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Speaker 1: Good Morning from Hell. I am Chris, and I'm dead

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and my eternal punishment is to do this podcast where

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we interview everyone in Hell. And I'm joined as always

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by the younger brother of Satan, Clayton.

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Speaker 2: Yo, it's me. It's Clayton and uh wow, Chris.

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Speaker 1: We're putting the morning in Good Morning from Hell.

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Speaker 2: Well, we're recording early today.

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Speaker 1: It's eleven am.

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Speaker 3: That's early for me. All right, I'm up late. I'm

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doing demon stuff. Okay, uh huh, it's still am, so

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it's morning and whatever. All right, Hello, it's me Clayton,

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and yes, I'm the younger brother of Satan.

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Speaker 1: But sometimes being the younger brother Satan has.

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Speaker 3: Its perks like today, yeah, yeah wow. So well he

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set us up with the cool interview with the new guests.

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So oh yeah, he left me a note at my house.

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He didn't say high or anything. I just woke up

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to the note, so it might not even have been him.

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Speaker 1: It must have been like really early, like ten am.

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Speaker 3: Okay, all right ha but anyways, Yeah, it's said to

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go to this address. That's where we're walking right now.

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We kind of got our mobile studio set up right now. Yeah,

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and he said that there's a really good interview.

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Speaker 1: So okay, yeah, man, this is the address. Yeah, it

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looks like just like a warehouse.

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Speaker 2: It's pretty big, it's pretty empty.

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Speaker 3: They must be like a new business that's about to

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really explode and pop off. I looked them up on

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the internet and people are talking like crazy hype behind.

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Speaker 1: These guys right now. So yeah, okay, all the building's unlabeled,

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but the address is here.

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Speaker 2: Okay, Yeah, door's open.

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Speaker 1: That's good. They must know we're coming.

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Speaker 2: Hello, huh No, he's here, So I guess we could

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just kind of walk in.

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Speaker 1: Must be moving in.

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Speaker 3: Yeah, I think I see a door back there. Let's

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go over here. I was your morning being, Chris.

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Speaker 1: It's been six hours that I've been awake, so for

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six hours. Yeah, I went on my hamster wheel and

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did some exercise. That's good. Yeah, I got some kibble cock.

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You've lived like.

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Speaker 3: An entire life, and I've been in bed this entire time. Okay, Yeah,

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well I don't see a door, but there's like a

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tape thing here. It looks like someone's painting. They put

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some painters tape around where they're gonna maybe install or door.

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Speaker 2: Fucking good, do we can't too into that, bitch.

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Speaker 3: Go go. It's like a Mario painting. I'm just gonna

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kick you out here. Go whoa, it's like the ninth

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and three quarter.

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Speaker 2: We don't talk about Harry Potter, Christ, we don't talk

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about Jack Carroll.

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Speaker 1: She's coming down here soon.

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Speaker 2: Okay.

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Speaker 1: Just another big warehouse. Yeah, this one the a Teria

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designer really likes yellow. Phoned it in.

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Speaker 3: Yeah, everything's yellow, the carpet, the walls. It kind of

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just smells like piss a little bit. This whole place

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just kind of smells and looks like piss.

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Speaker 1: Hello, Helloa, it's a big warehouse. It must be a

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big thing going on because there's a lot of office space. Yeah.

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Speaker 2: I mean, like I said, a lot of people on

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the internet.

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Speaker 3: We're talking about this person and apparently they're making the rounds.

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Speaker 1: Okay, well go around this corner. Maybe is there? Oh

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maybe it's a big asshole. Wait.

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Speaker 2: God, this just goes on and on and on.

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Speaker 1: That's weird. There's just a bunch of furniture stacked up.

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Speaker 3: Yeah, what do they do? I can't tell based on

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the surroundings. Is this like an indeed or like a

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LinkedIn type thing? Like are they like an office.

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Speaker 1: Oh maybe it's a co oping office space co op.

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What are they called those? A waste of money? I

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don't know. We share, we use.

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Speaker 3: We don't have time for this. Hello, we're here for

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the interview.

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Speaker 1: Helloh okay, I don't even fucking know. Man, who's the

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interview with? Like, what's the name of the person that

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we're looking for? Yeah? Yeah, yeah, we have the note.

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Speaker 3: It's uh, hear the little Brother, but it's someone named

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b A Krooms be a Krooms.

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Speaker 2: Yeah, b A Krooms.

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Speaker 3: They're like a German scientist of some sort. Maybe I

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don't know.

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Speaker 1: What were people saying on the internet about them? Yoh,

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you know, like.

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Speaker 2: B A Krooms so creepy ba Krooms?

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Speaker 1: I'm lost? Okay, maybe they started the show lost. Oh

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that'd be cool. Hello ba Krooms? Am I crazy? Have

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you heard of ba Krooms? No? Let me see that.

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Speaker 2: Yeah.

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Speaker 1: B A Krooms Yeah, weird spelling. Yeah, and the address

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this is it?

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Speaker 3: Well, I mean, I'm gonna be honest. This is a big,

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wide open space. I kind of just want to run

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around a little bit. It's kind of fun, like I'm

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getting further away from you.

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Speaker 1: Oh yeah, yeah, it was kind of like when you're

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a kid and you're moving out of your house and

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it's all empty, and what was that what Shart's like

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footsteps over there? Oh, maybe that's them. Let's go over

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to that. Hellh B A BA. Maybe it's a Bachelor

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of Fan then, like that's their title.

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Speaker 3: That doesn't make any sense, like BS maybe, but like

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a Bachelor of Arts, that's nothing. It's not a master's,

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it's not a PhD. I mean, did you graduate college?

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Were you flaunting the fact that you had a Bachelor

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of something stupid?

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Speaker 1: Yeah? No, you're right. I actually avoid telling people I

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even went to college. Okay, we just.

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Speaker 3: Went down another hallway and it led to an even bigger,

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more open space.

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Speaker 1: Look, there's a hallway that narrows into a tiny little door.

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Speaker 3: There might be something there, Maybe BA Crooms is like

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the wood elf guy from Keebler. Oh, cookies could be cookies.

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Cookies could be cookies. The cookies are probably gonna smell

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like piss, because I have to emphasize how much this

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place smells like piss.

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Speaker 1: Yeah, let's go to the little.

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Speaker 2: Door and a big more hallway.

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Speaker 1: Okay, this had to have led somewhere, because why would

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you put a little tiny hallway and it not lead somewhere.

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I don't know. Let's just keep pulling this thread.

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Speaker 2: Also, should we be tracking our progress?

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Speaker 3: Should we be like making sure that we don't Like

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if you were to pay me to get back to

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the exit right now, I don't think I could.

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Speaker 1: I'm a little turned around right now. Maybe it's one

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of those things where we should be like leaving bread crumbs,

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but we don't have any bread. We don't have any

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bread crumbs. We only have like your blood. We can

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leave your blood. I'm sure we can fire something else out. No no, no,

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no no. If I cut you in the butt, wait wait, wait,

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and then you snail.

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Speaker 3: Trail while we're walking, we'll have a line that we

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can follow to get back to the exit.

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Speaker 1: Okay, well just throw it out ideas. Okay, what if

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I did little poops, Chris, that's a great idea.

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Speaker 3: And I see what you're doing. You're trying to avoid

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getting cut in the butt. But I think you're gonna

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run out of poops, and then at that point, what.

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Speaker 1: Are we gonna do. I can do this, look, trust me.

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Speaker 3: Okay, I'm gonna cut the recording really quick while you

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do that, so you go ahead.

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Speaker 2: Oh my god, Chris, you got it. Sorry, it's all over.

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Speaker 1: Mean, how did you even do that? I thought it

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was gonna be the little poops, not big.

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Speaker 2: Okay, all right, we're back.

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Speaker 3: It's been about two hours, three hours of kind of

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lost track. There's no clocks down here. Chris's run out

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of poops, as you would have guessed. Yeah, how many

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do you think he got before we?

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Speaker 1: Like, man, we made it a good like ninety minutes

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of poops.

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Speaker 3: Yeah, which, if I had to kind of determine the

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length of distance.

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Speaker 1: Uh huh, this place just goes on. And are we

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going in circles? No? Because look that right there. Well, no,

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we have been there before. Wait wait, how do you

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know is that my poop or someone else's poop? That

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might be someone else's poop. I don't know. See that

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was the other problem. We weren't expecting so much poops.

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Speaker 2: Yeah.

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Speaker 3: Again, if we'd gone with my original idea, we cut you,

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you left the little snail trail of blood. Okay, okay,

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we would know for sure. But now we're tasting down

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phantom turns. For all we know, this could be the

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toilet dimension. It smells like pasts. There's poops everywhere.

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Speaker 1: We don't know where we are. Chris, Okay, well, what

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time are we supposed to be meeting BA crooms? Eleven thirty?

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I was up so early to get to the fuck interview. Okay,

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they got to be here somewhere, right, We'll just apologize

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for being late, But honestly, they should have left more

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clear instructions on how to find their actual office space,

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because this is just what is that any children's laughter?

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Speaker 3: Is it a bunch of kids? Is Bakrooms like a band?

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It's a boy band? Oh, boy band, Bakrooms, we're your

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biggest bands. Please interview us. Let's just keep like it's

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down here. It's got to be down here.

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Speaker 1: But they sound really young to be a boy band.

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These are like children children.

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Speaker 3: I don't know if they are a huge deal online again,

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people are talking about them.

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Speaker 1: Oh the BA crooms. Oh my gosh.

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Speaker 3: If we go down this hallway, let's take a left,

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leave a shit, Chris, leave it. Don't We're gonna get

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lost if you don't keep leaving shit.

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Speaker 1: I can't do.

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Speaker 3: And you've cut them recording rolling again. I think we're

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maybe on the verge of finding BA Crooms. It's been

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another hour and a half.

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Speaker 1: Yeah, there's another one of those tiny little doors.

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Speaker 3: Also the little kids laughing. That was just a weird

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looking radio that was upside down and it did just

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kind of nothing.

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Speaker 1: Okay, door, Okay, hold up, Oh okay, I'm walking around.

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I'm seeing it's like I'm in someone's body, but it's

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not my body. It is a white dude, but it's

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like a white dude who's like a little taller. It's

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writing a check John Malkovich. This is a reference that

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people are gonna understand that probably not Yeah, no, I'm

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on some sort of movie set. I'm getting out of

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this room. This is just a bad reference to being

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John Malcovitch. Okay, I don't like this room at all. Yeah,

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says there at the top. What the door says being

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John Malkovich. I should have read that you've seen Being

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John Malcovich. No, okay, well it's a really interesting room.

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You just don't seen that room, the being John Malcovitch set.

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Speaker 3: And this was all you actually experiencing this or were

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you making a joke right now?

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Speaker 1: I actually was John Malkovitch for just a bit, or

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are you making a joke?

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Speaker 3: And in the other side of that room is nothing. No, no,

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we're always more. Go in yourself.

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Speaker 1: I don't want to.

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Speaker 2: I don't understand the John Malkovich.

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Speaker 1: It's lost on me. Crut. Yeah. Well it's a very

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cerebral and heady experience, you know. Okay, Oh hey, look

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at me.

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Speaker 3: It's the eternal sunshine, spotless sprain, Jim Carrey, bro you

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know what what are we doing here? I have a

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Bachelor of Arts in film. Okay, so ka, ba Chris.

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I don't fucking care about your Bachelor of Arts. Okay,

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well it's a good reference. Okay, all right, we're back.

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It's been another forty five minutes, maybe an hour. We

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had about twenty minutes of us fighting on and off.

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Speaker 1: Maybe we should just leave at this point. I don't

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think BA Crooms is even gonna be there anymore.

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Speaker 3: Yeah, I'm thinking you're right. Go ahead, Chris, lead the way.

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How do we get back? Like you ran out of

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poops an hour and a half ago, all we have

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to find is one of them. We have to find

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one poop. How do we know it's your poops? Did

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you make assistant? Did you poop the poop?

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Speaker 1: And an arrow? So that we know how to get

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to the other next poop. No, no, but I think

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I would recommie like that there. Yeah, that's not my poop. Okay,

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it's like little rat poops. Yeah, clearly they have a

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rat problem.

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Speaker 3: Ba Crooms needs to get an exterminator in here, but

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they'd get fucking lost.

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Speaker 1: Who knows.

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Speaker 3: Maybe they already got an exterminator and he's watering wrong

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like an asshole like us right now too.

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Speaker 1: Then maybe that's what we do, just follow the rat

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poops to find exterminators poops all the way down, Chris.

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Speaker 3: Okay, if I could get some Hell phone reception, then

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maybe we could do something like hall an uber or

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get like.

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Speaker 1: Uber Google Maps.

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Speaker 2: How would you tell what we're in the middle of

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a building? I don't know.

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Speaker 3: They've got like track and Jay they can find us, right.

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These are pretty big hallways. They could drive a car

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through here.

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Speaker 1: It's not loony tunes. That would actually really an incredible service.

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It's not looting, dudes.

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Speaker 3: You just went through a tiny door that led to

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a giant, massive door that ran into a room of couches.

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Speaker 1: Chris. Maybe it was a couch store. Do they have

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couch stores in Hell? I don't know.

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Speaker 2: Normally I just go up to Earth and just collect

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them off the side of the road.

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Speaker 1: That's why you keep getting bed bugs.

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Speaker 3: By the way, oh, just to keep finding your furniture

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up on the side of the road up on Earth.

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Speaker 1: Well, that's okay, I did that in college. Oh. Oh,

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I just had an idea. I just had an idea.

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Speaker 2: What when I go up to Earth, I go through

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the Earth's crust, right, you know, normally there's a stairway

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or I.

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Speaker 1: Got an elevator. Yeah, what if I push you through

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the ceiling tiles? Okay, we haven't checked up there yet. Oh,

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icye vertical. Then maybe the walls won't extend that high.

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We can kind of get like an id right, Okay,

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I'm gonna pack, just jump and I'll grab. Don't jump,

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that's my horn. You're gonna break my neck. Ow, I

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should have worn shoes. Got your foot blood is getting

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all over my face. Chris. Okay, Well, now we can

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do the blood thing where we can leave a trail

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of blood.

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Speaker 3: It's got the bloody footprints. Great thinking, Chris. Okay, but

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like what's above the ceiling top? Move the ceiling tile a.

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Speaker 1: Oh, there's a second floor, second floor there's a hole

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up here.

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Speaker 2: Okay, grab my feet. Okay out, Chris, you grab my

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horse out.

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Speaker 1: Well, it's stuck in my foot. Ah okay, say look,

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I guess it's the second floor. So do you think

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are we on the ground level or are we on

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the first It looks similar?

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Speaker 3: Yeah, no, shit, sure locked. The everything is looks similar

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in here. It's yellow carpet, yellow wallpaper, maybe some wood paneling.

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Speaker 1: Uh huh, well wait theit Wait that's my poop. We

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haven't been on the second floor. I know that's impossible.

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How is my poop there? That's definitely your poop. That's

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definitely your poop. Yeah, passes the spell. Yeah.

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Speaker 3: And then the handprint because you wipe your ass with

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your hand and then wiped it on the wall like

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a fucking cave man.

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Speaker 1: Yeah. So there's definitely well, this is just wait what

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00:12:08,720 --> 00:12:13,840
was that noise? Hello? Bah? Do you hear that? It's

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like a big, heavy stomping. There's definitely something big walking

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towards us. Yeah, very tall. Hello. Hello?

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Speaker 2: Okay, hello, Wow, that was weird.

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Speaker 3: It's been about six hours and we have been out

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running what I can only describe as the Eldridge Horror.

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Speaker 1: It's like a giant, weird, amorphous monster. It's got a

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trunk out of its ass. Yeah, it could be made

310
00:12:54,039 --> 00:12:56,600
out of dicks. It could be made out of black

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lightning bolts. I don't know what I saw with my

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own eyes. We know for certain it's not Bachromes because.

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Speaker 2: Every time he sees us he stomps on Tom's yells.

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Speaker 1: Very scary.

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Speaker 2: We run.

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Speaker 1: Chris is missing his arm. Actually it's growing back now.

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It's just one of those little nutty little arms. So yeah,

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it's not very useful. It's kind of cute.

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Speaker 2: High five.

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Speaker 1: Yeah, there you go. Oh shit, I got self a reception.

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Speaker 3: Oh should we take this as an opportunity to escape

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this place or should we take this as an opportunity

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to make money?

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Speaker 1: Well, we need to make money, Yeah, we need to

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make money. Okay, let's do some roasts. Okay yeah yeah.

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Speaker 3: Basically, if you follow us on our Patreon at good

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Morning from Hell dot com, you can enter in your

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name and have the opportunity to get roasted by answering

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a quick and so little question. Okay, we're back. I

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think we've outchased it. We're gonna keep it quiet for

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this roast.

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Speaker 1: We're hiding in a closet thing it's stalking us outside.

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Speaker 3: Yeah, we found the hallway that led into a smaller

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hallway that led into a long what I thought was

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a closet. But it's just another hallway. It's too small

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for it to fit in here.

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Speaker 1: Right. It depends on if space and time impacts it

338
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the same way does anyway? What were we saying?

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Speaker 2: I don't know your breath is?

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Speaker 1: I know, horrifying? Have you been eating your Look? I

341
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got hungry and I found the poops and I don't

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want to feel all there is. There's not much here.

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I don't want to know. That's fine, Okay, I know

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it kind of defeats the purpose of leaving bread crumbs. Okay,

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I know that's all we have. We have to eat

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the bread that we're given, and then sometimes the bread

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is poops. Jesus Christ. What were we saying about roasting people? Yes,

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So if you.

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Speaker 3: Support us at Good Morning from Heil dot com, become

350
00:14:25,679 --> 00:14:27,759
a patron, then you can enter in your name and

351
00:14:27,960 --> 00:14:31,080
answer a short questionnaire and we can roast you.

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Speaker 2: On our show.

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Speaker 1: So what was our first roast today?

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Speaker 3: It is gmf h's favorite parry.

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Speaker 1: Parry. If you're listening to this help us, Perry, you.

356
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Speaker 3: Spend so much money in our store. We see you

357
00:14:41,759 --> 00:14:43,279
in there all the time. If you can just spend

358
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a little bit more to send us like a cab

359
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or a rescue chopper. I don't know something, okay, quick

360
00:14:49,240 --> 00:14:50,919
little brief description about Perry.

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Speaker 1: Perry says, I'm just.

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Speaker 3: A TTRPG nerd enjoyer of science, crafter of silly things,

363
00:14:56,480 --> 00:15:00,440
and a crow bringed goblin menace queer af What up

364
00:15:00,519 --> 00:15:03,919
trans homies? So they said, they say, what up trans homies?

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00:15:04,200 --> 00:15:06,320
Speaker 1: Christian? Anything to say to that? I don't know? I

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00:15:06,360 --> 00:15:10,440
want it stolen valor okay, fair TTRPG. That seems to

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00:15:10,440 --> 00:15:13,240
be a running theme with this audience. Is they really like,

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if you canna help us get out of this dungeon,

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we need some sort of map.

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Speaker 3: What is TTRPG? Could you actually tell me what people

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00:15:19,399 --> 00:15:22,679
top RPG? That's like if I asked you, hey, what

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00:15:22,759 --> 00:15:26,159
does NASA stand for? And then you say National Aeronautics.

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00:15:26,440 --> 00:15:28,799
So you only said half of what is?

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00:15:28,960 --> 00:15:30,639
Speaker 4: Oh, oh, you're right, I see what you're saying. Yeah,

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00:15:30,679 --> 00:15:34,360
tabletop role playing game, role playing game, Yes, role playing game.

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00:15:34,440 --> 00:15:36,759
So it's like a kink thing yeah, you're like, hey,

377
00:15:36,960 --> 00:15:40,120
I want to pretend to be like the professor and

378
00:15:40,240 --> 00:15:41,399
you can be my student.

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Speaker 1: That's kind of what this is. So Perry's into some

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00:15:43,600 --> 00:15:45,240
key key stuff. That's fine, and.

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Speaker 3: It takes place on a table I'm assuming. Yeah, yeah, way,

382
00:15:47,919 --> 00:15:49,039
specifically a tabletop.

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Speaker 1: Could it not be?

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00:15:49,799 --> 00:15:49,879
Speaker 3: Like?

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00:15:49,879 --> 00:15:51,639
Speaker 1: Well, because here's the deal. Is a lot is their

386
00:15:51,720 --> 00:15:55,639
dmv rpg tmv rpg. Yeah, I've never heard that one,

387
00:15:55,679 --> 00:15:58,120
but that might be money and dmbrpg. We're gonna write

388
00:15:58,159 --> 00:16:01,600
that down. Yeah, okay, but Perry. Tell more about Perry? Oh, yes,

389
00:16:01,639 --> 00:16:03,120
of course what they do for a living.

390
00:16:03,240 --> 00:16:07,039
Speaker 3: I'm an electron microscopist. It's a fancy way to say.

391
00:16:07,080 --> 00:16:10,039
I sit on my butt and photograph impossibly small things.

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Speaker 1: Chris, they must be yours. Yes, sometimes I employ Perry

393
00:16:14,279 --> 00:16:18,440
for erotic photoshoots. The only one who can capture everything perfect.

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00:16:20,399 --> 00:16:24,279
They're all tastefully done, all right, tastefully done. Do you

395
00:16:24,360 --> 00:16:26,559
think they have a BA though for that type of job,

396
00:16:26,600 --> 00:16:29,679
to be an electron microscopist? Yeah? Is that a BA.

397
00:16:29,720 --> 00:16:32,720
Speaker 3: That's probably a BS as in bullshit. Yeah, that's a

398
00:16:32,720 --> 00:16:33,480
nothing job.

399
00:16:33,679 --> 00:16:35,360
Speaker 1: What is that? Is that a dog? It's your dog?

400
00:16:35,519 --> 00:16:37,679
Is that a dog. Maybe Ba is a wolf man.

401
00:16:37,879 --> 00:16:39,679
There's definitely a dog, Okay, Okay.

402
00:16:39,679 --> 00:16:42,720
Speaker 3: Anyways, for a fun story, Perry said, I once, okay, I.

403
00:16:42,679 --> 00:16:44,240
Speaker 1: Think it's safe to cook. I want to go find

404
00:16:44,240 --> 00:16:44,720
this dog.

405
00:16:45,240 --> 00:16:47,320
Speaker 3: Okay, we're gonna go chase that dog. We're gonna keep

406
00:16:47,320 --> 00:16:49,399
reading this thing from Perry. Okay, Perry says, for an

407
00:16:49,399 --> 00:16:51,960
embarrassing story. And once God so drunk on red wine

408
00:16:51,960 --> 00:16:53,720
that I vomited in the mouth of the man I

409
00:16:53,840 --> 00:16:57,559
was attempting to have sex with, and all over him

410
00:16:57,639 --> 00:17:00,559
and his bed, and left a trail down the hall

411
00:17:00,720 --> 00:17:03,720
to the bathroom, red wine, vomit on white carpet, and

412
00:17:03,720 --> 00:17:04,440
by the time I.

413
00:17:04,359 --> 00:17:06,319
Speaker 1: Made it to the toilet, there was no vomit left.

414
00:17:06,680 --> 00:17:09,599
Just shame. Oh, Perry, Perry, I wish you were here right.

415
00:17:09,519 --> 00:17:12,440
Speaker 3: Now with that same vomit snail trail because we could

416
00:17:12,480 --> 00:17:14,240
really use it to track where the fuck we're going,

417
00:17:14,240 --> 00:17:15,160
because Chris is run.

418
00:17:15,039 --> 00:17:17,200
Speaker 1: Out of poops. I'm running low on blood too, So

419
00:17:17,279 --> 00:17:21,200
you baby birded your romantic interest. Yeah, they didn't.

420
00:17:20,960 --> 00:17:23,480
Speaker 3: Follow up on whether or not they actually got the

421
00:17:23,559 --> 00:17:26,240
lay or not. I'm very curious if they were able

422
00:17:26,279 --> 00:17:29,359
to pull that one off, that would be the biggest comeback.

423
00:17:29,440 --> 00:17:32,079
Speaker 1: Oh could you imagine rising your way through red vomit

424
00:17:32,240 --> 00:17:35,720
into someone's mouth, all over their bad and.

425
00:17:35,680 --> 00:17:37,559
Speaker 3: You know that that guy for a minute was like,

426
00:17:37,799 --> 00:17:39,640
I'm an evil dead I'm being possessed.

427
00:17:39,720 --> 00:17:40,480
Speaker 1: This is a demon.

428
00:17:41,440 --> 00:17:43,440
Speaker 3: Like for a split second that guy was like, that's

429
00:17:43,480 --> 00:17:45,880
blood and this is an exorcist situation here.

430
00:17:45,920 --> 00:17:47,480
Speaker 1: Well, maybe they were role playing. Do you think this

431
00:17:47,599 --> 00:17:49,480
was a TTRPG thing. Huh, it might have been on

432
00:17:49,559 --> 00:17:52,319
TTRPG thinking maybe it was like a role play, like, hey,

433
00:17:52,359 --> 00:17:54,200
I'm gonna be the creature in a horror movie.

434
00:17:54,240 --> 00:17:56,000
Speaker 3: Well, based on the setting though, it was more of

435
00:17:56,039 --> 00:17:59,240
an R two G tt RPG R two G.

436
00:17:59,480 --> 00:18:02,759
Speaker 1: Yeah, rooms to Go tabletopper. Maybe that's where we are

437
00:18:02,920 --> 00:18:04,880
Rooms to go? Do you think this is a giant

438
00:18:04,920 --> 00:18:06,559
Rooms to Go? Because look there's furniture.

439
00:18:06,720 --> 00:18:09,359
Speaker 3: They must have had a big summer sale because everything

440
00:18:09,480 --> 00:18:12,599
is sold out. We're only seeing like weird shaped oblong

441
00:18:12,799 --> 00:18:14,759
giant chairs and couches.

442
00:18:14,400 --> 00:18:22,680
Speaker 1: And shape to that chair just move? Hello, No, I

443
00:18:22,680 --> 00:18:25,599
actually think that it's a weird movie. Yeah, yeah, it's

444
00:18:25,599 --> 00:18:27,759
a weird movie. But like that's what makes sometimes a

445
00:18:27,839 --> 00:18:28,839
movie good, right.

446
00:18:28,799 --> 00:18:31,799
Speaker 3: The abstracts strangeness, like the leaving you with questions that

447
00:18:31,880 --> 00:18:32,960
you didn't get answers to.

448
00:18:33,200 --> 00:18:35,279
Speaker 1: We're gonna watch being John Malcovich when we get out

449
00:18:35,279 --> 00:18:36,920
of this. I do enjoy John Malkovich.

450
00:18:36,960 --> 00:18:38,279
Speaker 3: So I mean, if you're saying it's as good as

451
00:18:38,319 --> 00:18:39,920
it is, then maybe yeah, we should get it go.

452
00:18:40,000 --> 00:18:41,759
Speaker 1: Oh I'm rolling again, by the way.

453
00:18:41,799 --> 00:18:45,920
Speaker 2: Oh just a quick update. It's been a twelve hours.

454
00:18:46,000 --> 00:18:48,319
Speaker 1: Yeah. I think we're in some sort of like Saana.

455
00:18:48,640 --> 00:18:51,079
Speaker 3: Yeah, we actually stopped and found a nice little place

456
00:18:51,119 --> 00:18:52,720
and this was, like, I think, a good opportunity.

457
00:18:52,799 --> 00:18:53,839
Speaker 2: Chris is hydrated again.

458
00:18:53,880 --> 00:18:56,039
Speaker 3: There's a bunch of water pouring in through this giant

459
00:18:56,079 --> 00:18:58,839
rusty pipe. I'm sure Chris is fining tennis is like

460
00:18:58,880 --> 00:19:01,119
whatever down here, I'm ready to poop.

461
00:19:01,160 --> 00:19:03,160
Speaker 1: Well, I guess they'd be liquid poops and then just

462
00:19:03,200 --> 00:19:03,640
do keey.

463
00:19:03,920 --> 00:19:06,119
Speaker 3: But we're splashing our little hose and our little feets

464
00:19:06,119 --> 00:19:08,319
in this little cool It's kind of nice. I gotta say,

465
00:19:08,359 --> 00:19:10,279
of all this shit that we've been seeing, this room

466
00:19:10,319 --> 00:19:10,880
is pretty great.

467
00:19:11,000 --> 00:19:13,920
Speaker 1: So I don't mind it. No sign at BA C rooms, Nope.

468
00:19:13,960 --> 00:19:15,759
Speaker 3: I mean to be honest, I'm just kind of convinced

469
00:19:15,759 --> 00:19:16,640
and I think that we.

470
00:19:16,599 --> 00:19:17,880
Speaker 1: Are both handling it quite well.

471
00:19:17,920 --> 00:19:19,599
Speaker 2: I think we just live here, Chris, I think we

472
00:19:19,680 --> 00:19:20,200
just live here.

473
00:19:20,240 --> 00:19:22,119
Speaker 3: But you know what, now that I found the water room,

474
00:19:22,200 --> 00:19:23,119
I'm I'm actually kind of.

475
00:19:23,039 --> 00:19:25,640
Speaker 1: Okay with it. Yeah, there's worse places to live, Like

476
00:19:25,759 --> 00:19:28,039
Hell's worse than this. I would say, all right, let's

477
00:19:28,039 --> 00:19:30,119
see here now.

478
00:19:30,440 --> 00:19:31,000
Speaker 2: Well, I don't know.

479
00:19:31,039 --> 00:19:32,559
Speaker 1: I stopped paying attention a while ago.

480
00:19:32,640 --> 00:19:34,920
Speaker 3: We were just getting so in depth about this being

481
00:19:35,000 --> 00:19:38,279
John Malkovich movie of yours that I've just been accepting

482
00:19:38,279 --> 00:19:39,799
my fate that we're just like stuck in here.

483
00:19:39,839 --> 00:19:42,400
Speaker 1: Wait, do you hear that sounds like animals? We're coming

484
00:19:42,400 --> 00:19:44,319
out of the water, and if we're back in a hallway,

485
00:19:44,440 --> 00:19:47,240
surprise rise, I'm gonna dry my feet off on the carpet.

486
00:19:48,279 --> 00:19:49,480
This is just a room of goats.

487
00:19:49,680 --> 00:19:51,000
Speaker 2: Yeah, I don't know why there's.

488
00:19:50,799 --> 00:19:52,640
Speaker 1: A room of goats in an office building. This makes

489
00:19:52,680 --> 00:19:54,440
no sense. No, kin, don't even there's gonna be a

490
00:19:54,559 --> 00:19:56,119
good and air to payoff for it either. I think

491
00:19:56,119 --> 00:19:58,039
it's just really weird and random for the sake of

492
00:19:58,039 --> 00:19:58,880
being weird and random.

493
00:19:58,960 --> 00:20:00,920
Speaker 3: Yeah, it's just like they them in here to just

494
00:20:00,960 --> 00:20:04,039
like make things okay, wacky doodle, Like, whoa what do

495
00:20:04,079 --> 00:20:05,079
we expect next.

496
00:20:05,200 --> 00:20:07,240
Speaker 1: Yeah. I think they're building up something, and I don't

497
00:20:07,279 --> 00:20:08,240
know if they're really No.

498
00:20:08,319 --> 00:20:09,920
Speaker 2: I don't know if this will have payoff, Chris, No,

499
00:20:10,000 --> 00:20:10,440
I don't think it.

500
00:20:10,440 --> 00:20:12,720
Speaker 1: Well, let's just shut the door. Yeah, well, at least

501
00:20:12,720 --> 00:20:14,680
we know we have food. I'm not eating goats. You're

502
00:20:14,720 --> 00:20:17,599
not eating goats. Isn't that like cannibalism for you? Aren't

503
00:20:17,599 --> 00:20:19,279
you part goat? You have horns, you kind of have

504
00:20:19,319 --> 00:20:20,440
goat legs, like, is that not?

505
00:20:20,599 --> 00:20:20,759
Speaker 5: Yeah?

506
00:20:20,799 --> 00:20:22,480
Speaker 1: But I mean, come on, it's gonna stop me from

507
00:20:22,519 --> 00:20:23,200
a nice kebab.

508
00:20:23,279 --> 00:20:25,000
Speaker 3: It's gonna stop me from a little bit of euro

509
00:20:25,160 --> 00:20:26,960
mean huh Yeah, come on, they're delicious.

510
00:20:27,000 --> 00:20:27,720
Speaker 1: You gotta admit it.

511
00:20:27,759 --> 00:20:28,400
Speaker 2: I'm a demon.

512
00:20:28,640 --> 00:20:29,480
Speaker 1: We eat each other.

513
00:20:29,359 --> 00:20:32,119
Speaker 3: All the time. It's fine, that's weird. Is that not weird? No,

514
00:20:32,119 --> 00:20:34,960
now you're making it weird. Okay, fucking whatever. Oh, you

515
00:20:35,000 --> 00:20:37,119
haven't shipped near this doorway yet. I don't think we've

516
00:20:37,160 --> 00:20:40,680
gone down here. We might as well explore. So okay, whoa,

517
00:20:41,039 --> 00:20:44,079
that's a giant pig that just goes on for forever. Yeah,

518
00:20:44,119 --> 00:20:46,000
God damn, Now I know where to take you. If

519
00:20:46,000 --> 00:20:47,920
I get really upset with you, I'll just throw you

520
00:20:47,960 --> 00:20:48,519
in this bitch.

521
00:20:48,799 --> 00:20:51,480
Speaker 1: Whoa, I mean, how does that even make sense? Because

522
00:20:51,480 --> 00:20:54,680
we climbed up several floors. Yeah, but this is way deeper.

523
00:20:54,799 --> 00:20:56,640
This must go. I was gonna say to hell, but

524
00:20:56,799 --> 00:20:58,440
I mean it would be an improvement if it went

525
00:20:58,480 --> 00:20:58,920
down to hell.

526
00:20:58,960 --> 00:21:01,400
Speaker 3: But for all tits and this is a bottomless pit.

527
00:21:01,480 --> 00:21:02,960
I'm gonna hawk alugi down there.

528
00:21:04,880 --> 00:21:05,160
Speaker 1: All right.

529
00:21:05,240 --> 00:21:08,480
Speaker 3: We're gonna try to listen for when it drops. Yeah,

530
00:21:08,519 --> 00:21:10,160
it's been falling for a while and think it's gonna go.

531
00:21:10,240 --> 00:21:11,799
Speaker 1: Maybe we need to drop something louder.

532
00:21:11,839 --> 00:21:13,359
Speaker 3: You got me there, you know, because I guess the

533
00:21:13,440 --> 00:21:14,640
Lugi's not gonna make a big.

534
00:21:14,519 --> 00:21:17,200
Speaker 1: Splagi yeah, like even from like a third floor.

535
00:21:17,319 --> 00:21:19,960
Speaker 3: Yeah, Okay, I don't want to throw a goat because

536
00:21:19,960 --> 00:21:22,319
that's just a wasteful on the meat. I've got this

537
00:21:22,480 --> 00:21:25,160
bag full of dead batteries because we've just been exhausting

538
00:21:25,160 --> 00:21:25,960
our battery supply.

539
00:21:26,079 --> 00:21:27,920
Speaker 1: So I'm gonna throw like a double a Okay, that'll

540
00:21:28,000 --> 00:21:29,640
makes no noise, or how about just throw the whole bag?

541
00:21:29,720 --> 00:21:33,079
Speaker 3: Okay, no, no, what that's our good batteries. Those are

542
00:21:33,079 --> 00:21:35,799
the good batteries and these are the bad batteries. Yes,

543
00:21:36,119 --> 00:21:40,960
fuck okay, Chris, I don't think we're gonna hear anything.

544
00:21:41,119 --> 00:21:43,359
Speaker 1: No, we're gonna run out of batteries. Now, we're gonna

545
00:21:43,400 --> 00:21:44,200
run out of batteries.

546
00:21:44,519 --> 00:21:46,480
Speaker 3: Well, at least I have this bag of dead batteries,

547
00:21:46,519 --> 00:21:47,920
so we could beat that guy to death if he

548
00:21:47,960 --> 00:21:50,240
comes up on us again, that creature. Yeah, I think

549
00:21:50,240 --> 00:21:51,960
I'm ready. Now that I realize that I kind of

550
00:21:51,960 --> 00:21:53,440
have a weapon, I think we.

551
00:21:53,359 --> 00:21:56,160
Speaker 1: Can take him. Yeah, oh my god, is there he is?

552
00:22:07,000 --> 00:22:09,640
Speaker 3: Batteries didn't work.

553
00:22:10,039 --> 00:22:11,079
Speaker 1: It's just one of us.

554
00:22:11,119 --> 00:22:12,640
Speaker 2: You to you had to the other.

555
00:22:14,200 --> 00:22:23,079
Speaker 1: They were all like a good morning from hell. This

556
00:22:23,319 --> 00:22:27,240
is Clinton here with Chris beating all the goats. They're

557
00:22:27,279 --> 00:22:27,799
all gone.

558
00:22:28,079 --> 00:22:29,319
Speaker 2: We also ate the batteries.

559
00:22:29,559 --> 00:22:31,079
Speaker 1: Yeah, we thought energy.

560
00:22:31,319 --> 00:22:34,200
Speaker 3: Maybe, yeah, it made since at the time we were

561
00:22:34,240 --> 00:22:34,920
low on energy.

562
00:22:35,039 --> 00:22:38,160
Speaker 1: We're really high on goat. What what did you get

563
00:22:38,200 --> 00:22:40,400
high on You can't get high on goats. It's meat.

564
00:22:40,599 --> 00:22:43,240
Speaker 3: Yeah, but maybe no, no, no, no, keep pulling this thread

565
00:22:43,480 --> 00:22:43,839
to hear more.

566
00:22:43,880 --> 00:22:46,640
Speaker 1: Yeah, explain yourself. Well, I was just so elated to

567
00:22:46,839 --> 00:22:49,359
have food, you know, uh huh, And I felt like

568
00:22:49,400 --> 00:22:51,480
a high. Are you a middle schooler? Do you even

569
00:22:51,519 --> 00:22:54,039
understand what it means to get high? Oh? Man, I

570
00:22:54,079 --> 00:22:57,240
got so high if the KBOB food truck. Sometimes when

571
00:22:57,279 --> 00:22:58,880
you're in middle school, you would like, did you ever

572
00:22:58,920 --> 00:23:03,000
snort Lucas? Who? Lucas? Lucas? Is that like lemon lime

573
00:23:03,200 --> 00:23:05,039
powder you can get at gas stations?

574
00:23:05,160 --> 00:23:05,240
Speaker 5: No?

575
00:23:05,359 --> 00:23:07,880
Speaker 1: I put that on food. You never snorted it? Once again?

576
00:23:07,960 --> 00:23:09,839
Speaker 2: No, why would I snort Pepper's?

577
00:23:10,039 --> 00:23:12,000
Speaker 1: It's like lime salt, And people on the bus would

578
00:23:12,039 --> 00:23:14,279
snort it because I guess it's emulating what they've seen

579
00:23:14,279 --> 00:23:16,559
in movies and you know, snorting a white powder. But yeah,

580
00:23:16,599 --> 00:23:18,039
we Lucas would burn.

581
00:23:18,119 --> 00:23:20,519
Speaker 3: This explains a lot about you, Chris. Okay, anyways, I

582
00:23:20,559 --> 00:23:22,519
don't think we're getting out of here. We're running out

583
00:23:22,559 --> 00:23:26,079
of batteries and run out of food. Chris is looking

584
00:23:26,480 --> 00:23:29,680
mighty yummy right now. Definitely running out of story. Yeah,

585
00:23:29,759 --> 00:23:31,960
it's getting pretty wrapped up. I think we could make

586
00:23:31,960 --> 00:23:34,400
a sequel. I don't know what it's gonna accomplish. You

587
00:23:34,400 --> 00:23:36,200
know what, I think we go find that guy and

588
00:23:36,240 --> 00:23:37,319
we just let him kill us.

589
00:23:37,480 --> 00:23:38,680
Speaker 1: We just face our fears.

590
00:23:38,720 --> 00:23:40,599
Speaker 2: It's been a few days now, we've been stuck in

591
00:23:40,599 --> 00:23:41,480
this fucking place.

592
00:23:41,759 --> 00:23:44,440
Speaker 1: Just let it happen. Just let it happen. Okay, So

593
00:23:44,680 --> 00:23:46,599
uh here stopping good.

594
00:23:46,680 --> 00:23:49,519
Speaker 2: All right, it's our doom, okay, trying to face our fears. Chris,

595
00:23:50,200 --> 00:23:51,880
we're gonna do this. Hold my hand, We're gonna do

596
00:23:51,920 --> 00:23:52,319
this together.

597
00:23:52,400 --> 00:23:54,599
Speaker 1: Huh, get my little nubby hand. Okay, all right, lean in.

598
00:23:54,640 --> 00:23:55,519
It's like a t rex.

599
00:23:55,720 --> 00:23:57,319
Speaker 2: Yep, there he is here we go.

600
00:23:57,559 --> 00:24:05,079
Speaker 1: Okay, Okay, we're checking out on that last one, but

601
00:24:05,119 --> 00:24:06,359
this one we're being for real.

602
00:24:06,759 --> 00:24:09,599
Speaker 3: We're gonna let him kill us. Chris, do not run,

603
00:24:09,680 --> 00:24:13,000
do not panic, let him eat you. Worst case scenario

604
00:24:13,319 --> 00:24:15,519
we get shipped out back in this room.

605
00:24:15,759 --> 00:24:18,799
Speaker 1: Whatever, then we are our own trail, yeah, which would

606
00:24:18,839 --> 00:24:22,000
lead us out maybe, or we'll end up back in Hell.

607
00:24:22,200 --> 00:24:25,160
I don't know. So okay, all right, here's the footsteps.

608
00:24:25,160 --> 00:24:29,960
I hear him coming. Okay, so it's okay. Tell Luis hello,

609
00:24:30,119 --> 00:24:30,559
my guy.

610
00:24:32,039 --> 00:24:37,480
Speaker 3: Yeah, sorry, Chris, Hey, you follow us here for the interview?

611
00:24:37,759 --> 00:24:40,240
Speaker 5: What the interview? Are you here for the interview?

612
00:24:41,519 --> 00:24:43,640
Speaker 1: Yes? Have you been the guy? You know?

613
00:24:43,680 --> 00:24:44,119
Speaker 2: My brother?

614
00:24:44,240 --> 00:24:44,400
Speaker 1: Right?

615
00:24:44,599 --> 00:24:46,640
Speaker 5: Satan? Right, you're talking about Satan?

616
00:24:46,759 --> 00:24:48,960
Speaker 1: Are you BA crooms? Yeah?

617
00:24:49,000 --> 00:24:52,359
Speaker 5: Are you BA creams or not? It's actually mister crumbs.

618
00:24:52,599 --> 00:24:55,400
But I put that BA because I'm a Bachelor of Arts.

619
00:24:55,680 --> 00:24:59,079
Speaker 1: Oh oh okay, wow, Chris, you actually nailed that. I'm

620
00:24:59,119 --> 00:25:02,599
so sorry. Sorry, even running from you for like three days.

621
00:25:02,799 --> 00:25:05,279
Speaker 5: Oh, don't worry about it is a little bit my fault.

622
00:25:05,319 --> 00:25:07,599
I got this wicked cold and every time I clear

623
00:25:07,720 --> 00:25:08,160
my throat.

624
00:25:11,400 --> 00:25:13,480
Speaker 2: Oh okay, oh yeah, so yeah, I.

625
00:25:13,519 --> 00:25:15,240
Speaker 5: Can kind to see how that would ski you a

626
00:25:15,319 --> 00:25:18,240
little bit. Also, sorry for ripping off your arm. I

627
00:25:18,279 --> 00:25:20,640
was just trying to shake your hand. But oh, glad

628
00:25:20,680 --> 00:25:22,680
to see it's growing back there. Yeah, if you want

629
00:25:22,680 --> 00:25:24,519
to come this way, the exit's right here.

630
00:25:24,480 --> 00:25:25,279
Speaker 1: Right, okay? Cool?

631
00:25:25,400 --> 00:25:28,039
Speaker 2: Oh wow, it was right there. We hadn't checked that door,

632
00:25:28,119 --> 00:25:28,519
all right.

633
00:25:28,599 --> 00:25:31,440
Speaker 3: Well, oh wow, this is a nice one I set up.

634
00:25:31,480 --> 00:25:34,079
Wow it's painted blue. Oh the air conditioning.

635
00:25:34,240 --> 00:25:36,920
Speaker 1: This is great. So good morning from Hell. I'm Chris,

636
00:25:36,960 --> 00:25:38,960
and my internal punishment is to do this podcast where

637
00:25:39,000 --> 00:25:41,680
we interview everyone in Hell. Yes, and I'm Clayton.

638
00:25:41,799 --> 00:25:43,799
Speaker 2: It is so great to sit down with you for

639
00:25:43,839 --> 00:25:44,480
this interview.

640
00:25:44,599 --> 00:25:46,839
Speaker 1: Oh man, what an episode we have planned for you. Yeah.

641
00:25:46,920 --> 00:25:49,119
Speaker 3: Well hold on, sorry, sorry to stuf interview Chris.

642
00:25:49,119 --> 00:25:50,599
Speaker 1: What is that red blinking away? What is that? That

643
00:25:50,640 --> 00:25:53,119
means we are on the air? Wait, no, that means

644
00:25:53,119 --> 00:25:54,160
we are about to run out of.

645
00:25:54,839 --> 00:25:59,960
Speaker 3: What hey, guys, thanks for listening to another episode of

646
00:26:00,039 --> 00:26:00,759
Good Morning from Hell.

647
00:26:01,000 --> 00:26:03,400
Speaker 1: The back Rooms episode. Yeah, so this is a weird one.

648
00:26:03,440 --> 00:26:06,000
We thought it would be fun to not have a guest,

649
00:26:06,079 --> 00:26:08,680
and we just saw the movie back Rooms, and we've

650
00:26:08,720 --> 00:26:11,759
seen those videos and played that game before, so we

651
00:26:11,759 --> 00:26:13,759
were like, it'd be fun to do an episode of

652
00:26:13,839 --> 00:26:16,759
us just getting lost in them. So that's what that was. Yeah,

653
00:26:16,960 --> 00:26:20,160
let us know if you like this vibe and want

654
00:26:20,160 --> 00:26:22,799
more episodes like this, leave a comment because it's kind

655
00:26:22,799 --> 00:26:25,480
of fun little experiment And we're gonna go talk more

656
00:26:25,480 --> 00:26:28,279
about that movie and Why We're going to Hell and

657
00:26:28,519 --> 00:26:30,680
I have some stories I want to tell you Blaine

658
00:26:30,720 --> 00:26:32,200
about that movie while we're.

659
00:26:32,039 --> 00:26:35,279
Speaker 3: Watching Great can't wait. So yeah, if you guys support

660
00:26:35,319 --> 00:26:37,480
us on Patreon, go to good Morning from Hell dot com.

661
00:26:37,519 --> 00:26:39,759
We have a Patreon exclusive show called Why We're Going

662
00:26:39,759 --> 00:26:41,720
to Hell. You can get access to that. And he'd

663
00:26:41,720 --> 00:26:43,559
also help us support our show so that we can

664
00:26:43,640 --> 00:26:47,240
pay to go see movies. Right, Yes, yeah, maybe we'll

665
00:26:47,279 --> 00:26:51,400
do a Star Wars Mandalorian Grovely episode we make another

666
00:26:51,559 --> 00:26:54,680
Patreon money, all right, Bye bye,