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Speaker 1: To for your true culture to so true. So oh

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h ya, everybody saw talk or d doll.

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Speaker 2: Or oh la yall go oh ah.

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Speaker 1: Got about the job make e word bing up on

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their netoday. I bopa say pologize Mariolo Dad no.

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Speaker 3: Mo doll.

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Speaker 4: Mm mom.

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Speaker 5: A y.

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Speaker 1: F o. So boss.

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Speaker 6: Sai on November twenty second to join us at the

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Sister Witch Company for a pre Black Friday event.

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Speaker 7: You are listening to.

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Speaker 8: W M and h w N and h RIP the

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novels Got Commander, Don't Get Supreme, Lina Maxill.

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Speaker 9: Coming, Welcome everybody, Here we go.

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Speaker 6: It is our number three newmerow trace of Matt Connorton

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Unleashed and we are live from the studios of wm

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NH ninety five point three FM and Glorious Manchester, New Hampshire.

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Today is Saturday, November twenty third, twenty twenty four. Jenny

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is here as well, of course at the news table.

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We had a great band in studio with us. We're

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going to introduce in just a moment. Really looking forward

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to talking with the guys from Vigil and they brought

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goodies which we love. But it's also a very big

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weekend because tomorrow we've got Spelfy Fest.

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Speaker 10: Do Spellfyfests twenty twenty four eighteen plus show here at Jewel.

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Speaker 11: In the Queens City. Doors open at one pm tomorrow.

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About twenty acts.

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Speaker 10: Variety, show, hypnosis, all kinds of vans, every kind of gendre.

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Speaker 11: So please show up, join us. We will be there.

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If you need help finding it, just contact Matt or iof.

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Speaker 9: Air and Midnight Creatives Collective dot com.

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Speaker 7: You can still get.

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Speaker 11: Tickets absolutely and there's a VIP after party show.

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Speaker 6: Yes, yes, and let's see oh the other thing to

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our newest sponsor, Sister Witch Company, They've got the magical

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What is it called the magical market? Here it is

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Magical Market. Small Business Psychic Fair coming up November thirtieth.

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Come join us on Small Business Saturday from eleven am

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to six pm where you will find some of the

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most amazing vendors and they're handmade items and art. This

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will be a packed event, one floor only, with a

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separate room dedicated to our healers and readers. This is

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the time of year where small businesses need more, need

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more help than any other box store, so please support

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your small businesses. As I always like to say, Walmart

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does not need any more of your money, they will

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be just fine, but please support your small businesses. So

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that is going to be happening at the Manchester Masonic

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Temple at fifteen oh five Elm Street on November thirtieth.

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And another great sponsor here of WM and H, the

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sister Witch Company, and of course we want to mention

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too the Miracle on Elm Street which WM and H

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is always heavily involved with. Miracle on Elm Street twenty

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twenty four toy drive for Manchester's kids and that is

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going to be coming up on November fourth, I'm sorry,

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November December fourth, Yes, December fourth, going, yes, yes, And

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of course you can drop off toys right here at

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the station and that's going to be a bonfire as

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it was I think it was there. It's been there

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every year, I think right, bonfire.

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Speaker 9: Yeah, they always do it there every year. Yeah, every year.

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That's a wonderful way to go back there.

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Speaker 6: Wonderful place and for more information on that you can

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contact Matt Kushin Matt at Hope NH dot org. Hope

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NH dot org is where you can find Matt Kushane

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and he and Peter White and various other people team

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up for this great event every year, and we'll make

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an appearance there as well, of course, So looking.

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Speaker 12: Forward to that.

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Speaker 6: So lots going on, but let's go ahead, and I'm

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going to bring these mics up here. We've got all

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five guys from the band Vigil here with us in studio.

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Speaker 13: Welcome, thanks for having us.

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Speaker 9: Absolutely. Oh, Brandon, I can't hear you, and I need

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to figure out why. Oh I know why. I figured

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it out.

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Speaker 6: Hello, Hello am Brandon, Hi Brandon Brandon. I did want

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you to introduce yourself first, actually, because you have incumbency here.

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You've been on the show before. I don't believe anyone

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else in the room has. So you were on the

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show years ago. We were talking off air, like twenty eighteen,

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twenty nineteen.

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Speaker 14: Something like that, seventeen or twenty eighteen. Yeah, I was

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running for office again and I, you know, came on

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have a conversation with you about it.

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Speaker 6: Yeah, that was when we were at the old place

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above Margarita's there. So this is your first time in

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the nice new studio, so welcome, thank you, and uh,

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this is the first I'm sure we talked about music

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at some point when you were on the show before,

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but now you've got an actual band to talk about,

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so really really excited to have here.

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Speaker 14: I'm here to do what I'm really meant to do,

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was supposed to play, you know, play heavy music.

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Speaker 6: Yes, you're the drummer from Excellent Excellent, and let's go

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around the room. We'll have everyone else introduce, introduce themselves.

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Speaker 15: My name is Randy, and I play guitar for them.

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Speaker 9: Okay, welcome Randy.

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Speaker 7: I am Dave and I do with a vocal. Welcome Dave,

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Joe bass guitar, Craig, I'm the the guitarist.

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Speaker 9: Okay. Wonderful, wonderful. And now these guys brought goodies.

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Speaker 6: So for those of you watching online, I'm gonna put

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the camera on me for a moment because we appreciate

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this very much.

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Speaker 9: When when folks do this and.

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Speaker 6: Now this is a subject that comes up a lot

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on the show, whether whether or not to release physical media.

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But you guys have a CD, so for those watching online,

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we get that right in front of the camera.

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Speaker 4: There.

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Speaker 9: Very cool. Who did the work for this?

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Speaker 16: It was I found some guy on fiver you know

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onlineal h oh, yeah, yeah, and I you know, he

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had some ideas I liked and we purchased him.

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Speaker 12: Oh, very cool.

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Speaker 6: Yeah, I know you brought a couple of copies of

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the CD we did coming into the segment, we did

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play Convulsive Ways from a World Beyond. Uh, the longest

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title for the longest song on the disc. It would

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seem Oh yeah, very cool.

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Speaker 13: No, I like it.

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Speaker 9: Who came up with the logo? Was that one of

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you guys?

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Speaker 16: Or there was somebody in Arizona, some guy that we

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all knew in the band that makes logos?

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Speaker 6: Yeah, very good. Uh, I like this make America metal again.

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So that's uh, that's something I think we can all

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agree on. And oh, now this is what I this

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is my favorite part. Oh, actually there's a couple of

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things here.

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Speaker 9: So wait a minute. Oh you guys did vinyl?

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Speaker 12: Awesome.

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Speaker 6: We hold that up for everybody if you're watching online

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on Facebook or YouTube.

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Speaker 9: Very very cool, very cool.

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Speaker 12: You know too.

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Speaker 6: With the vinyl, it makes it seem like it's there's

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something just classic about it, the way the art works.

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That's awesome.

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Speaker 9: Wow, well done, guys.

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Speaker 13: It almost feels more real having a vinyl in your hand.

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It really does.

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Speaker 9: It really does.

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Speaker 6: Yeah, that's fantastic, especially when it's released through a label.

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Oh yeah, we'll talk about that absolutely. And I love

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that you got a shirt here, So you got the

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Vigil logo on the front. You get that in the camera.

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Speaker 9: There, there we go.

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Speaker 7: It's just on the back.

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Speaker 9: What's going on on the back there?

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Speaker 16: So on the back, it's kind of a neat story.

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There's there's a guy I found on Facebook named Brian

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Casasi had to pronounce. He's from Canada. He makes really

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bizarre art, painted art. And I came across that image

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and I asked him if it was available for use,

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and he said yes, and he said it was free.

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I felt bad not paying for it because it's still art,

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so I paid for it anyway. And then I actually

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have that actual painting at my house. He sent it

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to me.

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Speaker 13: But I love the outwork the guy does, so I

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asked him if you can use it.

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Speaker 6: Oh that is very cool. Thank you guys, thank you

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very much. No, that's awesome. If you are just joining us,

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we have Vigil here with us live in studio. Let's

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talk about so this this is released through a label.

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Speaker 13: Yeah, it's Argonauta Records out of Italy.

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Speaker 9: Oh no kidding, Okay, now, how did you how did

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you get to work with them?

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Speaker 7: How did that come about?

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Speaker 16: So we were we were looking to release the album,

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and it's, as you know, it's expensive to make any

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kind of physical media, and we were looking at a

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pretty good amount of money to make just Viles alone.

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So I was trying to shop what we did to

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labels to see if they just pick it up to

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help us distribute and manufacture. Yeah, and Argonauta gave us

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a great deal on what it would cost to manufacture

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and distribute that. So so we have more of what

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they call a production deal than a record deal. But

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it was literally half the price that would have cost

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us to do it.

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Speaker 13: Oh, no kidding.

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Speaker 16: So they did it for half the price, and we

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get on their roster on their website, some promotion from

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them for two years, so all that helped too.

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Speaker 13: Yeah, and it was a good deal, so we just

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took it.

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Speaker 17: Yeah, the album was already recorded by that time. We

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started looking for someone to help with the production. Oh okay,

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they didn't have to foot the bill for any other

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studio costs.

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Speaker 9: Right, Oh that's excellent. Yeah, Oh, very good, very good.

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Speaker 6: Yeah, we live in an amazing time where you know,

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because I'm certainly old enough to remember when your only

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options where you know, you find a record label, you

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hope they give.

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Speaker 9: You some sort of an advance and then you know,

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hopefully they make you famous.

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Speaker 13: Right.

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Speaker 6: But now we live in a time where there's so

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many different ways to release music and you know, you

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can do it all yourself, you can connect with different people,

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you can you know, work with a company in Italy.

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Who's who's doing this for you? I mean that's amazing.

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So so it really is as it's such an interesting

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time to be alive and in the music industry in

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that sense.

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Speaker 16: And you know, and for us part of it is too.

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You know, we're all a little older and this is

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more of a a full time jump for us, right,

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So spending the money in the time is really difficult sometimes,

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so having someone just kind of helped on that way

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helps a lot.

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Speaker 7: Oh absolutely like us too.

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Speaker 14: So we have a good, you know relationship with them,

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and yeah, we'll see you know what kind of happens

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in the future with with some new music.

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Speaker 18: Yeah, yeah, absolutely, they're really good at what they do too.

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And the album is sold out through the online. You

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want to get the for them?

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Speaker 7: Oh no kidding, Yeah, I want to get it through

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us now.

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Speaker 9: Oh wow, Oh that's got to feel good.

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Speaker 14: We sell a lot at our shows too.

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Speaker 7: We played a show.

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Speaker 14: Saturdays ago a yeah, and we sold you know, crap

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ton of vinyl there too, So you know, people are

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really into the you know, to the you know, to

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the format of the vinyl.

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Speaker 7: But yeah, the sound of it.

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Speaker 14: Is really great too.

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Speaker 7: So that bedroom helps us out a lot.

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Speaker 14: And yeah, you know we actually like you know, paid

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for you know, a good studio, a good studio mix.

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We have a guy that we go through who's who's

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really solid for us, and we'll you know, continue to

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work together with him.

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Speaker 3: Yeah.

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Speaker 9: I was curious about where you recorded because.

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Speaker 14: Iron Hills Studios in Newton Amshure, Okay.

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Speaker 9: And how did you come to record there?

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Speaker 6: Because you have so many different options now in terms

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of recording and there's there's a million studios around.

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Speaker 9: How did how did that come?

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Speaker 5: So?

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Speaker 13: I've known Erin.

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Speaker 16: I've known Erin for over a decade from he used

250
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to work at Guitar Center when I lived up North, Okay,

251
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and uh I crossed passing them that way.

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Speaker 13: He's stay in touch with him.

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Speaker 16: He's been in some metal bands himself, and he opened

254
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up a studio and just out of curiosity, I checked

255
00:17:25,200 --> 00:17:27,039
out so much stuff he did, and I saw that

256
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he was right down the alley of what we're doing.

257
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So he understands what we do, understands our product. Yes,

258
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and he's a great dude to work with. He's really chill,

259
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yeah and uh really really good musicians. So he's paid

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great years and you have to be so overall, it

261
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was just I knew the guy and he does a

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good product, so yeah, why not?

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Speaker 13: Yeah?

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Speaker 9: Yeah, excellent?

265
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Speaker 1: How did this?

266
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Speaker 9: How did this come about?

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Speaker 6: Vigil is relatively new, right, I mean it's been a

268
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few years, but it's not like it's not like ten

269
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years or something, right, It's.

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Speaker 16: Right, it's just just before COVID wiped out the planet

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twenty nineteen. We just started then and then we have

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to deal with the whole COVID thing.

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Speaker 9: So a little longer than I thought.

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Speaker 12: I swear.

275
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Speaker 9: The pandemic causes so much time distortion, you know what

276
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I mean, Like.

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Speaker 6: It's hard to sometimes it's hard to uh like, I know,

278
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when you were on the show before, I knew it

279
00:18:11,440 --> 00:18:13,720
was pre pandemic, but I you know, but it's hard

280
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to be sure. It's weird it's like what was the world.

281
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It's like this time miss It's like this time missing. Yeah, no,

282
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it's it almost seems like another life the world. Yes,

283
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but yeah, so you guys have been together longer than

284
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I thought.

285
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Speaker 9: Yeah, okay, okay.

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Speaker 16: It was a it was a challenge, you know, to

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get through because of course, as you start the band,

288
00:18:30,680 --> 00:18:33,039
you're trying to build it, bring people in, you know,

289
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and uh and then Covid slowed things down. Yeah, and

290
00:18:36,400 --> 00:18:38,799
then it ramped up again. So we were on agatten

291
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off again for a year and a half just to

292
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get it off the ground.

293
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Speaker 9: Yeah, that must have been that must have been frustrating.

294
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Speaker 13: But then we hit a we hit us ride and

295
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we moved forward.

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Speaker 9: Yeah, yeah, excellent.

297
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Speaker 6: Well we should play another track from the album, but uh,

298
00:18:51,079 --> 00:18:53,440
I'll let you guys pick what. Uh, I don't know

299
00:18:53,440 --> 00:18:55,480
if you have something you're pushing as a single.

300
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Speaker 13: Or well the the the actual single that we first

301
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released was.

302
00:19:00,640 --> 00:19:01,799
Speaker 7: It's the first song on the album.

303
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Speaker 16: So that's a that's a pretty good one to play,

304
00:19:04,640 --> 00:19:06,400
I think do because it hits the cornerstone of all

305
00:19:06,440 --> 00:19:06,960
the things we do.

306
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Speaker 13: It has some like ero what doom feel, It has

307
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some thrashy parts.

308
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Speaker 16: Okay, it has a has a choir thing that you know,

309
00:19:14,240 --> 00:19:16,359
Brendan sings the high voice choir on it.

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Speaker 13: So, oh no kidding, Okay, cool, it's a good example.

311
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Speaker 6: Yeah, we'll play that next sent So let's descend to

312
00:19:21,319 --> 00:19:23,680
extinction sir. All right, cool, let's go with that.

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Speaker 9: If you're just joining us, we have vigil Air with

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00:19:25,839 --> 00:19:27,920
us alive in studio and check this out. This is

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00:19:28,160 --> 00:19:29,440
descend to extinction.

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Speaker 1: That's us or cause the blood. Yeah, I go by

317
00:20:49,759 --> 00:20:58,920
you move? Oh he called you enjoyed a couple of

318
00:20:59,119 --> 00:21:16,880
years fall thirkay some third uh okay, cause uh fifty three.

319
00:21:20,279 --> 00:21:22,119
But it's like bars uh bruh.

320
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Speaker 19: Oh.

321
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Speaker 3: It all like claybo.

322
00:21:29,119 --> 00:21:31,319
Speaker 1: All like brh bally cause.

323
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Speaker 4: My song s soun so.

324
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Speaker 19: Soa saya says.

325
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Speaker 20: So on sun time to sound you don't son.

326
00:22:08,240 --> 00:22:10,039
Speaker 3: So for the series.

327
00:22:13,200 --> 00:22:25,799
Speaker 1: Call your body, your laws, their server, dag who rout

328
00:22:25,920 --> 00:22:32,200
so so don't say too, I'm still in the swing.

329
00:22:33,880 --> 00:22:35,680
Speaker 3: What uh just some your.

330
00:22:38,960 --> 00:22:41,400
Speaker 1: Did I say song? You go far.

331
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Speaker 5: So s s s.

332
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Speaker 4: S son so so.

333
00:23:15,920 --> 00:23:30,240
Speaker 1: So it's a boo revolt.

334
00:23:30,319 --> 00:23:39,759
Speaker 19: Was like, ser that's a wolf by far the foot

335
00:23:39,880 --> 00:23:45,160
guys from the time it's like a hard or like

336
00:23:45,519 --> 00:23:46,279
ga act.

337
00:23:47,920 --> 00:24:50,400
Speaker 4: That was all but like that do it that way?

338
00:24:52,640 --> 00:24:53,119
Speaker 5: What you.

339
00:24:58,640 --> 00:25:11,000
Speaker 3: Don't blame you gir. The third of the bird.

340
00:25:14,200 --> 00:25:24,039
Speaker 1: Across the jury, the long words, the bird all cause

341
00:25:24,319 --> 00:25:35,720
to right a couple of thirds uh bood barge like

342
00:25:35,960 --> 00:25:37,359
the couple third.

343
00:25:40,559 --> 00:26:03,559
Speaker 21: Bird was a quilt mighty or it be Chelsea, I recur.

344
00:26:03,720 --> 00:27:07,799
Speaker 7: To that's cool.

345
00:27:07,839 --> 00:27:08,839
Speaker 9: I love the way that ends.

346
00:27:08,920 --> 00:27:09,599
Speaker 13: That is so cool.

347
00:27:09,680 --> 00:27:13,599
Speaker 6: That is to send to send to extinction. The band

348
00:27:13,720 --> 00:27:16,519
is Vigil who we have live in studio. The entire

349
00:27:16,559 --> 00:27:19,960
band is here and it's great to speak with them.

350
00:27:20,599 --> 00:27:23,079
We were kind of talking off air about so this

351
00:27:23,319 --> 00:27:26,000
is available in a number of stores, the new album.

352
00:27:26,039 --> 00:27:26,759
Speaker 9: We should mention that.

353
00:27:27,240 --> 00:27:27,440
Speaker 7: Yeah.

354
00:27:27,519 --> 00:27:30,920
Speaker 17: So we we did a little circuit probably what four

355
00:27:30,960 --> 00:27:33,440
months ago and dropped off several copies, and we just

356
00:27:33,480 --> 00:27:35,319
want to mention some of the places you know that

357
00:27:35,480 --> 00:27:37,880
that were nice enough to you know, put the album

358
00:27:37,920 --> 00:27:40,079
on the shelf. Oh yeah, reach out when they sell

359
00:27:40,119 --> 00:27:43,200
out and restock. So we have Full Circle Vinyl and

360
00:27:43,279 --> 00:27:47,799
Meredith New Hampshire, New Hampshire Vintage Vinyl and Laconia Skeleton

361
00:27:47,880 --> 00:27:52,319
in Rochester who's been huge, hugely supportive for us, Pitchfork

362
00:27:52,359 --> 00:27:54,680
Records and Conquered and the music connection right here in

363
00:27:54,759 --> 00:27:56,079
Manchester outstanding.

364
00:27:56,559 --> 00:27:59,559
Speaker 9: Yeah, that's important too, because you know a lot of

365
00:27:59,599 --> 00:28:00,720
these stores.

366
00:28:01,000 --> 00:28:03,599
Speaker 6: It's funny how and again I'm old enough to remember

367
00:28:03,680 --> 00:28:06,440
when well, first of all, when people would predict, you know,

368
00:28:06,480 --> 00:28:08,519
people have been predicting for years that those kinds of

369
00:28:08,599 --> 00:28:10,359
stores are just going to go away.

370
00:28:10,759 --> 00:28:12,799
Speaker 9: But of course people also predict for years.

371
00:28:12,599 --> 00:28:14,559
Speaker 6: That you know, CDs are gonna go away, vinyl is

372
00:28:14,599 --> 00:28:16,119
gonna go away, all this stuff is going to go away,

373
00:28:16,759 --> 00:28:19,440
and and it doesn't go away, and it's it's so

374
00:28:19,839 --> 00:28:21,759
cool that there are still you know that there are

375
00:28:21,799 --> 00:28:24,559
still places like that, There are still stores like that

376
00:28:24,720 --> 00:28:27,079
that you can go to and and buy music.

377
00:28:27,160 --> 00:28:28,720
Speaker 9: And it's not all. Don't get me wrong. I love

378
00:28:28,759 --> 00:28:29,960
the Internet and I love that.

379
00:28:30,400 --> 00:28:32,799
Speaker 6: I do love living in a time where I can

380
00:28:32,880 --> 00:28:36,160
find anything online, like literally anything like if I you know,

381
00:28:36,400 --> 00:28:38,119
if I suddenly for some reason want to hear some

382
00:28:38,799 --> 00:28:42,000
Norwegian speed metal or whatever, I can probably find some online.

383
00:28:42,519 --> 00:28:48,880
But yeah, exactly, Yeah, yeah, so you're on the streaming

384
00:28:48,920 --> 00:28:51,160
services because that, I mean, that's important, you know, that's

385
00:28:51,240 --> 00:28:52,200
absolutely critical.

386
00:28:52,279 --> 00:28:53,880
Speaker 17: Yeah, that was that was another part of the of

387
00:28:53,960 --> 00:28:55,920
the production deal was they set us up on all

388
00:28:55,960 --> 00:28:56,880
the streaming platforms.

389
00:28:57,000 --> 00:28:58,519
Speaker 9: Excellent, Yeah, excellent.

390
00:28:58,720 --> 00:29:00,359
Speaker 6: It's cool that they do all that for you too,

391
00:29:00,480 --> 00:29:03,519
because you know, not everyone, not everyone enjoys having to

392
00:29:04,000 --> 00:29:06,119
do all that part of the business, you know, you know,

393
00:29:06,160 --> 00:29:08,920
the really important thing is playing music. We were also

394
00:29:09,000 --> 00:29:12,759
talking off there about all that went into recording, with

395
00:29:12,880 --> 00:29:16,039
the layering of the tracks and everything, and you know,

396
00:29:16,160 --> 00:29:18,279
because an observation that I made was a lot of

397
00:29:18,400 --> 00:29:23,799
times music that's in this genre doesn't always sound that great,

398
00:29:23,880 --> 00:29:26,519
you know, if it's if it's a local band or

399
00:29:26,599 --> 00:29:29,039
you know, maybe they maybe the recording isn't that great,

400
00:29:29,119 --> 00:29:32,880
sounds a little thin or whatever. But this sounds completely professional,

401
00:29:33,079 --> 00:29:36,240
and it's it's the way heavy music should sound. It's

402
00:29:36,279 --> 00:29:39,079
it's a wall of sound. It's it sounds fantastic in

403
00:29:39,160 --> 00:29:42,759
the headphones. And uh yeah, you guys were talking about

404
00:29:42,799 --> 00:29:45,559
you know, it was a lot of work recording this, right, Yeah,

405
00:29:45,839 --> 00:29:46,079
it was.

406
00:29:46,200 --> 00:29:49,400
Speaker 18: I mean for me, the first day that I started

407
00:29:49,480 --> 00:29:53,519
recording vocal, I was working all day, so I talk

408
00:29:53,599 --> 00:29:56,039
a lot during the day, yeah stuff, So I was

409
00:29:56,079 --> 00:29:56,839
a little strained.

410
00:29:57,599 --> 00:30:01,200
Speaker 7: Showed up to the studio and uh, I went five.

411
00:30:01,079 --> 00:30:05,480
Speaker 18: Hours of singing, and at the end of the night,

412
00:30:05,880 --> 00:30:08,279
Aaron said to me, yeah, you know what you did good,

413
00:30:08,359 --> 00:30:10,599
but we have to erase everything you did and we

414
00:30:10,720 --> 00:30:13,400
recorded it wasn't good enough for him, And I was

415
00:30:13,680 --> 00:30:16,359
thinking I was doing a good job, right, And the

416
00:30:16,480 --> 00:30:21,160
next morning I showed up to record again and he

417
00:30:21,319 --> 00:30:22,680
made this magic.

418
00:30:22,839 --> 00:30:25,200
Speaker 7: Tea that just turned me into a monster.

419
00:30:25,480 --> 00:30:25,680
Speaker 1: Yeah.

420
00:30:25,880 --> 00:30:29,160
Speaker 18: Yeah, and ever since, I mean he he I learned

421
00:30:29,160 --> 00:30:31,519
a lot from Eric. I mean it was a great experience. Yeah,

422
00:30:32,519 --> 00:30:36,960
and he actually was teaching me techniques as far as singing.

423
00:30:37,240 --> 00:30:40,119
Even now live when he's done sound for us, he's

424
00:30:40,240 --> 00:30:42,519
looking at me and he's like, don't cup the mic,

425
00:30:42,640 --> 00:30:42,759
you know.

426
00:30:42,880 --> 00:30:45,519
Speaker 7: He's like, he's just like like my dad, yelling in

427
00:30:45,640 --> 00:30:46,079
a good way.

428
00:30:46,279 --> 00:30:50,359
Speaker 9: Yeah. So, now, so this concoction that he made for you,

429
00:30:50,559 --> 00:30:52,319
I mean, do you know what was in it for

430
00:30:53,000 --> 00:30:56,000
brother vocalists who might or no.

431
00:30:57,079 --> 00:31:01,920
Speaker 7: I tell you information? Yeah, job security, I can't tell you.

432
00:31:02,039 --> 00:31:06,960
Speaker 17: Yeah, that's Aaron's ip. Yeah, if he gives us the

433
00:31:07,000 --> 00:31:09,400
green line, we can share it right right now.

434
00:31:09,519 --> 00:31:13,519
Speaker 9: That makes sense. That makes sense. And uh, Brandon, you

435
00:31:13,599 --> 00:31:15,319
were talking too about having to do the drums all

436
00:31:15,400 --> 00:31:15,880
in one day.

437
00:31:16,119 --> 00:31:18,839
Speaker 14: Oh yeah, because uh so it's just kind of funny,

438
00:31:18,880 --> 00:31:21,640
like like one of those fluke things that that happens sometimes.

439
00:31:21,759 --> 00:31:24,680
His computer died. We really know exactly what happened. So

440
00:31:25,279 --> 00:31:27,680
we lost like six hours that whole day of recording,

441
00:31:27,720 --> 00:31:30,119
and I only do my drum tracks one day. Yeah,

442
00:31:30,200 --> 00:31:31,599
so I think I did the whole album in like

443
00:31:31,680 --> 00:31:32,200
four hours.

444
00:31:32,359 --> 00:31:32,559
Speaker 1: Yeah.

445
00:31:32,839 --> 00:31:35,000
Speaker 14: Yeah, and I didn't get to really do like any

446
00:31:35,079 --> 00:31:37,400
of the the redo's or anything, so right, I mean,

447
00:31:37,440 --> 00:31:39,319
obviously it's a little bit edited, but that's just like

448
00:31:39,400 --> 00:31:42,200
you know, the nature of of you know, production, Every

449
00:31:42,240 --> 00:31:44,079
album that you hear ever is edited.

450
00:31:44,200 --> 00:31:44,720
Speaker 9: Oh of course.

451
00:31:44,880 --> 00:31:45,079
Speaker 1: Yeah.

452
00:31:45,240 --> 00:31:45,839
Speaker 9: Absolutely.

453
00:31:46,079 --> 00:31:48,400
Speaker 14: The key is making sure that that we can do

454
00:31:48,480 --> 00:31:49,200
the sound live, and.

455
00:31:49,240 --> 00:31:52,200
Speaker 6: We do that, you know, and then some so yeah, yeah,

456
00:31:52,279 --> 00:31:54,400
because you guys were also saying too, the only thing

457
00:31:54,440 --> 00:31:56,720
missing live is any keyboard that's in there. But nobody

458
00:31:56,759 --> 00:31:59,039
misses the keyboard, right because it's a wall of sound,

459
00:31:59,079 --> 00:32:01,279
and you guys, are no one's ever brought it up

460
00:32:01,480 --> 00:32:02,920
right exactly exactly.

461
00:32:03,079 --> 00:32:05,039
Speaker 14: Or the clean singing no one there about up to

462
00:32:05,119 --> 00:32:07,079
me either, Yeah, yeah to them.

463
00:32:07,240 --> 00:32:07,440
Speaker 7: Yeah.

464
00:32:07,480 --> 00:32:09,079
Speaker 6: I can't remember if we talked about that on Are,

465
00:32:09,160 --> 00:32:11,240
but yeah, the clean singing is you. It's me and

466
00:32:11,440 --> 00:32:12,960
and for you, but for you to do that and

467
00:32:13,039 --> 00:32:14,880
play drums at the same time would.

468
00:32:14,640 --> 00:32:17,279
Speaker 14: Be I priored a couple of times a couple of

469
00:32:17,359 --> 00:32:19,720
our shows, and I just I'm so focused on kind

470
00:32:19,759 --> 00:32:21,960
of like where I'm doing, yeah, or you know what

471
00:32:22,039 --> 00:32:23,960
I'm doing, where I'm going, that it's it's hard to

472
00:32:24,079 --> 00:32:25,920
kind of, you know, carry the melody and still.

473
00:32:25,799 --> 00:32:26,920
Speaker 7: Be on point.

474
00:32:27,279 --> 00:32:28,880
Speaker 14: So I just kind of focus on the instrument and

475
00:32:28,960 --> 00:32:30,359
then we'll do all the vocal stuff later.

476
00:32:30,599 --> 00:32:33,000
Speaker 6: Yeah, well plus two. I mean, drums is the most

477
00:32:33,039 --> 00:32:35,359
physical instrument you're using all four of your lambs, most.

478
00:32:35,240 --> 00:32:38,519
Speaker 14: Important part of the band, Matt, Yes, well, yes, and

479
00:32:38,640 --> 00:32:39,119
any man.

480
00:32:39,079 --> 00:32:41,559
Speaker 13: You could say that. Yes, well they're machines, but they're

481
00:32:41,680 --> 00:32:42,240
drum machines.

482
00:32:42,960 --> 00:32:45,640
Speaker 7: I'm just saying, your band is only as good as your.

483
00:32:49,519 --> 00:32:50,000
Speaker 13: Good point.

484
00:32:50,119 --> 00:32:53,079
Speaker 12: Good point. Now, have you guys all?

485
00:32:53,440 --> 00:32:55,319
Speaker 9: I assume you've all been in other bands in the

486
00:32:55,400 --> 00:32:56,680
scene prior to vigil Or.

487
00:32:56,880 --> 00:32:57,039
Speaker 13: Yes.

488
00:32:57,119 --> 00:32:58,880
Speaker 14: Oh yeah, I've been playing in bands since I was sixteen.

489
00:32:59,079 --> 00:32:59,279
Speaker 13: Yeah.

490
00:32:59,440 --> 00:33:01,799
Speaker 17: Yeah, some of us took a little bit of a

491
00:33:01,880 --> 00:33:05,160
vacation from music. Yeah, I was way out of the scene.

492
00:33:05,480 --> 00:33:07,839
I was in bands in the late nineties. Yeah, and

493
00:33:07,960 --> 00:33:11,000
then I kind of got obsessed with cars and then

494
00:33:11,079 --> 00:33:14,920
started a family, and I didn't touch music for eighteen

495
00:33:15,039 --> 00:33:17,839
or so years, eighteen until I met this guy at

496
00:33:17,880 --> 00:33:20,880
work one day, and yeah, he talked me into picking

497
00:33:20,920 --> 00:33:22,640
up the bass and starting to mess around again. And

498
00:33:22,680 --> 00:33:25,200
I quickly realized, like, wow, I should probably get a

499
00:33:25,240 --> 00:33:26,680
new instrument here because this thing's old.

500
00:33:26,839 --> 00:33:27,039
Speaker 3: Yep.

501
00:33:27,240 --> 00:33:30,599
Speaker 7: Yeah, and I just fell right back down the rabbit hole. Yeah,

502
00:33:30,759 --> 00:33:31,160
here we are.

503
00:33:31,799 --> 00:33:33,559
Speaker 6: But did you always I mean, eighteen years is a

504
00:33:33,599 --> 00:33:35,160
long time, But did you always kind of know in

505
00:33:35,240 --> 00:33:37,119
the back of your mind that you're.

506
00:33:36,799 --> 00:33:37,279
Speaker 3: Going to know?

507
00:33:37,680 --> 00:33:40,440
Speaker 7: I didn't know. Actually, I was on a different path

508
00:33:40,480 --> 00:33:42,880
for a long time. YEA, not a bad one. Just

509
00:33:43,279 --> 00:33:45,759
playing music was not on my priorities.

510
00:33:45,960 --> 00:33:49,240
Speaker 17: Yeah, but everybody else in this band is very active

511
00:33:49,279 --> 00:33:53,200
in the music industry for decades, I guess at this point,

512
00:33:53,319 --> 00:33:54,680
depending on who we're talking about.

513
00:33:54,759 --> 00:33:58,200
Speaker 13: Yeah, nineteen eighty nine was my first band. Oh no, yeah, two.

514
00:33:58,039 --> 00:33:58,799
Speaker 14: Thousand and four for me.

515
00:33:59,359 --> 00:34:03,240
Speaker 18: Yeah, I go back to the days when I was

516
00:34:03,319 --> 00:34:08,119
in college and I started a little trash metal type

517
00:34:08,159 --> 00:34:11,880
of band. I was playing drums at the time, and then, uh,

518
00:34:12,000 --> 00:34:14,440
I wanted to do something more extreme because I always

519
00:34:14,599 --> 00:34:15,320
like death metal.

520
00:34:15,719 --> 00:34:17,880
Speaker 7: That's why my vocals are death metal inspired.

521
00:34:19,079 --> 00:34:22,960
Speaker 18: And in Boston I was playing drums with a band

522
00:34:23,039 --> 00:34:25,320
called Summoning Hate still active.

523
00:34:26,039 --> 00:34:26,159
Speaker 22: Uh.

524
00:34:26,280 --> 00:34:28,840
Speaker 18: Then I would and form a little side project. It

525
00:34:28,960 --> 00:34:32,840
was like a grindcore death metal band, Visious Insanity. I

526
00:34:32,920 --> 00:34:34,920
did some session drumming and some other bands.

527
00:34:35,239 --> 00:34:35,360
Speaker 1: Uh.

528
00:34:35,599 --> 00:34:39,679
Speaker 18: And then uh, from that, I went to sing for Untuned,

529
00:34:39,760 --> 00:34:41,800
which is another band I was. That's when my vocal

530
00:34:41,880 --> 00:34:47,119
journey started. And then going to shows, I met Justin.

531
00:34:48,079 --> 00:34:50,199
I was playing guitar for us and I've done Justin

532
00:34:50,239 --> 00:34:53,480
for a long time. Justin has been always a joom guy.

533
00:34:53,679 --> 00:34:56,920
And going into like Boston, going and going to shows,

534
00:34:56,960 --> 00:35:00,199
we talked about doom and that's how I actually ended

535
00:35:00,280 --> 00:35:03,360
up with Vigil telling me that he was doing something

536
00:35:03,400 --> 00:35:04,119
like a project.

537
00:35:05,000 --> 00:35:08,519
Speaker 7: He sent me the songs, and I mean it was

538
00:35:08,679 --> 00:35:10,280
what I was looking for right up my alley.

539
00:35:10,480 --> 00:35:10,679
Speaker 9: Yeah.

540
00:35:10,960 --> 00:35:14,280
Speaker 18: I showed up for the first rehearsal and I was

541
00:35:14,480 --> 00:35:18,800
kind of afraid to growl because I think they actually

542
00:35:19,000 --> 00:35:19,159
liked it.

543
00:35:20,480 --> 00:35:23,320
Speaker 7: Have something here, So yeah, that's that's where I am now.

544
00:35:23,760 --> 00:35:25,599
Speaker 6: I mean, I get the impression this all came together

545
00:35:25,639 --> 00:35:27,760
pretty quickly, right. It sounds like it was, you know,

546
00:35:27,960 --> 00:35:30,480
a situation where it's like that magic is there right away.

547
00:35:30,639 --> 00:35:32,559
Although I know Randy you you came in later, right,

548
00:35:32,639 --> 00:35:34,719
but you were already kind of working with these guys

549
00:35:35,280 --> 00:35:36,360
in a sense, right.

550
00:35:36,719 --> 00:35:43,199
Speaker 15: Yeah, I've been scrambling around, scrambling around a little bit

551
00:35:43,239 --> 00:35:46,960
with Craig in another side project that we have a

552
00:35:47,039 --> 00:35:50,679
World Worth Burning where it's just instrumental, but there would

553
00:35:50,679 --> 00:35:54,079
always be discussion about what was going on in Vigil,

554
00:35:54,920 --> 00:35:56,679
So I kind of had an ear to the wall

555
00:35:56,719 --> 00:35:57,039
about that.

556
00:35:57,960 --> 00:36:00,239
Speaker 13: But but yeah, you.

557
00:36:00,239 --> 00:36:02,119
Speaker 9: Guys have a that's a cool name of World Worth

558
00:36:02,159 --> 00:36:03,199
Burning like that.

559
00:36:04,039 --> 00:36:06,760
Speaker 16: Yeah, and again that that was one of the successes

560
00:36:06,840 --> 00:36:09,679
out of COVID. Like, like I had said earlier, during COVID,

561
00:36:09,840 --> 00:36:11,719
the band kind of slowed down a little bit, Yeah,

562
00:36:11,760 --> 00:36:13,360
because everyone was afraid to be in a room.

563
00:36:13,360 --> 00:36:14,159
Speaker 13: We didn't know what was going on.

564
00:36:14,719 --> 00:36:18,400
Speaker 16: And you know, me and Joe, we're still spending time together,

565
00:36:18,519 --> 00:36:20,599
like doing stuff as friends, right, and we're like, well,

566
00:36:20,639 --> 00:36:22,400
we should just be using the room because we're still here.

567
00:36:23,000 --> 00:36:25,800
And we started working on Vigil stuff. But then we

568
00:36:25,880 --> 00:36:28,719
started to just like play other things. And I've always

569
00:36:28,760 --> 00:36:30,880
wanted to be like an instrumental post rock type band,

570
00:36:31,519 --> 00:36:34,159
So the music kind of developed into that, and then

571
00:36:34,239 --> 00:36:36,800
then we we kind of started a side project by accident,

572
00:36:37,360 --> 00:36:39,760
just because I needed some of it for these songs

573
00:36:39,800 --> 00:36:42,880
ago that weren't gonna fit anything else. So and that's

574
00:36:42,960 --> 00:36:44,679
kind of where Randy shows up, you know, because he

575
00:36:44,800 --> 00:36:47,360
was in a room across the hall. Yeah, and I

576
00:36:47,440 --> 00:36:49,280
knew he played, and he played really well, so we

577
00:36:49,360 --> 00:36:51,199
brought him in to try it out and it worked.

578
00:36:51,920 --> 00:36:56,119
Speaker 6: So yeah, oh that's outstanding, excellent, Uh we should, uh

579
00:36:56,880 --> 00:36:59,400
you guys want to play another track from the from

580
00:36:59,440 --> 00:37:01,360
the EP. I guess it's an eapy right, you call

581
00:37:01,400 --> 00:37:03,639
it an EP or an album. The songs, it's only

582
00:37:03,639 --> 00:37:05,400
four songs, but they're kind of long, long.

583
00:37:06,920 --> 00:37:12,559
Speaker 17: Minutes before yeah, Yeahsion the probably the next best example.

584
00:37:12,239 --> 00:37:13,079
Speaker 7: Of what we're all about.

585
00:37:13,280 --> 00:37:13,599
Speaker 9: Okay.

586
00:37:13,840 --> 00:37:15,639
Speaker 14: It's usually like our second song on the set, we

587
00:37:15,719 --> 00:37:17,239
go right into that after our first song.

588
00:37:17,400 --> 00:37:19,159
Speaker 7: Oh okay, usually a pretty good let in.

589
00:37:20,599 --> 00:37:23,800
Speaker 9: By the way, who writes the lyrics, So it's.

590
00:37:23,639 --> 00:37:25,559
Speaker 7: A mix of us, kind of kind of my committee.

591
00:37:25,719 --> 00:37:25,880
Speaker 4: Yeah.

592
00:37:26,000 --> 00:37:26,199
Speaker 1: Yeah.

593
00:37:26,800 --> 00:37:29,360
Speaker 17: Everybody brings in a lot of ideas, but Dave write,

594
00:37:29,400 --> 00:37:30,519
Dave writing the bulk of them.

595
00:37:30,599 --> 00:37:33,039
Speaker 7: Okay, So the first song that sent to extension was

596
00:37:33,280 --> 00:37:34,119
justin yeah.

597
00:37:34,519 --> 00:37:34,679
Speaker 4: Uh.

598
00:37:35,000 --> 00:37:38,320
Speaker 18: Then we go into the other three songs, the Rosian

599
00:37:38,360 --> 00:37:41,440
of the Soul. I did the lyrics on that. I

600
00:37:41,519 --> 00:37:45,239
did the lyrics on words of a dying man in

601
00:37:45,519 --> 00:37:46,960
convulsive ways from a worldview.

602
00:37:47,079 --> 00:37:50,480
Speaker 9: Okay, okay, well let's give this a spin. If you're

603
00:37:50,519 --> 00:37:51,199
just joining us.

604
00:37:51,239 --> 00:37:53,400
Speaker 6: We have the band Vigil here with us live in studio,

605
00:37:53,679 --> 00:37:55,800
and this is called Erosion of the Soul.

606
00:38:01,480 --> 00:38:16,239
Speaker 5: Homes and.

607
00:39:10,760 --> 00:41:15,039
Speaker 1: So God yeast duds it. So I jot down yard.

608
00:41:16,280 --> 00:41:17,519
Speaker 8: My yap rag y.

609
00:41:23,320 --> 00:41:36,400
Speaker 23: Day rick, I yaht.

610
00:41:34,039 --> 00:41:34,760
Speaker 3: The wy.

611
00:41:38,800 --> 00:41:39,119
Speaker 24: Rally.

612
00:41:42,039 --> 00:41:45,199
Speaker 1: Why some behind.

613
00:41:48,559 --> 00:42:05,400
Speaker 22: Ye so Joe stay here?

614
00:42:05,519 --> 00:42:32,239
Speaker 8: Yeah? Why why starring God?

615
00:42:32,599 --> 00:42:34,039
Speaker 23: I got doy bout.

616
00:42:36,199 --> 00:42:48,519
Speaker 8: Say and yeah that's say back my drop and say that,

617
00:42:48,800 --> 00:42:56,159
well do I stay out? Good?

618
00:42:59,119 --> 00:43:06,000
Speaker 4: Something about so?

619
00:43:16,679 --> 00:43:21,360
Speaker 8: Yeah drop drop not back glad.

620
00:44:03,440 --> 00:44:29,280
Speaker 1: Oh ver oh little, very very oh very so it

621
00:44:29,360 --> 00:44:54,639
was all open.

622
00:44:56,000 --> 00:45:09,639
Speaker 12: Oh that is Erosion of the Soul.

623
00:45:10,159 --> 00:45:12,239
Speaker 9: And the band is Vigil, who we have here with us,

624
00:45:12,280 --> 00:45:15,119
alive in studio on this a Saturday morning.

625
00:45:15,280 --> 00:45:16,239
Speaker 12: And I love it.

626
00:45:16,360 --> 00:45:16,760
Speaker 7: I love it.

627
00:45:16,840 --> 00:45:17,440
Speaker 13: Great stuff.

628
00:45:18,119 --> 00:45:19,920
Speaker 9: Are you guys? Do you guys play out a lot?

629
00:45:19,960 --> 00:45:22,119
Do you do a lot of shows or what's what's the.

630
00:45:23,159 --> 00:45:25,199
Speaker 14: So twenty twenty four was a was a pretty uh

631
00:45:27,159 --> 00:45:28,400
you know, it's a busy year for us. I think

632
00:45:28,440 --> 00:45:30,039
I think this is the most you know, shows that

633
00:45:30,079 --> 00:45:33,079
we played. Yeah, well try to play a show a month,

634
00:45:33,199 --> 00:45:35,880
you know. But actually we we wrapped up our show

635
00:45:36,000 --> 00:45:38,800
season like two weeks ago. Okay, we're gonna actually gonna

636
00:45:38,800 --> 00:45:40,480
go back and go back in the lab and start

637
00:45:40,480 --> 00:45:41,239
writing some stuff now.

638
00:45:41,440 --> 00:45:44,039
Speaker 9: Yeah, yeah, it seems like winter is the best time

639
00:45:44,119 --> 00:45:45,400
to do that, right because that's.

640
00:45:45,320 --> 00:45:47,559
Speaker 14: A couple of songs that that are that are are

641
00:45:47,639 --> 00:45:49,440
done that. But you know that we've been playing for

642
00:45:49,559 --> 00:45:50,239
like over a year now.

643
00:45:50,320 --> 00:45:53,000
Speaker 7: Oh okay, okay, but as far as you.

644
00:45:53,000 --> 00:45:55,679
Speaker 14: Know, formulating a new album, like you know, we're across

645
00:45:55,719 --> 00:45:56,119
that vision.

646
00:45:56,159 --> 00:45:56,559
Speaker 1: We get there.

647
00:45:56,639 --> 00:45:58,320
Speaker 7: But yeah, have some more stuff that we're gonna work

648
00:45:58,360 --> 00:45:59,320
on off the word time.

649
00:45:59,440 --> 00:45:59,960
Speaker 12: Oh very good.

650
00:46:00,199 --> 00:46:02,119
Speaker 14: I don't think we'll play a show again until probably

651
00:46:02,199 --> 00:46:04,400
late late spring, even early summer.

652
00:46:04,599 --> 00:46:06,639
Speaker 6: Yeah, I don't blame you. I mean, winter is like

653
00:46:06,679 --> 00:46:08,079
the worst time to go out and play, you know,

654
00:46:08,239 --> 00:46:09,119
with the weather and.

655
00:46:09,239 --> 00:46:10,320
Speaker 7: People don't want to go to show.

656
00:46:10,480 --> 00:46:12,679
Speaker 6: No, yeah, it's it's it's I mean, you know, I

657
00:46:12,960 --> 00:46:16,079
appreciate the people who persist, but it's it's hard.

658
00:46:17,079 --> 00:46:18,920
Speaker 15: Especially especially moving gear in the snow.

659
00:46:19,159 --> 00:46:20,960
Speaker 7: Yeah, thank you exactly.

660
00:46:21,119 --> 00:46:24,679
Speaker 17: Well, we actually played a show that really really really

661
00:46:25,039 --> 00:46:27,760
abysmal cold day last year where it was like negative

662
00:46:27,760 --> 00:46:30,360
eighteen degrees. Oh yeah, we played in Revere that night

663
00:46:30,440 --> 00:46:33,000
on the beach. Oh my god, remember that there was

664
00:46:33,199 --> 00:46:35,400
there was I don't even think all the band members

665
00:46:35,440 --> 00:46:37,840
showed up. For the other bands that played the show,

666
00:46:37,960 --> 00:46:39,039
nobody went to the show.

667
00:46:39,239 --> 00:46:39,519
Speaker 1: Wow.

668
00:46:39,800 --> 00:46:41,239
Speaker 7: Yeah, that was tough.

669
00:46:41,639 --> 00:46:43,760
Speaker 9: Yeah, but you guys did it though. How metal is

670
00:46:43,800 --> 00:46:44,159
that right?

671
00:46:44,239 --> 00:46:44,840
Speaker 13: Yeah? We did it.

672
00:46:46,320 --> 00:46:49,559
Speaker 7: Because you know, were usually headlining. Yeah, yeah, that's a

673
00:46:49,559 --> 00:46:50,079
big part of it.

674
00:46:50,239 --> 00:46:51,360
Speaker 9: Yeah, No, that's cool.

675
00:46:52,400 --> 00:46:54,480
Speaker 6: Are there other bands in the area this kind of

676
00:46:54,519 --> 00:46:56,639
happens organically? Are there other bands that you've kind of

677
00:46:56,679 --> 00:46:58,440
teamed up with on shows that you play a lot

678
00:46:58,480 --> 00:46:58,880
of shows with.

679
00:46:59,159 --> 00:47:01,920
Speaker 17: Absolutely, there is a good handful of bands that we

680
00:47:02,119 --> 00:47:04,440
really enjoy not just playing with, but watching.

681
00:47:04,880 --> 00:47:07,159
Speaker 7: We go to as many local shows as we can. Yeah,

682
00:47:07,519 --> 00:47:08,599
we like to make connections.

683
00:47:09,599 --> 00:47:11,480
Speaker 17: There's a band, there's well, there's there's a lot of

684
00:47:11,519 --> 00:47:13,679
bands that we are friends with, you know, through the

685
00:47:14,039 --> 00:47:17,519
through the industry. And yea Glacier out of Boston is

686
00:47:18,079 --> 00:47:21,159
a huge for me anyway that they're one of my

687
00:47:21,199 --> 00:47:22,920
favorite local local acts right now.

688
00:47:23,599 --> 00:47:25,719
Speaker 7: There's a Manchester band Geey. I don't know if you've

689
00:47:25,719 --> 00:47:28,079
ever heard of them. Also post metal.

690
00:47:28,159 --> 00:47:34,199
Speaker 17: Their unbelievably unbelievable band, Able Blood is another band I'm.

691
00:47:34,079 --> 00:47:34,400
Speaker 7: Going to see.

692
00:47:34,400 --> 00:47:36,280
Speaker 9: We're gonna see them tomorrow at Spelfy Pests.

693
00:47:36,320 --> 00:47:41,719
Speaker 7: Actually, we really dig those guys. Yeah, yeah, who well

694
00:47:41,760 --> 00:47:42,159
who else?

695
00:47:43,159 --> 00:47:46,079
Speaker 17: Realm ben Thic Realm. Yeah, we just ye with them

696
00:47:46,719 --> 00:47:49,559
the last show we played. Also played that show.

697
00:47:49,760 --> 00:47:51,559
Speaker 13: The guys in dust Profit, who are a local band

698
00:47:51,559 --> 00:47:52,079
from Yeah.

699
00:47:52,800 --> 00:47:55,159
Speaker 9: I used to be in a band with Auto many

700
00:47:55,280 --> 00:47:56,280
many many years ago.

701
00:47:56,400 --> 00:47:58,719
Speaker 13: Yeah, we like we like them, you know, they're good

702
00:47:58,719 --> 00:47:59,440
people with me.

703
00:48:00,039 --> 00:48:00,840
Speaker 7: There's quite a few bands.

704
00:48:00,920 --> 00:48:02,320
Speaker 14: A two man project with him for a while.

705
00:48:02,360 --> 00:48:02,639
Speaker 12: You did.

706
00:48:02,760 --> 00:48:03,519
Speaker 4: Yeah, I didn't know that.

707
00:48:03,639 --> 00:48:04,639
Speaker 7: That was called skin Drone.

708
00:48:05,440 --> 00:48:06,480
Speaker 12: You were in skin Drone.

709
00:48:07,239 --> 00:48:10,360
Speaker 9: I'll be damned, I didn't. I didn't put that together.

710
00:48:10,679 --> 00:48:12,719
Speaker 6: I probably knew that in the back of my mind

711
00:48:12,800 --> 00:48:14,719
because it seems weird that I wouldn't know that, but

712
00:48:15,119 --> 00:48:15,679
but I I.

713
00:48:16,119 --> 00:48:16,960
Speaker 7: Wow, I don't.

714
00:48:17,199 --> 00:48:19,280
Speaker 14: We didn't really do a whole lot. We play a

715
00:48:19,280 --> 00:48:23,519
couple of shows, but it was it was a you know,

716
00:48:23,559 --> 00:48:25,960
a two man thing with vocals and my guitar. I

717
00:48:26,039 --> 00:48:29,719
mean had some drum programming. It was like a industrial like,

718
00:48:30,280 --> 00:48:32,519
you know, some deft metal thing. Yeah, and then uh

719
00:48:33,199 --> 00:48:35,000
I left that to go do another band. And then

720
00:48:35,039 --> 00:48:35,840
I left that band.

721
00:48:35,719 --> 00:48:36,440
Speaker 7: Because I had deployed.

722
00:48:36,639 --> 00:48:38,480
Speaker 14: That was in the military at the time. Ye, so

723
00:48:38,800 --> 00:48:42,440
and then uh yeah, just kind of been we're getting

724
00:48:42,480 --> 00:48:42,880
on the weed.

725
00:48:45,119 --> 00:48:45,280
Speaker 13: Yeah.

726
00:48:45,320 --> 00:48:48,559
Speaker 18: The good thing too, is that any Hampshire, it's a

727
00:48:48,599 --> 00:48:52,079
lot of good bands Joe mentioned, even though Yeah, Massachusetts

728
00:48:52,320 --> 00:48:55,440
and we were very close, you know, we before each other.

729
00:48:55,920 --> 00:48:57,920
We go to their shows, they come to our shows,

730
00:48:58,360 --> 00:49:01,039
especially at Hampshire. Now this out a handful of bands

731
00:49:01,079 --> 00:49:03,159
that I just out there that for each other.

732
00:49:03,599 --> 00:49:03,800
Speaker 7: Yeah.

733
00:49:04,079 --> 00:49:07,280
Speaker 18: Geary Geary's awesome, awesome band, Guys from a Blood too,

734
00:49:08,239 --> 00:49:09,840
a couple of the bands that we want to play with.

735
00:49:09,960 --> 00:49:12,239
Conclave another great band that we haven't been able to

736
00:49:12,239 --> 00:49:16,760
play show with yet, the guys from Black Acid Prophecy

737
00:49:16,800 --> 00:49:20,239
out of Rhode Island, like Pyramid two. It's just because

738
00:49:20,280 --> 00:49:23,119
you know, the are we're all busy, so it's kind

739
00:49:23,119 --> 00:49:24,559
of hard to put us together in a room and

740
00:49:24,719 --> 00:49:27,239
play a show together. Sometimes we got like great offers

741
00:49:27,280 --> 00:49:29,679
to play great shows, but somebody's always busy.

742
00:49:29,800 --> 00:49:31,679
Speaker 7: Yeah, hard to keep up with life.

743
00:49:31,719 --> 00:49:35,000
Speaker 17: That part can be hard enough to get practices attended,

744
00:49:36,400 --> 00:49:38,920
four bands with four or five dudes each, to get

745
00:49:39,159 --> 00:49:40,559
everybody a night off.

746
00:49:40,440 --> 00:49:41,039
Speaker 7: To play a show.

747
00:49:41,199 --> 00:49:44,960
Speaker 6: Yeah, exactly a thing, no doubt, no doubt before we

748
00:49:45,039 --> 00:49:46,519
run out of time, because I do want to get

749
00:49:46,960 --> 00:49:49,320
the last song in two words of a dying man.

750
00:49:49,440 --> 00:49:51,760
But anything we should know? What should people know about?

751
00:49:51,760 --> 00:49:54,079
How to keep up with everything that Vigil is is doing.

752
00:49:54,079 --> 00:49:55,400
Where's the best place to go online?

753
00:49:58,119 --> 00:49:58,400
Speaker 13: All right?

754
00:49:58,480 --> 00:50:02,360
Speaker 16: So, uh, we we have a we have a Facebook page.

755
00:50:03,360 --> 00:50:06,960
Just look up Vigil and you'll find it. Yeah, Vigil

756
00:50:07,000 --> 00:50:10,760
Doom is our band camp. So and we're on Spotify,

757
00:50:11,199 --> 00:50:13,360
you can fast on Apple Music. We have a YouTube

758
00:50:13,480 --> 00:50:17,719
presence through Argonauta Records, yes, yes, and you can also

759
00:50:17,840 --> 00:50:19,880
find any one of us on our personal pages too,

760
00:50:21,039 --> 00:50:23,599
you know, but by name, and uh we respond that

761
00:50:23,679 --> 00:50:24,360
way either way too.

762
00:50:24,599 --> 00:50:24,760
Speaker 1: Yeah.

763
00:50:24,960 --> 00:50:29,719
Speaker 18: Yeah, pretty much in every platform, Yeah, thanks to the label,

764
00:50:30,039 --> 00:50:34,519
So Spotify, YouTube music or everywhere.

765
00:50:34,599 --> 00:50:35,079
Speaker 3: Pretty much.

766
00:50:35,239 --> 00:50:38,639
Speaker 9: Yeah, excellent, excellent, And uh, what do what do you

767
00:50:38,679 --> 00:50:40,719
have coming? Do you have another show coming up this year?

768
00:50:41,280 --> 00:50:43,760
Speaker 7: No, we already played that show. That's uh that was

769
00:50:44,039 --> 00:50:44,599
two weeks ago.

770
00:50:44,679 --> 00:50:48,559
Speaker 17: At Okay, there's a show in the works for June,

771
00:50:48,639 --> 00:50:52,000
but we don't have a solid date yet. Oh okay, yeah,

772
00:50:52,000 --> 00:50:54,039
it's not worth really talking about right, So.

773
00:50:54,480 --> 00:50:58,000
Speaker 9: So next So probably you were saying earlier, probably spring.

774
00:50:58,239 --> 00:50:59,599
Speaker 7: Yeah, we're probably looking at Spring.

775
00:51:00,039 --> 00:51:02,119
Speaker 13: All would be that that's we're working on building right now.

776
00:51:02,280 --> 00:51:03,440
Speaker 9: Okay, okay, excellent.

777
00:51:03,599 --> 00:51:05,519
Speaker 6: No, I haven't seen you guys live, so I look

778
00:51:05,519 --> 00:51:07,559
forward to seeing you live in the future and that'll

779
00:51:07,599 --> 00:51:10,159
be that'll be great. And uh and I love the

780
00:51:10,280 --> 00:51:12,119
thank you again by the way for and that's so

781
00:51:12,239 --> 00:51:13,800
cool that you brought a vinyl copy of that.

782
00:51:15,559 --> 00:51:16,159
Speaker 9: That's awesome.

783
00:51:16,280 --> 00:51:19,360
Speaker 6: I love it so uh Vigil, thank you all five

784
00:51:19,440 --> 00:51:21,440
of you. And we'll close out the segment with words

785
00:51:21,480 --> 00:51:24,119
of a dying man. Anything you want us, I mean

786
00:51:24,159 --> 00:51:25,559
we were kind of talking off their a little bit

787
00:51:25,559 --> 00:51:27,519
about it, but anything we should know about this song before.

788
00:51:28,039 --> 00:51:29,599
Speaker 16: Actually, one of the coolest things about this song I

789
00:51:29,679 --> 00:51:33,280
think is instead of instead of playing guitar in this song,

790
00:51:33,559 --> 00:51:36,679
I'm on a Fender Bass six guitar, which is a

791
00:51:36,719 --> 00:51:39,880
long scale or short scale bass basically, but I play

792
00:51:39,920 --> 00:51:41,599
it through my guitar rigs, so it's like a guitar

793
00:51:41,760 --> 00:51:44,920
but they string Oh no, kidd this song has kind

794
00:51:44,960 --> 00:51:47,679
of a different tone to it, so, yeah, songs a

795
00:51:47,760 --> 00:51:50,159
lot different. Yeah, this is like our outliar, it's like

796
00:51:50,199 --> 00:51:51,719
our weird song. We haven't played it in a while,

797
00:51:51,800 --> 00:51:55,119
but I think we kind of don't play this song. Yeah,

798
00:51:55,159 --> 00:51:55,800
we don't anymore.

799
00:51:55,960 --> 00:51:56,480
Speaker 9: Oh okay.

800
00:51:56,760 --> 00:52:00,719
Speaker 18: For me is the personal touch because it talks about, yeah,

801
00:52:01,239 --> 00:52:04,599
the journey of like me seeing him literally passing away

802
00:52:05,360 --> 00:52:07,559
and me just thinking at some point, you know, we're

803
00:52:07,599 --> 00:52:11,119
gonna meet again, right somewhere, right, So it's it's personal,

804
00:52:11,239 --> 00:52:13,079
you know. Okay, it was it was hard to sing

805
00:52:13,199 --> 00:52:15,679
live when I was every time I do this song.

806
00:52:15,800 --> 00:52:17,679
Speaker 13: But yeah, yeah, I mean we.

807
00:52:17,760 --> 00:52:20,159
Speaker 7: Sort of supplanted this song with one or two of

808
00:52:20,199 --> 00:52:21,000
the newer ones that.

809
00:52:21,039 --> 00:52:23,639
Speaker 9: We're working on, So gotcha, gotcha?

810
00:52:24,000 --> 00:52:24,320
Speaker 13: All right.

811
00:52:24,360 --> 00:52:26,039
Speaker 9: So we're gonna end with that in a moment.

812
00:52:26,199 --> 00:52:28,480
Speaker 6: And of course I want to remind everybody Spelfy Fest

813
00:52:28,800 --> 00:52:32,800
tomorrow at Jewel Uh, come see us. Jenny will be

814
00:52:33,239 --> 00:52:35,360
giving a short talk there and I'm gonna be there

815
00:52:35,440 --> 00:52:38,719
and I'm gonna MC and do some stuff.

816
00:52:39,360 --> 00:52:41,360
Speaker 10: Proceed they're going to benefit the r s c S,

817
00:52:41,440 --> 00:52:46,039
a Sympathetic distribute organization raising awareness for c.

818
00:52:46,280 --> 00:52:48,000
Speaker 9: R p S and there's gonna be a ton of

819
00:52:48,039 --> 00:52:48,760
great bands there.

820
00:52:48,880 --> 00:52:51,480
Speaker 11: So yeah, and find out more on me at Gencoffee

821
00:52:51,519 --> 00:52:53,880
dot com. J E n n C F f u

822
00:52:54,000 --> 00:52:54,719
I dot com.

823
00:52:54,960 --> 00:52:58,199
Speaker 17: Yes, definitely attend that show. The Midnight Creative is correct collective.

824
00:52:58,320 --> 00:53:01,719
They are a great group of people. Eleanor and Andre

825
00:53:02,119 --> 00:53:04,440
have been very supportive of us. We played at their

826
00:53:04,519 --> 00:53:07,400
other venue in Nashua, Terminus back back in.

827
00:53:07,440 --> 00:53:09,119
Speaker 11: September, artwork on display.

828
00:53:09,199 --> 00:53:13,239
Speaker 17: They are fantastic and they're all about local art, not

829
00:53:13,440 --> 00:53:15,119
just music, all of the arts.

830
00:53:15,360 --> 00:53:17,519
Speaker 7: So if you can support them and what they're doing,

831
00:53:17,599 --> 00:53:18,119
that's huge.

832
00:53:18,320 --> 00:53:21,039
Speaker 9: Absolutely absolutely know we love them very much.

833
00:53:22,119 --> 00:53:23,880
Speaker 6: All right, So we will close with this and if

834
00:53:23,880 --> 00:53:25,280
you miss any part of today's show, it will be

835
00:53:25,360 --> 00:53:26,679
up in just a little bit at w m n

836
00:53:26,760 --> 00:53:29,400
H radio dot org and in my website Matt Connorton

837
00:53:29,440 --> 00:53:29,719
dot com.

838
00:53:29,800 --> 00:53:30,199
Speaker 7: But here it is.

839
00:53:30,239 --> 00:53:32,760
Speaker 9: This is called Words of a Dying Man. The band

840
00:53:33,039 --> 00:53:33,719
is Vigil.

841
00:53:33,920 --> 00:53:36,159
Speaker 7: Thanks guys, thanks for having us.

842
00:55:39,760 --> 00:55:57,880
Speaker 19: Yes, Oh.

843
00:55:56,920 --> 00:56:01,880
Speaker 1: Yessody car.

844
00:56:05,679 --> 00:56:10,719
Speaker 3: Wait wait that's say.

845
00:56:14,280 --> 00:56:19,400
Speaker 23: That's that's card.

846
00:56:22,960 --> 00:56:23,599
Speaker 2: Your boy?

847
00:56:27,679 --> 00:56:28,159
Speaker 3: What'm saying?

848
00:56:38,440 --> 00:56:40,199
Speaker 4: If so go up?

849
00:56:46,440 --> 00:56:47,079
Speaker 1: You don't like.

850
00:56:48,639 --> 00:56:58,360
Speaker 3: So they call here all star? That's right, that's so.

851
00:57:25,320 --> 00:57:25,719
Speaker 4: To say?

852
00:57:29,599 --> 00:57:56,199
Speaker 1: Goods? Yes, Yes, si.

853
00:57:55,519 --> 00:58:01,480
Speaker 3: Si fens.

854
00:58:05,440 --> 00:58:34,280
Speaker 19: Scoscos st st.

855
00:58:33,159 --> 00:59:34,280
Speaker 24: Start bosword

856
00:59:49,280 --> 00:59:49,880
Speaker 3: Sory want,