:44,440 --> 00:35:45,559
Did you all go to school together?

686
00:35:45,760 --> 00:35:48,559
Speaker 3: Or no, I'm in a different school than them.

687
00:35:48,760 --> 00:35:51,039
Speaker 1: Oh okay, but you guys went to school together?

688
00:35:51,679 --> 00:35:55,360
Speaker 4: Yes? Or did you Yeah? We just met in a

689
00:35:55,440 --> 00:35:56,960
couple years ago.

690
00:35:57,320 --> 00:36:02,039
Speaker 2: Yeah, yeah, we met in high school because we went

691
00:36:02,079 --> 00:36:04,239
to separate middle schools. But we met in high school

692
00:36:04,320 --> 00:36:09,519
and then Izzy obviously went to Golfstown High School, so

693
00:36:10,000 --> 00:36:11,719
that's how we met. At the Battle of the Bands

694
00:36:11,760 --> 00:36:14,599
because obviously we would have never met otherwise.

695
00:36:15,159 --> 00:36:16,199
Speaker 4: Sorry, you know what I mean.

696
00:36:16,360 --> 00:36:19,480
Speaker 1: Yeah, do you are there any other bands that you

697
00:36:20,039 --> 00:36:22,800
kind of team up with? You know it it sort

698
00:36:22,840 --> 00:36:25,559
of happens organically in my experience, and you know, I

699
00:36:25,679 --> 00:36:27,880
was in a band that played with your dad's band

700
00:36:27,880 --> 00:36:29,280
a lot. We did a lot of shows together.

701
00:36:29,360 --> 00:36:29,519
Speaker 4: Yeah.

702
00:36:29,599 --> 00:36:32,119
Speaker 1: Yeah, you know, sometimes bands just kind of, you know,

703
00:36:32,440 --> 00:36:34,840
you just end up teaming up. It just sort of happens.

704
00:36:35,000 --> 00:36:35,039
Speaker 7: That.

705
00:36:35,400 --> 00:36:37,159
Speaker 1: Is there anybody else in the scene that that you

706
00:36:37,360 --> 00:36:38,440
play a lot of shows.

707
00:36:38,199 --> 00:36:40,840
Speaker 4: With or not yet unfortunately.

708
00:36:41,039 --> 00:36:43,719
Speaker 2: Yeah, we're trying to make our way out there, and

709
00:36:43,840 --> 00:36:47,920
we're trying to, you know, try to also hopefully revitalize

710
00:36:47,960 --> 00:36:50,960
the scene a little bit because unfortunately a lot of

711
00:36:51,000 --> 00:36:54,079
it has died. So we're trying to, you know, find

712
00:36:54,320 --> 00:36:56,559
like minded people and be like, hey, come on, you know,

713
00:36:56,719 --> 00:36:59,440
music's still alive. Let's go, let's go play shows and

714
00:36:59,519 --> 00:37:02,880
all that. So, yeah, not yet, but we hope to

715
00:37:02,960 --> 00:37:05,519
find other bands out there who are like us, who

716
00:37:05,519 --> 00:37:06,800
are willing to play shows with us.

717
00:37:06,960 --> 00:37:08,599
Speaker 4: You know, we like friends.

718
00:37:08,719 --> 00:37:11,719
Speaker 1: So yeah, do you feel like there's a there's a

719
00:37:11,800 --> 00:37:14,159
dearth of bands that are doing kind of what you're

720
00:37:14,199 --> 00:37:16,320
doing right now and locally or.

721
00:37:17,880 --> 00:37:20,800
Speaker 3: I'm not that I've like really met or anything. Like,

722
00:37:20,920 --> 00:37:24,599
I don't see too many younger people playing rock or

723
00:37:24,760 --> 00:37:27,079
like heavy music at all.

724
00:37:27,360 --> 00:37:31,480
Speaker 5: Yeah, a lot of the a lot of the younger

725
00:37:31,639 --> 00:37:36,119
talent and music that I see now it's you know, rap,

726
00:37:36,679 --> 00:37:39,679
you know that type of stuff, which, hey, I'm not hating,

727
00:37:40,239 --> 00:37:48,360
but doesn't help us out right, you know it. You know,

728
00:37:48,800 --> 00:37:52,559
I wish there was more younger bands, you know, rock

729
00:37:52,679 --> 00:37:54,760
music and stuff, but it's just kind of how it

730
00:37:54,920 --> 00:37:56,000
is today.

731
00:37:56,199 --> 00:37:57,960
Speaker 1: No, it's interesting that you say that, because you know,

732
00:37:58,079 --> 00:38:00,480
I was talking earlier about how I feel that this

733
00:38:00,599 --> 00:38:04,119
kind of music is timeless, but it does occur to me. Again,

734
00:38:04,159 --> 00:38:06,719
if you were to just play this for me and say,

735
00:38:06,960 --> 00:38:08,320
you know, when do you think this was done? I

736
00:38:08,360 --> 00:38:14,719
wouldn't know, but I probably would assume that the members

737
00:38:14,760 --> 00:38:16,719
of the band were older than the three of you are,

738
00:38:16,920 --> 00:38:18,719
because you're right, you don't see a lot of people

739
00:38:18,840 --> 00:38:21,559
necessarily your age doing this kind of music, or at

740
00:38:21,639 --> 00:38:24,400
least doing it, you know, with this level of sophistication,

741
00:38:25,000 --> 00:38:26,559
because like I said, some of some of this is

742
00:38:27,119 --> 00:38:31,400
you know complex, and yeah, that's that's interesting. I mean,

743
00:38:31,440 --> 00:38:33,480
I you know. But again, you know, you've been together

744
00:38:33,559 --> 00:38:35,400
less than a year two, so I assume as you

745
00:38:35,519 --> 00:38:37,800
go along you'll meet other bands that you can kind

746
00:38:37,840 --> 00:38:39,679
of like I said, you know, and it just happens.

747
00:38:39,719 --> 00:38:43,480
It just happens organically, you know. But we should play

748
00:38:43,519 --> 00:38:46,639
another track from the album. What do you want to

749
00:38:47,480 --> 00:38:48,440
What do you want to play next?

750
00:38:48,719 --> 00:38:51,960
Speaker 4: You guys, go with what you guys? Good? Yeah, within

751
00:38:52,039 --> 00:38:54,400
my eyes I can't talk with my Let the guitar

752
00:38:54,480 --> 00:38:57,320
player talk. It's fine. I'm just the drummer. I don't

753
00:38:57,320 --> 00:38:57,840
know how to speak.

754
00:38:58,440 --> 00:39:01,960
Speaker 1: All right, we'll get we'll give this one a spin,

755
00:39:02,159 --> 00:39:04,360
and uh anything we should know about this before we

756
00:39:04,480 --> 00:39:04,760
play it.

757
00:39:06,719 --> 00:39:09,880
Speaker 5: We all, I think one of the main parts of

758
00:39:09,960 --> 00:39:12,079
it that sticks out, all three of us sing on it.

759
00:39:12,679 --> 00:39:13,400
Speaker 4: That's true.

760
00:39:14,400 --> 00:39:17,800
Speaker 5: Does I do versus? He does the chorus and in

761
00:39:17,920 --> 00:39:23,039
the background you'll hear like a or whatever. Okay, no vocalism,

762
00:39:23,199 --> 00:39:24,199
but that's easy.

763
00:39:24,480 --> 00:39:28,400
Speaker 1: Oh, very cool, Very cool. All right, let's give this

764
00:39:28,519 --> 00:39:30,840
a listen. If you're just joining us, the band is

765
00:39:31,000 --> 00:39:33,480
under the horizon there here with us, live in studio,

766
00:39:33,599 --> 00:39:35,360
and this is called within my Eyes.

767
00:40:01,360 --> 00:40:06,079
Speaker 10: I can't breathe when I'm alone, but I can't talk

768
00:40:06,239 --> 00:40:07,760
on around.

769
00:40:08,360 --> 00:40:12,039
Speaker 8: I can't see off my n put you off with

770
00:40:12,400 --> 00:40:14,079
my racing the ground?

771
00:40:14,559 --> 00:40:16,000
Speaker 9: What can I be?

772
00:40:16,920 --> 00:40:21,599
Speaker 8: A spiritual lights all round? I just want to be

773
00:40:21,880 --> 00:40:23,599
in the lot but of boots in.

774
00:40:23,880 --> 00:40:29,639
Speaker 9: My day in the crowd, go with in my eyes,

775
00:40:31,199 --> 00:40:39,320
within my eyes, with my eyes.

776
00:40:50,840 --> 00:40:55,800
Speaker 6: To spa shoot you.

777
00:40:58,559 --> 00:40:58,960
Speaker 4: Before.

778
00:41:03,159 --> 00:41:08,000
Speaker 9: I can't bring you out alone. But I can't all

779
00:41:08,079 --> 00:41:09,719
going y'all going around?

780
00:41:10,280 --> 00:41:15,960
Speaker 1: I dancy, but your race ground?

781
00:41:16,440 --> 00:41:17,880
Speaker 6: What can I me?

782
00:41:18,800 --> 00:41:24,880
Speaker 10: Oh say, I just want to breathe a bunch of

783
00:41:25,000 --> 00:41:34,440
bullets crowd in my eyes with anybody.

784
00:41:39,480 --> 00:42:05,280
Speaker 11: That I.

785
00:42:08,880 --> 00:42:11,639
Speaker 8: Can't stop going your round.

786
00:42:12,239 --> 00:42:18,760
Speaker 9: I can't see what you're import very cloud? What can

787
00:42:19,719 --> 00:42:24,079
be all spell you around?

788
00:42:24,639 --> 00:42:27,719
Speaker 6: I just want to be what you're parting.

789
00:42:31,840 --> 00:42:32,599
Speaker 9: When in my.

790
00:42:34,840 --> 00:42:35,360
Speaker 8: Boy is a.

791
00:42:41,079 --> 00:42:53,960
Speaker 6: Boy? Oh I.

792
00:43:07,559 --> 00:43:07,840
Speaker 11: Hmm.

793
00:43:08,079 --> 00:43:10,280
Speaker 1: It's got a big dramatic ending. I really like that

794
00:43:10,360 --> 00:43:13,440
A lot that's called within my eyes. The band is

795
00:43:13,719 --> 00:43:16,119
under the horizon and we've got all three members of

796
00:43:16,159 --> 00:43:18,320
the band here with us live in studio. We were

797
00:43:18,360 --> 00:43:21,760
talking off air while it was playing that that's that

798
00:43:21,920 --> 00:43:25,119
song's got a touch of grunge, which kind of sets

799
00:43:25,119 --> 00:43:27,119
it apart from a lot of these other songs. And Jordan,

800
00:43:27,199 --> 00:43:30,400
you were saying, when you uh, online on Uh it

801
00:43:30,519 --> 00:43:32,719
was it on Apple Music on Apple Music.

802
00:43:32,559 --> 00:43:34,360
Speaker 4: It similar artists.

803
00:43:34,400 --> 00:43:37,400
Speaker 5: It comes up with like deaf tones Alison Shane stuff

804
00:43:38,079 --> 00:43:41,760
very grungy or you know, have that darker feel.

805
00:43:41,800 --> 00:43:44,480
Speaker 1: I guess I don't know, Yeah, yeah, yeah, of course

806
00:43:44,519 --> 00:43:47,280
the drums kind of ungrunge it a little bit because

807
00:43:47,280 --> 00:43:49,400
you don't hear you don't hear double bass usually in grunge.

808
00:43:49,960 --> 00:43:51,320
Speaker 4: No, there's a bit.

809
00:43:51,519 --> 00:43:55,199
Speaker 1: I cannot remember who they are now, Jenny, you probably

810
00:43:55,199 --> 00:43:57,039
don't remember either. It was a couple of years ago

811
00:43:57,079 --> 00:44:00,239
we had a band on who very grunge ex except

812
00:44:00,280 --> 00:44:02,880
for the drums. It was a three piece band. Uh,

813
00:44:03,880 --> 00:44:08,559
female singer. I can't but yeah, but there's a band

814
00:44:08,599 --> 00:44:11,320
from the area who. Yeah, they're they're like very grunge,

815
00:44:11,519 --> 00:44:14,559
like not just a hint of it except the double

816
00:44:14,639 --> 00:44:18,079
bass drum, which is cool because it's it's it's a

817
00:44:18,119 --> 00:44:21,360
different sound. But I cannot I can picture them too,

818
00:44:21,440 --> 00:44:23,639
but I cannot remember the name. It'll come to me

819
00:44:23,719 --> 00:44:25,679
later on in the day when it no longer matters.

820
00:44:25,760 --> 00:44:29,360
But anyway, but I really like that track. Now, Now,

821
00:44:29,400 --> 00:44:31,480
where do you record? What's the recording process?

822
00:44:31,639 --> 00:44:33,679
Speaker 4: Like my house?

823
00:44:34,679 --> 00:44:38,840
Speaker 2: We so we started recording the drum tracks. We recorded

824
00:44:38,880 --> 00:44:44,280
that down in the band room. We recorded in April,

825
00:44:44,320 --> 00:44:47,280
and it's in pretty much my basement is the bandroom.

826
00:44:47,320 --> 00:44:49,719
But you know, so it was so cold, these poor guys,

827
00:44:51,840 --> 00:44:55,360
and uh we recorded the drum tracks and pretty much

828
00:44:55,440 --> 00:44:57,880
like a day, day and a half maybe, and then

829
00:44:59,039 --> 00:45:04,320
we moved upstairs into my attic for the guitar tracks,

830
00:45:04,920 --> 00:45:07,719
and then we recorded vocals in my bedroom. So pretty

831
00:45:07,800 --> 00:45:10,159
much half of the house was a recording studio for

832
00:45:10,320 --> 00:45:14,320
like a week. But yeah, just recording anywhere.

833
00:45:13,960 --> 00:45:16,000
Speaker 3: We could, I say it would be more than a week.

834
00:45:16,840 --> 00:45:18,360
Speaker 4: I don't know how long did we record for.

835
00:45:19,280 --> 00:45:21,920
Speaker 1: I don't know, probably a couple of weeks, at least a.

836
00:45:21,920 --> 00:45:24,880
Speaker 4: Couple maybe three weeks. He's saying three weeks weeks.

837
00:45:24,960 --> 00:45:29,199
Speaker 1: Yeah, yeah, yeah, Oh very cool. No, that's that's a

838
00:45:29,199 --> 00:45:31,519
good way to do it, you know. It's it's you know,

839
00:45:31,559 --> 00:45:33,119
we live in an era to where you've got so

840
00:45:33,159 --> 00:45:35,800
many different options in terms of how you record. So

841
00:45:37,519 --> 00:45:39,480
do you uh, I think you had said earlier too,

842
00:45:39,519 --> 00:45:42,079
you're already working on new material. Is that is that, Craig?

843
00:45:42,760 --> 00:45:44,320
Do you have plans to record it soon or you

844
00:45:44,599 --> 00:45:46,360
kind of focused on the current album right now?

845
00:45:47,440 --> 00:45:50,239
Speaker 3: The current album right now, and with the gigs that

846
00:45:50,280 --> 00:45:53,039
we have coming up, I feel that's what we're focusing

847
00:45:53,079 --> 00:45:55,159
on more than original new music.

848
00:45:55,599 --> 00:45:59,480
Speaker 2: Yeah, although speaking on gigs that are coming up, or

849
00:45:59,519 --> 00:46:02,719
playing two with the new songs at the show tonight,

850
00:46:02,960 --> 00:46:06,000
like songs that are going on the next album, Yeah,

851
00:46:06,000 --> 00:46:08,639
no one's heard it, but we had extra times where like, oh,

852
00:46:08,679 --> 00:46:11,199
we'll give the audience a little sneak peek of what's

853
00:46:11,239 --> 00:46:12,880
to come. So yeah, if any of you guys that

854
00:46:12,920 --> 00:46:14,719
are listening right now are coming to that, you'll get

855
00:46:14,719 --> 00:46:17,159
to hear two new songs that you can hear right now.

856
00:46:17,400 --> 00:46:22,199
Speaker 1: Oh, very cool, excellent, excellent. Are you gonna I mean,

857
00:46:22,880 --> 00:46:26,119
the current run of shows obviously are keeping very busy.

858
00:46:27,280 --> 00:46:29,000
Are you going to try to keep up that pace? So,

859
00:46:29,039 --> 00:46:30,480
you know a lot of bands kind of slow down

860
00:46:30,519 --> 00:46:32,440
in the winter or that's when they kind of shift

861
00:46:32,480 --> 00:46:35,519
to recording or writing or.

862
00:46:37,239 --> 00:46:38,960
Speaker 3: And we'll just have to see how things go, you know.

863
00:46:39,320 --> 00:46:39,559
Speaker 1: Yeah.

864
00:46:39,760 --> 00:46:42,960
Speaker 5: Yeah, I'm hoping that the energy that we have right

865
00:46:43,039 --> 00:46:45,880
now like follows through even after the shows.

866
00:46:46,159 --> 00:46:49,159
Speaker 4: Yeah, but like she said, only time will tell.

867
00:46:49,360 --> 00:46:51,760
Speaker 1: Yeah yeah, yeah, Well you're off to a great start,

868
00:46:51,880 --> 00:46:53,119
that's for sure. That's for sure.

869
00:46:53,320 --> 00:46:53,639
Speaker 4: Thank you.

870
00:46:54,159 --> 00:46:56,400
Speaker 1: And where should people go online to keep up with

871
00:46:56,480 --> 00:46:58,480
everything that y'all are doing. Where's the best place?

872
00:47:00,119 --> 00:47:02,360
Speaker 3: I mean, we're on a lot of different social medias,

873
00:47:02,440 --> 00:47:05,079
so Facebook, Instagram.

874
00:47:05,119 --> 00:47:07,519
Speaker 1: Yep, should just look up under the Horizon. Yeah, basically

875
00:47:07,559 --> 00:47:08,519
should should come up?

876
00:47:08,599 --> 00:47:12,119
Speaker 2: Yeah yeah, and uh our website too, under the Horizon

877
00:47:12,199 --> 00:47:15,320
dot org. That's a good place to come see you,

878
00:47:15,840 --> 00:47:19,039
uh hear the music News, get some photos if you

879
00:47:19,119 --> 00:47:21,880
want to join the mailing list. And we also have

880
00:47:22,079 --> 00:47:23,599
merch on sale over there.

881
00:47:23,719 --> 00:47:27,159
Speaker 1: So yeah, excellent, excellent under the Horizon. Thank you again,

882
00:47:27,199 --> 00:47:27,760
all three of you.

883
00:47:28,039 --> 00:47:28,840
Speaker 4: Thank you for having us.

884
00:47:29,639 --> 00:47:32,119
Speaker 1: This has been wonderful. And uh, what track should we

885
00:47:32,239 --> 00:47:34,079
play to end the show today?

886
00:47:34,599 --> 00:47:35,920
Speaker 3: Maybe under the Horizon?

887
00:47:36,239 --> 00:47:39,639
Speaker 1: Under the Horizon? Ah, yes, the uh your title track?

888
00:47:39,719 --> 00:47:41,920
If you will any anything we should know about the sun?

889
00:47:44,239 --> 00:47:47,079
Speaker 3: It is a really sad, dark story to it, but

890
00:47:48,079 --> 00:47:51,079
I wrote it uh on someone that I had lost

891
00:47:52,280 --> 00:47:54,039
a couple of years back to suicide.

892
00:47:54,360 --> 00:47:57,800
Speaker 1: Oh wow, yeah, okay, so this this is about that?

893
00:47:58,440 --> 00:47:58,599
Speaker 7: Yes?

894
00:47:58,960 --> 00:48:01,760
Speaker 1: Yeah, yeah, Well you know I always say it's something

895
00:48:01,800 --> 00:48:03,480
we we talked about on the on the show a

896
00:48:03,559 --> 00:48:06,920
lot is you know, if you can take something negative

897
00:48:08,000 --> 00:48:11,519
but create something from it. You know, that's really kind

898
00:48:11,559 --> 00:48:13,239
of the best way to deal with things. That's like

899
00:48:13,320 --> 00:48:15,400
a great it's such a great form of therapy to

900
00:48:15,880 --> 00:48:18,039
be able to take a traumatic event but then do

901
00:48:18,199 --> 00:48:22,159
something creative with it. So so we will we will

902
00:48:22,280 --> 00:48:24,440
end with this, but thank you to everyone who joined

903
00:48:24,480 --> 00:48:26,519
us today, and we leave you with this.

904
00:48:26,840 --> 00:48:26,920
Speaker 6: Uh.

905
00:48:27,000 --> 00:48:29,400
Speaker 1: The song is under the horizon and the band is

906
00:48:29,559 --> 00:48:32,079
under the horizon, and we'll talk to y'all a little

907
00:48:32,079 --> 00:48:33,400
bit later. By everybody.

908
00:49:00,239 --> 00:49:01,519
Speaker 9: Can hap.

909
00:49:04,320 --> 00:49:10,039
Speaker 12: What did you decide to go? Do you w know

910
00:49:10,519 --> 00:49:22,159
about the soussment? Did you my uniform.

911
00:49:24,519 --> 00:50:05,400
Speaker 9: With axaust come, I rob my sides, my rise the.

912
00:50:08,079 --> 00:50:18,599
Speaker 11: User concert you. I think this just thestic.

913
00:50:20,119 --> 00:50:21,760
Speaker 1: There's no no un.

914
00:50:25,119 --> 00:50:25,480
Speaker 5: In the.

915
00:50:26,960 --> 00:50:31,960
Speaker 12: Area, say him the history of the.

916
00:50:36,199 --> 00:50:41,360
Speaker 9: Counts. It's now you still.

917
00:50:47,079 --> 00:50:47,719
Speaker 5: On the.

918
00:50:50,840 --> 00:51:05,440
Speaker 9: Net. I'm on the ground. It is my heart as a.

919
00:51:46,440 --> 00:51:47,039
Speaker 6: Nice s.

920
00:51:48,880 --> 00:51:57,039
Speaker 9: Say what's my Most people say, what do you do?

921
00:51:57,400 --> 00:51:57,960
Speaker 6: The same?

922
00:51:58,639 --> 00:52:13,760
Speaker 9: Resing it starting lies no longer know what to all

923
00:52:16,320 --> 00:52:26,000
in the pounds to betse