WEBVTT

1
00:00:26.480 --> 00:00:29.600
<v Speaker 1>Hello everybody, and welcome back to That's Not Matt. Last

2
00:00:29.640 --> 00:00:32.039
<v Speaker 1>week we had a big reviews bag where we were

3
00:00:32.200 --> 00:00:34.679
<v Speaker 1>tackling a whole bunch of sick new records that came

4
00:00:34.679 --> 00:00:36.200
<v Speaker 1>out in May. But right now it's the beginning of

5
00:00:36.320 --> 00:00:39.799
<v Speaker 1>June and this here is another edition of Hyperblast where

6
00:00:39.840 --> 00:00:41.719
<v Speaker 1>we are with you every single week letting you know

7
00:00:41.759 --> 00:00:44.119
<v Speaker 1>what's been going on in the world of heavy music,

8
00:00:44.200 --> 00:00:46.159
<v Speaker 1>what releases you're going to want to hear from the

9
00:00:46.200 --> 00:00:48.759
<v Speaker 1>world of heavy music, and have a good old natter

10
00:00:48.880 --> 00:00:50.600
<v Speaker 1>all about that. That's what we're here to do. My

11
00:00:50.719 --> 00:00:53.079
<v Speaker 1>name is Parian hairsh across from me to do this.

12
00:00:53.200 --> 00:00:55.880
<v Speaker 1>Mark Anderson is back returning to the show. Hello Mark,

13
00:00:56.240 --> 00:00:58.719
<v Speaker 1>Hello mate, how are you doing. I have had a

14
00:00:58.840 --> 00:01:02.000
<v Speaker 1>very good week because I was at the weekend over

15
00:01:02.159 --> 00:01:06.200
<v Speaker 1>in Scarborough on the North Yorkshire coastline for Fortress Festival,

16
00:01:06.319 --> 00:01:09.159
<v Speaker 1>enjoying a whole load of very very evil and very

17
00:01:09.200 --> 00:01:12.400
<v Speaker 1>sick black metal. So in today's show, at the end

18
00:01:12.400 --> 00:01:14.959
<v Speaker 1>of this I'm gonna talk about that little time that

19
00:01:15.000 --> 00:01:18.200
<v Speaker 1>I had, talk about all the elite black metal proceedings

20
00:01:18.400 --> 00:01:20.319
<v Speaker 1>that went on. So if you are a hardcore black

21
00:01:20.319 --> 00:01:21.480
<v Speaker 1>metal and then you are going to want to stick

22
00:01:21.519 --> 00:01:23.079
<v Speaker 1>around for the end of this show where I talk

23
00:01:23.079 --> 00:01:25.200
<v Speaker 1>about all of that. But before we do that, we

24
00:01:25.239 --> 00:01:28.079
<v Speaker 1>have got the you know, the earlier Hyperblast section of

25
00:01:28.439 --> 00:01:30.560
<v Speaker 1>the show to do, and we do have. It turns

26
00:01:30.560 --> 00:01:34.879
<v Speaker 1>out a whole load of news just new tracks wise alone,

27
00:01:34.879 --> 00:01:37.799
<v Speaker 1>before we get into the drama and controversies and all

28
00:01:37.799 --> 00:01:40.799
<v Speaker 1>of that, just purely new singles and that this is

29
00:01:40.840 --> 00:01:45.040
<v Speaker 1>a fruitful week. So let's first things first get underway

30
00:01:45.319 --> 00:01:48.879
<v Speaker 1>with all of that. Let's start with perhaps probably most

31
00:01:48.879 --> 00:01:52.640
<v Speaker 1>long awaited of these, mastered on back with a track

32
00:01:52.719 --> 00:01:56.000
<v Speaker 1>that is called Your Ghost Again. This is I guess

33
00:01:56.000 --> 00:01:59.799
<v Speaker 1>the lead single from their upcoming album. The album has

34
00:01:59.840 --> 00:02:02.519
<v Speaker 1>not been officially announced. We don't have a release date

35
00:02:02.719 --> 00:02:04.760
<v Speaker 1>or anything like that, but it does look like the

36
00:02:04.799 --> 00:02:08.120
<v Speaker 1>album is going to be called Poisonous Weapons, with an

37
00:02:08.199 --> 00:02:10.919
<v Speaker 1>album art that I think that you if you see

38
00:02:10.960 --> 00:02:13.639
<v Speaker 1>the tour poster that they've announced for the US run

39
00:02:13.639 --> 00:02:15.159
<v Speaker 1>that we're also going to talk about. I believe that

40
00:02:15.159 --> 00:02:18.039
<v Speaker 1>that is also the album cover for the record when

41
00:02:18.080 --> 00:02:20.439
<v Speaker 1>it comes out. Don't know yet, but we do have

42
00:02:20.719 --> 00:02:22.960
<v Speaker 1>concrete evidence of a master on album around the corner,

43
00:02:23.039 --> 00:02:25.319
<v Speaker 1>and even more than that, we've got a first track

44
00:02:25.520 --> 00:02:29.520
<v Speaker 1>from it and Your Ghost again. Obviously, there are many

45
00:02:29.599 --> 00:02:31.680
<v Speaker 1>levels of significance to this Just the fact that it's

46
00:02:31.680 --> 00:02:34.400
<v Speaker 1>new mastered on alone I always find to be significant

47
00:02:34.400 --> 00:02:36.680
<v Speaker 1>because they are one of the most consistently brilliant bands

48
00:02:36.960 --> 00:02:39.960
<v Speaker 1>of the last twenty five years of heavy music, one

49
00:02:40.000 --> 00:02:43.199
<v Speaker 1>of my favorite bands of all time, so that's always exciting.

50
00:02:43.240 --> 00:02:45.919
<v Speaker 1>But there is a particular you know, significance to this one.

51
00:02:46.000 --> 00:02:49.400
<v Speaker 1>I think it's like the longest gap they've had between albums,

52
00:02:49.439 --> 00:02:53.280
<v Speaker 1>like five years between Hushed and Grim and this one.

53
00:02:53.800 --> 00:02:55.599
<v Speaker 1>But even more than that, it's the first record without

54
00:02:55.639 --> 00:02:59.000
<v Speaker 1>Brent Hinz, who obviously first left the band and then

55
00:02:59.120 --> 00:03:01.800
<v Speaker 1>really sadly passed way a few months after that last year.

56
00:03:02.039 --> 00:03:04.599
<v Speaker 1>And the way that this this track has been described,

57
00:03:04.639 --> 00:03:07.159
<v Speaker 1>you know, they've kind of likened it to, you know,

58
00:03:07.280 --> 00:03:10.479
<v Speaker 1>the experience of basically, you know, inhabiting a place and

59
00:03:10.520 --> 00:03:12.400
<v Speaker 1>seeing out of the corner of your eye, you know,

60
00:03:12.520 --> 00:03:14.520
<v Speaker 1>the ghosts of the people who you were maybe once

61
00:03:14.560 --> 00:03:19.000
<v Speaker 1>in that place with, and they've specifically, you know, referenced essentially,

62
00:03:19.080 --> 00:03:20.680
<v Speaker 1>you know, being in the studio and that kind of thing,

63
00:03:20.680 --> 00:03:22.599
<v Speaker 1>and you know where where somewhere where they were so

64
00:03:22.680 --> 00:03:24.719
<v Speaker 1>frequently obviously with Brent in the band and him him

65
00:03:24.759 --> 00:03:28.000
<v Speaker 1>not being there. So that is the the thematic goings

66
00:03:28.000 --> 00:03:31.159
<v Speaker 1>on of this track with that in mind, and there

67
00:03:31.159 --> 00:03:35.879
<v Speaker 1>are definitely some more, you know, particularly lyrically, you know,

68
00:03:36.120 --> 00:03:40.520
<v Speaker 1>emotionally heavier parts to this track, but this doesn't feel

69
00:03:40.560 --> 00:03:44.560
<v Speaker 1>to me like one of those. Really, you're really pensive

70
00:03:45.479 --> 00:03:47.400
<v Speaker 1>mastered on tracks in terms at least in terms of

71
00:03:47.439 --> 00:03:50.800
<v Speaker 1>its sonic approach certainly. I remember when you know, Pushing

72
00:03:50.840 --> 00:03:52.680
<v Speaker 1>the Tides came out as the lead single from the

73
00:03:52.719 --> 00:03:54.879
<v Speaker 1>last record, and that's like a straight ahead banger, and

74
00:03:54.879 --> 00:03:56.800
<v Speaker 1>then the record turned out to be a lot more,

75
00:03:58.319 --> 00:04:00.080
<v Speaker 1>a lot more patient, and a lot more mood in

76
00:04:00.159 --> 00:04:03.520
<v Speaker 1>melancholic maybe than just that first taste suggested. So who

77
00:04:03.560 --> 00:04:05.560
<v Speaker 1>knows how much we might have to go on here,

78
00:04:05.639 --> 00:04:10.199
<v Speaker 1>But I wasn't expecting such a frantic, heavy leading with this,

79
00:04:10.360 --> 00:04:12.479
<v Speaker 1>like straight away when you press play, it's one of

80
00:04:12.520 --> 00:04:16.639
<v Speaker 1>the crazier like late period mattered on riffs, Like there's

81
00:04:16.639 --> 00:04:19.680
<v Speaker 1>a lot of notes in the riff, and then even

82
00:04:19.720 --> 00:04:23.959
<v Speaker 1>as the song goes on there's like genuine organ breaks,

83
00:04:24.240 --> 00:04:26.279
<v Speaker 1>like there's one that happens early on that I thought, whoa,

84
00:04:26.279 --> 00:04:27.839
<v Speaker 1>that's something, and then later on it comes back in

85
00:04:27.879 --> 00:04:29.240
<v Speaker 1>a sort of more extended form, and it's like a

86
00:04:29.279 --> 00:04:34.879
<v Speaker 1>full on like twenty tens Opeth like doodlelywoodly prog organ part.

87
00:04:35.480 --> 00:04:37.040
<v Speaker 1>And I did say that come in, but the song

88
00:04:37.240 --> 00:04:39.720
<v Speaker 1>overall is quite crushing, you know.

89
00:04:40.839 --> 00:04:44.199
<v Speaker 2>Yeah, this thing, I mean, that riff is so chaotic.

90
00:04:44.519 --> 00:04:47.120
<v Speaker 2>It's almost like it's not too far away, too far

91
00:04:47.240 --> 00:04:51.639
<v Speaker 2>removed from like a math core like maybe it's not

92
00:04:51.759 --> 00:04:53.120
<v Speaker 2>math core, but it's like.

93
00:04:53.079 --> 00:04:54.439
<v Speaker 3>It's an ingredient in the mix.

94
00:04:54.680 --> 00:04:55.720
<v Speaker 1>Yeah.

95
00:04:55.959 --> 00:04:59.240
<v Speaker 2>Yeah, it's got that great sort of prog metal. I

96
00:04:59.319 --> 00:05:03.600
<v Speaker 2>can't quite nailed down what time signature this is. It's

97
00:05:03.680 --> 00:05:06.000
<v Speaker 2>such a bulldozer. And then at the end you get

98
00:05:06.000 --> 00:05:10.759
<v Speaker 2>a proper like traditional heavy rift to bring it all back.

99
00:05:10.800 --> 00:05:15.560
<v Speaker 2>It's great and yeah halfway through, but it goes full

100
00:05:15.720 --> 00:05:17.800
<v Speaker 2>like Stephen Wilson.

101
00:05:18.240 --> 00:05:22.120
<v Speaker 1>Like Sorceress full Rick Wakeman. Yeah.

102
00:05:22.279 --> 00:05:25.480
<v Speaker 2>Yeah, Like it's a part that I can normally describe

103
00:05:25.519 --> 00:05:28.240
<v Speaker 2>as Noodley. It's so good.

104
00:05:28.879 --> 00:05:31.240
<v Speaker 1>I would go beyond Nudley and describe it as Boodley Woodly,

105
00:05:31.279 --> 00:05:33.279
<v Speaker 1>you know what I mean. That's the level that we're looking.

106
00:05:34.079 --> 00:05:37.399
<v Speaker 2>Oh my god, these guys have grown extra mustaches right

107
00:05:37.399 --> 00:05:42.360
<v Speaker 2>in that part. It's kind of how are you feeling

108
00:05:42.360 --> 00:05:44.439
<v Speaker 2>about it. I'm really I'm really happy with it. I

109
00:05:44.480 --> 00:05:46.800
<v Speaker 2>think this is song is so good.

110
00:05:47.199 --> 00:05:49.079
<v Speaker 1>Yeah, I like it a lot. I mean, there's never

111
00:05:49.120 --> 00:05:50.800
<v Speaker 1>been a lead single from a Maston record that I

112
00:05:50.839 --> 00:05:53.000
<v Speaker 1>haven't love. Me, There's never been a Maston record I

113
00:05:53.040 --> 00:05:54.759
<v Speaker 1>haven't loved really, but certainly the first taste of them,

114
00:05:54.800 --> 00:05:56.720
<v Speaker 1>they're always like, yeah, the boys are back, you know

115
00:05:56.759 --> 00:06:00.040
<v Speaker 1>what I mean? This one did strike me in the

116
00:06:00.720 --> 00:06:04.399
<v Speaker 1>So when the chorus from Brand comes in, obviously, it's

117
00:06:04.399 --> 00:06:07.759
<v Speaker 1>a clean, melodic chorus like the song's about, you know,

118
00:06:07.800 --> 00:06:09.360
<v Speaker 1>four or five minutes long, which is sort of in

119
00:06:09.360 --> 00:06:12.920
<v Speaker 1>the rough ballpark of you know, Latter Day, last fifteen

120
00:06:13.000 --> 00:06:16.720
<v Speaker 1>years or so mastered on stuff. But when the chorus

121
00:06:16.759 --> 00:06:21.319
<v Speaker 1>comes in, it doesn't feel quite as radio as like

122
00:06:21.399 --> 00:06:24.120
<v Speaker 1>it's not a it's not show yourself obviously, But even

123
00:06:24.160 --> 00:06:27.360
<v Speaker 1>when you compare it to songs like Pushing the Tithe

124
00:06:27.360 --> 00:06:29.560
<v Speaker 1>for example, you know, the lead single from the previous record,

125
00:06:30.319 --> 00:06:32.399
<v Speaker 1>so it's like high Road or whatever any of those,

126
00:06:32.639 --> 00:06:36.600
<v Speaker 1>when Brand's vocal comes in, it's not quite as like

127
00:06:37.240 --> 00:06:41.600
<v Speaker 1>piercingly melodic. It has this slightly more haunted, psychedelic sort

128
00:06:41.600 --> 00:06:43.160
<v Speaker 1>of effect on it, you know, with him doing the

129
00:06:43.439 --> 00:06:45.839
<v Speaker 1>I Saw your Ghost again reverberating around and it's still

130
00:06:45.839 --> 00:06:47.879
<v Speaker 1>like it's a good hook. I like that melody, but

131
00:06:47.920 --> 00:06:50.839
<v Speaker 1>it does feel, I say, a little bit more shadowy

132
00:06:51.319 --> 00:06:55.120
<v Speaker 1>maybe then your traditional like big brand led mastered on

133
00:06:55.240 --> 00:06:59.720
<v Speaker 1>chorus tends to be. And then we factor that in

134
00:07:00.000 --> 00:07:02.480
<v Speaker 1>alongside it, as we said, the kind of the more

135
00:07:02.800 --> 00:07:07.240
<v Speaker 1>like more aggressive end of later Day mastered on riffing,

136
00:07:07.639 --> 00:07:11.360
<v Speaker 1>but then also the full on like left field prog

137
00:07:11.480 --> 00:07:15.439
<v Speaker 1>rock parts beyond what is in the standard Masterdon song.

138
00:07:15.519 --> 00:07:19.720
<v Speaker 1>I think it's a really interesting and surprising mixture of

139
00:07:19.800 --> 00:07:23.160
<v Speaker 1>elements and components to having, like here's your first taste

140
00:07:23.399 --> 00:07:27.120
<v Speaker 1>of a new Masterdon song. Obviously, you know, not having

141
00:07:27.160 --> 00:07:29.959
<v Speaker 1>Brent in the band. When the lead part comes in,

142
00:07:30.399 --> 00:07:35.279
<v Speaker 1>it's not Brent, you know, it doesn't kind of cascade

143
00:07:35.319 --> 00:07:37.600
<v Speaker 1>into your ear the way Brent lead parts always would.

144
00:07:37.639 --> 00:07:40.000
<v Speaker 1>But it does have this real roaring, squalling kind of

145
00:07:40.000 --> 00:07:42.199
<v Speaker 1>part towards the end that fits again the sort of

146
00:07:42.279 --> 00:07:45.639
<v Speaker 1>vitriolic nature of the song and then that final riff

147
00:07:45.680 --> 00:07:48.600
<v Speaker 1>that you were talking about. The production credits for this

148
00:07:49.040 --> 00:07:50.720
<v Speaker 1>track and I guess the rest of the album are

149
00:07:50.800 --> 00:07:53.839
<v Speaker 1>kind of mad because apparently it's co produced by Kurt Balu,

150
00:07:54.240 --> 00:07:58.160
<v Speaker 1>which we know that guy, and the promise of a

151
00:07:58.199 --> 00:08:00.720
<v Speaker 1>Kurt Blue produced Masterton record is just that should get

152
00:08:00.759 --> 00:08:05.120
<v Speaker 1>every single heavy music fan's tongue absolutely, you know, salivating,

153
00:08:06.079 --> 00:08:07.759
<v Speaker 1>and that that riff crunch bit at the end does

154
00:08:07.800 --> 00:08:10.040
<v Speaker 1>feel like, yeah, that's what you want from that, but

155
00:08:10.319 --> 00:08:12.839
<v Speaker 1>that it's co produced along with Kurt by a guy

156
00:08:12.879 --> 00:08:16.839
<v Speaker 1>called Patrick Berger, who is a Swedish producer I believe

157
00:08:17.000 --> 00:08:19.399
<v Speaker 1>who is most if you look him up, he's most

158
00:08:19.439 --> 00:08:23.759
<v Speaker 1>known for doing pop musicians, as in Charlie XCX, Carli

159
00:08:23.839 --> 00:08:27.560
<v Speaker 1>ray Jepsen. He co wrote Dancing on My Own by Robin,

160
00:08:27.879 --> 00:08:29.680
<v Speaker 1>one of the most like beloved pop songs the last

161
00:08:29.680 --> 00:08:33.000
<v Speaker 1>twenty years. And he's even worked with Taylor Swift. And

162
00:08:33.039 --> 00:08:37.120
<v Speaker 1>so you've got a Taylor Swift collaborator, co writer of

163
00:08:37.200 --> 00:08:39.559
<v Speaker 1>you know these great Robin hits or whatever, and Kurt

164
00:08:39.559 --> 00:08:42.279
<v Speaker 1>Blou and what the fuck is that? As a like, yeah,

165
00:08:42.320 --> 00:08:46.200
<v Speaker 1>those the two guys we're going to get collaboratively, like

166
00:08:46.440 --> 00:08:48.000
<v Speaker 1>make guy record that's fucking weird.

167
00:08:48.440 --> 00:08:49.200
<v Speaker 3>Yeah you did that.

168
00:08:49.240 --> 00:08:51.720
<v Speaker 2>And then also, like you say, the song itself having

169
00:08:51.759 --> 00:08:55.679
<v Speaker 2>so many different components, what the fuck is this record?

170
00:08:55.799 --> 00:08:56.159
<v Speaker 1>I like?

171
00:08:56.480 --> 00:08:57.000
<v Speaker 3>That makes me?

172
00:08:57.320 --> 00:08:59.320
<v Speaker 2>I mean I was already so excited. I love master

173
00:08:59.399 --> 00:09:03.159
<v Speaker 2>Don but like, what the fuck.

174
00:09:02.919 --> 00:09:04.080
<v Speaker 3>Is this record gonna be?

175
00:09:05.080 --> 00:09:08.799
<v Speaker 1>Yeah, I don't know. Again, there's lots of anticipation expections

176
00:09:08.799 --> 00:09:12.440
<v Speaker 1>of the record considering just the circumstances around it. But

177
00:09:12.679 --> 00:09:14.639
<v Speaker 1>just like what we have from a first taste here,

178
00:09:14.840 --> 00:09:19.720
<v Speaker 1>and like the credits on the record are slightly bizarre

179
00:09:19.759 --> 00:09:22.480
<v Speaker 1>and so yeah, I echo exactly what you said. I'm

180
00:09:22.480 --> 00:09:24.720
<v Speaker 1>always excited for Mastered On. I wouldn't say I'm like

181
00:09:24.759 --> 00:09:27.120
<v Speaker 1>any more excited for this Mastered On than any other

182
00:09:27.159 --> 00:09:28.919
<v Speaker 1>one in their history, because they're just a band who

183
00:09:28.960 --> 00:09:32.440
<v Speaker 1>I've always loved, but color me intrigued as ever, and

184
00:09:32.879 --> 00:09:35.000
<v Speaker 1>I have very much enjoyed, you know, the time I've

185
00:09:35.000 --> 00:09:38.039
<v Speaker 1>spent with this first trap from it and just to

186
00:09:38.120 --> 00:09:40.840
<v Speaker 1>follow follow up and polish off the the Mastered On news,

187
00:09:41.200 --> 00:09:44.559
<v Speaker 1>they have as said, they've announced a US tour. They

188
00:09:44.559 --> 00:09:46.799
<v Speaker 1>have toured the US so much in the last like

189
00:09:46.840 --> 00:09:49.759
<v Speaker 1>five years. Come and do whatever here please, but full

190
00:09:50.039 --> 00:09:52.960
<v Speaker 1>US run later this year. As I said, if you

191
00:09:53.000 --> 00:09:54.559
<v Speaker 1>want to get a look at what seems like it's

192
00:09:54.600 --> 00:09:56.440
<v Speaker 1>going to be the album cover, I imagine it's the

193
00:09:56.480 --> 00:10:00.159
<v Speaker 1>crazy Beastie that's on this tour poster, but the bill,

194
00:10:00.519 --> 00:10:02.639
<v Speaker 1>they've just put together a black Gaze bill for some reason.

195
00:10:02.679 --> 00:10:05.840
<v Speaker 1>They're being supported by Death Heaven and alcest which is

196
00:10:05.960 --> 00:10:10.200
<v Speaker 1>like a cool. Mastardon have such diverse touring partners, like

197
00:10:10.240 --> 00:10:11.679
<v Speaker 1>if you look at all the runs that they've been

198
00:10:11.679 --> 00:10:13.480
<v Speaker 1>able to do, and it's cool that they can lean

199
00:10:13.519 --> 00:10:16.080
<v Speaker 1>into any one direction this time, but this time going like, yeah,

200
00:10:16.080 --> 00:10:19.480
<v Speaker 1>we're gonna get like the two most important bands in

201
00:10:19.799 --> 00:10:22.279
<v Speaker 1>a particular subgenre that we don't really have anything to

202
00:10:22.320 --> 00:10:24.960
<v Speaker 1>do with, but we guess like some of our fans might.

203
00:10:25.080 --> 00:10:28.679
<v Speaker 1>Like if you are a US based black gays loving

204
00:10:29.080 --> 00:10:31.679
<v Speaker 1>Mastodon fan, and that is the dream night.

205
00:10:32.200 --> 00:10:36.799
<v Speaker 3>Give me that. I'm so jealous. That is the ideal

206
00:10:36.919 --> 00:10:37.440
<v Speaker 3>night for me.

207
00:10:40.039 --> 00:10:42.320
<v Speaker 1>Yeah, really good. As said, don't know when the album's

208
00:10:42.320 --> 00:10:43.559
<v Speaker 1>going to be coming out now, but of course we

209
00:10:43.600 --> 00:10:46.360
<v Speaker 1>will be looking forward to it. We do have more

210
00:10:46.480 --> 00:10:50.799
<v Speaker 1>concrete news about the new album from Weezer, which is

211
00:10:50.799 --> 00:10:53.039
<v Speaker 1>going to be coming on August the twenty first. Obviously,

212
00:10:53.039 --> 00:10:54.519
<v Speaker 1>we knew it was a Weser album coming. We already

213
00:10:54.519 --> 00:10:57.960
<v Speaker 1>had a song a handful of weeks ago, but now

214
00:10:58.120 --> 00:11:02.639
<v Speaker 1>we have news several into details here. It is a

215
00:11:02.679 --> 00:11:06.519
<v Speaker 1>self titled record. From Weezer, which obviously means also it's

216
00:11:06.600 --> 00:11:10.919
<v Speaker 1>a colored album. It is the Gold album, which for

217
00:11:10.919 --> 00:11:12.919
<v Speaker 1>some reason I never entered my head as a color

218
00:11:12.960 --> 00:11:15.159
<v Speaker 1>that Weezer had left to do. But I'm like, yeah,

219
00:11:15.159 --> 00:11:17.919
<v Speaker 1>the Gold album sounds fucking cool, you know. I mean,

220
00:11:17.960 --> 00:11:20.039
<v Speaker 1>there's a there's a ring to it. What I don't

221
00:11:20.120 --> 00:11:22.799
<v Speaker 1>like is that they're not on the album cover, because

222
00:11:22.799 --> 00:11:25.240
<v Speaker 1>that has to be a colored album tradition. I want

223
00:11:25.279 --> 00:11:27.480
<v Speaker 1>to I think they should be like prospectors, you know.

224
00:11:27.519 --> 00:11:30.519
<v Speaker 1>They should have been like in like eighteenth century mining

225
00:11:30.600 --> 00:11:33.039
<v Speaker 1>gear with a giant pick over their shoulder, being like,

226
00:11:33.080 --> 00:11:36.480
<v Speaker 1>oh gold, you know what I mean. Instead, it's just

227
00:11:36.559 --> 00:11:37.919
<v Speaker 1>it looks like, I don't know, they watch the throwne

228
00:11:37.919 --> 00:11:39.399
<v Speaker 1>album cover or something, which is not as cool.

229
00:11:39.720 --> 00:11:43.799
<v Speaker 2>No, it doesn't look like a rock album, which whatever.

230
00:11:44.000 --> 00:11:46.360
<v Speaker 2>You're right, they should be dressed like Stinky Pete from

231
00:11:46.360 --> 00:11:48.200
<v Speaker 2>Toy Story two, like.

232
00:11:48.279 --> 00:11:50.919
<v Speaker 1>Exactly, imagine you have fun that they could have.

233
00:11:52.320 --> 00:11:56.759
<v Speaker 2>Remember Golden Nuggets, the serial, Just those four guys put

234
00:11:56.759 --> 00:11:58.240
<v Speaker 2>the donkey next to them.

235
00:11:58.559 --> 00:12:03.120
<v Speaker 1>Come on, where is the Golden Nuggets album?

236
00:12:03.200 --> 00:12:03.480
<v Speaker 3>Guys?

237
00:12:03.519 --> 00:12:06.080
<v Speaker 1>You have fucked up. But I will let them off

238
00:12:06.080 --> 00:12:08.000
<v Speaker 1>because there's also a single out called we Might as

239
00:12:08.000 --> 00:12:11.679
<v Speaker 1>Well Be Strangers, which features the band Wednesday, who I

240
00:12:11.879 --> 00:12:14.440
<v Speaker 1>confess I don't we know anything about, but I understand

241
00:12:14.440 --> 00:12:17.240
<v Speaker 1>that they are a recently, you know, fairly popular band

242
00:12:17.240 --> 00:12:19.960
<v Speaker 1>in the kind of the more alternative leaning world. But

243
00:12:20.720 --> 00:12:25.399
<v Speaker 1>this song considering as said, we got a track from

244
00:12:25.440 --> 00:12:28.679
<v Speaker 1>this record like a month or so ago, and we

245
00:12:28.720 --> 00:12:30.559
<v Speaker 1>spoke about it and I'm like, yeah, this is like solid,

246
00:12:30.600 --> 00:12:33.200
<v Speaker 1>but it didn't grab the headlines right. The mainly interesting

247
00:12:33.200 --> 00:12:34.519
<v Speaker 1>thing about it was that it was like the first

248
00:12:34.519 --> 00:12:37.519
<v Speaker 1>song in about twenty years that Patrick Wilson had written.

249
00:12:37.720 --> 00:12:41.200
<v Speaker 1>It was a fine, but didn't necessarily jump out to

250
00:12:41.279 --> 00:12:43.360
<v Speaker 1>us so immediately as like, this is a standout Weezer song.

251
00:12:43.840 --> 00:12:46.320
<v Speaker 1>This track, I mean, for a start, this is like

252
00:12:46.360 --> 00:12:48.799
<v Speaker 1>an emo song like that. I can't remember the last

253
00:12:48.799 --> 00:12:53.200
<v Speaker 1>time that Weezer had this like organic level of production sound.

254
00:12:53.320 --> 00:12:55.039
<v Speaker 1>I mean, obviously that was okay human, but that obviously

255
00:12:55.080 --> 00:12:57.279
<v Speaker 1>lent in a very particular kind of classical direction. This

256
00:12:57.399 --> 00:13:03.559
<v Speaker 1>is like an old school, almost nineties esque emo. We's

257
00:13:03.600 --> 00:13:03.960
<v Speaker 1>a song.

258
00:13:04.480 --> 00:13:08.960
<v Speaker 2>Yeah, it's proper like throwback to nineties alt rock. Like

259
00:13:09.720 --> 00:13:13.240
<v Speaker 2>River sounds raw on it, not that he's like screaming

260
00:13:13.360 --> 00:13:14.440
<v Speaker 2>and yelling, but.

261
00:13:14.720 --> 00:13:16.279
<v Speaker 3>You can hear the cracks in his voice.

262
00:13:17.159 --> 00:13:18.559
<v Speaker 1>I know what I mean. Yeah, there's the.

263
00:13:18.559 --> 00:13:21.200
<v Speaker 2>Roughness to it, and that the interval sort of like

264
00:13:21.320 --> 00:13:24.879
<v Speaker 2>bassing guitar on top of each other. It reminds me

265
00:13:24.960 --> 00:13:28.399
<v Speaker 2>of the debut Placebo album and like stuff like that,

266
00:13:29.120 --> 00:13:32.759
<v Speaker 2>and like you say, Emo and all this, and it's

267
00:13:32.799 --> 00:13:37.159
<v Speaker 2>so I mean, I'm head over heels for this. I'm

268
00:13:37.320 --> 00:13:40.559
<v Speaker 2>so so happy. I don't care if they're not on

269
00:13:40.600 --> 00:13:45.360
<v Speaker 2>the album cover. Just give me the album, like, yeah,

270
00:13:45.399 --> 00:13:47.120
<v Speaker 2>maybe laugh on. The opening line of the song is

271
00:13:47.159 --> 00:13:48.600
<v Speaker 2>happy birthday, thanks for the value.

272
00:13:48.679 --> 00:13:50.840
<v Speaker 1>That just strikes herre in an interesting way. At the

273
00:13:50.840 --> 00:13:54.200
<v Speaker 1>third time you hear it, Nancy and you know said

274
00:13:54.279 --> 00:13:56.919
<v Speaker 1>vicious references a bit played out, but whatever, the song

275
00:13:57.159 --> 00:14:00.480
<v Speaker 1>is lovely. Like I agree, like the guitar and vocal

276
00:14:01.159 --> 00:14:05.000
<v Speaker 1>melodic harmony that goes on with that core riff is brilliant.

277
00:14:05.159 --> 00:14:07.240
<v Speaker 1>I said, I don't really know much about Wednesday, but

278
00:14:07.360 --> 00:14:10.320
<v Speaker 1>like decent counterpoint to you know, Rivers on the second

279
00:14:10.360 --> 00:14:11.759
<v Speaker 1>verse of it kind of reminds me of you know,

280
00:14:13.000 --> 00:14:15.679
<v Speaker 1>the song go Away with the singer from Best Coast,

281
00:14:15.679 --> 00:14:17.879
<v Speaker 1>which is the one that blew up on TikTok. Really

282
00:14:17.919 --> 00:14:20.000
<v Speaker 1>bizarrely like a couple months ago and became huge, So

283
00:14:20.879 --> 00:14:24.039
<v Speaker 1>maybe this will be I don't know, purposefully, I don't know,

284
00:14:24.039 --> 00:14:26.480
<v Speaker 1>and I don't know if I want to call it

285
00:14:26.639 --> 00:14:28.120
<v Speaker 1>as cynical as that, But what I was going to

286
00:14:28.159 --> 00:14:30.879
<v Speaker 1>say is that maybe it could tap into a similar effect,

287
00:14:31.000 --> 00:14:33.360
<v Speaker 1>right if there are people who are you know, have

288
00:14:33.440 --> 00:14:35.320
<v Speaker 1>been enjoying that song, maybe it's their first Weezer song,

289
00:14:35.320 --> 00:14:37.080
<v Speaker 1>it's you know, reasonable, and then this one comes out.

290
00:14:37.120 --> 00:14:39.279
<v Speaker 1>It's like, ah, that kind of has a slightly similar

291
00:14:39.320 --> 00:14:43.320
<v Speaker 1>sort of you know, duet flavor to it. And I agree.

292
00:14:43.320 --> 00:14:46.480
<v Speaker 1>Even though like it's quite a you know, languid, melancholic

293
00:14:46.559 --> 00:14:49.679
<v Speaker 1>kind of song, there's a really like passionate delivery to it,

294
00:14:49.720 --> 00:14:53.320
<v Speaker 1>particularly on the Bridge. There's a real like urgency that

295
00:14:53.440 --> 00:14:56.559
<v Speaker 1>Rivers approaches it with and I haven't heard him like

296
00:14:56.720 --> 00:14:58.720
<v Speaker 1>that in a long time.

297
00:14:58.879 --> 00:15:03.919
<v Speaker 2>Actually, there's there's one song on Hurley where he sort

298
00:15:03.919 --> 00:15:12.879
<v Speaker 2>of does that, but like, you know, I mean for me, yeah, but.

299
00:15:12.879 --> 00:15:14.360
<v Speaker 1>Yeah, Like, and.

300
00:15:16.200 --> 00:15:21.360
<v Speaker 2>It's nice to hear him sound urgent, like he needs

301
00:15:21.399 --> 00:15:24.679
<v Speaker 2>to get something out. Because he's our sweet little like

302
00:15:24.759 --> 00:15:27.639
<v Speaker 2>songwriting machine man, it's not often that we hear like

303
00:15:28.000 --> 00:15:32.600
<v Speaker 2>actual emotion from him. And on the chorus. The chorus

304
00:15:32.679 --> 00:15:37.120
<v Speaker 2>melody is so bittersweet and so big and so catchy.

305
00:15:37.600 --> 00:15:40.519
<v Speaker 2>But the thing that really like lifts it, even though

306
00:15:40.519 --> 00:15:42.159
<v Speaker 2>it's already brilliant, is.

307
00:15:42.120 --> 00:15:44.360
<v Speaker 3>That if I say you were a song.

308
00:15:44.600 --> 00:15:49.360
<v Speaker 2>Bit it was just like it's like you're you've ascended

309
00:15:49.360 --> 00:15:51.120
<v Speaker 2>the mountain. You think you're at the top. Oh shit,

310
00:15:51.200 --> 00:15:54.639
<v Speaker 2>there's still more mountain to go. You know, it brings

311
00:15:54.759 --> 00:15:58.120
<v Speaker 2>something greater and makes it greater. Like I've listened to

312
00:15:58.120 --> 00:16:00.679
<v Speaker 2>this song oh God times today.

313
00:16:00.720 --> 00:16:01.960
<v Speaker 3>I love it. I love it.

314
00:16:02.799 --> 00:16:06.919
<v Speaker 2>I yeah, I know nothing about Wednesday, but she's got

315
00:16:06.919 --> 00:16:11.799
<v Speaker 2>a great voice, that great like lacks of daisical, sort

316
00:16:11.799 --> 00:16:16.840
<v Speaker 2>of too cool for school vibe. She really compliments Rivers

317
00:16:16.879 --> 00:16:19.080
<v Speaker 2>on the verse like I think this is the best

318
00:16:19.080 --> 00:16:21.519
<v Speaker 2>Weezer song Ah God.

319
00:16:22.759 --> 00:16:23.679
<v Speaker 3>In ages.

320
00:16:24.519 --> 00:16:28.879
<v Speaker 1>I will answer that obviously. This is the first major

321
00:16:28.879 --> 00:16:32.399
<v Speaker 1>Weser project since the Season's records, which are like two

322
00:16:32.440 --> 00:16:34.799
<v Speaker 1>three years old at the stage, and they were wank.

323
00:16:35.120 --> 00:16:38.399
<v Speaker 1>So the last time Weezer were good was twenty twenty one,

324
00:16:38.480 --> 00:16:40.960
<v Speaker 1>when they put out both Okay Human and Van Weezer. Yeah,

325
00:16:41.000 --> 00:16:45.200
<v Speaker 1>and this is unquestionably the best material since then. So

326
00:16:46.120 --> 00:16:50.159
<v Speaker 1>we had five years of you know, uh some in

327
00:16:50.240 --> 00:16:53.000
<v Speaker 1>between Wheezer years. As happens, they drift away, they come back.

328
00:16:53.039 --> 00:16:54.279
<v Speaker 1>We all know this. This is the cycle of the

329
00:16:54.279 --> 00:16:57.639
<v Speaker 1>Weezer fan. It's not new, but on the strength of

330
00:16:57.679 --> 00:17:00.720
<v Speaker 1>you know, the first single was decent, maybe all you

331
00:17:00.720 --> 00:17:02.360
<v Speaker 1>know jump out to us more when we got the

332
00:17:02.399 --> 00:17:07.319
<v Speaker 1>full record, this one is a great Weezer song, and

333
00:17:07.400 --> 00:17:09.880
<v Speaker 1>it feels like, after you know, five years since the

334
00:17:09.960 --> 00:17:12.440
<v Speaker 1>last time they were good, off the back of this

335
00:17:12.559 --> 00:17:14.720
<v Speaker 1>song we can go, it seems like Weezer are good

336
00:17:14.720 --> 00:17:16.240
<v Speaker 1>again because this is a really strong song.

337
00:17:16.440 --> 00:17:20.680
<v Speaker 2>I hope, so I want to believe. I always believe. Also,

338
00:17:21.160 --> 00:17:25.039
<v Speaker 2>I have a boom to pick. Everything is surrounding the

339
00:17:26.000 --> 00:17:30.599
<v Speaker 2>announcement of this album is like the twentieth album from Weezer.

340
00:17:31.599 --> 00:17:35.640
<v Speaker 2>We're not doing this. We're not counting each season's EP

341
00:17:36.119 --> 00:17:37.160
<v Speaker 2>as an album.

342
00:17:37.759 --> 00:17:41.680
<v Speaker 1>We can and that might also include Teal, which you

343
00:17:41.720 --> 00:17:43.680
<v Speaker 1>know is up for debate whether you include covered album

344
00:17:43.720 --> 00:17:46.279
<v Speaker 1>or not. So I lost track of weeze like even

345
00:17:46.279 --> 00:17:48.519
<v Speaker 1>though we've done the full special talking about every single week,

346
00:17:48.559 --> 00:17:52.200
<v Speaker 1>but I have one track of what counts and what doesn't.

347
00:17:52.240 --> 00:17:54.640
<v Speaker 1>But it does seem like this might be the first

348
00:17:55.000 --> 00:17:59.039
<v Speaker 1>good Weezer album since Okay, Human and Van Weezer came

349
00:17:59.079 --> 00:18:02.079
<v Speaker 1>out five years ago, so fucking sweet, I do believe.

350
00:18:02.559 --> 00:18:06.079
<v Speaker 1>Then we also have a few weeks ago there was

351
00:18:06.240 --> 00:18:09.359
<v Speaker 1>a little period where the signs seemed to be pointing

352
00:18:09.680 --> 00:18:12.640
<v Speaker 1>to Greta van Fleet of course, the band who've never

353
00:18:12.640 --> 00:18:16.519
<v Speaker 1>heard Led Zeppelin before in their lives, possibly splitting up.

354
00:18:16.680 --> 00:18:19.319
<v Speaker 1>And instead, once we put that show out, it was

355
00:18:19.319 --> 00:18:21.640
<v Speaker 1>announcement of like, oh no, we're back, guys. We had

356
00:18:21.680 --> 00:18:24.480
<v Speaker 1>like a two three year hiatus whatever, but we're back,

357
00:18:24.480 --> 00:18:26.799
<v Speaker 1>and we went okay, all right, fine and moved on.

358
00:18:27.960 --> 00:18:30.400
<v Speaker 1>But now they're like actually properly back, and they've put

359
00:18:30.400 --> 00:18:34.640
<v Speaker 1>out a single called play or Games. And this is again,

360
00:18:34.720 --> 00:18:37.599
<v Speaker 1>I guess the big you know, reveal of their kind

361
00:18:37.599 --> 00:18:41.240
<v Speaker 1>of comeback routine right now. I'll be real with you,

362
00:18:42.319 --> 00:18:45.680
<v Speaker 1>this song as it's been released right now, I don't

363
00:18:45.680 --> 00:18:47.960
<v Speaker 1>think I needed to spend any time with because where

364
00:18:48.000 --> 00:18:49.400
<v Speaker 1>we also got the announcement a couple weeks ago, it

365
00:18:49.440 --> 00:18:50.640
<v Speaker 1>is like, oh no, they're not breaking up there, They're

366
00:18:50.680 --> 00:18:53.640
<v Speaker 1>still around. There was like footage that went round of

367
00:18:53.680 --> 00:18:59.440
<v Speaker 1>them playing this song together, and that fucking chorus right

368
00:19:00.079 --> 00:19:05.799
<v Speaker 1>of matey boy going play a guy became like a

369
00:19:05.920 --> 00:19:08.640
<v Speaker 1>vocal stym for me for at least like two three days,

370
00:19:08.640 --> 00:19:12.240
<v Speaker 1>Like I was walking around, I'm like, okay, that's it.

371
00:19:12.720 --> 00:19:14.960
<v Speaker 1>I'm in a way, I'm almost glad gretvan Fleet are

372
00:19:14.960 --> 00:19:19.039
<v Speaker 1>back just because of how like I don't know, like

373
00:19:19.480 --> 00:19:22.200
<v Speaker 1>weirdly addictive not listening to the full song fuck that,

374
00:19:22.279 --> 00:19:27.799
<v Speaker 1>but just watching the five to ten in that turned

375
00:19:27.880 --> 00:19:31.200
<v Speaker 1>out to be. How is that Like there's at such

376
00:19:31.240 --> 00:19:35.759
<v Speaker 1>an incredible level of either lack of self awareness or

377
00:19:35.839 --> 00:19:39.039
<v Speaker 1>just not caring at all, that that is such a

378
00:19:39.079 --> 00:19:40.920
<v Speaker 1>thing that they could be beaten with that, Like people

379
00:19:40.920 --> 00:19:43.440
<v Speaker 1>have always said that amongst you a led Zeppelin, whatever,

380
00:19:43.480 --> 00:19:47.279
<v Speaker 1>aerosmith Sventy's rock type clones, he has a particularly shrill

381
00:19:47.440 --> 00:19:50.599
<v Speaker 1>voice and pushing it that far and being like, yeah,

382
00:19:50.680 --> 00:19:53.200
<v Speaker 1>that's the hook of our comeback single. In a way

383
00:19:53.200 --> 00:19:54.519
<v Speaker 1>I have to respect it.

384
00:19:55.279 --> 00:19:59.799
<v Speaker 3>Yeah, you know what, I like? This song is a nightmare.

385
00:20:01.519 --> 00:20:04.680
<v Speaker 2>Sort of I don't know how to even think about

386
00:20:04.720 --> 00:20:11.680
<v Speaker 2>it because objectively it's horrid. It's really stupid, and like

387
00:20:11.720 --> 00:20:16.000
<v Speaker 2>you say, it's like it's either really lazy and like,

388
00:20:16.279 --> 00:20:18.160
<v Speaker 2>oh who gives a ship we can put it out anything,

389
00:20:18.799 --> 00:20:23.400
<v Speaker 2>or a delusion of grandeur. I like to believe it's

390
00:20:23.440 --> 00:20:26.000
<v Speaker 2>a delusion of grandeur I have. I think it is

391
00:20:26.119 --> 00:20:29.400
<v Speaker 2>the two such a such a soft spot. And you'll

392
00:20:29.440 --> 00:20:33.440
<v Speaker 2>know this as my long suffering best mate. If music

393
00:20:33.519 --> 00:20:39.000
<v Speaker 2>is funny, I really just like it.

394
00:20:39.000 --> 00:20:41.000
<v Speaker 3>It is bad, I'll find it funny.

395
00:20:41.119 --> 00:20:45.640
<v Speaker 2>Therefore I will like it, especially if something is like

396
00:20:46.440 --> 00:20:50.839
<v Speaker 2>so confident and like trying to be like a party starting,

397
00:20:50.920 --> 00:20:53.000
<v Speaker 2>like come on, guys, we're all dancing. It's a boogie,

398
00:20:53.000 --> 00:20:57.119
<v Speaker 2>we're funking, and it's that bad and that embarrassing. I

399
00:20:57.279 --> 00:21:01.519
<v Speaker 2>really I find that so infectious and so funny. I've

400
00:21:01.559 --> 00:21:06.319
<v Speaker 2>listened to the song, I mean a few times today.

401
00:21:07.680 --> 00:21:12.000
<v Speaker 2>Earlier I was I was cooking dinner with my brother

402
00:21:12.200 --> 00:21:13.200
<v Speaker 2>and I was like, do you want to hear this

403
00:21:13.240 --> 00:21:15.920
<v Speaker 2>stupid song we have to talk about? I put it

404
00:21:15.960 --> 00:21:18.160
<v Speaker 2>on and by the end we were like clapping along,

405
00:21:18.559 --> 00:21:22.559
<v Speaker 2>adding your own like whoa yeah, come on, like really

406
00:21:22.559 --> 00:21:29.079
<v Speaker 2>getting into it considering it's crap. It's so infectious, like

407
00:21:30.119 --> 00:21:34.240
<v Speaker 2>like you, I'm glad they're back because that chorus makes

408
00:21:34.279 --> 00:21:36.640
<v Speaker 2>me happy.

409
00:21:37.000 --> 00:21:39.880
<v Speaker 1>Yeah, I'm somewhat sillller that. Like I said, I was

410
00:21:39.920 --> 00:21:43.880
<v Speaker 1>just like just just vocal ticking that frages when it

411
00:21:43.920 --> 00:21:48.160
<v Speaker 1>was first revealed. But what what come back what returning

412
00:21:48.200 --> 00:21:52.200
<v Speaker 1>the single? Yeah, kind of surprised that this has come

413
00:21:52.240 --> 00:21:54.160
<v Speaker 1>out so soon, I suppose, but they're striking on theye

414
00:21:54.160 --> 00:21:55.920
<v Speaker 1>and is hot. I'm poyed to serve. I've got a

415
00:21:55.960 --> 00:21:58.319
<v Speaker 1>new single. I believe this is. I'm going to take

416
00:21:58.359 --> 00:22:00.960
<v Speaker 1>this as currently a standalone saying rather than a reveal

417
00:22:01.000 --> 00:22:03.960
<v Speaker 1>avenue record or anything, because obviously the Fallen Start record

418
00:22:04.039 --> 00:22:06.240
<v Speaker 1>is just a year old now. But you know, if

419
00:22:06.279 --> 00:22:08.000
<v Speaker 1>you've got a track, why not why not put it out?

420
00:22:08.359 --> 00:22:12.240
<v Speaker 1>Dead reckoning from Employed to Serve and this considering the

421
00:22:12.359 --> 00:22:16.160
<v Speaker 1>last album Lent the furthest they ever had into like

422
00:22:16.440 --> 00:22:19.079
<v Speaker 1>it's kind of mainstream adjacent net will feel right, like

423
00:22:19.119 --> 00:22:22.599
<v Speaker 1>songs for big festival stages that kind of vibe. This

424
00:22:23.200 --> 00:22:23.720
<v Speaker 1>starts with.

425
00:22:23.680 --> 00:22:27.559
<v Speaker 4>A fucking like brutal death metal like slamming riff, Like

426
00:22:27.599 --> 00:22:31.519
<v Speaker 4>this is way more brutal than anything they've done in

427
00:22:31.720 --> 00:22:34.039
<v Speaker 4>a hot minute, like Justine's doing some like kind of

428
00:22:34.079 --> 00:22:36.519
<v Speaker 4>more necrotic shit, which does like the look in my

429
00:22:36.559 --> 00:22:41.160
<v Speaker 4>eyes that kind of stuff. There's frantic like spidery lead

430
00:22:41.279 --> 00:22:43.640
<v Speaker 4>guitars crammed into every nook and cranny, you know it.

431
00:22:43.640 --> 00:22:46.720
<v Speaker 4>There's a bit about like one minute fifty in where

432
00:22:46.759 --> 00:22:50.079
<v Speaker 4>Sammy just hits this like weird like gorguts tech death

433
00:22:50.160 --> 00:22:54.240
<v Speaker 4>kind of way, kind of god and sticking this on

434
00:22:54.400 --> 00:22:57.000
<v Speaker 4>was like, oh shit, Okay, I know, obviously, I know

435
00:22:57.039 --> 00:22:59.279
<v Speaker 4>that you guys have this in you, but I didn't

436
00:22:59.279 --> 00:23:01.319
<v Speaker 4>expect to be hit with it at this exact moment.

437
00:23:01.359 --> 00:23:02.680
<v Speaker 4>And I'm certainly not mad about it.

438
00:23:03.119 --> 00:23:06.920
<v Speaker 2>No, yeah, I had no idea what to expect, like you,

439
00:23:07.000 --> 00:23:11.039
<v Speaker 2>but then immediately being hit by like an employed to

440
00:23:11.039 --> 00:23:15.519
<v Speaker 2>serve song that like has suffocation in it wicked. I mean,

441
00:23:15.559 --> 00:23:19.680
<v Speaker 2>it's so heavy, it's so brutal, that bit where Sammy

442
00:23:19.759 --> 00:23:23.799
<v Speaker 2>hits the like fucked up guitar, and then it's sort

443
00:23:23.839 --> 00:23:26.880
<v Speaker 2>of the song sort of is building to something grand.

444
00:23:26.880 --> 00:23:28.440
<v Speaker 2>I thought we were going to go into a big

445
00:23:28.680 --> 00:23:31.920
<v Speaker 2>like solo section or something, and then a big melodic

446
00:23:32.279 --> 00:23:35.039
<v Speaker 2>but still sort of like a fucked up like choir

447
00:23:35.759 --> 00:23:40.319
<v Speaker 2>melody comes in and I'm like, oh shit, this rips.

448
00:23:40.720 --> 00:23:44.559
<v Speaker 2>It's so good, like it's almost I don't know. They

449
00:23:44.599 --> 00:23:46.920
<v Speaker 2>seemed like a band who were just always creating and

450
00:23:47.000 --> 00:23:53.240
<v Speaker 2>always wanting to write stuff, And I think it's obviously

451
00:23:53.319 --> 00:23:56.240
<v Speaker 2>very natural for people who love metal as much as

452
00:23:56.279 --> 00:23:58.920
<v Speaker 2>we know they do if they write something slightly more

453
00:23:58.960 --> 00:24:01.119
<v Speaker 2>commercial in the last record.

454
00:24:01.680 --> 00:24:03.680
<v Speaker 3>Fuck it, why not just put a death metal song

455
00:24:03.720 --> 00:24:04.920
<v Speaker 3>with a great beatdown in it.

456
00:24:05.599 --> 00:24:09.079
<v Speaker 1>Yeah, it's so cool that that breakdown part is so

457
00:24:09.680 --> 00:24:13.519
<v Speaker 1>like twenty ten Death Corps almost like it's sap. Like

458
00:24:13.720 --> 00:24:15.559
<v Speaker 1>that breakdown sounds like it'd be on a new era

459
00:24:15.640 --> 00:24:19.200
<v Speaker 1>of corruption by White Chapel, you know, and that's kind

460
00:24:19.240 --> 00:24:22.039
<v Speaker 1>of the clean, cleaner I suppose, the kind of melodic,

461
00:24:22.119 --> 00:24:25.920
<v Speaker 1>you know, multi tracked bridge bit that is the part

462
00:24:25.960 --> 00:24:30.720
<v Speaker 1>that to me sounds like the strongest you know, continuation

463
00:24:30.799 --> 00:24:32.319
<v Speaker 1>on from what they have been doing, and that it

464
00:24:32.359 --> 00:24:34.400
<v Speaker 1>sounds a little bit like when you hear like the

465
00:24:34.440 --> 00:24:37.759
<v Speaker 1>big gang vocal tracking from bands like Beleef and Within

466
00:24:37.839 --> 00:24:39.119
<v Speaker 1>and stuff like that, who are sort of in the

467
00:24:39.119 --> 00:24:41.319
<v Speaker 1>similar realm of what you know. Latter Day Employed Observe

468
00:24:41.880 --> 00:24:44.440
<v Speaker 1>has been like that stuff is still in there, but

469
00:24:44.519 --> 00:24:47.279
<v Speaker 1>this is just a like way more of you know,

470
00:24:47.359 --> 00:24:51.400
<v Speaker 1>fast and aggressive, brutal you know, slut on that. And

471
00:24:51.440 --> 00:24:53.160
<v Speaker 1>I agree, you know, when you take the last record

472
00:24:53.240 --> 00:24:56.240
<v Speaker 1>and yeah, we spoke about how diverse the last record

473
00:24:56.319 --> 00:24:57.799
<v Speaker 1>is when we reviewed. It's like that, here's like a

474
00:24:57.839 --> 00:25:01.279
<v Speaker 1>weird goth metally song, Here's a song with Jesse Leach

475
00:25:01.400 --> 00:25:03.680
<v Speaker 1>on here's a song with like electronics like it was,

476
00:25:03.720 --> 00:25:06.359
<v Speaker 1>you know, try and stuff out. When you take all

477
00:25:06.400 --> 00:25:10.119
<v Speaker 1>of those things and then also factor this like as

478
00:25:10.119 --> 00:25:13.519
<v Speaker 1>you say, kind of suffocation adjacent employed to serve song

479
00:25:13.720 --> 00:25:15.480
<v Speaker 1>in with that, then they have, like you got to

480
00:25:15.480 --> 00:25:18.119
<v Speaker 1>give him a lot of credit for covering a lot

481
00:25:18.160 --> 00:25:20.559
<v Speaker 1>of ground even in just like the last eighteen months,

482
00:25:20.640 --> 00:25:23.799
<v Speaker 1>let alone their entire you know, catalog up to this point.

483
00:25:24.160 --> 00:25:26.960
<v Speaker 1>But a very nice surprise getting not just a new

484
00:25:26.960 --> 00:25:29.160
<v Speaker 1>employer serve track, but one that is like this fucking

485
00:25:29.960 --> 00:25:33.440
<v Speaker 1>no nonsense with its brutality. So definitely check that one

486
00:25:33.440 --> 00:25:36.119
<v Speaker 1>out if you haven't already. Even more new music, we've

487
00:25:36.119 --> 00:25:38.519
<v Speaker 1>got a new album from Jamie Lenman on the Way,

488
00:25:38.519 --> 00:25:41.440
<v Speaker 1>who seems to have taken his like brief little couple

489
00:25:41.519 --> 00:25:44.799
<v Speaker 1>year retirement period and gone. Now I've not got that

490
00:25:44.839 --> 00:25:46.680
<v Speaker 1>in me at least for now, because he seems to

491
00:25:46.759 --> 00:25:49.359
<v Speaker 1>just have come back to making records and so on.

492
00:25:49.799 --> 00:25:52.279
<v Speaker 1>But there is a new album which is called Puke.

493
00:25:53.039 --> 00:25:55.519
<v Speaker 1>It's gonna be out on August the seventh. There's a

494
00:25:55.559 --> 00:25:57.559
<v Speaker 1>single from that called not Likely as well, but new

495
00:25:57.640 --> 00:26:01.200
<v Speaker 1>Jamie Lenman on the Way. That's all good exciting new

496
00:26:01.440 --> 00:26:04.440
<v Speaker 1>music stuff. Let's shift gears a little bit and talk

497
00:26:04.480 --> 00:26:08.720
<v Speaker 1>about something stupid and horrible both, But here we go.

498
00:26:08.759 --> 00:26:11.920
<v Speaker 1>It's our job to report this stuff. Bal Morra, who

499
00:26:12.240 --> 00:26:15.039
<v Speaker 1>were one, say were? I don't know if they were

500
00:26:15.160 --> 00:26:17.559
<v Speaker 1>or are. Everything's fucking up in the air with this

501
00:26:17.599 --> 00:26:22.440
<v Speaker 1>at the moment, but bal Mora one of the most hyped,

502
00:26:22.640 --> 00:26:27.160
<v Speaker 1>certainly bands of the like metalcore revival right of the

503
00:26:27.400 --> 00:26:30.240
<v Speaker 1>for the past like two years. I would say they've

504
00:26:30.319 --> 00:26:33.079
<v Speaker 1>kind of felt like the chosen ones of that scene,

505
00:26:33.319 --> 00:26:37.759
<v Speaker 1>like considering I'm talking like, you know, two thousand and

506
00:26:37.799 --> 00:26:42.400
<v Speaker 1>two esque, you know, revival, so called real metalcore right,

507
00:26:42.440 --> 00:26:45.319
<v Speaker 1>and we get so many of those bands coming out

508
00:26:45.359 --> 00:26:47.200
<v Speaker 1>of the hardcore scene. But the one of those bands

509
00:26:47.240 --> 00:26:49.400
<v Speaker 1>who have emerged in the last you know, handful of

510
00:26:49.440 --> 00:26:52.000
<v Speaker 1>years who seemed to be building the most like steam

511
00:26:52.240 --> 00:26:54.720
<v Speaker 1>behind them is this band bal Mora. We spoke about

512
00:26:54.720 --> 00:26:56.960
<v Speaker 1>on the show before. They had like a run of

513
00:26:57.000 --> 00:26:59.720
<v Speaker 1>several EPs that were all again continually like each one

514
00:26:59.759 --> 00:27:02.599
<v Speaker 1>more so I hyped and built up a lot of steam,

515
00:27:03.079 --> 00:27:05.640
<v Speaker 1>all of which was you know, lending a lot of

516
00:27:05.680 --> 00:27:08.119
<v Speaker 1>anticipation to when they would put out a debut album.

517
00:27:08.160 --> 00:27:09.680
<v Speaker 1>We've been saying that for a while, like, yeah, when

518
00:27:09.720 --> 00:27:12.759
<v Speaker 1>the debut BAMAR album out, we'll review it and all

519
00:27:12.799 --> 00:27:16.559
<v Speaker 1>of that stuff. That album came out last Friday, and

520
00:27:17.759 --> 00:27:20.200
<v Speaker 1>immediately considering I already thought it could have been an

521
00:27:20.200 --> 00:27:23.839
<v Speaker 1>interesting conversation, considering I was seeing like mixed responses, like

522
00:27:23.920 --> 00:27:27.240
<v Speaker 1>both very positive and very negative about actually the debut

523
00:27:27.240 --> 00:27:29.799
<v Speaker 1>album and all the whether it fulfilled or didn't fulfill

524
00:27:29.880 --> 00:27:32.680
<v Speaker 1>the hype that they had going into it. But pretty

525
00:27:32.759 --> 00:27:35.559
<v Speaker 1>much as soon as it was out, they got hit

526
00:27:35.640 --> 00:27:39.680
<v Speaker 1>by that old you know, scourge of the rock and

527
00:27:39.720 --> 00:27:45.759
<v Speaker 1>particularly Parkore and punk scene sexual misconduct allegations, and their guitarist,

528
00:27:45.920 --> 00:27:49.359
<v Speaker 1>Jay Torbler, who was the focus of those allegations, was

529
00:27:49.400 --> 00:27:53.599
<v Speaker 1>announced to have stepped away from the band. But since

530
00:27:53.599 --> 00:27:56.519
<v Speaker 1>then it's just sort of like snowballed in terms of

531
00:27:57.359 --> 00:28:03.880
<v Speaker 1>I guess primarily people taking umbradge with the wording of

532
00:28:03.920 --> 00:28:07.480
<v Speaker 1>their statements and how you know, well or poorly they

533
00:28:07.519 --> 00:28:11.519
<v Speaker 1>may have expressed and faced up to these things, and

534
00:28:11.720 --> 00:28:16.079
<v Speaker 1>this kind of snowball of negativity surrounding that seems to

535
00:28:16.119 --> 00:28:20.119
<v Speaker 1>have gone further to the point where the entire existence

536
00:28:20.160 --> 00:28:24.079
<v Speaker 1>of the band currently seems up for you know, like

537
00:28:24.119 --> 00:28:27.759
<v Speaker 1>I said, it's uncertain, right. Their initial statement, I will

538
00:28:27.799 --> 00:28:30.720
<v Speaker 1>readoubt is in the past few days, we've seen the

539
00:28:30.759 --> 00:28:33.400
<v Speaker 1>evidence and screenshots of the behavior of our guitarist engaging

540
00:28:33.400 --> 00:28:36.319
<v Speaker 1>with someone under age. We the other four members, Danny, Paul,

541
00:28:36.319 --> 00:28:38.519
<v Speaker 1>Collin and Chaz don't fuck with us at all. Obviously,

542
00:28:38.880 --> 00:28:40.480
<v Speaker 1>Jay will be stepping away from the band, and our

543
00:28:40.519 --> 00:28:43.240
<v Speaker 1>summer tour will continue as planned. We're sorry, what's for

544
00:28:43.279 --> 00:28:45.279
<v Speaker 1>what seems like a lack of transparency, Just trying to

545
00:28:45.319 --> 00:28:47.279
<v Speaker 1>figure out how to navigate and continue all the shows

546
00:28:47.279 --> 00:28:49.440
<v Speaker 1>we have booked and planned to play. All of our

547
00:28:49.440 --> 00:28:51.759
<v Speaker 1>love goes out to the promoters, are tour mates, and

548
00:28:51.839 --> 00:28:54.400
<v Speaker 1>everyone who fucks with us on some real shit balmorra.

549
00:28:54.599 --> 00:28:58.319
<v Speaker 1>That was the initial statement, and I think, quite reasonably

550
00:28:59.319 --> 00:29:01.480
<v Speaker 1>a lot was made of the fact that they end

551
00:29:01.519 --> 00:29:04.599
<v Speaker 1>the statement not by even though they are saying, you know,

552
00:29:04.720 --> 00:29:07.680
<v Speaker 1>we do not condone this this behavior, and Jay, you know,

553
00:29:08.119 --> 00:29:10.079
<v Speaker 1>will be stepping away from the band, they end the

554
00:29:10.079 --> 00:29:14.079
<v Speaker 1>statement not by expressing solidarity with you know, the victims,

555
00:29:14.359 --> 00:29:17.039
<v Speaker 1>but to going thanks to all the promoters and our

556
00:29:17.079 --> 00:29:20.200
<v Speaker 1>tour mates, right, and everyone who is still supporting with us.

557
00:29:20.960 --> 00:29:24.920
<v Speaker 1>And I think, like I said, quite reasonably, a lot

558
00:29:24.920 --> 00:29:27.079
<v Speaker 1>of people went, hey, that's it doesn't seem like the

559
00:29:27.079 --> 00:29:30.240
<v Speaker 1>people you should be you know, referring to in this

560
00:29:30.319 --> 00:29:32.519
<v Speaker 1>exact scenario, and there was a lot of backlash against

561
00:29:32.559 --> 00:29:35.559
<v Speaker 1>that of you know, are they taking this particularly seriously?

562
00:29:35.640 --> 00:29:38.839
<v Speaker 1>Shall we say? The follow up to this is that

563
00:29:39.359 --> 00:29:44.440
<v Speaker 1>one of those members, their bassist, Danny Kuneo, put up

564
00:29:44.480 --> 00:29:48.240
<v Speaker 1>another sort of follow up thing where he says, I said,

565
00:29:48.279 --> 00:29:50.839
<v Speaker 1>this shit band is nuked. Don't fuck with all this

566
00:29:50.880 --> 00:29:54.079
<v Speaker 1>weirdo shit, my fault slimes. I'm out. I started this

567
00:29:54.079 --> 00:29:56.160
<v Speaker 1>shit years ago with my homie Brandon kind of a

568
00:29:56.200 --> 00:29:58.079
<v Speaker 1>turned into a shitty monster of a band. Don't fuck

569
00:29:58.119 --> 00:29:59.839
<v Speaker 1>with people using their bands to act. We're talking to

570
00:29:59.839 --> 00:30:02.000
<v Speaker 1>their who are younger slash vulnerable, and yeah, like the

571
00:30:02.000 --> 00:30:05.440
<v Speaker 1>final part of that is essentially the crux of the matter.

572
00:30:05.640 --> 00:30:09.279
<v Speaker 1>So I don't want to cast any more over that

573
00:30:09.440 --> 00:30:14.079
<v Speaker 1>is what it is right now. But I'm not alone

574
00:30:14.119 --> 00:30:17.160
<v Speaker 1>in thinking that just like the inability to form a

575
00:30:17.200 --> 00:30:20.559
<v Speaker 1>sentence in a way that is like mature, you know

576
00:30:20.599 --> 00:30:23.279
<v Speaker 1>what I mean, is a major part of what's actually

577
00:30:23.559 --> 00:30:27.359
<v Speaker 1>upset people here, Like this continual wording of statements like

578
00:30:27.519 --> 00:30:31.920
<v Speaker 1>fucking fake gangsters, basically like saying my fault slimes, which

579
00:30:31.920 --> 00:30:35.240
<v Speaker 1>I had to like audibly quash my laughter while reading

580
00:30:35.279 --> 00:30:37.440
<v Speaker 1>that out. When I'm talking about sexual miscondut allegations, I

581
00:30:37.440 --> 00:30:39.000
<v Speaker 1>should not be laughing at that, But it just feels

582
00:30:39.000 --> 00:30:42.839
<v Speaker 1>so absurd to be reading that statement out loud, combined

583
00:30:42.880 --> 00:30:47.039
<v Speaker 1>with again the initial statement where they were again thanking

584
00:30:47.079 --> 00:30:49.720
<v Speaker 1>the tour mates and promoters and all of that, it

585
00:30:49.839 --> 00:30:52.200
<v Speaker 1>just seems like people who are I know that they

586
00:30:52.240 --> 00:30:55.000
<v Speaker 1>are younger musicians, right, like this is a group of

587
00:30:55.480 --> 00:30:58.880
<v Speaker 1>a younger band, people who are like nineteen twenty whatever.

588
00:30:59.160 --> 00:31:02.720
<v Speaker 1>It just seems like they don't really have the emotional

589
00:31:02.759 --> 00:31:04.960
<v Speaker 1>maturity or like this just feel like a kind of

590
00:31:04.960 --> 00:31:07.680
<v Speaker 1>state where you should have gone to an adult and gone, hey,

591
00:31:07.920 --> 00:31:10.400
<v Speaker 1>maybe look over this a little bit, because they just

592
00:31:10.440 --> 00:31:16.960
<v Speaker 1>come across like fucking idiots basically, which is not helpful

593
00:31:17.200 --> 00:31:19.799
<v Speaker 1>to taking the matter in question seriously.

594
00:31:19.960 --> 00:31:21.440
<v Speaker 3>It's far too casual.

595
00:31:22.599 --> 00:31:27.400
<v Speaker 2>It's like they found out their guitars stole like someone's handbag.

596
00:31:28.039 --> 00:31:30.680
<v Speaker 1>Is that time my fault slimes? I'm out, what do

597
00:31:30.720 --> 00:31:31.119
<v Speaker 1>you mean?

598
00:31:32.279 --> 00:31:36.920
<v Speaker 2>Yeah, it's it's so like it feels like not an

599
00:31:36.960 --> 00:31:39.880
<v Speaker 2>ounce of thought went into it. Like, like I said,

600
00:31:39.880 --> 00:31:42.960
<v Speaker 2>it's way too casual. It's way too, like trying to

601
00:31:43.039 --> 00:31:46.519
<v Speaker 2>keep up some weird persona they have. It's kind of

602
00:31:47.160 --> 00:31:51.400
<v Speaker 2>like you say, it's childish and not really it's a

603
00:31:51.400 --> 00:31:56.279
<v Speaker 2>bad apology in a way. We haven't really seen them. Yeah, yeah,

604
00:31:56.279 --> 00:32:00.559
<v Speaker 2>because they do acknowledge it and they do believe the victim.

605
00:32:00.640 --> 00:32:04.799
<v Speaker 2>Otherwise the statement wouldn't be the way it is. But

606
00:32:04.920 --> 00:32:10.440
<v Speaker 2>they never explicitly say that, like it's just yeah, I

607
00:32:10.480 --> 00:32:11.240
<v Speaker 2>don't know, I.

608
00:32:11.240 --> 00:32:13.519
<v Speaker 3>Don't know what they were thinking. Yeah.

609
00:32:13.519 --> 00:32:16.319
<v Speaker 1>Like I said, it feels like people who do not

610
00:32:16.480 --> 00:32:22.240
<v Speaker 1>have the skills required to have fought through this statement

611
00:32:22.279 --> 00:32:25.640
<v Speaker 1>and put out something that is emotionally mature enough to

612
00:32:25.720 --> 00:32:30.839
<v Speaker 1>be handling such extremely sensitive subject matter right where, you

613
00:32:31.200 --> 00:32:33.400
<v Speaker 1>really want to read through these type things where you

614
00:32:33.440 --> 00:32:36.640
<v Speaker 1>put and make sure that you are expressing what you

615
00:32:36.680 --> 00:32:38.880
<v Speaker 1>want to express clearly right. That That would be my

616
00:32:38.920 --> 00:32:44.440
<v Speaker 1>advice for anyone of any fucking profession or whatever, if

617
00:32:44.480 --> 00:32:46.440
<v Speaker 1>you ever find yourself, like you know, for any reason,

618
00:32:46.519 --> 00:32:47.920
<v Speaker 1>and you have to make some kind of statement of

619
00:32:47.920 --> 00:32:50.839
<v Speaker 1>like yeah, I'm sorry about that, you want to fucking

620
00:32:50.920 --> 00:32:53.400
<v Speaker 1>read through what you've put and make sure that you

621
00:32:53.480 --> 00:32:58.640
<v Speaker 1>are really trying right, just like trying to genuinely be

622
00:32:58.720 --> 00:33:01.480
<v Speaker 1>considerate of what it is that you're actually you know,

623
00:33:01.519 --> 00:33:05.000
<v Speaker 1>taking accountability for and the fact that it does just

624
00:33:05.039 --> 00:33:08.440
<v Speaker 1>come across, like as said, kids essentially who have not

625
00:33:08.480 --> 00:33:12.119
<v Speaker 1>consulted with a mature adult about how to express this.

626
00:33:12.759 --> 00:33:15.960
<v Speaker 1>It just like that's what stoked even more of the

627
00:33:15.960 --> 00:33:19.480
<v Speaker 1>backlash against their apology, you know what I mean. And obviously,

628
00:33:19.480 --> 00:33:22.920
<v Speaker 1>you know, if the primary you know, initia allegations are true,

629
00:33:22.960 --> 00:33:25.319
<v Speaker 1>then it is a fucking shitty, horrible thing and that

630
00:33:25.359 --> 00:33:29.160
<v Speaker 1>guy should not be in the band going forward. But

631
00:33:29.200 --> 00:33:31.880
<v Speaker 1>the entire band seems to have combusted now over their

632
00:33:32.279 --> 00:33:37.799
<v Speaker 1>collective inability to handle what you know, kind of came

633
00:33:37.839 --> 00:33:41.880
<v Speaker 1>out of it in this way, which is people should

634
00:33:41.920 --> 00:33:44.279
<v Speaker 1>take that as a lesson right in how to again

635
00:33:44.319 --> 00:33:46.920
<v Speaker 1>how to handle yourselves in such situations. But this particular

636
00:33:46.920 --> 00:33:50.920
<v Speaker 1>one scenario is stupid and disappointing on like, you know,

637
00:33:51.160 --> 00:33:55.319
<v Speaker 1>several different levels in several ways. So there you go.

638
00:33:55.359 --> 00:33:57.240
<v Speaker 1>As we said, the Balmore album came out last week

639
00:33:57.279 --> 00:33:59.759
<v Speaker 1>and people got a you know, a day's worth of

640
00:33:59.759 --> 00:34:01.920
<v Speaker 1>maybe discussing what they thought about it before this fucking

641
00:34:02.519 --> 00:34:05.240
<v Speaker 1>fell apart. We were obviously going to review it, probably

642
00:34:05.240 --> 00:34:06.519
<v Speaker 1>not surprise say, we're not going to do it now.

643
00:34:06.559 --> 00:34:09.119
<v Speaker 1>But there you go. That is the the end of

644
00:34:09.440 --> 00:34:14.119
<v Speaker 1>currently the bal Morra saga. Slightly better news, not loose.

645
00:34:15.079 --> 00:34:18.719
<v Speaker 1>Are continuing on with the metallicatur that's to be clear.

646
00:34:18.760 --> 00:34:20.599
<v Speaker 1>That is the good part of the news. They are

647
00:34:20.639 --> 00:34:23.800
<v Speaker 1>continuing on with their Metallicator. They're supporting even though Isaac

648
00:34:23.840 --> 00:34:26.760
<v Speaker 1>Hale just got hit by a car and he posted

649
00:34:26.800 --> 00:34:30.000
<v Speaker 1>a little video of him with like, you know, you know,

650
00:34:30.239 --> 00:34:32.800
<v Speaker 1>a cast or a sling or something on his arm,

651
00:34:33.039 --> 00:34:35.639
<v Speaker 1>which I did see and think, fucking o, that's you know,

652
00:34:35.880 --> 00:34:38.000
<v Speaker 1>heavy going. Just from a guitarist point of view, right,

653
00:34:38.039 --> 00:34:40.840
<v Speaker 1>obviously you want to be able to coherently play guitar

654
00:34:40.880 --> 00:34:43.639
<v Speaker 1>when you're fucking supporting Metallica, And I don't know, clearly

655
00:34:43.760 --> 00:34:46.079
<v Speaker 1>it can't have been you know, it hasn't stopped him

656
00:34:46.119 --> 00:34:48.679
<v Speaker 1>doing that, So that is again very good news. Fair

657
00:34:48.719 --> 00:34:52.239
<v Speaker 1>play the puns obviously, the jokes about the scenario here

658
00:34:52.280 --> 00:34:54.320
<v Speaker 1>and the name of their band and all of that

659
00:34:54.840 --> 00:34:57.880
<v Speaker 1>do very much right themselves. But glad that Isaac is

660
00:34:57.920 --> 00:35:01.519
<v Speaker 1>okay and moving on with this lamp of murmur. This week,

661
00:35:01.960 --> 00:35:06.280
<v Speaker 1>speaking of statements, they have put out a statement unfortunately

662
00:35:06.320 --> 00:35:09.719
<v Speaker 1>saying that they are going to be canceling the majority

663
00:35:09.760 --> 00:35:11.960
<v Speaker 1>of there are a handful in Europe that are still

664
00:35:12.000 --> 00:35:14.599
<v Speaker 1>on that they are canceling the majority of their live

665
00:35:14.639 --> 00:35:18.039
<v Speaker 1>shows this year for our most immediate purposes. That does

666
00:35:18.039 --> 00:35:21.400
<v Speaker 1>include Damnation, the UK date they had unfortunately, the reason

667
00:35:21.440 --> 00:35:24.519
<v Speaker 1>being is that m of the primary guy in Lamber

668
00:35:24.559 --> 00:35:28.280
<v Speaker 1>Murma has relocated. He has moved from the US into

669
00:35:28.400 --> 00:35:32.760
<v Speaker 1>Europe and that he has like residential work permit stuff

670
00:35:32.800 --> 00:35:36.079
<v Speaker 1>basically that is stopping him from traveling around and going around.

671
00:35:36.119 --> 00:35:38.960
<v Speaker 1>So hopefully once that is all settled and sorted, we

672
00:35:38.960 --> 00:35:41.800
<v Speaker 1>will see Lamp of Murma back in the UK hopefully

673
00:35:41.880 --> 00:35:44.719
<v Speaker 1>maybe next years Damnation and something like that soon. This

674
00:35:44.920 --> 00:35:50.440
<v Speaker 1>statement included a lot of you know, world building language speak.

675
00:35:50.760 --> 00:35:53.320
<v Speaker 1>I will say, as someone who I know, that I

676
00:35:53.320 --> 00:35:55.119
<v Speaker 1>ever built up tolerance for this because I read a

677
00:35:55.119 --> 00:35:57.119
<v Speaker 1>lot of these type statements from artists in my world.

678
00:35:57.480 --> 00:36:01.880
<v Speaker 1>But it was still fairly clear statement, still genuinely much

679
00:36:01.880 --> 00:36:05.000
<v Speaker 1>more comprehensible than the Balmorra statements, So there you go.

680
00:36:05.159 --> 00:36:09.800
<v Speaker 1>The Linder Escape Plan have said that their upcoming Calculating

681
00:36:09.920 --> 00:36:13.599
<v Speaker 1>Infinity dates for the summer they are playing the London

682
00:36:13.599 --> 00:36:16.800
<v Speaker 1>Brickson Academy for example, later this month. These are going

683
00:36:16.800 --> 00:36:19.519
<v Speaker 1>to be the last dates of what they've been currently

684
00:36:19.559 --> 00:36:23.800
<v Speaker 1>doing of the like revived Calculating Infinity line up, you

685
00:36:23.840 --> 00:36:26.039
<v Speaker 1>know early years type sets they have been playing for

686
00:36:26.119 --> 00:36:27.880
<v Speaker 1>quite a couple of years now, they've been doing that AVNA.

687
00:36:28.000 --> 00:36:31.480
<v Speaker 1>But these upcoming ones are to be the last ones.

688
00:36:31.880 --> 00:36:34.239
<v Speaker 1>I am going to guess after that that that just

689
00:36:34.239 --> 00:36:36.360
<v Speaker 1>means that the Escape Plan will revert to a state

690
00:36:36.400 --> 00:36:41.559
<v Speaker 1>of inactivity and will revert to being a essentially you know,

691
00:36:41.920 --> 00:36:47.599
<v Speaker 1>not functioning active active band. So if you have still

692
00:36:47.639 --> 00:36:49.599
<v Speaker 1>not seen the villind escape Plan, then you really really

693
00:36:49.639 --> 00:36:51.639
<v Speaker 1>want to make sure you see them. Then I would

694
00:36:51.639 --> 00:36:53.639
<v Speaker 1>definitely say that this is the time to do it.

695
00:36:54.159 --> 00:36:56.039
<v Speaker 1>Never saw this calculating finish I would have been cool.

696
00:36:56.039 --> 00:36:59.440
<v Speaker 1>But there you go. Ending that particular run this this month.

697
00:36:59.719 --> 00:37:03.400
<v Speaker 1>It looks like but live announcements that are going ahead.

698
00:37:03.760 --> 00:37:07.559
<v Speaker 1>We have a static Dress have announced a UK and

699
00:37:07.679 --> 00:37:09.760
<v Speaker 1>European tour in support of their new album that also

700
00:37:09.800 --> 00:37:11.480
<v Speaker 1>came up last Friday. I've heard a lot of praise

701
00:37:11.840 --> 00:37:14.719
<v Speaker 1>around that particular album. They are going to be headlining

702
00:37:15.079 --> 00:37:18.480
<v Speaker 1>on that record in October going into November, as said,

703
00:37:18.480 --> 00:37:22.880
<v Speaker 1>across Europe and the UK, bringing a bill of Soul,

704
00:37:22.960 --> 00:37:25.679
<v Speaker 1>Blind Holder and Love rarely, so if you're in on

705
00:37:25.719 --> 00:37:27.960
<v Speaker 1>that record, then that's the thing to do. I am

706
00:37:28.039 --> 00:37:32.480
<v Speaker 1>bloody ampt that Electric Wizard have announced a UK tour

707
00:37:32.599 --> 00:37:34.599
<v Speaker 1>right now. It's been kind of you know, mysterious to

708
00:37:34.599 --> 00:37:37.679
<v Speaker 1>find these dates somehow, like they've linked out all over,

709
00:37:38.159 --> 00:37:40.519
<v Speaker 1>but it looks like there is a tour happening of

710
00:37:40.559 --> 00:37:43.840
<v Speaker 1>three dates Bristol, Manchester and Glasgow. No London, ha ha ha.

711
00:37:44.719 --> 00:37:47.800
<v Speaker 1>But the last time Electric Wizard like did a tour

712
00:37:48.079 --> 00:37:51.159
<v Speaker 1>like rather than a festival date here or they're a

713
00:37:51.239 --> 00:37:55.000
<v Speaker 1>damnation an arctangent, et cetera. I think we're coming up

714
00:37:55.000 --> 00:37:58.280
<v Speaker 1>to something like a decade something like that. Like the

715
00:37:58.400 --> 00:38:01.719
<v Speaker 1>Electric Wizard, you know, you see every few years pop

716
00:38:01.800 --> 00:38:05.320
<v Speaker 1>up and play a show, but they very rarely tour, right,

717
00:38:05.639 --> 00:38:08.480
<v Speaker 1>So the fact that there is you know, Electric was like,

718
00:38:08.480 --> 00:38:10.679
<v Speaker 1>I've never seen Electricizard at their own show, and I've

719
00:38:10.719 --> 00:38:13.360
<v Speaker 1>seen them several times, but it's always been like headlining

720
00:38:13.400 --> 00:38:15.880
<v Speaker 1>a festival, like they just don't actually do their own

721
00:38:15.960 --> 00:38:21.440
<v Speaker 1>headline dedicated shows very often. So I'm really excited and

722
00:38:21.519 --> 00:38:23.800
<v Speaker 1>definitely gonna make sure I get to one of these.

723
00:38:23.840 --> 00:38:28.199
<v Speaker 1>Bristol September the sixteenth, Manchester September the seventeenth and Glasgow

724
00:38:28.239 --> 00:38:31.400
<v Speaker 1>September the eighteenth. Fucking great. When the Wizard returns to

725
00:38:31.440 --> 00:38:33.519
<v Speaker 1>live activity, you make sure that you go out and

726
00:38:33.559 --> 00:38:36.519
<v Speaker 1>catch it while you can. Cancer Bats are doing an

727
00:38:36.519 --> 00:38:41.280
<v Speaker 1>incredibly long UK tour. Still no Liverpool, the lazy bastards.

728
00:38:41.320 --> 00:38:41.920
<v Speaker 3>How dare they?

729
00:38:41.960 --> 00:38:46.119
<v Speaker 1>They're slacking, They're absolutely resting on their laurels. They're not

730
00:38:46.159 --> 00:38:51.679
<v Speaker 1>playing the Highlands either, Mark, how dare they this bullshit? Yeah?

731
00:38:51.719 --> 00:38:54.079
<v Speaker 1>But in all seriousness they are doing what is like

732
00:38:55.559 --> 00:38:57.159
<v Speaker 1>too many for me to count. I think it's more

733
00:38:57.199 --> 00:38:59.639
<v Speaker 1>than fifteen, perhaps less than twenty, but they're doing loads

734
00:38:59.719 --> 00:39:09.519
<v Speaker 1>of you shows Dover, Brighton, Exeter, Falmouth, Southampton, Plymouth, Bristol, Cardiff, Milton, Keynes, Birmingham, Manchester, Newcastle, Glasgow, Leeds,

735
00:39:09.559 --> 00:39:13.840
<v Speaker 1>Nottingham and London through October and bringing Ignite and Knives

736
00:39:13.880 --> 00:39:17.480
<v Speaker 1>as the support bills there. So I imagine there's a good

737
00:39:17.559 --> 00:39:19.800
<v Speaker 1>chance that they will be in your area, a good

738
00:39:19.880 --> 00:39:22.519
<v Speaker 1>chance that they'll be playing a show that's within an

739
00:39:22.519 --> 00:39:25.920
<v Speaker 1>hour's distance or so from you. So good on the

740
00:39:25.920 --> 00:39:28.840
<v Speaker 1>Cats Bats for continuing to talk properly and show them

741
00:39:28.880 --> 00:39:32.280
<v Speaker 1>how it's done. Speaking of slightly mysterious dates, this like

742
00:39:32.519 --> 00:39:35.159
<v Speaker 1>emerged over the weekend and then they like deleted the posters,

743
00:39:35.159 --> 00:39:36.679
<v Speaker 1>so I was confused, but it does seem to have

744
00:39:36.679 --> 00:39:40.360
<v Speaker 1>been reconfirmed again. Funa Breum, who I'm gonna mention again

745
00:39:40.360 --> 00:39:42.280
<v Speaker 1>a little bit later because they put out a release

746
00:39:42.400 --> 00:39:45.880
<v Speaker 1>in the in the round up, but a fantastic death

747
00:39:45.920 --> 00:39:48.000
<v Speaker 1>not a band at Funa brem They have announced a

748
00:39:48.159 --> 00:39:51.960
<v Speaker 1>really like quite extended by their standards, also European and

749
00:39:52.239 --> 00:39:56.079
<v Speaker 1>UK tour. In the UK they are playing London, Bristol, Manchester,

750
00:39:56.159 --> 00:39:59.880
<v Speaker 1>Glasgow and Newcastle with more Bithick from Finland as a

751
00:40:00.000 --> 00:40:02.599
<v Speaker 1>support band, and Fundi Burrum are one of those bands

752
00:40:02.679 --> 00:40:04.599
<v Speaker 1>where when they have played Europe before, it's like, oh,

753
00:40:04.639 --> 00:40:09.280
<v Speaker 1>they're playing one dedicated underground death metal festival in Denmark

754
00:40:09.639 --> 00:40:11.480
<v Speaker 1>and good luck if you want to see them anywhere else, right,

755
00:40:11.519 --> 00:40:13.440
<v Speaker 1>So I was like genuinely stunned when I saw not

756
00:40:13.519 --> 00:40:16.280
<v Speaker 1>just one like London date which I could imagine happening,

757
00:40:16.679 --> 00:40:20.199
<v Speaker 1>but a full fucking like actual five date UK tour

758
00:40:20.599 --> 00:40:24.199
<v Speaker 1>is pretty amazing. And Funa Breum, as we may say

759
00:40:24.239 --> 00:40:27.480
<v Speaker 1>going forward considering the record, Dator Power are such a

760
00:40:27.480 --> 00:40:29.119
<v Speaker 1>sick death metal band. So if you do not know

761
00:40:29.119 --> 00:40:30.920
<v Speaker 1>Ifni Breum you should definitely check them out, and if

762
00:40:30.920 --> 00:40:33.920
<v Speaker 1>you are into death metal, then this is going to

763
00:40:33.920 --> 00:40:36.320
<v Speaker 1>be one of the cool, musty tours of the year.

764
00:40:36.559 --> 00:40:40.599
<v Speaker 1>I reckon they're coming through those dates in September, so

765
00:40:40.679 --> 00:40:43.280
<v Speaker 1>get on that. Over on the other side of the Atlantic,

766
00:40:43.599 --> 00:40:48.960
<v Speaker 1>Castle Rats have announced their largest US headline tour to date,

767
00:40:49.280 --> 00:40:51.920
<v Speaker 1>and the main support app for that is unto Others,

768
00:40:52.000 --> 00:40:55.079
<v Speaker 1>which is a really good time. Unto Others. Fit a

769
00:40:55.119 --> 00:40:56.639
<v Speaker 1>little bit more there maybe than they do on the

770
00:40:56.679 --> 00:40:59.199
<v Speaker 1>Amorphous bill where they're opening up over here. Happy to

771
00:40:59.199 --> 00:41:02.400
<v Speaker 1>see them either way, but for the Americans out there,

772
00:41:02.519 --> 00:41:06.519
<v Speaker 1>Castle Rat and unto Others is a very sore hailing time,

773
00:41:06.639 --> 00:41:10.639
<v Speaker 1>So good stuff there. And Maryland Deathfest have announced their

774
00:41:10.840 --> 00:41:14.639
<v Speaker 1>first run of names for next years twenty twenty seven festival,

775
00:41:14.719 --> 00:41:19.320
<v Speaker 1>which includes Candle Mass. It includes Enslaved doing a Viking

776
00:41:19.400 --> 00:41:21.840
<v Speaker 1>ear VELDI fucking I can ever say that fucking album

777
00:41:21.880 --> 00:41:23.519
<v Speaker 1>the first Enslaved album which they put it Downation in

778
00:41:23.519 --> 00:41:26.320
<v Speaker 1>a few years ago. They're doing that set. AKA Cocca

779
00:41:26.400 --> 00:41:28.840
<v Speaker 1>are doing a Koran's on set. Over there. Voivod are

780
00:41:28.840 --> 00:41:31.280
<v Speaker 1>doing an old school deep cut set, so that sounds

781
00:41:31.280 --> 00:41:35.519
<v Speaker 1>fucking cool. Sabat Demolition hammer loads of good stuff. And

782
00:41:35.840 --> 00:41:37.639
<v Speaker 1>I'm gonna I'm gonna talk a lot about this because

783
00:41:38.519 --> 00:41:41.159
<v Speaker 1>I saw corns On being played by Acacocka this week

784
00:41:41.159 --> 00:41:43.880
<v Speaker 1>and Aca Coccer a band I've seen many, many times.

785
00:41:43.880 --> 00:41:46.079
<v Speaker 1>But there are those bands where and this goes like

786
00:41:46.159 --> 00:41:48.480
<v Speaker 1>both ways, we both look across the Atlantic with different

787
00:41:48.559 --> 00:41:51.320
<v Speaker 1>levels of jealousy. There are bands that you see often

788
00:41:51.400 --> 00:41:54.119
<v Speaker 1>just because of your geographical position that other people out

789
00:41:54.159 --> 00:41:57.000
<v Speaker 1>there can't believe that you've seen that many times, right,

790
00:41:57.119 --> 00:41:59.960
<v Speaker 1>And I know that for American extreme metal fans. Akacca

791
00:42:00.320 --> 00:42:02.280
<v Speaker 1>are one of those bands where I've seen them like

792
00:42:02.360 --> 00:42:05.039
<v Speaker 1>fucking eight times or something. I've seen them doing Coornson twice,

793
00:42:05.360 --> 00:42:07.400
<v Speaker 1>but it's been like a decade since the last time

794
00:42:07.440 --> 00:42:09.119
<v Speaker 1>they were over in the US, and so I've seen

795
00:42:09.119 --> 00:42:11.320
<v Speaker 1>this announcement and the most regular thing I've seen in

796
00:42:11.360 --> 00:42:14.559
<v Speaker 1>the comment is, you know, American fans being like Agagoka

797
00:42:14.760 --> 00:42:17.960
<v Speaker 1>finally brilliant. So I'm very pleased for you all that

798
00:42:17.960 --> 00:42:19.760
<v Speaker 1>that is going to be happening over there. So there

799
00:42:19.800 --> 00:42:23.280
<v Speaker 1>you go on Patreon this week. For us, we are

800
00:42:23.360 --> 00:42:27.480
<v Speaker 1>currently involved in the midst of doing our corn special.

801
00:42:27.880 --> 00:42:29.559
<v Speaker 1>We most recently a week or so ago, we put

802
00:42:29.559 --> 00:42:32.000
<v Speaker 1>out the parts two where we spoke about the peak

803
00:42:32.159 --> 00:42:35.480
<v Speaker 1>New Metal years, and pretty shortly we should get around

804
00:42:35.519 --> 00:42:38.519
<v Speaker 1>two putting together and working on the third part when

805
00:42:38.519 --> 00:42:40.400
<v Speaker 1>we go into some slightly more mysterious years. So I'm

806
00:42:40.440 --> 00:42:43.320
<v Speaker 1>looking forward to that. If you want to hear all

807
00:42:43.440 --> 00:42:45.800
<v Speaker 1>of the T and M specials, from band specials to

808
00:42:46.679 --> 00:42:50.239
<v Speaker 1>fun silly things like the trial special we did last year,

809
00:42:50.639 --> 00:42:53.000
<v Speaker 1>to you know lists, all our album clubs are up

810
00:42:53.039 --> 00:42:55.039
<v Speaker 1>there as well. Then Patroon of the Corms Last Lights

811
00:42:55.159 --> 00:42:57.239
<v Speaker 1>on Metal is how to do it, and by doing

812
00:42:57.239 --> 00:42:59.719
<v Speaker 1>that you will also be supporting this podcast and funding

813
00:42:59.760 --> 00:43:01.920
<v Speaker 1>us to move forward, So thank you everybody too. Does that?

814
00:43:02.320 --> 00:43:06.440
<v Speaker 1>Let us do the release roundup for this edition of

815
00:43:06.519 --> 00:43:09.360
<v Speaker 1>Hyperblasts because we had our reviews last week, we have

816
00:43:09.400 --> 00:43:13.360
<v Speaker 1>got two weeks worth to go and bloody cracking weeks

817
00:43:13.400 --> 00:43:16.639
<v Speaker 1>as well, like seriously, like last week alone was seriously busy,

818
00:43:16.719 --> 00:43:18.840
<v Speaker 1>before we get onto what's coming out to date as well.

819
00:43:18.920 --> 00:43:23.440
<v Speaker 1>So firstly, last time we had Devin Townsend's The Moth,

820
00:43:23.559 --> 00:43:27.800
<v Speaker 1>his absolutely enormous like seventy minute and that's only including

821
00:43:27.840 --> 00:43:32.880
<v Speaker 1>the one disc I think edition essentially like symphonic album,

822
00:43:32.960 --> 00:43:36.360
<v Speaker 1>like there is metal in there. But it's absolutely arranged

823
00:43:36.400 --> 00:43:39.239
<v Speaker 1>and kind of you know, conveyed as like one large

824
00:43:39.559 --> 00:43:43.760
<v Speaker 1>orchestral symphonic style piece. It is a lot to take in.

825
00:43:44.239 --> 00:43:48.239
<v Speaker 1>I personally, I don't think it's really the Devin record

826
00:43:48.280 --> 00:43:51.039
<v Speaker 1>that I will be most connecting with, but it's undeniably

827
00:43:51.079 --> 00:43:52.800
<v Speaker 1>you know, it's a huge passion project authaars that he's

828
00:43:52.800 --> 00:43:55.440
<v Speaker 1>been working on for over a decade or something like that,

829
00:43:55.599 --> 00:43:58.079
<v Speaker 1>so it's worth going in on if you want to

830
00:43:58.079 --> 00:44:00.400
<v Speaker 1>see what all of that time has produced from Devin.

831
00:44:00.679 --> 00:44:04.800
<v Speaker 1>Then we had the return of Turnover with Down on Earth,

832
00:44:05.039 --> 00:44:07.920
<v Speaker 1>which we spoke about the singles from that recently and

833
00:44:07.920 --> 00:44:10.679
<v Speaker 1>how it does seem to be moving back to a

834
00:44:11.360 --> 00:44:14.519
<v Speaker 1>more kind of classic era of Turnover perhaps to some

835
00:44:14.599 --> 00:44:18.039
<v Speaker 1>degree or another so exciting release there. There is the

836
00:44:18.079 --> 00:44:22.119
<v Speaker 1>aforementioned Static Dress album Injury Episode, which if you are

837
00:44:22.159 --> 00:44:26.239
<v Speaker 1>a fan of early to mid noughti's post hardcore from

838
00:44:26.400 --> 00:44:29.679
<v Speaker 1>the likes of Glassjaw to under Oath or whatever, then

839
00:44:29.719 --> 00:44:31.719
<v Speaker 1>they are absolutely one of the you know, the leading

840
00:44:31.840 --> 00:44:34.840
<v Speaker 1>bands in the current wave of that style of material.

841
00:44:34.880 --> 00:44:36.760
<v Speaker 1>And as I've said, I've seen a lot of positive

842
00:44:36.760 --> 00:44:41.039
<v Speaker 1>feelings about that Statud Dress album floating around Sparta featuring,

843
00:44:42.320 --> 00:44:44.519
<v Speaker 1>as I said, Jim Martin, Jim Martins from Faith in

844
00:44:44.599 --> 00:44:48.760
<v Speaker 1>the gm Ward. Yes, he formerly like the Driving Sparta,

845
00:44:48.880 --> 00:44:51.639
<v Speaker 1>his post hardcore band. They put out a record called

846
00:44:51.679 --> 00:44:53.599
<v Speaker 1>cut a Silover Wet. There was also I think this

847
00:44:53.719 --> 00:44:56.719
<v Speaker 1>was announced if we remember correctly, as the final album

848
00:44:56.920 --> 00:45:00.920
<v Speaker 1>from sixty eight, which is Scosh Ducking. I was about

849
00:45:00.960 --> 00:45:05.079
<v Speaker 1>to fucking say that Josh Scoggin, formerly of The Chariot

850
00:45:05.079 --> 00:45:06.400
<v Speaker 1>and Normal Gene and so on. But here's like, you know,

851
00:45:06.440 --> 00:45:08.000
<v Speaker 1>kind of garage rocky band that he's been doing for

852
00:45:08.079 --> 00:45:11.119
<v Speaker 1>how over the last several years, their final album. Who

853
00:45:11.199 --> 00:45:13.480
<v Speaker 1>knows what he'll do next, but I guess we'll see

854
00:45:14.000 --> 00:45:16.199
<v Speaker 1>in the hardcore world as well. For a slightly more

855
00:45:16.239 --> 00:45:19.119
<v Speaker 1>underground release, you can go to a Healing Wound, quite

856
00:45:19.199 --> 00:45:23.000
<v Speaker 1>violent band with a record called Bodies of Heavenly Violence,

857
00:45:23.400 --> 00:45:27.119
<v Speaker 1>more experimental kind of punk end. There's Death Kids with

858
00:45:27.320 --> 00:45:30.360
<v Speaker 1>a record called Seeker Trees is the Future Row. There's

859
00:45:30.440 --> 00:45:32.480
<v Speaker 1>all them Witches, who are a strange sort of like

860
00:45:32.599 --> 00:45:35.519
<v Speaker 1>stoner adjacent band. They us support Ghostuck a number of

861
00:45:35.599 --> 00:45:38.199
<v Speaker 1>years ago House and Mirrors. They had turned out to

862
00:45:38.239 --> 00:45:39.880
<v Speaker 1>be a really big week for the worlds of you know,

863
00:45:39.960 --> 00:45:44.159
<v Speaker 1>doom and riffy substances because we also had Elder of course,

864
00:45:44.639 --> 00:45:47.760
<v Speaker 1>the you know kind of progressive stoner doom type band.

865
00:45:48.039 --> 00:45:51.719
<v Speaker 1>They put a record through Zero. We have Monolord, who

866
00:45:51.760 --> 00:45:55.079
<v Speaker 1>are a just proper like fuzzed up ride on a

867
00:45:55.159 --> 00:45:58.719
<v Speaker 1>riff that ages riff worship type band. They put out

868
00:45:58.760 --> 00:46:03.480
<v Speaker 1>an album called Never End. Into more of the gothic,

869
00:46:04.119 --> 00:46:08.199
<v Speaker 1>miserablest doom world. There is the band Godthrim, which is

870
00:46:08.280 --> 00:46:11.239
<v Speaker 1>driven by a former guitarist from my Dyan Bride. The

871
00:46:11.320 --> 00:46:14.159
<v Speaker 1>record also features a guest appearance from Aaron formerly now

872
00:46:14.239 --> 00:46:15.559
<v Speaker 1>with my Dyan Bride. He's not on that record as

873
00:46:15.559 --> 00:46:18.360
<v Speaker 1>well their record called Projections. In the death metal world,

874
00:46:18.400 --> 00:46:20.760
<v Speaker 1>the one release you should absolutely be hearing from last

875
00:46:20.800 --> 00:46:24.159
<v Speaker 1>week is the formation Fuena Breum with their record Beckoning

876
00:46:24.199 --> 00:46:27.800
<v Speaker 1>the Void of Eternal Silence, which is just like brilliantly

877
00:46:27.960 --> 00:46:32.519
<v Speaker 1>kind of the midpoint between absolutely knuckleheaded, smash your head

878
00:46:32.519 --> 00:46:37.679
<v Speaker 1>in but also really atmospheric and evil. It's just a

879
00:46:37.760 --> 00:46:43.320
<v Speaker 1>horrid but seriously well written, well performed, excellently done death

880
00:46:43.320 --> 00:46:46.320
<v Speaker 1>metal record that you should be hearing. In the heavy

881
00:46:46.360 --> 00:46:49.400
<v Speaker 1>metal world, there's Tyran with tran Forever, which is like

882
00:46:49.440 --> 00:46:54.079
<v Speaker 1>the just total seventies eighties trad metal revival band that

883
00:46:54.159 --> 00:46:57.280
<v Speaker 1>features three of the four members of Tribulation. They're always

884
00:46:57.320 --> 00:47:01.639
<v Speaker 1>good fun in the black metal world. There's Gal formerly

885
00:47:01.639 --> 00:47:03.960
<v Speaker 1>of you know, Gorgroth, obviously currently of his his solo

886
00:47:03.960 --> 00:47:07.320
<v Speaker 1>band as well, but his old band Treldom, who revived

887
00:47:07.480 --> 00:47:09.559
<v Speaker 1>a few years ago. This is the second album they

888
00:47:09.559 --> 00:47:11.519
<v Speaker 1>put it in recent years, and they're both like leaning

889
00:47:11.559 --> 00:47:15.599
<v Speaker 1>into some very strange, psychedelic, kind of progressive adjacent worlds

890
00:47:15.760 --> 00:47:17.400
<v Speaker 1>of black metal. So if you like your black metal

891
00:47:17.400 --> 00:47:20.159
<v Speaker 1>little unconventional, then you should check out then. And there

892
00:47:20.239 --> 00:47:23.480
<v Speaker 1>was Hakat Hroned, who are one of the ogs of

893
00:47:23.559 --> 00:47:27.320
<v Speaker 1>like nineties UK black metal, very much into the you know,

894
00:47:27.440 --> 00:47:30.360
<v Speaker 1>grand keyboard heavy side of that sphere and what was

895
00:47:30.400 --> 00:47:32.440
<v Speaker 1>producing the nineties. They put out a very fine record

896
00:47:32.519 --> 00:47:34.880
<v Speaker 1>as well, called The Corpse of a Titan, a lament

897
00:47:35.079 --> 00:47:38.920
<v Speaker 1>long buried. Today, the first release week of June, we

898
00:47:38.960 --> 00:47:41.920
<v Speaker 1>are leading off with Converge's second album of the year,

899
00:47:42.199 --> 00:47:44.280
<v Speaker 1>The hum of Hurt. Very excited to get into that one,

900
00:47:44.400 --> 00:47:47.159
<v Speaker 1>Very excited to reconvene again with the guys who dissected

901
00:47:47.159 --> 00:47:49.199
<v Speaker 1>that one as we did their first album of the

902
00:47:49.280 --> 00:47:51.559
<v Speaker 1>year like four months ago or whatever. It was but

903
00:47:52.400 --> 00:47:55.239
<v Speaker 1>second converged record of the year. Aren't we lucky? There

904
00:47:55.280 --> 00:47:58.760
<v Speaker 1>you go. We also have Evanescence returning with their first

905
00:47:58.800 --> 00:48:02.239
<v Speaker 1>album in like five years, their album Sanctuary. In the

906
00:48:02.360 --> 00:48:05.360
<v Speaker 1>emo world, the very legendary band Death Cab for Quti

907
00:48:06.039 --> 00:48:08.239
<v Speaker 1>are back with a record caord I've built you a Tower.

908
00:48:08.519 --> 00:48:11.360
<v Speaker 1>In the hardcore world, another very legendary band, One hundred

909
00:48:11.360 --> 00:48:14.119
<v Speaker 1>Demons are back with a comeback album. They haven't released

910
00:48:14.119 --> 00:48:15.679
<v Speaker 1>a record in like twenty years or something, and they're

911
00:48:15.719 --> 00:48:18.400
<v Speaker 1>a very beloved band amongst the moshus. So Embraced the

912
00:48:18.400 --> 00:48:21.159
<v Speaker 1>black Light is their record. A newer hardcore name, but

913
00:48:21.199 --> 00:48:24.760
<v Speaker 1>one has very much been building steam. Guilt Trip UK

914
00:48:24.960 --> 00:48:27.920
<v Speaker 1>band who have become very actually, you know, quite popular

915
00:48:27.960 --> 00:48:30.480
<v Speaker 1>in the last couple of years or so their record

916
00:48:30.679 --> 00:48:34.239
<v Speaker 1>Armor of Angels. Over into the metalcore world, there's August

917
00:48:34.280 --> 00:48:36.280
<v Speaker 1>Burns Red who will always be here with an album

918
00:48:36.320 --> 00:48:39.920
<v Speaker 1>every couple of years. They've got Season of Surrender, Blood Incantation,

919
00:48:40.079 --> 00:48:43.440
<v Speaker 1>have Got All Gates Open, which is the original motion

920
00:48:43.480 --> 00:48:45.719
<v Speaker 1>picture soundtrack. This is the strange thing they've done where

921
00:48:45.719 --> 00:48:49.239
<v Speaker 1>they made a bunch of music to soundtrack the documentary

922
00:48:49.239 --> 00:48:52.159
<v Speaker 1>they made about the making of Absolute elsewhere, But this

923
00:48:52.320 --> 00:48:56.079
<v Speaker 1>is I would imagine on the more new agey kind

924
00:48:56.079 --> 00:48:59.679
<v Speaker 1>of instrumental vibe side of what Blow Incantation do. But

925
00:49:00.000 --> 00:49:02.039
<v Speaker 1>always interesting to see what they've got going on. That

926
00:49:02.119 --> 00:49:04.400
<v Speaker 1>record has now been released, you know, individually, outside of

927
00:49:04.400 --> 00:49:06.840
<v Speaker 1>the confines of just the documentary they made about the

928
00:49:06.880 --> 00:49:10.519
<v Speaker 1>last record. Love those guys. What wonderful mavericks they are.

929
00:49:11.079 --> 00:49:14.480
<v Speaker 1>Aa Williams the singer songwriter in the kind of folky

930
00:49:14.559 --> 00:49:16.920
<v Speaker 1>doom world I suppose, but of post rock, et cetera.

931
00:49:17.360 --> 00:49:21.360
<v Speaker 1>Her album Solstice is out in the world of kind

932
00:49:21.360 --> 00:49:24.239
<v Speaker 1>of the proggier side of what I suppose you could

933
00:49:24.280 --> 00:49:27.320
<v Speaker 1>call stoner doom or post metal or something. Slift have

934
00:49:27.400 --> 00:49:32.119
<v Speaker 1>got fantasia at progressive like Symphonic, maybe a little leaning

935
00:49:32.159 --> 00:49:35.079
<v Speaker 1>heavy metal band. Ever Gray have got Architects of a

936
00:49:35.199 --> 00:49:40.079
<v Speaker 1>new weave. The Dwarves, the punk band from the nineties.

937
00:49:40.440 --> 00:49:42.480
<v Speaker 1>They have got an out called Jenkam. Then we have

938
00:49:42.719 --> 00:49:45.519
<v Speaker 1>Voivod are putting out a live album where they have

939
00:49:45.719 --> 00:49:50.320
<v Speaker 1>performed with a symphony orchestra amazingly with their album Symphonique.

940
00:49:50.360 --> 00:49:53.119
<v Speaker 1>And then finally there's an EP from the UK band

941
00:49:53.159 --> 00:49:56.039
<v Speaker 1>Gert which is called Survival of the shittiest And you

942
00:49:56.119 --> 00:49:58.880
<v Speaker 1>might know this EP because it's the one where they

943
00:49:58.880 --> 00:50:03.679
<v Speaker 1>put out the of No Limit by two Unlimited featuring

944
00:50:03.719 --> 00:50:05.400
<v Speaker 1>the Hell a couple of weeks ago. This is the

945
00:50:05.400 --> 00:50:07.519
<v Speaker 1>EP that that track is from, and that is out there,

946
00:50:07.559 --> 00:50:09.719
<v Speaker 1>so loads of stuff to seek your teeth into there

947
00:50:09.719 --> 00:50:11.679
<v Speaker 1>across those two weeks of my goodness, So please go

948
00:50:11.679 --> 00:50:13.679
<v Speaker 1>forth and do that. But like I mentioned at the

949
00:50:13.679 --> 00:50:17.199
<v Speaker 1>beginning of the show, if you are interested in black metal,

950
00:50:17.519 --> 00:50:18.920
<v Speaker 1>then I have a lot more to talk to you

951
00:50:18.920 --> 00:50:22.760
<v Speaker 1>about because I at this weekend was at Fortress Festival.

952
00:50:22.880 --> 00:50:25.280
<v Speaker 1>Fortress is I would say at this stage it's probably

953
00:50:25.320 --> 00:50:29.880
<v Speaker 1>right to call it the biggest purely dedicated black metal

954
00:50:29.920 --> 00:50:33.199
<v Speaker 1>festival in the UK because you have you know, Incineration,

955
00:50:33.360 --> 00:50:34.920
<v Speaker 1>but that's always been a mix of kind of black

956
00:50:34.960 --> 00:50:37.079
<v Speaker 1>and death metal. You've got Damnation, which is obviously just

957
00:50:37.079 --> 00:50:41.519
<v Speaker 1>sort of everything extreme underground all pulled together in one lovely,

958
00:50:41.519 --> 00:50:46.159
<v Speaker 1>beautiful pot. But Fortress is absolutely four people who are

959
00:50:46.199 --> 00:50:50.480
<v Speaker 1>specifically super super into black metal, and if you are

960
00:50:50.679 --> 00:50:53.880
<v Speaker 1>in that niche, I cannot say how wonderful that has

961
00:50:53.880 --> 00:50:57.400
<v Speaker 1>been the last three or four years, having a festival

962
00:50:58.280 --> 00:51:01.800
<v Speaker 1>in such a great location as well, really doing that

963
00:51:01.880 --> 00:51:04.840
<v Speaker 1>because Fortress. I've said it for a couple of years now.

964
00:51:05.679 --> 00:51:08.800
<v Speaker 1>I love seeing black metal represented at all of these

965
00:51:08.800 --> 00:51:11.400
<v Speaker 1>other festivals up to your bloodstocks even download sometimes like

966
00:51:11.480 --> 00:51:14.840
<v Speaker 1>whatever it may be, But there is nothing like a

967
00:51:15.119 --> 00:51:18.599
<v Speaker 1>immersing yourself into a world so fully where I believe

968
00:51:18.599 --> 00:51:22.360
<v Speaker 1>that Fortress is one of the only like genuine destination

969
00:51:22.800 --> 00:51:27.719
<v Speaker 1>festivals in the UK that's beyond just you know, a warehouse,

970
00:51:28.039 --> 00:51:30.360
<v Speaker 1>a handful of venues in a similar corner, you know,

971
00:51:30.519 --> 00:51:36.039
<v Speaker 1>put together whatever Fortress you genuinely you dedicate yourself to something,

972
00:51:36.079 --> 00:51:39.960
<v Speaker 1>you go through into another area where everything has just

973
00:51:40.000 --> 00:51:43.079
<v Speaker 1>become immersed in that culture. But also with that, they

974
00:51:43.119 --> 00:51:44.760
<v Speaker 1>go beyond the top line of the band who you're

975
00:51:44.800 --> 00:51:47.039
<v Speaker 1>going to get represented these of the festivals, and they

976
00:51:47.159 --> 00:51:51.559
<v Speaker 1>get the genuine like underground exclusive that you, as someone

977
00:51:51.960 --> 00:51:55.000
<v Speaker 1>very much into and immersed in that niche might never

978
00:51:55.119 --> 00:51:58.559
<v Speaker 1>dream of seeing anywhere else in this country. And that

979
00:51:58.679 --> 00:52:03.400
<v Speaker 1>is a really wonderful thing. Is as I said earlier,

980
00:52:03.440 --> 00:52:07.519
<v Speaker 1>it's on the North Yorkshire coastline in the seaside town

981
00:52:07.760 --> 00:52:10.920
<v Speaker 1>of Scarborough, which traditionally is just like a seaside result

982
00:52:11.239 --> 00:52:13.679
<v Speaker 1>and it is wonderful going there once a year and

983
00:52:13.719 --> 00:52:16.280
<v Speaker 1>seeing all the residents confused as to why suddenly a

984
00:52:16.280 --> 00:52:20.159
<v Speaker 1>couple thousand people in like T shirts that says like,

985
00:52:20.320 --> 00:52:23.039
<v Speaker 1>you know, Christ sucks or whatever your equivalent might be

986
00:52:24.840 --> 00:52:27.599
<v Speaker 1>wandering around the place and be like, what's going on here?

987
00:52:28.119 --> 00:52:31.639
<v Speaker 1>But the niche bookings as well, because like this year

988
00:52:31.679 --> 00:52:35.440
<v Speaker 1>in particular, they had like cult headliners, Like the headliners

989
00:52:35.440 --> 00:52:39.679
<v Speaker 1>of this year's festival were Old Man Child and gallow Braid,

990
00:52:40.000 --> 00:52:42.719
<v Speaker 1>And those are both names that might mean a lot

991
00:52:42.800 --> 00:52:45.159
<v Speaker 1>to you if you are, again so immersed in this

992
00:52:45.199 --> 00:52:48.480
<v Speaker 1>particular niche, But if you are a more casual black

993
00:52:48.519 --> 00:52:51.119
<v Speaker 1>metal observer, certainly someone who you know doesn't know anything

994
00:52:51.119 --> 00:52:53.039
<v Speaker 1>about that genre, really, you would go, who the fuck

995
00:52:53.079 --> 00:52:55.039
<v Speaker 1>are they and how are they headlining a festival? And

996
00:52:56.119 --> 00:52:58.679
<v Speaker 1>certainly one of those headliners will talk about how kind

997
00:52:58.679 --> 00:53:00.400
<v Speaker 1>of absurd it was that they were head like a

998
00:53:00.519 --> 00:53:03.199
<v Speaker 1>festival in the fird place in a good way, to

999
00:53:03.360 --> 00:53:06.519
<v Speaker 1>be clear, But they're bookings that are so kind of

1000
00:53:06.599 --> 00:53:09.440
<v Speaker 1>out there that you would go, surely that's not a

1001
00:53:09.480 --> 00:53:13.400
<v Speaker 1>safe thing to like hang a you know, successful festival on,

1002
00:53:14.280 --> 00:53:17.280
<v Speaker 1>and yet they've managed to do it because it is

1003
00:53:17.360 --> 00:53:20.679
<v Speaker 1>so niche that it attracts people from all over who

1004
00:53:20.679 --> 00:53:23.119
<v Speaker 1>are in that niche to the point that, like, I

1005
00:53:23.159 --> 00:53:25.400
<v Speaker 1>think I'm probably right in saying that of the festivals

1006
00:53:25.400 --> 00:53:28.239
<v Speaker 1>that I most regularly go to in the UK, when

1007
00:53:28.280 --> 00:53:32.199
<v Speaker 1>I go to Fortress, I hear the most like international

1008
00:53:32.239 --> 00:53:35.679
<v Speaker 1>accents and language's being spoken on site just by people

1009
00:53:35.679 --> 00:53:37.840
<v Speaker 1>who go to it or any of those festivals, because

1010
00:53:37.880 --> 00:53:40.440
<v Speaker 1>people actually fly in, Like you speak to people who

1011
00:53:40.440 --> 00:53:44.079
<v Speaker 1>have come from America to Scarborough to see where like

1012
00:53:44.119 --> 00:53:46.800
<v Speaker 1>you know, god Heimskar playing Black Medium Current or whatever,

1013
00:53:47.000 --> 00:53:50.639
<v Speaker 1>you hear people come from the other direction from you know,

1014
00:53:51.119 --> 00:53:54.719
<v Speaker 1>areas of Eastern Europe, right because people they've got a

1015
00:53:54.760 --> 00:53:56.840
<v Speaker 1>couple thousand tickets to sell and they will sell them

1016
00:53:56.840 --> 00:53:59.719
<v Speaker 1>to people from literally all over the world who come

1017
00:53:59.719 --> 00:54:02.960
<v Speaker 1>to it. And there's something again really special about the

1018
00:54:03.280 --> 00:54:06.760
<v Speaker 1>melting pop that that creates. And because people are so

1019
00:54:06.880 --> 00:54:10.239
<v Speaker 1>immersed in that world, people are loving the vibe of

1020
00:54:10.320 --> 00:54:15.039
<v Speaker 1>being an old Victorian theater directly overlooking the beach basically

1021
00:54:15.119 --> 00:54:17.320
<v Speaker 1>and you've got the sea right out literally right outside

1022
00:54:17.400 --> 00:54:21.079
<v Speaker 1>the festival doors. People are happy to be there, you know,

1023
00:54:21.280 --> 00:54:23.559
<v Speaker 1>And I think that it does it creates a genuine

1024
00:54:23.679 --> 00:54:26.480
<v Speaker 1>vibe of, as I say, a location festival where people

1025
00:54:26.519 --> 00:54:28.679
<v Speaker 1>have done the work to travel somewhere and they feel

1026
00:54:28.719 --> 00:54:32.079
<v Speaker 1>good about being there more tangibly than any festival that

1027
00:54:32.119 --> 00:54:36.119
<v Speaker 1>I've gone to in this country. That's always lovely to

1028
00:54:36.320 --> 00:54:39.119
<v Speaker 1>immerse myself in. And this year, even though they did have,

1029
00:54:39.199 --> 00:54:41.320
<v Speaker 1>like I said, smaller headliners, and even the last couple

1030
00:54:41.320 --> 00:54:44.280
<v Speaker 1>of years like Tryptocon in twenty four and Wolves and

1031
00:54:44.280 --> 00:54:46.639
<v Speaker 1>the Throne in that year as well, both bigger names

1032
00:54:46.840 --> 00:54:50.960
<v Speaker 1>for that world, Agalock last year was a huge event.

1033
00:54:51.280 --> 00:54:53.639
<v Speaker 1>This time they went kind of small with it, and

1034
00:54:53.719 --> 00:54:57.079
<v Speaker 1>yet that vibe was still so apparent. The festival still

1035
00:54:57.079 --> 00:55:00.320
<v Speaker 1>sold out, Everyone was still totally engaged and brilliant, and

1036
00:55:00.719 --> 00:55:01.880
<v Speaker 1>there was lots of stuff in the bill that I

1037
00:55:01.920 --> 00:55:04.039
<v Speaker 1>was looking forward to it and looking forward to, you know,

1038
00:55:04.239 --> 00:55:07.119
<v Speaker 1>getting my teeth stuck into. There was a pre show

1039
00:55:07.280 --> 00:55:11.360
<v Speaker 1>on the Friday nights with like Woed headlined it and

1040
00:55:11.400 --> 00:55:13.880
<v Speaker 1>like a couple of other UK black metal bands. But

1041
00:55:13.960 --> 00:55:15.960
<v Speaker 1>it was in like the basement of a pub in

1042
00:55:16.000 --> 00:55:18.519
<v Speaker 1>the Scarborough area, and I think it was like one

1043
00:55:18.599 --> 00:55:23.119
<v Speaker 1>hundred and fifty cap but it was It wasn't ticketed.

1044
00:55:23.159 --> 00:55:26.480
<v Speaker 1>It was free entry for anyone with a festival ticket,

1045
00:55:27.199 --> 00:55:31.000
<v Speaker 1>and they clearly underestimated how many people would actually be

1046
00:55:31.000 --> 00:55:32.719
<v Speaker 1>on site because actually it's like one hundred and fifty gap,

1047
00:55:33.039 --> 00:55:37.039
<v Speaker 1>something like a thousand people turned up like literally like

1048
00:55:37.320 --> 00:55:40.280
<v Speaker 1>five six times over what that room could have held.

1049
00:55:41.320 --> 00:55:43.320
<v Speaker 1>And again it you know, like Woe and a couple

1050
00:55:43.360 --> 00:55:45.000
<v Speaker 1>of the UK Batmanman's like I love Woe. They're a

1051
00:55:45.000 --> 00:55:46.760
<v Speaker 1>brilliant band. That's why I want to go and see them.

1052
00:55:47.480 --> 00:55:51.119
<v Speaker 1>But you know, not the hugest names of the genre,

1053
00:55:51.119 --> 00:55:52.400
<v Speaker 1>and a lot of them are kind of more local

1054
00:55:52.440 --> 00:55:56.000
<v Speaker 1>bands who certainly people from the North of England would

1055
00:55:56.000 --> 00:55:59.719
<v Speaker 1>probably see quite regularly. But like a thousand people converged

1056
00:55:59.719 --> 00:56:01.800
<v Speaker 1>to I can get into that pub for the Friday night.

1057
00:56:01.880 --> 00:56:03.360
<v Speaker 1>So I did not get in there for that, but

1058
00:56:03.559 --> 00:56:05.960
<v Speaker 1>I trust that the one hundred and fifty people who

1059
00:56:05.960 --> 00:56:07.400
<v Speaker 1>did get in there had a good time with that.

1060
00:56:07.639 --> 00:56:11.079
<v Speaker 1>The festival proper Saturday and Sunday. The first band I

1061
00:56:11.119 --> 00:56:14.679
<v Speaker 1>saw was a band called Groza, who are German and

1062
00:56:14.719 --> 00:56:17.360
<v Speaker 1>they are the kind of band that I was speaking

1063
00:56:17.360 --> 00:56:19.559
<v Speaker 1>about that a month or so ago, when I was

1064
00:56:19.559 --> 00:56:24.239
<v Speaker 1>talking about the post Maguire wave of like the hooded

1065
00:56:24.519 --> 00:56:30.400
<v Speaker 1>you know, kind of veiled, melodic European sounding black metal

1066
00:56:30.440 --> 00:56:34.440
<v Speaker 1>bands that have become like the visible sort of the

1067
00:56:34.519 --> 00:56:38.239
<v Speaker 1>visible wave of trend and popularity since like twenty fifteenish

1068
00:56:39.199 --> 00:56:40.920
<v Speaker 1>or so. Grows are very much one of those, to

1069
00:56:40.960 --> 00:56:42.880
<v Speaker 1>the point that they share their name with an early

1070
00:56:43.000 --> 00:56:46.360
<v Speaker 1>Mguarre album, Like it's very much not subtle about that.

1071
00:56:47.079 --> 00:56:50.679
<v Speaker 1>Maybe they're more a little similar to like Geria pre

1072
00:56:50.880 --> 00:56:53.400
<v Speaker 1>metal core, you know, because they have like the kind

1073
00:56:53.400 --> 00:56:56.440
<v Speaker 1>of stirring emotional side of it. They had like pictures

1074
00:56:56.440 --> 00:56:58.960
<v Speaker 1>of waves behind them on the you know, video screens,

1075
00:56:59.000 --> 00:57:00.880
<v Speaker 1>that kind of vibe. But I enjoyed them, you know,

1076
00:57:00.840 --> 00:57:02.239
<v Speaker 1>they were they were pretty decent. I think they even

1077
00:57:02.280 --> 00:57:04.639
<v Speaker 1>at one point got the crowds to clap along, which

1078
00:57:04.679 --> 00:57:08.639
<v Speaker 1>is genuinely rare black metal shows doesn't have to do often,

1079
00:57:08.639 --> 00:57:09.960
<v Speaker 1>but but they got to be able to do it

1080
00:57:10.000 --> 00:57:14.360
<v Speaker 1>and it worked. So there you go. Decent European you know,

1081
00:57:14.360 --> 00:57:17.199
<v Speaker 1>contemporary are good. Essentially, if you were to look at

1082
00:57:17.239 --> 00:57:21.480
<v Speaker 1>like throw a throw a dart at the modern day

1083
00:57:21.639 --> 00:57:27.199
<v Speaker 1>European black metal see scene. Growser are like a perfectly rounded,

1084
00:57:27.320 --> 00:57:29.239
<v Speaker 1>you know, example of what you would hit and be like, yeah,

1085
00:57:29.239 --> 00:57:31.280
<v Speaker 1>that's kind of what the what the average band is like.

1086
00:57:31.360 --> 00:57:34.239
<v Speaker 1>But they're they're they're decent. After that, I saw Black Salice,

1087
00:57:34.679 --> 00:57:37.079
<v Speaker 1>who are playing in the kind of second stage. So

1088
00:57:37.239 --> 00:57:40.159
<v Speaker 1>there's a couple of stages that fortress I explain now

1089
00:57:40.239 --> 00:57:42.639
<v Speaker 1>as they work, as I get a little bit more

1090
00:57:42.639 --> 00:57:45.239
<v Speaker 1>into this when it's more relevant. But there's the main

1091
00:57:45.280 --> 00:57:47.920
<v Speaker 1>stage and then there's a second stage called the Ocean Room,

1092
00:57:48.000 --> 00:57:50.159
<v Speaker 1>and they just flip flop back and forth, so you

1093
00:57:50.159 --> 00:57:52.840
<v Speaker 1>can basically see everything if you want to go between

1094
00:57:52.880 --> 00:57:56.159
<v Speaker 1>those two stages. Black salicse ware in the second stage,

1095
00:57:56.199 --> 00:57:59.840
<v Speaker 1>and they are one of those bands who exceptionally raw

1096
00:58:00.119 --> 00:58:04.320
<v Speaker 1>on record, like proper it's a fuzz, you know, like

1097
00:58:04.400 --> 00:58:09.199
<v Speaker 1>they are. You're not really making out many particular components.

1098
00:58:09.239 --> 00:58:12.599
<v Speaker 1>It's just about the overall sort of like ambience and

1099
00:58:12.800 --> 00:58:15.239
<v Speaker 1>fog that you know, settles over to you. You know.

1100
00:58:15.280 --> 00:58:19.400
<v Speaker 1>They sound like reverberating through an underground cave system. And

1101
00:58:19.440 --> 00:58:21.840
<v Speaker 1>because of that, they're the kind of band who often

1102
00:58:21.840 --> 00:58:23.519
<v Speaker 1>those bands might not even play live, you know, And

1103
00:58:23.559 --> 00:58:25.239
<v Speaker 1>so I was intrigued to say what it would be

1104
00:58:25.320 --> 00:58:29.760
<v Speaker 1>like live, and definitely they brought the fog with them,

1105
00:58:29.800 --> 00:58:31.480
<v Speaker 1>so that like I saw Black Salice, I don't think

1106
00:58:31.519 --> 00:58:34.039
<v Speaker 1>I really saw Black Slice, you know what I mean,

1107
00:58:34.079 --> 00:58:37.800
<v Speaker 1>Like I heard them play, I saw some faint silhouettes

1108
00:58:37.920 --> 00:58:42.440
<v Speaker 1>of hooded figures behind a deep red fog. But even

1109
00:58:42.480 --> 00:58:44.719
<v Speaker 1>if you were close, you weren't seeing these deal I

1110
00:58:44.719 --> 00:58:47.159
<v Speaker 1>don't think, And I wasn't that impressed with them, to

1111
00:58:47.199 --> 00:58:49.800
<v Speaker 1>be honest, because I think you take you take away

1112
00:58:50.280 --> 00:58:53.880
<v Speaker 1>them sounding like they're reverberating through an underground cave system

1113
00:58:53.920 --> 00:58:56.199
<v Speaker 1>and they're just an okay black metal band, and it's like, oh, yeah,

1114
00:58:56.239 --> 00:59:00.679
<v Speaker 1>this is The riffs are okay. It's not sooner dynamic,

1115
00:59:01.039 --> 00:59:04.079
<v Speaker 1>there's not like an exceptional amount of energy. It's just like, yeah,

1116
00:59:04.079 --> 00:59:08.760
<v Speaker 1>this is a perfectly all right. Example that was probably

1117
00:59:08.800 --> 00:59:12.159
<v Speaker 1>amongst the less exciting bands I saw the weekend when

1118
00:59:12.199 --> 00:59:14.280
<v Speaker 1>you again you strip back the particular ambience that their

1119
00:59:14.280 --> 00:59:18.000
<v Speaker 1>records bring, but you know they were okay. But after that,

1120
00:59:18.039 --> 00:59:22.440
<v Speaker 1>I saw a band called Mazarthin who Mazarrethim. I saw

1121
00:59:22.519 --> 00:59:25.679
<v Speaker 1>their live debut at Cosmic Void Festival a couple of

1122
00:59:25.760 --> 00:59:29.000
<v Speaker 1>years ago there from Australia, I believe. Again, so I

1123
00:59:29.039 --> 00:59:31.159
<v Speaker 1>think they're probably surely their second time in the UK.

1124
00:59:31.519 --> 00:59:34.840
<v Speaker 1>I imagine they probably not played that many shows across the

1125
00:59:34.880 --> 00:59:36.400
<v Speaker 1>world because they're kind of band who would turn up

1126
00:59:36.400 --> 00:59:38.239
<v Speaker 1>for again the sort of exclusive bookings and stuff, and

1127
00:59:38.280 --> 00:59:39.360
<v Speaker 1>this is the kind of stuff you get to see

1128
00:59:39.360 --> 00:59:41.000
<v Speaker 1>at Fortress, right, It's like, how many times do these

1129
00:59:41.039 --> 00:59:44.599
<v Speaker 1>bands come through? The answer is definitely not regularly. And

1130
00:59:44.719 --> 00:59:50.920
<v Speaker 1>Mazartham are a kind of like they're very space themed.

1131
00:59:51.119 --> 00:59:53.400
<v Speaker 1>They're on the more kind of atmospheric end of black metal,

1132
00:59:53.440 --> 00:59:58.400
<v Speaker 1>but with you know, a very cosmic approach. Famously, if

1133
00:59:58.440 --> 00:59:59.719
<v Speaker 1>you have seen them live, like when I saw them

1134
00:59:59.840 --> 01:00:02.599
<v Speaker 1>cous Avoid a couple of years ago, the frontman he

1135
01:00:02.639 --> 01:00:04.960
<v Speaker 1>almost could be again the kind of post Maguire hooded

1136
01:00:05.039 --> 01:00:09.880
<v Speaker 1>esque figure, except in his facial area where normally there's

1137
01:00:09.880 --> 01:00:11.400
<v Speaker 1>just a black hood. He has like some kind of

1138
01:00:11.400 --> 01:00:15.559
<v Speaker 1>weird l D plate that creates a swirling galaxy, so

1139
01:00:15.599 --> 01:00:17.559
<v Speaker 1>he's Milky Way face basically, and he has like this

1140
01:00:17.639 --> 01:00:21.280
<v Speaker 1>animated moving galaxy face, which is pretty good. It's a unique,

1141
01:00:21.320 --> 01:00:25.440
<v Speaker 1>you know, visual gimmick for the band. But primarily sonically,

1142
01:00:26.360 --> 01:00:27.599
<v Speaker 1>I say they have those bits of like you know,

1143
01:00:27.639 --> 01:00:30.960
<v Speaker 1>atmospheric black metal or whatever, but rather than being super ambient,

1144
01:00:31.239 --> 01:00:35.320
<v Speaker 1>they have like synths and I'm talking since right, like

1145
01:00:35.519 --> 01:00:40.440
<v Speaker 1>there's genuine, palpable heavy influence from trance music in what

1146
01:00:40.480 --> 01:00:42.119
<v Speaker 1>they do. There was one song they played where it's

1147
01:00:42.159 --> 01:00:46.679
<v Speaker 1>literally like a genuine trance beat songs and the more

1148
01:00:46.719 --> 01:00:48.800
<v Speaker 1>straight haired black metal songs they do often have these

1149
01:00:50.000 --> 01:00:53.840
<v Speaker 1>full synth lead melodies that are like one of them,

1150
01:00:53.840 --> 01:00:57.280
<v Speaker 1>amind me a cross faith. That's the kind of synth

1151
01:00:57.360 --> 01:01:00.559
<v Speaker 1>that we're talking And when you're fully imercer a black

1152
01:01:00.559 --> 01:01:03.119
<v Speaker 1>beetle environment, it does stand out right, It's like, whoa,

1153
01:01:03.119 --> 01:01:04.559
<v Speaker 1>this is not a synth I would expect to be

1154
01:01:05.000 --> 01:01:07.559
<v Speaker 1>here in here, but for how like seemingly out of

1155
01:01:07.599 --> 01:01:09.840
<v Speaker 1>character you would imagine that to be. People loved them,

1156
01:01:09.840 --> 01:01:11.800
<v Speaker 1>like it went down really really well, and I think

1157
01:01:11.840 --> 01:01:14.880
<v Speaker 1>it ended up being a cool case of like this

1158
01:01:15.000 --> 01:01:18.320
<v Speaker 1>is a in the scheme of like all music that exists, right,

1159
01:01:18.320 --> 01:01:21.199
<v Speaker 1>this is such a tiny niche thing. Like they've got

1160
01:01:21.239 --> 01:01:24.239
<v Speaker 1>like five thousand monthly listeners on Spotify something like that,

1161
01:01:24.280 --> 01:01:26.119
<v Speaker 1>and that probably puts them in the upper half of

1162
01:01:26.119 --> 01:01:29.400
<v Speaker 1>the band who are playing Fortress Festival overall. But if

1163
01:01:29.440 --> 01:01:32.960
<v Speaker 1>you can afford a band like this the capabilities to

1164
01:01:32.960 --> 01:01:34.760
<v Speaker 1>put on a big show right where there again in

1165
01:01:34.840 --> 01:01:37.239
<v Speaker 1>a big grand main Sage Victorian theater, they had like

1166
01:01:37.280 --> 01:01:39.239
<v Speaker 1>colored smoke coming up and stuf. Obviously they've got the

1167
01:01:39.239 --> 01:01:41.719
<v Speaker 1>spacey visuals with the guy with his you know galaxy

1168
01:01:41.760 --> 01:01:45.559
<v Speaker 1>face and screen behind him and all that. It was like, Oh,

1169
01:01:45.639 --> 01:01:49.599
<v Speaker 1>a band who have probably played fucking twenty shows top

1170
01:01:49.960 --> 01:01:52.320
<v Speaker 1>around the world in I haven't looked at how many

1171
01:01:52.360 --> 01:01:54.400
<v Speaker 1>they've done since I saw them for the first time

1172
01:01:54.480 --> 01:01:57.440
<v Speaker 1>two years ago. But like, in the right environment, you

1173
01:01:57.639 --> 01:02:00.000
<v Speaker 1>formed the capability they can actually put on like USh

1174
01:02:00.079 --> 01:02:02.599
<v Speaker 1>show and people will come away. But going like that

1175
01:02:02.679 --> 01:02:05.559
<v Speaker 1>was awesome. So that was a really nice affirming thing

1176
01:02:05.920 --> 01:02:07.719
<v Speaker 1>that happened, you know, witnessing that kind of thing at

1177
01:02:07.719 --> 01:02:10.840
<v Speaker 1>a place like Fortress. So mazarthin very cool if you

1178
01:02:10.840 --> 01:02:13.039
<v Speaker 1>get a chance to see them live after that. On

1179
01:02:13.079 --> 01:02:15.119
<v Speaker 1>the main stave is a band called oss Out. Another

1180
01:02:15.119 --> 01:02:17.000
<v Speaker 1>thing with Fortress is you are going to struggle to

1181
01:02:17.039 --> 01:02:20.119
<v Speaker 1>pronounce most of the names. I'm not definitely not saying

1182
01:02:20.159 --> 01:02:23.400
<v Speaker 1>that correctly. It's a O double S A E R T.

1183
01:02:23.639 --> 01:02:26.480
<v Speaker 1>I believe they're a Dutch band. One of them plays

1184
01:02:26.480 --> 01:02:29.280
<v Speaker 1>in Dodds Reat because also in the Underwear Black that

1185
01:02:29.280 --> 01:02:31.360
<v Speaker 1>I was seen, every person will play in at least

1186
01:02:31.400 --> 01:02:33.760
<v Speaker 1>three bands, but this is like someone who plays in

1187
01:02:33.800 --> 01:02:35.880
<v Speaker 1>Dodds Rey and it has kind of some of the

1188
01:02:35.880 --> 01:02:38.400
<v Speaker 1>punk in it that you associate with that. But while

1189
01:02:38.440 --> 01:02:42.920
<v Speaker 1>Dodds Rey is very like powerful and surging and melodic.

1190
01:02:43.159 --> 01:02:46.519
<v Speaker 1>You know, this is like the very dark sort of

1191
01:02:46.519 --> 01:02:49.239
<v Speaker 1>flip side of it, like very you know, dank atmosphere,

1192
01:02:50.400 --> 01:02:53.559
<v Speaker 1>some like organ melodies stuff like that, like pretty you know,

1193
01:02:53.920 --> 01:02:56.000
<v Speaker 1>Dodds Rey is mighty, whereas this is evil. You know,

1194
01:02:56.440 --> 01:02:59.639
<v Speaker 1>they will kind of hit a sort of repetitive blast,

1195
01:03:00.559 --> 01:03:02.920
<v Speaker 1>you know, underpinning, and then it will become quite hypnotic

1196
01:03:03.159 --> 01:03:05.440
<v Speaker 1>through that, and I did find myself like drifting away

1197
01:03:06.159 --> 01:03:09.920
<v Speaker 1>several times through it. People mention them quite a lot.

1198
01:03:10.400 --> 01:03:12.000
<v Speaker 1>When it came to like the highlights of the festival

1199
01:03:12.000 --> 01:03:13.639
<v Speaker 1>and what bads people enjoyed the most, A lot of

1200
01:03:13.639 --> 01:03:16.480
<v Speaker 1>people said them, I didn't really feel that way that

1201
01:03:16.559 --> 01:03:19.159
<v Speaker 1>strongly about it, but you know, they went down really well.

1202
01:03:19.400 --> 01:03:21.079
<v Speaker 1>I was intrigued too. After that. Go back to the

1203
01:03:21.119 --> 01:03:23.519
<v Speaker 1>Ocean Room to see a band called Midnight Odyssey, who

1204
01:03:24.400 --> 01:03:26.000
<v Speaker 1>I don't know if they have ever played the UK,

1205
01:03:26.119 --> 01:03:28.920
<v Speaker 1>but they are abound who I first heard of several

1206
01:03:29.000 --> 01:03:32.199
<v Speaker 1>years ago because the main guy who like arranges their

1207
01:03:32.280 --> 01:03:36.679
<v Speaker 1>music helped arrange some of the like extra layer stuff

1208
01:03:37.280 --> 01:03:41.360
<v Speaker 1>on the Cata Decapitation records. So I'm talking like the

1209
01:03:41.559 --> 01:03:44.920
<v Speaker 1>like the more epic tracks from like their later records

1210
01:03:44.960 --> 01:03:47.159
<v Speaker 1>when they start introducing like the bits of you know,

1211
01:03:47.239 --> 01:03:49.960
<v Speaker 1>synth and symphonic touches and stuff like that. The guy

1212
01:03:49.960 --> 01:03:51.559
<v Speaker 1>from Midi Odyssey is someone who has like you know,

1213
01:03:51.559 --> 01:03:53.960
<v Speaker 1>been involved with that, so that's how I heard of them.

1214
01:03:54.119 --> 01:03:56.280
<v Speaker 1>And as you would imagine, like his black metal band

1215
01:03:56.440 --> 01:03:59.559
<v Speaker 1>is like, you know, that kind of vibe, big grand

1216
01:03:59.719 --> 01:04:02.960
<v Speaker 1>you know, basic melodies brought into a black metal contact,

1217
01:04:02.960 --> 01:04:05.199
<v Speaker 1>which is obviously very very natural, and they had you know,

1218
01:04:05.239 --> 01:04:07.400
<v Speaker 1>like decent guitar melodies and stuff coming through. The thing

1219
01:04:07.440 --> 01:04:11.360
<v Speaker 1>we've been obviously live is the rhythm section is entirely programmed,

1220
01:04:11.360 --> 01:04:13.199
<v Speaker 1>like they've got three members on stage, but they're all

1221
01:04:13.199 --> 01:04:17.920
<v Speaker 1>playing guitars. The drums and the bass are like you know,

1222
01:04:18.000 --> 01:04:22.599
<v Speaker 1>coming through their programs like kind of industrial leaning parts

1223
01:04:23.400 --> 01:04:26.199
<v Speaker 1>and like whatever it was like the bass I think

1224
01:04:26.519 --> 01:04:29.119
<v Speaker 1>was like so overpowering like the rest of what they

1225
01:04:29.119 --> 01:04:31.719
<v Speaker 1>were doing. It's just had this like enormous fucking program

1226
01:04:31.840 --> 01:04:35.159
<v Speaker 1>like rhythm section part kind of overbearing it. And then

1227
01:04:35.440 --> 01:04:40.320
<v Speaker 1>sometimes you could hear through the mix someone who made

1228
01:04:40.320 --> 01:04:43.239
<v Speaker 1>a mistake and the click track that they were clearly

1229
01:04:43.280 --> 01:04:46.679
<v Speaker 1>playing to was coming through in the sound, and so

1230
01:04:46.760 --> 01:04:48.920
<v Speaker 1>you'd have this big swamped out basically mix, but you

1231
01:04:48.960 --> 01:04:53.480
<v Speaker 1>would just here occasionally like going through the mixes of

1232
01:04:53.519 --> 01:04:55.559
<v Speaker 1>people like is that the fucking is that the metronome

1233
01:04:55.599 --> 01:04:56.960
<v Speaker 1>they're playing to it that I could hear in the mix.

1234
01:04:57.320 --> 01:04:58.760
<v Speaker 1>And it got to the point where, like the band

1235
01:04:58.880 --> 01:05:02.159
<v Speaker 1>themselves on social media after was after set, they were

1236
01:05:02.159 --> 01:05:03.880
<v Speaker 1>like thanks to everyone who you know came out to

1237
01:05:03.880 --> 01:05:05.599
<v Speaker 1>our set. And then they were just like posting like

1238
01:05:05.599 --> 01:05:08.480
<v Speaker 1>little sheepish memes and little call it's about to be

1239
01:05:08.519 --> 01:05:11.119
<v Speaker 1>like sorry about the click track. Someone fucked up, you know.

1240
01:05:11.760 --> 01:05:16.199
<v Speaker 1>So Midnight Odose's metronome was I think the main character

1241
01:05:16.360 --> 01:05:19.840
<v Speaker 1>of the set, but there you go. After that was

1242
01:05:20.239 --> 01:05:23.519
<v Speaker 1>for me, the first big band of the weekend, which

1243
01:05:23.559 --> 01:05:27.440
<v Speaker 1>is Aca Cocker, who were billed as playing a Kornson

1244
01:05:27.960 --> 01:05:32.840
<v Speaker 1>set at this festival. And Aca Cocker are a band

1245
01:05:32.880 --> 01:05:35.280
<v Speaker 1>who I think at the moment have kind of turned

1246
01:05:35.480 --> 01:05:40.039
<v Speaker 1>into a like they've reverted reverted to a more nostalgic

1247
01:05:40.079 --> 01:05:44.199
<v Speaker 1>period at the moment in that they made a big

1248
01:05:44.239 --> 01:05:48.000
<v Speaker 1>return in the mid twenty tens and they came back

1249
01:05:48.039 --> 01:05:49.960
<v Speaker 1>off like a decade of inactivity and they released a

1250
01:05:50.000 --> 01:05:53.119
<v Speaker 1>new record called Renaissance in Extremists, which was really fucking

1251
01:05:53.119 --> 01:05:56.320
<v Speaker 1>cool and added something new and distinct onto the Aca

1252
01:05:56.360 --> 01:06:00.239
<v Speaker 1>Cocker catalog. And it was great having Aca cocka backer round.

1253
01:06:00.280 --> 01:06:01.760
<v Speaker 1>I got to see them for the first time, you know,

1254
01:06:01.840 --> 01:06:04.360
<v Speaker 1>during that period because they had been inactive, and to

1255
01:06:04.400 --> 01:06:06.920
<v Speaker 1>me they're one of the great extreme metal bands ever,

1256
01:06:07.000 --> 01:06:09.760
<v Speaker 1>but certainly that this country is they're produced. It was

1257
01:06:09.760 --> 01:06:11.159
<v Speaker 1>such a joy you see them so many times, as

1258
01:06:11.159 --> 01:06:13.280
<v Speaker 1>it still is such a joy seeing them so many times.

1259
01:06:13.320 --> 01:06:16.400
<v Speaker 1>But in the last like you know, in the twenties,

1260
01:06:16.800 --> 01:06:20.960
<v Speaker 1>they have kind of they've slowed on any sign of

1261
01:06:21.280 --> 01:06:25.199
<v Speaker 1>continuing to release more music, and generally when they've played

1262
01:06:25.599 --> 01:06:30.199
<v Speaker 1>it has been more backwards leaning. So they've done sets,

1263
01:06:30.800 --> 01:06:32.639
<v Speaker 1>you know, performing the go A Mendez album in full

1264
01:06:32.679 --> 01:06:34.440
<v Speaker 1>I've seen them do, and then they moved on to

1265
01:06:34.440 --> 01:06:36.719
<v Speaker 1>doing korans On, which is like their big classic. And

1266
01:06:36.760 --> 01:06:37.960
<v Speaker 1>this is now the second time I've seen them do

1267
01:06:37.960 --> 01:06:40.360
<v Speaker 1>wo korans Are because they did it on its actual

1268
01:06:40.400 --> 01:06:43.400
<v Speaker 1>twentieth anniversary at Damnation in twenty twenty three, and then

1269
01:06:43.400 --> 01:06:45.119
<v Speaker 1>here we are three later years later and they just

1270
01:06:45.119 --> 01:06:48.320
<v Speaker 1>got bill to do it again at Fortress. And I

1271
01:06:48.360 --> 01:06:51.320
<v Speaker 1>would love to see Aca Cocker, particularly as voices who

1272
01:06:51.320 --> 01:06:53.159
<v Speaker 1>were the sort of the sister band, but Voices seem

1273
01:06:53.199 --> 01:06:54.559
<v Speaker 1>to have like, you know, taken a step back and

1274
01:06:55.000 --> 01:06:58.440
<v Speaker 1>disappeared and no longer seemed to be around. So I

1275
01:06:58.480 --> 01:07:01.039
<v Speaker 1>would love to see Aca Cocker, you know, return to

1276
01:07:01.079 --> 01:07:03.480
<v Speaker 1>being a creative band right and putting out new music,

1277
01:07:03.480 --> 01:07:06.119
<v Speaker 1>because they've still got it as far as I'm concerned.

1278
01:07:06.400 --> 01:07:09.320
<v Speaker 1>But I'm not mad about seeing Kornson again because it

1279
01:07:09.360 --> 01:07:12.440
<v Speaker 1>is one of the greatest records ever and you know,

1280
01:07:12.679 --> 01:07:15.960
<v Speaker 1>at odd festival appearances because they're not regularly touring, it's

1281
01:07:16.000 --> 01:07:18.880
<v Speaker 1>just they'll pop up here and there, so to you

1282
01:07:18.960 --> 01:07:20.840
<v Speaker 1>take the chance that you get to see it. They

1283
01:07:20.880 --> 01:07:23.239
<v Speaker 1>were the one forum talk I went to this year.

1284
01:07:23.239 --> 01:07:25.199
<v Speaker 1>They have another there's another stage where they put on

1285
01:07:25.199 --> 01:07:28.320
<v Speaker 1>on the one day like sort of interview panel type

1286
01:07:29.880 --> 01:07:31.760
<v Speaker 1>talks like in the past. I've been to ones with

1287
01:07:32.320 --> 01:07:35.639
<v Speaker 1>tom Ju Warrior Uh and you know, Fenn and several bands.

1288
01:07:35.719 --> 01:07:36.800
<v Speaker 1>And the one that went to this year was the

1289
01:07:36.840 --> 01:07:39.039
<v Speaker 1>Akakoka one because they were talking all about you know,

1290
01:07:39.039 --> 01:07:41.159
<v Speaker 1>the Koranson period and making that record, which is, you know,

1291
01:07:41.159 --> 01:07:43.840
<v Speaker 1>as I said, a record that I absolutely adore. If

1292
01:07:43.880 --> 01:07:45.760
<v Speaker 1>you've heard our album club that we did when they

1293
01:07:45.920 --> 01:07:48.559
<v Speaker 1>played it the last time three years ago, and they have,

1294
01:07:48.639 --> 01:07:50.519
<v Speaker 1>you know, some great stories about that time period. I

1295
01:07:50.559 --> 01:07:54.079
<v Speaker 1>asked them a question about the liner notes, the photos

1296
01:07:54.159 --> 01:07:56.679
<v Speaker 1>of them inside the Cornson album, which if you own

1297
01:07:56.760 --> 01:07:59.480
<v Speaker 1>that album, are infamous because they are incredible photos. I've

1298
01:07:59.480 --> 01:08:02.679
<v Speaker 1>spoken about before. It's them all in the suits but

1299
01:08:02.719 --> 01:08:05.480
<v Speaker 1>in like old country houses surrounded by latex models and

1300
01:08:05.480 --> 01:08:08.159
<v Speaker 1>it's nuts and it's a it's a wild phot and

1301
01:08:08.199 --> 01:08:10.320
<v Speaker 1>I asked them about that. So that was fun. But

1302
01:08:10.960 --> 01:08:15.639
<v Speaker 1>the environment of again an old Victorian theater basically like

1303
01:08:15.679 --> 01:08:18.720
<v Speaker 1>the Scarborough Spa is where Fortune Festival takes place, and

1304
01:08:18.720 --> 01:08:21.479
<v Speaker 1>it's it's a grand location, you know, like it's a

1305
01:08:21.479 --> 01:08:26.239
<v Speaker 1>really beautiful place. And there's something particularly delicious about saying

1306
01:08:26.239 --> 01:08:30.319
<v Speaker 1>about like Aca Coca there, who famously with the you know,

1307
01:08:30.359 --> 01:08:32.560
<v Speaker 1>the kind of the presentation of particularly that during the

1308
01:08:32.560 --> 01:08:34.159
<v Speaker 1>era that they're kind of throwing back to with the

1309
01:08:34.239 --> 01:08:37.640
<v Speaker 1>sets like the corns Onzet. They have this you know,

1310
01:08:38.239 --> 01:08:43.760
<v Speaker 1>Victorian gentleman suited sort of appearance but doing this like

1311
01:08:44.359 --> 01:08:49.199
<v Speaker 1>satanic cult you know, like the occult societies that exist

1312
01:08:49.239 --> 01:08:52.960
<v Speaker 1>behind closed doors in you know, English high society. That's

1313
01:08:53.000 --> 01:08:55.079
<v Speaker 1>kind of the vibe of Aca Cocker and so seeing

1314
01:08:55.079 --> 01:08:57.720
<v Speaker 1>it presented in this way where you know they're in

1315
01:08:57.760 --> 01:09:01.199
<v Speaker 1>the suits. But they also had the the album Coronzon

1316
01:09:01.199 --> 01:09:02.760
<v Speaker 1>and it starts with a track Praise the Name of Satan,

1317
01:09:02.960 --> 01:09:05.119
<v Speaker 1>and it has like a two or three minute long

1318
01:09:05.279 --> 01:09:09.159
<v Speaker 1>sample at the beginning from a Hammer House of Horror

1319
01:09:09.279 --> 01:09:11.920
<v Speaker 1>episode and it's all about like a just what I've

1320
01:09:11.920 --> 01:09:13.560
<v Speaker 1>described right, like a sort of a old you know,

1321
01:09:13.640 --> 01:09:16.680
<v Speaker 1>satanic cult coming together and doing their ceremonies and stuff,

1322
01:09:16.680 --> 01:09:19.319
<v Speaker 1>and it builds in this insane way. But they had

1323
01:09:19.359 --> 01:09:23.880
<v Speaker 1>like they played that entire clip behind them to then

1324
01:09:24.000 --> 01:09:28.359
<v Speaker 1>lead them into the beginning of the set, which on record,

1325
01:09:28.359 --> 01:09:29.920
<v Speaker 1>when it goes to the Praise Name of Satan fucking

1326
01:09:30.000 --> 01:09:32.520
<v Speaker 1>nutty sounding. This was slightly jarring because when they started,

1327
01:09:32.520 --> 01:09:33.960
<v Speaker 1>no one could hear the guitars. That they had this

1328
01:09:34.159 --> 01:09:38.239
<v Speaker 1>like full again intro lead in and then this crazy

1329
01:09:38.319 --> 01:09:40.239
<v Speaker 1>drum fill building, but the only thing anyone could hear

1330
01:09:40.279 --> 01:09:41.680
<v Speaker 1>was the drums. It was like guitars were just sort

1331
01:09:41.680 --> 01:09:43.399
<v Speaker 1>of missing for a moment, and there were a few

1332
01:09:43.399 --> 01:09:45.800
<v Speaker 1>comments that floated around, like, oh, Acoca sounded really bad.

1333
01:09:46.239 --> 01:09:48.800
<v Speaker 1>It was only the like literally the beginning, I think,

1334
01:09:48.840 --> 01:09:52.399
<v Speaker 1>like they came in and it wasn't that audible, and

1335
01:09:52.439 --> 01:09:54.840
<v Speaker 1>then they fixed it by the next song, and it

1336
01:09:54.880 --> 01:09:56.920
<v Speaker 1>sounded brilliant from there, so I don't think it should

1337
01:09:56.960 --> 01:10:01.840
<v Speaker 1>be inflated too much, but just so brutal from there

1338
01:10:02.159 --> 01:10:06.239
<v Speaker 1>with the parts that in a black metal environment getting

1339
01:10:06.279 --> 01:10:08.520
<v Speaker 1>about ACA cocka who do have those like brutal death

1340
01:10:08.520 --> 01:10:12.880
<v Speaker 1>metal kind of suffocation, you know, Morman angel esque death

1341
01:10:12.920 --> 01:10:16.600
<v Speaker 1>metal riffs really hits a particular spot coming through. You've

1342
01:10:16.640 --> 01:10:19.800
<v Speaker 1>got Jason Krab walking everywhere. You've got that mix of

1343
01:10:20.239 --> 01:10:25.319
<v Speaker 1>you know, dramatic proclamation vocals and the death metal vocals

1344
01:10:25.359 --> 01:10:27.840
<v Speaker 1>some of the closest things to like big vocal chiming

1345
01:10:27.920 --> 01:10:30.520
<v Speaker 1>hook moments with you know, if you've heard the song Leviathan,

1346
01:10:30.600 --> 01:10:32.840
<v Speaker 1>things like that, I wish to be alone with my God.

1347
01:10:33.079 --> 01:10:35.680
<v Speaker 1>All of this stuff. It was fucking awesome from there.

1348
01:10:36.359 --> 01:10:42.039
<v Speaker 1>David Gray, ridiculous, fucking battery, blasts of drumming, just pommeling

1349
01:10:42.079 --> 01:10:48.600
<v Speaker 1>you so insistently. Sam who in his secondary role as

1350
01:10:48.640 --> 01:10:52.439
<v Speaker 1>AKA cocka keyboardist, his primary role as ACA cocka hype man,

1351
01:10:52.680 --> 01:10:55.760
<v Speaker 1>just he throws himself into with such a band and

1352
01:10:56.399 --> 01:10:59.760
<v Speaker 1>brilliant and we did on the show like a week

1353
01:10:59.840 --> 01:11:04.560
<v Speaker 1>or ago, reported that one of their most recent bass players,

1354
01:11:04.960 --> 01:11:08.079
<v Speaker 1>Feder Rico Bellini really just unfortunately passed away, also based

1355
01:11:08.079 --> 01:11:11.079
<v Speaker 1>player in Malthusian and a whole number of other, uh,

1356
01:11:11.119 --> 01:11:14.199
<v Speaker 1>you know, this corner of our world death metal bands,

1357
01:11:14.399 --> 01:11:16.680
<v Speaker 1>and so they dedicated the set to him, and that

1358
01:11:16.800 --> 01:11:19.520
<v Speaker 1>was obviously a really nice moment as well. So despite

1359
01:11:20.000 --> 01:11:24.399
<v Speaker 1>minor hiccups, the pure animated energy that they came at

1360
01:11:24.479 --> 01:11:27.560
<v Speaker 1>it with and the genius of that record as well,

1361
01:11:27.600 --> 01:11:29.800
<v Speaker 1>Like what a special band. If you are you know

1362
01:11:29.880 --> 01:11:32.319
<v Speaker 1>someone who's in the US waiting to see this at

1363
01:11:32.439 --> 01:11:34.880
<v Speaker 1>Maryland death Fest, I trust that it will fucking rip

1364
01:11:34.920 --> 01:11:37.319
<v Speaker 1>because just one of the greats, like absolutely one of

1365
01:11:37.319 --> 01:11:40.520
<v Speaker 1>the greats, really really special band, really special record. And

1366
01:11:40.560 --> 01:11:42.920
<v Speaker 1>as much as I would like them to put out

1367
01:11:42.920 --> 01:11:46.319
<v Speaker 1>some more new material at some point, it's a pleasure

1368
01:11:46.359 --> 01:11:48.279
<v Speaker 1>still on a privilege still to have them around so

1369
01:11:48.560 --> 01:11:51.760
<v Speaker 1>regularly over here and doing wicked things like these. And

1370
01:11:51.800 --> 01:11:54.560
<v Speaker 1>speaking of wicked things, after this, the second from the

1371
01:11:54.600 --> 01:11:56.439
<v Speaker 1>top band on the first day of the festival proper

1372
01:11:56.800 --> 01:11:59.960
<v Speaker 1>was Don Hims Guard and DoD Heims Guard were perform

1373
01:12:00.039 --> 01:12:04.600
<v Speaker 1>forming a set of Black Medium Current, their latest album

1374
01:12:04.840 --> 01:12:06.760
<v Speaker 1>from twenty twenty three. If you're a long time listeners

1375
01:12:06.760 --> 01:12:09.359
<v Speaker 1>of ours, I'm sure that you've heard our various discussions

1376
01:12:09.399 --> 01:12:11.399
<v Speaker 1>around that record when it came out. It was a

1377
01:12:11.439 --> 01:12:13.960
<v Speaker 1>delicious thing to get our teeth into back when that

1378
01:12:14.000 --> 01:12:16.119
<v Speaker 1>record was coming out. And I think that this speaks

1379
01:12:16.159 --> 01:12:19.039
<v Speaker 1>to the kind of thing that you can look to

1380
01:12:19.079 --> 01:12:22.880
<v Speaker 1>events like Fortress to showcase essentially because by Meiding Current

1381
01:12:23.000 --> 01:12:28.279
<v Speaker 1>is a three year old record. But one of the

1382
01:12:28.279 --> 01:12:32.880
<v Speaker 1>cool things I think about being really involved in, you know,

1383
01:12:32.920 --> 01:12:35.279
<v Speaker 1>a subculture is kind of off the beaten path, as

1384
01:12:35.640 --> 01:12:39.920
<v Speaker 1>black metal for example, is you can still see and

1385
01:12:40.000 --> 01:12:43.800
<v Speaker 1>feel in real time when classics are canonized, you know,

1386
01:12:43.920 --> 01:12:46.640
<v Speaker 1>and when a record comes out and people within that

1387
01:12:46.720 --> 01:12:49.600
<v Speaker 1>world and that niche speak on mass about like that's

1388
01:12:49.640 --> 01:12:52.760
<v Speaker 1>a really special record, and then three years later it

1389
01:12:52.800 --> 01:12:56.000
<v Speaker 1>hasn't been consumed by the content cycle. You know, people

1390
01:12:56.119 --> 01:12:58.640
<v Speaker 1>still talk about it that way, and like I said,

1391
01:12:58.720 --> 01:13:02.760
<v Speaker 1>people from across the will go they're playing that record

1392
01:13:03.279 --> 01:13:05.680
<v Speaker 1>at that festival. I have to buy a plane ticket

1393
01:13:06.119 --> 01:13:08.800
<v Speaker 1>and go. And that was the vibe that you got

1394
01:13:08.840 --> 01:13:14.159
<v Speaker 1>with this, where it is a niche underground recent but

1395
01:13:14.399 --> 01:13:18.880
<v Speaker 1>solidified in that classic record and people wanted to fucking

1396
01:13:18.920 --> 01:13:21.359
<v Speaker 1>see it, you know, people wanted to be there to

1397
01:13:22.520 --> 01:13:26.239
<v Speaker 1>witness that. That's what's happened with with Black Medium Current.

1398
01:13:26.399 --> 01:13:29.000
<v Speaker 1>It was massively acclaimed when it came out, but here

1399
01:13:29.039 --> 01:13:33.359
<v Speaker 1>we are and it's become the draw that people wanted

1400
01:13:33.359 --> 01:13:35.640
<v Speaker 1>to be there and be part of it. It's one

1401
01:13:35.680 --> 01:13:38.159
<v Speaker 1>of I would say, two bookings at Fortress this year

1402
01:13:38.399 --> 01:13:41.439
<v Speaker 1>that felt like the really special, like this is a

1403
01:13:41.479 --> 01:13:44.439
<v Speaker 1>privilege to be here seeing this bookings the kind that

1404
01:13:44.479 --> 01:13:47.560
<v Speaker 1>people are you know, upending their lives and flying across

1405
01:13:48.319 --> 01:13:50.520
<v Speaker 1>oceans to do. And this one is for an album

1406
01:13:50.560 --> 01:13:52.079
<v Speaker 1>that's just three years old. You know, it's not something

1407
01:13:52.119 --> 01:13:55.159
<v Speaker 1>that people have a long standing you know, relationship from

1408
01:13:55.159 --> 01:13:58.560
<v Speaker 1>their childhoods from or fucking whatever. It's something this essensibly new,

1409
01:13:58.920 --> 01:14:01.159
<v Speaker 1>but people really wanted to see it. And I saw

1410
01:14:01.199 --> 01:14:04.439
<v Speaker 1>DoD Heims Guard a couple of years ago doing a

1411
01:14:04.439 --> 01:14:07.000
<v Speaker 1>all nineties set. Is what that turned out to be.

1412
01:14:07.279 --> 01:14:10.960
<v Speaker 1>Like they only played up to they stopped at sixty

1413
01:14:10.960 --> 01:14:14.319
<v Speaker 1>six to six International, and that was chaos, like that

1414
01:14:14.439 --> 01:14:17.920
<v Speaker 1>fucking Vicotnick cracking mic stands around and just being like

1415
01:14:17.960 --> 01:14:22.119
<v Speaker 1>a crazy goblin. It was a really like violent, you know,

1416
01:14:22.279 --> 01:14:25.319
<v Speaker 1>erratic kind of set. In a great way. This was

1417
01:14:25.359 --> 01:14:27.479
<v Speaker 1>the other side of the spectrum. You know, this is

1418
01:14:27.800 --> 01:14:31.680
<v Speaker 1>the grand DoD Heims Guard that the Majestic DoD Heims

1419
01:14:31.720 --> 01:14:34.960
<v Speaker 1>Guard still weird in the they turn up and you go, well,

1420
01:14:35.000 --> 01:14:41.399
<v Speaker 1>the guitarists painted green. They've got a guy who's just

1421
01:14:41.479 --> 01:14:44.800
<v Speaker 1>wearing a white rotten Christ t shirt and a balaklava

1422
01:14:45.039 --> 01:14:48.600
<v Speaker 1>on the keyboards just in the corner set up there,

1423
01:14:48.800 --> 01:14:51.520
<v Speaker 1>and then Vicotnick at the center who is also painted

1424
01:14:51.560 --> 01:14:54.239
<v Speaker 1>green like underneath, but he has like a red wedding

1425
01:14:54.359 --> 01:14:57.079
<v Speaker 1>veil over his head when he first comes out. He's

1426
01:14:57.079 --> 01:15:00.479
<v Speaker 1>also got like a massive like gold hanging really low

1427
01:15:00.640 --> 01:15:04.279
<v Speaker 1>necklace like and he's still doing the thing that he

1428
01:15:04.439 --> 01:15:06.600
<v Speaker 1>was doing when I saw him laugh, which is like

1429
01:15:06.640 --> 01:15:12.560
<v Speaker 1>literally chucking like spreading incense and stuff and smoke around everywhere.

1430
01:15:12.600 --> 01:15:15.640
<v Speaker 1>They've got three backing singers on stage for this set,

1431
01:15:15.840 --> 01:15:19.079
<v Speaker 1>so they have about nine people total on stage, like

1432
01:15:19.119 --> 01:15:21.399
<v Speaker 1>a real you know, like it's the don Heims Guard

1433
01:15:21.399 --> 01:15:24.119
<v Speaker 1>fucking orchestra that's coming out to put on this record.

1434
01:15:24.239 --> 01:15:27.680
<v Speaker 1>They had some wild visuals where it was like nineteen

1435
01:15:27.760 --> 01:15:32.359
<v Speaker 1>twenties meets the Future basically, where they had like twenties

1436
01:15:32.439 --> 01:15:36.640
<v Speaker 1>flapper dancers and they had like if you know the

1437
01:15:36.640 --> 01:15:39.000
<v Speaker 1>film the man who laughs with with Conrad right, like

1438
01:15:39.039 --> 01:15:42.239
<v Speaker 1>his character like appearing on screen, but like all superimposed

1439
01:15:42.279 --> 01:15:46.000
<v Speaker 1>over like space, you know, like a weird kind of

1440
01:15:46.680 --> 01:15:49.560
<v Speaker 1>a weird meeting of those two things going all around them,

1441
01:15:49.560 --> 01:15:53.840
<v Speaker 1>like kind of psychedelic fashion. And the wild turns of

1442
01:15:53.840 --> 01:15:58.119
<v Speaker 1>that record, like the ending of the first song when

1443
01:15:58.199 --> 01:16:00.439
<v Speaker 1>you've had this you know, slow build, but then it

1444
01:16:00.479 --> 01:16:04.039
<v Speaker 1>suddenly turns into a nineteen eighties like yacht rock prog

1445
01:16:04.199 --> 01:16:07.720
<v Speaker 1>part brilliant and the parts where I now was just

1446
01:16:07.760 --> 01:16:10.239
<v Speaker 1>descend into like a really oppressive drum and bass bit

1447
01:16:10.520 --> 01:16:13.000
<v Speaker 1>for a little while and stuff like that. The song

1448
01:16:13.039 --> 01:16:15.039
<v Speaker 1>it does not follow with like the jazz swing sections

1449
01:16:15.039 --> 01:16:17.640
<v Speaker 1>at the start, like all those weird turns of the

1450
01:16:17.720 --> 01:16:21.520
<v Speaker 1>like really vibrant imagination of that record, which I think

1451
01:16:21.600 --> 01:16:25.159
<v Speaker 1>is what it fundamentally captures. All sounding great in the

1452
01:16:25.159 --> 01:16:28.760
<v Speaker 1>live environment, like we're actually kind of dancing during parts

1453
01:16:28.800 --> 01:16:31.319
<v Speaker 1>of it, but I kind of for that's sort of

1454
01:16:31.359 --> 01:16:33.000
<v Speaker 1>hite expected. I kind of forgot, and this is the

1455
01:16:33.039 --> 01:16:36.439
<v Speaker 1>primary part that came across live, how graceful that album is,

1456
01:16:36.760 --> 01:16:39.560
<v Speaker 1>and parts like the big choir parts with the end

1457
01:16:39.560 --> 01:16:41.880
<v Speaker 1>they've got the three backing vocals behind them with you know,

1458
01:16:41.920 --> 01:16:44.680
<v Speaker 1>for Cottonick at the front leading it. The big like

1459
01:16:45.359 --> 01:16:51.000
<v Speaker 1>choir vocal, the almost wordless like the oh all that

1460
01:16:51.000 --> 01:16:53.560
<v Speaker 1>stuff that's happening in that record. And I'm looking around

1461
01:16:53.880 --> 01:16:58.199
<v Speaker 1>and people are like singing, and this little band of

1462
01:16:58.399 --> 01:17:00.760
<v Speaker 1>freaks from across the world. I suppose for whom this

1463
01:17:00.800 --> 01:17:04.680
<v Speaker 1>record means something. You know, they've convened here for this,

1464
01:17:04.800 --> 01:17:07.920
<v Speaker 1>and it was a real like, you know, kind of

1465
01:17:07.960 --> 01:17:11.560
<v Speaker 1>spiritual just sort of letting out of the all the

1466
01:17:11.680 --> 01:17:16.920
<v Speaker 1>strangeness and the again the complicated contradictions of a record

1467
01:17:17.279 --> 01:17:21.279
<v Speaker 1>like that, but really been translated in such an incredibly

1468
01:17:21.399 --> 01:17:25.239
<v Speaker 1>graceful way. It was a real moment of like like, yeah,

1469
01:17:25.560 --> 01:17:28.159
<v Speaker 1>we have all come together to celebrate this only a

1470
01:17:28.199 --> 01:17:31.279
<v Speaker 1>couple of year old record, and it's being put on

1471
01:17:31.399 --> 01:17:36.359
<v Speaker 1>with such a level of both professionalism and just like

1472
01:17:36.479 --> 01:17:39.880
<v Speaker 1>genuine artistic majesty. It's mad as well that Dodheim's Guard

1473
01:17:39.960 --> 01:17:42.319
<v Speaker 1>have had such long periods of their career where vi

1474
01:17:42.359 --> 01:17:44.439
<v Speaker 1>Kopnik wasn't actually the front man, you know, and he's

1475
01:17:44.479 --> 01:17:48.000
<v Speaker 1>like the musical genius arranger guy, but him being at

1476
01:17:48.000 --> 01:17:49.800
<v Speaker 1>the front is the most natural thing in the world. Like,

1477
01:17:49.800 --> 01:17:52.079
<v Speaker 1>I've never seen them live without him, so I can't

1478
01:17:52.119 --> 01:17:54.079
<v Speaker 1>speak to you know, when they had a Oldron in

1479
01:17:54.119 --> 01:17:56.319
<v Speaker 1>the band for example, or you know Matt from Grove

1480
01:17:56.359 --> 01:17:58.640
<v Speaker 1>Pleasures That Excess, et cetera, when they had him as

1481
01:17:58.680 --> 01:17:59.960
<v Speaker 1>the front man. I can't speak to what those were,

1482
01:18:00.439 --> 01:18:02.960
<v Speaker 1>but I can't imagine in the live environment them not

1483
01:18:03.000 --> 01:18:06.399
<v Speaker 1>being fronted by him, because he is just the most

1484
01:18:06.479 --> 01:18:09.319
<v Speaker 1>like your eyes are glued to him, Like he is

1485
01:18:09.640 --> 01:18:13.840
<v Speaker 1>such an absolute magnet, like the most animated performer in

1486
01:18:13.880 --> 01:18:15.960
<v Speaker 1>this sort of realm of music that you can imagine

1487
01:18:15.960 --> 01:18:18.479
<v Speaker 1>in him conducting. Everything that was going on with this

1488
01:18:18.880 --> 01:18:21.159
<v Speaker 1>was fucking wonderful. Like again, it was a real privilege

1489
01:18:21.159 --> 01:18:23.039
<v Speaker 1>to see everyone came out of it being like, yeah,

1490
01:18:23.119 --> 01:18:25.760
<v Speaker 1>that was so I know you're shaking your head, Mark,

1491
01:18:25.880 --> 01:18:27.520
<v Speaker 1>you love that record. It was really cool.

1492
01:18:27.680 --> 01:18:31.359
<v Speaker 2>I'm furious. I'm so jealous. I should have just gone

1493
01:18:31.680 --> 01:18:37.319
<v Speaker 2>like that. Black Medium current Top five albums of the

1494
01:18:37.319 --> 01:18:38.760
<v Speaker 2>twenty twenties so far.

1495
01:18:39.520 --> 01:18:41.079
<v Speaker 3>Oh, I mean it was my number two.

1496
01:18:41.239 --> 01:18:42.640
<v Speaker 1>Big, it's a big claim, but I don't think it's

1497
01:18:42.640 --> 01:18:44.439
<v Speaker 1>out of the out of contention.

1498
01:18:44.600 --> 01:18:45.640
<v Speaker 3>Yeah, it was my number two.

1499
01:18:45.680 --> 01:18:49.039
<v Speaker 2>The Europe came out, it'd be number one, though, Like

1500
01:18:49.039 --> 01:18:54.520
<v Speaker 2>like you say, it's such a stagger majestic, horrifying and

1501
01:18:54.640 --> 01:18:56.279
<v Speaker 2>beautiful record all in one.

1502
01:18:56.439 --> 01:18:58.439
<v Speaker 3>I love it. I wish I was there.

1503
01:18:59.000 --> 01:19:01.319
<v Speaker 1>Yeah, it was, like I said, they're pulling out the stops

1504
01:19:01.319 --> 01:19:03.760
<v Speaker 1>to showcase it the way that I think. The thing

1505
01:19:03.800 --> 01:19:06.239
<v Speaker 1>with things events like this is obviously they are underground

1506
01:19:06.239 --> 01:19:09.800
<v Speaker 1>bands who aren't normally afforded a huge deal of budget, right,

1507
01:19:09.960 --> 01:19:11.880
<v Speaker 1>And like yeah, like it wasn't It's not a Ramstein show.

1508
01:19:11.920 --> 01:19:14.119
<v Speaker 1>That's not what I'm talking about, but just getting to

1509
01:19:14.119 --> 01:19:17.359
<v Speaker 1>see bands who make music that, like I said, fucking

1510
01:19:17.479 --> 01:19:21.239
<v Speaker 1>means a lot to people, but who aren't normally afforded

1511
01:19:21.640 --> 01:19:24.920
<v Speaker 1>the spaces I suppose to, you know, put it on

1512
01:19:24.960 --> 01:19:27.720
<v Speaker 1>the way that you could in your wildest dreams dream

1513
01:19:27.760 --> 01:19:30.279
<v Speaker 1>of is the kind of stuff that you can see

1514
01:19:30.319 --> 01:19:32.920
<v Speaker 1>with things like Dodheim's guy doing this black Medium Current

1515
01:19:32.920 --> 01:19:35.119
<v Speaker 1>set in an old Victorian theater with these incredible visuals

1516
01:19:35.119 --> 01:19:36.760
<v Speaker 1>behind them and all this stuff and you know, three

1517
01:19:36.800 --> 01:19:39.079
<v Speaker 1>backing singers on stage, and it was just it was

1518
01:19:39.079 --> 01:19:41.159
<v Speaker 1>really fucking beautiful. It was lovely. And from there I

1519
01:19:41.159 --> 01:19:44.239
<v Speaker 1>saw a band called Howedham Rife We're Just Not, which

1520
01:19:44.279 --> 01:19:48.479
<v Speaker 1>is not so beautiful, but they are. I mentioned again

1521
01:19:48.520 --> 01:19:51.600
<v Speaker 1>the sort of the more recent wave of that, you know,

1522
01:19:51.640 --> 01:19:54.520
<v Speaker 1>the hooded or you can't see their faces at all.

1523
01:19:54.600 --> 01:19:56.920
<v Speaker 1>Veiled black metal bands Hordede and Rife are one of

1524
01:19:56.960 --> 01:19:59.359
<v Speaker 1>a couple of bands who you look at and they

1525
01:19:59.359 --> 01:20:02.560
<v Speaker 1>are like black bands of a more traditional era in

1526
01:20:02.600 --> 01:20:05.319
<v Speaker 1>that these are like long haired, corpse painted guys right

1527
01:20:05.359 --> 01:20:08.319
<v Speaker 1>like these are like the layman's understanding of what a

1528
01:20:08.359 --> 01:20:11.640
<v Speaker 1>black metal band is. These are the traditions that about

1529
01:20:11.680 --> 01:20:13.439
<v Speaker 1>at Horde and Rife are dealing with. I think the

1530
01:20:13.479 --> 01:20:16.520
<v Speaker 1>Norwegian and it is like, you know, second wave style,

1531
01:20:16.880 --> 01:20:22.960
<v Speaker 1>fucking evil, spiky, icy, corpse painted, et cetera. Like they

1532
01:20:23.079 --> 01:20:26.119
<v Speaker 1>they could have been part of waves with Gorga Roth

1533
01:20:26.239 --> 01:20:28.159
<v Speaker 1>or then you know the whole wave with Shooder and

1534
01:20:28.199 --> 01:20:30.760
<v Speaker 1>these type bands coming forward like and they are decent

1535
01:20:30.800 --> 01:20:33.960
<v Speaker 1>band and they are pretty straightforward, and certainly in the

1536
01:20:34.000 --> 01:20:36.520
<v Speaker 1>live environment they're kind of one dimensional and that it is,

1537
01:20:36.560 --> 01:20:39.680
<v Speaker 1>you know, that kind of just blasty, not the most

1538
01:20:39.720 --> 01:20:41.520
<v Speaker 1>dynamic thing in the world black metal. But and it

1539
01:20:41.560 --> 01:20:43.119
<v Speaker 1>was very warm in that room as well. That's the

1540
01:20:43.119 --> 01:20:45.399
<v Speaker 1>thing with the Ocean room is it was it was

1541
01:20:45.439 --> 01:20:48.039
<v Speaker 1>cooking in there, like it was it was very insulated

1542
01:20:48.920 --> 01:20:51.600
<v Speaker 1>in there, which certainly for some bands might add a

1543
01:20:51.680 --> 01:20:55.159
<v Speaker 1>level of a pressure, pressive hellishness but there you go.

1544
01:20:55.199 --> 01:20:59.720
<v Speaker 1>But yeah, and wife were decent in supplying that really

1545
01:20:59.800 --> 01:21:02.760
<v Speaker 1>like necro fix, you know what I mean. The headliner

1546
01:21:02.800 --> 01:21:04.800
<v Speaker 1>of the first day of Fortress was Old Man's Child,

1547
01:21:05.600 --> 01:21:10.359
<v Speaker 1>which is the band that recently has been reactivated, the

1548
01:21:10.399 --> 01:21:13.760
<v Speaker 1>band of Golder who for a long time was in

1549
01:21:13.920 --> 01:21:17.159
<v Speaker 1>Dimu BORGI. If you are even kind of casually familiar

1550
01:21:17.159 --> 01:21:19.439
<v Speaker 1>with Dimu I guess you might recognize Golder. He's he

1551
01:21:19.520 --> 01:21:21.960
<v Speaker 1>was the bald guitar arrested, the one you could always

1552
01:21:21.960 --> 01:21:23.279
<v Speaker 1>put him out there because he you know, he looked

1553
01:21:23.279 --> 01:21:23.920
<v Speaker 1>different to the rest.

1554
01:21:23.800 --> 01:21:25.760
<v Speaker 2>Of his tongue alicking a.

1555
01:21:25.880 --> 01:21:28.119
<v Speaker 1>Yeah. All My Child was the band that he had

1556
01:21:28.119 --> 01:21:30.399
<v Speaker 1>before Demu Borgil like he joined in I think maybe

1557
01:21:30.439 --> 01:21:33.079
<v Speaker 1>the turn of the two thousand somewhere around there. This

1558
01:21:33.199 --> 01:21:38.159
<v Speaker 1>is Nighties, similar style of symphonic you know, keyboard lad

1559
01:21:38.199 --> 01:21:41.199
<v Speaker 1>in black metal, obviously differences. Dimu went so fucking enormous

1560
01:21:41.640 --> 01:21:43.359
<v Speaker 1>with it, with like we're gonna work with the Prague

1561
01:21:43.359 --> 01:21:45.319
<v Speaker 1>Philharmonic and we're gonna soundra liket hell Boy trailers and

1562
01:21:45.359 --> 01:21:47.000
<v Speaker 1>all that kind of stuff. All My's Child is a

1563
01:21:47.000 --> 01:21:51.640
<v Speaker 1>little more, you know, for the devotees of that that

1564
01:21:51.640 --> 01:21:56.119
<v Speaker 1>that style more, you know, fundamentally with the the keyboards

1565
01:21:56.359 --> 01:22:00.119
<v Speaker 1>and that kind of approach to that style. But if

1566
01:22:00.159 --> 01:22:03.039
<v Speaker 1>you love that shit, which I do, all my child are,

1567
01:22:03.079 --> 01:22:05.520
<v Speaker 1>I would say an essential name like to hear if

1568
01:22:05.560 --> 01:22:07.640
<v Speaker 1>you love that shit like they're Runner records from the

1569
01:22:07.720 --> 01:22:09.520
<v Speaker 1>late nineties going into kind of the early to mid

1570
01:22:09.560 --> 01:22:11.760
<v Speaker 1>two thousands when they were at their peak of activity,

1571
01:22:12.520 --> 01:22:16.319
<v Speaker 1>really fucking great in that world. And Golder recently left

1572
01:22:16.399 --> 01:22:19.079
<v Speaker 1>Demi Borgear and just out of the blue revived or

1573
01:22:19.159 --> 01:22:21.359
<v Speaker 1>Man's Child. I think he said he's working on new material,

1574
01:22:21.359 --> 01:22:24.079
<v Speaker 1>but certainly the last year or sorry, they've been playing shows,

1575
01:22:24.600 --> 01:22:26.520
<v Speaker 1>and for a start, I respect that in terms of

1576
01:22:26.600 --> 01:22:30.840
<v Speaker 1>you have a tasty gig in Demie Borgia right, like

1577
01:22:30.960 --> 01:22:34.920
<v Speaker 1>you are in one of the three biggest black metal

1578
01:22:34.960 --> 01:22:38.520
<v Speaker 1>bands in the entire world, who can play enormous you know,

1579
01:22:38.680 --> 01:22:41.119
<v Speaker 1>slots at a vacan or something like that, and leaving

1580
01:22:41.159 --> 01:22:43.720
<v Speaker 1>that behind to play with your smaller band, but the

1581
01:22:43.760 --> 01:22:46.279
<v Speaker 1>one that's your your baby and your passion project. I

1582
01:22:46.319 --> 01:22:48.159
<v Speaker 1>think that's cool and I think there's something there's a

1583
01:22:48.239 --> 01:22:51.439
<v Speaker 1>nice element to seeing Orban's Child come back through that.

1584
01:22:51.720 --> 01:22:54.920
<v Speaker 1>The Golder demeanor that you described from Demu right, the

1585
01:22:55.199 --> 01:22:57.359
<v Speaker 1>sort of goblin walk. He does that will head tilt

1586
01:22:57.359 --> 01:23:00.239
<v Speaker 1>to the side with the tongue out, which obviously he

1587
01:23:00.279 --> 01:23:03.720
<v Speaker 1>now has years of experience playing these big shows with Demu,

1588
01:23:03.800 --> 01:23:07.079
<v Speaker 1>like he has played larger slots and larger shows than

1589
01:23:07.399 --> 01:23:10.680
<v Speaker 1>I would imagine basically anyone else on the Fortress bill.

1590
01:23:11.479 --> 01:23:15.159
<v Speaker 1>He brings that into old Man's Child. Now they're playing

1591
01:23:15.199 --> 01:23:18.359
<v Speaker 1>these slots and it's like, yeah, you are you are

1592
01:23:18.439 --> 01:23:20.399
<v Speaker 1>a great musician, but you're also one of the I

1593
01:23:20.439 --> 01:23:22.640
<v Speaker 1>would say, the few people on this bill who is

1594
01:23:22.680 --> 01:23:25.119
<v Speaker 1>like an entertainer, you know, and he can bring that

1595
01:23:25.520 --> 01:23:27.159
<v Speaker 1>side to it. And that was all there. You know,

1596
01:23:27.439 --> 01:23:29.680
<v Speaker 1>it's present. He can entertain and he can do this stuff,

1597
01:23:29.840 --> 01:23:31.359
<v Speaker 1>and him as the the you know, the front man

1598
01:23:31.359 --> 01:23:34.399
<v Speaker 1>as well, because he does the vocals a you know,

1599
01:23:34.479 --> 01:23:37.520
<v Speaker 1>an engaging focal point. And they sounded great, like the

1600
01:23:37.600 --> 01:23:42.119
<v Speaker 1>band were really tight and propulsive. The piano lines I mentioned,

1601
01:23:42.119 --> 01:23:44.439
<v Speaker 1>like the big symphonic keyboard lines they have, they were

1602
01:23:44.439 --> 01:23:46.720
<v Speaker 1>on track. They did not have like a live keyboardist

1603
01:23:46.840 --> 01:23:48.239
<v Speaker 1>there with him. It was a four piece, you know,

1604
01:23:48.279 --> 01:23:51.159
<v Speaker 1>metal band, and so the lead melodies of the songs

1605
01:23:51.159 --> 01:23:53.439
<v Speaker 1>often being these you know, keyboard parts. You could sort

1606
01:23:53.479 --> 01:23:55.000
<v Speaker 1>of tell that like, yeah, that's a track while the

1607
01:23:55.039 --> 01:23:58.359
<v Speaker 1>band are live playing the you know, metal underpinning to it.

1608
01:23:58.840 --> 01:24:00.399
<v Speaker 1>But like I said, the band were really really tight,

1609
01:24:00.439 --> 01:24:02.359
<v Speaker 1>and they do have some songs that are they lean

1610
01:24:02.439 --> 01:24:04.800
<v Speaker 1>more on the lead guitar melodies as well, like doom

1611
01:24:04.800 --> 01:24:07.159
<v Speaker 1>Maker for example, and those sounded absolutely fantastic, and it

1612
01:24:07.199 --> 01:24:09.600
<v Speaker 1>was a recent, you know, a good reminder of just

1613
01:24:09.600 --> 01:24:12.239
<v Speaker 1>what a great catalog they have, where they covered a

1614
01:24:12.279 --> 01:24:15.359
<v Speaker 1>lot of basses that the of you know, their their discography.

1615
01:24:15.600 --> 01:24:17.760
<v Speaker 1>They opened with the song Towards Eternity, which is from

1616
01:24:17.760 --> 01:24:21.479
<v Speaker 1>Ill Natured Spiritual Invasion, and that has such a mischievous

1617
01:24:21.560 --> 01:24:25.279
<v Speaker 1>nineties keyboard start, like I Am ascending like a wizard spire,

1618
01:24:25.279 --> 01:24:26.479
<v Speaker 1>you know what I mean. And that's exactly what you

1619
01:24:26.560 --> 01:24:29.039
<v Speaker 1>want to hear when you're entering this set. Lots of

1620
01:24:29.039 --> 01:24:31.680
<v Speaker 1>songs off of the Pagan Prosperity, a couple songs from

1621
01:24:31.680 --> 01:24:35.039
<v Speaker 1>Revelation six sixty six. They played the Sole Receiver from

1622
01:24:35.399 --> 01:24:37.319
<v Speaker 1>In Defiance of Existence, which I would have liked a

1623
01:24:37.319 --> 01:24:38.880
<v Speaker 1>little bit more of that record. I would have particularly

1624
01:24:38.880 --> 01:24:40.720
<v Speaker 1>liked Felonies of the Christian Art, the opening track on

1625
01:24:40.720 --> 01:24:42.880
<v Speaker 1>that record, which I was quite surprised they didn't play.

1626
01:24:43.960 --> 01:24:46.840
<v Speaker 1>But you know, still good stuff. And then the latest

1627
01:24:46.880 --> 01:24:50.279
<v Speaker 1>representative was from the album Vermin, which is like from

1628
01:24:50.319 --> 01:24:52.600
<v Speaker 1>two thousand and five ish, I think a track called

1629
01:24:52.600 --> 01:24:54.680
<v Speaker 1>Twilight Damnation, so a good like you know, decade span

1630
01:24:55.119 --> 01:24:58.399
<v Speaker 1>of old bands child material. It's fun to go like, yeah,

1631
01:24:58.399 --> 01:25:00.640
<v Speaker 1>this is our new song from tonight. It's from twenty

1632
01:25:00.640 --> 01:25:02.239
<v Speaker 1>one years ago, but there you go. And I just

1633
01:25:02.239 --> 01:25:05.600
<v Speaker 1>thought it was cool that we're at a moment right

1634
01:25:05.600 --> 01:25:08.640
<v Speaker 1>now at the last kind of two three years. This

1635
01:25:08.720 --> 01:25:13.239
<v Speaker 1>sort of style of like late nineties you know, orchestral

1636
01:25:13.319 --> 01:25:16.560
<v Speaker 1>symphonic black metal before it got fully you know, dem

1637
01:25:16.600 --> 01:25:19.079
<v Speaker 1>U Cradle style, like massive and overblown, but like the

1638
01:25:19.119 --> 01:25:22.800
<v Speaker 1>more underground variant of it, I suppose has become a

1639
01:25:23.319 --> 01:25:25.760
<v Speaker 1>like a bit of a trend for bands to revive

1640
01:25:25.840 --> 01:25:27.720
<v Speaker 1>a little bit. So most obviously we have like the

1641
01:25:27.760 --> 01:25:30.399
<v Speaker 1>new Worm album, for example, from the beginning of this year,

1642
01:25:30.439 --> 01:25:33.560
<v Speaker 1>which is like one of the most raved about underground

1643
01:25:33.560 --> 01:25:36.880
<v Speaker 1>records of this year. The upcoming storm Keep album also

1644
01:25:36.880 --> 01:25:38.279
<v Speaker 1>it looks like it's going to be very much in

1645
01:25:38.279 --> 01:25:42.439
<v Speaker 1>that kind of like late nineties style, you know, cheesy

1646
01:25:42.479 --> 01:25:44.039
<v Speaker 1>but in a great way that lots of us love,

1647
01:25:44.159 --> 01:25:47.199
<v Speaker 1>you know, sort of symphonic black metal. That stuff is,

1648
01:25:47.319 --> 01:25:49.640
<v Speaker 1>you know, sort of it in again at the moment,

1649
01:25:49.800 --> 01:25:52.399
<v Speaker 1>and so it's cool to have one of the ogs

1650
01:25:52.800 --> 01:25:55.239
<v Speaker 1>of this style essentially coming back and being like, yeah,

1651
01:25:55.359 --> 01:25:57.800
<v Speaker 1>this is how the ship was back then. This is

1652
01:25:57.800 --> 01:26:01.159
<v Speaker 1>why it's still great, you know, and really great to

1653
01:26:01.199 --> 01:26:04.479
<v Speaker 1>see that, and also a booking as the headline act

1654
01:26:04.560 --> 01:26:07.239
<v Speaker 1>that no one else would have gotten that. You know,

1655
01:26:07.359 --> 01:26:10.640
<v Speaker 1>there's no other festival apart from the London based ones

1656
01:26:10.680 --> 01:26:12.359
<v Speaker 1>like your Cosmic Voids, et cetera, who do get some

1657
01:26:12.399 --> 01:26:14.640
<v Speaker 1>of these things, but like it's one of those things

1658
01:26:14.640 --> 01:26:17.520
<v Speaker 1>where for a headline booking, lots of other festivals would

1659
01:26:17.520 --> 01:26:19.000
<v Speaker 1>look from the outside and be like Old Man's Child,

1660
01:26:19.000 --> 01:26:20.600
<v Speaker 1>Who the fuck is that? Who cares? Yeah, you know

1661
01:26:20.640 --> 01:26:22.880
<v Speaker 1>what I mean. But Fortress can go, yeah, we're going

1662
01:26:22.920 --> 01:26:24.800
<v Speaker 1>to book that to headline because we know that there

1663
01:26:24.840 --> 01:26:28.319
<v Speaker 1>are enough people who will converge for whom this means something,

1664
01:26:28.520 --> 01:26:31.720
<v Speaker 1>you know, and lots of people, I presume seeing Old

1665
01:26:31.720 --> 01:26:33.079
<v Speaker 1>Man's Child for the first time because they've been in

1666
01:26:33.119 --> 01:26:38.039
<v Speaker 1>active for fifteen twenty years something like that was a

1667
01:26:38.039 --> 01:26:41.720
<v Speaker 1>celebration of a great little a great band and a

1668
01:26:41.720 --> 01:26:44.039
<v Speaker 1>great little corner of you know, the black metal universe

1669
01:26:44.119 --> 01:26:46.439
<v Speaker 1>that we all enjoy. So that was a nice, just

1670
01:26:47.000 --> 01:26:49.600
<v Speaker 1>good vibes's way essentially with a great entertainment, like I said,

1671
01:26:49.600 --> 01:26:51.720
<v Speaker 1>like golda to send us home on the first day.

1672
01:26:51.880 --> 01:26:55.680
<v Speaker 1>The second day started off with this is a fucking

1673
01:26:56.680 --> 01:27:01.640
<v Speaker 1>grand heavy way to start the day, started off twelve

1674
01:27:01.680 --> 01:27:06.760
<v Speaker 1>pm with a Forest of Stars who this was this

1675
01:27:06.800 --> 01:27:09.840
<v Speaker 1>is their first show back after so we reviewed the

1676
01:27:09.840 --> 01:27:14.239
<v Speaker 1>new record last week and I think that's my second

1677
01:27:14.239 --> 01:27:16.800
<v Speaker 1>favorite album of the year right now, Like I absolutely,

1678
01:27:16.880 --> 01:27:19.680
<v Speaker 1>I'm I'm in awe of it. It's brilliant and talking

1679
01:27:19.720 --> 01:27:21.199
<v Speaker 1>to people what because I didn't know if that was

1680
01:27:21.279 --> 01:27:23.039
<v Speaker 1>Dutch just me or whatever. I know. Obviously Elliot liked

1681
01:27:23.079 --> 01:27:26.319
<v Speaker 1>have and reviewed it, but talking to people around sits,

1682
01:27:26.920 --> 01:27:28.640
<v Speaker 1>I got the vibe what I was saying about Black

1683
01:27:28.640 --> 01:27:30.239
<v Speaker 1>Median Current and the way people were like, this is

1684
01:27:30.279 --> 01:27:32.680
<v Speaker 1>a fucking classic, right this has been candonized. Obviously we're

1685
01:27:32.880 --> 01:27:36.880
<v Speaker 1>very very early with the Forestars record, but people love it.

1686
01:27:36.920 --> 01:27:39.159
<v Speaker 1>In a similar way, I'm kind of gathering like everyone

1687
01:27:39.159 --> 01:27:41.039
<v Speaker 1>who I spoke everyone who I spoke to, was like

1688
01:27:41.079 --> 01:27:44.720
<v Speaker 1>that a Forest of Stars record is fucking unbelievable, and

1689
01:27:44.760 --> 01:27:47.720
<v Speaker 1>I think that again it's a niche thing, but seeing

1690
01:27:48.119 --> 01:27:50.000
<v Speaker 1>you know, being around people who are all, like, we

1691
01:27:50.039 --> 01:27:51.680
<v Speaker 1>need to see this band. They're very first band on,

1692
01:27:51.720 --> 01:27:53.399
<v Speaker 1>but we need to see them because their new record

1693
01:27:53.399 --> 01:27:57.000
<v Speaker 1>is so spectacular, similar vibes, right, and really wonderful to

1694
01:27:57.000 --> 01:27:58.720
<v Speaker 1>see that building up for them, particularly because, as I

1695
01:27:58.760 --> 01:28:01.319
<v Speaker 1>was just saying, this is their first show back after

1696
01:28:01.399 --> 01:28:04.880
<v Speaker 1>their like long gap between records. Basically this was then,

1697
01:28:04.920 --> 01:28:06.039
<v Speaker 1>you know, they put out the record and this and

1698
01:28:06.039 --> 01:28:08.199
<v Speaker 1>then returned to the stage after a few years, uh

1699
01:28:08.239 --> 01:28:11.520
<v Speaker 1>and showcasing it. And it's one of those where like

1700
01:28:11.760 --> 01:28:14.520
<v Speaker 1>this was booked I don't know, a year ago, maybe

1701
01:28:14.520 --> 01:28:16.199
<v Speaker 1>I don't know when the exactly they booked this. I

1702
01:28:16.319 --> 01:28:19.239
<v Speaker 1>wonder if they were to book this again, knowing how

1703
01:28:19.279 --> 01:28:21.399
<v Speaker 1>well the album has been received, whether they'd give them

1704
01:28:21.439 --> 01:28:24.520
<v Speaker 1>the Dodheims Guard treatment of like here's a seventy minute slot, Yeah,

1705
01:28:24.520 --> 01:28:27.079
<v Speaker 1>to fucking play the whole thing, because they were opening,

1706
01:28:27.119 --> 01:28:30.000
<v Speaker 1>they had forty minutes, that's you know, I think it

1707
01:28:30.079 --> 01:28:33.600
<v Speaker 1>was forty five minutes. Actually, I would have loved to

1708
01:28:33.640 --> 01:28:36.520
<v Speaker 1>have seen them. Genuinely. I understand why it wasn't booked

1709
01:28:36.520 --> 01:28:37.840
<v Speaker 1>that way, because, like I said, it was booked long

1710
01:28:37.840 --> 01:28:39.520
<v Speaker 1>before the record came out, and you've got to move

1711
01:28:39.560 --> 01:28:41.199
<v Speaker 1>things around and all of that, but it would have

1712
01:28:41.239 --> 01:28:42.920
<v Speaker 1>been amazing to see, Like if they'd done that, I

1713
01:28:42.920 --> 01:28:45.399
<v Speaker 1>think this could have rivaled the Dodheims Guard set because

1714
01:28:45.439 --> 01:28:48.479
<v Speaker 1>just the forty five minutes they played was really something.

1715
01:28:48.960 --> 01:28:52.079
<v Speaker 1>They played Ascension of the Clowns, which is the opening

1716
01:28:52.119 --> 01:28:55.920
<v Speaker 1>track from the new record. They played Root Circle Usurper

1717
01:28:56.079 --> 01:28:58.359
<v Speaker 1>from the new record. They then they played Drawing Down

1718
01:28:58.399 --> 01:29:01.520
<v Speaker 1>the Moon from the Way the Sword you Cannot See record,

1719
01:29:01.560 --> 01:29:04.079
<v Speaker 1>which is also like a masterpiece of a song. And

1720
01:29:04.119 --> 01:29:06.600
<v Speaker 1>then they ended on the closing track on the new record,

1721
01:29:06.880 --> 01:29:09.880
<v Speaker 1>not Drinking Water, and just for those film and it's

1722
01:29:09.880 --> 01:29:13.920
<v Speaker 1>those four songs. It was really I've seen the Forestars before,

1723
01:29:14.039 --> 01:29:16.560
<v Speaker 1>but this was, like I said, seeing them in the

1724
01:29:16.680 --> 01:29:19.399
<v Speaker 1>kind of environment where they're really made for it, where

1725
01:29:19.600 --> 01:29:22.159
<v Speaker 1>similar to dott Heheims Guard, they're an impressive bunch of

1726
01:29:22.159 --> 01:29:25.640
<v Speaker 1>people on stage right where you've got keyboardists, you've got

1727
01:29:25.680 --> 01:29:28.720
<v Speaker 1>two guitarists, you've got a violinist who's also you know,

1728
01:29:29.000 --> 01:29:32.760
<v Speaker 1>singing the female vocal parts. You've got mister Curse himself

1729
01:29:33.279 --> 01:29:38.399
<v Speaker 1>stood center stage like a lot you know to take in.

1730
01:29:38.880 --> 01:29:40.880
<v Speaker 1>And that's before as well that the visuals that they

1731
01:29:40.920 --> 01:29:43.720
<v Speaker 1>had behind them really like if you look at like

1732
01:29:43.840 --> 01:29:47.199
<v Speaker 1>the art style of the new record and these psychedelic

1733
01:29:47.640 --> 01:29:50.359
<v Speaker 1>paintings and stuff, which I think might be done by

1734
01:29:50.800 --> 01:29:54.199
<v Speaker 1>mister Curse himself, the vocalist. They had, like so they

1735
01:29:54.199 --> 01:29:56.079
<v Speaker 1>had the new record on vinyl with them, but they

1736
01:29:56.119 --> 01:29:58.840
<v Speaker 1>had I think limited to four copies. They were like,

1737
01:29:58.880 --> 01:30:01.920
<v Speaker 1>we've got copies of the record, but these four copies

1738
01:30:02.279 --> 01:30:05.279
<v Speaker 1>we've got like we've encased it in like each one

1739
01:30:05.520 --> 01:30:10.039
<v Speaker 1>individually hand painted like wooden artwork stuff. And it was

1740
01:30:10.039 --> 01:30:11.800
<v Speaker 1>like one hundred and fifty quid or something. But like,

1741
01:30:11.840 --> 01:30:13.920
<v Speaker 1>if you are real, you know, forrest of stars head,

1742
01:30:13.920 --> 01:30:16.640
<v Speaker 1>do you want like the most crazy bespoke four of

1743
01:30:16.640 --> 01:30:18.479
<v Speaker 1>them that exist in the world with these like you know,

1744
01:30:18.600 --> 01:30:22.520
<v Speaker 1>I said, each one different painted, you know, visual They

1745
01:30:22.520 --> 01:30:26.479
<v Speaker 1>had those there, but those psychedelic visual kind of paintings

1746
01:30:26.479 --> 01:30:29.960
<v Speaker 1>and stuff all around again like on the behind them,

1747
01:30:29.960 --> 01:30:32.439
<v Speaker 1>on the stage and around them. Like it was a

1748
01:30:32.520 --> 01:30:37.319
<v Speaker 1>trippy vibe and that like real psych rock, prog rock

1749
01:30:37.439 --> 01:30:40.840
<v Speaker 1>kind of edge that they're coming at that new record with,

1750
01:30:41.039 --> 01:30:45.399
<v Speaker 1>but mixed in with like those wonderful violin melodies that

1751
01:30:45.439 --> 01:30:47.960
<v Speaker 1>she plays against these really great you know, black metal

1752
01:30:48.000 --> 01:30:54.279
<v Speaker 1>guitar lines and of course really like emotionally engaged vocal

1753
01:30:54.560 --> 01:30:57.039
<v Speaker 1>performance like that. I can't imagine that you could ever

1754
01:30:57.159 --> 01:31:00.760
<v Speaker 1>half ass performing that way, you know what I mean.

1755
01:31:01.199 --> 01:31:03.600
<v Speaker 1>He obviously did hit the poop Poop the chew choo

1756
01:31:03.640 --> 01:31:06.439
<v Speaker 1>from the the album and I enjoyed that. But the

1757
01:31:06.560 --> 01:31:08.239
<v Speaker 1>vigor of which he was coming out that with and

1758
01:31:08.279 --> 01:31:11.920
<v Speaker 1>then particularly into the closing track not Drinking Water, which

1759
01:31:11.960 --> 01:31:14.560
<v Speaker 1>I mentioned on the review last week, is it feels

1760
01:31:14.600 --> 01:31:18.000
<v Speaker 1>like the uh, the emotional kind of center point of

1761
01:31:18.079 --> 01:31:20.600
<v Speaker 1>the new record. You could hear like a pin drop

1762
01:31:20.720 --> 01:31:23.039
<v Speaker 1>during the quiet passages of it, Like the Fortress audience

1763
01:31:23.119 --> 01:31:26.079
<v Speaker 1>is genuinely really respectful to the band when they have

1764
01:31:26.159 --> 01:31:28.199
<v Speaker 1>these like you know, quiet passages and stuff like that.

1765
01:31:28.199 --> 01:31:30.600
<v Speaker 1>But it was like everyone's really life just enraptured in

1766
01:31:30.640 --> 01:31:33.039
<v Speaker 1>that moment. And then the climax from when that song

1767
01:31:33.119 --> 01:31:36.000
<v Speaker 1>built up again just like it did bring a bit

1768
01:31:36.039 --> 01:31:37.600
<v Speaker 1>of a tear to the eye, like they were really

1769
01:31:37.640 --> 01:31:40.720
<v Speaker 1>wonderful and they are doing a this is just a

1770
01:31:40.720 --> 01:31:42.560
<v Speaker 1>public service and that might I suppose for anyone who

1771
01:31:42.880 --> 01:31:44.680
<v Speaker 1>has just got into this band with the new record.

1772
01:31:44.840 --> 01:31:47.399
<v Speaker 1>They are doing a UK headline tour in November in

1773
01:31:47.479 --> 01:31:50.279
<v Speaker 1>some small venues and a handful of cities in the UK,

1774
01:31:50.439 --> 01:31:52.680
<v Speaker 1>So please pick up a ticket if if you love

1775
01:31:52.720 --> 01:31:54.479
<v Speaker 1>that record and you want to go out and check

1776
01:31:54.479 --> 01:31:56.880
<v Speaker 1>them out, because it was I definitely would be going

1777
01:31:56.880 --> 01:31:58.600
<v Speaker 1>because I want more, you know, I've been on a

1778
01:31:58.640 --> 01:32:01.560
<v Speaker 1>real kick with this band lately, and yeah, seeing them

1779
01:32:01.840 --> 01:32:04.279
<v Speaker 1>open the day with forty five minutes of just Absolute

1780
01:32:04.439 --> 01:32:08.600
<v Speaker 1>Wonder was really really great. From there, I'm going to

1781
01:32:08.680 --> 01:32:10.840
<v Speaker 1>detour into something else that was going on, So I

1782
01:32:10.840 --> 01:32:14.119
<v Speaker 1>mentioned that there is the third stage at Fortress where

1783
01:32:15.199 --> 01:32:17.720
<v Speaker 1>they tend to alternate between doing the I say this

1784
01:32:17.880 --> 01:32:20.920
<v Speaker 1>kind of forum talks the panels on the one day

1785
01:32:21.159 --> 01:32:24.359
<v Speaker 1>and then the other day. They've taken to kind of

1786
01:32:24.399 --> 01:32:30.119
<v Speaker 1>like booking something that's not metal but fits into the

1787
01:32:30.159 --> 01:32:34.039
<v Speaker 1>you know, is culturally connected to black metal. So last

1788
01:32:34.119 --> 01:32:36.960
<v Speaker 1>year they had a bunch of neofolk acts playing and

1789
01:32:37.000 --> 01:32:38.359
<v Speaker 1>I saw a couple of those last year and that

1790
01:32:38.399 --> 01:32:39.720
<v Speaker 1>was really nice. You know, it was cool to see

1791
01:32:39.800 --> 01:32:43.359
<v Speaker 1>again in a smaller, more intimate setting. So there's like

1792
01:32:43.399 --> 01:32:45.680
<v Speaker 1>acoustic music and stuff like that, but that fits in

1793
01:32:45.720 --> 01:32:49.039
<v Speaker 1>the you know, folky black metal kind of framework. This year,

1794
01:32:49.119 --> 01:32:51.000
<v Speaker 1>they didn't do the Neophix bands. They booked a bunch

1795
01:32:51.000 --> 01:32:55.640
<v Speaker 1>of Dungeons In Acts headlined by the literal god of

1796
01:32:55.680 --> 01:33:00.960
<v Speaker 1>the genre, Mortis, the absolute goblin himself. Who I did

1797
01:33:01.000 --> 01:33:03.960
<v Speaker 1>not see Mortis sadly because I it was my only

1798
01:33:04.000 --> 01:33:06.159
<v Speaker 1>actual like clash of the festival, really is. I wanted

1799
01:33:06.159 --> 01:33:08.680
<v Speaker 1>to see the band who were on during Mortis. I

1800
01:33:08.680 --> 01:33:11.520
<v Speaker 1>have seen Mortis doing like an Era one set before

1801
01:33:11.680 --> 01:33:13.159
<v Speaker 1>a few years ago when he supported in Mayhem, so

1802
01:33:13.199 --> 01:33:15.520
<v Speaker 1>that's why I went elsewhere. But Mortis was headlining it. Who,

1803
01:33:15.560 --> 01:33:18.960
<v Speaker 1>like I said, the pioneer, the god of the genre.

1804
01:33:19.039 --> 01:33:20.880
<v Speaker 1>So if you like dungeon synth, that is you're scene,

1805
01:33:20.960 --> 01:33:24.880
<v Speaker 1>then you can't get you know, more legitimate than that. Basically,

1806
01:33:25.199 --> 01:33:27.319
<v Speaker 1>I did get a photo with Mortis because I saw

1807
01:33:27.359 --> 01:33:31.560
<v Speaker 1>him hanging out and I very very rarely like ask

1808
01:33:31.640 --> 01:33:33.840
<v Speaker 1>for photos with band members, but I saw a couple

1809
01:33:33.840 --> 01:33:34.760
<v Speaker 1>of people do it before me, and I was like,

1810
01:33:34.800 --> 01:33:36.319
<v Speaker 1>I've got to get a photo with Mortis. Come on,

1811
01:33:36.880 --> 01:33:38.920
<v Speaker 1>is fucking more. It's fucking Mortois.

1812
01:33:39.439 --> 01:33:40.680
<v Speaker 3>It's like of James Headfield.

1813
01:33:40.800 --> 01:33:43.720
<v Speaker 1>Was there exactly for Dungeons In's heads That's literally true,

1814
01:33:43.760 --> 01:33:48.239
<v Speaker 1>that's exactly. But I did. I was curious to check

1815
01:33:48.279 --> 01:33:50.119
<v Speaker 1>out earlier in the day. You know, some of the

1816
01:33:50.159 --> 01:33:53.319
<v Speaker 1>other Dungeon says acts because I appreciate the sound of

1817
01:33:53.399 --> 01:33:55.600
<v Speaker 1>dungeon sin like I know it kind of is a

1818
01:33:55.600 --> 01:33:57.800
<v Speaker 1>punchline to a degree from the outside because of how

1819
01:33:58.159 --> 01:34:01.439
<v Speaker 1>just like cartoonishly dork it is. And I understand that,

1820
01:34:01.479 --> 01:34:04.359
<v Speaker 1>and I say that with absolute love. I do generally

1821
01:34:04.439 --> 01:34:07.720
<v Speaker 1>I appreciate the sound of dungeon synth. I particularly love

1822
01:34:08.159 --> 01:34:11.960
<v Speaker 1>when it is a component in black metal, right, so

1823
01:34:12.079 --> 01:34:15.479
<v Speaker 1>obviously it the genre originally kind of spilled out of

1824
01:34:15.479 --> 01:34:18.960
<v Speaker 1>basically like intro and interlude tracks on black metal records,

1825
01:34:19.000 --> 01:34:20.640
<v Speaker 1>and then people just went, I'm just gonna play those

1826
01:34:21.359 --> 01:34:24.840
<v Speaker 1>by myself, and then you have bands like Summoning and

1827
01:34:24.880 --> 01:34:26.560
<v Speaker 1>Kaladan Brewed and stuff like that, who kind of, you know,

1828
01:34:26.600 --> 01:34:28.520
<v Speaker 1>mix it into the actual melodies and components of their

1829
01:34:28.520 --> 01:34:33.239
<v Speaker 1>black metal records. But there is such a huge, like

1830
01:34:33.279 --> 01:34:36.760
<v Speaker 1>actual Dungeon scene of like people putting on live events

1831
01:34:36.800 --> 01:34:39.720
<v Speaker 1>and like there are genuine there are live, dedicated dungeons

1832
01:34:39.760 --> 01:34:42.239
<v Speaker 1>and festivals in the UK, you know, And I've never

1833
01:34:42.279 --> 01:34:45.119
<v Speaker 1>been to anything like that because I'm not quite that

1834
01:34:45.239 --> 01:34:49.359
<v Speaker 1>in deep enough. And to me, Dungeons tenth is is

1835
01:34:50.479 --> 01:34:52.960
<v Speaker 1>strange music live because it's kind of like sit at

1836
01:34:53.000 --> 01:34:55.159
<v Speaker 1>home and drift away music like it's not to me

1837
01:34:55.479 --> 01:35:00.680
<v Speaker 1>so active participation, you know, live music, you know what

1838
01:35:00.760 --> 01:35:02.640
<v Speaker 1>I mean. But I thought, as it's here in the

1839
01:35:02.760 --> 01:35:05.119
<v Speaker 1>theater stage at Fortress, it's a good way for me to,

1840
01:35:05.199 --> 01:35:06.760
<v Speaker 1>you know, while I'm literally on site, I've got the

1841
01:35:06.800 --> 01:35:08.680
<v Speaker 1>opportunity to dip my toe in to seeing some of

1842
01:35:08.720 --> 01:35:11.239
<v Speaker 1>these acts and what it's like, but also the environment,

1843
01:35:11.520 --> 01:35:14.920
<v Speaker 1>Like I imagine it's much nicer sitting in a lovely Victorian

1844
01:35:14.960 --> 01:35:17.800
<v Speaker 1>theater in a nice seat on a balcony enjoying these

1845
01:35:17.840 --> 01:35:22.279
<v Speaker 1>acts then being in a fucking pub watching a guy

1846
01:35:22.399 --> 01:35:23.920
<v Speaker 1>go do do do? You know what I mean? So

1847
01:35:23.960 --> 01:35:25.319
<v Speaker 1>I thought, this is about as good as time as

1848
01:35:25.319 --> 01:35:26.760
<v Speaker 1>any for me to like go and watch them dungeons

1849
01:35:26.760 --> 01:35:28.159
<v Speaker 1>and stuff and check out where they got going on here.

1850
01:35:28.159 --> 01:35:31.119
<v Speaker 1>So I saw two acts on that stage. The first

1851
01:35:31.159 --> 01:35:33.680
<v Speaker 1>one was a guy called pork Cullis, which is a

1852
01:35:33.720 --> 01:35:35.600
<v Speaker 1>brilliant name for a Dungeons of actor. I think, just

1853
01:35:35.920 --> 01:35:38.319
<v Speaker 1>a bit of a castle, you know, let's move around

1854
01:35:38.920 --> 01:35:42.720
<v Speaker 1>get different areas of castle locations. I saw a port

1855
01:35:42.760 --> 01:35:46.600
<v Speaker 1>Cullis who was very much into the presentation of it,

1856
01:35:46.720 --> 01:35:48.840
<v Speaker 1>like he had like a monk robe on, you know.

1857
01:35:49.600 --> 01:35:52.600
<v Speaker 1>I think he had like a gold leaf crown around

1858
01:35:52.640 --> 01:35:54.479
<v Speaker 1>his head. And he also he went the kind of

1859
01:35:54.479 --> 01:35:55.840
<v Speaker 1>the extra mile and that not only did he just

1860
01:35:55.880 --> 01:35:58.720
<v Speaker 1>have the keyboard, he also had an electric loot that

1861
01:35:58.760 --> 01:36:01.279
<v Speaker 1>he would like sometimes play them on. And he had

1862
01:36:01.279 --> 01:36:02.960
<v Speaker 1>like a drum that he would do like you know,

1863
01:36:03.000 --> 01:36:06.399
<v Speaker 1>the big pounding dungeons in percussion parts with so he

1864
01:36:06.520 --> 01:36:09.359
<v Speaker 1>was like fully into the presentation of it. And then

1865
01:36:09.399 --> 01:36:11.239
<v Speaker 1>the other guy I saw was a guy called fIF

1866
01:36:11.600 --> 01:36:16.000
<v Speaker 1>spelled f I E F fIF. And this was a

1867
01:36:16.159 --> 01:36:17.680
<v Speaker 1>great even though I only saw two acts in the stage.

1868
01:36:17.720 --> 01:36:19.279
<v Speaker 1>It was a great contrast because compared to what I've

1869
01:36:19.279 --> 01:36:21.960
<v Speaker 1>just described, a Port Colors thief turns up and it's

1870
01:36:21.960 --> 01:36:26.479
<v Speaker 1>just a guy with sunglasses on, just just no president

1871
01:36:26.560 --> 01:36:28.560
<v Speaker 1>at all, just dudes rock. I'm a man, I've got

1872
01:36:28.560 --> 01:36:30.880
<v Speaker 1>long hair, I've got sunglasses on, and he only had

1873
01:36:30.920 --> 01:36:34.279
<v Speaker 1>his keyboard, like no other instrumentation, just a dude with

1874
01:36:34.359 --> 01:36:37.640
<v Speaker 1>shades on indoors doing his little melodies. And sonically the

1875
01:36:37.640 --> 01:36:40.680
<v Speaker 1>two differed as well, because the two types of dungeons

1876
01:36:40.680 --> 01:36:44.640
<v Speaker 1>in in my experience, are you've got like the basier

1877
01:36:45.119 --> 01:36:47.800
<v Speaker 1>I am looking at the grand ruins of a castle

1878
01:36:47.960 --> 01:36:51.239
<v Speaker 1>dungeons sin which is like that, that kind of stuff,

1879
01:36:51.439 --> 01:36:54.560
<v Speaker 1>and then you've got I'm frolicking through the forest, I'm

1880
01:36:54.600 --> 01:36:58.920
<v Speaker 1>having a drink with the hobbits in the tavern. Yeah,

1881
01:36:59.079 --> 01:37:01.600
<v Speaker 1>those are the two two types of Dungeon synth, and

1882
01:37:01.640 --> 01:37:03.520
<v Speaker 1>those are the two types that these acts played. Where

1883
01:37:03.520 --> 01:37:06.199
<v Speaker 1>Port Carlos was more like the bar and Feet more

1884
01:37:07.680 --> 01:37:11.359
<v Speaker 1>so I got both flavors with different visual presentations as well.

1885
01:37:11.720 --> 01:37:14.840
<v Speaker 1>Sat in a nice you know seat, so hooray fun

1886
01:37:15.000 --> 01:37:17.039
<v Speaker 1>and I will say it was packed in there, like

1887
01:37:17.079 --> 01:37:18.760
<v Speaker 1>it was booming like one of those two acts. They

1888
01:37:18.760 --> 01:37:20.600
<v Speaker 1>had to move people up to the balcony because the

1889
01:37:20.600 --> 01:37:24.800
<v Speaker 1>floor was so full, and like I said, it's it's

1890
01:37:24.840 --> 01:37:27.439
<v Speaker 1>like it's niche subculture than black metal is, which is

1891
01:37:27.479 --> 01:37:31.479
<v Speaker 1>already a niche subculture, but the people who are into

1892
01:37:31.520 --> 01:37:35.720
<v Speaker 1>dungeon synth support it so hard. Like they had you know,

1893
01:37:35.760 --> 01:37:38.680
<v Speaker 1>these acts had much like the blackma bands did, and

1894
01:37:38.720 --> 01:37:41.960
<v Speaker 1>they were fucking selling loads of shit, like every item

1895
01:37:42.000 --> 01:37:45.880
<v Speaker 1>that you can imagine, like hats, cassette tapes, fucking you know,

1896
01:37:46.159 --> 01:37:49.479
<v Speaker 1>like patches, everything that you can imagine a dungeon at selling.

1897
01:37:49.640 --> 01:37:51.319
<v Speaker 1>They had it there and they were selling it and

1898
01:37:51.600 --> 01:37:53.920
<v Speaker 1>it was really nice to see again like a congregation,

1899
01:37:54.239 --> 01:37:57.000
<v Speaker 1>a gathering of people who are come in here to

1900
01:37:57.239 --> 01:37:59.600
<v Speaker 1>really immerse themselves into something that is like off the

1901
01:37:59.640 --> 01:38:03.399
<v Speaker 1>beaten track, off the beaten path and fucking packing it out,

1902
01:38:03.479 --> 01:38:04.960
<v Speaker 1>you know. And I'm sure that the people who, like

1903
01:38:05.000 --> 01:38:07.920
<v Speaker 1>you know, were really dedicated into the Dungeon thing scene

1904
01:38:08.239 --> 01:38:11.399
<v Speaker 1>really appreciated having this stage here and getting to see

1905
01:38:11.439 --> 01:38:13.680
<v Speaker 1>something the acts because it was booming all weekend. I

1906
01:38:13.680 --> 01:38:16.680
<v Speaker 1>can only imagine how you know, popular Mortis might have

1907
01:38:16.760 --> 01:38:19.640
<v Speaker 1>been later on in the day, and just the general

1908
01:38:19.720 --> 01:38:21.319
<v Speaker 1>vibe of, you know, again, having this stage where they're

1909
01:38:21.319 --> 01:38:23.600
<v Speaker 1>booking something that isn't actually black metal, so it is

1910
01:38:23.640 --> 01:38:25.760
<v Speaker 1>your sort of palette cleanser, but it still feels like

1911
01:38:25.800 --> 01:38:28.199
<v Speaker 1>you're in the world of black metal is a really

1912
01:38:28.279 --> 01:38:30.279
<v Speaker 1>nice thing that fortunately started to do. I don't know

1913
01:38:30.279 --> 01:38:31.880
<v Speaker 1>what they do going forward in terms of like, do

1914
01:38:31.920 --> 01:38:33.840
<v Speaker 1>they book more of than NEATHOK bands because that was

1915
01:38:33.920 --> 01:38:36.279
<v Speaker 1>nice last year as well. Do they keep the Dungeon

1916
01:38:36.359 --> 01:38:38.600
<v Speaker 1>in stage. Can they do a mix of the two

1917
01:38:38.680 --> 01:38:40.520
<v Speaker 1>or is that too difficult logistically. I'm not sure, but

1918
01:38:40.560 --> 01:38:43.039
<v Speaker 1>I whatever they pack that stage with, I always like

1919
01:38:43.159 --> 01:38:46.000
<v Speaker 1>to go there at least a couple times because you

1920
01:38:46.079 --> 01:38:49.239
<v Speaker 1>see something a bit different that does fit in. And yeah,

1921
01:38:49.840 --> 01:38:51.560
<v Speaker 1>if you're a Dungeonsent' head and you know those two

1922
01:38:51.560 --> 01:38:55.079
<v Speaker 1>acts that I've mentioned both pretty fun times, right and

1923
01:38:55.199 --> 01:38:56.880
<v Speaker 1>Feef there will actually be more about him later. He

1924
01:38:56.880 --> 01:38:58.920
<v Speaker 1>will come up again. But I saw those two acts.

1925
01:38:59.479 --> 01:39:01.479
<v Speaker 1>Back to the black metal the main stage, I saw

1926
01:39:01.560 --> 01:39:07.520
<v Speaker 1>Abigail Williams, who are a very long running at this stage,

1927
01:39:07.560 --> 01:39:10.920
<v Speaker 1>like comparatively they've been going for twenty years. Something like

1928
01:39:10.960 --> 01:39:16.000
<v Speaker 1>that black metal band from the US who well a

1929
01:39:16.159 --> 01:39:19.920
<v Speaker 1>kind of odd fit on the Fortress bill, even though

1930
01:39:19.960 --> 01:39:23.399
<v Speaker 1>they theoretically shouldn't have been because they are a black

1931
01:39:23.439 --> 01:39:26.600
<v Speaker 1>metal band and their last couple of albums certainly they

1932
01:39:26.680 --> 01:39:30.279
<v Speaker 1>lean to the more you know, at times atmospheric, but

1933
01:39:30.319 --> 01:39:33.880
<v Speaker 1>often you know, riffy, hard hitting black metal that you

1934
01:39:33.920 --> 01:39:36.760
<v Speaker 1>could absolutely imagine being a Fortress. And that's why they

1935
01:39:36.760 --> 01:39:41.359
<v Speaker 1>were booked, right. But Abigail Williams, their sort of story

1936
01:39:41.640 --> 01:39:44.960
<v Speaker 1>as a band is an odd one to keep track of,

1937
01:39:45.039 --> 01:39:48.439
<v Speaker 1>in that they have sort of shifted what they do

1938
01:39:48.880 --> 01:39:53.760
<v Speaker 1>and you know, reinvented their identity several times over to

1939
01:39:53.840 --> 01:39:56.920
<v Speaker 1>a degree that like I am a fan, like quite

1940
01:39:56.920 --> 01:39:59.560
<v Speaker 1>a big fan actually, particularly there's one record they made

1941
01:40:00.199 --> 01:40:04.720
<v Speaker 1>called Becunning in twenty twelve, which was a huge record,

1942
01:40:05.039 --> 01:40:09.279
<v Speaker 1>Like genuinely I adored that record so much at the time,

1943
01:40:09.319 --> 01:40:10.880
<v Speaker 1>and that's when they kind of went into a period

1944
01:40:10.920 --> 01:40:12.960
<v Speaker 1>of like the more sort of Cascadian like if I

1945
01:40:12.960 --> 01:40:14.479
<v Speaker 1>were to pitch that record to people, I would say,

1946
01:40:14.479 --> 01:40:18.640
<v Speaker 1>it's like sort of alien, slightly symphonic leaning Wolves in

1947
01:40:18.680 --> 01:40:20.760
<v Speaker 1>the Throne Room is what that record sort of sounds like.

1948
01:40:20.800 --> 01:40:24.199
<v Speaker 1>And that record I love so much. But that wasn't

1949
01:40:24.199 --> 01:40:27.279
<v Speaker 1>the first Abigail Williams you know sound, and it wasn't

1950
01:40:27.319 --> 01:40:29.560
<v Speaker 1>the last either, because they have been through several things.

1951
01:40:29.720 --> 01:40:31.520
<v Speaker 1>I would certainly imagine they are the only band who

1952
01:40:31.520 --> 01:40:33.680
<v Speaker 1>have played Fortress who have played with Bringing the Horizon

1953
01:40:34.119 --> 01:40:38.880
<v Speaker 1>early on, because they on their first like EP, were

1954
01:40:38.960 --> 01:40:42.039
<v Speaker 1>essentially like a blackened metal call kind of band, like

1955
01:40:42.119 --> 01:40:44.479
<v Speaker 1>influenced from Cradler Filth and Bleeding Through and those type

1956
01:40:44.479 --> 01:40:45.520
<v Speaker 1>of things. And like I said, they were if you

1957
01:40:45.560 --> 01:40:47.680
<v Speaker 1>look at gig posters from two thousand and six and

1958
01:40:47.720 --> 01:40:49.640
<v Speaker 1>Bring Me the Horizon shows and stuff like that, Abigai

1959
01:40:49.640 --> 01:40:51.199
<v Speaker 1>Williams are the kind of band who would pop up

1960
01:40:51.239 --> 01:40:54.359
<v Speaker 1>and you'd see them there. Their first studio album, Proper

1961
01:40:54.800 --> 01:40:57.039
<v Speaker 1>is like Demu Worship, like they shifted from there into

1962
01:40:57.079 --> 01:41:00.640
<v Speaker 1>full on like orchestral bombasta, over the top black metal,

1963
01:41:00.680 --> 01:41:02.640
<v Speaker 1>but then like I said, they moved into this more

1964
01:41:02.680 --> 01:41:04.960
<v Speaker 1>sort of atmospheric wolve and the thronemish kind of guys,

1965
01:41:05.279 --> 01:41:06.760
<v Speaker 1>and then from there they moved into a more sort

1966
01:41:06.760 --> 01:41:08.840
<v Speaker 1>of dissonant guys and then the more kind of riffy,

1967
01:41:09.800 --> 01:41:12.439
<v Speaker 1>slightly more accessible leading stuff that I've described them doing now.

1968
01:41:12.560 --> 01:41:15.720
<v Speaker 1>So they've shifted several times over and I don't know

1969
01:41:16.520 --> 01:41:18.720
<v Speaker 1>how particularly here in the UK. I actually they probably

1970
01:41:18.760 --> 01:41:20.119
<v Speaker 1>do have more in the US where they're from, but

1971
01:41:20.119 --> 01:41:22.640
<v Speaker 1>particularly here in the UK, I don't know how much

1972
01:41:22.640 --> 01:41:24.720
<v Speaker 1>of a following that has actually lent them. I think

1973
01:41:24.760 --> 01:41:27.520
<v Speaker 1>there might be people who have the odd record that

1974
01:41:27.520 --> 01:41:30.800
<v Speaker 1>they really enjoy from them, but they are they haven't

1975
01:41:30.800 --> 01:41:33.039
<v Speaker 1>gone with them all the time entirely as a band.

1976
01:41:33.039 --> 01:41:35.119
<v Speaker 1>And I did see a couple of comments like before

1977
01:41:35.199 --> 01:41:37.399
<v Speaker 1>the festival of people like Abigail Williams, aren't they like

1978
01:41:37.439 --> 01:41:39.039
<v Speaker 1>that death core band? You know, like what are they

1979
01:41:39.079 --> 01:41:41.159
<v Speaker 1>doing here? And it's like that because they have this

1980
01:41:41.239 --> 01:41:43.680
<v Speaker 1>sort of they're the rare band where I genuinely kind

1981
01:41:43.680 --> 01:41:45.680
<v Speaker 1>of feel that they should have changed the name and

1982
01:41:45.720 --> 01:41:49.119
<v Speaker 1>started again and not in a like, I, how dare

1983
01:41:49.159 --> 01:41:50.840
<v Speaker 1>you make more music under this name? Because I normally

1984
01:41:50.840 --> 01:41:53.560
<v Speaker 1>find that to be an incredibly entitled attitude, but just

1985
01:41:53.600 --> 01:41:55.319
<v Speaker 1>for their own good, like to kind of just put

1986
01:41:55.359 --> 01:41:57.520
<v Speaker 1>a bit of a marker and like their earlier periods,

1987
01:41:58.439 --> 01:42:00.279
<v Speaker 1>and because if they come back and had a more

1988
01:42:00.319 --> 01:42:02.239
<v Speaker 1>fucking like even their logo on the screen is of

1989
01:42:02.319 --> 01:42:06.520
<v Speaker 1>quite a like mid two thousands like metal chorus adjacent

1990
01:42:06.720 --> 01:42:09.760
<v Speaker 1>kind of logo, And you can't imagine the people who

1991
01:42:09.760 --> 01:42:12.279
<v Speaker 1>are walking around wherein you know, the merch of these

1992
01:42:12.279 --> 01:42:15.119
<v Speaker 1>other bands who are playing wearing that same thing. So

1993
01:42:15.640 --> 01:42:17.760
<v Speaker 1>just just for their own good to like develop more

1994
01:42:17.760 --> 01:42:19.319
<v Speaker 1>of a fan base here, I suppose, and more of

1995
01:42:19.319 --> 01:42:21.199
<v Speaker 1>a consistent identity, because that's what I think they struggle

1996
01:42:21.239 --> 01:42:23.640
<v Speaker 1>with because Abiga Williams, Like I said, I I am

1997
01:42:23.640 --> 01:42:25.520
<v Speaker 1>a fan of all of their records, Like, I think

1998
01:42:25.520 --> 01:42:27.680
<v Speaker 1>they're a very good band. Whatever they have tried their

1999
01:42:27.680 --> 01:42:29.479
<v Speaker 1>hand out, I think they've done pretty well at it.

2000
01:42:29.680 --> 01:42:32.000
<v Speaker 1>I like their most recent material. The album of theirs

2001
01:42:32.000 --> 01:42:34.880
<v Speaker 1>that I absolutely love and have the strong connection with

2002
01:42:35.039 --> 01:42:38.680
<v Speaker 1>is that one I mentioned Becoming, But it was I

2003
01:42:38.680 --> 01:42:42.399
<v Speaker 1>would say the least populated mainstage set that I saw,

2004
01:42:42.800 --> 01:42:45.159
<v Speaker 1>even though they are weirdly one of the most like

2005
01:42:45.760 --> 01:42:47.399
<v Speaker 1>one of the bands that people outside of this niche

2006
01:42:47.439 --> 01:42:50.399
<v Speaker 1>might recognize the name of, you know, they're like the

2007
01:42:50.399 --> 01:42:53.760
<v Speaker 1>most one of the more mainstream adjacent But conversely that

2008
01:42:53.840 --> 01:42:57.239
<v Speaker 1>meant that they were less popular here and inside that niche,

2009
01:42:57.239 --> 01:42:58.760
<v Speaker 1>and it was you know, I'm not gonna say it

2010
01:42:58.840 --> 01:43:01.720
<v Speaker 1>was like completely fucking you know, sparse, because you know,

2011
01:43:01.720 --> 01:43:03.399
<v Speaker 1>people had come to see them, but it wasn't a

2012
01:43:03.439 --> 01:43:05.359
<v Speaker 1>full room in the way that lots of these other bands,

2013
01:43:05.359 --> 01:43:07.600
<v Speaker 1>including these opening bands, you know, Forest the Stars example,

2014
01:43:07.600 --> 01:43:11.600
<v Speaker 1>had a fucking full room, and it was a strange

2015
01:43:11.640 --> 01:43:13.479
<v Speaker 1>sort of vibe being like, yeah, this is like a

2016
01:43:13.640 --> 01:43:18.960
<v Speaker 1>long running veteran band, but the atmosphere of like people

2017
01:43:18.960 --> 01:43:22.239
<v Speaker 1>are really here for this wasn't there for them in

2018
01:43:22.279 --> 01:43:25.079
<v Speaker 1>the way that it was for objectively smaller bands.

2019
01:43:25.399 --> 01:43:30.520
<v Speaker 2>Yeah, they're odd because their albums will come out and

2020
01:43:30.600 --> 01:43:35.640
<v Speaker 2>sort of make no impact because I feel like every

2021
01:43:35.680 --> 01:43:38.600
<v Speaker 2>album sounds different. They sound like a slightly different band

2022
01:43:38.760 --> 01:43:41.479
<v Speaker 2>every single time, so they're hard to pin.

2023
01:43:41.439 --> 01:43:45.159
<v Speaker 1>Down very much so, and that's me as a fan

2024
01:43:45.319 --> 01:43:47.920
<v Speaker 1>right struggling to do that a little bit. And this

2025
01:43:48.000 --> 01:43:49.680
<v Speaker 1>was my first time ever seeing Abigam Williams even though

2026
01:43:49.720 --> 01:43:51.640
<v Speaker 1>it was so like fifteen years ago. I can't stress

2027
01:43:51.640 --> 01:43:53.600
<v Speaker 1>they were a genuinely huge band for me, Like I

2028
01:43:53.680 --> 01:43:55.720
<v Speaker 1>loved them and I still do like them very much.

2029
01:43:56.199 --> 01:43:57.920
<v Speaker 1>But it's my first time ever seeing them because while

2030
01:43:57.960 --> 01:43:59.720
<v Speaker 1>they played the UK a lot in the mid two

2031
01:43:59.720 --> 01:44:01.920
<v Speaker 1>thousand and they haven't really in the last like ten

2032
01:44:02.039 --> 01:44:04.479
<v Speaker 1>to fifteen years. And they did say with this book

2033
01:44:04.479 --> 01:44:06.279
<v Speaker 1>and they were like, we don't know if we'll come

2034
01:44:06.279 --> 01:44:07.600
<v Speaker 1>back to the UK. You know, I think they might

2035
01:44:07.680 --> 01:44:10.000
<v Speaker 1>be at the sort of I can understand considering, you know,

2036
01:44:10.279 --> 01:44:13.960
<v Speaker 1>a small underground band having to fucking you know, tour

2037
01:44:14.039 --> 01:44:17.439
<v Speaker 1>is harder than ever. Crossing you know, international boundaries is

2038
01:44:17.439 --> 01:44:18.880
<v Speaker 1>harder than ever. I don't know, like we're gonna come

2039
01:44:18.880 --> 01:44:21.600
<v Speaker 1>to the We're gonna play Fortress, like no promises. We

2040
01:44:21.680 --> 01:44:23.000
<v Speaker 1>might be back, but we also might not, you know

2041
01:44:23.039 --> 01:44:24.800
<v Speaker 1>what I mean. And I was like really key to

2042
01:44:24.800 --> 01:44:28.640
<v Speaker 1>see them for that. They played almost all I'm gonna

2043
01:44:28.680 --> 01:44:31.680
<v Speaker 1>say their last two albums. There's actually a lot from

2044
01:44:31.880 --> 01:44:33.479
<v Speaker 1>not the most recent album that came out last year,

2045
01:44:33.520 --> 01:44:35.479
<v Speaker 1>but the one before that, the twenty nineteen one, which

2046
01:44:35.479 --> 01:44:39.000
<v Speaker 1>has the wonderful I think as Marius Lewandowski cover, that one,

2047
01:44:39.039 --> 01:44:40.760
<v Speaker 1>which is really a really fine record, like a really

2048
01:44:40.800 --> 01:44:41.520
<v Speaker 1>good album.

2049
01:44:41.560 --> 01:44:41.720
<v Speaker 3>Yeah.

2050
01:44:41.800 --> 01:44:44.720
<v Speaker 1>Yeah, they've played a lot of songs from that record

2051
01:44:44.720 --> 01:44:48.359
<v Speaker 1>and I enjoyed it. And those riffs they are, you know,

2052
01:44:48.399 --> 01:44:50.520
<v Speaker 1>they're they're quite clean by black metal standard. They're like

2053
01:44:50.560 --> 01:44:53.199
<v Speaker 1>technically proficient, you know what I mean, Like you can

2054
01:44:53.359 --> 01:44:55.039
<v Speaker 1>watch them and you can tell that they have musical

2055
01:44:55.079 --> 01:44:57.640
<v Speaker 1>links to bounds like the Faceless and stuff like that,

2056
01:44:57.680 --> 01:44:59.960
<v Speaker 1>because they have they can like they are really proficient

2057
01:45:00.039 --> 01:45:02.800
<v Speaker 1>instrumental players clearly so, and you know, the front man

2058
01:45:02.880 --> 01:45:05.239
<v Speaker 1>Ken is like again, he's a veteran, he's a pro.

2059
01:45:05.479 --> 01:45:07.239
<v Speaker 1>He did this for a long time. He's an authoritative

2060
01:45:07.319 --> 01:45:10.159
<v Speaker 1>kind of figure. They did not play anything, sadly from

2061
01:45:10.159 --> 01:45:11.880
<v Speaker 1>that one record that I mentioned being such a fan of.

2062
01:45:12.279 --> 01:45:13.880
<v Speaker 1>And this was a case for me of like I have,

2063
01:45:14.119 --> 01:45:15.720
<v Speaker 1>which I kind of on santy degree because I said,

2064
01:45:15.960 --> 01:45:17.920
<v Speaker 1>that's the record where you're gonna to do it properly.

2065
01:45:17.960 --> 01:45:20.399
<v Speaker 1>You're gonna need string sections and stuff like that. And

2066
01:45:20.399 --> 01:45:22.479
<v Speaker 1>also they're quite long songs a lot of the time.

2067
01:45:23.279 --> 01:45:25.319
<v Speaker 1>But it was like, yeah, I'm for the first time,

2068
01:45:25.359 --> 01:45:27.239
<v Speaker 1>I'm seeing a band that were huge for me fifteen

2069
01:45:27.319 --> 01:45:31.319
<v Speaker 1>years ago. But it's it's not quite the version of

2070
01:45:31.359 --> 01:45:34.399
<v Speaker 1>the band that I maybe had the strongest attachment to,

2071
01:45:34.920 --> 01:45:39.399
<v Speaker 1>and also the atmosphere and the vibe just isn't quite

2072
01:45:39.439 --> 01:45:41.159
<v Speaker 1>here with this in the way it has been for

2073
01:45:41.239 --> 01:45:44.239
<v Speaker 1>some of the the other acts, which is maybe a

2074
01:45:44.239 --> 01:45:45.600
<v Speaker 1>little bit of shame, because they still put on a

2075
01:45:45.600 --> 01:45:47.720
<v Speaker 1>good set. Again, they were pros. They came out, they

2076
01:45:47.720 --> 01:45:49.640
<v Speaker 1>did their thing, they did it well. It was just

2077
01:45:49.680 --> 01:45:52.880
<v Speaker 1>weird thing. Like I said, one of the most name

2078
01:45:53.000 --> 01:45:57.640
<v Speaker 1>recognition bands on the bill, but conversely means within the niche,

2079
01:45:57.760 --> 01:46:00.640
<v Speaker 1>they haven't actually really built up the following that some

2080
01:46:00.720 --> 01:46:04.479
<v Speaker 1>of these more dedicated underground bands have been. But there

2081
01:46:04.680 --> 01:46:06.560
<v Speaker 1>that was Abagail Williams and after that, I guess this

2082
01:46:06.640 --> 01:46:08.439
<v Speaker 1>proves my point. After this is a band who I

2083
01:46:08.439 --> 01:46:10.079
<v Speaker 1>can never fucking pronounce their name. They're a Dutch band.

2084
01:46:10.079 --> 01:46:13.880
<v Speaker 1>They're called Flea Starrs Flu Starars something like that, and

2085
01:46:13.920 --> 01:46:17.560
<v Speaker 1>they are from the Dutch black metal scene and they

2086
01:46:17.720 --> 01:46:21.840
<v Speaker 1>are like absolutely beloved at Fortress. They're kind of sort

2087
01:46:21.880 --> 01:46:23.960
<v Speaker 1>of post black metally, but not in a like they're

2088
01:46:23.960 --> 01:46:25.840
<v Speaker 1>not a black gaze band, for example. They're just kind

2089
01:46:25.840 --> 01:46:28.680
<v Speaker 1>of like slightly weird, like they play like these long,

2090
01:46:30.079 --> 01:46:32.479
<v Speaker 1>very hypnotic, like very like I am going into a

2091
01:46:32.560 --> 01:46:38.199
<v Speaker 1>trance type songs, and they have like these core progressions

2092
01:46:38.399 --> 01:46:40.960
<v Speaker 1>that go in these like slightly almost like bad trip,

2093
01:46:41.039 --> 01:46:42.680
<v Speaker 1>like I'm really in the moment, but then something going

2094
01:46:42.720 --> 01:46:44.560
<v Speaker 1>a little bit of a rye and like, oh God,

2095
01:46:44.560 --> 01:46:46.159
<v Speaker 1>where am I'm a little bit scared? Like that's kind

2096
01:46:46.159 --> 01:46:50.279
<v Speaker 1>of the vibe of their music and very intense performers,

2097
01:46:50.279 --> 01:46:52.680
<v Speaker 1>particularly that the front man, he doesn't really look like

2098
01:46:52.680 --> 01:46:54.760
<v Speaker 1>a black metal singer. He's got this sort of like

2099
01:46:55.399 --> 01:46:58.720
<v Speaker 1>slightly seventies hippie thing going on, or maybe a little

2100
01:46:58.720 --> 01:47:01.640
<v Speaker 1>bit of like a nineties slacker vibe, Like he has

2101
01:47:01.640 --> 01:47:03.399
<v Speaker 1>this big, like curly head of hair. He doesn't really

2102
01:47:03.399 --> 01:47:06.000
<v Speaker 1>look like a black metal singer, and he brings us

2103
01:47:06.000 --> 01:47:08.319
<v Speaker 1>like weird like, as I say, almost like seventies hippie

2104
01:47:08.359 --> 01:47:10.720
<v Speaker 1>or like a Jim Morrison character or something like that,

2105
01:47:10.920 --> 01:47:14.760
<v Speaker 1>but while screeching his head off, almost like they don't

2106
01:47:14.760 --> 01:47:16.039
<v Speaker 1>sound at all like this band, but in the way

2107
01:47:16.079 --> 01:47:18.000
<v Speaker 1>when you watch something like a Rancy Pazuzu and it's

2108
01:47:18.039 --> 01:47:20.000
<v Speaker 1>like you don't quite feel like a black metal band.

2109
01:47:20.000 --> 01:47:22.319
<v Speaker 1>You were like a bunch of just sort of strange,

2110
01:47:23.119 --> 01:47:26.159
<v Speaker 1>strange maverick freaks basically who are regurging it as horrible music.

2111
01:47:26.239 --> 01:47:30.199
<v Speaker 1>It's a slightly similar flavor there with Floysters and they

2112
01:47:30.199 --> 01:47:32.800
<v Speaker 1>are I saw them at Fortress two years ago playing

2113
01:47:32.840 --> 01:47:34.920
<v Speaker 1>the second stage, and here they were bumped up to

2114
01:47:34.960 --> 01:47:36.800
<v Speaker 1>the mainstage and they had a fucking huge crowd and

2115
01:47:36.840 --> 01:47:39.279
<v Speaker 1>everyone loved it and people like really, you know, reverential

2116
01:47:39.359 --> 01:47:41.479
<v Speaker 1>about it. And that's what I mean, like within the niche,

2117
01:47:41.680 --> 01:47:44.279
<v Speaker 1>bands fucking pop off and they're a very popular band

2118
01:47:44.279 --> 01:47:47.239
<v Speaker 1>within that. After that was get into the slightly higher

2119
01:47:47.319 --> 01:47:50.199
<v Speaker 1>reaches of the Sunday bill. Now. I saw amat called

2120
01:47:50.239 --> 01:47:52.960
<v Speaker 1>vinter Land, which, speaking of the kind of things that

2121
01:47:52.960 --> 01:47:55.720
<v Speaker 1>you will only see at Fortress, Vinterland was a mad

2122
01:47:55.720 --> 01:47:58.439
<v Speaker 1>booking because they are one of those bands that seems

2123
01:47:58.439 --> 01:48:00.640
<v Speaker 1>to happen quite regularly in black metal, but anyone from

2124
01:48:00.680 --> 01:48:02.640
<v Speaker 1>outside of other niches goes, what do you mean, maybe

2125
01:48:02.680 --> 01:48:05.880
<v Speaker 1>hardcore sometimes get this. Basically, they're a band who released

2126
01:48:05.920 --> 01:48:07.960
<v Speaker 1>one album thirty years ago and now have just randomly

2127
01:48:07.960 --> 01:48:11.479
<v Speaker 1>come back to play it live like like that's that's it.

2128
01:48:12.239 --> 01:48:15.920
<v Speaker 1>They So they're one album nineteen ninety six. It's called

2129
01:48:15.960 --> 01:48:19.079
<v Speaker 1>Welcome to My Last Chapter and it is from Sweden

2130
01:48:19.119 --> 01:48:22.520
<v Speaker 1>and it's that Mires nineties Swedish melodic style of black metal,

2131
01:48:23.359 --> 01:48:26.159
<v Speaker 1>and that record is like a minor classic within that

2132
01:48:26.279 --> 01:48:28.840
<v Speaker 1>kind of realm. I wouldn't stay there for me one

2133
01:48:28.840 --> 01:48:31.159
<v Speaker 1>of my very favorites. I like that record a great

2134
01:48:31.199 --> 01:48:34.039
<v Speaker 1>deal because that particular niche of black metal is, you know,

2135
01:48:34.079 --> 01:48:36.640
<v Speaker 1>something I have a love for. I wouldn't say like

2136
01:48:36.640 --> 01:48:39.840
<v Speaker 1>I don't like them as much as like Dawn or Sacramentum,

2137
01:48:40.000 --> 01:48:42.680
<v Speaker 1>who in turn are not as good as the giant

2138
01:48:42.680 --> 01:48:45.760
<v Speaker 1>of that scene, which is Dissection. But you know, any again,

2139
01:48:46.079 --> 01:48:48.720
<v Speaker 1>kind of the BT classics of that scene. Vinta Land

2140
01:48:48.800 --> 01:48:51.000
<v Speaker 1>put that one record and of just for the thirtieth

2141
01:48:51.000 --> 01:48:52.840
<v Speaker 1>anniversary come out, but yeah, we're gonna play it live

2142
01:48:52.840 --> 01:48:54.840
<v Speaker 1>at strang of festival appearances around the world, and why

2143
01:48:54.880 --> 01:48:56.479
<v Speaker 1>the fuck not right if you're a nineties black metal

2144
01:48:56.520 --> 01:48:57.960
<v Speaker 1>hair do you love that record, then yeah, go and

2145
01:48:57.960 --> 01:49:00.560
<v Speaker 1>see it. And yeah, in kind vein of what I

2146
01:49:00.600 --> 01:49:03.600
<v Speaker 1>was saying, it's very melodic. I mean it didn't feel

2147
01:49:03.640 --> 01:49:05.199
<v Speaker 1>like a Vinterland, I'll tell you that much. It was

2148
01:49:05.239 --> 01:49:08.560
<v Speaker 1>too fucking warm in there to be particularly wintry, but

2149
01:49:08.600 --> 01:49:13.279
<v Speaker 1>there is that you know, snowy outside kind of tragedy

2150
01:49:13.399 --> 01:49:16.000
<v Speaker 1>in the guitar melodies, Like I think of those Swedish bands,

2151
01:49:16.119 --> 01:49:18.960
<v Speaker 1>they have a little bit closer melodically to things like

2152
01:49:18.960 --> 01:49:21.159
<v Speaker 1>early Catatonia and stuff like that, and they're going to

2153
01:49:21.199 --> 01:49:23.800
<v Speaker 1>a slightly you know that real saj despondent kind of

2154
01:49:23.880 --> 01:49:25.720
<v Speaker 1>edge to the melodic guitars, which I like a lot,

2155
01:49:26.279 --> 01:49:27.920
<v Speaker 1>but at the same time it does blast and it

2156
01:49:27.960 --> 01:49:29.800
<v Speaker 1>does you know, rift pretty hard and all of that.

2157
01:49:29.880 --> 01:49:31.640
<v Speaker 1>And they played that record and it was a yeah,

2158
01:49:31.680 --> 01:49:36.520
<v Speaker 1>a nice quite you know, pretty but still pretty intense

2159
01:49:36.960 --> 01:49:41.439
<v Speaker 1>Swedish black metalley time after that. Oh, it's the band

2160
01:49:41.439 --> 01:49:43.279
<v Speaker 1>who I would say the band who I most like

2161
01:49:43.399 --> 01:49:46.880
<v Speaker 1>have gotten into through this Fortress festival is a band

2162
01:49:46.880 --> 01:49:51.800
<v Speaker 1>called Vesperal, So that's v E s p E r

2163
01:49:51.920 --> 01:49:56.119
<v Speaker 1>a L. And they are a Canadian band. They're from Quebec,

2164
01:49:57.000 --> 01:49:58.840
<v Speaker 1>and like the Quebec black metal scene is one of

2165
01:49:58.880 --> 01:50:01.920
<v Speaker 1>those that you know, people are really dedicated particularly into,

2166
01:50:01.960 --> 01:50:04.520
<v Speaker 1>Like yeah, if you are into, for example, the Polish scene,

2167
01:50:04.880 --> 01:50:07.399
<v Speaker 1>or you know, if the Norwegian scene, whatever, there are

2168
01:50:07.439 --> 01:50:10.039
<v Speaker 1>people who like really like dead into the Quebec black

2169
01:50:10.079 --> 01:50:12.359
<v Speaker 1>metal scene and they've had like like for arrests, like

2170
01:50:12.399 --> 01:50:13.560
<v Speaker 1>one of the big bands of that scene. And they

2171
01:50:13.600 --> 01:50:16.479
<v Speaker 1>played Fortress last year, Vesperol one of those who have

2172
01:50:16.560 --> 01:50:19.079
<v Speaker 1>kind of merged through that scene, and I really they

2173
01:50:19.079 --> 01:50:21.239
<v Speaker 1>put out a split EP earlier this year. That was

2174
01:50:21.239 --> 01:50:22.479
<v Speaker 1>the first time I heard of them, but they put

2175
01:50:22.520 --> 01:50:24.319
<v Speaker 1>an album larger as well. I've since gone back and

2176
01:50:24.319 --> 01:50:28.359
<v Speaker 1>heard and I really enjoyed these guys because I would

2177
01:50:28.399 --> 01:50:30.359
<v Speaker 1>stay for a start that the singer had the best

2178
01:50:30.439 --> 01:50:33.399
<v Speaker 1>cape of the festival. It was like a kind of

2179
01:50:33.399 --> 01:50:35.960
<v Speaker 1>shirtless guy but with a cape like tied around his neck.

2180
01:50:36.159 --> 01:50:42.920
<v Speaker 1>Really great, but like really you know, riffy quite you know,

2181
01:50:43.359 --> 01:50:45.640
<v Speaker 1>certainly I would say bits of like the punk edge

2182
01:50:45.640 --> 01:50:48.039
<v Speaker 1>of Lamp of Murmur and stuff like that in there,

2183
01:50:48.359 --> 01:50:50.079
<v Speaker 1>rather than when they start hitting the disco beats and

2184
01:50:50.079 --> 01:50:51.880
<v Speaker 1>stuff like that, rather than like the two grand end,

2185
01:50:51.880 --> 01:50:54.199
<v Speaker 1>you know, like the more punky end of a band

2186
01:50:54.239 --> 01:50:57.520
<v Speaker 1>like that, and like Departure Chandelier as well, I would

2187
01:50:57.520 --> 01:50:59.520
<v Speaker 1>say is a big reference for how they're again that

2188
01:50:59.600 --> 01:51:02.079
<v Speaker 1>kind of com nation of you know, organs and quite

2189
01:51:02.960 --> 01:51:06.000
<v Speaker 1>primal black metal riffs, you know what I mean. But

2190
01:51:06.039 --> 01:51:07.880
<v Speaker 1>they played it with a lot of energy, like a

2191
01:51:07.920 --> 01:51:10.199
<v Speaker 1>lot of like really throw themselves into it, and the

2192
01:51:10.279 --> 01:51:11.880
<v Speaker 1>riffs they have a great you know, and particularly those

2193
01:51:11.920 --> 01:51:13.399
<v Speaker 1>keyboard lines like the track that they put out on

2194
01:51:13.439 --> 01:51:16.279
<v Speaker 1>the split earlier this year has a really really catchy

2195
01:51:16.359 --> 01:51:18.239
<v Speaker 1>like keyboard melody that was like one of the things

2196
01:51:18.279 --> 01:51:20.359
<v Speaker 1>that were stuck in my head after the festival. Really

2197
01:51:20.359 --> 01:51:23.319
<v Speaker 1>really enjoyed Vesperal Again, band I probably would not have

2198
01:51:23.319 --> 01:51:25.600
<v Speaker 1>seen if I wasn't at this particular festival, because I

2199
01:51:26.000 --> 01:51:27.159
<v Speaker 1>have to imagine this is one of the first times

2200
01:51:27.159 --> 01:51:29.079
<v Speaker 1>they've played the UK. But I'm really glad I caught

2201
01:51:29.119 --> 01:51:30.840
<v Speaker 1>them because they put on a really good show, a

2202
01:51:30.840 --> 01:51:33.079
<v Speaker 1>lot of energy. Definitely, I would give them a recommend.

2203
01:51:33.279 --> 01:51:35.600
<v Speaker 1>One of the bands who I was most keen to see,

2204
01:51:36.279 --> 01:51:38.079
<v Speaker 1>even though I've seen them a couple times before, but

2205
01:51:38.119 --> 01:51:40.520
<v Speaker 1>I will always be keen to see them. Subbing the

2206
01:51:40.600 --> 01:51:44.600
<v Speaker 1>Sundate main stage. Mis Theming maybe the biggest band to

2207
01:51:44.600 --> 01:51:46.640
<v Speaker 1>come out of the Icelandic black metal scene. That was

2208
01:51:46.680 --> 01:51:48.600
<v Speaker 1>one of those that, like I said about Quebec scene,

2209
01:51:48.640 --> 01:51:50.800
<v Speaker 1>sort of about ten years ago in the mid twenty tens,

2210
01:51:51.239 --> 01:51:53.560
<v Speaker 1>Iceland was producing a whole load of bands where I

2211
01:51:53.600 --> 01:51:55.199
<v Speaker 1>was like, this is a new wave of really exciting,

2212
01:51:55.279 --> 01:51:57.920
<v Speaker 1>fucking you know, killer black metal bands, and mis Theming

2213
01:51:58.000 --> 01:52:01.039
<v Speaker 1>are one of the ones who have like lasted the

2214
01:52:01.119 --> 01:52:03.520
<v Speaker 1>longest and are still fucking great and a really like

2215
01:52:03.560 --> 01:52:07.359
<v Speaker 1>carved out particular niche for themselves and I fucking love

2216
01:52:07.399 --> 01:52:11.399
<v Speaker 1>them like they are everything that I look for in

2217
01:52:11.399 --> 01:52:14.279
<v Speaker 1>a black metal band. I see in this theomy they're

2218
01:52:14.359 --> 01:52:18.319
<v Speaker 1>just like that's on record and live they're just so brilliant,

2219
01:52:18.319 --> 01:52:20.279
<v Speaker 1>And I would say, and I've it's been my experience

2220
01:52:20.319 --> 01:52:26.159
<v Speaker 1>before with them. When it comes to black metal live bands,

2221
01:52:27.039 --> 01:52:31.239
<v Speaker 1>mis Theming are in the like elite tier. When WATA

2222
01:52:31.279 --> 01:52:33.079
<v Speaker 1>and disband in a couple of years time, they might

2223
01:52:33.159 --> 01:52:35.880
<v Speaker 1>end up being the number one because they have that

2224
01:52:36.079 --> 01:52:40.359
<v Speaker 1>same thing of you can just feel the fucking like

2225
01:52:40.479 --> 01:52:45.359
<v Speaker 1>almost arrogant violent passion spilling out of their bodies when

2226
01:52:45.399 --> 01:52:47.880
<v Speaker 1>they are cracking into this shit, you know what I mean.

2227
01:52:48.159 --> 01:52:51.840
<v Speaker 1>And the ability to play this kind of you know,

2228
01:52:52.159 --> 01:52:55.199
<v Speaker 1>often quite esoteric music, but make you feel like this

2229
01:52:55.399 --> 01:52:57.720
<v Speaker 1>is real, you know, like this is a genuine force

2230
01:52:57.760 --> 01:53:00.279
<v Speaker 1>of energy that's coming out and it's being fed to

2231
01:53:00.359 --> 01:53:03.119
<v Speaker 1>us is something that I would look to the best

2232
01:53:03.319 --> 01:53:05.560
<v Speaker 1>black metal bands as being able to sell. And mis

2233
01:53:05.600 --> 01:53:07.720
<v Speaker 1>Theming of the you know, the newer crop of the

2234
01:53:07.800 --> 01:53:11.159
<v Speaker 1>last like ten fifteen years are the one to me

2235
01:53:11.159 --> 01:53:13.520
<v Speaker 1>who whenever I watch them, I just I get that

2236
01:53:13.600 --> 01:53:17.119
<v Speaker 1>in fucking spades, and I've had a moment of you know,

2237
01:53:17.199 --> 01:53:19.039
<v Speaker 1>like I've seen them. This is my third time seeing them,

2238
01:53:19.079 --> 01:53:22.359
<v Speaker 1>I think, and various sized venues. Last time I saw

2239
01:53:22.359 --> 01:53:24.239
<v Speaker 1>them they played Fortress two years ago and they were

2240
01:53:24.279 --> 01:53:27.600
<v Speaker 1>in the Ocean Room, the second stage. And this time

2241
01:53:28.000 --> 01:53:29.960
<v Speaker 1>again watching them like you are, you know, the second

2242
01:53:30.039 --> 01:53:31.920
<v Speaker 1>name from the top on the main stage in this

2243
01:53:32.000 --> 01:53:34.279
<v Speaker 1>grand Victorian theater, and you are still a quite a

2244
01:53:34.359 --> 01:53:37.399
<v Speaker 1>cult dedicated for black metal heads. Icelamed it black metal band.

2245
01:53:37.520 --> 01:53:40.319
<v Speaker 1>But look at this setting we're in and look at

2246
01:53:40.359 --> 01:53:43.199
<v Speaker 1>the people who are like visibly here passionate for you,

2247
01:53:43.680 --> 01:53:48.279
<v Speaker 1>and they fucking killed it, just absolutely like violent, like

2248
01:53:48.319 --> 01:53:52.560
<v Speaker 1>I said, pompous, fucking moving with just an arrogance and

2249
01:53:52.600 --> 01:53:56.479
<v Speaker 1>a fuck you about them. Which like black metal bands,

2250
01:53:57.119 --> 01:53:59.159
<v Speaker 1>there are various descriptions you can describe for how they

2251
01:53:59.199 --> 01:54:01.840
<v Speaker 1>are a live. Lots of them are obviously evil, you know,

2252
01:54:01.920 --> 01:54:05.439
<v Speaker 1>and I love that. I love that necrotic, dissonant edge whatever.

2253
01:54:06.199 --> 01:54:08.399
<v Speaker 1>Lots of them might be more atmospheric and more beautiful

2254
01:54:08.439 --> 01:54:11.199
<v Speaker 1>and moving. There aren't many black metal bands who live

2255
01:54:11.359 --> 01:54:13.720
<v Speaker 1>you would describe as hard, you know what I mean?

2256
01:54:13.760 --> 01:54:15.600
<v Speaker 1>Like that I want to kick your head in type

2257
01:54:15.640 --> 01:54:17.479
<v Speaker 1>fucking hard where you can just feel it going. Ah.

2258
01:54:18.279 --> 01:54:21.520
<v Speaker 1>Misfeaming are fucking hard live and they have that. They

2259
01:54:21.520 --> 01:54:24.600
<v Speaker 1>brought that more than any other band I saw at Fortress.

2260
01:54:24.720 --> 01:54:28.479
<v Speaker 1>Whether they are doing the more pounding fucking heavy metal like,

2261
01:54:28.479 --> 01:54:30.399
<v Speaker 1>that's another thing that they really have. I think is

2262
01:54:30.439 --> 01:54:34.800
<v Speaker 1>this like genuine almost like rock star like uh, you know,

2263
01:54:34.880 --> 01:54:37.479
<v Speaker 1>fist pumping. This is a heavy metal song, just throw

2264
01:54:37.479 --> 01:54:41.000
<v Speaker 1>an extreme metal kind of lens I suppose energy or

2265
01:54:41.279 --> 01:54:44.239
<v Speaker 1>when they are like blasting and ripping your fucking head

2266
01:54:44.239 --> 01:54:46.880
<v Speaker 1>off and they're all covered in blood, like blood and

2267
01:54:46.960 --> 01:54:50.479
<v Speaker 1>ash and they are just these like violent figures just

2268
01:54:50.800 --> 01:54:53.359
<v Speaker 1>devastating the place, like black metal crowds for example. And

2269
01:54:53.359 --> 01:54:54.399
<v Speaker 1>I think this is one of those things that because

2270
01:54:54.399 --> 01:54:57.680
<v Speaker 1>it's an extreme metal subgenre outside people who come from

2271
01:54:57.680 --> 01:54:59.840
<v Speaker 1>the outside don't quite expect this in the same way.

2272
01:54:59.840 --> 01:55:02.920
<v Speaker 1>But black metal crowds don't really pit like mosh pits

2273
01:55:02.960 --> 01:55:05.640
<v Speaker 1>aren't such a thing in black metal as they are

2274
01:55:05.760 --> 01:55:08.000
<v Speaker 1>in for example, death metal or any other kind of

2275
01:55:08.039 --> 01:55:10.960
<v Speaker 1>you know, really fast brutal music. And it's because black

2276
01:55:11.000 --> 01:55:12.720
<v Speaker 1>metal has this kind of air to it that is

2277
01:55:12.760 --> 01:55:15.399
<v Speaker 1>a little bit more as I say, immersive, you know

2278
01:55:15.439 --> 01:55:18.159
<v Speaker 1>what I mean. It's more you'd stand and you will

2279
01:55:18.199 --> 01:55:21.479
<v Speaker 1>feel it absolutely, but you're not throwing hands to black

2280
01:55:21.520 --> 01:55:25.840
<v Speaker 1>metal quite so much. But this feeling like opened up

2281
01:55:25.840 --> 01:55:27.199
<v Speaker 1>a pit because people are like, Okay, we just need

2282
01:55:27.239 --> 01:55:28.560
<v Speaker 1>to fucking get this out. We are just going to go.

2283
01:55:29.439 --> 01:55:31.920
<v Speaker 1>And I may have found myself somewhat lured into that

2284
01:55:31.960 --> 01:55:35.720
<v Speaker 1>slightly from the edges and they just yet really brilliant.

2285
01:55:35.760 --> 01:55:38.279
<v Speaker 1>I really hope we have new music from them soon

2286
01:55:38.439 --> 01:55:41.640
<v Speaker 1>because they have three LPs. The last of them came

2287
01:55:41.680 --> 01:55:45.159
<v Speaker 1>out in December of twenty twenty two, so we're coming

2288
01:55:45.239 --> 01:55:48.039
<v Speaker 1>up to four years since it and that album is

2289
01:55:48.159 --> 01:55:51.279
<v Speaker 1>fucking brilliant. The album before it is fucking brilliant. Their

2290
01:55:51.279 --> 01:55:54.119
<v Speaker 1>next album will be one of my most anticipated extreme

2291
01:55:54.119 --> 01:55:56.760
<v Speaker 1>metal records when it comes out. I really hope it's soon.

2292
01:55:56.800 --> 01:55:58.920
<v Speaker 1>I would love one this year. If not, then, you know,

2293
01:55:59.119 --> 01:56:02.199
<v Speaker 1>hopefully next year. But whenever I see this Theamy on

2294
01:56:02.199 --> 01:56:04.600
<v Speaker 1>a bill, I'm gonna catch them. And they did not disappoint,

2295
01:56:04.640 --> 01:56:07.720
<v Speaker 1>just absolutely fucking brilliant. And from there it turned into

2296
01:56:07.840 --> 01:56:11.000
<v Speaker 1>the most intense brutal double of the festival, I suppose

2297
01:56:11.039 --> 01:56:13.760
<v Speaker 1>because the band headlining the Ocean Room on the second

2298
01:56:13.840 --> 01:56:17.800
<v Speaker 1>day as a band called Darkened Nocturn Slaughter Cult, which

2299
01:56:17.880 --> 01:56:21.119
<v Speaker 1>is one of the greatest band names. I'm sure I'll

2300
01:56:21.159 --> 01:56:25.399
<v Speaker 1>agree you can feasibly have like, yeah, this other Nocturn

2301
01:56:25.439 --> 01:56:31.680
<v Speaker 1>Slaughter Cult wasn't Darkened enough. Fucking brilliant, absolutely top tier.

2302
01:56:31.880 --> 01:56:33.319
<v Speaker 1>That's what you want on a shirt, that's what you

2303
01:56:33.359 --> 01:56:35.720
<v Speaker 1>want on a logo beaming across a stage. Killer.

2304
01:56:36.319 --> 01:56:36.960
<v Speaker 3>They are a.

2305
01:56:38.520 --> 01:56:41.119
<v Speaker 1>Think I think German. They're from that kind of corner

2306
01:56:41.239 --> 01:56:44.600
<v Speaker 1>of Europe. I think German black metal band obviously, and

2307
01:56:44.640 --> 01:56:46.359
<v Speaker 1>they'd be going for a long time, like since the

2308
01:56:46.439 --> 01:56:49.399
<v Speaker 1>early two thousands. This is the first opportunity I've had

2309
01:56:49.399 --> 01:56:52.439
<v Speaker 1>to see them live. I got into them several years

2310
01:56:52.479 --> 01:56:56.119
<v Speaker 1>ago when like during the last few years of Bethlehem,

2311
01:56:56.439 --> 01:57:00.159
<v Speaker 1>like their couple of albums, their front woman was the

2312
01:57:00.159 --> 01:57:02.920
<v Speaker 1>the singer for the last couple records of Bethlehem. And

2313
01:57:02.960 --> 01:57:05.760
<v Speaker 1>I love Bethlehem. I'm a huge fan. And if you

2314
01:57:05.800 --> 01:57:09.720
<v Speaker 1>know Bethlehem, you know that getting the gig in Bethlehem

2315
01:57:10.000 --> 01:57:12.840
<v Speaker 1>is not just you can be a normal black metal singer,

2316
01:57:12.920 --> 01:57:15.439
<v Speaker 1>you know, like any old croaker is not getting to

2317
01:57:15.439 --> 01:57:17.560
<v Speaker 1>be the thing in Bethlehem. To be the singer in Bethlehem,

2318
01:57:17.600 --> 01:57:19.840
<v Speaker 1>you have to be fucking unhinged, and you have to

2319
01:57:20.359 --> 01:57:22.800
<v Speaker 1>wail like a motherfucker, and you have to take your

2320
01:57:22.880 --> 01:57:25.439
<v Speaker 1>voice places where people are not going to expect you

2321
01:57:25.479 --> 01:57:28.520
<v Speaker 1>to place it. And Dark Knoton Slaughter Cult musically are

2322
01:57:28.680 --> 01:57:32.119
<v Speaker 1>a like very fast, blasty, quite brutal black metal band,

2323
01:57:32.439 --> 01:57:34.760
<v Speaker 1>Like I would compare them to bands like Marduke for example,

2324
01:57:34.800 --> 01:57:36.880
<v Speaker 1>Like it's just like, ah, you know, really intense fucking

2325
01:57:36.920 --> 01:57:39.760
<v Speaker 1>ripping all violence, like not a lot of slow passages.

2326
01:57:40.880 --> 01:57:42.520
<v Speaker 1>But on top of that, you've got the singer who

2327
01:57:42.560 --> 01:57:45.319
<v Speaker 1>like is doing like more so in you know, Dark

2328
01:57:45.399 --> 01:57:47.119
<v Speaker 1>Knockton and Slaughter Colt than she did in Bethlehem. She

2329
01:57:47.159 --> 01:57:50.279
<v Speaker 1>does do more conventional black metal vocals, but every now

2330
01:57:50.319 --> 01:57:52.760
<v Speaker 1>and then, like they'll hit like a blast passage and

2331
01:57:52.760 --> 01:57:55.359
<v Speaker 1>take off and she would just go like oh, just

2332
01:57:55.479 --> 01:57:59.960
<v Speaker 1>like whale and like whoop every time it happened. I mean,

2333
01:58:00.079 --> 01:58:02.560
<v Speaker 1>the audience like visibly and audibly responded to it, like

2334
01:58:02.760 --> 01:58:04.680
<v Speaker 1>she'd hit like a fucking whoop and everyone would go

2335
01:58:04.760 --> 01:58:06.640
<v Speaker 1>like ah, Like it's just like it was a like

2336
01:58:06.680 --> 01:58:09.439
<v Speaker 1>a shot of adrenaline being pounded into her heart every

2337
01:58:09.439 --> 01:58:13.079
<v Speaker 1>time she just did something fucked and crazy. But on

2338
01:58:13.119 --> 01:58:17.119
<v Speaker 1>top of like this really like a blasting, violent, runaway

2339
01:58:17.199 --> 01:58:21.600
<v Speaker 1>train wall of riffy black metal. And on top of that,

2340
01:58:22.640 --> 01:58:26.520
<v Speaker 1>visually they are so awesome, like they are one of

2341
01:58:26.560 --> 01:58:29.520
<v Speaker 1>the most evil looking black metal bands I've ever seen,

2342
01:58:29.520 --> 01:58:30.680
<v Speaker 1>And this is part of why I wanted to see them,

2343
01:58:30.680 --> 01:58:32.079
<v Speaker 1>because I've seen pictures of them down the ears and

2344
01:58:32.079 --> 01:58:34.600
<v Speaker 1>be like, that looks fucking awesome. You've got like, you know,

2345
01:58:34.880 --> 01:58:38.880
<v Speaker 1>corpse painted like you know, spiked bracer type vibe from

2346
01:58:38.880 --> 01:58:40.399
<v Speaker 1>like the guitarist and stuff like that. But that front

2347
01:58:40.439 --> 01:58:44.720
<v Speaker 1>woman I mentioned, she is wearing like an all white robe,

2348
01:58:45.039 --> 01:58:46.720
<v Speaker 1>and the color of that will become very important. She's

2349
01:58:46.720 --> 01:58:49.880
<v Speaker 1>wearing an all white robe and she has this crazy

2350
01:58:49.960 --> 01:58:54.039
<v Speaker 1>fucking like almost crown of thorns situation going on, but

2351
01:58:54.319 --> 01:58:57.159
<v Speaker 1>it's like winding down her whole back and her body

2352
01:58:57.159 --> 01:58:59.319
<v Speaker 1>like she looks like she's had a fight with a tree. Basically,

2353
01:58:59.319 --> 01:59:02.479
<v Speaker 1>feel like she'st this same fucking like headgear on and

2354
01:59:02.520 --> 01:59:06.680
<v Speaker 1>then all down her like chin and all down her throat,

2355
01:59:07.239 --> 01:59:11.399
<v Speaker 1>just bright red blood just like absolutely and obviously against

2356
01:59:11.399 --> 01:59:14.279
<v Speaker 1>the white rode like I mentioned, it just pops so

2357
01:59:14.479 --> 01:59:18.399
<v Speaker 1>hard and like if black metal, particularly in the live environment,

2358
01:59:18.479 --> 01:59:20.720
<v Speaker 1>is a genre with a strong visual component, I just

2359
01:59:20.720 --> 01:59:22.800
<v Speaker 1>think she has one of the best, like one of

2360
01:59:22.800 --> 01:59:25.239
<v Speaker 1>the coolest looks, like go and look up if you're

2361
01:59:25.239 --> 01:59:27.159
<v Speaker 1>listening right now, go and look up the front woman

2362
01:59:27.159 --> 01:59:28.960
<v Speaker 1>from Dark Knot turned Stockholms and pictures of Worker that

2363
01:59:29.039 --> 01:59:31.239
<v Speaker 1>just looks fucking awesome. And when you've got that on,

2364
01:59:31.359 --> 01:59:34.239
<v Speaker 1>like I said, he's like twisting, turning, unpredictable bouts of

2365
01:59:34.279 --> 01:59:37.960
<v Speaker 1>violence in the riffing and just this wailing madness in

2366
01:59:38.039 --> 01:59:40.319
<v Speaker 1>the vocal. Just beat the shit out of you for

2367
01:59:40.359 --> 01:59:43.840
<v Speaker 1>like fifteen minutes or so. Kill her. And then after

2368
01:59:43.880 --> 01:59:46.319
<v Speaker 1>that the headline of the final band of Fortress twenty

2369
01:59:46.319 --> 01:59:50.479
<v Speaker 1>twenty six, the headliner that, by all rights should not

2370
01:59:50.560 --> 01:59:54.119
<v Speaker 1>be a headliner, but they managed it. They booked Gallow

2371
01:59:54.199 --> 01:59:57.760
<v Speaker 1>Braid to headline this festival, which if you don't know

2372
01:59:57.800 --> 02:00:00.159
<v Speaker 1>that name, because you're not in this niche, I wouldn't blame.

2373
02:00:00.560 --> 02:00:03.479
<v Speaker 1>It's not like they've been playing lots because Galla Braid

2374
02:00:04.119 --> 02:00:08.159
<v Speaker 1>is a band driven by Jake Rogers, who for the

2375
02:00:08.239 --> 02:00:10.840
<v Speaker 1>last ten years plus has been the front man in Visigoth.

2376
02:00:11.199 --> 02:00:13.039
<v Speaker 1>Before that, he was the front man in the band

2377
02:00:13.079 --> 02:00:15.840
<v Speaker 1>Kaladan Brood. And if you have been the listener of

2378
02:00:15.920 --> 02:00:18.000
<v Speaker 1>Arge recently, you will know. We did an album club

2379
02:00:18.119 --> 02:00:20.520
<v Speaker 1>where I spoke about Kaldan Brude and why it is,

2380
02:00:20.560 --> 02:00:22.560
<v Speaker 1>in my opinion, one of the best records ever, and

2381
02:00:22.640 --> 02:00:27.479
<v Speaker 1>anyone who disagrees is a fucking coward. Absolutely. But Galli

2382
02:00:27.560 --> 02:00:30.399
<v Speaker 1>Braid was his other black metal band that he did

2383
02:00:30.439 --> 02:00:32.960
<v Speaker 1>like just before Kaladan Brude, and they put out one

2384
02:00:33.039 --> 02:00:37.880
<v Speaker 1>record in twenty ten that's like forty five minutes long,

2385
02:00:38.439 --> 02:00:41.239
<v Speaker 1>and that was it and they never played live. It's

2386
02:00:41.239 --> 02:00:43.399
<v Speaker 1>because it's just a side studio project, but one record

2387
02:00:43.479 --> 02:00:45.399
<v Speaker 1>never ever played live. And then he went on to

2388
02:00:45.600 --> 02:00:48.000
<v Speaker 1>again do these other bands. So Galli Braid, by all rights,

2389
02:00:48.039 --> 02:00:50.960
<v Speaker 1>should be dead. That's a dead band right there. So

2390
02:00:51.039 --> 02:00:55.760
<v Speaker 1>when Fortress randomly went, yeah, the headliner for a festival

2391
02:00:56.199 --> 02:00:59.239
<v Speaker 1>is Gallo Braid, a sixteen year old band who has

2392
02:00:59.319 --> 02:01:04.000
<v Speaker 1>never played a sh show before that also only obviously

2393
02:01:04.039 --> 02:01:06.680
<v Speaker 1>you know, has a following in this particular underwearn Niche

2394
02:01:07.399 --> 02:01:08.760
<v Speaker 1>was one of the most what the fuck do you

2395
02:01:08.880 --> 02:01:13.319
<v Speaker 1>mean scenarios I could imagine happening like by or right,

2396
02:01:13.439 --> 02:01:18.039
<v Speaker 1>like imagine the trust, amongst anything else, to intrust the

2397
02:01:18.079 --> 02:01:22.720
<v Speaker 1>headlining of your festival to a band's first gig, like

2398
02:01:22.760 --> 02:01:26.640
<v Speaker 1>from a from a promoting standpoint. That is such a

2399
02:01:27.800 --> 02:01:30.319
<v Speaker 1>move of trust, and I can imagine so many promoters

2400
02:01:30.319 --> 02:01:32.119
<v Speaker 1>being scared off by that and be like, no, I

2401
02:01:32.399 --> 02:01:33.800
<v Speaker 1>want a band who are a little bit more seasoned

2402
02:01:33.840 --> 02:01:35.720
<v Speaker 1>and at bit more of a proven draw, thank you

2403
02:01:35.840 --> 02:01:38.680
<v Speaker 1>very much. But they pulled it off, and I can

2404
02:01:38.760 --> 02:01:40.760
<v Speaker 1>only imagine that, you know, the Fortress promoters are just

2405
02:01:40.800 --> 02:01:42.560
<v Speaker 1>like fans who are like, we want to see this happen.

2406
02:01:42.600 --> 02:01:44.640
<v Speaker 1>We think it will have enough appeal cross you know,

2407
02:01:45.159 --> 02:01:48.560
<v Speaker 1>cross nations to get people to it, and we trust

2408
02:01:48.560 --> 02:01:52.199
<v Speaker 1>the banding question to do it properly that they manage

2409
02:01:52.239 --> 02:01:53.359
<v Speaker 1>to get it. And it's like an if you ask,

2410
02:01:53.399 --> 02:01:55.479
<v Speaker 1>don't ask, you don't get thing. But it's fucking like

2411
02:01:55.760 --> 02:01:57.600
<v Speaker 1>a wild thing. And this was the other thing where

2412
02:01:57.600 --> 02:02:00.640
<v Speaker 1>I mentioned like the things that people will wanting and

2413
02:02:00.760 --> 02:02:03.039
<v Speaker 1>being like this has an air of the surreal to

2414
02:02:03.119 --> 02:02:05.560
<v Speaker 1>it that this has never happened. We are witnessing something

2415
02:02:05.560 --> 02:02:08.279
<v Speaker 1>that's never ever happened before, and it's kind of odd

2416
02:02:09.079 --> 02:02:17.399
<v Speaker 1>and gallibraid that record is absolutely incredible, like so wonderful.

2417
02:02:17.880 --> 02:02:20.479
<v Speaker 1>If again you've heard our discussion on Caldan Brood, right,

2418
02:02:20.479 --> 02:02:23.520
<v Speaker 1>it doesn't sound like exactly Calalan Brud. It is clearly

2419
02:02:23.520 --> 02:02:26.079
<v Speaker 1>of the same mind of Caldan Brued. They share some

2420
02:02:26.199 --> 02:02:29.239
<v Speaker 1>things like the vocal melodies and stuff like that. It's

2421
02:02:29.279 --> 02:02:31.399
<v Speaker 1>not like, for one thing, I imagine Sam would probably

2422
02:02:31.399 --> 02:02:38.560
<v Speaker 1>like Galibrayed more Brood, but it's of again the same mind.

2423
02:02:39.239 --> 02:02:43.439
<v Speaker 1>Jake Rogers is probably like his catalog across the like

2424
02:02:43.720 --> 02:02:47.000
<v Speaker 1>certainly the three major bands that I've mentioned. There a

2425
02:02:47.079 --> 02:02:48.960
<v Speaker 1>limited catalog, but I can honestly say one of my

2426
02:02:49.000 --> 02:02:52.079
<v Speaker 1>favorites like a catalog that really resonates with me and

2427
02:02:52.119 --> 02:02:55.840
<v Speaker 1>like really means something to me. And the Gallibrayed record

2428
02:02:56.800 --> 02:03:00.880
<v Speaker 1>is no exception in that it's clearly very much inspired

2429
02:03:00.920 --> 02:03:03.760
<v Speaker 1>by the likes of Agaloque and that kind of you know,

2430
02:03:03.800 --> 02:03:08.000
<v Speaker 1>sort of like Pacific Northwest more epic. Yeah, you know,

2431
02:03:08.039 --> 02:03:11.439
<v Speaker 1>folky but atmospheric leaning black metal like big Agalot vibes

2432
02:03:11.439 --> 02:03:13.439
<v Speaker 1>and stuff like that. But in the same way Abauma

2433
02:03:13.520 --> 02:03:15.520
<v Speaker 1>Kaladan Brewed to take like, Okay, we're gonna take Summoning,

2434
02:03:15.600 --> 02:03:17.279
<v Speaker 1>but then we're gonna put a little sprinkle of like

2435
02:03:17.359 --> 02:03:20.039
<v Speaker 1>epic heavy metal melody onto this. It just gives it

2436
02:03:20.079 --> 02:03:22.439
<v Speaker 1>that extra like mumph. That's kind of what Galabray have

2437
02:03:22.479 --> 02:03:23.920
<v Speaker 1>done as well, but with like we take an agaloc

2438
02:03:23.960 --> 02:03:26.359
<v Speaker 1>and then we've put some you know, epic sword waving

2439
02:03:26.399 --> 02:03:28.479
<v Speaker 1>heavy metal into the mix and given it a bit

2440
02:03:28.520 --> 02:03:30.760
<v Speaker 1>of extra umph. And in a similar way, that is

2441
02:03:30.800 --> 02:03:32.880
<v Speaker 1>a real cult classic record where there are people who

2442
02:03:32.920 --> 02:03:36.079
<v Speaker 1>love that record who would never have dreamed of ever

2443
02:03:36.119 --> 02:03:39.000
<v Speaker 1>seeing it live and then suddenly there it is in

2444
02:03:39.039 --> 02:03:42.119
<v Speaker 1>front of you. And that was I can't speak to

2445
02:03:41.800 --> 02:03:45.560
<v Speaker 1>that just overstate how much how weird that one was

2446
02:03:45.720 --> 02:03:48.199
<v Speaker 1>in so many ways where for a start we were like,

2447
02:03:48.239 --> 02:03:51.399
<v Speaker 1>who even is this band? Like Jake is the guy

2448
02:03:51.479 --> 02:03:53.319
<v Speaker 1>on record, who's he got with him? You know, like

2449
02:03:53.319 --> 02:03:56.359
<v Speaker 1>who's around him? It turned out Jake was playing guitar

2450
02:03:57.000 --> 02:04:00.319
<v Speaker 1>and also doing the clean singing vocal and amongst other things.

2451
02:04:00.359 --> 02:04:02.960
<v Speaker 1>Obviously he's the front man in Visigoth. But he was like,

2452
02:04:03.039 --> 02:04:06.199
<v Speaker 1>this is my first live show ever playing guitar, like

2453
02:04:06.279 --> 02:04:08.880
<v Speaker 1>in front of an audience because he's just the front

2454
02:04:08.880 --> 02:04:11.960
<v Speaker 1>man in Visigoth, and like the nerves you know, and

2455
02:04:11.960 --> 02:04:15.319
<v Speaker 1>I will say from him he was clearly so like

2456
02:04:16.319 --> 02:04:19.159
<v Speaker 1>the sort of surrealness of the occasion was shared on

2457
02:04:19.239 --> 02:04:21.720
<v Speaker 1>stage as much as it was in the audience. There

2458
02:04:21.720 --> 02:04:24.600
<v Speaker 1>were clearly like, you know, nerves, but in a good

2459
02:04:24.600 --> 02:04:27.399
<v Speaker 1>way of like letting them loose, of them having worked on,

2460
02:04:27.560 --> 02:04:30.039
<v Speaker 1>you know, putting this material together for a live band,

2461
02:04:30.159 --> 02:04:34.359
<v Speaker 1>and also so genuinely appreciative that sixteen years after he

2462
02:04:34.399 --> 02:04:37.880
<v Speaker 1>made this record people are so into seeing it live.

2463
02:04:37.960 --> 02:04:41.880
<v Speaker 1>You know, people care, you know, and that genuine, visible,

2464
02:04:42.079 --> 02:04:45.760
<v Speaker 1>you know, appreciation really fostered a really great vibe between

2465
02:04:45.800 --> 02:04:48.680
<v Speaker 1>you know, audience and band for this particular set. But

2466
02:04:48.720 --> 02:04:50.720
<v Speaker 1>he's doing the clean vocals like I said, and playing

2467
02:04:50.760 --> 02:04:55.720
<v Speaker 1>guitar center stage was fief the Dungeon synth man. I

2468
02:04:55.760 --> 02:04:59.600
<v Speaker 1>mentioned the twinkly running through the forest chirpy dungeonsnth guy.

2469
02:04:59.800 --> 02:05:02.880
<v Speaker 1>He he was actually the harsh vocalist right doing the

2470
02:05:02.920 --> 02:05:09.119
<v Speaker 1>screams for Gallabraid and also playing keyboard center stage, and

2471
02:05:09.199 --> 02:05:12.199
<v Speaker 1>it made us some really fun arrangements where if you

2472
02:05:12.279 --> 02:05:15.920
<v Speaker 1>know Gallibrade's music, for example, the song Stone of Remembrance,

2473
02:05:16.560 --> 02:05:20.880
<v Speaker 1>which they ended on, has this like this an incredible chorus,

2474
02:05:20.920 --> 02:05:23.880
<v Speaker 1>like a worldie of a chorus, but it has this

2475
02:05:24.000 --> 02:05:27.199
<v Speaker 1>like tin whistle melody, and I amage that fucking Jake

2476
02:05:27.279 --> 02:05:29.520
<v Speaker 1>Rodgers was also playing the flute occasionally, like when his

2477
02:05:29.520 --> 02:05:32.239
<v Speaker 1>hands were free from playing guitar, he would whip and

2478
02:05:32.279 --> 02:05:34.800
<v Speaker 1>do a bit of that, but the Stone of Remembrance

2479
02:05:34.840 --> 02:05:37.640
<v Speaker 1>like whistle melody under the chorus. They translated it to

2480
02:05:38.159 --> 02:05:40.600
<v Speaker 1>keyboard and the thief guy was playing it. But it

2481
02:05:40.680 --> 02:05:43.079
<v Speaker 1>meant is there of the whistle melody you had the

2482
02:05:43.159 --> 02:05:48.880
<v Speaker 1>most like the daftist fucking keyboard tone like doing that melody. Oh,

2483
02:05:50.000 --> 02:05:52.319
<v Speaker 1>I was watching it. I was like, there are people

2484
02:05:52.439 --> 02:05:55.800
<v Speaker 1>where this would repulse them, and those people are weak.

2485
02:05:56.000 --> 02:05:59.159
<v Speaker 1>I'm having such a good time. But yeah, that dynamic

2486
02:05:59.199 --> 02:06:01.359
<v Speaker 1>going on. I think like the other guitarists like the

2487
02:06:01.399 --> 02:06:03.239
<v Speaker 1>leaketizing a lot of the solos, and the bassist, I

2488
02:06:03.279 --> 02:06:05.960
<v Speaker 1>think we're both from Visigoth, so obviously just you know

2489
02:06:06.199 --> 02:06:08.479
<v Speaker 1>guys from that scene who we know. It's like, yeah,

2490
02:06:08.479 --> 02:06:10.159
<v Speaker 1>come along and I trust you to do this. And

2491
02:06:10.199 --> 02:06:13.520
<v Speaker 1>it was a really great uh you know a component

2492
02:06:13.600 --> 02:06:16.000
<v Speaker 1>you know, configuration. I suppose the word I'm looking for

2493
02:06:16.000 --> 02:06:19.600
<v Speaker 1>for this music. And they obviously played the entire ashen

2494
02:06:19.680 --> 02:06:23.439
<v Speaker 1>Iedl on record, the opening track on it. As soon

2495
02:06:23.439 --> 02:06:26.039
<v Speaker 1>as that really driving first riff hit, you could just

2496
02:06:26.239 --> 02:06:28.520
<v Speaker 1>feel people be like, oh my god, yes, this is great,

2497
02:06:28.720 --> 02:06:33.159
<v Speaker 1>this works. We're so into this. But then also going

2498
02:06:33.680 --> 02:06:35.560
<v Speaker 1>we are aware. He literally said, it's like we know

2499
02:06:36.319 --> 02:06:39.319
<v Speaker 1>that our set time here, our headline hour along set

2500
02:06:39.880 --> 02:06:42.600
<v Speaker 1>is longer than the music that this band has released,

2501
02:06:42.680 --> 02:06:44.920
<v Speaker 1>like we are aware of that. And this was subject

2502
02:06:44.960 --> 02:06:48.399
<v Speaker 1>of much, uh sort of what's the world I'm looking for?

2503
02:06:48.439 --> 02:06:52.439
<v Speaker 1>You know, debate and theorization ahead of time of people

2504
02:06:52.439 --> 02:06:55.319
<v Speaker 1>recognizing they have not got enough material to feel this

2505
02:06:55.399 --> 02:06:57.000
<v Speaker 1>hour long headlines a lot like what are they going

2506
02:06:57.079 --> 02:06:59.479
<v Speaker 1>to do? And people like will they play a you know,

2507
02:06:59.520 --> 02:07:01.920
<v Speaker 1>there's like whatther song from a compilation or something? Will

2508
02:07:01.960 --> 02:07:04.439
<v Speaker 1>they play a secret Kaladan Brood song which I never

2509
02:07:04.479 --> 02:07:07.039
<v Speaker 1>actually believe would happen but obviously would have been unbelievable.

2510
02:07:08.000 --> 02:07:11.479
<v Speaker 1>Or the third option, play new material, And that is

2511
02:07:11.520 --> 02:07:14.159
<v Speaker 1>what happened because Gallo Braid a record that only has

2512
02:07:14.199 --> 02:07:16.560
<v Speaker 1>one album twenty ten turn up and went, yeah, we

2513
02:07:16.600 --> 02:07:19.720
<v Speaker 1>know we've got longer than we actually have songs, So

2514
02:07:20.239 --> 02:07:22.680
<v Speaker 1>here are two new songs that we've got for you

2515
02:07:22.680 --> 02:07:24.920
<v Speaker 1>that we're working on for an album that is coming

2516
02:07:25.000 --> 02:07:28.960
<v Speaker 1>up at some point soon. And the vibes being already

2517
02:07:29.000 --> 02:07:31.399
<v Speaker 1>really good when they were playing the material that people knew,

2518
02:07:31.479 --> 02:07:35.840
<v Speaker 1>then the surprise of here are brand new songs for

2519
02:07:35.880 --> 02:07:39.880
<v Speaker 1>the first time. The vibe, the good spirits in this

2520
02:07:39.960 --> 02:07:44.239
<v Speaker 1>set hit another level. I was with my mate watching

2521
02:07:44.279 --> 02:07:45.720
<v Speaker 1>this and at one point when they were playing a song,

2522
02:07:45.720 --> 02:07:47.159
<v Speaker 1>he literally turned to me and was like, I'm going

2523
02:07:47.239 --> 02:07:50.319
<v Speaker 1>to the bar to get booths, like just because the

2524
02:07:50.680 --> 02:07:54.680
<v Speaker 1>new galibraded song they were playing was of such quality

2525
02:07:54.840 --> 02:07:58.439
<v Speaker 1>that it required appropriate celebration. And genuinely, those two songs

2526
02:07:58.479 --> 02:08:02.279
<v Speaker 1>they played, one was a more like kind of windy, blasty,

2527
02:08:02.319 --> 02:08:05.399
<v Speaker 1>atmospheric black metal, not like a little colder maybe, but

2528
02:08:05.520 --> 02:08:10.279
<v Speaker 1>one of them had the biggest fuck off like folky

2529
02:08:10.399 --> 02:08:14.680
<v Speaker 1>epic metal melody and chorus and like basically a Visigoth chorus,

2530
02:08:15.039 --> 02:08:17.279
<v Speaker 1>is what I'm saying, like Jake who sings all those

2531
02:08:17.319 --> 02:08:20.720
<v Speaker 1>amazing choruses, and literally I can sing it to you.

2532
02:08:20.960 --> 02:08:24.359
<v Speaker 1>How many times ever have you seen a band play new,

2533
02:08:24.520 --> 02:08:27.800
<v Speaker 1>unreleased songs and you have remembered it after You might

2534
02:08:27.800 --> 02:08:29.520
<v Speaker 1>have enjoyed it, but you haven't heard it enough times

2535
02:08:29.560 --> 02:08:31.960
<v Speaker 1>to like, you know, internalize it in your brain. You

2536
02:08:32.039 --> 02:08:34.720
<v Speaker 1>know what I mean? I was singing. I don't know

2537
02:08:34.720 --> 02:08:36.840
<v Speaker 1>the words to it, but the melody I have in

2538
02:08:36.840 --> 02:08:39.439
<v Speaker 1>my head like it entered it immediately because it was

2539
02:08:39.520 --> 02:08:42.600
<v Speaker 1>so good and so big and epic and inspiring and

2540
02:08:42.680 --> 02:08:43.960
<v Speaker 1>rousing and like I said, Jake is one of my

2541
02:08:44.000 --> 02:08:49.079
<v Speaker 1>favorite particularly like vocal melody arrangers probably ever and fuck me,

2542
02:08:49.399 --> 02:08:50.680
<v Speaker 1>I can't even go and listen to it. There's like

2543
02:08:50.680 --> 02:08:52.520
<v Speaker 1>a phone recording that someone's got of it, but I

2544
02:08:52.560 --> 02:08:53.840
<v Speaker 1>can't even go listen to the song with the record

2545
02:08:53.880 --> 02:08:55.800
<v Speaker 1>right now. I want it so bad now. I am

2546
02:08:55.960 --> 02:09:00.279
<v Speaker 1>so give forward to hearing the Finnish studio versions of

2547
02:09:00.319 --> 02:09:02.000
<v Speaker 1>these songs, because if you are a gallery fanily on

2548
02:09:02.079 --> 02:09:04.079
<v Speaker 1>you weren't here, but you're curious, like what could new

2549
02:09:04.119 --> 02:09:07.239
<v Speaker 1>record sound like? The new songs, particularly that one with

2550
02:09:07.279 --> 02:09:11.680
<v Speaker 1>this incredible fucking chorus immediately earwormed itself right into my consciousness,

2551
02:09:12.439 --> 02:09:16.600
<v Speaker 1>was just spectacular, and like I said, bringing that like

2552
02:09:16.640 --> 02:09:20.039
<v Speaker 1>the vibes being so triumphant, like an actual like Stone

2553
02:09:20.079 --> 02:09:22.520
<v Speaker 1>Remembrance I mentioned that song, like an actual, genuine sing

2554
02:09:22.560 --> 02:09:25.479
<v Speaker 1>along and when matey boy Fief is playing the fucking

2555
02:09:25.560 --> 02:09:28.039
<v Speaker 1>keyboard melody and people are singing it back, you know,

2556
02:09:28.079 --> 02:09:33.399
<v Speaker 1>like an Iron Maiden show like oh just it turned

2557
02:09:33.399 --> 02:09:35.560
<v Speaker 1>into a like a good vibes heavy metal show basically

2558
02:09:35.640 --> 02:09:37.840
<v Speaker 1>at the end of this weekend of you know, blasty

2559
02:09:37.880 --> 02:09:42.279
<v Speaker 1>black metal, and that was so sick. I can't again.

2560
02:09:42.319 --> 02:09:44.439
<v Speaker 1>People who who was who were there and were really

2561
02:09:44.520 --> 02:09:47.439
<v Speaker 1>like have waited however long for even the promise of

2562
02:09:47.640 --> 02:09:50.079
<v Speaker 1>Gallo Braid anything, you know, people who love that record.

2563
02:09:50.279 --> 02:09:53.800
<v Speaker 1>Basically it was such a celebration of, like I said,

2564
02:09:53.800 --> 02:09:58.159
<v Speaker 1>something that's so small and something that was so unproven,

2565
02:09:58.279 --> 02:10:01.560
<v Speaker 1>particularly in the live environment, and that you could easily

2566
02:10:01.600 --> 02:10:05.359
<v Speaker 1>imagine no one ever wanting to take the chance on

2567
02:10:05.399 --> 02:10:08.479
<v Speaker 1>it and put it on basically, but the vibes that

2568
02:10:08.520 --> 02:10:12.600
<v Speaker 1>it produced and the celebration of that was so good

2569
02:10:13.000 --> 02:10:17.239
<v Speaker 1>and such a brilliant way to end it that Gallibray

2570
02:10:17.359 --> 02:10:20.199
<v Speaker 1>not only is that record the first one like absolutely

2571
02:10:20.239 --> 02:10:23.439
<v Speaker 1>reaffirmed in my mind as like you know, a kind

2572
02:10:23.439 --> 02:10:25.560
<v Speaker 1>of an underground cult classic of the you know, twenty

2573
02:10:25.560 --> 02:10:27.399
<v Speaker 1>tens of black metal. It's fucking brilliant. If you've never

2574
02:10:27.439 --> 02:10:29.319
<v Speaker 1>heard it, you would actually check it out. But also

2575
02:10:29.520 --> 02:10:32.279
<v Speaker 1>like not out of the blue, you're here, your back

2576
02:10:32.319 --> 02:10:34.279
<v Speaker 1>and we've got new fucking material to look forward to,

2577
02:10:34.399 --> 02:10:38.720
<v Speaker 1>and its sounding shit hot was killer, Like for two

2578
02:10:38.880 --> 02:10:41.239
<v Speaker 1>cult headliners, you know, old Man's Child the more proven

2579
02:10:41.279 --> 02:10:43.279
<v Speaker 1>of the two, and then Gallo Bray just whipping it

2580
02:10:43.319 --> 02:10:45.279
<v Speaker 1>out of nowhere. People be like, who if they've never

2581
02:10:45.439 --> 02:10:48.039
<v Speaker 1>you know, if they didn't intersect with that particular phenomenon,

2582
02:10:48.159 --> 02:10:51.359
<v Speaker 1>but both headlining in the festival in it's such a

2583
02:10:51.359 --> 02:10:55.640
<v Speaker 1>great way. It kind of proved that you don't actually

2584
02:10:55.680 --> 02:10:58.640
<v Speaker 1>have to break the bank too crazy, like you don't

2585
02:10:58.800 --> 02:11:00.359
<v Speaker 1>maybe that's not time I'm looking for. You don't have

2586
02:11:00.359 --> 02:11:03.520
<v Speaker 1>to try and appeal beyond the niche, right, you don't

2587
02:11:03.560 --> 02:11:07.279
<v Speaker 1>have to book fucking you know that the bands who

2588
02:11:07.359 --> 02:11:10.319
<v Speaker 1>you don't have to try and aim to reach, the

2589
02:11:10.359 --> 02:11:13.000
<v Speaker 1>people who wouldn't normally go for a festival for this

2590
02:11:13.079 --> 02:11:16.319
<v Speaker 1>kind of music. You can put on something that is

2591
02:11:16.479 --> 02:11:19.600
<v Speaker 1>just purely for this audience and they will come and

2592
02:11:19.640 --> 02:11:21.720
<v Speaker 1>they will love it, and it will matter and it

2593
02:11:21.760 --> 02:11:24.439
<v Speaker 1>will be validated, you know what I mean. And then

2594
02:11:24.439 --> 02:11:27.000
<v Speaker 1>the last I say about Fortress kind of on that

2595
02:11:27.079 --> 02:11:29.760
<v Speaker 1>note is they are on site. It was after a

2596
02:11:29.760 --> 02:11:32.439
<v Speaker 1>Forester Stars on site, but then it came out, you

2597
02:11:32.439 --> 02:11:36.239
<v Speaker 1>know why the following day they've booked. Next year's headliner

2598
02:11:36.319 --> 02:11:40.840
<v Speaker 1>is Emperor for one of the days. Yeah, and obviously

2599
02:11:41.000 --> 02:11:42.840
<v Speaker 1>fortunes of the two day festival, they have made it

2600
02:11:42.840 --> 02:11:45.399
<v Speaker 1>a habit last few years of Likelin, of announcing you know,

2601
02:11:45.560 --> 02:11:48.720
<v Speaker 1>one headliner as soon as this one goes out, and

2602
02:11:48.720 --> 02:11:50.760
<v Speaker 1>then people fucking you know, rush and get the blind

2603
02:11:50.800 --> 02:11:54.159
<v Speaker 1>tickets and all that kind of thing. But yeah, next

2604
02:11:54.239 --> 02:11:56.760
<v Speaker 1>year is gonna be the fifth anniversary of Fortress, and

2605
02:11:56.800 --> 02:12:01.000
<v Speaker 1>they have booked Emperor to headline at least one of

2606
02:12:01.079 --> 02:12:05.359
<v Speaker 1>the days. And that is pretty fucking crazy considering this

2607
02:12:05.479 --> 02:12:08.439
<v Speaker 1>is a, like I said, a five year old festival

2608
02:12:09.439 --> 02:12:17.439
<v Speaker 1>that has primarily booked pretty small bands. Two get arguably

2609
02:12:17.439 --> 02:12:20.000
<v Speaker 1>the biggest certainly like again, one of the three biggest

2610
02:12:20.079 --> 02:12:24.560
<v Speaker 1>and one of, if not the most legendary and musically

2611
02:12:24.600 --> 02:12:28.720
<v Speaker 1>beloved and respective respected black metal bands of all time

2612
02:12:29.600 --> 02:12:33.600
<v Speaker 1>to headline the festival. It's a great validation of Fortress

2613
02:12:33.640 --> 02:12:36.039
<v Speaker 1>itself that it's kind of reached its reached a stage

2614
02:12:36.039 --> 02:12:40.159
<v Speaker 1>where it can do that and can book that. Weirdly,

2615
02:12:40.560 --> 02:12:43.119
<v Speaker 1>it is actually the rare black metal you know Fortress

2616
02:12:43.119 --> 02:12:46.960
<v Speaker 1>headliner who do kind of appeal beyond the people who

2617
02:12:46.960 --> 02:12:49.680
<v Speaker 1>are usually there, you know what I mean. Like Emperor

2618
02:12:50.000 --> 02:12:55.920
<v Speaker 1>is a big band, Emperor sell tickets, Emperor actually play

2619
02:12:56.000 --> 02:12:59.880
<v Speaker 1>big metal festivals. Like Emperor of headlined Bloodstock. You know,

2620
02:13:00.039 --> 02:13:01.800
<v Speaker 1>they're not of the size to headline Bloodstock as it

2621
02:13:01.840 --> 02:13:03.840
<v Speaker 1>is now, but they'll still sub headline it, you know

2622
02:13:03.840 --> 02:13:09.159
<v Speaker 1>what I mean. And weirdly, like obviously I'm stoked. I'm

2623
02:13:09.199 --> 02:13:11.640
<v Speaker 1>never gonna turn down seeing Emperor. It's one of the

2624
02:13:11.680 --> 02:13:14.079
<v Speaker 1>greatest bands of all time, and I think it's gonna

2625
02:13:14.119 --> 02:13:18.000
<v Speaker 1>be special because of the location vibe in the atmosphere

2626
02:13:18.000 --> 02:13:21.399
<v Speaker 1>of Fortress, because I can say that the almost the

2627
02:13:21.479 --> 02:13:24.640
<v Speaker 1>drawback of this is because there is a bigger than

2628
02:13:24.720 --> 02:13:29.920
<v Speaker 1>average Fortress headliner, is they're actually more available and accessible

2629
02:13:30.079 --> 02:13:35.039
<v Speaker 1>through conventional metal festival means. Like I've seen Emperor Bloodstock

2630
02:13:35.880 --> 02:13:37.720
<v Speaker 1>various times, you know what I mean, and that like

2631
02:13:37.720 --> 02:13:41.119
<v Speaker 1>I've seen them headline Incineration, Like they they're weirdly a

2632
02:13:41.479 --> 02:13:47.399
<v Speaker 1>more accessible band through being bigger, right, because they go

2633
02:13:47.439 --> 02:13:49.359
<v Speaker 1>out and do things and they were when Emperor announced,

2634
02:13:49.359 --> 02:13:51.520
<v Speaker 1>there were a few people who were like, oh yeah, Emperor,

2635
02:13:51.560 --> 02:13:53.760
<v Speaker 1>you know, great cool, obviously legendary band. No one's saying

2636
02:13:53.760 --> 02:13:55.399
<v Speaker 1>Emperor aren't brilliant, no one saying they aren't worthy to

2637
02:13:55.399 --> 02:13:57.840
<v Speaker 1>headline anything like that, but almost just like they are

2638
02:13:57.920 --> 02:14:01.840
<v Speaker 1>so big that it goes on what Fortress traditionally is

2639
02:14:02.079 --> 02:14:05.479
<v Speaker 1>because it becomes a band who you can see outdoors

2640
02:14:05.520 --> 02:14:08.600
<v Speaker 1>at Bloodstock. And I understand that, and I am I'm

2641
02:14:08.600 --> 02:14:10.520
<v Speaker 1>really curious about the second headline because to go from

2642
02:14:10.520 --> 02:14:13.680
<v Speaker 1>old Manstroud and Gaalobray to Emperor is a fucking unbelievable

2643
02:14:13.760 --> 02:14:15.920
<v Speaker 1>like without raising the cap of the venue or anything,

2644
02:14:16.479 --> 02:14:19.920
<v Speaker 1>is a crazy thing. I'm curious about the second headliner

2645
02:14:19.960 --> 02:14:22.279
<v Speaker 1>and whether they can go super cult again and get

2646
02:14:22.479 --> 02:14:26.399
<v Speaker 1>something like a Gallibraiy for example, offset by how fucking

2647
02:14:26.520 --> 02:14:28.279
<v Speaker 1>enormous Emperor, you know what I mean. But I will

2648
02:14:28.279 --> 02:14:31.079
<v Speaker 1>say about the Emperor booking is because of the low location,

2649
02:14:31.239 --> 02:14:33.800
<v Speaker 1>vibe of the festival and the atmosphere of it, I

2650
02:14:33.840 --> 02:14:38.319
<v Speaker 1>think it has potential to be one of the better

2651
02:14:38.399 --> 02:14:43.319
<v Speaker 1>Emperor sets played in certainly this country since they reunite it.

2652
02:14:43.359 --> 02:14:47.119
<v Speaker 1>Because again I've seen Emperor Bloodstock. Emperor outdoors at Bloodstock

2653
02:14:47.159 --> 02:14:51.119
<v Speaker 1>is not as good as seeing them headline inside in

2654
02:14:51.199 --> 02:14:55.119
<v Speaker 1>a Victorian theater on the Yorkshire coastline. With this incredible

2655
02:14:55.159 --> 02:14:57.560
<v Speaker 1>atmosphere that Fortress has developed, you know what I mean.

2656
02:14:57.800 --> 02:15:01.560
<v Speaker 1>Like atmosphere and time and place and everything is important

2657
02:15:02.000 --> 02:15:04.720
<v Speaker 1>for black metal. And I've never seen a bad Emperor show,

2658
02:15:05.079 --> 02:15:08.600
<v Speaker 1>and I've seen them be spectacular mainly indoors, right, But

2659
02:15:09.000 --> 02:15:13.720
<v Speaker 1>the entire everything that comes with Fortress I think has

2660
02:15:13.720 --> 02:15:18.720
<v Speaker 1>the potential to make that particular Emperor show more than

2661
02:15:18.920 --> 02:15:22.680
<v Speaker 1>just your average Emperor festival metal show. So that's my

2662
02:15:22.720 --> 02:15:24.960
<v Speaker 1>take on the Emperor bookie, and that makes it very exciting.

2663
02:15:25.119 --> 02:15:27.079
<v Speaker 1>I know that all of their early bird tickets have

2664
02:15:27.159 --> 02:15:29.720
<v Speaker 1>fucking flown at the door immediately. And again I'm curious

2665
02:15:29.760 --> 02:15:32.560
<v Speaker 1>maybe how many people, if people do decide to come

2666
02:15:32.600 --> 02:15:35.399
<v Speaker 1>to Fortress, who maybe wouldn't have come with Emperor went

2667
02:15:35.439 --> 02:15:37.079
<v Speaker 1>headline it, you know what I mean. I'm curious how

2668
02:15:37.199 --> 02:15:40.079
<v Speaker 1>sort of cross appeal it ends up being. I sort

2669
02:15:40.079 --> 02:15:41.520
<v Speaker 1>of hope, to be honest, it's just all the same

2670
02:15:41.560 --> 02:15:45.199
<v Speaker 1>normal Fortress people, but with a nice time seeing Emperor together.

2671
02:15:45.359 --> 02:15:47.880
<v Speaker 1>Basically I want to happen. But obviously if you've never

2672
02:15:47.920 --> 02:15:50.479
<v Speaker 1>have come to Fortress and it has pieter interest and

2673
02:15:50.520 --> 02:15:52.079
<v Speaker 1>that I do, of course I recommend the festival in

2674
02:15:52.119 --> 02:15:54.720
<v Speaker 1>gener It's such a wonderful place and hopefully if an

2675
02:15:54.720 --> 02:15:58.640
<v Speaker 1>Emperor draws you in then they'll book a bill of

2676
02:15:58.680 --> 02:16:01.239
<v Speaker 1>like fucking weird that I can't believe this is here,

2677
02:16:01.319 --> 02:16:03.439
<v Speaker 1>or at least underground, you know, UK debutes all that

2678
02:16:03.520 --> 02:16:05.199
<v Speaker 1>kind of stuff that you normally get from a fortress,

2679
02:16:05.359 --> 02:16:07.319
<v Speaker 1>and you get to see those bands and get introduced

2680
02:16:07.319 --> 02:16:09.960
<v Speaker 1>into that world through you know, coming in the door

2681
02:16:10.000 --> 02:16:12.319
<v Speaker 1>with an emperor for example. But that is for next

2682
02:16:12.399 --> 02:16:14.920
<v Speaker 1>year's Fortress, which I cannot wait for because it's always

2683
02:16:14.920 --> 02:16:16.600
<v Speaker 1>such a good good time. And that is my report

2684
02:16:16.600 --> 02:16:19.560
<v Speaker 1>from this year's Fortress Festival. Cheers to everybody who hung out.

2685
02:16:19.680 --> 02:16:21.880
<v Speaker 1>Hope that you enjoyed the weekend as much as I did.

2686
02:16:21.920 --> 02:16:23.560
<v Speaker 1>And like I said, all those bands I mentioned, there

2687
02:16:23.560 --> 02:16:31.119
<v Speaker 1>are no big cross you know, appealing massively outside of

2688
02:16:31.159 --> 02:16:33.520
<v Speaker 1>like you know, major metal press coverage, outside of the

2689
02:16:33.520 --> 02:16:35.879
<v Speaker 1>black metal world. Bands I mentioned there really like, it's

2690
02:16:35.920 --> 02:16:37.920
<v Speaker 1>all within the black metal world, and so if you

2691
02:16:38.360 --> 02:16:40.879
<v Speaker 1>are not so familiar with that world, then you have

2692
02:16:40.879 --> 02:16:43.079
<v Speaker 1>done the incredible deed of listening to this entire review.

2693
02:16:43.479 --> 02:16:45.440
<v Speaker 1>Check out those names, you know, Like that's why I

2694
02:16:45.559 --> 02:16:47.719
<v Speaker 1>here doing this. They were fucking sick loads of those bands,

2695
02:16:48.040 --> 02:16:52.360
<v Speaker 1>and such a healthy, healthy scene with loads of you know,

2696
02:16:52.559 --> 02:16:54.479
<v Speaker 1>new bands like That's like Vesperal and stuff like that

2697
02:16:54.520 --> 02:16:56.120
<v Speaker 1>who are just coming through and putting on great stuff

2698
02:16:56.120 --> 02:16:59.159
<v Speaker 1>and making great music. So check them out. Yeah, cheers

2699
02:16:59.159 --> 02:17:02.079
<v Speaker 1>everybody for listening here through first the hyper Blast portion

2700
02:17:02.120 --> 02:17:06.200
<v Speaker 1>of this show and then the Fortress review. We'll be

2701
02:17:06.280 --> 02:17:09.719
<v Speaker 1>back next week with a more regular Hyperblasts. We've got

2702
02:17:10.000 --> 02:17:12.760
<v Speaker 1>an outbreak late this month as well. Like festival season,

2703
02:17:12.799 --> 02:17:15.000
<v Speaker 1>you know, swing into a different corner of the musical

2704
02:17:15.159 --> 02:17:17.639
<v Speaker 1>TNM spectrum. But some is going to be hot and

2705
02:17:17.680 --> 02:17:21.760
<v Speaker 1>sweaty indeed in many many a good way. But we'll

2706
02:17:21.799 --> 02:17:23.360
<v Speaker 1>be back here next week with the Hyperblast. We'll be

2707
02:17:23.399 --> 02:17:25.920
<v Speaker 1>back soon with more of the long form content that

2708
02:17:26.000 --> 02:17:29.079
<v Speaker 1>we do over on the Patreon and we hope you

2709
02:17:29.159 --> 02:17:30.920
<v Speaker 1>see you there for all of it. Bye.
