Speaker 1: Good morning from Hell.
Speaker 2: I'm Chris and I died recently and my eternal punishment
is to do this podcast where we interview everyone in Hell.
And I'm joined as always by the brother of Satan Clayton.
Speaker 1: Okay, Chris, Hey, how's it going, dude?
Speaker 2: Yeah, so it looks like.
Speaker 1: The hair hair.
Speaker 3: Well, I've been taking a couple of art classes lately,
and yeah, I'm getting pretty good at it, don't you think.
Speaker 1: I mean, what do you think of this What do
you think of this world?
Speaker 2: It's in crowns, that's right.
Speaker 1: I mean it's the only medium I have.
Speaker 3: Yeah, but I could do oil, but it keeps catching
on fire because we're in Hell and oil it's flammable.
Speaker 1: Crowns.
Speaker 2: It's just kind of just the melted so it's just
kind of like a waxy goo that.
Speaker 3: Yeah, it's almost like fingerpaint. And it keeps getting stuck
on my fingernails. They're very, very long fingernails. I don't
know if you can see them, but yeah, but you know,
I'm I'm doing what I can, all right, Yeah, don't
blame the artists, blame the tools.
Speaker 1: Is that that's not a saying. I don't know what
I'm saying all right, yeah.
Speaker 2: Well yeah, someone's to blame for this. It's definitely blame worthy.
Speaker 3: Well, this is this is a this is a portrait
of you, Chris. Okay, notice that your head is cut
off in it. That's pretty cool.
Speaker 2: Yeah yeah, I got that from that.
Speaker 1: Yeah, I'm gonna hang it on the refrigerator.
Speaker 4: All right.
Speaker 2: Is there any particular reason why you are going into art?
Speaker 1: You know, I just I just want to express myself.
You know, a new year, new me, new hobbies.
Speaker 3: So you know, I'm just really getting into this whole
expression thing. And you know, because I'm going down this
whole like art thing, I decided to bring on a
famous person in the art realm for the show today.
Speaker 1: Yeah.
Speaker 2: Who's that?
Speaker 3: Well you might know her from such famous paintings as
the Mona Lisa.
Speaker 1: It's it's the Mona Lisa. Come on in. Welcome.
Speaker 5: Oh my goodness, hello everybody?
Speaker 2: You choo choo hello?
Speaker 1: Oh you kissed both of my cheeks? What is that?
I don't know what that is?
Speaker 4: Yes, in Italy we kissed both the cheeks every time
we say hello goodbye?
Speaker 1: Do I have to do that to Chris? Now? Do
I have to kiss both of his cheeks.
Speaker 5: Yes, the man kissed the man.
Speaker 4: The women kiss the women, and everybody kiss everybody.
Speaker 1: I see, Chris, come here, let me kiss you. Okay,
don't don't stop. No, you're using tongue. I don't want to.
Speaker 5: You don't have to be so intimate with each other.
Speaker 4: And it's more quickly, like you say goodbye and then
you're done.
Speaker 1: Okay, that was That was Chris. That was all Chris.
Speaker 2: Sorry, I just wanted I just went for it.
Speaker 1: You know, you linger too long, he did.
Speaker 3: Okay, So for listeners at home, Mona Lisa looks almost translucent,
like ghostly, like flickering.
Speaker 1: On and off.
Speaker 2: It's kind of a weird effect.
Speaker 1: That's right. Wow.
Speaker 2: Shall we call you Mona or Lisa or Mona Lisa
or I like to.
Speaker 5: Be referred to as the Mona Lisa.
Speaker 2: The Mona Lisa. She preferred the the Mona Lisa.
Speaker 5: Yes, the Mona Lisa.
Speaker 1: Yes, it can only be one Highlander and Mona Lisa.
Speaker 4: There is only one Mona Lisa, and it is me.
And if anybody says they're Mona Lisa.
Speaker 1: Then they are live see mercy. So Mona Lisa.
Speaker 3: You know a lot of people up on Earth you're
you're a big deal up there, So tell us, I mean,
how did this whole thing happen? What was it that
started the whole thing with da Vinci coming to you
to paint you?
Speaker 1: Yes?
Speaker 4: Well, actually I was very sought after as a model
that during this time because I actually did something very
revolutionary which other models weren't doing. I would smile in
my pictures and the other models did not smile. So
I was the first to do this. So everybody wanted
to paint me. O.
Speaker 2: Wow, So you revolutionized the art world by smiling.
Speaker 5: Yes, because before me, no one smiling pictures.
Speaker 4: I don't know if you see portraits before mine, no
one ever smiled.
Speaker 5: So I am before to do it and make everyone
want me.
Speaker 3: Everybody looked like they were kind of just in pain,
you know, before they were just kind of like pouting.
Speaker 1: It looked sad.
Speaker 4: Yes, it was very sad time when we lived, but
you know, every time sad, I think.
Speaker 2: So, what that was like the fifteen hundreds roundabout.
Speaker 4: Yes, the early early fifteen hundreds when he painted me.
Speaker 2: Yeah, so how did you get in touch with each other?
Speaker 4: Well, he had heard about me through the grapevine, which
is the vineyard where everyone goes talking the grapes, and
he was stomping on some grapes with another artist, Michelangelo,
and Michelangelo tell him how beautiful my smile is. You know.
One thing led to another and then he tweeted towards
me to ask if he can paints.
Speaker 1: He tweeted Twitter.
Speaker 5: Yes, he tweets towards me. He sent the carryer pigeon
to ask me, Oh, yes, okay, he can't paint me.
Speaker 1: What was his payment in return?
Speaker 3: You just he just reached out to you, slid into
your DMS and was like, hey, yes.
Speaker 4: So he promised me that he paid me in lots
of outings because da Vinci was very famous.
Speaker 5: At this time.
Speaker 4: Uh huh, and I was just coming into my prominence
as a model. So he said that I could go
around to all the events with him and that was
the payment. So yes, we got many outings together. We
want in the boat. We went to Maezzia Dnis on
the boat.
Speaker 5: Uh. In Milan, we go out in the piazza.
Speaker 4: We wait to everybody, you know, we we just be
seen by everybody.
Speaker 1: So you were just paid by exposure.
Speaker 5: It sounds like exposure, yes.
Speaker 3: Okay, Okay, all right, Well you might have gotten a
bad end of the deal, especially since that painting is
practically priceless now.
Speaker 4: But I know, I mean everyone talked about him, but
everybody also talked about me, so I did most exposed honestly.
Speaker 1: So that's true. Yeah, I mean yours you were You
must have been sitting there for quite some time. Well
he painted you.
Speaker 3: I mean, how long was that process? And was your
smile that it didn't hurt holding that smile the whole time?
Speaker 4: Oh my goodness, you have no idea how lazy Davin
she is.
Speaker 5: He takes so long to pant.
Speaker 2: Uh huh.
Speaker 6: He took ten years to paint. What ten years? I
sit there for ten years? Huh, doing my smile, my
famous smile. I think if I smiled too much, I
lose it. You know, I'm wasting a smile on Da
Vinch because he's so lazy. It takes so long to bank.
Speaker 2: Is that why it's kind of like a half smile,
because it was just like pretty tiring and holding that
post for so long.
Speaker 5: Yes, exactly.
Speaker 4: He didn't capture the breath of my smile, but you
know he felt a little bit of it.
Speaker 1: Yeah, just just just a hint, just a just a peak.
Speaker 3: Otherwise, I mean you'd be big, full toothy grin and
yeh man, your cheeks would just be on fire, right right.
Speaker 5: It's being a model is so high.
Speaker 4: Anyone who is not a muddle just doesn't understand how
hard it is.
Speaker 1: They just don't get it. Yeah, they just don't get it,
do it?
Speaker 5: They don't get it.
Speaker 2: Yeah, I don't get it. I don't get it. You wouldn't, No, no,
I definitely wouldn't. So after the painting, you know, I
guess he was one of the world's most famous artists. Like,
how did that change your life?
Speaker 5: DaVinci?
Speaker 4: Originally he wanted to paint me in the Last Supper,
and so I said, okay, sure, I smile for you.
I pretend, Oh we are happy here Jesus the Last Supper. Yeah, yeah,
Jesus whatever. But then I come to see the final
painting and I'm not there, and you can imagine my
shock at the time because I'm the biggest model and
he takes me out of the Last Supper with Jesus,
the biggest celebrity. I am cut out, and you know,
I see the painting. It was a total sausage fest.
It was all men and there's not one woman in there,
and if there is, she looks like a man.
Speaker 5: She's not beautiful like me.
Speaker 4: And so I just, you know, I didn't want to
be in not painting anyway. Then I was really angry,
so I said, well, you need to make it up
to me and painted just me in my own painting.
So this is when we start the portraits. After this,
he keeps saying every day, Oh, mona, Lisa, I want
to capture your soul. I want to capture your soul
in the painting. So I'm just thinking, you know, this
is the artsy Partsi David, she talking out of his
ass about how he wants to capture my soul blah
blah blah, and I'm like, just put me in front
of the people so I can be famous. Anyway, he
actually trapped my soul inside of the painting. So this
is where my soul haunts the Louver because I'm actually
trapped in there. I mean, I can exit when i want,
but I'm still partly trapped on earth.
Speaker 3: Oh so, so like whenever people go to the Louver
and they think that like they're kind of you're they're
being watched.
Speaker 1: Like your eyes follow them wherever they go. It's because
you're actually there, is coming and out.
Speaker 7: You know, when I'm bored here in Hell, I go
to the louver because like, when I'm in the Louverra,
it's like, uh huh, there's so many people from all
over the world, but there are a.
Speaker 4: Lot of people who speak French, and French everybody says
the French is so sexy. I think Italian is the
most sexy language.
Speaker 1: See.
Speaker 5: But sometimes I get.
Speaker 4: Bored in Hell because I had to learn English and
Hell because there's so many Americans here.
Speaker 2: Yeah, loads makes sense.
Speaker 4: But then when I come to the Louverra, I can
hear some other languages. So it's just whenever I get bored.
Speaker 2: Did you find out that your soul was captured in
this painting when you died?
Speaker 5: Yes, sir, I didn't know before.
Speaker 4: But then when I die, I realized that I can
go from the lover to Hell. And that is why
I maybe my audio sound a little weird, because.
Speaker 5: I am, you know, half here, half there. You know,
I'm all over the place.
Speaker 4: I was a bit angry with Da Vinci because first
of all, he very slow to paint me, and then
a second of all, he's still my soul.
Speaker 2: Yeah, I would be kind of mad about that too.
What did he have to say?
Speaker 5: Well, I confront him as soon as I get here
to hell.
Speaker 4: But of course, you know, he's like pretend that he's
old then senile, like he doesn't remember me.
Speaker 5: He's like, who are you? I don't know.
Speaker 4: I'm not sure I don't remember who you are. I'm like,
it's me and Mona Lisa. I made you famous.
Speaker 5: And you know, he just pretends like he doesn't know
why I am, but I know he knows.
Speaker 2: So you've just been trapped in this painting for like
the last five hundred years. What all have you seen?
Speaker 4: Like?
Speaker 2: I mean that painting has been everywhere, right.
Speaker 1: Think at one point it got like stolen there a
couple of times.
Speaker 4: Right, Yes, it was stolen. It was attacked. People try
to throw a ball at me, yes, and that's why
they have to keep me behind the thick glass so
I don't get destroyed. You know, I've seen the most
disgusting displays of humanity in the lub, you know, just
tourists with their bubble gum chewing so loudly in my face.
Speaker 5: And a cameras fanny pass fanny pass and then their
flashes from the camera self sticks. Oh yes, and they
were free floves.
Speaker 3: Disgusting at a loof at the loover man, So sorry
from the little have you been in any other places
around the world? Have you traveled much as a painting?
Speaker 4: You know, there was a very very dark time for
my painting when it was in Napoleon's castle and I
was there with him.
Speaker 5: He's disgusting by the way.
Speaker 4: He is such a mess. He doesn't clean up after himself.
He thinks he had like, how do you call it
a big dig energy? Honestly, it's it's nothing even close
to that. He's a big bait.
Speaker 3: Yeah yeah, I mean we know the guy personally and
he's can't confirm, you know, but you witnessed some real
terrors while you were stuck in his bedroom.
Speaker 5: Oh my god, you have no idea it was.
Speaker 2: It was a maybe you've been painted with your eyes closed? Maybe?
Speaker 5: Yeah, yeah, so I did not have to see that.
Speaker 3: So outside of the painting, have you have you been
displayed in any other art mediums, you know, like like
sculptures or anything like that.
Speaker 5: Yes, I have been a sculpture.
Speaker 4: It was when I was a little bit younger, and
I have also been in many people's imaginations as a
work of art.
Speaker 1: Yeah, I guess.
Speaker 2: I mean you're this famous model and Napoleon had you
in his own personal pleasure. I mean, who's been the
worst person who's like kept your painting?
Speaker 5: Oh, definitely.
Speaker 4: There was a time during World War two and Mussolini
took my painting, Oh, stole me from the museum, and
he tried to give me to himself, and he would
talk to me like I could hear him because my painting,
you know, my soul is there, so it's like I'm
looking at everybody all the time. Yeah, he was the
worst person who was my painting.
Speaker 1: I would not want to kiss his cheeks. No, no, yeah,
he can kiss my cheeks, if you know what I mean.
Speaker 5: Yes, kiss your ass?
Speaker 1: Yes, yes, right, thank you. Yes.
Speaker 3: You know that time that that little lady tried to
repaint that painting of Jesus and then made him look
kind of like that monkey in a jacket. Yes, you
were like, do you ever talk to Jesus about that?
That's that was pretty funny.
Speaker 5: I wish that I could talk to Jesus, but he's
a mother.
Speaker 4: Really around that much in hell because you know, I
think he's always hanging out with his dad upstairs, and
you know, I think Jesus like thinks he's better than
us now.
Speaker 5: But you know, he was one of the models.
Speaker 4: You know, so many paintings of him, and you're so famous,
so you think he would want to hang out with us,
But he's kind of like too cool for us now.
Speaker 3: It's kind of like the Jake Paul of painting subject influencers.
Speaker 2: Yeah, because yeah, yeah, it seems like everyone's painting Jesus
all the time. Yeah.
Speaker 1: I didn't really think about how big his modeling career was. Yes, yeah,
So after.
Speaker 2: The Mona, Lisa, what was your I mean, what's your
next big gig? Would you say?
Speaker 4: Well, you know, the life of an artist is so unpredictable.
You know, I got this gig, like this cruise gig.
You never heard of them, you might know after so
do cruise gig? They sing things like that. So mine
was that I was the sculpture of the lady on
the front of the ship.
Speaker 5: So yes, they sculpted me, you know, while this ship
is moving. So I was on this ship for.
Speaker 4: A very long time pausing for the sculpture they gave me.
Speaker 5: The per diems. They gave me the meals and everything.
There were rats on the ship. It was you know,
it wasn't the best accommodations.
Speaker 4: But if you talk to any artists who work on
the cruise, you know, they probably say.
Speaker 5: The same thing.
Speaker 2: Yeah, but I mean it's I guess you got you know,
to travel.
Speaker 1: Yeah, that's true. See the world I did. Whatever happened
to that ship? Oh it's a thank Oh okay, sorry,
sorry about that.
Speaker 4: No, it's okay. I wasn't on it. I wasn't on it,
but you know, my sculpture was. But honestly, it was
a very like dark time being on that ship, and
I wasn't. I didn't have the best figure because I
kept eating from the chocolate fountain.
Speaker 5: So I'm glad that it's sank with the ship.
Speaker 1: Okay.
Speaker 3: Yeah, so somewhere out there in the ocean, your face
is just covered with molluscs and seaweed and yes.
Speaker 1: You know, yeah got it. That's weird. All right.
Speaker 3: So let's talk about the hit Julia Roberts movie Mona.
Speaker 1: Lisa Smile, what are your thoughts on that?
Speaker 2: That's what everyone wants to hear about three film Mona
Lisa smile.
Speaker 4: Well, this is what you have to know, is that
I don't watch any of this propaganda that is named
after me. Mona Lisa is Mona Lisa that I don't
watch that because that is not me. So I have
not even seen that movie because when it come out,
I was furious that.
Speaker 5: They even exists. Julia Roberts could never play me. She
is not a modeled like me.
Speaker 4: She is actress, which is, you know, basically lower than dog.
So you know, I'm just like, how could you cast
her as me?
Speaker 2: Well, if it helps, I don't know if anyone actually
saw that movie, So you're good.
Speaker 1: Yeah, I'm on there.
Speaker 3: I'm on the idea page. What happened to Julius Styles
and Magigilla? How's the dance where she go?
Speaker 5: They were all in this movie Mona Lisa's smile.
Speaker 4: All these actresses who are lower than dog were in
this movie.
Speaker 5: Mona Lisa smile.
Speaker 1: That's right. Yeah.
Speaker 3: It makes you guys like spit sometimes in your culture, right,
like at the grounds if something upsets you.
Speaker 1: Is that is that appropriate?
Speaker 4: Oh?
Speaker 5: I spit in the faces of many men?
Speaker 1: Can you demonstrate on Chris, Well.
Speaker 4: You have to do something that either make me very mad,
break my heart, or make me very passionate, and then
I spit in his face, or he can insult my cooking.
Speaker 2: Man, you're cooking tastes like uh, like dente? Is that
what it's called.
Speaker 4: As dente is a good thing? As dent, it means
that it's tootsums. It's a little bit chewy.
Speaker 5: This is very cold. I'm sorry, but you weren't mean enough.
Speaker 4: If you want to insult me in Italian, you have
to be yelling at first of.
Speaker 5: All, everybody yells and it would be very mean.
Speaker 3: Come on, Chris right, must have some curga. I think
your pasta is all too floppy. Huh what do you
think about that?
Speaker 1: Oh? Oh wow, that was It's been storing that one
up for a while.
Speaker 5: That was a pig lookie, yes, I kept it in
my reserves.
Speaker 1: Good lord. That's why your cheeks are so big? Is
they're just full a spit.
Speaker 3: Like a lama. So actually, this is kind of awkward
time to bring this up. I don't know if you remember,
but this isn't our first time.
Speaker 5: Meeting, and I'm not sure what you mean.
Speaker 2: I don't know. Maybe about four years ago I visited
The Lover Louver. I visited the Lover and I don't know,
made my way to the front of the big crowd.
Me and you took a selfie together. Do you remember
seeing like a white dude who's like in his late
twenties with like brown hair.
Speaker 4: I see many I do it in the late twenties
with brown hair, and you know you are blending. Honestly,
you should take it personally though, because if you were special,
I would remember you.
Speaker 3: Okay, then were welcome, well noted at least, it's kind
of I'm kind of unclear and it's not in my files.
Speaker 1: How did you die?
Speaker 5: Like?
Speaker 1: What what brought you down here to hell? Exactly?
Speaker 2: Wow?
Speaker 4: That is a very personal question, but I do not
mind answering for you.
Speaker 5: I actually died.
Speaker 4: Of the plague, which is like so common of me
to do just a basic plague.
Speaker 5: Death, just like everybody else.
Speaker 4: But yes, I died from the book Bonic Plague.
Speaker 1: Well, what was that like? Going through that whole experien perien?
It's like, what was what was the world?
Speaker 3: Like?
Speaker 2: Yeah, what was the plague?
Speaker 4: Like the plague was you know, to be honest that
there wasn't much to do once you got it, you
knew it and you were basically going to die.
Speaker 5: So, uh, I just lie.
Speaker 4: Down on my hay bed made of hay because they
say that if you sleep amongst the animals that.
Speaker 5: You will die faster.
Speaker 4: And I just wanted to die faster and get it
all okay.
Speaker 2: So, so's fun? Was there a lot of people dying
at the plague?
Speaker 1: Then how did you catch the plague?
Speaker 5: So?
Speaker 4: I actually think that I got the play from one
of my stalkers, many many stalkers.
Speaker 5: So you know, I walked down the street of.
Speaker 4: Milone and there are people everywhere, you know, want to
take the selfie with me, you know, so that I
have to sit there for you know, an hour while
somebody paying those And I think it was my fault
because I was too nice to them.
Speaker 7: You know.
Speaker 4: I should have kept my distance, maybe speak on them
or something.
Speaker 2: Yeah, So is there a particular reason why you're in hell?
Speaker 5: Oh, there is such a good reason why I'm in Hell.
I actually I.
Speaker 1: Joked off, what what?
Speaker 5: I jumped off once and now I'm.
Speaker 1: Here just once?
Speaker 5: Just once, yes, yes, and just one time. And they
decided I go to Hell.
Speaker 1: For this because you know, damn, is there like a
language barrier? Things? That mean something else in your culture?
Did we really bring you down for just that?
Speaker 5: No, No, it's because I touched myself.
Speaker 1: Oh wow, I back then. Yeah it must have been
geez wow, sorry about that.
Speaker 3: I haven't like, like way down deep in hell. Then
I had to take that to the review board. That's
I'm so sorry. So I guess since you've been in Hell,
I mean, what have you been up to?
Speaker 2: You're still modeling?
Speaker 5: You know.
Speaker 4: I only model for people who are really really nice
to me about my cooking. So if they taste my
cooking and they like it, I will let them paint me.
But it's suit the part time now, because you know,
I'm my soul is very busy going back and forth
from the Louver to Hell. And I visit Da Vinci
every day to spit in his face. So you know
that is on the agenda every morning. Not much cooking, modeling, relaxing, spitting, speeding.
Speaker 1: Yeah, you know, I'm a bit of an artist myself.
Speaker 3: I don't know if you saw my work here on
the table, But can I can I draw you?
Speaker 1: May I pay you?
Speaker 4: From what I've seen of your work? It is abstract?
Speaker 5: This correct? Abstract?
Speaker 3: Yeah?
Speaker 1: Yeah, yeah, so as.
Speaker 4: Long as it is the als to look bad like that,
then you can do me. But if you are trying
to do naturalism, then.
Speaker 1: No, okay, well unclear, Hey Chris, what I guess? I
don't know. I was she offended me.
Speaker 3: But I don't want to spit on the Mona Lisa's face,
so I'm just gonna spit on you instead.
Speaker 1: Okay, Yeah, so this works.
Speaker 3: So it sounds like you're, you know, pretty busy, you know,
doing the various things. Do you have any other like
collaborations coming up that we should like keep our eyes
open for.
Speaker 2: Yeah, any new projects?
Speaker 5: Yes, so I did.
Speaker 4: I receive a few new tweets and they tell me
that they want me to model for them from donatell
Lomico Angelo and Raphael.
Speaker 1: What that doesn't it the Naja turtles that the other ones.
Speaker 5: I don't know what this means Ninja.
Speaker 4: I assume that they are the same Donate Lomico, Angelo
and Ral you.
Speaker 3: Know, Ninja turtle or not. You should definitely bring pizza.
I think that they would appreciate that.
Speaker 5: Yes, I make my pizza.
Speaker 2: Sounds like a fun group. Yeah, either way, a bunch
of party dudes. Yes, they like to buy what is
the craziest. I guess party you've been to, as you know,
down in Hell with some of these artists or up
on Earth. I don't know.
Speaker 4: Well, Actually, something that I like to do is when
the louver is closed that night, sometimes they have these
private parties with very famous people, the actors and the
madels and the singers. And this party is just so
fun because I can meet other famous people who are
on my level.
Speaker 2: Yeah, is Ben Stiller or Rob Williams or Ricky Gervais
ever there?
Speaker 5: Yes, old have been there.
Speaker 4: They're so fun to talk to. Ben Steeler. Oh, he's
my favorite. I love all his movies.
Speaker 1: Yeah, I don't know. Tous reference Chris. Okay, you thought
that you slip that under the radar. I caught it.
I caught it. I see you hold on, Chris. Yeah,
this is what you get. It's actually not a bad movie. Wow.
Speaker 3: Well, monal Lisa, it sounds like you have a super
busy schedule, so thank you for stopping by for our listeners.
You can find us at Morning from Hell or at
hal Clayton sixty nine.
Speaker 2: On Twitter, Instagram, TikTok.
Speaker 3: Right, you know all all the social media's modal Lisa,
speaking of working our listeners.
Speaker 1: Find you at the louver.
Speaker 3: Oh wow, that's a that's a really good Twitter handle.
I didn't surprise you caught that.
Speaker 5: No, No, just at oh.
Speaker 1: Yeah, physically at the physically at the lover.
Speaker 3: Yes, all right, Lisa Chris, you don't get kisses, all right,
Hail Clayton.
Speaker 1: Hey guys, thanks for listening to another episode of Good
Morning from Hell. I'd like to thank our guest Maria
Dakotis for being on. Maria, thank you for joining us.
Speaker 5: Thank you for having me. I had so much fun.
Speaker 2: Yeah, So for listeners, where can they find more of you?
And what have you been up to?
Speaker 4: So my social media and my Instagram and my Twitter
are just at Maria dakotas my first and last name,
so it's pretty easy. And yeah, right now, I'm still
kind of, you know, isolated like everyone else. So I've
just been working on some comedy videos that I put online.
Speaker 2: So if you don't follow her on social media, you
actually used should because she's some.
Speaker 1: Of the best some of the best stuff.
Speaker 3: It's also stuff that probably you've seen before, because I
feel like you've gone viral several times maybe, yeah, but.
Speaker 1: Not viral in the bad way. Viral and the like.
People are seeing your content. I should clarify these trying times. Yes,