WEBVTT

1
00:00:07.480 --> 00:00:09.400
<v Speaker 1>Monster House presents.

2
00:00:20.320 --> 00:00:23.839
<v Speaker 2>This formal as I think I know what you're into.

3
00:00:24.199 --> 00:00:24.480
<v Speaker 3>Huh.

4
00:00:24.600 --> 00:00:27.079
<v Speaker 1>There's only one reason someone like you would talk to me,

5
00:00:27.160 --> 00:00:29.239
<v Speaker 1>and that's the reason you talk to me. This is

6
00:00:29.280 --> 00:00:33.439
<v Speaker 1>the reason. Look Project Pegasus. The US President went to Mors.

7
00:00:33.240 --> 00:00:34.439
<v Speaker 4>And met with aliens.

8
00:00:35.600 --> 00:00:37.600
<v Speaker 1>What you're into be a cult, aren't you?

9
00:00:38.240 --> 00:00:38.399
<v Speaker 3>Nah?

10
00:00:38.479 --> 00:00:40.719
<v Speaker 1>I don't believe in UFOs and aliens and that kind

11
00:00:40.759 --> 00:00:43.600
<v Speaker 1>of stuff. They're not US both, they're u a PS

12
00:00:43.960 --> 00:00:45.880
<v Speaker 1>unidentified aerial phenomena.

13
00:00:46.280 --> 00:00:47.759
<v Speaker 3>I didn't ask, don't care.

14
00:00:48.799 --> 00:00:52.280
<v Speaker 4>The US military admitted u aps exists and reform. There's

15
00:00:52.280 --> 00:00:53.719
<v Speaker 4>space forces now.

16
00:00:53.719 --> 00:00:55.600
<v Speaker 3>Japan has an aerospace defense Force.

17
00:00:55.840 --> 00:00:59.439
<v Speaker 1>Don't just see everyone's caring a core in space Oka.

18
00:00:59.359 --> 00:00:59.920
<v Speaker 2>The lie.

19
00:01:01.479 --> 00:01:02.079
<v Speaker 1>I want to say.

20
00:01:02.359 --> 00:01:04.319
<v Speaker 4>There's this new picture of Nessy talk.

21
00:01:05.280 --> 00:01:07.280
<v Speaker 1>There's also stuff about Lieutenant.

22
00:01:06.799 --> 00:01:11.120
<v Speaker 3>Colonel Jim Trennon. Let's gon walk around. I don't care.

23
00:01:11.799 --> 00:01:14.480
<v Speaker 2>It's actually quite unlike anything we've ever seen before.

24
00:01:16.640 --> 00:01:22.560
<v Speaker 3>A giant, hairy creature party part in Luckness, a twenty

25
00:01:22.599 --> 00:01:25.480
<v Speaker 3>four a mile long bottomless lake in the Highlands of Scotland.

26
00:01:25.799 --> 00:01:51.159
<v Speaker 3>It's a creature known as the Luckness Monster monster t.

27
00:01:52.840 --> 00:01:56.560
<v Speaker 1>Welcome to Monster Talk, the science show about monsters. I'm

28
00:01:56.599 --> 00:02:00.319
<v Speaker 1>Blake Smith and I'm Karen Stolsner. This is a fan

29
00:02:00.400 --> 00:02:03.239
<v Speaker 1>request episode. As I'll say, hearing the interview, quite a

30
00:02:03.319 --> 00:02:06.519
<v Speaker 1>few listeners reached out to us about the content overlap

31
00:02:06.560 --> 00:02:09.719
<v Speaker 1>between the topics that we discuss on Monster Talk and

32
00:02:09.759 --> 00:02:13.280
<v Speaker 1>the topics covered in the anime series Dan. To Dan,

33
00:02:14.319 --> 00:02:17.520
<v Speaker 1>it's not a show for everyone, and it's definitely not

34
00:02:17.599 --> 00:02:20.400
<v Speaker 1>a show for little kids, But you guys were right

35
00:02:20.439 --> 00:02:23.080
<v Speaker 1>about the stuff that the show covers being of interest

36
00:02:23.080 --> 00:02:27.039
<v Speaker 1>to Munster Talk listeners and to me now, this episode

37
00:02:27.080 --> 00:02:30.039
<v Speaker 1>will not be a deep dive into critical thinking or science.

38
00:02:30.080 --> 00:02:33.879
<v Speaker 1>It's more of a fun side quest into contextualizing how

39
00:02:33.879 --> 00:02:37.080
<v Speaker 1>a show like Dana Dan has fictionalized and incorporated story

40
00:02:37.120 --> 00:02:43.280
<v Speaker 1>elements from folklore, legend, custom Fortiana myth, and conspiracy theory

41
00:02:43.840 --> 00:02:47.400
<v Speaker 1>and to a darned amusing and engaging teen comedy drama series.

42
00:02:48.639 --> 00:02:52.960
<v Speaker 1>It's probably possible to watch the show without ever realizing

43
00:02:53.000 --> 00:02:55.319
<v Speaker 1>that the stream of trivia about these topics is so

44
00:02:55.439 --> 00:02:58.879
<v Speaker 1>relentlessly evocative of familiar elements to those of us who

45
00:03:00.000 --> 00:03:03.319
<v Speaker 1>immerse ourselves in the weird and the spooky. But if

46
00:03:03.360 --> 00:03:05.879
<v Speaker 1>you watch it and you are immersed in this stuff,

47
00:03:05.960 --> 00:03:10.439
<v Speaker 1>it's just kind of astonishing. Maybe the only other pop

48
00:03:10.520 --> 00:03:14.240
<v Speaker 1>culture consumption similar to me would be how people my

49
00:03:14.360 --> 00:03:17.280
<v Speaker 1>age tended to respond to the book Ready Player One.

50
00:03:17.599 --> 00:03:20.639
<v Speaker 1>There's so many references in there that if you're in

51
00:03:20.680 --> 00:03:23.360
<v Speaker 1>clients in nostalgia, it was easy to sort of ignore

52
00:03:23.439 --> 00:03:25.919
<v Speaker 1>other weaknesses in the plot when you first read it.

53
00:03:26.479 --> 00:03:29.520
<v Speaker 1>But unlike Ready Player One, this show seems to have

54
00:03:29.520 --> 00:03:33.080
<v Speaker 1>a lot more depth and definitely more surprises. Now if

55
00:03:33.120 --> 00:03:35.319
<v Speaker 1>you want to check the series out after listening, you

56
00:03:35.360 --> 00:03:37.759
<v Speaker 1>can find it on streamer channels that our guest Justin

57
00:03:37.800 --> 00:03:42.599
<v Speaker 1>Mullis will mention, including Netflix. Speaking of we're happy to

58
00:03:42.639 --> 00:03:46.080
<v Speaker 1>welcome back doctor Justin Mullis, who most recently joined us

59
00:03:46.080 --> 00:03:50.159
<v Speaker 1>to talk about the relationships of cryptozoology with kaiju in Japan,

60
00:03:50.960 --> 00:03:54.159
<v Speaker 1>and today he's going to help us contextualize the weird

61
00:03:54.199 --> 00:03:58.240
<v Speaker 1>shitology elements in season one of Dan to Dan. We'll

62
00:03:58.240 --> 00:04:00.919
<v Speaker 1>try to make this a no spoiler show, but due

63
00:04:00.960 --> 00:04:03.120
<v Speaker 1>to the fact that the main plot of the first

64
00:04:03.159 --> 00:04:06.919
<v Speaker 1>few episodes deals with a witch stealing a boy's penis,

65
00:04:07.840 --> 00:04:14.719
<v Speaker 1>this episode gets the explicit tag more instrutle. Anyway, thanks

66
00:04:14.719 --> 00:04:17.240
<v Speaker 1>for joining us, Justin. We're really excited tonight' to be

67
00:04:17.279 --> 00:04:22.360
<v Speaker 1>talking about the very peculiar show Dan to Dan. And

68
00:04:23.199 --> 00:04:26.160
<v Speaker 1>by the way, I sometimes see it listed as Dan

69
00:04:26.199 --> 00:04:28.519
<v Speaker 1>to Dan one word, and I sometimes see it listened

70
00:04:28.519 --> 00:04:32.879
<v Speaker 1>as Dan Dan separately. Any idea. I mean I realized this.

71
00:04:33.319 --> 00:04:36.959
<v Speaker 1>It's an English version of a Japanese title. Do you know?

72
00:04:37.079 --> 00:04:38.600
<v Speaker 1>Is it three words? Is it one word?

73
00:04:38.959 --> 00:04:43.120
<v Speaker 5>You want to the title explained? So I'm so blake.

74
00:04:43.120 --> 00:04:46.839
<v Speaker 5>I imagine you've probably seen the very famous Academy Award

75
00:04:46.920 --> 00:04:53.000
<v Speaker 5>winning Japanese movie Qui Don. Yes, yeah, so the famous

76
00:04:53.199 --> 00:04:58.040
<v Speaker 5>based on the Lafacadio Hearn's collection of Japanese ghost stories.

77
00:04:58.519 --> 00:04:59.920
<v Speaker 4>Right, so three.

78
00:04:59.720 --> 00:05:04.680
<v Speaker 1>Hours of color and experiment. Wow, yeah, exactly three hours,

79
00:05:05.040 --> 00:05:06.639
<v Speaker 1>four four stories, three hours.

80
00:05:06.720 --> 00:05:09.839
<v Speaker 4>Yeah, yeah, there you go. Amazing movie.

81
00:05:10.519 --> 00:05:14.240
<v Speaker 5>But so that word, yeah, Qui don, right, so to

82
00:05:14.399 --> 00:05:19.639
<v Speaker 5>cut the Qui off don the don so Qui don

83
00:05:19.720 --> 00:05:25.120
<v Speaker 5>means ghost story. So this is Tatsu the creator, having

84
00:05:25.160 --> 00:05:27.160
<v Speaker 5>some fun with the title. So it's kind of like

85
00:05:27.839 --> 00:05:29.680
<v Speaker 5>stories story.

86
00:05:29.920 --> 00:05:32.360
<v Speaker 1>Yeah, that's funny, Okay, Yeah.

87
00:05:33.279 --> 00:05:35.560
<v Speaker 2>Well yeah, when I hear Dan to Dan, I think

88
00:05:35.600 --> 00:05:39.240
<v Speaker 2>of the the of Blue Moon, the original version, the mussels,

89
00:05:41.959 --> 00:05:43.279
<v Speaker 2>you know what I'm talking about.

90
00:05:45.839 --> 00:05:49.439
<v Speaker 4>Dang and Dang Dang. But Dan and dangloom.

91
00:05:50.439 --> 00:05:52.600
<v Speaker 1>I'm not gonna sing it either, but that that's uh

92
00:05:53.160 --> 00:05:56.879
<v Speaker 1>my wife, that's one of her favorite movies is an

93
00:05:56.879 --> 00:05:59.480
<v Speaker 1>American Werewolf from London and that comes in a critical scene.

94
00:05:59.519 --> 00:06:01.000
<v Speaker 1>So yeah, there you go.

95
00:06:01.079 --> 00:06:02.360
<v Speaker 2>It all comes together.

96
00:06:02.600 --> 00:06:06.879
<v Speaker 1>It really does well. Anyway, justin we're having you on

97
00:06:07.000 --> 00:06:10.560
<v Speaker 1>tonight to talk about this anime series. Dan to Dan

98
00:06:11.319 --> 00:06:16.160
<v Speaker 1>and I. We get a lot of emails from listeners

99
00:06:16.399 --> 00:06:19.879
<v Speaker 1>suggesting we try out certain pop culture things, but I

100
00:06:19.959 --> 00:06:25.480
<v Speaker 1>had never gotten as many random, feeling out of the blue,

101
00:06:25.600 --> 00:06:28.720
<v Speaker 1>people who've never written saying, hey, have you guys seen this?

102
00:06:31.079 --> 00:06:35.319
<v Speaker 1>Because it is and I, you know, I Kieren and

103
00:06:35.399 --> 00:06:37.600
<v Speaker 1>I are both really busy doing lots and lots of

104
00:06:37.920 --> 00:06:40.560
<v Speaker 1>consumption of stuff to prepare us for the show. But

105
00:06:41.680 --> 00:06:45.040
<v Speaker 1>I made the time, and holy cow, they weren't joking.

106
00:06:45.360 --> 00:06:48.480
<v Speaker 1>The first episode of this has when they all through

107
00:06:48.519 --> 00:06:51.800
<v Speaker 1>the whole series that exists so far, there are so

108
00:06:52.000 --> 00:06:58.480
<v Speaker 1>many references to cryptids and folklore and magic and monsters

109
00:06:58.680 --> 00:07:01.279
<v Speaker 1>that are not entirely made up for the show that

110
00:07:01.240 --> 00:07:04.040
<v Speaker 1>they were like pulled from like I don't want to

111
00:07:04.040 --> 00:07:10.399
<v Speaker 1>say real, but like contemporary sources in our culture, Like so, uh.

112
00:07:11.439 --> 00:07:14.959
<v Speaker 5>The folklore, Yeah, and folklore exactly.

113
00:07:15.079 --> 00:07:20.040
<v Speaker 1>It's it's it is extraordinary. Uh, it's so it's so

114
00:07:20.240 --> 00:07:23.319
<v Speaker 1>dense with references. Uh, but they work. I mean it

115
00:07:23.360 --> 00:07:25.720
<v Speaker 1>does it. At first, the first episode, I actually thought

116
00:07:25.720 --> 00:07:28.759
<v Speaker 1>they were over the top with how many specific so

117
00:07:29.000 --> 00:07:34.480
<v Speaker 1>many specific references to UAPs, to the Ministry goes, the

118
00:07:34.519 --> 00:07:36.759
<v Speaker 1>Flatwoods Monster shows up. Yeah, I mean just so much.

119
00:07:37.160 --> 00:07:39.800
<v Speaker 1>But it actually works. I mean, like it's it's not

120
00:07:40.920 --> 00:07:44.800
<v Speaker 1>it's not artifice smacked on top of something shallow. It's

121
00:07:44.800 --> 00:07:47.439
<v Speaker 1>like it actually it seems to really all be integrated

122
00:07:47.439 --> 00:07:48.399
<v Speaker 1>with the central idea.

123
00:07:49.759 --> 00:07:53.319
<v Speaker 5>Oh yeah, absolutely. I mean I forgot until Reese. I

124
00:07:53.360 --> 00:07:57.680
<v Speaker 5>just rewatched the first arc of the show in preparation

125
00:07:57.839 --> 00:08:00.279
<v Speaker 5>for this. But yeah, I mean in the first episode, like, yeah,

126
00:08:00.279 --> 00:08:06.879
<v Speaker 5>they name drop Skinwalker Ranch even so yeah, so I'm curious,

127
00:08:07.800 --> 00:08:12.439
<v Speaker 5>you know, maybe this is relevant contexts. So, you know, Blake,

128
00:08:12.480 --> 00:08:16.319
<v Speaker 5>I know you're an anime fan, and obviously I am

129
00:08:16.439 --> 00:08:20.199
<v Speaker 5>as well. But so, Karen, was this your first experience

130
00:08:20.279 --> 00:08:21.519
<v Speaker 5>with this medium?

131
00:08:22.360 --> 00:08:30.199
<v Speaker 2>Oh oh yes, yes, so I you guys suggested. I

132
00:08:30.240 --> 00:08:33.440
<v Speaker 2>watched not one episode to judge it on the basis

133
00:08:33.440 --> 00:08:35.639
<v Speaker 2>of one, but to watch a couple of episodes, and

134
00:08:36.919 --> 00:08:40.440
<v Speaker 2>so I only got it around to watching two, and

135
00:08:40.759 --> 00:08:43.000
<v Speaker 2>I have to say I did struggle through it a bit,

136
00:08:43.200 --> 00:08:49.879
<v Speaker 2>and the first episode was very full on as Blake described.

137
00:08:50.120 --> 00:08:51.360
<v Speaker 2>I mean, there were a lot of things that I

138
00:08:51.480 --> 00:08:53.960
<v Speaker 2>liked about it. I liked I thought the Japanese music

139
00:08:54.080 --> 00:08:56.639
<v Speaker 2>was cool. I thought the elements of girl Pow are

140
00:08:56.679 --> 00:09:00.480
<v Speaker 2>really cool as well. Characters were quirky. It's a very

141
00:09:00.519 --> 00:09:04.159
<v Speaker 2>action packed, but I think in general, it's just not

142
00:09:04.200 --> 00:09:07.759
<v Speaker 2>my cup of tea. It's not my kind of I

143
00:09:07.759 --> 00:09:10.440
<v Speaker 2>didn't get into that genre. And I've spoken with anime

144
00:09:10.639 --> 00:09:15.120
<v Speaker 2>fans because I wasn't receiving the plethora of emails from

145
00:09:15.279 --> 00:09:18.440
<v Speaker 2>listeners who asked, have you seen this? And I think

146
00:09:18.679 --> 00:09:20.279
<v Speaker 2>it definitely sounds that the kind of thing that Blake

147
00:09:20.320 --> 00:09:22.919
<v Speaker 2>would see, But no one's approached me about it, so

148
00:09:23.440 --> 00:09:25.679
<v Speaker 2>I didn't know what the hell I was in for,

149
00:09:26.360 --> 00:09:31.240
<v Speaker 2>and again approaching anime fans, I didn't come across anyone

150
00:09:31.440 --> 00:09:33.480
<v Speaker 2>who liked it. But then when I did a lot

151
00:09:33.519 --> 00:09:37.480
<v Speaker 2>of looking up of forums and things online, so many

152
00:09:37.480 --> 00:09:40.120
<v Speaker 2>people were raving out raving about it. Ten out of

153
00:09:40.159 --> 00:09:42.559
<v Speaker 2>ten they seem to absolutely love it. So it just

154
00:09:42.600 --> 00:09:45.000
<v Speaker 2>seems like you either I don't want to say I

155
00:09:45.039 --> 00:09:46.639
<v Speaker 2>hate it, but it seems like people love it or

156
00:09:46.720 --> 00:09:50.919
<v Speaker 2>hate it, and there's not too much in between. But

157
00:09:51.320 --> 00:09:54.480
<v Speaker 2>it was again, it really should be right up my

158
00:09:54.519 --> 00:09:57.679
<v Speaker 2>alley because of all the paranormal themes that they investigate.

159
00:09:58.000 --> 00:10:02.919
<v Speaker 2>But it was just very different to anything of ever experienced.

160
00:10:02.960 --> 00:10:04.039
<v Speaker 2>And maybe that's not a bad thing.

161
00:10:05.240 --> 00:10:09.440
<v Speaker 1>Well, I think for me, Like, so you said, I'm

162
00:10:09.440 --> 00:10:13.080
<v Speaker 1>an anime fan, and that's not wrong, but it also

163
00:10:13.559 --> 00:10:16.039
<v Speaker 1>I think I should constrain that just a little bit

164
00:10:16.080 --> 00:10:20.279
<v Speaker 1>because I've been, like I've been in fandom forever because

165
00:10:20.320 --> 00:10:22.559
<v Speaker 1>I'm old and grew up in the eighties and so

166
00:10:22.919 --> 00:10:25.919
<v Speaker 1>I still remember before the Internet, when all the anime

167
00:10:26.080 --> 00:10:30.799
<v Speaker 1>content was bootleg vhs, and like even even when I

168
00:10:30.840 --> 00:10:33.639
<v Speaker 1>was in boot camp in the Navy, when we first

169
00:10:33.679 --> 00:10:35.759
<v Speaker 1>got out of boot camp and in a school, I

170
00:10:35.840 --> 00:10:38.399
<v Speaker 1>was able to leave base and go. I think the

171
00:10:38.440 --> 00:10:40.720
<v Speaker 1>comic book store was NCC one seven and one. I

172
00:10:40.759 --> 00:10:42.799
<v Speaker 1>think it was actually named after the Enterprise, but they

173
00:10:42.840 --> 00:10:44.879
<v Speaker 1>had a back room where you could do role playing

174
00:10:44.919 --> 00:10:47.799
<v Speaker 1>games or whatever, and on Saturdays, people would bring bootleg

175
00:10:47.879 --> 00:10:51.679
<v Speaker 1>vhs from Japan and I remember watching some of that

176
00:10:51.879 --> 00:10:55.759
<v Speaker 1>and basically there was no subtitles, there were no dubs.

177
00:10:56.000 --> 00:10:58.720
<v Speaker 1>There would be somebody there explaining what was going on.

178
00:11:00.159 --> 00:11:03.279
<v Speaker 1>It's like like aids for the deaf or something. But

179
00:11:03.519 --> 00:11:06.399
<v Speaker 1>I remember someone trying to explain Ronmo one half to

180
00:11:06.480 --> 00:11:08.879
<v Speaker 1>me as I watched a bootleg of that. It was

181
00:11:09.000 --> 00:11:11.799
<v Speaker 1>very peculiar. But I do like this stuff. But a

182
00:11:11.799 --> 00:11:13.440
<v Speaker 1>lot of it is there's there's parts of it that

183
00:11:13.480 --> 00:11:18.639
<v Speaker 1>are super focused on very sexy teenagers, and that's never

184
00:11:18.679 --> 00:11:20.639
<v Speaker 1>been something I was Basically by the time I got

185
00:11:20.679 --> 00:11:23.279
<v Speaker 1>into it, I was too old to feel comfortable with

186
00:11:23.320 --> 00:11:26.799
<v Speaker 1>that that that sort of thing. But this show grabs

187
00:11:26.840 --> 00:11:29.799
<v Speaker 1>me in a decidedly non sexual way with its plot

188
00:11:29.840 --> 00:11:32.440
<v Speaker 1>and content, so it manages to get.

189
00:11:32.320 --> 00:11:33.399
<v Speaker 2>Past the fact.

190
00:11:34.039 --> 00:11:37.919
<v Speaker 1>Yeah, it really does. But I guess we should start

191
00:11:37.919 --> 00:11:41.440
<v Speaker 1>with actually, because I'm rambling and I and you're here

192
00:11:41.559 --> 00:11:44.200
<v Speaker 1>as a as an expert to talk about this. What's

193
00:11:44.240 --> 00:11:46.759
<v Speaker 1>this show about? What is Dan to Dan about?

194
00:11:46.879 --> 00:11:47.399
<v Speaker 4>What is it?

195
00:11:48.440 --> 00:11:51.559
<v Speaker 5>Yeah? Sure, So for for anybody who doesn't know what

196
00:11:51.600 --> 00:11:55.639
<v Speaker 5>we're talking about and hasn't been completely alienated yet.

197
00:11:56.600 --> 00:11:59.879
<v Speaker 4>So is a.

198
00:11:59.159 --> 00:12:02.399
<v Speaker 5>Anime series that premiered last year in the fall of

199
00:12:02.440 --> 00:12:07.600
<v Speaker 5>twenty twenty four. It was twelve episodes. It was produced

200
00:12:07.600 --> 00:12:11.519
<v Speaker 5>by Science Saru, which is the anime Studio branch of

201
00:12:11.559 --> 00:12:13.080
<v Speaker 5>Toho Studios, to the same.

202
00:12:12.919 --> 00:12:14.480
<v Speaker 4>People who do the Godzilla movies.

203
00:12:15.639 --> 00:12:18.480
<v Speaker 5>And it's based on a manga of the same name

204
00:12:18.519 --> 00:12:22.879
<v Speaker 5>that is written and illustrated by Yuki Nobutatsu, and the

205
00:12:22.919 --> 00:12:24.919
<v Speaker 5>manga is a couple.

206
00:12:24.679 --> 00:12:25.360
<v Speaker 4>Of years old now.

207
00:12:25.360 --> 00:12:28.360
<v Speaker 5>It debuted in April of twenty twenty one, and as

208
00:12:28.440 --> 00:12:32.360
<v Speaker 5>of January of this year, it has been collected into

209
00:12:32.559 --> 00:12:35.919
<v Speaker 5>eighteen volumes, eleven of which have been translated into English

210
00:12:35.919 --> 00:12:39.759
<v Speaker 5>so far as of the start of this month February.

211
00:12:41.120 --> 00:12:45.759
<v Speaker 5>And in Japan, Dandaddan is serialized in Shonen Jump Plus,

212
00:12:46.600 --> 00:12:50.200
<v Speaker 5>which is a comic magazine that's intended for mature audiences.

213
00:12:50.600 --> 00:12:54.200
<v Speaker 5>It's the same magazine that other popular series like Spy

214
00:12:54.480 --> 00:12:58.360
<v Speaker 5>X Family and Kaiju Number eight, which are both very

215
00:12:58.360 --> 00:13:02.960
<v Speaker 5>popular right now, appear in, and so kind of building

216
00:13:02.960 --> 00:13:05.440
<v Speaker 5>off of something you are just alluding to, Blake, this

217
00:13:05.480 --> 00:13:08.320
<v Speaker 5>is probably also a good place to bring up that,

218
00:13:08.600 --> 00:13:10.879
<v Speaker 5>yes we're talking about a comic book, Yes we're talking

219
00:13:10.879 --> 00:13:15.120
<v Speaker 5>about an animated series, but this is decidedly not a

220
00:13:15.200 --> 00:13:18.879
<v Speaker 5>children's fair, right, and since there's like very young children,

221
00:13:19.080 --> 00:13:22.120
<v Speaker 5>so the anime in particular, well, both the anime and

222
00:13:22.159 --> 00:13:26.639
<v Speaker 5>the comic have plenty of like risk gay humor in it,

223
00:13:26.679 --> 00:13:29.799
<v Speaker 5>there's partial nudity, and they also deal with really weighty

224
00:13:30.200 --> 00:13:33.639
<v Speaker 5>issues at times, like sexual assault and domestic violence. So

225
00:13:33.679 --> 00:13:36.960
<v Speaker 5>this is intended for at least like I think the

226
00:13:37.039 --> 00:13:40.559
<v Speaker 5>rating on the streaming platforms because it's on Netflix and

227
00:13:40.600 --> 00:13:43.159
<v Speaker 5>it's on Hulu, and it's on a Crunchy Role, which

228
00:13:43.200 --> 00:13:45.960
<v Speaker 5>is an anime specific streaming service, which is I believe

229
00:13:46.000 --> 00:13:49.320
<v Speaker 5>it's TVMA, so you know, it's for kind of an

230
00:13:49.360 --> 00:13:54.279
<v Speaker 5>older and older teen audience. But as Karen was also saying,

231
00:13:54.320 --> 00:13:56.639
<v Speaker 5>this was a series that when it debuted last year,

232
00:13:57.080 --> 00:14:00.679
<v Speaker 5>proved extremely popular. It ended up being the most streamed

233
00:14:00.720 --> 00:14:05.240
<v Speaker 5>anime for twenty twenty four on Netflix with over three

234
00:14:05.279 --> 00:14:09.000
<v Speaker 5>million views, and it was ended up also being Netflix's

235
00:14:09.080 --> 00:14:14.120
<v Speaker 5>most second most popular English language program for the platform.

236
00:14:14.639 --> 00:14:17.279
<v Speaker 5>Netflix actually seems to be the platform that garnered the

237
00:14:17.279 --> 00:14:20.320
<v Speaker 5>most attention with Dan to Dan, even though it was

238
00:14:20.399 --> 00:14:25.480
<v Speaker 5>on multiple platforms, and interestingly enough, apparently, from what I've read,

239
00:14:26.039 --> 00:14:29.519
<v Speaker 5>a Crunchy Role, even though they are an anime specific

240
00:14:29.519 --> 00:14:33.519
<v Speaker 5>streaming service, didn't really heavily promote the release of Dan

241
00:14:33.600 --> 00:14:37.559
<v Speaker 5>to Dan because they were concerned about the kind of

242
00:14:37.919 --> 00:14:43.639
<v Speaker 5>riskue elements you know, alienating some viewers, so they kind

243
00:14:43.679 --> 00:14:47.279
<v Speaker 5>of missed out on getting new subscribers because of that,

244
00:14:47.320 --> 00:14:51.559
<v Speaker 5>because most people, it seems like, just turned into Netflix

245
00:14:51.879 --> 00:14:55.840
<v Speaker 5>to watch this particular series since it was available there.

246
00:14:56.159 --> 00:14:59.440
<v Speaker 5>And also, I mean, as far as as kind of

247
00:14:59.639 --> 00:15:02.480
<v Speaker 5>anime and especially sort of mature anime standards, I mean,

248
00:15:02.799 --> 00:15:07.279
<v Speaker 5>the show is also kind of frankly not that incredibly

249
00:15:07.399 --> 00:15:09.159
<v Speaker 5>riskue either, right, So.

250
00:15:11.000 --> 00:15:14.000
<v Speaker 1>Yeah, yeah, it's the It's there's the whole subgenre of

251
00:15:14.120 --> 00:15:18.080
<v Speaker 1>sexy teen drama comedy type thing and h and some

252
00:15:18.159 --> 00:15:23.279
<v Speaker 1>of those are way more, way more openly sexual in

253
00:15:23.320 --> 00:15:25.200
<v Speaker 1>their content. And of course I grew up in the

254
00:15:25.240 --> 00:15:28.240
<v Speaker 1>American South and the evangelical family, So even though I'm

255
00:15:28.240 --> 00:15:31.639
<v Speaker 1>pretty liberated myself, I might, you know, I can't help

256
00:15:31.679 --> 00:15:34.200
<v Speaker 1>what makes me cringe, you know, well.

257
00:15:34.039 --> 00:15:37.159
<v Speaker 5>And it's worth mentioning. So also, I mean, as a

258
00:15:37.360 --> 00:15:39.679
<v Speaker 5>point of comparison, so the creator of Dan to De

259
00:15:39.799 --> 00:15:43.759
<v Speaker 5>Dan tatsu he actually started off his career in the

260
00:15:43.919 --> 00:15:48.000
<v Speaker 5>industry as an assistant to Tatsuki Fujimoto, who is the

261
00:15:48.000 --> 00:15:52.519
<v Speaker 5>creator of another very popular contemporary anime series, which is

262
00:15:52.600 --> 00:15:56.759
<v Speaker 5>chainsaw Man, which is much more violent, much more risky,

263
00:15:57.360 --> 00:16:00.120
<v Speaker 5>and its content, I mean, it is literally about a

264
00:16:00.159 --> 00:16:03.840
<v Speaker 5>guy who makes a faustian compact with the demon just

265
00:16:03.919 --> 00:16:06.799
<v Speaker 5>so that he can try and get laid. So that's

266
00:16:06.919 --> 00:16:11.519
<v Speaker 5>that's the plot of that series. So you know, considering

267
00:16:11.559 --> 00:16:15.360
<v Speaker 5>that that was sort of Tatsu's sort of mentor and template,

268
00:16:15.480 --> 00:16:18.279
<v Speaker 5>you know, this is definitely kind of a step down.

269
00:16:18.320 --> 00:16:20.600
<v Speaker 5>And I do like the fact that Karen earlier mentioned

270
00:16:21.000 --> 00:16:24.240
<v Speaker 5>the sort of girl power aspect of Dan to de Dan,

271
00:16:25.080 --> 00:16:27.879
<v Speaker 5>which I'll get to the plot here of the series

272
00:16:28.399 --> 00:16:30.600
<v Speaker 5>in a second, but that's something that Tatsu has actually

273
00:16:30.600 --> 00:16:33.360
<v Speaker 5>talked about in several interviews, which was that, you know,

274
00:16:33.440 --> 00:16:38.960
<v Speaker 5>he really wanted to do a boy's comic, right, which

275
00:16:39.000 --> 00:16:42.360
<v Speaker 5>is what shonan means in Japan, right, a comic that's

276
00:16:42.399 --> 00:16:45.360
<v Speaker 5>aimed at an adolescent male audience. But he wanted to

277
00:16:45.399 --> 00:16:49.320
<v Speaker 5>do one that had a female character who wasn't there

278
00:16:49.480 --> 00:16:52.919
<v Speaker 5>essentially just to be, you know, a sex object for

279
00:16:53.000 --> 00:16:56.320
<v Speaker 5>the male protagonist, right, who was actually the main character

280
00:16:56.720 --> 00:16:59.159
<v Speaker 5>and who had a lot of autonomy and was actually

281
00:16:59.159 --> 00:17:04.960
<v Speaker 5>the focus of the narrative. And and so, without spoiling anything,

282
00:17:05.559 --> 00:17:08.400
<v Speaker 5>what Dana de Dan is about is it revolves around

283
00:17:08.440 --> 00:17:14.039
<v Speaker 5>these two high schoolers, momo I Say and Ken Takakura,

284
00:17:15.000 --> 00:17:19.480
<v Speaker 5>who meet each other and bond over a mutual obsession

285
00:17:20.680 --> 00:17:28.319
<v Speaker 5>over paranormal phenomena. Ken is really into UFOs and and

286
00:17:28.400 --> 00:17:32.480
<v Speaker 5>that kind of side of of Fortiana, and Momo her

287
00:17:32.519 --> 00:17:37.240
<v Speaker 5>grandmother is a spirit medium, and so she's into ghosts

288
00:17:37.519 --> 00:17:40.000
<v Speaker 5>and that kind of thing, and so they and they

289
00:17:40.039 --> 00:17:43.720
<v Speaker 5>initially have a disagreement over the validity of that stuff,

290
00:17:43.720 --> 00:17:47.200
<v Speaker 5>which we can get into, but they end up having

291
00:17:47.519 --> 00:17:52.359
<v Speaker 5>kind of a mutual experiences with the supernatural that kind

292
00:17:52.359 --> 00:17:55.079
<v Speaker 5>of bond them and and you know, sort of challenge

293
00:17:55.119 --> 00:17:59.200
<v Speaker 5>their preconceived notions about this, and then basically the bulk

294
00:17:59.240 --> 00:18:01.319
<v Speaker 5>of the series is the kind of teaming up to

295
00:18:01.400 --> 00:18:06.519
<v Speaker 5>go and investigate different paranormal occurrences happening around their hometown,

296
00:18:07.240 --> 00:18:11.759
<v Speaker 5>involving aliens, ghosts, cryptids, that kind of stuff. So that's

297
00:18:11.799 --> 00:18:15.640
<v Speaker 5>the very sort of spoiler free version of the.

298
00:18:15.559 --> 00:18:18.720
<v Speaker 4>Plot of Danda Didan.

299
00:18:19.359 --> 00:18:23.880
<v Speaker 5>I should also mention so that Momo nicknames kN.

300
00:18:25.519 --> 00:18:27.920
<v Speaker 4>Okoroun, which is a.

301
00:18:27.759 --> 00:18:32.640
<v Speaker 5>Portmanteau of the Japanese version of the term a cult,

302
00:18:32.720 --> 00:18:37.160
<v Speaker 5>which is oko ruto plus the Japanese prefixed kun, which

303
00:18:37.160 --> 00:18:40.720
<v Speaker 5>is a term of endearment. So basically kind of like saying,

304
00:18:41.160 --> 00:18:43.920
<v Speaker 5>you know, a culti pal or something.

305
00:18:44.079 --> 00:18:47.119
<v Speaker 1>Yeah, my kids said it means something kind of like

306
00:18:47.160 --> 00:18:48.759
<v Speaker 1>a cult, bro or a cult.

307
00:18:49.000 --> 00:18:51.640
<v Speaker 4>Yeah that's a good one. Yeah I like that. Yeah.

308
00:18:52.079 --> 00:18:55.680
<v Speaker 2>Well, now I'm curious, like, have your kids watched it?

309
00:18:55.759 --> 00:18:56.599
<v Speaker 2>And what did they think?

310
00:18:57.200 --> 00:19:00.359
<v Speaker 1>Oh? They they two thirds of them absolutely love it.

311
00:19:00.519 --> 00:19:02.519
<v Speaker 1>But the other one has got one of those personalities

312
00:19:02.519 --> 00:19:04.359
<v Speaker 1>that if you tell them there's something good, they'll hate

313
00:19:04.359 --> 00:19:09.759
<v Speaker 1>it or they won't watch it. So whenever her friends

314
00:19:09.920 --> 00:19:12.400
<v Speaker 1>suggest it instead of her dad, I'm sure she'll love it.

315
00:19:12.480 --> 00:19:17.839
<v Speaker 1>So yeah, Plus she has so much in common with Momo.

316
00:19:18.880 --> 00:19:21.400
<v Speaker 1>I just they love it. I mean they the two

317
00:19:21.440 --> 00:19:23.759
<v Speaker 1>watch it with me and we've had a really great conversation.

318
00:19:23.880 --> 00:19:26.640
<v Speaker 1>Of course, I'm sure they would like get better without

319
00:19:26.640 --> 00:19:28.559
<v Speaker 1>me because I keep going, oh, that's a real thing.

320
00:19:28.720 --> 00:19:30.680
<v Speaker 1>Oh and that's a real thing, and that comes from

321
00:19:30.680 --> 00:19:32.680
<v Speaker 1>here and that comes from there. But I mean it

322
00:19:32.839 --> 00:19:36.200
<v Speaker 1>is like I mean, it is just chalk. It's chunk

323
00:19:36.279 --> 00:19:39.359
<v Speaker 1>a with real stuff to reference, you know, I say

324
00:19:39.400 --> 00:19:40.200
<v Speaker 1>real you know what I mean.

325
00:19:41.160 --> 00:19:43.559
<v Speaker 5>Momo is Japanese for peach.

326
00:19:44.279 --> 00:19:47.000
<v Speaker 1>Really, Okay, that's cute, do you know?

327
00:19:47.160 --> 00:19:49.759
<v Speaker 5>Well, so do you know the Japanese folk tale of

328
00:19:49.799 --> 00:19:55.240
<v Speaker 5>Momotaro No? So the characters' names in the show are

329
00:19:55.279 --> 00:19:58.839
<v Speaker 5>all an illusion to the folk tale of Momotato, which

330
00:19:58.880 --> 00:20:02.240
<v Speaker 5>is basically a story about a boy who the super

331
00:20:02.240 --> 00:20:03.960
<v Speaker 5>short version, it's about a story about a boy who

332
00:20:03.960 --> 00:20:06.759
<v Speaker 5>teams up with a dog, a monkey, and a pheasant

333
00:20:06.759 --> 00:20:10.079
<v Speaker 5>to kill a bunch of oni or demons. It's probably

334
00:20:10.240 --> 00:20:12.359
<v Speaker 5>one of the most famous folk tales in all of Japan,

335
00:20:13.200 --> 00:20:15.200
<v Speaker 5>so much so that it was I mean, this doesn't

336
00:20:15.240 --> 00:20:17.839
<v Speaker 5>sound great, but it's true. It was used for propaganda

337
00:20:17.880 --> 00:20:21.000
<v Speaker 5>purposes during the Second World War. That's how like embedded

338
00:20:21.000 --> 00:20:25.480
<v Speaker 5>in the culture it is. But so in Danada, Dan

339
00:20:26.160 --> 00:20:31.119
<v Speaker 5>Momo right peach, and then ken Oko Run's real name.

340
00:20:31.039 --> 00:20:32.319
<v Speaker 4>Ken is dog.

341
00:20:33.000 --> 00:20:35.759
<v Speaker 5>And then later on they're joined by two other characters.

342
00:20:35.799 --> 00:20:40.920
<v Speaker 5>Oh yeah, Aira whose full name is Shira Tori, which

343
00:20:40.960 --> 00:20:45.759
<v Speaker 5>is pheasant, and Jigi, which is short for in Joji,

344
00:20:46.039 --> 00:20:46.839
<v Speaker 5>which is monkey.

345
00:20:47.119 --> 00:20:50.559
<v Speaker 1>So they're all like, oh, that is really cool. Again,

346
00:20:50.640 --> 00:20:52.599
<v Speaker 1>this thing's got so many layers, it's amazing.

347
00:20:52.839 --> 00:20:56.799
<v Speaker 4>Yeah. So, and they're they're going off to fight monsters together.

348
00:20:56.960 --> 00:21:01.799
<v Speaker 4>So yeah.

349
00:21:01.839 --> 00:21:04.240
<v Speaker 2>So yeah, as we've all been discussing, there's just such

350
00:21:04.640 --> 00:21:11.640
<v Speaker 2>a phenomenal mashup of tropes that really all our listeners

351
00:21:11.680 --> 00:21:14.400
<v Speaker 2>would be interested in. I'm still getting over the idea

352
00:21:14.400 --> 00:21:17.960
<v Speaker 2>of the Sumo Alien. That was a new one for me.

353
00:21:18.720 --> 00:21:20.319
<v Speaker 2>But I wonder if we could talk a little bit

354
00:21:20.359 --> 00:21:25.160
<v Speaker 2>about these kind of mash ups and the different characters

355
00:21:25.160 --> 00:21:27.119
<v Speaker 2>that are on the show. And I only watched a

356
00:21:27.119 --> 00:21:29.559
<v Speaker 2>couple of episodes, but could you maybe tell us a

357
00:21:29.599 --> 00:21:34.000
<v Speaker 2>bit about the stories of cryptids as aliens.

358
00:21:34.799 --> 00:21:38.519
<v Speaker 5>Yeah, absolutely, so you were you were alluding to the

359
00:21:38.519 --> 00:21:44.119
<v Speaker 5>the Sumo Alien, which is within the context of the series.

360
00:21:44.160 --> 00:21:46.000
<v Speaker 5>It is supposed to be the Flatwoods.

361
00:21:45.519 --> 00:21:48.119
<v Speaker 4>Monster, right, which I know you guys, Yeah, I have

362
00:21:48.240 --> 00:21:49.200
<v Speaker 4>covered before.

363
00:21:50.279 --> 00:21:56.680
<v Speaker 5>So yeah, so the Flatwoods Monster is incredibly popular in Japan, really,

364
00:21:56.960 --> 00:21:58.599
<v Speaker 5>like ridiculously popular.

365
00:21:58.680 --> 00:21:58.920
<v Speaker 4>Yeah.

366
00:21:58.960 --> 00:22:06.160
<v Speaker 5>It's shown up in multiple video games, various Japanese manga, anime,

367
00:22:06.359 --> 00:22:11.319
<v Speaker 5>superhero shows. You can buy vinyl figures of the Flatwoods Monster,

368
00:22:11.519 --> 00:22:17.279
<v Speaker 5>and most recently it was in Minoru Kawasaki's twenty twenty three.

369
00:22:17.079 --> 00:22:18.440
<v Speaker 4>Film a UFO Intruder.

370
00:22:19.240 --> 00:22:24.839
<v Speaker 5>So, yeah, so the Flatwoods Monsters is very popular. It

371
00:22:24.920 --> 00:22:28.640
<v Speaker 5>seems to have been introduced to Japanese culture when John

372
00:22:28.759 --> 00:22:32.599
<v Speaker 5>Keel's book Strange Creatures from Time and Space was translated

373
00:22:32.640 --> 00:22:40.000
<v Speaker 5>into Japanese. It was translated by Hiroshi Mina Miyama, who

374
00:22:40.039 --> 00:22:44.519
<v Speaker 5>is a very famous and still living paranormal investigator in Japan.

375
00:22:44.680 --> 00:22:49.039
<v Speaker 5>He translated it as the Mysterious Phenomena File. And to

376
00:22:49.160 --> 00:22:50.759
<v Speaker 5>kind of tie back to the last time I was

377
00:22:50.799 --> 00:22:56.440
<v Speaker 5>on the show, Mina Yama is also one of the

378
00:22:56.839 --> 00:23:00.839
<v Speaker 5>two guys who came up with the acronym uma or

379
00:23:01.240 --> 00:23:05.359
<v Speaker 5>Unidentified Mystery Animals, which is what cryptids are called in Japan.

380
00:23:05.720 --> 00:23:08.839
<v Speaker 1>So oh yeah. And also Strange Creatures from Time and

381
00:23:08.880 --> 00:23:12.359
<v Speaker 1>Space is the that is the same book that I

382
00:23:12.440 --> 00:23:17.759
<v Speaker 1>contend is where John Keel injected blessed silver bullets into

383
00:23:17.759 --> 00:23:21.480
<v Speaker 1>the Jevadan story and it's just from there's blown up everywhere.

384
00:23:21.559 --> 00:23:23.079
<v Speaker 4>So yeah, yeah.

385
00:23:23.200 --> 00:23:26.279
<v Speaker 5>Now, one of the things that's interesting is so in Japan,

386
00:23:27.079 --> 00:23:29.880
<v Speaker 5>the Flatwoods Monster is not always referred to as the

387
00:23:29.880 --> 00:23:35.680
<v Speaker 5>Flatwoods Monster because flatwoods doesn't necessarily have any kind of

388
00:23:35.720 --> 00:23:40.240
<v Speaker 5>resonance or meaning for Japanese audiences. So and even in

389
00:23:40.279 --> 00:23:42.279
<v Speaker 5>the English dub for Dan to to Dan, this kind

390
00:23:42.319 --> 00:23:48.200
<v Speaker 5>of comes through because you'll notice that Okorun goes back

391
00:23:48.240 --> 00:23:52.160
<v Speaker 5>and forth between calling it the Flatwoods Monster and emphasizing

392
00:23:52.160 --> 00:23:54.759
<v Speaker 5>the fact that it's three meters tall, right, And that's

393
00:23:54.759 --> 00:23:57.559
<v Speaker 5>because in Japan, The Flatwoods Monster is most commonly referred

394
00:23:57.599 --> 00:24:02.559
<v Speaker 5>to as the three meter tall Alien, which also, fun fact,

395
00:24:02.599 --> 00:24:07.319
<v Speaker 5>was apparently the nickname of director Shinji Haguchi in high school,

396
00:24:07.359 --> 00:24:10.440
<v Speaker 5>with Haguchi being the guy who worked on like shin

397
00:24:10.559 --> 00:24:15.799
<v Speaker 5>Godzilla and the nineties Gamma trilogy and stuff. But there

398
00:24:15.839 --> 00:24:20.119
<v Speaker 5>was actually a recent interview with the head translator for

399
00:24:20.480 --> 00:24:24.440
<v Speaker 5>the Dona de Don manga for its English language release,

400
00:24:24.519 --> 00:24:27.119
<v Speaker 5>and he talked about how it's that kind of stuff

401
00:24:27.160 --> 00:24:31.640
<v Speaker 5>in this manga that's like a real headache doing the translation,

402
00:24:31.880 --> 00:24:35.599
<v Speaker 5>because he was like, I'm not into this kind of stuff,

403
00:24:35.920 --> 00:24:38.599
<v Speaker 5>so I've got to you know, figure out, Okay, what

404
00:24:38.759 --> 00:24:43.480
<v Speaker 5>is the three meter tall alien referencing, because I can't

405
00:24:43.519 --> 00:24:46.160
<v Speaker 5>call it the three meter tall alien because somebody's gonna

406
00:24:46.200 --> 00:24:48.039
<v Speaker 5>know what this actually is and something has to figure

407
00:24:48.079 --> 00:24:50.359
<v Speaker 5>out the Flatwoods Monster and that kind of thing, so

408
00:24:51.000 --> 00:24:54.319
<v Speaker 5>in order to get the translation to to come across.

409
00:24:54.359 --> 00:24:57.000
<v Speaker 5>But yeah, so the Flatwoods Monster though, is one of

410
00:24:57.039 --> 00:25:02.599
<v Speaker 5>like the first antagonists that that they come up against

411
00:25:02.640 --> 00:25:06.119
<v Speaker 5>in the series, and so you could you already start

412
00:25:06.160 --> 00:25:10.720
<v Speaker 5>seeing that kind of you know in intersection there of

413
00:25:11.319 --> 00:25:14.880
<v Speaker 5>you know sort of like cryptids and aliens and other

414
00:25:14.960 --> 00:25:19.119
<v Speaker 5>things and and then it just it keeps going through

415
00:25:19.440 --> 00:25:20.960
<v Speaker 5>through the series as well.

416
00:25:21.200 --> 00:25:23.680
<v Speaker 1>Yeah, don't spoil anything, but they're definitely hinting even in

417
00:25:23.960 --> 00:25:27.000
<v Speaker 1>season one, they're hinting that there's a unity to these

418
00:25:27.039 --> 00:25:29.920
<v Speaker 1>things in some way. There's some interrelatedness which I find

419
00:25:29.960 --> 00:25:34.359
<v Speaker 1>really interesting. But I don't spoil me, man, But well,

420
00:25:34.519 --> 00:25:35.920
<v Speaker 1>I won't, I won't, I won't spoil.

421
00:25:36.000 --> 00:25:38.599
<v Speaker 5>I won't spoil anything because I have read I have

422
00:25:38.759 --> 00:25:42.480
<v Speaker 5>read the manga, so I know where where this story

423
00:25:42.519 --> 00:25:44.519
<v Speaker 5>is going. But just sticking to like the first season,

424
00:25:44.559 --> 00:25:47.200
<v Speaker 5>I mean, the other, the other one of the other

425
00:25:47.279 --> 00:25:50.640
<v Speaker 5>really interesting examples of this and especially like you know,

426
00:25:50.799 --> 00:25:52.880
<v Speaker 5>kind of HARKing back to the last time I was

427
00:25:52.920 --> 00:25:55.680
<v Speaker 5>talking with you guys about my cryptidda kaiju essay, I mean,

428
00:25:55.680 --> 00:25:59.079
<v Speaker 5>this show is such like a case study in that

429
00:25:59.359 --> 00:26:02.880
<v Speaker 5>because you can see that Tatsu is somebody who's not

430
00:26:02.960 --> 00:26:07.319
<v Speaker 5>only really you know, fascinated by Fortiana, but also is

431
00:26:07.319 --> 00:26:10.960
<v Speaker 5>a big taiju fan, because the show is constantly like

432
00:26:11.079 --> 00:26:15.279
<v Speaker 5>fusing those sort of references together all the way all

433
00:26:15.319 --> 00:26:18.000
<v Speaker 5>the way down to the even like the the theme

434
00:26:18.079 --> 00:26:22.079
<v Speaker 5>song for the anime or the opening credits, because the

435
00:26:22.160 --> 00:26:25.680
<v Speaker 5>opening credits, uh, you know, I imagine Blake and and

436
00:26:25.839 --> 00:26:28.160
<v Speaker 5>your son you probably would have caught this, but they're

437
00:26:28.160 --> 00:26:31.000
<v Speaker 5>a deliberate kind of homage to the original Ultraman.

438
00:26:31.119 --> 00:26:34.079
<v Speaker 1>Yeah no, my son hit that so hard in immediate

439
00:26:34.119 --> 00:26:36.599
<v Speaker 1>he's like, I know that alien that's from ultramat and like, yeah, yeah,

440
00:26:36.640 --> 00:26:41.119
<v Speaker 1>absolutely absolutely, Yeah. Yeah, he's a little he's a little

441
00:26:41.200 --> 00:26:46.240
<v Speaker 1>encyclopedia of Ultra Man. I guess, right, is that what?

442
00:26:46.880 --> 00:26:47.680
<v Speaker 4>Yeah? Yeah?

443
00:26:47.799 --> 00:26:50.960
<v Speaker 5>Yeah, so the yeah, the open So the opening credits

444
00:26:51.000 --> 00:26:54.119
<v Speaker 5>for this show do these these silhouettes, which is this

445
00:26:54.200 --> 00:26:58.640
<v Speaker 5>traditional Japanese art form called uh kami kiri, right, and

446
00:26:58.680 --> 00:27:01.160
<v Speaker 5>so they show all the different monsters in silhouettes, and

447
00:27:01.200 --> 00:27:04.680
<v Speaker 5>that was something that was pioneered by the original Ultraman

448
00:27:04.799 --> 00:27:07.920
<v Speaker 5>series from nineteen sixty six. And there's even a shot

449
00:27:07.960 --> 00:27:12.720
<v Speaker 5>in the credits where Momo does like a flying kick

450
00:27:12.759 --> 00:27:16.319
<v Speaker 5>in silhouette and her earrings swing up over her face

451
00:27:16.359 --> 00:27:17.759
<v Speaker 5>that looked like Ultraman's eyes.

452
00:27:18.160 --> 00:27:24.440
<v Speaker 1>No, it's an extraordinarily stylish animation style, Like I mean,

453
00:27:24.680 --> 00:27:27.240
<v Speaker 1>the seems to be an interesting blend of real photography,

454
00:27:27.519 --> 00:27:31.920
<v Speaker 1>computer generated and then traditional animation styles to the and

455
00:27:32.200 --> 00:27:34.160
<v Speaker 1>it's very impressive, very colorful. Yeah.

456
00:27:34.400 --> 00:27:35.000
<v Speaker 4>Well, yeah, I.

457
00:27:35.000 --> 00:27:40.200
<v Speaker 1>Mean I haven't seen anything quite like it, but who knows.

458
00:27:40.400 --> 00:27:42.839
<v Speaker 1>So I hope season two comes along because season one,

459
00:27:42.960 --> 00:27:45.240
<v Speaker 1>by the way, to let people know, it does not

460
00:27:45.400 --> 00:27:48.359
<v Speaker 1>end with a story arc conclusion. It just abruptly stops,

461
00:27:48.759 --> 00:27:51.039
<v Speaker 1>so you've kind of left hanging.

462
00:27:52.119 --> 00:27:56.319
<v Speaker 5>Well, there's several small story arcs in the first there are,

463
00:27:56.480 --> 00:28:00.480
<v Speaker 5>there are, and what they did was the last episode

464
00:28:00.920 --> 00:28:03.720
<v Speaker 5>is actually the beginning of the next arc.

465
00:28:04.720 --> 00:28:07.359
<v Speaker 4>So which is which is where it's.

466
00:28:07.240 --> 00:28:11.440
<v Speaker 5>Leading leading into the story going And you know, whether

467
00:28:11.480 --> 00:28:13.559
<v Speaker 5>you know it or not, in that episode, they've already

468
00:28:13.680 --> 00:28:16.920
<v Speaker 5>kind of told you more about what's coming up than

469
00:28:16.960 --> 00:28:17.960
<v Speaker 5>you might realize.

470
00:28:18.240 --> 00:28:25.240
<v Speaker 1>Yeah, they drop a lot of hints, but I actually

471
00:28:25.279 --> 00:28:29.160
<v Speaker 1>have a question. So because while a ton of this

472
00:28:29.319 --> 00:28:35.839
<v Speaker 1>material comes from what we usually call weird shadology these days,

473
00:28:36.240 --> 00:28:38.720
<v Speaker 1>it's stuff that I'm familiar with. A lot of it

474
00:28:38.799 --> 00:28:41.279
<v Speaker 1>is also dealing with Japanese folk magic, and that is

475
00:28:41.440 --> 00:28:44.119
<v Speaker 1>not something I have a lot of understanding of. You know,

476
00:28:44.119 --> 00:28:46.319
<v Speaker 1>I've seen it and occasionally in martial arts films, and

477
00:28:46.359 --> 00:28:48.599
<v Speaker 1>I don't In those cases, I don't know how much

478
00:28:48.680 --> 00:28:51.440
<v Speaker 1>is this is supposed to be reversly real folklore or

479
00:28:51.480 --> 00:28:53.599
<v Speaker 1>this is make them up for the action movie you know,

480
00:28:53.759 --> 00:28:57.759
<v Speaker 1>so I how much of the sort of magic, you know,

481
00:28:57.799 --> 00:29:00.759
<v Speaker 1>the prayers being nailed up in this is, the the wards,

482
00:29:01.039 --> 00:29:04.680
<v Speaker 1>the gestures, there's so many things happening there. You know

483
00:29:05.119 --> 00:29:10.440
<v Speaker 1>what portion of that is is based on legit of practice.

484
00:29:10.599 --> 00:29:10.960
<v Speaker 4>Yeah.

485
00:29:11.000 --> 00:29:14.960
<v Speaker 5>So, so, as I mentioned earlier, so Momo's grandmother who

486
00:29:15.039 --> 00:29:18.000
<v Speaker 5>has this whole like Marisa Tomei from the MCU Spider

487
00:29:18.079 --> 00:29:18.720
<v Speaker 5>Man movie.

488
00:29:18.519 --> 00:29:22.680
<v Speaker 1>Totally six grandma.

489
00:29:23.039 --> 00:29:28.359
<v Speaker 5>Yeah, her, her, her grandmother is is referred to and

490
00:29:28.720 --> 00:29:32.440
<v Speaker 5>self identify as repeatedly throughout the series. So in Japanese

491
00:29:33.000 --> 00:29:37.119
<v Speaker 5>it's ribashi, right, which is a term that basically can

492
00:29:37.160 --> 00:29:40.599
<v Speaker 5>be translated as spirit medium or psychic, and so it's

493
00:29:40.599 --> 00:29:46.680
<v Speaker 5>a pretty generic term. So for whatever reason, Tatsu does

494
00:29:46.720 --> 00:29:50.799
<v Speaker 5>not want to seem to overtly identify her with any

495
00:29:50.839 --> 00:29:57.640
<v Speaker 5>particular spiritual tradition, right, probably for creative reasons. But there's

496
00:29:57.720 --> 00:30:00.839
<v Speaker 5>all kinds of stuff throughout the show, throughout the Mango

497
00:30:00.920 --> 00:30:05.279
<v Speaker 5>where she's repeatedly kind of being coded in different ways

498
00:30:05.359 --> 00:30:09.920
<v Speaker 5>or referencing different different practices. So the main one is

499
00:30:09.960 --> 00:30:14.920
<v Speaker 5>that she's she's kind of repeatedly coded as a etaco,

500
00:30:15.599 --> 00:30:19.920
<v Speaker 5>which are specifically mediums associated with the Japanese religion of Shinto,

501
00:30:20.440 --> 00:30:25.079
<v Speaker 5>who are exclusively women sixty years or older. And a

502
00:30:25.160 --> 00:30:27.920
<v Speaker 5>prerequisite to being in a taco is that you're also

503
00:30:27.920 --> 00:30:31.400
<v Speaker 5>supposed to be blind or at least so severely you know,

504
00:30:32.240 --> 00:30:34.720
<v Speaker 5>vision impaired, that you might as well be legally blind.

505
00:30:34.839 --> 00:30:36.720
<v Speaker 4>Right, And so.

506
00:30:38.720 --> 00:30:43.519
<v Speaker 5>Seiko Momo's grandmother is obviously not actually blind, but like

507
00:30:43.599 --> 00:30:46.920
<v Speaker 5>in episode three, for example, you know, she's going around

508
00:30:46.960 --> 00:30:50.960
<v Speaker 5>while awake wearing like a sleep mask, right, So, and

509
00:30:51.000 --> 00:30:55.359
<v Speaker 5>she she advises Momo at one point because Momo discovers

510
00:30:55.359 --> 00:31:01.079
<v Speaker 5>that she has you know, psychic powers as well, nindor

511
00:31:01.400 --> 00:31:06.039
<v Speaker 5>yoku or telekinesis, right, and and you know, she's saying

512
00:31:06.039 --> 00:31:09.960
<v Speaker 5>that she's having trouble, you know, using using her powers,

513
00:31:10.000 --> 00:31:12.319
<v Speaker 5>and and so her grandmother says, well, one of your

514
00:31:12.359 --> 00:31:17.160
<v Speaker 5>problems is like you're looking, you're using your eyes too much. Right,

515
00:31:17.240 --> 00:31:19.799
<v Speaker 5>close your eyes, right, you know, you need to feel

516
00:31:20.440 --> 00:31:25.000
<v Speaker 5>you know your powers rather than like relying on right

517
00:31:25.119 --> 00:31:29.519
<v Speaker 5>exactly seen Star Wars. This should sound sound familiar in

518
00:31:29.559 --> 00:31:32.119
<v Speaker 5>a way. So a lot of the stuff that that

519
00:31:32.160 --> 00:31:34.000
<v Speaker 5>she's doing, in the fact that she lives at a

520
00:31:34.039 --> 00:31:37.000
<v Speaker 5>house that's also at a shrine, right, seems to be

521
00:31:37.079 --> 00:31:39.519
<v Speaker 5>coding her as in a taco, the idea that she's

522
00:31:39.559 --> 00:31:42.160
<v Speaker 5>supposed to be a grandmother.

523
00:31:41.759 --> 00:31:46.200
<v Speaker 4>Even though again Marissa Tome you know, is uh.

524
00:31:46.680 --> 00:31:48.720
<v Speaker 5>It seems to all be pointing in that direction. But

525
00:31:49.319 --> 00:31:54.039
<v Speaker 5>as you mentioned, Blake, and you see, especially in like

526
00:31:54.119 --> 00:31:58.039
<v Speaker 5>episode uh, the third episode the series, she's also using

527
00:31:58.119 --> 00:32:01.960
<v Speaker 5>things like o fuda talus, right, these paper talismans, and

528
00:32:02.000 --> 00:32:07.839
<v Speaker 5>she's making protective magic circles, and she's using uh nails,

529
00:32:08.319 --> 00:32:11.880
<v Speaker 5>which are important part in a lot of Japanese folk magic,

530
00:32:11.960 --> 00:32:16.160
<v Speaker 5>right specifically, you know, like there's the infamous Ushino Toki

531
00:32:16.960 --> 00:32:22.160
<v Speaker 5>mayri or ox hour shrine curse, which a version of

532
00:32:22.200 --> 00:32:24.240
<v Speaker 5>which also shows up in Shainsaw Man by the way.

533
00:32:25.079 --> 00:32:28.240
<v Speaker 5>But you know, and so these are all elements that

534
00:32:28.480 --> 00:32:32.359
<v Speaker 5>call to mind the Japanese Taoist practice of omi yodo,

535
00:32:32.920 --> 00:32:36.319
<v Speaker 5>which is a form of geomancy that you see all

536
00:32:36.440 --> 00:32:40.880
<v Speaker 5>the time in anime and other works of popular culture,

537
00:32:41.319 --> 00:32:45.400
<v Speaker 5>especially since the nineteen eighties. You know, there there's this

538
00:32:45.519 --> 00:32:48.920
<v Speaker 5>popular kind of trope or or stock figure of what's

539
00:32:48.920 --> 00:32:53.839
<v Speaker 5>been called the Taoist wizard, right, and and that's what

540
00:32:53.920 --> 00:32:57.079
<v Speaker 5>the the omi yodo is. So a lot of that

541
00:32:57.119 --> 00:33:00.559
<v Speaker 5>stuff seems to also be hearkening to those those kinds

542
00:33:00.559 --> 00:33:04.599
<v Speaker 5>of those traditions as well. And it's also worth noting that,

543
00:33:05.640 --> 00:33:09.799
<v Speaker 5>you know, so Psycho says that, you know, she gets

544
00:33:09.799 --> 00:33:14.079
<v Speaker 5>her power from her patron uh kame uh, which are

545
00:33:14.519 --> 00:33:19.359
<v Speaker 5>supernatural beings in in Shinto, they're often described as gods.

546
00:33:19.480 --> 00:33:23.920
<v Speaker 5>But that's not really the best translation, and unfortunately there

547
00:33:23.960 --> 00:33:27.920
<v Speaker 5>isn't really a better English word. I know, in religious studies,

548
00:33:27.960 --> 00:33:31.839
<v Speaker 5>some scholars will use phrases like, you know, locusts of

549
00:33:31.960 --> 00:33:37.240
<v Speaker 5>personified power, but that you know, sounds really overly technical.

550
00:33:37.960 --> 00:33:39.720
<v Speaker 1>But it's a it's a kind of god.

551
00:33:39.960 --> 00:33:41.640
<v Speaker 4>God is kind of the idea.

552
00:33:41.519 --> 00:33:45.279
<v Speaker 1>Like an enhanced animism, where it's not just an it's

553
00:33:45.319 --> 00:33:47.759
<v Speaker 1>not just aware, but it actually literally has some power

554
00:33:48.039 --> 00:33:49.960
<v Speaker 1>behind it, right exactly.

555
00:33:50.000 --> 00:33:52.880
<v Speaker 5>And and and in the case of Dona de don so, yeah,

556
00:33:52.920 --> 00:33:58.440
<v Speaker 5>Psycho's patron kame is Suno Dashi, who is a really

557
00:33:58.480 --> 00:34:05.440
<v Speaker 5>interesting kami because Suno Dashi is actually a version of

558
00:34:05.480 --> 00:34:09.719
<v Speaker 5>a historical figure, which was the tenth century Buddhist monk Rheosian.

559
00:34:09.920 --> 00:34:12.760
<v Speaker 5>And there's this legend that at one point there was

560
00:34:12.800 --> 00:34:16.079
<v Speaker 5>a group of again hearkening back to the story of Momotaro,

561
00:34:16.480 --> 00:34:19.880
<v Speaker 5>there was a group of rampaging Oni and in order

562
00:34:20.000 --> 00:34:25.519
<v Speaker 5>to defeat them, Rhosian allowed himself to be turned into

563
00:34:25.880 --> 00:34:30.920
<v Speaker 5>an one called Suno Dashi which means the Great Horned Master,

564
00:34:31.519 --> 00:34:34.760
<v Speaker 5>so that he could defeat them. And and so then

565
00:34:34.840 --> 00:34:38.119
<v Speaker 5>since then this has become like its own his own

566
00:34:38.239 --> 00:34:40.000
<v Speaker 5>kame is this like ony.

567
00:34:39.840 --> 00:34:41.719
<v Speaker 4>Form of this Buddhist monk.

568
00:34:42.280 --> 00:34:46.440
<v Speaker 5>So and so that's who Psycho specifically patron deity is.

569
00:34:46.480 --> 00:34:51.039
<v Speaker 5>But also an important plot point in the first you

570
00:34:51.079 --> 00:34:53.880
<v Speaker 5>know arc of the show is that, you know, her

571
00:34:54.000 --> 00:34:57.239
<v Speaker 5>powers are geographically bound, right, what we call the idea

572
00:34:57.239 --> 00:35:01.159
<v Speaker 5>of a tertiary spirit, you know. So you know, that's

573
00:35:01.199 --> 00:35:07.320
<v Speaker 5>why the initial antagonist, which is this figure called Turbo

574
00:35:07.440 --> 00:35:10.519
<v Speaker 5>Granny that I guess we can talk about and a

575
00:35:10.559 --> 00:35:13.840
<v Speaker 5>really big crab which we can also talk about. You know,

576
00:35:13.880 --> 00:35:17.960
<v Speaker 5>they have to lure them out of their city into

577
00:35:18.000 --> 00:35:22.400
<v Speaker 5>the city where Psycho's shrine is in order for them

578
00:35:22.440 --> 00:35:25.320
<v Speaker 5>to defeat them, because, as she says, like, you know,

579
00:35:25.480 --> 00:35:26.840
<v Speaker 5>we have to play a home game.

580
00:35:26.880 --> 00:35:28.920
<v Speaker 4>We can't play an away game or we're gonna lose.

581
00:35:29.239 --> 00:35:31.719
<v Speaker 1>Yeah, I know, I just I know. Longtime listeners will

582
00:35:31.760 --> 00:35:34.239
<v Speaker 1>recognize that the Great Horned Master is also the name

583
00:35:34.280 --> 00:35:36.039
<v Speaker 1>of my Miles Davis cover band.

584
00:35:36.119 --> 00:35:38.679
<v Speaker 4>So it's nice.

585
00:35:39.960 --> 00:35:43.039
<v Speaker 2>Well, justin you mentioned Turbo Granny. Can we talk a

586
00:35:43.079 --> 00:35:45.840
<v Speaker 2>little bit about the surprise that some people might have

587
00:35:45.960 --> 00:35:48.960
<v Speaker 2>to learn that some of the weirder elements of the

588
00:35:49.000 --> 00:35:51.480
<v Speaker 2>show aren't really woven from thin air, but they actually

589
00:35:51.480 --> 00:35:53.480
<v Speaker 2>refer to real beliefs.

590
00:35:54.199 --> 00:35:57.320
<v Speaker 5>Yeah, sure, so so yeah. And the first the first

591
00:35:58.079 --> 00:36:02.000
<v Speaker 5>arc of the series, the one of the principal antagonists

592
00:36:02.119 --> 00:36:06.800
<v Speaker 5>is the Theokai called Turbo Granny, who's this uh like

593
00:36:07.239 --> 00:36:11.800
<v Speaker 5>hag figure which is is in Japan, is associated with

594
00:36:13.039 --> 00:36:16.800
<v Speaker 5>Hyogo Prefecture and even more specifically with the area around

595
00:36:17.519 --> 00:36:18.360
<v Speaker 5>Mount Roku.

596
00:36:18.840 --> 00:36:19.920
<v Speaker 4>But the the.

597
00:36:19.920 --> 00:36:23.599
<v Speaker 5>Urban legend is that Turbo Granny is supposed to be

598
00:36:24.320 --> 00:36:30.599
<v Speaker 5>this old woman that you will run into and you know,

599
00:36:30.679 --> 00:36:35.960
<v Speaker 5>she she's really freaky, and if you try to run

600
00:36:36.000 --> 00:36:41.119
<v Speaker 5>away from her and she catches you, then she'll put

601
00:36:41.159 --> 00:36:43.840
<v Speaker 5>a curse on you, right, And and that's supposed to

602
00:36:43.880 --> 00:36:47.280
<v Speaker 5>be part of the ideas. It's like she's she's so fat,

603
00:36:47.320 --> 00:36:50.519
<v Speaker 5>like she's she's super fast, which you wouldn't expect from like,

604
00:36:50.960 --> 00:36:56.239
<v Speaker 5>you know, an octogenarian, right And and what's interesting with

605
00:36:56.239 --> 00:37:00.320
<v Speaker 5>with Turbo Granny is that she's obvious. You see a

606
00:37:00.400 --> 00:37:06.079
<v Speaker 5>kind of modern variation of a really classic yokai, which

607
00:37:06.119 --> 00:37:09.239
<v Speaker 5>is the yama Uba or mountain witch, right, which is

608
00:37:09.480 --> 00:37:13.880
<v Speaker 5>very deeply embedded in Japanese folklore, And if people want

609
00:37:13.920 --> 00:37:17.280
<v Speaker 5>to know more about that, I would strongly recommend Noriko

610
00:37:17.400 --> 00:37:21.840
<v Speaker 5>Wrider's book Mountain Witches from Utah State University Press that

611
00:37:21.880 --> 00:37:23.920
<v Speaker 5>came out a couple of years ago, which goes into

612
00:37:24.039 --> 00:37:29.440
<v Speaker 5>the traditions of the yama Uba. But writer doesn't talk

613
00:37:29.599 --> 00:37:32.719
<v Speaker 5>too much in there about these kind of more modern variations.

614
00:37:33.039 --> 00:37:37.119
<v Speaker 5>But there wasn't an April twenty twenty three article in

615
00:37:37.599 --> 00:37:40.039
<v Speaker 5>MoU magazine which we should probably talk about.

616
00:37:40.079 --> 00:37:41.800
<v Speaker 1>Yeah, we'll get there.

617
00:37:41.880 --> 00:37:44.079
<v Speaker 4>Yeah, that does.

618
00:37:44.039 --> 00:37:47.880
<v Speaker 5>Talk about how in recent years on the Internet there

619
00:37:47.880 --> 00:37:52.719
<v Speaker 5>have been all of these very hyper specific versions of

620
00:37:53.559 --> 00:37:56.599
<v Speaker 5>the yama Uba, Turbo Granny being one of them. The

621
00:37:56.719 --> 00:38:02.480
<v Speaker 5>other ones include these are fun the basketball Granny, the

622
00:38:02.519 --> 00:38:07.239
<v Speaker 5>hopping Granny, the coffin Granny, and hood Granny, which is

623
00:38:07.280 --> 00:38:09.360
<v Speaker 5>in this case a reference to the hood of your car,

624
00:38:09.719 --> 00:38:11.440
<v Speaker 5>so she'll like jump on the hood of your car

625
00:38:11.480 --> 00:38:16.840
<v Speaker 5>while you're driving. But but in the case of Donda

626
00:38:16.880 --> 00:38:21.679
<v Speaker 5>de don So, yeah, ok, run runs into the turbo

627
00:38:21.760 --> 00:38:25.719
<v Speaker 5>Granny and makes the mistake of running away from her

628
00:38:25.920 --> 00:38:29.079
<v Speaker 5>and doesn't escape, and he is he's caught, and she

629
00:38:29.320 --> 00:38:32.320
<v Speaker 5>places a curse on him. And in this case, you know,

630
00:38:32.360 --> 00:38:36.480
<v Speaker 5>the curse is that his his manhood disappears.

631
00:38:37.079 --> 00:38:40.400
<v Speaker 4>So and well.

632
00:38:40.239 --> 00:38:42.400
<v Speaker 1>Can I can I just interject here that I was

633
00:38:42.519 --> 00:38:45.519
<v Speaker 1>I was shocked when that happened, and then I was

634
00:38:45.760 --> 00:38:49.159
<v Speaker 1>double shocked when I you reminded me that there was

635
00:38:49.199 --> 00:38:53.159
<v Speaker 1>this whole idea of Coro which was a fads the

636
00:38:53.159 --> 00:38:56.639
<v Speaker 1>wrong way. It was sort of a cultural panic type thing.

637
00:38:56.639 --> 00:38:57.519
<v Speaker 4>The social panic.

638
00:38:57.639 --> 00:39:01.840
<v Speaker 1>Yeah, but also this idea of witches stealing your manhood

639
00:39:01.880 --> 00:39:03.920
<v Speaker 1>goes all the way back to the witch's hammer. This

640
00:39:04.000 --> 00:39:06.519
<v Speaker 1>is an old idea and I had just forgotten it.

641
00:39:07.440 --> 00:39:13.280
<v Speaker 5>Oh yeah, absolutely so and and yeah, this is again,

642
00:39:13.320 --> 00:39:14.800
<v Speaker 5>this is one. This is one of those things. And

643
00:39:14.840 --> 00:39:17.199
<v Speaker 5>I think this is one of the really fun elements

644
00:39:17.239 --> 00:39:22.239
<v Speaker 5>of this show, right, which is that you know, people,

645
00:39:22.320 --> 00:39:26.159
<v Speaker 5>people see this, and your initial reaction because of all

646
00:39:26.239 --> 00:39:29.239
<v Speaker 5>the other kind of risque humor in the show is

647
00:39:29.280 --> 00:39:31.199
<v Speaker 5>that this is just kind of like one more sort

648
00:39:31.239 --> 00:39:33.480
<v Speaker 5>of like low brow joke. It's like, oh, this witch,

649
00:39:33.519 --> 00:39:37.320
<v Speaker 5>you know, stole this, this teenage boy's uh you know,

650
00:39:37.679 --> 00:39:43.320
<v Speaker 5>uh nitol. Yeah, yeah, and and you know, so so

651
00:39:43.440 --> 00:39:47.360
<v Speaker 5>you know, so you know, he's he's literally been you know, emasculated,

652
00:39:47.440 --> 00:39:49.280
<v Speaker 5>you know, when at the same time he's trying to

653
00:39:49.320 --> 00:39:51.880
<v Speaker 5>you know, hook up with this girl who's kind of

654
00:39:51.960 --> 00:39:54.000
<v Speaker 5>you know, momo, who's kind of out of his league.

655
00:39:55.159 --> 00:39:57.599
<v Speaker 5>But in fact, yeah, I mean, you know, I am

656
00:39:57.679 --> 00:40:00.599
<v Speaker 5>I am absolutely sure that Tatsu is making reference to

657
00:40:00.639 --> 00:40:03.840
<v Speaker 5>the real life sort of forty in you know social

658
00:40:03.920 --> 00:40:08.599
<v Speaker 5>panic phenomena of kuro which is has been has been

659
00:40:08.719 --> 00:40:11.199
<v Speaker 5>very well documented. I would point people in the direction

660
00:40:11.360 --> 00:40:15.599
<v Speaker 5>of scholar Frank Burr's book The Geography of Madness, which

661
00:40:15.639 --> 00:40:19.360
<v Speaker 5>is all about this idea, and and Burr's talks about

662
00:40:19.360 --> 00:40:22.360
<v Speaker 5>how you know, this is something that crops up all

663
00:40:22.440 --> 00:40:25.440
<v Speaker 5>around the world. He says, you know, from Nigeria to Thailand,

664
00:40:25.480 --> 00:40:29.599
<v Speaker 5>from Borneo to Hong Kong. You know, you have these

665
00:40:30.039 --> 00:40:34.639
<v Speaker 5>these cases where there will be these social social panics

666
00:40:34.679 --> 00:40:37.639
<v Speaker 5>where men will start claiming, you know, hey, yeah, I've

667
00:40:37.679 --> 00:40:41.519
<v Speaker 5>been deprived of you know, of my genitals by a

668
00:40:41.559 --> 00:40:44.239
<v Speaker 5>witch or by some kind of other uh you know,

669
00:40:44.320 --> 00:40:47.840
<v Speaker 5>similar evil spirit. And and as you already said, Blake, yeah,

670
00:40:47.880 --> 00:40:51.000
<v Speaker 5>this has very this has a long history to it.

671
00:40:51.400 --> 00:40:53.679
<v Speaker 1>Well, I'll tell you this, if the wind steals, you're junk,

672
00:40:54.559 --> 00:40:55.679
<v Speaker 1>You're in trouble.

673
00:41:01.920 --> 00:41:04.199
<v Speaker 2>Well, I want to add too, I don't remember the

674
00:41:04.280 --> 00:41:06.280
<v Speaker 2>names of all of these festivals. When I was writing

675
00:41:06.320 --> 00:41:10.239
<v Speaker 2>my book Misconceptions on Infertility, I had read about a

676
00:41:10.320 --> 00:41:14.719
<v Speaker 2>Japanese penis festival and all of these other fertility festivals

677
00:41:14.760 --> 00:41:19.400
<v Speaker 2>and ones based on urban legends about steel vaginas and

678
00:41:19.599 --> 00:41:22.880
<v Speaker 2>penises and all things, all kinds of things like this. So, yeah,

679
00:41:22.880 --> 00:41:24.400
<v Speaker 2>they do seem to have a lot of kind of

680
00:41:24.440 --> 00:41:26.119
<v Speaker 2>folklore around this topic.

681
00:41:26.519 --> 00:41:28.039
<v Speaker 4>Yeah, I know, absolutely.

682
00:41:28.119 --> 00:41:32.719
<v Speaker 5>Yeah, you're thinking of the Kanamara matt Suri, right, which

683
00:41:32.760 --> 00:41:40.400
<v Speaker 5>is a traditional harvest festival in Kawasaki, Japan, which is

684
00:41:40.440 --> 00:41:43.159
<v Speaker 5>also known ye as the Festival of the Steel fallis so,

685
00:41:44.639 --> 00:41:49.280
<v Speaker 5>which yeah, is wild where you've got you know, they

686
00:41:49.400 --> 00:41:52.719
<v Speaker 5>parade a giant a giant penis down the street as

687
00:41:52.760 --> 00:41:56.239
<v Speaker 5>a float, and you know you can buy all kinds

688
00:41:56.320 --> 00:42:01.159
<v Speaker 5>of penis shaped themed goods. So you know, we're we're

689
00:42:01.159 --> 00:42:03.679
<v Speaker 5>earning your explicit rating for this, that's right, that's right.

690
00:42:04.280 --> 00:42:06.760
<v Speaker 2>So but this is this is anthropology.

691
00:42:07.199 --> 00:42:14.199
<v Speaker 1>So yeah, well it's it's panthropology, right. What you've said

692
00:42:14.320 --> 00:42:16.960
<v Speaker 1>that in our chat, it's prepagant for this. You said

693
00:42:16.960 --> 00:42:19.320
<v Speaker 1>that the whole series is a bit of a love

694
00:42:19.400 --> 00:42:22.639
<v Speaker 1>letter to MOO magazine, can you I don't. I was

695
00:42:22.679 --> 00:42:25.400
<v Speaker 1>not familiar with that, but it sounds really cool. First

696
00:42:25.440 --> 00:42:26.920
<v Speaker 1>of all, can you tell us about it? And is

697
00:42:26.960 --> 00:42:29.320
<v Speaker 1>there any kind of English translation of it?

698
00:42:30.280 --> 00:42:31.400
<v Speaker 4>So?

699
00:42:31.400 --> 00:42:33.519
<v Speaker 5>So, yeah, so I when the last time I was

700
00:42:33.519 --> 00:42:36.199
<v Speaker 5>on the show, I mentioned that, Yeah, you have this

701
00:42:36.280 --> 00:42:40.639
<v Speaker 5>publication in Japan which is called MoU in reference to

702
00:42:41.639 --> 00:42:43.800
<v Speaker 5>the lost content.

703
00:42:43.440 --> 00:42:45.920
<v Speaker 1>Not the cow sound exactly, Yeah, yeah right.

704
00:42:45.800 --> 00:42:47.639
<v Speaker 4>Im you Im right?

705
00:42:47.719 --> 00:42:51.840
<v Speaker 5>So from theosophical lore which is called MoU and the

706
00:42:51.880 --> 00:42:56.480
<v Speaker 5>subtitle is the Super Mystery Magazine. And one of the

707
00:42:56.880 --> 00:42:59.960
<v Speaker 5>protagonists from the nineteen ninety one got Zilla film Got Deliversus,

708
00:43:00.119 --> 00:43:03.920
<v Speaker 5>King Gadora, is actually a journalist from Moo magazine. So

709
00:43:05.320 --> 00:43:09.800
<v Speaker 5>but yeah, when when we first meet ok Run in Danada,

710
00:43:09.880 --> 00:43:14.360
<v Speaker 5>dan he's reading a magazine that actually is is the.

711
00:43:14.840 --> 00:43:17.280
<v Speaker 1>Is it PO? It's something? Oh yeah, yes, it's Po.

712
00:43:17.880 --> 00:43:21.679
<v Speaker 5>But if you're familiar with MoU, it's obviously MoU like

713
00:43:21.760 --> 00:43:24.559
<v Speaker 5>it is identical to MoU.

714
00:43:25.320 --> 00:43:26.880
<v Speaker 4>And so MoU is the.

715
00:43:26.840 --> 00:43:30.760
<v Speaker 5>Premiere paranormal periodical in Japan, and it was founded in

716
00:43:30.840 --> 00:43:36.000
<v Speaker 5>nineteen seventy nine during the Japanese occult boom. In the

717
00:43:36.159 --> 00:43:39.119
<v Speaker 5>in the seventies, which we previously talked about, and it's

718
00:43:39.360 --> 00:43:44.400
<v Speaker 5>been running ever since, and there's no there's no English

719
00:43:44.480 --> 00:43:48.880
<v Speaker 5>language translation for it that I'm aware of. They do

720
00:43:49.000 --> 00:43:53.440
<v Speaker 5>have certain articles like the one I mentioned before, that

721
00:43:53.480 --> 00:43:58.280
<v Speaker 5>they have posted online, and Google Translate is getting better

722
00:43:58.320 --> 00:44:01.960
<v Speaker 5>all the time, so if you use that, you can

723
00:44:02.000 --> 00:44:05.639
<v Speaker 5>read some of these online articles as examples of it.

724
00:44:06.000 --> 00:44:10.039
<v Speaker 5>And there's also been some interviews with the current editor

725
00:44:10.119 --> 00:44:17.199
<v Speaker 5>in chief of MoU, which is this guy, Takeiharu Mkami,

726
00:44:17.519 --> 00:44:22.400
<v Speaker 5>that have appeared in English in recent years. Because so

727
00:44:22.719 --> 00:44:26.559
<v Speaker 5>the publication in the English language world that I would

728
00:44:26.559 --> 00:44:29.840
<v Speaker 5>compare mood to is the forty in Times, which was

729
00:44:29.880 --> 00:44:34.559
<v Speaker 5>even founded also in nineteen seventy three. It's very similar

730
00:44:34.639 --> 00:44:37.119
<v Speaker 5>to forty in Times for people who are familiar with that,

731
00:44:37.400 --> 00:44:44.039
<v Speaker 5>in that it's a monthly publication. It has a very bold,

732
00:44:44.239 --> 00:44:49.800
<v Speaker 5>eye catching cover art and interior sort of layout, very

733
00:44:49.920 --> 00:44:54.119
<v Speaker 5>like sort of sensational, almost kind of tabloid sounding titles

734
00:44:54.840 --> 00:44:57.679
<v Speaker 5>for their articles. But then when you actually read the

735
00:44:57.760 --> 00:45:01.119
<v Speaker 5>content of the articles, you know they lure you in

736
00:45:01.159 --> 00:45:03.800
<v Speaker 5>with all of all of that sort of over the topness,

737
00:45:03.800 --> 00:45:06.159
<v Speaker 5>But more often than not, when you read the articles,

738
00:45:06.159 --> 00:45:09.400
<v Speaker 5>they actually take a very critical, if not often sort

739
00:45:09.400 --> 00:45:13.400
<v Speaker 5>of skeptical approach to the material that they're covering. And

740
00:45:13.480 --> 00:45:16.559
<v Speaker 5>there was a twenty twenty one interview that Makami did

741
00:45:16.599 --> 00:45:22.079
<v Speaker 5>with Japan Today where he actually they were talking about

742
00:45:22.559 --> 00:45:30.119
<v Speaker 5>QAnon reaching Japan, right, and Makami was saying, how you know,

743
00:45:31.840 --> 00:45:34.599
<v Speaker 5>this was a topic that they had sort of avoided

744
00:45:35.000 --> 00:45:37.480
<v Speaker 5>covering in the magazine for a while. They were aware

745
00:45:37.480 --> 00:45:41.159
<v Speaker 5>of it, but now that it had reached Japan, they

746
00:45:41.239 --> 00:45:44.559
<v Speaker 5>were basically forced to actually talk about it. But he

747
00:45:44.760 --> 00:45:48.159
<v Speaker 5>was emphasizing the idea that the point of MU as

748
00:45:48.199 --> 00:45:53.719
<v Speaker 5>a publication is not to encourage belief in the supernatural,

749
00:45:54.039 --> 00:45:59.719
<v Speaker 5>but to actually grow readers, what he said, their conspiracy

750
00:45:59.760 --> 00:46:02.360
<v Speaker 5>theory literacy, right, and he said, this is a quote

751
00:46:02.360 --> 00:46:04.360
<v Speaker 5>from him. He said, the only way to discourage people

752
00:46:04.559 --> 00:46:07.760
<v Speaker 5>from being drawn in by conspiracies is to boost their

753
00:46:07.840 --> 00:46:11.639
<v Speaker 5>conspiracy theory literacy, right, which is what they try to

754
00:46:11.719 --> 00:46:14.480
<v Speaker 5>regularly do in the magazine.

755
00:46:14.559 --> 00:46:14.719
<v Speaker 4>Right.

756
00:46:14.760 --> 00:46:18.079
<v Speaker 5>So give them like the facts and the information, but

757
00:46:18.199 --> 00:46:20.719
<v Speaker 5>in like a sort of fun, accessible way to let

758
00:46:20.800 --> 00:46:24.920
<v Speaker 5>them know about this material and know where it comes

759
00:46:24.920 --> 00:46:28.280
<v Speaker 5>from and all of this kind of stuff. And MoU

760
00:46:28.440 --> 00:46:34.760
<v Speaker 5>is evidently very very popular in Japan, right, which still

761
00:46:34.760 --> 00:46:40.280
<v Speaker 5>has a very high sort of print media culture over there.

762
00:46:40.880 --> 00:46:43.960
<v Speaker 5>And according to Tamakami, the numbers that he gave in

763
00:46:44.039 --> 00:46:47.239
<v Speaker 5>that Pan Today interview was he said, they currently have

764
00:46:47.280 --> 00:46:52.920
<v Speaker 5>a print circulation of over fifty seven thousand, wow, which

765
00:46:53.719 --> 00:46:58.639
<v Speaker 5>like blows the forty times out of the water, which

766
00:46:59.000 --> 00:47:01.199
<v Speaker 5>as of twenty eighteen, what I could find at a

767
00:47:01.199 --> 00:47:06.039
<v Speaker 5>monthly print circulation of fourteen thousand. And then I reached

768
00:47:06.039 --> 00:47:09.679
<v Speaker 5>out to the current editor of A Skeptical Inquirer and

769
00:47:09.800 --> 00:47:13.480
<v Speaker 5>was told that their current monthly print circulation is eighteen thousand.

770
00:47:13.760 --> 00:47:19.960
<v Speaker 5>So that's some comparison, right wo. But yeah, and but

771
00:47:20.519 --> 00:47:24.599
<v Speaker 5>you know, what you know Okarun is reading is absolutely

772
00:47:24.639 --> 00:47:28.760
<v Speaker 5>an issue of MoU. You see the magazine repeatedly brought

773
00:47:28.840 --> 00:47:32.280
<v Speaker 5>up throughout the show. Tatsu the creator has said in

774
00:47:32.920 --> 00:47:36.920
<v Speaker 5>various interviews that, you know, that's his main source for

775
00:47:36.960 --> 00:47:39.159
<v Speaker 5>a lot of the information, a lot of the ideas

776
00:47:39.760 --> 00:47:44.719
<v Speaker 5>is going back to move and in fact, you know,

777
00:47:45.039 --> 00:47:49.559
<v Speaker 5>so in that first episode when Okarun and Momo meet,

778
00:47:50.000 --> 00:47:52.639
<v Speaker 5>you know, Momo asks Oko Run what he's reading, and

779
00:47:52.679 --> 00:47:55.360
<v Speaker 5>he starts going on about how he's reading an article

780
00:47:55.400 --> 00:48:00.719
<v Speaker 5>about Project Pegasus, which is this bizarre conspiration theory from

781
00:48:00.760 --> 00:48:03.559
<v Speaker 5>twenty twelve that alleged that like the CIA had a

782
00:48:03.599 --> 00:48:06.679
<v Speaker 5>secret project in the nineteen eighties where they were sending

783
00:48:06.679 --> 00:48:08.679
<v Speaker 5>people to Mars, and one of the people they're supposed

784
00:48:08.679 --> 00:48:11.119
<v Speaker 5>to have sent was a teenage Barack Obama.

785
00:48:11.320 --> 00:48:13.079
<v Speaker 1>Yeah right, we all know this story.

786
00:48:13.280 --> 00:48:16.760
<v Speaker 4>Yeah, that was a real conspiracy. I know, I know,

787
00:48:16.840 --> 00:48:18.559
<v Speaker 4>and it was It was in.

788
00:48:18.760 --> 00:48:22.280
<v Speaker 5>And it was really covered in Moo magazine. It was

789
00:48:22.320 --> 00:48:26.440
<v Speaker 5>the cover story wow, for issue number three eighty one,

790
00:48:26.519 --> 00:48:30.199
<v Speaker 5>which came out in August twenty twelve. And when Okarun

791
00:48:30.360 --> 00:48:34.679
<v Speaker 5>holds up the magazine to Momo, that is the exact

792
00:48:34.760 --> 00:48:35.920
<v Speaker 5>layout of that article.

793
00:48:35.960 --> 00:48:37.159
<v Speaker 4>They just copied it.

794
00:48:37.320 --> 00:48:38.119
<v Speaker 1>Wow.

795
00:48:38.360 --> 00:48:43.199
<v Speaker 2>There you go. I certainly didn't mean to or don't

796
00:48:43.239 --> 00:48:46.400
<v Speaker 2>want to alienate people with what I think about the show,

797
00:48:46.400 --> 00:48:48.599
<v Speaker 2>and I don't think that I would either, and three

798
00:48:48.679 --> 00:48:53.440
<v Speaker 2>million people can't be wrong, surely, So I would urge

799
00:48:53.480 --> 00:48:56.599
<v Speaker 2>people who are listening to give it a try. But

800
00:48:56.639 --> 00:48:58.880
<v Speaker 2>I think we need to wind things up justin I

801
00:48:58.960 --> 00:49:01.360
<v Speaker 2>just wanted to ask you about an article that you've

802
00:49:01.360 --> 00:49:04.960
<v Speaker 2>written about the show. When's it coming out and where

803
00:49:05.039 --> 00:49:05.760
<v Speaker 2>is it coming out?

804
00:49:06.679 --> 00:49:10.039
<v Speaker 5>Yeah, So I've written a short article talking about the show.

805
00:49:10.920 --> 00:49:14.679
<v Speaker 5>It should be coming out on a I p T.

806
00:49:15.000 --> 00:49:18.559
<v Speaker 5>Which is Adventures and Poor Taste, which is where I

807
00:49:18.880 --> 00:49:22.480
<v Speaker 5>regularly do book reviews. So and it's it's just going

808
00:49:22.480 --> 00:49:26.280
<v Speaker 5>to touch on a few a few different aspects of

809
00:49:26.280 --> 00:49:29.360
<v Speaker 5>the show, a few things that we didn't necessarily get

810
00:49:29.400 --> 00:49:31.880
<v Speaker 5>around to talking about.

811
00:49:31.920 --> 00:49:32.440
<v Speaker 4>In this one.

812
00:49:32.480 --> 00:49:35.880
<v Speaker 5>I spend some time talking about the idea of Kappa

813
00:49:36.000 --> 00:49:39.280
<v Speaker 5>as aliens, which is something that comes up in the show,

814
00:49:39.280 --> 00:49:43.719
<v Speaker 5>which again is a direct reference to a very famous

815
00:49:43.840 --> 00:49:47.679
<v Speaker 5>article that ran in Move magazine back in the nineties.

816
00:49:48.239 --> 00:49:52.360
<v Speaker 5>So so yeah, I have I've written I've written a

817
00:49:52.400 --> 00:49:56.599
<v Speaker 5>short a short little piece about it as well. But yeah,

818
00:49:56.719 --> 00:49:59.920
<v Speaker 5>I mean, there's so much that's just like jammed pack

819
00:50:00.199 --> 00:50:04.559
<v Speaker 5>into this this series, and even just like the first

820
00:50:04.639 --> 00:50:08.159
<v Speaker 5>season of the anime, you know that we haven't even

821
00:50:08.599 --> 00:50:11.039
<v Speaker 5>haven't even got into So yeah.

822
00:50:11.159 --> 00:50:14.880
<v Speaker 1>Right, Well, thank you so much for what has got

823
00:50:14.920 --> 00:50:17.880
<v Speaker 1>to be one of the tidiest explainers for an anime

824
00:50:17.960 --> 00:50:20.719
<v Speaker 1>I've ever been part of. So I'm really thankful for

825
00:50:20.480 --> 00:50:25.480
<v Speaker 1>your time. I'm gonna wind up here, but I want

826
00:50:25.480 --> 00:50:29.119
<v Speaker 1>to leave a bonus question for patrons. Yeah sure, okay,

827
00:50:29.280 --> 00:50:32.639
<v Speaker 1>So here's my bonus patron question. You're ready, here, we

828
00:50:32.679 --> 00:50:37.400
<v Speaker 1>go for Patreon listeners only. Okay, Ken Takakura is an

829
00:50:37.400 --> 00:50:38.679
<v Speaker 1>important part of this story.

830
00:50:39.679 --> 00:50:40.199
<v Speaker 4>Monster.

831
00:50:41.639 --> 00:50:45.199
<v Speaker 1>You've been listening to Monster Talk, the science show about monsters.

832
00:50:45.559 --> 00:50:50.000
<v Speaker 1>I'm Blake Smith and I'm Karen Stolsner. You just heard

833
00:50:50.039 --> 00:50:52.920
<v Speaker 1>doctor Justin mullis helping us make sense of some of

834
00:50:52.920 --> 00:50:57.079
<v Speaker 1>the many cultural connections president in the Weird Shitology Dance

835
00:50:57.159 --> 00:51:01.039
<v Speaker 1>anime series Dan to Dan. Thanks again Justin for taking

836
00:51:01.079 --> 00:51:03.239
<v Speaker 1>the time to talk with us, and do keep an

837
00:51:03.280 --> 00:51:06.320
<v Speaker 1>eye out for his upcoming article in the excellent website

838
00:51:06.480 --> 00:51:14.039
<v Speaker 1>AIPT Adventures and Poor Taste. Speaking of listener suggestions, yes,

839
00:51:14.480 --> 00:51:18.440
<v Speaker 1>I have been checking out on Kenny Japan. I'm only

840
00:51:18.480 --> 00:51:21.000
<v Speaker 1>just getting started, but the episodes I've tried, including the

841
00:51:21.000 --> 00:51:23.599
<v Speaker 1>one on Turbo Granny, have been excellent. So thanks to

842
00:51:23.639 --> 00:51:26.440
<v Speaker 1>everyone who's been poking me with sticks saying check out

843
00:51:26.480 --> 00:51:29.559
<v Speaker 1>on Kenny Japan over and over again, and also please

844
00:51:29.679 --> 00:51:33.400
<v Speaker 1>stop poking me with sticks. Hey, Blake here, I'll be

845
00:51:33.480 --> 00:51:36.400
<v Speaker 1>sitting sale this July with Brian Dunning of the Skeptoid

846
00:51:36.400 --> 00:51:39.320
<v Speaker 1>Podcast as part of his Skeptoid Adventure series. If you

847
00:51:39.320 --> 00:51:41.599
<v Speaker 1>want to join us, check the show notes or google

848
00:51:41.679 --> 00:51:44.760
<v Speaker 1>Skeptoid Adventure. But you need to book Passage by April

849
00:51:44.760 --> 00:51:46.519
<v Speaker 1>to be a part of it. You'll get lots of

850
00:51:46.559 --> 00:51:51.079
<v Speaker 1>details about the Bermuda Triangle while traveling in the Bermuda Triangle.

851
00:51:51.280 --> 00:51:53.440
<v Speaker 1>And I'll be doing a live reading of a spooky

852
00:51:53.559 --> 00:51:55.800
<v Speaker 1>nautical ghost story at sea. And if you sign up

853
00:51:55.840 --> 00:51:57.760
<v Speaker 1>for the day trip to Key West, I'll tell you

854
00:51:57.840 --> 00:52:00.239
<v Speaker 1>all about Robert the Doll and then you can see

855
00:52:00.320 --> 00:52:03.719
<v Speaker 1>him for yourself. I hope you can join us. Monster

856
00:52:03.800 --> 00:52:07.800
<v Speaker 1>Talk theme music is by Pete Stealing Monkeys. We hope

857
00:52:07.800 --> 00:52:11.280
<v Speaker 1>you enjoyed this episode. Please come back next week for more.

858
00:52:57.840 --> 00:53:00.239
<v Speaker 5>This has been a Monster House presentation.

859
00:53:01.880 --> 00:53:08.199
<v Speaker 1>This is a fan request episode and I and keep

860
00:53:08.199 --> 00:53:11.079
<v Speaker 1>an eye out for his upcoming article and an excellent website.

861
00:53:11.239 --> 00:53:14.280
<v Speaker 1>A yype Yeah
