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Speaker 1: Good morning from Hell.

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Speaker 2: I'm Chris and I died recently and my eternal punishment

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is to do this podcast where we interview everyone in Hell.

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And I'm joined as always by the brother of Satan Clayton.

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Speaker 1: Okay, Chris, Hey, how's it going, dude?

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Speaker 2: Yeah, so it looks like.

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Speaker 1: The hair hair.

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Speaker 3: Well, I've been taking a couple of art classes lately,

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and yeah, I'm getting pretty good at it, don't you think.

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Speaker 1: I mean, what do you think of this What do

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you think of this world?

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Speaker 2: It's in crowns, that's right.

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Speaker 1: I mean it's the only medium I have.

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Speaker 3: Yeah, but I could do oil, but it keeps catching

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on fire because we're in Hell and oil it's flammable.

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Speaker 1: Crowns.

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Speaker 2: It's just kind of just the melted so it's just

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kind of like a waxy goo that.

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Speaker 3: Yeah, it's almost like fingerpaint. And it keeps getting stuck

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on my fingernails. They're very, very long fingernails. I don't

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know if you can see them, but yeah, but you know,

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I'm I'm doing what I can, all right, Yeah, don't

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blame the artists, blame the tools.

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Speaker 1: Is that that's not a saying. I don't know what

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I'm saying all right, yeah.

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Speaker 2: Well yeah, someone's to blame for this. It's definitely blame worthy.

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Speaker 3: Well, this is this is a this is a portrait

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of you, Chris. Okay, notice that your head is cut

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off in it. That's pretty cool.

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Speaker 2: Yeah yeah, I got that from that.

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Speaker 1: Yeah, I'm gonna hang it on the refrigerator.

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Speaker 4: All right.

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Speaker 2: Is there any particular reason why you are going into art?

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Speaker 1: You know, I just I just want to express myself.

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You know, a new year, new me, new hobbies.

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Speaker 3: So you know, I'm just really getting into this whole

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expression thing. And you know, because I'm going down this

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whole like art thing, I decided to bring on a

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famous person in the art realm for the show today.

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Speaker 1: Yeah.

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Speaker 2: Who's that?

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Speaker 3: Well you might know her from such famous paintings as

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the Mona Lisa.

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Speaker 1: It's it's the Mona Lisa. Come on in. Welcome.

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Speaker 5: Oh my goodness, hello everybody?

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Speaker 2: You choo choo hello?

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Speaker 1: Oh you kissed both of my cheeks? What is that?

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I don't know what that is?

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Speaker 4: Yes, in Italy we kissed both the cheeks every time

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we say hello goodbye?

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Speaker 1: Do I have to do that to Chris? Now? Do

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I have to kiss both of his cheeks.

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Speaker 5: Yes, the man kissed the man.

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Speaker 4: The women kiss the women, and everybody kiss everybody.

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Speaker 1: I see, Chris, come here, let me kiss you. Okay,

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don't don't stop. No, you're using tongue. I don't want to.

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Speaker 5: You don't have to be so intimate with each other.

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Speaker 4: And it's more quickly, like you say goodbye and then

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you're done.

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Speaker 1: Okay, that was That was Chris. That was all Chris.

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Speaker 2: Sorry, I just wanted I just went for it.

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Speaker 1: You know, you linger too long, he did.

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Speaker 3: Okay, So for listeners at home, Mona Lisa looks almost translucent,

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like ghostly, like flickering.

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Speaker 1: On and off.

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Speaker 2: It's kind of a weird effect.

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Speaker 1: That's right. Wow.

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Speaker 2: Shall we call you Mona or Lisa or Mona Lisa

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or I like to.

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Speaker 5: Be referred to as the Mona Lisa.

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Speaker 2: The Mona Lisa. She preferred the the Mona Lisa.

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Speaker 5: Yes, the Mona Lisa.

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Speaker 1: Yes, it can only be one Highlander and Mona Lisa.

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Speaker 4: There is only one Mona Lisa, and it is me.

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And if anybody says they're Mona Lisa.

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Speaker 1: Then they are live see mercy. So Mona Lisa.

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Speaker 3: You know a lot of people up on Earth you're

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you're a big deal up there, So tell us, I mean,

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how did this whole thing happen? What was it that

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started the whole thing with da Vinci coming to you

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to paint you?

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Speaker 1: Yes?

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Speaker 4: Well, actually I was very sought after as a model

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that during this time because I actually did something very

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revolutionary which other models weren't doing. I would smile in

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my pictures and the other models did not smile. So

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I was the first to do this. So everybody wanted

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to paint me. O.

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Speaker 2: Wow, So you revolutionized the art world by smiling.

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Speaker 5: Yes, because before me, no one smiling pictures.

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Speaker 4: I don't know if you see portraits before mine, no

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one ever smiled.

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Speaker 5: So I am before to do it and make everyone

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want me.

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Speaker 3: Everybody looked like they were kind of just in pain,

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you know, before they were just kind of like pouting.

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Speaker 1: It looked sad.

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Speaker 4: Yes, it was very sad time when we lived, but

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you know, every time sad, I think.

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Speaker 2: So, what that was like the fifteen hundreds roundabout.

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Speaker 4: Yes, the early early fifteen hundreds when he painted me.

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Speaker 2: Yeah, so how did you get in touch with each other?

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Speaker 4: Well, he had heard about me through the grapevine, which

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is the vineyard where everyone goes talking the grapes, and

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he was stomping on some grapes with another artist, Michelangelo,

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and Michelangelo tell him how beautiful my smile is. You know.

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One thing led to another and then he tweeted towards

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me to ask if he can paints.

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Speaker 1: He tweeted Twitter.

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Speaker 5: Yes, he tweets towards me. He sent the carryer pigeon

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to ask me, Oh, yes, okay, he can't paint me.

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Speaker 1: What was his payment in return?

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Speaker 3: You just he just reached out to you, slid into

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your DMS and was like, hey, yes.

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Speaker 4: So he promised me that he paid me in lots

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of outings because da Vinci was very famous.

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Speaker 5: At this time.

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Speaker 4: Uh huh, and I was just coming into my prominence

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as a model. So he said that I could go

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around to all the events with him and that was

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the payment. So yes, we got many outings together. We

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want in the boat. We went to Maezzia Dnis on

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the boat.

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Speaker 5: Uh. In Milan, we go out in the piazza.

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Speaker 4: We wait to everybody, you know, we we just be

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seen by everybody.

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Speaker 1: So you were just paid by exposure.

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Speaker 5: It sounds like exposure, yes.

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Speaker 3: Okay, Okay, all right, Well you might have gotten a

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bad end of the deal, especially since that painting is

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practically priceless now.

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Speaker 4: But I know, I mean everyone talked about him, but

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everybody also talked about me, so I did most exposed honestly.

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Speaker 1: So that's true. Yeah, I mean yours you were You

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must have been sitting there for quite some time. Well

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he painted you.

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Speaker 3: I mean, how long was that process? And was your

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smile that it didn't hurt holding that smile the whole time?

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Speaker 4: Oh my goodness, you have no idea how lazy Davin

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she is.

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Speaker 5: He takes so long to pant.

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Speaker 2: Uh huh.

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Speaker 6: He took ten years to paint. What ten years? I

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sit there for ten years? Huh, doing my smile, my

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famous smile. I think if I smiled too much, I

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lose it. You know, I'm wasting a smile on Da

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Vinch because he's so lazy. It takes so long to bank.

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Speaker 2: Is that why it's kind of like a half smile,

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because it was just like pretty tiring and holding that

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post for so long.

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Speaker 5: Yes, exactly.

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Speaker 4: He didn't capture the breath of my smile, but you

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know he felt a little bit of it.

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Speaker 1: Yeah, just just just a hint, just a just a peak.

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Speaker 3: Otherwise, I mean you'd be big, full toothy grin and

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yeh man, your cheeks would just be on fire, right right.

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Speaker 5: It's being a model is so high.

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Speaker 4: Anyone who is not a muddle just doesn't understand how

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hard it is.

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Speaker 1: They just don't get it. Yeah, they just don't get it,

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do it?

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Speaker 5: They don't get it.

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Speaker 2: Yeah, I don't get it. I don't get it. You wouldn't, No, no,

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I definitely wouldn't. So after the painting, you know, I

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guess he was one of the world's most famous artists. Like,

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how did that change your life?

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Speaker 5: DaVinci?

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Speaker 4: Originally he wanted to paint me in the Last Supper,

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and so I said, okay, sure, I smile for you.

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I pretend, Oh we are happy here Jesus the Last Supper. Yeah, yeah,

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Jesus whatever. But then I come to see the final

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painting and I'm not there, and you can imagine my

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shock at the time because I'm the biggest model and

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he takes me out of the Last Supper with Jesus,

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the biggest celebrity. I am cut out, and you know,

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I see the painting. It was a total sausage fest.

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It was all men and there's not one woman in there,

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and if there is, she looks like a man.

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Speaker 5: She's not beautiful like me.

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Speaker 4: And so I just, you know, I didn't want to

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be in not painting anyway. Then I was really angry,

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so I said, well, you need to make it up

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to me and painted just me in my own painting.

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So this is when we start the portraits. After this,

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he keeps saying every day, Oh, mona, Lisa, I want

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to capture your soul. I want to capture your soul

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in the painting. So I'm just thinking, you know, this

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is the artsy Partsi David, she talking out of his

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ass about how he wants to capture my soul blah

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blah blah, and I'm like, just put me in front

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of the people so I can be famous. Anyway, he

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actually trapped my soul inside of the painting. So this

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is where my soul haunts the Louver because I'm actually

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trapped in there. I mean, I can exit when i want,

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but I'm still partly trapped on earth.

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Speaker 3: Oh so, so like whenever people go to the Louver

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and they think that like they're kind of you're they're

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being watched.

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Speaker 1: Like your eyes follow them wherever they go. It's because

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you're actually there, is coming and out.

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Speaker 7: You know, when I'm bored here in Hell, I go

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to the louver because like, when I'm in the Louverra,

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it's like, uh huh, there's so many people from all

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over the world, but there are a.

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Speaker 4: Lot of people who speak French, and French everybody says

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the French is so sexy. I think Italian is the

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most sexy language.

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Speaker 1: See.

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Speaker 5: But sometimes I get.

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Speaker 4: Bored in Hell because I had to learn English and

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Hell because there's so many Americans here.

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Speaker 2: Yeah, loads makes sense.

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Speaker 4: But then when I come to the Louverra, I can

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hear some other languages. So it's just whenever I get bored.

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Speaker 2: Did you find out that your soul was captured in

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this painting when you died?

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Speaker 5: Yes, sir, I didn't know before.

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Speaker 4: But then when I die, I realized that I can

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go from the lover to Hell. And that is why

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I maybe my audio sound a little weird, because.

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Speaker 5: I am, you know, half here, half there. You know,

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I'm all over the place.

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Speaker 4: I was a bit angry with Da Vinci because first

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of all, he very slow to paint me, and then

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a second of all, he's still my soul.

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Speaker 2: Yeah, I would be kind of mad about that too.

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What did he have to say?

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Speaker 5: Well, I confront him as soon as I get here

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to hell.

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Speaker 4: But of course, you know, he's like pretend that he's

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old then senile, like he doesn't remember me.

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Speaker 5: He's like, who are you? I don't know.

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Speaker 4: I'm not sure I don't remember who you are. I'm like,

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it's me and Mona Lisa. I made you famous.

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Speaker 5: And you know, he just pretends like he doesn't know

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why I am, but I know he knows.

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Speaker 2: So you've just been trapped in this painting for like

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the last five hundred years. What all have you seen?

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Speaker 4: Like?

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Speaker 2: I mean that painting has been everywhere, right.

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Speaker 1: Think at one point it got like stolen there a

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couple of times.

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Speaker 4: Right, Yes, it was stolen. It was attacked. People try

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to throw a ball at me, yes, and that's why

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they have to keep me behind the thick glass so

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I don't get destroyed. You know, I've seen the most

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disgusting displays of humanity in the lub, you know, just

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tourists with their bubble gum chewing so loudly in my face.

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Speaker 5: And a cameras fanny pass fanny pass and then their

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flashes from the camera self sticks. Oh yes, and they

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were free floves.

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Speaker 3: Disgusting at a loof at the loover man, So sorry

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from the little have you been in any other places

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around the world? Have you traveled much as a painting?

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Speaker 4: You know, there was a very very dark time for

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my painting when it was in Napoleon's castle and I

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was there with him.

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Speaker 5: He's disgusting by the way.

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Speaker 4: He is such a mess. He doesn't clean up after himself.

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He thinks he had like, how do you call it

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a big dig energy? Honestly, it's it's nothing even close

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to that. He's a big bait.

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Speaker 3: Yeah yeah, I mean we know the guy personally and

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he's can't confirm, you know, but you witnessed some real

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terrors while you were stuck in his bedroom.

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Speaker 5: Oh my god, you have no idea it was.

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Speaker 2: It was a maybe you've been painted with your eyes closed? Maybe?

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Speaker 5: Yeah, yeah, so I did not have to see that.

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Speaker 3: So outside of the painting, have you have you been

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displayed in any other art mediums, you know, like like

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sculptures or anything like that.

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Speaker 5: Yes, I have been a sculpture.

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Speaker 4: It was when I was a little bit younger, and

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I have also been in many people's imaginations as a

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work of art.

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Speaker 1: Yeah, I guess.

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Speaker 2: I mean you're this famous model and Napoleon had you

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in his own personal pleasure. I mean, who's been the

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worst person who's like kept your painting?

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Speaker 5: Oh, definitely.

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Speaker 4: There was a time during World War two and Mussolini

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took my painting, Oh, stole me from the museum, and

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he tried to give me to himself, and he would

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talk to me like I could hear him because my painting,

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you know, my soul is there, so it's like I'm

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looking at everybody all the time. Yeah, he was the

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worst person who was my painting.

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Speaker 1: I would not want to kiss his cheeks. No, no, yeah,

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he can kiss my cheeks, if you know what I mean.

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Speaker 5: Yes, kiss your ass?

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Speaker 1: Yes, yes, right, thank you. Yes.

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Speaker 3: You know that time that that little lady tried to

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repaint that painting of Jesus and then made him look

294
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kind of like that monkey in a jacket. Yes, you

295
00:14:08,679 --> 00:14:10,720
were like, do you ever talk to Jesus about that?

296
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That's that was pretty funny.

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Speaker 5: I wish that I could talk to Jesus, but he's

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a mother.

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Speaker 4: Really around that much in hell because you know, I

300
00:14:19,279 --> 00:14:22,879
think he's always hanging out with his dad upstairs, and

301
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you know, I think Jesus like thinks he's better than

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us now.

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Speaker 5: But you know, he was one of the models.

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Speaker 4: You know, so many paintings of him, and you're so famous,

305
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so you think he would want to hang out with us,

306
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But he's kind of like too cool for us now.

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Speaker 3: It's kind of like the Jake Paul of painting subject influencers.

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00:14:43,519 --> 00:14:46,600
Speaker 2: Yeah, because yeah, yeah, it seems like everyone's painting Jesus

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00:14:46,679 --> 00:14:47,360
all the time. Yeah.

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Speaker 1: I didn't really think about how big his modeling career was. Yes, yeah,

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So after.

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Speaker 2: The Mona, Lisa, what was your I mean, what's your

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00:14:54,679 --> 00:14:56,399
next big gig? Would you say?

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Speaker 4: Well, you know, the life of an artist is so unpredictable.

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00:15:01,879 --> 00:15:05,000
You know, I got this gig, like this cruise gig.

316
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You never heard of them, you might know after so

317
00:15:08,200 --> 00:15:12,519
do cruise gig? They sing things like that. So mine

318
00:15:12,679 --> 00:15:16,159
was that I was the sculpture of the lady on

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the front of the ship.

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Speaker 5: So yes, they sculpted me, you know, while this ship

321
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is moving. So I was on this ship for.

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Speaker 4: A very long time pausing for the sculpture they gave me.

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Speaker 5: The per diems. They gave me the meals and everything.

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There were rats on the ship. It was you know,

325
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it wasn't the best accommodations.

326
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Speaker 4: But if you talk to any artists who work on

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the cruise, you know, they probably say.

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Speaker 5: The same thing.

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Speaker 2: Yeah, but I mean it's I guess you got you know,

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to travel.

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Speaker 1: Yeah, that's true. See the world I did. Whatever happened

332
00:15:50,279 --> 00:15:53,639
to that ship? Oh it's a thank Oh okay, sorry,

333
00:15:53,679 --> 00:15:54,200
sorry about that.

334
00:15:54,320 --> 00:15:57,440
Speaker 4: No, it's okay. I wasn't on it. I wasn't on it,

335
00:15:58,159 --> 00:16:00,799
but you know, my sculpture was. But honestly, it was

336
00:16:00,840 --> 00:16:04,200
a very like dark time being on that ship, and

337
00:16:04,759 --> 00:16:08,159
I wasn't. I didn't have the best figure because I

338
00:16:08,240 --> 00:16:10,399
kept eating from the chocolate fountain.

339
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Speaker 5: So I'm glad that it's sank with the ship.

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Speaker 1: Okay.

341
00:16:13,080 --> 00:16:15,399
Speaker 3: Yeah, so somewhere out there in the ocean, your face

342
00:16:15,440 --> 00:16:19,279
is just covered with molluscs and seaweed and yes.

343
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Speaker 1: You know, yeah got it. That's weird. All right.

344
00:16:21,480 --> 00:16:25,840
Speaker 3: So let's talk about the hit Julia Roberts movie Mona.

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Speaker 1: Lisa Smile, what are your thoughts on that?

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Speaker 2: That's what everyone wants to hear about three film Mona

347
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Lisa smile.

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Speaker 4: Well, this is what you have to know, is that

349
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I don't watch any of this propaganda that is named

350
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after me. Mona Lisa is Mona Lisa that I don't

351
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watch that because that is not me. So I have

352
00:16:46,799 --> 00:16:49,559
not even seen that movie because when it come out,

353
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I was furious that.

354
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Speaker 5: They even exists. Julia Roberts could never play me. She

355
00:16:55,159 --> 00:16:56,519
is not a modeled like me.

356
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Speaker 4: She is actress, which is, you know, basically lower than dog.

357
00:17:02,320 --> 00:17:05,640
So you know, I'm just like, how could you cast

358
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her as me?

359
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Speaker 2: Well, if it helps, I don't know if anyone actually

360
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saw that movie, So you're good.

361
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Speaker 1: Yeah, I'm on there.

362
00:17:11,920 --> 00:17:14,960
Speaker 3: I'm on the idea page. What happened to Julius Styles

363
00:17:15,119 --> 00:17:17,880
and Magigilla? How's the dance where she go?

364
00:17:18,000 --> 00:17:20,279
Speaker 5: They were all in this movie Mona Lisa's smile.

365
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Speaker 4: All these actresses who are lower than dog were in

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this movie.

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Speaker 5: Mona Lisa smile.

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Speaker 1: That's right. Yeah.

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00:17:28,480 --> 00:17:33,119
Speaker 3: It makes you guys like spit sometimes in your culture, right,

370
00:17:33,200 --> 00:17:35,440
like at the grounds if something upsets you.

371
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Speaker 1: Is that is that appropriate?

372
00:17:36,599 --> 00:17:36,759
Speaker 4: Oh?

373
00:17:36,839 --> 00:17:39,680
Speaker 5: I spit in the faces of many men?

374
00:17:40,279 --> 00:17:42,400
Speaker 1: Can you demonstrate on Chris, Well.

375
00:17:42,359 --> 00:17:45,279
Speaker 4: You have to do something that either make me very mad,

376
00:17:46,039 --> 00:17:50,079
break my heart, or make me very passionate, and then

377
00:17:50,119 --> 00:17:54,359
I spit in his face, or he can insult my cooking.

378
00:17:56,119 --> 00:18:01,920
Speaker 2: Man, you're cooking tastes like uh, like dente? Is that

379
00:18:01,960 --> 00:18:02,759
what it's called.

380
00:18:02,720 --> 00:18:06,680
Speaker 4: As dente is a good thing? As dent, it means

381
00:18:06,720 --> 00:18:09,799
that it's tootsums. It's a little bit chewy.

382
00:18:09,880 --> 00:18:13,799
Speaker 5: This is very cold. I'm sorry, but you weren't mean enough.

383
00:18:14,119 --> 00:18:16,880
Speaker 4: If you want to insult me in Italian, you have

384
00:18:16,960 --> 00:18:18,480
to be yelling at first of.

385
00:18:18,480 --> 00:18:22,200
Speaker 5: All, everybody yells and it would be very mean.

386
00:18:22,240 --> 00:18:25,279
Speaker 3: Come on, Chris right, must have some curga. I think

387
00:18:25,279 --> 00:18:28,519
your pasta is all too floppy. Huh what do you

388
00:18:28,519 --> 00:18:29,079
think about that?

389
00:18:29,960 --> 00:18:33,160
Speaker 1: Oh? Oh wow, that was It's been storing that one

390
00:18:33,240 --> 00:18:33,799
up for a while.

391
00:18:33,799 --> 00:18:36,079
Speaker 5: That was a pig lookie, yes, I kept it in

392
00:18:36,119 --> 00:18:36,920
my reserves.

393
00:18:37,079 --> 00:18:39,799
Speaker 1: Good lord. That's why your cheeks are so big? Is

394
00:18:39,799 --> 00:18:41,000
they're just full a spit.

395
00:18:41,279 --> 00:18:45,759
Speaker 3: Like a lama. So actually, this is kind of awkward

396
00:18:45,799 --> 00:18:47,920
time to bring this up. I don't know if you remember,

397
00:18:48,000 --> 00:18:49,960
but this isn't our first time.

398
00:18:49,799 --> 00:18:53,000
Speaker 5: Meeting, and I'm not sure what you mean.

399
00:18:53,200 --> 00:18:56,680
Speaker 2: I don't know. Maybe about four years ago I visited

400
00:18:56,680 --> 00:19:01,319
The Lover Louver. I visited the Lover and I don't know,

401
00:19:01,559 --> 00:19:03,559
made my way to the front of the big crowd.

402
00:19:03,920 --> 00:19:06,279
Me and you took a selfie together. Do you remember

403
00:19:06,319 --> 00:19:08,839
seeing like a white dude who's like in his late

404
00:19:08,880 --> 00:19:10,880
twenties with like brown hair.

405
00:19:12,039 --> 00:19:15,279
Speaker 4: I see many I do it in the late twenties

406
00:19:15,319 --> 00:19:18,960
with brown hair, and you know you are blending. Honestly,

407
00:19:19,559 --> 00:19:22,799
you should take it personally though, because if you were special,

408
00:19:22,880 --> 00:19:23,839
I would remember you.

409
00:19:24,119 --> 00:19:28,480
Speaker 3: Okay, then were welcome, well noted at least, it's kind

410
00:19:28,480 --> 00:19:31,000
of I'm kind of unclear and it's not in my files.

411
00:19:31,400 --> 00:19:32,480
Speaker 1: How did you die?

412
00:19:32,599 --> 00:19:32,680
Speaker 5: Like?

413
00:19:32,680 --> 00:19:35,599
Speaker 1: What what brought you down here to hell? Exactly?

414
00:19:35,839 --> 00:19:36,079
Speaker 2: Wow?

415
00:19:36,200 --> 00:19:40,519
Speaker 4: That is a very personal question, but I do not

416
00:19:40,759 --> 00:19:42,240
mind answering for you.

417
00:19:42,440 --> 00:19:44,079
Speaker 5: I actually died.

418
00:19:44,160 --> 00:19:47,559
Speaker 4: Of the plague, which is like so common of me

419
00:19:47,720 --> 00:19:50,720
to do just a basic plague.

420
00:19:50,519 --> 00:19:53,000
Speaker 5: Death, just like everybody else.

421
00:19:53,200 --> 00:19:57,640
Speaker 4: But yes, I died from the book Bonic Plague.

422
00:19:57,759 --> 00:20:00,200
Speaker 1: Well, what was that like? Going through that whole experien perien?

423
00:20:00,200 --> 00:20:02,119
It's like, what was what was the world?

424
00:20:02,279 --> 00:20:02,359
Speaker 3: Like?

425
00:20:02,440 --> 00:20:03,440
Speaker 2: Yeah, what was the plague?

426
00:20:03,480 --> 00:20:07,079
Speaker 4: Like the plague was you know, to be honest that

427
00:20:07,680 --> 00:20:10,599
there wasn't much to do once you got it, you

428
00:20:10,640 --> 00:20:13,359
knew it and you were basically going to die.

429
00:20:13,480 --> 00:20:16,640
Speaker 5: So, uh, I just lie.

430
00:20:16,480 --> 00:20:23,000
Speaker 4: Down on my hay bed made of hay because they

431
00:20:23,079 --> 00:20:26,319
say that if you sleep amongst the animals that.

432
00:20:26,359 --> 00:20:28,400
Speaker 5: You will die faster.

433
00:20:28,279 --> 00:20:31,160
Speaker 4: And I just wanted to die faster and get it

434
00:20:31,200 --> 00:20:33,200
all okay.

435
00:20:33,680 --> 00:20:37,759
Speaker 2: So, so's fun? Was there a lot of people dying

436
00:20:37,799 --> 00:20:38,480
at the plague?

437
00:20:38,599 --> 00:20:41,000
Speaker 1: Then how did you catch the plague?

438
00:20:41,640 --> 00:20:41,799
Speaker 5: So?

439
00:20:42,039 --> 00:20:45,240
Speaker 4: I actually think that I got the play from one

440
00:20:45,279 --> 00:20:49,200
of my stalkers, many many stalkers.

441
00:20:49,680 --> 00:20:52,000
Speaker 5: So you know, I walked down the street of.

442
00:20:52,079 --> 00:20:56,480
Speaker 4: Milone and there are people everywhere, you know, want to

443
00:20:57,400 --> 00:21:00,160
take the selfie with me, you know, so that I

444
00:21:00,200 --> 00:21:03,279
have to sit there for you know, an hour while

445
00:21:03,319 --> 00:21:07,079
somebody paying those And I think it was my fault

446
00:21:07,240 --> 00:21:09,000
because I was too nice to them.

447
00:21:09,880 --> 00:21:10,079
Speaker 7: You know.

448
00:21:10,240 --> 00:21:14,759
Speaker 4: I should have kept my distance, maybe speak on them

449
00:21:14,960 --> 00:21:15,480
or something.

450
00:21:15,640 --> 00:21:19,519
Speaker 2: Yeah, So is there a particular reason why you're in hell?

451
00:21:19,680 --> 00:21:22,680
Speaker 5: Oh, there is such a good reason why I'm in Hell.

452
00:21:23,640 --> 00:21:25,400
I actually I.

453
00:21:25,359 --> 00:21:27,359
Speaker 1: Joked off, what what?

454
00:21:27,559 --> 00:21:30,079
Speaker 5: I jumped off once and now I'm.

455
00:21:29,920 --> 00:21:31,319
Speaker 1: Here just once?

456
00:21:31,559 --> 00:21:35,440
Speaker 5: Just once, yes, yes, and just one time. And they

457
00:21:35,519 --> 00:21:37,119
decided I go to Hell.

458
00:21:37,079 --> 00:21:39,759
Speaker 1: For this because you know, damn, is there like a

459
00:21:39,839 --> 00:21:42,240
language barrier? Things? That mean something else in your culture?

460
00:21:42,319 --> 00:21:43,759
Did we really bring you down for just that?

461
00:21:43,920 --> 00:21:46,200
Speaker 5: No, No, it's because I touched myself.

462
00:21:46,680 --> 00:21:49,720
Speaker 1: Oh wow, I back then. Yeah it must have been

463
00:21:49,799 --> 00:21:51,039
geez wow, sorry about that.

464
00:21:51,240 --> 00:21:54,039
Speaker 3: I haven't like, like way down deep in hell. Then

465
00:21:53,839 --> 00:21:56,839
I had to take that to the review board. That's

466
00:21:57,039 --> 00:22:00,279
I'm so sorry. So I guess since you've been in Hell,

467
00:22:00,519 --> 00:22:02,000
I mean, what have you been up to?

468
00:22:02,319 --> 00:22:03,119
Speaker 2: You're still modeling?

469
00:22:03,240 --> 00:22:03,400
Speaker 5: You know.

470
00:22:03,440 --> 00:22:08,680
Speaker 4: I only model for people who are really really nice

471
00:22:08,680 --> 00:22:12,480
to me about my cooking. So if they taste my

472
00:22:12,559 --> 00:22:15,480
cooking and they like it, I will let them paint me.

473
00:22:15,759 --> 00:22:19,680
But it's suit the part time now, because you know,

474
00:22:19,720 --> 00:22:23,079
I'm my soul is very busy going back and forth

475
00:22:23,279 --> 00:22:28,200
from the Louver to Hell. And I visit Da Vinci

476
00:22:28,319 --> 00:22:31,440
every day to spit in his face. So you know

477
00:22:31,559 --> 00:22:41,039
that is on the agenda every morning. Not much cooking, modeling, relaxing, spitting, speeding.

478
00:22:41,400 --> 00:22:43,839
Speaker 1: Yeah, you know, I'm a bit of an artist myself.

479
00:22:43,880 --> 00:22:46,359
Speaker 3: I don't know if you saw my work here on

480
00:22:46,400 --> 00:22:48,720
the table, But can I can I draw you?

481
00:22:49,000 --> 00:22:50,200
Speaker 1: May I pay you?

482
00:22:50,319 --> 00:22:54,640
Speaker 4: From what I've seen of your work? It is abstract?

483
00:22:54,880 --> 00:22:56,839
Speaker 5: This correct? Abstract?

484
00:22:56,920 --> 00:22:57,079
Speaker 3: Yeah?

485
00:22:57,160 --> 00:22:58,920
Speaker 1: Yeah, yeah, so as.

486
00:22:58,799 --> 00:23:01,400
Speaker 4: Long as it is the als to look bad like that,

487
00:23:01,720 --> 00:23:05,160
then you can do me. But if you are trying

488
00:23:05,160 --> 00:23:08,119
to do naturalism, then.

489
00:23:08,039 --> 00:23:14,400
Speaker 1: No, okay, well unclear, Hey Chris, what I guess? I

490
00:23:14,400 --> 00:23:15,799
don't know. I was she offended me.

491
00:23:15,839 --> 00:23:17,519
Speaker 3: But I don't want to spit on the Mona Lisa's face,

492
00:23:17,559 --> 00:23:19,039
so I'm just gonna spit on you instead.

493
00:23:19,240 --> 00:23:20,799
Speaker 1: Okay, Yeah, so this works.

494
00:23:21,440 --> 00:23:24,000
Speaker 3: So it sounds like you're, you know, pretty busy, you know,

495
00:23:24,119 --> 00:23:26,960
doing the various things. Do you have any other like

496
00:23:27,000 --> 00:23:29,400
collaborations coming up that we should like keep our eyes

497
00:23:29,440 --> 00:23:29,759
open for.

498
00:23:30,000 --> 00:23:31,319
Speaker 2: Yeah, any new projects?

499
00:23:31,440 --> 00:23:32,480
Speaker 5: Yes, so I did.

500
00:23:32,680 --> 00:23:38,799
Speaker 4: I receive a few new tweets and they tell me

501
00:23:38,960 --> 00:23:42,119
that they want me to model for them from donatell

502
00:23:42,200 --> 00:23:44,440
Lomico Angelo and Raphael.

503
00:23:45,119 --> 00:23:48,119
Speaker 1: What that doesn't it the Naja turtles that the other ones.

504
00:23:48,200 --> 00:23:50,279
Speaker 5: I don't know what this means Ninja.

505
00:23:50,480 --> 00:23:53,599
Speaker 4: I assume that they are the same Donate Lomico, Angelo

506
00:23:53,640 --> 00:23:55,039
and Ral you.

507
00:23:55,000 --> 00:23:57,519
Speaker 3: Know, Ninja turtle or not. You should definitely bring pizza.

508
00:23:57,599 --> 00:23:59,000
I think that they would appreciate that.

509
00:23:59,160 --> 00:24:00,440
Speaker 5: Yes, I make my pizza.

510
00:24:00,640 --> 00:24:03,359
Speaker 2: Sounds like a fun group. Yeah, either way, a bunch

511
00:24:03,359 --> 00:24:06,920
of party dudes. Yes, they like to buy what is

512
00:24:07,000 --> 00:24:10,319
the craziest. I guess party you've been to, as you know,

513
00:24:11,240 --> 00:24:13,440
down in Hell with some of these artists or up

514
00:24:13,480 --> 00:24:14,319
on Earth. I don't know.

515
00:24:14,519 --> 00:24:18,839
Speaker 4: Well, Actually, something that I like to do is when

516
00:24:19,000 --> 00:24:22,640
the louver is closed that night, sometimes they have these

517
00:24:22,680 --> 00:24:27,960
private parties with very famous people, the actors and the

518
00:24:28,440 --> 00:24:31,720
madels and the singers. And this party is just so

519
00:24:31,960 --> 00:24:35,680
fun because I can meet other famous people who are

520
00:24:35,720 --> 00:24:36,440
on my level.

521
00:24:36,599 --> 00:24:40,240
Speaker 2: Yeah, is Ben Stiller or Rob Williams or Ricky Gervais

522
00:24:40,279 --> 00:24:40,680
ever there?

523
00:24:40,839 --> 00:24:43,039
Speaker 5: Yes, old have been there.

524
00:24:43,839 --> 00:24:47,279
Speaker 4: They're so fun to talk to. Ben Steeler. Oh, he's

525
00:24:47,359 --> 00:24:49,519
my favorite. I love all his movies.

526
00:24:49,880 --> 00:24:53,839
Speaker 1: Yeah, I don't know. Tous reference Chris. Okay, you thought

527
00:24:53,880 --> 00:24:55,799
that you slip that under the radar. I caught it.

528
00:24:55,920 --> 00:25:00,480
I caught it. I see you hold on, Chris. Yeah,

529
00:25:00,640 --> 00:25:03,799
this is what you get. It's actually not a bad movie. Wow.

530
00:25:03,960 --> 00:25:06,200
Speaker 3: Well, monal Lisa, it sounds like you have a super

531
00:25:06,240 --> 00:25:09,440
busy schedule, so thank you for stopping by for our listeners.

532
00:25:09,440 --> 00:25:12,359
You can find us at Morning from Hell or at

533
00:25:12,359 --> 00:25:13,839
hal Clayton sixty nine.

534
00:25:13,720 --> 00:25:16,680
Speaker 2: On Twitter, Instagram, TikTok.

535
00:25:16,440 --> 00:25:19,359
Speaker 3: Right, you know all all the social media's modal Lisa,

536
00:25:19,400 --> 00:25:21,160
speaking of working our listeners.

537
00:25:20,839 --> 00:25:22,519
Speaker 1: Find you at the louver.

538
00:25:22,920 --> 00:25:24,880
Speaker 3: Oh wow, that's a that's a really good Twitter handle.

539
00:25:25,119 --> 00:25:26,359
I didn't surprise you caught that.

540
00:25:26,799 --> 00:25:30,400
Speaker 5: No, No, just at oh.

541
00:25:29,960 --> 00:25:32,480
Speaker 1: Yeah, physically at the physically at the lover.

542
00:25:32,720 --> 00:25:39,119
Speaker 3: Yes, all right, Lisa Chris, you don't get kisses, all right,

543
00:25:39,319 --> 00:25:39,960
Hail Clayton.

544
00:25:47,480 --> 00:25:49,319
Speaker 1: Hey guys, thanks for listening to another episode of Good

545
00:25:49,359 --> 00:25:51,880
Morning from Hell. I'd like to thank our guest Maria

546
00:25:51,960 --> 00:25:55,720
Dakotis for being on. Maria, thank you for joining us.

547
00:25:55,920 --> 00:25:57,559
Speaker 5: Thank you for having me. I had so much fun.

548
00:25:57,720 --> 00:26:01,720
Speaker 2: Yeah, So for listeners, where can they find more of you?

549
00:26:01,799 --> 00:26:02,839
And what have you been up to?

550
00:26:03,440 --> 00:26:06,359
Speaker 4: So my social media and my Instagram and my Twitter

551
00:26:06,400 --> 00:26:09,200
are just at Maria dakotas my first and last name,

552
00:26:09,279 --> 00:26:13,480
so it's pretty easy. And yeah, right now, I'm still

553
00:26:13,640 --> 00:26:16,759
kind of, you know, isolated like everyone else. So I've

554
00:26:16,799 --> 00:26:20,359
just been working on some comedy videos that I put online.

555
00:26:20,480 --> 00:26:23,680
Speaker 2: So if you don't follow her on social media, you

556
00:26:23,720 --> 00:26:25,039
actually used should because she's some.

557
00:26:25,440 --> 00:26:26,880
Speaker 1: Of the best some of the best stuff.

558
00:26:26,920 --> 00:26:29,480
Speaker 3: It's also stuff that probably you've seen before, because I

559
00:26:29,519 --> 00:26:33,039
feel like you've gone viral several times maybe, yeah, but.

560
00:26:32,960 --> 00:26:34,720
Speaker 1: Not viral in the bad way. Viral and the like.

561
00:26:34,880 --> 00:26:41,279
People are seeing your content. I should clarify these trying times. Yes,