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Speaker 1: W m n H Rip the novels.

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Speaker 2: This is Eleanor Langthorne from Vices, Inc. And you're listening

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to Matt Connorton Unleashed on ninety five point three w

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m n H.

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Speaker 3: You are listening to w m n H.

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Speaker 4: World Premiere.

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Speaker 5: I'm gonna spend my days walking.

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Speaker 6: Through this six You can still half.

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Speaker 7: Because they din be like to a way.

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Speaker 8: You gotta explain some the two weeks out stand why

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I'm ambers a time that's a comb to the man.

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Speaker 7: I'm on about my little circle jump.

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Speaker 9: They're not playing tools being out.

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Speaker 10: Almoja turn.

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Speaker 11: You don't need to go stand there. Give him something sweet,

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you know. I'm gonna tell them.

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Speaker 12: It's right here again.

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Speaker 13: The groove.

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Speaker 14: Yeah, I sure do love the way that you move.

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I'm thinking of that you a'm gonna find. I'm on

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a sweet samberde. What I care about is getting you

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all in the mood. You know, I'm a little soul.

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Speaker 3: It ain't gonna stand and says no adult.

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Speaker 7: If I don't get the noise, you'll ask you all

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the days. I just don't go catch him for so

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the lid git a.

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Speaker 1: Boy, No, No, he's getting nine plans.

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Speaker 4: He was being un employed.

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Speaker 15: Oh God, don't turn your time. God that brains. Then

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say it to the three why not bright names.

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Speaker 16: No, just can't forget all the places what we've been,

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and I just kind of readies all the things out

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we have seen.

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Speaker 7: Now lie you away.

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Speaker 17: Because I see you imagine.

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Speaker 7: Oh please no I seen.

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Speaker 4: Send me free called fishna.

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Speaker 18: Swimming against the side.

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Speaker 4: The morning brings.

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Speaker 18: Re gran foot means us loner, What.

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Speaker 1: That's my dare say?

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Speaker 19: And we stay averring things something we don't even don't

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we ask all that So being text, he.

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Speaker 1: Said, I tells get the guy.

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Speaker 20: Then he said, it's not any things the rays, other

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things we have seen.

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Speaker 21: The you know, yes you see running about the teams.

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Speaker 22: Go please seven number first.

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Speaker 21: Mass see.

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Speaker 18: You standing around the scene. You feel like a doll bum.

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Speaker 6: Three botos of seeing.

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Speaker 20: It's still the thing on suns you ways on your

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season and this house says stay about.

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Speaker 23: Same hell leasdings got a way mess and.

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Speaker 21: No do says.

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Speaker 24: Says say, Oh my god, what a great track.

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Speaker 3: That gets stuck in my head. It's been stuck in

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my head since the first time we heard it. That

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is Max scene and the band is the forensics. Welcome everybody.

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We have entered our number two new marrowdos of Matt

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Connorton Unleashed. Today is Saturday May thirty one, twenty twenty five.

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And let's see. Let's see if we got these guys.

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We're using Google Teams for our first time on the

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show since Skype has been taken away from us. Let's

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see if the guys from the forensics are here. Hey, guys,

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can you hear me? Oh yeah, oh yes, it works.

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Excuse me, guys, I'm just forgive my over exuberance, but

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we are guests. In the first hour, we tried using

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Google Teams and it wasn't working out, so we had

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to use WhatsApp as a backup. But success. Welcome to

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the show. So who do we have on the line

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with us? From the band?

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Speaker 25: So I'm Liam, I'm the singer, I'm rhym guitarist.

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Speaker 26: Hey Liam, and I'm done. I'm the drummer on the

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Bucking vocalist.

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Speaker 3: Very good, very good. Is it just just you, guys,

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or is anybody else floating around with us? Or okay,

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very very good. Well, guys, welcome to the show. I've

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became a fast fan. I of course Maxine was the

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single we did the American radio premiere of it here

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on WM and H such a great track, and then

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I kind of went down the rabbit hole. I spent

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some time on Spotify and I listened to some of

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your others like Intoxicated and by My Side, which is

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a really interesting track. I love that one. And so

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you guys have a great sound. How long has the

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Forensics been a band? Have you guys been around a while?

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You sound you sound like you have just bass signed

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the sophistication of your music. But I don't know how

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long has the Forensic's been around.

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Speaker 25: So we kind of initially started out playing gigs in

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kind of late twenty twenty one, and then we put

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our first single out in twenty twenty two.

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Speaker 27: So yeah, we've been together it a little while. But

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with me and Dan have been been in bands before

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together and things like that, so there's a bit of

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chemistry there from previous and stuff.

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Speaker 3: Oh okay, so the two of you have been you've

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played together before? Like did you guys grow up together

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or did you just beat each other in the music

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scene and then and then do a lot of music. Yeah, so.

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Speaker 28: I actually got I used to work with in the

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old band I used to work with one of the

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rhythm guitarists and their drummers couldn't make a gig for

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some reason.

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Speaker 26: I got asked to sub him for that gig.

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Speaker 28: And that's that was about I'd probably say I was

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twenty seventeen or twenty eighteen maybe, yeah, and that's where

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I met Liam. And then since then are kind of

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was more into that band towards the end of it.

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And then I think the band split up around twenty eighteen,

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the end of twenty eighteen nineteen or something like that, Okay,

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and then Covid happened, and then I think what during Covid,

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Liam started working on some solo stuff, and then by

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the time mid to late twenty twenty one, he was

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ready to get a band together, and I think he

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messaged me pretty much straight away saying, come down, we

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need a drummer.

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Speaker 26: Oh yeah, that's that's just the story of Al mainly

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met really And.

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Speaker 3: It sounds like so once the two of you started

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working together on this project, it sounds like it came

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together pretty quickly. I mean, was it was it challenging

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to find because you're a four piece, right, there's four

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guys in the band.

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Speaker 26: Yeah, it was.

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Speaker 3: Was it challenging at all? I mean, obviously you guys

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had that chemistry to find other two guys to come in.

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Did that come together quickly or did that take some time?

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Speaker 25: And it came together kind of surprisingly quickly.

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Speaker 19: Really.

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Speaker 25: It kind of the type of thing you kind of

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expect to take while a while to come together.

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Speaker 27: And I started doing kind of like a solo project,

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and yeah, finding band members definitely isn't It isn't an

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easy to ask because all the all the good ones alreadyhidden,

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So it's difficult.

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Speaker 25: It's like it's like trying to make transfers in the

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football teams and stuff.

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Speaker 27: Is difficult because everybody, Yeah, everyone wants kind of the

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three guys that are available. So yeah, No, it came

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together surprisingly quickly actually, which was which was really good.

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Speaker 25: And that just meant that we kind of had a good,

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a good solid base to start with. Yeah, so yeah,

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it was quite quick.

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Speaker 3: Well that's the thing. You know, when it comes together quickly,

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then that's when you know you've really got something right.

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You know, if it's if it's a struggle, and sometimes

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sometimes great bands come out of struggling in the beginning

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to to kind of figure things out. But when it

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does come together quickly, that's when you know you've really

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got that magic. And and uh, when you've got you know,

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especially if you've got four people who not only can

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make great music together quick but also get along and

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and kind of convibe together, It's that's all very important

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and and that clearly I think comes through in what

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you're doing. The single Maxine, is that already out? Is

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that already on all the streaming platforms?

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Speaker 25: It is? Yeah? Yeah, yeah, it came out last week

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last week.

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Speaker 3: Yeah, yeah, very very very strong track. It's it's such

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a I don't know if earworm is a term you

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guys use over there, but you know, I like, I

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wasn't saying it just to you know, just to be nice.

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I meant it like the first time I listened to that,

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it was stuck in my head. For I'm I'm a

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musician myself, and I I wake up every morning with

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a song playing in my head. It's just something that

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happens and that that has been on that you know,

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when my eyes first pop open in the morning, that's

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been on the playlist in my brain. That's one of

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those songs that I hear when I first wake up.

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So so I'm really glad to have you guys on

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the show. But like I said, I did listen to

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some of the others and really really great stuff. How

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much music if you guys put out at this point, I.

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Speaker 25: Think we're on I want to say, single number around

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six or seven. I think.

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Speaker 27: Okay, Yeah, Like I say, the first one came out

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in twenty twenty two, and we've been kind of doing

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a couple probably each year. Yeah, just kind of like

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trying to kind of put the best stuff out, not

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trying to like overload it with putting too many releases out.

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I think we're trying to Everything we put out is

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kind of we really believe in, and we've put a

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lot of time and effort into kind of crafting the

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sound and making it sound the best we can, so

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we don't try we tend not to try and rush out.

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But yeah, I think we're we're on two for six

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track eight now, oh yeah, eight eight tracks.

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Speaker 25: So yeah, we've been we've been busy.

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Speaker 3: Is that kind of the the trajectory going forward to

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approach it that way or do do you have plans

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to I don't know if you have an EP yet

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or an album, or if there's plans to put these

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singles into an album or or what's kind of the

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future planner. You don't even know yet.

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Speaker 25: I don't know where.

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Speaker 26: We do have a plan to release an EP okay

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our debut AP. I don't know when.

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Speaker 28: We're still working on it at the moment, but we're

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hoping it was going to be towards the end of

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this year, but as of right now, it's probably looking

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early next year.

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Speaker 3: Okay, but no, the.

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Speaker 28: I don't want her to my own our own norns there. Boy,

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it's a very The songs we're doing are quite good. Yeah, myself,

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we were recording them in March and it's just like wow,

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like these these tunes are just on a different level

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to what we've already produced and made. So yeah, we're

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looking forward to finishing them off.

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Speaker 3: Yeah, are you in a hurry to get them done?

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Because I know that again just from my own experience playing.

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It's when when you've got something really good, you know,

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like you said, these are really good songs, When you've

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got something really good, you want to hurry up and

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get it out there right, And it's or maybe not.

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I mean I was actually surprised. I was talking to

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somebody recently, somebody on the show about how isn't it

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hard when you've got something that you've you know, he's

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got music all done ready to go, that he hasn't

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released it. I said, isn't it hard when you've got

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something that you know is really good to have to

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sit on it because you want to wait for the

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right time to release it to get the maximum impact?

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And doesn't that take some discipline? And he said, no,

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not really. Oh it was Eli Lev He was on

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the show with us last week. He said, oh, no,

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not really. He said, I I don't mind waiting until

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the time is right, and I just you know, from

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my own experience, I find it takes some discipline.

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Speaker 28: To do that.

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Speaker 3: But are you guys in a hurry to get these

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out or are you gonna are you gonna kind of

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continue this, because it does take some discipline, right to say, Okay,

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we don't want to oversaturate, we don't want to put

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out too much at once, you know, we want to

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take our time. Is that knowing that you're knowing that

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you're only getting better, does it take some discipline on

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your part to kind of take your time with these

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or what's that like to be in that position.

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Speaker 27: Yeah, we we tend to have the tracks for quite

243
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a while. That's just kind of how we've always worked.

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I think it's good to have them, to have the

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time to really once they're finished, even to kind of

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sit and digest them, because when you're in the process

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of making.

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Speaker 25: Them, you're kind of thinking of you're thinking.

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Speaker 27: Of all the little details, and then it's good sometimes

250
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to kind of like take a step back and look

251
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at the bigger picture of what the full track kind

252
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of sounds like. But then at the same time, sometimes

253
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because we will have played a song live like probably

254
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months before we even record it, and then by the

255
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time we've then recorded it and sat on it, and

256
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then by the time it kind of like comes out,

257
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it's like almost a bit like old news for us

258
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because we've heard it that many times, but it morphsen

259
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changes every time we listen to it, and I think

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that kind of gives us a greater understanding of like

261
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how people might receive it.

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Speaker 25: And it just means that if there's anything that we're.

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Speaker 27: Not kind of completely happy with, I mean, to be fair,

264
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if I think we're still happy with the track, you know,

265
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maybe twelve months eighty team umps down the line after

266
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it kind of like first started being put together. I

267
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think that that's kind of like a good kind of

268
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barometer that it's going to stand the test.

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Speaker 25: Of time a bit.

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Speaker 27: So, yeah, it's got it's got good points, it definitely.

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And yeah, I mean if we could put if we

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could just kind of keep putting tracks out like really

273
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really quickly, we probably would because the writing new music

274
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all the time. But I think, yeah, I think having

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that restraint, like you say, is quite important to kind

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of say, like, how is.

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Speaker 25: This going to be received by by the public and stuff?

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Speaker 3: Right right? Absolutely, what's the you did allude to to

279
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playing live shows? What's the touring situation like for you guys?

280
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Are you playing a lot? Are you traveling or because

281
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I would imagine it's a pretty high energy live show

282
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just based on what I've heard the music that I've

283
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listened to, I can kind of imagine you guys on stage.

284
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But but what what's the touring situation like for you guys?

285
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Speaker 28: So last year we did a lot of gig in

286
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good in around the Northwest, and we actually played our

287
00:19:06,119 --> 00:19:09,839
first gig in Glasgow last year, which was I think

288
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probably our favorite gig or one of our favorite gigs

289
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that we've ever played, because they do say like Scottish

290
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crowds are different, you know, the Englisher the English crowds.

291
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Speaker 26: Yeah, yeah, people say it, and you I found it

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hard to believe.

293
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Speaker 28: And then we went and it was just the energy

294
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was just on a different level and it was just

295
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like right, this was like class. And Glasgow is a

296
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great We spent the weekend in Glasgow and it was

297
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it's just a great night It's got great night life,

298
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a great city, a lot of cool bars, and yeah,

299
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probably our favorite favorite place we played at at the moment.

300
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We have taken a bit of a break from gigging

301
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at the start of the year, just because we did

302
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it a lot last year and sometimes we kind of

303
00:19:58,960 --> 00:20:00,839
took a step back in it's we don't want to

304
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be gigging for the sake of gigging.

305
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Speaker 26: You know, we've got that experience of playing live. We've

306
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done all that.

307
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Speaker 28: Now you know we've got a gig for a reason,

308
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like for a release or like an EP coming out,

309
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that kind of thing. But no, we've got we're actually

310
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gigging tonight for like it's like a charity event for

311
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like men's mental health another.

312
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Speaker 26: Other good causes tonight.

313
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Speaker 28: And then we've got a few festivals lined up in

314
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the summer, so it's it's looking towards the end of

315
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the year. It's looking busy, but it's it's been a

316
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planned kind of thing that we've done, you know. It's

317
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it was our choice not to gig, not because nobody

318
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wanted to have us on.

319
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Speaker 3: That's That's another thing that I think takes some discipline too,

320
00:20:47,359 --> 00:20:51,200
is uh not you know, taking a step back from

321
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gigging to focus on, you know, recording and all of

322
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that and the other things that you you really need

323
00:20:56,759 --> 00:20:59,400
to do to be a functioning band, because it's you know,

324
00:20:59,519 --> 00:21:02,119
some band they just want to play out as much

325
00:21:02,160 --> 00:21:05,319
as possible and and and you know, and you can

326
00:21:05,400 --> 00:21:10,039
oversaturate to doing that. But no, but it sounds like

327
00:21:10,079 --> 00:21:12,440
you guys really uh you've got a lot of control

328
00:21:12,480 --> 00:21:14,559
over what you're doing. It's great. Where do where do

329
00:21:14,640 --> 00:21:16,480
you record? By the way, we should give some props

330
00:21:16,519 --> 00:21:18,160
to I don't know if you work with a producer

331
00:21:18,279 --> 00:21:19,839
or if it's if you do it yourselves or but

332
00:21:20,240 --> 00:21:23,920
everything I listened to on Spotify sounds amazing, including of

333
00:21:23,960 --> 00:21:27,799
course Maxine. This incredible single. But where do you guys record?

334
00:21:29,480 --> 00:21:33,839
Speaker 25: We record in a in a studio that's kind of

335
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in our kind of local area called the gram.

336
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Speaker 27: Cl Throw, But we recalled with a producer called Tom Hale,

337
00:21:42,680 --> 00:21:44,720
who we've been we've been friends with it for a

338
00:21:44,799 --> 00:21:47,480
long time. He's in a he's in a band that

339
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we've been playing gigs with. Well I've been done kind

340
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of been playing gigs with since we were kind of

341
00:21:52,720 --> 00:21:53,839
like seventeen eighteen.

342
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Speaker 29: We've known him, we've known him for a very long time,

343
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and he's just an absolute wizard, yeah, of production and stuff,

344
00:22:01,079 --> 00:22:04,680
and you always just I think it's we're very very fortunate,

345
00:22:04,759 --> 00:22:08,160
I think to have a producer that kind of just

346
00:22:08,319 --> 00:22:11,119
really understands us, understand our sound.

347
00:22:10,960 --> 00:22:14,039
Speaker 27: And you know, kind of we're so we're good friends

348
00:22:14,079 --> 00:22:15,480
with as well, so he kind of we just have

349
00:22:15,519 --> 00:22:18,559
a great working relationship and he always it's just good

350
00:22:18,599 --> 00:22:20,720
at getting our ideas kind of out of our heads

351
00:22:20,759 --> 00:22:23,799
and you know, like recorded and down exactly how we

352
00:22:23,880 --> 00:22:26,720
want it. So yeah, we're very very fortunate in that respect,

353
00:22:26,799 --> 00:22:28,920
and he always does does an incredible job of.

354
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Speaker 25: Making our music sound amazing. So yeah, a big, big

355
00:22:31,559 --> 00:22:35,119
shout to him for or yeah, always for making our music.

356
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Speaker 3: Yeah, it sounds like he kind of is sort of

357
00:22:38,319 --> 00:22:40,160
like a fifth member of the band. And in terms

358
00:22:40,200 --> 00:22:42,400
of in the studio, right when you have a producer

359
00:22:42,720 --> 00:22:45,000
who can really really understands what you're doing, and to

360
00:22:45,079 --> 00:22:47,480
have that personal relationship too, you mentioned you're also good

361
00:22:47,519 --> 00:22:50,880
friends with him, and that that's always that's always helpful.

362
00:22:50,920 --> 00:22:55,759
I think in a situation like that, have you has

363
00:22:55,880 --> 00:22:58,759
everything that you've recorded as the forensics, have they all

364
00:22:58,880 --> 00:22:59,920
been with Tom Hale?

365
00:23:01,680 --> 00:23:03,599
Speaker 27: The vast, the vast majority of them. Bar there is

366
00:23:03,640 --> 00:23:05,839
the kind of a single here and there. I think

367
00:23:06,119 --> 00:23:10,119
the first the first single we did wasn't and then

368
00:23:10,200 --> 00:23:12,640
one we did we did recently as part of a

369
00:23:13,559 --> 00:23:16,319
kind of we did part of a project that was

370
00:23:16,400 --> 00:23:19,599
kind of promoting bands from our local area that was

371
00:23:19,640 --> 00:23:22,519
working with the Grand Studio. They were they put like

372
00:23:22,640 --> 00:23:24,839
a kind of a project together that was kind of

373
00:23:24,880 --> 00:23:28,319
trying to support grassroots music. So they recorded our track

374
00:23:28,400 --> 00:23:31,480
made of Gold as part of that. So yeah, so

375
00:23:31,599 --> 00:23:33,680
that's so kind of a couple here and there, But

376
00:23:33,799 --> 00:23:36,759
the main kind of Yeah, the main a bunch of

377
00:23:36,799 --> 00:23:39,279
our tracks all come from from working with Tom, and

378
00:23:39,519 --> 00:23:42,559
I think he's very good at kind of even we

379
00:23:42,599 --> 00:23:44,240
can come at him with any sort of idea and

380
00:23:44,279 --> 00:23:46,799
he kind of still makes them all sound like our sound,

381
00:23:47,039 --> 00:23:47,799
which is quite good.

382
00:23:48,880 --> 00:23:50,920
Speaker 25: So yeah, he's he's definitely a big part of how

383
00:23:51,279 --> 00:23:52,039
we sound as a band.

384
00:23:52,319 --> 00:23:55,559
Speaker 3: Yeah, yeah, no, that makes sense. By the way, So

385
00:23:55,599 --> 00:23:57,480
where does the name come from? The forensics? Who came

386
00:23:57,559 --> 00:23:58,759
up with the name? And is there any kind of

387
00:23:58,759 --> 00:24:00,720
special I mean, it's a cool name, and so the

388
00:24:00,799 --> 00:24:02,359
answer made us be that it's a cool name. I

389
00:24:02,400 --> 00:24:04,519
don't know, but I'm curious, is there any special meaning

390
00:24:04,559 --> 00:24:05,839
behind the name of the Forensics.

391
00:24:07,559 --> 00:24:11,960
Speaker 28: No, it was literally just a case of I think

392
00:24:12,039 --> 00:24:14,359
because at the time, like Liam said, he started it

393
00:24:14,440 --> 00:24:17,960
started off as a solo project. Yeah, so it was

394
00:24:18,079 --> 00:24:21,880
just Liam's name. But then Liam was, you know, I

395
00:24:21,960 --> 00:24:23,799
want us to be a band. I want us to

396
00:24:23,920 --> 00:24:26,240
all have, you know, equal share us to.

397
00:24:26,240 --> 00:24:27,920
Speaker 26: Be a band. So the name needs to reflect that,

398
00:24:29,640 --> 00:24:31,720
and we're just throwing names down.

399
00:24:31,880 --> 00:24:35,720
Speaker 28: I think we had about just came up with fifty names,

400
00:24:36,400 --> 00:24:40,519
and the Forensics just stuck out the most. And it

401
00:24:40,640 --> 00:24:42,759
must have been a good a good name. And you know,

402
00:24:42,960 --> 00:24:45,079
Duvense must have been terrible because I can't remember any

403
00:24:45,119 --> 00:24:45,400
of them.

404
00:24:46,400 --> 00:24:48,119
Speaker 30: So yeah.

405
00:24:48,119 --> 00:24:49,680
Speaker 26: I think it's a it's a good choice.

406
00:24:49,720 --> 00:24:53,720
Speaker 28: And when people are let's say, oh, wait, what's the

407
00:24:53,799 --> 00:24:55,640
name of your band, it's like the Forensics, It's like, oh,

408
00:24:55,720 --> 00:24:57,440
that's a really cool name.

409
00:24:57,680 --> 00:24:59,839
Speaker 26: And it's like, yeah, I was.

410
00:24:59,839 --> 00:25:02,960
Speaker 28: A guys, we couldn't really find anyone else that name

411
00:25:02,960 --> 00:25:04,039
as well, So I think.

412
00:25:05,839 --> 00:25:06,359
Speaker 3: This is ours?

413
00:25:06,400 --> 00:25:07,079
Speaker 26: Now, what's taking it?

414
00:25:07,480 --> 00:25:11,240
Speaker 3: Yeah, yeah, I actually now to mention it. Yeah, that

415
00:25:11,319 --> 00:25:13,480
is surprising that no one else had Uh, no one

416
00:25:13,519 --> 00:25:15,759
else had decided to grab that. No, it's a it's

417
00:25:15,799 --> 00:25:18,000
a great name. So, uh, very cool And I like

418
00:25:18,079 --> 00:25:21,279
the what was it on? Was it on Instagram? The

419
00:25:21,359 --> 00:25:23,720
picture of you guys with the caution tape or the

420
00:25:23,759 --> 00:25:26,960
police tape or whatever it was. That's a that's a

421
00:25:27,000 --> 00:25:29,880
cool Uh, that's a very cool image. So so yeah, no,

422
00:25:30,000 --> 00:25:32,440
you got you got something good there. So what's kind

423
00:25:32,480 --> 00:25:35,839
of the So obviously Maxine the newest single. What's what's

424
00:25:35,960 --> 00:25:38,200
the next step for you guys? Uh, do you have

425
00:25:38,279 --> 00:25:42,640
another single? Uh kind of ready to go soon or

426
00:25:42,640 --> 00:25:45,799
are you still still working on that or what's where

427
00:25:45,839 --> 00:25:48,000
are you in the process of what you're doing.

428
00:25:49,200 --> 00:25:52,599
Speaker 27: Yeah, we've got we've kind of got a I don't

429
00:25:52,599 --> 00:25:54,880
really like to call them B sides because I think

430
00:25:54,960 --> 00:25:57,119
that kind of makes it feel like the A side

431
00:25:57,200 --> 00:25:58,319
is more important than the B side.

432
00:25:58,359 --> 00:26:00,279
Speaker 25: But yeah, we have got a second act.

433
00:26:00,480 --> 00:26:02,880
Speaker 27: It's kind of like a follow up to this one

434
00:26:02,920 --> 00:26:05,559
that we recorded around the some of the time called

435
00:26:05,599 --> 00:26:08,880
Not Giving Up. A very different feel to this track,

436
00:26:10,240 --> 00:26:12,640
kind of completely different altogether, but still very much kind

437
00:26:12,680 --> 00:26:15,880
of our kind of signatures and stuff. So yeah, we've

438
00:26:15,880 --> 00:26:19,559
got that one coming up, and it's yeah, it's it's

439
00:26:19,599 --> 00:26:21,400
going to be part well, it's.

440
00:26:21,240 --> 00:26:23,839
Speaker 25: Going to be the D side to a vinyl that

441
00:26:23,920 --> 00:26:26,319
we've had made. So we were very fortunate to work

442
00:26:26,359 --> 00:26:27,680
with a kind.

443
00:26:27,599 --> 00:26:32,640
Speaker 27: Of independent vinyl creator maker called Lave to the Grave

444
00:26:33,839 --> 00:26:36,960
and they put some really stunning vinyls together for us

445
00:26:37,279 --> 00:26:39,559
that will have Maxine on the A side and Not

446
00:26:39,640 --> 00:26:40,599
Giving Up on the B side.

447
00:26:40,599 --> 00:26:44,160
Speaker 25: So that's kind of going to be coming soon. That

448
00:26:44,319 --> 00:26:44,920
is so cool.

449
00:26:45,440 --> 00:26:46,680
Speaker 3: That's so cool that you're doing that.

450
00:26:46,920 --> 00:26:49,720
Speaker 27: Yeah, yeah, I mean, and I'd collect vinyls myself, So

451
00:26:49,839 --> 00:26:52,200
it was like kind of a big goal for I

452
00:26:52,279 --> 00:26:53,640
think all of us in the band really to have

453
00:26:53,880 --> 00:26:56,079
to have our music kind of like on the physical format.

454
00:26:56,160 --> 00:27:00,160
And we've got some clear, transparent ones and some kind

455
00:27:00,160 --> 00:27:03,279
of the regular black ones as well. Yeah, we're really

456
00:27:03,400 --> 00:27:05,359
really looking forward to kind of getting out eventually. But

457
00:27:05,640 --> 00:27:07,759
I think the main, the main thing will be to

458
00:27:07,839 --> 00:27:10,880
get not giving up out into the world and then yeah,

459
00:27:11,119 --> 00:27:12,200
get the vinyls.

460
00:27:12,440 --> 00:27:14,240
Speaker 25: So that's kind of the next step recording while as

461
00:27:14,240 --> 00:27:14,519
any of.

462
00:27:14,559 --> 00:27:17,359
Speaker 3: It, Yeah, what about as far as so you're doing Vinyl,

463
00:27:17,400 --> 00:27:19,359
that's so cool. What about US CDs? Do you have

464
00:27:19,440 --> 00:27:22,519
physical CDs of these singles or do you strictly release

465
00:27:22,559 --> 00:27:23,160
them online?

466
00:27:24,720 --> 00:27:25,559
Speaker 26: Yeah, yeah, we don't.

467
00:27:25,839 --> 00:27:29,759
Speaker 28: We don't actually have any CDs as of Yeah, we

468
00:27:29,839 --> 00:27:34,519
are more just online and streaming based. But yeah, we

469
00:27:34,640 --> 00:27:37,119
just jumped straight to Vinyl instead of going to CD.

470
00:27:37,559 --> 00:27:40,279
Speaker 3: I think that's I think that's cool. I don't know

471
00:27:40,400 --> 00:27:43,039
if I forget if it was twenty twenty two or

472
00:27:43,079 --> 00:27:45,200
twenty twenty three, but I think I think it was

473
00:27:45,279 --> 00:27:48,480
twenty two was the first year that vinyl actually outsold

474
00:27:48,599 --> 00:27:52,839
CDs since CDs had become the dominant format. So I

475
00:27:53,079 --> 00:27:55,000
think that's so cool that you're doing vinyl. That's awesome.

476
00:27:57,400 --> 00:27:58,440
Speaker 26: Yeah, it's great.

477
00:27:58,759 --> 00:28:02,039
Speaker 3: Yeah, I mean, see, CD's are cool, but not as cool.

478
00:28:04,000 --> 00:28:06,079
Speaker 27: I think I don't know where you would even play

479
00:28:06,079 --> 00:28:08,000
a CD now because even in cars and stuff, there's

480
00:28:08,000 --> 00:28:11,240
no CD players anymore, and I think, like, yeah, they're

481
00:28:11,279 --> 00:28:13,240
kind of I wonder if they'll do a bit of

482
00:28:13,319 --> 00:28:16,720
a comeback like vinyls, because but yeah.

483
00:28:16,559 --> 00:28:18,519
Speaker 25: There's just no way. It seems there's no way to really.

484
00:28:19,039 --> 00:28:23,000
Speaker 27: Like, I haven't seen a CD player, so it's kind

485
00:28:23,039 --> 00:28:25,200
of like, you know, we would do it if there

486
00:28:25,240 --> 00:28:27,400
was a demand therefore for CDs, we would definitely.

487
00:28:28,920 --> 00:28:31,440
Speaker 25: I think we just don't. No one's even really mentioned,

488
00:28:32,079 --> 00:28:33,960
you know, asking for them or anything like that really,

489
00:28:34,039 --> 00:28:37,039
so we're Yeah, although.

490
00:28:36,799 --> 00:28:38,680
Speaker 27: To be fair, we have also got people asking for

491
00:28:38,759 --> 00:28:40,839
vinyls who don't have a vinyl player, so you know,

492
00:28:42,279 --> 00:28:43,319
big vinyls are a bit more.

493
00:28:43,839 --> 00:28:45,599
Speaker 25: They're more of a I don't know, they feel like

494
00:28:45,720 --> 00:28:48,720
the collector's item. It's like art, isn't it. Like it's

495
00:28:48,799 --> 00:28:51,799
the artwork and the sleeve and the actual record itself.

496
00:28:51,960 --> 00:28:54,160
It's like it feels like a piece of art, like

497
00:28:54,200 --> 00:28:54,759
a collectible.

498
00:28:54,839 --> 00:28:56,920
Speaker 27: I think that's why I think they're coming back and

499
00:28:57,240 --> 00:28:58,680
making a bit of resurgence and stuff.

500
00:28:58,960 --> 00:29:00,759
Speaker 3: Oh I say that all the time that I think

501
00:29:00,839 --> 00:29:04,839
most people who buy vinyl, who buy new vinyl never

502
00:29:04,960 --> 00:29:07,079
even open it or or if they do open it,

503
00:29:07,200 --> 00:29:10,319
they put the you know, the the artwork on the

504
00:29:10,359 --> 00:29:12,440
wall or whatever. But because if you're a really big

505
00:29:12,519 --> 00:29:14,759
fan of a band or a solo artist or whomever,

506
00:29:14,920 --> 00:29:16,920
you know, it's it's cool to support them by buying

507
00:29:16,960 --> 00:29:19,279
the vinyl and then displaying it somehow if you really

508
00:29:19,440 --> 00:29:22,920
like them. But but you don't necessarily have a record

509
00:29:23,000 --> 00:29:26,519
player here at WM and H. We actually do have

510
00:29:26,599 --> 00:29:28,200
a record player in the studio that one of the

511
00:29:28,240 --> 00:29:30,240
hosts brought in. I've never used it, but he brought

512
00:29:30,279 --> 00:29:32,119
it in and said anyone can plug it in and

513
00:29:32,240 --> 00:29:33,799
use it. And we actually have a CD player here

514
00:29:33,839 --> 00:29:35,920
too that I've never used, but one of our hosts

515
00:29:36,519 --> 00:29:39,240
does use it. But in the United States with CDs,

516
00:29:39,279 --> 00:29:42,319
that's a little different. There's been a resurgence. Most of

517
00:29:42,400 --> 00:29:44,960
the guests that we have on the show who are

518
00:29:45,240 --> 00:29:48,559
in the US who come in studio, they are doing

519
00:29:48,680 --> 00:29:52,039
physical media. But it you know, if we were having

520
00:29:52,079 --> 00:29:55,039
this conversation seven or eight years ago, I would probably say, yeah,

521
00:29:55,119 --> 00:29:57,079
CDs are pretty much dead, but they've kind of had

522
00:29:57,119 --> 00:30:01,480
a resurgence because it's cheaper than vinyl and a lot

523
00:30:01,519 --> 00:30:04,680
of people do want that physical media. But you know,

524
00:30:04,759 --> 00:30:06,240
because they want to be able to look at liner

525
00:30:06,359 --> 00:30:08,759
notes and things like that, which I always loved growing up.

526
00:30:08,839 --> 00:30:12,240
So they've kind of made a comeback here. But again,

527
00:30:12,279 --> 00:30:14,880
if you're if you're doing singles as really like, nobody

528
00:30:14,960 --> 00:30:17,839
puts out a single CD. It's only if they you know,

529
00:30:17,880 --> 00:30:19,640
if they have an album or an EP, they might

530
00:30:19,720 --> 00:30:23,119
put out a CD. But but so they've they've made

531
00:30:23,119 --> 00:30:25,519
a little bit of a resurgence here. But uh, but no,

532
00:30:25,680 --> 00:30:27,440
but if you're when you're only doing singles, I think

533
00:30:27,440 --> 00:30:29,039
it makes more sense to just put them out on

534
00:30:29,079 --> 00:30:31,359
the streaming platforms. And but I do think it's really

535
00:30:31,400 --> 00:30:32,880
cool that you're doing vinyl and you're doing the old

536
00:30:32,920 --> 00:30:34,920
school where you've got an A side and a different

537
00:30:34,920 --> 00:30:37,839
track on the B side, and and that's fantastic. So

538
00:30:37,920 --> 00:30:38,559
good for you guys.

539
00:30:38,759 --> 00:30:39,160
Speaker 25: Good for you.

540
00:30:40,720 --> 00:30:42,880
Speaker 3: When uh, when the next single comes out too, we'd

541
00:30:42,920 --> 00:30:44,920
love to play it here. So, like I said, we're

542
00:30:44,920 --> 00:30:49,440
big fans of what you're doing, so absolutely absolutely so

543
00:30:49,799 --> 00:30:52,000
uh before we let you go, and I'm thinking, by

544
00:30:52,039 --> 00:30:55,519
the way, I'm gonna end the segment with this track Intoxicated.

545
00:30:55,680 --> 00:30:58,759
This is another great song. This was the single before

546
00:30:59,000 --> 00:30:59,880
Maxine correct.

547
00:31:00,759 --> 00:31:01,839
Speaker 25: Yes, yeah, that's correct.

548
00:31:01,960 --> 00:31:04,000
Speaker 3: Yeah, this is a great track too, So we'll probably

549
00:31:04,039 --> 00:31:06,319
wrap up with that one in a moment, but before

550
00:31:06,359 --> 00:31:07,960
we let you guys go, and again, thank you so

551
00:31:08,079 --> 00:31:11,160
much and thank you for I'm glad that Google teams

552
00:31:11,240 --> 00:31:15,720
worked out what should people know about where to find

553
00:31:15,759 --> 00:31:17,480
you guys online to keep up with everything you're doing.

554
00:31:17,480 --> 00:31:18,880
Where's the best place for people to go?

555
00:31:20,480 --> 00:31:25,279
Speaker 27: And we're on as for so our handle on Twitter

556
00:31:25,519 --> 00:31:30,640
and Instagram mates all Forensics band, so drop the just yeah,

557
00:31:30,759 --> 00:31:33,279
just Forensics band and then yes, Spotify the Forensics to

558
00:31:33,359 --> 00:31:34,880
YouTube forensics.

559
00:31:35,000 --> 00:31:35,160
Speaker 1: Yeah.

560
00:31:35,640 --> 00:31:37,279
Speaker 27: Well, like we say, we've got quite a unique name,

561
00:31:37,319 --> 00:31:38,839
so if you put the forensics in it should just

562
00:31:38,839 --> 00:31:40,440
come up with us. So yeah, we're not fighting for

563
00:31:40,480 --> 00:31:41,480
space anyone, thankfully.

564
00:31:41,599 --> 00:31:43,200
Speaker 25: So yeah, all under the Forensics.

565
00:31:43,359 --> 00:31:46,880
Speaker 3: Yeah, that's awesome, that's awesome, excellent, excellent. Well listen, Liam

566
00:31:46,960 --> 00:31:49,559
and Dan, thank you guys so much for joining us today.

567
00:31:49,640 --> 00:31:51,799
And obviously we will do this again in the future

568
00:31:51,880 --> 00:31:54,279
as you're releasing new music. We want to keep up

569
00:31:54,319 --> 00:31:56,599
with everything that you're doing, so we'll we'll talk again soon,

570
00:31:56,640 --> 00:31:58,920
I'm sure, but and we'll let you go. We're going

571
00:31:59,000 --> 00:32:01,240
to spin this track and talk cicated But guys, Thank

572
00:32:01,240 --> 00:32:03,759
you again both so much. We really appreciate you joining

573
00:32:03,839 --> 00:32:07,400
us today. Thank you all right, guys, you got to

574
00:32:07,440 --> 00:32:11,079
take care, say bye bye bye. All right, excellent. That

575
00:32:11,240 --> 00:32:14,440
was Liam and Dan from the Forensics. And we're gonna spin.

576
00:32:14,559 --> 00:32:17,599
Actually I'm gonna sneak into here. We're gonna play Intoxicated,

577
00:32:18,160 --> 00:32:20,240
and we're also going to play another single of theirs

578
00:32:20,279 --> 00:32:24,319
called by My Side, because I love that song too.

579
00:32:24,440 --> 00:32:26,839
That one goes back a little bit, By my Side

580
00:32:26,880 --> 00:32:29,839
goes back well maybe not that maybe not that far,

581
00:32:29,920 --> 00:32:32,799
but but I love both of these songs. And then

582
00:32:32,880 --> 00:32:36,039
we'll also before before the end of the hour, we'll

583
00:32:36,079 --> 00:32:39,000
also give Maxine one more spin because that's the newest single,

584
00:32:39,519 --> 00:32:41,960
all great stuff. This is such a such a good band.

585
00:32:42,000 --> 00:32:44,400
I really love these guys. So if you are just

586
00:32:44,519 --> 00:32:48,319
joining us, Matt connorton Unleashed, we are live on this Saturday,

587
00:32:48,400 --> 00:32:51,839
May thirty one, twenty twenty five. We got more show

588
00:32:51,880 --> 00:32:53,960
to come coming up in the third hour. Kevin Horn

589
00:32:54,039 --> 00:32:56,000
will be here with us. But check this out. This

590
00:32:56,119 --> 00:32:58,759
is Intoxicated and the band is the Forensics.

591
00:33:28,759 --> 00:33:31,319
Speaker 21: So I saw you win the Northern Wall, the Win,

592
00:33:31,480 --> 00:33:33,240
and that it only just pick up.

593
00:33:34,960 --> 00:33:37,559
Speaker 23: I'm seeing doubles so much ride to call and get

594
00:33:37,599 --> 00:33:39,680
by my head and lays about ale and stuff.

595
00:33:40,519 --> 00:33:45,359
Speaker 20: Then said, mister girls start to don up on the facts.

596
00:33:45,000 --> 00:33:49,000
Speaker 1: Of ninety days and then saw the flat started up

597
00:33:49,039 --> 00:33:52,039
to two. The that scene, the fact that started to

598
00:33:52,160 --> 00:34:10,320
pay no stay tune stands. It's something scouts.

599
00:34:11,719 --> 00:34:13,079
Speaker 12: See s s.

600
00:34:14,639 --> 00:34:37,440
Speaker 20: Don stop me sation we got just no sunshine, we

601
00:34:37,599 --> 00:34:44,320
got you try me say here we're going, were we wicked?

602
00:34:45,400 --> 00:34:49,880
Speaker 21: Just don't vision without brazing, just no sunshine.

603
00:34:50,199 --> 00:34:56,039
Speaker 1: It's something you drop me in insane kid was calling me.

604
00:34:56,199 --> 00:34:57,159
Speaker 21: It was gone wicked.

605
00:35:00,039 --> 00:35:03,880
Speaker 1: It's still kissing.

606
00:35:11,320 --> 00:35:17,039
Speaker 20: She's said, let me stop, says so.

607
00:35:19,280 --> 00:35:57,480
Speaker 31: Still so still sting, still classtop, no.

608
00:36:04,480 --> 00:36:09,960
Speaker 21: Straps, so kill.

609
00:36:10,519 --> 00:36:14,199
Speaker 18: Stop you stop stop.

610
00:36:40,559 --> 00:36:43,199
Speaker 1: I don't say the house and that I know you

611
00:36:43,480 --> 00:36:47,639
know where things. I can see a nervous girl this way.

612
00:36:47,719 --> 00:36:49,480
It's saying our Joe things.

613
00:36:50,320 --> 00:36:52,000
Speaker 17: This game is need so weet.

614
00:36:52,079 --> 00:36:56,199
Speaker 1: I don't mean said like these games. It's alid right,

615
00:36:56,360 --> 00:37:00,639
it's all right. The sun don't know.

616
00:37:02,440 --> 00:37:09,000
Speaker 32: As long as I've got you buy my side, and

617
00:37:09,320 --> 00:37:10,320
I don't.

618
00:37:10,159 --> 00:37:15,599
Speaker 18: Care as long I know the child.

619
00:37:38,280 --> 00:37:41,119
Speaker 12: Wait now we do meet all Its feels just like

620
00:37:41,320 --> 00:37:42,280
good dreams.

621
00:37:43,119 --> 00:37:45,559
Speaker 17: It's not a word that you can say.

622
00:37:45,519 --> 00:37:46,920
Speaker 7: Y'all vot blease.

623
00:37:47,960 --> 00:37:51,599
Speaker 1: I still don't know what it is, just singing me.

624
00:37:52,719 --> 00:37:57,960
Speaker 4: It's all right, it's all right now it's I don't

625
00:37:58,159 --> 00:37:59,199
know I am.

626
00:38:00,239 --> 00:38:02,079
Speaker 1: A song is I've.

627
00:38:02,039 --> 00:38:06,920
Speaker 32: Got you back on my sun Sie be in a

628
00:38:07,280 --> 00:38:08,159
tongue caper?

629
00:38:09,559 --> 00:38:17,159
Speaker 1: A song is I know the show last I told

630
00:38:17,360 --> 00:38:19,440
my tack on my tags on.

631
00:38:19,760 --> 00:38:24,840
Speaker 21: The don't kill that, don't kill to care.

632
00:38:25,760 --> 00:38:29,360
Speaker 20: It had to my tack to my heart on that

633
00:38:30,760 --> 00:38:32,519
enough to pancake.

634
00:39:00,079 --> 00:39:00,519
Speaker 21: Mm hm.

635
00:39:05,599 --> 00:39:10,800
Speaker 1: Three three days. I don't want we just want to

636
00:39:10,840 --> 00:39:11,199
say the.

637
00:39:11,280 --> 00:39:16,199
Speaker 21: Way we can take it.

638
00:39:16,480 --> 00:39:52,360
Speaker 17: When just can't forget all the places what we've been.

639
00:39:55,519 --> 00:39:57,639
Speaker 7: Then I just kind of raise all.

640
00:39:57,599 --> 00:40:03,639
Speaker 32: The things out we have seen. M No, I you

641
00:40:03,840 --> 00:40:09,960
away because I see you with my dreams. Oh please not.

642
00:40:10,440 --> 00:40:11,199
Speaker 17: I seen.

643
00:40:12,920 --> 00:40:46,199
Speaker 4: Set free, can.

644
00:40:46,920 --> 00:40:51,599
Speaker 17: Swimming against the sky, the morning Ring.

645
00:40:51,599 --> 00:40:59,480
Speaker 20: Swinging Green saves us London and why that's my digreaset

646
00:40:59,760 --> 00:41:05,280
and you stayed down by thing something it's all.

647
00:41:05,440 --> 00:41:06,440
Speaker 21: Even, don't we.

648
00:41:08,159 --> 00:41:10,960
Speaker 18: Sing? Said lad?

649
00:41:11,000 --> 00:41:14,000
Speaker 21: I tell us get Then he said it's.

650
00:41:13,920 --> 00:41:19,559
Speaker 1: Like these things, the stays.

651
00:41:19,719 --> 00:41:29,920
Speaker 21: Some things we have scenes you say the teams.

652
00:41:31,320 --> 00:41:40,280
Speaker 22: Go please Class seven mess scene.

653
00:41:46,960 --> 00:41:57,039
Speaker 18: See you standing at the ceailing.

654
00:41:58,360 --> 00:41:59,960
Speaker 7: You feel like it's all.

655
00:42:01,960 --> 00:42:04,360
Speaker 1: Three five those of seeing.

656
00:42:05,559 --> 00:42:06,480
Speaker 13: They're still there.

657
00:42:06,639 --> 00:42:12,760
Speaker 23: They do soun you went un in season, and this

658
00:42:13,000 --> 00:42:20,880
house says say my saying it leaveing got away your

659
00:42:21,039 --> 00:42:21,840
mess and no.

660
00:42:25,039 --> 00:43:42,480
Speaker 20: Se se seven feet sad things up say time, say.

661
00:43:44,239 --> 00:43:49,000
Speaker 21: Said, let's see.

662
00:44:03,239 --> 00:44:08,880
Speaker 5: Would you recognize me if you saw me? Now I

663
00:44:09,039 --> 00:44:11,599
cut my head to spot your fist.

664
00:44:11,480 --> 00:44:13,159
Speaker 7: Like im holy un't now.

665
00:44:14,960 --> 00:44:17,079
Speaker 1: We will bear strangers.

666
00:44:17,320 --> 00:44:19,360
Speaker 30: And I thought that was gone.

667
00:44:20,599 --> 00:44:24,199
Speaker 5: It's there's a time to come around, but the season's

668
00:44:24,320 --> 00:44:24,960
coming gone.

669
00:44:26,719 --> 00:44:31,280
Speaker 30: Telling me lipin your gold and wrapped me around your finger,

670
00:44:32,519 --> 00:44:35,000
give me something to go lave and.

671
00:44:35,199 --> 00:44:44,159
Speaker 20: Something like forever world.

672
00:44:55,960 --> 00:45:01,960
Speaker 5: House building houses on foundation stead of up. So why

673
00:45:02,400 --> 00:45:05,880
I was as surprised when it all came crashing down.

674
00:45:07,639 --> 00:45:10,519
Speaker 21: Don't want to call you lord.

675
00:45:10,440 --> 00:45:12,159
Speaker 4: Not ask me he came so close.

676
00:45:12,880 --> 00:45:16,800
Speaker 1: But the robe, it just reminds me I was a tourist.

677
00:45:16,960 --> 00:45:17,880
Speaker 21: I'm not cross.

678
00:45:19,400 --> 00:45:23,440
Speaker 30: Tell me you've been your golden backed me around.

679
00:45:23,159 --> 00:45:26,679
Speaker 13: Your finger, Give me something.

680
00:45:26,440 --> 00:45:30,239
Speaker 1: To believe in, something like forever.

681
00:45:35,239 --> 00:46:51,440
Speaker 30: Go, don't any one thing doing, go roup many around something.

682
00:46:51,760 --> 00:46:55,719
Uh yeah, something's something when you've been.

683
00:46:55,719 --> 00:46:58,599
Speaker 1: Something like going around well.

684
00:47:01,039 --> 00:47:08,039
Speaker 20: Ba, try to male thing, don't go in rap thing.

685
00:47:08,119 --> 00:47:15,599
Speaker 30: Around, jumping, doing something something reading something like forever.

686
00:47:15,679 --> 00:48:13,440
Speaker 13: Bur don you see me?

687
00:48:15,480 --> 00:48:15,800
Speaker 7: Lord?

688
00:48:15,960 --> 00:48:16,840
Speaker 3: I want to know.

689
00:48:19,199 --> 00:48:20,039
Speaker 23: Do you want me?

690
00:48:22,119 --> 00:48:23,559
Speaker 7: Now you've seen it all?

691
00:48:25,840 --> 00:48:29,760
Speaker 5: I can hold my breath to keep my thoughts wrong Father,

692
00:48:29,960 --> 00:48:35,679
Now but it's plain sercie all that don't want.

693
00:48:35,719 --> 00:48:36,920
Speaker 33: Cares here and now.

694
00:48:52,280 --> 00:48:59,199
Speaker 18: Well well hard but I'm still farther sharp and the

695
00:48:59,320 --> 00:49:00,119
worst part.

696
00:49:01,800 --> 00:49:08,880
Speaker 20: So I wander ball, Oh cross bab ball is an

697
00:49:09,239 --> 00:49:09,840
go back.

698
00:49:12,159 --> 00:49:13,480
Speaker 19: This is all too but.

699
00:49:14,159 --> 00:49:34,599
Speaker 20: Well there's no show sat album, bron Black Famori, Sammy

700
00:49:34,960 --> 00:49:40,440
Night and boll that song bad Changer, Son, run Back Memories,

701
00:49:40,719 --> 00:49:46,920
Sammy Night and both been song changers, Time, run Back Family,

702
00:49:47,320 --> 00:49:53,639
say Night a bom that some changes, Time, run Bad Memory,

703
00:49:53,960 --> 00:49:56,280
walk Ups, I want to let me down?

704
00:49:57,280 --> 00:49:58,800
Speaker 21: Oh will you let me down?

705
00:50:23,199 --> 00:50:25,400
Speaker 34: In times of crisis, you need a law firm that

706
00:50:25,480 --> 00:50:28,519
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707
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708
00:50:32,400 --> 00:50:35,559
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709
00:50:35,639 --> 00:50:39,519
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710
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711
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712
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713
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you need us most. Visit craig atzulis dot com for

714
00:50:53,239 --> 00:50:58,000
a free consultation. Craigan getsulus, your advocates, your allies.

715
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Speaker 33: Bring your kitchen to Lifean City Cabinetry located at eighty

716
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seven Elm Street in the historic Sunbeam Mall in Manchester,

717
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open Monday through Friday nine am to five thirty pm,

718
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in Saturdays ten am to two pm. They can be

719
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reached at six oh three two two two to zero

720
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zero seven or on the web at Queen Citycabinatree NH

721
00:51:23,440 --> 00:51:27,960
dot com. Come see the possibilities Queen City Cabinetree. Another

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crowd sponsor of w MNH, Disney's Cafe is the place

723
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to put a smile on your face. Judy and the

724
00:51:34,719 --> 00:51:37,639
crew will take care of you, bring your appetite and

725
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treat your taste. Buzsfry Disneys Cafe is always a winning

726
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choice breakfast, lunch or supper.

727
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Speaker 3: Dine's Cafe at eight sixty Elm Street in downtown Manchester.

728
00:51:49,280 --> 00:51:52,039
Dine in, takeout or make a reservation call.

729
00:51:52,000 --> 00:51:55,719
Speaker 33: Six oh three six oh six two five three two

730
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Eat drink and be happy Dizzney's Cafe.

731
00:52:00,039 --> 00:52:02,800
Speaker 35: It comes to keeping WMNH on the air and your

732
00:52:02,840 --> 00:52:07,079
own personal or business computer needs. Trust Growland Computers located

733
00:52:07,159 --> 00:52:10,920
on Elm Street in Manchester. Grolin handles computer repair, virus

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00:52:10,960 --> 00:52:13,960
removal and custom built systems. Are you looking for budget

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friendly options? Check out our selection of fully inspected used computers.

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We offer tailored on site solutions, no unnecessary expenses here.

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Visit Groland dot com or call Grolling Computers at six

738
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zero three six four five zero one zero one. Your Tech,

739
00:52:29,400 --> 00:52:31,920
Your Way, Trust growl In Computers.

740
00:52:39,320 --> 00:52:41,039
Speaker 36: Seven times out of ten.

741
00:52:41,760 --> 00:52:44,079
Speaker 1: We listened to our music at night.

742
00:52:46,079 --> 00:52:49,440
Speaker 18: That's titled Business Program Late.

743
00:52:49,360 --> 00:52:53,159
Speaker 37: Night to Light with DJ Bidas right here on WMNH Manchester.

744
00:52:53,400 --> 00:52:54,920
Speaker 7: You want to know why because.

745
00:52:56,639 --> 00:52:59,000
Speaker 1: Saturdays and Sunday nights midnight to four am.

746
00:53:00,360 --> 00:53:05,800
Speaker 38: This hour on WMNH is sponsored by CGI Business Solutions,

747
00:53:06,159 --> 00:53:10,159
located at five Dartmouth Drive in Auburn. They serve all

748
00:53:10,280 --> 00:53:14,719
your business needs including employee benefits, planning, corporate design and

749
00:53:14,840 --> 00:53:20,800
business administration, investments and wealth management and customized business insurance solutions.

750
00:53:21,119 --> 00:53:23,920
Their phone number is eight sixty six eight four one

751
00:53:24,360 --> 00:53:28,119
forty six hundred or on the web at CGI Business

752
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Solutions dot com.

753
00:53:32,599 --> 00:53:36,079
Speaker 37: Behold the harmony of airwaves as you immerse yourself in

754
00:53:36,159 --> 00:53:40,599
the captivating frequencies of w M NHLP the sonic cardets

755
00:53:40,639 --> 00:53:43,920
of Manchesters. They're transcending through the ether at ninety five

756
00:53:43,960 --> 00:53:47,679
point three megahertz frequency modulation. Our transmissions emanate from the

757
00:53:47,840 --> 00:53:50,840
z F one thousand elm streets insur into the hearts

758
00:53:50,880 --> 00:53:53,920
of our creative realm at one nineteen Canal Street, where

759
00:53:54,000 --> 00:53:58,559
innovation and sound colobe. They're the impromter of Manchester Public

760
00:53:58,639 --> 00:54:02,400
Television Service in the vent city of Manchester, New Hampshire, USA.

761
00:54:02,840 --> 00:54:05,840
Enrich your auditory journey with the depth of our license

762
00:54:05,880 --> 00:54:08,880
to WESNS spent your missives. Do w M n H

763
00:54:09,000 --> 00:54:12,199
ninety five three at gmail dot com or traverse the

764
00:54:12,320 --> 00:54:15,920
virtual corridors of w m n hradio dot org. Engage

765
00:54:16,000 --> 00:54:18,480
with our sonic vibrations by communing with us through the

766
00:54:18,559 --> 00:54:22,320
digital channels or radio beconds eager to enthrall you with

767
00:54:22,440 --> 00:54:25,280
its mesmerizing cadence and envelop you a s sympony of

768
00:54:25,360 --> 00:54:26,639
foundless auditories.

769
00:54:26,679 --> 00:54:32,920
Speaker 1: Won dude, w M n H rip.

770
00:54:33,039 --> 00:54:36,639
Speaker 3: The novels you're listening to w M and h.

771
00:54:38,760 --> 00:54:39,719
Speaker 4: World Premiere.

772
00:55:03,960 --> 00:55:08,440
Speaker 5: I'm gonna spend my days walking through the sun.

773
00:55:10,320 --> 00:55:13,480
Speaker 6: Could you have suck but you can still half bad?

774
00:55:16,760 --> 00:55:20,480
I've got both can and call me a ju.

775
00:55:22,719 --> 00:55:27,320
Speaker 9: Because they didn't be elect away.

776
00:55:29,000 --> 00:55:29,559
Speaker 21: You got it?

777
00:55:29,679 --> 00:55:35,719
Speaker 7: Spin something to me cause out stay? Why my birth down?

778
00:55:35,880 --> 00:55:37,920
That's a coming back to the man.

779
00:55:41,679 --> 00:55:43,400
Speaker 21: I'm on about myself.

780
00:55:43,800 --> 00:55:49,599
Speaker 9: A little circle, jump the bar, then not playing tools

781
00:55:49,679 --> 00:55:50,440
being out.

782
00:56:14,039 --> 00:56:22,760
Speaker 7: Don't say out the rain, don't need to cost there.

783
00:56:26,880 --> 00:56:32,960
Give him a song and sweet case.

784
00:56:33,000 --> 00:57:03,920
Speaker 12: You know I wanna tell theirs.

785
00:56:51,039 --> 00:56:51,519
Speaker 3: That's right.

786
00:56:51,599 --> 00:56:52,760
Speaker 1: Your in the groove.

787
00:56:55,039 --> 00:56:56,199
Speaker 7: Yeah, I sure knew.

788
00:56:56,119 --> 00:56:57,519
Speaker 36: Love the way that you move.

789
00:57:01,159 --> 00:57:01,880
Speaker 7: I'm thinking of that.

790
00:57:02,119 --> 00:57:03,599
Speaker 13: You don't wanna find I'm.

791
00:57:03,480 --> 00:57:08,920
Speaker 7: Gonna swim semper dude. All I care about is getting

792
00:57:09,000 --> 00:57:10,599
you all in the mood.

793
00:57:13,480 --> 00:57:13,679
Speaker 1: You know.

794
00:57:13,840 --> 00:57:16,360
Speaker 7: No, I'm a little soul. It ain't gonna stand it,

795
00:57:16,559 --> 00:57:21,199
says no adult. If I don't get the noise, they'll

796
00:57:21,320 --> 00:57:22,880
ask you all the dance.

797
00:57:25,880 --> 00:57:28,360
Speaker 14: I just don't go catch him and field so the

798
00:57:28,440 --> 00:57:30,119
little Jim anymore.

799
00:57:30,599 --> 00:57:33,480
Speaker 1: You No, No, he's getting a hine plans.

800
00:57:33,559 --> 00:57:34,960
Speaker 12: It was being un them.

801
00:57:35,159 --> 00:58:00,079
Speaker 36: God, Oh God, don't your time.

802
00:58:11,239 --> 00:58:12,480
Speaker 7: Second set.

803
00:58:17,440 --> 00:58:17,719
Speaker 25: That b.

804
00:58:33,719 --> 00:58:36,719
Speaker 2: This is Eleanor Langthorne from Vices Inc. And you're listening

805
00:58:36,760 --> 00:58:40,400
to Matt Connorton Unleashed on ninety five point three w

806
00:58:40,920 --> 00:58:41,639
m n H.

807
00:58:42,639 --> 00:58:44,480
Speaker 4: You are listening to w U m n H.

808
00:58:49,400 --> 00:58:54,440
Speaker 17: Command, God, don't get Supreme Leada Maxwell coming