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<v Speaker 1>Welcome Friends Podcast podcast.

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<v Speaker 2>Zaki y they're talking about today an alien ship attacked Earth?

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<v Speaker 2>Should we be nervous? Yeah? What showdown? Earth is not

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<v Speaker 2>for the taking because I guess they didn't get the

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<v Speaker 2>message the first time. That is definitely bigger than the

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<v Speaker 2>last one. Welcome to a movie film commentary track. My

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<v Speaker 2>name is Zaki is Son. I'm here with Brian Hall. Hey.

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<v Speaker 3>How's it going, Zachie?

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<v Speaker 2>Brian? Are you ready to celebrate our Independence Day again? Yeah? Yeah,

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<v Speaker 2>we're talking of course about Independence Day Resurgence, the sequel

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<v Speaker 2>to Independence Day that I think that most people there's

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<v Speaker 2>been like a neuralizer men in black thing, Yeah, where

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<v Speaker 2>people don't realize it exists. Yeah.

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<v Speaker 1>I wonder if people I mentioned to a few people

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<v Speaker 1>that we were going to be talking about this and

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<v Speaker 1>they either hadn't seen it or had forgotten about it.

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<v Speaker 3>I mean, yeah, this movie doesn't exist.

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<v Speaker 2>Basically, it had zero cultural footprint. Yeah, negative cultural footprint.

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<v Speaker 2>I think it made people retroactively forget about the first one.

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<v Speaker 3>Which is a shame.

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<v Speaker 2>I would agree that's a shame. So naturally I was like, hey,

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<v Speaker 2>you know what might be kind of fun. This is

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<v Speaker 2>my plan for us to just kill our algorithmic search.

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<v Speaker 2>That's the goal. Yeah. So you know, it's Independence Day

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<v Speaker 2>eve as we're recording this, and we're like, what better

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<v Speaker 2>way to celebrate then by watching the sequel to Independence Day?

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<v Speaker 1>Well, I gotta say, I mean, we do all sorts

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<v Speaker 1>of movies. We do, even when we do our commentaries,

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<v Speaker 1>and some are beloved, you know, movies by us, and

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<v Speaker 1>some are Oh, I haven't seen this since the nineties,

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<v Speaker 1>let's revisit that. And when you brought this up, I

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<v Speaker 1>was like, you know, yeah, this is just one of

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<v Speaker 1>those strange films where I know I saw it, I

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<v Speaker 1>don't remember a thing about it. Like you said, it's

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<v Speaker 1>left no cultural footprint some kind of I mean, why not,

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<v Speaker 1>like it could be kind of a fun autopsy a

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<v Speaker 1>little bit, Yeah, you know, digging into it. Why isn't

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<v Speaker 1>Will Smith in this? You know, all sorts of all

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<v Speaker 1>the iterations over the years trying to get this made,

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<v Speaker 1>and what they eventually were like, look, it's now or never,

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<v Speaker 1>make whatever we can in this moment here you go.

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<v Speaker 2>It's just kind of I'm looking forward to talking about

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<v Speaker 2>this with you. As I was rewatching this to get

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<v Speaker 2>prepped for this, I texted you might this be the

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<v Speaker 2>worst movie we've ever done a commentary track for? And

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<v Speaker 2>I bear in mind I'm saying this mere weeks after

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<v Speaker 2>we did the nineteen eighty four Supergirl, right, which is

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<v Speaker 2>saying something.

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<v Speaker 1>It is which I look forward to trying to put

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<v Speaker 1>into words. Yeah, you know, I definitely have feelings about it.

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<v Speaker 1>Why it doesn't land at all, whereas the first one

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<v Speaker 1>is I would say pretty beloved.

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<v Speaker 2>I think to the people who experienced it, it is beloved, right,

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<v Speaker 2>I don't I get I don't know that it's it's

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<v Speaker 2>taken on evergreen status all a other holiday you know, favorites. Yeah,

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<v Speaker 2>that's a good point. That's a good point. But hey,

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<v Speaker 2>we're gonna we're gonna try to figure this out. It's

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<v Speaker 2>been ten years, it's been for both of us. It

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<v Speaker 2>has been ten years since we saw this the first time.

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<v Speaker 2>Coming at it with fresh eyes, we're ten years older,

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<v Speaker 2>maybe wiser, I don't know.

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<v Speaker 1>Oh, and I also have to mention the selling point,

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<v Speaker 1>the thing to put me over the edge that Zechi said.

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<v Speaker 1>I was like, Okay, I think this could be an

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<v Speaker 1>interesting conversation, but like, man, I can't imagine, you know,

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<v Speaker 1>two hours and twenty minutes of this thing, and.

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<v Speaker 2>A minute later you're like, Brian, I just checked. It's

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<v Speaker 2>under two hours. I'll take it. Brian's like sold. So, hey,

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<v Speaker 2>we're watching Independencday Resurgence. If you want to watch along

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<v Speaker 2>with us, you can. I wouldn't necessarily recommend that. No,

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<v Speaker 2>just hang out with us on this Independence Day exactly. Yeah,

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<v Speaker 2>hopefully we'll have a fun discussion. I suspect we'll we'll

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<v Speaker 2>learn a lot, We'll learn things about each other. Yeah,

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<v Speaker 2>you know our capacity for tolerating poor, baffling creative choices.

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<v Speaker 2>I think a lot of that will be will be unveiled.

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<v Speaker 2>Mm hmm. But here we go. Let's do this. Let's

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<v Speaker 2>do this alrighty, So we are watching the one and

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<v Speaker 2>only cut of Independence Day Resurgence. So here we go.

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<v Speaker 2>We'll do the usual thing. We'll hit play on three

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<v Speaker 2>one two three play. And by the way, if you

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<v Speaker 2>do want to watch along with us, the best way

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<v Speaker 2>to do that would be hearing it through our Patreon page,

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<v Speaker 2>because that would give it to you ad free. Brian,

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<v Speaker 2>how to how do people get that experience?

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<v Speaker 1>All you have to do is head over to patreon

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<v Speaker 1>dot com slash Movie Film Podcast, hit subscribe, it's only

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<v Speaker 1>five dollars a month. You find our commentaries without any

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<v Speaker 1>ads or interruptions, butting into the conversation and fun and

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<v Speaker 1>all of our episodes too, ad free and along with

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<v Speaker 1>bonus conversations that we drop about twice a month. So

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<v Speaker 1>patreon dot com slash MOVIEFILM podcast.

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<v Speaker 2>Well we will do the usual thing on three, Brian,

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<v Speaker 2>you're ready, I'm ready, all right, So again we'll go

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<v Speaker 2>one two three play, So one two three play.

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<v Speaker 3>All right.

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<v Speaker 1>Twenty century Fox. I was thinking, wow, strange that doesn't

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<v Speaker 1>exist anymore, I.

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<v Speaker 2>Know, and this franchise doesn't exist anymore. Yeah, it is

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<v Speaker 2>remarkable that the first film when it came out, I

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<v Speaker 2>mean it was it was a cultural moment. We talked

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<v Speaker 2>about this before. If you folks want to hear our

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<v Speaker 2>thoughts on that, get back five years. We did our

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<v Speaker 2>commentary track for the original Inependency and there was a

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<v Speaker 2>desire obviously for a sequel right away. Yeah.

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<v Speaker 1>Well, that movie in nineteen ninety six made eight hundred

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<v Speaker 1>and seventeen million worldwide. It was it was a smash

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<v Speaker 1>smash hit.

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<v Speaker 2>So that's a billion plus today, yeah, right, and new

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<v Speaker 2>to theaters, not based on anything hmm, yeah, that's a

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<v Speaker 2>big deal. Yep. Right, so at that time, you know,

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<v Speaker 2>it's we have to cast our gaze back a little bit.

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<v Speaker 2>Will Smith was the top build star, but he wasn't

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<v Speaker 2>the above the title star. He was one of an ensemble.

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<v Speaker 2>And you know, we forget that because that was what

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<v Speaker 2>that was, the movie that was instrumental in launching him

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<v Speaker 2>into stardom. And so you realize how much he brought

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<v Speaker 2>to that film with how much is missing from this film.

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<v Speaker 2>There's a Will Smith shaped hole in the entire movie.

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<v Speaker 1>Yes, you know, yeah, and apparently, I mean, who knows.

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<v Speaker 1>But according to Will Smith and a BBC interview, it

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<v Speaker 1>was a scheduling conflict. Yeah, and I think it basically

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<v Speaker 1>came down to either this or suicide squad. Yeah, so

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<v Speaker 1>that's possible. Maybe they didn't want to pay him what

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<v Speaker 1>he was worth it that moment. But so imagine you're

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<v Speaker 1>trying to make an Independence Day sequel and you write

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<v Speaker 1>it for Will Smith, and Will Smith can't do it.

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<v Speaker 1>I mean, where do you even begin, right, coming up

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<v Speaker 1>with a news story without him in it.

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<v Speaker 2>Well, what I read, just just to add on to

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<v Speaker 2>what you're saying, the plan originally was to shoot two

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<v Speaker 2>movies back to back, right, which you can totally tell

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<v Speaker 2>at the end of this one. Absolutely, And he he

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<v Speaker 2>wanted fifty million for two movies, which I have to

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<v Speaker 2>say probably would have been worth it. I think, I

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<v Speaker 2>think still in that moment in twenty sixteen, exactly having

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<v Speaker 2>him in these movies would have at least got you

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<v Speaker 2>your money back. I agree with that, you know, for

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<v Speaker 2>the promotional opportunities, everything else, all of the what he

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<v Speaker 2>would bring to it, just in terms of eyeballs. And again, yeah,

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<v Speaker 2>ten years ago he was still one of the biggest

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<v Speaker 2>stars in the world. Well he still is. Yeah, but

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<v Speaker 2>it's different, it's different, you know.

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<v Speaker 1>On that note, I mean, yeah, I don't know what

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<v Speaker 1>the next ten years look like for Will Smith. It's

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<v Speaker 1>a good point, kind of hard at this point, still

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<v Speaker 1>kind of hard to know.

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<v Speaker 2>Yeah, you know, well, you know, again, we're spending a

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<v Speaker 2>lot of time talking about a guy who's not in

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<v Speaker 2>the movie. But I think Bad Boys a couple of

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<v Speaker 2>years ago proves that he's still a draw in the

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<v Speaker 2>right project. Great point. Yeah, you're right, Like, like if

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<v Speaker 2>he were to do a Men in Black, I think

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<v Speaker 2>people would show up, you know.

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<v Speaker 1>Yeah, yeah, yeah, we talk about that, because I you know,

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<v Speaker 1>we love the Men in Black series, and they put

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<v Speaker 1>out a fourth one.

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<v Speaker 3>They tried to do it without him.

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<v Speaker 1>They tried to do the Born legacy sort of situation, right,

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<v Speaker 1>did Jeremy rennerd the Men in Black series? And it

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<v Speaker 1>didn't resonate, didn't take. But I'd be curious if you

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<v Speaker 1>give it some time.

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<v Speaker 2>So, you know, Okay, So here we are twenty years later.

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<v Speaker 2>Now this is this is this production still painting of

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<v Speaker 2>Will Smith. Mm hmmm. I always loved that when they

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<v Speaker 2>do that in the movies, you know, yeah, it's like

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<v Speaker 2>a Henry Jones senior, you know, yeah, totally so. So

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<v Speaker 2>I feel bad saying this because I'm sure Jesse Usher

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<v Speaker 2>is a lovely person, but boy did they give him

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<v Speaker 2>a hill to climb that he just he was he

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<v Speaker 2>was unable to surmount.

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<v Speaker 1>Well, certainly if they expected him to bring Smith's energy

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<v Speaker 1>to this movie, yeah.

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<v Speaker 2>Well I think they expected him to bring energy to

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<v Speaker 2>yeah yeah, yeah, and it's really rough, yeah, you know, yeah,

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<v Speaker 2>he doesn't feel like a lead that you want to

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<v Speaker 2>follow for the entire film. They well I said this before,

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<v Speaker 2>it was like they they hit you know, Captain Stephen

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<v Speaker 2>Hill are on the head, and and he turned into

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<v Speaker 2>four little squirrels, among them Jesse Usher and then than

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<v Speaker 2>the Hemsworth boy here right right, and and I I

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<v Speaker 2>didn't remember being as annoyed by Liam Hemswrith ten years

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<v Speaker 2>ago as I was rewatching his character.

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<v Speaker 3>Cock is Hans solo he's playing here, It's.

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<v Speaker 2>Like, seriously, yeah again, I'm sure Liam Hemsworth is a

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<v Speaker 2>nice guy. They gave him nothing to work with other

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<v Speaker 2>than just here's this archetype, this generic biff archetype.

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<v Speaker 1>Yeah, you're you're a hot shot maverick, you know, and

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<v Speaker 1>you're a wise cracker. See, And I think this never

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<v Speaker 1>works when you cast someone who isn't actually sort of

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<v Speaker 1>like that, like Ford is a little disaffected as a human.

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<v Speaker 2>It's a great point, you know what I mean. So

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<v Speaker 2>when he's playing Han solo, it feels like a part

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<v Speaker 2>of him he has earned cynicism, earned cynicism.

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<v Speaker 1>And even with Will Smith, I mean, he's got this

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<v Speaker 1>cocky bravado, but he's still so lovable, Like we're with

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<v Speaker 1>him when he's cock We love it when he's cocky.

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<v Speaker 1>Where's some other people when they play cocky we kind

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<v Speaker 1>of hate them, you know what I.

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<v Speaker 2>Mean, like some people. That's why these people are movie stars.

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<v Speaker 2>That's funny.

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<v Speaker 1>And and so yeah, Liam Hemsworth, I feel like he's

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<v Speaker 1>like handsome and he's kind of doing the what's asked

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<v Speaker 1>of him, but he doesn't actually exude what it is

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<v Speaker 1>they want him to do here, and so it just

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<v Speaker 1>feels false.

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<v Speaker 2>Yeah, yeah, it's a shame. Yeah, I've said this before,

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<v Speaker 2>and it just tells you about that family that he's

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<v Speaker 2>the less attractive Hemsworth, which just really means that family

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<v Speaker 2>hit the genetic lotto.

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<v Speaker 3>That really is saying something. God bless him.

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<v Speaker 2>I guess I don't know what's funny. I was looking

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<v Speaker 2>at the friend here at Charlie, yeah, and I was like, oh,

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<v Speaker 2>it's likable, doomed partner. But he's neither doomed nor likable.

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<v Speaker 2>So I was I was wrong about this. I like

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<v Speaker 2>that guy by the way.

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<v Speaker 1>I was like, see, he's got a natural kind of

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<v Speaker 1>quirkiness to him. I believe him as the plucky psy

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<v Speaker 1>kick in the hero shadow that you just kind of love.

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<v Speaker 2>Anyway, weren't you kind of waiting for him to die though?

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<v Speaker 2>Oh totally right. Yeah, So I was disappointed he didn't die,

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<v Speaker 2>not because I like disliked him in the film, but

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<v Speaker 2>because I'm like, well, wait a minute, yeah, you didn't

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<v Speaker 2>do the thing. That's the role, that's what you're here for. Yeah.

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<v Speaker 2>So okay, this this opening sequence here, I think really

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<v Speaker 2>for me sums up what I what I said ten

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<v Speaker 2>years ago was my issue with this film. It's too

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<v Speaker 2>far removed from what made the original work. So we're

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<v Speaker 2>watching there's like a moon base here, and cocky kacky

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<v Speaker 2>Hemsworth boy does a thing to show he's cocky, does

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<v Speaker 2>he saves them whatever? But this is not the world

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<v Speaker 2>of Independence Day. Yes, I sorry, I'm gonna let you

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<v Speaker 2>keep going because we are on the exact same page.

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<v Speaker 2>What made Independence Day the original one work is you know,

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<v Speaker 2>for example, the scene when we see the giant mothership's

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<v Speaker 2>approaching Earth, we're seeing it from the perspective of our

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<v Speaker 2>everyday life. Yes, what would it be like to be

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<v Speaker 2>in Times Square and suddenly this ship rolls up? Right,

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<v Speaker 2>it's our world? And once we have a moon base

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<v Speaker 2>and space tugs and all this stuff, Well, it's not

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<v Speaker 2>our world, right, You've got these helicopters that have like

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<v Speaker 2>hover technology or whatever, and in universe I understand being like, well,

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<v Speaker 2>twenty years later, we've retrofitted alien technology. Da you know what, Fine,

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<v Speaker 2>I get it, but it's too far removed from what

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<v Speaker 2>made the original work. And by the way, it would

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<v Speaker 2>be one thing if having retrofitted the alien technology it

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<v Speaker 2>made even a little bit of difference against the aliens. Yeah, yeah,

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<v Speaker 2>it doesn't. Oh that's a good point. I didn't actually

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<v Speaker 2>think about that totally meaningless.

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<v Speaker 3>Yeah right.

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<v Speaker 2>So, so such a weird choice because this, first of all,

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<v Speaker 2>this looks really expensive. M m. So it's a lot

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<v Speaker 2>of money you spent for nothing.

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<v Speaker 1>Yeah, you know, yeah, man, you're so right. I mean

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<v Speaker 1>that's what struck by was. Man, that trailer was so

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<v Speaker 1>effective because it's like, what if you walked out into

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<v Speaker 1>your driveway to pick up your newspaper and a giant

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<v Speaker 1>shadow covered you and your entire house. You looked up

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<v Speaker 1>and there was a spaceship, you know, several miles long,

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<v Speaker 1>just hovering over your neighborhood. What if it was what

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<v Speaker 1>if that was hovering over the White House?

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<v Speaker 2>Yeah, you know, and.

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<v Speaker 1>We lose all that groundedness. That the thing we always

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<v Speaker 1>talk about, the fantasy adventure in your backyard, you know,

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<v Speaker 1>a real grounded feeling to know seriously, what would we

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<v Speaker 1>do with what we have and what we understand about reality,

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<v Speaker 1>with this fantastical situation and seeing humanity all over the

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<v Speaker 1>world come together and figured it out out and stop,

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<v Speaker 1>it is really rousing and satisfying, right And in this yeah,

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<v Speaker 1>it's just I feel like I'm watching like a sci

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<v Speaker 1>fi channel movie. You know, it's just moon base, like

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<v Speaker 1>you said, moon bases and people in these suits, and

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<v Speaker 1>they aren't as charismatic as the characters in the first film.

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<v Speaker 1>The photography is somehow blander looking, the vfx are blander looking.

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<v Speaker 1>There's just nothing to hold on to, and so it's

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<v Speaker 1>just it's just yeah.

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<v Speaker 2>Anyway, Well, there's parts of the film where I was

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<v Speaker 2>watching and I got this. I was like, did they

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<v Speaker 2>shoot this during COVID? And then I realized that it's

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<v Speaker 2>like five years before COVID.

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<v Speaker 1>Zachi this is I actually wrote this down. I said,

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<v Speaker 1>most of this movie looks like that rooftop scene from

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<v Speaker 1>the movie The Room. It does where it's like these

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<v Speaker 1>people with that flat lighting, they're clearly somewhere. Yeah, they're

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<v Speaker 1>not in the location because a lot of times they're outside,

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<v Speaker 1>but their faces are completely without any harsh lighting from

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<v Speaker 1>the sun or any silhouettes or shit, it's just flat

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<v Speaker 1>lighting and then some sort of background dropped in behind them.

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<v Speaker 1>And so much of this movie, I mean, I could

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<v Speaker 1>forgive a scene or two, but so much of this

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<v Speaker 1>movie looks like that. And so that just adds to

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<v Speaker 1>what we're talking about. There's just nothing to hold on

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<v Speaker 1>to here. You know, even if you could just give

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<v Speaker 1>us characters that we cared about, maybe we could. I

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<v Speaker 1>was thinking, there's this dynamic right where you have that

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<v Speaker 1>Chinese pilot and you have Hemsworth and the kid and

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<v Speaker 1>the whatever. And I was like, Wow, there's like more

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<v Speaker 1>chemistry and fun, and I feel more for the Dynamics

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<v Speaker 1>and Starship Troopers, hm, you know, with the Dizzy and

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<v Speaker 1>you know, Casper Vandian and all that soap opera stuff

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<v Speaker 1>call it. You know, maybe it is soap opry, but

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<v Speaker 1>I still connect with it. And I feel bad when

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<v Speaker 1>Dizzy dies, you know, like here it's just they're going

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<v Speaker 1>for that gang you know at the Academy sort of feel.

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<v Speaker 1>But I don't feel anything for any of them.

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<v Speaker 2>Yeah, that's that's a great point. And I wonder like

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<v Speaker 2>it's one of those things where I this is this

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<v Speaker 2>was a you know, at least behind the scenes. I mean,

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<v Speaker 2>you've got Roland Emerick back, you got Dan Devlin back,

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<v Speaker 2>and presumably they know the world that they created. And

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<v Speaker 2>the thought I had watching is maybe this might this

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<v Speaker 2>film might have been better served by somebody from the

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<v Speaker 2>subsequent generation making it, you know, right, you know, like

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<v Speaker 2>how like Radio Silence is doing you know, The Mummy, right,

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<v Speaker 2>And I mean, who knows how that movie will turn

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<v Speaker 2>out as we record this, but.

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<v Speaker 3>Well they did Scream pretty successful.

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<v Speaker 2>Oh scream there you go, right, Yeah, So having the

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<v Speaker 2>affinity of a fan because it feels like you watch

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<v Speaker 2>this and you're like, well, obviously the first one was

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<v Speaker 2>like a fluke, yeah, you know. And I say that

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<v Speaker 2>because when you look at the totality of Emeric and

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<v Speaker 2>Devlin Co productions, what do he write got we got

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<v Speaker 2>from Universal Soldier to The Patriot, I would say the

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<v Speaker 2>only out and out slam dunk was Independence Day in

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<v Speaker 2>that mix. Yeah right, I mean, I like The Patriot too,

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<v Speaker 2>but that's probably second best. But I mean, you know,

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<v Speaker 2>Godzilla is kind of a you know, it has its issues,

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<v Speaker 2>and you know, Stargate I think became stronger because of

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<v Speaker 2>the stuff that they weren't involved in.

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<v Speaker 3>You know, all the stuff that came after it.

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<v Speaker 2>Yeah, like the television show.

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<v Speaker 3>Yeah, you know, I was.

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<v Speaker 1>Thinking about their stuff watching this, and for some reason

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<v Speaker 1>I thought of the movie the day after tomorrow.

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<v Speaker 3>Yeah, yeah, and in my mind I.

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<v Speaker 1>Think, oh, yeah, that was kind of it's corny, right,

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00:19:48.880 --> 00:19:52.079
<v Speaker 1>and it's probably silly and whatever. And then recently I

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<v Speaker 1>was on a road trip with our friend Shawn and

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<v Speaker 1>we were at a hotel and we were just like,

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<v Speaker 1>I was throwing the TV tired after day driving, and

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<v Speaker 1>we started that move. It was on like TBS or something,

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<v Speaker 1>and we watched the whole thing. Yeah, and I was like,

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<v Speaker 1>you know what, you can you can nitpick some of

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<v Speaker 1>this stuff, but like it is affecting exactly.

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<v Speaker 2>These they the.

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<v Speaker 1>Characters are archetypes or tropes or whatever you want to

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<v Speaker 1>call them, but like they are interesting, you know, and

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<v Speaker 1>when they cast, well, he kind of knows how to

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<v Speaker 1>make this big, popcorny movie that will translate all over

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<v Speaker 1>the world.

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<v Speaker 3>It's simple enough, but it is captivating.

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<v Speaker 2>Yeah, you know.

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<v Speaker 1>So yeah, he is capable of that. He's pretty good

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<v Speaker 1>at it. So it's weird that this one feels so

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<v Speaker 1>far afield from those.

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<v Speaker 2>Yeah, because between Independence Day and this if we're talking

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<v Speaker 2>about just sort of like the disaster porn genre we had,

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<v Speaker 2>as you said, Day After Tomorrow, which I remember enjoying.

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<v Speaker 2>I mean I haven't. I haven't revisited since it came out,

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<v Speaker 2>But you know, Jake Jillen Hall I thought was good

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<v Speaker 2>in it, and Denis Quaid as the dad. You know,

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<v Speaker 2>Seale Award. Isn't that too, right, isn't she? Man? And

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<v Speaker 2>I watched it about a year ago. I don't remember.

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<v Speaker 2>That's funny. I feel like she's the mom I could

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<v Speaker 2>man because she's because she's in this that's the only thing. Yeah. Yeah,

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<v Speaker 2>but also even twenty twelve, Yeah, you know there there's

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<v Speaker 2>like a it's it's very by the numbers of that

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<v Speaker 2>type of movie. But I think if we're comparing it

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<v Speaker 2>to this, it's it's it's better. Yeah.

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<v Speaker 1>Yeah, I don't remember it very well, if I'm being honest,

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<v Speaker 1>But yes, I do remember moments from it. That's there's

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<v Speaker 1>summons you remember, Yes, exactly exactly. I remember Woody Harrelson

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<v Speaker 1>and John Cuby exactly, Yeah.

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<v Speaker 2>Right, exactly. And I think that there's a weird like

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<v Speaker 2>foe Yannishkominski lighting scheme here.

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<v Speaker 3>In this one.

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<v Speaker 1>Yeah, yeah, this kind of cold blue.

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<v Speaker 2>Yea, yeah, and it's you know, the one thing you

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<v Speaker 2>can say about about the first film is, I mean,

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<v Speaker 2>it does have CGI in it, but it's fairly limited.

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<v Speaker 2>And so by virtue of the fact that they were

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<v Speaker 2>subject to the limitations of practical effects they did shoot

383
00:22:01.240 --> 00:22:07.759
<v Speaker 2>on location, there's a veracity to it that just helps totally.

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<v Speaker 1>And I think it's worth noting also, at this point,

385
00:22:10.839 --> 00:22:13.240
<v Speaker 1>we can do anything. You can see anything you want

386
00:22:13.279 --> 00:22:15.680
<v Speaker 1>on screen. That's what we're capable of. But in nineteen

387
00:22:15.759 --> 00:22:19.200
<v Speaker 1>ninety six, seeing a UFO blow up the White House

388
00:22:20.119 --> 00:22:24.559
<v Speaker 1>and it looking kind of real was mind blowing. Yeah,

389
00:22:24.599 --> 00:22:27.319
<v Speaker 1>you know, that was like really like, I gotta see

390
00:22:27.319 --> 00:22:31.119
<v Speaker 1>that movie because I've never seen anything on that scale before, Like,

391
00:22:31.240 --> 00:22:33.000
<v Speaker 1>what would it be like if a UFO blow up

392
00:22:33.000 --> 00:22:34.720
<v Speaker 1>the White House and it didn't look like cheesy you know,

393
00:22:34.799 --> 00:22:39.119
<v Speaker 1>nineteen fifties sci fi whatever, like with this kind of budget,

394
00:22:39.960 --> 00:22:42.119
<v Speaker 1>you know, And so it's just funny that that's what

395
00:22:42.160 --> 00:22:44.839
<v Speaker 1>I remember about that movie, seeing all the monuments blow

396
00:22:44.920 --> 00:22:49.039
<v Speaker 1>up and how crazy and powerful that felt and titillating

397
00:22:49.079 --> 00:22:51.240
<v Speaker 1>in a way, you know, And in this one, there's

398
00:22:51.319 --> 00:22:54.480
<v Speaker 1>just nothing, nothing on that scale. I mean, none of

399
00:22:54.480 --> 00:22:57.400
<v Speaker 1>the effects really land for me. Well, you know, except

400
00:22:57.440 --> 00:23:00.359
<v Speaker 1>for the aliens. I think the aliens are still pretty effective. Actually,

401
00:23:00.480 --> 00:23:02.920
<v Speaker 1>it's a great design at the the great design and

402
00:23:03.000 --> 00:23:05.759
<v Speaker 1>at the end, when that giant mother or you know,

403
00:23:05.880 --> 00:23:07.240
<v Speaker 1>Queen Alien is running.

404
00:23:06.960 --> 00:23:09.400
<v Speaker 3>Through the desert, I was like, WHOA, that looks good.

405
00:23:11.119 --> 00:23:14.400
<v Speaker 2>It's it's realized effectively. But I don't I don't know

406
00:23:14.440 --> 00:23:21.440
<v Speaker 2>how well I buy it within the world of the film.

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00:23:19.759 --> 00:23:22.680
<v Speaker 1>Fair Fair, I maybe just compared to everything else. I

408
00:23:22.720 --> 00:23:25.359
<v Speaker 1>thought that I bought that that thing was in that location.

409
00:23:25.559 --> 00:23:27.680
<v Speaker 1>Maybe because they paid attention to the lighting, Maybe because

410
00:23:27.680 --> 00:23:28.319
<v Speaker 1>there was lighting.

411
00:23:28.400 --> 00:23:30.400
<v Speaker 2>I don't know. I like, no, I agree with that

412
00:23:30.440 --> 00:23:36.279
<v Speaker 2>for sure. Yeah yeah, but but this so so by

413
00:23:36.319 --> 00:23:40.119
<v Speaker 2>the way, pop quiz, what's what's uh? What's Hemsworth's character's name?

414
00:23:41.599 --> 00:23:46.319
<v Speaker 2>Hot shot McCool I watched the whole movie and then

415
00:23:46.359 --> 00:23:48.519
<v Speaker 2>I had to go to Wikipedia to remind myself what

416
00:23:48.559 --> 00:23:52.119
<v Speaker 2>his name was. Jake Morrison. There you go, I had to.

417
00:23:52.160 --> 00:23:53.640
<v Speaker 2>I watched the whole thing. I was like, what is

418
00:23:53.680 --> 00:23:58.160
<v Speaker 2>his name? And they say it multiple times? Right, yeah,

419
00:23:58.200 --> 00:24:01.200
<v Speaker 2>but but it's and I really I don't want this

420
00:24:01.279 --> 00:24:02.720
<v Speaker 2>to just be like what was us We didn't get

421
00:24:02.759 --> 00:24:08.240
<v Speaker 2>will Smith. But my only point in saying, like Stephen

422
00:24:08.319 --> 00:24:12.319
<v Speaker 2>Hiller character is a pretty broad set of tropes as well, right,

423
00:24:13.359 --> 00:24:16.839
<v Speaker 2>and yet there's just something that he brought to it

424
00:24:18.119 --> 00:24:21.279
<v Speaker 2>that made it stand up. It made cheesy lines work

425
00:24:21.519 --> 00:24:27.559
<v Speaker 2>Welcome to Earth, yeah, right, because because famously Ethan Hawk

426
00:24:27.599 --> 00:24:29.599
<v Speaker 2>has said he turned down and they had offered him

427
00:24:29.640 --> 00:24:34.000
<v Speaker 2>to Stephen Hiller role. That's wild, right, And and he's like,

428
00:24:34.119 --> 00:24:36.799
<v Speaker 2>I thought it was shit. I thought that the lions

429
00:24:36.799 --> 00:24:39.960
<v Speaker 2>were crap, and you're, yeah, it's like, well, I can't

430
00:24:40.039 --> 00:24:43.279
<v Speaker 2>imagine Ethan Hawk saying welcome to Earth and having it

431
00:24:43.400 --> 00:24:44.279
<v Speaker 2>work in the same way.

432
00:24:44.319 --> 00:24:47.640
<v Speaker 1>You know, he's too close to the energy of Jeff Goldbloom,

433
00:24:47.640 --> 00:24:52.000
<v Speaker 1>feeling like someone who's a little that character. Hiller's got bravado,

434
00:24:52.960 --> 00:24:56.599
<v Speaker 1>you know, whereas Goldbloom feels like someone I can relate.

435
00:24:56.359 --> 00:24:57.160
<v Speaker 2>To a little bit more.

436
00:24:57.480 --> 00:25:00.720
<v Speaker 1>Yeah, yeah, you know, and so Ethan Hawk also feels

437
00:25:00.759 --> 00:25:03.599
<v Speaker 1>a little bit more like the average Joe kind of character.

438
00:25:03.960 --> 00:25:06.880
<v Speaker 2>Yeah. Interesting, Right, I don't know how well that would

439
00:25:06.880 --> 00:25:11.680
<v Speaker 2>have worked. Yeah, But like I think, just to just

440
00:25:11.720 --> 00:25:13.880
<v Speaker 2>to pick up on what you're saying, right, you've got

441
00:25:13.880 --> 00:25:17.079
<v Speaker 2>our three leads in the first film. You've got Stephen Hiller,

442
00:25:17.119 --> 00:25:19.960
<v Speaker 2>you got President Whitmore, you have David Levinson and each

443
00:25:20.039 --> 00:25:23.920
<v Speaker 2>I mean even the President is relatable, right. I think

444
00:25:24.000 --> 00:25:27.160
<v Speaker 2>that the angst and the self doubt and stuff makes

445
00:25:27.200 --> 00:25:33.680
<v Speaker 2>him a very compelling character. Yeah, and this too, Right,

446
00:25:33.799 --> 00:25:36.519
<v Speaker 2>what they do with the Whitmore character in this it's

447
00:25:36.640 --> 00:25:40.319
<v Speaker 2>just like one baffling choice after the other. It's irir

448
00:25:40.319 --> 00:25:42.039
<v Speaker 2>And we'll talk about it more, I guess. But but

449
00:25:42.839 --> 00:25:47.519
<v Speaker 2>I wondered a little bit like, did did Bill Pullman?

450
00:25:48.160 --> 00:25:51.359
<v Speaker 2>Did he sign on and then they gave him the script?

451
00:25:51.440 --> 00:25:52.759
<v Speaker 2>Or were they like, we want to do this with

452
00:25:52.799 --> 00:25:54.799
<v Speaker 2>the character and he found it interesting.

453
00:25:56.079 --> 00:25:58.599
<v Speaker 1>I could see that on the page, feeling interesting, like

454
00:25:58.640 --> 00:26:04.400
<v Speaker 1>you get to play this character again, but he's psychically tortured, right,

455
00:26:05.160 --> 00:26:07.279
<v Speaker 1>you know, and then he gets to sacrifice himself.

456
00:26:07.359 --> 00:26:10.960
<v Speaker 3>And I could see that being attractive to an actor.

457
00:26:12.279 --> 00:26:15.359
<v Speaker 2>I certainly, I don't have a problem with the heroic sacrifice.

458
00:26:15.400 --> 00:26:17.079
<v Speaker 2>I do have the problem with the road to that

459
00:26:17.200 --> 00:26:21.279
<v Speaker 2>heroic sacrifice, sure, which I'm sure we'll talk about. Okay,

460
00:26:21.319 --> 00:26:24.119
<v Speaker 2>So a couple of things about doctor oaken Her. First

461
00:26:24.160 --> 00:26:27.440
<v Speaker 2>of all, his name is Brackish, yes, which I feel

462
00:26:27.480 --> 00:26:29.480
<v Speaker 2>like if you name your kid brackish. I think that's

463
00:26:29.559 --> 00:26:33.359
<v Speaker 2>child abuse. I think I think CPS needs to be

464
00:26:33.400 --> 00:26:36.839
<v Speaker 2>called at that point. Now we've said this before. He

465
00:26:37.000 --> 00:26:41.559
<v Speaker 2>is one dead in the first film. Is it the

466
00:26:41.680 --> 00:26:43.920
<v Speaker 2>last we see of him with the tentacle around the throat,

467
00:26:44.319 --> 00:26:49.480
<v Speaker 2>They check his pulse. He's ded dead. Okay, right, Yeah,

468
00:26:49.519 --> 00:26:52.799
<v Speaker 2>so that's fine brand Spiner. I don't mind him in this.

469
00:26:52.920 --> 00:26:54.599
<v Speaker 2>In fact, I'll go so far as to say he

470
00:26:54.680 --> 00:26:57.880
<v Speaker 2>out of all the characters, he gets kind of an arc. Yeah.

471
00:26:59.400 --> 00:27:01.519
<v Speaker 2>He Actually it's like a bunch of beats to play.

472
00:27:01.680 --> 00:27:05.440
<v Speaker 1>It feels like the energy from the first film. Yeah, returning,

473
00:27:05.839 --> 00:27:08.319
<v Speaker 1>you know, him trying to cut into the thing and

474
00:27:08.359 --> 00:27:11.640
<v Speaker 1>finding his favorite sad like that stuff is fun. That's

475
00:27:11.640 --> 00:27:14.319
<v Speaker 1>the fun that's missing. I think the personality quirks.

476
00:27:14.720 --> 00:27:17.920
<v Speaker 2>I also, I actually really liked William Fickner in this. Yeah,

477
00:27:17.960 --> 00:27:18.680
<v Speaker 2>he's good.

478
00:27:19.200 --> 00:27:20.480
<v Speaker 3>I wanted to pend on of him.

479
00:27:20.920 --> 00:27:22.599
<v Speaker 2>Well, I think, yeah, William Fickner is one of those

480
00:27:22.599 --> 00:27:24.799
<v Speaker 2>guys you plug him in, you know what you're getting, right,

481
00:27:25.799 --> 00:27:29.759
<v Speaker 2>character actor's character actor. But like I think that him

482
00:27:30.319 --> 00:27:33.960
<v Speaker 2>going from you know, all the way down here in

483
00:27:34.000 --> 00:27:36.880
<v Speaker 2>the chain of succession to suddenly becoming president like that's interesting.

484
00:27:36.960 --> 00:27:38.160
<v Speaker 2>Mm hm, you know.

485
00:27:38.359 --> 00:27:43.559
<v Speaker 1>And maybe doesn't feel as big a moment as it should.

486
00:27:43.759 --> 00:27:48.160
<v Speaker 2>That, right, So I think the problem is that they

487
00:27:48.160 --> 00:27:51.839
<v Speaker 2>don't make Cela Ward a big enough character. Yeah, like

488
00:27:51.960 --> 00:27:53.440
<v Speaker 2>it should mean something when she.

489
00:27:53.559 --> 00:27:56.400
<v Speaker 3>Dies totally totally like what do we do now?

490
00:27:56.599 --> 00:27:59.839
<v Speaker 1>Yeah, and then him sort of like almost like not

491
00:28:00.160 --> 00:28:04.119
<v Speaker 1>that he would be reluctant, but you're, well, now you're

492
00:28:04.160 --> 00:28:06.960
<v Speaker 1>the president of the United States and sort of a

493
00:28:07.759 --> 00:28:10.119
<v Speaker 1>you know, just yeah, but then I'll step up to

494
00:28:10.160 --> 00:28:13.480
<v Speaker 1>the plate. Like I can imagine the for these filmmakers

495
00:28:13.559 --> 00:28:18.640
<v Speaker 1>doing that better in other movies, the humanity of it,

496
00:28:18.759 --> 00:28:21.799
<v Speaker 1>what they're actually feeling, they're first Corney's these movies are

497
00:28:21.839 --> 00:28:24.440
<v Speaker 1>the humanity is always pretty palpable.

498
00:28:25.519 --> 00:28:29.319
<v Speaker 2>Well, so that's the That's what I find odd, right,

499
00:28:29.480 --> 00:28:32.920
<v Speaker 2>Like when you watch the first film, the moments of

500
00:28:33.200 --> 00:28:39.759
<v Speaker 2>loss feel like moments of loss, whether whether it's you know,

501
00:28:39.839 --> 00:28:45.160
<v Speaker 2>the aftermath of the attack and you have people sort

502
00:28:45.160 --> 00:28:49.680
<v Speaker 2>of taking in the totality of what happened or you know,

503
00:28:50.319 --> 00:28:52.079
<v Speaker 2>and I think I've said this before, one of one

504
00:28:52.079 --> 00:28:55.039
<v Speaker 2>of my favorite lines in the film is after the

505
00:28:55.359 --> 00:28:59.240
<v Speaker 2>attack and you've got President Moore on the plane and

506
00:28:59.240 --> 00:29:01.920
<v Speaker 2>and he says, I'm many people died today, how many

507
00:29:01.960 --> 00:29:05.240
<v Speaker 2>of them didn't have to? And and I talk about

508
00:29:05.240 --> 00:29:10.319
<v Speaker 2>just a perfect window into his character. Right, but even

509
00:29:10.519 --> 00:29:16.640
<v Speaker 2>like when uh, what's her name, you know, the wife dies?

510
00:29:16.680 --> 00:29:23.039
<v Speaker 2>Who plays her, Oh Mary Mary Mary McDonald from from

511
00:29:23.000 --> 00:29:25.720
<v Speaker 2>Battlestar Galactica, who also, by the way, speaking of like

512
00:29:25.799 --> 00:29:28.720
<v Speaker 2>chain of succession. Right in Battlestar Galactica, she's like the

513
00:29:28.799 --> 00:29:33.279
<v Speaker 2>secretary of education and then suddenly she becomes the president.

514
00:29:33.359 --> 00:29:37.359
<v Speaker 2>Oh interesting, you know, so and it's a great, you

515
00:29:37.400 --> 00:29:40.079
<v Speaker 2>know moment because she's just completely unequipped for that, you know,

516
00:29:41.359 --> 00:29:44.599
<v Speaker 2>and she's obviously a regular for that whole series. But

517
00:29:44.799 --> 00:29:48.559
<v Speaker 2>when she dies, it's a great moment, you know. And

518
00:29:48.160 --> 00:29:51.960
<v Speaker 2>in this film, I mean, we're about to see it,

519
00:29:52.400 --> 00:29:57.359
<v Speaker 2>you know, the big attack happens like minutes from from now,

520
00:29:59.039 --> 00:30:01.039
<v Speaker 2>and it just doesn't anything.

521
00:30:01.279 --> 00:30:04.519
<v Speaker 1>You know, now that the first movie's flashing through my mind,

522
00:30:04.559 --> 00:30:09.000
<v Speaker 1>I remember Vivk Fox's stripper friend, remember, and she's like,

523
00:30:09.039 --> 00:30:10.680
<v Speaker 1>I'm gonna go up to the We're all going to

524
00:30:10.680 --> 00:30:12.559
<v Speaker 1>the top of a building. We're gonna go like welcome them.

525
00:30:13.079 --> 00:30:16.839
<v Speaker 1>Kirsten Warren, I remember her like she was memorable and

526
00:30:16.920 --> 00:30:19.039
<v Speaker 1>interesting and she's only like in it for probably a

527
00:30:19.039 --> 00:30:21.440
<v Speaker 1>total of you know, fifty five seconds or something. Yeah,

528
00:30:21.759 --> 00:30:23.759
<v Speaker 1>and then I remember her being on top of the

529
00:30:23.759 --> 00:30:25.960
<v Speaker 1>building and the ship opening and she's.

530
00:30:25.839 --> 00:30:29.400
<v Speaker 2>Like, wow, it's beautiful. Yeah, it's so haunting because she

531
00:30:29.480 --> 00:30:31.079
<v Speaker 2>doesn't know what's about to happen next.

532
00:30:31.480 --> 00:30:36.279
<v Speaker 1>Just such great details to make me, bring me into

533
00:30:36.319 --> 00:30:39.119
<v Speaker 1>that feeling and the experience, and that I remember long

534
00:30:39.160 --> 00:30:42.240
<v Speaker 1>afterwards and that Yeah, just movies doesn't have any of that.

535
00:30:42.880 --> 00:30:47.039
<v Speaker 2>So do you think the mistake was like we talked,

536
00:30:47.279 --> 00:30:50.319
<v Speaker 2>we talked if often about how some of these legacy

537
00:30:50.319 --> 00:30:54.440
<v Speaker 2>sequels feel like karaoke redos of the earlier film, Right,

538
00:30:54.640 --> 00:30:57.440
<v Speaker 2>do you think the mistake was not sticking closer to

539
00:30:57.480 --> 00:30:58.519
<v Speaker 2>that original template.

540
00:30:58.960 --> 00:31:01.240
<v Speaker 1>It's funny you say that, because I was thinking as

541
00:31:01.279 --> 00:31:05.039
<v Speaker 1>I said that, like, in some ways I remember even

542
00:31:05.039 --> 00:31:07.519
<v Speaker 1>the first time I watched this, I admired the way

543
00:31:07.559 --> 00:31:11.960
<v Speaker 1>that they incorporated the alien technology, yeah into everyday life,

544
00:31:11.960 --> 00:31:14.079
<v Speaker 1>because yeah, that makes sense, you know X amount of

545
00:31:14.119 --> 00:31:16.480
<v Speaker 1>years later, like we've learned some new things we would

546
00:31:16.519 --> 00:31:19.519
<v Speaker 1>not have the present day that we have in our reality.

547
00:31:20.240 --> 00:31:25.720
<v Speaker 1>That's interesting, it makes sense in the world. But that's

548
00:31:25.759 --> 00:31:28.039
<v Speaker 1>a good point. I mean, we do like you said,

549
00:31:28.279 --> 00:31:31.160
<v Speaker 1>that's not a reality I can really relate to, right,

550
00:31:31.480 --> 00:31:33.160
<v Speaker 1>So I don't I don't know, what do you think.

551
00:31:34.680 --> 00:31:38.640
<v Speaker 2>It's It's tough. I think I think rewatching. I'm I

552
00:31:38.680 --> 00:31:41.720
<v Speaker 2>don't mind them having having the technology, and I think

553
00:31:41.759 --> 00:31:45.240
<v Speaker 2>it would have been better served by incorporating it in

554
00:31:45.440 --> 00:31:52.519
<v Speaker 2>subtler ways. Sure that that aren't noticeably distracting, right, because

555
00:31:52.559 --> 00:31:57.319
<v Speaker 2>because ultimately, here's the paradox. The sequel to Independence Day

556
00:31:58.440 --> 00:32:04.119
<v Speaker 2>had to exist twenty years after the first film within

557
00:32:04.160 --> 00:32:05.599
<v Speaker 2>the world of the film, but it also had to

558
00:32:05.640 --> 00:32:10.359
<v Speaker 2>exist in our world. And so I think you square

559
00:32:10.400 --> 00:32:13.799
<v Speaker 2>the circle on that by yes, you acknowledge that we've

560
00:32:13.839 --> 00:32:16.400
<v Speaker 2>gotten ahead in some ways thanks to their technology, but

561
00:32:16.519 --> 00:32:19.599
<v Speaker 2>not so far ahead that it doesn't look like our

562
00:32:19.640 --> 00:32:23.359
<v Speaker 2>world right, Right? And again, why do I say this,

563
00:32:23.559 --> 00:32:26.559
<v Speaker 2>Because in terms of the story they've constructed, the fact

564
00:32:26.559 --> 00:32:29.079
<v Speaker 2>that we have gotten ahead really doesn't impact the story

565
00:32:29.119 --> 00:32:29.359
<v Speaker 2>at all.

566
00:32:31.079 --> 00:32:36.319
<v Speaker 1>You know, Yeah, it's interesting because I was thinking a

567
00:32:36.440 --> 00:32:39.359
<v Speaker 1>version of that could be. You know, you obviously we

568
00:32:39.440 --> 00:32:41.440
<v Speaker 1>have these things, but it'd be hard for us to

569
00:32:41.440 --> 00:32:45.200
<v Speaker 1>imagine in ninety six. Now we have these futuristic tablets

570
00:32:45.240 --> 00:32:49.079
<v Speaker 1>and hover bikes and whatever. Right, But it's not some

571
00:32:49.160 --> 00:32:51.960
<v Speaker 1>sort of utopia like kids are still bored, you know, kids,

572
00:32:52.319 --> 00:32:55.480
<v Speaker 1>you know, like still want a better hover bike, and

573
00:32:55.559 --> 00:32:56.920
<v Speaker 1>you know, just make it at least a little bit

574
00:32:56.960 --> 00:32:59.720
<v Speaker 1>more relatable, because if we've learned anything from all the

575
00:32:59.759 --> 00:33:02.319
<v Speaker 1>crazyiness of the past several years, like it really doesn't

576
00:33:02.480 --> 00:33:05.480
<v Speaker 1>rattle us enough anyway, Like we just we go back

577
00:33:05.519 --> 00:33:07.119
<v Speaker 1>to the status quo pretty quickly.

578
00:33:07.680 --> 00:33:11.640
<v Speaker 2>So think about this, like all of this moon based business,

579
00:33:12.559 --> 00:33:15.160
<v Speaker 2>how does it change the story if we just make

580
00:33:15.240 --> 00:33:19.640
<v Speaker 2>them fighter pilots on Earth? It really doesn't, hm, Like

581
00:33:19.680 --> 00:33:25.000
<v Speaker 2>there's nothing about the moon setting that meaningfully impacts the plot.

582
00:33:25.240 --> 00:33:28.960
<v Speaker 1>And I can't I'm not saying it's not possible, but yes,

583
00:33:29.000 --> 00:33:30.920
<v Speaker 1>I don't relate to them being up there very much.

584
00:33:31.000 --> 00:33:35.119
<v Speaker 2>That's right, Like the story would function just as well

585
00:33:35.440 --> 00:33:39.720
<v Speaker 2>if we have a remote monitoring station on the Moon,

586
00:33:41.480 --> 00:33:46.000
<v Speaker 2>but the action is still on Earth yep ye right,

587
00:33:46.039 --> 00:33:48.920
<v Speaker 2>So in other words, that that bakes in. Okay, we've

588
00:33:49.000 --> 00:33:51.039
<v Speaker 2>gotten advance to the degree that we can build this

589
00:33:51.079 --> 00:33:52.759
<v Speaker 2>thing and have it on the Moon, but you know,

590
00:33:52.920 --> 00:33:54.319
<v Speaker 2>it's still it's still our.

591
00:33:54.200 --> 00:33:58.559
<v Speaker 1>Earth yeph What was that movie that just came out.

592
00:34:00.279 --> 00:34:01.079
<v Speaker 3>On Netflix?

593
00:34:02.240 --> 00:34:07.079
<v Speaker 2>Bigelow Catherine Bigloaded.

594
00:34:06.680 --> 00:34:11.679
<v Speaker 1>Catherine big house a dynamite where uh, it's basically, yeah,

595
00:34:11.760 --> 00:34:15.840
<v Speaker 1>there's a missile that's in root to Chicago and it

596
00:34:15.880 --> 00:34:18.320
<v Speaker 1>takes place in real time and they're trying to determine

597
00:34:19.119 --> 00:34:21.239
<v Speaker 1>whether to shoot it down to retaliate, Like what do

598
00:34:21.280 --> 00:34:23.960
<v Speaker 1>we do in real time with this situation? And it's

599
00:34:24.039 --> 00:34:27.199
<v Speaker 1>it's and it's unfortunately the movie as a whole.

600
00:34:27.239 --> 00:34:29.320
<v Speaker 2>But real quick brain, yeah, this whole thing that we're

601
00:34:29.320 --> 00:34:31.639
<v Speaker 2>watching here with the war learn and stuff. Tell me,

602
00:34:32.039 --> 00:34:36.599
<v Speaker 2>wouldn't you have rather watched that movie? Totally? Sure?

603
00:34:36.840 --> 00:34:38.559
<v Speaker 1>Sorry, go on, no, no, no, no, well, I just

604
00:34:38.719 --> 00:34:41.639
<v Speaker 1>it's I'm just thinking of this moment here, yes, on

605
00:34:41.719 --> 00:34:45.440
<v Speaker 1>the moon base and you've got this foreign ship or

606
00:34:45.440 --> 00:34:48.000
<v Speaker 1>whatever that they don't understand, and there's this tension.

607
00:34:47.679 --> 00:34:50.039
<v Speaker 3>Of I mean, what do we shoot it?

608
00:34:50.639 --> 00:34:51.639
<v Speaker 2>Like? What do we do to this thing?

609
00:34:51.800 --> 00:34:55.719
<v Speaker 1>And I just I wish it had the palpable tension

610
00:34:55.719 --> 00:34:58.360
<v Speaker 1>that I felt in that other movie, where I felt

611
00:34:58.400 --> 00:35:00.960
<v Speaker 1>a little bit more grounded and like, I don't know,

612
00:35:01.000 --> 00:35:04.159
<v Speaker 1>I mean, if we don't take care of this thing,

613
00:35:04.199 --> 00:35:06.000
<v Speaker 1>it could take out of major US city And like

614
00:35:06.119 --> 00:35:08.519
<v Speaker 1>it's a really sweat, you know, a beat, a sweat

615
00:35:08.519 --> 00:35:10.920
<v Speaker 1>coming down the President's forehead like I, I don't, and

616
00:35:10.960 --> 00:35:12.800
<v Speaker 1>then I would be thinking, I don't know what I

617
00:35:12.800 --> 00:35:15.079
<v Speaker 1>would do, But it's just we don't get any of that.

618
00:35:16.039 --> 00:35:24.760
<v Speaker 2>Yeah, that's I The the opening scenes of the first film,

619
00:35:24.840 --> 00:35:30.039
<v Speaker 2>even before the ships arrive, are spent really building out

620
00:35:30.079 --> 00:35:32.800
<v Speaker 2>the world, building out our characters, and and and it's

621
00:35:33.039 --> 00:35:36.519
<v Speaker 2>very you know, it's Poseidon Adventure, it's it's Towering Inferno,

622
00:35:36.599 --> 00:35:40.480
<v Speaker 2>it's it's it's following in that tradition. But that's the

623
00:35:40.599 --> 00:35:45.159
<v Speaker 2>reason those films worked at that time, right, because to

624
00:35:45.159 --> 00:35:47.440
<v Speaker 2>some extent you would watch them and and you would

625
00:35:47.440 --> 00:35:51.679
<v Speaker 2>feel just enough investment to care about who who lives

626
00:35:51.679 --> 00:35:56.480
<v Speaker 2>and who doesn't. Whereas here we've got, you know, speaking

627
00:35:56.519 --> 00:36:00.679
<v Speaker 2>of names of characters, that that that nerdy guy you know, yeah,

628
00:36:00.719 --> 00:36:04.760
<v Speaker 2>what's his name? No idea, Yeah, nerdy guy. But he

629
00:36:04.880 --> 00:36:07.840
<v Speaker 2>is a very emeric character, isn't he very much so

630
00:36:07.840 --> 00:36:10.440
<v Speaker 2>so like bureaucrat, I knowing bureaucrat guy who eventually picks

631
00:36:10.519 --> 00:36:12.079
<v Speaker 2>up a gun and becomes a hero by the end.

632
00:36:12.119 --> 00:36:16.079
<v Speaker 2>And that's right, well, he's sort of he's like Charles

633
00:36:16.119 --> 00:36:20.960
<v Speaker 2>Martin Smith and in Untouchables, you know, right, sure, but

634
00:36:21.119 --> 00:36:23.159
<v Speaker 2>again it's like, I mean, there's a way to make

635
00:36:23.199 --> 00:36:25.760
<v Speaker 2>it meaningful, right, Like that's kind of I think the

636
00:36:25.840 --> 00:36:32.559
<v Speaker 2>missed opportunity is the earlier film, which which was just

637
00:36:32.639 --> 00:36:35.960
<v Speaker 2>trashed by critics when it came out, right, and yet

638
00:36:36.719 --> 00:36:40.639
<v Speaker 2>it audiences didn't pay attention to the critics, h right,

639
00:36:40.679 --> 00:36:43.800
<v Speaker 2>So in other words, it did speak to something. Hm,

640
00:36:45.440 --> 00:36:47.920
<v Speaker 2>there was no reason for this one not to tap

641
00:36:47.920 --> 00:36:51.719
<v Speaker 2>into whatever enthusiasm audience has had for that original film.

642
00:36:52.119 --> 00:36:54.320
<v Speaker 1>Well, and as you say that, it's making me think

643
00:36:54.360 --> 00:36:56.880
<v Speaker 1>had the moment just passed for this kind of film?

644
00:36:57.119 --> 00:37:00.559
<v Speaker 1>I mean, that movie hit perfectly in ninety six. Yeah,

645
00:37:00.880 --> 00:37:03.599
<v Speaker 1>but maybe we're in a different we're post Dark Knight.

646
00:37:05.000 --> 00:37:08.199
<v Speaker 2>Well we're not just post Dark Knight, we're post Jurassic World,

647
00:37:08.280 --> 00:37:11.199
<v Speaker 2>we're post The Force Awakens. Yeah, you know what I mean, Like,

648
00:37:11.280 --> 00:37:14.480
<v Speaker 2>maybe this moment had kind of passed. I Yeah, I

649
00:37:14.559 --> 00:37:17.960
<v Speaker 2>think I think Independence Day had the benefit a right

650
00:37:18.119 --> 00:37:23.039
<v Speaker 2>of arriving in between Star Wars is. Yeah. Right, so

651
00:37:23.159 --> 00:37:29.119
<v Speaker 2>it was sort of scratching a particular itch, right, But

652
00:37:29.559 --> 00:37:32.039
<v Speaker 2>it's not like the it didn't have any kind of

653
00:37:32.000 --> 00:37:35.400
<v Speaker 2>a cultural impact. I don't think you know, wait, which

654
00:37:35.400 --> 00:37:40.079
<v Speaker 2>one this film? Excuse me, not this one, this franchise.

655
00:37:40.119 --> 00:37:42.679
<v Speaker 2>They were the first film. Oh yeah, yeah, right, So

656
00:37:42.840 --> 00:37:45.679
<v Speaker 2>I feel like an audience would have been there, and

657
00:37:45.719 --> 00:37:46.599
<v Speaker 2>I don't think.

658
00:37:47.239 --> 00:37:50.599
<v Speaker 1>To see Jeff Goldbloom and Will Smith side by side again,

659
00:37:50.719 --> 00:37:51.639
<v Speaker 1>I think people would.

660
00:37:51.400 --> 00:37:54.280
<v Speaker 2>Have liked that. Yeah, I look, I think I mean

661
00:37:54.239 --> 00:37:56.039
<v Speaker 2>a big picture. Look, as soon as you decide you're

662
00:37:56.039 --> 00:37:57.960
<v Speaker 2>doing a sequel, the first thing you do is you

663
00:37:58.000 --> 00:38:01.000
<v Speaker 2>call Will Smith and you say what what what do

664
00:38:01.000 --> 00:38:04.320
<v Speaker 2>you want your character to what do you want his

665
00:38:04.400 --> 00:38:07.079
<v Speaker 2>arc to be? And then you build the story around

666
00:38:07.079 --> 00:38:11.119
<v Speaker 2>that and you make sure he's on board from the jump, right, yeah,

667
00:38:11.159 --> 00:38:13.639
<v Speaker 2>definitely without him, it is a little bit like The

668
00:38:13.679 --> 00:38:18.159
<v Speaker 2>Office after Steve Carell left. Ah yeah, yeah, right, where

669
00:38:18.159 --> 00:38:20.440
<v Speaker 2>you're like, look, I like Dwight and Andy's great and

670
00:38:20.480 --> 00:38:22.480
<v Speaker 2>you know, but but we don't but Michael's not there,

671
00:38:22.519 --> 00:38:25.599
<v Speaker 2>you know. Yep, that's great. That's a great example.

672
00:38:25.719 --> 00:38:29.440
<v Speaker 3>Yeah, yeah, you know.

673
00:38:29.440 --> 00:38:29.880
<v Speaker 2>It's funny.

674
00:38:29.880 --> 00:38:31.960
<v Speaker 1>I this scene here where they're going to go down

675
00:38:32.039 --> 00:38:34.360
<v Speaker 1>and see that little ball that had come out of

676
00:38:34.400 --> 00:38:36.360
<v Speaker 1>the ship.

677
00:38:36.119 --> 00:38:38.519
<v Speaker 2>That they shot you go check it out. It reminded

678
00:38:38.519 --> 00:38:40.599
<v Speaker 2>me of that scene when they are on the Moon

679
00:38:40.599 --> 00:38:41.039
<v Speaker 2>in two.

680
00:38:40.880 --> 00:38:41.480
<v Speaker 3>Thousand and one.

681
00:38:42.079 --> 00:38:45.039
<v Speaker 1>Oh sure, when they're approaching the monolith, and I mean,

682
00:38:46.239 --> 00:38:48.840
<v Speaker 1>well and it's just what's oh lojah?

683
00:38:49.800 --> 00:38:52.679
<v Speaker 2>Yeah, so he was suffering from dementia at this point.

684
00:38:53.559 --> 00:38:55.719
<v Speaker 2>You can kind of see it. Actually, I was a

685
00:38:55.760 --> 00:38:58.280
<v Speaker 2>little sad seeing him. I had that. I was like,

686
00:38:59.159 --> 00:39:02.119
<v Speaker 2>it just felt I don't know, I agree with you.

687
00:39:02.239 --> 00:39:04.559
<v Speaker 2>It made me feel bad. I didn't feel happy seeing him.

688
00:39:05.360 --> 00:39:08.920
<v Speaker 1>If he wanted to be there, like please, I would

689
00:39:08.960 --> 00:39:10.800
<v Speaker 1>like to be there, then that's great.

690
00:39:10.800 --> 00:39:11.760
<v Speaker 3>And that's his real life.

691
00:39:12.440 --> 00:39:13.840
<v Speaker 2>From the look on his face, it feels like he

692
00:39:14.199 --> 00:39:17.159
<v Speaker 2>didn't really know what was happening. Yes, and yes, you

693
00:39:17.199 --> 00:39:20.159
<v Speaker 2>can sort of see that well, and that's the whole

694
00:39:20.760 --> 00:39:24.159
<v Speaker 2>celebration scene. This gets to sort of the phoniness of

695
00:39:24.199 --> 00:39:30.119
<v Speaker 2>it all. Yeah, right, it's just green screen palooza. Yeah yeah,

696
00:39:30.199 --> 00:39:33.039
<v Speaker 2>And I'm like, guys, just get people in an arena

697
00:39:33.119 --> 00:39:36.079
<v Speaker 2>and you know, and and add on to digitally, but

698
00:39:36.079 --> 00:39:38.320
<v Speaker 2>but make it feel like a crowd for goodness sake.

699
00:39:38.360 --> 00:39:41.599
<v Speaker 1>You know, it's really hard to fake the sun. Yeah

700
00:39:41.880 --> 00:39:43.719
<v Speaker 1>you know what I mean, Like the sun is harsh

701
00:39:43.760 --> 00:39:47.079
<v Speaker 1>and it puts harsh light and edges around noses and

702
00:39:47.119 --> 00:39:49.480
<v Speaker 1>ears and things, and when it's not real, it's just

703
00:39:49.559 --> 00:39:50.800
<v Speaker 1>so noticeable and weird.

704
00:39:51.480 --> 00:39:54.920
<v Speaker 2>Yeah. Yeah, so hey, quick question, what's what's presidency the

705
00:39:55.000 --> 00:39:55.559
<v Speaker 2>ward's name?

706
00:39:56.079 --> 00:40:05.880
<v Speaker 1>Ah, Jenny can do it. I don't know, Landford, you

707
00:40:05.960 --> 00:40:08.559
<v Speaker 1>looked it up. I did have IMDb in.

708
00:40:08.519 --> 00:40:12.599
<v Speaker 2>Front of me. Yeah. That looks terrible. That looks like

709
00:40:12.599 --> 00:40:19.039
<v Speaker 2>the room. Yeah yeah, yeah, gosh. But it's like total Yanishi,

710
00:40:19.159 --> 00:40:22.199
<v Speaker 2>isn't it. Yeah yeah, with all the halos around the people.

711
00:40:22.280 --> 00:40:25.440
<v Speaker 2>So my thought watching this about the Whitmore character I

712
00:40:25.519 --> 00:40:28.320
<v Speaker 2>was I was thinking, I was like, maybe it works

713
00:40:28.360 --> 00:40:32.719
<v Speaker 2>better if instead of him first time we see him

714
00:40:32.719 --> 00:40:38.519
<v Speaker 2>he's all like baby, right, maybe he's like okay, mmm,

715
00:40:39.079 --> 00:40:42.519
<v Speaker 2>he's like normal, and then suddenly this happens and activated,

716
00:40:43.280 --> 00:40:49.000
<v Speaker 2>right yep, and here exactly yes at this moment, and

717
00:40:49.000 --> 00:40:53.280
<v Speaker 2>I'm guessing, oh thirty yeah, okay, right. I feel like

718
00:40:53.320 --> 00:40:56.239
<v Speaker 2>that gives your character something more somewhere more interesting to go.

719
00:40:56.440 --> 00:40:59.000
<v Speaker 2>We'll talk about. But I said this before when we

720
00:40:59.039 --> 00:41:00.960
<v Speaker 2>did our review, like ten years ago. But it feels

721
00:41:01.119 --> 00:41:03.679
<v Speaker 2>it Whitmore feels a little bit like Kenny in South Park,

722
00:41:03.679 --> 00:41:07.239
<v Speaker 2>where it's just like except this is like suicidal Kenny

723
00:41:07.280 --> 00:41:12.039
<v Speaker 2>where he keeps wanting to which I think was an

724
00:41:12.039 --> 00:41:14.800
<v Speaker 2>odd choice, but but I think it would be more

725
00:41:14.840 --> 00:41:18.840
<v Speaker 2>interesting to have him just you know, he's he's normal,

726
00:41:18.880 --> 00:41:21.239
<v Speaker 2>he's there as an attendee. He doesn't show up and

727
00:41:21.400 --> 00:41:24.280
<v Speaker 2>be all crazy. That's a great idea.

728
00:41:24.119 --> 00:41:26.840
<v Speaker 1>That's a great because and then and then the warlord

729
00:41:26.920 --> 00:41:32.840
<v Speaker 1>guy him all getting activated for the first time, and

730
00:41:32.880 --> 00:41:35.440
<v Speaker 1>it's like, what the hell is happening to these people?

731
00:41:35.480 --> 00:41:38.679
<v Speaker 3>You know, like that'd be a great Yeah, I agree,

732
00:41:38.920 --> 00:41:39.400
<v Speaker 3>good note.

733
00:41:40.320 --> 00:41:45.760
<v Speaker 2>Thanks. Yeah, I mean, because that's the shame of it,

734
00:41:45.800 --> 00:41:48.840
<v Speaker 2>because I really like President Whitmore in the earlier film,

735
00:41:48.880 --> 00:41:52.159
<v Speaker 2>and I see I see very little of him in this.

736
00:41:52.840 --> 00:41:53.400
<v Speaker 3>Yeah.

737
00:41:54.199 --> 00:41:58.840
<v Speaker 1>Yeah, which, by the way, his daughter originally played by

738
00:41:58.840 --> 00:42:00.119
<v Speaker 1>May Whitman, right, yeah.

739
00:42:00.119 --> 00:42:04.440
<v Speaker 2>Play Monroe in this And yeah, I mean there is

740
00:42:04.480 --> 00:42:10.159
<v Speaker 2>at least some question about how that casting change happened. Uh,

741
00:42:10.440 --> 00:42:16.679
<v Speaker 2>But based on May Whitman, it feels the the movie

742
00:42:16.679 --> 00:42:18.239
<v Speaker 2>people are like, well, she didn't want to read for it,

743
00:42:19.480 --> 00:42:22.920
<v Speaker 2>and my sense from her, although she's never addressed it directly,

744
00:42:23.039 --> 00:42:25.079
<v Speaker 2>is not she was never given the opportunity to read

745
00:42:25.079 --> 00:42:25.880
<v Speaker 2>for it. Yeah.

746
00:42:25.920 --> 00:42:28.679
<v Speaker 1>I saw that some of her friends, like Anna Kendrick

747
00:42:28.760 --> 00:42:30.920
<v Speaker 1>and people kind of spoke out on her behalf and

748
00:42:31.719 --> 00:42:34.079
<v Speaker 1>Whitmen for the most part, basically just I think she

749
00:42:34.280 --> 00:42:37.000
<v Speaker 1>liked a couple of tweets sort of hinting it how

750
00:42:37.039 --> 00:42:38.599
<v Speaker 1>she felt about it, but which I.

751
00:42:38.559 --> 00:42:40.679
<v Speaker 2>Love in the social media age that this is our

752
00:42:41.280 --> 00:42:45.719
<v Speaker 2>I know, archaeology to that's so true. It's like, oh,

753
00:42:45.800 --> 00:42:48.559
<v Speaker 2>so and so stopped following so and so on Instagram.

754
00:42:48.679 --> 00:42:55.199
<v Speaker 2>Oh you know, you know that's that's really funny. Our archaeology.

755
00:42:55.960 --> 00:42:59.360
<v Speaker 2>It's kind of sad. It kind of is the d

756
00:42:59.559 --> 00:43:03.760
<v Speaker 2>of a loos of our of our discourse. You know. Yeah,

757
00:43:03.800 --> 00:43:08.239
<v Speaker 2>but but even okay, so you recast the president's daughter.

758
00:43:08.360 --> 00:43:12.840
<v Speaker 2>It's fine, you know, doesn't get a ton to do.

759
00:43:12.920 --> 00:43:13.880
<v Speaker 2>That's really memorable.

760
00:43:16.000 --> 00:43:18.880
<v Speaker 1>No, she's interesting, right, I mean she she was in

761
00:43:19.000 --> 00:43:21.400
<v Speaker 1>It Follows, right, that was kind of her breakout It Follows.

762
00:43:21.480 --> 00:43:24.000
<v Speaker 2>Yeah, that's right. And she she continues to pop up

763
00:43:24.000 --> 00:43:27.000
<v Speaker 2>in things. It's it's she's she's like fine in the movie.

764
00:43:27.000 --> 00:43:27.880
<v Speaker 2>I don't think she's bad.

765
00:43:28.000 --> 00:43:29.000
<v Speaker 3>Yeah, no, I I agree.

766
00:43:29.039 --> 00:43:29.480
<v Speaker 2>I agree.

767
00:43:29.559 --> 00:43:31.760
<v Speaker 1>It's uh, I kind of made me feel bad. I

768
00:43:31.800 --> 00:43:32.320
<v Speaker 1>bet for her.

769
00:43:32.360 --> 00:43:34.159
<v Speaker 2>This was like, hey, this is my big my big

770
00:43:34.199 --> 00:43:36.880
<v Speaker 2>movie now. Yeah, and then she sort of gets roped

771
00:43:36.920 --> 00:43:40.239
<v Speaker 2>into this discourse, right. Well, that yeah, that's true too.

772
00:43:40.639 --> 00:43:45.519
<v Speaker 2>You know. By the way, the the the French scientist

773
00:43:45.559 --> 00:43:50.119
<v Speaker 2>who's positioned as like a elevens and love interest. I mean,

774
00:43:50.119 --> 00:43:53.159
<v Speaker 2>that's fine, but do they even mention Margaret Collins character.

775
00:43:53.760 --> 00:43:55.559
<v Speaker 3>Yeah, I was wondering what happened to them.

776
00:43:56.440 --> 00:44:00.800
<v Speaker 2>I guess she died. I mean it's I mean, they

777
00:44:00.800 --> 00:44:01.760
<v Speaker 2>don't even mention.

778
00:44:01.679 --> 00:44:07.239
<v Speaker 1>Her, right, right, and you are referring to the character

779
00:44:07.239 --> 00:44:09.440
<v Speaker 1>of Catherine Marceau.

780
00:44:09.599 --> 00:44:17.599
<v Speaker 2>Naturally, I had to get ahead of that one. So

781
00:44:19.519 --> 00:44:22.800
<v Speaker 2>that's the guy from Dark Knight, right, yes, yes, okay,

782
00:44:23.159 --> 00:44:23.840
<v Speaker 2>who's hiding.

783
00:44:24.039 --> 00:44:25.719
<v Speaker 3>He's got the money, the monster's money.

784
00:44:26.079 --> 00:44:29.719
<v Speaker 2>Okay. I like him. He's kind of he's like a type,

785
00:44:29.800 --> 00:44:31.039
<v Speaker 2>you know. You know, it's so funny.

786
00:44:31.079 --> 00:44:33.599
<v Speaker 1>I was thinking the same thing, like and it probably

787
00:44:33.639 --> 00:44:35.960
<v Speaker 1>just comes from that film. He's so good in that

788
00:44:36.119 --> 00:44:38.320
<v Speaker 1>movie in such a small role that when I see him, I'm.

789
00:44:38.199 --> 00:44:39.159
<v Speaker 3>Like, oh good that guy.

790
00:44:39.519 --> 00:44:43.280
<v Speaker 2>Yeah. Now, now they cast the you know, the actor

791
00:44:43.280 --> 00:44:47.639
<v Speaker 2>who plays his daughter angela baby. Okay, uh, she's like

792
00:44:47.840 --> 00:44:52.719
<v Speaker 2>one word naturally hm uh. It was very obviously a

793
00:44:52.719 --> 00:44:55.840
<v Speaker 2>sop to the Chinese audience. That was very which was

794
00:44:55.880 --> 00:44:58.000
<v Speaker 2>the style at the time, which is right, it's and

795
00:44:58.039 --> 00:45:00.800
<v Speaker 2>it's very funny because China figured out pretty quick what

796
00:45:00.840 --> 00:45:04.039
<v Speaker 2>we were doing. I mean, was that Iron Man three

797
00:45:04.199 --> 00:45:08.199
<v Speaker 2>right where China got extra scenes of Tony Stark drinking

798
00:45:08.320 --> 00:45:13.199
<v Speaker 2>like a Chinese soda that we never saw in the States. Yeah,

799
00:45:13.519 --> 00:45:19.840
<v Speaker 2>that kind of we're doing that a lot. Yeah. One

800
00:45:19.880 --> 00:45:22.960
<v Speaker 2>of them Transformers movies, right, had a big Hong Kong sequence. Yeah.

801
00:45:23.159 --> 00:45:25.360
<v Speaker 1>Yeah, and that's because it added so much to the

802
00:45:25.360 --> 00:45:28.159
<v Speaker 1>worldwide box office, and I think at the time China

803
00:45:28.239 --> 00:45:31.000
<v Speaker 1>was only allowing a certain amount of US films.

804
00:45:31.440 --> 00:45:34.320
<v Speaker 2>Yeah. I don't even know what's going on with that anymore,

805
00:45:34.360 --> 00:45:38.840
<v Speaker 2>but I mean it's it's China no longer factors into

806
00:45:38.920 --> 00:45:40.559
<v Speaker 2>whether like a movie is going to be a hit,

807
00:45:40.719 --> 00:45:44.320
<v Speaker 2>you know, because I think they've had it with our shit,

808
00:45:46.239 --> 00:45:49.320
<v Speaker 2>you know. I mean it is it's like pretty condescending

809
00:45:49.320 --> 00:45:51.840
<v Speaker 2>when you think about it, because it's not like her

810
00:45:51.960 --> 00:45:56.320
<v Speaker 2>character is particularly impactful on the plot. No, there could

811
00:45:56.360 --> 00:45:58.920
<v Speaker 2>have been anybody, you know. It's it's like, you know

812
00:45:59.000 --> 00:46:01.239
<v Speaker 2>in Masters of Universe the eighty seven to one, where

813
00:46:01.239 --> 00:46:03.719
<v Speaker 2>it's like, hey, this kid won a contest. He's big

814
00:46:03.800 --> 00:46:07.760
<v Speaker 2>boy in e Skeletoris Staff. Right, It's that level of

815
00:46:07.800 --> 00:46:09.440
<v Speaker 2>condescending a little bit.

816
00:46:09.480 --> 00:46:12.320
<v Speaker 1>I mean, because yeah, I'm sure she's a huge star, yeah,

817
00:46:12.360 --> 00:46:15.719
<v Speaker 1>you know, in her world, but like, yeah, she's not

818
00:46:15.760 --> 00:46:18.320
<v Speaker 1>given a whole lot to do here, and you know,

819
00:46:18.400 --> 00:46:21.400
<v Speaker 1>it doesn't feel like it's coming naturally to her either,

820
00:46:21.920 --> 00:46:24.280
<v Speaker 1>which I mean it would be just as difficult for

821
00:46:24.320 --> 00:46:27.159
<v Speaker 1>me to have to speak Mandarin phonetically, you know.

822
00:46:27.840 --> 00:46:28.079
<v Speaker 2>Movie.

823
00:46:28.199 --> 00:46:30.199
<v Speaker 1>So it's just it just kind of doesn't work for

824
00:46:30.239 --> 00:46:33.559
<v Speaker 1>the camaraderie also that they're trying to build with the team, yeah,

825
00:46:33.599 --> 00:46:35.320
<v Speaker 1>you know, with one of the guys being in love

826
00:46:35.360 --> 00:46:38.000
<v Speaker 1>with her, and it's just none of it works.

827
00:46:38.039 --> 00:46:42.199
<v Speaker 2>So this this alien ship they I forget the however

828
00:46:42.239 --> 00:46:45.840
<v Speaker 2>big it is. It's like as big as the Atlantic Ocean. Yeah,

829
00:46:45.880 --> 00:46:48.400
<v Speaker 2>And they're like, how do we not see that, to

830
00:46:48.440 --> 00:46:52.199
<v Speaker 2>which I say, yes, how did you not see that? Right?

831
00:46:54.039 --> 00:46:58.880
<v Speaker 2>That's like too big? Yeah, like you've got all this

832
00:46:59.000 --> 00:47:02.960
<v Speaker 2>alien technology. Wait, how do you miss that?

833
00:47:02.960 --> 00:47:05.639
<v Speaker 1>That's I mean, yeah, we could see like Netflix satellites

834
00:47:05.679 --> 00:47:07.960
<v Speaker 1>and things in the air, you know, ridiculous.

835
00:47:08.079 --> 00:47:10.880
<v Speaker 2>Yeah, there you go. Here, here's the big scene that's

836
00:47:10.920 --> 00:47:13.960
<v Speaker 2>gonna make China want to release this movie, right.

837
00:47:15.679 --> 00:47:19.440
<v Speaker 1>I do remember I was lucky enough, lucky question Mark

838
00:47:19.960 --> 00:47:22.000
<v Speaker 1>to read this script before it came out. Someone well

839
00:47:22.039 --> 00:47:23.880
<v Speaker 1>you did, Yeah, someone gave it to me, and I

840
00:47:23.880 --> 00:47:26.000
<v Speaker 1>think at the time you and I were just railing

841
00:47:26.000 --> 00:47:31.840
<v Speaker 1>on movies for destroying cities and showing no consequences, where

842
00:47:31.840 --> 00:47:35.559
<v Speaker 1>it's like, no, the world has changed, that's a big deal.

843
00:47:35.639 --> 00:47:37.559
<v Speaker 1>But it's just like, ah, we just blew up Paris,

844
00:47:38.280 --> 00:47:41.639
<v Speaker 1>you know, moving on, and it's like we feel nothing.

845
00:47:41.719 --> 00:47:43.239
<v Speaker 1>It's like, how do we feel nothing when you've just

846
00:47:43.360 --> 00:47:46.400
<v Speaker 1>leveled a major city in the world. And so then

847
00:47:46.440 --> 00:47:48.679
<v Speaker 1>I remember reading the script and it was basically like, yeah,

848
00:47:48.800 --> 00:47:52.280
<v Speaker 1>Dubai is lifted up into the air and smashes down

849
00:47:52.280 --> 00:47:53.199
<v Speaker 1>on London, and I was.

850
00:47:53.199 --> 00:47:56.519
<v Speaker 2>Like, they did it, Zachy, those sons, they topped themselves.

851
00:47:56.559 --> 00:47:57.679
<v Speaker 2>They didn't just level a city.

852
00:47:57.719 --> 00:47:59.280
<v Speaker 1>They took a city, lifted it in the air, and

853
00:47:59.320 --> 00:48:01.440
<v Speaker 1>smashed it into another city.

854
00:48:02.239 --> 00:48:06.800
<v Speaker 2>Cut to Jeff Goldblum giggling maniacally Alla Jurassic Park. Yeah

855
00:48:06.800 --> 00:48:10.760
<v Speaker 2>he did it. Now, I should say, I remember when

856
00:48:10.800 --> 00:48:14.440
<v Speaker 2>we did our review episode and I was like, yeah,

857
00:48:14.559 --> 00:48:16.599
<v Speaker 2>Vivica Fox, I think I think she's a nurse in this,

858
00:48:16.840 --> 00:48:20.760
<v Speaker 2>which is like really sexist and stupid, like she's clearly

859
00:48:20.760 --> 00:48:21.239
<v Speaker 2>a doctor.

860
00:48:22.199 --> 00:48:24.639
<v Speaker 3>Oh oh that's funny, So I should.

861
00:48:24.400 --> 00:48:26.679
<v Speaker 2>I just want to like correct me from ten years ago.

862
00:48:26.880 --> 00:48:31.119
<v Speaker 2>Oh that's wow, good memory that you remember that. Yeah,

863
00:48:31.199 --> 00:48:34.280
<v Speaker 2>she's she's clearly a doctor. Yes, and you know what, hey,

864
00:48:34.280 --> 00:48:37.480
<v Speaker 2>we're here to grow. Well, you know he is here.

865
00:48:37.480 --> 00:48:38.960
<v Speaker 2>It is, by the way, sorry, you got the burge

866
00:48:39.000 --> 00:48:42.400
<v Speaker 2>clear there you go smashing into the London Bridge and

867
00:48:42.400 --> 00:48:44.239
<v Speaker 2>and it makes no impact.

868
00:48:44.960 --> 00:48:46.679
<v Speaker 3>This should be an enormous deal.

869
00:48:47.920 --> 00:48:51.639
<v Speaker 2>The scene earlier when we see the people being lifted up,

870
00:48:51.719 --> 00:48:55.239
<v Speaker 2>I mean it's horrifying, yes, right, I mean it really is.

871
00:48:55.280 --> 00:48:56.760
<v Speaker 2>I mean it's like end of the world shit, And

872
00:48:56.760 --> 00:48:58.239
<v Speaker 2>I'm like, why don't you let us sit in this

873
00:48:58.400 --> 00:49:01.960
<v Speaker 2>moment instead of this? It's just weird, right, because again

874
00:49:02.039 --> 00:49:06.679
<v Speaker 2>it's like misreading by Emeric about why people responded to

875
00:49:06.760 --> 00:49:07.960
<v Speaker 2>that first film.

876
00:49:08.679 --> 00:49:11.280
<v Speaker 1>Like I said, when I remember the striper friend on

877
00:49:11.320 --> 00:49:17.719
<v Speaker 1>the thing, like I'm sad, Like she's her eyes are

878
00:49:17.800 --> 00:49:20.760
<v Speaker 1>drawn to this sparkly thing and she she's hopeful. I

879
00:49:20.760 --> 00:49:23.480
<v Speaker 1>think she has a sign that's like welcome and she's

880
00:49:23.519 --> 00:49:24.400
<v Speaker 1>about to die.

881
00:49:24.480 --> 00:49:26.719
<v Speaker 2>And that that's like you watch it and you're like,

882
00:49:26.760 --> 00:49:29.360
<v Speaker 2>what's going through her mind when this happens? Right, Yes,

883
00:49:29.559 --> 00:49:31.960
<v Speaker 2>and so you go to that means it's working if

884
00:49:32.000 --> 00:49:33.639
<v Speaker 2>you're having that thought one hundred percent.

885
00:49:33.679 --> 00:49:37.400
<v Speaker 1>So yes, seeing those people lift into the air, that

886
00:49:37.559 --> 00:49:40.480
<v Speaker 1>is like why don't. We've got that moment where we

887
00:49:40.519 --> 00:49:42.679
<v Speaker 1>get the cab driver and the person in the back,

888
00:49:42.800 --> 00:49:45.480
<v Speaker 1>Like it's enough to like, Okay, I can I know,

889
00:49:45.840 --> 00:49:49.119
<v Speaker 1>I can identify this person and follow them through this

890
00:49:50.360 --> 00:49:51.800
<v Speaker 1>crazy haunting experience.

891
00:49:51.920 --> 00:49:52.840
<v Speaker 2>What would you do?

892
00:49:53.400 --> 00:49:55.719
<v Speaker 3>All the what would you do? Is gone?

893
00:49:56.119 --> 00:50:01.079
<v Speaker 2>Right? Yeah, you know, and and again, And that's weird

894
00:50:01.159 --> 00:50:04.400
<v Speaker 2>because as you said, it's not even like after the

895
00:50:04.440 --> 00:50:08.000
<v Speaker 2>first film, Emeric just dipped from this genre. Right like

896
00:50:08.480 --> 00:50:12.840
<v Speaker 2>his other times in he at least somewhat adhered to

897
00:50:13.400 --> 00:50:18.079
<v Speaker 2>that template. And again it worked a lesser greater degrees,

898
00:50:18.079 --> 00:50:22.039
<v Speaker 2>but but he it showed recognition of that. And so

899
00:50:22.320 --> 00:50:24.840
<v Speaker 2>that's why when you look at this and you're like like, like,

900
00:50:25.039 --> 00:50:28.800
<v Speaker 2>you know, the perfect example, this Salvage sub who we follow,

901
00:50:30.079 --> 00:50:33.159
<v Speaker 2>who gives a crap about them? Right? Like, yeah, I agree,

902
00:50:33.320 --> 00:50:37.800
<v Speaker 2>I like, they don't make a lot of weird storyline. Yeah.

903
00:50:37.840 --> 00:50:40.199
<v Speaker 2>And then jud Hirsh is in a whole different movie.

904
00:50:40.519 --> 00:50:44.000
<v Speaker 2>I know. I know. Again it's it's like a COVID distance.

905
00:50:44.079 --> 00:50:47.639
<v Speaker 1>You know, this does You're so spot on. This does

906
00:50:47.679 --> 00:50:48.960
<v Speaker 1>feel like a COVID era movie.

907
00:50:49.000 --> 00:50:51.760
<v Speaker 2>It feels like COVID era movie, I'm telling you. Yeah.

908
00:50:51.800 --> 00:50:52.920
<v Speaker 2>And then I mean we can get to it.

909
00:50:52.920 --> 00:50:55.159
<v Speaker 1>But his his whole arc, if you can call it,

910
00:50:55.199 --> 00:50:57.119
<v Speaker 1>that is basically to just show up at the wrong

911
00:50:57.199 --> 00:50:58.519
<v Speaker 1>place at the wrong time.

912
00:50:58.559 --> 00:51:01.719
<v Speaker 3>You know, like it's like I don't know, he doesn't.

913
00:51:02.079 --> 00:51:02.599
<v Speaker 3>We'll get to it.

914
00:51:02.599 --> 00:51:05.719
<v Speaker 2>We'll get to The thing is like, just as a

915
00:51:05.760 --> 00:51:07.760
<v Speaker 2>fan of the first film, I was glad to see

916
00:51:07.840 --> 00:51:08.840
<v Speaker 2>jud Hirsch beas.

917
00:51:08.639 --> 00:51:12.280
<v Speaker 1>The same exactly right, that's great, and him selling his

918
00:51:12.280 --> 00:51:14.480
<v Speaker 1>book like I figured it out.

919
00:51:15.039 --> 00:51:18.400
<v Speaker 2>Yeah, yeah, I think that totally tracks with his character totally.

920
00:51:18.920 --> 00:51:22.559
<v Speaker 2>But like this right here, this is see again if

921
00:51:22.800 --> 00:51:26.000
<v Speaker 2>in the in the earlier film, the attack happens and

922
00:51:26.039 --> 00:51:31.840
<v Speaker 2>there's just devastation, right, and we sit with that devastation. Yeah, so,

923
00:51:32.039 --> 00:51:34.599
<v Speaker 2>as you said, right, Hong Kong has been dropped on London.

924
00:51:35.960 --> 00:51:42.719
<v Speaker 2>That feels substantial. Yeah, that feels like something like the

925
00:51:43.239 --> 00:51:46.760
<v Speaker 2>grief of that. We're talking about millions of people that

926
00:51:46.800 --> 00:51:49.360
<v Speaker 2>have died, yeah already.

927
00:51:50.079 --> 00:51:52.280
<v Speaker 1>Yeah, and even right now we're watching the claw of

928
00:51:52.360 --> 00:51:57.719
<v Speaker 1>this vessel, yeah, planting itself on Earth and it's like

929
00:51:57.880 --> 00:52:05.239
<v Speaker 1>just pawing out cities as it's just you know, fixing

930
00:52:05.280 --> 00:52:08.639
<v Speaker 1>itself into position. I mean, that's like thousands of people

931
00:52:08.639 --> 00:52:09.719
<v Speaker 1>are dying right now.

932
00:52:10.440 --> 00:52:14.079
<v Speaker 2>So here are we? Is this DC? Is this Washington?

933
00:52:14.320 --> 00:52:16.000
<v Speaker 2>I mean, is this Los Angeles? Where are we? What

934
00:52:16.039 --> 00:52:19.079
<v Speaker 2>city is this that? I don't know? Actually we should

935
00:52:19.159 --> 00:52:23.519
<v Speaker 2>know that now. Now, the Vivica Fox character, this is

936
00:52:23.559 --> 00:52:25.599
<v Speaker 2>I know we talked about this ten years ago. How

937
00:52:25.599 --> 00:52:29.159
<v Speaker 2>do you not make her death a moment? I know,

938
00:52:31.960 --> 00:52:32.880
<v Speaker 2>yes it should be.

939
00:52:33.000 --> 00:52:35.079
<v Speaker 1>Really, I don't care if this movie is to our

940
00:52:35.360 --> 00:52:39.320
<v Speaker 1>in twenty minutes if you make this stuff work right.

941
00:52:39.280 --> 00:52:42.039
<v Speaker 2>Like right there, we see her die from a distance

942
00:52:42.039 --> 00:52:49.599
<v Speaker 2>and he's like, no, mom, yeah, this is where I'm

943
00:52:49.679 --> 00:52:52.320
<v Speaker 2>I'm like, look, I'm I'm not a professional director, but

944
00:52:52.920 --> 00:52:55.199
<v Speaker 2>like you give us, you give us a close up.

945
00:52:55.360 --> 00:52:56.719
<v Speaker 2>You get him close enough.

946
00:52:57.079 --> 00:52:58.079
<v Speaker 3>Yes, they lock eyes.

947
00:52:58.159 --> 00:53:03.000
<v Speaker 1>You get that Hans Grueber shot exactly and she's looking

948
00:53:03.039 --> 00:53:06.159
<v Speaker 1>almost at camera, which is her son, and she drops

949
00:53:06.239 --> 00:53:07.079
<v Speaker 1>out of you.

950
00:53:07.599 --> 00:53:11.760
<v Speaker 2>That's what you do. So we can't be the only

951
00:53:11.800 --> 00:53:12.840
<v Speaker 2>people who thought of that.

952
00:53:14.679 --> 00:53:20.119
<v Speaker 1>Right unless it was some last minute decision. Maybe they didn't,

953
00:53:20.519 --> 00:53:22.360
<v Speaker 1>you know, maybe she had a different outcome and they

954
00:53:22.440 --> 00:53:26.360
<v Speaker 1>changed it, and so they I mean, actually, that feels

955
00:53:26.360 --> 00:53:29.039
<v Speaker 1>like the only excuse for having a major character like

956
00:53:29.079 --> 00:53:32.519
<v Speaker 1>that die as a little dot on the screen falling

957
00:53:32.719 --> 00:53:33.199
<v Speaker 1>through a bill.

958
00:53:33.400 --> 00:53:36.800
<v Speaker 2>Yeah, I mean, his his the character being like, you know,

959
00:53:37.400 --> 00:53:39.480
<v Speaker 2>just get her, get there, get there whatever he's trying to,

960
00:53:39.480 --> 00:53:44.159
<v Speaker 2>like the desperation he feels. That's great, you know. And

961
00:53:44.159 --> 00:53:46.119
<v Speaker 2>and now he's an orphan, he's lost both his parents.

962
00:53:46.119 --> 00:53:47.199
<v Speaker 2>That's all good stuff.

963
00:53:48.159 --> 00:53:58.159
<v Speaker 1>Yeah, yeah, you gotta have you gotta have the equations

964
00:53:58.199 --> 00:54:01.679
<v Speaker 1>on the wall. When I worked at when I worked

965
00:54:01.679 --> 00:54:06.239
<v Speaker 1>at Puppy Dog Pals, my office had like the the

966
00:54:06.280 --> 00:54:11.400
<v Speaker 1>top two feet of the room, like leading up to

967
00:54:11.440 --> 00:54:14.199
<v Speaker 1>the ceiling was glass, okay, and so it was private,

968
00:54:14.199 --> 00:54:16.360
<v Speaker 1>but the top part of the thing had like a

969
00:54:16.840 --> 00:54:18.679
<v Speaker 1>glass thing that went all the way around, and I

970
00:54:18.719 --> 00:54:20.039
<v Speaker 1>just thought it'd be funny. So one day I took

971
00:54:20.079 --> 00:54:21.960
<v Speaker 1>one of those you know, whiteboard markers, and I just

972
00:54:21.960 --> 00:54:24.719
<v Speaker 1>started putting equations all over it so people would walk

973
00:54:24.719 --> 00:54:26.559
<v Speaker 1>by and think that I was like Goodwill hunting.

974
00:54:36.519 --> 00:54:41.880
<v Speaker 2>Prince Spiner. He showed up. That's well, this is this

975
00:54:41.960 --> 00:54:43.920
<v Speaker 2>is the thing I because I was thinking about. First

976
00:54:43.960 --> 00:54:48.199
<v Speaker 2>of all, it helps that his character in the old

977
00:54:48.280 --> 00:54:50.880
<v Speaker 2>film had the same fright wig hair, so Brian Spiner

978
00:54:50.920 --> 00:54:53.440
<v Speaker 2>twenty years later, like he basically looks exactly the same.

979
00:54:53.480 --> 00:54:56.239
<v Speaker 2>Mm hmm. But this gets to you know, the benefits

980
00:54:56.239 --> 00:54:59.559
<v Speaker 2>of being a character actor, right, Bran Speiner is one

981
00:54:59.599 --> 00:55:01.719
<v Speaker 2>of those guys. Man, you plug him into whatever. He's

982
00:55:01.719 --> 00:55:05.119
<v Speaker 2>going to give you a character, and for him he'll

983
00:55:05.159 --> 00:55:06.039
<v Speaker 2>always have work.

984
00:55:06.960 --> 00:55:12.159
<v Speaker 1>Yeah too. Yeah, he's been asleep since the last movie. Like, whoa,

985
00:55:12.199 --> 00:55:13.199
<v Speaker 1>we have alien guns.

986
00:55:13.440 --> 00:55:16.039
<v Speaker 2>See that's good. I like that. Yeah, me too. See.

987
00:55:16.079 --> 00:55:18.719
<v Speaker 2>I think that if you have the alien technology has

988
00:55:18.800 --> 00:55:25.679
<v Speaker 2>been stored away. Mmm right, so it hasn't really impacted

989
00:55:25.679 --> 00:55:27.119
<v Speaker 2>the real world per se.

990
00:55:27.280 --> 00:55:30.159
<v Speaker 1>You could even yeah, be like the world can't just

991
00:55:30.320 --> 00:55:33.519
<v Speaker 1>suddenly have all of this. It would go crazy exactly.

992
00:55:33.519 --> 00:55:34.800
<v Speaker 1>But they try to make it sound like it is

993
00:55:34.800 --> 00:55:37.159
<v Speaker 1>a utopia because we have now a common enemy the

994
00:55:37.159 --> 00:55:37.719
<v Speaker 1>whole world.

995
00:55:39.079 --> 00:55:41.360
<v Speaker 2>So this scene here, I was thinking about this, yeah,

996
00:55:41.719 --> 00:55:44.079
<v Speaker 2>because he's like, all right here I go. I'm gonna

997
00:55:44.079 --> 00:55:46.559
<v Speaker 2>die now, you know. And then he wakes up in

998
00:55:46.559 --> 00:55:49.880
<v Speaker 2>the hospital he's like, I'm still goddamn it. And that

999
00:55:49.960 --> 00:55:50.599
<v Speaker 2>was bull pullman.

1000
00:55:50.639 --> 00:55:52.840
<v Speaker 1>They didn't he didn't realize the cameras were rolling. I

1001
00:55:52.880 --> 00:55:55.440
<v Speaker 1>got more days on this thing, son of a bitch.

1002
00:55:56.800 --> 00:56:00.760
<v Speaker 2>I was thinking about, like, I feel like it just

1003
00:56:00.760 --> 00:56:03.320
<v Speaker 2>going going back to what we were saying before. I

1004
00:56:03.360 --> 00:56:07.719
<v Speaker 2>think you reverse, you reverse this, So instead of him

1005
00:56:07.719 --> 00:56:11.239
<v Speaker 2>being like oh, strangle me so I'll talk. It's he

1006
00:56:11.480 --> 00:56:14.159
<v Speaker 2>uses the fact that he's got this mental connection where

1007
00:56:14.199 --> 00:56:16.000
<v Speaker 2>he goes in there and they're like, no, no, you're

1008
00:56:16.039 --> 00:56:19.960
<v Speaker 2>gonna die, and he he essentially is able to read

1009
00:56:20.000 --> 00:56:25.480
<v Speaker 2>its mind against its will. M Yeah, yeah, yeah, yeah, right, yeah,

1010
00:56:27.280 --> 00:56:30.639
<v Speaker 2>because I see my my thing is watching this. I'm like,

1011
00:56:31.559 --> 00:56:35.280
<v Speaker 2>if we're setting this, we're setting up the heroic sacrifice

1012
00:56:35.639 --> 00:56:39.280
<v Speaker 2>so much that the actual heroic sacrifice doesn't mean anything. Mmm.

1013
00:56:40.519 --> 00:56:45.159
<v Speaker 2>Because he's because he already stepped up for this. Yeah exactly, Yeah.

1014
00:56:45.280 --> 00:56:46.719
<v Speaker 3>Interesting, yeah right.

1015
00:56:46.599 --> 00:56:50.360
<v Speaker 2>And then and then later too, where he's like, somebody's

1016
00:56:50.360 --> 00:56:51.960
<v Speaker 2>got to die. I guess it's me, and it's like,

1017
00:56:51.960 --> 00:56:55.119
<v Speaker 2>all right, dude, we get it, you know, right right,

1018
00:56:55.519 --> 00:56:59.119
<v Speaker 2>because I was thinking even that when he dies, it

1019
00:56:59.159 --> 00:57:04.199
<v Speaker 2>should have been a Randy Quaid situation. Yes, like in

1020
00:57:04.239 --> 00:57:07.119
<v Speaker 2>the first film where this is the only option and

1021
00:57:07.159 --> 00:57:13.360
<v Speaker 2>he only realizes it when he's in it. Yes, you know, yes, agreed,

1022
00:57:14.320 --> 00:57:17.679
<v Speaker 2>Like we've lost our pilot, we've only got this plane

1023
00:57:17.679 --> 00:57:19.599
<v Speaker 2>from a certain era that nobody knows how to fly,

1024
00:57:19.760 --> 00:57:23.239
<v Speaker 2>and it's just like, well, you know, yeah, it's got

1025
00:57:23.239 --> 00:57:25.840
<v Speaker 2>to be me something like that, like like we almost

1026
00:57:25.880 --> 00:57:28.679
<v Speaker 2>got I mean you know, it kind of like Inforce

1027
00:57:28.760 --> 00:57:32.000
<v Speaker 2>Awakens right where you know Han and then they think

1028
00:57:32.039 --> 00:57:34.360
<v Speaker 2>they made it, remember they? And then and then he

1029
00:57:34.639 --> 00:57:36.920
<v Speaker 2>goes back in and then that ends up being how

1030
00:57:36.920 --> 00:57:40.280
<v Speaker 2>he dies. Yeah, right, right, something in that vein, you.

1031
00:57:40.239 --> 00:57:44.599
<v Speaker 1>Know, yeah, totally it correct me if I'm wrong. Also

1032
00:57:44.719 --> 00:57:47.760
<v Speaker 1>the oh wait, that's but kind of grace right in

1033
00:57:47.800 --> 00:57:51.440
<v Speaker 1>the back. The little girl that is her. Wow, I

1034
00:57:51.480 --> 00:57:53.239
<v Speaker 1>was like, Wow, she's been around a very long time.

1035
00:57:53.280 --> 00:57:54.559
<v Speaker 2>I didn't even catch that.

1036
00:57:54.760 --> 00:57:57.360
<v Speaker 3>Yeah, she has had a back of a career.

1037
00:57:58.280 --> 00:57:58.840
<v Speaker 2>Seriously.

1038
00:57:59.000 --> 00:58:01.719
<v Speaker 1>Yeah, she's been in all these major franchises. She's gonna

1039
00:58:01.880 --> 00:58:03.400
<v Speaker 1>Scooby Doo coming up. It's pretty amazing.

1040
00:58:03.920 --> 00:58:08.800
<v Speaker 2>Well, and and her what's her name, Joy King? Yes, Joey.

1041
00:58:09.039 --> 00:58:11.760
<v Speaker 2>You know, I just I just rewatched The Dark Knight

1042
00:58:11.840 --> 00:58:17.280
<v Speaker 2>Rises last week and she was Yeah, she's baby Talia

1043
00:58:17.320 --> 00:58:21.400
<v Speaker 2>And that's right, that's right. I think last I remember

1044
00:58:21.440 --> 00:58:25.559
<v Speaker 2>her was Bullet Train. Oh yeah, she's in that. So

1045
00:58:25.639 --> 00:58:27.840
<v Speaker 2>she had been in White House Down a couple of

1046
00:58:27.920 --> 00:58:31.400
<v Speaker 2>years earlier. So that's there's the emmoric connection there. But

1047
00:58:31.840 --> 00:58:34.280
<v Speaker 2>that scene with the kids in the car, I said

1048
00:58:34.280 --> 00:58:38.840
<v Speaker 2>this ten years ago. It feels like there there was

1049
00:58:38.880 --> 00:58:43.320
<v Speaker 2>an introductory scene of those kids that somebody took out

1050
00:58:43.360 --> 00:58:47.239
<v Speaker 2>of like the editing timeline and forgot to reinsert it right, right,

1051
00:58:47.679 --> 00:58:49.559
<v Speaker 2>because it just kind of comes out of nowhere.

1052
00:58:50.079 --> 00:58:52.599
<v Speaker 3>Yeah, yeah, and gives jud Hursh something to do.

1053
00:58:53.039 --> 00:58:53.480
<v Speaker 2>Mm hmm.

1054
00:58:54.440 --> 00:58:56.159
<v Speaker 1>Can you imagine actually if you was like you and

1055
00:58:56.199 --> 00:58:58.400
<v Speaker 1>your group of friends, even though you're underage or whatever,

1056
00:58:58.440 --> 00:59:00.559
<v Speaker 1>but like trying to make your way. You've just lost

1057
00:59:00.599 --> 00:59:02.679
<v Speaker 1>your family, and then this old man is like, i'll

1058
00:59:02.760 --> 00:59:07.840
<v Speaker 1>drive now, and you're like okay, he's like controlling the radio,

1059
00:59:07.960 --> 00:59:08.400
<v Speaker 1>and you're like.

1060
00:59:08.320 --> 00:59:11.559
<v Speaker 2>Well, it only works because they recognize him.

1061
00:59:11.760 --> 00:59:15.519
<v Speaker 1>Yeah, that's it, yeah, from the book, right, yeah, still

1062
00:59:16.760 --> 00:59:21.440
<v Speaker 1>like okay, I mean we kind of had a thing

1063
00:59:21.480 --> 00:59:22.559
<v Speaker 1>going here, but all right.

1064
00:59:24.039 --> 00:59:25.119
<v Speaker 2>They had their own movie.

1065
00:59:25.360 --> 00:59:32.440
<v Speaker 1>Exactly did you read about Susan Sarandon. I guess she

1066
00:59:32.480 --> 00:59:37.320
<v Speaker 1>turned down a role in this from this, yeah, because

1067
00:59:37.320 --> 00:59:38.760
<v Speaker 1>she said it was incomprehensible.

1068
00:59:39.800 --> 00:59:40.800
<v Speaker 2>Well, she wasn't wrong.

1069
00:59:40.880 --> 00:59:43.519
<v Speaker 1>I thought this was funny. People don't know exactly what

1070
00:59:43.559 --> 00:59:45.960
<v Speaker 1>it was. Is from a Huffington Post interview, and people

1071
00:59:46.199 --> 00:59:50.079
<v Speaker 1>are guessing it's president yea, and so apparently she said

1072
00:59:50.079 --> 00:59:51.800
<v Speaker 1>when I read the script, I couldn't understand what was

1073
00:59:51.840 --> 00:59:54.719
<v Speaker 1>going on. I just couldn't understand it. Seriously, a lot

1074
00:59:54.760 --> 00:59:56.519
<v Speaker 1>of the people from the original one were not going

1075
00:59:56.559 --> 00:59:57.880
<v Speaker 1>to be doing it, and I read it and I

1076
00:59:57.920 --> 01:00:00.000
<v Speaker 1>just thought, no, I can't, I just can't.

1077
01:00:01.880 --> 01:00:05.000
<v Speaker 2>Well, I think she made the right choice. Yeah, it

1078
01:00:05.039 --> 01:00:08.119
<v Speaker 2>turns out it was actually the Queen Alien at the end. Yeah,

1079
01:00:08.519 --> 01:00:11.440
<v Speaker 2>it's just yeah, it would have just been a giant

1080
01:00:11.480 --> 01:00:14.800
<v Speaker 2>Susan Sarandon. That would have been the big twist. This

1081
01:00:14.800 --> 01:00:18.360
<v Speaker 2>doesn't even makes sense. She's like, I didn't even like

1082
01:00:18.400 --> 01:00:23.719
<v Speaker 2>the first movie, but that doesn't make sense. So so

1083
01:00:24.760 --> 01:00:30.440
<v Speaker 2>the Defense Secretary, his name is Patrick Saint Esprit. Uh, yeah,

1084
01:00:30.840 --> 01:00:33.639
<v Speaker 2>he's one of again. Like it's like, uh, you know

1085
01:00:33.679 --> 01:00:37.280
<v Speaker 2>the guy in the first film who well, the character's

1086
01:00:37.360 --> 01:00:39.159
<v Speaker 2>name is named Zicky. I forget the actor's name. He

1087
01:00:39.159 --> 01:00:42.840
<v Speaker 2>passed away, but he's certain, you know, resting bureaucrat face.

1088
01:00:43.360 --> 01:00:48.039
<v Speaker 2>Oh right, because I know him from a draft day

1089
01:00:48.119 --> 01:00:49.639
<v Speaker 2>from like a year or two before this.

1090
01:00:50.039 --> 01:00:52.800
<v Speaker 1>Yeah, I'm looking at him now. He's Commander Thread in

1091
01:00:52.840 --> 01:00:57.480
<v Speaker 1>The Hunger Games. Yeah, yeah, that's right, draft Day Green Zone.

1092
01:00:57.480 --> 01:01:00.719
<v Speaker 2>We were soldiers. He has that one character that he

1093
01:01:00.800 --> 01:01:01.760
<v Speaker 2>plays very well.

1094
01:01:02.000 --> 01:01:03.840
<v Speaker 3>This is like a guy he'll be working forever.

1095
01:01:04.239 --> 01:01:07.719
<v Speaker 2>That's what I'm saying he's got he's he's in that

1096
01:01:07.719 --> 01:01:11.880
<v Speaker 2>that Ed Lauder class. He just slot him in, you know,

1097
01:01:14.440 --> 01:01:16.480
<v Speaker 2>and and again, you know, I I think I think

1098
01:01:16.679 --> 01:01:20.719
<v Speaker 2>having great character actors just always benefits films in this

1099
01:01:20.760 --> 01:01:24.719
<v Speaker 2>way because you're just you just plug into their their energy.

1100
01:01:24.840 --> 01:01:30.519
<v Speaker 2>You know. See this here should be a more meaningful

1101
01:01:30.559 --> 01:01:33.079
<v Speaker 2>moment where Dylan is looking at now both of his

1102
01:01:33.159 --> 01:01:36.400
<v Speaker 2>parents are gone, and and it's supposed to be how

1103
01:01:36.480 --> 01:01:41.480
<v Speaker 2>him and Jake Jake's you know, and how they they reconnect.

1104
01:01:41.840 --> 01:01:46.079
<v Speaker 2>The problem is we don't really know about Jake. I

1105
01:01:46.559 --> 01:01:49.639
<v Speaker 2>think we're supposed to care about him in addition because

1106
01:01:49.639 --> 01:01:53.199
<v Speaker 2>he's you know, he's a taken, no guff bad boy

1107
01:01:55.599 --> 01:01:59.320
<v Speaker 2>with with with those deep blue eyes. But you know,

1108
01:01:59.360 --> 01:02:03.840
<v Speaker 2>because because the president's daughter likes him or whatever. But

1109
01:02:03.960 --> 01:02:06.199
<v Speaker 2>he is such a blank slate, both of them, both

1110
01:02:06.239 --> 01:02:09.159
<v Speaker 2>of them are a single blank slate. I think you.

1111
01:02:09.119 --> 01:02:10.000
<v Speaker 3>Should have made hillar.

1112
01:02:10.119 --> 01:02:13.000
<v Speaker 1>If you're gonna have the cocky guy, maybe make Hiller

1113
01:02:13.119 --> 01:02:15.159
<v Speaker 1>someone who doesn't believe in himself.

1114
01:02:14.840 --> 01:02:17.280
<v Speaker 2>Like I was thinking, right, if his dad is like

1115
01:02:17.320 --> 01:02:18.360
<v Speaker 2>the Savior.

1116
01:02:18.039 --> 01:02:21.320
<v Speaker 1>Has to live up to that legend exactly, and so

1117
01:02:21.360 --> 01:02:23.719
<v Speaker 1>it would be fun to watch a person they have

1118
01:02:23.800 --> 01:02:26.719
<v Speaker 1>the skill, they just need to find their confidence. Yeah,

1119
01:02:26.760 --> 01:02:29.079
<v Speaker 1>you know, and then they would feel very different from

1120
01:02:29.119 --> 01:02:31.679
<v Speaker 1>one another. You don't have two cocky guys going against

1121
01:02:31.719 --> 01:02:32.079
<v Speaker 1>each other.

1122
01:02:32.760 --> 01:02:35.440
<v Speaker 2>That might help. So maybe maybe you don't make him

1123
01:02:35.480 --> 01:02:39.440
<v Speaker 2>a fighter pilot and then and then you have that

1124
01:02:39.519 --> 01:02:42.679
<v Speaker 2>beat like at when it comes down to it, he

1125
01:02:42.800 --> 01:02:46.280
<v Speaker 2>has to take on that role mm hm. And you

1126
01:02:46.280 --> 01:02:48.719
<v Speaker 2>know he's got the trauma because of his father dying, right,

1127
01:02:48.719 --> 01:02:52.119
<v Speaker 2>because I think, what does it say, Hillar, when does

1128
01:02:52.119 --> 01:02:52.920
<v Speaker 2>it say he died?

1129
01:02:53.119 --> 01:02:54.679
<v Speaker 3>I think he died during a test flight.

1130
01:02:55.280 --> 01:02:58.719
<v Speaker 2>Yeah, like like not too long after the first film

1131
01:02:58.760 --> 01:03:02.760
<v Speaker 2>is my recollection. Yeah, so that means that he's carrying

1132
01:03:02.800 --> 01:03:05.719
<v Speaker 2>this trauma with him for a long time, and so

1133
01:03:05.840 --> 01:03:09.119
<v Speaker 2>he doesn't want to fly. But then he's forced into

1134
01:03:09.119 --> 01:03:09.519
<v Speaker 2>that role.

1135
01:03:09.800 --> 01:03:13.400
<v Speaker 1>Or maybe he did so he has the ability, but

1136
01:03:13.440 --> 01:03:15.719
<v Speaker 1>then he stepped away from it because that yeah, like

1137
01:03:15.760 --> 01:03:18.159
<v Speaker 1>you said, like trauma. Yeah, so at least then at

1138
01:03:18.199 --> 01:03:20.440
<v Speaker 1>the end when he has to step up, he knows

1139
01:03:21.119 --> 01:03:25.920
<v Speaker 1>with the buttons do yeah right, yeah, but right now

1140
01:03:25.960 --> 01:03:28.400
<v Speaker 1>he just feels like generic hero guy.

1141
01:03:30.239 --> 01:03:35.320
<v Speaker 2>Yeah. It's odd, you know, Yeah, I mean definitely like

1142
01:03:35.880 --> 01:03:40.400
<v Speaker 2>Hollywood was trying to make Liam Hemsworth happen because he

1143
01:03:40.440 --> 01:03:44.280
<v Speaker 2>was in one of the Expendables movies too, and I

1144
01:03:44.679 --> 01:03:46.719
<v Speaker 2>don't think it's really taken, you know.

1145
01:03:47.000 --> 01:03:50.960
<v Speaker 1>Yeah, yeah, I'm sure you know. Or maybe he's just

1146
01:03:50.960 --> 01:03:53.519
<v Speaker 1>not a leading man like maybe he'll do.

1147
01:03:54.039 --> 01:03:55.800
<v Speaker 2>Because he's in Hunger Games, right.

1148
01:03:57.679 --> 01:03:59.480
<v Speaker 3>The old ones or the new ones. I actually don't know.

1149
01:03:59.840 --> 01:04:01.000
<v Speaker 2>It isn't he I think he is.

1150
01:04:01.079 --> 01:04:03.440
<v Speaker 1>I'm just saying this is someone who's not an expert

1151
01:04:03.480 --> 01:04:03.760
<v Speaker 1>on them.

1152
01:04:04.480 --> 01:04:09.239
<v Speaker 2>I haven't seen them, but I feel fairly certain that

1153
01:04:09.239 --> 01:04:11.519
<v Speaker 2>he is. But my point is he's not a he's

1154
01:04:11.519 --> 01:04:13.159
<v Speaker 2>not a leading man in those in those films.

1155
01:04:13.199 --> 01:04:14.719
<v Speaker 1>Oh, yeah, you're right, you're right, you're right. I mean,

1156
01:04:14.760 --> 01:04:17.280
<v Speaker 1>I believe you. I just didn't know. Gail Hawthorne.

1157
01:04:17.559 --> 01:04:20.079
<v Speaker 2>There you go. I'm sure like a younger generation right

1158
01:04:20.119 --> 01:04:22.559
<v Speaker 2>now is like idiot. There's people listening to this throwing

1159
01:04:22.599 --> 01:04:25.760
<v Speaker 2>shit at their device and they're right, they're right to

1160
01:04:25.760 --> 01:04:31.440
<v Speaker 2>do it. Yeah. And he replaced Cavil on the Witcher.

1161
01:04:32.480 --> 01:04:39.679
<v Speaker 2>I believe that's right, man. I totally forgot about that. Yeah, yeah,

1162
01:04:39.719 --> 01:04:44.079
<v Speaker 2>I think that. Uh, you know, we're about to have

1163
01:04:44.159 --> 01:04:47.400
<v Speaker 2>you know, the the Aliens attack Giant Mountain and you

1164
01:04:47.400 --> 01:04:50.119
<v Speaker 2>know the whole line of succession gets wiped out. That

1165
01:04:50.199 --> 01:04:53.159
<v Speaker 2>really needed to be a bigger deal, you know, And

1166
01:04:53.199 --> 01:04:56.000
<v Speaker 2>I think it's weird to me again, like we know

1167
01:04:56.159 --> 01:04:59.400
<v Speaker 2>all the work that they did in the earlier film

1168
01:04:59.440 --> 01:05:05.519
<v Speaker 2>to build up you know, the the Whitmore President, so

1169
01:05:06.360 --> 01:05:09.559
<v Speaker 2>do the same thing with this. But the twist is

1170
01:05:09.559 --> 01:05:13.719
<v Speaker 2>that she dies. Yeah. Yeah, that's a good idea. Well

1171
01:05:13.760 --> 01:05:14.559
<v Speaker 2>that's that's perfect.

1172
01:05:14.559 --> 01:05:18.159
<v Speaker 1>Like you said, we get familiar beats that feel good

1173
01:05:18.199 --> 01:05:20.719
<v Speaker 1>to us for this world, but then yeah, subvert them

1174
01:05:20.760 --> 01:05:21.280
<v Speaker 1>a little.

1175
01:05:21.039 --> 01:05:25.159
<v Speaker 2>Bit, a little bit. Yeah, see this, this whole storyline

1176
01:05:25.159 --> 01:05:26.800
<v Speaker 2>with the with the salvage team.

1177
01:05:27.760 --> 01:05:30.159
<v Speaker 3>Yeah, yeah, they're kind of forgettable.

1178
01:05:30.159 --> 01:05:32.920
<v Speaker 2>Totally forgettable. They have no bearing on the rest of

1179
01:05:32.960 --> 01:05:33.400
<v Speaker 2>the story.

1180
01:05:34.400 --> 01:05:36.079
<v Speaker 1>I wasn't going to comment on it because I can't

1181
01:05:36.119 --> 01:05:38.719
<v Speaker 1>even remember, so I believe you, Yeah.

1182
01:05:38.639 --> 01:05:44.760
<v Speaker 2>I mean, it has no impact. I don't believe yeah, yeah,

1183
01:05:44.840 --> 01:05:45.039
<v Speaker 2>you know.

1184
01:05:45.079 --> 01:05:48.039
<v Speaker 1>I was also thinking if that ship or whatever you

1185
01:05:48.039 --> 01:05:50.960
<v Speaker 1>want to call it is drilling into the Earth almost

1186
01:05:51.000 --> 01:05:54.719
<v Speaker 1>reaching the core, Yeah, doesn't that like forever change the

1187
01:05:54.880 --> 01:05:56.119
<v Speaker 1>stability of our planet?

1188
01:05:56.480 --> 01:05:59.119
<v Speaker 2>Yeah? Yeah, there's there's no coming back from that, right,

1189
01:05:59.320 --> 01:06:02.840
<v Speaker 2>Like I mean, like tons of ocean like leaking now

1190
01:06:02.880 --> 01:06:06.719
<v Speaker 2>into the center of the Earth. Like, yeah, that feels big.

1191
01:06:06.960 --> 01:06:10.599
<v Speaker 1>Yeah, I'm no expert, but well, to be fair, they

1192
01:06:10.599 --> 01:06:12.719
<v Speaker 1>wanted to make a sequel, so maybe they would have

1193
01:06:12.719 --> 01:06:14.159
<v Speaker 1>told us.

1194
01:06:14.599 --> 01:06:17.079
<v Speaker 2>Which I mean, the ending of this movie is like

1195
01:06:17.119 --> 01:06:21.559
<v Speaker 2>a threat. You know What's funny. By the way, I

1196
01:06:21.559 --> 01:06:24.079
<v Speaker 2>don't even know how, but I have this movie.

1197
01:06:24.800 --> 01:06:28.239
<v Speaker 1>So I well, probably my friend from Fox, but I

1198
01:06:28.239 --> 01:06:29.760
<v Speaker 1>think he might have give me a blue ray or something.

1199
01:06:29.760 --> 01:06:32.280
<v Speaker 1>But and so I just whenever I get a code,

1200
01:06:32.280 --> 01:06:35.880
<v Speaker 1>I always download the code. So my voodoo lockers yours

1201
01:06:35.960 --> 01:06:38.920
<v Speaker 1>is like brilliant and curated and filled with amazing things,

1202
01:06:38.920 --> 01:06:40.840
<v Speaker 1>and mine is just random stuff I got over the

1203
01:06:40.920 --> 01:06:44.800
<v Speaker 1>years for free, you know. And anyway, so I was

1204
01:06:45.639 --> 01:06:47.679
<v Speaker 1>watching it that way, and I saw there were bonus

1205
01:06:47.679 --> 01:06:50.039
<v Speaker 1>features and there's a bunch of deleted scenes.

1206
01:06:50.679 --> 01:06:53.559
<v Speaker 2>Did you see them? I did not. I saw that

1207
01:06:53.599 --> 01:06:56.559
<v Speaker 2>they existed, but by then I was quite quite done

1208
01:06:56.599 --> 01:06:57.119
<v Speaker 2>with this film.

1209
01:06:57.159 --> 01:06:59.159
<v Speaker 1>I watched one and I got about twenty seconds in

1210
01:06:59.199 --> 01:07:00.679
<v Speaker 1>and I was like, I don't I don't have to

1211
01:07:00.719 --> 01:07:04.079
<v Speaker 1>do this, so I stopped. But one of them is,

1212
01:07:04.199 --> 01:07:07.840
<v Speaker 1>uh has Fred Armison in it? Fascinating I was like, wow,

1213
01:07:07.920 --> 01:07:12.079
<v Speaker 1>that he would have injected some fun energy into this movie.

1214
01:07:12.280 --> 01:07:17.840
<v Speaker 2>I could see Fred Armison as doctor Oakin's son, you know, yeah, sure,

1215
01:07:17.920 --> 01:07:21.760
<v Speaker 2>it's like a minime version of Oakin. Yeah ah ookod

1216
01:07:26.199 --> 01:07:27.239
<v Speaker 2>you know, I don't know.

1217
01:07:28.119 --> 01:07:30.400
<v Speaker 1>Something struck me and it's striking me again, So I'm

1218
01:07:30.400 --> 01:07:32.639
<v Speaker 1>just going to bring it up. But when what's his

1219
01:07:32.719 --> 01:07:37.519
<v Speaker 1>name Spiner back? Anyway, he's got this sackish oaken.

1220
01:07:37.599 --> 01:07:39.760
<v Speaker 2>You put some respect on his name, yes, Oakin.

1221
01:07:40.920 --> 01:07:43.079
<v Speaker 1>I'm like, so, what's the Why are we spending all

1222
01:07:43.079 --> 01:07:45.400
<v Speaker 1>this time on this saw that doesn't work? Just so

1223
01:07:45.440 --> 01:07:47.239
<v Speaker 1>he can go and get an go up a ladder

1224
01:07:47.280 --> 01:07:49.400
<v Speaker 1>and get another saw that and then go back down

1225
01:07:49.440 --> 01:07:50.400
<v Speaker 1>and try it again and then.

1226
01:07:50.280 --> 01:07:53.039
<v Speaker 3>It does work. Why are we spending minutes on this?

1227
01:07:54.480 --> 01:07:59.159
<v Speaker 2>I assume it's to show that this you know, apple

1228
01:07:59.320 --> 01:08:02.519
<v Speaker 2>poke ball that they're trying to slice through is difficult

1229
01:08:02.559 --> 01:08:06.840
<v Speaker 2>to open. Yeah, like human technology, regular human technology doesn't

1230
01:08:06.840 --> 01:08:10.800
<v Speaker 2>do it fair. But yeah, I have to use that.

1231
01:08:12.320 --> 01:08:16.319
<v Speaker 2>I'm assuming those more efficient ways. Yeah, no, yeah, I

1232
01:08:16.359 --> 01:08:19.600
<v Speaker 2>guess I see it. I think this part here, I mean,

1233
01:08:19.640 --> 01:08:22.399
<v Speaker 2>obviously the closest parallel with the earlier film is that

1234
01:08:22.479 --> 01:08:26.560
<v Speaker 2>first assault. You know that you have Will Smith and

1235
01:08:26.560 --> 01:08:28.560
<v Speaker 2>Harry Connick Junior, et cetera. You know that they lead

1236
01:08:28.560 --> 01:08:32.439
<v Speaker 2>against the ship. But you know, that sequence works partly

1237
01:08:32.479 --> 01:08:34.439
<v Speaker 2>because of kind of what we talked about, where it's

1238
01:08:34.840 --> 01:08:41.439
<v Speaker 2>there are ships there, they're earth ships, but also like it,

1239
01:08:42.119 --> 01:08:48.600
<v Speaker 2>the stakes are within scale. You know this, this feels

1240
01:08:48.640 --> 01:08:52.720
<v Speaker 2>like a third act sequence. Yes, that they've dropped into

1241
01:08:52.720 --> 01:08:55.479
<v Speaker 2>the middle of the movie. You know, and when you

1242
01:08:55.479 --> 01:08:58.359
<v Speaker 2>think about it, in the earlier film you have exactly this.

1243
01:08:58.479 --> 01:09:01.119
<v Speaker 2>You have the president and and you know, the cabinet

1244
01:09:01.159 --> 01:09:05.760
<v Speaker 2>members watching on a screen as as like icons drop out,

1245
01:09:05.840 --> 01:09:12.239
<v Speaker 2>you know, and yet that's so much more impactful. Yeah,

1246
01:09:12.479 --> 01:09:14.239
<v Speaker 2>and it's one of them, like I'm watching this and

1247
01:09:14.279 --> 01:09:19.840
<v Speaker 2>I'm trying to just unravel it, like why isn't this landing?

1248
01:09:20.119 --> 01:09:21.359
<v Speaker 1>You know, it's funny, by the way, so look at

1249
01:09:21.359 --> 01:09:23.159
<v Speaker 1>all this melee happening across the screen.

1250
01:09:23.239 --> 01:09:23.680
<v Speaker 2>Just blah.

1251
01:09:24.520 --> 01:09:27.000
<v Speaker 1>It reminded me of that incredible shot in Return of

1252
01:09:27.039 --> 01:09:29.560
<v Speaker 1>the Jedi during the final battle where you see the

1253
01:09:29.600 --> 01:09:33.359
<v Speaker 1>ship and there's just chaos happening and it's only one

1254
01:09:33.399 --> 01:09:36.600
<v Speaker 1>shot to make you go, holy crap, like this is

1255
01:09:36.600 --> 01:09:38.399
<v Speaker 1>a big deal. And also how did they do that?

1256
01:09:38.640 --> 01:09:40.920
<v Speaker 1>You know in nineteen eighty three, like that, Wow, look

1257
01:09:40.920 --> 01:09:44.800
<v Speaker 1>what they're capable of. But you can't have every shot

1258
01:09:44.840 --> 01:09:45.359
<v Speaker 1>look like that.

1259
01:09:46.159 --> 01:09:47.840
<v Speaker 2>I think that might be it, you know what I mean?

1260
01:09:47.920 --> 01:09:51.399
<v Speaker 1>Every shot here looks like that crazy hard to follow

1261
01:09:51.520 --> 01:09:53.880
<v Speaker 1>shot like you do that in Jedi with one shot

1262
01:09:53.920 --> 01:09:57.159
<v Speaker 1>to help us understand how crazy this is. And then

1263
01:09:57.199 --> 01:10:00.880
<v Speaker 1>we focus on our heroes doing their thing, but here

1264
01:10:01.399 --> 01:10:03.600
<v Speaker 1>just because they can. Every shot looks like that, and

1265
01:10:03.600 --> 01:10:05.359
<v Speaker 1>then I don't know what to put my eyes on.

1266
01:10:07.760 --> 01:10:11.159
<v Speaker 2>That's really yeah, I think that's it. Yeah.

1267
01:10:11.199 --> 01:10:14.600
<v Speaker 1>And also thinking of the first movie, we're really well,

1268
01:10:14.720 --> 01:10:19.560
<v Speaker 1>we're endeared to Will Smith and that score.

1269
01:10:19.319 --> 01:10:21.600
<v Speaker 3>Is amazing, so I was going to bring that up.

1270
01:10:21.680 --> 01:10:24.720
<v Speaker 1>Yeah, yes, and then when it just becomes about him

1271
01:10:24.760 --> 01:10:28.600
<v Speaker 1>and this one ship and it's it's cool. It's like, yeah,

1272
01:10:28.640 --> 01:10:33.000
<v Speaker 1>a fighter jet and a UFO basically going off and

1273
01:10:33.079 --> 01:10:38.680
<v Speaker 1>having this crazy dog fight with one another. It's it's rousing,

1274
01:10:38.800 --> 01:10:40.680
<v Speaker 1>you know what I mean, Like it's I'm getting like

1275
01:10:40.880 --> 01:10:43.000
<v Speaker 1>energized thinking about this other movie right now.

1276
01:10:43.479 --> 01:10:47.000
<v Speaker 2>Yeah, you know, I mean, you know that we care enough,

1277
01:10:47.119 --> 01:10:51.079
<v Speaker 2>we have just enough emotional attachment to Harry Connick Junior.

1278
01:10:51.520 --> 01:10:55.039
<v Speaker 2>Yes that you know when he takes a mask off

1279
01:10:55.039 --> 01:10:56.520
<v Speaker 2>and he's like, put your mask back on, and then

1280
01:10:56.520 --> 01:10:59.319
<v Speaker 2>he explodes and we feel it. Yep. Right, and that

1281
01:10:59.760 --> 01:11:02.960
<v Speaker 2>means something. And again this is where my boy Charlie

1282
01:11:03.000 --> 01:11:05.760
<v Speaker 2>he got to go mm hmm, yeah, he had to

1283
01:11:05.760 --> 01:11:10.159
<v Speaker 2>get exploded. Sorry Charlie, Sorry Charlie. Yeah.

1284
01:11:10.159 --> 01:11:13.520
<v Speaker 1>But no, I think they pushed it too far to

1285
01:11:13.560 --> 01:11:15.479
<v Speaker 1>the point where we lose focus of what we're supposed

1286
01:11:15.479 --> 01:11:17.000
<v Speaker 1>to focus on. I think we don't care about these

1287
01:11:17.039 --> 01:11:20.800
<v Speaker 1>characters enough. I just think the craft was better in

1288
01:11:20.840 --> 01:11:21.399
<v Speaker 1>the first one.

1289
01:11:22.439 --> 01:11:27.000
<v Speaker 2>See and score, that's that's the So the David Arnold

1290
01:11:27.880 --> 01:11:33.520
<v Speaker 2>brought such an important identity to the first film that

1291
01:11:33.560 --> 01:11:37.079
<v Speaker 2>when you watch this film you realize that the only

1292
01:11:37.159 --> 01:11:40.039
<v Speaker 2>times the score really comes to life is when they

1293
01:11:40.399 --> 01:11:44.760
<v Speaker 2>when they pipe in the O G music. H So

1294
01:11:44.920 --> 01:11:46.359
<v Speaker 2>you know we hear a little bit of it here,

1295
01:11:47.119 --> 01:11:49.000
<v Speaker 2>not not in this part, but like later in the film,

1296
01:11:49.039 --> 01:11:50.680
<v Speaker 2>and then you know, over the end credits. And I

1297
01:11:50.680 --> 01:11:53.039
<v Speaker 2>remember watching this in theater being like, oh, that's what

1298
01:11:53.159 --> 01:11:55.279
<v Speaker 2>was missing, any of that?

1299
01:11:56.079 --> 01:11:57.239
<v Speaker 3>Yeah, you know.

1300
01:11:57.439 --> 01:12:00.439
<v Speaker 2>And and I wonder was David Arnold like nope, sorry,

1301
01:12:01.279 --> 01:12:03.439
<v Speaker 2>uh I saw that.

1302
01:12:04.079 --> 01:12:06.520
<v Speaker 1>He mentioned on his own Twitter account he was not

1303
01:12:06.680 --> 01:12:08.319
<v Speaker 1>asked to score the sequel.

1304
01:12:08.800 --> 01:12:11.680
<v Speaker 2>That is baffling to me, Like, I think he dodged

1305
01:12:11.720 --> 01:12:15.760
<v Speaker 2>a bullet. Yeah, well, I mean but he missed a paycheck.

1306
01:12:16.039 --> 01:12:17.640
<v Speaker 2>He missed a paycheck. But I mean, but at this

1307
01:12:17.720 --> 01:12:19.479
<v Speaker 2>point he was doing the Bond film, so he's probably

1308
01:12:19.520 --> 01:12:26.000
<v Speaker 2>doing fine. Yeah, but but that's weird to me because Stargate,

1309
01:12:27.520 --> 01:12:31.840
<v Speaker 2>in Independence Day and Godzilla, all three of those movies,

1310
01:12:32.079 --> 01:12:38.079
<v Speaker 2>David Arnold elevates every single one of those experiences substantially.

1311
01:12:37.399 --> 01:12:43.399
<v Speaker 3>And those Bond scores are incredible. Yeah yeah, yeah, yeah,

1312
01:12:43.439 --> 01:12:45.439
<v Speaker 3>So that's.

1313
01:12:44.560 --> 01:12:48.600
<v Speaker 2>Just weird, you know. Yeah, Like like it's funny because

1314
01:12:48.760 --> 01:12:51.640
<v Speaker 2>he didn't score The Patriot, right, and you're like, well,

1315
01:12:51.640 --> 01:12:53.760
<v Speaker 2>why wouldn't you get David l oh Well, John Williams.

1316
01:12:53.800 --> 01:13:01.319
<v Speaker 2>That's why got right. That's like, that's the only acceptable substitute.

1317
01:13:02.560 --> 01:13:05.039
<v Speaker 2>If you got John Williams to do this, maybe I'm interested,

1318
01:13:05.079 --> 01:13:05.680
<v Speaker 2>you know, I'd like.

1319
01:13:05.640 --> 01:13:08.359
<v Speaker 1>To watch that again, The Patriot. I remember liking that movie.

1320
01:13:08.399 --> 01:13:09.319
<v Speaker 1>I haven't seen it in a while.

1321
01:13:09.560 --> 01:13:14.359
<v Speaker 2>I remember it feels like prestige meets Rollan Emeric.

1322
01:13:15.319 --> 01:13:19.239
<v Speaker 1>Yes in a successful way, right, a little elevated for

1323
01:13:19.319 --> 01:13:21.439
<v Speaker 1>a Rollin Emerick movie, but it still has the like,

1324
01:13:22.279 --> 01:13:27.640
<v Speaker 1>you know, sniveling bad guy, stupid boy. Yeah exactly exactly,

1325
01:13:27.880 --> 01:13:29.560
<v Speaker 1>And it's like, yeah, I know, I.

1326
01:13:29.520 --> 01:13:31.279
<v Speaker 2>Know the Church put the people in the church and

1327
01:13:31.319 --> 01:13:38.560
<v Speaker 2>put it. But you're like, oh, that guy's gotta pay. Yeah,

1328
01:13:38.560 --> 01:13:40.479
<v Speaker 2>it's fine. I was watching a few minutes of that,

1329
01:13:40.520 --> 01:13:42.439
<v Speaker 2>and my oldest just like, hey, we've never seen this.

1330
01:13:42.560 --> 01:13:46.000
<v Speaker 2>I'm like, maybe we will. Maybe we will. Son, Maybe

1331
01:13:47.079 --> 01:13:51.359
<v Speaker 2>maybe we will, boy, maybe we will. Yeah that was

1332
01:13:51.520 --> 01:13:55.479
<v Speaker 2>that was peek Mel Gibson, Oh, totally yeah. Right. It

1333
01:13:55.880 --> 01:13:58.640
<v Speaker 2>feels like there was sort of a rapid dissent that

1334
01:13:58.720 --> 01:14:05.720
<v Speaker 2>followed a shortly after her. Ye ye, well there you go.

1335
01:14:05.800 --> 01:14:09.439
<v Speaker 2>But yeah, so this sequence here again, you know, I

1336
01:14:09.880 --> 01:14:12.640
<v Speaker 2>think the missed opportunity is you've got a great actress

1337
01:14:12.640 --> 01:14:16.920
<v Speaker 2>and Celia a Ward and and this, so you know,

1338
01:14:16.960 --> 01:14:19.560
<v Speaker 2>we're at roughly the halfway point here the death of

1339
01:14:19.600 --> 01:14:24.159
<v Speaker 2>the president should really hit yeah, and and it just

1340
01:14:24.279 --> 01:14:29.119
<v Speaker 2>doesn't for whatever reason. I know, like like, you know,

1341
01:14:29.920 --> 01:14:34.000
<v Speaker 2>Patricia has a relationship with her. Clearly we don't see

1342
01:14:34.000 --> 01:14:38.720
<v Speaker 2>her react, you know, like, yeah, that's a good point,

1343
01:14:39.720 --> 01:14:42.079
<v Speaker 2>Like just just play it off of her face, you know,

1344
01:14:43.600 --> 01:14:46.680
<v Speaker 2>you know, the people come in to administer the oath

1345
01:14:46.720 --> 01:14:49.600
<v Speaker 2>to Fickner, and then we just see her face and

1346
01:14:49.640 --> 01:14:52.439
<v Speaker 2>maybe you know, she's we just see a tear rolling

1347
01:14:52.439 --> 01:14:53.079
<v Speaker 2>down her cheeks.

1348
01:14:53.079 --> 01:14:54.680
<v Speaker 3>Something you know something something.

1349
01:14:54.760 --> 01:14:54.960
<v Speaker 2>Yeah.

1350
01:14:57.880 --> 01:15:01.399
<v Speaker 1>You know what's interesting is they do have of books

1351
01:15:02.359 --> 01:15:05.880
<v Speaker 1>that came out after the first movie, So there have

1352
01:15:06.119 --> 01:15:07.199
<v Speaker 1>been sequels written.

1353
01:15:07.239 --> 01:15:08.159
<v Speaker 3>I don't know what they're about.

1354
01:15:08.199 --> 01:15:10.800
<v Speaker 1>I didn't really dig into it that I thought that was

1355
01:15:10.840 --> 01:15:14.319
<v Speaker 1>kind of fascinating and I wonder what those stories were interesting.

1356
01:15:14.439 --> 01:15:18.399
<v Speaker 2>Yeah, yeah, you know, there were sequel novels to Stargate

1357
01:15:19.960 --> 01:15:24.720
<v Speaker 2>before the television show started that I did read, and

1358
01:15:24.800 --> 01:15:28.319
<v Speaker 2>those were fascinating because especially like in light of the

1359
01:15:28.359 --> 01:15:31.920
<v Speaker 2>TV show, you see, because my sense is that they

1360
01:15:31.960 --> 01:15:35.680
<v Speaker 2>were based on Emeric and Devlin's ideas for what they

1361
01:15:35.680 --> 01:15:37.960
<v Speaker 2>would have done with Stargate. No interesting, so it just

1362
01:15:38.039 --> 01:15:41.000
<v Speaker 2>it went in a vastly different direction, you know. Yeah,

1363
01:15:41.079 --> 01:15:43.439
<v Speaker 2>so I would assume Independence Day is something similar. You know.

1364
01:15:43.640 --> 01:15:45.479
<v Speaker 1>It's kind of cool, I mean, especially if you're a fan.

1365
01:15:47.239 --> 01:15:50.359
<v Speaker 1>By the way, so the Fickener's swearing in thing. Yeah,

1366
01:15:50.399 --> 01:15:52.239
<v Speaker 1>like we didn't even get like a close up of

1367
01:15:52.359 --> 01:15:55.199
<v Speaker 1>like him hearing the news that the president has passed away.

1368
01:15:55.239 --> 01:15:56.439
<v Speaker 3>You know, it'd be kind of interesting. I don't know

1369
01:15:56.520 --> 01:15:57.000
<v Speaker 3>any I think.

1370
01:15:56.880 --> 01:15:59.960
<v Speaker 1>It's Elizabeth if you know, it's like, well, the president

1371
01:16:00.039 --> 01:16:01.760
<v Speaker 1>and is dead now and just seeing him go like

1372
01:16:01.920 --> 01:16:06.039
<v Speaker 1>Elizabeth like she's a person, yeah, you know, like and

1373
01:16:06.079 --> 01:16:09.399
<v Speaker 1>then it's like now it's you and him is standing

1374
01:16:09.439 --> 01:16:11.399
<v Speaker 1>straighter and like, okay, well I gotta do what I

1375
01:16:11.439 --> 01:16:14.239
<v Speaker 1>gotta do, like just something to bring some humanity into it.

1376
01:16:14.439 --> 01:16:16.640
<v Speaker 1>But it's we don't really get a reaction from him.

1377
01:16:16.880 --> 01:16:18.520
<v Speaker 1>He puts his hand on the Bible and then we're out,

1378
01:16:18.520 --> 01:16:20.800
<v Speaker 1>we cut to something else. It's like, now let's let's

1379
01:16:20.880 --> 01:16:21.560
<v Speaker 1>live in this here.

1380
01:16:22.079 --> 01:16:25.359
<v Speaker 2>Yeah yeah, And I think part of it, I mean

1381
01:16:25.399 --> 01:16:27.039
<v Speaker 2>it just Fickner is such a good actor.

1382
01:16:27.560 --> 01:16:29.479
<v Speaker 3>Yeah, oh yeah, yeah, you know.

1383
01:16:29.560 --> 01:16:34.359
<v Speaker 2>And it's just it helps that that he carries a

1384
01:16:34.359 --> 01:16:37.439
<v Speaker 2>certain gravitas, you know. H Like, I think it's interesting

1385
01:16:37.479 --> 01:16:40.439
<v Speaker 2>like in in the Dark Night he that could have

1386
01:16:40.439 --> 01:16:41.720
<v Speaker 2>been anybody.

1387
01:16:41.920 --> 01:16:43.640
<v Speaker 3>Sure, Yeah, yeah, it's kind of interesting.

1388
01:16:43.720 --> 01:16:46.119
<v Speaker 1>Would you you think he's going to be a bigger character,

1389
01:16:46.359 --> 01:16:46.880
<v Speaker 1>right yeah?

1390
01:16:46.880 --> 01:16:49.680
<v Speaker 2>And I think it's just as now he's gonna bring

1391
01:16:49.760 --> 01:16:53.760
<v Speaker 2>like you're gonna remember him. H you know. Uh, So

1392
01:16:53.880 --> 01:16:56.560
<v Speaker 2>that that is that is frustrating that you know, we

1393
01:16:56.600 --> 01:17:00.079
<v Speaker 2>don't we don't do something more interesting with him, and

1394
01:17:00.079 --> 01:17:05.760
<v Speaker 2>and you know, have have Wit more be there as

1395
01:17:05.920 --> 01:17:10.479
<v Speaker 2>kind of a mentor figure m instead of like this

1396
01:17:10.600 --> 01:17:13.359
<v Speaker 2>right here, this is supposed to be the equivalent of

1397
01:17:13.520 --> 01:17:19.439
<v Speaker 2>the yes we will not go quietly speech. Yeah, man,

1398
01:17:19.520 --> 01:17:22.159
<v Speaker 2>does this suck? It? Does? You know?

1399
01:17:22.279 --> 01:17:24.079
<v Speaker 1>Not just for us as an audience, but I do

1400
01:17:24.159 --> 01:17:26.760
<v Speaker 1>wonder if you were there in that room, if you'd

1401
01:17:26.760 --> 01:17:30.359
<v Speaker 1>be like, oh, he's like doing the thing, and it's like,

1402
01:17:30.439 --> 01:17:32.800
<v Speaker 1>I don't know if this is meeting the moment, Like

1403
01:17:32.880 --> 01:17:36.000
<v Speaker 1>this is kind of uncomfortable, you know.

1404
01:17:36.079 --> 01:17:41.880
<v Speaker 2>It feels like in Rise of Skywalker, where remember when

1405
01:17:42.359 --> 01:17:46.359
<v Speaker 2>when Orlando gives Poe like the inspirational.

1406
01:17:45.800 --> 01:17:51.039
<v Speaker 3>Speech oh yes, yes, yes, yes, yes right, and.

1407
01:17:51.359 --> 01:17:53.840
<v Speaker 2>Like I feel like, I mean, that's not like raw

1408
01:17:53.920 --> 01:17:56.760
<v Speaker 2>Ra in this, but I feel like that hits certain

1409
01:17:56.800 --> 01:18:01.479
<v Speaker 2>beats that make it work. And this could have been

1410
01:18:01.520 --> 01:18:04.960
<v Speaker 2>at least at that level. But it's like the wrong

1411
01:18:05.079 --> 01:18:08.279
<v Speaker 2>time in the movie. It feels like yeah, yeah right,

1412
01:18:08.319 --> 01:18:10.239
<v Speaker 2>but it didn't have to be because we did just

1413
01:18:10.279 --> 01:18:13.159
<v Speaker 2>lose the president, Like this could be that that that

1414
01:18:13.279 --> 01:18:18.439
<v Speaker 2>really low moment and we're seeing everybody like all is lost,

1415
01:18:18.720 --> 01:18:21.359
<v Speaker 2>Like what holds do we have? So you give that

1416
01:18:22.199 --> 01:18:27.520
<v Speaker 2>angst to William Fickner. Yeah, and then you have whitmore

1417
01:18:27.560 --> 01:18:32.920
<v Speaker 2>coming in yes right, yes, and be the Lando Yep,

1418
01:18:34.520 --> 01:18:40.119
<v Speaker 2>you fixed it. You're very good at this, that's I

1419
01:18:40.439 --> 01:18:43.279
<v Speaker 2>have to say whenever. I mean, I was not expecting

1420
01:18:43.359 --> 01:18:45.760
<v Speaker 2>to revisit this ten years later and be like, holy shit,

1421
01:18:45.840 --> 01:18:48.319
<v Speaker 2>what a hidden gem I missed? You know, I say,

1422
01:18:48.439 --> 01:18:51.000
<v Speaker 2>figured my opinion would stay the same, but I was like,

1423
01:18:51.039 --> 01:18:53.680
<v Speaker 2>you know, I feel like we'll have an interesting discussion same.

1424
01:18:53.520 --> 01:18:56.840
<v Speaker 1>And I you know, I don't regret rewatching it.

1425
01:18:56.840 --> 01:18:57.800
<v Speaker 2>It is fascinating.

1426
01:18:58.680 --> 01:19:02.000
<v Speaker 1>I think sometimes this is some of the most interesting

1427
01:19:02.039 --> 01:19:04.239
<v Speaker 1>things we can do. I'm just I don't know if

1428
01:19:04.239 --> 01:19:05.800
<v Speaker 1>it is anybody else, but for me and you like,

1429
01:19:06.039 --> 01:19:07.680
<v Speaker 1>it's kind of cool to watch this and go, wait,

1430
01:19:07.680 --> 01:19:10.159
<v Speaker 1>why is this not working? Let's think about it. Let's spitball.

1431
01:19:10.199 --> 01:19:12.680
<v Speaker 1>What what could we tweak that's already here? How can

1432
01:19:12.720 --> 01:19:15.159
<v Speaker 1>we tweak this and get it on track? That's always

1433
01:19:15.239 --> 01:19:17.239
<v Speaker 1>kind of a fun exercise with you.

1434
01:19:17.439 --> 01:19:20.520
<v Speaker 2>Yeah, well, well what we're seeing right there? With that,

1435
01:19:20.640 --> 01:19:25.600
<v Speaker 2>with that again that that apple poke ball, this other

1436
01:19:25.840 --> 01:19:29.159
<v Speaker 2>race is involved, right yes, And to me, this is

1437
01:19:29.239 --> 01:19:32.520
<v Speaker 2>probably the single most interesting part of the story is

1438
01:19:32.560 --> 01:19:38.399
<v Speaker 2>that other races that these freakin' assholes have have conquered

1439
01:19:39.479 --> 01:19:42.600
<v Speaker 2>have sought us out because because they're like, we're the

1440
01:19:42.640 --> 01:19:51.119
<v Speaker 2>only ones who've defeated them. Help us Yep, that's interesting. Yeah,

1441
01:19:51.359 --> 01:19:54.079
<v Speaker 2>but I think you need to give us a window

1442
01:19:54.119 --> 01:19:58.159
<v Speaker 2>into that, you know, like show us even if it's

1443
01:19:58.159 --> 01:20:00.920
<v Speaker 2>like on a screen, like in that thing, showing images

1444
01:20:00.960 --> 01:20:05.000
<v Speaker 2>of all these other worlds that have been raised by

1445
01:20:05.159 --> 01:20:09.840
<v Speaker 2>by these aliens. Right, Yeah, but the problem is forget

1446
01:20:10.119 --> 01:20:12.399
<v Speaker 2>these like quote unquote good guy aliens. We don't get

1447
01:20:12.399 --> 01:20:15.720
<v Speaker 2>any insight into them. We don't get any additional insight

1448
01:20:15.760 --> 01:20:19.239
<v Speaker 2>into the bad guy aliens. Yeah at all.

1449
01:20:19.920 --> 01:20:23.239
<v Speaker 3>Yeah, they're just yeah creatures in shadow.

1450
01:20:24.039 --> 01:20:28.520
<v Speaker 2>Yeah, right, Like I think I think that's you're missed opportunity, right,

1451
01:20:28.560 --> 01:20:34.600
<v Speaker 2>because like the film, this one starts with you know,

1452
01:20:34.720 --> 01:20:38.479
<v Speaker 2>the the alien queen or whatever you know, comes across

1453
01:20:38.640 --> 01:20:41.119
<v Speaker 2>the first film on TBS or something gets pissed off.

1454
01:20:44.840 --> 01:20:50.600
<v Speaker 2>Actually what happens. Yeah, it's like and there's Pullman's speech

1455
01:20:50.640 --> 01:20:51.319
<v Speaker 2>and they get all mad.

1456
01:20:51.479 --> 01:20:53.600
<v Speaker 3>Yeah, it's like being being through space or something, right,

1457
01:20:53.640 --> 01:20:53.960
<v Speaker 3>and they.

1458
01:20:55.159 --> 01:20:57.960
<v Speaker 2>Which I mean literally because it's like the exact footage

1459
01:20:58.000 --> 01:21:01.439
<v Speaker 2>from the movie. Yeah, how did they get that footage?

1460
01:21:02.800 --> 01:21:08.479
<v Speaker 2>You know that's funny because that's in Godzilla the Emeric

1461
01:21:08.600 --> 01:21:11.199
<v Speaker 2>and Devil in Godzilla, if you remember, it's a plot

1462
01:21:11.239 --> 01:21:13.600
<v Speaker 2>point about how there's like the footage of the old

1463
01:21:13.680 --> 01:21:15.800
<v Speaker 2>Japanese man. Do you remember this?

1464
01:21:16.000 --> 01:21:18.800
<v Speaker 3>It's like Quotira, Yeah, I do remember the man, but.

1465
01:21:19.159 --> 01:21:23.199
<v Speaker 2>Yeah, and it's like that footage, Like it's like they

1466
01:21:23.239 --> 01:21:25.399
<v Speaker 2>it's like the characters in the movie have the rushes

1467
01:21:25.399 --> 01:21:28.960
<v Speaker 2>from the movie, right, right, right, because it's the exact

1468
01:21:29.000 --> 01:21:31.359
<v Speaker 2>same angle. It's like what we saw in the movie,

1469
01:21:31.479 --> 01:21:37.439
<v Speaker 2>right right, that's something similar here, you know, but based

1470
01:21:37.439 --> 01:21:39.359
<v Speaker 2>on what we've seen the original film, the sense is

1471
01:21:39.359 --> 01:21:42.920
<v Speaker 2>like they're not They don't think of us as as

1472
01:21:43.039 --> 01:21:47.560
<v Speaker 2>as intelligent species. We're just insects to be to be eradicated, right,

1473
01:21:48.399 --> 01:21:58.479
<v Speaker 2>So what would make them want revenge? Right? Like, yeah,

1474
01:21:58.560 --> 01:22:01.039
<v Speaker 2>there's like there's something interest there. Right, this is the

1475
01:22:01.079 --> 01:22:05.760
<v Speaker 2>first time they've had somebody defeat them, and now they

1476
01:22:05.800 --> 01:22:07.800
<v Speaker 2>realize there's more twists than you know what I mean,

1477
01:22:07.880 --> 01:22:10.000
<v Speaker 2>like because their plan is different in this one. Oh,

1478
01:22:10.039 --> 01:22:12.880
<v Speaker 2>they're doing the drilling into the you know, the core

1479
01:22:12.960 --> 01:22:14.600
<v Speaker 2>or whatever. Well they didn't do that before.

1480
01:22:14.520 --> 01:22:18.479
<v Speaker 1>Right, and that it's like for an energy source, right, right,

1481
01:22:18.600 --> 01:22:21.720
<v Speaker 1>So what's different like get into that right? Yeah, I mean,

1482
01:22:21.760 --> 01:22:24.760
<v Speaker 1>I guess it's hard to reconcile why it took them

1483
01:22:24.760 --> 01:22:28.359
<v Speaker 1>twenty years to retaliate, but maybe it doesn't have to

1484
01:22:28.359 --> 01:22:30.439
<v Speaker 1>be twenty years.

1485
01:22:30.119 --> 01:22:32.239
<v Speaker 2>That's that's a good point. Actually, didn't need to be

1486
01:22:32.239 --> 01:22:34.119
<v Speaker 2>twenty years. I do like that though. Yeah, this is

1487
01:22:34.159 --> 01:22:35.880
<v Speaker 2>their first defeat. Well maybe not.

1488
01:22:36.000 --> 01:22:38.439
<v Speaker 1>I guess it's this other species that defeated them once.

1489
01:22:38.520 --> 01:22:43.279
<v Speaker 1>But well, so they're being they need help because they

1490
01:22:43.319 --> 01:22:45.279
<v Speaker 1>know how to defeat them, but they're being sort of

1491
01:22:45.479 --> 01:22:48.079
<v Speaker 1>pummeled for it, I guess yeah, and so maybe yeah,

1492
01:22:48.319 --> 01:22:50.319
<v Speaker 1>now they're going to retaliate against us, and they can say, like,

1493
01:22:50.399 --> 01:22:52.479
<v Speaker 1>that's what they do. You hold them off you that's great,

1494
01:22:52.840 --> 01:22:54.800
<v Speaker 1>but they come back and they come back harder.

1495
01:22:55.359 --> 01:23:00.239
<v Speaker 2>Yeah, see that's interesting. Yeah, and it's like we we

1496
01:23:00.399 --> 01:23:03.760
<v Speaker 2>got cocky mm hmmm, because we're like, hey, we kick

1497
01:23:03.840 --> 01:23:05.520
<v Speaker 2>their asses and it's been twenty years they haven't come

1498
01:23:05.520 --> 01:23:06.640
<v Speaker 2>back and we just weren't ready.

1499
01:23:06.720 --> 01:23:09.920
<v Speaker 3>And now we have flying cars and everything's cool, right.

1500
01:23:10.039 --> 01:23:13.720
<v Speaker 2>Yeah. Yeah.

1501
01:23:14.239 --> 01:23:17.439
<v Speaker 1>I do love what Emeric does really well is he

1502
01:23:18.720 --> 01:23:22.680
<v Speaker 1>makes his movies worldwide stories, and like you were saying

1503
01:23:22.680 --> 01:23:25.199
<v Speaker 1>earlier with the Warlord character, I do like that he

1504
01:23:26.359 --> 01:23:27.199
<v Speaker 1>his experience.

1505
01:23:27.880 --> 01:23:29.119
<v Speaker 3>You know, the world's a big place.

1506
01:23:29.880 --> 01:23:32.119
<v Speaker 1>He had a different experience over there with these aliens

1507
01:23:32.119 --> 01:23:35.399
<v Speaker 1>because that ship actually touched down. Yeah, right, So he's

1508
01:23:35.399 --> 01:23:38.159
<v Speaker 1>got a different skill set than the people in Washington,

1509
01:23:38.279 --> 01:23:42.199
<v Speaker 1>DC versus someone over in France or you know, right,

1510
01:23:42.239 --> 01:23:45.159
<v Speaker 1>And so I do like him being incorporated here because

1511
01:23:45.159 --> 01:23:47.439
<v Speaker 1>he's got a skill set and just you know, the

1512
01:23:47.560 --> 01:23:50.479
<v Speaker 1>ragtag group of people that would otherwise never be together.

1513
01:23:52.199 --> 01:23:53.880
<v Speaker 1>That is a fun thing. I don't know it's used

1514
01:23:53.920 --> 01:23:56.600
<v Speaker 1>to its fullest potential, but it is fun.

1515
01:23:57.920 --> 01:24:00.039
<v Speaker 2>I mean, well I said before, I mean that that

1516
01:24:00.039 --> 01:24:04.479
<v Speaker 2>would have been an interesting movie to see, you know see,

1517
01:24:04.479 --> 01:24:08.640
<v Speaker 2>And I wonder about that too, right, did they just

1518
01:24:08.760 --> 01:24:10.600
<v Speaker 2>wait too long? I mean we were talking about this before.

1519
01:24:10.960 --> 01:24:13.760
<v Speaker 2>Was is it simply like, you know, you should have

1520
01:24:13.840 --> 01:24:17.399
<v Speaker 2>come back ten years later with a sequel and kind

1521
01:24:17.479 --> 01:24:21.520
<v Speaker 2>of prime the pump a little bit, make this a living,

1522
01:24:21.560 --> 01:24:24.279
<v Speaker 2>breathing franchise as opposed to a thing twenty years later

1523
01:24:24.279 --> 01:24:28.520
<v Speaker 2>after people stopped caring. You know, it's interesting. I saw that.

1524
01:24:29.880 --> 01:24:31.880
<v Speaker 1>I guess Fox paid Dean devil In a lot of

1525
01:24:31.920 --> 01:24:34.720
<v Speaker 1>money to write a script for a sequel, and he

1526
01:24:34.800 --> 01:24:37.319
<v Speaker 1>did finish one, but he didn't feel good about it

1527
01:24:37.359 --> 01:24:39.800
<v Speaker 1>and he gave the money back, So.

1528
01:24:39.920 --> 01:24:43.359
<v Speaker 2>For him, I actually that's pretty Yeah. I respect that.

1529
01:24:44.319 --> 01:24:47.760
<v Speaker 1>But then, yes, I guess about fifteen years later, he's like, wait,

1530
01:24:47.760 --> 01:24:49.520
<v Speaker 1>I think I might have cracked this. Talked to Emeric,

1531
01:24:49.600 --> 01:24:51.880
<v Speaker 1>but time had moved on a little bit. Will Smith

1532
01:24:51.920 --> 01:24:55.880
<v Speaker 1>had a busy schedule. Yeah, and even Emeric has said that,

1533
01:24:56.000 --> 01:24:59.119
<v Speaker 1>you know, not having Smith, we probably.

1534
01:24:59.159 --> 01:25:00.960
<v Speaker 2>Shouldn't have done it, shouldn't have done it.

1535
01:25:01.039 --> 01:25:04.560
<v Speaker 1>He's like, we had a much better script, and then

1536
01:25:04.680 --> 01:25:08.079
<v Speaker 1>once he was out, we cobbled together something really quickly,

1537
01:25:08.159 --> 01:25:10.560
<v Speaker 1>and that's just not the way to make a movie.

1538
01:25:11.119 --> 01:25:14.239
<v Speaker 2>Yeah. I was reading about how well, I mean, there's

1539
01:25:14.279 --> 01:25:17.960
<v Speaker 2>like five credited you know, writers on it, so you

1540
01:25:18.000 --> 01:25:20.199
<v Speaker 2>already know it's kind of a Frankenstein monster everything. But

1541
01:25:20.239 --> 01:25:26.600
<v Speaker 2>they had James Vanderbilt, who did White House Down, Okay,

1542
01:25:27.640 --> 01:25:31.600
<v Speaker 2>essentially take the script they had and basically remove Will

1543
01:25:31.680 --> 01:25:34.760
<v Speaker 2>Smith from it. And so you do wonder, well, what

1544
01:25:34.800 --> 01:25:36.840
<v Speaker 2>did it look like when Stephen Hiller was a character?

1545
01:25:39.359 --> 01:25:41.640
<v Speaker 1>Wow, you just unlocked something in my brain. I feel

1546
01:25:41.720 --> 01:25:44.319
<v Speaker 1>like the version of the script I read had Will

1547
01:25:44.399 --> 01:25:47.960
<v Speaker 1>Smith's son in it still, but they were like held

1548
01:25:48.039 --> 01:25:52.520
<v Speaker 1>captive somewhere in like a big football stadium, like they

1549
01:25:52.520 --> 01:25:53.960
<v Speaker 1>had been turned into a prison camp.

1550
01:25:54.439 --> 01:25:57.520
<v Speaker 2>Interesting. The sun is, yeah, well.

1551
01:25:57.840 --> 01:26:00.880
<v Speaker 1>That was just I'm like having a vision like something

1552
01:26:00.880 --> 01:26:03.000
<v Speaker 1>I haven't thought about in ten years or something, but

1553
01:26:03.800 --> 01:26:06.680
<v Speaker 1>uh yeah, I just remember that visual.

1554
01:26:06.399 --> 01:26:06.920
<v Speaker 2>In my mind.

1555
01:26:07.439 --> 01:26:10.079
<v Speaker 1>So I'm sure there are a lot of versions of this.

1556
01:26:11.600 --> 01:26:14.119
<v Speaker 2>That's interesting. Yeah.

1557
01:26:14.439 --> 01:26:17.199
<v Speaker 1>I did try to find if there was a script

1558
01:26:17.199 --> 01:26:20.479
<v Speaker 1>online with the Will Smith Hiller character in it.

1559
01:26:20.399 --> 01:26:25.479
<v Speaker 2>But I couldn't find one. Okay, Yeah, I mean it's

1560
01:26:25.600 --> 01:26:30.760
<v Speaker 2>it's clear like there there's business that that the you know,

1561
01:26:30.840 --> 01:26:34.239
<v Speaker 2>the fighter pilot portion of the story would clearly have

1562
01:26:34.319 --> 01:26:37.840
<v Speaker 2>involved him in some way, shape or form. But I just,

1563
01:26:37.880 --> 01:26:41.520
<v Speaker 2>you know, I mean, I wonder what the relationship is

1564
01:26:41.600 --> 01:26:44.720
<v Speaker 2>between him and the Sun do you do you have them?

1565
01:26:44.840 --> 01:26:47.720
<v Speaker 2>Is strange? Maybe like it's this, you know, it's it's

1566
01:26:47.960 --> 01:26:51.119
<v Speaker 2>Jake and Dylan in this movie, but maybe it's it's

1567
01:26:51.279 --> 01:26:54.119
<v Speaker 2>Hiller senior and the younger one.

1568
01:26:54.600 --> 01:26:57.399
<v Speaker 3>Yeah, who has feels like he can't live up or

1569
01:26:57.479 --> 01:26:58.039
<v Speaker 3>he's living.

1570
01:26:57.880 --> 01:27:05.319
<v Speaker 2>In a shadow of Maverick, Maverick and Ruth exactly. Yeah. Yeah, right, yeah, So,

1571
01:27:05.479 --> 01:27:07.079
<v Speaker 2>well she's a pilot. There's a lot of a lot

1572
01:27:07.079 --> 01:27:09.600
<v Speaker 2>of our characters are pilots here. A lot of these

1573
01:27:09.600 --> 01:27:17.479
<v Speaker 2>people could do this. Yeah. See, so so this is

1574
01:27:17.520 --> 01:27:19.319
<v Speaker 2>what I'm talking about. Yeah, I was gonna say, I

1575
01:27:19.680 --> 01:27:22.000
<v Speaker 2>I want you to talk me through this. So the

1576
01:27:22.319 --> 01:27:24.000
<v Speaker 2>idea here is somebody has to go in there, but

1577
01:27:24.039 --> 01:27:26.000
<v Speaker 2>it's certain depth. And he's like, well, then I'm going

1578
01:27:26.079 --> 01:27:28.560
<v Speaker 2>to do it. And I'm like, I think that's a

1579
01:27:28.600 --> 01:27:33.399
<v Speaker 2>mistake because we're just waiting for him to die.

1580
01:27:33.439 --> 01:27:36.960
<v Speaker 3>Then oh I see, I see.

1581
01:27:37.039 --> 01:27:38.600
<v Speaker 2>Yeah, do you get what I'm saying, Like like, if

1582
01:27:38.640 --> 01:27:42.720
<v Speaker 2>it's if it's let me put it asuy. If if

1583
01:27:42.760 --> 01:27:47.079
<v Speaker 2>he's doing the noble sacrifice knowingly, then you don't have

1584
01:27:47.159 --> 01:27:52.720
<v Speaker 2>him die. But if he's going to succeed sacrificing himself,

1585
01:27:52.960 --> 01:27:54.399
<v Speaker 2>you don't telegraph.

1586
01:27:53.960 --> 01:27:56.520
<v Speaker 1>It, yes, because then all the tension is gone and

1587
01:27:56.560 --> 01:27:58.319
<v Speaker 1>all the emotion is gone because that's what he signed

1588
01:27:58.359 --> 01:27:59.840
<v Speaker 1>up to do, and then he does it and then

1589
01:28:00.159 --> 01:28:02.239
<v Speaker 1>over right, Yeah, that's a good point.

1590
01:28:02.640 --> 01:28:05.439
<v Speaker 2>So to me that that's so number one, that earlier

1591
01:28:05.479 --> 01:28:07.439
<v Speaker 2>scene with the when he goes into the chamber, you

1592
01:28:07.479 --> 01:28:11.640
<v Speaker 2>don't have that be a suicidal situation. You have it

1593
01:28:12.520 --> 01:28:15.079
<v Speaker 2>like they think he's he's in danger, but he's actually

1594
01:28:15.119 --> 01:28:18.520
<v Speaker 2>in full control. Yeah. Yeah, yeah, he's like tell me

1595
01:28:18.600 --> 01:28:20.800
<v Speaker 2>and then he you know, and then and then he

1596
01:28:20.800 --> 01:28:22.720
<v Speaker 2>he has this moment he's like looking it into its

1597
01:28:22.720 --> 01:28:24.960
<v Speaker 2>eyes and then and then the door opens he's like

1598
01:28:25.000 --> 01:28:25.720
<v Speaker 2>this is their plan.

1599
01:28:25.960 --> 01:28:28.560
<v Speaker 3>Mm hmm right, I love that.

1600
01:28:29.119 --> 01:28:32.720
<v Speaker 2>Yeah. So that's that. And then here again, either you

1601
01:28:32.840 --> 01:28:35.000
<v Speaker 2>have him say all right, I'm going to sacrifice myself

1602
01:28:35.159 --> 01:28:40.039
<v Speaker 2>and then at the last minute it's not or again

1603
01:28:40.079 --> 01:28:43.319
<v Speaker 2>if you if you, I'm fine either way. As far

1604
01:28:43.359 --> 01:28:45.800
<v Speaker 2>as whether Whitmore lives or dies, my only thing is

1605
01:28:45.840 --> 01:28:50.239
<v Speaker 2>how does it happen for manimum impact? For what's what's

1606
01:28:50.279 --> 01:28:54.439
<v Speaker 2>the most emotional impact? Yeah? Yeah, you know, because again

1607
01:28:54.479 --> 01:28:57.239
<v Speaker 2>say what you will. I think I think Han Solo's

1608
01:28:57.279 --> 01:29:01.680
<v Speaker 2>death hits on an emotional level and it's like, well,

1609
01:29:01.680 --> 01:29:04.119
<v Speaker 2>why what what makes that work? Let's reverse engineer that.

1610
01:29:04.159 --> 01:29:06.479
<v Speaker 2>And I think that's you know, it's it's because it

1611
01:29:07.079 --> 01:29:10.199
<v Speaker 2>because it's like at that moment again, he's not like

1612
01:29:10.279 --> 01:29:13.640
<v Speaker 2>going into it like all right, this is my suicide mission.

1613
01:29:13.720 --> 01:29:18.479
<v Speaker 2>It's when he steps onto the catwalk, you're like, oh no, yeah,

1614
01:29:18.560 --> 01:29:20.760
<v Speaker 2>I know what's about to happen, right, yeah, and.

1615
01:29:20.760 --> 01:29:26.720
<v Speaker 1>Yet you're still you know, leaning forward and listening, you know,

1616
01:29:26.760 --> 01:29:29.520
<v Speaker 1>hanging on every word between them and hoping it won't happen.

1617
01:29:29.520 --> 01:29:32.880
<v Speaker 1>It still makes you believe maybe it might not exactly.

1618
01:29:33.880 --> 01:29:37.760
<v Speaker 2>Yeah. So so on top of all of that, with

1619
01:29:37.760 --> 01:29:43.000
<v Speaker 2>with whitmore, the heroic sacrifice ends up being meaningless.

1620
01:29:43.239 --> 01:29:45.720
<v Speaker 1>He's like, I'm gonna die in forty five minutes. See

1621
01:29:45.720 --> 01:29:49.880
<v Speaker 1>you there. It's basically what you're saying, right.

1622
01:29:52.079 --> 01:29:56.399
<v Speaker 2>Really, that's what it is. Yeah, live stream, you know,

1623
01:29:56.800 --> 01:30:01.039
<v Speaker 2>to go out and and and and he doesn't accomplish anything.

1624
01:30:01.239 --> 01:30:09.319
<v Speaker 2>So yeah, it's freaking bullshit. This is weird, right, because

1625
01:30:10.159 --> 01:30:12.840
<v Speaker 2>watching this, I was literally like, was there a writer's

1626
01:30:12.880 --> 01:30:17.039
<v Speaker 2>strike or something like? No? Right, because sometimes you can

1627
01:30:17.079 --> 01:30:20.239
<v Speaker 2>write off some of these decisions right, right, you know,

1628
01:30:20.319 --> 01:30:22.199
<v Speaker 2>because it's just pencils down, right, because I think that's

1629
01:30:22.239 --> 01:30:26.159
<v Speaker 2>what happened with Terminator Salvation, right, Yeah, that feels right.

1630
01:30:26.199 --> 01:30:29.399
<v Speaker 2>The timing area it up. It's like, I don't think

1631
01:30:29.399 --> 01:30:34.039
<v Speaker 2>there's a writer's strike. No, it was just shitty story construction.

1632
01:30:34.399 --> 01:30:36.760
<v Speaker 1>And also maybe just like you know, out of this

1633
01:30:36.840 --> 01:30:40.560
<v Speaker 1>thing's in motion, it's going to happen at this point.

1634
01:30:40.840 --> 01:30:42.920
<v Speaker 1>Maybe they put a lot of money into pre production

1635
01:30:43.079 --> 01:30:44.880
<v Speaker 1>and all that sort of thing, and it's like, no, this,

1636
01:30:46.600 --> 01:30:48.960
<v Speaker 1>we're going to put this out on this date, figure

1637
01:30:48.960 --> 01:30:52.359
<v Speaker 1>out what it is, versus ever feeling good about what

1638
01:30:52.399 --> 01:30:53.039
<v Speaker 1>they had.

1639
01:30:53.399 --> 01:30:57.399
<v Speaker 2>Yeah, and clearly they didn't feel good about what they had.

1640
01:30:57.439 --> 01:31:01.000
<v Speaker 2>But because Yeah, they're they're open about it. Yeah, I

1641
01:31:01.039 --> 01:31:05.720
<v Speaker 2>mean it went into production, they assumed the name, the

1642
01:31:06.359 --> 01:31:09.640
<v Speaker 2>name of the film would get people in theaters, so

1643
01:31:09.720 --> 01:31:15.039
<v Speaker 2>they wildly overestimated how much demand there was. Yeah, without

1644
01:31:15.159 --> 01:31:17.640
<v Speaker 2>again a big star really out there selling, and you

1645
01:31:17.720 --> 01:31:23.640
<v Speaker 2>kind of you realize, you know, the marketing environment for

1646
01:31:24.000 --> 01:31:28.960
<v Speaker 2>selling movies has obviously changed a lot, but certainly now

1647
01:31:29.039 --> 01:31:30.760
<v Speaker 2>in you know, ten years after the movie came out.

1648
01:31:30.800 --> 01:31:33.640
<v Speaker 2>You know, when you watch YouTube, there's a movie coming out,

1649
01:31:33.680 --> 01:31:38.399
<v Speaker 2>and you see all like the YouTube shows that stars

1650
01:31:38.439 --> 01:31:41.720
<v Speaker 2>show up on you know what I mean, Yeah, like

1651
01:31:41.800 --> 01:31:44.359
<v Speaker 2>hot ones or oh looking back at their career whatever,

1652
01:31:44.439 --> 01:31:49.479
<v Speaker 2>and you realize, like how important that visibility is. And

1653
01:31:50.239 --> 01:31:55.439
<v Speaker 2>so who in this movie had the kind of sort

1654
01:31:55.479 --> 01:32:01.439
<v Speaker 2>of algorithmic reach to break through other than Will Smith?

1655
01:32:02.600 --> 01:32:05.680
<v Speaker 1>Yeah, or I mean maybe they were hoping one would

1656
01:32:05.920 --> 01:32:09.640
<v Speaker 1>this would be their moment, but it's just I don't know,

1657
01:32:09.680 --> 01:32:12.199
<v Speaker 1>none of these characters even have strong enough a moment

1658
01:32:12.279 --> 01:32:13.239
<v Speaker 1>in this movie too.

1659
01:32:14.800 --> 01:32:17.000
<v Speaker 3>You know, you walk away remembering what they do.

1660
01:32:17.600 --> 01:32:20.239
<v Speaker 2>I mean I said this previously, but you know, this

1661
01:32:20.319 --> 01:32:23.920
<v Speaker 2>is a year out from Phantom from Force Awakens, and

1662
01:32:23.960 --> 01:32:27.079
<v Speaker 2>I'm like, imagine Force Awakens, but you you don't like

1663
01:32:27.319 --> 01:32:32.359
<v Speaker 2>Ray Poe or Finn right right, or Kylo Wren.

1664
01:32:33.399 --> 01:32:34.960
<v Speaker 1>I mean, that's the thing good. I was thinking that

1665
01:32:35.079 --> 01:32:37.119
<v Speaker 1>actually right now. And this is I kept thinking of

1666
01:32:37.159 --> 01:32:39.359
<v Speaker 1>Starship Troopers for some reason when I was watching this,

1667
01:32:39.800 --> 01:32:44.760
<v Speaker 1>Like at least that gang has an understandable chummy vibe

1668
01:32:44.840 --> 01:32:47.439
<v Speaker 1>so that when they experience highs and lows and losses,

1669
01:32:48.039 --> 01:32:51.880
<v Speaker 1>it's you know, as goofy as that movie is, you're

1670
01:32:51.920 --> 01:32:53.920
<v Speaker 1>tracking with it and you feel it to some degree.

1671
01:32:54.279 --> 01:32:56.680
<v Speaker 1>But here we should be feeling great for this gang,

1672
01:32:56.720 --> 01:32:59.720
<v Speaker 1>like our gang is together and they're in this crazy

1673
01:32:59.760 --> 01:33:02.119
<v Speaker 1>scare and they have to do this thing. They have

1674
01:33:02.159 --> 01:33:03.840
<v Speaker 1>to pull this off to save the world. But like,

1675
01:33:03.880 --> 01:33:07.640
<v Speaker 1>I don't. I don't feel anything for these people, yeah,

1676
01:33:07.760 --> 01:33:12.680
<v Speaker 1>or or they're friendships, that's you know, I don't know. Well,

1677
01:33:12.760 --> 01:33:14.680
<v Speaker 1>I think I'm repeating himself in that, but you know

1678
01:33:14.720 --> 01:33:15.199
<v Speaker 1>what I mean.

1679
01:33:15.159 --> 01:33:17.640
<v Speaker 2>Right, No, I I understand what you're saying. And I

1680
01:33:18.039 --> 01:33:23.560
<v Speaker 2>think the problem is that Dylan should really be our

1681
01:33:23.840 --> 01:33:28.079
<v Speaker 2>end to these other characters. So you make Dylan, Like, okay,

1682
01:33:28.079 --> 01:33:31.800
<v Speaker 2>so probably you don't cast Jesse Usher and or you

1683
01:33:31.880 --> 01:33:35.840
<v Speaker 2>have a better script, so that's like step one, right,

1684
01:33:36.880 --> 01:33:39.920
<v Speaker 2>But you make Dylan likable and then and then we

1685
01:33:39.960 --> 01:33:44.279
<v Speaker 2>meet the other characters through him. Yeah yeah, yeah, yeah, yeah.

1686
01:33:44.479 --> 01:33:47.840
<v Speaker 1>Oh, the great Dylan Hiller, like we're all aware of

1687
01:33:47.880 --> 01:33:50.800
<v Speaker 1>your dad, you know kind of thing he's got. He's

1688
01:33:50.880 --> 01:33:54.960
<v Speaker 1>he's working against something. But then he proves himself and

1689
01:33:55.079 --> 01:33:57.720
<v Speaker 1>they had this undeniable bond in friendship. And then they

1690
01:33:57.760 --> 01:34:00.079
<v Speaker 1>go into hell together and come out and it feels so.

1691
01:34:00.439 --> 01:34:03.439
<v Speaker 2>And I I think it's all it's a mistake to

1692
01:34:03.560 --> 01:34:07.520
<v Speaker 2>have this sort of this uh not rivalry is the

1693
01:34:07.560 --> 01:34:09.479
<v Speaker 2>wrong word, but like you know, him and Jake like

1694
01:34:09.600 --> 01:34:13.279
<v Speaker 2>don't don't get along. Yeah, and then they they work

1695
01:34:13.319 --> 01:34:16.159
<v Speaker 2>through it because I think it's more interesting if they're

1696
01:34:16.199 --> 01:34:20.880
<v Speaker 2>buddies and we get to see how they're you know,

1697
01:34:21.239 --> 01:34:23.399
<v Speaker 2>one kind of has this gear, the other has this gear.

1698
01:34:23.439 --> 01:34:26.000
<v Speaker 2>And the Charlie character is totally unessential, don't need him

1699
01:34:26.039 --> 01:34:32.800
<v Speaker 2>at all. Yeah, we focus on on these two, but

1700
01:34:32.920 --> 01:34:36.880
<v Speaker 2>it's it's I'm I'm like, you realize, like it's like, oh,

1701
01:34:36.279 --> 01:34:40.800
<v Speaker 2>the angela baby character, we need her because you know China,

1702
01:34:42.600 --> 01:34:44.399
<v Speaker 2>and but we need her to I guess we need

1703
01:34:44.439 --> 01:34:48.199
<v Speaker 2>this Charlie character because otherwise she's just there, she's.

1704
01:34:48.039 --> 01:34:51.960
<v Speaker 1>Not yeah right, yeah, yeah, yeah, yeah, no, I know

1705
01:34:52.520 --> 01:34:54.640
<v Speaker 1>it's funny though, because I feel like that Charlie character

1706
01:34:54.760 --> 01:34:56.960
<v Speaker 1>in this version, we do need him because otherwise there's

1707
01:34:57.000 --> 01:35:00.439
<v Speaker 1>nothing interesting happening with any of those people. I at

1708
01:35:00.520 --> 01:35:02.439
<v Speaker 1>least he has a twinge of personality.

1709
01:35:03.520 --> 01:35:07.039
<v Speaker 2>Yeah, and that personality would have mattered when he died. Oops.

1710
01:35:08.439 --> 01:35:14.720
<v Speaker 2>Yeah yeah, sorry, Patty, I have to go die now.

1711
01:35:19.239 --> 01:35:23.880
<v Speaker 1>He should have just kept saying it just to continually

1712
01:35:24.119 --> 01:35:25.520
<v Speaker 1>take away the impact.

1713
01:35:25.119 --> 01:35:27.880
<v Speaker 2>For the rest of the movie. Well, dying to save

1714
01:35:27.960 --> 01:35:33.000
<v Speaker 2>the planet. Literally, no, seriously, I'm about to Oh look,

1715
01:35:33.159 --> 01:35:42.600
<v Speaker 2>there's a Snickers bar in here, my last Snickers bar. Yeah.

1716
01:35:42.680 --> 01:35:45.960
<v Speaker 1>Yeah, this is so random, Judd jud Hirsh So I'm like,

1717
01:35:46.800 --> 01:35:48.159
<v Speaker 1>his whole thing is I got to get.

1718
01:35:48.000 --> 01:35:50.640
<v Speaker 3>To my boy why Yeah, yep.

1719
01:35:50.800 --> 01:35:52.560
<v Speaker 2>And there's no point in anything he's just It almost

1720
01:35:52.560 --> 01:35:55.319
<v Speaker 2>makes him look stupid because now he's gonna screw up

1721
01:35:55.319 --> 01:35:57.680
<v Speaker 2>the whole plan just by arriving when he had no

1722
01:35:57.760 --> 01:35:59.640
<v Speaker 2>reason to need to arrive, or he's not holding some

1723
01:35:59.680 --> 01:36:03.239
<v Speaker 2>secret that's gonna help, or like you're wrong, your calculations

1724
01:36:03.239 --> 01:36:05.359
<v Speaker 2>are wrong, Like usually that would be what this person

1725
01:36:05.399 --> 01:36:09.359
<v Speaker 2>would be doing, and they've got to get there. Definitely that,

1726
01:36:10.239 --> 01:36:15.520
<v Speaker 2>But all you needed was one scene earlier in the

1727
01:36:15.560 --> 01:36:20.960
<v Speaker 2>film where Julius and David talk to each other and

1728
01:36:22.039 --> 01:36:27.600
<v Speaker 2>David says, you got to get here or don't try

1729
01:36:27.640 --> 01:36:32.840
<v Speaker 2>to come here some right, yeah, either one of those, yep,

1730
01:36:33.960 --> 01:36:37.199
<v Speaker 2>because they don't actually speak until like, you know, five

1731
01:36:37.199 --> 01:36:38.079
<v Speaker 2>minutes from now.

1732
01:36:37.960 --> 01:36:40.039
<v Speaker 1>And it's basically like, what are you doing here? You're

1733
01:36:40.039 --> 01:36:42.439
<v Speaker 1>like messing everything up exactly right.

1734
01:36:42.439 --> 01:36:46.159
<v Speaker 2>So it's either you need to get here and Julius

1735
01:36:46.199 --> 01:36:47.680
<v Speaker 2>is like, Okay, I got to get there no matter what,

1736
01:36:47.800 --> 01:36:51.560
<v Speaker 2>or again, you know, stay away from here and Julius like, no,

1737
01:36:51.600 --> 01:36:53.680
<v Speaker 2>I have this vital information I need to tell you.

1738
01:36:53.880 --> 01:36:57.880
<v Speaker 1>Yeah, exactly. Either one of those, totally yeah. Otherwise it

1739
01:36:57.960 --> 01:36:59.159
<v Speaker 1>just makes them look foolish.

1740
01:36:59.439 --> 01:37:04.960
<v Speaker 2>Yeah, it really. It feels like they signed jud Hirsh

1741
01:37:05.000 --> 01:37:11.079
<v Speaker 2>and then they were like oh shit, oh shit. They

1742
01:37:11.079 --> 01:37:13.000
<v Speaker 2>got the draft turned in and he was like, well

1743
01:37:13.000 --> 01:37:17.840
<v Speaker 2>this wait jud Hirsh gets the pages. He's like, uh uh, Fellas,

1744
01:37:17.920 --> 01:37:20.359
<v Speaker 2>just I noticed something. Yeah, I don't I don't want

1745
01:37:20.359 --> 01:37:27.079
<v Speaker 2>to ruffle any feathers, but I notice a lack of me.

1746
01:37:31.800 --> 01:37:33.680
<v Speaker 2>I don't want to ruffle any feathers. I like that

1747
01:37:33.720 --> 01:37:37.680
<v Speaker 2>you got a jut Hirsh. This is the moment Zachie,

1748
01:37:37.760 --> 01:37:45.800
<v Speaker 2>this is the moment. Use it. Use it as much

1749
01:37:45.800 --> 01:37:49.960
<v Speaker 2>as you can, because in twenty minutes, I don't know

1750
01:37:50.000 --> 01:37:51.479
<v Speaker 2>how often you're gonna be able to pull that one

1751
01:37:51.479 --> 01:37:53.880
<v Speaker 2>out by jut hirsh impression.

1752
01:37:54.520 --> 01:37:56.319
<v Speaker 3>But look at all this terrible lighting on everybody.

1753
01:37:56.920 --> 01:37:59.840
<v Speaker 2>Yeah, because it's clearly on a sound stage, they might

1754
01:37:59.840 --> 01:38:05.399
<v Speaker 2>as well I've shot this in the volume. Yes, yes, yeah,

1755
01:38:05.439 --> 01:38:09.680
<v Speaker 2>and it just just just go to the desert to

1756
01:38:09.720 --> 01:38:11.840
<v Speaker 2>set some cameras up. What are you doing? I know,

1757
01:38:12.319 --> 01:38:18.680
<v Speaker 2>I know, it's it. It's baffling. See some of this,

1758
01:38:19.159 --> 01:38:21.640
<v Speaker 2>I'm confused. Some of it does look like it's outside.

1759
01:38:21.640 --> 01:38:25.039
<v Speaker 2>This does not at all. No, this This was the

1760
01:38:25.119 --> 01:38:27.399
<v Speaker 2>moment where I was like, is this shot during COVID?

1761
01:38:27.479 --> 01:38:37.119
<v Speaker 2>That was you know, not these guys again. But I do.

1762
01:38:37.239 --> 01:38:37.840
<v Speaker 2>I like this plan.

1763
01:38:37.960 --> 01:38:39.439
<v Speaker 1>You know, when this plan was being set up and

1764
01:38:39.439 --> 01:38:41.319
<v Speaker 1>they're like, Okay, we'll have the decoy and then we'll

1765
01:38:41.680 --> 01:38:43.840
<v Speaker 1>put the bomb in this thing and it'll be we'll

1766
01:38:43.840 --> 01:38:44.880
<v Speaker 1>put the shields around it.

1767
01:38:44.840 --> 01:38:48.279
<v Speaker 3>I was like, oh, I love like a really clear plan.

1768
01:38:48.880 --> 01:38:50.640
<v Speaker 1>Yeah, And sometimes movies just feel like they have to

1769
01:38:50.680 --> 01:38:53.800
<v Speaker 1>overcomplicate things, and I was like, this is this is good?

1770
01:38:53.840 --> 01:38:57.039
<v Speaker 2>I like this. Yeah, I think the broad strokes of

1771
01:38:57.079 --> 01:39:03.039
<v Speaker 2>the plan work. I think that see okay, so here sorry,

1772
01:39:03.520 --> 01:39:07.039
<v Speaker 2>last talk with my daughter, see I can right, like, no,

1773
01:39:07.760 --> 01:39:12.079
<v Speaker 2>you have them together. And then he makes a last

1774
01:39:12.119 --> 01:39:14.600
<v Speaker 2>second thing to sacrifice himself to save his daughter.

1775
01:39:14.840 --> 01:39:17.920
<v Speaker 1>Yes and maybe yes, they're racing together, and maybe he

1776
01:39:18.000 --> 01:39:21.199
<v Speaker 1>dings her wing or something, forcing her to have to

1777
01:39:21.239 --> 01:39:23.359
<v Speaker 1>eject so he can go forward.

1778
01:39:23.840 --> 01:39:27.560
<v Speaker 2>See again, you give him the the Russell Case Randy

1779
01:39:27.640 --> 01:39:32.000
<v Speaker 2>Quaid sacrifice, which is really still all these years later,

1780
01:39:32.119 --> 01:39:35.279
<v Speaker 2>really impactful in his kids hearing him over the radio,

1781
01:39:35.600 --> 01:39:39.399
<v Speaker 2>I'm telling you, you know, when he processes what he's

1782
01:39:39.439 --> 01:39:42.560
<v Speaker 2>about to do, and then he says, I want you

1783
01:39:42.640 --> 01:39:45.199
<v Speaker 2>to tell my children I love them very much. Mm hmmm.

1784
01:39:45.439 --> 01:39:49.560
<v Speaker 2>It's great, totally right, And so you give I mean,

1785
01:39:49.640 --> 01:39:54.680
<v Speaker 2>and it's appropriate because Russell Case sacrifices himself for the president,

1786
01:39:56.079 --> 01:39:58.880
<v Speaker 2>and so now you give that moment, you know, you

1787
01:39:58.880 --> 01:40:00.680
<v Speaker 2>give that moment to the president in this one.

1788
01:40:00.680 --> 01:40:05.359
<v Speaker 1>Yep, yep, and it'd be yep, surprising and emotional. We

1789
01:40:05.399 --> 01:40:07.319
<v Speaker 1>love this character. We're already attached to him because of

1790
01:40:07.319 --> 01:40:08.279
<v Speaker 1>two movies.

1791
01:40:08.760 --> 01:40:10.840
<v Speaker 2>Like like literally you have In his final moment, he

1792
01:40:10.880 --> 01:40:13.720
<v Speaker 2>says something like like never stop flying or something like that.

1793
01:40:13.800 --> 01:40:28.119
<v Speaker 1>Yeah, yeah, you know, ah, they've been really sweet, right yeah.

1794
01:40:24.199 --> 01:40:26.399
<v Speaker 2>Like like even even you know, on Behalf of the

1795
01:40:26.439 --> 01:40:28.239
<v Speaker 2>People of Earth Happy Fourth of July. I think that

1796
01:40:28.319 --> 01:40:33.840
<v Speaker 2>all works, but it only works if it actually works.

1797
01:40:33.880 --> 01:40:37.520
<v Speaker 2>And so the fact that he blew himself up, it's

1798
01:40:37.560 --> 01:40:41.520
<v Speaker 2>like the guy in conk Skull Island, remember, yes Shay

1799
01:40:41.560 --> 01:40:44.119
<v Speaker 2>Wigham character, he gives himself the heroic sacrifice and it

1800
01:40:44.119 --> 01:40:46.760
<v Speaker 2>doesn't amount to shit. Yeah, he gets like flicked away

1801
01:40:46.800 --> 01:40:50.880
<v Speaker 2>then blown up. Which it's so funny because people take

1802
01:40:51.000 --> 01:40:54.159
<v Speaker 2>that clip out of context and they're like, what a

1803
01:40:54.239 --> 01:40:55.960
<v Speaker 2>stupid he would you know, And I'm like, well, I

1804
01:40:56.000 --> 01:41:00.159
<v Speaker 2>think it was meant like the film was critiquing the

1805
01:41:00.159 --> 01:41:03.680
<v Speaker 2>whole idea of the heroic sacrifice. Again, the context of

1806
01:41:03.680 --> 01:41:05.399
<v Speaker 2>the film, it works. It's just but if you if

1807
01:41:05.399 --> 01:41:11.800
<v Speaker 2>you're doing a freaking TikTok thing, right right? Yeah you know.

1808
01:41:12.279 --> 01:41:17.680
<v Speaker 1>Yeah, By the way, this is totally going to be

1809
01:41:17.800 --> 01:41:20.319
<v Speaker 1>like a little dated already, but I got to ask

1810
01:41:20.359 --> 01:41:21.920
<v Speaker 1>you this when you brought up TikTok. Have you seen

1811
01:41:22.000 --> 01:41:24.760
<v Speaker 1>the trailer for the movie Hext, that new Disney animated movie.

1812
01:41:25.960 --> 01:41:26.680
<v Speaker 2>No, I have not.

1813
01:41:27.039 --> 01:41:30.600
<v Speaker 1>So I've seen online where people are pointing out that

1814
01:41:30.720 --> 01:41:34.239
<v Speaker 1>every almost every shot in that trailer, the character is

1815
01:41:34.399 --> 01:41:36.760
<v Speaker 1>dead center in the middle of the screen, which they're like, wow,

1816
01:41:36.800 --> 01:41:39.319
<v Speaker 1>that's unusual framing. And now they're wondering if it was

1817
01:41:39.359 --> 01:41:42.319
<v Speaker 1>done intentionally so it'd be easy to dice it up

1818
01:41:42.359 --> 01:41:43.439
<v Speaker 1>into TikTok clips.

1819
01:41:44.680 --> 01:41:48.479
<v Speaker 2>Fascinating? Is that interesting? I wonder? I love these conspiracies.

1820
01:41:50.640 --> 01:41:53.279
<v Speaker 2>It's like this conspiracy I just found out about recently

1821
01:41:53.319 --> 01:41:57.479
<v Speaker 2>where the reason uh Disney called the movie Frozen frozen

1822
01:41:58.640 --> 01:42:01.159
<v Speaker 2>was so that if you googled Disney Frozen, the first

1823
01:42:01.159 --> 01:42:03.920
<v Speaker 2>thing that came up wouldn't be about Walt Disney's frozen

1824
01:42:03.960 --> 01:42:09.119
<v Speaker 2>head right right, right right, which is just bonkers enough

1825
01:42:09.159 --> 01:42:10.159
<v Speaker 2>to maybe be true.

1826
01:42:10.199 --> 01:42:13.119
<v Speaker 3>I was gonna say, even with the TikTok hex thing

1827
01:42:13.239 --> 01:42:13.479
<v Speaker 3>when it.

1828
01:42:13.479 --> 01:42:15.960
<v Speaker 2>Comes to Susan Sarandon character by the way, okay, wait, wait,

1829
01:42:16.000 --> 01:42:16.680
<v Speaker 2>let's look at this.

1830
01:42:17.439 --> 01:42:20.039
<v Speaker 1>There's like an overhead sort of helicopter looking shot of it,

1831
01:42:20.199 --> 01:42:21.840
<v Speaker 1>and I was like, you know what, it looks good

1832
01:42:21.840 --> 01:42:25.119
<v Speaker 1>with the I think maybe because that that was cool.

1833
01:42:25.560 --> 01:42:28.840
<v Speaker 2>That's a cool shot, and I think I don't mind

1834
01:42:28.840 --> 01:42:32.640
<v Speaker 2>it in isolation, but it feels totally dissonant that suddenly

1835
01:42:32.800 --> 01:42:36.319
<v Speaker 2>we're in like a Kaiju movie. Yeah, I mean, I

1836
01:42:36.319 --> 01:42:38.800
<v Speaker 2>can't disagree, but I don't. I mean, that's on the

1837
01:42:38.880 --> 01:42:40.680
<v Speaker 2>list of critiques, that's a very small one.

1838
01:42:40.720 --> 01:42:42.079
<v Speaker 1>Just to be clear, Well, I think you know what

1839
01:42:42.159 --> 01:42:44.399
<v Speaker 1>I'm realizing. Why I'm reacting so strongly to it is

1840
01:42:44.439 --> 01:42:46.760
<v Speaker 1>because of what we said right from the very beginning

1841
01:42:46.800 --> 01:42:49.439
<v Speaker 1>of this commentary, which is nothing on in this movie

1842
01:42:49.439 --> 01:42:52.800
<v Speaker 1>feels grounded right down to these people existing in the desert.

1843
01:42:52.880 --> 01:42:55.600
<v Speaker 1>Even that doesn't feel like that's real, right, because it

1844
01:42:55.600 --> 01:42:57.640
<v Speaker 1>feels like they're inside a stage with like a fake

1845
01:42:57.760 --> 01:43:00.800
<v Speaker 1>light simulating the sun and it looks phony. However, that

1846
01:43:00.920 --> 01:43:04.520
<v Speaker 1>shot because it's probably not real, it was made a computer,

1847
01:43:04.640 --> 01:43:08.159
<v Speaker 1>but it looks like it's in an actual earth bound environment.

1848
01:43:08.760 --> 01:43:10.279
<v Speaker 3>Yeah, and that's exciting to me.

1849
01:43:10.920 --> 01:43:18.600
<v Speaker 2>Yeah. See, I I think that you know it. It's

1850
01:43:18.680 --> 01:43:22.279
<v Speaker 2>it's a little bit like remember the the Predator movie,

1851
01:43:22.439 --> 01:43:27.319
<v Speaker 2>the Shane Black one. I remember parts of it. Yeah,

1852
01:43:27.359 --> 01:43:29.600
<v Speaker 2>admittedly I'm kind of with you, but there's like a

1853
01:43:29.720 --> 01:43:34.279
<v Speaker 2>super size predator in that, like, like you know, most

1854
01:43:34.279 --> 01:43:35.199
<v Speaker 2>predators are like.

1855
01:43:35.159 --> 01:43:37.840
<v Speaker 3>A tall dude, yeah right, yeah, like seven foot or something.

1856
01:43:38.119 --> 01:43:41.479
<v Speaker 2>Yeah, this is it's like a twenty foot tall predator. Wow,

1857
01:43:41.560 --> 01:43:41.840
<v Speaker 2>you know, what.

1858
01:43:41.920 --> 01:43:42.760
<v Speaker 3>I don't remember that.

1859
01:43:43.159 --> 01:43:46.920
<v Speaker 2>Yeah, and I don't blame you, but I remember watching

1860
01:43:46.920 --> 01:43:50.359
<v Speaker 2>that mean like that, I don't that doesn't work for me.

1861
01:43:50.960 --> 01:43:54.600
<v Speaker 2>Mm yeah it it doesn't fit with with what we

1862
01:43:54.720 --> 01:43:57.560
<v Speaker 2>know of this this universe. Yeah. Yeah, So I think

1863
01:43:57.600 --> 01:44:00.199
<v Speaker 2>I have a similar reaction to this where I'm okay, yeah,

1864
01:44:00.840 --> 01:44:01.119
<v Speaker 2>you know.

1865
01:44:01.279 --> 01:44:04.359
<v Speaker 1>I you know what, you just made me understand your position.

1866
01:44:04.439 --> 01:44:07.239
<v Speaker 1>I totally get it. I mean, I still like the

1867
01:44:07.239 --> 01:44:09.079
<v Speaker 1>way it looks, but at this point I'm like, at

1868
01:44:09.159 --> 01:44:11.239
<v Speaker 1>least I'm enjoying the way something looks in here.

1869
01:44:11.640 --> 01:44:14.119
<v Speaker 3>So yeah, but I get it. It doesn't well.

1870
01:44:14.159 --> 01:44:17.239
<v Speaker 2>I think I think the design of the creatures just

1871
01:44:17.279 --> 01:44:19.000
<v Speaker 2>to just to kind of echo what you're saying. I

1872
01:44:19.039 --> 01:44:22.800
<v Speaker 2>think Patrick to Topless made a really interesting creature in

1873
01:44:22.840 --> 01:44:25.680
<v Speaker 2>that original film. Totally agree, And it stands out and

1874
01:44:25.720 --> 01:44:28.760
<v Speaker 2>we haven't seen a lot of in the years since.

1875
01:44:28.920 --> 01:44:30.720
<v Speaker 2>You know, it's not like a Cloverfield thing where a

1876
01:44:30.720 --> 01:44:32.359
<v Speaker 2>whole bunch of things look just like it. You know,

1877
01:44:33.239 --> 01:44:37.119
<v Speaker 2>the Independence Day aliens do you know they're kind of

1878
01:44:37.159 --> 01:44:39.119
<v Speaker 2>in their own lane. M h yep.

1879
01:44:40.960 --> 01:44:43.920
<v Speaker 1>They're like a nice hybrid of a humanoid slash the

1880
01:44:44.000 --> 01:44:45.239
<v Speaker 1>Grays kind of thing.

1881
01:44:45.640 --> 01:44:50.000
<v Speaker 2>Yeah, it's it's it's all the grays and the xenomorphs. Yep.

1882
01:44:50.520 --> 01:44:52.000
<v Speaker 2>You put them in a blender and you get something

1883
01:44:52.079 --> 01:44:56.239
<v Speaker 2>kind of interesting, you know. Yep. I like it. I

1884
01:44:56.399 --> 01:44:56.680
<v Speaker 2>like it.

1885
01:44:56.760 --> 01:44:59.399
<v Speaker 1>Wait, so do they end up shooting it in the

1886
01:44:59.399 --> 01:45:02.520
<v Speaker 1>back because the Warlord character keeps talking about gotta get

1887
01:45:02.560 --> 01:45:03.159
<v Speaker 1>him from the back.

1888
01:45:03.640 --> 01:45:09.479
<v Speaker 2>Yeah, exactly, And because this whole it's like a armor. Yeah.

1889
01:45:09.640 --> 01:45:11.760
<v Speaker 3>Oh is that how he gets through? I couldn't remember.

1890
01:45:12.439 --> 01:45:16.600
<v Speaker 2>Yeah, it's yeah, because the alien the sorry, yeah, the

1891
01:45:16.640 --> 01:45:18.159
<v Speaker 2>Warlord is like, yeah, you have to get him from

1892
01:45:18.199 --> 01:45:25.800
<v Speaker 2>the back. See this, this sequence here is really where

1893
01:45:25.840 --> 01:45:31.279
<v Speaker 2>a killer score would have helped. Yeah, you know, totally well.

1894
01:45:31.319 --> 01:45:35.439
<v Speaker 1>And your sacrifice thing with the president, I mean, if

1895
01:45:35.479 --> 01:45:38.039
<v Speaker 1>we were having carrying that in our hearts right now.

1896
01:45:39.600 --> 01:45:45.960
<v Speaker 2>That yeah, it's just real. That's frustrating. I mean, I

1897
01:45:46.000 --> 01:45:49.439
<v Speaker 2>mean the most emotional death in this film is coming

1898
01:45:49.520 --> 01:45:52.640
<v Speaker 2>up here with with Oaken's husband. I was going to

1899
01:45:52.720 --> 01:45:55.560
<v Speaker 2>say that I'd kind of forgot about this character.

1900
01:45:56.079 --> 01:45:57.399
<v Speaker 3>Yeah, but watching.

1901
01:45:58.760 --> 01:46:00.880
<v Speaker 1>Them say goodbye to each other, I was like, oh wow,

1902
01:46:01.079 --> 01:46:03.840
<v Speaker 1>like that was really nice. It's very as well written

1903
01:46:03.880 --> 01:46:06.319
<v Speaker 1>as well acted. I really felt something.

1904
01:46:06.640 --> 01:46:08.840
<v Speaker 2>That's That's what I'm saying, Like I'm like, Brent Spiner

1905
01:46:08.920 --> 01:46:14.880
<v Speaker 2>gets the most range to play in this film. You know. Yeah,

1906
01:46:15.000 --> 01:46:17.800
<v Speaker 2>I saw somebody online had cut together a montage of

1907
01:46:17.920 --> 01:46:22.359
<v Speaker 2>Liam Neeson, Liam Neeson, Liam Hemsworth yelling in this movie.

1908
01:46:22.439 --> 01:46:27.760
<v Speaker 2>Oh really, he does do that a lot. I didn't

1909
01:46:27.800 --> 01:46:32.119
<v Speaker 2>even pick up on that. Yeah, it was shoot. Where

1910
01:46:32.119 --> 01:46:33.439
<v Speaker 2>did I see that? I can't remember now.

1911
01:46:37.520 --> 01:46:39.640
<v Speaker 1>Yeah, It's like, no matter where these people are standing

1912
01:46:39.840 --> 01:46:41.840
<v Speaker 1>in the desert, there's always a shadow on their face,

1913
01:46:43.359 --> 01:46:44.680
<v Speaker 1>even when they're facing one another.

1914
01:46:44.720 --> 01:46:46.159
<v Speaker 3>It's like, that's not how light works.

1915
01:46:47.520 --> 01:46:50.680
<v Speaker 2>That's such a good point, right, Like, just when when

1916
01:46:50.720 --> 01:46:55.039
<v Speaker 2>you drop something fantastical into an environment that that we

1917
01:46:55.279 --> 01:46:59.439
<v Speaker 2>read as real, it makes such a difference in how

1918
01:46:59.479 --> 01:47:03.399
<v Speaker 2>we process totally totally, because even if we're talking about

1919
01:47:03.439 --> 01:47:05.000
<v Speaker 2>like a desert, right like at the end of the

1920
01:47:05.039 --> 01:47:07.760
<v Speaker 2>original film, you know when when Will Smith and Jeff

1921
01:47:07.800 --> 01:47:11.039
<v Speaker 2>Goldman's characters they crashed in the desert, looks like a

1922
01:47:11.079 --> 01:47:17.880
<v Speaker 2>real desert, you know. See, so this guy he's had

1923
01:47:18.279 --> 01:47:23.359
<v Speaker 2>it's his arc, not the warlord, the nerd in a screech, yeah, screech.

1924
01:47:25.119 --> 01:47:30.039
<v Speaker 2>It's such a like tropy arc, you know. Yeah, this

1925
01:47:30.119 --> 01:47:31.399
<v Speaker 2>is right here, right, It's sad.

1926
01:47:31.640 --> 01:47:35.960
<v Speaker 1>Yeah, Well, you know, and because they've spent some real

1927
01:47:36.000 --> 01:47:36.520
<v Speaker 1>time on it.

1928
01:47:37.479 --> 01:47:39.800
<v Speaker 2>Well, the fact that we established that the whole time

1929
01:47:39.840 --> 01:47:42.960
<v Speaker 2>Brent Spiner was in a coma, he was looking after him.

1930
01:47:43.039 --> 01:47:46.680
<v Speaker 1>Yeah, which is it's it doesn't even take up that

1931
01:47:46.760 --> 01:47:49.760
<v Speaker 1>much time, right, you know, but they just didn't take

1932
01:47:49.800 --> 01:47:51.640
<v Speaker 1>the care with these other guys for some reason.

1933
01:47:54.159 --> 01:47:58.000
<v Speaker 2>Yeah. It kind of what you said before, right, like,

1934
01:47:58.640 --> 01:48:02.039
<v Speaker 2>give us, give us fifty teen additional minutes of character

1935
01:48:02.079 --> 01:48:05.159
<v Speaker 2>development and see how much it makes the other two

1936
01:48:05.239 --> 01:48:06.600
<v Speaker 2>hours go down easier.

1937
01:48:08.319 --> 01:48:12.560
<v Speaker 1>Oh totally, you won't feel it if it's worth it. Yeah, Oh,

1938
01:48:12.600 --> 01:48:15.000
<v Speaker 1>I forgot. That is such a good line, the h

1939
01:48:15.119 --> 01:48:17.199
<v Speaker 1>where he gave him that scarf and he's like, I've

1940
01:48:17.199 --> 01:48:19.119
<v Speaker 1>got something I got to tell you. This was supposed

1941
01:48:19.119 --> 01:48:23.359
<v Speaker 1>to be a sweater. What a beautiful, sad, funny last line.

1942
01:48:23.760 --> 01:48:27.880
<v Speaker 1>That's great, that's great. Yeah, the writer should have saved

1943
01:48:27.880 --> 01:48:29.880
<v Speaker 1>that for another movie.

1944
01:48:30.279 --> 01:48:33.439
<v Speaker 2>I don't doubt that that was James Vanderbilt who wrote

1945
01:48:33.439 --> 01:48:36.159
<v Speaker 2>that line. I mean, he's a good writer. Yeah, you know,

1946
01:48:37.560 --> 01:48:42.640
<v Speaker 2>I interviewed him. Oh gosh, what must have been like

1947
01:48:42.680 --> 01:48:47.159
<v Speaker 2>twenty fourteen. I can't remember. It's for the movie truth. Wait,

1948
01:48:47.239 --> 01:48:52.880
<v Speaker 2>remind me that's that's about sixty minutes and they did it.

1949
01:48:52.880 --> 01:48:57.239
<v Speaker 2>It's Kate Blanchett and Robert Redford. Robert Redford plays Dan

1950
01:48:57.359 --> 01:48:58.680
<v Speaker 2>rather Man.

1951
01:48:58.800 --> 01:49:00.840
<v Speaker 3>That's like on the tip of my brain, but okay.

1952
01:49:00.680 --> 01:49:04.319
<v Speaker 2>Yeah, it's about how sixty minutes thought they had proved

1953
01:49:04.359 --> 01:49:09.439
<v Speaker 2>that George W. Bush had lied about his National Guard service. Okay,

1954
01:49:10.239 --> 01:49:13.479
<v Speaker 2>and the subsequent what ends up happening. It resulted in

1955
01:49:13.600 --> 01:49:17.319
<v Speaker 2>Dan rather having to leave CBS. Okay, feels like such

1956
01:49:17.359 --> 01:49:21.279
<v Speaker 2>a quaint journalistic expose story given all the fucking bullshit

1957
01:49:21.319 --> 01:49:25.439
<v Speaker 2>that's going on right now. But anyway, I interviewed him

1958
01:49:26.520 --> 01:49:28.640
<v Speaker 2>about that film. He because he wrote and directed it.

1959
01:49:29.000 --> 01:49:31.840
<v Speaker 2>Oh okay, so that would have been before this. I'm

1960
01:49:31.880 --> 01:49:34.800
<v Speaker 2>pretty sure. I feeling actually, I don't want to say

1961
01:49:34.800 --> 01:49:35.399
<v Speaker 2>the wrong thing on me.

1962
01:49:35.399 --> 01:49:38.199
<v Speaker 1>Look that up by the way, credit where credits do

1963
01:49:38.399 --> 01:49:41.439
<v Speaker 1>When we see this swarm of ships around the queen,

1964
01:49:42.079 --> 01:49:47.960
<v Speaker 1>looks pretty good, I agree, Unlike the confusing, disorienting melee earlier.

1965
01:49:48.439 --> 01:49:50.600
<v Speaker 1>This is a lot of stuff happening, but I can

1966
01:49:50.800 --> 01:49:52.479
<v Speaker 1>make sense of all of it, and it makes sense

1967
01:49:52.479 --> 01:49:54.279
<v Speaker 1>story wise, and I think it looks really good.

1968
01:49:54.640 --> 01:50:00.000
<v Speaker 2>Yeah, yeah, there's a broad sense of what we're trying.

1969
01:50:00.000 --> 01:50:03.319
<v Speaker 2>I accomplish which I think helps so truth. I should

1970
01:50:03.319 --> 01:50:06.159
<v Speaker 2>say it came out twenty fifteen, okay, the year before.

1971
01:50:06.479 --> 01:50:11.159
<v Speaker 2>I remember when I talked to him. I was a

1972
01:50:11.159 --> 01:50:13.119
<v Speaker 2>big fan of White House Down, and that was a

1973
01:50:13.159 --> 01:50:15.279
<v Speaker 2>movie that underperformed, but I was like a champion of

1974
01:50:15.279 --> 01:50:18.960
<v Speaker 2>that movie. And I think I've told you this. There's

1975
01:50:19.000 --> 01:50:20.680
<v Speaker 2>one line in there that always cracks me up. It's

1976
01:50:20.680 --> 01:50:23.560
<v Speaker 2>where the terrorists. It's like James Wood is their leader

1977
01:50:23.760 --> 01:50:27.119
<v Speaker 2>and Jason Clark is like the grunt, you know, okay,

1978
01:50:27.520 --> 01:50:29.479
<v Speaker 2>and so they're trying to capture the president who's played

1979
01:50:29.479 --> 01:50:32.640
<v Speaker 2>by Jamie Fox. He got away and so James Wood's

1980
01:50:32.880 --> 01:50:35.039
<v Speaker 2>so Jason Clark is getting all mad, like, oh he

1981
01:50:35.119 --> 01:50:37.600
<v Speaker 2>got away, and James was like, just relax, we'll find

1982
01:50:37.640 --> 01:50:40.439
<v Speaker 2>him here. You want some cake, And Jason Clark goes, no,

1983
01:50:40.479 --> 01:50:44.600
<v Speaker 2>I don't want cake. I have diabetes. I remember that, yeah,

1984
01:50:44.960 --> 01:50:46.600
<v Speaker 2>And just I was in the theater and I was like,

1985
01:50:47.359 --> 01:50:49.479
<v Speaker 2>I just thought it was so funny. So I told

1986
01:50:49.520 --> 01:50:54.079
<v Speaker 2>him that, and he was just delighted by that. I

1987
01:50:54.079 --> 01:50:55.000
<v Speaker 2>should rewatch that.

1988
01:50:55.079 --> 01:50:56.920
<v Speaker 1>I saw it when it came out, and I remember

1989
01:50:57.000 --> 01:50:58.920
<v Speaker 1>enjoying it, but I don't remember a thing about it.

1990
01:50:59.199 --> 01:51:01.279
<v Speaker 2>I mean, it's just like it knows what it is

1991
01:51:01.319 --> 01:51:03.840
<v Speaker 2>and it's good at being what it is, you know. Yeah, sure,

1992
01:51:03.960 --> 01:51:08.399
<v Speaker 2>because it was one of two White House diehard movies, you.

1993
01:51:08.319 --> 01:51:11.920
<v Speaker 3>Know, oh yeah, that's right, right, the one with Gerard Butler.

1994
01:51:12.039 --> 01:51:15.159
<v Speaker 2>Yeah, and Olympus Has Fallen. I thought was like trying

1995
01:51:15.159 --> 01:51:17.880
<v Speaker 2>to play you know, that's the one where they're beating

1996
01:51:17.960 --> 01:51:20.600
<v Speaker 2>up what's her name, Melissa Leo and she's like, God,

1997
01:51:20.720 --> 01:51:24.319
<v Speaker 2>bless America. You know. I'm like, oh my god too.

1998
01:51:25.000 --> 01:51:27.439
<v Speaker 2>You can't do Ernest here, you know, yeah, yeah, yeah,

1999
01:51:27.479 --> 01:51:29.039
<v Speaker 2>And I remember it was like, yeah, the type of

2000
01:51:29.039 --> 01:51:31.600
<v Speaker 2>movie where they take like a big dagger and stick

2001
01:51:31.640 --> 01:51:33.359
<v Speaker 2>it in someone the top of their skull. And I

2002
01:51:33.399 --> 01:51:35.840
<v Speaker 2>was like, oh, good, all right, that's what this that's

2003
01:51:35.840 --> 01:51:42.680
<v Speaker 2>what this is. That's what this is, right, Yeah. See

2004
01:51:42.880 --> 01:51:45.880
<v Speaker 2>see I was thinking about how, you know, in the

2005
01:51:46.000 --> 01:51:49.680
<v Speaker 2>in the original film, right, we get Russell Case does

2006
01:51:49.680 --> 01:51:53.840
<v Speaker 2>his big sacrifice play the mothership explodes, right, but the

2007
01:51:54.000 --> 01:51:59.680
<v Speaker 2>true ending is just you know, Stephen Hiller and David

2008
01:51:59.720 --> 01:52:05.399
<v Speaker 2>Levin and are on the the ship in space and

2009
01:52:05.439 --> 01:52:09.239
<v Speaker 2>it's you know, and then it's about whether they get out,

2010
01:52:09.319 --> 01:52:12.840
<v Speaker 2>you know. So in others you follow a big, a

2011
01:52:12.880 --> 01:52:15.520
<v Speaker 2>big explodeing thing with the well, I mean, there is

2012
01:52:15.560 --> 01:52:18.079
<v Speaker 2>another big exploding thing, but it's just the two characters

2013
01:52:19.520 --> 01:52:23.079
<v Speaker 2>and then they decide, okay, we're going to sacrifice ourselves, right,

2014
01:52:23.119 --> 01:52:25.479
<v Speaker 2>and then and then it's whether they escape or not.

2015
01:52:25.560 --> 01:52:28.600
<v Speaker 2>And I think that structurally that works better because we're

2016
01:52:28.600 --> 01:52:32.079
<v Speaker 2>more invested in those two characters. Right, Yeah, I think

2017
01:52:32.119 --> 01:52:35.479
<v Speaker 2>fundamentally here it's like again we're back with these this

2018
01:52:35.640 --> 01:52:39.000
<v Speaker 2>salvage crew. Yeah, they don't do anything, Like, what's the

2019
01:52:39.039 --> 01:52:42.720
<v Speaker 2>point of them? It's so weird, you're totally right. Wow. Right,

2020
01:52:43.319 --> 01:52:46.039
<v Speaker 2>So the third act really just kind of falls in

2021
01:52:46.119 --> 01:52:49.279
<v Speaker 2>on itself because it's very clear they did not know

2022
01:52:49.319 --> 01:52:53.359
<v Speaker 2>how to end the movie, right because of the way.

2023
01:52:53.560 --> 01:52:55.680
<v Speaker 2>You know, Brent Spiner comes running up and he's like, oh,

2024
01:52:55.680 --> 01:52:57.920
<v Speaker 2>by the way, you know, like yeah.

2025
01:52:57.880 --> 01:53:02.800
<v Speaker 1>Right right, you know, yeah, we're going to warn another galaxy.

2026
01:53:02.920 --> 01:53:06.760
<v Speaker 2>Yay. It's you know, it's it's it's like the end

2027
01:53:06.800 --> 01:53:08.920
<v Speaker 2>of Rise of Skywalker, right, Like, why does that not

2028
01:53:09.039 --> 01:53:14.399
<v Speaker 2>really hit because it's just we've seen it before. Oh look,

2029
01:53:14.439 --> 01:53:17.479
<v Speaker 2>the Emperor is dead again. Oh look, you know people

2030
01:53:17.520 --> 01:53:19.640
<v Speaker 2>are celebrating all over the galaxy.

2031
01:53:20.279 --> 01:53:22.239
<v Speaker 3>Yep, well we've seen that, We've seen that.

2032
01:53:22.359 --> 01:53:25.600
<v Speaker 2>Yeah, right, And so this is it's like a lesser

2033
01:53:25.760 --> 01:53:30.279
<v Speaker 2>version of the thing that we already saw. Yeah.

2034
01:53:30.359 --> 01:53:35.199
<v Speaker 1>Yeah, this looks like the light on them so wonky.

2035
01:53:36.520 --> 01:53:44.079
<v Speaker 2>Yeah, it's it's very obviously she's not outside. Yeah, but

2036
01:53:44.119 --> 01:53:48.359
<v Speaker 2>I really wish I cared about this trio. I think

2037
01:53:48.439 --> 01:53:53.119
<v Speaker 2>that if if Stephen Hiller is in fact dead, then

2038
01:53:53.399 --> 01:53:56.520
<v Speaker 2>there has to be something in this third act that

2039
01:53:56.760 --> 01:54:03.760
<v Speaker 2>has Dylan something redemptive with regards to his dad, like,

2040
01:54:03.840 --> 01:54:05.520
<v Speaker 2>I hope you're proud of me, dad, something.

2041
01:54:05.439 --> 01:54:08.800
<v Speaker 1>Right, totally yeah, yeah, yeah, yeah, some issue they had

2042
01:54:08.880 --> 01:54:09.279
<v Speaker 1>or something.

2043
01:54:09.720 --> 01:54:11.319
<v Speaker 2>You know, it would have been very easy to do.

2044
01:54:11.439 --> 01:54:13.760
<v Speaker 2>The other thing I was thinking about, I'm like, why

2045
01:54:13.920 --> 01:54:15.960
<v Speaker 2>make it so final that he is dead?

2046
01:54:16.720 --> 01:54:19.279
<v Speaker 3>I was wondering, like what if, yeah, maybe he wasn't.

2047
01:54:19.319 --> 01:54:21.840
<v Speaker 1>Maybe they thought he had crashed, but maybe he was

2048
01:54:22.119 --> 01:54:25.880
<v Speaker 1>taken and then they discover he's been held captive all

2049
01:54:25.880 --> 01:54:27.640
<v Speaker 1>these years or something, and then they release them and

2050
01:54:28.039 --> 01:54:30.000
<v Speaker 1>now he's kind of kooky, right because they've been in

2051
01:54:30.039 --> 01:54:30.399
<v Speaker 1>his head.

2052
01:54:30.600 --> 01:54:33.920
<v Speaker 2>Yeah, or like let's say, okay, it's for sure Will

2053
01:54:33.960 --> 01:54:36.680
<v Speaker 2>Smith is not in this movie. Then then you say,

2054
01:54:36.760 --> 01:54:40.319
<v Speaker 2>you know, fifteen years ago, Steven Hiller led a mission

2055
01:54:40.359 --> 01:54:42.600
<v Speaker 2>into space and he was never heard from again.

2056
01:54:42.720 --> 01:54:45.119
<v Speaker 1>Yeah, exactly, Well that would have been yeah if they

2057
01:54:45.159 --> 01:54:48.000
<v Speaker 1>really thought they were making a third one, right, Yeah,

2058
01:54:48.119 --> 01:54:50.399
<v Speaker 1>don't box yourself into the corner saying.

2059
01:54:50.199 --> 01:54:57.800
<v Speaker 2>Right, it's odd. Yeah. I sorry, I'm being quiet because

2060
01:54:57.800 --> 01:54:59.319
<v Speaker 2>I'm like I don't even remember this. I was like, wait,

2061
01:54:59.319 --> 01:55:05.520
<v Speaker 2>what's happening here? You just saw it like two days ago. Yeah, anyway, Sorry,

2062
01:55:05.680 --> 01:55:09.279
<v Speaker 2>I have to admit I do like this one moment

2063
01:55:09.359 --> 01:55:11.960
<v Speaker 2>where this the Warlord's like you have the heart of

2064
01:55:12.000 --> 01:55:19.199
<v Speaker 2>a warrior because it's so weirdly earnest for that relationship.

2065
01:55:19.279 --> 01:55:21.479
<v Speaker 1>You know it see exact kind of thing Emeric does

2066
01:55:21.520 --> 01:55:23.800
<v Speaker 1>in a bunch of other movies. Maybe just a little better,

2067
01:55:23.840 --> 01:55:27.039
<v Speaker 1>but yeah, like it is satisfying seeing these two opposites

2068
01:55:28.000 --> 01:55:29.600
<v Speaker 1>share a moment during vig.

2069
01:55:29.720 --> 01:55:31.840
<v Speaker 2>It's funny like we don't really get insight into the

2070
01:55:31.840 --> 01:55:34.039
<v Speaker 2>warlord and it's like, well does he have like child soldiers?

2071
01:55:34.039 --> 01:55:36.520
<v Speaker 2>Like what kind of warlord is? You know? I know,

2072
01:55:36.760 --> 01:55:39.119
<v Speaker 2>like like do you want his compliment? Maybe you don't,

2073
01:55:39.199 --> 01:55:39.399
<v Speaker 2>you know.

2074
01:55:39.920 --> 01:55:42.720
<v Speaker 1>I remember thinking those sorts of things when it first

2075
01:55:42.960 --> 01:55:44.840
<v Speaker 1>came out, And then I did notice a line at

2076
01:55:44.880 --> 01:55:46.720
<v Speaker 1>the beginning where it was sort of like, well that

2077
01:55:46.800 --> 01:55:48.520
<v Speaker 1>was my dad or something.

2078
01:55:49.560 --> 01:55:52.399
<v Speaker 2>So this like ad R right right right.

2079
01:55:53.960 --> 01:55:56.319
<v Speaker 1>I'm probably even remembering it wrong, but I think they

2080
01:55:56.319 --> 01:55:58.359
<v Speaker 1>did something like that, were like, I, you know, he

2081
01:55:58.520 --> 01:55:59.520
<v Speaker 1>was like this, but I am me.

2082
01:56:00.840 --> 01:56:04.119
<v Speaker 2>I don't believe in child soldiers. Yeah eighteen plus only

2083
01:56:04.560 --> 01:56:14.560
<v Speaker 2>right right in my army this ball.

2084
01:56:14.720 --> 01:56:16.800
<v Speaker 1>I wish the ball had like more personality, like, oh hey,

2085
01:56:16.800 --> 01:56:19.399
<v Speaker 1>it's up, yeah, like I should be voiced by Christen Wig.

2086
01:56:23.399 --> 01:56:25.680
<v Speaker 2>I was thinking Orco voice, So I guess we were

2087
01:56:25.760 --> 01:56:27.800
<v Speaker 2>kind of in the same Actually, I like Orco Yeah,

2088
01:56:27.840 --> 01:56:31.000
<v Speaker 2>are we ready to go? Yeah? Exactly, you know, I

2089
01:56:31.159 --> 01:56:33.880
<v Speaker 2>just give us a minute. What a weird way to

2090
01:56:33.960 --> 01:56:36.600
<v Speaker 2>end the movie. We're gonna kick some serious alien ass.

2091
01:56:36.880 --> 01:56:39.239
<v Speaker 3>And thinking that we're gonna be like, yes, give it

2092
01:56:39.279 --> 01:56:39.760
<v Speaker 3>to me now.

2093
01:56:40.680 --> 01:56:46.840
<v Speaker 2>I remember the movie ending and saying to myself, fu,

2094
01:56:48.159 --> 01:56:51.640
<v Speaker 2>yeah right right as soon as the credits came up. Yeah,

2095
01:56:51.960 --> 01:56:56.520
<v Speaker 2>because I was like, how effing tear you? You know,

2096
01:56:57.079 --> 01:57:00.119
<v Speaker 2>specifically for people who aren't watching along, what do you mean? Well,

2097
01:57:00.920 --> 01:57:06.000
<v Speaker 2>just the ending is this insulting sequel tease? And you know,

2098
01:57:06.680 --> 01:57:08.840
<v Speaker 2>about twenty minutes into this there will never be a

2099
01:57:08.840 --> 01:57:13.680
<v Speaker 2>sequel to yeah, right, yeah, yeah, And so it's it's

2100
01:57:13.720 --> 01:57:17.279
<v Speaker 2>not only it's not even just the fact that it's

2101
01:57:17.319 --> 01:57:19.880
<v Speaker 2>it's teasing a sequel that's never gonna happen. I'm like

2102
01:57:20.479 --> 01:57:23.560
<v Speaker 2>it it has a sequel tease in lieu of an

2103
01:57:23.680 --> 01:57:30.000
<v Speaker 2>ending that's emotionally satisfying, totally. You're right, Like the first

2104
01:57:30.000 --> 01:57:33.159
<v Speaker 2>film ends and Will Smith's like, didn't I promise you?

2105
01:57:33.199 --> 01:57:37.359
<v Speaker 2>Fireworks boom perfect, final life perfect, right, and then you know,

2106
01:57:37.720 --> 01:57:39.960
<v Speaker 2>the music comes up, So that's what it was. It

2107
01:57:40.039 --> 01:57:42.239
<v Speaker 2>was a You're gonna kick some alien ass and then

2108
01:57:42.960 --> 01:57:47.319
<v Speaker 2>final insult. David Arnold's theme comes up, and I'm like,

2109
01:57:47.359 --> 01:57:49.800
<v Speaker 2>you read pastored sons of pitches. Yeah.

2110
01:57:49.880 --> 01:57:53.239
<v Speaker 1>Well, it's also kind of like, let us have some

2111
01:57:53.279 --> 01:57:57.439
<v Speaker 1>catharsis from this. We've apparently cared about what happened for

2112
01:57:57.479 --> 01:57:59.239
<v Speaker 1>the past two hours, and now it's just been solved.

2113
01:57:59.239 --> 01:58:01.520
<v Speaker 1>But it's immediately like no, no, no, the real battles

2114
01:58:01.520 --> 01:58:05.680
<v Speaker 1>out there like okay, yeah, yeah, you don't even give

2115
01:58:05.760 --> 01:58:06.600
<v Speaker 1>us a moment to.

2116
01:58:08.319 --> 01:58:09.960
<v Speaker 2>Savor what they've just been through.

2117
01:58:10.520 --> 01:58:13.359
<v Speaker 1>Yeah, like you said, and they interrupt that for a

2118
01:58:13.439 --> 01:58:14.680
<v Speaker 1>sequel we know won't happen.

2119
01:58:14.880 --> 01:58:19.800
<v Speaker 2>Yeah, Independence Day Resurgence. Yeah, well it was gonna be

2120
01:58:19.880 --> 01:58:25.239
<v Speaker 2>I D Forever. Okay. Part one and Part two yeah,

2121
01:58:25.439 --> 01:58:28.640
<v Speaker 2>which that that's you know, that's bad. Regardless resurgence too,

2122
01:58:28.640 --> 01:58:32.039
<v Speaker 2>that feels very focus grouped, you know. Sure, but no,

2123
01:58:32.199 --> 01:58:34.399
<v Speaker 2>just looking at the credit list, I'm I'm fascinated by

2124
01:58:34.439 --> 01:58:38.239
<v Speaker 2>the fact that Liam Hemsworth his top build. Wow, right,

2125
01:58:38.279 --> 01:58:41.039
<v Speaker 2>because I'm just like, well, I'm wondering did his agent

2126
01:58:41.239 --> 01:58:48.840
<v Speaker 2>like do some some some you know, negotiation food. That's funny.

2127
01:58:49.880 --> 01:58:53.680
<v Speaker 3>Yeah, No, I like that expression, or or they're like, we.

2128
01:58:53.600 --> 01:58:55.920
<v Speaker 2>Got another Hemsworth, we got another list.

2129
01:58:55.840 --> 01:58:58.560
<v Speaker 1>You know, like we we we found another gold nugget

2130
01:58:58.600 --> 01:59:01.640
<v Speaker 1>in a cave and we we are going to capitalize

2131
01:59:01.640 --> 01:59:03.159
<v Speaker 1>on this guy. We are like going to get him

2132
01:59:03.159 --> 01:59:05.760
<v Speaker 1>to a contract for Fox and you know, Marvel can

2133
01:59:05.800 --> 01:59:08.159
<v Speaker 1>have that one. We got this one, and it I

2134
01:59:08.199 --> 01:59:09.279
<v Speaker 1>wonder if it was something like that.

2135
01:59:10.439 --> 01:59:14.760
<v Speaker 2>Well, it's weird because even watching the film, he doesn't

2136
01:59:14.760 --> 01:59:17.319
<v Speaker 2>feel like the lead to me. No, yeah, yeah, that's

2137
01:59:17.359 --> 01:59:19.920
<v Speaker 2>a good point. You know, he's a lead, we get it,

2138
01:59:19.960 --> 01:59:22.159
<v Speaker 2>but he doesn't feel like the main character. You know.

2139
01:59:22.199 --> 01:59:24.520
<v Speaker 2>And again this is just this we're just saying the

2140
01:59:24.520 --> 01:59:26.800
<v Speaker 2>same thing. But I mean that's something that Will Smith

2141
01:59:26.880 --> 01:59:29.840
<v Speaker 2>was able to to just sort of thanks to his personality,

2142
01:59:29.880 --> 01:59:33.600
<v Speaker 2>really make himself the first among equals, you know.

2143
01:59:34.560 --> 01:59:37.840
<v Speaker 1>Yeah, and even at one point, I obviously this is

2144
01:59:37.880 --> 01:59:40.399
<v Speaker 1>a different experience at watching it with the sound off

2145
01:59:40.479 --> 01:59:42.840
<v Speaker 1>with you. But Jeff Goldblum, when he was in the

2146
01:59:42.880 --> 01:59:44.239
<v Speaker 1>bus at the end, I was kind of like, oh, yeah,

2147
01:59:44.319 --> 01:59:44.960
<v Speaker 1>Jeff Golbloom.

2148
01:59:47.199 --> 01:59:49.479
<v Speaker 2>You know, Jeff Goldblum, who you have to give credit.

2149
01:59:49.640 --> 01:59:52.439
<v Speaker 2>He he knows the assignment, Yeah, what people are turning

2150
01:59:52.520 --> 01:59:56.079
<v Speaker 2>up for totally. He knows why he's making them that

2151
01:59:56.079 --> 01:59:58.399
<v Speaker 2>that sweet sweet independence Day two money.

2152
01:59:59.479 --> 02:00:01.760
<v Speaker 1>Yeah, and I love him, but I do feel like

2153
02:00:01.800 --> 02:00:04.399
<v Speaker 1>he works best when he's bouncing off of someone, I.

2154
02:00:04.359 --> 02:00:08.680
<v Speaker 2>Think, so, you know, yeah, and you know, I think

2155
02:00:08.760 --> 02:00:12.920
<v Speaker 2>that that's that's where you weave in William Fickner a

2156
02:00:12.960 --> 02:00:15.439
<v Speaker 2>little bit more or somebody you know, to kind of

2157
02:00:15.800 --> 02:00:16.920
<v Speaker 2>have that push and pull, you know.

2158
02:00:17.319 --> 02:00:19.600
<v Speaker 1>Yeah, that's what's so satisfying in the first one is

2159
02:00:19.640 --> 02:00:22.520
<v Speaker 1>he is very smart, but he's kind of at odds

2160
02:00:22.560 --> 02:00:26.399
<v Speaker 1>with most people. You know, they don't either want him

2161
02:00:26.399 --> 02:00:28.359
<v Speaker 1>there or they don't trust him, or who's this guy?

2162
02:00:28.439 --> 02:00:30.680
<v Speaker 1>But he knows he's right and he's got to be there.

2163
02:00:30.680 --> 02:00:32.159
<v Speaker 1>And yeah, it's a good thing he is.

2164
02:00:33.079 --> 02:00:34.720
<v Speaker 2>See. I think what they you know, they needed to

2165
02:00:34.760 --> 02:00:39.079
<v Speaker 2>bring back Harvey Firestein. Yeah, well, I don't know you

2166
02:00:39.119 --> 02:00:42.119
<v Speaker 2>made it. Well, we didn't think Brent Speiner made it.

2167
02:00:42.239 --> 02:00:45.479
<v Speaker 2>Touche touche. He's a he's a cyborg in this one.

2168
02:00:45.479 --> 02:00:45.840
<v Speaker 2>I don't know.

2169
02:00:46.239 --> 02:00:48.399
<v Speaker 1>Yeah, actually I would love it if he was like

2170
02:00:48.439 --> 02:00:51.359
<v Speaker 1>now married to his lawyer, just to bring that back,

2171
02:00:52.119 --> 02:00:54.279
<v Speaker 1>you know, call this person, call whatever, like I forget

2172
02:00:54.319 --> 02:00:56.359
<v Speaker 1>my lawyer and it's just like turns out I'm in

2173
02:00:56.399 --> 02:00:57.119
<v Speaker 1>love with my lawyer.

2174
02:00:57.279 --> 02:00:59.600
<v Speaker 3>Like I would just love just for me. That would

2175
02:00:59.600 --> 02:01:00.119
<v Speaker 3>tickles me.

2176
02:01:04.319 --> 02:01:07.359
<v Speaker 2>Wow. Okay, So well, hey, we have now watched Independence

2177
02:01:07.399 --> 02:01:10.560
<v Speaker 2>Day Resurgence for the third and dare I say final time?

2178
02:01:10.960 --> 02:01:13.840
<v Speaker 2>I think so? I think so. I think we can.

2179
02:01:14.079 --> 02:01:16.640
<v Speaker 2>We can put this one the in the lock box

2180
02:01:17.039 --> 02:01:23.560
<v Speaker 2>right for eternity. Oh man, I wonder do you think

2181
02:01:23.640 --> 02:01:27.159
<v Speaker 2>this will be the final time anyone or I don't

2182
02:01:27.159 --> 02:01:28.520
<v Speaker 2>know if anyone else has up to this moment, but

2183
02:01:28.760 --> 02:01:32.279
<v Speaker 2>anyone will record a commentary track for Independence Day Resurgence?

2184
02:01:33.479 --> 02:01:35.760
<v Speaker 2>Is this our stick pin in history?

2185
02:01:35.880 --> 02:01:38.159
<v Speaker 1>If we could see all the facts of the world

2186
02:01:38.199 --> 02:01:41.880
<v Speaker 1>in some amazing book that collects this sort of like detail,

2187
02:01:42.880 --> 02:01:44.319
<v Speaker 1>it's like, wow, actually.

2188
02:01:43.920 --> 02:01:44.520
<v Speaker 2>Believe it or not?

2189
02:01:44.560 --> 02:01:49.359
<v Speaker 1>The last time anyone recorded commentary Independence Date two with

2190
02:01:49.439 --> 02:01:52.760
<v Speaker 1>Zakiyasan and Brian Hall in year twenty twenty six.

2191
02:01:53.439 --> 02:01:56.520
<v Speaker 2>Maybe you know, I'm it. It's like that old saying.

2192
02:01:56.720 --> 02:02:01.359
<v Speaker 2>One day somebody recorded the final commentary track for Independence

2193
02:02:01.399 --> 02:02:03.359
<v Speaker 2>Day Resurgence, and we didn't even know. We didn't even

2194
02:02:03.359 --> 02:02:06.079
<v Speaker 2>know exactly exactly. You know, Yeah, we might be in

2195
02:02:06.079 --> 02:02:14.000
<v Speaker 2>that moment right now. I wonder, well, hey, so final thoughts? Uh?

2196
02:02:14.079 --> 02:02:16.560
<v Speaker 1>You know what is funny When the movie ended the

2197
02:02:16.600 --> 02:02:19.880
<v Speaker 1>other night, when I was actually watching it, I did think, look,

2198
02:02:19.920 --> 02:02:20.880
<v Speaker 1>this isn't very good.

2199
02:02:20.920 --> 02:02:23.760
<v Speaker 2>It just didn't work Normally, he's so good.

2200
02:02:23.800 --> 02:02:25.000
<v Speaker 3>Even though his movies are.

2201
02:02:25.000 --> 02:02:28.239
<v Speaker 1>Very popcorn and kind of corny and feature very obvious tropes,

2202
02:02:28.840 --> 02:02:32.239
<v Speaker 1>they still kind of work, like in a base sort

2203
02:02:32.239 --> 02:02:34.600
<v Speaker 1>of way, the way that you connect with people and

2204
02:02:34.680 --> 02:02:37.279
<v Speaker 1>just want to see a ragtag group of people save

2205
02:02:37.319 --> 02:02:37.680
<v Speaker 1>the day.

2206
02:02:38.119 --> 02:02:39.399
<v Speaker 3>You know, he's just really good at that.

2207
02:02:39.399 --> 02:02:43.439
<v Speaker 1>And somehow he wasn't able to harness that for this

2208
02:02:43.560 --> 02:02:46.720
<v Speaker 1>movie in a way that worked for me. And at

2209
02:02:46.720 --> 02:02:49.760
<v Speaker 1>the same time, it still feels like it was made

2210
02:02:49.800 --> 02:02:51.039
<v Speaker 1>by someone who's capable.

2211
02:02:51.760 --> 02:02:53.279
<v Speaker 2>You know, sometimes you watch a movie like.

2212
02:02:53.239 --> 02:02:55.359
<v Speaker 1>This and you're like, wow, this person doesn't know where

2213
02:02:55.399 --> 02:02:56.479
<v Speaker 1>to put the camera this person.

2214
02:02:57.399 --> 02:02:59.640
<v Speaker 3>This editing is weird. This pert, you know, why were

2215
02:02:59.640 --> 02:03:01.000
<v Speaker 3>they direct did to do that?

2216
02:03:01.159 --> 02:03:02.680
<v Speaker 2>Like it?

2217
02:03:03.640 --> 02:03:09.640
<v Speaker 1>There's like capable skill, I think on display, but the

2218
02:03:09.680 --> 02:03:12.680
<v Speaker 1>script doesn't work, The characters aren't interesting, you know, all

2219
02:03:12.720 --> 02:03:15.640
<v Speaker 1>that stuff's not working. But still the action set pieces

2220
02:03:15.800 --> 02:03:20.720
<v Speaker 1>feel you know, they have some skill to them.

2221
02:03:20.920 --> 02:03:21.880
<v Speaker 3>Yeah, you know, and.

2222
02:03:22.199 --> 02:03:24.319
<v Speaker 1>You can see that this is someone who does know

2223
02:03:24.359 --> 02:03:26.399
<v Speaker 1>what they're doing, but this was just not their day.

2224
02:03:26.800 --> 02:03:27.560
<v Speaker 3>Does that make sense?

2225
02:03:28.199 --> 02:03:31.720
<v Speaker 2>Well, it absolutely does. Although the only addendum I would

2226
02:03:31.800 --> 02:03:35.159
<v Speaker 2>offer is that in the decade sense that he is

2227
02:03:35.199 --> 02:03:38.359
<v Speaker 2>only directed to additional films that is a great point,

2228
02:03:39.600 --> 02:03:40.920
<v Speaker 2>neither of which were his day.

2229
02:03:41.199 --> 02:03:44.720
<v Speaker 1>Also, and I guess it happens, right, I mean, even

2230
02:03:44.760 --> 02:03:47.399
<v Speaker 1>look at someone like Francis Ford Coppola. That's right, you

2231
02:03:47.439 --> 02:03:50.600
<v Speaker 1>know what I mean, you get Apocalypse now, then you

2232
02:03:50.640 --> 02:03:53.680
<v Speaker 1>get Jack, you know, like I just it's strange how

2233
02:03:53.720 --> 02:03:54.199
<v Speaker 1>that happens.

2234
02:03:54.199 --> 02:03:57.439
<v Speaker 2>But yeah, I remember it was at Moonfall. Moonfall. Yeah,

2235
02:03:57.560 --> 02:04:00.439
<v Speaker 2>that was a COVID movie and you could tell that

2236
02:04:00.560 --> 02:04:02.680
<v Speaker 2>was a movie where I think I dvr'd that one

2237
02:04:02.760 --> 02:04:05.600
<v Speaker 2>night because I thought, wow, Roland Emeric movie I've never seen,

2238
02:04:06.359 --> 02:04:09.239
<v Speaker 2>kind of curious, and I turned it off. Twenty minutes in.

2239
02:04:10.720 --> 02:04:14.439
<v Speaker 2>Isn't that sad? Yeah? I saw it in the theater

2240
02:04:15.720 --> 02:04:20.640
<v Speaker 2>and is pretty rough really, Yeah, and I had a

2241
02:04:20.720 --> 02:04:23.800
<v Speaker 2>very similar reaction where, you know, it was very obvious

2242
02:04:23.840 --> 02:04:26.840
<v Speaker 2>that they were working under pandemic conditions, and so you're

2243
02:04:26.920 --> 02:04:29.079
<v Speaker 2>kind of like, you give them, you give them an

2244
02:04:29.119 --> 02:04:32.239
<v Speaker 2>a for effort kind of thing. You know, this was

2245
02:04:32.279 --> 02:04:32.560
<v Speaker 2>not that.

2246
02:04:33.000 --> 02:04:38.680
<v Speaker 1>Yeah, shame, Yeah, you you your your wrap up thoughts.

2247
02:04:39.119 --> 02:04:43.279
<v Speaker 2>I think that you know what I said ten years

2248
02:04:43.319 --> 02:04:47.520
<v Speaker 2>ago is I didn't hate this movie. I just didn't

2249
02:04:47.520 --> 02:04:51.199
<v Speaker 2>have any feelings about it at all, you know, because

2250
02:04:51.640 --> 02:04:56.439
<v Speaker 2>hate implies more effort than even the filmmakers put in.

2251
02:04:56.520 --> 02:05:02.439
<v Speaker 2>It feels like right, and you know, it's not even like, oh,

2252
02:05:02.479 --> 02:05:05.520
<v Speaker 2>it ruined the first one retrospectively for me, because this

2253
02:05:05.960 --> 02:05:10.279
<v Speaker 2>sequel is so entirely forgettable that it's like like, I'm

2254
02:05:10.399 --> 02:05:13.039
<v Speaker 2>I'm happy to revisit the first film whenever you know,

2255
02:05:13.079 --> 02:05:16.600
<v Speaker 2>it's it's Independence Day weekend, I'll probably watch it, but

2256
02:05:17.159 --> 02:05:19.119
<v Speaker 2>I'm also happy to just put this one back in

2257
02:05:19.159 --> 02:05:21.039
<v Speaker 2>the drawer and never watch it again. Yeah.

2258
02:05:21.079 --> 02:05:23.279
<v Speaker 1>I mean it doesn't even feel related to it. Frankly,

2259
02:05:23.359 --> 02:05:25.960
<v Speaker 1>I mean, you you hit it right on the head,

2260
02:05:26.159 --> 02:05:28.399
<v Speaker 1>right off the bat. Which is the first one has

2261
02:05:28.439 --> 02:05:32.159
<v Speaker 1>a groundedness and a humanity and a real sort of

2262
02:05:32.199 --> 02:05:34.960
<v Speaker 1>put yourself in the situation kind of fun to it

2263
02:05:35.359 --> 02:05:37.640
<v Speaker 1>that this one just simply doesn't have. So it's like

2264
02:05:37.680 --> 02:05:40.000
<v Speaker 1>you can't even mistake them, you know, for one another.

2265
02:05:40.079 --> 02:05:42.319
<v Speaker 1>And yeah, we'll just we'll keep going back to the

2266
02:05:42.319 --> 02:05:44.319
<v Speaker 1>first one and this one will drift off into the

2267
02:05:44.319 --> 02:05:44.880
<v Speaker 1>memory hole.

2268
02:05:45.439 --> 02:05:50.319
<v Speaker 2>Bye bye. But hey, let us know your thoughts on

2269
02:05:50.399 --> 02:05:55.920
<v Speaker 2>Independence Day resurgence. I actually very curious me too. You

2270
02:05:55.960 --> 02:05:58.479
<v Speaker 2>can email us at Movie Film Podcast at gmail dot com.

2271
02:05:58.520 --> 02:06:00.359
<v Speaker 2>You can also hit like on our Facebook page Facebook

2272
02:06:00.399 --> 02:06:03.319
<v Speaker 2>dot com slash movie Film and Podcast and message us there.

2273
02:06:03.319 --> 02:06:06.399
<v Speaker 2>If you're listening to this podcast on YouTube, please hit like,

2274
02:06:06.520 --> 02:06:08.720
<v Speaker 2>hit subscribe, and also leave comments there because we do

2275
02:06:08.760 --> 02:06:11.359
<v Speaker 2>read those on the show. We also have a Patreon.

2276
02:06:11.039 --> 02:06:13.239
<v Speaker 1>Page ran Yes, if you head over to patreon dot

2277
02:06:13.239 --> 02:06:16.479
<v Speaker 1>com slash moviefilm Podcast and hit subscribe for only five

2278
02:06:16.520 --> 02:06:19.199
<v Speaker 1>dollars a month, you'll find every commentary we've ever done

2279
02:06:19.279 --> 02:06:20.720
<v Speaker 1>in every episode moving.

2280
02:06:20.520 --> 02:06:23.279
<v Speaker 2>Forward, absolutely ad free.

2281
02:06:24.119 --> 02:06:26.439
<v Speaker 1>In addition to that, you will find bonus conversations we

2282
02:06:26.520 --> 02:06:29.079
<v Speaker 1>drop about twice a month over there, which is just

2283
02:06:29.159 --> 02:06:31.119
<v Speaker 1>extra stuff that we just didn't have the space to

2284
02:06:31.119 --> 02:06:33.000
<v Speaker 1>fit into the show things we wanted to talk about,

2285
02:06:33.039 --> 02:06:35.119
<v Speaker 1>but we can't have our show be three hours long,

2286
02:06:35.680 --> 02:06:39.039
<v Speaker 1>so we drop those extra fun conversations over there. Our

2287
02:06:39.039 --> 02:06:40.920
<v Speaker 1>free feed will always be available, but this is our

2288
02:06:40.920 --> 02:06:43.319
<v Speaker 1>way of providing what we believe is the most satisfying

2289
02:06:43.359 --> 02:06:46.039
<v Speaker 1>way to enjoy the show. So no ads are interruptions,

2290
02:06:46.199 --> 02:06:48.720
<v Speaker 1>butting in, which can be especially annoying when you're trying

2291
02:06:48.720 --> 02:06:51.399
<v Speaker 1>to fall along with a commentary. Plus, your subscription goes

2292
02:06:51.399 --> 02:06:53.199
<v Speaker 1>a long way and helping to support us and helping

2293
02:06:53.239 --> 02:06:56.399
<v Speaker 1>to sustain producing the show. So if you're interested in Abele,

2294
02:06:56.399 --> 02:06:59.359
<v Speaker 1>please head over to patreon dot com, slash MOVIEFILM podcast

2295
02:06:59.520 --> 02:07:01.079
<v Speaker 1>and subscrib we'd be very.

2296
02:07:00.960 --> 02:07:05.119
<v Speaker 2>Grateful and with that on behalf of my partner Brian Home.

2297
02:07:05.159 --> 02:07:06.760
<v Speaker 2>My name is Zachie As this has been our movie

2298
02:07:06.760 --> 02:07:10.720
<v Speaker 2>film commentary track for Independence Day Resurgence. We will catch

2299
02:07:10.720 --> 02:07:16.680
<v Speaker 2>you next time. Thanks everybody,
