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<v Speaker 1>You're watching Chewing the Cud with Mike, Benny and Rowe

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<v Speaker 1>and Lee Robertson. It's just a stud that they've gone

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<v Speaker 1>and called a jamberger for some reason. Oh hello, you're

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<v Speaker 1>watching Chewing the Cud. You'r lighthearted weekly look at the

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<v Speaker 1>world through a pair of slightly rainbow eating tea glasses.

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<v Speaker 1>I'm Mike Benning Row and with me today is a

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<v Speaker 1>person who isn't the same without his wheat to Bix,

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<v Speaker 1>it's Lee Robertson. I don't have respects, which is why

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<v Speaker 1>he's not the same without it.

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<v Speaker 2>When I do have respects, I enjoy puying a little

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<v Speaker 2>bit of money on it and some almonds.

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<v Speaker 1>Oh I know, Bogie, I know how exciting. And we've

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<v Speaker 1>all we can all sleep so much better with that.

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<v Speaker 1>So part of your breakfast recommendations, what have you got

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<v Speaker 1>for us this week?

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<v Speaker 2>Well, I'm bringing a story about a photograph of a

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<v Speaker 2>celebrities bling pairing.

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<v Speaker 1>Okay.

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<v Speaker 2>I'm also bring you a celebrity endorsed yeast product, and

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<v Speaker 2>we're going to be going on a little treasure hunt.

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<v Speaker 1>Okayas and then Leil will be showing us something he

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<v Speaker 1>is calling the best ever in Crafty Queens Bonds are now.

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<v Speaker 1>You can see how contact details it's at the cud

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<v Speaker 1>TV on social media, and if you want to catch

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<v Speaker 1>up with previous episodes, you could always give us a

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<v Speaker 1>binge on YouTube up for Chewing the Cud.

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<v Speaker 2>And you can see the names of the people who

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<v Speaker 2>have commented on our social media scrolling along the bottom

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<v Speaker 2>of the screen. It's time to get over to Mike

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<v Speaker 2>and the Boss.

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<v Speaker 1>I've got yeasty vaginal discharge in my head as a phrase.

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<v Speaker 1>And I don't know why you love spiders, don't you. Yeah,

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<v Speaker 1>you have some in your house, don't you.

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<v Speaker 2>I'm I'm not entering into this discussion again that where

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<v Speaker 2>you get very aggressive about saying that you don't know

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<v Speaker 2>in your but I know I do.

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<v Speaker 1>But that's fine, temperate, Okay. Well, this is a story

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<v Speaker 1>about the Brazilian wandering spider.

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<v Speaker 2>The Brazilian wandering spider. For where does it wander around Brazil?

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<v Speaker 1>Bogner It looks to holiday.

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<v Speaker 2>Well, it might, it might have got a bit of

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<v Speaker 2>wander lost, and it might pack its little suitcase.

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<v Speaker 1>And it's a little suitcase. Eight suitcases. Eight suitcases need

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<v Speaker 1>one for each leg, Like, what do you need as

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<v Speaker 1>a spider depends where you're wondering anyway, Well, this is

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<v Speaker 1>an interesting thing that if you if it spites you,

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<v Speaker 1>it has a slight reaction within your body. Oh okay,

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<v Speaker 1>what do you think that reaction could be?

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<v Speaker 2>Does it give you a massive boner?

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<v Speaker 1>Does for four hours get a stugging direction for four hours? Natural?

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<v Speaker 1>Bigre Okay? So yeah, it discovered that the venom gave

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<v Speaker 1>mice an erection that lasted for hours. Tony mice bonus?

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<v Speaker 1>What do I do with it? Now?

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<v Speaker 2>It's been three hours and I want to eat some

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<v Speaker 2>cheese and I can't.

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<v Speaker 1>Cuss my nubs in the way. Wow. Yeah, they said

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<v Speaker 1>it was fascinating and terrifying at the same time.

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<v Speaker 2>What to watch the mice with? With little mice boners?

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<v Speaker 2>They are those scientists, aren't they? Well, what can we

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<v Speaker 2>do today? And we've got nothing to do? I know,

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<v Speaker 2>let's inject some spider venom into mice and see how

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<v Speaker 2>hard to get Ooh.

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<v Speaker 1>No, tweezers, you hate that.

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<v Speaker 2>I hate it.

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<v Speaker 1>I don't know why you hate that.

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<v Speaker 2>I just hate it.

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<v Speaker 1>I'm just dancing in dix in Man. So I thought

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<v Speaker 1>about remedies and natural remedies and stuff. Well, it's not

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<v Speaker 1>really natural, is it.

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<v Speaker 2>I mean a pin pee. It's not naturally having a

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<v Speaker 2>spider bite your cock, is it? Well, I don't have

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<v Speaker 2>to bite your cock anywhere. If I agree, don't rub

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<v Speaker 2>it on your date. You take it right?

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<v Speaker 1>I thought it was topical. It is topical because we're

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<v Speaker 1>talking about this topic. Okay, right, No, not thought. Then.

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<v Speaker 2>I don't understand all the purpose of it. I don't

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<v Speaker 2>understand the reasoning behind it.

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<v Speaker 1>The reasoning behind it, all the purpose are two.

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<v Speaker 2>Different things, all of it. I don't get it. Why

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<v Speaker 2>if are going to turn it into like a different

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<v Speaker 2>kind of vigor? That is right, But my hamsters do

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<v Speaker 2>they get a piece of the action.

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<v Speaker 1>They're too busy foring up people's but side.

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<v Speaker 2>Again, busy putting things in the cheeks.

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<v Speaker 1>Yeah, okay, we shall move on. I think because of

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<v Speaker 1>coming down a rabbit hole with a mouse cop about

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<v Speaker 1>guinea pigs. Oh happy bar Oh that's gone. So it's

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<v Speaker 1>next story is about a man who has basically been

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<v Speaker 1>hospitalized for inserting things with himself. What items do you

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<v Speaker 1>think he could have been inserting within himself?

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<v Speaker 2>Where is he inserting it?

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<v Speaker 1>Not in his mouth?

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<v Speaker 2>Well, there's like ears, there's like bumbhole talking below.

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<v Speaker 1>Nipple that we're talking ureth. Just you can go wherever

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<v Speaker 1>you wish. It's just usual in it.

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<v Speaker 2>It'll be a it will be a cucumber or a

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<v Speaker 2>marrow or something that.

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<v Speaker 1>Call you gappy for a sweet corn. I always find

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<v Speaker 1>that this is a dutch man, okay, so not an

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<v Speaker 1>American man or from England who took some GHB and GHB.

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<v Speaker 2>Is it's a it's a it's a drug. It is

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<v Speaker 2>a drug, well done recreational drone.

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<v Speaker 1>And inserted fifteen hard boiled eggs up his bottom because

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<v Speaker 1>everybody wants to get laid.

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<v Speaker 2>Ruptured his stomach.

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<v Speaker 1>Oh yeah, yeah. It caused massive damage, had to have

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<v Speaker 1>surgery and although he survived, it had serious complications.

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<v Speaker 2>Did they not just make like a little little nest

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<v Speaker 2>flaw pushed down in his stomach Sad, just sit there.

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<v Speaker 2>It will work its way out eventually.

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<v Speaker 1>But it wasn't. They weren't going to why because he

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<v Speaker 1>put them in thin end. First eggs are tapered, so

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<v Speaker 1>the fat end wasn't able to push its way out.

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<v Speaker 1>I was fifteen of the things. So they've gone quite away.

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<v Speaker 2>You speak what you have experienced.

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<v Speaker 1>I read a lot about this article. They said that

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<v Speaker 1>historic was severely expanded full of egg matter, and the

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<v Speaker 1>doctors hopeful it was serving as a warning for others

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<v Speaker 1>not to do that.

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<v Speaker 2>Was there was there a reason why the h B

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<v Speaker 2>made him go, do you know what? I'm going to

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<v Speaker 2>put twelve eggs at my bottom.

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<v Speaker 1>Off his tits, wondering what he could do with I

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<v Speaker 1>don't understand. Perhaps it's not for Perhaps it's not for

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<v Speaker 1>us to understand. I think it is for us to understand.

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<v Speaker 1>It's just not for us to did he did?

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<v Speaker 2>He did? He there want to be a chicken or

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<v Speaker 2>any of the bird or a bird, well, there could

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<v Speaker 2>be crocodile. Crocodiles like eggs, he.

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<v Speaker 1>Said, an egg laying bird. You could have just said bird.

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<v Speaker 1>Never And if you want to stick chickens, chickens. Wait

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<v Speaker 1>while with us we're at the ko TV on social media.

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<v Speaker 1>That brings us nice to our story of the week. Now,

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<v Speaker 1>do or have you ever suffered from diabetes? Just a read.

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<v Speaker 2>No, No, I have never suffered from diabetes. Have been

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<v Speaker 2>on the edge, You've been edging diabetes, but I have

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<v Speaker 2>always brought myself back from that edge, gooning the what

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<v Speaker 2>is it that's inchlining.

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<v Speaker 1>This is a story about a bio artist, David James Giblin, Okay,

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<v Speaker 1>who's made whiskey out of the pea of diabetics. I've

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<v Speaker 1>not been drinking, but I am now.

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<v Speaker 2>Is it is it?

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<v Speaker 1>Is it?

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<v Speaker 2>Very sugar poffyy it?

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<v Speaker 1>Sugar pull sugar puffs, sugar PuF sugars anymore called honey puffs?

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<v Speaker 1>Did you say gay notes gallery? Did? Okay? All right?

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<v Speaker 2>Okay? Nice?

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<v Speaker 1>So basically said, if we can purify water from sewage,

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<v Speaker 1>why not use wasting from other forms? Okay, just compressing

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<v Speaker 1>that idea. Okay, I can make alcohol out of pea.

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<v Speaker 1>Diabetic p has to be diabetic because of sugar content.

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<v Speaker 2>Okay, Wow, that's was he next door to the scientists

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<v Speaker 2>that were injecting with tradu sperm whatever.

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<v Speaker 1>It was.

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<v Speaker 2>Well, gang raping nice with spiders and then feeding them diabetics.

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<v Speaker 2>Pissed some weird wales with your mind. It's weird, though,

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<v Speaker 2>isn't it?

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<v Speaker 1>Why is it weird? Don't you know what?

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<v Speaker 2>Stop doing that? Find the cure for cancer?

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<v Speaker 1>Why would you need to cure cancer when you can

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<v Speaker 1>make your own peat into.

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<v Speaker 2>If you could kiok cancer by drinking piss? Oh this

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<v Speaker 2>is going very weird.

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<v Speaker 1>You'd be up that. That's where that was going, right

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<v Speaker 1>from the source. And that's all for the buzz this week.

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<v Speaker 1>Thanks for that, Mike.

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<v Speaker 2>That was disturbing.

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<v Speaker 1>Almost is disturbing because you're pissing your mouth. But stay

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<v Speaker 1>right there. It's coming back to this short break. We're

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<v Speaker 1>going to get up to state with the celebrity news.

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<v Speaker 1>If the show is literally what you said, welcome back

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<v Speaker 1>and you're watching you in the cud. This is the

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<v Speaker 1>part of the show where we look into the sparkly

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<v Speaker 1>side of the world with celebrity and media in the Showbizwidley,

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<v Speaker 1>have you ever been are you?

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<v Speaker 2>Were you ever a fan of Oasis? The band?

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<v Speaker 3>No?

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<v Speaker 1>No, they are not a very homosexual thing, are they Oasis?

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<v Speaker 1>So I know some of my friends used to have

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<v Speaker 1>a thing for Oasis because of the tracksuits and the.

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<v Speaker 2>Oh okay really oh yeah, no. Anyway, because they're coming back,

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<v Speaker 2>aren't they. They've been given a bajillion pounds to stand

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<v Speaker 2>either side of the stage and play a song and

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<v Speaker 2>rip each other threats up. Anyway, it's Sotherbes has announced

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<v Speaker 2>that a nineteen ninety six painting of the Brothers by

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<v Speaker 2>artists Elizabeth Payton is to be part of a contemporary

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<v Speaker 2>art auction and could possibly go for.

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<v Speaker 1>Two million pounds. But it's shit, it's hideous. I mean,

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<v Speaker 1>they're not pretty people, so I mean I didn't say

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<v Speaker 1>it was Well.

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<v Speaker 2>It was based on a photograph that the brothers they

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<v Speaker 2>took by a celebrity photographer back in nineteen ninety five.

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<v Speaker 2>That's what it's based on. No No, it was in

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<v Speaker 2>the same photo shoot that it was said that Noel

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<v Speaker 2>hit Liam over the head with a quicker beat. So

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<v Speaker 2>the the boys, brothers and the photography say he could

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<v Speaker 2>feel the quiet tension between them.

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<v Speaker 1>He should have just gone for a bank. Not not

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<v Speaker 1>each oldren No, but ever field tense.

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<v Speaker 2>Do you think they ever have?

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<v Speaker 1>I think that's why they hate oh like Jerry.

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<v Speaker 2>Yeah.

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<v Speaker 1>So she her kind of.

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<v Speaker 2>Ethos of kind of how she she makes paintings is

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<v Speaker 2>that she likes to feminize big male, macho pop stars,

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<v Speaker 2>which she did so she thinks it looks quite beautiful.

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<v Speaker 2>Not that one, but the one that she did, it's.

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<v Speaker 1>Going to be one of the main Well that's them

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<v Speaker 1>now not aged well, no, aged better, but lives the

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<v Speaker 1>worst life I know, do drugs kids? About three hundred

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<v Speaker 1>children each.

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<v Speaker 2>So it's going on for auction and it's gonna be

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<v Speaker 2>possibly sold for about two million, that's the estimate. One

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<v Speaker 2>of Liam sold for four point one million in November

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<v Speaker 2>last year.

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<v Speaker 1>Just get a post at the back of smatch its

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<v Speaker 1>color written.

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<v Speaker 2>Yeah yeah, so it's all ahead of it exists anymore,

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<v Speaker 2>it does online, Okay, so the back this summer, everyone's

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<v Speaker 2>excited gay Apparently this is predicted to be the most

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<v Speaker 2>popular profitable in British music history, with fans expected to

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<v Speaker 2>spend more than one billion on tickets, accommodation of food,

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<v Speaker 2>drinking outfits and the meynamic.

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<v Speaker 1>Pricing that they set up.

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<v Speaker 2>I don't get it. And then I suppose straight people go,

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<v Speaker 2>I don't get you going to Kylie and get so excited.

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<v Speaker 1>Going to Kylie and being very excited. Yet well they

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<v Speaker 1>just kind of look at and go, we haven't been

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<v Speaker 1>to a Cali concept, not very excited, never always so excited,

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<v Speaker 1>just remembering that picture that we have. I don't bring

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<v Speaker 1>that up, thank.

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<v Speaker 2>You anyway, let's go. Celebrities they like to endorse things,

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<v Speaker 2>don't they. They do because they're getting made get huge

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<v Speaker 2>amount of money. So we've had Kylie wines. But do

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<v Speaker 2>you know I like that.

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<v Speaker 1>I like the whole free.

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<v Speaker 2>Alcohol free persca.

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<v Speaker 1>I do you enjoy that? No, it's all We've had

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<v Speaker 1>all the loads of other things over the years. But

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<v Speaker 1>Graham Norton did win did you do wine? Gary Bars

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<v Speaker 1>boring wine?

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<v Speaker 2>Because oh, it's got a bouquet of fresh water, it's

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<v Speaker 2>got a bouquet of anger and after.

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<v Speaker 1>After taste of smug os.

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<v Speaker 2>Sharon Osbourne's zmpic you can get that in America has

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<v Speaker 2>a face Tinese tinny skull face on it. She's she's

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<v Speaker 2>flogging that. Anyway. This is a very bizarre celebrity collaboration.

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<v Speaker 2>It is.

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<v Speaker 1>It is apparently it's a long standing collaborate.

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<v Speaker 2>What are you laughing at?

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<v Speaker 1>Keep talking?

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<v Speaker 2>Okay, it's a long standing collaboration between Marmite and Elton John.

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<v Speaker 2>Not necessarily particalarly Elton John himself, the Elton John Aides Foundation, Right, Okay,

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<v Speaker 2>I like getting off. So yeah, they have. Over the

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<v Speaker 2>year they have been releasing a limited edition bottles of

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<v Speaker 2>jars of Marmite to kind of coincide with his fiftieth

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<v Speaker 2>anniversary of the Goodbye Yellow Brick Road album and the

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<v Speaker 2>Dodgers stage in that kind of very famous one. So

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<v Speaker 2>the last one to be released, so there has been wanted,

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<v Speaker 2>there's been four is inspired by I'm still Standing, okay,

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<v Speaker 2>and I mean it's not completely you know, it's not

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<v Speaker 2>money massively money ground for him because all profits go

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<v Speaker 2>to the Elton John Aids Foundation. And there's also going

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<v Speaker 2>to be with Marmite. They've created this installation that's going

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<v Speaker 2>to be part of London Pride, which is stories of

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<v Speaker 2>Resilience are larger than life illustrated cube that we have

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<v Speaker 2>there that has stories of people from around the world

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<v Speaker 2>who have received support from the Elton John Aids Foundation.

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<v Speaker 1>M so not eating mate. I don't think I mean,

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<v Speaker 1>I don't think that's a real photograph. I think that's

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<v Speaker 1>a real photograph. I don't think he's going to consume

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<v Speaker 1>the mar mate. I don't think it's a I generated Well,

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<v Speaker 1>I'm still so.

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<v Speaker 2>I'm still standing. Chart is available to purchase from Tesco,

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<v Speaker 2>Morrison's Waitress and co Op for three pounds.

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<v Speaker 1>I could not find one. I could not find one.

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<v Speaker 1>But I have you do you like Marmin? To you?

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<v Speaker 1>What is it? What is it? Do you actually want

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<v Speaker 1>to know?

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<v Speaker 2>I've got a little job.

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<v Speaker 1>They get yeast. They get so they get yeast boost.

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<v Speaker 1>It's an organism. It's a simple organism. What they do

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<v Speaker 1>is they get used and they make it all live

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<v Speaker 1>and active. It's all very excited. And they doubt it

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<v Speaker 1>with salt because it's a simple organism. It's a cell

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<v Speaker 1>and so it bursts right. They then put it over

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<v Speaker 1>a low heat and boil off all the liquid and

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<v Speaker 1>slightly burn it, which makes it dark and brown. And

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<v Speaker 1>this scrape that go and put it in the jar.

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<v Speaker 1>It's delicious. It's got beef in it. That's bother l

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<v Speaker 1>it's got beef in it.

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<v Speaker 2>Well, I've got a jar here. I've never tried it ever,

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<v Speaker 2>toast that bread stroke, that butter spread.

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<v Speaker 1>The marmite, mart and cheese is the one. Try me.

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<v Speaker 1>You might love me. You're going to try it. I'm

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<v Speaker 1>going to smell it, right, smell it and then if

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<v Speaker 1>you like you won't like to smell it. But does

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<v Speaker 1>it smell like as well as like marte? That's that's

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<v Speaker 1>a that's a that's a meat. It's a smell. Don't

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<v Speaker 1>don't just eat it like that? Why you will not

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<v Speaker 1>enjoy it?

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<v Speaker 2>We need to get you some cheese and do we

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<v Speaker 2>have some cheese ling around, we do. Just put the

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00:18:44.799 --> 00:18:46.440
<v Speaker 2>lid back on then and we shall try that later.

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<v Speaker 1>Jo, we all get some cheese.

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<v Speaker 2>Got some cheese.

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<v Speaker 1>We have cheese.

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<v Speaker 2>We've got a baby bellow.

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<v Speaker 1>Okay, we got cheese. It's with the mature cheese to

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<v Speaker 1>be fair, is it?

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<v Speaker 3>Yeah?

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<v Speaker 1>But beggars and choosers?

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<v Speaker 2>Then do you what do you do? Do you smear

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<v Speaker 2>it on?

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<v Speaker 1>So you can smear I'm going to say, just just

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<v Speaker 1>do a deepy dip like that, right and then smir on.

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<v Speaker 1>You don't need a lot of more mate, sort of viscus,

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<v Speaker 1>isn't it. That's a lot of mote?

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<v Speaker 2>Is that a lot of marm.

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00:19:24.039 --> 00:19:25.759
<v Speaker 1>Oh, it's falling in it in your face.

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<v Speaker 2>Cheese has fallen into marmite.

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<v Speaker 1>Just stick at your face, delicious.

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<v Speaker 2>It's given me beefy hula hoops.

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<v Speaker 1>That works. I get that, Wow, because beef hullo hoops

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<v Speaker 1>of vegetarian.

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<v Speaker 2>What a time we're living in? Ah? Exactly, You've got

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<v Speaker 2>You've got Elton John's the Age of seventy two.

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<v Speaker 1>Lee's finally tried my mite, Elton John's marmite. What's next?

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<v Speaker 2>What's next?

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<v Speaker 1>The rupeaul salad cream so you know, I started laughing

331
00:19:58.119 --> 00:20:02.839
<v Speaker 1>randomly before because I thought about Lulu's Lube.

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<v Speaker 2>Lulu's Lube. The Ian McKell and Chutney rest stopped you

333
00:20:06.240 --> 00:20:11.960
<v Speaker 2>making what it stopped you wanted to shout. Okay, let's

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00:20:12.039 --> 00:20:15.160
<v Speaker 2>move on then something a little more modern. Okay. Yeah.

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<v Speaker 2>Joe Locke, the actor Super Twink, Joe Super, he's been

336
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<v Speaker 2>talking about how he's been warning people that his twink

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00:20:23.000 --> 00:20:23.960
<v Speaker 2>death is imminent.

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<v Speaker 1>Well, we knew that.

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00:20:25.960 --> 00:20:29.240
<v Speaker 2>Apparently this is a thing, the twink death, where.

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00:20:30.599 --> 00:20:33.759
<v Speaker 1>The twink matures to stop being a twink.

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00:20:33.880 --> 00:20:37.920
<v Speaker 2>To become a to become a mature gentleman. So he's

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00:20:38.000 --> 00:20:40.039
<v Speaker 2>kind of been saying that. To be fair, I have

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<v Speaker 2>been playing a lot of skinny gay twinks. But in

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<v Speaker 2>the future I'm hoping that I won't get typecast and

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<v Speaker 2>I'll be able to mature into.

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<v Speaker 1>Other roles. Anyway, that's the end of this week Shobby's News.

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<v Speaker 1>Thank you very much. Such a show that Joe Locks

348
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<v Speaker 1>never heard of the words chocolatey Claire.

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00:20:59.640 --> 00:21:00.839
<v Speaker 2>Is that a sexual reference?

350
00:21:01.240 --> 00:21:02.880
<v Speaker 1>It's put we here in a cream cake.

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<v Speaker 2>Oh you see, you gay people.

352
00:21:05.559 --> 00:21:09.920
<v Speaker 1>You have a word for every gay people in the outfit.

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<v Speaker 3>You gay people.

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00:21:13.440 --> 00:21:15.720
<v Speaker 2>You're welcome, but you need to get out of the

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<v Speaker 2>studios after this short break. We're going over on a

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00:21:18.240 --> 00:21:31.640
<v Speaker 2>treasure trail. Ye, welcome back to chewing the cord. Now

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00:21:31.759 --> 00:21:33.599
<v Speaker 2>I get some peace and quiet as Mike has been

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<v Speaker 2>sent out of the studio on a treasure trail. So

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00:21:44.279 --> 00:21:48.319
<v Speaker 2>we have our first clue. Oh, Liza, get off the screen.

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<v Speaker 1>Are you there, Mike? Can you hear Can you hear me? Yes?

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<v Speaker 1>You can hear me? Can you can you hear me? Yes? Hello,

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00:21:58.839 --> 00:22:05.119
<v Speaker 1>Dean of your pressed, Just press the fing Hello, gallery,

363
00:22:05.160 --> 00:22:08.200
<v Speaker 1>can you hear me? Hello? Studio? Can go hello, Hello, Hello,

364
00:22:08.720 --> 00:22:11.519
<v Speaker 1>I am here. I have come millions of miles.

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<v Speaker 2>You know.

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00:22:11.960 --> 00:22:16.279
<v Speaker 1>I've gone to Turkey, I've done London, I've done ludda

367
00:22:16.319 --> 00:22:20.079
<v Speaker 1>pest And where do I go today? Lovely unexpected right,

368
00:22:20.680 --> 00:22:22.200
<v Speaker 1>and I've been to all those places all over the world,

369
00:22:22.440 --> 00:22:24.359
<v Speaker 1>but just me on my own. But they I had

370
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<v Speaker 1>to bring this shower and this get up for some reason.

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<v Speaker 1>Can I get the first clue?

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<v Speaker 2>Please? Bright and rocks, but just up the lane look

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<v Speaker 2>for stripes and candy canes.

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<v Speaker 1>Okay, Ducks, that is doable, But let me just get ready.

375
00:22:39.319 --> 00:22:40.920
<v Speaker 1>Says that I can't quite see so I need to

376
00:22:41.000 --> 00:22:52.279
<v Speaker 1>change glasses because I'm eyesight in haired. Oh okay, right,

377
00:22:53.559 --> 00:22:55.839
<v Speaker 1>I can see now, my god, you need work, do indeed,

378
00:22:56.079 --> 00:22:59.319
<v Speaker 1>and just in case, always be prepared. Move. So we're

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00:22:59.359 --> 00:23:03.559
<v Speaker 1>going this way then? Yeah, this way? This way? Oh

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00:23:03.599 --> 00:23:04.480
<v Speaker 1>it's a fluffy buggy.

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00:23:06.079 --> 00:23:08.160
<v Speaker 2>Well, Liza, do you have any ideas? I know you

382
00:23:08.319 --> 00:23:12.799
<v Speaker 2>often in brighton. Oh no, oh no, I don't either.

383
00:23:13.039 --> 00:23:15.119
<v Speaker 1>What a mystery. But that's part of the fun I

384
00:23:15.160 --> 00:23:18.079
<v Speaker 1>think is, isn't it, Liza?

385
00:23:18.400 --> 00:23:18.960
<v Speaker 3>Yes, it is?

386
00:23:19.319 --> 00:23:22.039
<v Speaker 1>Yes, why you're doing a voice of hanky the Christmas poo.

387
00:23:22.720 --> 00:23:29.359
<v Speaker 1>But I'm liking it. I can't see it anyway, really,

388
00:23:29.400 --> 00:23:32.400
<v Speaker 1>I don't. Don't wait. You sent me for this thing

389
00:23:32.480 --> 00:23:35.119
<v Speaker 1>and I can't find it. I'm looking for the ladies.

390
00:23:35.599 --> 00:23:37.079
<v Speaker 2>There he goes behind you with big beast.

391
00:23:39.880 --> 00:23:45.519
<v Speaker 1>What it's behind you? We'll get me about the loop.

392
00:23:46.960 --> 00:23:48.319
<v Speaker 1>So can I get the next clue? Then? Please?

393
00:23:49.160 --> 00:23:53.440
<v Speaker 2>Well, the next clue is wear color arcs above a

394
00:23:53.559 --> 00:23:56.519
<v Speaker 2>brew queer culture served up fresh and new.

395
00:23:57.799 --> 00:24:02.960
<v Speaker 1>Okay, that's that way. Nope, nope, nope, nope, nope, nope. No.

396
00:24:04.599 --> 00:24:09.480
<v Speaker 1>I was right the first time. It is actually that way. Wow,

397
00:24:10.039 --> 00:24:12.200
<v Speaker 1>that's a treat for the people of brighton, isn't it?

398
00:24:12.359 --> 00:24:19.920
<v Speaker 1>Liza's de old cars? What's that.

399
00:24:21.839 --> 00:24:22.160
<v Speaker 2>Pretty?

400
00:24:23.119 --> 00:24:25.680
<v Speaker 1>That was your first car? That was your first one

401
00:24:27.039 --> 00:24:28.039
<v Speaker 1>for the beast one coming up here?

402
00:24:28.079 --> 00:24:34.440
<v Speaker 2>Do I know what this is going to be? And

403
00:24:34.599 --> 00:24:35.599
<v Speaker 2>that I knew that.

404
00:24:37.319 --> 00:24:40.119
<v Speaker 1>Out for the Jaguar. What do you think he's off

405
00:24:40.160 --> 00:24:40.559
<v Speaker 1>to now?

406
00:24:42.119 --> 00:24:45.559
<v Speaker 2>Oh? I don't think he's going there, Lisa.

407
00:24:45.680 --> 00:24:48.599
<v Speaker 1>We'll have to, we'll have to. I know he has lube,

408
00:24:48.759 --> 00:24:56.519
<v Speaker 1>but let's just see. Oh here, okay, Oh to let

409
00:24:56.640 --> 00:25:02.400
<v Speaker 1>its closed? Oh no, he said somewhere that's closed. What

410
00:25:02.519 --> 00:25:02.720
<v Speaker 1>does it?

411
00:25:06.559 --> 00:25:06.680
<v Speaker 3>Is that?

412
00:25:06.759 --> 00:25:08.279
<v Speaker 1>Why you're supposed to? It's up the hill as well,

413
00:25:08.319 --> 00:25:15.920
<v Speaker 1>which isn't helpful? Okay, okay, can I get the next clue? Please?

414
00:25:16.119 --> 00:25:16.359
<v Speaker 3>You can?

415
00:25:16.480 --> 00:25:21.279
<v Speaker 2>Indeed, Princess Laia take a turn up to a space

416
00:25:21.440 --> 00:25:24.480
<v Speaker 2>a pride where stories live and flags fly wide.

417
00:25:25.480 --> 00:25:30.720
<v Speaker 1>I don't like avening in both ears? Did you get it?

418
00:25:32.799 --> 00:25:33.119
<v Speaker 2>Okay?

419
00:25:33.359 --> 00:25:36.640
<v Speaker 1>I know where that is. It's this way, No, that way.

420
00:25:37.680 --> 00:25:41.279
<v Speaker 1>That's not going to get old, is it? Oh?

421
00:25:41.400 --> 00:25:42.279
<v Speaker 2>Where do you think, Liza?

422
00:25:43.039 --> 00:25:43.759
<v Speaker 3>I don't give a ship.

423
00:25:43.880 --> 00:25:49.000
<v Speaker 1>Oh that's rude. What No, I'm having a rest.

424
00:25:49.640 --> 00:25:50.920
<v Speaker 2>Look at you're on the look at you're on the

425
00:25:51.039 --> 00:25:53.480
<v Speaker 2>on the shelves and the shingle.

426
00:25:56.480 --> 00:26:00.200
<v Speaker 1>Is he going to a homosexual emporium to I have

427
00:26:00.319 --> 00:26:06.880
<v Speaker 1>a have a beverage? I don't know. M hm mm hmm.

428
00:26:07.400 --> 00:26:12.920
<v Speaker 2>Well, oh I think.

429
00:26:14.880 --> 00:26:21.920
<v Speaker 1>I've come. What do you want? Oh it's been renovated. Okay,

430
00:26:22.079 --> 00:26:23.119
<v Speaker 1>I better get the next clue.

431
00:26:23.160 --> 00:26:27.599
<v Speaker 2>Then the Jetwood Center to see the whole of Brighton Town.

432
00:26:27.799 --> 00:26:29.359
<v Speaker 2>Rise up gently and look down.

433
00:26:30.400 --> 00:26:38.000
<v Speaker 1>Okay, okay, the hotel that's this way though, Oh, the

434
00:26:38.119 --> 00:26:42.079
<v Speaker 1>Leadward Center. Let's he going, Lisa, you don't know, you

435
00:26:42.119 --> 00:26:52.880
<v Speaker 1>don't care? Oh that looks pretty Give that a sniff green, Okay,

436
00:26:54.119 --> 00:26:56.839
<v Speaker 1>that's okay. So here we are. You asked me to

437
00:26:56.880 --> 00:26:59.160
<v Speaker 1>find the massive erection, and I found one. It's not

438
00:26:59.279 --> 00:27:01.960
<v Speaker 1>what you were hoping for, the ice three sixty thing.

439
00:27:03.039 --> 00:27:05.599
<v Speaker 1>Can I get the next of the clues at please?

440
00:27:06.000 --> 00:27:08.079
<v Speaker 1>The I three sixty thing. I'm intrigued by that.

441
00:27:08.960 --> 00:27:12.200
<v Speaker 2>Anyway, Your next clue is back to Earth. Now follow

442
00:27:12.240 --> 00:27:15.160
<v Speaker 2>the shell a royal dome, hide stories to tell.

443
00:27:15.960 --> 00:27:19.599
<v Speaker 1>Okay, I can deal with that, any idea? Why anyways?

444
00:27:19.640 --> 00:27:24.880
<v Speaker 1>Try we're going. Oh that's across the road to act.

445
00:27:27.000 --> 00:27:31.200
<v Speaker 2>Oh, Liza, you're getting ahead? Rush are you? You're okay?

446
00:27:31.359 --> 00:27:31.480
<v Speaker 1>Right?

447
00:27:32.319 --> 00:27:33.039
<v Speaker 2>Keeps you alive?

448
00:27:33.240 --> 00:27:37.119
<v Speaker 1>I know, dean a man fiddling with himself?

449
00:27:39.839 --> 00:27:43.519
<v Speaker 2>Are you going to do a little jig? Always gotten

450
00:27:43.519 --> 00:27:46.240
<v Speaker 2>a tough one? I see.

451
00:27:49.039 --> 00:27:53.079
<v Speaker 1>Don't in loss in a park.

452
00:27:54.319 --> 00:27:56.359
<v Speaker 2>And that woman staring into the ends of the camera

453
00:27:56.960 --> 00:27:59.200
<v Speaker 2>very fetch's like she's got something to.

454
00:27:59.240 --> 00:28:06.079
<v Speaker 1>Say, picturing pigeon. Pigeon. Okay, okay, where are we now?

455
00:28:06.720 --> 00:28:12.319
<v Speaker 1>We're looking for the museum thing is there? Right? Museum

456
00:28:12.319 --> 00:28:18.759
<v Speaker 1>and art gallery? Cool? So while I'm going to take

457
00:28:18.799 --> 00:28:21.960
<v Speaker 1>in some art by taking his mart I mean, use

458
00:28:22.000 --> 00:28:23.920
<v Speaker 1>the toilets and can I get the next clue please?

459
00:28:24.759 --> 00:28:28.519
<v Speaker 2>So your next clue is steps away stage once fit

460
00:28:28.640 --> 00:28:32.200
<v Speaker 2>for a King. Now stars pride turned to sing.

461
00:28:32.599 --> 00:28:36.480
<v Speaker 1>Okay, that's doable. As I said, p first, okay.

462
00:28:36.400 --> 00:28:41.960
<v Speaker 2>It's gone to as on the wall. That's a lovely image.

463
00:28:42.000 --> 00:28:45.200
<v Speaker 1>So behind me we have one of the Brighton's famous

464
00:28:45.559 --> 00:28:50.680
<v Speaker 1>incidents where one of our great national treasures was nearly killed,

465
00:28:51.039 --> 00:28:55.279
<v Speaker 1>Richard Whiteley? What are you? What are you doing?

466
00:28:55.920 --> 00:28:59.039
<v Speaker 2>Can a bit of fresh air more than that? Where

467
00:28:59.279 --> 00:29:04.480
<v Speaker 2>could he be with the massive sign on the side

468
00:29:04.599 --> 00:29:05.279
<v Speaker 2>of the building.

469
00:29:07.559 --> 00:29:10.319
<v Speaker 1>Excuse me two things, This is not the answer to

470
00:29:10.400 --> 00:29:12.640
<v Speaker 1>the clue. And you two move, Come on, hit away,

471
00:29:12.759 --> 00:29:13.319
<v Speaker 1>I have to move.

472
00:29:13.359 --> 00:29:13.839
<v Speaker 2>You have to move.

473
00:29:13.960 --> 00:29:17.440
<v Speaker 1>That's how it works. And here we are with the

474
00:29:17.480 --> 00:29:23.319
<v Speaker 1>answer to the next clue, wright and down. So you

475
00:29:23.400 --> 00:29:25.440
<v Speaker 1>found a good place to sit. Can you get the

476
00:29:25.519 --> 00:29:26.759
<v Speaker 1>next one? Though? Are you gonna?

477
00:29:26.880 --> 00:29:28.880
<v Speaker 2>Are you going to this dismantle a couple of bombs

478
00:29:28.960 --> 00:29:31.559
<v Speaker 2>later as well? Is that why you've got your your

479
00:29:31.720 --> 00:29:37.359
<v Speaker 2>full thing on? Anyway? Next clue? The garden grows with

480
00:29:37.480 --> 00:29:41.319
<v Speaker 2>onion domes a prince one stands through royal rooms.

481
00:29:41.559 --> 00:29:45.720
<v Speaker 1>That doesn't rhine that I can do very squeaky legs,

482
00:29:45.759 --> 00:29:48.000
<v Speaker 1>but I can do the answer to that clue. And

483
00:29:48.119 --> 00:29:51.279
<v Speaker 1>it's this way this way.

484
00:29:56.000 --> 00:29:59.960
<v Speaker 2>He's off, be scared. What's the matter of life?

485
00:30:00.880 --> 00:30:01.640
<v Speaker 1>Like piek a boo?

486
00:30:01.920 --> 00:30:04.319
<v Speaker 2>And we're doing thisiser? Come on, take it seriously? Where

487
00:30:04.319 --> 00:30:04.960
<v Speaker 2>do you think he's going?

488
00:30:06.920 --> 00:30:07.720
<v Speaker 1>The pavilion?

489
00:30:08.599 --> 00:30:13.160
<v Speaker 2>Oh do you enjoy a pavilion?

490
00:30:13.319 --> 00:30:16.160
<v Speaker 1>A lot of nipples on it. I'm not sure why

491
00:30:16.599 --> 00:30:18.640
<v Speaker 1>I'm talking of nipples? Can I get the next cookies?

492
00:30:20.519 --> 00:30:24.559
<v Speaker 2>Okay? Upon the sea? Yet still on land? While peering

493
00:30:24.640 --> 00:30:29.480
<v Speaker 2>out that feeling grand's that way? Where do you think

494
00:30:29.480 --> 00:30:30.240
<v Speaker 2>he's gone? Lies?

495
00:30:30.279 --> 00:30:30.559
<v Speaker 1>There? Is it?

496
00:30:30.640 --> 00:30:32.799
<v Speaker 2>Time for a bit of refreshment? There, You've got a

497
00:30:32.839 --> 00:30:36.640
<v Speaker 2>bit of gen in your sippy cup. Oh, I haven't

498
00:30:36.640 --> 00:30:48.440
<v Speaker 2>a clue either. Alright, very much my kind of shot

499
00:30:48.519 --> 00:30:51.680
<v Speaker 2>that I feel's.

500
00:30:50.400 --> 00:30:58.640
<v Speaker 1>Let's saying, hae pier, I've found Pierre. It's burned. What

501
00:30:58.880 --> 00:31:01.240
<v Speaker 1>you mean it's the other pier. I started off at

502
00:31:01.279 --> 00:31:03.440
<v Speaker 1>the other pier. Why would you send me to the

503
00:31:03.480 --> 00:31:08.559
<v Speaker 1>same place twice? I hate you all? I hate you all?

504
00:31:09.200 --> 00:31:10.319
<v Speaker 2>Is it only clearer lies?

505
00:31:11.279 --> 00:31:11.640
<v Speaker 1>Do we know?

506
00:31:12.000 --> 00:31:16.319
<v Speaker 2>LIFs of cabaret, isn't it? I don't know if he's

507
00:31:16.319 --> 00:31:19.880
<v Speaker 2>brought back any any sweets in those earmuffs.

508
00:31:20.359 --> 00:31:22.440
<v Speaker 1>If to ask him when he gets back, I'm here.

509
00:31:22.720 --> 00:31:23.599
<v Speaker 2>Oh he's back.

510
00:31:23.720 --> 00:31:28.200
<v Speaker 1>Send me all over the all over the place of Brighton.

511
00:31:28.359 --> 00:31:32.279
<v Speaker 2>Online, just I have. She didn't deserve to go that way.

512
00:31:33.119 --> 00:31:36.799
<v Speaker 1>I'm enjoying myself though. So Yeah, I had lots of

513
00:31:36.839 --> 00:31:40.160
<v Speaker 1>fun in Brighton, lots of wondering around. Yeah yeah, I

514
00:31:40.359 --> 00:31:42.160
<v Speaker 1>was not in a flat jacket. I was not doing

515
00:31:42.240 --> 00:31:45.400
<v Speaker 1>bomb disposal. The gallery thought it would look good to

516
00:31:45.559 --> 00:31:48.799
<v Speaker 1>strap ten tons of lead to me and my backpack?

517
00:31:49.440 --> 00:31:52.559
<v Speaker 1>Is it full of snacks? Lots of snacks, some booze,

518
00:31:52.799 --> 00:31:57.920
<v Speaker 1>some little clips. I well, no grog? Oh, because the

519
00:31:57.960 --> 00:32:01.039
<v Speaker 1>gallery decided to buy lots of grosser lager. Okay, treated

520
00:32:01.079 --> 00:32:04.279
<v Speaker 1>me to booze. Do they they put my hand in pocket?

521
00:32:04.559 --> 00:32:06.279
<v Speaker 3>They did?

522
00:32:06.359 --> 00:32:08.799
<v Speaker 2>You did you suddenly feel very very tired and kind

523
00:32:08.880 --> 00:32:11.599
<v Speaker 2>of black out and then wake up and feel strangely.

524
00:32:11.359 --> 00:32:17.359
<v Speaker 1>Sore, wet all over. Oh but stick around because after

525
00:32:17.440 --> 00:32:19.680
<v Speaker 1>this short break, Lee is going to be a crafty

526
00:32:19.799 --> 00:32:31.319
<v Speaker 1>queen welcome back. And you are still watching Mike and

527
00:32:31.400 --> 00:32:34.000
<v Speaker 1>Lee and chewing the cud. Now, remember, if it ain't broke,

528
00:32:34.039 --> 00:32:36.759
<v Speaker 1>you probably aren't watching this. It's Crafty Queen's.

529
00:32:45.519 --> 00:32:48.920
<v Speaker 2>Like that irritating fungal infection that you can never get

530
00:32:49.000 --> 00:32:53.720
<v Speaker 2>rid of. Crafty Queen's is back once again. We're going

531
00:32:54.279 --> 00:32:54.920
<v Speaker 2>you know about that.

532
00:32:55.039 --> 00:32:57.200
<v Speaker 1>It's kind of do you know what.

533
00:32:57.240 --> 00:32:59.880
<v Speaker 2>We're going to revisit something, Mike, you promised me some

534
00:33:00.039 --> 00:33:02.759
<v Speaker 2>thing new and unique. I'm going to revisit something that

535
00:33:02.880 --> 00:33:04.160
<v Speaker 2>I think was your favorite ever.

536
00:33:05.400 --> 00:33:07.559
<v Speaker 1>We're making a bowl out of a bowl.

537
00:33:08.079 --> 00:33:12.039
<v Speaker 2>I'm not going to say we have it's. It's it's,

538
00:33:12.640 --> 00:33:15.839
<v Speaker 2>it's it's advanced itself. It is, it is, it is,

539
00:33:16.240 --> 00:33:17.799
<v Speaker 2>it is evolved.

540
00:33:17.880 --> 00:33:18.559
<v Speaker 1>Let's on with it.

541
00:33:19.079 --> 00:33:21.359
<v Speaker 2>So let's just got on with it. So yeah, I

542
00:33:21.440 --> 00:33:22.759
<v Speaker 2>want you to take it as a little you've got

543
00:33:22.799 --> 00:33:26.759
<v Speaker 2>a little red strip of card. I want you to

544
00:33:26.799 --> 00:33:28.319
<v Speaker 2>turn that into a little because it's going to be

545
00:33:28.359 --> 00:33:31.240
<v Speaker 2>the base for the what we're gonna pull on it.

546
00:33:31.359 --> 00:33:33.440
<v Speaker 2>So just a a little bit of cool, a little

547
00:33:33.440 --> 00:33:35.039
<v Speaker 2>bit blue on it, and you're just going to make

548
00:33:35.079 --> 00:33:36.160
<v Speaker 2>a circle.

549
00:33:36.559 --> 00:33:42.079
<v Speaker 1>Okay, loop almost by the circle, just to go on

550
00:33:42.200 --> 00:33:42.599
<v Speaker 1>the table.

551
00:33:43.920 --> 00:33:47.079
<v Speaker 2>It's not an intagal part of the end product, is

552
00:33:47.119 --> 00:33:51.880
<v Speaker 2>it not. No, we just needed to as a as

553
00:33:51.920 --> 00:33:52.359
<v Speaker 2>a bass.

554
00:33:53.200 --> 00:33:57.759
<v Speaker 1>Okay, you made base. I have made base. Okay, I

555
00:33:57.880 --> 00:34:00.279
<v Speaker 1>provided you with with too blue us.

556
00:34:00.599 --> 00:34:03.359
<v Speaker 2>You only need one. The other one is very emergency.

557
00:34:05.279 --> 00:34:10.280
<v Speaker 1>You never know when you don't you just blow it up.

558
00:34:10.320 --> 00:34:16.199
<v Speaker 2>Not massive, but you know, kind of more mini watermelon

559
00:34:16.320 --> 00:34:18.039
<v Speaker 2>sized as opposed.

560
00:34:17.639 --> 00:34:19.320
<v Speaker 1>To like a honeyed you melon.

561
00:34:19.360 --> 00:34:31.159
<v Speaker 2>Then yeah, okay, if you'd a face on it, it

562
00:34:31.320 --> 00:34:35.199
<v Speaker 2>could be us. Just have them and hello, I'll come.

563
00:34:35.119 --> 00:34:40.519
<v Speaker 1>To chippering the cold blah blah blah. Okay.

564
00:34:40.719 --> 00:34:44.440
<v Speaker 2>Now what you're also you're going to do first is

565
00:34:44.880 --> 00:34:48.519
<v Speaker 2>you need we need to put your your balloon on

566
00:34:48.679 --> 00:34:52.840
<v Speaker 2>your red circle. Okay, yeah, but then I've also given

567
00:34:52.840 --> 00:34:58.239
<v Speaker 2>you some tissue paper. You need to drape that tissue

568
00:34:58.320 --> 00:35:04.039
<v Speaker 2>paper over the top. If you're flu it's got a number.

569
00:35:04.599 --> 00:35:11.199
<v Speaker 1>It has quite exciting right, I have a great dish

570
00:35:11.280 --> 00:35:17.800
<v Speaker 1>of paper. Okay, right, I have supplied you with Oh sorry,

571
00:35:17.840 --> 00:35:22.599
<v Speaker 1>it's bad. With an itch nose, I'm gonna sneeze, okay,

572
00:35:24.119 --> 00:35:30.480
<v Speaker 1>paper paper. I heard that if you have three three

573
00:35:30.519 --> 00:35:32.360
<v Speaker 1>sneeze in the ros orgasm.

574
00:35:33.320 --> 00:35:33.880
<v Speaker 2>Oh does it?

575
00:35:34.840 --> 00:35:36.039
<v Speaker 1>That's rusty, isn't it?

576
00:35:36.960 --> 00:35:41.360
<v Speaker 2>Stuff comes out of my nose. So I have provided

577
00:35:41.400 --> 00:35:46.320
<v Speaker 2>you with a variety of circles made out of felt

578
00:35:47.079 --> 00:35:50.360
<v Speaker 2>and circles made out of paper. What we're going to

579
00:35:50.440 --> 00:35:52.119
<v Speaker 2>do is we're just going to take any of those

580
00:35:52.199 --> 00:35:56.639
<v Speaker 2>you like, whatever size you like, and with your glue

581
00:35:56.719 --> 00:35:59.480
<v Speaker 2>gun a bit of glue, a better glue in a circle,

582
00:35:59.559 --> 00:36:03.239
<v Speaker 2>but hello, I know like that, and stick it on

583
00:36:03.400 --> 00:36:04.880
<v Speaker 2>the tissue paper.

584
00:36:05.599 --> 00:36:08.119
<v Speaker 1>Okay, have you practiced this? Have I?

585
00:36:08.199 --> 00:36:08.239
<v Speaker 3>What?

586
00:36:08.639 --> 00:36:11.920
<v Speaker 1>Have you practiced this? So there's a possibility of the

587
00:36:12.039 --> 00:36:13.920
<v Speaker 1>hot glue is going to burst the balloon?

588
00:36:14.079 --> 00:36:16.559
<v Speaker 2>Well, that's that's why we've got the tissue paper on it, because.

589
00:36:16.360 --> 00:36:20.719
<v Speaker 1>Tissue paper is renowned for its thermal properties. And all right,

590
00:36:21.000 --> 00:36:24.400
<v Speaker 1>Valerie Singleton, who's Valerie Singleton?

591
00:36:24.800 --> 00:36:27.199
<v Speaker 2>She used to do the crafting on blue Peter, did she?

592
00:36:27.360 --> 00:36:27.760
<v Speaker 1>When? Was that?

593
00:36:28.400 --> 00:36:29.599
<v Speaker 2>If it helps just blow.

594
00:36:30.880 --> 00:36:33.679
<v Speaker 1>Blow any felt, try to blow on it? So you

595
00:36:33.760 --> 00:36:36.480
<v Speaker 1>want to kind of make.

596
00:36:39.679 --> 00:36:50.280
<v Speaker 2>A circle pattern, okay, using the felt circles and oh

597
00:36:50.559 --> 00:36:53.800
<v Speaker 2>well actually that's working quite well. It's not popping or

598
00:36:53.840 --> 00:36:58.599
<v Speaker 2>anything to be made a ghost. He made a little ghost,

599
00:36:58.960 --> 00:36:59.239
<v Speaker 2>made a.

600
00:36:59.280 --> 00:37:04.519
<v Speaker 1>Ghost doing Celti ship to the bnything, doing as you

601
00:37:04.639 --> 00:37:11.880
<v Speaker 1>told me to when we hear that. Yeah, I love it.

602
00:37:15.960 --> 00:37:16.920
<v Speaker 1>So one knocking.

603
00:37:18.679 --> 00:37:30.079
<v Speaker 3>Bad, There is no pattern.

604
00:37:30.400 --> 00:37:31.280
<v Speaker 1>Just go with what.

605
00:37:35.519 --> 00:37:37.239
<v Speaker 2>So you thought this was one of my favorite things

606
00:37:37.280 --> 00:37:43.159
<v Speaker 2>to do. Well it had the most reaction, did it

607
00:37:43.760 --> 00:37:44.039
<v Speaker 2>from you?

608
00:37:44.280 --> 00:37:44.480
<v Speaker 3>Yeah?

609
00:37:45.400 --> 00:37:51.840
<v Speaker 1>So what we've actually made is a ball from a bowl. No,

610
00:37:51.960 --> 00:37:53.760
<v Speaker 1>because this isn't making a bowl out of a bowl.

611
00:37:54.000 --> 00:37:56.360
<v Speaker 1>This is actually making a bowl. You made a bowl

612
00:37:56.400 --> 00:37:58.199
<v Speaker 1>out of the bowl. You took a bowl and flipped

613
00:37:58.199 --> 00:38:00.400
<v Speaker 1>it upside down and said it was an bowl.

614
00:38:01.119 --> 00:38:02.079
<v Speaker 2>Well this is similar.

615
00:38:02.480 --> 00:38:04.639
<v Speaker 1>No, because that was actually making a bowl out of

616
00:38:04.719 --> 00:38:07.599
<v Speaker 1>a bowl, whereas this is sticking shit onto tissue paper

617
00:38:07.760 --> 00:38:11.000
<v Speaker 1>to make the bowl, to make a bowl. Well, it's

618
00:38:11.039 --> 00:38:12.079
<v Speaker 1>not already a bowl, is it.

619
00:38:13.400 --> 00:38:14.920
<v Speaker 2>It's just there's just words.

620
00:38:15.000 --> 00:38:19.920
<v Speaker 1>Mite. You've got a lot, you've got a loords.

621
00:38:20.320 --> 00:38:24.440
<v Speaker 2>To just open your mind a little bit. Oh my god,

622
00:38:31.000 --> 00:38:32.480
<v Speaker 2>did you balloon burst?

623
00:38:32.800 --> 00:38:35.480
<v Speaker 1>It might have. I think it might have burst my balloon.

624
00:38:35.679 --> 00:38:40.320
<v Speaker 2>Oh that is sad. Just blow another blow you're emergency. Yeah,

625
00:38:40.360 --> 00:38:46.400
<v Speaker 2>you purpooed my you purpooed my emergency balloon idea. But

626
00:38:47.239 --> 00:38:48.079
<v Speaker 2>now he was laughing.

627
00:38:49.880 --> 00:38:52.000
<v Speaker 1>No one's laughing now only gallery.

628
00:38:52.239 --> 00:38:55.280
<v Speaker 2>Do you have any Do you any disaffect on wet wipes?

629
00:38:55.480 --> 00:39:01.800
<v Speaker 2>Because just I need to just slightly clean the seat.

630
00:39:02.239 --> 00:39:02.960
<v Speaker 1>Is it fecal?

631
00:39:06.519 --> 00:39:07.320
<v Speaker 2>Is it still cobby?

632
00:39:16.119 --> 00:39:17.679
<v Speaker 1>Oh?

633
00:39:18.480 --> 00:39:22.239
<v Speaker 2>So you don't want to get the actual glue in

634
00:39:22.400 --> 00:39:24.599
<v Speaker 2>contact with the dash it with.

635
00:39:26.119 --> 00:39:29.360
<v Speaker 1>The latex, No, I know, because it bursts. Yeah, but

636
00:39:29.480 --> 00:39:32.000
<v Speaker 1>unfortunately you've also give me something porous for the hot

637
00:39:32.039 --> 00:39:34.239
<v Speaker 1>glue to seep through. Well, don't put that much globe

638
00:39:34.280 --> 00:39:37.800
<v Speaker 1>on then, just put a little dashed like a like

639
00:39:37.920 --> 00:39:42.000
<v Speaker 1>a like a caress, a caress of hot, like a

640
00:39:42.119 --> 00:39:42.960
<v Speaker 1>bluey caress.

641
00:39:44.639 --> 00:39:50.599
<v Speaker 2>We do. I'm also slightly scared now because yours pursed

642
00:39:51.559 --> 00:40:01.800
<v Speaker 2>and mine hasn't yet. No, okay, I'm not going to

643
00:40:01.840 --> 00:40:07.119
<v Speaker 2>say I'm doing well because it's I am. I am

644
00:40:08.360 --> 00:40:12.159
<v Speaker 2>m m hmm frightened.

645
00:40:13.280 --> 00:40:15.960
<v Speaker 1>That it will a bit scared.

646
00:40:16.840 --> 00:40:32.039
<v Speaker 2>They are scared. Mm hmmmmmmmmmmmmm. I have actually been told

647
00:40:32.119 --> 00:40:36.079
<v Speaker 2>this this very weak that I should open an Etsy

648
00:40:36.159 --> 00:40:38.599
<v Speaker 2>store for my creations.

649
00:40:38.920 --> 00:40:42.039
<v Speaker 1>Okay, And what what did your mom say after that?

650
00:40:43.280 --> 00:40:47.599
<v Speaker 1>Did she say she was very proud, very proud of you.

651
00:40:47.760 --> 00:40:47.880
<v Speaker 2>Lee.

652
00:40:47.920 --> 00:40:49.599
<v Speaker 1>You should open up an ETSI store.

653
00:40:49.960 --> 00:40:52.360
<v Speaker 2>All your aunties and uncles would buy one of them.

654
00:40:54.679 --> 00:40:57.440
<v Speaker 1>Down the joan down the book he said she wanted one.

655
00:40:59.559 --> 00:41:01.840
<v Speaker 1>And you know Joel knows art because she works in

656
00:41:01.880 --> 00:41:05.039
<v Speaker 1>the bookies and other lives.

657
00:41:05.119 --> 00:41:07.639
<v Speaker 2>Parents don't said you can put that, you can put

658
00:41:07.679 --> 00:41:10.000
<v Speaker 2>that foldable temper another one.

659
00:41:10.039 --> 00:41:19.440
<v Speaker 1>What are you doing, Jesus? I'm not doing Jesus and

660
00:41:19.679 --> 00:41:26.880
<v Speaker 1>like that, Catherine takes sketch. Oh, no, I've blown a

661
00:41:26.960 --> 00:41:27.719
<v Speaker 1>hole in my boy.

662
00:41:28.199 --> 00:41:30.719
<v Speaker 2>Well there's more, but there's raw morbulers, but the roadver here.

663
00:41:30.800 --> 00:41:31.880
<v Speaker 2>You have to come and get them.

664
00:41:32.239 --> 00:41:33.079
<v Speaker 1>I think I'll be okay.

665
00:41:33.320 --> 00:41:34.760
<v Speaker 2>I think do you think you'll manage?

666
00:41:34.880 --> 00:41:37.679
<v Speaker 1>They can manage without. To be fair, I think you

667
00:41:37.760 --> 00:41:38.639
<v Speaker 1>did it on purpose.

668
00:41:40.599 --> 00:41:42.239
<v Speaker 2>I mean, I'm going to take my balloon out because

669
00:41:42.280 --> 00:41:46.079
<v Speaker 2>I haven't, you know, burst it with my big sausage fingers.

670
00:41:49.079 --> 00:41:52.519
<v Speaker 1>Now what you do is with with your remaining Oh,

671
00:41:52.519 --> 00:41:56.320
<v Speaker 1>I've already done that. Late preempted it. I preempted it

672
00:41:56.320 --> 00:41:59.559
<v Speaker 1>because you were taking forever, just because we have pride

673
00:41:59.599 --> 00:42:02.079
<v Speaker 1>and what I do mind. You should not have pride

674
00:42:02.119 --> 00:42:02.280
<v Speaker 1>in this.

675
00:42:03.159 --> 00:42:08.239
<v Speaker 2>Oh my god, look what we've created, created a bowl

676
00:42:09.039 --> 00:42:15.320
<v Speaker 2>from felt and if you're feeling a little bit gooky,

677
00:42:18.639 --> 00:42:19.559
<v Speaker 2>it's a hat.

678
00:42:19.559 --> 00:42:22.920
<v Speaker 1>You've given me malwams. I've just noticed a feather on that.

679
00:42:23.039 --> 00:42:26.360
<v Speaker 2>And I could go to Ascot get trampled by a horse,

680
00:42:26.480 --> 00:42:28.239
<v Speaker 2>but I have provided you. Have you eaten all your

681
00:42:28.280 --> 00:42:33.800
<v Speaker 2>mauthwams for it is a bowl? Oh, look at that

682
00:42:33.960 --> 00:42:40.679
<v Speaker 2>it works and everything. Ooh, I think that is that

683
00:42:40.880 --> 00:42:47.119
<v Speaker 2>is a bowl from a bowl twenty five. If you

684
00:42:47.199 --> 00:42:50.199
<v Speaker 2>can't get any peine or any virgin or anything in between,

685
00:42:50.920 --> 00:42:52.599
<v Speaker 2>why not be a crafty queen?

686
00:43:02.920 --> 00:43:05.880
<v Speaker 1>So yes, So what was it that we made this for?

687
00:43:07.400 --> 00:43:08.599
<v Speaker 2>That beautiful?

688
00:43:08.599 --> 00:43:10.840
<v Speaker 1>And now I've left my man understand because it looks better.

689
00:43:11.000 --> 00:43:16.000
<v Speaker 2>Well, that's that's your that's your artistic bent. Yeah, your

690
00:43:16.039 --> 00:43:21.039
<v Speaker 2>autistic flow. That's almost the end of the show for now.

691
00:43:21.360 --> 00:43:24.000
<v Speaker 2>But on screen you can see I'll contact details. Is

692
00:43:24.039 --> 00:43:26.320
<v Speaker 2>that the cut TV? On your social media if you

693
00:43:26.360 --> 00:43:29.039
<v Speaker 2>want to catch up with previous episodes, you can always

694
00:43:29.079 --> 00:43:30.480
<v Speaker 2>binge us on YouTube.

695
00:43:30.719 --> 00:43:32.920
<v Speaker 1>Look for you in the card. Thank you for watching,

696
00:43:32.960 --> 00:43:35.119
<v Speaker 1>and we'll see you all next week. Bye.