WEBVTT

1
00:00:00.560 --> 00:00:05.519
<v Speaker 1>It's Boston's news radio.

2
00:00:05.759 --> 00:00:09.640
<v Speaker 2>The final hour of night Side is here six minutes

3
00:00:09.679 --> 00:00:13.119
<v Speaker 2>into itself. I am Morgan White Junior. The announcer just

4
00:00:13.160 --> 00:00:19.839
<v Speaker 2>told you that my guest, we're having fun here. They've

5
00:00:19.920 --> 00:00:24.960
<v Speaker 2>let the inmates run the asylum. Is this Arkham? I

6
00:00:25.399 --> 00:00:28.760
<v Speaker 2>hear there are a lot of funny going on going

7
00:00:29.280 --> 00:00:34.719
<v Speaker 2>on at Arkham. And my guest is mister Ed Robertson.

8
00:00:34.880 --> 00:00:37.679
<v Speaker 2>I've had him on many a time. He is a

9
00:00:37.840 --> 00:00:41.039
<v Speaker 2>very prolific gentleman. Has written a great number of books

10
00:00:41.679 --> 00:00:49.439
<v Speaker 2>around television programs of the past five decades. And we

11
00:00:49.759 --> 00:00:53.960
<v Speaker 2>are talking about this book Manufaction, focusing on these four

12
00:00:54.000 --> 00:01:00.200
<v Speaker 2>TV series The Magician, HARRYO, The Untouchables and Run for

13
00:01:00.240 --> 00:01:04.760
<v Speaker 2>Your Life, and within those shows because of well known

14
00:01:04.920 --> 00:01:10.400
<v Speaker 2>producers and actors who've been in multiple series, other shows

15
00:01:10.439 --> 00:01:14.519
<v Speaker 2>have been mentioned. So if there's something about one of

16
00:01:14.560 --> 00:01:18.959
<v Speaker 2>the easily dozen of more shows you've heard us talk about,

17
00:01:19.599 --> 00:01:24.560
<v Speaker 2>call in like this. Next lady has Allison welcome aboard,

18
00:01:24.640 --> 00:01:26.040
<v Speaker 2>hope you Thanksgiving with well?

19
00:01:26.920 --> 00:01:28.840
<v Speaker 3>Oh, then I dropped the phone. Hello, I know I

20
00:01:28.879 --> 00:01:30.760
<v Speaker 3>just called it, but nobodys calling you, and you know

21
00:01:30.840 --> 00:01:34.000
<v Speaker 3>I love this sort of thing. I have your I

22
00:01:34.040 --> 00:01:37.359
<v Speaker 3>have your Terry Mason books, and that's really it's really amazing.

23
00:01:37.840 --> 00:01:38.400
<v Speaker 4>Oh thank you.

24
00:01:38.799 --> 00:01:40.560
<v Speaker 3>Yeah. I wish I we somebody to do a book

25
00:01:40.560 --> 00:01:42.599
<v Speaker 3>about the Untouchables. I wanted to talk a bit about that.

26
00:01:43.120 --> 00:01:43.920
<v Speaker 3>But I know this.

27
00:01:44.040 --> 00:01:46.120
<v Speaker 2>Book, this book covers the Untouchables.

28
00:01:46.200 --> 00:01:49.760
<v Speaker 3>Okay, is it like a comprehensive thing or just overviewer,

29
00:01:51.480 --> 00:01:53.439
<v Speaker 3>because I wish I had an episode guys.

30
00:01:53.439 --> 00:01:56.560
<v Speaker 2>But I mean I found an episode guy in here

31
00:01:56.680 --> 00:02:01.040
<v Speaker 2>for the original series and this series that came back

32
00:02:01.200 --> 00:02:02.359
<v Speaker 2>just for two years.

33
00:02:02.640 --> 00:02:05.280
<v Speaker 3>I didn't even know there was a nineties one. Yeah, no,

34
00:02:05.319 --> 00:02:08.639
<v Speaker 3>I mean I just actually, about three months ago I

35
00:02:08.639 --> 00:02:11.639
<v Speaker 3>watched I watched the entire series of Untouchables. Again. This

36
00:02:11.759 --> 00:02:13.319
<v Speaker 3>is what I do. I live in the past and

37
00:02:13.360 --> 00:02:14.000
<v Speaker 3>then I'm only.

38
00:02:14.280 --> 00:02:16.039
<v Speaker 4>You will you will love this book, Alison.

39
00:02:16.120 --> 00:02:18.800
<v Speaker 3>Okay, I'm living in the past because I'm living in

40
00:02:19.080 --> 00:02:20.840
<v Speaker 3>I'm watching a show from the nineteen fifty is about

41
00:02:20.879 --> 00:02:23.120
<v Speaker 3>the nineteen thirty so that's like a double whammy or something.

42
00:02:23.759 --> 00:02:26.080
<v Speaker 3>But no, but I mean some of the villains and

43
00:02:26.120 --> 00:02:27.960
<v Speaker 3>things are on now. Of course mister Gordon was always

44
00:02:28.000 --> 00:02:31.479
<v Speaker 3>good with Gordon, Yes, but they're just I just watched some,

45
00:02:31.560 --> 00:02:33.080
<v Speaker 3>you know, some of them with kacky. Just show out

46
00:02:33.080 --> 00:02:36.080
<v Speaker 3>a few and you'll probably know, right, because usually I

47
00:02:36.080 --> 00:02:38.120
<v Speaker 3>geek out about this thing and Morgan catches a lot

48
00:02:38.159 --> 00:02:39.879
<v Speaker 3>of it. But it's hardly a bit I can talk

49
00:02:39.879 --> 00:02:43.199
<v Speaker 3>to you about these things. There are some amazing episodes.

50
00:02:43.599 --> 00:02:48.439
<v Speaker 2>This is Bizarrow rather Allison, let me tell it something, Okay.

51
00:02:48.759 --> 00:02:52.280
<v Speaker 2>Allison tries to get as many words in as she can.

52
00:02:52.680 --> 00:02:54.280
<v Speaker 4>She does a very good job of it.

53
00:02:54.159 --> 00:02:55.719
<v Speaker 2>And I just want you to know you have to

54
00:02:55.800 --> 00:02:57.319
<v Speaker 2>learn to speak. Alison.

55
00:02:59.840 --> 00:03:03.639
<v Speaker 3>You were forty five RPMs and everybody else is thirty three,

56
00:03:03.639 --> 00:03:05.280
<v Speaker 3>and I think quite if you were sixteen, but let's

57
00:03:05.319 --> 00:03:05.879
<v Speaker 3>not go into that.

58
00:03:05.879 --> 00:03:07.400
<v Speaker 2>I would say you're going at seventy eight.

59
00:03:07.520 --> 00:03:11.159
<v Speaker 3>But okay, it's just the way I am, especially when

60
00:03:11.199 --> 00:03:13.080
<v Speaker 3>I get into things i'm really interested in. It's just

61
00:03:13.240 --> 00:03:14.879
<v Speaker 3>well anyway.

62
00:03:14.560 --> 00:03:15.400
<v Speaker 5>Blah blah blah.

63
00:03:15.400 --> 00:03:17.039
<v Speaker 3>So I was thinking that, you know, like some stories

64
00:03:17.039 --> 00:03:20.080
<v Speaker 3>episodes like the Lily Dallas story, I can't remember who

65
00:03:20.120 --> 00:03:23.639
<v Speaker 3>the actress was now, but whoever was was so fierce

66
00:03:23.680 --> 00:03:25.439
<v Speaker 3>in that. Do you remember who the actress was in

67
00:03:25.479 --> 00:03:26.479
<v Speaker 3>the Lily Dallas story?

68
00:03:26.879 --> 00:03:30.159
<v Speaker 4>For some reason, I want to say Barbara Stanwick, but

69
00:03:30.199 --> 00:03:31.159
<v Speaker 4>I'm no, it wasn't.

70
00:03:31.199 --> 00:03:34.280
<v Speaker 3>No, No, no, no, I was trying to look it

71
00:03:34.360 --> 00:03:36.800
<v Speaker 3>up on the DVD, but I didn't have time. But anyway,

72
00:03:36.840 --> 00:03:38.560
<v Speaker 3>it was she was in the last season where it

73
00:03:38.639 --> 00:03:40.599
<v Speaker 3>got kind of whimpy. And it's so weird how they were,

74
00:03:41.159 --> 00:03:43.039
<v Speaker 3>you know, how they were criticizing how violent it was,

75
00:03:43.080 --> 00:03:45.199
<v Speaker 3>even though you almost never saw blood, you know, and it.

76
00:03:45.120 --> 00:03:48.599
<v Speaker 4>Was all blacks, I know. And in fact, Walter Grahman,

77
00:03:48.680 --> 00:03:51.080
<v Speaker 4>who was one of the great directors of the Golden Age,

78
00:03:52.159 --> 00:03:58.759
<v Speaker 4>he he's by the way. June Benson, Norma Crane were

79
00:03:58.759 --> 00:04:01.680
<v Speaker 4>the guest stars in the Little in the Lily Dallas story,

80
00:04:01.680 --> 00:04:04.159
<v Speaker 4>as well as Barbara Parkins and Debt and the Great

81
00:04:04.400 --> 00:04:09.280
<v Speaker 4>Dad's Greer and Larry Parks and Larry Parks who played

82
00:04:09.319 --> 00:04:10.879
<v Speaker 4>al Jos and Joel You were.

83
00:04:10.879 --> 00:04:13.520
<v Speaker 3>Kind of heartbreaking because he loved the Lily Dallas the character,

84
00:04:13.560 --> 00:04:15.360
<v Speaker 3>and then he was really really cool.

85
00:04:15.879 --> 00:04:18.360
<v Speaker 4>But one of the great things about the Untouchables is

86
00:04:18.480 --> 00:04:22.519
<v Speaker 4>because they had to they had to do things within

87
00:04:22.839 --> 00:04:27.240
<v Speaker 4>standards of nineteen sixty nineteen sixty one. They they would

88
00:04:28.360 --> 00:04:33.720
<v Speaker 4>some of the gruesome violence that the that Bruce Gordon

89
00:04:33.759 --> 00:04:37.240
<v Speaker 4>would do, they would do off camera and and and

90
00:04:37.279 --> 00:04:40.879
<v Speaker 4>so you would play off the reaction of the actors

91
00:04:41.079 --> 00:04:45.639
<v Speaker 4>witnessing the gruesome murder, and so as the viewer that

92
00:04:45.800 --> 00:04:48.800
<v Speaker 4>left that left it to the viewer's imaginations to what

93
00:04:48.879 --> 00:04:52.399
<v Speaker 4>they saw. It was far more effective than seeing all

94
00:04:52.399 --> 00:04:53.319
<v Speaker 4>the blood and gore.

95
00:04:53.519 --> 00:04:57.120
<v Speaker 3>Oh sometimes they would get counted the Tommy gun, so

96
00:04:57.199 --> 00:05:00.319
<v Speaker 3>they really would, even though you were absolutely absolutely, like

97
00:05:00.319 --> 00:05:02.360
<v Speaker 3>Philip pie in one of the early episodes, got really

98
00:05:02.560 --> 00:05:04.000
<v Speaker 3>cut down that way. But I just I want to

99
00:05:04.000 --> 00:05:05.639
<v Speaker 3>ask you of it. A couple more weird episodes of it.

100
00:05:05.680 --> 00:05:09.120
<v Speaker 3>They were crazy. There's one called Strangleholds with Ricardo Montleban

101
00:05:09.879 --> 00:05:12.759
<v Speaker 3>and two ubiquitous character acts from the time, Philip Pine

102
00:05:12.800 --> 00:05:15.319
<v Speaker 3>and Kevin Hagen and the two skip man or they

103
00:05:15.319 --> 00:05:18.480
<v Speaker 3>were calling forces. The two enforces in that are obviously

104
00:05:18.519 --> 00:05:22.600
<v Speaker 3>in love. Do you know that episode? It's so bizarre. No,

105
00:05:22.639 --> 00:05:24.920
<v Speaker 3>they're they're completely it's in clearly a gay episode of

106
00:05:25.480 --> 00:05:27.240
<v Speaker 3>The Untouchables in about nineteen.

107
00:05:27.000 --> 00:05:30.040
<v Speaker 4>Sixty, very near episode time.

108
00:05:30.319 --> 00:05:33.040
<v Speaker 3>Very amazing episode. I mean, nothing's ever said latently, but

109
00:05:33.079 --> 00:05:36.920
<v Speaker 3>it's amazing. And my favorite episode actually is because I

110
00:05:36.959 --> 00:05:39.480
<v Speaker 3>always liked flooky stuff. So I'm going back a bit

111
00:05:39.519 --> 00:05:43.279
<v Speaker 3>farther and my favorite episode was the The Underground Court

112
00:05:43.319 --> 00:05:46.720
<v Speaker 3>with Joan Bondell, which was in Richard Devon. It was

113
00:05:46.800 --> 00:05:50.160
<v Speaker 3>essentially oursonnicon o'lace meets meets the Untouchables.

114
00:05:50.160 --> 00:05:51.000
<v Speaker 4>It was so sy.

115
00:05:51.199 --> 00:05:52.480
<v Speaker 3>I just love that episode.

116
00:05:52.680 --> 00:05:55.639
<v Speaker 4>Well. And as we said before being Touchables, there was

117
00:05:55.680 --> 00:05:59.800
<v Speaker 4>another example of an anthology show with one or two

118
00:06:00.240 --> 00:06:04.160
<v Speaker 4>regular characters. Robert Stack was Robert Stack and whoever was

119
00:06:04.199 --> 00:06:09.160
<v Speaker 4>the whoever played the because they changed the actors who

120
00:06:09.279 --> 00:06:11.720
<v Speaker 4>played the supporting on touching most from year to year.

121
00:06:11.759 --> 00:06:14.680
<v Speaker 4>But Robert Stack, as this was the constant. But you

122
00:06:14.720 --> 00:06:18.800
<v Speaker 4>would have all these great guest stars like Rip Torn

123
00:06:18.959 --> 00:06:23.439
<v Speaker 4>and Neamyah purs Off and he was everywhere Montgomery and

124
00:06:23.439 --> 00:06:25.600
<v Speaker 4>and and and and all of that, and Robert Stack

125
00:06:25.720 --> 00:06:27.720
<v Speaker 4>was the constant. So there was It was a great

126
00:06:27.800 --> 00:06:31.600
<v Speaker 4>anthology show you would love. We go into it and

127
00:06:31.720 --> 00:06:34.360
<v Speaker 4>Men of Action, which you will like. Al I believe,

128
00:06:34.439 --> 00:06:34.639
<v Speaker 4>so I.

129
00:06:34.839 --> 00:06:36.680
<v Speaker 3>Said to another episode, Now, what's that one called on?

130
00:06:36.839 --> 00:06:40.920
<v Speaker 3>It was? But Elizabeth Montgomery is involved with David White

131
00:06:41.079 --> 00:06:41.279
<v Speaker 3>in that.

132
00:06:41.720 --> 00:06:47.160
<v Speaker 4>Yes, I mean right, yes, I'm I'm I'm I'm going

133
00:06:47.199 --> 00:06:51.040
<v Speaker 4>off memory. But she got she got an Emmy nomination

134
00:06:51.199 --> 00:06:54.680
<v Speaker 4>for it. Okay, she got an Emmy nomination for it.

135
00:06:54.800 --> 00:06:56.800
<v Speaker 4>And I will probably remember it when we go to

136
00:06:56.839 --> 00:06:58.920
<v Speaker 4>break in two seconds, but I'm sorry.

137
00:06:58.959 --> 00:07:01.519
<v Speaker 3>And then the two part early on about the you know,

138
00:07:01.759 --> 00:07:04.319
<v Speaker 3>Zangara attempting to kill Roosevelt.

139
00:07:03.920 --> 00:07:05.800
<v Speaker 4>The Rusty Heller story, the.

140
00:07:05.839 --> 00:07:08.319
<v Speaker 3>Rusty Heller story, great episode, and that the one they

141
00:07:08.319 --> 00:07:11.920
<v Speaker 3>called The Unheared Assassin, the two parter where it's Sangara.

142
00:07:12.000 --> 00:07:16.480
<v Speaker 2>Because because who ever wound up Alison for tonight the

143
00:07:16.560 --> 00:07:20.079
<v Speaker 2>moon spring is still unfurrowed.

144
00:07:21.240 --> 00:07:24.240
<v Speaker 3>Okay, but no, but come on, the Unheared assass And

145
00:07:24.680 --> 00:07:26.680
<v Speaker 3>it was a great two parter because it really in

146
00:07:26.720 --> 00:07:28.759
<v Speaker 3>the early days they wove in more of the real history,

147
00:07:28.759 --> 00:07:30.079
<v Speaker 3>and later on they had it, you know, they came

148
00:07:30.160 --> 00:07:31.879
<v Speaker 3>up with original stories because they'd run out of a

149
00:07:31.879 --> 00:07:34.680
<v Speaker 3>lot of it. But Joe Mantell and that is Don Gara,

150
00:07:34.800 --> 00:07:38.199
<v Speaker 3>I thought was amazing and uh, another ubiquitous character actor,

151
00:07:38.240 --> 00:07:40.079
<v Speaker 3>you know, two parter because he was gonna tried to

152
00:07:40.160 --> 00:07:43.480
<v Speaker 3>kill Roosevelt and he ended up killing Anton Stermax, the

153
00:07:43.480 --> 00:07:46.399
<v Speaker 3>mayor of Chicago instead. Right, so I just still don't

154
00:07:46.399 --> 00:07:49.000
<v Speaker 3>know them anyway. But hey, no, but I could do

155
00:07:49.000 --> 00:07:51.279
<v Speaker 3>this you're talking about You talked to him your guests

156
00:07:51.279 --> 00:07:52.759
<v Speaker 3>all the time, and boy, I could do this all

157
00:07:52.800 --> 00:07:55.279
<v Speaker 3>the time too. You know some weird calling line where

158
00:07:55.319 --> 00:07:56.959
<v Speaker 3>you call in and just talk about all TV shows

159
00:07:56.959 --> 00:07:57.360
<v Speaker 3>all the time.

160
00:07:57.399 --> 00:08:00.879
<v Speaker 4>I guess you as a friend of mine and said, Allison,

161
00:08:01.000 --> 00:08:03.680
<v Speaker 4>you have good knowledge. You have you have very good

162
00:08:03.759 --> 00:08:06.199
<v Speaker 4>knowledge about the Untouchables. You will love manufaction.

163
00:08:06.600 --> 00:08:08.720
<v Speaker 3>Okay, thanks so much, thank you. Good to talk to you.

164
00:08:09.199 --> 00:08:10.399
<v Speaker 3>I do you like to get a more word in

165
00:08:10.439 --> 00:08:11.199
<v Speaker 3>the wife Morgan.

166
00:08:13.319 --> 00:08:15.360
<v Speaker 2>I'm just gonna say it's time for a break.

167
00:08:15.160 --> 00:08:22.360
<v Speaker 3>Allison, call be seeing you, okay, And that's from the prisoner.

168
00:08:22.000 --> 00:08:24.759
<v Speaker 4>Be Seen Patrick. We're going see.

169
00:08:24.800 --> 00:08:28.480
<v Speaker 2>We could do this forever. You're lucky. I don't live

170
00:08:28.480 --> 00:08:30.279
<v Speaker 2>out there. I'd be knocking on your front door all

171
00:08:30.319 --> 00:08:35.440
<v Speaker 2>the time. Six four ten thirty or eight eight eight

172
00:08:35.519 --> 00:08:37.879
<v Speaker 2>nine two nine ten thirty. You can do what Glenn did,

173
00:08:37.919 --> 00:08:40.919
<v Speaker 2>what Allison has done, and many others all night long.

174
00:08:41.559 --> 00:08:45.759
<v Speaker 2>Give us a call. We have touched upon so many performers,

175
00:08:45.840 --> 00:08:50.600
<v Speaker 2>actors whose names you know may not remember, and at

176
00:08:50.679 --> 00:08:54.039
<v Speaker 2>least a dozen different classic TV series. The main four

177
00:08:54.120 --> 00:08:57.320
<v Speaker 2>of The Magician, HARRYO, The Untouchables, and Run for Your

178
00:08:57.320 --> 00:09:01.679
<v Speaker 2>Life are in this book Minivac, written by Ed Robertson.

179
00:09:02.360 --> 00:09:05.279
<v Speaker 2>And go buy the book, buy it for a friend

180
00:09:05.399 --> 00:09:07.759
<v Speaker 2>or a relative that way, give it to him for

181
00:09:08.000 --> 00:09:11.720
<v Speaker 2>a gift and borrow it back after Christmas is over. Absolutely,

182
00:09:11.879 --> 00:09:15.559
<v Speaker 2>time and temperature eleven fifteen forty two degrees.

183
00:09:17.120 --> 00:09:20.279
<v Speaker 1>Now back to Dan Ray live from the Window World

184
00:09:20.399 --> 00:09:23.519
<v Speaker 1>night Side Studios on WBZ News Radio.

185
00:09:23.799 --> 00:09:26.679
<v Speaker 2>It's Morgan. I'm here tomorrow night as well. I will

186
00:09:26.720 --> 00:09:30.919
<v Speaker 2>have Bob and Donna Jenks will be speaking with them

187
00:09:31.120 --> 00:09:35.919
<v Speaker 2>about catering and maybe after today. With all the relative

188
00:09:36.360 --> 00:09:40.759
<v Speaker 2>relatives coming to your house and dishes and footmarks on

189
00:09:40.799 --> 00:09:44.559
<v Speaker 2>the rug, you might want to have someone someone do

190
00:09:44.679 --> 00:09:46.960
<v Speaker 2>it for you so you don't have to lift the finger.

191
00:09:48.480 --> 00:09:53.159
<v Speaker 2>Bill and Bo Winnaker they will be here, and Bill

192
00:09:53.200 --> 00:09:57.840
<v Speaker 2>called in earlier tonight, and my buddy Cleo Campbell will

193
00:09:57.840 --> 00:10:03.559
<v Speaker 2>be here right now. I've got Ed Robertson and we've

194
00:10:03.559 --> 00:10:08.480
<v Speaker 2>got Brian and Dennis as our next caller. Brian, Happy Thanksgiving,

195
00:10:08.639 --> 00:10:09.399
<v Speaker 2>Welcome aboard.

196
00:10:10.399 --> 00:10:11.559
<v Speaker 5>Hey, how you guys doing.

197
00:10:11.919 --> 00:10:12.879
<v Speaker 2>We're just crazy?

198
00:10:13.480 --> 00:10:15.799
<v Speaker 5>Hey, I got a tri your questions for you? I

199
00:10:15.840 --> 00:10:21.039
<v Speaker 5>guess there does he know the great act of Brian McKenzie.

200
00:10:22.720 --> 00:10:26.200
<v Speaker 4>Name rings Bell, Well that's my name.

201
00:10:26.240 --> 00:10:27.320
<v Speaker 5>I'm just joking with.

202
00:10:27.320 --> 00:10:27.759
<v Speaker 2>You, guys.

203
00:10:27.799 --> 00:10:28.559
<v Speaker 4>Oh there you go.

204
00:10:28.879 --> 00:10:31.519
<v Speaker 5>Okay, I'm having a great time, Morgan, You've got a

205
00:10:31.519 --> 00:10:34.480
<v Speaker 5>great guest, and I'm going to continue listening. I just

206
00:10:34.559 --> 00:10:36.679
<v Speaker 5>thought I hit around and pull that out there.

207
00:10:36.960 --> 00:10:40.679
<v Speaker 2>Well, thank you for that. Okay, by wait wait Brian,

208
00:10:40.720 --> 00:10:43.600
<v Speaker 2>before you go, Glen, do you remember any of these

209
00:10:43.639 --> 00:10:48.519
<v Speaker 2>four TV series Harry O, the Magician, Run for Your Life,

210
00:10:48.600 --> 00:10:53.320
<v Speaker 2>or The Untouchables, The Untouchables? What about the Untouchables comes

211
00:10:53.360 --> 00:10:53.879
<v Speaker 2>to mind?

212
00:10:58.159 --> 00:11:00.879
<v Speaker 5>Well, I'm sixty seven on my mind not as good

213
00:11:00.879 --> 00:11:03.639
<v Speaker 5>as it used to be, but I just remember the

214
00:11:03.720 --> 00:11:07.159
<v Speaker 5>name of the program, you know, and me and my

215
00:11:07.200 --> 00:11:10.000
<v Speaker 5>family probably watched it a many times. But now you

216
00:11:10.080 --> 00:11:10.399
<v Speaker 5>got me.

217
00:11:10.960 --> 00:11:13.799
<v Speaker 2>Do you know who the executive producer of that show was?

218
00:11:14.840 --> 00:11:17.399
<v Speaker 5>Don't tell me, Brian McKenzie, no.

219
00:11:17.039 --> 00:11:21.000
<v Speaker 2>No, no, but I am going to tell you a

220
00:11:21.159 --> 00:11:22.879
<v Speaker 2>name you should know, Dissey earn Is.

221
00:11:24.080 --> 00:11:26.759
<v Speaker 5>Oh wow, I love Lucy Sho.

222
00:11:28.200 --> 00:11:31.559
<v Speaker 2>So tell you what. You keep listening because I'm going

223
00:11:31.639 --> 00:11:34.600
<v Speaker 2>to have Ed go into a story that a lot

224
00:11:34.639 --> 00:11:39.960
<v Speaker 2>of people know of but necessarily don't know the correct story.

225
00:11:40.039 --> 00:11:41.080
<v Speaker 2>So thank you for your call.

226
00:11:42.039 --> 00:11:46.960
<v Speaker 5>And Morgan, yes, real quick, if I may say, you

227
00:11:47.039 --> 00:11:50.960
<v Speaker 5>know how you know sometimes I'll go to a bar

228
00:11:51.159 --> 00:11:55.600
<v Speaker 5>and the kids would be talking about college, you know. Okay,

229
00:11:56.279 --> 00:11:58.000
<v Speaker 5>so I said to them. There were three of them,

230
00:11:58.000 --> 00:11:59.840
<v Speaker 5>two guys and a girl. I said, I went to

231
00:12:00.039 --> 00:12:05.240
<v Speaker 5>abbed And five minutes later the girl weaned over and said, too,

232
00:12:05.799 --> 00:12:08.399
<v Speaker 5>what you made you in? And I said, well, I

233
00:12:08.399 --> 00:12:10.720
<v Speaker 5>didn't makee I did go to hobbit. I walked in

234
00:12:10.720 --> 00:12:11.919
<v Speaker 5>the front, towing off the back.

235
00:12:12.480 --> 00:12:17.759
<v Speaker 2>Oh yeah, let's all play rim shop, all right.

236
00:12:20.120 --> 00:12:22.000
<v Speaker 4>Try to be all tip you wators on the way out.

237
00:12:22.279 --> 00:12:26.399
<v Speaker 2>How about that? Could you get into the story about

238
00:12:27.279 --> 00:12:33.679
<v Speaker 2>how the real life dieern Is Junior and the real

239
00:12:33.879 --> 00:12:38.000
<v Speaker 2>life son of al Capone Or at the same bastion

240
00:12:38.159 --> 00:12:43.279
<v Speaker 2>of learning and one was talking to the other. They

241
00:12:43.399 --> 00:12:50.039
<v Speaker 2>knew each other, and al Capone Junior made a request

242
00:12:50.320 --> 00:12:53.960
<v Speaker 2>of his friend don Is Jor.

243
00:12:54.440 --> 00:12:56.960
<v Speaker 4>Yes, he told Desi not to not to do the

244
00:12:57.000 --> 00:13:01.960
<v Speaker 4>show because she He said, if you do the show,

245
00:13:03.159 --> 00:13:08.000
<v Speaker 4>it will come back to bite you, and uh, some

246
00:13:08.480 --> 00:13:11.440
<v Speaker 4>unsavory people may do you harm and I won't be

247
00:13:11.480 --> 00:13:16.399
<v Speaker 4>able to do anything to help you. And DESI thought

248
00:13:16.440 --> 00:13:21.759
<v Speaker 4>about it, but he figured. But but he you know,

249
00:13:22.080 --> 00:13:26.559
<v Speaker 4>he he had he had a very viable property. And

250
00:13:26.600 --> 00:13:31.600
<v Speaker 4>this was around the time that Elliott Nessa's book with

251
00:13:31.759 --> 00:13:36.200
<v Speaker 4>Oscar Frehley had hit the market and did very very well,

252
00:13:36.399 --> 00:13:42.000
<v Speaker 4>was the best seller, and that led to CBS developing

253
00:13:42.159 --> 00:13:48.120
<v Speaker 4>it for the Desilu Playhouse. And Desi figured, Desi was

254
00:13:48.120 --> 00:13:50.679
<v Speaker 4>a very very shrewd man, as you will know, Morgan,

255
00:13:50.799 --> 00:13:56.759
<v Speaker 4>and Desi figured, if I don't do this, somebody else will.

256
00:13:57.960 --> 00:14:02.639
<v Speaker 4>And uh, it's thought that he didn't take the threat seriously,

257
00:14:04.360 --> 00:14:09.519
<v Speaker 4>but he said, let's let's let's worry about what's in

258
00:14:09.519 --> 00:14:12.559
<v Speaker 4>front of me and make the best show that I can.

259
00:14:12.960 --> 00:14:19.480
<v Speaker 4>And he did. And Desi lived a good twenty years

260
00:14:19.519 --> 00:14:24.279
<v Speaker 4>after after the a good twenty five years after he

261
00:14:24.320 --> 00:14:25.200
<v Speaker 4>did The Untouchable.

262
00:14:25.279 --> 00:14:30.600
<v Speaker 2>So some people may remember Desi looking old and frail

263
00:14:30.679 --> 00:14:34.240
<v Speaker 2>when he was doing the publicity tour for my book,

264
00:14:35.639 --> 00:14:37.360
<v Speaker 2>had Piography.

265
00:14:37.159 --> 00:14:40.679
<v Speaker 4>A book, a book, a book, which I think is

266
00:14:40.879 --> 00:14:44.360
<v Speaker 4>one of the coolest titles ever. It's just a book,

267
00:14:44.639 --> 00:14:47.720
<v Speaker 4>a book, a book, but it is.

268
00:14:48.120 --> 00:14:49.279
<v Speaker 2>But he looks so.

269
00:14:49.440 --> 00:14:53.960
<v Speaker 4>Frail, yeah, yeah, well, you know, he he he was

270
00:14:54.000 --> 00:14:56.759
<v Speaker 4>one of those you know, two or three pack that

271
00:14:56.960 --> 00:15:00.720
<v Speaker 4>pack of day smokers, right, and that makes its toll,

272
00:15:00.879 --> 00:15:09.200
<v Speaker 4>you know. And but he he we may have mentioned

273
00:15:09.240 --> 00:15:12.879
<v Speaker 4>this before on the air, but he was the one.

274
00:15:14.120 --> 00:15:18.000
<v Speaker 4>He was the one who he did not originate the

275
00:15:18.080 --> 00:15:22.360
<v Speaker 4>idea of filming three cameras, but he made it into

276
00:15:22.399 --> 00:15:26.440
<v Speaker 4>an art form and he made and basically by filming

277
00:15:27.240 --> 00:15:32.200
<v Speaker 4>I Love Lucy with three cameras on film. He he

278
00:15:32.600 --> 00:15:36.200
<v Speaker 4>had the foresight to know that if you if you

279
00:15:36.279 --> 00:15:40.360
<v Speaker 4>do it on film versus videotaper kinescope, doing it on film,

280
00:15:40.399 --> 00:15:44.559
<v Speaker 4>you have a permanent record. And it made possible for

281
00:15:44.799 --> 00:15:48.000
<v Speaker 4>rebroadcasts at the time when nobody thought nobody even thought

282
00:15:48.000 --> 00:15:54.279
<v Speaker 4>of rebroadcasting anything, because television was considered disposable, right, But

283
00:15:54.279 --> 00:15:59.480
<v Speaker 4>but he not only made the idea of the repeat,

284
00:15:59.799 --> 00:16:04.080
<v Speaker 4>the summer repeat and the syndicated you know, a repeat

285
00:16:04.440 --> 00:16:07.799
<v Speaker 4>UH possible, But because he owned the films along with

286
00:16:10.360 --> 00:16:15.840
<v Speaker 4>CPS Lucy you know, set themselves up pretty good.

287
00:16:17.399 --> 00:16:22.600
<v Speaker 2>And you don't think of this as in the irony.

288
00:16:23.480 --> 00:16:28.639
<v Speaker 2>But one of the last Desilu filmed shows, of which

289
00:16:28.679 --> 00:16:31.519
<v Speaker 2>there were so many was Star.

290
00:16:31.440 --> 00:16:39.120
<v Speaker 4>Trek, was Star Trek and Mannix and A Mission Impossible,

291
00:16:39.279 --> 00:16:42.519
<v Speaker 4>all of which premiered within a year of each other.

292
00:16:43.440 --> 00:16:50.320
<v Speaker 4>And uh and at the time uh Desi had stepped down,

293
00:16:50.360 --> 00:16:53.919
<v Speaker 4>but Lucy was running the studio in addition to starring

294
00:16:54.799 --> 00:16:58.759
<v Speaker 4>on The Lucy Show at the time, and I think

295
00:16:58.840 --> 00:17:02.519
<v Speaker 4>she was also doing her radio show for CBS Radio

296
00:17:02.600 --> 00:17:08.480
<v Speaker 4>at the time. So and uh, I believe she was

297
00:17:08.519 --> 00:17:12.039
<v Speaker 4>talking about Star Uh this is this pertains the Star

298
00:17:12.079 --> 00:17:19.279
<v Speaker 4>Trek in particular, but uh, it was she was the

299
00:17:19.279 --> 00:17:24.400
<v Speaker 4>one who basically gave the green light to Star Trek okay,

300
00:17:24.599 --> 00:17:30.079
<v Speaker 4>and and she saw something in that show that nobody

301
00:17:30.119 --> 00:17:34.200
<v Speaker 4>else did. And without her stamp of approval, there would

302
00:17:34.200 --> 00:17:36.920
<v Speaker 4>be no Captain Kirk, there would be no Mistress Bock,

303
00:17:37.000 --> 00:17:42.079
<v Speaker 4>there would be no franchise, there would be no Star

304
00:17:42.119 --> 00:17:45.160
<v Speaker 4>Trek franchise in all the various you know, Star Trek

305
00:17:45.240 --> 00:17:48.960
<v Speaker 4>movies and Star Trek spin offs and you know, sixty

306
00:17:49.079 --> 00:17:52.400
<v Speaker 4>years of Star Trek merchandise that all began with Lucille

307
00:17:52.480 --> 00:17:55.759
<v Speaker 4>Ball and Desilu Productions before they sold it to Mara Mountain.

308
00:17:55.839 --> 00:18:00.000
<v Speaker 2>The funny thing about Gene Roddenberry, he was trying to

309
00:18:00.039 --> 00:18:04.960
<v Speaker 2>who get the concept that a Western TV series that

310
00:18:05.200 --> 00:18:08.000
<v Speaker 2>was the number one show in those years late fifties

311
00:18:09.279 --> 00:18:10.880
<v Speaker 2>was doing and doing quite well.

312
00:18:11.480 --> 00:18:18.440
<v Speaker 4>Yeah, yeah, he pitched it up wagon Trained to the Stars.

313
00:18:18.480 --> 00:18:22.960
<v Speaker 4>That's right, that's right. And uh and so but so

314
00:18:22.960 --> 00:18:30.119
<v Speaker 4>so it like Lucy, you know, Lucy was not as Lucy,

315
00:18:30.319 --> 00:18:34.079
<v Speaker 4>by her own admission, was not as visionary as DESI was.

316
00:18:34.839 --> 00:18:37.640
<v Speaker 4>But if you if you sat down and you explain

317
00:18:37.839 --> 00:18:40.519
<v Speaker 4>how something would I mean like for example, I mean,

318
00:18:41.920 --> 00:18:46.880
<v Speaker 4>uh what, she was smart enough to surround herself with

319
00:18:47.160 --> 00:18:51.440
<v Speaker 4>you great writers like Madeline Pugh and Bob Carroll who

320
00:18:53.160 --> 00:18:56.960
<v Speaker 4>you know, they say, Okay, Lucy's going to Lucy's gonna

321
00:18:57.000 --> 00:19:00.480
<v Speaker 4>stomp greats with with with the woman in this, ain't that?

322
00:19:01.079 --> 00:19:03.880
<v Speaker 4>And Lucy would say, why is that funny? And then

323
00:19:04.000 --> 00:19:06.880
<v Speaker 4>Carol and Davis would sit would would explain it to

324
00:19:06.920 --> 00:19:09.839
<v Speaker 4>her so to speak, and they would they would fill

325
00:19:09.839 --> 00:19:11.880
<v Speaker 4>in all that, They would give her a picture of

326
00:19:11.880 --> 00:19:15.279
<v Speaker 4>what they wanted her to do and want and then

327
00:19:15.400 --> 00:19:19.359
<v Speaker 4>lose and then got it. And then she you know,

328
00:19:19.440 --> 00:19:21.960
<v Speaker 4>from there she took all her skills as a comedian

329
00:19:22.160 --> 00:19:25.240
<v Speaker 4>and made it the magic you know, film moment that

330
00:19:25.279 --> 00:19:28.480
<v Speaker 4>we all know. So she was visionary in that in

331
00:19:28.559 --> 00:19:33.880
<v Speaker 4>that respect. But with regard to Star Trek and Mission

332
00:19:33.880 --> 00:19:39.400
<v Speaker 4>Impossible and Mannix, you know, she saw the potential on

333
00:19:39.559 --> 00:19:42.119
<v Speaker 4>all three of those shows and they went on to

334
00:19:42.160 --> 00:19:46.160
<v Speaker 4>be three of the biggest Well, Mission Impossible and Mandis

335
00:19:46.160 --> 00:19:48.279
<v Speaker 4>were two of the biggest hits in the nineteen sixties.

336
00:19:48.279 --> 00:19:51.000
<v Speaker 4>Star Trek, you know, was not a gratings hit at

337
00:19:51.000 --> 00:19:55.680
<v Speaker 4>the time, but it blew up in in syndication.

338
00:19:56.559 --> 00:20:03.640
<v Speaker 2>More money than every other Desilu production port side by

339
00:20:03.680 --> 00:20:08.039
<v Speaker 2>side by, side by side times Tan, absolutely times Tan.

340
00:20:08.480 --> 00:20:14.400
<v Speaker 2>And like you mentioned the spin offs, I mean Voyager,

341
00:20:15.200 --> 00:20:19.319
<v Speaker 2>the separate shows of the new one below Decks. I

342
00:20:19.440 --> 00:20:20.680
<v Speaker 2>mean I could go on.

343
00:20:21.119 --> 00:20:24.640
<v Speaker 4>Deep Space nine with Avery Brooks also known as Hawk

344
00:20:24.799 --> 00:20:28.880
<v Speaker 4>from Spencer of Higher Spencer for Hire, and you almost were.

345
00:20:28.720 --> 00:20:33.039
<v Speaker 2>Hawked, you know, I told you that story you did.

346
00:20:33.519 --> 00:20:37.359
<v Speaker 2>Oh my goodness, all right, let me let me look

347
00:20:37.359 --> 00:20:40.319
<v Speaker 2>at the clock. I can tell this in thirty five

348
00:20:40.359 --> 00:20:45.559
<v Speaker 2>minutes seconds. I mean I worked for an agency that

349
00:20:45.839 --> 00:20:52.240
<v Speaker 2>was situated in the Saltensas building right next to the

350
00:20:52.279 --> 00:20:56.079
<v Speaker 2>Massachusetts Film Borough Bureau, and I knew several people. I

351
00:20:56.160 --> 00:21:01.000
<v Speaker 2>had left the agency for another job for the city

352
00:21:01.039 --> 00:21:04.039
<v Speaker 2>as a matter of fact, and they were looking for

353
00:21:04.599 --> 00:21:09.559
<v Speaker 2>a black actor who had a decent voice and was

354
00:21:09.880 --> 00:21:16.519
<v Speaker 2>rather large personally. I think I'm diminutive, but I They

355
00:21:16.559 --> 00:21:19.400
<v Speaker 2>tried to get me over the weekend. By the time

356
00:21:20.000 --> 00:21:23.559
<v Speaker 2>the producers get in touch with me, they had already

357
00:21:23.599 --> 00:21:28.279
<v Speaker 2>found Avery brook Brooks. They had hired an actor, but

358
00:21:28.519 --> 00:21:31.680
<v Speaker 2>another role came up and he took that other role,

359
00:21:32.000 --> 00:21:35.480
<v Speaker 2>and they were going to begin shooting later on that week,

360
00:21:35.559 --> 00:21:38.920
<v Speaker 2>so it's kind of imperative to get somebody quick. Had

361
00:21:38.960 --> 00:21:43.000
<v Speaker 2>I gotten the message on that Friday, since there was

362
00:21:44.240 --> 00:21:47.400
<v Speaker 2>time ticking away, I think I would have gotten.

363
00:21:47.079 --> 00:21:50.240
<v Speaker 4>The role, and you you would have been the one

364
00:21:50.240 --> 00:21:51.680
<v Speaker 4>who said Spencer.

365
00:21:51.799 --> 00:21:56.240
<v Speaker 2>No, No, no, Spence. See the difference.

366
00:21:56.400 --> 00:21:57.200
<v Speaker 4>See the difference.

367
00:21:57.680 --> 00:21:59.920
<v Speaker 2>Let me take my break the time. If you're one,

368
00:22:00.079 --> 00:22:02.880
<v Speaker 2>look all in six, one, seven, two, five, four, ten

369
00:22:02.960 --> 00:22:05.920
<v Speaker 2>thirty or eight eight, eight, nine, two, nine, ten thirty

370
00:22:06.319 --> 00:22:08.799
<v Speaker 2>to call. We have about thirty minutes a show to

371
00:22:08.880 --> 00:22:14.599
<v Speaker 2>go here on night Side, eleven thirty at night. Temperature

372
00:22:15.000 --> 00:22:16.839
<v Speaker 2>is still forty two degrees.

373
00:22:18.519 --> 00:22:24.319
<v Speaker 1>Night Side with Dan Ray on WBZ, Boston's news radio.

374
00:22:24.079 --> 00:22:26.640
<v Speaker 2>I'm gonna tell you right now. Yeah, yeah, Morgan right

375
00:22:26.680 --> 00:22:30.599
<v Speaker 2>Junior filling in for Dan Ray Nightside. Yes, I'm going

376
00:22:30.680 --> 00:22:35.799
<v Speaker 2>to have Ed Robertson back with me in January. You know,

377
00:22:35.920 --> 00:22:39.880
<v Speaker 2>I usually skip a month when I have a guest,

378
00:22:40.519 --> 00:22:45.039
<v Speaker 2>and we'll promote men of Action again, just so I

379
00:22:45.079 --> 00:22:48.440
<v Speaker 2>can talk to Ed and have fun. That's all I

380
00:22:48.480 --> 00:22:51.640
<v Speaker 2>care about is having fun on radio, and he is

381
00:22:51.799 --> 00:22:55.519
<v Speaker 2>a fun guest. See what you've done to me? Ed.

382
00:22:56.559 --> 00:22:58.400
<v Speaker 4>I appreciate that very much, Morgan.

383
00:22:59.279 --> 00:23:03.440
<v Speaker 2>And we've spoken about all the shows. I don't think

384
00:23:03.480 --> 00:23:06.839
<v Speaker 2>we've spoken enough about the magician. So I'm going to

385
00:23:07.000 --> 00:23:09.759
<v Speaker 2>kind of point a finger at the magician.

386
00:23:10.400 --> 00:23:15.000
<v Speaker 4>All magic you're about to see is perform without trick photography.

387
00:23:14.839 --> 00:23:21.240
<v Speaker 2>And that that was important because he Bill Bixby learned

388
00:23:21.640 --> 00:23:28.359
<v Speaker 2>from the great Mark Wilson how to seemingly make cards appear.

389
00:23:29.519 --> 00:23:33.039
<v Speaker 2>You hold your hands straight out and you kind of

390
00:23:33.119 --> 00:23:38.039
<v Speaker 2>curl your fingers and puff an ason and king appear.

391
00:23:38.960 --> 00:23:43.559
<v Speaker 2>How did that happen? Ooh, it is magic. No, it's

392
00:23:43.720 --> 00:23:50.119
<v Speaker 2>pressed the digitation, doing something manipulation with your hands that

393
00:23:50.559 --> 00:23:53.720
<v Speaker 2>if you could see behind the magician's hand, you would

394
00:23:53.880 --> 00:23:57.720
<v Speaker 2>know what two cards were coming up. But you told

395
00:23:57.720 --> 00:23:59.839
<v Speaker 2>me a story, and I'm just gonna set you up

396
00:24:00.279 --> 00:24:03.759
<v Speaker 2>so you can take a golf club and hit the

397
00:24:03.799 --> 00:24:08.680
<v Speaker 2>ball three hundred yards. That had the Magician stayed on

398
00:24:09.279 --> 00:24:13.319
<v Speaker 2>it did one season. Had it stayed through a second season,

399
00:24:14.880 --> 00:24:17.960
<v Speaker 2>what was in store for Bill Bixby with the magician?

400
00:24:19.400 --> 00:24:25.160
<v Speaker 4>Mark Wilson, who was the he was the technical consultant

401
00:24:25.400 --> 00:24:27.720
<v Speaker 4>on the show, and he worked with the showrunner and

402
00:24:27.759 --> 00:24:31.440
<v Speaker 4>he was very close to Bixby. During the time The

403
00:24:31.480 --> 00:24:36.720
<v Speaker 4>Magician was in production, there were plans for a big

404
00:24:39.160 --> 00:24:46.039
<v Speaker 4>multi city tour where Bill Bixby would perform magic in

405
00:24:46.160 --> 00:24:50.920
<v Speaker 4>various venues including Las Vegas. I believe in promotion for

406
00:24:51.039 --> 00:24:54.759
<v Speaker 4>what was anticipated to be the second season of The Magician. Now,

407
00:24:54.799 --> 00:24:58.519
<v Speaker 4>The Magician had a very it had a very interesting

408
00:24:58.599 --> 00:25:01.160
<v Speaker 4>broadcast history that it.

409
00:25:04.039 --> 00:25:04.200
<v Speaker 6>Was.

410
00:25:04.599 --> 00:25:07.519
<v Speaker 4>It went to series in the spring of seventy three,

411
00:25:07.640 --> 00:25:12.200
<v Speaker 4>around the time a writers guild strike that shut down

412
00:25:12.240 --> 00:25:17.519
<v Speaker 4>production and curtailed production of a lot of news series

413
00:25:17.559 --> 00:25:21.640
<v Speaker 4>at the time, including The Magician. And so by the

414
00:25:21.720 --> 00:25:25.079
<v Speaker 4>time the strike was settled, the show was sort of

415
00:25:25.119 --> 00:25:30.720
<v Speaker 4>in a chaotic behind the eight ball a situation. But

416
00:25:31.200 --> 00:25:34.599
<v Speaker 4>and they changed formats, and they changed producers at least

417
00:25:34.599 --> 00:25:37.559
<v Speaker 4>three times in the course of that one season. But

418
00:25:38.640 --> 00:25:43.559
<v Speaker 4>and they moved it to from Tuesday nights to Monday nights,

419
00:25:43.640 --> 00:25:49.480
<v Speaker 4>where it still faced It's still faced strong opposition against

420
00:25:49.480 --> 00:25:52.960
<v Speaker 4>Gunsmoke and the Rookies, but apparently it did well enough

421
00:25:53.920 --> 00:25:59.680
<v Speaker 4>to be it was considered a bubble show, which was

422
00:26:00.480 --> 00:26:04.200
<v Speaker 4>its numbers are well enough that depending on how the

423
00:26:04.240 --> 00:26:07.240
<v Speaker 4>pendulum swings, it may see a second season, and so

424
00:26:07.359 --> 00:26:12.720
<v Speaker 4>by when it finished original twenty two episode season run,

425
00:26:13.160 --> 00:26:15.400
<v Speaker 4>it looked like it was in the running for a

426
00:26:15.559 --> 00:26:20.720
<v Speaker 4>second season, and so Wilson and Bixby and the people

427
00:26:20.759 --> 00:26:23.920
<v Speaker 4>behind the scenes they put together this grand tour, and

428
00:26:24.160 --> 00:26:30.039
<v Speaker 4>just before Bixby hit the road, NBC announced that they

429
00:26:30.079 --> 00:26:32.680
<v Speaker 4>decided not to renew the show. And they were never

430
00:26:32.799 --> 00:26:37.119
<v Speaker 4>clear why they didn't renew the show. They told Wilson

431
00:26:37.160 --> 00:26:42.519
<v Speaker 4>and had to do with you weren't reaching the right demographics,

432
00:26:42.519 --> 00:26:45.839
<v Speaker 4>you weren't reaching the right audience. And Wilson said, well,

433
00:26:45.839 --> 00:26:49.359
<v Speaker 4>what exactly are you talking about? And the network was

434
00:26:49.440 --> 00:26:51.759
<v Speaker 4>kind of vague and never gave them a straight answer,

435
00:26:53.119 --> 00:26:57.920
<v Speaker 4>and that happens sometimes. It's just Harry OH is not

436
00:26:58.039 --> 00:27:03.200
<v Speaker 4>renewed for a third because the people who were behind

437
00:27:03.240 --> 00:27:06.960
<v Speaker 4>the show left the network and Fred Silverman took over.

438
00:27:07.200 --> 00:27:10.119
<v Speaker 4>And Fred Silverman had an ax to grind I understand

439
00:27:11.079 --> 00:27:18.079
<v Speaker 4>against David Jansen because Jansen did a show for CBS

440
00:27:16.720 --> 00:27:21.000
<v Speaker 4>when Silverman was in charge of CBS and seventy one

441
00:27:21.640 --> 00:27:26.200
<v Speaker 4>called O'Hara Us Treasury, which did not do well, and

442
00:27:27.039 --> 00:27:31.160
<v Speaker 4>Silverman remembered that. And so when Silverman took over ABC

443
00:27:31.559 --> 00:27:36.359
<v Speaker 4>and HARRYO was on the bubble. I have been told

444
00:27:36.440 --> 00:27:39.599
<v Speaker 4>on very good authority that Silverman canceled Harry O out of.

445
00:27:39.599 --> 00:27:50.079
<v Speaker 2>Spite because my memories of Harry oh two words, it worked. Yeah,

446
00:27:50.240 --> 00:27:55.200
<v Speaker 2>Henry Darrow leaving. I think he left like the first

447
00:27:55.279 --> 00:27:56.440
<v Speaker 2>half of the first year.

448
00:27:57.359 --> 00:28:00.119
<v Speaker 4>He left around the time they moved production from San

449
00:28:00.240 --> 00:28:05.920
<v Speaker 4>Diego to to Los Angeles. And it would not have

450
00:28:06.480 --> 00:28:10.319
<v Speaker 4>it would not have been in the world television. It

451
00:28:10.359 --> 00:28:12.359
<v Speaker 4>would have made as much sense as than anything else

452
00:28:12.400 --> 00:28:19.079
<v Speaker 4>to have Henry to have Manny Quillen transferred to UH

453
00:28:19.279 --> 00:28:21.759
<v Speaker 4>Los Angeles around the same time that Harry O moved

454
00:28:21.759 --> 00:28:26.400
<v Speaker 4>to Los Angeles. But when they we tooled the show,

455
00:28:27.839 --> 00:28:33.240
<v Speaker 4>Jerry Thorpe, the show runner, felt that they needed a

456
00:28:33.279 --> 00:28:36.720
<v Speaker 4>little They needed an actor who provided more of a

457
00:28:36.799 --> 00:28:41.119
<v Speaker 4>contrast to David Jansen. You know, Darrow was a good actor,

458
00:28:41.519 --> 00:28:44.160
<v Speaker 4>but Darrow was kind of low key. David Jameson was

459
00:28:44.240 --> 00:28:46.920
<v Speaker 4>low key. They felt they needed someone who would be

460
00:28:47.000 --> 00:28:52.079
<v Speaker 4>a counterpuncher, counterpuncher, who would was who would be a

461
00:28:52.119 --> 00:28:59.680
<v Speaker 4>cool contrast David Jansen. And that was Anthony Zerby And

462
00:28:59.680 --> 00:29:02.920
<v Speaker 4>and the show really took off and found its footing.

463
00:29:03.079 --> 00:29:06.079
<v Speaker 4>And even though it went even though a lot of

464
00:29:06.119 --> 00:29:09.720
<v Speaker 4>the interesting trappings of the first season went by the

465
00:29:09.920 --> 00:29:14.279
<v Speaker 4>wayside when it moved to Los Angeles. The fact that

466
00:29:14.319 --> 00:29:20.799
<v Speaker 4>this marvelous, you know, relationship between Harry and Lieutenant Trench,

467
00:29:22.359 --> 00:29:27.000
<v Speaker 4>this symbiotic relationship between two characters who were from different

468
00:29:27.039 --> 00:29:29.079
<v Speaker 4>worlds and yet they had a lot in common. They

469
00:29:29.160 --> 00:29:34.759
<v Speaker 4>respected each other. And the verbal the verbal sword play,

470
00:29:34.880 --> 00:29:38.400
<v Speaker 4>the verbal wordplay, if I, if I may be redundant

471
00:29:38.440 --> 00:29:42.359
<v Speaker 4>between Jensen and and and Anthony Zerby. That was the

472
00:29:42.400 --> 00:29:43.279
<v Speaker 4>fun part of the.

473
00:29:43.240 --> 00:29:46.720
<v Speaker 2>Show and that's why I watched it. Yeah, it's funny

474
00:29:46.759 --> 00:29:53.680
<v Speaker 2>because the private eye detective character on TV always need

475
00:29:53.720 --> 00:30:01.200
<v Speaker 2>like Stu Bailey needed Detective Quinlan, like Magnum needed Tanaka.

476
00:30:01.319 --> 00:30:09.160
<v Speaker 2>You had to have that rather caustic police person who

477
00:30:09.240 --> 00:30:12.240
<v Speaker 2>had to follow the book, who couldn't take the liberties

478
00:30:12.240 --> 00:30:16.680
<v Speaker 2>of a detective. Meanwhile, detectives are breaking all kinds of

479
00:30:16.799 --> 00:30:24.720
<v Speaker 2>rules left, right and center. But that detective really loved

480
00:30:24.240 --> 00:30:29.640
<v Speaker 2>the police detective, loved the detective like a brother.

481
00:30:30.640 --> 00:30:35.160
<v Speaker 4>Yeah, I mean a colleague of mine described the relationship

482
00:30:35.519 --> 00:30:38.640
<v Speaker 4>between Harry and Lieutenant Trench as frenemies.

483
00:30:40.359 --> 00:30:43.279
<v Speaker 2>You know, that's a twenty first century title, that's.

484
00:30:43.240 --> 00:30:47.440
<v Speaker 4>Very much a twenty first century word. But but you know,

485
00:30:47.559 --> 00:30:57.839
<v Speaker 4>the Trench respected Harry's independence. He respected Harry's style, even

486
00:30:57.880 --> 00:31:00.480
<v Speaker 4>though harry style drove him up the walls, you know,

487
00:31:00.960 --> 00:31:03.680
<v Speaker 4>nine times out of ten. Because Trench was, you know,

488
00:31:03.799 --> 00:31:06.839
<v Speaker 4>by the book, because he had to be he had

489
00:31:06.839 --> 00:31:09.759
<v Speaker 4>a department to run, he had rules to follow, and

490
00:31:09.759 --> 00:31:13.599
<v Speaker 4>and and so forth. He envied Harry's independence. There's a

491
00:31:13.599 --> 00:31:19.960
<v Speaker 4>great scene in the episode Anatomy of a Frame, which

492
00:31:20.000 --> 00:31:22.640
<v Speaker 4>is the first episode of the second season, where Harry

493
00:31:23.359 --> 00:31:27.799
<v Speaker 4>helps f frame is Uh. Trench is framed for a

494
00:31:27.880 --> 00:31:30.960
<v Speaker 4>for a murder which he didn't commit. He comes to

495
00:31:31.000 --> 00:31:34.720
<v Speaker 4>Harry for help and we get to learn a little

496
00:31:34.759 --> 00:31:39.799
<v Speaker 4>bit about Trench's backstory in that in that episode and

497
00:31:39.880 --> 00:31:44.079
<v Speaker 4>Uh and and he basically and Trench says, you know,

498
00:31:45.519 --> 00:31:49.319
<v Speaker 4>I I admire you. I admire your independence, even though

499
00:31:50.400 --> 00:31:53.480
<v Speaker 4>I can't be you. I can't I can't live like you,

500
00:31:53.480 --> 00:31:56.599
<v Speaker 4>you know, I can't do it like you. But it's

501
00:31:56.640 --> 00:31:59.720
<v Speaker 4>it's a wonderful episode. And there are many moments like

502
00:31:59.759 --> 00:32:02.079
<v Speaker 4>that in the Anthony's there are so many.

503
00:32:02.119 --> 00:32:07.119
<v Speaker 2>For an example, Dan Tanner and Dave Nelson played by.

504
00:32:07.559 --> 00:32:10.279
<v Speaker 4>Greg Morris, Greg Morris and.

505
00:32:12.119 --> 00:32:16.359
<v Speaker 2>Spencer Spencer Hire and Lieutenant Quirk Richard.

506
00:32:16.119 --> 00:32:19.720
<v Speaker 4>Uh play Great Richard Yes all of.

507
00:32:19.680 --> 00:32:25.400
<v Speaker 2>Those characterizations are pretty much the same. The cop is

508
00:32:25.680 --> 00:32:31.640
<v Speaker 2>locked into rules and laws that he cannot step around,

509
00:32:31.920 --> 00:32:36.480
<v Speaker 2>while the private detectives steps all over those rules and laws.

510
00:32:36.880 --> 00:32:39.319
<v Speaker 4>And the key to making a successful show is to

511
00:32:39.440 --> 00:32:44.759
<v Speaker 4>fin to is to find enough, you know, uh, enough

512
00:32:44.920 --> 00:32:48.480
<v Speaker 4>enough angles, enough quirks to each character to make them

513
00:32:48.480 --> 00:32:51.079
<v Speaker 4>different enough. And sometimes it has to do with the casting,

514
00:32:51.839 --> 00:32:54.400
<v Speaker 4>you know, the casting of the actor. What the actor

515
00:32:54.440 --> 00:32:57.880
<v Speaker 4>brings the character they you know, they'll they'll flesh it

516
00:32:57.960 --> 00:33:00.759
<v Speaker 4>out and they'll bring enough with their own personality. And

517
00:33:00.839 --> 00:33:03.920
<v Speaker 4>if you have an actor like Robert Urich or Richard

518
00:33:04.000 --> 00:33:09.839
<v Speaker 4>Jacole who worked well with each other, or David Janssen

519
00:33:10.000 --> 00:33:13.319
<v Speaker 4>and Henry Daro or James Gardner and James Louisi and

520
00:33:13.440 --> 00:33:17.599
<v Speaker 4>Rockford Files, you know, that's where the real magic of

521
00:33:17.640 --> 00:33:18.799
<v Speaker 4>that relationship comes.

522
00:33:18.880 --> 00:33:21.880
<v Speaker 2>Let me take my last break. I have a caller,

523
00:33:22.200 --> 00:33:25.359
<v Speaker 2>and John in North Carolina will get to you after

524
00:33:25.400 --> 00:33:30.000
<v Speaker 2>a few commercials. I promise time and temperature eleven forty

525
00:33:30.079 --> 00:33:32.920
<v Speaker 2>five forty two degrees.

526
00:33:34.640 --> 00:33:37.599
<v Speaker 1>Now back to Dan Way live from the Window World,

527
00:33:37.759 --> 00:33:40.839
<v Speaker 1>Nice Sight Studios on WBZ News Radio.

528
00:33:41.359 --> 00:33:44.759
<v Speaker 2>Roughly ten minutes of show to go, John in North Carolina,

529
00:33:45.599 --> 00:33:48.799
<v Speaker 2>You've waited long enough. Here's your chance to speak with

530
00:33:49.039 --> 00:33:50.720
<v Speaker 2>Ed Robertson. Hi.

531
00:33:50.920 --> 00:33:51.880
<v Speaker 6>Ed, I'm Morgan.

532
00:33:52.200 --> 00:33:52.480
<v Speaker 2>Hello.

533
00:33:53.279 --> 00:33:53.440
<v Speaker 4>Hi.

534
00:33:54.359 --> 00:33:57.480
<v Speaker 6>I thought it was interesting when I heard you speaking

535
00:33:57.480 --> 00:34:02.720
<v Speaker 6>about Roy Huggins, because I just recently read a detective

536
00:34:02.799 --> 00:34:06.599
<v Speaker 6>novel by him. It was it was called The Double Take.

537
00:34:06.920 --> 00:34:09.679
<v Speaker 6>It was from nineteen forty six, if.

538
00:34:09.519 --> 00:34:12.719
<v Speaker 4>I remember correctly, that was that was the That was

539
00:34:12.760 --> 00:34:17.280
<v Speaker 4>the novella that he introduced Stu Bailey exactly.

540
00:34:17.360 --> 00:34:19.760
<v Speaker 6>That's that was something I was going to mention that.

541
00:34:19.920 --> 00:34:22.400
<v Speaker 6>And it's from nineteen forty six, so I guess about

542
00:34:22.440 --> 00:34:27.760
<v Speaker 6>ten years before seventy seven Sunset Strip. But I thought

543
00:34:27.800 --> 00:34:30.320
<v Speaker 6>it was very good. It was kind of a Raymond

544
00:34:30.400 --> 00:34:32.360
<v Speaker 6>Chandler esque type mystery.

545
00:34:32.920 --> 00:34:36.360
<v Speaker 4>Well, Roy, that's that's That's how Roy started his career.

546
00:34:36.559 --> 00:34:39.239
<v Speaker 4>He started his career as a novelist into Chandler vein

547
00:34:39.599 --> 00:34:47.000
<v Speaker 4>and he his publisher at the time was a man

548
00:34:47.119 --> 00:34:53.960
<v Speaker 4>named Howard Brown. He published several of his novellas, and

549
00:34:54.000 --> 00:35:00.039
<v Speaker 4>then one thing led to another and Roy saw the

550
00:35:00.079 --> 00:35:05.559
<v Speaker 4>future in a storytelling in television and when about fast

551
00:35:05.599 --> 00:35:10.280
<v Speaker 4>forward about ten years in the early nineteen fifties, when

552
00:35:10.360 --> 00:35:13.320
<v Speaker 4>Roy established himself as a various as one of the

553
00:35:13.360 --> 00:35:18.440
<v Speaker 4>top producers in television with Warner Brothers. He remembered his

554
00:35:18.480 --> 00:35:22.159
<v Speaker 4>friend Howard Brown when Howard Brown decided to break into television,

555
00:35:22.360 --> 00:35:27.519
<v Speaker 4>and Howard wrote for Roy not only a Warner Brothers

556
00:35:27.559 --> 00:35:32.159
<v Speaker 4>but also a Universal. So it's all I mean, it's

557
00:35:32.199 --> 00:35:33.280
<v Speaker 4>all kind of circular.

558
00:35:34.159 --> 00:35:37.480
<v Speaker 6>Well, did Roy then leave Warner Brothers and become an

559
00:35:37.480 --> 00:35:38.599
<v Speaker 6>independent producer?

560
00:35:42.920 --> 00:35:48.920
<v Speaker 4>No, he left Warner Brothers in fifty nine sixty. He

561
00:35:49.039 --> 00:35:55.280
<v Speaker 4>was a little burned out because and for reasons that

562
00:35:55.320 --> 00:35:59.159
<v Speaker 4>I explained in detail in Maverick Legend of the West,

563
00:35:59.239 --> 00:36:03.280
<v Speaker 4>my book on the Map show. He was feeling he

564
00:36:03.440 --> 00:36:11.679
<v Speaker 4>was responsible for like seventy percent of Warner Brothers prime

565
00:36:11.800 --> 00:36:16.760
<v Speaker 4>time shows on ABC. But because of the way Warner

566
00:36:16.760 --> 00:36:21.280
<v Speaker 4>Brothers ran his television apartment in the early going, they

567
00:36:21.360 --> 00:36:25.519
<v Speaker 4>refuse to give an independent writer created by a credit

568
00:36:25.559 --> 00:36:29.880
<v Speaker 4>which gave him or her a share of the pie,

569
00:36:30.239 --> 00:36:33.039
<v Speaker 4>you know, because Warner Brothers was very strident. You know,

570
00:36:33.079 --> 00:36:39.119
<v Speaker 4>we will only develop movies or properties we own. We

571
00:36:39.159 --> 00:36:42.159
<v Speaker 4>will only develop those for television. We will not pay

572
00:36:42.199 --> 00:36:44.920
<v Speaker 4>an independent writer, We will not pay a producer or

573
00:36:44.920 --> 00:36:49.440
<v Speaker 4>created by credit. And you know, Roy was working very

574
00:36:49.480 --> 00:36:55.519
<v Speaker 4>hard and he was you know, you know, cult forty

575
00:36:55.599 --> 00:37:02.239
<v Speaker 4>five seventy seven sunset strip. You know, most all those

576
00:37:02.960 --> 00:37:06.280
<v Speaker 4>successful Warner Brothers shows at the time, he wasn't. I

577
00:37:06.320 --> 00:37:08.800
<v Speaker 4>mean they all, they all tied back to him, you know,

578
00:37:10.039 --> 00:37:13.880
<v Speaker 4>at one point. And so he decided to leave the studio.

579
00:37:14.639 --> 00:37:17.960
<v Speaker 4>And and and as we mentioned in our first hour,

580
00:37:18.119 --> 00:37:20.400
<v Speaker 4>he was a little down on television to begin with.

581
00:37:20.880 --> 00:37:24.639
<v Speaker 4>He left the industry and was going to get his

582
00:37:24.960 --> 00:37:28.440
<v Speaker 4>h He was going to get his doctorate and teach

583
00:37:29.159 --> 00:37:37.719
<v Speaker 4>when in sixty three, sixty two, sixty three Universal called him. Uh,

584
00:37:37.880 --> 00:37:44.000
<v Speaker 4>they need they had they had the Virginian, which they bought,

585
00:37:44.199 --> 00:37:48.000
<v Speaker 4>but they needed They felt they needed a new producer,

586
00:37:48.199 --> 00:37:51.000
<v Speaker 4>and so they made Roy an offer he couldn't refuse.

587
00:37:51.079 --> 00:37:53.920
<v Speaker 4>And so he went back into television and stayed with

588
00:37:54.000 --> 00:37:56.480
<v Speaker 4>the Universal for almost twenty years.

589
00:37:56.760 --> 00:38:00.679
<v Speaker 6>Wow, well you mentioned warners. Now I think what I

590
00:38:00.800 --> 00:38:04.519
<v Speaker 6>read when Jack Warner set up that TV division, did

591
00:38:04.519 --> 00:38:07.119
<v Speaker 6>he not expect it to be very much? He just

592
00:38:07.199 --> 00:38:09.400
<v Speaker 6>did it. What did he put his son in charge

593
00:38:09.400 --> 00:38:09.639
<v Speaker 6>of it?

594
00:38:10.320 --> 00:38:14.440
<v Speaker 4>He did his son in law, if I remember correctly,

595
00:38:14.519 --> 00:38:17.599
<v Speaker 4>William Peatwoor, and.

596
00:38:18.719 --> 00:38:20.559
<v Speaker 3>He did it.

597
00:38:21.679 --> 00:38:25.000
<v Speaker 4>Jack Warner did it reluctantly. He did it because all

598
00:38:25.039 --> 00:38:29.199
<v Speaker 4>the other studios were leaving their mark were entering television.

599
00:38:31.039 --> 00:38:34.679
<v Speaker 4>Warners was at the time, Warners was still very famous.

600
00:38:35.119 --> 00:38:40.280
<v Speaker 4>You know when he made movies, when Warner Brothers made movies,

601
00:38:40.440 --> 00:38:42.800
<v Speaker 4>you know, we're not going to portray a living room

602
00:38:42.840 --> 00:38:45.320
<v Speaker 4>scene with the television in it. Because he saw television

603
00:38:45.320 --> 00:38:50.400
<v Speaker 4>as the enemy. And so when they finally did enter television,

604
00:38:50.440 --> 00:38:54.519
<v Speaker 4>as we said, they took a very narrow approach to it,

605
00:38:54.599 --> 00:38:58.119
<v Speaker 4>and that ended up. I mean, it paid off initially

606
00:38:58.119 --> 00:39:00.360
<v Speaker 4>in the short term because they made a deal with

607
00:39:00.400 --> 00:39:04.199
<v Speaker 4>ABC and they provided a lot of programming for ABC,

608
00:39:05.039 --> 00:39:08.440
<v Speaker 4>but it hurt them within ten years because they were

609
00:39:08.440 --> 00:39:09.599
<v Speaker 4>losing a lot of talent.

610
00:39:10.280 --> 00:39:10.400
<v Speaker 3>Uh.

611
00:39:10.440 --> 00:39:13.599
<v Speaker 4>Then, not only did they treat their they worked there,

612
00:39:13.639 --> 00:39:17.599
<v Speaker 4>they overworked their writers, and they didn't they they didn't

613
00:39:17.639 --> 00:39:22.599
<v Speaker 4>let them share in the pie, so to speak. But

614
00:39:23.559 --> 00:39:26.559
<v Speaker 4>they signed their actors to seven year contracts, they paid

615
00:39:26.599 --> 00:39:28.960
<v Speaker 4>them next to nothing, and then they but they exploited

616
00:39:29.000 --> 00:39:33.320
<v Speaker 4>them until James Garner famously stood up to them and said,

617
00:39:33.360 --> 00:39:36.280
<v Speaker 4>I ain't going to do this anymore, and he took

618
00:39:36.360 --> 00:39:38.480
<v Speaker 4>them to court and he beat them in court, and

619
00:39:38.639 --> 00:39:42.639
<v Speaker 4>the Warner Brothers realized, Okay, we have to change the

620
00:39:42.679 --> 00:39:45.079
<v Speaker 4>way we do this. Otherwise we're going to lose other

621
00:39:45.239 --> 00:39:46.639
<v Speaker 4>James Garner's down the Road.

622
00:39:47.239 --> 00:39:53.239
<v Speaker 2>It was, for an example, Hawaiian and I was surfside

623
00:39:53.360 --> 00:39:57.760
<v Speaker 2>six not in not in Honolulu, but in.

624
00:39:57.760 --> 00:40:03.119
<v Speaker 4>Miami, and both Hawaiian and I and serve side six

625
00:40:03.199 --> 00:40:07.960
<v Speaker 4>for variations of seventy seven sunset strip, which was the

626
00:40:08.440 --> 00:40:11.679
<v Speaker 4>which which originated with Roy Huggins. And so that that's

627
00:40:11.679 --> 00:40:14.840
<v Speaker 4>why Roy felt a little That's why Roy felt a

628
00:40:14.840 --> 00:40:18.400
<v Speaker 4>little put upon it, as he put it himself, because

629
00:40:18.719 --> 00:40:21.800
<v Speaker 4>there were three shows that started with him, and yet

630
00:40:22.199 --> 00:40:25.679
<v Speaker 4>the studio was making money off of off of those

631
00:40:26.000 --> 00:40:29.159
<v Speaker 4>off of those shows, but they wouldn't recognize him.

632
00:40:29.719 --> 00:40:32.239
<v Speaker 2>And John, I gotta let you go because I'm almost

633
00:40:32.320 --> 00:40:33.840
<v Speaker 2>out of time and I want to say a proper

634
00:40:33.880 --> 00:40:36.639
<v Speaker 2>goodbye to Ed. So John, thank you for your.

635
00:40:36.559 --> 00:40:37.880
<v Speaker 4>Call, Thank you for calling.

636
00:40:38.719 --> 00:40:42.119
<v Speaker 2>All right, and I got to do this again with you.

637
00:40:42.199 --> 00:40:45.119
<v Speaker 2>I'll call you and set up something in January.

638
00:40:45.599 --> 00:40:48.599
<v Speaker 4>Absolutely is always a pleasure to talk to you and

639
00:40:48.719 --> 00:40:53.440
<v Speaker 4>your audience, Morgan, and I hope some of your listeners

640
00:40:53.480 --> 00:40:56.199
<v Speaker 4>will pick up a copy of Minute Action available Amazon

641
00:40:56.239 --> 00:40:59.320
<v Speaker 4>dot com. If you love classic television, if you love

642
00:40:59.360 --> 00:41:03.159
<v Speaker 4>the history of television, it's it's a great gift idea.

643
00:41:03.239 --> 00:41:04.639
<v Speaker 4>You really like this book.

644
00:41:04.639 --> 00:41:09.320
<v Speaker 2>Riverboat Ring your Bell Taillywell Anna Belle Luck is a

645
00:41:09.440 --> 00:41:12.920
<v Speaker 2>lady that he loves the best. And I'm going to

646
00:41:13.000 --> 00:41:15.320
<v Speaker 2>tell you something I get a minute before I have

647
00:41:15.400 --> 00:41:19.079
<v Speaker 2>to sign off. Nancy, who's sitting next to me. She

648
00:41:20.079 --> 00:41:26.039
<v Speaker 2>got all the lyrics from Brett Maverick and framed them

649
00:41:26.079 --> 00:41:31.320
<v Speaker 2>with a royal flesh hand in the middle. That's what

650
00:41:31.559 --> 00:41:36.599
<v Speaker 2>a partner is supposed to do. Absolutely, And on that note,

651
00:41:36.840 --> 00:41:39.920
<v Speaker 2>I thank you enjoying the rest of your holiday weekend

652
00:41:40.639 --> 00:41:41.679
<v Speaker 2>and we'll talk again.

653
00:41:42.280 --> 00:41:44.440
<v Speaker 4>Happy you take care.

654
00:41:44.599 --> 00:41:48.599
<v Speaker 2>And by the way, Dan, you did a good job tonight.

655
00:41:48.719 --> 00:41:52.639
<v Speaker 2>Thank you. And Nancy sitting next to me, and Gray

656
00:41:52.800 --> 00:41:55.880
<v Speaker 2>on the floor on the rug. Thank you for all

657
00:41:55.920 --> 00:41:59.199
<v Speaker 2>of you who listened, whether you called or not. I

658
00:41:59.280 --> 00:42:03.800
<v Speaker 2>appreciate the fact that you made Nightside your choice for

659
00:42:03.840 --> 00:42:09.760
<v Speaker 2>this Thanksgiving evening, and now that it has become time

660
00:42:09.800 --> 00:42:16.880
<v Speaker 2>to say it. Eleven fifty eight by Boston, forty two

661
00:42:16.960 --> 00:42:17.440
<v Speaker 2>degrees
