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<v Speaker 1>It's nice eyes.

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<v Speaker 2>I'm going razy Boston's news radio.

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<v Speaker 1>Thanks Ema. Great to hear your voice here on WBZ.

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<v Speaker 1>My name is Dan Ray. I am the host of Nightside,

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<v Speaker 1>heard every Monday through Friday night from Aid and to

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<v Speaker 1>a midnight I will tell you right out front, I'm

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<v Speaker 1>dealing with a little bit of a congested head cold.

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<v Speaker 1>You don't need to necessarily know that. But if I

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<v Speaker 1>sound a little different tonight, that's why. And I'm going

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<v Speaker 1>to get through this show with my pal Noah thought

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<v Speaker 1>to let me who is back in the control room.

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<v Speaker 1>Rob Brooks is off for the holiday. I'm juneteenth, as

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<v Speaker 1>is Marina. We worked with Karen Boussemi today, so we're

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<v Speaker 1>all set. We're ready to go. And I had a

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<v Speaker 1>tough night at the last hour last night. I was

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<v Speaker 1>really coughing, and I apologize for that. But I like

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<v Speaker 1>my job and I like what I do, and I'll

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<v Speaker 1>try to get through it and just work through it tonight.

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<v Speaker 1>That's ed tomorrow night and I can rest over the weekend.

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<v Speaker 1>Go to start off tonight with one of the great

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<v Speaker 1>friends of nights Side, the great Emily Sweeney, reporter at

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<v Speaker 1>the Boston Globe. She runs the Cold Case files. And

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<v Speaker 1>also she's the blater Tales columnist. Emily. I actually remember

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<v Speaker 1>this cold case. It goes back obviously twenty five years tomorrow.

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<v Speaker 1>This is really interesting. Tell us about the disappearance twenty

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<v Speaker 1>five years ago of a young woman named Debbie Mello.

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<v Speaker 3>Yeah, Dan, this is one of the cases that really

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<v Speaker 3>really gets to me, and I appreciate you taking the

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<v Speaker 3>time to talk about it and let people know that

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<v Speaker 3>this is still an open case.

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<v Speaker 1>Yeah.

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<v Speaker 3>Debbie Mello is a mother at two, and she was

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<v Speaker 3>thirty years old when she went missing June twentieth, two thousand,

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<v Speaker 3>so that was twenty five years ago tomorrow. The last

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<v Speaker 3>person who was said that saw her alive was a husband, Louis,

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<v Speaker 3>and he said that they got into a fight in

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<v Speaker 3>Weymouth while they were driving and she demanded to get

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<v Speaker 3>let out of the car and Route eighteen. He said

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<v Speaker 3>he did, and she got out. She left their pocketbook behind.

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<v Speaker 3>He drove a little bit more. When he turned around

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<v Speaker 3>and came back, he says she was gone, and that

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<v Speaker 3>spot a major search up in Weymouth. She lived in Taunton,

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<v Speaker 3>you know, her and Louis lived in Taunton, and searches

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<v Speaker 3>were also conducted there, but she hasn't been seen since.

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<v Speaker 1>Wow. That that is a stumper, because, first of all,

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<v Speaker 1>even if someone was got into an argument with a spouse,

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<v Speaker 1>they were married, correct, Yes, Okay, So if someone you

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<v Speaker 1>get into an argument with a spouse and someone is

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<v Speaker 1>so angry or upset they asked you to pull over

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<v Speaker 1>and they get out of the car but lead their pocketbook,

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<v Speaker 1>that doesn't make a lot of sense because and.

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<v Speaker 3>Ruby eighteen too is a tough spot to be let out.

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<v Speaker 3>You know, it's very busy roadway.

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<v Speaker 1>Yeah, and no one else, no one else. I'm sure

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<v Speaker 1>the police probably ran a roadblock for a few nights

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<v Speaker 1>and did what they had to do and ask questions

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<v Speaker 1>if anybody saw it. Did anyone actually see her walking

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<v Speaker 1>along the roadway?

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<v Speaker 3>There was no no sightings of her, which which is

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<v Speaker 3>also strange. And you know there searches were conducted up

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<v Speaker 3>in Weymouth and also down in Taunton, and tomorrow there's

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<v Speaker 3>going to be an event, actually a memorial pac in

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<v Speaker 3>Taunton in her honor. Friends. It's open to the public.

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<v Speaker 3>Family are going to gather and you know, just remember her.

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<v Speaker 3>And you know, again it's great to spread the word

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<v Speaker 3>that this is still an open case. If anybody saw anything,

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<v Speaker 3>knows anything, they can contact Norfolk District Attorney's office or

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<v Speaker 3>the state police.

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<v Speaker 1>So let me come back to the case at hand.

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<v Speaker 1>At what time of night was this argument? Was it

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<v Speaker 1>at dusk? Was it, you know, early in the evening.

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<v Speaker 1>When did mister Mellow say that his wife demanded to

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<v Speaker 1>get out of the car.

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<v Speaker 3>It's broad daylight in the afternoon between three and four

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<v Speaker 3>o'clock and June twentieth was a Tuesday, so it was

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<v Speaker 3>a weekday.

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<v Speaker 1>Good weather conditions, I'm sure you've checked that out. Decent weather,

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<v Speaker 1>typical June weather.

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<v Speaker 3>Yeah, yeah, there wasn't any you know, extreme weather or anything.

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<v Speaker 3>And again, it's just it's very odd.

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<v Speaker 4>You know.

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<v Speaker 3>The last another person who saw her alive was she

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<v Speaker 3>went to a doctor's appointment that day and that's where

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<v Speaker 3>Louis kind of picked her up. And again that was

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<v Speaker 3>right on Route eighteen and Weymouth, the doctor's office, so

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<v Speaker 3>she was seen there that afternoon, and what happened to

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<v Speaker 3>her after that is a complete mystery.

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<v Speaker 1>What was the argument over.

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<v Speaker 3>Money? The Globe actually interviewed Louis three days after Debbie disappeared,

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<v Speaker 3>and he said that she flipped out. They were arguing

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<v Speaker 3>about money. Apparently, you know, her family told me that,

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<v Speaker 3>you know, a family member said it was over like

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<v Speaker 3>maybe face cream or something, that she bought a dermatologist's office.

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<v Speaker 1>And wow, any insurance policies cashed?

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<v Speaker 3>You know that I'm not aware of. I know Louis

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<v Speaker 3>ended up getting you know, divorced from Debbie while she

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<v Speaker 3>was you know, still missing, and you know, ended up

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<v Speaker 3>getting remarried.

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<v Speaker 1>And is he still living? Is he still living in

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<v Speaker 1>the area.

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<v Speaker 3>As far as I know, he's still living in the

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<v Speaker 3>same house. I called him for comment and he told

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<v Speaker 3>me to f myself and hung up.

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<v Speaker 1>That's pleasant. Wow, well, Emily, that sounds like one that boy,

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<v Speaker 1>the fact that that no one, uh, this is like

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<v Speaker 1>disappearing into thin air. This is a real tough one.

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<v Speaker 1>And it's pretty recent in terms of I mean, you

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<v Speaker 1>do some cases that go back fifty years where there's

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<v Speaker 1>probably no hope, but maybe there's some hope here. Did

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<v Speaker 1>she have? Did Debbie? I know I'm asking you questions

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<v Speaker 1>that I probably don't have the right to ask, but

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<v Speaker 1>I'm just trying to put on trying to put my no.

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<v Speaker 1>I know that, and you'll probably be able to answer

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<v Speaker 1>most of it, because I'm sure there's nothing I could

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<v Speaker 1>ask you that you wouldn't have anticipated. Did she have

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<v Speaker 1>any close friends that that that she that the police

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<v Speaker 1>have talked to or talked to at the time, Because

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<v Speaker 1>if she did, let us say, get out of the

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<v Speaker 1>car and just was fed up and decided that she

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<v Speaker 1>was going to go off and do some other life,

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<v Speaker 1>I got to assume that she would have she had kids.

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<v Speaker 1>I mean, the kids couldn't have and she's twenty five.

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<v Speaker 1>The kids couldn't have been that old.

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<v Speaker 3>Yeah, No, her she had two young kids that she

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<v Speaker 3>absolutely adored, absolutely adored, and that that was one thing

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<v Speaker 3>that that's come up again and again. And her mother,

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<v Speaker 3>who sadly passed away, you know, before knowing you know

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<v Speaker 3>what happened to her daughter.

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<v Speaker 5>Yeah, her mother.

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<v Speaker 3>It was very adamant that Debbie wouldn't have left gone

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<v Speaker 3>anywhere without the children, her two kids. And you know,

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<v Speaker 3>there's a lot of tragedy has followed the family too,

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<v Speaker 3>since her stepfather was beaten to death and it actually

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<v Speaker 3>got into a fight with a guy over Debbie's disappearance,

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<v Speaker 3>like an argument. He ended up dying and her mother

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<v Speaker 3>passed away, and also her son, Louis Junior, passed away

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<v Speaker 3>not too long ago as well. So it's a really

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<v Speaker 3>sad story.

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<v Speaker 1>Louis Junior natural causes or.

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<v Speaker 3>I'm not sure. So I had just to respect the

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<v Speaker 3>family's privacy, but I get that he was hot broken,

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<v Speaker 3>you know, really sad case. And if anybody you know

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<v Speaker 3>is in the Taunton area that wants to participate in

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<v Speaker 3>the vigil, you know, tomorrow night, it's happening from six

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<v Speaker 3>to eight at Memorial Pack And you know, if anybody

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<v Speaker 3>has any information at all, maybe you remember something, maybe

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<v Speaker 3>you saw something on Root eighteen or something in Taunton

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<v Speaker 3>or anything, you know, please contact authorities. And also too,

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<v Speaker 3>if you don't mind me giving a shout out to

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<v Speaker 3>the Globe Case Cold Case Files newsletter.

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<v Speaker 1>Sure absolutely we're going to be.

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<v Speaker 3>You know, putting Debbie's story out there on the newsletter

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<v Speaker 3>and you can sign up for it at Globe dot Com.

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<v Speaker 3>Forward Slash Cold Case Files.

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<v Speaker 1>Do that one a little more slowly so everybody can

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<v Speaker 1>take advantage of it.

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<v Speaker 3>Go ahead, Emily, Okay, so it's Globe dot Com Forward

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<v Speaker 3>Flash Cold Case Files.

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<v Speaker 1>I never know the difference between a forward in a

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<v Speaker 1>backwards slash. They all look the same to me.

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<v Speaker 3>Yeah, yeah, but you know those URLs, you know.

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<v Speaker 1>No, no, I get it, but I've they look to

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<v Speaker 1>me like it's angled from northeast to southwest all the time.

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<v Speaker 1>So I don't know if that's the full to the backward,

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<v Speaker 1>but I've never seen anything that goes in any other direction,

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<v Speaker 1>So I just say slash anyway. Emily, thanks for the

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<v Speaker 1>work you do, and I'm just hoping that someone can

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<v Speaker 1>can you know, for the sake of the family, and

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<v Speaker 1>for the sake of her child that has left, and

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<v Speaker 1>for her husband, that this case can get solved. Thanks

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<v Speaker 1>so much, deep appreciate it very much. Okay, we love

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<v Speaker 1>having you on the show, trust me, and we'll see

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<v Speaker 1>you in a couple of weeks and we'll talk to you

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<v Speaker 1>in a couple of weeks.

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<v Speaker 3>Sounds good, Dan, thank you so much.

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<v Speaker 1>Thanks, And if I don't talk to you, have a

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<v Speaker 1>great fourth of July. Okay, have fun, Oh you too,

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<v Speaker 1>Thanks Emily. When we get back, we're going to talk

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<v Speaker 1>with a very famous archaeologist. He's an Egyptian archaeologist, former

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<v Speaker 1>Minister of and Antiquities in Egypt, doctor Zahi Hawaas. This

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<v Speaker 1>is going to be a really interesting conversation.

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<v Speaker 2>Uh.

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<v Speaker 1>And he's going to be speaking in Boston next month

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<v Speaker 1>on July ninth at the Western Seaport, So I think

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<v Speaker 1>you'll be very interested to hear what he has to

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<v Speaker 1>say back on Nightside right after this.

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<v Speaker 2>Night Side with Dan Ray on WBZ Boston's news radio.

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<v Speaker 2>Night Side Side with Dan Ray on WBZ Boston's news Radio.

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<v Speaker 1>I'm delighted to welcome doctor Zahi Hawas. He is an

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<v Speaker 1>Egyptian archeologist. He's an Egyptian pologist and former Minister of

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<v Speaker 1>Tourism and Antiquities in Egypt. That's quite a title, doctor Haas,

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<v Speaker 1>Welcome to Nightside. How are you tonight?

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<v Speaker 4>Thank you very much. I'm fine. Thank you.

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<v Speaker 1>So you were coming to Boston. You you've been to

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<v Speaker 1>Boston before, but you are coming back. You're on a

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<v Speaker 1>tour of about thirty may cities in the United States

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<v Speaker 1>and three cities in Canada. You'll be in Boston on

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<v Speaker 1>July ninth. We'll talk about that later, but this is

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<v Speaker 1>a tour in which you basically bring archaeology to life.

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<v Speaker 1>You are considered the world's most famous archaeologist. I know

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<v Speaker 1>this is a foundational question, but have you spent your

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<v Speaker 1>entire life exploring and discovering archeological sites.

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<v Speaker 4>It's fifty fifty eight years now working inside the pyramids

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<v Speaker 4>and the Kings, making major important discoveries that I'm here

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<v Speaker 4>now to reveal it to the public for the first time.

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<v Speaker 1>I'd love to ask you a question to which I'm

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<v Speaker 1>sure there is not a simple answer, but it's one

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<v Speaker 1>that has always intrigued me. I have never been to Egypt,

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<v Speaker 1>but I'm fascinated by the ancient history from my day

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<v Speaker 1>is as a high school student. Can you explain to

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<v Speaker 1>me in layman's terms, how these pyramids were ever built,

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<v Speaker 1>both from a construction point of view, how they could

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<v Speaker 1>have been built at that time without the machinery that

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<v Speaker 1>we have today with such precision.

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<v Speaker 4>You know, you have to understand one important thing that

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<v Speaker 4>the pyramid was the national project of the whole nation.

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<v Speaker 4>The three millions who lived in Egypt participated in building

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<v Speaker 4>the pyramid to make the king as a guid then

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<v Speaker 4>the households an upper and lower Egypt sinned workforce and

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<v Speaker 4>food to help be the king. We have an important discovery.

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<v Speaker 4>I found the tombs of the pyramid builders that tills

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<v Speaker 4>us important facts. Number one, the pyramids built by Egyptians

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<v Speaker 4>and number to the real slaves. And the most important

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<v Speaker 4>discovery that we made is the Wedding Rezorf papyri. Written

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<v Speaker 4>evidence for the first time tells us about building the pyramid,

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<v Speaker 4>how they cut the stones, how they transported the stones,

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<v Speaker 4>how they built the case of stones. Then what we

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<v Speaker 4>discovered until now that the base of the Greek pyramid

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<v Speaker 4>were cut down in the solid rock to be about

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<v Speaker 4>twenty eight feet of solid rock. All the stones for

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<v Speaker 4>building the pyramid came from the south side, one thousand

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<v Speaker 4>feet from the south of the base of the pyramid.

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<v Speaker 4>Means that many people thought that stones came from Torah,

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<v Speaker 4>twenty five miles to the east. No stones came from

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<v Speaker 4>Gisa plateau next door to the Great Pyramid, and the

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<v Speaker 4>egypt established to transport the stones, and we discovered remains

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<v Speaker 4>of this ramp from the quarry located to the south

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<v Speaker 4>west corner of the Great Pyramid of Kufu.

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<v Speaker 1>Give me an understanding, doctor howas and again, I know

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<v Speaker 1>I'm asking questions that we don't script questions here, but

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<v Speaker 1>all of us have in our minds. You know how

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<v Speaker 1>old the United States is, and we we believe that

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<v Speaker 1>those of us who happened to be Christian believed that

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<v Speaker 1>Jesus walked the earth two thousand years ago. We believe

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<v Speaker 1>the earth is five billion years old. On a timeline,

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<v Speaker 1>when were the pyramids built? I'm sure that there's not

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<v Speaker 1>a calendar per se, but what is the best guest

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<v Speaker 1>estimate if you will are estimate.

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<v Speaker 4>We we do have the exact date or building the pyramid.

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<v Speaker 4>It's six hundred BC, thousand and eight, six hundred years ago.

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<v Speaker 4>And you have to know that the Gate Pyramid is

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<v Speaker 4>not the only pyramid in Egypt. We have one hundred

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<v Speaker 4>and twenty pyramids in Egypt. And in my lecture I

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<v Speaker 4>talk about the secrets that I revealed inside the Gate

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<v Speaker 4>Pyramid using very sophisticated techniques. We found voids inside the pyramid,

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<v Speaker 4>Big voice one, vomid above the grand gallery inside Kufu

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<v Speaker 4>Pyramid the size of two tracks, Big one. We found

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<v Speaker 4>a corridor by them, an entrance masuor important discoverages happened

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<v Speaker 4>for the first time using very sovestigated techniques. Technology reveals

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<v Speaker 4>lots of secrets about Kufu Pyramid. And this what I'm

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<v Speaker 4>talking in my lecture tool about how I revealed the

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<v Speaker 4>secret and the things.

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<v Speaker 1>Now, I believe it or not, our radio station has

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<v Speaker 1>heard literally across America. So I know this weekend you're

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<v Speaker 1>speaking in Pittsburgh, and then you're going to be going

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<v Speaker 1>to Columbus, Ohio, Chicago, Minneapolis, Cleveland, Indianapolis, and you'll be

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<v Speaker 1>in Boston on July ninth, and then you'll be down

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<v Speaker 1>in Baltimore after Boston. So for anyone who's anywhere, certainly

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<v Speaker 1>on the East Coast, it looks to me as if

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<v Speaker 1>you're going to be in Virginia Beach, Virginia, New York, Philadelphia, Washington,

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<v Speaker 1>DC before you go to Canada Vancouver, Toronto, and Montreal,

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<v Speaker 1>and we have listeners in those cities as well. How

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<v Speaker 1>can people get tickets? Not only for Boston, which sold out, They.

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<v Speaker 4>Go to that, They go to the Lecture dot Com,

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<v Speaker 4>the AHI lectures dot com. And I think today my

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<v Speaker 4>lecture on Saturday in Pittsburgh, yes, will be number twenty.

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<v Speaker 1>I think, Yeah, you're you're you're moving, you're getting You're

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<v Speaker 1>a little past halfway through. But it's been an ambitious series.

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<v Speaker 1>You You've spoken on the West Coast, in Texas, in Florida,

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<v Speaker 1>uh and as they say, you're going to hit the

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<v Speaker 1>Great Upper Midwood West. You're out in the Portland and

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<v Speaker 1>Seattle early on Phoenix, Los Angeles. So I don't know

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<v Speaker 1>how many people you're going to speak before, but you're

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<v Speaker 1>going to speak before thousands at these thirty you know.

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<v Speaker 4>At least in every lecture, I get like one thousand

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<v Speaker 4>and five hundred people.

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<v Speaker 1>Yeah, so you're going to pay.

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<v Speaker 4>We got like one hundred VIPs that I meet them

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<v Speaker 4>to take photos with them and answer all the questions

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<v Speaker 4>that they have.

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<v Speaker 1>Yeah, you you you sort of Yeah. People think of

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<v Speaker 1>you as a modern day Indiana Jones.

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<v Speaker 4>And you know when we when we do the investigation

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<v Speaker 4>inside the Great Pyramid, we are thinking to do it live.

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<v Speaker 4>And you know whom I wanted to be with beside me?

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<v Speaker 4>Who you do this? Addison Harrison Ford.

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<v Speaker 1>Well, Harrison Ford is still around, and I'm sure that

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<v Speaker 1>he would love that opportunity. And uh, and I hope,

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<v Speaker 1>I hope that comes to pass, Doctor Hawas. I just

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<v Speaker 1>again want to thank you again. It's ZAHI Lectures, z

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<v Speaker 1>A h I Lectures Plural dot com UH is your

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<v Speaker 1>is the website UH and you can sign up and

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<v Speaker 1>as they say, we have listeners all over.

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<v Speaker 4>The United States.

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<v Speaker 1>Powerful radio station Aer and I hope that someone some

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<v Speaker 1>of the folks who might get up to see you

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<v Speaker 1>in the next few days will say I heard you

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<v Speaker 1>on night Side with Dan Ray at w b Z

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<v Speaker 1>in Boston.

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<v Speaker 4>Very much. They hoped in eypt one day I.

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<v Speaker 1>Would be honored. I would be honored Doctor Zahi Hawas,

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<v Speaker 1>Thank you, sir, I honored you. You be well. I thought,

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<v Speaker 1>that's an interesting man. That is an interesting man. When

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<v Speaker 1>we get back, we are going to talk some medicals

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<v Speaker 1>issues about long term use of cannabis, which can be

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<v Speaker 1>a problem. We'll talk about that at the other side

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<v Speaker 1>of the news, and then we'll go to the other

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<v Speaker 1>side of the news at the bottom. They are also

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<v Speaker 1>talk with the Massachusetts based author about what impact will

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<v Speaker 1>artificial intelligence have on writing, particularly writing of people who

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<v Speaker 1>are novelists. We'll get to all of that. Remind you

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<v Speaker 1>to pull down our our new and improved iHeart app.

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<v Speaker 1>It's a marvelous device. It's free, it's available to you.

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<v Speaker 1>You can put it on any of your devices, on

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<v Speaker 1>your desktops, on your laptops, on your phones, your tablets.

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<v Speaker 1>And one of the things you can do is when

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<v Speaker 1>you get that and you put it on, make it

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<v Speaker 1>make WBZ obviously your preset, your first preset, so we're

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<v Speaker 1>only a fingertip away whether you're exploring the pyramids in

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<v Speaker 1>Egypt or your back home sitting listening to Nightside on

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<v Speaker 1>the radio. In addition to that, there's a special button

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00:20:06.079 --> 00:20:09.119
<v Speaker 1>there that you can find and just touch that button.

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<v Speaker 1>You can leave us a thirty second message and tell

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<v Speaker 1>us what you don't what you like about the show.

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<v Speaker 1>Hopefully you can even tell us what you don't like

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<v Speaker 1>about the show and what you'd like to hear more of.

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<v Speaker 1>We're looking for you to be able to reach out

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<v Speaker 1>to us, not only as phone calls. We always want

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<v Speaker 1>to his phone calls, but we also want you to

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<v Speaker 1>send us emails, information, ideas, suggestions. You're as much a

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<v Speaker 1>part of this show as I am. I've said that

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<v Speaker 1>for years, and I truly do believe it. Back on

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<v Speaker 1>Nightside with more conversation, we will be heading after nine

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<v Speaker 1>o'clock looking for phone calls because we're going to be

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<v Speaker 1>talking about a stunning, stunning poll that was released early

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<v Speaker 1>this morning of potential jurors in Norfolk County. I think

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<v Speaker 1>the bottom line on this pole, when you look at it,

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<v Speaker 1>the prosecution never had a chance in this case. It

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<v Speaker 1>was overcharged. It was an overcharged prosecution from day one,

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<v Speaker 1>and I think that the Norfolk County District Attorney will

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<v Speaker 1>pay a pay a political penalty there. We'll get to

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<v Speaker 1>all of that, I promise, and later on we'll talk

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<v Speaker 1>about perhaps the most important decision Donald Trump will ever

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<v Speaker 1>make his president and what he does regarding Iran. We'll

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<v Speaker 1>get to all of that tonight. It's gonna be a

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<v Speaker 1>great show coming back on Nightside.

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<v Speaker 2>It's night Side with Dan Ray. Hey, Dann BZ Boston's

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<v Speaker 2>news radio. If you're on night Side with Dan Ray

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<v Speaker 2>on WBZ, Boston's news radio, Well.

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<v Speaker 1>If you been smoking some weed lately. With the mysterious

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<v Speaker 1>illness on the rise for long term cannabis uses, its

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<v Speaker 1>called cannabinoid hyper emesis syndrome CHS and can affect essentially

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<v Speaker 1>anyone using cannabis. My guest is doctor seusshut Jaghi, Doctor

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<v Speaker 1>guys John JUNGI. I hope I'm getting close on that pronunciation. Doctor.

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<v Speaker 1>How are you tonight?

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<v Speaker 5>That's pretty good? Yeah, thanks for inviting.

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<v Speaker 1>Me, so tell us about that. I know that one

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<v Speaker 1>of the TV stations in Boston is doing a big

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<v Speaker 1>series this week. Actually, it's Channel five on the potency

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<v Speaker 1>of the marijuana that people are being exposed to these days.

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<v Speaker 1>As they they say, it's it's it's it's not your

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<v Speaker 1>parents marijuana in terms of impact. Does this have anything

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<v Speaker 1>to do with the new and improved marijuana that is

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<v Speaker 1>out there these days or is this something that has

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<v Speaker 1>always been around.

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<v Speaker 5>No, I think you're right, I think this is something new. Basically,

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<v Speaker 5>cannabis products, including marijuana, have gotten more potent over the

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<v Speaker 5>past couple decades. Yeah, that's because of the amount of THHC,

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<v Speaker 5>which is the active sort of psychoactive ingredient, has gotten

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<v Speaker 5>more and more potent.

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<v Speaker 1>And can just ask you real quickly before I got

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<v Speaker 1>to ask this, ques, I am not a smoker, okay,

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<v Speaker 1>I'm not a smoker of cigarettes. Nothing, okay, But has

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<v Speaker 1>has the marijuana been developed scientifically to be stronger or

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<v Speaker 1>has it become stronger naturally? I hear it all the

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<v Speaker 1>time that it's more potent, But I'm wondering if that

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<v Speaker 1>has been scientifically induced or if it was just a

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<v Speaker 1>normal development.

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<v Speaker 5>I think the potency has been increasing for commercial reasons

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<v Speaker 5>to make it more syllable.

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<v Speaker 1>Yeah, yeah, kind of what I thought just wanted to

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<v Speaker 1>make just wanted to make it clear. Go ahead. I'm

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<v Speaker 1>sorry to have interrupt you. I'm listening.

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<v Speaker 5>So what you said initially is correct that this is

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<v Speaker 5>actually a new disease that we're seeing called CCHS. The

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<v Speaker 5>first description of it was back in two thousand and five,

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<v Speaker 5>so it's overall pretty new disease. And CHS stands for

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<v Speaker 5>cannabinoid hyper emesis syndrome, which means hyper emesis is vomiting,

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<v Speaker 5>recurrent vomiting as a consequence of using cannabis. So patients

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<v Speaker 5>who develop SHS usually have episodes of belly pain, nausea,

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<v Speaker 5>and vomiting that they can't stop. It just keeps coming back.

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<v Speaker 1>Now if they stop smoking. Is this something that once

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<v Speaker 1>you get it, you can't get rid of it? Or

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<v Speaker 1>I mean it doesn't sound like a pleasant experience if

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<v Speaker 1>you get my drift.

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<v Speaker 5>No, it's not. And I see some of these patients

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<v Speaker 5>in my clinic. So you know, the difficult part of

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<v Speaker 5>this disease is that you know, for a lot of people,

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<v Speaker 5>cannabis actually gives relief from nausea at low doses, but

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<v Speaker 5>it's once you start using it chronically, so you know,

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<v Speaker 5>multiple times a day, for at least a year, then

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<v Speaker 5>you start to develop this syndrome. So some people start

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<v Speaker 5>to use more cannabis once they start getting sick, thinking

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<v Speaker 5>it's going to cure them, but that sets them up

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<v Speaker 5>into this kind of endless cycle.

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<v Speaker 1>Yeah, that's sort of like going from two packs a

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<v Speaker 1>day to three packs a day of un filtered on

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<v Speaker 1>camels because you someone think that will reduce your chances

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<v Speaker 1>of getting one cancer, that's right.

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<v Speaker 5>And then people people can kind of self cure this

421
00:25:12.519 --> 00:25:16.400
<v Speaker 5>once they stop using any kind of cannabis. So it

422
00:25:16.559 --> 00:25:19.839
<v Speaker 5>usually can take as long as six months of cessation

423
00:25:20.119 --> 00:25:23.480
<v Speaker 5>from cannabis, so stopping the drug for more than half

424
00:25:23.519 --> 00:25:25.160
<v Speaker 5>a year before the symptoms go away.

425
00:25:25.599 --> 00:25:28.759
<v Speaker 1>Okay, so now my question is this, how can you

426
00:25:28.880 --> 00:25:33.279
<v Speaker 1>function if you're if you're stoned, you know throughout most

427
00:25:33.279 --> 00:25:35.160
<v Speaker 1>of the day. It sounds to me like you've got

428
00:25:35.200 --> 00:25:37.680
<v Speaker 1>to And I don't want to encourage anyone to start,

429
00:25:38.200 --> 00:25:39.799
<v Speaker 1>but it sounds to me like you've got to be

430
00:25:39.839 --> 00:25:42.640
<v Speaker 1>a pretty heavy user for a period of time before

431
00:25:42.960 --> 00:25:45.519
<v Speaker 1>before this hits you. Right, is what I heard you say?

432
00:25:45.559 --> 00:25:47.359
<v Speaker 1>Am I right? Am I missing? Yeah? Bad?

433
00:25:48.519 --> 00:25:51.920
<v Speaker 5>We tend not to see the condition in real casual

434
00:25:52.079 --> 00:25:54.359
<v Speaker 5>users of cannabis. So if you're using it, you know,

435
00:25:54.480 --> 00:25:59.079
<v Speaker 5>sporadically occasionally, it's unlikely to happen. Yeah, but we do

436
00:25:59.119 --> 00:26:01.559
<v Speaker 5>see it in people use it once a day or

437
00:26:01.640 --> 00:26:05.440
<v Speaker 5>once every other day for a sustained period of time.

438
00:26:05.559 --> 00:26:08.920
<v Speaker 5>So you don't have to be someone that's you know,

439
00:26:09.559 --> 00:26:11.920
<v Speaker 5>smoking pot like four or five times a day to

440
00:26:11.960 --> 00:26:12.279
<v Speaker 5>get it.

441
00:26:13.119 --> 00:26:16.079
<v Speaker 1>I think I read that or I heard on this

442
00:26:16.160 --> 00:26:21.400
<v Speaker 1>Channel five report, the report of Mike Boydette is doing

443
00:26:21.440 --> 00:26:24.680
<v Speaker 1>it just to give him, you know, journalistic credit. I

444
00:26:24.720 --> 00:26:27.720
<v Speaker 1>think you said that the cannabis industry in Massachusetts is

445
00:26:27.759 --> 00:26:33.880
<v Speaker 1>now an eight billion dollar industry. Our state budget is

446
00:26:33.920 --> 00:26:38.839
<v Speaker 1>sixty two billion dollars. That's that's a pretty good size industry.

447
00:26:39.559 --> 00:26:43.119
<v Speaker 1>I mean that true. There's gotta be a lot of

448
00:26:43.160 --> 00:26:51.880
<v Speaker 1>people out there token it up, and any idea how

449
00:26:51.920 --> 00:26:56.759
<v Speaker 1>many people have displayed these symptoms on a quantitative basis.

450
00:26:57.759 --> 00:27:00.799
<v Speaker 1>You're a gastro Enterology is a tough medical center. Is

451
00:27:00.839 --> 00:27:04.480
<v Speaker 1>there anyone in the public health department that's trying to

452
00:27:05.000 --> 00:27:07.160
<v Speaker 1>keep track of this? We know how many people die

453
00:27:07.160 --> 00:27:09.880
<v Speaker 1>of COVID every week. We know how many COVID cases

454
00:27:09.920 --> 00:27:11.079
<v Speaker 1>the are every week.

455
00:27:12.799 --> 00:27:16.039
<v Speaker 5>Yeah, well that's a good question. Yeah, So we did

456
00:27:16.160 --> 00:27:20.359
<v Speaker 5>in our study, we actually looked at about fifteen million

457
00:27:20.559 --> 00:27:23.920
<v Speaker 5>ED visits between twenty twelve and twenty twenty one. And

458
00:27:24.359 --> 00:27:28.400
<v Speaker 5>across those fifteen million ED visits, we saw that by the.

459
00:27:28.359 --> 00:27:31.480
<v Speaker 1>Way, you're you're talking there about emergency department, not the

460
00:27:31.559 --> 00:27:32.039
<v Speaker 1>other ED.

461
00:27:32.240 --> 00:27:36.599
<v Speaker 5>Right, go ahead, no, correct, emergency department visits. So we

462
00:27:36.640 --> 00:27:40.599
<v Speaker 5>looked at basically over fifty emergency departments across the state

463
00:27:41.200 --> 00:27:44.240
<v Speaker 5>and between twenty twelve and twenty twenty one, we saw

464
00:27:44.279 --> 00:27:48.440
<v Speaker 5>a tenfold increase in zhs over this time period. So

465
00:27:48.960 --> 00:27:51.359
<v Speaker 5>it's a pretty significant change.

466
00:27:51.960 --> 00:27:55.400
<v Speaker 1>Wow. And if that is true, that means that a

467
00:27:55.400 --> 00:27:58.880
<v Speaker 1>lot more people are smoking and also probably driving on

468
00:27:58.920 --> 00:28:03.559
<v Speaker 1>our roadways, which is uh, which is another problem that

469
00:28:03.559 --> 00:28:05.759
<v Speaker 1>that we need, that we need to be concerned about. Yeah,

470
00:28:05.799 --> 00:28:10.640
<v Speaker 1>this this whole cannabis experiment. It might be fine for

471
00:28:10.799 --> 00:28:13.400
<v Speaker 1>the vast majority of people, but boy, there's a there's

472
00:28:13.440 --> 00:28:17.440
<v Speaker 1>a certain group who just can't get enough until they

473
00:28:18.599 --> 00:28:23.640
<v Speaker 1>are people able once they they they get this. I

474
00:28:23.680 --> 00:28:25.680
<v Speaker 1>don't know if you if you call it a disease

475
00:28:25.839 --> 00:28:28.759
<v Speaker 1>or a condition, I guess you call it a syndrome.

476
00:28:30.680 --> 00:28:34.279
<v Speaker 1>Are most of them? It seems to me that people

477
00:28:34.319 --> 00:28:38.599
<v Speaker 1>who are suffering from this once they're convinced that the

478
00:28:38.599 --> 00:28:43.039
<v Speaker 1>cause of it is the the cannabis use that that

479
00:28:43.400 --> 00:28:45.599
<v Speaker 1>they would just want to back away or or is

480
00:28:45.640 --> 00:28:49.599
<v Speaker 1>this such something that people can't back away from.

481
00:28:49.759 --> 00:28:53.400
<v Speaker 5>Well, you know it. It can be very hard to

482
00:28:53.440 --> 00:28:57.440
<v Speaker 5>stop using cannabis once it becomes a habit. And you know,

483
00:28:57.480 --> 00:28:59.559
<v Speaker 5>I have a lot of sympathy for people who are

484
00:28:59.559 --> 00:29:02.920
<v Speaker 5>trying to stop. Sure, once once it becomes a part

485
00:29:02.960 --> 00:29:05.680
<v Speaker 5>of your routine, like anything, it can be hard to quit.

486
00:29:05.960 --> 00:29:09.000
<v Speaker 5>So we do have ways to try to help people

487
00:29:09.119 --> 00:29:12.359
<v Speaker 5>quit if they want to, and that can include things

488
00:29:12.359 --> 00:29:15.519
<v Speaker 5>like talk therapy or you know, setting people up with therapists,

489
00:29:15.519 --> 00:29:18.640
<v Speaker 5>and sometimes we use certain medications that can help you

490
00:29:18.759 --> 00:29:19.680
<v Speaker 5>kind of kick the habit.

491
00:29:20.480 --> 00:29:22.839
<v Speaker 1>Yeah. Look, I have friends of mine who have been

492
00:29:22.839 --> 00:29:26.799
<v Speaker 1>strung out on hard drugs okay, you know, heroin, you know,

493
00:29:27.119 --> 00:29:29.319
<v Speaker 1>you know, artsy content and things like that, and they're

494
00:29:29.359 --> 00:29:32.119
<v Speaker 1>dear friends of mine who have beaten it. But I'll say,

495
00:29:32.160 --> 00:29:35.160
<v Speaker 1>anybody who can beat beat an addiction like this or

496
00:29:35.200 --> 00:29:38.680
<v Speaker 1>any addiction, alcohol or whatever, my hat's off to them.

497
00:29:38.759 --> 00:29:43.039
<v Speaker 1>I'm very sympathetic. But by doing this interview, hopefully, hopefully

498
00:29:43.319 --> 00:29:46.200
<v Speaker 1>there's maybe one person out there who's going to back

499
00:29:46.240 --> 00:29:50.960
<v Speaker 1>off their usage at least and avoid experiencing the symptoms

500
00:29:51.000 --> 00:29:54.759
<v Speaker 1>that you have so eloquently described. Doctor, I hope says

501
00:29:54.960 --> 00:30:01.039
<v Speaker 1>you taking the time tonight. Doctor, thank you, Jacques Junkie.

502
00:30:01.759 --> 00:30:03.720
<v Speaker 1>Give give me the correct pronounce case. I want to

503
00:30:03.720 --> 00:30:04.279
<v Speaker 1>make sure.

504
00:30:04.440 --> 00:30:08.000
<v Speaker 5>It's it's Junie. It's not an easy name to say.

505
00:30:08.359 --> 00:30:11.000
<v Speaker 1>That's okay, should Junkie? Okay?

506
00:30:11.039 --> 00:30:11.400
<v Speaker 5>Thank you.

507
00:30:11.680 --> 00:30:14.519
<v Speaker 1>They give me pronounces sometimes and the pronouncers aren't all

508
00:30:14.519 --> 00:30:16.920
<v Speaker 1>that great, but thank you. Thank you for what you do. Doctor.

509
00:30:16.960 --> 00:30:20.599
<v Speaker 1>I really mean that. And I keep in contact with

510
00:30:20.640 --> 00:30:22.480
<v Speaker 1>you on this and if the situation gets worse, we

511
00:30:22.480 --> 00:30:23.960
<v Speaker 1>can do it again. If it gets better, we can

512
00:30:24.000 --> 00:30:24.440
<v Speaker 1>do it again.

513
00:30:24.480 --> 00:30:26.200
<v Speaker 5>Okay, sounds good.

514
00:30:26.359 --> 00:30:29.440
<v Speaker 1>Thanks very much. Doctor. We'll gonna come back when we

515
00:30:29.480 --> 00:30:32.519
<v Speaker 1>get back on and talk with Massachusetts based novelist Lori Gold.

516
00:30:32.599 --> 00:30:36.799
<v Speaker 1>She's concerned about what role will artificial intelligence have in

517
00:30:36.839 --> 00:30:41.240
<v Speaker 1>the writing industry for authors and aspiring authors. We'll talk

518
00:30:41.279 --> 00:30:45.160
<v Speaker 1>with Lori Gold right after the break here on Nightside, Night.

519
00:30:45.119 --> 00:30:51.240
<v Speaker 2>Side with Dan Ray on WBS, Boston's news radio. It's

520
00:30:51.359 --> 00:30:55.759
<v Speaker 2>night Side with Dan Ray on Boston's news radio.

521
00:30:56.440 --> 00:31:00.920
<v Speaker 1>You know those questions to which there's really no answer daddy.

522
00:31:00.960 --> 00:31:04.720
<v Speaker 1>Why is the sky blue? What's the meaning of life?

523
00:31:05.559 --> 00:31:08.720
<v Speaker 1>Here's another one. Would you read a novel written completely

524
00:31:08.759 --> 00:31:12.799
<v Speaker 1>by artificial intelligence? That's what author Laurie Gold has been

525
00:31:12.839 --> 00:31:16.839
<v Speaker 1>asking audiences at her book events, and it's something that

526
00:31:16.880 --> 00:31:22.799
<v Speaker 1>writers have to think about because writers are artists and

527
00:31:23.000 --> 00:31:29.519
<v Speaker 1>AI does create can create books. Matter of fact, I

528
00:31:29.839 --> 00:31:32.720
<v Speaker 1>recently read that there was a site where you could

529
00:31:32.720 --> 00:31:35.240
<v Speaker 1>go when you could write a book about someone with AI,

530
00:31:35.279 --> 00:31:38.680
<v Speaker 1>which sounds crazy, but AI's coming, said train coming down

531
00:31:38.759 --> 00:31:40.960
<v Speaker 1>the track, and we either got to deal with it

532
00:31:41.039 --> 00:31:42.640
<v Speaker 1>or get out of the way with us. As Lori

533
00:31:42.759 --> 00:31:48.880
<v Speaker 1>Gold her latest novel, Romantic Friction, based on that concept, Laurie,

534
00:31:48.920 --> 00:31:54.720
<v Speaker 1>Welcome to Nightside. How are you hello, Laurie?

535
00:31:56.240 --> 00:31:56.400
<v Speaker 2>Hi?

536
00:31:56.480 --> 00:31:57.079
<v Speaker 3>Can you hear me?

537
00:31:57.319 --> 00:31:57.920
<v Speaker 1>I can hear you?

538
00:31:58.000 --> 00:31:58.200
<v Speaker 2>Now?

539
00:31:58.240 --> 00:31:59.559
<v Speaker 1>What sort of a headset are you on?

540
00:32:01.480 --> 00:32:05.359
<v Speaker 6>I am on just a normal iPhone headset? Is it okay?

541
00:32:05.400 --> 00:32:07.119
<v Speaker 6>I can take it out if that's well.

542
00:32:07.240 --> 00:32:09.799
<v Speaker 1>Headsets don't really work for us, but let's try to

543
00:32:10.200 --> 00:32:12.119
<v Speaker 1>try to work with it. There can be a delay,

544
00:32:12.319 --> 00:32:16.119
<v Speaker 1>which I think maybe we just experienced. So tell us

545
00:32:16.240 --> 00:32:19.279
<v Speaker 1>as an author, obviously, you have a new book called

546
00:32:19.359 --> 00:32:22.880
<v Speaker 1>Romantic Friction based on the concept, and make it very

547
00:32:22.880 --> 00:32:26.599
<v Speaker 1>clear you did not use AI in writing this book,

548
00:32:27.079 --> 00:32:34.240
<v Speaker 1>but your main character faces this dilemma. Explain to my audience,

549
00:32:35.200 --> 00:32:39.039
<v Speaker 1>most of whom are not authors or writers, Explain why

550
00:32:39.039 --> 00:32:41.720
<v Speaker 1>this is so important to writers.

551
00:32:42.440 --> 00:32:45.279
<v Speaker 6>Well, I think AI in the creative space is very

552
00:32:45.279 --> 00:32:47.960
<v Speaker 6>different than the uses that many people in business are

553
00:32:48.039 --> 00:32:51.319
<v Speaker 6>using AI for. So if you use AI to help

554
00:32:51.359 --> 00:32:55.880
<v Speaker 6>you with math, or to better design the furniture on

555
00:32:55.920 --> 00:32:59.200
<v Speaker 6>your deck, or to do some coding, or to help

556
00:32:59.240 --> 00:33:03.000
<v Speaker 6>you design a web site, it's it's not necessary that

557
00:33:03.079 --> 00:33:06.240
<v Speaker 6>it's doing road tasks, but it's doing tasks that don't

558
00:33:06.279 --> 00:33:09.319
<v Speaker 6>come from a creative bent, from a creative soul. And

559
00:33:09.359 --> 00:33:11.960
<v Speaker 6>I think we associate all forms of art really, whether

560
00:33:12.000 --> 00:33:17.039
<v Speaker 6>it's writing, painting, photography, movies. You know, AI could write

561
00:33:17.039 --> 00:33:20.279
<v Speaker 6>a movie script, but we associate forms of art with

562
00:33:20.400 --> 00:33:24.240
<v Speaker 6>human intention, with trying to get across a message or

563
00:33:24.279 --> 00:33:28.240
<v Speaker 6>a theme, or experience an emotion and have others have

564
00:33:28.319 --> 00:33:30.839
<v Speaker 6>it resonate to others. And I think it's very hard

565
00:33:30.880 --> 00:33:33.960
<v Speaker 6>to think of a machine doing what we humans do

566
00:33:34.240 --> 00:33:35.920
<v Speaker 6>when it comes from a place of emotion.

567
00:33:36.599 --> 00:33:38.359
<v Speaker 1>Well, we know that AI is going to put a

568
00:33:38.359 --> 00:33:43.839
<v Speaker 1>lot of people's jobs on the sidelines sadly, but that's

569
00:33:43.920 --> 00:33:48.359
<v Speaker 1>the reality. Just like those those guys that used to

570
00:33:48.400 --> 00:33:52.480
<v Speaker 1>shoe horses. Before the arrival of the automobile, there were

571
00:33:52.559 --> 00:33:55.119
<v Speaker 1>there were a lot of blacksmiths out there, not as

572
00:33:55.160 --> 00:34:00.319
<v Speaker 1>many today. How can authors fight back? I mean, if

573
00:34:00.400 --> 00:34:07.319
<v Speaker 1>let us say someone assumes a pen name and secrecy

574
00:34:07.519 --> 00:34:15.079
<v Speaker 1>and privacy and anonymity or some non de plume, and

575
00:34:15.440 --> 00:34:19.079
<v Speaker 1>we can't tell if they are an actual writer or

576
00:34:19.119 --> 00:34:21.639
<v Speaker 1>if they have some all been able to manipulate AI.

577
00:34:22.360 --> 00:34:28.360
<v Speaker 1>We can't outlaw this practice. How do authors fight it? Well?

578
00:34:28.400 --> 00:34:30.920
<v Speaker 6>I think what's interesting with what you said is what

579
00:34:30.960 --> 00:34:35.280
<v Speaker 6>you're saying is the basis of people being opposed to it.

580
00:34:35.360 --> 00:34:37.559
<v Speaker 6>And I think that's the biggest fear that we have

581
00:34:37.639 --> 00:34:41.159
<v Speaker 6>as creators and as authors. Will the marketplace just accept

582
00:34:41.159 --> 00:34:44.119
<v Speaker 6>a book written by AI. In my book Romantic Friction,

583
00:34:44.280 --> 00:34:46.760
<v Speaker 6>another author uses AI to write in the style of

584
00:34:46.800 --> 00:34:50.280
<v Speaker 6>my main character, Sophie Wilde, and it's not canceled, it's

585
00:34:50.320 --> 00:34:52.880
<v Speaker 6>embraced by the media, and she's called innovative, and she's

586
00:34:52.920 --> 00:34:56.760
<v Speaker 6>trending on the press. And I wonder if that is

587
00:34:56.880 --> 00:34:59.760
<v Speaker 6>the future, if people will just accept written books written

588
00:34:59.760 --> 00:35:02.800
<v Speaker 6>by AI. But if that's not the case. You know,

589
00:35:02.840 --> 00:35:05.320
<v Speaker 6>the marketplace can decide based on their dollars and what

590
00:35:05.400 --> 00:35:08.360
<v Speaker 6>books they buy and what books they don't buy. Right now,

591
00:35:08.400 --> 00:35:10.639
<v Speaker 6>what's going on in terms of fighting it is there

592
00:35:10.679 --> 00:35:14.000
<v Speaker 6>are many lawsuits against AI companies, both led by journalists

593
00:35:14.280 --> 00:35:18.000
<v Speaker 6>and was led by authors against the companies that have

594
00:35:18.639 --> 00:35:24.039
<v Speaker 6>used creative works to train their AI, and it's now

595
00:35:24.320 --> 00:35:27.039
<v Speaker 6>in the courts to decide it is copyright infringement. So

596
00:35:27.159 --> 00:35:29.760
<v Speaker 6>this is the first step that's going on right now,

597
00:35:30.159 --> 00:35:33.039
<v Speaker 6>including a very big case against Meta, which is the

598
00:35:33.079 --> 00:35:39.000
<v Speaker 6>owner of Facebook and Instagram authors alleging that Meta used

599
00:35:39.519 --> 00:35:42.960
<v Speaker 6>pirated books to train its AI, knowing they could have

600
00:35:43.159 --> 00:35:45.719
<v Speaker 6>purchased those books to train their I, and decided to

601
00:35:45.760 --> 00:35:48.960
<v Speaker 6>take them from an illegal, pirated database of books and

602
00:35:49.079 --> 00:35:52.199
<v Speaker 6>use it to train their AI. And this is what's

603
00:35:52.199 --> 00:35:53.199
<v Speaker 6>in the course right now.

604
00:35:53.320 --> 00:35:55.199
<v Speaker 1>So wait a sec. So what you're saying is that

605
00:35:55.280 --> 00:35:58.760
<v Speaker 1>the fact that they pirated these books, if they had

606
00:35:58.840 --> 00:36:02.000
<v Speaker 1>gone to a bookstore or to Amazon and purchased the

607
00:36:02.039 --> 00:36:05.239
<v Speaker 1>books and use the books for the same purpose to

608
00:36:05.320 --> 00:36:09.599
<v Speaker 1>train AI, that they would have been exempt from a lawsuit.

609
00:36:10.880 --> 00:36:12.760
<v Speaker 6>I do not think they would have been exempt. It

610
00:36:12.800 --> 00:36:15.199
<v Speaker 6>would have been better had they actually paid for it

611
00:36:15.239 --> 00:36:18.920
<v Speaker 6>because the issue is allegedly they have used these books

612
00:36:19.159 --> 00:36:24.000
<v Speaker 6>without permission and without compensation. So it's a duel, many

613
00:36:24.039 --> 00:36:26.840
<v Speaker 6>faceted lawsuits. But at least if they had paid for it,

614
00:36:26.840 --> 00:36:29.840
<v Speaker 6>it would have combated one issue of taking the books illegally,

615
00:36:29.920 --> 00:36:32.239
<v Speaker 6>and there are court documents that say they knew they

616
00:36:32.320 --> 00:36:33.960
<v Speaker 6>took the books illegally.

617
00:36:34.039 --> 00:36:36.840
<v Speaker 1>Yeah, and then the other thing. I think the other

618
00:36:36.880 --> 00:36:39.079
<v Speaker 1>thing a lot of people probably don't realize that is

619
00:36:39.119 --> 00:36:44.079
<v Speaker 1>that copyrights actually run out, so high school teachers can

620
00:36:44.079 --> 00:36:52.440
<v Speaker 1>teach William Shakespeare and Shakespeare and his heirs have no no,

621
00:36:52.440 --> 00:36:56.199
<v Speaker 1>no cause of action for that because you copyrights expire.

622
00:36:57.239 --> 00:36:59.679
<v Speaker 6>Sure, but we have a long time. My belief is

623
00:36:59.679 --> 00:37:01.760
<v Speaker 6>it's like one hundred years or so. So all of

624
00:37:01.760 --> 00:37:03.960
<v Speaker 6>the books that were many of the books, I will say.

625
00:37:03.800 --> 00:37:06.440
<v Speaker 1>To the majority, I understand that, I understand that.

626
00:37:06.800 --> 00:37:07.039
<v Speaker 2>AI.

627
00:37:08.719 --> 00:37:11.960
<v Speaker 1>Is there anything else writers on masks can do.

628
00:37:13.320 --> 00:37:15.760
<v Speaker 6>I think it's making it aware, you know, being able

629
00:37:15.760 --> 00:37:17.800
<v Speaker 6>to talk to people like you and have this discussion

630
00:37:17.840 --> 00:37:19.760
<v Speaker 6>out in the open and put it in front of

631
00:37:19.800 --> 00:37:22.400
<v Speaker 6>the people who consume our entertainment. It's part of why

632
00:37:22.440 --> 00:37:25.639
<v Speaker 6>I wrote Romantic Friction to you know, have this conversation

633
00:37:25.760 --> 00:37:28.039
<v Speaker 6>in front of the people who care about books and

634
00:37:28.119 --> 00:37:31.280
<v Speaker 6>care about reading the future of our entertainment. So I

635
00:37:31.320 --> 00:37:34.679
<v Speaker 6>think it's time to just start having these discussions with

636
00:37:34.719 --> 00:37:37.079
<v Speaker 6>one another and see where do we draw the line.

637
00:37:37.280 --> 00:37:39.519
<v Speaker 6>You know, it's not a question of what the technology

638
00:37:39.599 --> 00:37:41.760
<v Speaker 6>can do, it's a question of what we should do

639
00:37:41.840 --> 00:37:44.639
<v Speaker 6>with it. And these are more moral and ethical questions

640
00:37:44.880 --> 00:37:47.679
<v Speaker 6>that I really want to be having people spark the

641
00:37:47.760 --> 00:37:49.400
<v Speaker 6>conversation about and be talking about.

642
00:37:49.599 --> 00:37:55.800
<v Speaker 1>Yeah. The other thing is that different levels of literature

643
00:37:56.559 --> 00:37:59.760
<v Speaker 1>appeal to different people. I mean, there are some people

644
00:37:59.800 --> 00:38:04.000
<v Speaker 1>who will sit and read you know what, I hate

645
00:38:04.000 --> 00:38:07.199
<v Speaker 1>to used this word, but trashy novels, and that's that's

646
00:38:07.280 --> 00:38:12.360
<v Speaker 1>their thing. Someone else might want to read historical novels,

647
00:38:12.400 --> 00:38:16.599
<v Speaker 1>which are a little more highbrow and very much the

648
00:38:16.679 --> 00:38:20.360
<v Speaker 1>marketplace will decide that. And if there is a trashy

649
00:38:20.480 --> 00:38:26.280
<v Speaker 1>ai novelist out there who gains a foothold, who gains

650
00:38:26.320 --> 00:38:29.280
<v Speaker 1>a following, that could be a real that could be

651
00:38:29.280 --> 00:38:33.559
<v Speaker 1>a real problem for for for potential novelists who like

652
00:38:33.679 --> 00:38:37.320
<v Speaker 1>to write, you know, books that are kind of you know,

653
00:38:37.480 --> 00:38:41.239
<v Speaker 1>at at a base of the reading pyramid. If I

654
00:38:41.239 --> 00:38:41.960
<v Speaker 1>can use that.

655
00:38:41.920 --> 00:38:47.840
<v Speaker 6>Metaphor, absolutely, But I also think like technology is continuously improving.

656
00:38:47.960 --> 00:38:50.199
<v Speaker 6>When I started writing this book in twenty twenty three

657
00:38:50.239 --> 00:38:52.519
<v Speaker 6>and I plugged into play what could AI do?

658
00:38:52.599 --> 00:38:53.599
<v Speaker 3>It was not very good.

659
00:38:54.119 --> 00:38:56.559
<v Speaker 6>Two years later I played with it, It's gotten better.

660
00:38:56.719 --> 00:38:59.599
<v Speaker 6>So you know the level of writing for it will

661
00:38:59.599 --> 00:39:02.679
<v Speaker 6>only get better and better and approach what humans can do.

662
00:39:02.760 --> 00:39:05.360
<v Speaker 6>I have no doubt for that, and I think you know,

663
00:39:05.440 --> 00:39:08.039
<v Speaker 6>at some point we just have to start deciding do

664
00:39:08.079 --> 00:39:10.440
<v Speaker 6>we want it labeled as such? And that's another part

665
00:39:10.440 --> 00:39:12.519
<v Speaker 6>of the conversation when you ask what authors could do

666
00:39:12.880 --> 00:39:15.920
<v Speaker 6>right now? There aren't parameters. My publishing contracts with Harpercollums

667
00:39:15.960 --> 00:39:18.320
<v Speaker 6>didn't have me sign anything. Let's say I wrote this

668
00:39:18.400 --> 00:39:21.119
<v Speaker 6>and AI didn't. But those are probably some of the

669
00:39:21.119 --> 00:39:23.360
<v Speaker 6>past we need to go down. And is there a

670
00:39:23.400 --> 00:39:27.199
<v Speaker 6>level of transparency that needs to happen, especially as the

671
00:39:27.320 --> 00:39:28.719
<v Speaker 6>technology gets better and better?

672
00:39:29.480 --> 00:39:32.880
<v Speaker 1>All great questions to which there are no answers as

673
00:39:32.920 --> 00:39:34.760
<v Speaker 1>of this moment. We'll have to have you back when

674
00:39:34.800 --> 00:39:40.199
<v Speaker 1>some of the answers appear. Massachuset based author Lori Gold

675
00:39:40.280 --> 00:39:44.159
<v Speaker 1>her book Romantic Friction. That might be something you might

676
00:39:44.199 --> 00:39:46.920
<v Speaker 1>want to put in the summer reading list because it

677
00:39:47.000 --> 00:39:51.360
<v Speaker 1>might portend our future. Laurie appreciate your time tonight. You're

678
00:39:51.480 --> 00:39:52.960
<v Speaker 1>very thoughtful, very thoughtful.

679
00:39:53.039 --> 00:39:54.559
<v Speaker 3>Thank you for having me you very well.

680
00:39:54.599 --> 00:39:55.280
<v Speaker 6>I appreciate it.

681
00:39:55.559 --> 00:39:56.559
<v Speaker 3>Good Night you too,
