WEBVTT

1
00:00:05.000 --> 00:00:07.000
<v Speaker 1>I've always thought there's a kind of dignity in ritual

2
00:00:07.040 --> 00:00:09.599
<v Speaker 1>little things you breed into the day's harmless repetitions that

3
00:00:09.679 --> 00:00:12.919
<v Speaker 1>keep you steady most mornings. I slipped quietly from under

4
00:00:12.960 --> 00:00:14.960
<v Speaker 1>the colt before Ann wakes, tie the laces on gray

5
00:00:14.960 --> 00:00:17.000
<v Speaker 1>walking shoes that have molded to my shape, and set

6
00:00:17.000 --> 00:00:20.160
<v Speaker 1>out to Tomice small territory, Willow Avenue, right on to

7
00:00:20.239 --> 00:00:23.440
<v Speaker 1>Sycamore left at Missus Kesselo's Victorian. The maple Lane always

8
00:00:23.519 --> 00:00:25.120
<v Speaker 1>just as the sunlight, clear as the brickwork up of

9
00:00:25.160 --> 00:00:27.920
<v Speaker 1>the bakery, somewhere in my bones, as an insistance on

10
00:00:28.000 --> 00:00:30.760
<v Speaker 1>familiar patterns, the remnant of long years trying to instill

11
00:00:30.839 --> 00:00:33.960
<v Speaker 1>order in children have rad can clouds than fractions. This

12
00:00:34.119 --> 00:00:36.679
<v Speaker 1>morning my mind was playing over the crosswood Ann and

13
00:00:36.679 --> 00:00:39.880
<v Speaker 1>I started last night seven d Ann languidly drifting, I

14
00:00:39.880 --> 00:00:42.159
<v Speaker 1>thought ambling amuse at hollow. The bar was for clues

15
00:00:42.200 --> 00:00:44.799
<v Speaker 1>these days. I touched the coal metal of the gate

16
00:00:44.880 --> 00:00:47.520
<v Speaker 1>depped onto the sidewalk. I made my customary mental tally

17
00:00:47.520 --> 00:00:49.439
<v Speaker 1>of the odd numbers on the hazares, something I doubt

18
00:00:49.439 --> 00:00:52.159
<v Speaker 1>I'll ever be able to stop. I turned onto Maple

19
00:00:52.240 --> 00:00:55.840
<v Speaker 1>Lane as usual. It's not a dramatic street, maybe twelve houses,

20
00:00:55.960 --> 00:00:58.759
<v Speaker 1>all set back behind tidy fences and well behaved shrubs.

21
00:00:59.280 --> 00:01:01.439
<v Speaker 1>The hydrangees were in their blue face. The too bright

22
00:01:01.479 --> 00:01:03.799
<v Speaker 1>paint of Everett's professional dog walking sign winked at me

23
00:01:03.840 --> 00:01:05.879
<v Speaker 1>from across the way, and the mail box at number

24
00:01:05.879 --> 00:01:08.840
<v Speaker 1>fifteen was, as always, bent at an angle that suggested

25
00:01:08.879 --> 00:01:10.799
<v Speaker 1>one of the neighbor boys had crashed into it. Again.

26
00:01:11.439 --> 00:01:13.599
<v Speaker 1>Stepping on to Maple, I let my mind wonder, as

27
00:01:13.599 --> 00:01:16.799
<v Speaker 1>I invariably do, puzzle switching places with memories, smoothing along

28
00:01:16.879 --> 00:01:19.799
<v Speaker 1>the same route as always. That's why when I ended

29
00:01:19.840 --> 00:01:21.840
<v Speaker 1>up back on Willow Avenue, not from my usual approach,

30
00:01:21.879 --> 00:01:24.400
<v Speaker 1>but from the astroisk opposite end asterisk, my first reaction

31
00:01:24.560 --> 00:01:27.560
<v Speaker 1>was not shark but confusion, so faint it almost felt mischievous.

32
00:01:28.120 --> 00:01:31.040
<v Speaker 1>I stopped at the curb behind me. The sign reader

33
00:01:31.079 --> 00:01:33.159
<v Speaker 1>Willow Avenue in the blocky black type use since the

34
00:01:33.239 --> 00:01:36.519
<v Speaker 1>nineteen seventies, but this part of Willow felt wrong. The

35
00:01:36.560 --> 00:01:39.400
<v Speaker 1>houses were reverse viewed, as if from a mirror. The

36
00:01:39.439 --> 00:01:42.120
<v Speaker 1>small painted stones lining miss Islum's path were on the

37
00:01:42.159 --> 00:01:44.959
<v Speaker 1>left instead of right. Across the way, a porch wing

38
00:01:45.079 --> 00:01:47.439
<v Speaker 1>usually afflicted with the most distinctive creek in the neighborhood

39
00:01:47.519 --> 00:01:50.400
<v Speaker 1>hung perfectly still and silent, moving not at all, even

40
00:01:50.400 --> 00:01:53.599
<v Speaker 1>when a breeze kicked up. My hearty tests lightly faster,

41
00:01:53.760 --> 00:01:55.959
<v Speaker 1>but not with alarm. Rather a math teachers bristle when

42
00:01:55.959 --> 00:01:58.959
<v Speaker 1>a student proposes that two plus two equals five. Something

43
00:01:59.000 --> 00:02:02.120
<v Speaker 1>in the calculation had showed for a moment. I surveyed

44
00:02:02.120 --> 00:02:04.680
<v Speaker 1>the street, searching for any neighbor outbreaking leaves or walking

45
00:02:04.680 --> 00:02:07.280
<v Speaker 1>a dog. But the block was deserted. No morning runners,

46
00:02:07.519 --> 00:02:11.080
<v Speaker 1>no distant calls from open kitchen windows. Every boundary between

47
00:02:11.159 --> 00:02:13.759
<v Speaker 1>yard seemed hyper defined, the transition from grass to guard

48
00:02:13.800 --> 00:02:16.560
<v Speaker 1>and bed too sharp, the hedges shorn with geometrical position

49
00:02:16.599 --> 00:02:19.280
<v Speaker 1>I knew didn't exist on Saturdays, let alone a Tuesday.

50
00:02:19.919 --> 00:02:23.000
<v Speaker 1>I turned instinctively, eyeing the path I'd just walked. I

51
00:02:23.039 --> 00:02:25.319
<v Speaker 1>stepped forward, then back, as if that might unlock some

52
00:02:25.400 --> 00:02:28.520
<v Speaker 1>hidden seam. My mind began to howling possibilities. How had

53
00:02:28.520 --> 00:02:32.400
<v Speaker 1>I misaturned? Was a new construction ad eeter. I riplayed

54
00:02:32.400 --> 00:02:35.639
<v Speaker 1>my steps, counting the lesson rights, recalling each tactile ankor

55
00:02:35.639 --> 00:02:37.719
<v Speaker 1>the scrape of maple keys under foot, the chip paint

56
00:02:37.759 --> 00:02:40.120
<v Speaker 1>on her tells mailbox, the fainter room of sugar melting

57
00:02:40.120 --> 00:02:43.879
<v Speaker 1>from the beaker's morning batch. I tried to retrace, convinced

58
00:02:43.879 --> 00:02:46.759
<v Speaker 1>there must be some trick of the streets. After fifteen

59
00:02:46.759 --> 00:02:50.039
<v Speaker 1>minutes and free increasingly agitated attempts, the results were identical.

60
00:02:50.639 --> 00:02:53.759
<v Speaker 1>Every path, by whichever arithmetic I applied, landed me at

61
00:02:53.759 --> 00:02:56.240
<v Speaker 1>the same paradox. I left by one entrance in return

62
00:02:56.280 --> 00:02:59.000
<v Speaker 1>by another, all without traversing the intermediate space I'd walked

63
00:02:59.039 --> 00:03:02.039
<v Speaker 1>for decades. I shook it, often in fraction against scentse

64
00:03:02.199 --> 00:03:04.800
<v Speaker 1>an aberration, short up to distract a thinking, a slip

65
00:03:04.840 --> 00:03:08.159
<v Speaker 1>of attention that would roader itself under daylight. Still, as

66
00:03:08.159 --> 00:03:09.960
<v Speaker 1>I double check my own keys in my pocket and

67
00:03:10.000 --> 00:03:12.159
<v Speaker 1>trace the white line painted as a copside warning, a

68
00:03:12.240 --> 00:03:14.120
<v Speaker 1>gentle but persistent and he settled at the base of

69
00:03:14.120 --> 00:03:17.039
<v Speaker 1>my skull. The geometry was off, and the numbers would

70
00:03:17.080 --> 00:03:19.960
<v Speaker 1>not for the first time in years adop acomb. I

71
00:03:20.000 --> 00:03:22.759
<v Speaker 1>tried not to dwell on the moment. Anne was at

72
00:03:22.759 --> 00:03:25.080
<v Speaker 1>the dining table, pouring the last of the orange cheese

73
00:03:25.080 --> 00:03:27.680
<v Speaker 1>into a glass. She glanced up with a smile so

74
00:03:27.759 --> 00:03:29.719
<v Speaker 1>practiced it might as well have been etched on sandsun

75
00:03:29.919 --> 00:03:31.960
<v Speaker 1>But she reached for my hand as she always did,

76
00:03:32.639 --> 00:03:34.719
<v Speaker 1>five decades in the same small house. Will do that

77
00:03:34.759 --> 00:03:38.120
<v Speaker 1>to you? Make even the smallest gestures into rituals. How

78
00:03:38.199 --> 00:03:41.439
<v Speaker 1>is the walk? She asked, Her eyes always sharper than

79
00:03:41.439 --> 00:03:44.080
<v Speaker 1>she let on, flickered to my face. I summoned what

80
00:03:44.120 --> 00:03:48.280
<v Speaker 1>I hope was a casual shrug. Breezy, I replied, missus

81
00:03:48.319 --> 00:03:52.919
<v Speaker 1>Qusso's promoses are bloom meirily, a safe factual. At Anne nodded,

82
00:03:53.000 --> 00:03:55.319
<v Speaker 1>excepting or at least willing to pretend she accepted my

83
00:03:55.319 --> 00:03:58.919
<v Speaker 1>gloss over detail. I watched her wandered fleetingly why we

84
00:03:58.960 --> 00:04:01.039
<v Speaker 1>so often colluded in small all disguises for the sake

85
00:04:01.080 --> 00:04:04.520
<v Speaker 1>of peace. Breakfast was the usual give and take. I

86
00:04:04.560 --> 00:04:06.759
<v Speaker 1>set aside the left of her mail from the previous evening,

87
00:04:06.919 --> 00:04:09.919
<v Speaker 1>mostly circulars and yet another needed request to join nickewuans

88
00:04:10.560 --> 00:04:13.000
<v Speaker 1>I reported that mister Alvarez had called about the block's

89
00:04:13.000 --> 00:04:16.000
<v Speaker 1>Annuel sprink, cling up a wave of gentle pettants, some

90
00:04:16.160 --> 00:04:18.959
<v Speaker 1>laughter about the neighbor boys turning chow copscutch into competition,

91
00:04:19.040 --> 00:04:22.680
<v Speaker 1>requiring negotiation, speculation about Missess Kessler's room of plans for

92
00:04:22.720 --> 00:04:25.160
<v Speaker 1>another plant sale on Friday, were it not for the

93
00:04:25.199 --> 00:04:27.560
<v Speaker 1>previous hours contradiction. This would have been a morning blowed

94
00:04:27.560 --> 00:04:30.279
<v Speaker 1>into thousands before it if I look at it squarely.

95
00:04:30.399 --> 00:04:33.279
<v Speaker 1>My impulse for order is more habit than compulsion. Pattens

96
00:04:33.319 --> 00:04:36.360
<v Speaker 1>reassure me. I've walked the same route, nearly, stepped for

97
00:04:36.360 --> 00:04:38.759
<v Speaker 1>step since I was eight or nine. Even when the

98
00:04:38.800 --> 00:04:41.240
<v Speaker 1>houses changed their colors, our families came and went. The

99
00:04:41.240 --> 00:04:43.199
<v Speaker 1>math of the neighbor, who, with all its odd numbers

100
00:04:43.199 --> 00:04:46.920
<v Speaker 1>and familiar returns, remained comfortingly precise. At the bakery later

101
00:04:47.000 --> 00:04:50.199
<v Speaker 1>that week, the conversation bust around old stories, a legendary

102
00:04:50.240 --> 00:04:52.600
<v Speaker 1>growers sale map, which, in its fifth decade now required

103
00:04:52.600 --> 00:04:54.600
<v Speaker 1>a committee of three and a color printer. The short

104
00:04:54.600 --> 00:04:57.680
<v Speaker 1>cut behind the sesslums Acy sidewalk with's wall Lady skip

105
00:04:57.720 --> 00:04:59.279
<v Speaker 1>a third of the red on the way home from school.

106
00:04:59.759 --> 00:05:01.639
<v Speaker 1>I joke about trying to draw it from memory and

107
00:05:01.680 --> 00:05:04.839
<v Speaker 1>getting stuck in never ending loops. They all laughed, the

108
00:05:04.920 --> 00:05:07.319
<v Speaker 1>laughter of people who haven't really left child too behind,

109
00:05:07.519 --> 00:05:10.480
<v Speaker 1>not entirely. Maybe that's why I trust these streets more

110
00:05:10.480 --> 00:05:13.519
<v Speaker 1>than I trust most weather forecasts. I know their rhythms.

111
00:05:13.519 --> 00:05:15.720
<v Speaker 1>How the morning sun looks on the silver maples, which

112
00:05:15.720 --> 00:05:18.079
<v Speaker 1>of the old brick God and walls leans further every spring,

113
00:05:18.120 --> 00:05:21.240
<v Speaker 1>the damp coolness under the archword between No. Seven and No. Nine.

114
00:05:21.759 --> 00:05:23.800
<v Speaker 1>I told an once that our neighborhood is as orderly

115
00:05:23.839 --> 00:05:27.199
<v Speaker 1>as a multiplication table, predictable at least by day. That

116
00:05:27.319 --> 00:05:29.920
<v Speaker 1>is why the notion of misunderstanding a walk, of miscounting

117
00:05:29.920 --> 00:05:33.120
<v Speaker 1>a street nearly offended me. There is a little arrogance

118
00:05:33.120 --> 00:05:35.120
<v Speaker 1>in that. Perhaps it comes with decades of being the

119
00:05:35.120 --> 00:05:38.399
<v Speaker 1>person people come to for explanations. I've always been quietly

120
00:05:38.439 --> 00:05:40.800
<v Speaker 1>assured these are streets you can trust, as reliable as

121
00:05:40.800 --> 00:05:43.800
<v Speaker 1>your own reflection in a shop window. The next morning,

122
00:05:43.879 --> 00:05:46.680
<v Speaker 1>I determined to pay better attention. If there was any

123
00:05:46.680 --> 00:05:49.560
<v Speaker 1>trick to it, it would reveal itself under scrutiny. The

124
00:05:49.600 --> 00:05:51.600
<v Speaker 1>sun was a little high by the time I set out,

125
00:05:52.199 --> 00:05:54.680
<v Speaker 1>Turning the corner from Willow, I counted out loud the

126
00:05:54.680 --> 00:05:57.079
<v Speaker 1>steps to Maple Lane thirty four, a nice even tally.

127
00:05:57.639 --> 00:05:59.959
<v Speaker 1>The blue Heydranger by Missus Everett's work shaw would do

128
00:06:00.680 --> 00:06:02.839
<v Speaker 1>a sign for her pit walking service was present, though

129
00:06:02.839 --> 00:06:04.959
<v Speaker 1>the font this morning appeared just a little more modern,

130
00:06:04.959 --> 00:06:07.639
<v Speaker 1>the colors brighter, the mail box with the odd dense

131
00:06:07.680 --> 00:06:11.079
<v Speaker 1>slanted precisely as I remembered to day. I forced myself

132
00:06:11.120 --> 00:06:13.639
<v Speaker 1>to know every landmark, the pebble driveway with last year's

133
00:06:13.639 --> 00:06:16.240
<v Speaker 1>car shape, ball stain, the accordion when China now nine,

134
00:06:16.399 --> 00:06:19.800
<v Speaker 1>always reliably out of tune. I passed Missus Kesseler's yard,

135
00:06:19.879 --> 00:06:22.160
<v Speaker 1>where the infamous gard and Nome usually presided over a

136
00:06:22.160 --> 00:06:27.000
<v Speaker 1>fortification of Marigold's. The Gnome this time had changed. Instead

137
00:06:27.000 --> 00:06:29.319
<v Speaker 1>of clutching his tiny watering can, he held a little

138
00:06:29.399 --> 00:06:31.720
<v Speaker 1>chop board, the sort I kept for math club announcements

139
00:06:31.759 --> 00:06:34.720
<v Speaker 1>when I was still teaching imperfect tiny riding at re

140
00:06:35.000 --> 00:06:38.399
<v Speaker 1>Remember math Club nineteen seventy two. The oddness gave me

141
00:06:38.439 --> 00:06:41.560
<v Speaker 1>a cold, invigorating lurch, like the split second after misjudging

142
00:06:41.560 --> 00:06:45.879
<v Speaker 1>a step. Maybe a prank, but whew. The Kesselss have

143
00:06:45.920 --> 00:06:47.920
<v Speaker 1>no children left at home, and the only people who

144
00:06:48.000 --> 00:06:50.920
<v Speaker 1>remember math Club nineteen seventy two are Ann, myself and

145
00:06:51.040 --> 00:06:54.759
<v Speaker 1>maybe Reggie wherever he's living now. I pressed on, increasing

146
00:06:54.800 --> 00:06:58.680
<v Speaker 1>my pace each turn, Each footfall was accounted for. The

147
00:06:58.759 --> 00:07:01.680
<v Speaker 1>geometry obeyed until before I stepped on to Willow Avenue.

148
00:07:01.720 --> 00:07:04.120
<v Speaker 1>But once again from the side I should not have approached.

149
00:07:04.759 --> 00:07:07.800
<v Speaker 1>My mind raised how I double back without noticing followed

150
00:07:07.839 --> 00:07:11.240
<v Speaker 1>some nearly invisible spur of sidewalk. I spun around, trace

151
00:07:11.279 --> 00:07:13.800
<v Speaker 1>the direction I'd come, and for good measure, tried cutting

152
00:07:13.800 --> 00:07:16.240
<v Speaker 1>through a side yard, just to break the pattern. Each

153
00:07:16.360 --> 00:07:18.439
<v Speaker 1>dieter returned me to the same spot, as if the

154
00:07:18.439 --> 00:07:22.519
<v Speaker 1>possibilities themselves had narrowed On Willow. Missus Aalva's wave from

155
00:07:22.519 --> 00:07:25.759
<v Speaker 1>her rose bushes, secateurs in hand, as if nothing was amiss.

156
00:07:26.399 --> 00:07:29.199
<v Speaker 1>Good walk, mister Palmer, she called her voice, as even

157
00:07:29.240 --> 00:07:33.240
<v Speaker 1>as always beautiful weather for it. I managed a thin smile,

158
00:07:33.360 --> 00:07:36.920
<v Speaker 1>unwilling to tip my confusion into public curiosity. The rest

159
00:07:36.920 --> 00:07:41.079
<v Speaker 1>of the morning I fassed, chased in visible discrepancies. Was

160
00:07:41.079 --> 00:07:43.720
<v Speaker 1>it possible at sixty eight to walk around for decades

161
00:07:43.759 --> 00:07:45.480
<v Speaker 1>and then abruptly lose the thread of how the streets

162
00:07:45.480 --> 00:07:48.360
<v Speaker 1>fit together? I dug an old tam map from the sideboard,

163
00:07:48.399 --> 00:07:51.399
<v Speaker 1>trace each tone with the ruler. The lines made sense,

164
00:07:51.639 --> 00:07:53.600
<v Speaker 1>but I started to worry that I was missing something

165
00:07:53.639 --> 00:07:56.040
<v Speaker 1>alimentary and obvious, a concept right at the tip of

166
00:07:56.040 --> 00:07:59.319
<v Speaker 1>my old teaching tongue. Early afternoon, after Anne left for

167
00:07:59.360 --> 00:08:01.839
<v Speaker 1>bridge club, I tried again, this time from a different angle.

168
00:08:02.480 --> 00:08:04.959
<v Speaker 1>I started at the other end of Willow, approached Maple Lane,

169
00:08:04.959 --> 00:08:07.759
<v Speaker 1>from the farc eye. I marked my starting position with

170
00:08:07.759 --> 00:08:09.480
<v Speaker 1>the talk ax, so I could not, by any trick

171
00:08:09.519 --> 00:08:13.079
<v Speaker 1>of attention, wander in circles. Even so, on walking maple

172
00:08:13.160 --> 00:08:15.439
<v Speaker 1>Lane to pound full land, I emerged familiar as the

173
00:08:15.439 --> 00:08:17.759
<v Speaker 1>back of my hand. At willow from the same logical direction,

174
00:08:18.480 --> 00:08:20.439
<v Speaker 1>I stared at my shoes as if they might confess

175
00:08:20.519 --> 00:08:23.279
<v Speaker 1>to an error. It became a game, if an increasingly

176
00:08:23.319 --> 00:08:26.639
<v Speaker 1>exasperating one. I began making notes in a pocket notebook.

177
00:08:26.759 --> 00:08:29.720
<v Speaker 1>Read door at No. Ten, dogratree at No. Free, mail box,

178
00:08:29.720 --> 00:08:33.759
<v Speaker 1>crooked at No. Fifteen. The landmarks mostly lined up, but sometimes,

179
00:08:33.879 --> 00:08:37.399
<v Speaker 1>almost instantly, some detail would break formation. A mural fresher

180
00:08:37.440 --> 00:08:39.240
<v Speaker 1>pinted on the picket fence now showed a logo from

181
00:08:39.240 --> 00:08:42.399
<v Speaker 1>my old college math Liga set Square and Compass, superimposed

182
00:08:42.399 --> 00:08:46.519
<v Speaker 1>with Springfield Tigers nineteen seventy five. A window boxed previously empty,

183
00:08:46.519 --> 00:08:49.120
<v Speaker 1>bristled with yellow, Tubibsan's favorite color, though I was sure

184
00:08:49.120 --> 00:08:51.759
<v Speaker 1>that space had been filled with spider plants only days before.

185
00:08:52.440 --> 00:08:54.679
<v Speaker 1>Catching these quicks of our auditors felt like trying to

186
00:08:54.679 --> 00:08:57.840
<v Speaker 1>solve a puzzle whose pieces changed each day. Once faint

187
00:08:57.919 --> 00:09:00.840
<v Speaker 1>music floated from an upper window, Moon River umistakably some

188
00:09:01.000 --> 00:09:03.000
<v Speaker 1>that played at my parents wedding, and scene to drift

189
00:09:03.039 --> 00:09:06.360
<v Speaker 1>throughout the house every Sunday in my childhood sidewalk chalk

190
00:09:06.519 --> 00:09:08.720
<v Speaker 1>smudged from a drizz of the day before, resolved as

191
00:09:08.720 --> 00:09:10.960
<v Speaker 1>I bent to de code its marks. Lute numbers and

192
00:09:11.000 --> 00:09:13.360
<v Speaker 1>patterns had used as a memory trick for multiplying by

193
00:09:13.360 --> 00:09:17.559
<v Speaker 1>eight with worry fourth graders. Always the sensation was deeply familiar,

194
00:09:17.600 --> 00:09:19.639
<v Speaker 1>yet subtly off, like flicking on the lights in her

195
00:09:19.679 --> 00:09:22.519
<v Speaker 1>dream and finding everything just a shade too bright. Every

196
00:09:22.600 --> 00:09:24.799
<v Speaker 1>day I tried to catch and trap the impossibility, and

197
00:09:24.840 --> 00:09:27.559
<v Speaker 1>every day when I unloaded my phone's photos to the laptop,

198
00:09:27.600 --> 00:09:30.679
<v Speaker 1>the evidence as solved. The pictures looked conventional and gnome,

199
00:09:30.840 --> 00:09:33.639
<v Speaker 1>like any gardens, door cells, the porch swing in perfect silence,

200
00:09:33.799 --> 00:09:36.360
<v Speaker 1>house paint and shataus to void of any anachronistic symbol

201
00:09:36.440 --> 00:09:39.440
<v Speaker 1>or message. Nothing to show Anne, nothing to offer the

202
00:09:39.440 --> 00:09:41.799
<v Speaker 1>bakery regulars as evidence that I was not, after all

203
00:09:41.879 --> 00:09:46.759
<v Speaker 1>losing my mathematical faculties and noticed my distraction naturally, did

204
00:09:46.799 --> 00:09:48.799
<v Speaker 1>you lose a bit with your fitbit? She teased one

205
00:09:48.879 --> 00:09:53.279
<v Speaker 1>night over ignuole's your walking circles? These days, I considered

206
00:09:53.279 --> 00:09:55.360
<v Speaker 1>telling her, but my tongue stumbled over the words. I

207
00:09:55.360 --> 00:09:57.639
<v Speaker 1>had no explanation that would not sound self important or

208
00:09:57.679 --> 00:10:02.159
<v Speaker 1>worse confused. Instead, I shud not entirely falsely. I am

209
00:10:02.200 --> 00:10:05.000
<v Speaker 1>in the mood for small mysteries. I glanced at her,

210
00:10:05.120 --> 00:10:07.159
<v Speaker 1>watched the downward flick of her eyes, which signaled she

211
00:10:07.200 --> 00:10:09.720
<v Speaker 1>thought I was up to some game. I started asking

212
00:10:09.759 --> 00:10:12.080
<v Speaker 1>subtle questions at the bakery, where the air always hovered

213
00:10:12.120 --> 00:10:13.879
<v Speaker 1>between the warmth of cinnamon and the cool ring of

214
00:10:13.879 --> 00:10:16.480
<v Speaker 1>the bell over the door. He anyone find maple Lane

215
00:10:16.519 --> 00:10:20.000
<v Speaker 1>strange lately? I offered conversationally, aware of the risk of

216
00:10:20.039 --> 00:10:22.840
<v Speaker 1>exposing myself as the kind of retiree who worries atside

217
00:10:22.840 --> 00:10:26.159
<v Speaker 1>what cracks in New England streets never makes sense? Came

218
00:10:26.200 --> 00:10:29.000
<v Speaker 1>the gruff reply from Don Avery, mouthful of blueberry muffin

219
00:10:29.600 --> 00:10:32.240
<v Speaker 1>my GPS still thinks pine runs through the post office.

220
00:10:32.639 --> 00:10:36.240
<v Speaker 1>Others laughed, echoing affectionate complaints about local cartography, about how

221
00:10:36.240 --> 00:10:38.639
<v Speaker 1>the original town grade was laid out drunk and backwards,

222
00:10:38.679 --> 00:10:40.399
<v Speaker 1>or how no one could get delivery to the right

223
00:10:40.440 --> 00:10:43.120
<v Speaker 1>doorstep on the first try. For a minute, I thought

224
00:10:43.120 --> 00:10:45.480
<v Speaker 1>I was being gently mopped, until mister Finch, who usually

225
00:10:45.559 --> 00:10:48.200
<v Speaker 1>held forth on high school football and church committee politics,

226
00:10:48.279 --> 00:10:50.120
<v Speaker 1>looked up at me over his glasses with a sudden,

227
00:10:50.159 --> 00:10:54.679
<v Speaker 1>peculiar seriousness. Maple lane, you say, he repeated. Then, to

228
00:10:54.720 --> 00:10:58.000
<v Speaker 1>my surprise, let the conversation slide into a thick, awkward silence.

229
00:10:58.639 --> 00:11:00.799
<v Speaker 1>The others filled it quickly with joke about details and

230
00:11:00.799 --> 00:11:03.240
<v Speaker 1>dead ends, but mister Finch remained subdued for the rest

231
00:11:03.279 --> 00:11:06.120
<v Speaker 1>of his coffee. At home, I spread out three blank

232
00:11:06.120 --> 00:11:08.480
<v Speaker 1>pieces of paper tried to draw, first from memory, then

233
00:11:08.519 --> 00:11:11.159
<v Speaker 1>by logic, then by standing in the foyer narrating aloud,

234
00:11:11.200 --> 00:11:14.120
<v Speaker 1>step by step, the exact configuration of willow, sycamore and

235
00:11:14.159 --> 00:11:18.679
<v Speaker 1>maple lane. Each version deviated in one. I inadvertently drew

236
00:11:18.679 --> 00:11:20.559
<v Speaker 1>maple lane twice, as if it curved back in on

237
00:11:20.639 --> 00:11:23.440
<v Speaker 1>itself in another. No matter how I measured, I could

238
00:11:23.480 --> 00:11:25.480
<v Speaker 1>not neatly connect it back to willow without skipping a

239
00:11:25.519 --> 00:11:29.559
<v Speaker 1>logical block. It nagged at me. Was I losing my edge?

240
00:11:30.200 --> 00:11:32.200
<v Speaker 1>Was this a failure of recal the slow intrusion of

241
00:11:32.200 --> 00:11:35.840
<v Speaker 1>that fog many fear as the year's mount still everything

242
00:11:35.879 --> 00:11:38.559
<v Speaker 1>else in daily life, numbers for the bills, details for

243
00:11:38.600 --> 00:11:41.360
<v Speaker 1>the crosswood, or the news recollections of friends and long

244
00:11:41.399 --> 00:11:44.600
<v Speaker 1>ago students remained sharp as ever. On the third morning,

245
00:11:44.639 --> 00:11:47.039
<v Speaker 1>I brought a small notebook and a pencil stop, determined

246
00:11:47.039 --> 00:11:49.039
<v Speaker 1>to chart every detail like I was mapping a newly

247
00:11:49.080 --> 00:11:53.159
<v Speaker 1>discovered island. I started. I counted lamp posts, noted which

248
00:11:53.200 --> 00:11:55.679
<v Speaker 1>garbage cans were out for collection odd week, so only

249
00:11:55.720 --> 00:11:58.559
<v Speaker 1>on the south side. For each landmark I saw, I

250
00:11:58.600 --> 00:12:00.480
<v Speaker 1>made a note an anchor at check on my reality.

251
00:12:01.080 --> 00:12:03.279
<v Speaker 1>And yet, passing by No. Twelve, the mail books no

252
00:12:03.360 --> 00:12:05.240
<v Speaker 1>longer bore the faded latter's pomer as I knew it

253
00:12:05.279 --> 00:12:07.679
<v Speaker 1>from years past. But Reggie in neat block print a

254
00:12:07.679 --> 00:12:10.919
<v Speaker 1>color like New Penny. My old friend, Roggie Reginald Cohen

255
00:12:10.960 --> 00:12:13.399
<v Speaker 1>had lived there once but moved away before high school.

256
00:12:14.000 --> 00:12:16.440
<v Speaker 1>I remembered his map up schemes for skipping gin class,

257
00:12:16.519 --> 00:12:18.360
<v Speaker 1>remembered the time we tried to build a radio with

258
00:12:18.399 --> 00:12:21.639
<v Speaker 1>parts graunged from broken lamps. His name had not stood

259
00:12:21.679 --> 00:12:24.600
<v Speaker 1>on any mail books here for over fifty years. Down

260
00:12:24.639 --> 00:12:27.000
<v Speaker 1>two houses, I spied a row of matching flower pots

261
00:12:27.000 --> 00:12:29.080
<v Speaker 1>on our low wall, three bout of terra cotta, painted

262
00:12:29.120 --> 00:12:31.840
<v Speaker 1>with blue rings and pink tulips. Ann and I made

263
00:12:31.840 --> 00:12:33.799
<v Speaker 1>that pattern for our wedding when we which he broke

264
00:12:33.840 --> 00:12:37.120
<v Speaker 1>for bicase and too stubborn for rented frippery. Nobody outside

265
00:12:37.120 --> 00:12:40.480
<v Speaker 1>our families could know the design. I glanced away, looked back.

266
00:12:40.559 --> 00:12:43.360
<v Speaker 1>The pots were still there, perfectly ordinary, now in arrangement,

267
00:12:43.399 --> 00:12:46.480
<v Speaker 1>But my heart hammered. An upstairs window across the street

268
00:12:46.480 --> 00:12:48.679
<v Speaker 1>called the Sun of Rainbow Sankitcher, the kind we made

269
00:12:48.720 --> 00:12:51.399
<v Speaker 1>in shop class in nineteen sixty eight. Lookey edges and

270
00:12:51.440 --> 00:12:55.200
<v Speaker 1>press glass a dazzled before disappearing into shadows. I walked on,

271
00:12:55.559 --> 00:12:58.840
<v Speaker 1>lingering in the mine's eye. Each time my retruce my steps.

272
00:12:58.840 --> 00:13:01.320
<v Speaker 1>The strangeness was never quite peedable, but always personal, as

273
00:13:01.360 --> 00:13:03.759
<v Speaker 1>if the street was quietly rummaging through draws labeled pomer

274
00:13:03.840 --> 00:13:07.080
<v Speaker 1>Ty Al lived since nineteen sixty one. These were not

275
00:13:07.200 --> 00:13:09.200
<v Speaker 1>just audities. They were echoes of things I hadn't thought

276
00:13:09.200 --> 00:13:11.679
<v Speaker 1>about in decades, scattered through the familiar blockses if someone

277
00:13:11.679 --> 00:13:14.759
<v Speaker 1>had trespassed in my memory and left calling clouds. I

278
00:13:14.840 --> 00:13:16.759
<v Speaker 1>tried to explain some of it to Anne that night,

279
00:13:16.799 --> 00:13:19.519
<v Speaker 1>while we brush teeth and shared silence. Do you think

280
00:13:19.600 --> 00:13:21.960
<v Speaker 1>people can see things, pieces of their childhood that slipped

281
00:13:22.000 --> 00:13:26.559
<v Speaker 1>back in only sometimes? Anne? Mouthful of foam replied, I'm

282
00:13:26.600 --> 00:13:29.399
<v Speaker 1>sure the mind sos what it needs. She spack grinned

283
00:13:29.399 --> 00:13:32.879
<v Speaker 1>in the mirror, feeling wistful tonight. There was kindness in

284
00:13:32.919 --> 00:13:35.600
<v Speaker 1>her dismissal, but also a note of caution. I let

285
00:13:35.639 --> 00:13:37.840
<v Speaker 1>it go. I began to suspect that the knot in

286
00:13:37.879 --> 00:13:39.759
<v Speaker 1>Maple Lane was not a fat in math or memory,

287
00:13:39.919 --> 00:13:42.039
<v Speaker 1>not confusion, but a dialog between the street and my

288
00:13:42.080 --> 00:13:45.879
<v Speaker 1>own recollections. Each oddity was significant because it blonged specifically

289
00:13:45.879 --> 00:13:49.799
<v Speaker 1>to me. Still, outside these moments, all physical markers reverted.

290
00:13:49.840 --> 00:13:52.080
<v Speaker 1>The mail books read plain now twelve. The flower pots

291
00:13:52.080 --> 00:13:54.240
<v Speaker 1>were unpainted plastic. The mural on the fence was nothing

292
00:13:54.279 --> 00:13:57.320
<v Speaker 1>more than faded white slats. Something either the street or

293
00:13:57.360 --> 00:14:00.039
<v Speaker 1>my own mind was playing a game. Was it only me?

294
00:14:00.840 --> 00:14:02.759
<v Speaker 1>Was I the old math teacher running out a string,

295
00:14:02.799 --> 00:14:06.639
<v Speaker 1>slipping into some private, harmless madness. The evidence was slippery,

296
00:14:06.639 --> 00:14:08.480
<v Speaker 1>but my sense of patent would not let the problem go.

297
00:14:09.279 --> 00:14:11.919
<v Speaker 1>That lane never fit the map, you know, missus Alvarez

298
00:14:12.000 --> 00:14:14.519
<v Speaker 1>told me as I loitered by her roses on Thursday afternoon.

299
00:14:15.240 --> 00:14:17.679
<v Speaker 1>Her voice, low and confiding, had the cadence of some

300
00:14:17.679 --> 00:14:20.120
<v Speaker 1>one on the edge of gossip. I grew up here

301
00:14:20.200 --> 00:14:23.000
<v Speaker 1>walked those blocks since long before you two bought this place, Stephen.

302
00:14:23.039 --> 00:14:26.000
<v Speaker 1>Then there were stories, deliveries always going wrong, parents scolding

303
00:14:26.080 --> 00:14:28.279
<v Speaker 1>children for coming home the wrong way. Some people just

304
00:14:28.320 --> 00:14:31.279
<v Speaker 1>have a mind for it, I suppose. I asked, as

305
00:14:31.320 --> 00:14:33.480
<v Speaker 1>neutrally as I could manage. Did you ever think it

306
00:14:33.519 --> 00:14:36.480
<v Speaker 1>was unusual? She clipped a yellow rose, set it in

307
00:14:36.519 --> 00:14:39.840
<v Speaker 1>her straw basket, and shrugged. Old towns have their quirks.

308
00:14:39.879 --> 00:14:42.639
<v Speaker 1>You learned to trust your feet, not your compass. A

309
00:14:42.679 --> 00:14:45.039
<v Speaker 1>mild answer, but that glint in her eye spoke of

310
00:14:45.080 --> 00:14:48.360
<v Speaker 1>something more. I didn't press. There's a codum on the

311
00:14:48.399 --> 00:14:51.720
<v Speaker 1>long established heial willingness to keep certain ardities private, savory

312
00:14:51.759 --> 00:14:54.879
<v Speaker 1>as the summer uber pies at the bickery. I circled

313
00:14:54.919 --> 00:14:57.519
<v Speaker 1>back to the subject, cheering again my confusion with mister Finch's.

314
00:14:57.559 --> 00:15:00.159
<v Speaker 1>We waited in line for the day. Old Loaf only

315
00:15:00.159 --> 00:15:03.799
<v Speaker 1>shook his head, eyes dot into the display case. You know, Tom,

316
00:15:03.919 --> 00:15:05.879
<v Speaker 1>He said, there's a street in every town that makes

317
00:15:05.879 --> 00:15:08.600
<v Speaker 1>all men argue. Don't lose sleep over it. He did

318
00:15:08.639 --> 00:15:11.799
<v Speaker 1>not smile That night. I looked again at the sketch maps.

319
00:15:11.799 --> 00:15:14.279
<v Speaker 1>I tried to compose every attempt, even penciled only minutes

320
00:15:14.320 --> 00:15:18.120
<v Speaker 1>after walking missed something. Maple Lane ended up duplicated, a

321
00:15:18.120 --> 00:15:20.759
<v Speaker 1>block dangling with no connection, or the hazes on Willow

322
00:15:20.799 --> 00:15:24.559
<v Speaker 1>appearing on both sides at once. My hand, usually so steady,

323
00:15:24.600 --> 00:15:26.799
<v Speaker 1>betrayed a nervousness, tripping over lines the way you might

324
00:15:26.840 --> 00:15:30.200
<v Speaker 1>stumble over an unfamiliar cobe. After dark. Logic told me

325
00:15:30.240 --> 00:15:32.879
<v Speaker 1>it must be a mathematical fluke, or my mind compensating

326
00:15:32.879 --> 00:15:35.600
<v Speaker 1>for decades of routine, a sort of internal shortcut. Maybe,

327
00:15:36.000 --> 00:15:38.600
<v Speaker 1>But every failed drawing, every elusive image on my phone

328
00:15:38.720 --> 00:15:42.840
<v Speaker 1>hinted at something else, something quietly impossibly personal. Seeing your

329
00:15:42.840 --> 00:15:45.840
<v Speaker 1>own past, private and half forgotten, spilling into the visible world,

330
00:15:46.000 --> 00:15:48.799
<v Speaker 1>no matter how briefly, makes a question not just your memory,

331
00:15:48.799 --> 00:15:52.399
<v Speaker 1>but the fabric of the ordinary itself. After several sleepless nights,

332
00:15:52.600 --> 00:15:54.879
<v Speaker 1>convinced I might be conjuring ghosts only I could see,

333
00:15:55.000 --> 00:15:58.360
<v Speaker 1>I decided to run a real test on Sunday, before

334
00:15:58.360 --> 00:16:01.080
<v Speaker 1>Anne's daily crosswood and her afternoon bridge. I found her

335
00:16:01.080 --> 00:16:03.879
<v Speaker 1>clearing out the kitchen drawer, humming with seven down satisfaction.

336
00:16:04.600 --> 00:16:07.679
<v Speaker 1>I offered, feigning casual indifference, how about a walk around

337
00:16:07.679 --> 00:16:09.960
<v Speaker 1>the block this morning? Maple Lane's got the best air

338
00:16:10.000 --> 00:16:12.360
<v Speaker 1>when the lilacs are up. She gave me a look

339
00:16:12.559 --> 00:16:15.080
<v Speaker 1>drawn equally from fifty years of marriage and a skepticism

340
00:16:15.159 --> 00:16:17.960
<v Speaker 1>hone at the card table, Are you starling or are

341
00:16:18.000 --> 00:16:20.879
<v Speaker 1>you secretly hoping for second breakfast at the bakery? I

342
00:16:21.000 --> 00:16:23.799
<v Speaker 1>showed her that, for once my motives were pure. We

343
00:16:23.879 --> 00:16:26.759
<v Speaker 1>set out, side by side, passing Willow. I told her

344
00:16:26.759 --> 00:16:29.600
<v Speaker 1>about missus Kesselo's rooms of New Plantos, about the latest

345
00:16:29.600 --> 00:16:32.000
<v Speaker 1>antics of the neighbor boys in their impossible chalk horse

346
00:16:32.679 --> 00:16:35.159
<v Speaker 1>at the corner of Maple. I sewed conscious now of

347
00:16:35.200 --> 00:16:39.440
<v Speaker 1>every step, notice anything unusual, Ham, I prompted, trying to

348
00:16:39.480 --> 00:16:42.840
<v Speaker 1>sound as disinterested as possible. Anne, who never let a

349
00:16:42.840 --> 00:16:45.519
<v Speaker 1>teaching opportunity pass even once the kids had gone, fix

350
00:16:45.600 --> 00:16:49.000
<v Speaker 1>me with the weathered, mischievous glance. Besides the fact that

351
00:16:49.039 --> 00:16:51.720
<v Speaker 1>you're walking like someone testing a new hip. I kept

352
00:16:51.759 --> 00:16:54.600
<v Speaker 1>my mouth shut, letting her take the lead. We umbled

353
00:16:54.600 --> 00:16:56.759
<v Speaker 1>all on. The air was sweet with do in the

354
00:16:56.759 --> 00:16:59.399
<v Speaker 1>sund of fresh soil. I caught sight of the familiar

355
00:16:59.399 --> 00:17:02.200
<v Speaker 1>blue her drained, now resplendent, almost more vivid than I

356
00:17:02.200 --> 00:17:05.480
<v Speaker 1>remembered at No. Twelve the mail, but briefly, surely only

357
00:17:05.599 --> 00:17:07.559
<v Speaker 1>en after image scene to flicker at the letters Pomer,

358
00:17:07.559 --> 00:17:11.119
<v Speaker 1>and another more ambiguous set appearing and fading. Anne gestured

359
00:17:11.119 --> 00:17:14.160
<v Speaker 1>suddenly at a nearby house. Those window boxes. Do you

360
00:17:14.200 --> 00:17:16.680
<v Speaker 1>see them? Pansies and snap firkins. My mother used to

361
00:17:16.680 --> 00:17:19.119
<v Speaker 1>plant those every March, insisted on it, even in snow.

362
00:17:19.599 --> 00:17:22.599
<v Speaker 1>Her voice carried a note of nostalgia. I squinted until

363
00:17:22.680 --> 00:17:25.440
<v Speaker 1>just then the boxes had seen full of marigals or daisies.

364
00:17:26.039 --> 00:17:28.319
<v Speaker 1>But now perhaps I could see the pansy's familiar purple

365
00:17:28.359 --> 00:17:31.440
<v Speaker 1>faces peaking at a few paces later, and paused at

366
00:17:31.440 --> 00:17:33.880
<v Speaker 1>a door step there a welcome mat sport at a

367
00:17:33.880 --> 00:17:36.480
<v Speaker 1>monogramby are the initials of the lake house her parents

368
00:17:36.519 --> 00:17:39.519
<v Speaker 1>had before retirement. I haven't seen one like that since

369
00:17:39.519 --> 00:17:43.279
<v Speaker 1>I was a girl, she said, softly, almost embarrassed. I tensed,

370
00:17:43.319 --> 00:17:46.880
<v Speaker 1>watching to me it was a perfectly incidental mat. I

371
00:17:46.960 --> 00:17:48.960
<v Speaker 1>tried to mention the mule on the fence, still showing

372
00:17:49.039 --> 00:17:51.759
<v Speaker 1>a thought the math team logo, and only glance, remarking

373
00:17:51.759 --> 00:17:54.440
<v Speaker 1>that she l liked the bart Why colors no math matif?

374
00:17:54.480 --> 00:17:57.279
<v Speaker 1>In her view the divide was subtle, But I became

375
00:17:57.319 --> 00:17:59.759
<v Speaker 1>sure of a teacher of us was somehow seeing our

376
00:17:59.759 --> 00:18:03.279
<v Speaker 1>own reflection in the ordinary surfaces from a porch, music

377
00:18:03.359 --> 00:18:05.839
<v Speaker 1>drifted to bottom leaves, the jazz tu Nan had played

378
00:18:05.920 --> 00:18:08.519
<v Speaker 1>during our first year of marriage, when every record was borrowed,

379
00:18:08.519 --> 00:18:10.799
<v Speaker 1>in every scrap of sunlight pointed directly at the future.

380
00:18:11.400 --> 00:18:15.000
<v Speaker 1>She stopped, her mouth slightly open. Isn't that something, she said,

381
00:18:15.119 --> 00:18:18.200
<v Speaker 1>voice a little choked. I heard Moonriver, the tune from

382
00:18:18.240 --> 00:18:21.720
<v Speaker 1>my parents wedding. We stood together, listening quietly the harmonies

383
00:18:21.720 --> 00:18:24.839
<v Speaker 1>and resolved yet entirely right. I risked, reaching for her hand,

384
00:18:24.960 --> 00:18:27.279
<v Speaker 1>which she took, and despite the faint confusion, I felt

385
00:18:27.279 --> 00:18:30.200
<v Speaker 1>more present than I had in weeks. At Willow Avenue,

386
00:18:30.279 --> 00:18:32.920
<v Speaker 1>we emerged both oddly out of breath. It was as

387
00:18:32.920 --> 00:18:35.240
<v Speaker 1>if the walk had pressed some maternal reset. My heart

388
00:18:35.279 --> 00:18:38.640
<v Speaker 1>calmed my mind. Jenny jangled, but not alarmed. Aunt asked

389
00:18:38.680 --> 00:18:41.519
<v Speaker 1>my arm, hesitant. Didn't we usually come out from the

390
00:18:41.519 --> 00:18:45.599
<v Speaker 1>other side. I nodded relief. She noticed, Does this feel

391
00:18:45.599 --> 00:18:48.279
<v Speaker 1>odd to you? I press, unwilling to let the truth

392
00:18:48.319 --> 00:18:51.799
<v Speaker 1>slip away this time she found, then conceded, like a dream,

393
00:18:51.839 --> 00:18:54.119
<v Speaker 1>I can't quite place, all familiar, and yet like this

394
00:18:54.160 --> 00:18:56.079
<v Speaker 1>one more detail. If I just look a little harder,

395
00:18:56.680 --> 00:18:59.799
<v Speaker 1>she laughed, short and bright if its confusion were confused

396
00:18:59.799 --> 00:19:02.279
<v Speaker 1>to get That night, she poured two cups of tea,

397
00:19:02.480 --> 00:19:05.240
<v Speaker 1>set them on the table, and lingered a moment. You

398
00:19:05.319 --> 00:19:08.519
<v Speaker 1>think the street is doing something, don't you. I tried

399
00:19:08.519 --> 00:19:11.400
<v Speaker 1>to explain the sequence of impossibilities, each tinged with something

400
00:19:11.440 --> 00:19:15.000
<v Speaker 1>only I could remember, things even Anne couldn't see. She nodded,

401
00:19:15.160 --> 00:19:18.519
<v Speaker 1>worry in delight, touching her face in equal measure. Maybe

402
00:19:18.519 --> 00:19:20.279
<v Speaker 1>it's not a trick of memory, she said, By the

403
00:19:20.279 --> 00:19:22.319
<v Speaker 1>way the world lets us swim through all joys if

404
00:19:22.359 --> 00:19:25.400
<v Speaker 1>we let it. I lay awake, composing formulas that could

405
00:19:25.400 --> 00:19:27.680
<v Speaker 1>never resolve, the set of all passed between two points

406
00:19:27.680 --> 00:19:30.000
<v Speaker 1>on a plane, the number of ways experience can fold

407
00:19:30.079 --> 00:19:33.839
<v Speaker 1>over itself, the irrationality of perfect certainty. The impossible walk

408
00:19:33.920 --> 00:19:36.599
<v Speaker 1>was not just my own. The street, I realized, was

409
00:19:36.640 --> 00:19:39.599
<v Speaker 1>a kind of mirror saddle, mercurial surface, reflecting back not

410
00:19:39.720 --> 00:19:41.480
<v Speaker 1>just what was, but what had ever mattered to each

411
00:19:41.480 --> 00:19:44.440
<v Speaker 1>of us. I resolved gently, but with more excitement than

412
00:19:44.480 --> 00:19:46.200
<v Speaker 1>I have felt in years, to see what would happen

413
00:19:46.240 --> 00:19:48.759
<v Speaker 1>if I asked others, the bakery regulars, the neighbors, the

414
00:19:48.799 --> 00:19:51.400
<v Speaker 1>children's been in games and traw quadsterroris the asterisk saw

415
00:19:51.400 --> 00:19:54.200
<v Speaker 1>on Maplelene when they walked alone, and whether perhaps we

416
00:19:54.279 --> 00:19:56.480
<v Speaker 1>each carried a private doorway un seen except in the

417
00:19:56.480 --> 00:20:00.400
<v Speaker 1>moment when routine turned quietly, impossibly into wonder An words

418
00:20:00.400 --> 00:20:02.240
<v Speaker 1>echoed in my mind through the rest of the evening.

419
00:20:02.880 --> 00:20:04.720
<v Speaker 1>Maybe it's not a trick of memory, but the way

420
00:20:04.720 --> 00:20:06.759
<v Speaker 1>the world lets us swim through old joys if we

421
00:20:06.839 --> 00:20:09.799
<v Speaker 1>let it. I rolled her sentence over, examining it from

422
00:20:09.799 --> 00:20:11.880
<v Speaker 1>different angles, the way I tested to proof in front

423
00:20:11.880 --> 00:20:14.799
<v Speaker 1>of the class art beautiful, hard to accept as merely sentimental.

424
00:20:15.440 --> 00:20:17.960
<v Speaker 1>Question was no longer whether I was seeing things, nor

425
00:20:18.000 --> 00:20:20.200
<v Speaker 1>even why un caught her own private signals. But what

426
00:20:20.279 --> 00:20:23.359
<v Speaker 1>exactly the street was during Maple Lane was no ordinary

427
00:20:23.400 --> 00:20:25.400
<v Speaker 1>stretch of pavement. It pressed some hidden switch in the

428
00:20:25.400 --> 00:20:28.359
<v Speaker 1>pattern seeking part of the mind. But whose memory wrote

429
00:20:28.400 --> 00:20:30.599
<v Speaker 1>the rules? And could the rules be shifted or shared?

430
00:20:31.279 --> 00:20:33.359
<v Speaker 1>The next morning, the air was brisk, full of that

431
00:20:33.440 --> 00:20:36.160
<v Speaker 1>forgiving snap found only on early spring days, when yulive

432
00:20:36.200 --> 00:20:38.880
<v Speaker 1>seemed to vibrate with color. Anne was reading the paper,

433
00:20:38.920 --> 00:20:41.319
<v Speaker 1>glasses perched at the tip of her nose, already past

434
00:20:41.359 --> 00:20:43.799
<v Speaker 1>the weather. I gathered a note bad my bad at

435
00:20:43.799 --> 00:20:46.599
<v Speaker 1>old camera, and my best poker face and decided that

436
00:20:46.640 --> 00:20:48.839
<v Speaker 1>if the street responded to memory, then it was time

437
00:20:48.880 --> 00:20:52.160
<v Speaker 1>to expand the experiment. I started subtle, sliding the subject

438
00:20:52.240 --> 00:20:56.000
<v Speaker 1>into conversation. Outside the bakery. Mister Alvarez was sweeping loose

439
00:20:56.039 --> 00:20:58.720
<v Speaker 1>match from the sidewalk with taskmaster precision, but I found

440
00:20:58.799 --> 00:21:01.240
<v Speaker 1>him good natured when the work was light. Do you

441
00:21:01.279 --> 00:21:04.039
<v Speaker 1>ever get turn about up on Maple Lane? I asked?

442
00:21:04.720 --> 00:21:08.480
<v Speaker 1>He looked up, frowning in concentration. It's a whining one. Yeah,

443
00:21:08.559 --> 00:21:11.279
<v Speaker 1>always seems a block longer than I think. Sometimes feels

444
00:21:11.279 --> 00:21:13.599
<v Speaker 1>like I come out the wrong end. Why he get lost?

445
00:21:14.240 --> 00:21:16.519
<v Speaker 1>I find it odd, is all I said, Careful to

446
00:21:16.559 --> 00:21:19.000
<v Speaker 1>keep any whiff of worry from my tone. He pursed

447
00:21:19.000 --> 00:21:21.799
<v Speaker 1>his lips, then shrugged. Not the worst thing in town

448
00:21:21.839 --> 00:21:23.920
<v Speaker 1>to be odd. My Sofia always said directions were a

449
00:21:23.920 --> 00:21:26.160
<v Speaker 1>matter of temperament. She could walk it blind me. I'd

450
00:21:26.200 --> 00:21:28.200
<v Speaker 1>end up back where it started, and then the wiser.

451
00:21:28.799 --> 00:21:31.920
<v Speaker 1>He bent to his sweeping, but his voice softened. Still,

452
00:21:32.079 --> 00:21:34.240
<v Speaker 1>Sometimes it feels like the streets got its own sense

453
00:21:34.279 --> 00:21:37.559
<v Speaker 1>of humor done it. Inside the bakery, I corralled Missess

454
00:21:37.559 --> 00:21:40.680
<v Speaker 1>Alvarez and another neighbor, missus Kessler, while ordering a double

455
00:21:40.720 --> 00:21:43.160
<v Speaker 1>batch of chocolate back of her Anne. Mostly I lie

456
00:21:43.319 --> 00:21:45.720
<v Speaker 1>she would see through it and eat more than her share. Anyway,

457
00:21:46.319 --> 00:21:49.039
<v Speaker 1>I'm diagramm in the neighborhood. For fun, I began choosing

458
00:21:49.079 --> 00:21:52.640
<v Speaker 1>the most innocent sounding pretext. Maple Lane, ever, seems strange

459
00:21:52.640 --> 00:21:55.599
<v Speaker 1>to you, missus Kesseler fluffed her hair, half listening and

460
00:21:55.640 --> 00:21:59.400
<v Speaker 1>half inventing floral arrangements for tomorrow's porch. That street's always

461
00:21:59.400 --> 00:22:01.519
<v Speaker 1>been a little at step. I've lived here going on

462
00:22:01.559 --> 00:22:04.039
<v Speaker 1>sixty years. You Ner used to run plant sales out

463
00:22:04.039 --> 00:22:06.359
<v Speaker 1>there every May, but the buyers would wander off map

464
00:22:06.680 --> 00:22:08.720
<v Speaker 1>or forget which house they'd part by. I never trusted

465
00:22:08.720 --> 00:22:11.640
<v Speaker 1>how it fits on the block. Another regular, Sam Finch,

466
00:22:11.759 --> 00:22:14.880
<v Speaker 1>shifted uncomfortably at his corner table, not meeting my eye.

467
00:22:15.440 --> 00:22:18.880
<v Speaker 1>Maybe it's just a New England thing I've ventured. Old town's,

468
00:22:18.920 --> 00:22:21.640
<v Speaker 1>old mistakes, old shortkits, streets led crooked in the horse

469
00:22:21.640 --> 00:22:26.240
<v Speaker 1>and wagon days. Some shoffed, maybe, or maybe it's something else.

470
00:22:27.039 --> 00:22:29.759
<v Speaker 1>He fell silent before I could press further. The others

471
00:22:29.759 --> 00:22:33.319
<v Speaker 1>offered up anecdote about parking tickets and lost deliveries, nothing more.

472
00:22:34.039 --> 00:22:36.119
<v Speaker 1>It was enough, though, to confirm the sense that Maple

473
00:22:36.160 --> 00:22:38.599
<v Speaker 1>Lane had a public reputation for oddness, even if no

474
00:22:38.599 --> 00:22:41.400
<v Speaker 1>one talked about it upright. I returned home mid morning,

475
00:22:41.440 --> 00:22:43.839
<v Speaker 1>buck cradled like a prize head spinning with the new data.

476
00:22:44.440 --> 00:22:47.359
<v Speaker 1>I wrote it up in a notebook, contradictory memories, stories

477
00:22:47.400 --> 00:22:49.880
<v Speaker 1>of getting turned around, jokes about the other end appearing.

478
00:22:50.400 --> 00:22:52.839
<v Speaker 1>I realized the stories all converged on a single point.

479
00:22:53.039 --> 00:22:55.279
<v Speaker 1>No one could describe exactly what made the street wrong,

480
00:22:55.440 --> 00:22:57.680
<v Speaker 1>but nearly every one pressed just a little, admitted to

481
00:22:57.720 --> 00:23:00.839
<v Speaker 1>feeling sidetracked by it. That night, an leaf through my notes,

482
00:23:00.880 --> 00:23:03.559
<v Speaker 1>and after a moment's reflection, looked up at me with mischief.

483
00:23:04.039 --> 00:23:06.119
<v Speaker 1>Why not just ask them, get everyone to draw a map,

484
00:23:06.200 --> 00:23:08.440
<v Speaker 1>see if you can settle the matter by committee. A

485
00:23:08.519 --> 00:23:10.640
<v Speaker 1>suggestion was so charmingly in the spirit of a great

486
00:23:10.640 --> 00:23:13.319
<v Speaker 1>school project that I could only grin. So I did,

487
00:23:14.079 --> 00:23:17.319
<v Speaker 1>or tried. I approached neighbors on their stoops at the

488
00:23:17.319 --> 00:23:20.200
<v Speaker 1>mail box, even recruited a pair of teenagers on bikes,

489
00:23:20.319 --> 00:23:22.519
<v Speaker 1>offering a dollar apiece for their best attempt at mapping

490
00:23:22.519 --> 00:23:25.319
<v Speaker 1>our block. Over the course of the next several days,

491
00:23:25.440 --> 00:23:27.559
<v Speaker 1>I gathered it and drawn not to scale portraits of

492
00:23:27.559 --> 00:23:31.359
<v Speaker 1>the neighborhoods, geoverraph, each one subtlely and sometimes glaringly different.

493
00:23:31.920 --> 00:23:34.640
<v Speaker 1>Missus Elvarus included a cluster of blue houses that ice

494
00:23:34.680 --> 00:23:36.799
<v Speaker 1>four had been torn down the year after we moved in.

495
00:23:37.279 --> 00:23:40.079
<v Speaker 1>One neighbor insisted that maple Lyne cross sycamore twice in

496
00:23:40.119 --> 00:23:42.680
<v Speaker 1>a horseshoe bend that made no logical sense, corroborated by

497
00:23:42.680 --> 00:23:45.400
<v Speaker 1>no one else. Even the teenagers drew the lane as

498
00:23:45.440 --> 00:23:48.240
<v Speaker 1>looping back on itself like a cartoon, with dotted lines

499
00:23:48.279 --> 00:23:52.119
<v Speaker 1>indicating mysteries shortcut. At last, encouraged by Anne's teasing, I

500
00:23:52.160 --> 00:23:53.960
<v Speaker 1>hatched the idea of getting a few of us together,

501
00:23:53.960 --> 00:23:55.880
<v Speaker 1>a full survey crew. I joked to see if we

502
00:23:55.880 --> 00:23:58.400
<v Speaker 1>could puzzle it out as a group. I passed word

503
00:23:58.440 --> 00:24:01.160
<v Speaker 1>there had beat the bakery coffee supply at ten on Saturday,

504
00:24:01.279 --> 00:24:03.759
<v Speaker 1>and anyone curious about our odd little streak joined me

505
00:24:03.799 --> 00:24:07.200
<v Speaker 1>for fifteen minutes of local controversy. We assembled six and

506
00:24:07.240 --> 00:24:09.519
<v Speaker 1>all me and armed with a crossword as a defense

507
00:24:09.519 --> 00:24:13.000
<v Speaker 1>against boredom. Missus Alvarez, Missus kessel Or some Finch and

508
00:24:13.119 --> 00:24:16.119
<v Speaker 1>lesa from the corner house who brought her young slan David,

509
00:24:16.160 --> 00:24:19.200
<v Speaker 1>a shy child of perhaps eight. It was an odd assortment,

510
00:24:19.440 --> 00:24:22.359
<v Speaker 1>which seemed fitting. I cleared my throat, dropped a stack

511
00:24:22.400 --> 00:24:25.279
<v Speaker 1>of blank index cards on the table. Humor me here,

512
00:24:25.440 --> 00:24:28.079
<v Speaker 1>everyone's sketch out how maple lane fits with willow and sycamore.

513
00:24:28.160 --> 00:24:30.640
<v Speaker 1>Simple as you like. Were not grading for art. There

514
00:24:30.680 --> 00:24:32.680
<v Speaker 1>was laughter, but they took tough it more quickly than

515
00:24:32.720 --> 00:24:35.839
<v Speaker 1>I expected. Anne even pretended to mark herself down for

516
00:24:35.960 --> 00:24:39.759
<v Speaker 1>excessive abstraction. As the cards came back, the contradiction stood

517
00:24:39.759 --> 00:24:42.920
<v Speaker 1>out Stockley. Some had maple Lane running due east, others

518
00:24:42.920 --> 00:24:46.039
<v Speaker 1>at a shop diagonal. The number of houses varied, as

519
00:24:46.039 --> 00:24:47.960
<v Speaker 1>did the connections at each end. One even showed the

520
00:24:47.960 --> 00:24:50.960
<v Speaker 1>street continuing straight through to nowhere, vanishing off the edge.

521
00:24:51.440 --> 00:24:54.440
<v Speaker 1>When we compared, there was friendly argument, but no agreement.

522
00:24:55.119 --> 00:24:58.440
<v Speaker 1>Missus Alvarez tapped her card with a chewed pencil. Maybe

523
00:24:58.440 --> 00:25:01.519
<v Speaker 1>we're all just getting old memory a funny thing. Lycett

524
00:25:01.559 --> 00:25:04.440
<v Speaker 1>sniff folding her arms. I have lived here for years

525
00:25:04.480 --> 00:25:06.559
<v Speaker 1>and haven't gotten lost yet. You will just overthink it.

526
00:25:07.160 --> 00:25:09.559
<v Speaker 1>David her Son clutched his own drawing, then looked up.

527
00:25:10.279 --> 00:25:12.599
<v Speaker 1>Last summer, I drew my dog Daisy in chalk by

528
00:25:12.599 --> 00:25:15.160
<v Speaker 1>the corner, but she'd been gone two winters already next

529
00:25:15.240 --> 00:25:17.119
<v Speaker 1>day as why I saw her face shining up from

530
00:25:17.119 --> 00:25:19.480
<v Speaker 1>the sidewalk just for a second, like she wanted to

531
00:25:19.519 --> 00:25:22.559
<v Speaker 1>walk along to his mother rolled her eyes but said nothing.

532
00:25:23.079 --> 00:25:26.680
<v Speaker 1>Miss Sescasso broke a silence. You know Tom. She addressed

533
00:25:26.680 --> 00:25:29.119
<v Speaker 1>me by my seldom use verus name. All through the nineties,

534
00:25:29.200 --> 00:25:31.200
<v Speaker 1>it felt like my late sister was always about to

535
00:25:31.200 --> 00:25:33.119
<v Speaker 1>step out from one of those houses. The lane fell

536
00:25:33.160 --> 00:25:36.359
<v Speaker 1>thick with someone else's footsteps. She trailed off, as if

537
00:25:36.400 --> 00:25:39.400
<v Speaker 1>embarrassed by the sentiment more than the details. The air

538
00:25:39.480 --> 00:25:42.240
<v Speaker 1>was charged with the gentle tension of near revelation. We

539
00:25:42.279 --> 00:25:45.119
<v Speaker 1>all felt something were quietly defending our own experience while

540
00:25:45.119 --> 00:25:48.000
<v Speaker 1>also seeking some higher pattern to include us. All. As

541
00:25:48.039 --> 00:25:50.519
<v Speaker 1>the group continued to debate the placement of specific fences

542
00:25:50.559 --> 00:25:53.799
<v Speaker 1>and trees, something in me relaxed. It wasn't only me.

543
00:25:54.440 --> 00:25:57.160
<v Speaker 1>The impossibility was communal at law or feature of the

544
00:25:57.160 --> 00:26:00.519
<v Speaker 1>town's collective memory. For days after my uraged to test

545
00:26:00.519 --> 00:26:03.319
<v Speaker 1>the street grew more precise. The old math teacher and

546
00:26:03.400 --> 00:26:06.359
<v Speaker 1>me wanted a controlled trial, a set of variables. What

547
00:26:06.440 --> 00:26:09.359
<v Speaker 1>if I could break the loop with intentional effort, What

548
00:26:09.440 --> 00:26:11.319
<v Speaker 1>if we could prove were disprove a theory by switching

549
00:26:11.359 --> 00:26:14.960
<v Speaker 1>companion by altering the route by trading notes midwalk. The

550
00:26:15.039 --> 00:26:17.119
<v Speaker 1>next morning, I set out with a compass of battered

551
00:26:17.160 --> 00:26:19.640
<v Speaker 1>relic from an old field tricket and illuminated print out

552
00:26:19.640 --> 00:26:22.440
<v Speaker 1>of the town plat map. I began on Willow, changing

553
00:26:22.440 --> 00:26:24.880
<v Speaker 1>my approach to Maple lane, determined to record which direction

554
00:26:24.920 --> 00:26:27.720
<v Speaker 1>the compass pointed at every intersection. At the midpoint of

555
00:26:27.720 --> 00:26:29.960
<v Speaker 1>the lane, the compass needle and certainly trembled as if

556
00:26:30.000 --> 00:26:33.079
<v Speaker 1>hovering between two bearings. Then for a few steps simply

557
00:26:33.079 --> 00:26:36.359
<v Speaker 1>spun a lazy, purete with no magnetic allegiance. I traced

558
00:26:36.359 --> 00:26:40.440
<v Speaker 1>the sidewalk nopocopin, checking each house number and marker. Nothing

559
00:26:40.480 --> 00:26:43.359
<v Speaker 1>gave as always, I emerged it will as far side,

560
00:26:43.400 --> 00:26:47.119
<v Speaker 1>the twist of direction inexplicable. When I checked my GPS stracolator,

561
00:26:47.200 --> 00:26:49.519
<v Speaker 1>the rubbish shown as a clean L shaped walk, square

562
00:26:49.519 --> 00:26:52.599
<v Speaker 1>and boring. The digital world refused to acknowledge the loop,

563
00:26:53.319 --> 00:26:55.720
<v Speaker 1>refusing to feed I saw it a new coal conspirator.

564
00:26:56.319 --> 00:26:59.119
<v Speaker 1>Mister Parrick, who'd replaced the fence at an eighteen last winter,

565
00:26:59.200 --> 00:27:01.440
<v Speaker 1>and who rumor had it, had been a math professor

566
00:27:01.440 --> 00:27:03.880
<v Speaker 1>in India before retirement, agreed to join my little game.

567
00:27:04.400 --> 00:27:06.720
<v Speaker 1>I love a puzzle, he pronounced, smiling with the mild

568
00:27:06.720 --> 00:27:09.240
<v Speaker 1>impatience of a stocky man who walks everywhere. At double base,

569
00:27:09.960 --> 00:27:13.319
<v Speaker 1>we stood at opposite ends of maple lane. Pocket watches synchronized.

570
00:27:13.880 --> 00:27:17.039
<v Speaker 1>The plan was comically simple and probably silly. Walked towards

571
00:27:17.039 --> 00:27:19.319
<v Speaker 1>each other, timing our steps and see if we could

572
00:27:19.319 --> 00:27:22.759
<v Speaker 1>intersect in the middle. Anne, documenting with her phone, laughed

573
00:27:22.759 --> 00:27:25.960
<v Speaker 1>at our careful ritual. We set off. I watched my

574
00:27:26.039 --> 00:27:28.559
<v Speaker 1>shoes and the shadow lines of the fences, certain i'd

575
00:27:28.599 --> 00:27:31.440
<v Speaker 1>see him approaching on the straightaway. At the halfway point,

576
00:27:31.640 --> 00:27:33.519
<v Speaker 1>when we should have met, he was nowhere in sight.

577
00:27:34.079 --> 00:27:36.599
<v Speaker 1>A quick phone call, and already back at Willow came

578
00:27:36.640 --> 00:27:40.680
<v Speaker 1>his breathy report. Did we pass No, I said, baffled,

579
00:27:40.759 --> 00:27:43.119
<v Speaker 1>finding myself back at Willow Avenue. Also, though I could

580
00:27:43.119 --> 00:27:46.279
<v Speaker 1>not say hal. My hands were trembling, half from excitement,

581
00:27:46.359 --> 00:27:48.279
<v Speaker 1>half from the chill realization that the loop could not

582
00:27:48.319 --> 00:27:52.400
<v Speaker 1>be broken, even by controlled intervention undetad. We tried again,

583
00:27:52.480 --> 00:27:54.640
<v Speaker 1>this time with him retracing his steps backwards for part

584
00:27:54.640 --> 00:27:56.599
<v Speaker 1>of the route, mehamming a tune and counting allowed to

585
00:27:56.680 --> 00:27:59.839
<v Speaker 1>ensure attention. Again, we could not cross could not meet,

586
00:28:00.079 --> 00:28:02.240
<v Speaker 1>no matter how BeOS I see. We aligned our starts

587
00:28:02.960 --> 00:28:06.519
<v Speaker 1>each time we exited on willow shaken and sheepish. A

588
00:28:06.599 --> 00:28:10.119
<v Speaker 1>third trial and herself walk ahead, meshadowing her by twenty paces.

589
00:28:10.839 --> 00:28:13.880
<v Speaker 1>She pause, turned, searched the sidewalk, but claimed she never

590
00:28:13.920 --> 00:28:16.119
<v Speaker 1>saw me nor heard my footfalls, though I swore I

591
00:28:16.160 --> 00:28:19.680
<v Speaker 1>glimpsed her soil wet twice, once ahead, once curiously behind,

592
00:28:19.759 --> 00:28:23.039
<v Speaker 1>both toms impossibly blurred and fleeting. Other neighbors found them.

593
00:28:23.119 --> 00:28:26.480
<v Speaker 1>Is equally resistant to logic. Missus Kessler walked with her

594
00:28:26.480 --> 00:28:28.640
<v Speaker 1>phone set to record, but the audio was muffled and

595
00:28:28.720 --> 00:28:31.839
<v Speaker 1>full of wind. Pictures to commit walk always seemed oddly bland,

596
00:28:31.920 --> 00:28:34.519
<v Speaker 1>the mail boks without the personalized names, the murals blank

597
00:28:34.680 --> 00:28:38.200
<v Speaker 1>or sun faded, the flowers plain and indistinct. Once mister

598
00:28:38.279 --> 00:28:40.480
<v Speaker 1>Finch approached a Hausei's war had belonged to his cousin

599
00:28:40.519 --> 00:28:43.079
<v Speaker 1>in the nineteen fifties, But as he crossed the threshold

600
00:28:43.079 --> 00:28:45.319
<v Speaker 1>of the gate, sudden upper of laughter from children across

601
00:28:45.359 --> 00:28:47.680
<v Speaker 1>the street distracted him, and by the time he looked back,

602
00:28:47.799 --> 00:28:50.720
<v Speaker 1>the house's entire facade was hidden behind over grown wisteria.

603
00:28:50.720 --> 00:28:53.480
<v Speaker 1>He claimed was never there. I accept as confusion as

604
00:28:53.519 --> 00:28:55.519
<v Speaker 1>further support for our growing thesis. The street was a

605
00:28:55.559 --> 00:28:59.200
<v Speaker 1>private amphitheater for each walker's own story, flickering, flickering, gone.

606
00:28:59.559 --> 00:29:02.279
<v Speaker 1>What most surprised me each time was that the impossibility

607
00:29:02.279 --> 00:29:05.359
<v Speaker 1>did not frighten, no sense of being trapped, no threat,

608
00:29:05.480 --> 00:29:08.480
<v Speaker 1>just quiet amazement and a gatthering sense of humility. It

609
00:29:08.559 --> 00:29:10.359
<v Speaker 1>was as if the street were not a malicious actor,

610
00:29:10.359 --> 00:29:13.359
<v Speaker 1>but a quietly patient companion, encouraging us to look, to remember,

611
00:29:13.400 --> 00:29:17.039
<v Speaker 1>to accept sensation over certainty. A week later, frustrated with

612
00:29:17.079 --> 00:29:19.240
<v Speaker 1>the failure of digital tools and half convinced we'd reach

613
00:29:19.279 --> 00:29:21.720
<v Speaker 1>the edge of experiment, I retreated to the local library.

614
00:29:21.799 --> 00:29:25.200
<v Speaker 1>Digging for documentation more reliable than memory. I poured over

615
00:29:25.240 --> 00:29:28.200
<v Speaker 1>old time maps dating back to the eighteen nineties, weathered

616
00:29:28.200 --> 00:29:31.359
<v Speaker 1>fire insurance assessments, tax records at tatted blue binder of

617
00:29:31.400 --> 00:29:34.519
<v Speaker 1>garden club newsletters. The records were as inconsistent as my

618
00:29:34.559 --> 00:29:38.000
<v Speaker 1>neighbor's drawings. Some maps showed Maple Lane as a straight line,

619
00:29:38.119 --> 00:29:40.799
<v Speaker 1>others as knock, others as a fore kending in two places.

620
00:29:41.400 --> 00:29:44.759
<v Speaker 1>The number of houses beside fluctuated dramatically eight twelve fifteen,

621
00:29:44.759 --> 00:29:47.160
<v Speaker 1>a ridiculous variants in a town slow to change anything.

622
00:29:47.640 --> 00:29:50.960
<v Speaker 1>Phortos from old street fairs show varying house colors, facades,

623
00:29:51.119 --> 00:29:53.640
<v Speaker 1>widths of street, even tree lines that made no sense.

624
00:29:54.440 --> 00:29:56.799
<v Speaker 1>Sometimes the street was called by a different name entirely

625
00:29:56.880 --> 00:30:00.400
<v Speaker 1>chestnut Row, Maple Place, even all post turn. I tracked

626
00:30:00.400 --> 00:30:03.519
<v Speaker 1>down a mess Drummond, the town's unofficial historian, who presided

627
00:30:03.559 --> 00:30:06.599
<v Speaker 1>over the archives, like an enthusiastic slightly intimidating here and

628
00:30:06.680 --> 00:30:10.599
<v Speaker 1>presiding over a dotful of minnows. I've heard of odd roads, sure,

629
00:30:10.759 --> 00:30:14.000
<v Speaker 1>she admitted, double fork lanes, cross roads that seemed to

630
00:30:14.000 --> 00:30:16.000
<v Speaker 1>get you turned about. There's a history in New England

631
00:30:16.039 --> 00:30:18.119
<v Speaker 1>of so Colgos Street. They used to say, a pathway

632
00:30:18.160 --> 00:30:20.000
<v Speaker 1>that ron's where the deer used to walk, never keeps

633
00:30:20.039 --> 00:30:22.720
<v Speaker 1>its shape for long. I've collected stories, wont to hear one.

634
00:30:23.160 --> 00:30:26.640
<v Speaker 1>I nodded, hungry for any connection, however, uncertain, she sifted

635
00:30:26.680 --> 00:30:29.200
<v Speaker 1>through a box of oral histories tape cassettes recorded in

636
00:30:29.240 --> 00:30:32.799
<v Speaker 1>the eighties. One creaky voice declared, Maple Lane never did

637
00:30:32.839 --> 00:30:34.799
<v Speaker 1>run quite straight. My father said, if he tried to

638
00:30:34.839 --> 00:30:36.359
<v Speaker 1>walk it in a hurry, you'd end up on a

639
00:30:36.400 --> 00:30:39.920
<v Speaker 1>porch that wasn't yours. Another in tone. The street always

640
00:30:39.920 --> 00:30:42.400
<v Speaker 1>seemed a bit endless, but I didn't mind walking there.

641
00:30:42.480 --> 00:30:45.279
<v Speaker 1>It felt like home every time. All Field notes from

642
00:30:45.279 --> 00:30:48.079
<v Speaker 1>the nineteen thirties included a scribbled line, Maple Lane will

643
00:30:48.119 --> 00:30:50.240
<v Speaker 1>not let you walk through feels like my own story.

644
00:30:50.240 --> 00:30:52.799
<v Speaker 1>Every time I copied it down in my notebook on

645
00:30:52.920 --> 00:30:54.920
<v Speaker 1>the lining my own story with a sense of relief.

646
00:30:55.640 --> 00:30:58.960
<v Speaker 1>Others had noticed before. The phenomenon was not near, only

647
00:30:59.039 --> 00:31:02.559
<v Speaker 1>rarely noticed them rush aside, recorded and forgotten. The longer

648
00:31:02.599 --> 00:31:04.359
<v Speaker 1>I sat in a sunlit reading room, the more I

649
00:31:04.400 --> 00:31:06.720
<v Speaker 1>began to suspect that the peculiar logic of Maple Lane

650
00:31:06.720 --> 00:31:09.240
<v Speaker 1>was a cross rated not only of memory and current geography,

651
00:31:09.279 --> 00:31:12.200
<v Speaker 1>but a blend of every walker's expectation, hope, and history.

652
00:31:12.680 --> 00:31:15.559
<v Speaker 1>The exact sameness of our daily rituals was not just comfort,

653
00:31:15.640 --> 00:31:18.599
<v Speaker 1>but a kind of accuation, constantly recalculated as collective memory

654
00:31:18.599 --> 00:31:22.039
<v Speaker 1>and private longing. Returning home, I decided the next step

655
00:31:22.079 --> 00:31:25.160
<v Speaker 1>had to be collaborative, a cold round, gathering the small

656
00:31:25.200 --> 00:31:28.480
<v Speaker 1>cluster of neighbors who cheer in the most curiosity. Let's

657
00:31:28.480 --> 00:31:30.480
<v Speaker 1>do a walk together, not just as a group, but

658
00:31:30.559 --> 00:31:32.960
<v Speaker 1>as an experiment. Ahead of time, everyone write down a

659
00:31:33.000 --> 00:31:35.759
<v Speaker 1>memory a detailed something you associate with, maple lane, anything.

660
00:31:35.839 --> 00:31:38.279
<v Speaker 1>Don't share it, just bring it in your pocket. On

661
00:31:38.319 --> 00:31:40.400
<v Speaker 1>a perfect evening, six of us stood at the head

662
00:31:40.400 --> 00:31:44.079
<v Speaker 1>of the block, Me Anne, mister Parrick, Missus Alvarez, Sam Finch,

663
00:31:44.240 --> 00:31:47.000
<v Speaker 1>and David holding his mother's hand, each of us with

664
00:31:47.079 --> 00:31:48.880
<v Speaker 1>our slip of memory, like a vote of offer to

665
00:31:48.920 --> 00:31:51.839
<v Speaker 1>the street. We began together. But what happened next was

666
00:31:51.880 --> 00:31:55.359
<v Speaker 1>as quietly astounding as anything. Yet at three separate places,

667
00:31:55.400 --> 00:31:58.279
<v Speaker 1>someone would pause their facetlighting up or clouding with confusion,

668
00:31:58.319 --> 00:32:01.400
<v Speaker 1>and point to something A painted stone, dollward tree, O windsock.

669
00:32:02.079 --> 00:32:04.519
<v Speaker 1>That's the one my un kahan every Memorial Day, said

670
00:32:04.559 --> 00:32:07.440
<v Speaker 1>mister parack Vois, trembling to the rest of us. It

671
00:32:07.519 --> 00:32:11.039
<v Speaker 1>was just another flag. Later, Missus Alvarez crowed in delight,

672
00:32:11.119 --> 00:32:13.200
<v Speaker 1>pointing to a porch of red geraniums. That was my

673
00:32:13.279 --> 00:32:16.359
<v Speaker 1>mother's arrangement. I know it. No one else could see

674
00:32:16.359 --> 00:32:20.440
<v Speaker 1>any color but white. Anne, walking beside me, whispered, look

675
00:32:20.440 --> 00:32:22.200
<v Speaker 1>at that mail box. Do you see what I see?

676
00:32:22.640 --> 00:32:25.440
<v Speaker 1>I did not. Later or she admitted she'd glimpsed our

677
00:32:25.440 --> 00:32:28.119
<v Speaker 1>wedding date in raised brass numbers across the side panel.

678
00:32:28.680 --> 00:32:31.599
<v Speaker 1>At one house. We all paused at the same mail books,

679
00:32:31.640 --> 00:32:35.119
<v Speaker 1>noting that it bore three different names. Missus Alvarez insisted

680
00:32:35.119 --> 00:32:38.200
<v Speaker 1>it was hers from childhood. Mister Parack named an uncle,

681
00:32:38.839 --> 00:32:43.119
<v Speaker 1>David whispered Daisy. Each insisted their reading was correct. We

682
00:32:43.279 --> 00:32:46.519
<v Speaker 1>argued not unfriendly over the colors of the clarity, the typeface.

683
00:32:47.200 --> 00:32:49.920
<v Speaker 1>A summer moved to knock, and unforecast rainstorm burst up

684
00:32:49.960 --> 00:32:53.200
<v Speaker 1>above us, urgent and cold, drenching us, sending us crambling

685
00:32:53.240 --> 00:32:55.920
<v Speaker 1>back to the sidewalk. It lasted only two streets, with

686
00:32:56.160 --> 00:32:58.880
<v Speaker 1>a wedda pattern, hyperlocal and as capricious as the lane itself.

687
00:32:59.480 --> 00:33:01.400
<v Speaker 1>When at lasts we were grouped back at Willow, we

688
00:33:01.480 --> 00:33:04.440
<v Speaker 1>compared the slips, each person privately noting their experience match

689
00:33:04.480 --> 00:33:07.079
<v Speaker 1>the detailed they'd written. Window boxes, tune drifting from an

690
00:33:07.119 --> 00:33:10.680
<v Speaker 1>open window, Star of the County down, Missus Alvarez's mother's favorite,

691
00:33:10.720 --> 00:33:12.920
<v Speaker 1>which no one else recalled, the shadow of a child's

692
00:33:12.920 --> 00:33:15.200
<v Speaker 1>bicycle painted blue, seen leaning at the base of a

693
00:33:15.240 --> 00:33:18.319
<v Speaker 1>maple tree. It was finally Ann who offered the most

694
00:33:18.359 --> 00:33:22.519
<v Speaker 1>quietly radical explanation. Maybe the street isn't haunted, not really.

695
00:33:22.599 --> 00:33:24.680
<v Speaker 1>Maybe are what makes it real. Maybe the land just

696
00:33:24.720 --> 00:33:26.920
<v Speaker 1>takes the measure of whose passing through in mals itself

697
00:33:27.000 --> 00:33:30.039
<v Speaker 1>briefly to fit the shape of that memory. We sat together,

698
00:33:30.240 --> 00:33:33.480
<v Speaker 1>even falling around us. The group debated, was it a

699
00:33:33.519 --> 00:33:37.519
<v Speaker 1>form of mass suggestion, collective nostalgia, animating the senses. Was

700
00:33:37.559 --> 00:33:40.240
<v Speaker 1>there some property of older towns or of aging minds,

701
00:33:40.400 --> 00:33:42.920
<v Speaker 1>that woe of histories into the landscape so thoroughly even

702
00:33:42.920 --> 00:33:47.319
<v Speaker 1>strangers called echoes. There were no easy answers. Mister Parrock,

703
00:33:47.440 --> 00:33:49.960
<v Speaker 1>with is noth of Petician's calm, proposed, It's as if

704
00:33:50.000 --> 00:33:51.799
<v Speaker 1>the street has a function, a kind of overlay, a

705
00:33:51.799 --> 00:33:54.880
<v Speaker 1>topological foald, not a physical one, more like a Mirabius strip.

706
00:33:54.880 --> 00:33:57.119
<v Speaker 1>If you travel its length, you wind up inverted, and

707
00:33:57.200 --> 00:33:59.599
<v Speaker 1>your own perspective becomes part of the journey, not literal,

708
00:33:59.680 --> 00:34:03.160
<v Speaker 1>but not only metaphor either. I nodded, both thrilled and lightly,

709
00:34:03.160 --> 00:34:05.680
<v Speaker 1>and settled by the notion. For years I thought of

710
00:34:05.680 --> 00:34:07.519
<v Speaker 1>a home as the stable some of all the houses

711
00:34:07.519 --> 00:34:10.079
<v Speaker 1>and fences and porches I could memorize an addition of things.

712
00:34:10.679 --> 00:34:13.000
<v Speaker 1>But on Maple Lane the patterns seemed to be place

713
00:34:13.079 --> 00:34:15.760
<v Speaker 1>plus memory raised to the power of every individual story

714
00:34:15.880 --> 00:34:19.320
<v Speaker 1>mapped in real time by live experience a mess. Drummond,

715
00:34:19.320 --> 00:34:22.159
<v Speaker 1>the historian, stopped by with her own contributions, old stories

716
00:34:22.159 --> 00:34:24.320
<v Speaker 1>of cross roads in other towns, roads that run on

717
00:34:24.360 --> 00:34:27.199
<v Speaker 1>their own rules, intersections that seemed to move in dreams,

718
00:34:27.280 --> 00:34:31.960
<v Speaker 1>town fair abuse, appearing, disappearing, reappearing from different angles. She

719
00:34:32.119 --> 00:34:34.360
<v Speaker 1>recounted a legend tongue only half way in cheek, of

720
00:34:34.440 --> 00:34:36.840
<v Speaker 1>roads that remember every one whose ever set foot on them,

721
00:34:36.920 --> 00:34:39.480
<v Speaker 1>and sometimes play back their best days, just for a

722
00:34:39.519 --> 00:34:42.119
<v Speaker 1>walk or two. It was some mathematician in me that

723
00:34:42.199 --> 00:34:45.480
<v Speaker 1>wanted to press further. I sat with mister Parrick, sketching

724
00:34:45.480 --> 00:34:48.920
<v Speaker 1>on napkins and scrap paper, diagraming the routes, arrows, twisting

725
00:34:48.960 --> 00:34:51.400
<v Speaker 1>and looping house names, resolving into a web of references

726
00:34:51.400 --> 00:34:54.360
<v Speaker 1>and cross references. Each possible walked the of olaying the next, none,

727
00:34:54.440 --> 00:34:57.400
<v Speaker 1>forming a conventional circuit, all converging on the same impossible

728
00:34:57.400 --> 00:35:00.519
<v Speaker 1>exit at Willow. You think it's possible. I am for

729
00:35:00.519 --> 00:35:02.559
<v Speaker 1>a street just to play New England Street, to record

730
00:35:02.599 --> 00:35:05.000
<v Speaker 1>some mixture of the present and remembered the observer and

731
00:35:05.039 --> 00:35:07.440
<v Speaker 1>the observed, like how an old blackboard carries the ghost

732
00:35:07.440 --> 00:35:10.760
<v Speaker 1>of past chalk behind its fresh quations. Yes, he nodded

733
00:35:10.760 --> 00:35:14.159
<v Speaker 1>the certainty, quiet but tense. At least it's possible for

734
00:35:14.239 --> 00:35:16.159
<v Speaker 1>us to experience it that way. Isn't that the hard

735
00:35:16.199 --> 00:35:18.840
<v Speaker 1>of mathematics? You begin of point and lines and discover

736
00:35:18.920 --> 00:35:21.440
<v Speaker 1>that space itself is not simple or absolute, but depends

737
00:35:21.480 --> 00:35:23.239
<v Speaker 1>on how you move through it. Maple Lane is our

738
00:35:23.280 --> 00:35:25.760
<v Speaker 1>own little topology experiment of real life, utless of how

739
00:35:25.760 --> 00:35:29.519
<v Speaker 1>people and places build each other. Anne Hereby mused, maybe

740
00:35:29.559 --> 00:35:32.079
<v Speaker 1>every street does, but here we get to see the feedback.

741
00:35:32.199 --> 00:35:35.239
<v Speaker 1>Memory shapes the experience, and the experience feeds the memory

742
00:35:35.280 --> 00:35:37.960
<v Speaker 1>till after a lifetime, who can cleanly separate map from meaning.

743
00:35:38.519 --> 00:35:40.800
<v Speaker 1>The conversation drove us as deep as anyone could, once,

744
00:35:40.840 --> 00:35:45.159
<v Speaker 1>sometimes verging into speculation, sometimes laughter, sometimes quiet Over the

745
00:35:45.239 --> 00:35:47.800
<v Speaker 1>realization dawned not so much as a sharp turn, but

746
00:35:47.840 --> 00:35:51.239
<v Speaker 1>as a gentle settling of folk. Maple Lane wasn't an exception.

747
00:35:51.519 --> 00:35:53.599
<v Speaker 1>It was an aperture, a point where the boundary between

748
00:35:53.599 --> 00:35:55.960
<v Speaker 1>interior geography, what we carry in our mind walk and

749
00:35:56.039 --> 00:35:58.239
<v Speaker 1>exterior spase, what we see under the street lamps, had

750
00:35:58.239 --> 00:36:01.039
<v Speaker 1>grown thin. The loop, the shift, the layering of stories.

751
00:36:01.119 --> 00:36:03.800
<v Speaker 1>These were not flaws, but a demonstration that the ordinary

752
00:36:03.800 --> 00:36:06.480
<v Speaker 1>world can hold, if only temporarily the entirety of a

753
00:36:06.480 --> 00:36:10.000
<v Speaker 1>person's memory refracted through the slow patients of habit. Every

754
00:36:10.039 --> 00:36:12.280
<v Speaker 1>time any of us wart it, we didn't merely traverse

755
00:36:12.320 --> 00:36:15.199
<v Speaker 1>the block. We stoch together lifetimes, letting the ground beneath

756
00:36:15.199 --> 00:36:17.480
<v Speaker 1>our feet rearrange in sympathy with our old joys and

757
00:36:17.559 --> 00:36:20.960
<v Speaker 1>private histories. The street became both map and memory quilt,

758
00:36:21.119 --> 00:36:24.519
<v Speaker 1>singular and plural at once. I was reminded, as mister

759
00:36:24.559 --> 00:36:27.679
<v Speaker 1>Park pointed out that in mathematics, certain surfaces only revealed

760
00:36:27.679 --> 00:36:30.199
<v Speaker 1>their hidden dimensions when you move along them, locally ordinary,

761
00:36:30.280 --> 00:36:34.000
<v Speaker 1>globally strange. The mystery lay less in the impossible geometry

762
00:36:34.000 --> 00:36:36.159
<v Speaker 1>than in the fact that we all somehow became curators

763
00:36:36.159 --> 00:36:38.840
<v Speaker 1>of our own private lived rouse. Overlapping for a moment

764
00:36:38.880 --> 00:36:42.119
<v Speaker 1>on a street that listened. After the walk ended, we lingered,

765
00:36:42.159 --> 00:36:45.000
<v Speaker 1>the conversation, trailing off not with the quick snap of financer,

766
00:36:45.079 --> 00:36:46.840
<v Speaker 1>but with the hush that follows a solve puzzle, the

767
00:36:46.880 --> 00:36:48.719
<v Speaker 1>kind where the solution is not a number, but a

768
00:36:48.719 --> 00:36:51.559
<v Speaker 1>new way of viewing the world. Now, most mornings, my

769
00:36:51.639 --> 00:36:54.880
<v Speaker 1>daily ritual carries a lighter step. I still walk Mape Lane.

770
00:36:54.880 --> 00:36:58.639
<v Speaker 1>It's impossible not to. Sometimes Anne joins me. Sometimes I

771
00:36:58.679 --> 00:37:01.039
<v Speaker 1>go alone sometimes we if not to others who seem

772
00:37:01.079 --> 00:37:03.920
<v Speaker 1>lost in their own companionable reverie. I do not look

773
00:37:03.960 --> 00:37:07.280
<v Speaker 1>for logic, not as before. Instead, I let the street

774
00:37:07.280 --> 00:37:09.320
<v Speaker 1>be what it is, a condu for recollection. A local

775
00:37:09.320 --> 00:37:11.199
<v Speaker 1>proof of the world's thinnest curtains can ripple in the

776
00:37:11.280 --> 00:37:14.119
<v Speaker 1>right light, when the sun's just right. I sometimes catch

777
00:37:14.159 --> 00:37:16.039
<v Speaker 1>the outline of an old friend, or the echo of

778
00:37:16.000 --> 00:37:18.599
<v Speaker 1>Anne's laughter from decades past, or the stubborn toild of

779
00:37:18.599 --> 00:37:20.960
<v Speaker 1>a male boox that never properly belong to anyone but me.

780
00:37:21.480 --> 00:37:24.800
<v Speaker 1>These glimpses no longer haunt the comfort. If neighbors bring

781
00:37:24.880 --> 00:37:27.519
<v Speaker 1>up the oddness of maple Lane, we gnawd sometimes joke

782
00:37:27.559 --> 00:37:29.519
<v Speaker 1>about its enchantments. But there is a new patience in

783
00:37:29.559 --> 00:37:31.760
<v Speaker 1>our voices, our willingness to let the mystery carry on

784
00:37:31.840 --> 00:37:34.119
<v Speaker 1>and solved, and understanding that the place is a vessel

785
00:37:34.159 --> 00:37:36.920
<v Speaker 1>for more than just current events. I think often now

786
00:37:36.960 --> 00:37:39.119
<v Speaker 1>about the nature of place, how ground and geometry in

787
00:37:39.199 --> 00:37:41.239
<v Speaker 1>memory are woven tightly, and how the mauth of a

788
00:37:41.239 --> 00:37:43.880
<v Speaker 1>neighborhood is more fluid than it appears on any mapoplat.

789
00:37:44.360 --> 00:37:46.280
<v Speaker 1>I no longer feel the need to finish the equation

790
00:37:47.000 --> 00:37:49.559
<v Speaker 1>one bright morning. Walking alone, I pause by the same

791
00:37:49.599 --> 00:37:52.800
<v Speaker 1>herd ranges, now blue, now violet, depending on the angle,

792
00:37:52.840 --> 00:37:54.960
<v Speaker 1>and marvel at the certainty of the path, even with

793
00:37:55.039 --> 00:37:58.320
<v Speaker 1>its impossible bends. My old logical glad and faculty gently

794
00:37:58.320 --> 00:38:01.559
<v Speaker 1>sets itself aside, making room for music, flickers of childhood

795
00:38:01.559 --> 00:38:04.280
<v Speaker 1>as hand warm in mine. Perhaps every place is more

796
00:38:04.320 --> 00:38:06.679
<v Speaker 1>than its outline, every house, every street not just a

797
00:38:06.719 --> 00:38:08.760
<v Speaker 1>sum of angles, but a living score written in footfalls

798
00:38:08.760 --> 00:38:12.079
<v Speaker 1>and recollections and tiny acts of attention. Perhaps every walk

799
00:38:12.199 --> 00:38:14.320
<v Speaker 1>in the end draws the map a little differently, and

800
00:38:14.360 --> 00:38:17.400
<v Speaker 1>so quietly, that only the walker in that moment notices

801
00:38:17.440 --> 00:38:20.519
<v Speaker 1>the world flags and shimmer around them. I wonder are

802
00:38:20.519 --> 00:38:22.800
<v Speaker 1>there other streets in other towns that fold over themselves

803
00:38:22.840 --> 00:38:25.119
<v Speaker 1>in sympathy with an old friend's son, or the private

804
00:38:25.199 --> 00:38:27.599
<v Speaker 1>language of a marriage, or a child's chalk's catch joy?

805
00:38:28.280 --> 00:38:30.320
<v Speaker 1>Have I missed a thousand such loops by walking too

806
00:38:30.360 --> 00:38:33.239
<v Speaker 1>quickly too certain? Is memory just an echo? Or is

807
00:38:33.280 --> 00:38:35.760
<v Speaker 1>it also a builder of street and stone? The answer

808
00:38:35.800 --> 00:38:38.039
<v Speaker 1>is slides away gentle as the wind fur new leaves,

809
00:38:38.159 --> 00:38:41.480
<v Speaker 1>and I keep walking, watching the ordinary radio itself once

810
00:38:41.519 --> 00:38:46.360
<v Speaker 1>again for the extraordinary, And that is the end. Thank you.

811
00:38:46.400 --> 00:38:48.320
<v Speaker 1>For listening, and I will see you in the next one.
