WEBVTT

1
00:00:01.159 --> 00:00:26.760
<v Speaker 1>You are now listening to the Someone's Favorite Productions podcast network.

2
00:00:34.039 --> 00:00:38.280
<v Speaker 2>Hello there, everybody, and welcome back to Reconnected. Another Thursday

3
00:00:38.359 --> 00:00:41.799
<v Speaker 2>here for all of you, this time brand new first

4
00:00:41.799 --> 00:00:44.920
<v Speaker 2>time guests that I'm very excited to be here one

5
00:00:44.960 --> 00:00:49.119
<v Speaker 2>of the most compelling graphic designers for Blu ray covers

6
00:00:49.159 --> 00:00:53.479
<v Speaker 2>of our time. Mister Sam's myth Welcome.

7
00:00:53.600 --> 00:00:57.439
<v Speaker 3>Welcome to you. Thank you for having me Sam Smith,

8
00:00:57.560 --> 00:00:59.759
<v Speaker 3>not the singer Sam Smith.

9
00:01:00.520 --> 00:01:04.920
<v Speaker 2>Yes, absolutely different thing. It's good to skew. I'm so

10
00:01:04.959 --> 00:01:07.719
<v Speaker 2>glad that you're here. Yeah, this is so cool.

11
00:01:07.920 --> 00:01:10.480
<v Speaker 3>Yeah, thanks for having me. Super fun Big Blue ray

12
00:01:10.519 --> 00:01:15.599
<v Speaker 3>Collector as well to Cenophile the whole nine yards love.

13
00:01:15.680 --> 00:01:15.840
<v Speaker 2>Yeah.

14
00:01:15.840 --> 00:01:16.959
<v Speaker 3>I excited to talk about all of this.

15
00:01:17.840 --> 00:01:20.359
<v Speaker 2>Well, the first thing obviously was Sam being first time here.

16
00:01:20.480 --> 00:01:24.159
<v Speaker 2>All of the social links and all that stuff from

17
00:01:24.159 --> 00:01:26.959
<v Speaker 2>the description. Website is there, the shop is there open

18
00:01:27.040 --> 00:01:30.200
<v Speaker 2>that another tab save it for later. I think most

19
00:01:30.239 --> 00:01:32.439
<v Speaker 2>of it is sold out at the moment, but I'm

20
00:01:32.439 --> 00:01:34.560
<v Speaker 2>gonna be watching for Prince soon because I somehow don't

21
00:01:34.560 --> 00:01:39.040
<v Speaker 2>have anything from you. But it is so much of

22
00:01:39.079 --> 00:01:40.760
<v Speaker 2>an honor to have you here because there's so many

23
00:01:40.760 --> 00:01:43.439
<v Speaker 2>things that you've designed over the years that are just

24
00:01:43.599 --> 00:01:46.280
<v Speaker 2>some of the most memorable covers and I am so

25
00:01:46.319 --> 00:01:47.239
<v Speaker 2>eager to get to know you.

26
00:01:47.599 --> 00:01:49.239
<v Speaker 3>Oh thanks man. That's two kind.

27
00:01:50.359 --> 00:01:56.200
<v Speaker 2>Also musician and done all kinds of stuff podcasting, It's incredible,

28
00:01:56.200 --> 00:01:58.959
<v Speaker 2>So make sure you follow everywhere. We got somebody asking

29
00:01:59.000 --> 00:02:00.760
<v Speaker 2>if you're on Letterbox, which yeah you are.

30
00:02:01.120 --> 00:02:03.120
<v Speaker 3>Yeah, I can just drop that in the chat too.

31
00:02:03.239 --> 00:02:06.560
<v Speaker 3>I'm in the chat. So but yeah, Sam's myth pretty

32
00:02:06.640 --> 00:02:12.840
<v Speaker 3>much everywhere, Twitter, Instagram, YouTube, I do. I make some

33
00:02:12.879 --> 00:02:15.000
<v Speaker 3>YouTube videos every now and then with like film stuff

34
00:02:15.240 --> 00:02:19.520
<v Speaker 3>sometimes open blu rays and whatnot, or process post process

35
00:02:19.599 --> 00:02:22.759
<v Speaker 3>videos on my work. So yeah, YouTube is a thing.

36
00:02:22.840 --> 00:02:25.960
<v Speaker 3>Instagram definitely because visual media and lots of post ter images,

37
00:02:26.080 --> 00:02:30.280
<v Speaker 3>momographic design stuff is there. And then yeah, Letterbox and yeah,

38
00:02:31.000 --> 00:02:31.800
<v Speaker 3>so ins incredible.

39
00:02:32.439 --> 00:02:35.039
<v Speaker 2>Uh you have been doing this for quite some time now.

40
00:02:35.120 --> 00:02:39.919
<v Speaker 2>How how did you first get into art in general? Yeah?

41
00:02:40.159 --> 00:02:42.039
<v Speaker 3>R one one three three, that's right. I drumed with

42
00:02:42.120 --> 00:02:42.520
<v Speaker 3>pin folks.

43
00:02:43.280 --> 00:02:46.199
<v Speaker 2>That is mind blowing. I adore bin folks.

44
00:02:46.319 --> 00:02:50.680
<v Speaker 3>Oh cool, okay, cool cool? Yeah, So how did I

45
00:02:50.759 --> 00:02:55.719
<v Speaker 3>get into Okay, so, obviously as a kid loved art

46
00:02:55.879 --> 00:02:59.400
<v Speaker 3>ed Imberley drawing books. Ever heard of those?

47
00:02:59.599 --> 00:02:59.960
<v Speaker 2>I believe?

48
00:03:00.120 --> 00:03:02.479
<v Speaker 3>So okay, So they're like the step by step drawing books.

49
00:03:02.719 --> 00:03:05.400
<v Speaker 3>That's what I think of as like first like drawing stuff,

50
00:03:06.039 --> 00:03:10.560
<v Speaker 3>just loved cartooning, drawing, and then also making movies with

51
00:03:10.599 --> 00:03:13.800
<v Speaker 3>my dad. So I had a very like artistic childhood

52
00:03:13.840 --> 00:03:16.520
<v Speaker 3>with my dad. Like my dad's an artist, so he

53
00:03:16.840 --> 00:03:19.199
<v Speaker 3>does all kinds of medium. But we would make movies

54
00:03:19.240 --> 00:03:23.400
<v Speaker 3>and stuff. So I was doing like puppet movies, which

55
00:03:23.599 --> 00:03:25.879
<v Speaker 3>of course I love stop mosh animation as a result,

56
00:03:25.919 --> 00:03:30.199
<v Speaker 3>but like we would do home movie parrot like not parodies,

57
00:03:30.240 --> 00:03:33.159
<v Speaker 3>but my own spins on certain things, like we had

58
00:03:33.199 --> 00:03:35.680
<v Speaker 3>bear Man for Batman and La La Scissor Hands for

59
00:03:35.759 --> 00:03:38.280
<v Speaker 3>Edward cinzarand so it was like I grew up and

60
00:03:38.639 --> 00:03:41.759
<v Speaker 3>turned like ten ten years old in nineteen ninety one,

61
00:03:41.800 --> 00:03:45.599
<v Speaker 3>like absolutely perfect time. Early nineties, you know, late eighties,

62
00:03:45.599 --> 00:03:48.800
<v Speaker 3>early nineties movies just became the steps with movies as well,

63
00:03:49.840 --> 00:03:52.240
<v Speaker 3>And so I would do my own posters, like even

64
00:03:52.280 --> 00:03:53.919
<v Speaker 3>as a kid, I would I would draw the teenage

65
00:03:54.159 --> 00:03:57.280
<v Speaker 3>the Deturials poster. I would do the Dick Tracy, try

66
00:03:57.319 --> 00:03:59.759
<v Speaker 3>to draw the Dick Tracy logo and all that stuff,

67
00:04:00.000 --> 00:04:03.400
<v Speaker 3>so that whole era like Tracy, Batman, Turtles, Tim Burton,

68
00:04:03.599 --> 00:04:07.080
<v Speaker 3>like early nineties like T two, you know, like that

69
00:04:07.240 --> 00:04:11.159
<v Speaker 3>that's my era and got me into movies. So I

70
00:04:11.240 --> 00:04:14.520
<v Speaker 3>always loved movies, always did drawing and stuff like that.

71
00:04:15.560 --> 00:04:17.800
<v Speaker 3>And then like you know, once we got to middle

72
00:04:17.839 --> 00:04:21.120
<v Speaker 3>school and high school, I'm doing like posters for my school,

73
00:04:21.560 --> 00:04:23.319
<v Speaker 3>posters for events and all that stuff. So I always

74
00:04:23.360 --> 00:04:26.560
<v Speaker 3>loved posters, and it was like collecting them from the

75
00:04:26.560 --> 00:04:28.639
<v Speaker 3>movie theater too, Like I would go up at the

76
00:04:28.759 --> 00:04:32.560
<v Speaker 3>multiplex and ask for the posters because they always had tons.

77
00:04:32.560 --> 00:04:35.560
<v Speaker 3>So I have like a good stash of like nineties

78
00:04:35.720 --> 00:04:39.639
<v Speaker 3>movie posters in my flat file. They're pretty crumpled someone

79
00:04:39.639 --> 00:04:41.560
<v Speaker 3>were crumpled up, but you know anyway, so I always

80
00:04:41.560 --> 00:04:45.959
<v Speaker 3>loved them. And then yeah, like studied, did music in

81
00:04:46.040 --> 00:04:50.800
<v Speaker 3>high school, drumming, just all sorts of the arts, you know.

82
00:04:50.800 --> 00:04:52.399
<v Speaker 3>I was just like really brought up in the arts,

83
00:04:52.439 --> 00:04:56.240
<v Speaker 3>so all kinds of things. But really, after college and

84
00:04:56.319 --> 00:04:58.720
<v Speaker 3>touring for a bit, I had this kind of light

85
00:04:58.759 --> 00:05:00.800
<v Speaker 3>bulb go off. It was when I call the Mondo

86
00:05:01.800 --> 00:05:05.439
<v Speaker 3>silk screen screenprints were going around getting really big. Mondo

87
00:05:05.519 --> 00:05:07.600
<v Speaker 3>is huge, and I was like, well, I want to

88
00:05:07.639 --> 00:05:09.639
<v Speaker 3>be part of that, but I don't want to, like

89
00:05:10.160 --> 00:05:12.920
<v Speaker 3>I can't compete with like the Tyler Stouts and the

90
00:05:12.920 --> 00:05:15.800
<v Speaker 3>Ali Mosses, like I want to do my own thing,

91
00:05:15.839 --> 00:05:19.279
<v Speaker 3>and how can I do that? Basically went to the Bellcourt,

92
00:05:19.399 --> 00:05:21.639
<v Speaker 3>which is our local art house theater. We have a

93
00:05:21.680 --> 00:05:23.920
<v Speaker 3>great nonprofit art house in the country, one of the

94
00:05:23.959 --> 00:05:27.680
<v Speaker 3>best in the country, and I've known them there except

95
00:05:27.680 --> 00:05:29.279
<v Speaker 3>in the regular and I get I kind of said

96
00:05:29.279 --> 00:05:31.000
<v Speaker 3>to them, can I can I do? Try a couple

97
00:05:31.040 --> 00:05:34.759
<v Speaker 3>of prints for screenings, and I kind of like wanted

98
00:05:34.800 --> 00:05:38.279
<v Speaker 3>to create a portfolio of work that kind of pulled

99
00:05:38.279 --> 00:05:42.319
<v Speaker 3>in all my influences basically like Cuban posters, Polish posters,

100
00:05:42.399 --> 00:05:44.759
<v Speaker 3>check posters, all that stuff that I kind of was

101
00:05:44.800 --> 00:05:47.959
<v Speaker 3>really into, like kind an academic level, and it was

102
00:05:47.959 --> 00:05:50.040
<v Speaker 3>like the style was like, oh, I can do this.

103
00:05:50.160 --> 00:05:53.560
<v Speaker 3>You know, I can't draw like Aaron Horky or someone

104
00:05:53.639 --> 00:05:57.360
<v Speaker 3>like that, but I can do minim not minimalists, but

105
00:05:59.079 --> 00:06:02.560
<v Speaker 3>more reduced it kind of things. And that's how I

106
00:06:02.600 --> 00:06:05.680
<v Speaker 3>kind of started a portfolio, did some Bellcourt prints and

107
00:06:05.720 --> 00:06:08.199
<v Speaker 3>that quickly led to the House thing, which wasn't far

108
00:06:08.319 --> 00:06:12.000
<v Speaker 3>after that, where Bellcourt had House as a midnight movie.

109
00:06:12.000 --> 00:06:14.399
<v Speaker 3>There you go, it's my claim to fame. I peaked

110
00:06:14.480 --> 00:06:18.040
<v Speaker 3>like twenty years ago. What kind of say. I peaked

111
00:06:18.040 --> 00:06:23.839
<v Speaker 3>early and yeah, the House poster. I did it as

112
00:06:23.839 --> 00:06:27.560
<v Speaker 3>a midnight movie poster and Janis was not sure if

113
00:06:27.560 --> 00:06:29.920
<v Speaker 3>they were going to show the whole thing or even

114
00:06:29.959 --> 00:06:32.319
<v Speaker 3>do a Criterion. They were just they had this restoration

115
00:06:33.079 --> 00:06:37.240
<v Speaker 3>and it went well. Next thing, you know, they want

116
00:06:37.279 --> 00:06:40.959
<v Speaker 3>to use my poster for the nationwide re release of

117
00:06:41.079 --> 00:06:42.639
<v Speaker 3>House and do it for the Blu Ray. And then

118
00:06:42.639 --> 00:06:45.079
<v Speaker 3>I started working with Criterion and off to the races

119
00:06:45.120 --> 00:06:51.120
<v Speaker 3>with key art, theatrical posters, Blu Rays and just movie art.

120
00:06:52.279 --> 00:06:54.600
<v Speaker 2>That is a huge deal to get a title like

121
00:06:54.680 --> 00:06:59.959
<v Speaker 2>House that you know, I think because it's so huge now,

122
00:07:00.120 --> 00:07:04.519
<v Speaker 2>a lot of people don't realize before what year did

123
00:07:04.560 --> 00:07:06.360
<v Speaker 2>House start with you? Like two thousand and seven?

124
00:07:06.920 --> 00:07:08.199
<v Speaker 3>Yeah, seven eight.

125
00:07:09.040 --> 00:07:12.639
<v Speaker 2>So before then House wasn't really known. It had not

126
00:07:12.879 --> 00:07:15.920
<v Speaker 2>had this revitalization in the US yet, like it was

127
00:07:15.959 --> 00:07:18.120
<v Speaker 2>sometimes you don't like the Japanese society in New York.

128
00:07:18.199 --> 00:07:20.519
<v Speaker 2>But that was like the max of its height of

129
00:07:20.560 --> 00:07:24.399
<v Speaker 2>popularity and since then it's exploded. But to get your

130
00:07:24.519 --> 00:07:28.000
<v Speaker 2>name associated with that as it's rising to popularity, that's

131
00:07:28.040 --> 00:07:31.279
<v Speaker 2>got to be like the biggest strike of luck in

132
00:07:31.319 --> 00:07:31.759
<v Speaker 2>that moment.

133
00:07:31.839 --> 00:07:34.199
<v Speaker 3>Yeah, it was absolutely just like lightning striking at the

134
00:07:34.279 --> 00:07:37.120
<v Speaker 3>right time. And even like designing that poster, it was

135
00:07:37.199 --> 00:07:40.480
<v Speaker 3>done very quickly, like way more quickly than I've designed

136
00:07:40.480 --> 00:07:43.399
<v Speaker 3>anything else because I just wanted to. But it was

137
00:07:43.439 --> 00:07:46.040
<v Speaker 3>partly like strategic. You know, people ask me for advice

138
00:07:46.079 --> 00:07:48.480
<v Speaker 3>and stuff. I always say, well, try to go after

139
00:07:48.519 --> 00:07:50.360
<v Speaker 3>the clients you want, you know, try to create work

140
00:07:50.399 --> 00:07:52.759
<v Speaker 3>that your clients are going to see. So okay, here

141
00:07:52.879 --> 00:07:55.439
<v Speaker 3>Janis Films has this, and I can do a poster

142
00:07:55.519 --> 00:07:57.600
<v Speaker 3>for Melcurt. They're letting me do it. I don't have

143
00:07:57.639 --> 00:08:00.480
<v Speaker 3>to sign a license or anything, and they're going to

144
00:08:00.519 --> 00:08:03.519
<v Speaker 3>see it. So there you go, Like, you know, I

145
00:08:03.600 --> 00:08:05.360
<v Speaker 3>just I was like, I want to get this poster,

146
00:08:05.519 --> 00:08:06.879
<v Speaker 3>like I want, I want to do the whole thing.

147
00:08:07.360 --> 00:08:09.360
<v Speaker 3>And but we we even then we didn't know what

148
00:08:09.360 --> 00:08:11.319
<v Speaker 3>the phenomenon the movie would because the min that movie

149
00:08:11.360 --> 00:08:14.959
<v Speaker 3>sold out, then they did minnut movies everywhere else. So yeah,

150
00:08:15.000 --> 00:08:17.040
<v Speaker 3>it was it was lightning striking at the right time,

151
00:08:17.120 --> 00:08:17.279
<v Speaker 3>you know.

152
00:08:19.279 --> 00:08:22.680
<v Speaker 2>I mean to get associated with Criterion and Janis at

153
00:08:22.759 --> 00:08:26.120
<v Speaker 2>All is something that most people would strive for. Oh yeah,

154
00:08:26.680 --> 00:08:29.480
<v Speaker 2>tons of tons of covers that you've done your current

155
00:08:29.519 --> 00:08:33.080
<v Speaker 2>that go Yeah, one that is not heralded enough. I

156
00:08:33.080 --> 00:08:35.120
<v Speaker 2>actually really liked the iconography of this one.

157
00:08:35.399 --> 00:08:39.039
<v Speaker 3>Carlos, thank you. Yeah, that came from the poster because

158
00:08:39.080 --> 00:08:42.039
<v Speaker 3>I did the theatrical poster for IFC Films and I

159
00:08:42.120 --> 00:08:45.000
<v Speaker 3>have seen Criterion. They poured him in and something have

160
00:08:45.120 --> 00:08:47.360
<v Speaker 3>changed the art little bit. There's actually a fun fact

161
00:08:48.120 --> 00:08:52.240
<v Speaker 3>about that. In the poster he has a gun, and

162
00:08:52.759 --> 00:08:55.960
<v Speaker 3>for some reason, Criterion wanted to remove the gun for

163
00:08:56.039 --> 00:08:59.360
<v Speaker 3>the DVD for the Blue Ray, so I was like,

164
00:08:59.440 --> 00:09:01.840
<v Speaker 3>I was kind of grudgingly agree. I mean, it's their call,

165
00:09:01.960 --> 00:09:04.360
<v Speaker 3>but there is no gun in the Criterion version. Just

166
00:09:04.360 --> 00:09:07.799
<v Speaker 3>a little trivia, but no. Yeah, Criterion is the dream job,

167
00:09:07.879 --> 00:09:11.320
<v Speaker 3>man like for any designer. So you know, throughout college,

168
00:09:11.360 --> 00:09:16.039
<v Speaker 3>I studied cinema studies at NYU at Tish, not filmmaking,

169
00:09:16.159 --> 00:09:19.120
<v Speaker 3>just like cinema studies, which is basically English major type

170
00:09:19.120 --> 00:09:21.120
<v Speaker 3>of thing. You're reading thought film, you're writing about film,

171
00:09:21.120 --> 00:09:24.159
<v Speaker 3>you're watching tons of films. And yeah, every time I

172
00:09:24.200 --> 00:09:26.440
<v Speaker 3>had extra money, I just go down to Kim's Video

173
00:09:26.440 --> 00:09:28.279
<v Speaker 3>and buy criterions, you know, and stack them up. So

174
00:09:28.360 --> 00:09:29.360
<v Speaker 3>that was that was my thing.

175
00:09:30.159 --> 00:09:35.159
<v Speaker 2>Kim's Video mentioned everybody's gotta love that funny enough. In

176
00:09:35.200 --> 00:09:37.080
<v Speaker 2>the chat Simmn or reading my mind, I was going

177
00:09:37.120 --> 00:09:39.600
<v Speaker 2>to ask you did the pretty iconic world on a

178
00:09:39.600 --> 00:09:43.159
<v Speaker 2>wire over there? And then Aero Video announced the title

179
00:09:43.200 --> 00:09:46.440
<v Speaker 2>that had our very similar Can you speak on that

180
00:09:46.519 --> 00:09:46.799
<v Speaker 2>at all?

181
00:09:46.960 --> 00:09:48.759
<v Speaker 3>Yeah, you just have to laugh about it. I mean

182
00:09:50.799 --> 00:09:53.000
<v Speaker 3>it was there like a transitional time at Arrow because

183
00:09:53.720 --> 00:09:57.159
<v Speaker 3>Fran was lead Frand who does Radiance. He was on

184
00:09:57.200 --> 00:10:00.320
<v Speaker 3>his way out and I actually worked with Aero prior

185
00:10:00.320 --> 00:10:01.960
<v Speaker 3>to that, and we had we had a couple of

186
00:10:01.960 --> 00:10:06.480
<v Speaker 3>great projects together. Oh thank you. Yeah, so did Bound

187
00:10:06.519 --> 00:10:10.200
<v Speaker 3>the Theater of Blood? And then uh yeah, I just

188
00:10:10.240 --> 00:10:13.200
<v Speaker 3>saw that it went around on Twitter. People were tagging

189
00:10:13.240 --> 00:10:14.919
<v Speaker 3>me like before I even know this, and I just like,

190
00:10:15.480 --> 00:10:18.120
<v Speaker 3>I'm not going to be You don't even have to

191
00:10:18.120 --> 00:10:20.159
<v Speaker 3>be a dick about it. You just have to email

192
00:10:20.279 --> 00:10:24.399
<v Speaker 3>error and be like, hey, you stole the art And

193
00:10:24.440 --> 00:10:28.399
<v Speaker 3>then they're like, oh, wow, we really did. Sorry, how

194
00:10:28.399 --> 00:10:31.080
<v Speaker 3>can we you know that? That's all story is. I

195
00:10:31.120 --> 00:10:35.159
<v Speaker 3>don't know the designer, I'm not, I don't They clearly

196
00:10:35.840 --> 00:10:40.440
<v Speaker 3>ripped it off. But you know, it's interesting that a

197
00:10:40.440 --> 00:10:43.639
<v Speaker 3>lot of times there's similarities and like echoes in graphic design,

198
00:10:43.720 --> 00:10:46.200
<v Speaker 3>you know, something will look like something else whether it's

199
00:10:46.240 --> 00:10:49.200
<v Speaker 3>intentional or not is always up for debate. It's usually not.

200
00:10:49.399 --> 00:10:51.120
<v Speaker 3>But in that case, you kind of can't help but

201
00:10:51.159 --> 00:10:54.159
<v Speaker 3>think they did that. It's like, why would you do that?

202
00:10:54.200 --> 00:10:54.399
<v Speaker 2>You know?

203
00:10:54.639 --> 00:10:58.120
<v Speaker 3>So it was funny and they fran made good on

204
00:10:58.159 --> 00:11:00.159
<v Speaker 3>it later by you know, hooking me up with some

205
00:11:00.279 --> 00:11:04.000
<v Speaker 3>Radiance things. I just got my first Radiance copy, my

206
00:11:04.039 --> 00:11:05.519
<v Speaker 3>first thing I did just steps up.

207
00:11:06.080 --> 00:11:07.720
<v Speaker 2>I have not been able to get that one in yet,

208
00:11:07.720 --> 00:11:10.200
<v Speaker 2>but I can't. It's one of my most anticipated from them.

209
00:11:10.200 --> 00:11:14.000
<v Speaker 2>It looks great. The other one that's a big deal

210
00:11:14.080 --> 00:11:17.240
<v Speaker 2>right now, of course, is getting in with Ocen. This

211
00:11:17.480 --> 00:11:21.360
<v Speaker 2>was the one that Celeste Lecabre commented on my announcement

212
00:11:21.360 --> 00:11:25.120
<v Speaker 2>post for Brimstone and Treacle, which is gorgeous, thank you.

213
00:11:25.600 --> 00:11:28.159
<v Speaker 2>And then this just came in in the last day

214
00:11:28.159 --> 00:11:33.519
<v Speaker 2>and a half. And then I've got the other Cinematograph

215
00:11:33.559 --> 00:11:35.840
<v Speaker 2>on the way in my next shipment as well. How'd

216
00:11:35.840 --> 00:11:37.879
<v Speaker 2>you get in with them?

217
00:11:37.960 --> 00:11:44.799
<v Speaker 3>Yeah, So basically Criterion, my Criterion era was like a

218
00:11:44.840 --> 00:11:48.000
<v Speaker 3>while ago. I did several things with them, and then yeah,

219
00:11:47.960 --> 00:11:50.039
<v Speaker 3>I've toured off and on, so it's like I've kind

220
00:11:50.039 --> 00:11:53.320
<v Speaker 3>of come in and out of doing key art some

221
00:11:53.559 --> 00:11:56.080
<v Speaker 3>years have been more busy than others, but just something

222
00:11:56.120 --> 00:11:59.600
<v Speaker 3>about the last year or two year and a half

223
00:11:59.720 --> 00:12:03.039
<v Speaker 3>of like what's gone on with physical media. Like I've

224
00:12:03.080 --> 00:12:06.200
<v Speaker 3>always collected blue rays, but I was really like sleeping

225
00:12:06.240 --> 00:12:08.399
<v Speaker 3>on it for all the last five or six years,

226
00:12:08.399 --> 00:12:11.159
<v Speaker 3>like heart like getting criterions on flash sails, but other

227
00:12:11.200 --> 00:12:13.840
<v Speaker 3>than that really not buying anything. And then all of

228
00:12:13.879 --> 00:12:17.279
<v Speaker 3>a sudden, I just kind of like realized how much

229
00:12:17.320 --> 00:12:19.360
<v Speaker 3>great stuff is out there. It was like and I

230
00:12:19.399 --> 00:12:21.600
<v Speaker 3>was like, oh my god, Like it kind of all

231
00:12:21.600 --> 00:12:23.879
<v Speaker 3>clicked at the same time, you know, just with with Radiance,

232
00:12:23.919 --> 00:12:25.559
<v Speaker 3>I think Fran had reached out to me, and I

233
00:12:25.600 --> 00:12:28.159
<v Speaker 3>was like, oh, wow, Radiance is really doing amazing stuff.

234
00:12:28.200 --> 00:12:30.519
<v Speaker 3>And then Wow, I forgot how much great stuff is

235
00:12:30.519 --> 00:12:33.960
<v Speaker 3>on Vineger, Syndrome and these other labels, and then finding

236
00:12:34.000 --> 00:12:36.360
<v Speaker 3>YouTube channels and then finding you, and I'm like, now

237
00:12:36.399 --> 00:12:38.559
<v Speaker 3>I'm just like obsessed with collecting blu rays.

238
00:12:38.799 --> 00:12:39.039
<v Speaker 1>Again.

239
00:12:39.120 --> 00:12:43.240
<v Speaker 3>It's very bad, but I think it was just like

240
00:12:43.480 --> 00:12:48.000
<v Speaker 3>I want to, you know, for anyone, like it's not

241
00:12:48.000 --> 00:12:49.519
<v Speaker 3>the same as it was before COVID. You know, you

242
00:12:50.159 --> 00:12:52.120
<v Speaker 3>as a designer, you just can't get the rates you

243
00:12:52.240 --> 00:12:54.279
<v Speaker 3>used to get. There's a lot of stuff being done

244
00:12:54.279 --> 00:12:56.440
<v Speaker 3>in house and whatnot. But I was like, I still

245
00:12:56.480 --> 00:12:59.320
<v Speaker 3>want to be a part of what these different labels

246
00:12:59.320 --> 00:13:01.480
<v Speaker 3>are doing, even if I just do a couple of

247
00:13:01.519 --> 00:13:04.120
<v Speaker 3>things for a few of them, Like I just I

248
00:13:04.159 --> 00:13:06.039
<v Speaker 3>want to be part of the library, you know, and

249
00:13:06.200 --> 00:13:08.559
<v Speaker 3>kind of like get get in on what the cool

250
00:13:08.559 --> 00:13:11.639
<v Speaker 3>stuff are doing. So so yeah, Justin, just Justin just

251
00:13:11.679 --> 00:13:13.759
<v Speaker 3>said hey, you want to I emailed them. I was like, hey,

252
00:13:14.080 --> 00:13:16.440
<v Speaker 3>let me know if I can do anything for you guys.

253
00:13:16.679 --> 00:13:19.799
<v Speaker 3>I still didn't even understand like how Justin like he does.

254
00:13:19.679 --> 00:13:21.120
<v Speaker 2>Every like does everything.

255
00:13:21.200 --> 00:13:24.600
<v Speaker 3>Yeah, and he's like, hey, do this one for Cinematograph.

256
00:13:25.480 --> 00:13:27.679
<v Speaker 3>So I just took it. Yeah, So I'm I'm not

257
00:13:27.679 --> 00:13:29.639
<v Speaker 3>being shoosy. I'm just kind of like whatever anyone wants

258
00:13:29.679 --> 00:13:32.039
<v Speaker 3>me to work on, give it a go, you know.

259
00:13:32.080 --> 00:13:34.080
<v Speaker 3>And the cool thing about these boutiques and the budgets

260
00:13:34.080 --> 00:13:36.960
<v Speaker 3>being lower is like they're like no notes, you know,

261
00:13:37.120 --> 00:13:40.720
<v Speaker 3>just like do your thing. And that's that's ideal, because like,

262
00:13:40.960 --> 00:13:42.960
<v Speaker 3>you know, I want to say, Okay, here's my work.

263
00:13:43.279 --> 00:13:46.039
<v Speaker 3>I make great covers. I hope you think so, and

264
00:13:46.080 --> 00:13:48.399
<v Speaker 3>so you know, let's we don't have to do like

265
00:13:48.519 --> 00:13:51.360
<v Speaker 3>twenty versions of a cover, which is what you do

266
00:13:51.399 --> 00:13:53.279
<v Speaker 3>when you work for a big studio or something like that.

267
00:13:54.080 --> 00:13:57.159
<v Speaker 2>I've got probably five or six others with your art

268
00:13:57.200 --> 00:13:59.000
<v Speaker 2>on the front, but one more that I wanted to

269
00:13:59.000 --> 00:14:02.519
<v Speaker 2>shine a light on because nobody ever talks about the

270
00:14:02.559 --> 00:14:05.159
<v Speaker 2>smaller companies like Cinema Guild, which you've done work for,

271
00:14:05.399 --> 00:14:09.240
<v Speaker 2>or the first one that I got that I didn't

272
00:14:09.279 --> 00:14:11.519
<v Speaker 2>know was you that did the art that made me

273
00:14:11.639 --> 00:14:15.600
<v Speaker 2>appreciate it so much more, Grasshopper Films, Thank you.

274
00:14:15.600 --> 00:14:17.679
<v Speaker 3>You love such.

275
00:14:17.519 --> 00:14:19.039
<v Speaker 2>A beautiful piece of key art.

276
00:14:19.399 --> 00:14:21.519
<v Speaker 3>Thank you. And well, it's just a I always just

277
00:14:21.600 --> 00:14:23.960
<v Speaker 3>go back to the film. It's just I love Hama

278
00:14:24.000 --> 00:14:28.440
<v Speaker 3>Gucci Man like that one in particular, just underappreciated just

279
00:14:28.440 --> 00:14:31.519
<v Speaker 3>because you know, drive my Car with Sola claims. Yeah,

280
00:14:31.600 --> 00:14:33.480
<v Speaker 3>and it's different kind of movie, but yeah, thank you.

281
00:14:33.519 --> 00:14:36.360
<v Speaker 3>I'm proud of that one. And Grasshopper is always Ryan

282
00:14:36.759 --> 00:14:40.759
<v Speaker 3>and what he's doing Ryan Creboschet uh with Grasshopper is awesome.

283
00:14:42.039 --> 00:14:44.399
<v Speaker 3>I love doing anything he wants to do with me.

284
00:14:45.279 --> 00:14:47.200
<v Speaker 3>So I've done a few there and those have been great.

285
00:14:48.679 --> 00:14:51.519
<v Speaker 2>Tonight, after the announcements, we're gonna talk real deep about

286
00:14:51.519 --> 00:14:53.679
<v Speaker 2>some more of your stuff. Do more of a like

287
00:14:53.840 --> 00:14:55.879
<v Speaker 2>interview style segment. But before we get into all the

288
00:14:55.879 --> 00:14:58.679
<v Speaker 2>physical media stuff, what do you what are you super into?

289
00:14:59.080 --> 00:15:00.799
<v Speaker 2>What are some of your favorite labels? What kind of

290
00:15:00.799 --> 00:15:01.679
<v Speaker 2>film do you like to watch?

291
00:15:02.960 --> 00:15:10.559
<v Speaker 3>Wow, that's a good question. I love all the labels. Yeah,

292
00:15:10.600 --> 00:15:13.720
<v Speaker 3>it's interesting. Like Criterion was like is still and was

293
00:15:13.759 --> 00:15:16.720
<v Speaker 3>like the canon if you will, of you know, a

294
00:15:16.840 --> 00:15:20.919
<v Speaker 3>certain library of all time grades. And I always I've

295
00:15:20.919 --> 00:15:22.919
<v Speaker 3>always like kind of gotten by that that book, and

296
00:15:23.759 --> 00:15:25.919
<v Speaker 3>I love a lot of those tours that you see

297
00:15:25.919 --> 00:15:31.080
<v Speaker 3>in Criterion. I particularly love what I and others have

298
00:15:31.159 --> 00:15:36.600
<v Speaker 3>maybe called cinema of childhood, so particularly children, not just

299
00:15:36.679 --> 00:15:41.279
<v Speaker 3>children's films, but films about childhood, and also not just

300
00:15:41.519 --> 00:15:46.000
<v Speaker 3>fantasy films. But oftentimes there is some kind of magical realists,

301
00:15:46.120 --> 00:15:51.480
<v Speaker 3>like your Spirit of the behive. Miyazaki is like my

302
00:15:51.480 --> 00:15:54.039
<v Speaker 3>my my guy, so like my Neighbor Toidro is like

303
00:15:54.159 --> 00:15:57.960
<v Speaker 3>one of my all time films. Those kinds of films.

304
00:15:58.000 --> 00:16:03.000
<v Speaker 3>I really loved Louis mao. Uh. But favorite directors, I

305
00:16:03.000 --> 00:16:11.360
<v Speaker 3>mean Kubrick, Kubrick, Miyazaki, Bresson, Tarkovski, Kirostami, those are like

306
00:16:11.440 --> 00:16:16.039
<v Speaker 3>my that's my like Mount Rushmore kind of so I

307
00:16:16.080 --> 00:16:23.279
<v Speaker 3>really love the really serious long art house stuff. But yeah,

308
00:16:23.360 --> 00:16:26.559
<v Speaker 3>Donna's maybe made not as much into horror as most

309
00:16:26.679 --> 00:16:29.440
<v Speaker 3>like collect you know, the collectors, they all love the horror.

310
00:16:29.639 --> 00:16:32.000
<v Speaker 3>I'm not as much in the horror. If with horror,

311
00:16:32.000 --> 00:16:38.639
<v Speaker 3>I really love something artsy. Yeah, the shining uh, next

312
00:16:38.679 --> 00:16:44.799
<v Speaker 3>of kin House, footprints on Footprints on the Moon. These

313
00:16:44.799 --> 00:16:48.440
<v Speaker 3>are my favorite kinds of genre films. I think there

314
00:16:48.519 --> 00:16:54.440
<v Speaker 3>was kat Ellinger y so I she said something on

315
00:16:54.919 --> 00:16:58.200
<v Speaker 3>some show and it all clay. She the term was

316
00:16:58.519 --> 00:17:02.200
<v Speaker 3>the fantastique yep, and I was like, that's it. That's

317
00:17:02.240 --> 00:17:04.720
<v Speaker 3>what I like because I don't like Gore, I don't

318
00:17:04.759 --> 00:17:08.359
<v Speaker 3>like slash or anything like that. But anything that's the fantastic,

319
00:17:08.920 --> 00:17:13.319
<v Speaker 3>so not necessarily fantasy but some kind of blend of

320
00:17:13.359 --> 00:17:17.480
<v Speaker 3>the real world and something else, that's what I like.

321
00:17:17.720 --> 00:17:20.920
<v Speaker 3>And shot well and great scores, you know, I love

322
00:17:20.960 --> 00:17:22.599
<v Speaker 3>scores well.

323
00:17:22.640 --> 00:17:25.839
<v Speaker 2>After Tarkowski gets mentioned, how how does it feel to

324
00:17:25.920 --> 00:17:28.440
<v Speaker 2>have cover like Solarious associated with you?

325
00:17:29.240 --> 00:17:33.359
<v Speaker 3>That was like, of probably all emails I've ever gotten,

326
00:17:33.400 --> 00:17:36.279
<v Speaker 3>that was the most excited moment. I'll never forget where

327
00:17:36.279 --> 00:17:37.759
<v Speaker 3>I was, you know, like I was like in a

328
00:17:37.799 --> 00:17:45.279
<v Speaker 3>billiard's hall, so playing ping pong for some reason now

329
00:17:45.359 --> 00:17:48.440
<v Speaker 3>that we just have a cool ping pong hall. But

330
00:17:48.559 --> 00:17:51.400
<v Speaker 3>uh yeah, like that was an exciting email ticket for sure.

331
00:17:51.920 --> 00:17:55.240
<v Speaker 2>I bet. Yeah. So let's get into some some recent

332
00:17:55.279 --> 00:17:57.519
<v Speaker 2>pickups and watches. Then, what have you been getting? I

333
00:17:57.680 --> 00:17:58.200
<v Speaker 2>got them?

334
00:17:58.279 --> 00:18:01.359
<v Speaker 3>Yeah, okay, so I've been what do you want, watches.

335
00:18:01.160 --> 00:18:03.880
<v Speaker 2>Pickups, whichever won you want to do first. I'll follow

336
00:18:03.880 --> 00:18:04.720
<v Speaker 2>your lead.

337
00:18:05.920 --> 00:18:06.839
<v Speaker 3>Let's go pickups.

338
00:18:07.119 --> 00:18:07.559
<v Speaker 2>You got it.

339
00:18:08.279 --> 00:18:11.400
<v Speaker 3>I have a little stack here because I have been,

340
00:18:11.720 --> 00:18:15.240
<v Speaker 3>like I said, I've been picking stuff up you we

341
00:18:15.279 --> 00:18:18.599
<v Speaker 3>all want and your show actually may or may not

342
00:18:18.640 --> 00:18:20.279
<v Speaker 3>have encouraged me to pick up more.

343
00:18:20.599 --> 00:18:23.039
<v Speaker 2>I apologize and you're welcome. Okay.

344
00:18:23.079 --> 00:18:24.319
<v Speaker 3>So I have a little stack, and I'll try to

345
00:18:24.400 --> 00:18:26.480
<v Speaker 3>go fast and I want to hear yours of course.

346
00:18:26.599 --> 00:18:28.680
<v Speaker 2>I've got him ready, Yeah, okay.

347
00:18:29.160 --> 00:18:32.920
<v Speaker 3>Got this in the flash sale. This is I wish

348
00:18:32.920 --> 00:18:36.079
<v Speaker 3>I had the Okay, it was my favorite movie of

349
00:18:36.119 --> 00:18:40.039
<v Speaker 3>the year for most of last year. Ryuichi Saka moto Oi.

350
00:18:41.240 --> 00:18:43.440
<v Speaker 3>I love like I said, I love scores, I love

351
00:18:43.480 --> 00:18:44.200
<v Speaker 3>anything Japan.

352
00:18:45.000 --> 00:18:45.119
<v Speaker 2>Uh.

353
00:18:45.480 --> 00:18:49.599
<v Speaker 3>He is incredible and the idea that he he created

354
00:18:49.640 --> 00:18:55.039
<v Speaker 3>this piece of art to serve as his final work. Yeah,

355
00:18:55.079 --> 00:18:58.480
<v Speaker 3>and it's just two hours of gorgeous solo piano in

356
00:18:58.519 --> 00:19:00.680
<v Speaker 3>black and white cinematography. If you see this in the

357
00:19:00.799 --> 00:19:02.599
<v Speaker 3>if you have to see this in the theater, it

358
00:19:02.720 --> 00:19:06.119
<v Speaker 3>is a spiritual experience just to do that and you

359
00:19:06.200 --> 00:19:10.720
<v Speaker 3>just walk out of the theater just like you just

360
00:19:10.759 --> 00:19:12.559
<v Speaker 3>absolute meditation, you know.

361
00:19:12.880 --> 00:19:13.359
<v Speaker 2>Amazing.

362
00:19:14.079 --> 00:19:16.559
<v Speaker 3>And those are nice because they're only fifteen in the

363
00:19:16.559 --> 00:19:20.839
<v Speaker 3>Flatshaw the Jazz Contemporaries. Okay, this was a blind bine.

364
00:19:20.839 --> 00:19:23.920
<v Speaker 3>I have not watched it yet. I bought this just

365
00:19:23.960 --> 00:19:31.279
<v Speaker 3>for the trailer. It's a severin standard edition the Seventh Curse,

366
00:19:31.319 --> 00:19:35.559
<v Speaker 3>which from the Paul Now I said, I don't love

367
00:19:35.960 --> 00:19:39.440
<v Speaker 3>horror too much, but this is a double. The trailer

368
00:19:39.519 --> 00:19:43.160
<v Speaker 3>shows both films, and I don't know which one it is,

369
00:19:43.240 --> 00:19:45.400
<v Speaker 3>but one of them I know I'm going to love

370
00:19:45.880 --> 00:19:48.000
<v Speaker 3>just because the way it looks into the middle, it's

371
00:19:48.079 --> 00:19:51.200
<v Speaker 3>probably Seventh Caurse. Okay, so I'm excited to watch it.

372
00:19:51.240 --> 00:19:52.200
<v Speaker 3>I bought it blind by.

373
00:19:52.799 --> 00:19:55.960
<v Speaker 2>The movie is wild, okay, yeah, a trip. It's so

374
00:19:56.039 --> 00:19:58.359
<v Speaker 2>many genres within one. It's you'll love it.

375
00:19:58.559 --> 00:20:00.039
<v Speaker 3>I love that kind of stuff, like I do you

376
00:20:00.240 --> 00:20:03.400
<v Speaker 3>love a couple comes to mind, like this film mystics

377
00:20:03.400 --> 00:20:08.519
<v Speaker 3>in BALI do you know that? And Lady Terminator like

378
00:20:08.720 --> 00:20:13.559
<v Speaker 3>that kind of a thing. The late great Jim Ridley,

379
00:20:13.559 --> 00:20:14.880
<v Speaker 3>I just have to shout him out. He was the

380
00:20:15.000 --> 00:20:17.559
<v Speaker 3>editor of the National scene of the Film Critic here

381
00:20:17.880 --> 00:20:21.319
<v Speaker 3>and he passed away, and he's like everyone who's in

382
00:20:21.400 --> 00:20:23.640
<v Speaker 3>part of the national film community just knows him as

383
00:20:23.680 --> 00:20:26.880
<v Speaker 3>like the god of film writing and just the nicest guy.

384
00:20:27.400 --> 00:20:30.279
<v Speaker 3>And he loved those kind of movies, and so he

385
00:20:30.359 --> 00:20:32.400
<v Speaker 3>turned me on to some of those. And so even

386
00:20:32.400 --> 00:20:34.200
<v Speaker 3>though I say I don't love horror, if it's something

387
00:20:34.279 --> 00:20:38.240
<v Speaker 3>like this that's just really crazy and beautiful and psychedelic,

388
00:20:38.319 --> 00:20:42.759
<v Speaker 3>I'm so into that. This was a blind buy as

389
00:20:42.799 --> 00:20:45.599
<v Speaker 3>well from a sale. I just I look for the sales.

390
00:20:45.640 --> 00:20:48.559
<v Speaker 3>You know, I know nothing about this.

391
00:20:49.200 --> 00:20:52.440
<v Speaker 2>These fish I just loved.

392
00:20:52.480 --> 00:20:55.319
<v Speaker 3>I love discovering more Japanese cinema. There's a lot left

393
00:20:55.359 --> 00:20:58.160
<v Speaker 3>for me to find, so I'm curious to check it out.

394
00:20:59.119 --> 00:21:02.839
<v Speaker 3>This one I bought for the cover design because it

395
00:21:02.920 --> 00:21:06.640
<v Speaker 3>was made by h in my opinion, maybe the best

396
00:21:06.680 --> 00:21:10.519
<v Speaker 3>one of the best in the game, Adam Mida graphic artists,

397
00:21:10.559 --> 00:21:15.880
<v Speaker 3>and he did this one Neither the Sea nor Sand. Yeah,

398
00:21:16.720 --> 00:21:19.640
<v Speaker 3>And also just reading about the film, I was like, Okay,

399
00:21:19.640 --> 00:21:22.200
<v Speaker 3>this sounds up my alley just like dreamy, you know,

400
00:21:22.880 --> 00:21:25.880
<v Speaker 3>kind of gothic, weird art house. That's what I love.

401
00:21:26.559 --> 00:21:29.480
<v Speaker 3>And then the rest these are all just most of

402
00:21:29.519 --> 00:21:31.880
<v Speaker 3>these are just like standard blu rays. I should qualify

403
00:21:31.880 --> 00:21:37.279
<v Speaker 3>it by saying, hey, don't judge me. I promise I

404
00:21:37.279 --> 00:21:40.079
<v Speaker 3>will not, and the chat don't judge me. I am

405
00:21:40.119 --> 00:21:43.319
<v Speaker 3>like I'm choosing to do this. Ignorance is bliss thing

406
00:21:43.319 --> 00:21:44.799
<v Speaker 3>when it comes to four K.

407
00:21:45.200 --> 00:21:48.119
<v Speaker 2>Okay, I have not saved the money.

408
00:21:48.799 --> 00:21:51.519
<v Speaker 3>I think I'm gonna try to commit to just never

409
00:21:51.680 --> 00:21:54.960
<v Speaker 3>crossing over. I don't know, maybe not, maybe I will,

410
00:21:55.119 --> 00:21:57.920
<v Speaker 3>maybe not. Anyway, I don't. I'm if there are better

411
00:21:57.960 --> 00:22:00.039
<v Speaker 3>additions out there of some of these, that's fine, and

412
00:22:00.079 --> 00:22:02.279
<v Speaker 3>there might be. These are just little things I've always

413
00:22:02.359 --> 00:22:04.240
<v Speaker 3>meant to have and like fill out my collection that

414
00:22:04.240 --> 00:22:06.240
<v Speaker 3>I love. Attack the Block, God, I.

415
00:22:06.200 --> 00:22:09.279
<v Speaker 2>Love that movie so good, right, It's perfect.

416
00:22:09.000 --> 00:22:13.440
<v Speaker 3>So fun and under sne yes DC desay's good luck

417
00:22:13.480 --> 00:22:16.440
<v Speaker 3>with that. Yeah, I have a movie room with the projector.

418
00:22:16.480 --> 00:22:17.920
<v Speaker 3>But I feel like, you know, as I get older,

419
00:22:17.920 --> 00:22:20.960
<v Speaker 3>my vision's gonna get worse. Yep, so who cares if

420
00:22:21.000 --> 00:22:22.119
<v Speaker 3>I can't see the FOURK.

421
00:22:22.440 --> 00:22:28.000
<v Speaker 2>It's gonna be blurry anyways, ung Bach I've not seen

422
00:22:28.000 --> 00:22:30.599
<v Speaker 2>this one. What, Yeah, I'm still behind on it.

423
00:22:30.680 --> 00:22:34.000
<v Speaker 3>Okay, I mean I figure you've seen everything. But yeah,

424
00:22:34.559 --> 00:22:38.519
<v Speaker 3>every now and then a great martial arts ballet type movie,

425
00:22:38.559 --> 00:22:42.079
<v Speaker 3>I really love love them. This I got it is

426
00:22:42.440 --> 00:22:45.400
<v Speaker 3>one of my wife's top three movies and it is

427
00:22:46.200 --> 00:22:50.440
<v Speaker 3>a Christmas tradition. So I wanted to make sure that

428
00:22:50.480 --> 00:22:52.799
<v Speaker 3>I had my wife's favorite Christmas movie on Blu Ray.

429
00:22:53.039 --> 00:22:57.480
<v Speaker 3>And when she introduced me to it, absolutely fell in

430
00:22:57.480 --> 00:23:01.319
<v Speaker 3>love with this film. Meet Me in Saint Louis classic,

431
00:23:02.000 --> 00:23:06.559
<v Speaker 3>just so good. I'm not when it comes to old

432
00:23:06.599 --> 00:23:12.200
<v Speaker 3>Hollywood musicals, It's not particularly my favorite, but the best

433
00:23:12.279 --> 00:23:17.039
<v Speaker 3>ones I really love to appreciate, and see, this is

434
00:23:17.119 --> 00:23:19.640
<v Speaker 3>just one I've always thought was underrated. The Limits of

435
00:23:19.680 --> 00:23:24.039
<v Speaker 3>Control by Jarmish, really cool film. And then I think

436
00:23:24.039 --> 00:23:26.200
<v Speaker 3>you were talking about Almodvar recently.

437
00:23:26.440 --> 00:23:28.880
<v Speaker 2>I was, yeah, and so this.

438
00:23:28.799 --> 00:23:30.720
<v Speaker 3>That reminded me, Oh, I need to make sure I

439
00:23:30.720 --> 00:23:32.759
<v Speaker 3>have a couple of his that I don't have. So

440
00:23:32.920 --> 00:23:36.759
<v Speaker 3>Pain and Glory is an excellent one. And then lastly,

441
00:23:37.000 --> 00:23:39.200
<v Speaker 3>this one I had to dig around for for a while.

442
00:23:40.079 --> 00:23:44.759
<v Speaker 3>It was rare out of print.

443
00:23:45.640 --> 00:23:46.400
<v Speaker 2>Some site was it?

444
00:23:46.680 --> 00:23:48.680
<v Speaker 3>Yeah, Arrow said they had it in print.

445
00:23:48.720 --> 00:23:49.000
<v Speaker 2>Again.

446
00:23:49.279 --> 00:23:51.319
<v Speaker 3>It was just in the store all of a sudden

447
00:23:51.319 --> 00:23:54.839
<v Speaker 3>again like what, so I bought it. Of course, for months,

448
00:23:54.880 --> 00:23:57.680
<v Speaker 3>I get notifications we cannot find your animals, like yeah,

449
00:23:57.680 --> 00:24:00.559
<v Speaker 3>because you never had it in stock, you don't get

450
00:24:00.559 --> 00:24:03.799
<v Speaker 3>my hopes stup like this. They finally refunded it and

451
00:24:03.839 --> 00:24:05.599
<v Speaker 3>I found I went to eBay and just tracked it

452
00:24:05.640 --> 00:24:10.759
<v Speaker 3>down finally. And this is a segue into watches because

453
00:24:10.799 --> 00:24:14.799
<v Speaker 3>it's a check fairy tale film, which I told you

454
00:24:14.839 --> 00:24:19.319
<v Speaker 3>I love child. I love fairy tale type things, anything folklore,

455
00:24:20.160 --> 00:24:25.640
<v Speaker 3>and I love polish check anything from that era in

456
00:24:25.680 --> 00:24:31.640
<v Speaker 3>the sixties and so forth. Beautying the Beast by Gras

457
00:24:32.240 --> 00:24:37.440
<v Speaker 3>Girage hurts awesome. I love this type of thing.

458
00:24:37.720 --> 00:24:39.119
<v Speaker 2>It's an excellent release too.

459
00:24:39.599 --> 00:24:43.039
<v Speaker 3>Yes, and I love these second Runs. I've gotten a

460
00:24:43.079 --> 00:24:45.279
<v Speaker 3>few others. I love how the spines look like the

461
00:24:45.319 --> 00:24:49.200
<v Speaker 3>design system is. I just love it. So yeah, those

462
00:24:49.279 --> 00:24:50.839
<v Speaker 3>are my pickups.

463
00:24:51.319 --> 00:24:55.160
<v Speaker 2>Amazing Second Run for those that we don't talk about

464
00:24:55.160 --> 00:24:57.759
<v Speaker 2>Second Run enough. They are out of the UK, but

465
00:24:57.920 --> 00:25:00.960
<v Speaker 2>literally everything they've released has been region for and they've

466
00:25:00.960 --> 00:25:03.559
<v Speaker 2>got a lot of titles that aren't available anywhere else.

467
00:25:03.759 --> 00:25:07.640
<v Speaker 2>So if you want check them out during an arrow sale.

468
00:25:07.759 --> 00:25:11.319
<v Speaker 2>The Arrow Store also carries their stuff and during a sale,

469
00:25:11.319 --> 00:25:15.680
<v Speaker 2>they're like eight pounds looks so cheap, it's crazy once

470
00:25:15.720 --> 00:25:17.839
<v Speaker 2>you get I think it's like, once you get four

471
00:25:17.880 --> 00:25:21.359
<v Speaker 2>of them, the shipping becomes worth it. So just get

472
00:25:21.400 --> 00:25:23.839
<v Speaker 2>through four or five and you can do it very,

473
00:25:23.960 --> 00:25:28.599
<v Speaker 2>very cheaply. Yes, all right. My recent stuff got in

474
00:25:28.640 --> 00:25:32.119
<v Speaker 2>the two New Deaf Crocodiles, the I Married a Strange person.

475
00:25:32.480 --> 00:25:35.319
<v Speaker 2>This is the Bill Plimpton deluxe edition that they just

476
00:25:35.359 --> 00:25:38.039
<v Speaker 2>put out. And then one that will and I have

477
00:25:38.079 --> 00:25:40.920
<v Speaker 2>a visual essay on. This is Freckled Max and the Spooks.

478
00:25:41.000 --> 00:25:44.640
<v Speaker 2>This is an incredible like reimagining of a mini series

479
00:25:44.680 --> 00:25:47.119
<v Speaker 2>that they cook the episodes and made into a feature

480
00:25:47.200 --> 00:25:49.920
<v Speaker 2>length film, and it's basically got all of the Universal

481
00:25:49.960 --> 00:25:54.799
<v Speaker 2>monsters done in a silly way. Probably not fully for kids,

482
00:25:54.799 --> 00:25:57.920
<v Speaker 2>but like for preteens at least. It's like a fun,

483
00:25:58.079 --> 00:26:02.279
<v Speaker 2>relatable story. Another one that is a little older, but

484
00:26:02.359 --> 00:26:04.039
<v Speaker 2>I had same as you. I had a tracked down

485
00:26:04.039 --> 00:26:05.319
<v Speaker 2>a version to get this because it went out of

486
00:26:05.359 --> 00:26:10.640
<v Speaker 2>print watershipped down for beautiful movie and I missed out

487
00:26:10.640 --> 00:26:12.400
<v Speaker 2>on a limited edition. It's one of my favorites, so

488
00:26:12.440 --> 00:26:14.680
<v Speaker 2>I had to get it. And then The last thing

489
00:26:15.000 --> 00:26:17.839
<v Speaker 2>is a huge package that came in today, literally today

490
00:26:18.039 --> 00:26:22.319
<v Speaker 2>from Severn. I got in my skin. This is a

491
00:26:22.359 --> 00:26:25.039
<v Speaker 2>French extremity film I've not seen, so eager to see.

492
00:26:25.079 --> 00:26:30.240
<v Speaker 2>This is their first side cut slipcasting. Yeah, and then

493
00:26:30.519 --> 00:26:34.200
<v Speaker 2>it came with the House of Psychotic Women Volume two,

494
00:26:35.000 --> 00:26:38.000
<v Speaker 2>So eager for this. This has Butterfly Kiss, Morgiano, the

495
00:26:38.000 --> 00:26:39.680
<v Speaker 2>Savage Eye, and the Glass Ceiling.

496
00:26:41.480 --> 00:26:42.880
<v Speaker 3>The same director as Beauty and the Beast.

497
00:26:43.440 --> 00:26:45.279
<v Speaker 2>Yes it is. That was a perfect way to go

498
00:26:45.319 --> 00:26:47.920
<v Speaker 2>on about that. The big thing that I had bought

499
00:26:47.960 --> 00:26:50.279
<v Speaker 2>with that package that I was more excited for, is

500
00:26:50.400 --> 00:26:54.400
<v Speaker 2>going to even be hard to show. This is Jesus

501
00:26:54.759 --> 00:27:01.000
<v Speaker 2>the Skala Cinema book that is like twenty pounds and

502
00:27:02.200 --> 00:27:04.599
<v Speaker 2>probably gonna be my favorite thing to go through over

503
00:27:04.640 --> 00:27:10.920
<v Speaker 2>the next month or so. I'm not watching. Scholar Cinema

504
00:27:10.960 --> 00:27:13.880
<v Speaker 2>was a theater over in the UK and it was

505
00:27:14.160 --> 00:27:17.200
<v Speaker 2>basically the theater that a lot of the people that

506
00:27:17.240 --> 00:27:22.279
<v Speaker 2>we look up to found out about like underground cult

507
00:27:22.279 --> 00:27:26.720
<v Speaker 2>films of every single type, and they got around the

508
00:27:26.720 --> 00:27:30.200
<v Speaker 2>British laws by you had to be a member of

509
00:27:30.240 --> 00:27:32.680
<v Speaker 2>this theater to go see something, so you couldn't just

510
00:27:32.720 --> 00:27:34.720
<v Speaker 2>get tickets you had to become a member first, and

511
00:27:34.759 --> 00:27:36.960
<v Speaker 2>now they can show you anything because it's a club,

512
00:27:37.640 --> 00:27:40.720
<v Speaker 2>and they they shared every type of film that you

513
00:27:40.720 --> 00:27:43.720
<v Speaker 2>could think of, like Cafe Flesh is one of the

514
00:27:43.759 --> 00:27:45.759
<v Speaker 2>big ones that they showed many many times over there.

515
00:27:46.200 --> 00:27:48.519
<v Speaker 2>This book itself, it covers so much more of the

516
00:27:48.559 --> 00:27:51.319
<v Speaker 2>history than the documentary did. But I will say the

517
00:27:51.359 --> 00:27:54.400
<v Speaker 2>dock itself incredible. Everybody needs to go check it out.

518
00:27:54.480 --> 00:27:59.279
<v Speaker 2>It is a beautiful, beautiful film has cut ins from

519
00:27:59.279 --> 00:28:01.880
<v Speaker 2>a lot of people that you're recognize, famous directors from

520
00:28:01.880 --> 00:28:05.880
<v Speaker 2>the last twenty years or so. It is a modern

521
00:28:06.279 --> 00:28:07.920
<v Speaker 2>you know, for somebody that loves film. It is a

522
00:28:07.920 --> 00:28:10.359
<v Speaker 2>modern masterpiece that everybody should see. Okay.

523
00:28:10.599 --> 00:28:12.759
<v Speaker 3>And the name of the doc. The name of the doc.

524
00:28:13.039 --> 00:28:16.599
<v Speaker 2>Scull It sc a l A. There's a subtitle that's

525
00:28:16.680 --> 00:28:19.640
<v Speaker 2>like twenty of words long. But yes, all you need

526
00:28:19.680 --> 00:28:21.920
<v Speaker 2>to know is skull It. Okay.

527
00:28:21.960 --> 00:28:22.200
<v Speaker 3>Cool?

528
00:28:22.400 --> 00:28:25.279
<v Speaker 2>And then I released it over in the UK as.

529
00:28:25.119 --> 00:28:26.880
<v Speaker 3>Well, gotcha, Yeah, I remember hearing about this.

530
00:28:26.960 --> 00:28:31.119
<v Speaker 2>Okay, all right, recent watches? Then what did you get

531
00:28:31.160 --> 00:28:33.759
<v Speaker 2>for those? The Beast one of them.

532
00:28:34.000 --> 00:28:36.880
<v Speaker 3>Yes, I rewatched it. I'd seen it before, you know,

533
00:28:38.240 --> 00:28:40.799
<v Speaker 3>back when things weren't as accessible. You know, watching some

534
00:28:40.880 --> 00:28:45.599
<v Speaker 3>kind of low quality version of it, which is which

535
00:28:45.599 --> 00:28:47.640
<v Speaker 3>can be cool too, Like I really love watching like

536
00:28:47.640 --> 00:28:50.839
<v Speaker 3>a bootleg of something and then years years later seeing

537
00:28:50.839 --> 00:28:54.119
<v Speaker 3>it acid sintenda. That's always fun. But yeah, we watched

538
00:28:54.119 --> 00:29:03.519
<v Speaker 3>that one. I checked off three huge ones huge. Okay, dude,

539
00:29:04.240 --> 00:29:06.839
<v Speaker 3>I did my first Petushko film.

540
00:29:07.440 --> 00:29:08.599
<v Speaker 2>Wow, what do you think?

541
00:29:10.480 --> 00:29:11.559
<v Speaker 3>Speechless dude?

542
00:29:11.599 --> 00:29:11.920
<v Speaker 2>Which I.

543
00:29:13.559 --> 00:29:18.319
<v Speaker 3>Like to go chronologically now I know this this might

544
00:29:18.359 --> 00:29:21.400
<v Speaker 3>be his first feature, like non animated feature.

545
00:29:21.440 --> 00:29:22.440
<v Speaker 2>I think so.

546
00:29:23.000 --> 00:29:26.240
<v Speaker 3>Anyways, but of the four The Deaf Crocodile released, this

547
00:29:26.279 --> 00:29:29.640
<v Speaker 3>is the earliest. I love growing chronologically. I wanted to

548
00:29:29.680 --> 00:29:32.799
<v Speaker 3>jump right into Ruslan Ladmilla, but I love going in

549
00:29:33.000 --> 00:29:36.880
<v Speaker 3>order seeing how director evolves. YadA, YadA, YadA. But dude,

550
00:29:36.960 --> 00:29:40.279
<v Speaker 3>I was blown away by this. I don't understand all

551
00:29:40.319 --> 00:29:43.279
<v Speaker 3>of it historically yet. I'm still reading through some supplements

552
00:29:43.279 --> 00:29:45.000
<v Speaker 3>and like, I want to learn more. I'm really done

553
00:29:45.039 --> 00:29:52.200
<v Speaker 3>with history. Yeah, but like it's fascinating from a historical perspective.

554
00:29:52.279 --> 00:29:56.480
<v Speaker 3>But yeah, just god, the use of miniatures and the effects.

555
00:29:57.240 --> 00:30:01.039
<v Speaker 3>I love anything like that. I love mythology, the fantasy,

556
00:30:01.160 --> 00:30:05.519
<v Speaker 3>Like just this is what turned me on to Deaf Crocodile.

557
00:30:05.720 --> 00:30:11.440
<v Speaker 3>So That's how I found out about them, because that

558
00:30:11.599 --> 00:30:14.160
<v Speaker 3>it looked cool. I just saw the Tony Stella cover

559
00:30:14.240 --> 00:30:15.160
<v Speaker 3>for Rouslan in the midst.

560
00:30:16.160 --> 00:30:16.319
<v Speaker 2>Yeah.

561
00:30:16.319 --> 00:30:21.960
<v Speaker 3>I love Tony. Of course he's like the most insane

562
00:30:22.400 --> 00:30:25.559
<v Speaker 3>artist of our time for for for a movie movie art.

563
00:30:27.720 --> 00:30:31.599
<v Speaker 3>But yeah, that's how I discovered it, and it was amazing. Secondly,

564
00:30:31.759 --> 00:30:35.000
<v Speaker 3>finally watched this one that I picked up a few

565
00:30:35.039 --> 00:30:38.000
<v Speaker 3>months ago. No, I did not the limited edition. If

566
00:30:38.039 --> 00:30:41.599
<v Speaker 3>anyone's got an extra one wants to hook me up,

567
00:30:41.799 --> 00:30:44.400
<v Speaker 3>I'll send them like a house print or something. But

568
00:30:44.519 --> 00:30:49.920
<v Speaker 3>The Keep, now this is interesting because I love I

569
00:30:49.960 --> 00:30:53.079
<v Speaker 3>love scores, and I love you know, electronic music. Tangerine

570
00:30:53.119 --> 00:30:58.519
<v Speaker 3>Dream Uh this this the tandering Dream Keep album. Do

571
00:30:58.559 --> 00:31:01.960
<v Speaker 3>you know how complex all this is? Oh? Yeah, okay, yeah, okay.

572
00:31:02.000 --> 00:31:04.799
<v Speaker 3>So someone gave my friend, Jason Shawan, who's another great

573
00:31:04.799 --> 00:31:07.559
<v Speaker 3>film critic, gave me a burn CD of The Keep,

574
00:31:07.640 --> 00:31:10.720
<v Speaker 3>like twenty years ago or something, and it's it's become

575
00:31:10.759 --> 00:31:14.119
<v Speaker 3>like my favorite electronic score ever. Like that album is flawless.

576
00:31:14.119 --> 00:31:19.279
<v Speaker 3>Everything they that trio did at that time. Also Edgar

577
00:31:19.319 --> 00:31:23.279
<v Speaker 3>Frose's score for Kamakze eighty nine. If anyone likes this

578
00:31:23.359 --> 00:31:25.720
<v Speaker 3>kind of stuff, make sure you hear that one too,

579
00:31:25.759 --> 00:31:29.480
<v Speaker 3>because it's very similar. But as it turns out, a

580
00:31:29.480 --> 00:31:32.160
<v Speaker 3>lot of the music's not in the movie, right, So

581
00:31:32.599 --> 00:31:34.240
<v Speaker 3>I got I was like, oh, I can't wait to

582
00:31:34.279 --> 00:31:36.720
<v Speaker 3>finally watch the keep this masterpiece. I'm going to know

583
00:31:36.799 --> 00:31:39.359
<v Speaker 3>every every film, every music cue. And I was like, oh, yeah,

584
00:31:39.359 --> 00:31:42.319
<v Speaker 3>I forgot, like hardly in it. But I mean then

585
00:31:42.359 --> 00:31:44.480
<v Speaker 3>you have all the pieces they did make for this

586
00:31:44.640 --> 00:31:48.000
<v Speaker 3>that have not been released properly, and so it was fascinating.

587
00:31:48.039 --> 00:31:50.119
<v Speaker 3>But I did love the film, and I have to say, like,

588
00:31:50.359 --> 00:31:55.119
<v Speaker 3>I thought it was great. Loved the setting, the effects,

589
00:31:55.319 --> 00:31:57.480
<v Speaker 3>the maybe I guess some of it's a little unfinished

590
00:31:57.720 --> 00:32:01.160
<v Speaker 3>from what I understand, I don't know again, read the settlements,

591
00:32:01.240 --> 00:32:03.960
<v Speaker 3>learn how you know. The history of the production I

592
00:32:03.960 --> 00:32:08.279
<v Speaker 3>know is very fraught and everything. But loved it. And

593
00:32:08.319 --> 00:32:10.559
<v Speaker 3>then lastly, I'm going back to Deaf Crocodile to check

594
00:32:10.599 --> 00:32:14.559
<v Speaker 3>off a major thing and I'm I don't know what

595
00:32:14.720 --> 00:32:16.160
<v Speaker 3>to say except this is the best thing I've seen

596
00:32:16.160 --> 00:32:19.680
<v Speaker 3>in a very very long time. Wow, very long time.

597
00:32:22.960 --> 00:32:26.279
<v Speaker 2>This is such an underrated film, dude.

598
00:32:26.319 --> 00:32:30.359
<v Speaker 3>The fact that on letterbox I'm gonna look again, there

599
00:32:30.400 --> 00:32:36.160
<v Speaker 3>are like the amount, the low amount of reviews. Yeah,

600
00:32:36.400 --> 00:32:40.599
<v Speaker 3>just how many people have logged it it. That just

601
00:32:40.599 --> 00:32:43.599
<v Speaker 3>speaks to how many how much discovery there is here

602
00:32:43.640 --> 00:32:50.640
<v Speaker 3>for people. Yeah again check fairy Tale. The cinematography Marquantel

603
00:32:50.680 --> 00:32:53.279
<v Speaker 3>Laza Rova was a little tough for me to get through.

604
00:32:53.279 --> 00:32:57.200
<v Speaker 3>As much as I loved the cinematography, I appreciate it,

605
00:32:57.279 --> 00:32:59.640
<v Speaker 3>but it wasn't fully like hitting me in the solar

606
00:32:59.680 --> 00:33:03.799
<v Speaker 3>plex And this just hit like everything about it as

607
00:33:03.839 --> 00:33:08.000
<v Speaker 3>like fairy tale cinema. This is probably the best fairy

608
00:33:08.039 --> 00:33:11.240
<v Speaker 3>tale film I've ever seen, Like it is such an

609
00:33:11.359 --> 00:33:15.599
<v Speaker 3>underse I appreciate an undiscovered as of yet Jim, and

610
00:33:15.680 --> 00:33:19.039
<v Speaker 3>that now people can watch so obsessed with this release.

611
00:33:19.119 --> 00:33:23.880
<v Speaker 3>So everything you know, Death Crocodile specifically leaning into this

612
00:33:24.000 --> 00:33:27.880
<v Speaker 3>like folklore thing and all the check films. I'm loving

613
00:33:28.079 --> 00:33:32.480
<v Speaker 3>all that, but this was fantastic. Everyone listening definitely watch it.

614
00:33:33.279 --> 00:33:37.000
<v Speaker 2>Great, great release. There's there's so many of theirs, especially

615
00:33:37.000 --> 00:33:39.000
<v Speaker 2>in the last year, that have been released that I

616
00:33:39.160 --> 00:33:42.079
<v Speaker 2>just I don't hear people talking about, like Adella has

617
00:33:42.119 --> 00:33:46.200
<v Speaker 2>not had supper yet. Is such an underseen just silly

618
00:33:46.480 --> 00:33:49.640
<v Speaker 2>film from them? Okay, yes, people need to go check

619
00:33:49.680 --> 00:33:54.799
<v Speaker 2>it out. It is amazing. The the The Savage Hunts

620
00:33:54.799 --> 00:33:56.519
<v Speaker 2>of King Stack that they did, the first one that

621
00:33:56.559 --> 00:33:59.960
<v Speaker 2>they did away from Oceana Vineigar Syndrome. Amazing, amazing movie,

622
00:34:00.160 --> 00:34:03.359
<v Speaker 2>and pretty much hardly anybody has seen it, so yes,

623
00:34:03.480 --> 00:34:06.880
<v Speaker 2>please go check some of those undersecene titles out. I

624
00:34:06.880 --> 00:34:09.880
<v Speaker 2>had a weird week of watches. I'm still trying to

625
00:34:10.960 --> 00:34:13.119
<v Speaker 2>catch up on some things with my wife that she

626
00:34:13.199 --> 00:34:16.480
<v Speaker 2>has never seen. And I love that you mentioned the

627
00:34:16.519 --> 00:34:19.079
<v Speaker 2>sequel earlier. But I showed her for the first time

628
00:34:20.000 --> 00:34:23.320
<v Speaker 2>The Terminator. She had never seen it, and we got

629
00:34:23.360 --> 00:34:26.039
<v Speaker 2>done and she laughed and went, I know, we're like

630
00:34:26.159 --> 00:34:31.239
<v Speaker 2>seven references they're from now. Yeah, totally, And then we

631
00:34:31.280 --> 00:34:33.440
<v Speaker 2>started the sequel. We've not gotten a chance to finish

632
00:34:33.480 --> 00:34:35.679
<v Speaker 2>it because I had watched two others for work that

633
00:34:35.719 --> 00:34:38.840
<v Speaker 2>I'm talking about in a second. But she she's loving

634
00:34:38.840 --> 00:34:40.559
<v Speaker 2>them and it's so great to see him with somebody

635
00:34:40.559 --> 00:34:43.400
<v Speaker 2>who has literally never seen it and know what to expect.

636
00:34:43.840 --> 00:34:46.400
<v Speaker 2>The twist of Arnie not being the bad guy in

637
00:34:46.440 --> 00:34:47.960
<v Speaker 2>the second movie was huge for her.

638
00:34:48.320 --> 00:34:50.920
<v Speaker 3>Yeah. Yeah, do you like, do you have enoughanity for

639
00:34:50.920 --> 00:34:52.679
<v Speaker 3>one or the other or just both equally great in

640
00:34:52.719 --> 00:34:53.239
<v Speaker 3>different ways?

641
00:34:53.320 --> 00:34:55.519
<v Speaker 2>There, I mean, they're equally great. Different ways because it's

642
00:34:55.599 --> 00:34:57.639
<v Speaker 2>kind of a tonal thing. The first one is essentially

643
00:34:57.679 --> 00:35:00.400
<v Speaker 2>a slasher film, and then the second one one might

644
00:35:00.440 --> 00:35:02.719
<v Speaker 2>be the greatest action movie of all time. So you

645
00:35:02.840 --> 00:35:05.000
<v Speaker 2>kind of just got to go with what am I

646
00:35:05.039 --> 00:35:07.199
<v Speaker 2>feeling today? If I want to do something that feels

647
00:35:07.199 --> 00:35:10.119
<v Speaker 2>a little more Friday the thirteenth in a way, let's

648
00:35:10.119 --> 00:35:13.320
<v Speaker 2>watch The Terminator if not Judgment T two.

649
00:35:13.360 --> 00:35:15.719
<v Speaker 3>Like when I was maybe we're around the same age,

650
00:35:15.719 --> 00:35:17.840
<v Speaker 3>all though you're probably younger than me, but just being

651
00:35:17.840 --> 00:35:20.199
<v Speaker 3>like eleven twelve years old when T two came out

652
00:35:20.199 --> 00:35:23.719
<v Speaker 3>here seeing that teaser trailer in the theaters, Yeah, where

653
00:35:23.760 --> 00:35:30.360
<v Speaker 3>the guy's been being forged and everything, like.

654
00:35:30.639 --> 00:35:32.559
<v Speaker 2>I just missed it. I think I'm like three or

655
00:35:32.559 --> 00:35:37.360
<v Speaker 2>four years younger than you. I do too. It would

656
00:35:37.400 --> 00:35:39.719
<v Speaker 2>have been the perfect time. It is one of those

657
00:35:39.719 --> 00:35:41.719
<v Speaker 2>things that there's so much that I missed back then.

658
00:35:42.599 --> 00:35:44.960
<v Speaker 2>But the other thing you brought up Misstic Simbali and

659
00:35:45.000 --> 00:35:48.599
<v Speaker 2>Lady Terminator and funny enough to let everybody know that

660
00:35:48.840 --> 00:35:52.519
<v Speaker 2>next Monto Micabro podcast episode that's coming out, we're talking

661
00:35:52.519 --> 00:35:56.039
<v Speaker 2>about two of their recent films, one being Cafe Flesh

662
00:35:56.119 --> 00:35:58.360
<v Speaker 2>they say, the second say audience film that they've done

663
00:35:58.400 --> 00:36:01.639
<v Speaker 2>the last couple of years. They all so did Doctor Caligari.

664
00:36:02.400 --> 00:36:05.960
<v Speaker 2>But this movie wild. I don't think i'd ever seen

665
00:36:05.960 --> 00:36:11.119
<v Speaker 2>it before. Cafe Flesh is this weird underground sex film

666
00:36:11.199 --> 00:36:15.000
<v Speaker 2>that is not erotic pretty much in any single form,

667
00:36:15.519 --> 00:36:18.639
<v Speaker 2>but man, do they have a lot of it on camera.

668
00:36:19.320 --> 00:36:23.280
<v Speaker 2>It's a really interesting slice of that life back then.

669
00:36:23.440 --> 00:36:26.800
<v Speaker 2>It kind of just captures a piece of society that

670
00:36:26.920 --> 00:36:30.679
<v Speaker 2>was really under talked about and an undervalued at the time.

671
00:36:30.760 --> 00:36:34.039
<v Speaker 2>And now so many of us gravitate to the cults

672
00:36:34.039 --> 00:36:37.679
<v Speaker 2>in the underground and the cast aside that films like

673
00:36:37.719 --> 00:36:41.079
<v Speaker 2>this are just, I don't know, like a weird, warm

674
00:36:41.119 --> 00:36:44.280
<v Speaker 2>blanket of It's odd, but somehow I feel at home

675
00:36:44.280 --> 00:36:48.199
<v Speaker 2>while watching it. And then the other one. I loved

676
00:36:48.199 --> 00:36:52.199
<v Speaker 2>this movie. They also just put out Bohachi Bushido. This

677
00:36:52.400 --> 00:36:56.800
<v Speaker 2>is a samurai film in a way, done by Taruo Ishie,

678
00:36:57.760 --> 00:36:59.880
<v Speaker 2>and this is about a gentleman that in the first

679
00:37:00.159 --> 00:37:03.639
<v Speaker 2>thirty seconds of the film he surrounded and he jumps

680
00:37:03.679 --> 00:37:07.400
<v Speaker 2>off of a bridge and tries to kill himself essentially,

681
00:37:08.239 --> 00:37:11.639
<v Speaker 2>and they don't let it happen, and he gets rescued

682
00:37:11.679 --> 00:37:16.119
<v Speaker 2>and goes to what is basically a brothel and I

683
00:37:16.159 --> 00:37:17.800
<v Speaker 2>didn't know this was going to turn into basically a

684
00:37:17.800 --> 00:37:20.079
<v Speaker 2>sex film too. But there's a lot of nudity in

685
00:37:20.119 --> 00:37:22.519
<v Speaker 2>this movie and a lot of violence, and it's that

686
00:37:22.599 --> 00:37:26.599
<v Speaker 2>same like Lady Snowblood type of over the top violence,

687
00:37:26.599 --> 00:37:30.400
<v Speaker 2>which is great. The story itself is very fun. It's

688
00:37:30.440 --> 00:37:34.239
<v Speaker 2>a beautiful four K disc from Anto micabre Highly recommend

689
00:37:34.239 --> 00:37:36.519
<v Speaker 2>people check them out. There will be standards on both

690
00:37:36.559 --> 00:37:38.800
<v Speaker 2>of those. I think both of the limiteds have sold out,

691
00:37:38.880 --> 00:37:40.880
<v Speaker 2>but four K discs, you'll be able to get them

692
00:37:40.920 --> 00:37:46.239
<v Speaker 2>pretty much anywhere. Cool, great great stuff. Mono Micabro, Do

693
00:37:46.239 --> 00:37:48.280
<v Speaker 2>you have anything from them? It sounds like you like some.

694
00:37:48.239 --> 00:37:52.880
<v Speaker 3>Mom man again, like I'm not. I'm not as I

695
00:37:52.920 --> 00:37:56.599
<v Speaker 3>don't watch at the rate probably like you or your

696
00:37:56.679 --> 00:37:59.480
<v Speaker 3>viewers too, Like there's I have so much sel to

697
00:37:59.519 --> 00:38:01.960
<v Speaker 3>catch up, you know, and I know everyone feels that way,

698
00:38:02.039 --> 00:38:04.719
<v Speaker 3>but I don't know. I just kind of like take

699
00:38:04.760 --> 00:38:07.079
<v Speaker 3>my time with like catching getting to things and like

700
00:38:07.559 --> 00:38:09.320
<v Speaker 3>like the Keep, I should have seen that a long

701
00:38:09.320 --> 00:38:10.960
<v Speaker 3>time ago, but I was like, I'm on the way,

702
00:38:11.039 --> 00:38:12.679
<v Speaker 3>and then it kind of pays off because then you

703
00:38:12.719 --> 00:38:15.760
<v Speaker 3>get a great release of something. So the time comes

704
00:38:15.760 --> 00:38:17.840
<v Speaker 3>and movies find you when they find you. So I'm

705
00:38:17.880 --> 00:38:19.079
<v Speaker 3>excited to see more of that.

706
00:38:19.199 --> 00:38:23.320
<v Speaker 2>So yeah, it's it's gonna be a stellar year. I

707
00:38:23.360 --> 00:38:25.760
<v Speaker 2>mean some of the titles that'rering to talk about tonight.

708
00:38:25.800 --> 00:38:28.760
<v Speaker 3>First of all, Oh, my god, Stains I have to

709
00:38:29.079 --> 00:38:32.199
<v Speaker 3>like when I heard that fabulous Stains news. That's one

710
00:38:32.199 --> 00:38:32.920
<v Speaker 3>of my favorites.

711
00:38:32.960 --> 00:38:35.199
<v Speaker 2>Man, it's a beautiful movie. Beautify.

712
00:38:35.440 --> 00:38:36.480
<v Speaker 3>Okay, sorry, go on.

713
00:38:38.079 --> 00:38:39.639
<v Speaker 2>I expected it to be a light week and we'd

714
00:38:39.679 --> 00:38:41.360
<v Speaker 2>have a bunch of time to talk about art and stuff,

715
00:38:41.440 --> 00:38:44.639
<v Speaker 2>and the announcements just kept pouring in this week. It

716
00:38:44.679 --> 00:38:45.679
<v Speaker 2>has been crazy.

717
00:38:45.800 --> 00:38:48.360
<v Speaker 3>Okay, well I'm behind them. I'm excited to see what

718
00:38:48.440 --> 00:38:50.320
<v Speaker 3>you've got. Let's start bosting through them.

719
00:38:50.559 --> 00:38:53.360
<v Speaker 2>Let's do it then. First up, just this little indie

720
00:38:53.400 --> 00:38:58.920
<v Speaker 2>film called Raging Bull. Imprint is putting all of these out.

721
00:38:59.199 --> 00:39:01.840
<v Speaker 2>These are all coming out on June twenty fifth, and

722
00:39:02.039 --> 00:39:07.719
<v Speaker 2>these are in Australia. This first one, this is Raging Bull.

723
00:39:07.760 --> 00:39:10.719
<v Speaker 2>Like I said, the big thing is that this has

724
00:39:10.920 --> 00:39:14.760
<v Speaker 2>HDR the Criterion release or this one has Dolby Vision.

725
00:39:14.800 --> 00:39:17.079
<v Speaker 2>I don't think the Criterion one did not sure if

726
00:39:17.079 --> 00:39:20.000
<v Speaker 2>the Criterion had HDR ten. But yeah, this has an

727
00:39:20.079 --> 00:39:25.480
<v Speaker 2>upgrade in the Dolby Vision Camp, lots of extras here.

728
00:39:26.000 --> 00:39:29.360
<v Speaker 2>We've got a two disc set, there's gonna be a

729
00:39:29.599 --> 00:39:32.440
<v Speaker 2>Blu ray disc and a four K disc sorry, three

730
00:39:32.480 --> 00:39:36.480
<v Speaker 2>disc set, two disc with just the films, and then

731
00:39:36.480 --> 00:39:38.880
<v Speaker 2>the third disc with tons of extras. There's so much

732
00:39:38.920 --> 00:39:41.440
<v Speaker 2>on here literally would not even fit on the listing.

733
00:39:41.639 --> 00:39:45.280
<v Speaker 2>But Scorsese, I'm sure you got something to say about scortses.

734
00:39:45.519 --> 00:39:48.039
<v Speaker 3>Yeah, I mean, maybe not as much of a Scorsese

735
00:39:48.119 --> 00:39:50.719
<v Speaker 3>fanboy as like a lot of the guys are, but

736
00:39:51.280 --> 00:39:54.760
<v Speaker 3>Raging Bull is probably I think it's his best film.

737
00:39:55.880 --> 00:39:56.159
<v Speaker 2>Wow.

738
00:39:56.719 --> 00:39:59.559
<v Speaker 3>I mean, I know that's not maybe the most popular opinion,

739
00:39:59.639 --> 00:40:02.519
<v Speaker 3>but they're definitely people who would back me on that. Like,

740
00:40:02.679 --> 00:40:05.880
<v Speaker 3>it's definitely up there for a lot of people. Yeah,

741
00:40:05.920 --> 00:40:08.760
<v Speaker 3>that one. Like King of Comedy, After Hours, those are

742
00:40:08.760 --> 00:40:11.280
<v Speaker 3>the ones that really I'm so done with, Like the

743
00:40:11.400 --> 00:40:14.960
<v Speaker 3>Leo Leo Scorsese crime movies. I can't do anymore. Man,

744
00:40:15.039 --> 00:40:17.800
<v Speaker 3>Like the fact that his next seven projects are all

745
00:40:17.840 --> 00:40:21.000
<v Speaker 3>with Leo, and it's like, dude, don't you want to

746
00:40:21.039 --> 00:40:23.719
<v Speaker 3>work with anyone else? You don't have that much time left,

747
00:40:23.719 --> 00:40:26.760
<v Speaker 3>like change any I can't go on about.

748
00:40:26.480 --> 00:40:29.320
<v Speaker 2>That, but well we can talk about another scor because

749
00:40:29.320 --> 00:40:31.920
<v Speaker 2>he's also getting New York, New York. I haven't seen

750
00:40:31.920 --> 00:40:34.400
<v Speaker 2>this one yet, Frands, this is one that has needed

751
00:40:34.400 --> 00:40:36.159
<v Speaker 2>a decent release for a while. A lot of people

752
00:40:36.199 --> 00:40:41.239
<v Speaker 2>call this Scorsese's worst film, primarily because De Niro and

753
00:40:41.840 --> 00:40:46.000
<v Speaker 2>Eliza aren't known for having the greatest of chemistries. But

754
00:40:46.119 --> 00:40:47.800
<v Speaker 2>I don't know. I've not seen this one. This is

755
00:40:47.960 --> 00:40:50.159
<v Speaker 2>like one of the handful that I need to get to.

756
00:40:50.840 --> 00:40:54.119
<v Speaker 2>New commentary by Daniel Kramer, friend of the Channel, some

757
00:40:54.199 --> 00:40:57.360
<v Speaker 2>new interviews on this. New visual essays, this looks like

758
00:40:57.360 --> 00:40:59.559
<v Speaker 2>a really solid release. It's got the director's cut and

759
00:40:59.599 --> 00:41:02.280
<v Speaker 2>the europe And cut, so kind of seems like this

760
00:41:02.360 --> 00:41:03.760
<v Speaker 2>has pretty much everything you could want.

761
00:41:03.920 --> 00:41:06.119
<v Speaker 3>That's cool. Yeah, I haven't seen it either, so you

762
00:41:06.199 --> 00:41:06.920
<v Speaker 3>need to check it out.

763
00:41:07.800 --> 00:41:10.599
<v Speaker 2>Yeah, this one, especially the art on this looks pretty great.

764
00:41:10.639 --> 00:41:11.039
<v Speaker 2>I like that.

765
00:41:11.239 --> 00:41:11.400
<v Speaker 3>Yeah.

766
00:41:11.480 --> 00:41:11.679
<v Speaker 2>Yeah.

767
00:41:11.719 --> 00:41:14.840
<v Speaker 3>I like early work too. I like early work by filmmakers.

768
00:41:15.280 --> 00:41:16.559
<v Speaker 2>Yeah, I'm way more.

769
00:41:16.559 --> 00:41:19.559
<v Speaker 3>For example, I'm way more seeing this than his next film.

770
00:41:19.679 --> 00:41:19.960
<v Speaker 2>Whatever.

771
00:41:19.960 --> 00:41:23.800
<v Speaker 3>It's I just I don't know. There's something about when

772
00:41:23.840 --> 00:41:25.760
<v Speaker 3>you don't have as much to work with. There is

773
00:41:25.840 --> 00:41:28.800
<v Speaker 3>just such a creative era, and I think even as

774
00:41:28.880 --> 00:41:31.639
<v Speaker 3>time goes on, people's worst film, you end up appreciating

775
00:41:31.639 --> 00:41:32.320
<v Speaker 3>it in a different way.

776
00:41:32.400 --> 00:41:35.159
<v Speaker 2>So I would agree, completely agree. I mean, look what

777
00:41:35.159 --> 00:41:37.039
<v Speaker 2>we just said about the keep that's often called is

778
00:41:37.119 --> 00:41:40.639
<v Speaker 2>his worst film. Yeah. June twenty fifth, we're also getting

779
00:41:40.639 --> 00:41:42.360
<v Speaker 2>a Blu ray of the Man Who Would Be King.

780
00:41:42.800 --> 00:41:44.480
<v Speaker 2>This is a film that has gotten a released from

781
00:41:44.519 --> 00:41:47.960
<v Speaker 2>Keno here in the States prior, but this is going

782
00:41:48.000 --> 00:41:51.519
<v Speaker 2>to be coming out from Imprint. You've got a making

783
00:41:51.599 --> 00:41:53.440
<v Speaker 2>of it'll be on this and then they are announcing

784
00:41:53.480 --> 00:41:55.880
<v Speaker 2>more special features, so this should have more than what

785
00:41:55.960 --> 00:41:58.519
<v Speaker 2>the Keno does. But this is a Sean Connery and

786
00:41:58.519 --> 00:42:01.920
<v Speaker 2>Michael Keane and Chris Plumber film from seventy five. I've

787
00:42:01.960 --> 00:42:02.639
<v Speaker 2>never seen this.

788
00:42:02.559 --> 00:42:06.360
<v Speaker 3>One no either, not maybe my type of thing unless

789
00:42:06.360 --> 00:42:09.400
<v Speaker 3>someone really forced me to watch it. But what a

790
00:42:09.480 --> 00:42:10.519
<v Speaker 3>what a trio of actors.

791
00:42:10.559 --> 00:42:13.840
<v Speaker 2>Yeah. Absolutely. Then we got The Wind in the Line,

792
00:42:13.880 --> 00:42:16.599
<v Speaker 2>another Connery film coming on Blu ray. This is from

793
00:42:16.679 --> 00:42:19.760
<v Speaker 2>nineteen seventy five. This has Candice Bergen in it as well.

794
00:42:20.599 --> 00:42:22.519
<v Speaker 2>This one is going to be getting some new special

795
00:42:22.519 --> 00:42:25.119
<v Speaker 2>features as well. There's an audio commentary with the director

796
00:42:25.159 --> 00:42:27.800
<v Speaker 2>on here that was archival, but should be getting some

797
00:42:27.880 --> 00:42:28.320
<v Speaker 2>new stuff.

798
00:42:29.960 --> 00:42:33.320
<v Speaker 3>That poster is incredible. The original poster ar for that.

799
00:42:33.719 --> 00:42:37.920
<v Speaker 2>Yes, it is. It really is this next one. I

800
00:42:37.960 --> 00:42:42.400
<v Speaker 2>am so excited about this title. Leadbelly from nineteen seventy

801
00:42:42.440 --> 00:42:44.199
<v Speaker 2>six is coming out. This is the first time on

802
00:42:44.239 --> 00:42:48.559
<v Speaker 2>physical media ever in the world for this film. This

803
00:42:48.840 --> 00:42:51.920
<v Speaker 2>has Roger E. Moseley who was in Magnum PI, and

804
00:42:51.960 --> 00:42:56.000
<v Speaker 2>then this was directed by Gordon Parks, who is pretty astounding.

805
00:42:56.039 --> 00:42:59.039
<v Speaker 2>This was never on disc anywhere. This is going to

806
00:42:59.079 --> 00:43:01.000
<v Speaker 2>be limited to fifteen hundred copies. They're doing a bunch

807
00:43:01.000 --> 00:43:03.559
<v Speaker 2>of new special features for this, but no news on

808
00:43:03.639 --> 00:43:06.320
<v Speaker 2>the specific extras yet. This will come out later.

809
00:43:07.079 --> 00:43:08.639
<v Speaker 3>Cool. That's good.

810
00:43:09.719 --> 00:43:12.679
<v Speaker 2>Yeah, this looks amazing. I'm always excited about Imprint because

811
00:43:12.679 --> 00:43:14.760
<v Speaker 2>at least one of the titles is like, you've never

812
00:43:14.800 --> 00:43:17.280
<v Speaker 2>seen this in HD before? And who else is doing

813
00:43:17.320 --> 00:43:22.000
<v Speaker 2>that every single month? That's impressive. Cool, And then I

814
00:43:22.039 --> 00:43:24.000
<v Speaker 2>think this is the last one from them. J W

815
00:43:24.360 --> 00:43:28.159
<v Speaker 2>Coop from nineteen seventy one is rounding out their slate.

816
00:43:29.000 --> 00:43:32.000
<v Speaker 2>This one is not gonna get any extras, and it's

817
00:43:32.000 --> 00:43:34.559
<v Speaker 2>got Cliff Robertson. That's probably the biggest thing about it.

818
00:43:34.599 --> 00:43:37.159
<v Speaker 2>I've never even heard of this one.

819
00:43:38.840 --> 00:43:41.039
<v Speaker 3>No, I got nothing. I'm not gonna drag. I'm not

820
00:43:41.039 --> 00:43:43.480
<v Speaker 3>gonna bog you down. If I don't got much to say. No,

821
00:43:43.559 --> 00:43:46.079
<v Speaker 3>you keep moving, I'll jump in when I got something good.

822
00:43:46.360 --> 00:43:48.360
<v Speaker 2>You got it? I forgot about this one. The Onion

823
00:43:48.440 --> 00:43:51.280
<v Speaker 2>Field from nineteen seventy nine is one of the next ones,

824
00:43:51.320 --> 00:43:54.599
<v Speaker 2>and this is probably the second one. I'm looking forward

825
00:43:54.639 --> 00:43:57.840
<v Speaker 2>to a whole lot casting. This looks great. This one

826
00:43:57.920 --> 00:44:01.400
<v Speaker 2>has an audio commentary from Harold Becker, that director making

827
00:44:01.480 --> 00:44:05.440
<v Speaker 2>of But You Got Ted Dance, and Christopher Lloyd, John Savage,

828
00:44:05.559 --> 00:44:08.960
<v Speaker 2>James Woods. This is just like Peak right at my

829
00:44:08.960 --> 00:44:11.559
<v Speaker 2>Alley nineteen seventy nine. This should be great.

830
00:44:11.800 --> 00:44:14.159
<v Speaker 3>Yeah, what give me like? Since I'm still catching up

831
00:44:14.159 --> 00:44:16.800
<v Speaker 3>on your show? Like who are your top? Who's your

832
00:44:16.800 --> 00:44:20.440
<v Speaker 3>mount Rushmore? Just so I can get your or does

833
00:44:20.519 --> 00:44:22.920
<v Speaker 3>Roland films three of them or something? Or four favorites?

834
00:44:23.000 --> 00:44:25.400
<v Speaker 3>Letter boxes give me anything? Uh?

835
00:44:25.599 --> 00:44:28.639
<v Speaker 2>Letterbox four favorites is an interesting one because it is

836
00:44:29.599 --> 00:44:31.840
<v Speaker 2>not one that I've changed in a long time. My

837
00:44:31.920 --> 00:44:34.719
<v Speaker 2>current top four on letterbox is a green Room from

838
00:44:34.719 --> 00:44:38.960
<v Speaker 2>a handful of years ago. Love that movie Jurassic Park

839
00:44:39.159 --> 00:44:41.079
<v Speaker 2>is probably what made me love films when I was

840
00:44:41.079 --> 00:44:46.719
<v Speaker 2>a kid. Nice the Muppets Christmas Carol, which yes, it

841
00:44:46.800 --> 00:44:49.880
<v Speaker 2>is my Christmas movie, and I've got a animal tattooed

842
00:44:49.880 --> 00:44:50.280
<v Speaker 2>on my arm.

843
00:44:50.360 --> 00:44:53.039
<v Speaker 3>Dude, that's amazing. Like I know, I said, my wife

844
00:44:53.079 --> 00:44:54.920
<v Speaker 3>with me, me and Saint Louis. But we kick off

845
00:44:55.199 --> 00:44:59.400
<v Speaker 3>Chris Christmas every Thanksgiving weekend with Mupper Christmas Girl nice.

846
00:45:00.119 --> 00:45:03.280
<v Speaker 2>And then my fourth one is a lot of people

847
00:45:03.280 --> 00:45:06.000
<v Speaker 2>don't even call it a film, but bo Burnham's Inside

848
00:45:06.079 --> 00:45:08.360
<v Speaker 2>from a couple of years ago, I think is one

849
00:45:08.360 --> 00:45:10.199
<v Speaker 2>of the most important pieces of art come out in

850
00:45:10.199 --> 00:45:10.920
<v Speaker 2>the last five years.

851
00:45:11.079 --> 00:45:11.880
<v Speaker 3>That's fantastic.

852
00:45:12.960 --> 00:45:15.400
<v Speaker 2>I could go on and on as far as labels.

853
00:45:15.639 --> 00:45:18.440
<v Speaker 3>A director, you're this year like other directors.

854
00:45:17.960 --> 00:45:24.119
<v Speaker 2>You love who directors? I am gosh current directors at

855
00:45:24.199 --> 00:45:28.239
<v Speaker 2>least loving Ari Astor stuff bringing the artistic side to

856
00:45:29.159 --> 00:45:33.400
<v Speaker 2>some darkness. Love Robert Eggers, like a lot of people

857
00:45:34.480 --> 00:45:36.719
<v Speaker 2>grew up on Steven Spielberg stuff. So a lot of

858
00:45:36.719 --> 00:45:41.400
<v Speaker 2>that is still just nice toasty like comfort food watching.

859
00:45:42.519 --> 00:45:45.280
<v Speaker 2>But just like you, I'm still learning. You say, it

860
00:45:45.360 --> 00:45:48.679
<v Speaker 2>feels like I've seen everything. I've seen most nothing. I'm

861
00:45:48.719 --> 00:45:51.360
<v Speaker 2>doing what i can to catch up. I'm very behind.

862
00:45:52.280 --> 00:45:53.719
<v Speaker 2>Like we were talking about before we went live, I

863
00:45:53.760 --> 00:45:55.599
<v Speaker 2>grew up in a super small town in the desert

864
00:45:55.639 --> 00:45:58.880
<v Speaker 2>in California. We only had access to like mainstream stuff.

865
00:45:59.280 --> 00:46:03.840
<v Speaker 2>So the the you know, scratch the surface. What's just

866
00:46:03.960 --> 00:46:05.679
<v Speaker 2>under is the stuff that I'm trying to get to

867
00:46:05.800 --> 00:46:09.920
<v Speaker 2>right now. Everything that wasn't on a blockbuster shelf with

868
00:46:10.000 --> 00:46:13.159
<v Speaker 2>eighty four copies waiting to beet brended out. Yeah, I've

869
00:46:13.199 --> 00:46:15.119
<v Speaker 2>seen those. I need to get to the other stuff.

870
00:46:15.159 --> 00:46:18.800
<v Speaker 3>It sounds like you're doing pretty good so far, Christine.

871
00:46:18.840 --> 00:46:21.559
<v Speaker 3>Every obscure film I've mentioned, so.

872
00:46:21.440 --> 00:46:23.880
<v Speaker 2>I mean, I'm trying a lot of those are semi

873
00:46:23.880 --> 00:46:27.119
<v Speaker 2>big names for physical media nerds. That's true. That's true.

874
00:46:27.519 --> 00:46:31.599
<v Speaker 2>Cool all right, Moving right along. Less of my thing.

875
00:46:32.000 --> 00:46:35.199
<v Speaker 2>Terrifier three from last year is getting a four K

876
00:46:35.239 --> 00:46:39.039
<v Speaker 2>steel book over in the UK from Signature Entertainment. Should

877
00:46:39.079 --> 00:46:41.199
<v Speaker 2>be nothing new here. This has been released on four

878
00:46:41.280 --> 00:46:45.920
<v Speaker 2>K already, but the art is an interesting addition to

879
00:46:45.960 --> 00:46:47.840
<v Speaker 2>this one because they really leaned in heavily to the

880
00:46:47.920 --> 00:46:52.760
<v Speaker 2>Christmas aesthetic. Are you Are you a sucker for like

881
00:46:52.760 --> 00:46:54.480
<v Speaker 2>steel book packaging or anything like that.

882
00:46:54.599 --> 00:46:57.920
<v Speaker 3>I own it, zero steel books. I could not care

883
00:46:58.039 --> 00:47:00.199
<v Speaker 3>less about them. That's just I'm in that cam. I

884
00:47:00.199 --> 00:47:02.920
<v Speaker 3>don't know why I do have one steel book. Actually

885
00:47:02.920 --> 00:47:08.800
<v Speaker 3>it's the Daft Punk Electroma. Oh nice I'm talking about Yeah,

886
00:47:08.840 --> 00:47:10.000
<v Speaker 3>I think it's a DVD.

887
00:47:10.760 --> 00:47:12.360
<v Speaker 2>Yeah, and it was. It's a little bit taller than

888
00:47:12.360 --> 00:47:13.039
<v Speaker 2>a Blu ray one.

889
00:47:13.119 --> 00:47:15.280
<v Speaker 3>Yeah, that's like an old It's not even a typical

890
00:47:15.400 --> 00:47:17.519
<v Speaker 3>steal book, but it is a steel case.

891
00:47:18.400 --> 00:47:20.960
<v Speaker 2>I've got. I've got a couple of random things that

892
00:47:21.000 --> 00:47:23.599
<v Speaker 2>are technically steel books. I think they're done by the

893
00:47:23.760 --> 00:47:28.559
<v Speaker 2>Steel Book Company. I've got the Guardians of the Galaxy soundtrack.

894
00:47:28.639 --> 00:47:31.880
<v Speaker 2>They made a CD steel book. And then I grew

895
00:47:31.960 --> 00:47:35.320
<v Speaker 2>up in southern California, so I was raised on the Lakers,

896
00:47:35.840 --> 00:47:38.480
<v Speaker 2>and uh after, after Kobe died, they did like a

897
00:47:38.480 --> 00:47:42.440
<v Speaker 2>memorial NBA two k something steel book, and I had

898
00:47:42.440 --> 00:47:44.760
<v Speaker 2>to have it. And it's right there on the shelf

899
00:47:44.800 --> 00:47:45.320
<v Speaker 2>for all time.

900
00:47:45.599 --> 00:47:46.920
<v Speaker 3>While you go to the next one I'm gonna get.

901
00:47:46.920 --> 00:47:50.039
<v Speaker 3>I'm gonna show you my CD steel thing I have.

902
00:47:50.480 --> 00:47:55.639
<v Speaker 2>Sweet all right, next title after Terrifier three, Oh man,

903
00:47:55.800 --> 00:47:57.480
<v Speaker 2>this is a big one. So I'm gonna ask what

904
00:47:58.039 --> 00:48:01.039
<v Speaker 2>he thinks of this. But June ninth, Kurzone over in

905
00:48:01.079 --> 00:48:04.280
<v Speaker 2>the UK is doing some larsvon Trier stuff. We're gonna

906
00:48:04.280 --> 00:48:06.239
<v Speaker 2>talk about one now in a couple in just a minute.

907
00:48:06.639 --> 00:48:10.519
<v Speaker 2>But this one Dancer in the Dark from two thousand.

908
00:48:10.840 --> 00:48:13.199
<v Speaker 2>Have you watched any Lars won Trier titles.

909
00:48:13.280 --> 00:48:17.920
<v Speaker 3>I gotta say I love him, favorite Lars.

910
00:48:18.320 --> 00:48:18.840
<v Speaker 2>What is it?

911
00:48:20.360 --> 00:48:23.559
<v Speaker 3>My mind goes right to the Five Obstructions, which is

912
00:48:23.599 --> 00:48:26.920
<v Speaker 3>a quasi. It is a documentary that he made. Have

913
00:48:27.000 --> 00:48:28.039
<v Speaker 3>you seen it? Do you know about it?

914
00:48:28.079 --> 00:48:30.400
<v Speaker 2>I have not. I'm still diving into some of those

915
00:48:30.400 --> 00:48:30.920
<v Speaker 2>older ones.

916
00:48:31.159 --> 00:48:34.280
<v Speaker 3>Yeah, I mean I love his early so, like I said,

917
00:48:34.280 --> 00:48:36.679
<v Speaker 3>early work is great. I thought Antichrist was kind of

918
00:48:36.679 --> 00:48:41.320
<v Speaker 3>a masterpiece. But Five Obstructions is him and this other

919
00:48:41.400 --> 00:48:44.599
<v Speaker 3>filmmaker friend, and the whole idea is he comes up

920
00:48:44.639 --> 00:48:47.239
<v Speaker 3>with these five rules, kind of like Dogma ninety five

921
00:48:47.280 --> 00:48:50.000
<v Speaker 3>had these rules, and you have to make the same

922
00:48:50.199 --> 00:48:55.719
<v Speaker 3>film short film five times using these five obstructions. And

923
00:48:55.760 --> 00:48:58.360
<v Speaker 3>they both do it, and so it's a conversation between

924
00:48:58.400 --> 00:49:04.239
<v Speaker 3>them about filmmaking. It's great. Definitely put the Five Obstructions

925
00:49:04.280 --> 00:49:06.719
<v Speaker 3>on your watch list, anybody who's interested in that.

926
00:49:07.159 --> 00:49:09.280
<v Speaker 2>I got a lucky enough I can't reach it.

927
00:49:09.320 --> 00:49:10.960
<v Speaker 3>But it's not a typical of Ventreer, you know.

928
00:49:11.360 --> 00:49:13.639
<v Speaker 2>It is that Curzona whole box that they did. It

929
00:49:13.679 --> 00:49:15.800
<v Speaker 2>was only missing the title that's on the screen now.

930
00:49:15.880 --> 00:49:18.039
<v Speaker 2>So now when I get this, it'll basically be a

931
00:49:18.079 --> 00:49:22.280
<v Speaker 2>complete set. But everything that I've seen from him is

932
00:49:23.079 --> 00:49:28.119
<v Speaker 2>at the very least supremely interesting, and you can't really

933
00:49:28.159 --> 00:49:29.360
<v Speaker 2>say that for any directors.

934
00:49:30.679 --> 00:49:33.039
<v Speaker 3>Yeah, I mean he's got he has some you know,

935
00:49:33.079 --> 00:49:37.000
<v Speaker 3>he's made some questionable statements, and he's a provocateur and

936
00:49:37.039 --> 00:49:39.639
<v Speaker 3>all that, and you know, with any kind of provocateur

937
00:49:39.960 --> 00:49:42.000
<v Speaker 3>you kind of have to take some of that with

938
00:49:42.079 --> 00:49:44.559
<v Speaker 3>a grant of salt. But when it comes to the arts,

939
00:49:44.599 --> 00:49:47.320
<v Speaker 3>like I think that what he did with Melancholia, like

940
00:49:47.360 --> 00:49:50.719
<v Speaker 3>I said, Dance from the Dark, breaking the Waves, all

941
00:49:50.800 --> 00:49:55.199
<v Speaker 3>they're just they're just very powerful works of film.

942
00:49:55.239 --> 00:49:57.199
<v Speaker 2>So Dance from the Dark a little bit of a

943
00:49:57.239 --> 00:49:59.960
<v Speaker 2>reminder for everybody that has not either paid a ten,

944
00:50:00.360 --> 00:50:04.760
<v Speaker 2>don't understand or don't know the history. This isn't even true. HD.

945
00:50:05.039 --> 00:50:07.840
<v Speaker 2>This is gonna come at I think it's four eighty

946
00:50:07.840 --> 00:50:10.840
<v Speaker 2>ep It is going to be the max that this

947
00:50:10.880 --> 00:50:12.079
<v Speaker 2>is gonna be able to hit. You got a bunch

948
00:50:12.079 --> 00:50:14.719
<v Speaker 2>of extras on here, but essentially you're gonna buy this

949
00:50:14.760 --> 00:50:16.840
<v Speaker 2>for the quality of the disc to be able to

950
00:50:16.920 --> 00:50:19.119
<v Speaker 2>last a long time. It'll be better than the DVD was.

951
00:50:20.079 --> 00:50:23.280
<v Speaker 2>This has behind the scenes doc von Treer's hundred eyes

952
00:50:23.320 --> 00:50:28.480
<v Speaker 2>on this. I cannot wait to have this release in hand.

953
00:50:28.880 --> 00:50:31.360
<v Speaker 2>And for those that have seen it, you'll you'll understand

954
00:50:31.400 --> 00:50:34.079
<v Speaker 2>the braille that's on the cover of this is probably

955
00:50:34.159 --> 00:50:34.679
<v Speaker 2>nice touch.

956
00:50:36.039 --> 00:50:39.880
<v Speaker 3>They love the yorc so yeah, you know, those are

957
00:50:40.000 --> 00:50:42.920
<v Speaker 3>really exciting to see when it came out. The York

958
00:50:43.039 --> 00:50:44.639
<v Speaker 3>is in this film.

959
00:50:44.360 --> 00:50:46.760
<v Speaker 2>Looks like a gorgeous release. I'm excited to get.

960
00:50:46.599 --> 00:50:47.800
<v Speaker 3>The devastating movie.

961
00:50:48.280 --> 00:50:51.880
<v Speaker 2>Oh yeah, oh yeah. And like I said, we're gonna

962
00:50:51.880 --> 00:50:53.760
<v Speaker 2>talk about a couple more Von Trier just a minute

963
00:50:53.760 --> 00:50:56.480
<v Speaker 2>that Corazona is doing on the same day, so be

964
00:50:56.559 --> 00:51:00.519
<v Speaker 2>prepared for that. We mentioned the Shining earlier is getting

965
00:51:00.639 --> 00:51:03.559
<v Speaker 2>yet another four K release. This is the exact same

966
00:51:03.599 --> 00:51:06.239
<v Speaker 2>disc that has always been coming out. This is a

967
00:51:06.280 --> 00:51:09.079
<v Speaker 2>four K steal, but coming from the Film Vault. Should

968
00:51:09.079 --> 00:51:11.360
<v Speaker 2>be coming here in the next couple months. It's the

969
00:51:11.400 --> 00:51:15.000
<v Speaker 2>Film Vault essentially is just a let's put all kinds

970
00:51:15.039 --> 00:51:17.639
<v Speaker 2>of crazy packaging on the same studio disc that you've

971
00:51:17.639 --> 00:51:20.519
<v Speaker 2>been getting for the last three years. Gotch and that's it.

972
00:51:20.880 --> 00:51:23.559
<v Speaker 2>So they'll happily charge you sixty dollars for a whole

973
00:51:23.559 --> 00:51:26.880
<v Speaker 2>bunch of plastic and if you already have the Shining,

974
00:51:27.079 --> 00:51:28.679
<v Speaker 2>you probably don't need this. But if this is your

975
00:51:28.679 --> 00:51:30.559
<v Speaker 2>first release and you love the movie, this is a

976
00:51:30.559 --> 00:51:33.559
<v Speaker 2>great release. I won't shoot on it for that, but

977
00:51:33.599 --> 00:51:34.960
<v Speaker 2>one that a lot of people don't have the four

978
00:51:35.039 --> 00:51:36.880
<v Speaker 2>K four because it was kind of difficult to get

979
00:51:36.880 --> 00:51:40.719
<v Speaker 2>at first. Poltergeist also getting that exact same style of

980
00:51:40.760 --> 00:51:43.280
<v Speaker 2>release from the film Vault. I believe both of those

981
00:51:43.320 --> 00:51:44.920
<v Speaker 2>will be releasing on the same day. It is a

982
00:51:44.920 --> 00:51:49.239
<v Speaker 2>steel book in this weird pet plastic case, a bunch

983
00:51:49.239 --> 00:51:53.159
<v Speaker 2>of art cards, some full up poster stuff like that.

984
00:51:53.400 --> 00:51:56.199
<v Speaker 3>It's for like the super super super fans of these films.

985
00:51:57.239 --> 00:52:02.719
<v Speaker 2>That and somebody that thinks my shelves are not full enough. Yeah.

986
00:52:02.760 --> 00:52:05.440
<v Speaker 2>Next up a beautiful movie from last year, Flow that

987
00:52:05.920 --> 00:52:09.000
<v Speaker 2>I wish I liked more. This is coming on four

988
00:52:09.079 --> 00:52:12.199
<v Speaker 2>K over in the UK from Curzone again. This will

989
00:52:12.239 --> 00:52:15.039
<v Speaker 2>be coming on June thirtieth. I loved this movie. The

990
00:52:15.199 --> 00:52:17.599
<v Speaker 2>art style wasn't for me, and I don't know if

991
00:52:17.599 --> 00:52:21.599
<v Speaker 2>that's just me being picky, but it felt like a

992
00:52:21.679 --> 00:52:22.800
<v Speaker 2>video game a lot of the time.

993
00:52:22.840 --> 00:52:26.480
<v Speaker 3>I will say yeah, I mean it kind of has

994
00:52:26.519 --> 00:52:29.039
<v Speaker 3>to be said because like it is. I mean, it's

995
00:52:29.039 --> 00:52:34.679
<v Speaker 3>a low budget film, like I thought, the environments looked great.

996
00:52:35.280 --> 00:52:38.320
<v Speaker 3>I agree, the close ups of the animals it did

997
00:52:38.960 --> 00:52:41.960
<v Speaker 3>feel like, oh man, this is so close to being

998
00:52:42.039 --> 00:52:45.800
<v Speaker 3>to working like stylistically and all jelling. Yeah, but it's

999
00:52:45.840 --> 00:52:49.960
<v Speaker 3>such a beautiful film overall. The feeling of it that

1000
00:52:50.039 --> 00:52:52.880
<v Speaker 3>had no dialogue. I mean, what a great idea for

1001
00:52:52.960 --> 00:52:55.400
<v Speaker 3>a film that I kind of just I give it

1002
00:52:55.400 --> 00:52:56.400
<v Speaker 3>a pass. I thought it was great.

1003
00:52:56.440 --> 00:52:58.880
<v Speaker 2>I agree, And one of the biggest things. I've got

1004
00:52:59.079 --> 00:53:02.559
<v Speaker 2>two kids both have autism, one of them also has ADHD.

1005
00:53:03.239 --> 00:53:06.480
<v Speaker 2>All three of us sat silently and watched this entire

1006
00:53:06.519 --> 00:53:09.320
<v Speaker 2>film and that blew me away. For a movie with

1007
00:53:09.480 --> 00:53:12.440
<v Speaker 2>no dialogue, that is incredible.

1008
00:53:12.760 --> 00:53:15.280
<v Speaker 3>That so yeah, absolutely we need more of it.

1009
00:53:17.800 --> 00:53:20.519
<v Speaker 2>Something we might not need more of. Rad has gotten

1010
00:53:20.559 --> 00:53:24.440
<v Speaker 2>multiple releases, recently getting a collector's edition release from mill

1011
00:53:24.519 --> 00:53:27.519
<v Speaker 2>Creek again on June seventeenth, coming on Blu Ray. But

1012
00:53:27.599 --> 00:53:30.760
<v Speaker 2>the big thing they added the brand new documentary called

1013
00:53:30.880 --> 00:53:34.519
<v Speaker 2>a RAD Documentary. Reminder for anybody that might be pre

1014
00:53:34.639 --> 00:53:37.519
<v Speaker 2>ordering this. This is also getting a four K release

1015
00:53:37.599 --> 00:53:40.719
<v Speaker 2>out of Australia from Umbrella over the next year, and

1016
00:53:40.920 --> 00:53:43.639
<v Speaker 2>I don't know for sure, but my hunch is it's Umbrella.

1017
00:53:43.719 --> 00:53:46.440
<v Speaker 2>They're probably going to release the documentary with that one, too,

1018
00:53:47.119 --> 00:53:49.480
<v Speaker 2>so my suggestion would be to not get.

1019
00:53:49.320 --> 00:53:54.480
<v Speaker 3>This gotcha Still, how spot up with this one? I

1020
00:53:54.519 --> 00:53:56.880
<v Speaker 3>have a friend from college. This is one of their

1021
00:53:56.920 --> 00:53:59.719
<v Speaker 3>favorite movies of all time, so I will be forced

1022
00:53:59.719 --> 00:54:02.679
<v Speaker 3>to watch at some point, so I mean talk about missing.

1023
00:54:02.719 --> 00:54:05.679
<v Speaker 3>I'm a little too old for this. Sorry too young

1024
00:54:06.119 --> 00:54:07.840
<v Speaker 3>for this one.

1025
00:54:08.960 --> 00:54:12.079
<v Speaker 2>I didn't catch this one when I was a kid,

1026
00:54:12.159 --> 00:54:15.599
<v Speaker 2>so it doesn't have the same nostalgia factor. I could

1027
00:54:15.599 --> 00:54:17.159
<v Speaker 2>see why it would have been great if I saw

1028
00:54:17.199 --> 00:54:19.679
<v Speaker 2>it when I was nine. Did not love it as

1029
00:54:19.679 --> 00:54:24.199
<v Speaker 2>an adult? Yeah, this one, however, I did love and

1030
00:54:24.239 --> 00:54:26.840
<v Speaker 2>I think this is a hilarious idea for a steel book.

1031
00:54:27.199 --> 00:54:30.440
<v Speaker 2>June ninth, Entertainment and Video Over in the UK is

1032
00:54:30.440 --> 00:54:32.760
<v Speaker 2>giving us a four K steel book of Baby Girl.

1033
00:54:32.840 --> 00:54:36.360
<v Speaker 2>This is Nicole kidman standing in a corner on the cover,

1034
00:54:36.760 --> 00:54:38.400
<v Speaker 2>and then the inside, of course, has a picture of

1035
00:54:38.440 --> 00:54:40.400
<v Speaker 2>the dog and a glass of milk. You can pre

1036
00:54:40.519 --> 00:54:42.480
<v Speaker 2>order this now. If you're in the US and you

1037
00:54:42.519 --> 00:54:43.960
<v Speaker 2>really want this steel book, you can get it from

1038
00:54:43.960 --> 00:54:47.480
<v Speaker 2>Brother Belyle. Pre Orders for that are available should be

1039
00:54:47.480 --> 00:54:48.800
<v Speaker 2>pretty much everywhere out of the UK.

1040
00:54:49.079 --> 00:54:53.199
<v Speaker 3>You mean there's no plastic slipcase that has liquid milk

1041
00:54:53.280 --> 00:54:55.360
<v Speaker 3>in it that you can come.

1042
00:54:55.199 --> 00:54:58.639
<v Speaker 2>On, we'll be hitting that innovation in probably two or

1043
00:54:58.679 --> 00:55:00.360
<v Speaker 2>three years. Yeah, we'll have the video.

1044
00:55:00.480 --> 00:55:02.400
<v Speaker 3>Yeah, you can actually drink milk out of it.

1045
00:55:03.280 --> 00:55:06.320
<v Speaker 2>Well, we'll re release what was that movie from about

1046
00:55:06.320 --> 00:55:09.440
<v Speaker 2>a year and a half ago. It's the Bathwater Oh god, Yeah,

1047
00:55:09.840 --> 00:55:10.559
<v Speaker 2>Selt burn.

1048
00:55:11.920 --> 00:55:14.079
<v Speaker 3>Like all the records, the vinyl records. They're doing it.

1049
00:55:14.360 --> 00:55:19.039
<v Speaker 2>Yeah, the Friday the thirteenth with the blood in it. Yeah. Next.

1050
00:55:19.159 --> 00:55:21.920
<v Speaker 2>I think this is a really sad idea of a

1051
00:55:21.960 --> 00:55:25.039
<v Speaker 2>steel book. But man, I actually really liked this movie.

1052
00:55:25.079 --> 00:55:32.000
<v Speaker 3>I've seen it. I don't know, man, I just I've

1053
00:55:32.000 --> 00:55:33.320
<v Speaker 3>been burned too many times.

1054
00:55:33.679 --> 00:55:36.199
<v Speaker 2>I get it, I get it. I disagree, but I

1055
00:55:36.239 --> 00:55:37.480
<v Speaker 2>get it. Maynight.

1056
00:55:37.599 --> 00:55:39.039
<v Speaker 3>But this is the most tempt that I've been to

1057
00:55:39.400 --> 00:55:40.880
<v Speaker 3>read it to come back in.

1058
00:55:42.119 --> 00:55:45.360
<v Speaker 2>It's It feels like a classic for the first half.

1059
00:55:45.400 --> 00:55:47.320
<v Speaker 2>But if you felt burned over the last ten years,

1060
00:55:47.360 --> 00:55:49.199
<v Speaker 2>you're probably gonna feel burned by the second half.

1061
00:55:49.320 --> 00:55:51.679
<v Speaker 3>Okay, that's figure. That's what I've heard.

1062
00:55:52.480 --> 00:55:54.639
<v Speaker 2>This is Warner Brothers over in the UK putting out

1063
00:55:54.760 --> 00:55:57.440
<v Speaker 2>Trap from last year in a four K Steel Book.

1064
00:55:58.000 --> 00:55:59.639
<v Speaker 2>It's got all the same extras that have been on

1065
00:55:59.679 --> 00:56:02.079
<v Speaker 2>the other releases that have been coming out, and I

1066
00:56:02.159 --> 00:56:04.760
<v Speaker 2>really wish they had done something different with the steel book.

1067
00:56:04.760 --> 00:56:06.559
<v Speaker 2>I do like when we get original poster art, but

1068
00:56:06.599 --> 00:56:08.840
<v Speaker 2>for a steel book, the art should be a little

1069
00:56:08.840 --> 00:56:12.079
<v Speaker 2>special and this it just is not quite enough to

1070
00:56:12.159 --> 00:56:13.920
<v Speaker 2>make me feel like I need to buy a premium

1071
00:56:13.920 --> 00:56:18.800
<v Speaker 2>package for it. Okay, going to the next one speaking

1072
00:56:18.840 --> 00:56:21.119
<v Speaker 2>a second run, which we don't get to a lot.

1073
00:56:21.159 --> 00:56:23.360
<v Speaker 2>So I'm glad you brought him up. May twenty six,

1074
00:56:23.440 --> 00:56:26.039
<v Speaker 2>there's a blu ray coming of Ishanu. This is from

1075
00:56:26.119 --> 00:56:28.880
<v Speaker 2>nineteen ninety. I probably said that terribly. I am not

1076
00:56:28.960 --> 00:56:32.920
<v Speaker 2>known for being a linguist. This is a film that

1077
00:56:33.039 --> 00:56:37.079
<v Speaker 2>juxtaposes the spiritual world of the my byss with the

1078
00:56:37.199 --> 00:56:41.199
<v Speaker 2>rhythm with the rhythm of ordinary life. This is going

1079
00:56:41.280 --> 00:56:43.599
<v Speaker 2>to have a new four K restoration by the Film

1080
00:56:43.639 --> 00:56:47.400
<v Speaker 2>Heritage Foundation, a newly filmed interview with the director of

1081
00:56:47.599 --> 00:56:53.760
<v Speaker 2>this piece of Indian cinema, Film Heritage Founder Shavendra Singh

1082
00:56:53.960 --> 00:56:57.039
<v Speaker 2>Dungepur and the actor that they were interviewed by the writer.

1083
00:56:57.760 --> 00:56:59.519
<v Speaker 2>All happened in twenty twenty three, so they got some

1084
00:56:59.559 --> 00:57:03.000
<v Speaker 2>new stuff there's a book that with new essays, lots

1085
00:57:03.000 --> 00:57:04.800
<v Speaker 2>of stuff coming in. I'm glad that they're putting out

1086
00:57:04.800 --> 00:57:08.119
<v Speaker 2>an Indian film. This is pretty exciting. Yeah, totally.

1087
00:57:08.199 --> 00:57:12.880
<v Speaker 3>I mean the their curation is great, so I'm this

1088
00:57:12.920 --> 00:57:13.920
<v Speaker 3>is going to be on my radar.

1089
00:57:13.960 --> 00:57:17.159
<v Speaker 2>I no, yeah, they do some films again that like

1090
00:57:17.199 --> 00:57:18.639
<v Speaker 2>nobody else would ever put out.

1091
00:57:19.039 --> 00:57:22.800
<v Speaker 3>Another thing to mention to the listener is like another

1092
00:57:22.840 --> 00:57:27.079
<v Speaker 3>region I no pun intended have not entered is region free.

1093
00:57:27.320 --> 00:57:29.400
<v Speaker 3>So I mean, I'm sure I can buy a region

1094
00:57:29.400 --> 00:57:32.039
<v Speaker 3>free player any day, and I will, but so. But

1095
00:57:32.199 --> 00:57:34.440
<v Speaker 3>the nice thing about second runds is most of them

1096
00:57:34.480 --> 00:57:36.840
<v Speaker 3>are region free, not all of them, but you need

1097
00:57:36.880 --> 00:57:38.840
<v Speaker 3>to check each one. If you don't have region free,

1098
00:57:38.880 --> 00:57:42.719
<v Speaker 3>I guess most of your listeners probably do, but just

1099
00:57:42.840 --> 00:57:44.719
<v Speaker 3>check that before. But most of them are good.

1100
00:57:45.360 --> 00:57:47.159
<v Speaker 2>Every time we bring this up, we have a couple

1101
00:57:47.239 --> 00:57:50.320
<v Speaker 2>that in the chat will say I'm never going region

1102
00:57:50.360 --> 00:57:53.840
<v Speaker 2>free region a forever. There you go. So for those people,

1103
00:57:56.320 --> 00:58:01.599
<v Speaker 2>let's see what is next next up again Lars von

1104
00:58:01.679 --> 00:58:04.079
<v Speaker 2>Treer from crazone. This is also coming on June ninth.

1105
00:58:04.119 --> 00:58:08.039
<v Speaker 2>We're getting a standalone edition of The Idiots. This is

1106
00:58:08.079 --> 00:58:13.239
<v Speaker 2>from nineteen ninety eight. This is looked at as his

1107
00:58:13.320 --> 00:58:17.719
<v Speaker 2>masterpiece by a lot of people. This is a beautiful movie.

1108
00:58:17.760 --> 00:58:21.480
<v Speaker 2>It's got a making of on here, It's got behind

1109
00:58:21.480 --> 00:58:23.840
<v Speaker 2>the scenes doc all kinds of stuff that has been on,

1110
00:58:24.280 --> 00:58:26.679
<v Speaker 2>you know, associated with this film for years. How do

1111
00:58:26.679 --> 00:58:27.960
<v Speaker 2>you feel about the idiots, sir?

1112
00:58:28.079 --> 00:58:31.800
<v Speaker 3>I haven't seen it yet, some of his early work

1113
00:58:31.840 --> 00:58:34.960
<v Speaker 3>I need to see. Still so excited, you know, just

1114
00:58:35.039 --> 00:58:38.079
<v Speaker 3>kind of saving it and maybe this will be the

1115
00:58:38.119 --> 00:58:39.119
<v Speaker 3>time to go.

1116
00:58:39.559 --> 00:58:41.239
<v Speaker 2>Well, this one will be locked Region B.

1117
00:58:41.440 --> 00:58:43.760
<v Speaker 3>Yeah, Well to Gossover.

1118
00:58:44.639 --> 00:58:48.679
<v Speaker 2>They're also doing Dogville on that same day. This as

1119
00:58:48.800 --> 00:58:50.920
<v Speaker 2>again all the same extras that were in the box set.

1120
00:58:51.480 --> 00:58:54.480
<v Speaker 2>And this is another one that it seems like all

1121
00:58:54.519 --> 00:58:57.800
<v Speaker 2>the von Treer titles get sort of equally sliced for

1122
00:58:57.840 --> 00:59:00.119
<v Speaker 2>a lot of people that think that it's their favorite one.

1123
00:59:00.159 --> 00:59:03.239
<v Speaker 2>But the big thing with this one, other than Nymphomaniac,

1124
00:59:03.320 --> 00:59:06.599
<v Speaker 2>this is probably his most mainstream cast. You know. We've

1125
00:59:06.599 --> 00:59:10.159
<v Speaker 2>got Nicole Kidman, Paul Bettany, John Hurt stealing scars, guard

1126
00:59:10.239 --> 00:59:15.119
<v Speaker 2>Philip Baker Halls in this, James Kahn, Udo Kure not

1127
00:59:15.440 --> 00:59:17.480
<v Speaker 2>in it for a long time, but the cast in

1128
00:59:17.559 --> 00:59:18.960
<v Speaker 2>this astounding.

1129
00:59:19.559 --> 00:59:21.800
<v Speaker 3>Yeah, and this is a hardcore one, like it's if

1130
00:59:21.840 --> 00:59:24.079
<v Speaker 3>you can get through this one, you can in a

1131
00:59:24.119 --> 00:59:26.599
<v Speaker 3>way get through any of it. It's not that it's graphic.

1132
00:59:26.679 --> 00:59:28.599
<v Speaker 3>In fact, it's not. It's all on a stage. It's

1133
00:59:28.639 --> 00:59:31.800
<v Speaker 3>got this Brechtian thing that's the whole. Like the cover

1134
00:59:31.920 --> 00:59:34.840
<v Speaker 3>is showing the plot of the house, and it's all

1135
00:59:34.960 --> 00:59:38.639
<v Speaker 3>just an imaginary house. It's like a play, so you're

1136
00:59:38.679 --> 00:59:43.039
<v Speaker 3>imagining everything. It's just a acting film. And he gets

1137
00:59:43.039 --> 00:59:46.920
<v Speaker 3>the performances he gets, especially after out of actresses, I

1138
00:59:46.960 --> 00:59:49.559
<v Speaker 3>mean Kidman, just like this was in the when she

1139
00:59:49.679 --> 00:59:52.719
<v Speaker 3>really started going on a tear. Yeah, it was some

1140
00:59:52.760 --> 00:59:54.760
<v Speaker 3>of these incredible performance.

1141
00:59:56.159 --> 00:59:58.280
<v Speaker 2>Since we've had two Kidman's in the last five minutes.

1142
00:59:58.400 --> 01:00:01.519
<v Speaker 2>One thing I want to shout out back in I

1143
01:00:01.559 --> 01:00:04.719
<v Speaker 2>think it was twenty sixteen or twenty seventeen, she made

1144
01:00:04.719 --> 01:00:08.159
<v Speaker 2>this big public pledge that every time that she works

1145
01:00:08.199 --> 01:00:11.119
<v Speaker 2>with the director she would alternate at least and do

1146
01:00:11.559 --> 01:00:13.679
<v Speaker 2>I think the promise was do at least one film

1147
01:00:13.679 --> 01:00:16.519
<v Speaker 2>with the female director every year. Yeah, And since she

1148
01:00:16.639 --> 01:00:21.559
<v Speaker 2>made that promise, she's done like seventeen films with female directors. Yea,

1149
01:00:21.599 --> 01:00:25.119
<v Speaker 2>and not any other actor is doing something like that.

1150
01:00:26.039 --> 01:00:27.719
<v Speaker 2>I am insanely impressed. With that.

1151
01:00:28.079 --> 01:00:31.920
<v Speaker 3>Particularly love her because eyeswid Shut is in my top

1152
01:00:32.159 --> 01:00:36.800
<v Speaker 3>five of all time, and she's also in Nashvillian, where

1153
01:00:36.840 --> 01:00:41.719
<v Speaker 3>I live. She has come to the Bellcourt often. The

1154
01:00:41.719 --> 01:00:48.400
<v Speaker 3>Bellcourt did a series that Nicole Kidman hand picked of

1155
01:00:48.440 --> 01:00:50.840
<v Speaker 3>her career last year. It was one of the highlights

1156
01:00:50.880 --> 01:00:53.760
<v Speaker 3>of the movie going year. Here this is why the

1157
01:00:53.760 --> 01:00:57.280
<v Speaker 3>bell Court is great. See the Kidman series picked by her.

1158
01:00:58.360 --> 01:00:59.440
<v Speaker 2>What did she pick? Do you remember?

1159
01:00:59.559 --> 01:01:02.320
<v Speaker 3>I mean picked kind of what you'd expect, you know,

1160
01:01:02.440 --> 01:01:05.880
<v Speaker 3>kind of just these really interesting Dogville you know, Eyes

1161
01:01:05.920 --> 01:01:09.519
<v Speaker 3>Wide Shut, a film I'm going to mention later in

1162
01:01:09.559 --> 01:01:14.599
<v Speaker 3>my top five. Yeah, just you know, she's just worked

1163
01:01:14.599 --> 01:01:16.440
<v Speaker 3>with so many great people.

1164
01:01:17.199 --> 01:01:21.920
<v Speaker 2>She's incredible. Yeah, all right, And of course I clicked

1165
01:01:21.920 --> 01:01:26.599
<v Speaker 2>the wrong thing. Oh, let's talk about a brand new movie.

1166
01:01:26.920 --> 01:01:29.159
<v Speaker 2>Borderline from this year is coming on Blu Ray in

1167
01:01:29.199 --> 01:01:32.360
<v Speaker 2>the US from Magnolia on June tenth. This is with

1168
01:01:32.440 --> 01:01:35.760
<v Speaker 2>Samorrow Weaving and the other one is Ray Nicholson. This

1169
01:01:35.960 --> 01:01:42.079
<v Speaker 2>is John. This is Nicholson's son, Jack nicholson son, who

1170
01:01:42.159 --> 01:01:45.440
<v Speaker 2>is excluding right now. He had a small part in

1171
01:01:45.519 --> 01:01:48.440
<v Speaker 2>Smile Too, and they used him as the poster and

1172
01:01:48.519 --> 01:01:51.840
<v Speaker 2>now he is one of the two main actors in

1173
01:01:51.840 --> 01:01:54.320
<v Speaker 2>this one, and I've loved Tomorrow Weaving in most of

1174
01:01:54.360 --> 01:01:56.320
<v Speaker 2>what she's done, so I'm curious to see this one,

1175
01:01:56.360 --> 01:01:59.000
<v Speaker 2>but not heard amazing things.

1176
01:01:58.880 --> 01:02:00.599
<v Speaker 3>I didn't even know. This is a first I've ever

1177
01:02:00.599 --> 01:02:04.119
<v Speaker 3>heard of this or this or his Jack Wills and

1178
01:02:04.159 --> 01:02:05.199
<v Speaker 3>something I did not know why.

1179
01:02:06.000 --> 01:02:09.079
<v Speaker 2>Yeah, he's got He's got the same like a nineteen

1180
01:02:09.159 --> 01:02:15.719
<v Speaker 2>seventy eight Jack style smile. Yeah you seum? Okay. Next,

1181
01:02:16.159 --> 01:02:19.400
<v Speaker 2>Keino is putting out King and Country here soon on

1182
01:02:19.519 --> 01:02:22.360
<v Speaker 2>Blu Ray. This is from nineteen sixty six with a

1183
01:02:22.559 --> 01:02:24.880
<v Speaker 2>hell of a evocative poster that they're using.

1184
01:02:24.920 --> 01:02:27.760
<v Speaker 3>Here is that the cover because that's just a poster

1185
01:02:27.960 --> 01:02:29.079
<v Speaker 3>full full on.

1186
01:02:29.280 --> 01:02:31.719
<v Speaker 2>That when they when they don't have a release date,

1187
01:02:31.760 --> 01:02:32.960
<v Speaker 2>they do not share the cover.

1188
01:02:33.119 --> 01:02:34.440
<v Speaker 3>Oh oh gosha.

1189
01:02:34.559 --> 01:02:37.000
<v Speaker 2>This might be the reverse of the cover when they

1190
01:02:37.039 --> 01:02:39.280
<v Speaker 2>put it out, but this is just the original theatrical

1191
01:02:39.280 --> 01:02:42.039
<v Speaker 2>post got it. So yeah, we don't know when this

1192
01:02:42.079 --> 01:02:44.079
<v Speaker 2>is coming out, but it'll be a four K restoration

1193
01:02:44.159 --> 01:02:48.000
<v Speaker 2>that Studio Canal did recently got at that point they

1194
01:02:48.079 --> 01:02:53.159
<v Speaker 2>might update it to UHG but probably not. Then the

1195
01:02:53.199 --> 01:02:57.599
<v Speaker 2>next one, this one will be a UHD uncommon valor

1196
01:02:57.639 --> 01:02:59.920
<v Speaker 2>from nineteen eighty three, will be a four K release

1197
01:03:00.039 --> 01:03:02.400
<v Speaker 2>from Keno here soon it will be a brand new

1198
01:03:02.519 --> 01:03:07.840
<v Speaker 2>HDR and Dolby Vision Master again huge cast. This is

1199
01:03:07.880 --> 01:03:10.519
<v Speaker 2>one that you know when Gene Hackman just recently passed,

1200
01:03:10.559 --> 01:03:13.480
<v Speaker 2>got brought up quite a bit. Gene is the main

1201
01:03:13.559 --> 01:03:16.840
<v Speaker 2>lead in this. We got Robert Stack, fred Ward, Patrick Swayze.

1202
01:03:17.719 --> 01:03:20.639
<v Speaker 2>This is quite a big one and directed by somebody

1203
01:03:20.639 --> 01:03:23.000
<v Speaker 2>who just passed like a week and a half ago,

1204
01:03:23.159 --> 01:03:26.400
<v Speaker 2>Ted Katcheff. So this is this is a very timely

1205
01:03:26.519 --> 01:03:30.320
<v Speaker 2>release from them. Okay, I've never seen this one, but

1206
01:03:30.400 --> 01:03:31.760
<v Speaker 2>I'm certainly eager to Yeah.

1207
01:03:31.880 --> 01:03:33.920
<v Speaker 3>Same, I got some Hackmans to catch up with.

1208
01:03:34.760 --> 01:03:39.159
<v Speaker 2>Yeah, me too. He's done some great stuff. Next, I

1209
01:03:39.320 --> 01:03:42.639
<v Speaker 2>wanted to shortly mention this one my magazine that I

1210
01:03:42.679 --> 01:03:45.599
<v Speaker 2>put out, the Physical Media Advocate, handful of things. I

1211
01:03:45.639 --> 01:03:47.559
<v Speaker 2>wanted to remind everybody. If you're a writer, if you're

1212
01:03:47.599 --> 01:03:50.880
<v Speaker 2>an artist, if you review films or physical media, and

1213
01:03:50.920 --> 01:03:53.719
<v Speaker 2>you wanted somewhere to put out your work, I would

1214
01:03:53.760 --> 01:03:56.920
<v Speaker 2>love to share that with the world. Reach out to me.

1215
01:03:57.000 --> 01:04:00.320
<v Speaker 2>Send me an email at disc Connected Media at gmail

1216
01:04:00.360 --> 01:04:03.840
<v Speaker 2>dot com. The other thing is we do letters theaters.

1217
01:04:03.920 --> 01:04:05.880
<v Speaker 2>If you've ever had like a question about a film,

1218
01:04:05.920 --> 01:04:09.440
<v Speaker 2>itself for about physical media. If you want to. If

1219
01:04:09.480 --> 01:04:11.519
<v Speaker 2>you're too embarrassed to ask a label, I'll go ask

1220
01:04:11.559 --> 01:04:13.840
<v Speaker 2>for you. Send me an email. We'll we'll print your

1221
01:04:13.920 --> 01:04:16.920
<v Speaker 2>question and we'll try to answer it as well. And

1222
01:04:16.960 --> 01:04:18.800
<v Speaker 2>then the other thing. If you run a boutique label,

1223
01:04:19.000 --> 01:04:21.320
<v Speaker 2>or you run a theater or anything like that, we

1224
01:04:21.360 --> 01:04:24.920
<v Speaker 2>are happy to advertise events for you or any sport

1225
01:04:25.039 --> 01:04:28.320
<v Speaker 2>of releases that you got coming up. Just again, send

1226
01:04:28.320 --> 01:04:30.639
<v Speaker 2>me another email. But yeah, we got a brand new

1227
01:04:30.719 --> 01:04:34.599
<v Speaker 2>issue coming out on May first, and super excited for

1228
01:04:34.719 --> 01:04:36.760
<v Speaker 2>what it is turning out to be because it's going

1229
01:04:36.800 --> 01:04:39.800
<v Speaker 2>to be an astonishing one. How do you do it all? Man?

1230
01:04:39.840 --> 01:04:43.360
<v Speaker 3>That's so cool. I didn't even know about this yet.

1231
01:04:43.400 --> 01:04:45.559
<v Speaker 3>And it's just you got a lot of a lot

1232
01:04:45.599 --> 01:04:47.199
<v Speaker 3>of iron you're cooking that you're.

1233
01:04:47.079 --> 01:04:50.320
<v Speaker 2>Cooking at We'll talk afterwards. Give me an address, I'll

1234
01:04:50.320 --> 01:04:53.920
<v Speaker 2>send you a copy. I didn't even know this was

1235
01:04:53.920 --> 01:04:57.719
<v Speaker 2>a thing. On June twenty fourth, End Circle, who is

1236
01:04:57.800 --> 01:05:00.800
<v Speaker 2>like a subsidiary of Mill Creek, they're putting out a

1237
01:05:00.800 --> 01:05:04.039
<v Speaker 2>blu ray steel book of Sonic Prime the Complete series.

1238
01:05:04.280 --> 01:05:07.039
<v Speaker 2>I guess this was a Netflix show. Had no idea

1239
01:05:07.039 --> 01:05:09.880
<v Speaker 2>about this, but yeah, this whole thing is coming out

1240
01:05:09.920 --> 01:05:13.840
<v Speaker 2>here soon, coming out in June. The biggest thing here.

1241
01:05:14.000 --> 01:05:15.800
<v Speaker 2>I'm always excited to see stuff that was locked on

1242
01:05:15.800 --> 01:05:18.039
<v Speaker 2>streaming get physical releases. I hope you get more and

1243
01:05:18.079 --> 01:05:24.280
<v Speaker 2>more of those. Man, we got an interesting thing. We're

1244
01:05:24.320 --> 01:05:27.239
<v Speaker 2>gonna be talking about two disc replacements coming up for

1245
01:05:27.320 --> 01:05:30.000
<v Speaker 2>Warner Archive tonight. This is the first one, and it's

1246
01:05:30.039 --> 01:05:32.760
<v Speaker 2>for Wait Till Your Father Gets Home. This is a

1247
01:05:32.960 --> 01:05:35.320
<v Speaker 2>series that they just did, an animated series from I

1248
01:05:35.360 --> 01:05:39.400
<v Speaker 2>think it was the seventies, and what happened is they

1249
01:05:39.679 --> 01:05:43.880
<v Speaker 2>accidentally did not author the bonus features on there, so

1250
01:05:44.360 --> 01:05:46.079
<v Speaker 2>they want to send you the disc that has them

1251
01:05:46.159 --> 01:05:48.639
<v Speaker 2>if you were able to get this in so make

1252
01:05:48.679 --> 01:05:52.599
<v Speaker 2>sure you are putting in for the replacement if you

1253
01:05:52.679 --> 01:05:54.840
<v Speaker 2>got this, because you deserve to have those bonus features.

1254
01:05:56.440 --> 01:05:58.880
<v Speaker 2>We'll talk about one more near the end of the show. Okay,

1255
01:06:00.239 --> 01:06:04.039
<v Speaker 2>oh man, this is one of my favorites. July eighth,

1256
01:06:04.079 --> 01:06:06.320
<v Speaker 2>we are getting a four K steel book and a

1257
01:06:06.360 --> 01:06:09.239
<v Speaker 2>standard release of Clueless from nineteen ninety five. This is

1258
01:06:09.280 --> 01:06:14.840
<v Speaker 2>the thirtieth anniversary of Clueless. Holy God, yep, I'm so.

1259
01:06:14.920 --> 01:06:17.519
<v Speaker 2>I'm in the nineties tribute band. We've been doing it

1260
01:06:17.519 --> 01:06:18.599
<v Speaker 2>for about fifteen years.

1261
01:06:19.039 --> 01:06:22.280
<v Speaker 3>We play all the music of the nineties and so yeah,

1262
01:06:22.360 --> 01:06:25.599
<v Speaker 3>nineties pop culture is like one of my like expertise

1263
01:06:25.960 --> 01:06:28.760
<v Speaker 3>is you know, And yeah, we have a lot of

1264
01:06:28.760 --> 01:06:31.239
<v Speaker 3>thirtieth anniversaries we're dealing with, so.

1265
01:06:32.159 --> 01:06:34.880
<v Speaker 2>Yeah, a lot of thirtieth anniversaries that that makes sense.

1266
01:06:35.719 --> 01:06:39.480
<v Speaker 3>Yeah, yeah, I'm all over this as well.

1267
01:06:39.519 --> 01:06:41.639
<v Speaker 2>This is one of my favorites easily. I think one

1268
01:06:41.639 --> 01:06:44.440
<v Speaker 2>of the best comedies from the nineties. I don't know

1269
01:06:44.440 --> 01:06:47.039
<v Speaker 2>about the Steel Book. The steel book that they're doing

1270
01:06:47.039 --> 01:06:48.920
<v Speaker 2>for this is the exact same steel book they did

1271
01:06:49.679 --> 01:06:52.119
<v Speaker 2>oh like two years ago for the Blu ray. They

1272
01:06:52.159 --> 01:06:54.199
<v Speaker 2>just put it in a slipcover and put all this

1273
01:06:54.239 --> 01:06:56.639
<v Speaker 2>fancy stuff with it. I don't need all that. If

1274
01:06:56.639 --> 01:06:59.320
<v Speaker 2>I can get the standard four K for like fifteen

1275
01:06:59.360 --> 01:07:04.880
<v Speaker 2>twenty bucks, I'll jump all over bit this one. I

1276
01:07:04.920 --> 01:07:06.800
<v Speaker 2>have heard great things about this.

1277
01:07:06.679 --> 01:07:07.800
<v Speaker 3>One, Okay, yeah, have you.

1278
01:07:08.400 --> 01:07:11.199
<v Speaker 2>June seventeenth, Magnolia is releasing a Blu ray of The

1279
01:07:11.239 --> 01:07:13.960
<v Speaker 2>Assessment from last year. This is a film with the

1280
01:07:14.119 --> 01:07:17.320
<v Speaker 2>Alicia of a Candor and Elizabeth Olsen and JAMESH. Patel.

1281
01:07:17.960 --> 01:07:21.000
<v Speaker 2>I've heard this is a very trippy film, and the

1282
01:07:21.000 --> 01:07:23.280
<v Speaker 2>people that have said that to me seem to have

1283
01:07:23.320 --> 01:07:25.239
<v Speaker 2>a lot of the same taste when they talk about

1284
01:07:25.320 --> 01:07:27.480
<v Speaker 2>that sort of thing. So I'm curious anybody in the

1285
01:07:27.519 --> 01:07:28.719
<v Speaker 2>chat seen this one yet.

1286
01:07:28.880 --> 01:07:32.960
<v Speaker 3>I've not seen it yet. I love the candor. Yea.

1287
01:07:34.400 --> 01:07:37.920
<v Speaker 3>There's this film called The Light Between Oceans and it's

1288
01:07:37.920 --> 01:07:41.239
<v Speaker 3>actually where she and Michael Fassbender worked together for the

1289
01:07:41.280 --> 01:07:43.880
<v Speaker 3>first time and then fell in love and got married.

1290
01:07:44.639 --> 01:07:46.960
<v Speaker 3>And if you've if you've seen a movie where two

1291
01:07:47.119 --> 01:07:51.599
<v Speaker 3>actors are literally falling in love on screen, the performances

1292
01:07:51.679 --> 01:07:55.639
<v Speaker 3>are so real, like it is. I saw that and

1293
01:07:55.679 --> 01:07:57.800
<v Speaker 3>I was like, she's my favorite actress of her generation,

1294
01:07:58.119 --> 01:08:02.239
<v Speaker 3>just like wow. So that it's just a period romantic drama.

1295
01:08:02.679 --> 01:08:05.159
<v Speaker 3>It's there's nothing genre about it. But if you just

1296
01:08:05.199 --> 01:08:09.119
<v Speaker 3>want to see great performances of Alicia vikandor.

1297
01:08:08.840 --> 01:08:14.239
<v Speaker 2>So, hell yeah, that sounds great. Yeah, all right. We've

1298
01:08:14.239 --> 01:08:16.079
<v Speaker 2>been talking about this for the last month and a

1299
01:08:16.119 --> 01:08:19.720
<v Speaker 2>half because of the multiple updates from this and it's

1300
01:08:19.760 --> 01:08:22.319
<v Speaker 2>selling out and people going crazy. And if you remember,

1301
01:08:22.760 --> 01:08:25.079
<v Speaker 2>I told you every single time there will be a

1302
01:08:25.079 --> 01:08:27.880
<v Speaker 2>standard release of The Beyond and four K, you don't

1303
01:08:27.920 --> 01:08:30.520
<v Speaker 2>need to worry about it. And just like I said

1304
01:08:30.680 --> 01:08:33.840
<v Speaker 2>July twenty ninth, you're getting a standard release of The Beyond.

1305
01:08:34.239 --> 01:08:38.439
<v Speaker 2>This will be available everywhere. The crazy thing is, every

1306
01:08:38.439 --> 01:08:40.520
<v Speaker 2>time I've been talking about it, I said they may

1307
01:08:40.840 --> 01:08:42.880
<v Speaker 2>drop a disc or two because this is a sixth

1308
01:08:42.920 --> 01:08:46.560
<v Speaker 2>disc release. They're not dropping anything. This is going to

1309
01:08:46.640 --> 01:08:51.039
<v Speaker 2>be a full six disc release. This is a great film,

1310
01:08:51.039 --> 01:08:54.680
<v Speaker 2>I love it, but to have a standard edition for

1311
01:08:54.720 --> 01:08:58.600
<v Speaker 2>this that is still six discs. Essentially, this is probably

1312
01:08:58.640 --> 01:09:01.479
<v Speaker 2>going to be sixty dollars to say sixty five dollars always,

1313
01:09:01.960 --> 01:09:04.680
<v Speaker 2>and then like once a year, probably around Black Friday,

1314
01:09:04.680 --> 01:09:06.960
<v Speaker 2>they'll have a sale on their site and it'll probably

1315
01:09:07.000 --> 01:09:09.600
<v Speaker 2>go down to about forty. But you're probably never gonna

1316
01:09:09.600 --> 01:09:11.760
<v Speaker 2>get it under that. You're not going to get something

1317
01:09:11.800 --> 01:09:16.079
<v Speaker 2>with only like three discs. The standard is the Deluxe.

1318
01:09:16.319 --> 01:09:19.560
<v Speaker 2>It's everything that came in the original release except for

1319
01:09:19.960 --> 01:09:27.600
<v Speaker 2>the plastic eyeball. Everything else is the same. That's wild,

1320
01:09:28.560 --> 01:09:32.760
<v Speaker 2>And don't what's the best way to say this, don't

1321
01:09:32.800 --> 01:09:36.680
<v Speaker 2>fall for the grindhouse releasing marketing every time, because yeah,

1322
01:09:36.720 --> 01:09:40.640
<v Speaker 2>literally everything will be identical. I've been saying this every

1323
01:09:40.640 --> 01:09:43.439
<v Speaker 2>single time they release something for years. Unless they come

1324
01:09:43.479 --> 01:09:46.399
<v Speaker 2>out and say, like there is an exclusive slip cover,

1325
01:09:47.000 --> 01:09:50.680
<v Speaker 2>everything else will be the same, and this standard release

1326
01:09:50.800 --> 01:09:53.439
<v Speaker 2>is the exact same as the deluxe release, and the

1327
01:09:53.479 --> 01:09:55.880
<v Speaker 2>deluxe release is the exact same as what they originally

1328
01:09:55.920 --> 01:09:58.560
<v Speaker 2>put out as the limited release, except it doesn't have

1329
01:09:58.600 --> 01:10:01.960
<v Speaker 2>a plastic eyeball. Nice.

1330
01:10:02.199 --> 01:10:05.680
<v Speaker 3>You know your stuff? This is good? Could inseel I try?

1331
01:10:06.399 --> 01:10:10.119
<v Speaker 2>May twenty seventh, Universal and Blumhouse putting out The Woman

1332
01:10:10.319 --> 01:10:13.680
<v Speaker 2>in the Yard from late last year. I never even

1333
01:10:13.760 --> 01:10:16.319
<v Speaker 2>saw that this got released. I thought he supposed to

1334
01:10:16.319 --> 01:10:18.800
<v Speaker 2>come out early this year, but I guess it came

1335
01:10:18.840 --> 01:10:22.359
<v Speaker 2>out earlier. This actually has some extras on here, a

1336
01:10:22.399 --> 01:10:26.399
<v Speaker 2>couple of featurettes. Nothing crazy. Again, anybody's seen this one?

1337
01:10:26.159 --> 01:10:33.319
<v Speaker 2>I've heard literally nothing about this one. No, yeah, I

1338
01:10:33.319 --> 01:10:34.319
<v Speaker 2>imagine that you had not.

1339
01:10:35.399 --> 01:10:38.720
<v Speaker 3>No. Yeah, I mean again, it's not totally my genre,

1340
01:10:38.760 --> 01:10:40.640
<v Speaker 3>but so, I mean, I keep up with everything that's

1341
01:10:40.680 --> 01:10:44.359
<v Speaker 3>coming out, and I'm pretty aware. But yeah, I hadn't

1342
01:10:44.359 --> 01:10:48.119
<v Speaker 3>heard this. I saw the announcement and jamming art and

1343
01:10:48.159 --> 01:10:50.000
<v Speaker 3>triggering key art for sure. Yeah.

1344
01:10:50.239 --> 01:10:51.680
<v Speaker 2>It's something that I'll make you pick it up off

1345
01:10:51.680 --> 01:10:57.520
<v Speaker 2>the shelf at least. Yeah, this one. June twenty fifth,

1346
01:10:57.880 --> 01:11:02.039
<v Speaker 2>Germany and Kpelite Pictures putting out a four K steal

1347
01:11:02.079 --> 01:11:04.880
<v Speaker 2>book of Maxine now this is one. A lot of

1348
01:11:04.920 --> 01:11:07.520
<v Speaker 2>people in the US have been speculating that A twenty

1349
01:11:07.560 --> 01:11:10.960
<v Speaker 2>four should release a four K set of X Pearl,

1350
01:11:11.560 --> 01:11:14.680
<v Speaker 2>which I'm wearing my Pearl shirt tonight and Maxine in

1351
01:11:14.720 --> 01:11:18.039
<v Speaker 2>like a three pack. We have we have no information

1352
01:11:18.119 --> 01:11:20.760
<v Speaker 2>on that. Do I think they will? I mean they

1353
01:11:20.880 --> 01:11:25.600
<v Speaker 2>like money, so probably, But when is that gonna happen?

1354
01:11:25.640 --> 01:11:29.199
<v Speaker 2>Because now Maxine has been out for gosh in what

1355
01:11:29.279 --> 01:11:30.880
<v Speaker 2>two months? It will be a year, and we still

1356
01:11:30.880 --> 01:11:35.920
<v Speaker 2>don't have any clues, any announcements, nothing. It's hard to

1357
01:11:36.119 --> 01:11:36.920
<v Speaker 2>hard to gauge.

1358
01:11:38.560 --> 01:11:42.960
<v Speaker 3>I did love this trilogy. Man, it surprises me, Like again,

1359
01:11:43.079 --> 01:11:47.000
<v Speaker 3>not horror is not nothing. I guess it would be horror,

1360
01:11:47.359 --> 01:11:50.520
<v Speaker 3>but I don't know how you guys define this this trilogy.

1361
01:11:51.159 --> 01:11:54.239
<v Speaker 3>But yeah, I was just really I think I saw

1362
01:11:54.319 --> 01:11:58.920
<v Speaker 3>Mia Goth in Suspiria, the Luca version that I love

1363
01:11:59.199 --> 01:12:03.640
<v Speaker 3>that film, like talk about like art Househoord. Suspiria was phenomenal,

1364
01:12:05.319 --> 01:12:07.560
<v Speaker 3>and it made me want to see this because because

1365
01:12:07.640 --> 01:12:10.159
<v Speaker 3>me A Goth was so good and I saw the

1366
01:12:10.159 --> 01:12:12.960
<v Speaker 3>whole trilogy, and but I didn't see them until Maxine

1367
01:12:13.000 --> 01:12:14.479
<v Speaker 3>was coming out and they did the re release in

1368
01:12:14.560 --> 01:12:17.439
<v Speaker 3>theaters of the other two. So it was like once

1369
01:12:17.479 --> 01:12:19.239
<v Speaker 3>a month, and so I went to see all three

1370
01:12:19.279 --> 01:12:21.880
<v Speaker 3>in theaters in like a month, and it was really fun.

1371
01:12:22.920 --> 01:12:25.720
<v Speaker 2>That that had to be a pretty damn it exciting

1372
01:12:25.800 --> 01:12:27.199
<v Speaker 2>experience get them that close.

1373
01:12:27.479 --> 01:12:30.359
<v Speaker 3>Yeah, And I didn't know how they were all going

1374
01:12:30.399 --> 01:12:32.199
<v Speaker 3>to I didn't know the whole thing about Pearl being

1375
01:12:32.239 --> 01:12:34.319
<v Speaker 3>a backstory and all this, and so it was just

1376
01:12:34.439 --> 01:12:38.159
<v Speaker 3>really cool to see this concept of a trilogy. You know.

1377
01:12:38.199 --> 01:12:41.279
<v Speaker 3>It's just you don't see like that kind of vision

1378
01:12:41.439 --> 01:12:44.279
<v Speaker 3>for you know, and Pearl maybe it's the best. It

1379
01:12:44.279 --> 01:12:45.760
<v Speaker 3>doesn't matter which one is the best or if they're

1380
01:12:45.760 --> 01:12:47.399
<v Speaker 3>all great or not. It's just like the whole idea

1381
01:12:47.439 --> 01:12:48.720
<v Speaker 3>of it is really cool.

1382
01:12:49.920 --> 01:12:51.479
<v Speaker 2>Uh do you have a favorite of the three?

1383
01:12:51.640 --> 01:12:52.640
<v Speaker 3>Probably Pearl, you know.

1384
01:12:53.119 --> 01:12:58.720
<v Speaker 2>Yeah, it beautiful movie, all right. So that is Maxine,

1385
01:12:59.119 --> 01:13:02.399
<v Speaker 2>also from Germany, A random ass movie. May twenty ninth,

1386
01:13:02.479 --> 01:13:04.600
<v Speaker 2>k Plight is putting out a four kse deal book

1387
01:13:04.600 --> 01:13:08.079
<v Speaker 2>of Over the Top, the only arm wrestling movie ever

1388
01:13:08.199 --> 01:13:13.239
<v Speaker 2>to award a truck to the winner. What Okay, Yes,

1389
01:13:13.560 --> 01:13:16.720
<v Speaker 2>there's an arm wrestling contest and the winner is meant

1390
01:13:16.760 --> 01:13:18.239
<v Speaker 2>to win a big rig truck.

1391
01:13:19.279 --> 01:13:22.079
<v Speaker 3>The art, the con it's all over the top everything

1392
01:13:22.119 --> 01:13:23.000
<v Speaker 3>about it.

1393
01:13:23.000 --> 01:13:28.720
<v Speaker 2>It's the lone so yeah, yeah, this has never been

1394
01:13:28.720 --> 01:13:31.720
<v Speaker 2>my favorite. I'm also I've never been a huge Stallone guy,

1395
01:13:31.880 --> 01:13:34.039
<v Speaker 2>so I am not after this one.

1396
01:13:35.720 --> 01:13:36.720
<v Speaker 3>Yeah, Sam, but.

1397
01:13:38.600 --> 01:13:41.800
<v Speaker 2>This one I had never heard of either. July one,

1398
01:13:42.600 --> 01:13:46.279
<v Speaker 2>Synadim and Bloody Disgusting working with screen Box is putting

1399
01:13:46.319 --> 01:13:49.600
<v Speaker 2>out Tails from the Void. Now. What's cool is this

1400
01:13:49.840 --> 01:13:52.720
<v Speaker 2>is an anthology show that they did for screen Box.

1401
01:13:53.359 --> 01:13:56.960
<v Speaker 2>And this is an episodic horror anthology series that is

1402
01:13:57.000 --> 01:13:59.920
<v Speaker 2>both thought provoking and terrifying based on the most of

1403
01:14:00.119 --> 01:14:04.720
<v Speaker 2>viral and haunting stories from the subreddit called No Sleep,

1404
01:14:04.880 --> 01:14:09.399
<v Speaker 2>which is essentially just scary short stories that people write,

1405
01:14:09.960 --> 01:14:12.600
<v Speaker 2>and they took some of them and made them into

1406
01:14:12.640 --> 01:14:15.479
<v Speaker 2>a series, which I am intrigued to see how this

1407
01:14:15.560 --> 01:14:15.920
<v Speaker 2>turned out.

1408
01:14:15.920 --> 01:14:18.760
<v Speaker 3>Well, like scary real experiences people are posting.

1409
01:14:19.560 --> 01:14:23.640
<v Speaker 2>Sometimes they're sometimes they're framed like that, they're definitely all fiction.

1410
01:14:23.840 --> 01:14:24.600
<v Speaker 3>Okay, I gotcha.

1411
01:14:29.600 --> 01:14:32.720
<v Speaker 2>Yeah, it's it's essentially short stories to freak you out

1412
01:14:32.760 --> 01:14:34.760
<v Speaker 2>and to make you not be able to go to sleep.

1413
01:14:36.159 --> 01:14:39.520
<v Speaker 3>I'll pass for now. Uh.

1414
01:14:39.520 --> 01:14:42.319
<v Speaker 2>And then we got criterions this week, which is a

1415
01:14:42.359 --> 01:14:45.840
<v Speaker 2>perfect week to have you on with your history. July first,

1416
01:14:46.279 --> 01:14:49.079
<v Speaker 2>they are releasing a four K and Blu ray release

1417
01:14:49.279 --> 01:14:53.720
<v Speaker 2>of The Big Heat, the Fritz Lang film. This is

1418
01:14:53.920 --> 01:14:56.760
<v Speaker 2>going to have Dolby Vision, which they've been sort of

1419
01:14:56.760 --> 01:14:58.880
<v Speaker 2>selective with how they give that out, so that's exciting.

1420
01:14:59.199 --> 01:15:01.079
<v Speaker 2>We've got a new audio commentary on this one with

1421
01:15:01.119 --> 01:15:04.319
<v Speaker 2>the Lane Silver and James Ersini, a new visual essay

1422
01:15:04.359 --> 01:15:06.720
<v Speaker 2>by Farre and Smith name on the women in the film.

1423
01:15:07.079 --> 01:15:09.399
<v Speaker 2>There's some audio interviews and then there's an essay by

1424
01:15:09.520 --> 01:15:13.479
<v Speaker 2>Jonathan Letham Fritz Lank Into Any Fritz Lank.

1425
01:15:13.840 --> 01:15:17.319
<v Speaker 3>Yeah. Like so at NYU Cinema Studies, they did these

1426
01:15:17.359 --> 01:15:22.079
<v Speaker 3>courses called Comparative Directors and it's always a random not random,

1427
01:15:22.079 --> 01:15:25.119
<v Speaker 3>but a different pairing and it was Hitchcock Lane and

1428
01:15:25.159 --> 01:15:28.800
<v Speaker 3>so each week you you went back and forth and

1429
01:15:28.840 --> 01:15:31.680
<v Speaker 3>you went through the timeline of both directors and saw

1430
01:15:31.680 --> 01:15:34.399
<v Speaker 3>how kind of sometimes how their work influenced each other

1431
01:15:34.439 --> 01:15:36.119
<v Speaker 3>and stuff. So you really did a deep dive in

1432
01:15:36.239 --> 01:15:40.479
<v Speaker 3>each director. So I got really into the Fritz Long stuff.

1433
01:15:40.560 --> 01:15:45.279
<v Speaker 3>And yeah, I remember loving this one and shout out

1434
01:15:45.279 --> 01:15:50.640
<v Speaker 3>to one of my friend's sister Hide. Yeah, Drew did

1435
01:15:50.680 --> 01:15:54.880
<v Speaker 3>this awesome art. Everything she does is cool and it

1436
01:15:55.000 --> 01:15:57.079
<v Speaker 3>was cool to see her do I have a different

1437
01:15:57.079 --> 01:15:57.640
<v Speaker 3>style for this.

1438
01:15:59.359 --> 01:16:01.640
<v Speaker 2>Yeah, this is this is a big deal. I'm glad

1439
01:16:01.640 --> 01:16:03.880
<v Speaker 2>they got this. This is one that I think they've

1440
01:16:03.880 --> 01:16:06.039
<v Speaker 2>had the rights to for a while. It played on

1441
01:16:06.600 --> 01:16:09.279
<v Speaker 2>the Criterion channel many, many times, so people have speculated

1442
01:16:09.319 --> 01:16:10.840
<v Speaker 2>this should be coming. But it's nice to see it

1443
01:16:10.920 --> 01:16:17.119
<v Speaker 2>finally here. Yeah, great title, speaking to Kubrick, Barry Linden

1444
01:16:17.359 --> 01:16:20.760
<v Speaker 2>finally in four K and the word finally there's sort

1445
01:16:20.800 --> 01:16:25.520
<v Speaker 2>of said as a joke, but I want to point

1446
01:16:25.520 --> 01:16:28.039
<v Speaker 2>this out to Tony Meyer here says holy crap. Two

1447
01:16:28.119 --> 01:16:30.399
<v Speaker 2>my favorite internet's people. Sam was a fantastic person to

1448
01:16:30.399 --> 01:16:32.479
<v Speaker 2>be mutuals with on Twitter before it went to pot.

1449
01:16:32.920 --> 01:16:34.159
<v Speaker 2>He's excited to see you here.

1450
01:16:34.479 --> 01:16:36.079
<v Speaker 3>Oh cool, Yeah, good to see you.

1451
01:16:37.279 --> 01:16:40.800
<v Speaker 2>Yeah, Barry Linden. This is a huge title. People speculating

1452
01:16:40.840 --> 01:16:42.840
<v Speaker 2>that most of the rest of the Kubrick stuff should

1453
01:16:42.840 --> 01:16:46.520
<v Speaker 2>be getting Criterion four k's eventually, but this one is

1454
01:16:46.960 --> 01:16:51.760
<v Speaker 2>probably the one that was guaranteed the most easily. How

1455
01:16:51.760 --> 01:16:52.880
<v Speaker 2>do you feel about Berry Lindon?

1456
01:16:53.119 --> 01:16:56.319
<v Speaker 3>Love it? I mean again, Kubrick. Kubrick and Miyazaki, I

1457
01:16:56.359 --> 01:17:01.880
<v Speaker 3>would say, are my two favorite directors. So every Kubrick

1458
01:17:01.920 --> 01:17:04.800
<v Speaker 3>film just I've seen them all at least a dozen

1459
01:17:04.840 --> 01:17:10.880
<v Speaker 3>times Big Screen Home Love Barry Lyndon Nice.

1460
01:17:11.680 --> 01:17:13.720
<v Speaker 2>I'm I'm really hoping that we get the Eyes Wide

1461
01:17:13.720 --> 01:17:15.319
<v Speaker 2>Shut four K from them, and I would love to

1462
01:17:15.319 --> 01:17:16.600
<v Speaker 2>see your grace that cover.

1463
01:17:17.199 --> 01:17:19.600
<v Speaker 3>Oh yeah, I did do a print for that one.

1464
01:17:20.239 --> 01:17:21.800
<v Speaker 2>It's a beautiful, beautiful print.

1465
01:17:22.119 --> 01:17:22.560
<v Speaker 3>Thank you.

1466
01:17:24.560 --> 01:17:28.119
<v Speaker 2>This is the big one too. Four K and Blu

1467
01:17:28.199 --> 01:17:32.079
<v Speaker 2>Ray release on July fifteenth. The Adventures of Antwine Danel.

1468
01:17:32.680 --> 01:17:35.800
<v Speaker 2>This is this is everything. We got the four hundred Blows,

1469
01:17:36.119 --> 01:17:39.119
<v Speaker 2>Antoina Collette, Stolen Kisses, Bed and Board, Love on the Run,

1470
01:17:39.840 --> 01:17:43.840
<v Speaker 2>Truffeaux boxed set so much that people have wanted for

1471
01:17:43.840 --> 01:17:47.319
<v Speaker 2>a long time. Obviously, the four hundred Blows is known as,

1472
01:17:47.880 --> 01:17:51.840
<v Speaker 2>you know, the one of the absolute stone cold masterpiece classics.

1473
01:17:52.840 --> 01:17:56.079
<v Speaker 2>We've got new four K restorations here, all of this

1474
01:17:56.239 --> 01:18:00.600
<v Speaker 2>sounds great, lots of extras on here s a everything.

1475
01:18:00.640 --> 01:18:04.119
<v Speaker 2>This looks like a really solid release from them. Yeah.

1476
01:18:04.279 --> 01:18:07.199
<v Speaker 3>I've been waiting for the to come to Blu Ray

1477
01:18:07.279 --> 01:18:09.279
<v Speaker 3>in this box. I was hoping that they would like

1478
01:18:09.600 --> 01:18:11.800
<v Speaker 3>do this box again because I had the DVD and

1479
01:18:11.840 --> 01:18:13.960
<v Speaker 3>just packaging is so great. I don't know if you

1480
01:18:13.960 --> 01:18:17.039
<v Speaker 3>you probably don't have the slideshow, right there, but how

1481
01:18:17.119 --> 01:18:20.439
<v Speaker 3>each title is like an art, a sweater or shirt

1482
01:18:20.680 --> 01:18:23.680
<v Speaker 3>like from his life. If you don't know these movies,

1483
01:18:23.800 --> 01:18:27.800
<v Speaker 3>it's the same actor over many years. And if you've

1484
01:18:27.800 --> 01:18:31.600
<v Speaker 3>seen Linklater's films like The Before Trilogy, which are some

1485
01:18:31.640 --> 01:18:34.439
<v Speaker 3>of my favorites, or Boyhood, those are all you know.

1486
01:18:34.479 --> 01:18:38.159
<v Speaker 3>Link Layer always cites this these films as an influence, like,

1487
01:18:38.560 --> 01:18:41.239
<v Speaker 3>could we use the same direct, same actor for all

1488
01:18:41.279 --> 01:18:44.960
<v Speaker 3>these decades. He's doing another one right now with Ethan Hawk,

1489
01:18:45.119 --> 01:18:47.479
<v Speaker 3>I think again for like the rest of his life.

1490
01:18:47.520 --> 01:18:51.239
<v Speaker 3>They're making a movie. So I love that idea. And

1491
01:18:51.239 --> 01:18:53.239
<v Speaker 3>then yeah, with just like the cinema of childhood I

1492
01:18:53.319 --> 01:18:55.880
<v Speaker 3>talked about, four hundred Blows is just one of the

1493
01:18:55.880 --> 01:18:57.560
<v Speaker 3>great films of coming of age.

1494
01:18:58.479 --> 01:19:01.600
<v Speaker 2>Yeah, it's a big deal. This is a huge month

1495
01:19:01.680 --> 01:19:04.880
<v Speaker 2>from Criterion. I'll just say that right now before we

1496
01:19:04.920 --> 01:19:08.680
<v Speaker 2>get to the end. Next up, July twenty second, Carnal Knowledge,

1497
01:19:08.720 --> 01:19:11.520
<v Speaker 2>speaking of Jack Nicholson, we get a four K and

1498
01:19:11.560 --> 01:19:14.800
<v Speaker 2>a blu ray on this one. This is interesting because

1499
01:19:14.880 --> 01:19:17.720
<v Speaker 2>Indicator had just announced that they're doing a four K

1500
01:19:18.000 --> 01:19:20.720
<v Speaker 2>of Carnal Knowledge, So now you can compare the two

1501
01:19:22.159 --> 01:19:25.359
<v Speaker 2>in all reality. The extras on Criterions is not bad.

1502
01:19:25.640 --> 01:19:28.560
<v Speaker 2>We got a new audio commentary on here, new program

1503
01:19:28.560 --> 01:19:31.119
<v Speaker 2>with a Mike Nichols, biographer Mark Harris, and film critic

1504
01:19:31.239 --> 01:19:34.960
<v Speaker 2>Dana Stevens. New interview with Bobby Osteen on the film

1505
01:19:35.079 --> 01:19:38.439
<v Speaker 2>editing here from archival conversations, Q and a's that sort

1506
01:19:38.439 --> 01:19:42.119
<v Speaker 2>of thing. And then an essay by Warra we Gel

1507
01:19:42.239 --> 01:19:45.279
<v Speaker 2>and a nineteen seventy one piece from American cinematographer about

1508
01:19:45.279 --> 01:19:47.840
<v Speaker 2>the look of the film. There's so much on here

1509
01:19:48.840 --> 01:19:51.800
<v Speaker 2>that I'm not going to say you should pick up both,

1510
01:19:51.840 --> 01:19:53.439
<v Speaker 2>but I could see why somebody would want to own

1511
01:19:53.479 --> 01:19:58.279
<v Speaker 2>this and the Indicator release. They both look like stunning releases,

1512
01:19:58.439 --> 01:20:01.159
<v Speaker 2>and it's going to make it difficult to choose for sure.

1513
01:20:01.640 --> 01:20:04.000
<v Speaker 3>Cool. Yeah, I remember seeing this one in college and

1514
01:20:04.079 --> 01:20:05.680
<v Speaker 3>haven't revisited since, but it was great.

1515
01:20:07.199 --> 01:20:10.920
<v Speaker 2>Yeah, this is this is great stuff. And then from

1516
01:20:10.920 --> 01:20:14.039
<v Speaker 2>two thousand you can count on me coming on four

1517
01:20:14.119 --> 01:20:16.760
<v Speaker 2>K and Blu Ray on July twenty second as well.

1518
01:20:17.560 --> 01:20:20.680
<v Speaker 2>This is the Cantalon again, and we've got Mark Ruffalo,

1519
01:20:20.800 --> 01:20:24.319
<v Speaker 2>Laura Lenny in this one again. We've got an audio

1520
01:20:24.359 --> 01:20:26.760
<v Speaker 2>commentary with the director on this new interviews with Lonigan

1521
01:20:27.000 --> 01:20:30.399
<v Speaker 2>and Matthew Broderick, Laura Linley and Mark Ruffalo are all

1522
01:20:30.479 --> 01:20:34.600
<v Speaker 2>on the disc. An essay by Rebecca Gilman. Have you

1523
01:20:34.680 --> 01:20:38.560
<v Speaker 2>seen you can count on Me? Yes? Great, great, great

1524
01:20:38.600 --> 01:20:42.479
<v Speaker 2>great rounds up a huge month from them all four K,

1525
01:20:42.960 --> 01:20:45.880
<v Speaker 2>all Dolby Vision huge.

1526
01:20:46.399 --> 01:20:50.600
<v Speaker 3>Yep, yep. The next flash sale can't come soon enough.

1527
01:20:53.000 --> 01:20:55.640
<v Speaker 2>Between all of these and the Sean Baker stuff, it's

1528
01:20:55.640 --> 01:20:56.319
<v Speaker 2>gonna be expensive.

1529
01:20:56.399 --> 01:21:00.399
<v Speaker 3>Yeah, that's right Onora. Right.

1530
01:21:00.600 --> 01:21:03.880
<v Speaker 2>Then we've got Lionsgate Limited, which we knew a couple

1531
01:21:03.880 --> 01:21:05.960
<v Speaker 2>of these were coming, but then they surprised us with

1532
01:21:06.039 --> 01:21:09.560
<v Speaker 2>one of them. These are interesting. Here May thirteenth, we

1533
01:21:09.600 --> 01:21:12.359
<v Speaker 2>get a four K steel book of kick Ass. This

1534
01:21:12.439 --> 01:21:15.039
<v Speaker 2>is the fifteen year anniversary of kick Ass, which is

1535
01:21:15.119 --> 01:21:18.079
<v Speaker 2>wild to me. And then, sort of like they did

1536
01:21:18.159 --> 01:21:21.600
<v Speaker 2>previously with Reservoir Dogs, this is the exact same steel

1537
01:21:21.600 --> 01:21:24.239
<v Speaker 2>book that they had released through best Buy a handful

1538
01:21:24.279 --> 01:21:26.800
<v Speaker 2>of years ago, but this time the colorway has changed.

1539
01:21:26.840 --> 01:21:28.960
<v Speaker 2>In the background. That's the only thing that's different. The

1540
01:21:29.000 --> 01:21:30.680
<v Speaker 2>other one had a white background. This one has a

1541
01:21:30.680 --> 01:21:34.000
<v Speaker 2>black background, so that they can say the first one

1542
01:21:34.079 --> 01:21:38.039
<v Speaker 2>was still limited edition and so is this one. Yeah,

1543
01:21:38.159 --> 01:21:41.279
<v Speaker 2>that's the only difference. But the big thing there are

1544
01:21:41.399 --> 01:21:43.760
<v Speaker 2>new extras on this so if you love this movie,

1545
01:21:43.800 --> 01:21:46.800
<v Speaker 2>you might want that. They've got three new featurettes, a

1546
01:21:48.159 --> 01:21:51.000
<v Speaker 2>little essay here that's called Physical Media Kicks Ass, which

1547
01:21:51.039 --> 01:21:52.640
<v Speaker 2>I'm very curious what they did for that.

1548
01:21:53.079 --> 01:21:55.239
<v Speaker 3>Huh interesting.

1549
01:21:55.960 --> 01:22:00.520
<v Speaker 2>Yeah, and that's everything else was on the disc before,

1550
01:22:00.560 --> 01:22:03.840
<v Speaker 2>So not adding a whole lot, but at least there's

1551
01:22:03.840 --> 01:22:08.520
<v Speaker 2>something new for people that want this. Then the next one,

1552
01:22:08.640 --> 01:22:11.520
<v Speaker 2>this is one I'm genuinely excited about. The Crazies from

1553
01:22:11.520 --> 01:22:14.560
<v Speaker 2>twenty ten, also getting a fifteen year anniversary four K

1554
01:22:14.640 --> 01:22:17.199
<v Speaker 2>steel book release now this one. This is the first

1555
01:22:17.279 --> 01:22:20.359
<v Speaker 2>four K release of this film ever. This is a

1556
01:22:20.399 --> 01:22:23.159
<v Speaker 2>brand new steel book art for them. All of this

1557
01:22:23.439 --> 01:22:26.079
<v Speaker 2>is coming with a brand new audio commentary with the director.

1558
01:22:26.760 --> 01:22:30.000
<v Speaker 2>We've got a handful of other featurettes, including an alternate

1559
01:22:30.119 --> 01:22:32.640
<v Speaker 2>ending that we're not on the previous disc, and all

1560
01:22:32.680 --> 01:22:35.159
<v Speaker 2>of the legacy special features are with us as well.

1561
01:22:35.399 --> 01:22:38.039
<v Speaker 2>This is a pretty incredible look and release of this film.

1562
01:22:38.159 --> 01:22:40.680
<v Speaker 2>And I don't know what everbody in the chat's going

1563
01:22:40.720 --> 01:22:42.439
<v Speaker 2>to think of me saying this. I think this is

1564
01:22:42.600 --> 01:22:48.319
<v Speaker 2>much better than Georgia Romero's original. I love this movie.

1565
01:22:48.560 --> 01:22:50.920
<v Speaker 3>Yeah, I'm not hip to it.

1566
01:22:51.880 --> 01:22:53.520
<v Speaker 2>Do you like him? At the Ola fant.

1567
01:22:54.920 --> 01:22:57.439
<v Speaker 3>I have no feelings either way.

1568
01:22:58.359 --> 01:23:03.840
<v Speaker 2>Too, che men would disagree. Okay, yeah I love Olifant

1569
01:23:03.920 --> 01:23:09.880
<v Speaker 2>and yeah I think he's pretty good. Okay. Next is May,

1570
01:23:10.199 --> 01:23:12.880
<v Speaker 2>also coming from lions Gate Limited. This is coming on

1571
01:23:12.880 --> 01:23:16.039
<v Speaker 2>May thirteenth as well. This is a Blu Ray release

1572
01:23:16.159 --> 01:23:18.039
<v Speaker 2>of May, same as what Second Site did over in

1573
01:23:18.079 --> 01:23:21.399
<v Speaker 2>the UK. And what's interesting is this is part of

1574
01:23:21.479 --> 01:23:26.119
<v Speaker 2>the Vestron Video Collection, which sort of makes no sense

1575
01:23:26.159 --> 01:23:28.479
<v Speaker 2>because this was not a Vestron video title when this

1576
01:23:28.600 --> 01:23:32.520
<v Speaker 2>was announced, because Vestron had ceased to exist by the

1577
01:23:32.560 --> 01:23:35.880
<v Speaker 2>year two thousand and two. This is just sort of

1578
01:23:35.920 --> 01:23:37.880
<v Speaker 2>an odd addition to all of the titles that they

1579
01:23:38.000 --> 01:23:42.159
<v Speaker 2>put out previously. And this is exclusive to the lions

1580
01:23:42.199 --> 01:23:44.520
<v Speaker 2>Gate Limited website, So if you really wanted this one

1581
01:23:45.319 --> 01:23:47.960
<v Speaker 2>and you don't have the Second Site, this is the

1582
01:23:47.960 --> 01:23:50.840
<v Speaker 2>place to get it. I'm glad that this is getting

1583
01:23:50.880 --> 01:23:53.039
<v Speaker 2>a region A release and that it has all of

1584
01:23:53.079 --> 01:23:56.359
<v Speaker 2>the same exers the Second site, but man, it is

1585
01:23:56.439 --> 01:23:58.079
<v Speaker 2>cutting off a lot of people from being able to

1586
01:23:58.079 --> 01:24:00.439
<v Speaker 2>purchase this, and it is sort of rough to see

1587
01:24:00.479 --> 01:24:03.640
<v Speaker 2>their prices go up. They had for a couple of

1588
01:24:03.720 --> 01:24:06.880
<v Speaker 2>years at least, gone from about a twenty five to

1589
01:24:06.920 --> 01:24:09.760
<v Speaker 2>thirty dollars MSRP all the way down to like a

1590
01:24:09.800 --> 01:24:12.119
<v Speaker 2>fifteen dollar MSRP, and now this is all the way

1591
01:24:12.119 --> 01:24:15.319
<v Speaker 2>back up to twenty five. So this is likely going

1592
01:24:15.359 --> 01:24:18.399
<v Speaker 2>to be what it's going for in the future if

1593
01:24:18.399 --> 01:24:23.720
<v Speaker 2>they do more restaurant titles. I'm assuming you haven't seen.

1594
01:24:23.520 --> 01:24:26.600
<v Speaker 3>Me no again, not on my radar this one.

1595
01:24:26.720 --> 01:24:30.560
<v Speaker 2>So this is a version of the Frankenstein story. Okay,

1596
01:24:31.319 --> 01:24:34.560
<v Speaker 2>it's a it's very good. This is this is a

1597
01:24:34.680 --> 01:24:39.960
<v Speaker 2>very like we'll say, awkward cult art house film.

1598
01:24:40.359 --> 01:24:45.159
<v Speaker 3>Okay, if it's our house, I'm in certainly in some ways.

1599
01:24:46.159 --> 01:24:49.159
<v Speaker 3>I love this artist, Matt Ryan Tobin.

1600
01:24:49.720 --> 01:24:51.520
<v Speaker 2>He's a credible Yeah.

1601
01:24:51.640 --> 01:24:54.720
<v Speaker 3>I really love the like the Pearl paper like the

1602
01:24:54.800 --> 01:24:59.479
<v Speaker 3>Maxine paperbacks he did, yep, and yeah, just all of

1603
01:24:59.479 --> 01:25:00.399
<v Speaker 3>this stuff is really good.

1604
01:25:00.520 --> 01:25:06.039
<v Speaker 2>So cool poster. Matt did the art for one of

1605
01:25:06.039 --> 01:25:07.680
<v Speaker 2>my favorite movies from last year, The Last Stop in

1606
01:25:07.720 --> 01:25:11.000
<v Speaker 2>You mccounty. He did the the art for I think

1607
01:25:11.000 --> 01:25:14.560
<v Speaker 2>it was the Umbrella release that he worked on. He

1608
01:25:14.720 --> 01:25:17.880
<v Speaker 2>just did great stuff for it. Oh yeah, okay, cool,

1609
01:25:19.079 --> 01:25:24.960
<v Speaker 2>all right. Next another great nineties comedy, mouse Hunt Wow

1610
01:25:25.800 --> 01:25:29.159
<v Speaker 2>four K from Final Lober on June twenty fourth, and

1611
01:25:29.399 --> 01:25:32.199
<v Speaker 2>this has a new audio commentary from Joe Ramoni, who

1612
01:25:32.239 --> 01:25:35.000
<v Speaker 2>is from Hats Off Entertainment. Love this movie. I think

1613
01:25:35.000 --> 01:25:36.760
<v Speaker 2>this is the best Tom and Jerry film that's not

1614
01:25:36.800 --> 01:25:40.479
<v Speaker 2>a Tom and Jerry film. Hilarious, great comedy. All of

1615
01:25:40.520 --> 01:25:42.479
<v Speaker 2>the extras that were on the previous releases are on

1616
01:25:42.520 --> 01:25:44.880
<v Speaker 2>the included blu ray. How do you feel about Mouse?

1617
01:25:45.439 --> 01:25:47.560
<v Speaker 3>I have not thought about this since.

1618
01:25:48.079 --> 01:25:52.399
<v Speaker 2>Nineteen I think that would be the same form many.

1619
01:25:52.439 --> 01:25:54.199
<v Speaker 3>And even then I barely thought about it.

1620
01:25:54.279 --> 01:25:58.000
<v Speaker 2>So yeah, I've seen this film so many times of

1621
01:25:58.039 --> 01:25:59.359
<v Speaker 2>my kids. This movie a couple years ago.

1622
01:25:59.359 --> 01:26:00.439
<v Speaker 3>Okay, really good.

1623
01:26:00.520 --> 01:26:05.119
<v Speaker 2>Huh, It's it's genuinely really really funny. Okay, Okay, it

1624
01:26:05.239 --> 01:26:06.479
<v Speaker 2>is a blast, all.

1625
01:26:06.439 --> 01:26:08.159
<v Speaker 3>Right, I'll put it on my radar.

1626
01:26:09.359 --> 01:26:11.079
<v Speaker 2>One of the more exciting ones for a lot of people.

1627
01:26:11.079 --> 01:26:14.479
<v Speaker 2>This week July twenty second, Paramount releasing a four K

1628
01:26:14.560 --> 01:26:19.560
<v Speaker 2>steel Book of Small Soldiers from nineteen ninety eight. This

1629
01:26:19.960 --> 01:26:23.079
<v Speaker 2>is the Joe Dante film that brought a lot of

1630
01:26:23.079 --> 01:26:26.960
<v Speaker 2>people to Joe Dante. This, of course, is just an

1631
01:26:27.000 --> 01:26:30.680
<v Speaker 2>incredibly fun movie blast from the past for a lot

1632
01:26:30.680 --> 01:26:32.920
<v Speaker 2>of people that haven't seen it for years. What's crazy

1633
01:26:33.159 --> 01:26:36.760
<v Speaker 2>is this was languishing on DVD for years and just

1634
01:26:36.800 --> 01:26:38.560
<v Speaker 2>got a Blu Ray for the first time, like a

1635
01:26:38.600 --> 01:26:41.039
<v Speaker 2>couple of years ago. So for Paramount to put money

1636
01:26:41.039 --> 01:26:45.239
<v Speaker 2>behind a four K is really impressive. Actually, So I

1637
01:26:45.279 --> 01:26:47.239
<v Speaker 2>hope this does well. I hope everybody's able to get

1638
01:26:47.239 --> 01:26:50.079
<v Speaker 2>a copy. This movie is fantastic. Have you seen Small Soldiers?

1639
01:26:50.279 --> 01:26:54.039
<v Speaker 3>I haven't, and I was like eighteen senior year or so,

1640
01:26:54.039 --> 01:26:56.439
<v Speaker 3>so I was I remember thinking like this looks so

1641
01:26:56.680 --> 01:27:00.000
<v Speaker 3>I just didn't. It didn't hit me at that time.

1642
01:27:00.000 --> 01:27:00.399
<v Speaker 2>I'm sorry.

1643
01:27:00.399 --> 01:27:01.640
<v Speaker 3>This never never did.

1644
01:27:02.560 --> 01:27:09.119
<v Speaker 2>Totally get that that makes sense. Next up, Michael Hannika.

1645
01:27:09.720 --> 01:27:12.159
<v Speaker 2>This is back on the Umbrella site. This is the

1646
01:27:12.159 --> 01:27:14.000
<v Speaker 2>collection that we had talked about a few weeks ago,

1647
01:27:14.439 --> 01:27:18.159
<v Speaker 2>but there's been some changes. They when they first announced this,

1648
01:27:18.319 --> 01:27:22.000
<v Speaker 2>they were missing two films, and they sort of quietly

1649
01:27:22.039 --> 01:27:24.239
<v Speaker 2>removed this from their website, and everybody's like, what the

1650
01:27:24.279 --> 01:27:26.920
<v Speaker 2>hell's going on. I found a comment from one of

1651
01:27:26.960 --> 01:27:29.359
<v Speaker 2>their employees on a Facebook group that said they were

1652
01:27:29.439 --> 01:27:33.800
<v Speaker 2>working on licensing, which is terrifying to hear. That could

1653
01:27:33.880 --> 01:27:35.920
<v Speaker 2>mean they announced something that they didn't have the rights

1654
01:27:35.920 --> 01:27:38.479
<v Speaker 2>to and they're going to lose something. But they put

1655
01:27:38.479 --> 01:27:41.239
<v Speaker 2>it back on their site and went surprise. We added

1656
01:27:41.279 --> 01:27:43.239
<v Speaker 2>one of the two films that we didn't have before,

1657
01:27:43.720 --> 01:27:47.279
<v Speaker 2>which is Happy End from twenty seventeen. They also added

1658
01:27:47.640 --> 01:27:51.640
<v Speaker 2>Michael h profession director a documentary from twenty thirteen, and

1659
01:27:51.680 --> 01:27:54.720
<v Speaker 2>then a whole bunch of extras and featurettes that were

1660
01:27:54.720 --> 01:27:56.960
<v Speaker 2>not a part of it before, and all of those

1661
01:27:56.960 --> 01:28:00.319
<v Speaker 2>have been added with no increase in cost. Would pre

1662
01:28:00.399 --> 01:28:04.520
<v Speaker 2>order it before, So this now is his complete filmography

1663
01:28:05.000 --> 01:28:08.520
<v Speaker 2>except for the Funny Games remake, and everything else has

1664
01:28:08.880 --> 01:28:12.119
<v Speaker 2>like brand new extras, We've got essays. This is a

1665
01:28:12.199 --> 01:28:13.199
<v Speaker 2>remarkable set.

1666
01:28:14.880 --> 01:28:19.800
<v Speaker 3>I love Hannika. Dude. Yeah, it's interesting because like I

1667
01:28:19.680 --> 01:28:21.239
<v Speaker 3>I you know, I was telling you I don't like

1668
01:28:21.279 --> 01:28:23.800
<v Speaker 3>the Gore, I don't like the horror. I don't like violence.

1669
01:28:25.399 --> 01:28:28.680
<v Speaker 3>So if you are going to make a violent film,

1670
01:28:29.279 --> 01:28:32.039
<v Speaker 3>it's got to be at this level for me. The

1671
01:28:32.119 --> 01:28:36.359
<v Speaker 3>way he treats violence, he is saying something yeah, and

1672
01:28:36.520 --> 01:28:39.319
<v Speaker 3>that's what I want and need, and just the formal

1673
01:28:39.439 --> 01:28:42.159
<v Speaker 3>rigor of his films. Love Hannica.

1674
01:28:43.800 --> 01:28:46.640
<v Speaker 2>I uh, what what one would you say is your favorite? Hannakhah?

1675
01:28:46.640 --> 01:28:51.960
<v Speaker 3>Then oh that's so hard. I mean my mind does

1676
01:28:52.039 --> 01:28:55.159
<v Speaker 3>right to Cachet because it was like my introduction to

1677
01:28:55.239 --> 01:28:59.119
<v Speaker 3>him or cash. However, you would say that or I

1678
01:28:59.159 --> 01:29:02.920
<v Speaker 3>forget with the Juliabanoche that brought me in. I think

1679
01:29:02.920 --> 01:29:04.720
<v Speaker 3>it's what I would recommend to people if you've never

1680
01:29:04.760 --> 01:29:10.359
<v Speaker 3>seen one. It's a good jury point. Yes, I'd probably

1681
01:29:10.359 --> 01:29:12.560
<v Speaker 3>go with that. But I love like the Seventh Continent,

1682
01:29:12.640 --> 01:29:15.079
<v Speaker 3>like that one with the that's what that image is

1683
01:29:15.119 --> 01:29:18.359
<v Speaker 3>from that landscape? Yeah, like what I think it's his

1684
01:29:18.439 --> 01:29:22.439
<v Speaker 3>first feature. Yeah, I think it's his first I love again.

1685
01:29:22.479 --> 01:29:24.600
<v Speaker 3>I love seeing a director's first film, Like, what are

1686
01:29:24.600 --> 01:29:26.399
<v Speaker 3>they coming out of the gate with? What's what do

1687
01:29:26.399 --> 01:29:27.079
<v Speaker 3>they want to say?

1688
01:29:27.159 --> 01:29:27.359
<v Speaker 2>You know?

1689
01:29:27.439 --> 01:29:29.520
<v Speaker 3>And yeah, it's a phenomenal film.

1690
01:29:30.439 --> 01:29:32.479
<v Speaker 2>Uh. Sibboner is saying, how much is it?

1691
01:29:32.880 --> 01:29:33.000
<v Speaker 3>Uh?

1692
01:29:33.600 --> 01:29:36.479
<v Speaker 2>This is it's hard to answer because it depends on

1693
01:29:36.520 --> 01:29:38.960
<v Speaker 2>the site that you're ordering from. It basically is going

1694
01:29:39.039 --> 01:29:43.319
<v Speaker 2>to range between like two and twenty on the low

1695
01:29:43.439 --> 01:29:45.439
<v Speaker 2>end to like two forty five on the high end.

1696
01:29:45.840 --> 01:29:47.680
<v Speaker 2>And the big thing is if you order it straight

1697
01:29:47.680 --> 01:29:50.520
<v Speaker 2>from Umbrella, you already get free shipping just from this

1698
01:29:50.560 --> 01:29:53.720
<v Speaker 2>one title, so no matter where you are, that's pretty huge.

1699
01:29:55.199 --> 01:29:58.600
<v Speaker 2>We got another question Reservoirs asking why no Funny Games

1700
01:29:58.640 --> 01:30:02.359
<v Speaker 2>remake American rights. It has to do with rights, obviously,

1701
01:30:02.479 --> 01:30:05.600
<v Speaker 2>or they would have included it no doubt. I don't

1702
01:30:05.600 --> 01:30:07.960
<v Speaker 2>think American rights have anything to do with it. It's

1703
01:30:08.039 --> 01:30:11.760
<v Speaker 2>just they probably could not secure it for Australia. This

1704
01:30:12.279 --> 01:30:15.199
<v Speaker 2>is huge though. But the big thing, the Funny Game's

1705
01:30:15.239 --> 01:30:17.520
<v Speaker 2>remake is available from Europe on Blu Ray, and you

1706
01:30:17.520 --> 01:30:20.319
<v Speaker 2>can still pick that up very very cheaply. You can

1707
01:30:20.319 --> 01:30:22.119
<v Speaker 2>get it on eBay, you can get it from Rare Waves,

1708
01:30:22.119 --> 01:30:25.640
<v Speaker 2>you can get it Amazon UK even, I think so

1709
01:30:26.119 --> 01:30:27.800
<v Speaker 2>check that out and then you would have a complete set.

1710
01:30:27.920 --> 01:30:30.640
<v Speaker 2>Just put that, slip that disk in here somewhere and

1711
01:30:30.760 --> 01:30:31.319
<v Speaker 2>call it a day.

1712
01:30:32.000 --> 01:30:37.800
<v Speaker 3>Yeah, love it, love it. That's weird about the removal

1713
01:30:37.880 --> 01:30:39.640
<v Speaker 3>like that. You don't see that very often.

1714
01:30:40.279 --> 01:30:43.479
<v Speaker 2>No, and for it to be positive additions is very.

1715
01:30:43.560 --> 01:30:47.079
<v Speaker 3>Yeah, yeah, exactly, Okay cool.

1716
01:30:47.479 --> 01:30:50.159
<v Speaker 2>Cgv TV wants to point out Umbrella does amazing work

1717
01:30:50.199 --> 01:30:52.000
<v Speaker 2>on these deluxe box sets. The sets they did for

1718
01:30:52.039 --> 01:30:56.520
<v Speaker 2>Caligula Bullying Kids were top shelf. Fully agreed. Yeah, I

1719
01:30:56.560 --> 01:30:59.319
<v Speaker 2>heard that I had not got any of the deluxe

1720
01:30:59.479 --> 01:31:02.880
<v Speaker 2>editions until after everybody was on there. But man, I've

1721
01:31:02.880 --> 01:31:05.840
<v Speaker 2>got one. I happen to have a couple right here,

1722
01:31:05.880 --> 01:31:07.520
<v Speaker 2>but I'm gonna show one that.

1723
01:31:07.720 --> 01:31:07.800
<v Speaker 3>Uh.

1724
01:31:08.439 --> 01:31:10.920
<v Speaker 2>I still can't believe I did this but a Sasquatch

1725
01:31:10.960 --> 01:31:15.680
<v Speaker 2>Sunset coming in a furry slipcover. Oh my god, is

1726
01:31:15.840 --> 01:31:16.880
<v Speaker 2>a beautiful idea.

1727
01:31:16.960 --> 01:31:20.079
<v Speaker 3>I love that film. It's so funny and moving.

1728
01:31:21.399 --> 01:31:23.359
<v Speaker 2>Oh man, what a unique one. Yeah.

1729
01:31:23.680 --> 01:31:25.439
<v Speaker 3>Love the Xeleaner Bros. I've worked with them on a

1730
01:31:25.479 --> 01:31:26.319
<v Speaker 3>couple of things.

1731
01:31:26.680 --> 01:31:31.840
<v Speaker 2>Nice. Yeah. Uh. Then Blue Underground gave us some details

1732
01:31:31.880 --> 01:31:34.239
<v Speaker 2>on some previously announced titles. We got The Blood of

1733
01:31:34.239 --> 01:31:37.359
<v Speaker 2>Fu Manchu and the Castle of Fu Manchu both coming

1734
01:31:37.399 --> 01:31:40.600
<v Speaker 2>on four K on July twenty ninth, and these are

1735
01:31:40.680 --> 01:31:43.239
<v Speaker 2>gonna be world premieres of brand new twenty twenty five

1736
01:31:43.279 --> 01:31:46.880
<v Speaker 2>four K restorations. They're gonna have Dolby Vision HDR ten

1737
01:31:47.039 --> 01:31:49.119
<v Speaker 2>all the good stuff with that. We had a new

1738
01:31:49.119 --> 01:31:53.319
<v Speaker 2>audio commentary with Troy Howard and Nathaniel Thompson. There is

1739
01:31:53.439 --> 01:31:56.159
<v Speaker 2>gonna be a new interview Stephen Thrower on this as well.

1740
01:31:56.199 --> 01:31:58.359
<v Speaker 2>Of course it's Jess Franco title, so he's got to

1741
01:31:58.399 --> 01:32:01.039
<v Speaker 2>talk about it. The Blood of Manchu also has the

1742
01:32:01.159 --> 01:32:04.840
<v Speaker 2>rift tracks version of here, so lots of cool stuff

1743
01:32:04.880 --> 01:32:07.880
<v Speaker 2>coming on this disc. And then the Castle of Fu Manchu.

1744
01:32:08.199 --> 01:32:11.000
<v Speaker 2>This one will also have Nathaniel Thompson and Troy howerth

1745
01:32:11.079 --> 01:32:14.239
<v Speaker 2>on the commentary. They've got another new interview with Stephen

1746
01:32:14.319 --> 01:32:17.039
<v Speaker 2>Thrower and the Riff Tracks version also on here as well.

1747
01:32:17.359 --> 01:32:20.359
<v Speaker 2>Jess Franco. Have you watched much or anything from Jess Franco?

1748
01:32:21.439 --> 01:32:23.000
<v Speaker 3>Probably something, but not these.

1749
01:32:24.079 --> 01:32:28.600
<v Speaker 2>So yeah, this is this is basically the pinnacle of

1750
01:32:28.680 --> 01:32:34.000
<v Speaker 2>video quality of artistic films that you probably would not love. Okay,

1751
01:32:35.960 --> 01:32:38.600
<v Speaker 2>So if you want to want not great movies to

1752
01:32:38.640 --> 01:32:45.279
<v Speaker 2>look amazing, okay, good pickup. Okay, this one though, Sony

1753
01:32:45.359 --> 01:32:49.359
<v Speaker 2>putting out a standard release of Oliver from nineteen sixty eight.

1754
01:32:49.359 --> 01:32:51.560
<v Speaker 2>This is getting a four K release that will be

1755
01:32:51.600 --> 01:32:54.560
<v Speaker 2>a pressed mod release, so don't have to worry about

1756
01:32:54.560 --> 01:32:57.239
<v Speaker 2>it being a burned disc or anything like that. This

1757
01:32:57.319 --> 01:33:00.399
<v Speaker 2>is a scaping the clutches of one of those Sony

1758
01:33:00.439 --> 01:33:03.439
<v Speaker 2>Columbia Classics box sets and now you can get it

1759
01:33:03.479 --> 01:33:05.199
<v Speaker 2>on its own. And it's not even a steel book,

1760
01:33:05.239 --> 01:33:07.279
<v Speaker 2>which is rare for Sony. Usually a lot of that

1761
01:33:07.279 --> 01:33:09.560
<v Speaker 2>stuff they still lock up in a steel book. So

1762
01:33:09.560 --> 01:33:13.199
<v Speaker 2>it's nice to see this getting just a regular release. Oliver.

1763
01:33:13.840 --> 01:33:15.159
<v Speaker 2>You got a history with Oliver.

1764
01:33:16.560 --> 01:33:22.359
<v Speaker 3>Yeah, I like them Oliver, you know, yeah, on the

1765
01:33:22.359 --> 01:33:27.159
<v Speaker 3>big my wife loves musicals. I don't love musicals as

1766
01:33:27.159 --> 01:33:30.520
<v Speaker 3>a rule. They have to something about. It has to

1767
01:33:30.680 --> 01:33:33.760
<v Speaker 3>bring me in in a different way. Oh yeah, that's

1768
01:33:33.760 --> 01:33:34.079
<v Speaker 3>a good one.

1769
01:33:35.159 --> 01:33:35.800
<v Speaker 2>It's a classic.

1770
01:33:35.960 --> 01:33:39.720
<v Speaker 3>Literally, yeah, please, sir, can I have some more? What else.

1771
01:33:42.279 --> 01:33:45.039
<v Speaker 2>Next up? Well? Go USA is putting out a four

1772
01:33:45.159 --> 01:33:47.399
<v Speaker 2>K and a Blu Ray release of Eleven Rebels from

1773
01:33:47.439 --> 01:33:50.600
<v Speaker 2>twenty twenty four on May twentieth. This is a movie

1774
01:33:50.640 --> 01:33:53.800
<v Speaker 2>I've heard is great, has some really great action in

1775
01:33:53.840 --> 01:33:57.399
<v Speaker 2>it looks really good. I suggest everybody watched the trailer

1776
01:33:57.439 --> 01:34:00.000
<v Speaker 2>on this one if you're even somewhat interested in this film.

1777
01:34:00.560 --> 01:34:02.720
<v Speaker 2>Really good trailer on this movie. I'm definitely gonna have

1778
01:34:02.720 --> 01:34:03.439
<v Speaker 2>to check this one out.

1779
01:34:03.479 --> 01:34:07.319
<v Speaker 3>Okay, Yeah, We'll go usually does good.

1780
01:34:07.159 --> 01:34:10.079
<v Speaker 2>Stuff and and titles that wouldn't get a release from

1781
01:34:10.079 --> 01:34:13.800
<v Speaker 2>anybody else. So that's a good thing. Uh, this heck

1782
01:34:13.880 --> 01:34:17.479
<v Speaker 2>is This June tenth, we get a Blu Ray release

1783
01:34:17.520 --> 01:34:22.279
<v Speaker 2>of the next Paul ws Anderson film, In the Lost Lands,

1784
01:34:22.319 --> 01:34:25.840
<v Speaker 2>with Dave Bautista and of course Mila Djoviovic.

1785
01:34:26.199 --> 01:34:26.800
<v Speaker 3>I love me.

1786
01:34:28.640 --> 01:34:32.479
<v Speaker 2>I got a picture from a mutual friend of ours

1787
01:34:32.479 --> 01:34:34.880
<v Speaker 2>that we can talk about afterwards, of him at the

1788
01:34:34.920 --> 01:34:39.079
<v Speaker 2>premiere of this in New Mexico holding on to Mila

1789
01:34:39.359 --> 01:34:44.159
<v Speaker 2>and to Paul W. S Anderson and you can probably

1790
01:34:44.159 --> 01:34:45.000
<v Speaker 2>guess who I'm talking about.

1791
01:34:45.079 --> 01:34:49.800
<v Speaker 3>Yeah, yeah, I've ever since Cuffs talking about nineties, I've

1792
01:34:49.800 --> 01:34:50.560
<v Speaker 3>been in love with her.

1793
01:34:50.640 --> 01:34:54.960
<v Speaker 2>So yeah, good stuff. I've not heard any good stuff

1794
01:34:54.960 --> 01:35:02.159
<v Speaker 2>about this film, though. Lots of Filmmaster's releases went up

1795
01:35:02.199 --> 01:35:05.079
<v Speaker 2>on their website this week. This first one is a

1796
01:35:05.079 --> 01:35:07.800
<v Speaker 2>Class of seventy four. This is from nineteen seventy two

1797
01:35:08.239 --> 01:35:11.399
<v Speaker 2>and it's a limited edition release from their archive collection,

1798
01:35:11.840 --> 01:35:14.399
<v Speaker 2>which means this is going to have a slipcover. It

1799
01:35:14.399 --> 01:35:16.920
<v Speaker 2>will have a new audio commentary. The person doing it

1800
01:35:16.960 --> 01:35:19.800
<v Speaker 2>is Heath from over at Cereal at Midnight. This will

1801
01:35:19.800 --> 01:35:22.079
<v Speaker 2>also have a booklet with an essay on it, and

1802
01:35:22.479 --> 01:35:24.720
<v Speaker 2>it's not on this because I just found out today

1803
01:35:25.079 --> 01:35:26.800
<v Speaker 2>the person who wrote the essay for the booklet is

1804
01:35:26.840 --> 01:35:30.720
<v Speaker 2>the one and only Amanda Reyes, who is incredible, so

1805
01:35:31.319 --> 01:35:33.399
<v Speaker 2>very interested in checking this out. I hear this movie

1806
01:35:33.600 --> 01:35:38.239
<v Speaker 2>is just very very fun and looks very very fun.

1807
01:35:38.359 --> 01:35:40.039
<v Speaker 2>And the big thing is, I know a lot of

1808
01:35:40.039 --> 01:35:42.159
<v Speaker 2>people had the old code red DVD of this one.

1809
01:35:42.560 --> 01:35:44.000
<v Speaker 2>If you have that, you might want to hold on

1810
01:35:44.039 --> 01:35:47.119
<v Speaker 2>to it because there is a contextual bonus film on

1811
01:35:47.159 --> 01:35:49.760
<v Speaker 2>that DVD that is not carried over to the Blu

1812
01:35:49.840 --> 01:35:53.680
<v Speaker 2>Ray release, so just keep that as a little bonus disc.

1813
01:35:56.399 --> 01:35:58.920
<v Speaker 2>Then they are also putting out the capture. This is

1814
01:35:58.960 --> 01:36:02.439
<v Speaker 2>coming soon on Blu Ray DVD from their archive collection.

1815
01:36:02.600 --> 01:36:05.319
<v Speaker 2>The archive collection means it'll have a new scan, it'll

1816
01:36:05.359 --> 01:36:08.119
<v Speaker 2>be a two K or four K restoration. It will

1817
01:36:08.239 --> 01:36:11.119
<v Speaker 2>not have bonus features though, and this will be coming

1818
01:36:11.159 --> 01:36:14.199
<v Speaker 2>on a BDR, so just be prepared for that, which

1819
01:36:14.479 --> 01:36:16.479
<v Speaker 2>no big deal. It'll still last for a long time.

1820
01:36:18.079 --> 01:36:21.399
<v Speaker 2>The next one, same line and everything. The Fabulous Dorseyes

1821
01:36:21.439 --> 01:36:25.399
<v Speaker 2>from nineteen forty seven, also an archive title. Again no

1822
01:36:25.479 --> 01:36:28.079
<v Speaker 2>bonus features, but a new restoration and it will be

1823
01:36:28.119 --> 01:36:33.920
<v Speaker 2>a BDR. A Life at Stake also coming from that line,

1824
01:36:34.319 --> 01:36:36.119
<v Speaker 2>and we don't have release dates for any of these yet,

1825
01:36:36.239 --> 01:36:38.600
<v Speaker 2>but this one is from nineteen fifty five, so I'll

1826
01:36:38.600 --> 01:36:42.079
<v Speaker 2>have a brand new restoration and it will be a BDR.

1827
01:36:44.720 --> 01:36:48.199
<v Speaker 2>The Blood of Jesus from nineteen forty one is getting

1828
01:36:48.239 --> 01:36:51.039
<v Speaker 2>a release from them as well, same archive collection, no

1829
01:36:51.680 --> 01:36:58.920
<v Speaker 2>bonus features whatsoever, and a BDR. This one looks very fun. Yeah, yeah,

1830
01:36:58.960 --> 01:37:01.960
<v Speaker 2>and that's it for film asks. Paul is saying, is

1831
01:37:02.000 --> 01:37:04.680
<v Speaker 2>this one the same scan as the previous film? Detective

1832
01:37:04.680 --> 01:37:06.960
<v Speaker 2>Blue releases. I bet it is, but I don't have

1833
01:37:07.039 --> 01:37:15.960
<v Speaker 2>confirmation on that. Next up July first, Altered Innocence is

1834
01:37:16.000 --> 01:37:20.680
<v Speaker 2>releasing Lost Country from twenty twenty three. This is set

1835
01:37:20.720 --> 01:37:24.119
<v Speaker 2>in Serbia during the nineteen ninety six protest. And this

1836
01:37:24.159 --> 01:37:26.640
<v Speaker 2>one sounds really, really good. We got some trailers on

1837
01:37:26.680 --> 01:37:29.760
<v Speaker 2>this and it will be a five point one mix

1838
01:37:29.800 --> 01:37:32.880
<v Speaker 2>for the audio, but not much else on here region

1839
01:37:32.920 --> 01:37:35.680
<v Speaker 2>free disc and the trailer on this makes it look good,

1840
01:37:35.720 --> 01:37:42.479
<v Speaker 2>looks like a good film. Next, Keno is releasing Rock

1841
01:37:42.600 --> 01:37:46.279
<v Speaker 2>Pretty Baby on June seventeenth on Blu Ray. This will

1842
01:37:46.279 --> 01:37:48.359
<v Speaker 2>have a brand new HD master from a four K

1843
01:37:48.479 --> 01:37:51.159
<v Speaker 2>scan of the OCEN and a new audio commentary by

1844
01:37:51.239 --> 01:37:55.600
<v Speaker 2>David del Val, who does great work. I always laugh

1845
01:37:55.640 --> 01:37:58.720
<v Speaker 2>at this one because this has young heart throb John

1846
01:37:58.840 --> 01:38:02.199
<v Speaker 2>Saxon I don't ever think of as a young heart

1847
01:38:02.239 --> 01:38:09.000
<v Speaker 2>throb Jihon Saxon and sal Mineo. And then next is

1848
01:38:09.079 --> 01:38:11.920
<v Speaker 2>Promise Her Anything with Warren Batty and Leslie Karen from

1849
01:38:11.960 --> 01:38:15.000
<v Speaker 2>nineteen sixty six. This one will have a new audio

1850
01:38:15.039 --> 01:38:18.520
<v Speaker 2>commentary from Duayne Epstein. This will also be from a

1851
01:38:18.640 --> 01:38:22.960
<v Speaker 2>four K scan of the OCN. Lots of cool stuff

1852
01:38:22.960 --> 01:38:23.720
<v Speaker 2>coming from Keno.

1853
01:38:24.279 --> 01:38:27.560
<v Speaker 3>Yeah, how did this period though, last few you've done? Like,

1854
01:38:27.760 --> 01:38:29.640
<v Speaker 3>how long do those sell? Is it to an older

1855
01:38:29.760 --> 01:38:32.279
<v Speaker 3>generation that grew up with some of these movies and

1856
01:38:32.319 --> 01:38:35.399
<v Speaker 3>they're still collecting? Is that kind of the target audience?

1857
01:38:35.640 --> 01:38:37.800
<v Speaker 2>That's a bulk of them? And then we got to

1858
01:38:37.840 --> 01:38:40.520
<v Speaker 2>realize when these come out, they're probably priced at about

1859
01:38:40.560 --> 01:38:44.399
<v Speaker 2>fourteen bucks, and maybe two months later they're on sale

1860
01:38:44.479 --> 01:38:47.000
<v Speaker 2>for like eight ninety five. And so when they're that cheap,

1861
01:38:47.039 --> 01:38:49.119
<v Speaker 2>a lot of people go, oh, I like Warren Batty,

1862
01:38:49.239 --> 01:38:51.960
<v Speaker 2>Maybe I like this it's nine bucks? Who cares? Sure? Yeah? Yeah,

1863
01:38:52.800 --> 01:38:54.239
<v Speaker 2>So a lot of people just throw it in and

1864
01:38:54.359 --> 01:38:56.439
<v Speaker 2>maybe someday check it out, but also maybe just never

1865
01:38:56.520 --> 01:39:02.960
<v Speaker 2>unwrap it. Yeah, I got that umbrella. Speaking of umbrella,

1866
01:39:03.000 --> 01:39:05.119
<v Speaker 2>we just had a long conversation about the stuff they do,

1867
01:39:05.239 --> 01:39:07.399
<v Speaker 2>the great work. We got a lot of great stuff

1868
01:39:07.399 --> 01:39:10.359
<v Speaker 2>to talk about. This first one is a four K

1869
01:39:10.520 --> 01:39:13.920
<v Speaker 2>release of The Salute of the Jugger from nineteen eighty nine.

1870
01:39:14.399 --> 01:39:18.039
<v Speaker 2>This is coming on August sixth, and there is so

1871
01:39:18.279 --> 01:39:21.279
<v Speaker 2>much incredible stuff to cover in this one. This is

1872
01:39:21.319 --> 01:39:25.479
<v Speaker 2>a Rugger Howard film with Jon Chen that people have

1873
01:39:25.520 --> 01:39:28.600
<v Speaker 2>wanted for years. Vincent Dinafrio is also in this one.

1874
01:39:29.279 --> 01:39:32.279
<v Speaker 2>This is going to be an exclusive four k HDR

1875
01:39:33.119 --> 01:39:36.279
<v Speaker 2>restoration of this film, so nobody else has this, and

1876
01:39:36.319 --> 01:39:40.359
<v Speaker 2>it has three different versions of the movie. This will

1877
01:39:40.359 --> 01:39:42.359
<v Speaker 2>also have a one hundred plus page book with a

1878
01:39:42.359 --> 01:39:45.479
<v Speaker 2>bunch of new essays. We got new bonus features. We've

1879
01:39:45.479 --> 01:39:48.399
<v Speaker 2>got an uncut one hundred and four minute remaster that

1880
01:39:48.520 --> 01:39:52.560
<v Speaker 2>was done. This is a huge, huge deal for Umbrella.

1881
01:39:52.600 --> 01:39:54.399
<v Speaker 2>A lot of people have wanted this film for a

1882
01:39:54.520 --> 01:39:57.399
<v Speaker 2>long time. They've got the workprint cut, they've got the

1883
01:39:57.399 --> 01:40:02.119
<v Speaker 2>one that people have seen recently, new audi commentaries, a

1884
01:40:02.119 --> 01:40:05.079
<v Speaker 2>bunch of extras. This is gonna be a crazy, crazy.

1885
01:40:04.720 --> 01:40:06.800
<v Speaker 3>I would say recommended if you like.

1886
01:40:06.960 --> 01:40:11.039
<v Speaker 2>What I've not seen this one because you heard anything,

1887
01:40:11.279 --> 01:40:13.920
<v Speaker 2>or uh no, uh is it?

1888
01:40:14.079 --> 01:40:15.479
<v Speaker 3>Marshall Art like, what is this?

1889
01:40:16.479 --> 01:40:19.520
<v Speaker 2>It says in a lawless future where society is crumbled

1890
01:40:19.560 --> 01:40:23.000
<v Speaker 2>and chaos reins, the deadly sport of jugging is the

1891
01:40:23.079 --> 01:40:26.800
<v Speaker 2>ultimate test of strength, skill and survival. After years of xi,

1892
01:40:26.840 --> 01:40:30.159
<v Speaker 2>a legendary player Sallo, is pulled back into the violent game,

1893
01:40:30.479 --> 01:40:32.479
<v Speaker 2>leading a rag tag team of misfits on a quest

1894
01:40:32.479 --> 01:40:35.079
<v Speaker 2>to ultimate victory. So to me, it sounds like if

1895
01:40:35.119 --> 01:40:37.319
<v Speaker 2>you like rollerball, you'd probably love this okay.

1896
01:40:37.399 --> 01:40:42.920
<v Speaker 3>Yeah, coast apocalyptic extreme fighting sport type of.

1897
01:40:42.880 --> 01:40:47.560
<v Speaker 2>Movie, extreme fighting sports to the death movie. Yeah, okay, Rutger,

1898
01:40:47.600 --> 01:40:50.399
<v Speaker 2>how are only doing films that have four versions? Absolutely

1899
01:40:50.520 --> 01:40:54.560
<v Speaker 2>just keeping it on brand for him? Yeah, and if

1900
01:40:54.600 --> 01:40:58.079
<v Speaker 2>Saluted the Jugger is not in your wheelhouse. They're also

1901
01:40:58.159 --> 01:41:02.279
<v Speaker 2>doing Norroy the one of the best found footage films

1902
01:41:02.359 --> 01:41:04.760
<v Speaker 2>ever made. This is from two thousand and five, also

1903
01:41:04.760 --> 01:41:07.319
<v Speaker 2>getting a Blu ray release on August sixth from Umbrella.

1904
01:41:08.319 --> 01:41:12.119
<v Speaker 2>So really great key art on this one too. This

1905
01:41:12.199 --> 01:41:14.960
<v Speaker 2>one is going to have a forty eight page book

1906
01:41:14.960 --> 01:41:19.119
<v Speaker 2>with behind the scenes experiences, art and essays, eight art cards,

1907
01:41:19.159 --> 01:41:21.960
<v Speaker 2>a custom slipcase, and box set art on it. The

1908
01:41:22.000 --> 01:41:25.039
<v Speaker 2>new audio commentary by Tom mess who is incredible at

1909
01:41:25.039 --> 01:41:27.680
<v Speaker 2>what he does. There's an interview with the director that's

1910
01:41:27.720 --> 01:41:31.399
<v Speaker 2>brand new, Alexander Heller Nicholas talks about Noroi and the

1911
01:41:31.439 --> 01:41:34.520
<v Speaker 2>horror mockumentary, and then there's some other featurettes that have

1912
01:41:34.520 --> 01:41:38.000
<v Speaker 2>been on previous releases as well. But this is genuinely

1913
01:41:38.039 --> 01:41:41.279
<v Speaker 2>a masterpiece, one of the best found footage movies ever made.

1914
01:41:41.479 --> 01:41:42.199
<v Speaker 2>Love this movie.

1915
01:41:42.439 --> 01:41:44.239
<v Speaker 3>Yeah, I actually I did see this one.

1916
01:41:44.439 --> 01:41:47.880
<v Speaker 2>Oh nice, would you think? Yeah, loved it very nice,

1917
01:41:48.000 --> 01:41:48.640
<v Speaker 2>very nice.

1918
01:41:49.000 --> 01:41:51.600
<v Speaker 3>I like the I like the like before the found

1919
01:41:51.640 --> 01:41:57.159
<v Speaker 3>footage got two. I mean there are certain ones. Who's

1920
01:41:57.199 --> 01:41:57.800
<v Speaker 3>the director?

1921
01:41:58.039 --> 01:41:58.359
<v Speaker 2>Do you know?

1922
01:41:58.520 --> 01:41:59.920
<v Speaker 3>Like or does it say right there? Anyone?

1923
01:42:00.359 --> 01:42:02.479
<v Speaker 2>His name is Kogi Shirashi.

1924
01:42:02.640 --> 01:42:06.840
<v Speaker 3>Yeah, it's like I mean, especially Asian horror of the

1925
01:42:06.960 --> 01:42:08.840
<v Speaker 3>late nineties. I love Asian horror.

1926
01:42:09.279 --> 01:42:09.720
<v Speaker 2>Nice.

1927
01:42:10.000 --> 01:42:16.079
<v Speaker 3>I mean, any you know Takashe, Mike Japanese like anything

1928
01:42:16.119 --> 01:42:19.279
<v Speaker 3>like that, I'm pretty much go for that makes sense.

1929
01:42:19.560 --> 01:42:23.039
<v Speaker 2>Yeah. The next one is a Blu Ray release of

1930
01:42:23.119 --> 01:42:26.760
<v Speaker 2>Funny Things Happened Down Under starring Olivia Newton John from

1931
01:42:26.840 --> 01:42:29.840
<v Speaker 2>nineteen eighty five. This is a movie I had never

1932
01:42:29.880 --> 01:42:33.720
<v Speaker 2>heard of, but man, they've got some new bonus features

1933
01:42:33.760 --> 01:42:36.199
<v Speaker 2>on this one. This is just getting like a standard

1934
01:42:36.199 --> 01:42:41.640
<v Speaker 2>little sideloading release from the Earth slipcover release for them.

1935
01:42:40.560 --> 01:42:44.760
<v Speaker 3>Discovering rainbow colored goats, realizing they have a major discovery

1936
01:42:44.760 --> 01:42:45.479
<v Speaker 3>on their hands.

1937
01:42:46.319 --> 01:42:48.439
<v Speaker 2>Yes, doesn't Doesn't that make you want to pop that

1938
01:42:48.479 --> 01:42:49.560
<v Speaker 2>in right now? It does?

1939
01:42:49.720 --> 01:42:51.760
<v Speaker 3>Like, I think my wife would want to see this.

1940
01:42:51.960 --> 01:42:54.119
<v Speaker 2>It's gotta be. It's super unique.

1941
01:42:54.560 --> 01:42:56.800
<v Speaker 3>Yeah, she's very young here, very cute.

1942
01:42:56.720 --> 01:43:01.840
<v Speaker 2>Very young. Yeah, nineteen that's cool. The next one a

1943
01:43:01.960 --> 01:43:04.680
<v Speaker 2>full Moon box that this is their second volume. This

1944
01:43:04.760 --> 01:43:07.720
<v Speaker 2>is Full Moon Frights and uh, this one is going

1945
01:43:07.760 --> 01:43:11.920
<v Speaker 2>to include Puppet Master, Sorority Babes, and the Slameball Bowl rama.

1946
01:43:12.600 --> 01:43:14.640
<v Speaker 2>And I believe I had to go to two posts.

1947
01:43:14.680 --> 01:43:21.680
<v Speaker 2>Oh no, maybe I didn't. Uh, let's go back to that. Uh,

1948
01:43:22.000 --> 01:43:23.720
<v Speaker 2>I just didn't list all the extras. It looks like

1949
01:43:23.720 --> 01:43:26.439
<v Speaker 2>because there are so many. It's got Seed People, Shadow

1950
01:43:26.560 --> 01:43:30.000
<v Speaker 2>Zone as well. This is perfect for everybody that got

1951
01:43:30.039 --> 01:43:32.119
<v Speaker 2>that first volume of the box sees that they did.

1952
01:43:32.479 --> 01:43:34.600
<v Speaker 2>If you love Full Moon stuff, you're definitely gonna love

1953
01:43:34.640 --> 01:43:37.800
<v Speaker 2>this stuff. I know that there has been I think

1954
01:43:38.359 --> 01:43:41.399
<v Speaker 2>standalone releases of a few of these in Australia. I

1955
01:43:41.399 --> 01:43:44.279
<v Speaker 2>think Sorority Babes that might be the first one that's new.

1956
01:43:46.880 --> 01:43:48.119
<v Speaker 3>Go back to that last image.

1957
01:43:48.760 --> 01:43:51.600
<v Speaker 2>The last image is that Seed People. Uh I did

1958
01:43:51.600 --> 01:43:52.159
<v Speaker 2>it all right?

1959
01:43:52.199 --> 01:43:55.760
<v Speaker 3>Yeah about But I like how I like how they've

1960
01:43:55.760 --> 01:43:59.319
<v Speaker 3>put all this together. The video Zone or whatever what

1961
01:43:59.479 --> 01:43:59.760
<v Speaker 3>is that?

1962
01:44:00.439 --> 01:44:03.359
<v Speaker 2>The video Zone is a little magazine that comes with it.

1963
01:44:03.439 --> 01:44:05.960
<v Speaker 3>So that's I love that desire. That's cool.

1964
01:44:07.239 --> 01:44:10.800
<v Speaker 2>Yes, that looks really great. They do really good stuff.

1965
01:44:10.840 --> 01:44:13.199
<v Speaker 2>Like we said with their box sets that they're special,

1966
01:44:13.840 --> 01:44:18.279
<v Speaker 2>cool new extras on pretty much everything. It's exciting if

1967
01:44:18.319 --> 01:44:21.039
<v Speaker 2>you love full moon stuff. I actually just talked about

1968
01:44:21.159 --> 01:44:24.680
<v Speaker 2>a Moonbeam entertainment film on another podcast this week. I

1969
01:44:24.720 --> 01:44:28.920
<v Speaker 2>love a lot of this old stuff. Cool one on

1970
01:44:29.039 --> 01:44:32.319
<v Speaker 2>one Films over in the UK is putting out tourist

1971
01:44:32.399 --> 01:44:35.600
<v Speaker 2>traps speaking of full Moon. This is another full moon film.

1972
01:44:35.720 --> 01:44:37.640
<v Speaker 2>This is coming on June twenty third. This will be

1973
01:44:37.720 --> 01:44:41.359
<v Speaker 2>region B locked new special features on this they got

1974
01:44:41.399 --> 01:44:44.279
<v Speaker 2>an interview with Charles Band, this brand new interview with

1975
01:44:44.319 --> 01:44:48.479
<v Speaker 2>Ted Nicolao, interview with an actress, and then Chris Alexander

1976
01:44:48.520 --> 01:44:50.359
<v Speaker 2>is also interviewed on this one. Plus they've got some

1977
01:44:50.439 --> 01:44:53.279
<v Speaker 2>archival extras. This will likely be the same scan that

1978
01:44:53.359 --> 01:44:56.720
<v Speaker 2>was released in the US, which if I remember, I

1979
01:44:56.800 --> 01:45:00.600
<v Speaker 2>think it was cut. It was missing like sixty seconds

1980
01:45:00.680 --> 01:45:06.199
<v Speaker 2>or something like that. I'm not sure. Ok have you

1981
01:45:06.199 --> 01:45:07.960
<v Speaker 2>seen this film ever? This is a really good one.

1982
01:45:09.359 --> 01:45:11.439
<v Speaker 2>This one's special. Chuck Conners is amazing in this.

1983
01:45:11.560 --> 01:45:16.800
<v Speaker 3>Okay, okay, okay. I gotta be really convinced when it

1984
01:45:16.800 --> 01:45:20.439
<v Speaker 3>comes to the typical horror movie, especially American.

1985
01:45:20.359 --> 01:45:21.279
<v Speaker 2>I totally get that.

1986
01:45:21.439 --> 01:45:23.199
<v Speaker 3>I need you really sell me on it.

1987
01:45:23.640 --> 01:45:27.359
<v Speaker 2>Speaking of atypical and not American. June ninth, we're getting

1988
01:45:27.399 --> 01:45:31.239
<v Speaker 2>a four K release from Hammer of the quiter Mass Experiment. Now,

1989
01:45:31.319 --> 01:45:35.479
<v Speaker 2>this is this is an incredible, incredible film. This is

1990
01:45:35.479 --> 01:45:38.800
<v Speaker 2>from nineteen fifty five and it's a sci fi classic

1991
01:45:38.920 --> 01:45:43.479
<v Speaker 2>that made Hammer who they were. Basically, this is going

1992
01:45:43.479 --> 01:45:46.640
<v Speaker 2>to be huge like some of their other releases. Funny enough,

1993
01:45:46.680 --> 01:45:48.399
<v Speaker 2>I don't even remember if I showed it on the

1994
01:45:48.800 --> 01:45:51.079
<v Speaker 2>channel when it came in, but I got in there

1995
01:45:51.159 --> 01:45:54.560
<v Speaker 2>Captain Kronos release that they just did, and this thing,

1996
01:45:55.359 --> 01:45:57.880
<v Speaker 2>this thing is thick, like, this is the size I

1997
01:45:57.880 --> 01:46:01.760
<v Speaker 2>don't know, four films wide, and quiter Mask looks like

1998
01:46:01.800 --> 01:46:05.439
<v Speaker 2>it's gonna be at least that thick. This is a

1999
01:46:06.840 --> 01:46:10.600
<v Speaker 2>this is a crazy looking release. We've got four K discs,

2000
01:46:10.640 --> 01:46:13.439
<v Speaker 2>we've got Blu ray discs, we've got brand new extras,

2001
01:46:13.439 --> 01:46:16.359
<v Speaker 2>we've got multiple aspect ratios to choose from. This is

2002
01:46:16.399 --> 01:46:20.359
<v Speaker 2>a five disc set. You've got posters, you've got booklets,

2003
01:46:21.079 --> 01:46:23.920
<v Speaker 2>art cards, everything that you can want for this film.

2004
01:46:23.960 --> 01:46:26.960
<v Speaker 2>This will be the definitive release of the Quider Mask Experiment.

2005
01:46:26.960 --> 01:46:28.159
<v Speaker 3>Well, yeah, I've always wanted to see this.

2006
01:46:28.960 --> 01:46:32.359
<v Speaker 2>It is an incredible movie. This and the sequels are

2007
01:46:32.399 --> 01:46:34.319
<v Speaker 2>good too. I know a lot of people are down

2008
01:46:34.359 --> 01:46:36.199
<v Speaker 2>on one or two of them. But this is really

2009
01:46:36.199 --> 01:46:42.760
<v Speaker 2>great cool. I am excited to get that one. Then

2010
01:46:43.279 --> 01:46:46.600
<v Speaker 2>Severn came out of nowhere and announced a Blu Ray

2011
01:46:46.640 --> 01:46:48.560
<v Speaker 2>box set today. This is a part of their Inner

2012
01:46:48.640 --> 01:46:51.600
<v Speaker 2>Vision line. Is their first Innervision box set that they've

2013
01:46:51.600 --> 01:46:55.560
<v Speaker 2>ever done. This is called Bloody Legend the Complete Cliff

2014
01:46:55.920 --> 01:47:00.399
<v Speaker 2>Twemlow Collection. This is coming in mid June if you

2015
01:47:00.399 --> 01:47:02.600
<v Speaker 2>buy from their website, or if you want the wide

2016
01:47:02.640 --> 01:47:05.159
<v Speaker 2>release that'll be coming on July twenty ninth. This is

2017
01:47:05.199 --> 01:47:08.520
<v Speaker 2>eleven movies on nine different Blu rays. It also has

2018
01:47:08.560 --> 01:47:11.960
<v Speaker 2>the documentary that they did called Mancoonian Man, so I

2019
01:47:12.079 --> 01:47:15.840
<v Speaker 2>have thirteen plus hours of special features and a bonus CD.

2020
01:47:17.039 --> 01:47:20.199
<v Speaker 2>One of the big things here is GBH. This was

2021
01:47:20.239 --> 01:47:23.199
<v Speaker 2>a video nasty, I believe, and seven has been chasing

2022
01:47:23.239 --> 01:47:26.560
<v Speaker 2>all of those for years, and I'm so glad that

2023
01:47:26.560 --> 01:47:28.720
<v Speaker 2>they were able to get this box set out. I've

2024
01:47:28.720 --> 01:47:31.279
<v Speaker 2>never seen anything from Cliff, but I've heard that these

2025
01:47:31.279 --> 01:47:35.319
<v Speaker 2>are really fun. The trailer for this looks great. Very

2026
01:47:35.560 --> 01:47:40.359
<v Speaker 2>very excited to check this one out, and if you

2027
01:47:40.399 --> 01:47:43.039
<v Speaker 2>wanted to go all out, of course, they're doing a bundle.

2028
01:47:43.520 --> 01:47:45.479
<v Speaker 2>You can get a shirt with it that says not

2029
01:47:45.560 --> 01:47:48.319
<v Speaker 2>for the Squeamish, and then they're also putting out three

2030
01:47:48.720 --> 01:47:51.720
<v Speaker 2>different books that you can get with it as well.

2031
01:47:52.680 --> 01:47:56.680
<v Speaker 2>Cool Crazy set for one hundred and fifty nine bucks.

2032
01:47:56.840 --> 01:48:00.520
<v Speaker 3>Yeah, I love the deluxe these deluxe. This is all

2033
01:48:00.560 --> 01:48:01.800
<v Speaker 3>this stuff that's neat.

2034
01:48:02.159 --> 01:48:03.680
<v Speaker 2>They take up so much space.

2035
01:48:04.000 --> 01:48:06.760
<v Speaker 3>Yeah, for the super fans.

2036
01:48:07.840 --> 01:48:14.520
<v Speaker 2>All right, the best censoring week, Okay, Manda Micabre we

2037
01:48:14.560 --> 01:48:17.159
<v Speaker 2>talked about them earlier. They are putting out a blu

2038
01:48:17.319 --> 01:48:20.199
<v Speaker 2>ray of Ava Man and the Return of Ava Man.

2039
01:48:20.880 --> 01:48:24.399
<v Speaker 2>This is from nineteen eighty nineteen eighty two. This is

2040
01:48:24.600 --> 01:48:28.760
<v Speaker 2>a transgender film from back then. New two K restorations

2041
01:48:28.760 --> 01:48:33.359
<v Speaker 2>for both movies. The poster art on this one is wild.

2042
01:48:34.479 --> 01:48:37.000
<v Speaker 2>I of course had to censor for YouTube and Instagram

2043
01:48:37.039 --> 01:48:40.279
<v Speaker 2>and Facebook or I'd be banned from everything. But we

2044
01:48:40.319 --> 01:48:42.239
<v Speaker 2>can also look at their other poster art that's on

2045
01:48:42.279 --> 01:48:45.359
<v Speaker 2>the other side that also had to be censored. Yeah,

2046
01:48:45.520 --> 01:48:49.520
<v Speaker 2>the art on this looks crazy. We've got new commentary,

2047
01:48:49.600 --> 01:48:52.920
<v Speaker 2>We've got new interviews, including with the main star from

2048
01:48:53.000 --> 01:48:56.439
<v Speaker 2>this which is wild to get them forty five years later,

2049
01:48:57.079 --> 01:49:00.600
<v Speaker 2>new visual essay, new interviews will be of available to

2050
01:49:00.760 --> 01:49:03.840
<v Speaker 2>pre order at the same time as the next title,

2051
01:49:04.680 --> 01:49:09.720
<v Speaker 2>which is Lady Desire accompanied with sex Omania coming in

2052
01:49:09.760 --> 01:49:11.960
<v Speaker 2>a Blu Ray double feature as well. These are from

2053
01:49:12.000 --> 01:49:16.399
<v Speaker 2>nineteen sixty eight and nineteen seventy four and these will

2054
01:49:16.439 --> 01:49:20.560
<v Speaker 2>go on sale on May first at nine am Pacific.

2055
01:49:20.680 --> 01:49:25.760
<v Speaker 2>If you are looking for these again, great releases looking

2056
01:49:25.840 --> 01:49:30.560
<v Speaker 2>from them. They've got extras like crazy. They've got tribute videos,

2057
01:49:30.560 --> 01:49:34.319
<v Speaker 2>brand new two K restorations for these, and trailers and

2058
01:49:34.439 --> 01:49:36.560
<v Speaker 2>everything that you could want. If you get the red cases,

2059
01:49:36.600 --> 01:49:40.239
<v Speaker 2>you get the booklets and uh yeah, if you like

2060
01:49:40.319 --> 01:49:43.359
<v Speaker 2>Monda Micabro, you probably know what you're getting with these

2061
01:49:46.239 --> 01:49:52.000
<v Speaker 2>cool m Yeah, these are a must. I pretty much

2062
01:49:52.039 --> 01:49:58.680
<v Speaker 2>always like the Mondo Micabro stuff and these. This is interesting.

2063
01:49:58.840 --> 01:50:01.920
<v Speaker 2>So over in Italy there's a brand new boutique company

2064
01:50:01.960 --> 01:50:07.880
<v Speaker 2>called Legends Collection that I just happened upon. They're putting

2065
01:50:07.880 --> 01:50:11.119
<v Speaker 2>out Singham from twenty eleven. This is an Indian film

2066
01:50:11.560 --> 01:50:14.600
<v Speaker 2>and it's the start of the cop universe. They've put

2067
01:50:14.600 --> 01:50:18.520
<v Speaker 2>out a bunch of films under the same franchise, I guess,

2068
01:50:18.920 --> 01:50:22.000
<v Speaker 2>and this will be a Blu Ray release. It's got

2069
01:50:22.600 --> 01:50:26.479
<v Speaker 2>English subtitles, which is not even on Italian releases, so

2070
01:50:26.520 --> 01:50:27.920
<v Speaker 2>it's nice that we're gonna be able to get this.

2071
01:50:28.560 --> 01:50:31.119
<v Speaker 2>Any company willing to put out more Bollywood films gets

2072
01:50:31.119 --> 01:50:33.520
<v Speaker 2>an A plus for me, it is super rare. So

2073
01:50:33.560 --> 01:50:35.880
<v Speaker 2>it's nice to be able to see we've got brand

2074
01:50:35.880 --> 01:50:38.840
<v Speaker 2>new artwork on these. Eugenio eric Alani, friend of the channel,

2075
01:50:38.880 --> 01:50:42.279
<v Speaker 2>has done quite a bit on this one. So that

2076
01:50:42.520 --> 01:50:45.439
<v Speaker 2>is where I first heard about this. This is exciting.

2077
01:50:45.600 --> 01:50:47.319
<v Speaker 2>Have you checked out many Bollywood films?

2078
01:50:48.560 --> 01:50:51.520
<v Speaker 3>Sad to say, I haven't. I mean, I guess the

2079
01:50:51.640 --> 01:50:54.479
<v Speaker 3>length of all of them and the amount of them.

2080
01:50:54.760 --> 01:50:57.760
<v Speaker 3>It's just like it is daunting. I mean, I do

2081
01:50:57.800 --> 01:51:00.279
<v Speaker 3>want to like start seeing. I mean, I love like

2082
01:51:00.359 --> 01:51:04.840
<v Speaker 3>this is in Bollywood, but I love Indian cinema. I mean,

2083
01:51:04.880 --> 01:51:07.439
<v Speaker 3>like the Sachijit ray, like the Appu trilogy and stuff

2084
01:51:07.439 --> 01:51:10.640
<v Speaker 3>like that is great. Path Upon Choli is one of

2085
01:51:10.680 --> 01:51:13.079
<v Speaker 3>my favorites of all time. And of course we saw

2086
01:51:13.119 --> 01:51:17.960
<v Speaker 3>our r R R R R love r R. But

2087
01:51:18.039 --> 01:51:19.079
<v Speaker 3>I mean that's all I know.

2088
01:51:19.239 --> 01:51:22.920
<v Speaker 2>So no, I'm still hoping that r R R gets

2089
01:51:22.920 --> 01:51:25.279
<v Speaker 2>a like an actual great release.

2090
01:51:25.359 --> 01:51:27.520
<v Speaker 3>Does it it got?

2091
01:51:27.600 --> 01:51:29.439
<v Speaker 2>I think it even got a four K, but only

2092
01:51:29.479 --> 01:51:35.000
<v Speaker 2>in like Japan. Yeah, okay, I don't know. It's got

2093
01:51:35.000 --> 01:51:35.560
<v Speaker 2>to be some of them with.

2094
01:51:35.560 --> 01:51:38.439
<v Speaker 3>The rights, sure, Yeah, I would love that too.

2095
01:51:40.680 --> 01:51:43.000
<v Speaker 2>Lastly, like I mentioned earlier, we were going to talk

2096
01:51:43.039 --> 01:51:46.640
<v Speaker 2>about another Warner Archive replacement disc and uh, this is

2097
01:51:46.680 --> 01:51:49.920
<v Speaker 2>brand new, just friends. Literally just went up for pre

2098
01:51:50.079 --> 01:51:52.079
<v Speaker 2>order and really only like a handful of these were

2099
01:51:52.119 --> 01:51:55.760
<v Speaker 2>even shipped out. But this got announced as having special features,

2100
01:51:56.239 --> 01:51:58.800
<v Speaker 2>and uh, when people were getting these, the special features

2101
01:51:58.800 --> 01:52:01.159
<v Speaker 2>we're just missing on the disc, just the film, so

2102
01:52:01.439 --> 01:52:04.199
<v Speaker 2>they are replacing the disc. I've got all the details

2103
01:52:04.239 --> 01:52:08.479
<v Speaker 2>on the post. You can go find it. That's all

2104
01:52:08.479 --> 01:52:10.359
<v Speaker 2>we know for now. Just got to put in to

2105
01:52:10.479 --> 01:52:13.279
<v Speaker 2>get your replacement discs so you can get those bonuses.

2106
01:52:13.960 --> 01:52:18.000
<v Speaker 2>There you go. Reservoir was asking about that Italian company

2107
01:52:18.039 --> 01:52:19.960
<v Speaker 2>and I said that they are putting out Asian films,

2108
01:52:20.039 --> 01:52:22.079
<v Speaker 2>and Reservoirs said, what kind of Asian films. It's a

2109
01:52:22.119 --> 01:52:24.760
<v Speaker 2>big continent. Literally, that's all that says. If you go

2110
01:52:24.800 --> 01:52:27.880
<v Speaker 2>to their about page, it says we plan on sharing

2111
01:52:28.159 --> 01:52:34.439
<v Speaker 2>Asian films. It's not a lot of informational. As always,

2112
01:52:34.479 --> 01:52:37.800
<v Speaker 2>after the announcements, just in case you forgot, we cover

2113
01:52:37.920 --> 01:52:39.920
<v Speaker 2>what is coming out next week real quick in case

2114
01:52:39.960 --> 01:52:41.920
<v Speaker 2>you want to go grab it before something sells out.

2115
01:52:42.279 --> 01:52:45.720
<v Speaker 2>Of course, the big title Tombstone four K coming next

2116
01:52:45.880 --> 01:52:49.039
<v Speaker 2>Tuesday here in the US. That is shipping from some

2117
01:52:49.159 --> 01:52:53.680
<v Speaker 2>people already Sneakers four K from Keno, Career Opportunities, four

2118
01:52:53.760 --> 01:52:56.359
<v Speaker 2>K from Keno, Foul Play four K from Keno as

2119
01:52:56.399 --> 01:53:00.000
<v Speaker 2>If They ever rest. The four K of the Hunt

2120
01:53:00.199 --> 01:53:04.079
<v Speaker 2>comes out next week from Shout. We've got the Jean

2121
01:53:04.159 --> 01:53:07.960
<v Speaker 2>Florette and Monande spring title that is coming from Criterion.

2122
01:53:08.520 --> 01:53:12.079
<v Speaker 2>Captain Planet and the Planeteer is the complete franchise next week.

2123
01:53:12.439 --> 01:53:15.680
<v Speaker 2>Cheyenne the complete series from Warner Archive. Yakuza Wives from

2124
01:53:15.720 --> 01:53:19.319
<v Speaker 2>eighty eight films, Jackaman and Tetsu is also next week.

2125
01:53:19.399 --> 01:53:23.199
<v Speaker 2>Lady with the Sword the Cruel see from Keno Hysteria

2126
01:53:23.279 --> 01:53:25.760
<v Speaker 2>Season one or also should have been called the complete

2127
01:53:25.760 --> 01:53:29.279
<v Speaker 2>series because it was canceled already, But those are the

2128
01:53:29.319 --> 01:53:32.560
<v Speaker 2>big ones. Borderline is also coming from Keino Classics, and

2129
01:53:32.600 --> 01:53:35.720
<v Speaker 2>then Tribeca putting out Tendaberry next week. That one is

2130
01:53:35.760 --> 01:53:38.119
<v Speaker 2>an Amazon exclusive, so if you want that one, you

2131
01:53:38.239 --> 01:53:42.079
<v Speaker 2>gotta get on Amazon. Tombstone the big title. Have you

2132
01:53:42.119 --> 01:53:46.119
<v Speaker 2>ever seen Tombstone? Yeah? Yeah, sure, good, It is a

2133
01:53:46.199 --> 01:53:46.720
<v Speaker 2>good one.

2134
01:53:47.680 --> 01:53:50.600
<v Speaker 3>Should revisit it after Valve's passing.

2135
01:53:51.680 --> 01:53:54.279
<v Speaker 2>Yeah, I'm sure. The announcement of that and the timing

2136
01:53:54.319 --> 01:53:56.760
<v Speaker 2>of that is going to make it sell like hotcakes.

2137
01:53:57.000 --> 01:54:02.359
<v Speaker 3>Yeah, but I career opportunities was, you know, a big

2138
01:54:02.560 --> 01:54:07.920
<v Speaker 3>hit for Kino. That was a formative movie for me.

2139
01:54:09.640 --> 01:54:12.760
<v Speaker 3>You could say Jennifer Connelly is probably my like number

2140
01:54:12.800 --> 01:54:20.960
<v Speaker 3>one cinema love you know, gorgeous. Yeah, absolutely like I love.

2141
01:54:21.479 --> 01:54:24.079
<v Speaker 3>In fact, it's funny, I just removed one of her

2142
01:54:24.119 --> 01:54:27.159
<v Speaker 3>films from my top five cover designs that we're going

2143
01:54:27.199 --> 01:54:30.560
<v Speaker 3>to do because while revisiting the list, I realized there

2144
01:54:30.640 --> 01:54:33.039
<v Speaker 3>is a blu ray of the title I was going

2145
01:54:33.119 --> 01:54:36.840
<v Speaker 3>to have, which is very rare. It's a film called Etol.

2146
01:54:38.840 --> 01:54:43.520
<v Speaker 3>So this is like young Jennifer Connelly, like Labyrinth Phenomena era,

2147
01:54:44.920 --> 01:54:51.359
<v Speaker 3>and she made this obscure never seen It's almost like

2148
01:54:51.359 --> 01:54:54.479
<v Speaker 3>a black Swan type of thing. It's a ballet, but

2149
01:54:54.520 --> 01:54:58.079
<v Speaker 3>it's like this dreamlike nightmarish kind of thing. And I

2150
01:54:58.119 --> 01:54:59.920
<v Speaker 3>need to find this. Maybe you can help me get.

2151
01:54:59.800 --> 01:55:04.039
<v Speaker 2>A Yeah, it's gonna have to be eBay only. It

2152
01:55:04.199 --> 01:55:07.319
<v Speaker 2>was a Ronan Flicks site exclusive, which Ronan Flicks doesn't

2153
01:55:07.319 --> 01:55:10.520
<v Speaker 2>even do much anymore. This was done by Scorpion Releasing

2154
01:55:10.520 --> 01:55:13.239
<v Speaker 2>a handful of years ago and has been long sold out.

2155
01:55:13.319 --> 01:55:15.199
<v Speaker 3>Have you even heard this of this movie.

2156
01:55:15.359 --> 01:55:18.039
<v Speaker 2>I mean when it was announced, that was it. But

2157
01:55:18.319 --> 01:55:20.560
<v Speaker 2>it's not like I didn't even know anybody that had

2158
01:55:20.600 --> 01:55:20.920
<v Speaker 2>seen it.

2159
01:55:21.159 --> 01:55:23.560
<v Speaker 3>Yeah, exactly, no one's seen it. And like you would think,

2160
01:55:23.680 --> 01:55:27.560
<v Speaker 3>since everyone loves Phenomena and Labyrinth, that people the least

2161
01:55:27.640 --> 01:55:29.600
<v Speaker 3>look up what is this? And that's what I did,

2162
01:55:29.600 --> 01:55:32.399
<v Speaker 3>because I'm a Connony super fan and like I was like,

2163
01:55:32.439 --> 01:55:34.439
<v Speaker 3>I have to see this. This looks cool and it

2164
01:55:34.560 --> 01:55:40.800
<v Speaker 3>was cool. I mean it's you know, underappreciated. Maybe it's

2165
01:55:40.800 --> 01:55:42.960
<v Speaker 3>not a masterpiece, but it's still really interesting.

2166
01:55:44.479 --> 01:55:47.159
<v Speaker 2>So now that we've gone through all the announcements discussion

2167
01:55:47.199 --> 01:55:50.319
<v Speaker 2>with Sam, we are going to cover a top five lists.

2168
01:55:50.720 --> 01:55:52.720
<v Speaker 2>You picked five titles that you would love to design

2169
01:55:52.960 --> 01:55:56.119
<v Speaker 2>art for if they were to be released, And funny enough,

2170
01:55:56.279 --> 01:55:58.239
<v Speaker 2>I picked five titles that I would love for your

2171
01:55:58.279 --> 01:55:59.880
<v Speaker 2>style to be applied.

2172
01:56:01.600 --> 01:56:03.159
<v Speaker 3>I figured that's what you're going to go for.

2173
01:56:03.640 --> 01:56:07.760
<v Speaker 2>Yes, I actually this was really hard to whittle down.

2174
01:56:07.920 --> 01:56:12.119
<v Speaker 2>I had like nine, Well, dang it. There's a couple

2175
01:56:12.159 --> 01:56:15.399
<v Speaker 2>that I always seen as for some reason, like attaching

2176
01:56:15.399 --> 01:56:17.319
<v Speaker 2>with you in my mind, and then there's things that

2177
01:56:17.359 --> 01:56:20.000
<v Speaker 2>I went, you know, I kind of wanted him to

2178
01:56:20.039 --> 01:56:21.680
<v Speaker 2>push somebody else out and do it if they were

2179
01:56:21.720 --> 01:56:24.000
<v Speaker 2>to do this. So I got some cool ideas. So

2180
01:56:24.000 --> 01:56:26.600
<v Speaker 2>we'll talk about that a little bit. But first, how

2181
01:56:26.600 --> 01:56:29.279
<v Speaker 2>do you describe your style to somebody that's never seen

2182
01:56:29.359 --> 01:56:29.720
<v Speaker 2>your work?

2183
01:56:32.119 --> 01:56:35.479
<v Speaker 3>Well, I go back to a traumatic moment in middle

2184
01:56:35.479 --> 01:56:39.600
<v Speaker 3>school and drawing class when the late Jean Sizemore, my

2185
01:56:39.680 --> 01:56:45.319
<v Speaker 3>drawing teacher, gave me a B minus and told my

2186
01:56:45.479 --> 01:56:49.159
<v Speaker 3>parents Sam's great, he's brilliant, but he doesn't have a

2187
01:56:49.199 --> 01:56:52.359
<v Speaker 3>style and he needs to get a style. And I

2188
01:56:52.399 --> 01:56:55.640
<v Speaker 3>my dad was so offended. It's sticking up for me,

2189
01:56:55.880 --> 01:56:58.640
<v Speaker 3>you know, like why do you have to have one style?

2190
01:56:59.159 --> 01:56:59.399
<v Speaker 2>Right?

2191
01:56:59.479 --> 01:57:02.079
<v Speaker 3>And that always stuck with me and I was like, yeah,

2192
01:57:02.319 --> 01:57:04.159
<v Speaker 3>that's right. I don't have to have a certain style.

2193
01:57:04.680 --> 01:57:07.279
<v Speaker 3>And I think if you have one visual style, especially

2194
01:57:07.319 --> 01:57:09.920
<v Speaker 3>if you're an illustrator, you know, you get pigeonhole to

2195
01:57:09.960 --> 01:57:11.479
<v Speaker 3>doing the same thing over and over again. We've seen

2196
01:57:11.520 --> 01:57:13.479
<v Speaker 3>this with a lot of the like the Mondo people

2197
01:57:13.479 --> 01:57:18.159
<v Speaker 3>I mentioned, and they're great, But I've never been like

2198
01:57:18.239 --> 01:57:22.159
<v Speaker 3>a specialist of a specific style. In fact, I'm not.

2199
01:57:22.640 --> 01:57:23.600
<v Speaker 2>I do love drawing.

2200
01:57:23.680 --> 01:57:25.800
<v Speaker 3>Some of my favorite things I've done are like hand

2201
01:57:25.880 --> 01:57:28.960
<v Speaker 3>drawn illustrations, but it's not my you know, I haven't

2202
01:57:29.000 --> 01:57:31.359
<v Speaker 3>put in the thousands of hours, so I love just

2203
01:57:31.399 --> 01:57:36.680
<v Speaker 3>like an iconic concept, so conceptual ideas and the not

2204
01:57:36.720 --> 01:57:40.199
<v Speaker 3>necessarily showing the actors showing an idea. That's why I

2205
01:57:40.199 --> 01:57:43.680
<v Speaker 3>love all the Polish posters, the check posters, Cuban posters,

2206
01:57:44.359 --> 01:57:47.720
<v Speaker 3>because Cuban posters have that simplicity of design. You can

2207
01:57:47.800 --> 01:57:50.880
<v Speaker 3>just have cut out shapes or whatever. So I love

2208
01:57:50.920 --> 01:57:54.279
<v Speaker 3>anything like that. But it's always like finding the best

2209
01:57:54.319 --> 01:57:57.880
<v Speaker 3>solution for the film. You know, given the brief that

2210
01:57:58.000 --> 01:57:59.840
<v Speaker 3>whoever you're working for or for you is doing some

2211
01:58:00.079 --> 01:58:02.640
<v Speaker 3>for yourself, then I'm just like, I want to see

2212
01:58:02.640 --> 01:58:06.000
<v Speaker 3>this as a cool yellow and blue That's what I'm

2213
01:58:06.000 --> 01:58:07.840
<v Speaker 3>seeing in my head. I'm gonna I'm gonna do that

2214
01:58:07.920 --> 01:58:13.000
<v Speaker 3>and try to do something atypical for what's already been

2215
01:58:13.000 --> 01:58:15.239
<v Speaker 3>out there, you know, like kind of maybe a new

2216
01:58:15.319 --> 01:58:17.520
<v Speaker 3>way of looking at a film visually.

2217
01:58:18.279 --> 01:58:20.920
<v Speaker 2>It's a good answer, because you know, even just looking

2218
01:58:20.960 --> 01:58:24.239
<v Speaker 2>at your website, it's hard to you know, look at

2219
01:58:24.239 --> 01:58:30.880
<v Speaker 2>three different things that are vastly different. Just anybody else

2220
01:58:31.000 --> 01:58:33.960
<v Speaker 2>looking at them could think these are three different artists

2221
01:58:34.079 --> 01:58:39.319
<v Speaker 2>entirely cool. It is such a fun. I don't know

2222
01:58:39.520 --> 01:58:41.359
<v Speaker 2>if you announce that you're involved with something. You just

2223
01:58:41.359 --> 01:58:42.920
<v Speaker 2>never know what you're gonna get, which is the most

2224
01:58:42.960 --> 01:58:43.960
<v Speaker 2>exciting aspect of it.

2225
01:58:44.000 --> 01:58:46.199
<v Speaker 3>I think, thank you, thank you. That's that's like the

2226
01:58:46.239 --> 01:58:49.880
<v Speaker 3>best compliment, you know. And I think it's cool to

2227
01:58:49.920 --> 01:58:52.720
<v Speaker 3>you work with photography like I love. Yeah, I love

2228
01:58:52.800 --> 01:58:57.640
<v Speaker 3>actors and photographs. Why do we love movies actors? I mean,

2229
01:58:57.640 --> 01:58:59.520
<v Speaker 3>it's like one of the biggest things to see a

2230
01:58:59.600 --> 01:59:03.399
<v Speaker 3>human we're not watching. I mean, yes, Kaiina SCATSI is

2231
01:59:03.439 --> 01:59:05.800
<v Speaker 3>one of my favorite films of all time. It happens,

2232
01:59:06.239 --> 01:59:09.359
<v Speaker 3>but not every movie is like about buildings and landscapes.

2233
01:59:09.399 --> 01:59:12.199
<v Speaker 3>You know, you love seeing a face of someone you

2234
01:59:12.239 --> 01:59:15.720
<v Speaker 3>love on screen, and it's amazing when you think about it.

2235
01:59:15.760 --> 01:59:19.199
<v Speaker 3>Almost every poster and DVD has a human face on it.

2236
01:59:20.239 --> 01:59:23.680
<v Speaker 3>Like it's very rare, it doesn't, you know. But yeah,

2237
01:59:23.800 --> 01:59:26.479
<v Speaker 3>using photography, there's a lot of great things you can

2238
01:59:26.520 --> 01:59:30.880
<v Speaker 3>do with it, and then hand drawn, you know whatever.

2239
01:59:31.479 --> 01:59:32.840
<v Speaker 3>I try to think of, like what's the what's the

2240
01:59:32.840 --> 01:59:35.760
<v Speaker 3>idea of the poster and then let that determine how

2241
01:59:35.800 --> 01:59:41.359
<v Speaker 3>I what medium I use, Right, So just go to

2242
01:59:41.399 --> 01:59:42.760
<v Speaker 3>find out the closest path to.

2243
01:59:42.640 --> 01:59:46.800
<v Speaker 2>That anybody that's watching is that that is interested in

2244
01:59:46.880 --> 01:59:49.119
<v Speaker 2>being either a graphic artist or they're already gabbling in

2245
01:59:49.159 --> 01:59:51.560
<v Speaker 2>some of this. Would probably want to know what are

2246
01:59:51.560 --> 01:59:53.199
<v Speaker 2>some of your go to tools? What do you like

2247
01:59:53.239 --> 01:59:53.880
<v Speaker 2>to work with.

2248
01:59:53.880 --> 01:59:57.319
<v Speaker 3>Most I'm you know, every person kind of gets stuck

2249
01:59:57.359 --> 02:00:01.239
<v Speaker 3>in their own weird ways. I use Photoshop for assembling

2250
02:00:01.359 --> 02:00:03.239
<v Speaker 3>everything I do. You know, of course, you have to

2251
02:00:03.279 --> 02:00:07.000
<v Speaker 3>deliver files digitally. You can't just mail someone up painting.

2252
02:00:07.920 --> 02:00:10.960
<v Speaker 3>That's how they used to do it, though I guess

2253
02:00:11.000 --> 02:00:12.439
<v Speaker 3>I could if I really wanted to. But I like

2254
02:00:12.520 --> 02:00:17.159
<v Speaker 3>having control over the type, you know, the layout. I

2255
02:00:17.199 --> 02:00:19.279
<v Speaker 3>love to do a whole package when possible. All my

2256
02:00:19.279 --> 02:00:22.039
<v Speaker 3>criterions were like, you know, you do the whole package

2257
02:00:22.199 --> 02:00:25.720
<v Speaker 3>the menus as well. Now with most of the boutiques,

2258
02:00:25.760 --> 02:00:27.560
<v Speaker 3>you know, again their smaller budget, they have an in

2259
02:00:27.600 --> 02:00:30.800
<v Speaker 3>house designer, so they used to to cover. But yeah,

2260
02:00:30.840 --> 02:00:33.359
<v Speaker 3>I like to use some I like to use organic

2261
02:00:33.439 --> 02:00:35.960
<v Speaker 3>elements where I can. I like to have a texture

2262
02:00:36.079 --> 02:00:40.319
<v Speaker 3>that's real, not fake textures. I hate like it. It's

2263
02:00:40.359 --> 02:00:42.359
<v Speaker 3>fine every now and then for a certain brief, but

2264
02:00:42.960 --> 02:00:46.239
<v Speaker 3>I don't like fake poster textures. I like to use

2265
02:00:46.520 --> 02:00:50.720
<v Speaker 3>real paper, real materials to kind of you know, bring

2266
02:00:50.760 --> 02:00:53.640
<v Speaker 3>a handmade quality to things. I sometimes cut, like the

2267
02:00:53.680 --> 02:00:56.760
<v Speaker 3>Love Crime was all made with cutout paper, like actual

2268
02:00:56.800 --> 02:01:00.239
<v Speaker 3>construction paper. But you know, so I cut I well

2269
02:01:00.319 --> 02:01:04.079
<v Speaker 3>sometimes like that's interesting, I'll sketch it out digitally with

2270
02:01:04.119 --> 02:01:07.600
<v Speaker 3>a tablet the forms, then i'll print that out. Then

2271
02:01:07.600 --> 02:01:10.039
<v Speaker 3>I'll cut those forms out with paper. Then I'll scan

2272
02:01:10.159 --> 02:01:13.720
<v Speaker 3>them in and put them back into photoshop. So you know,

2273
02:01:13.840 --> 02:01:16.560
<v Speaker 3>sometimes you can use the digital tools like a tablet

2274
02:01:16.600 --> 02:01:19.159
<v Speaker 3>to really get an idea out quick. It's very helpful,

2275
02:01:19.640 --> 02:01:24.640
<v Speaker 3>or you know, in my sketchbook. But yeah, everything goes

2276
02:01:24.640 --> 02:01:30.960
<v Speaker 3>into photoshop usually, and yeah, sometimes it's photocolors. Sometimes it's

2277
02:01:31.720 --> 02:01:35.239
<v Speaker 3>you know, all digital illustration I've done on some cases.

2278
02:01:36.279 --> 02:01:42.000
<v Speaker 2>So yeah, uh, what is uh, we'll go two different things.

2279
02:01:42.039 --> 02:01:44.479
<v Speaker 2>What is the piece of art that you've created that

2280
02:01:44.479 --> 02:01:45.880
<v Speaker 2>you're most proud of so far?

2281
02:01:46.279 --> 02:01:55.479
<v Speaker 3>Oh, gosh, I most proud of. I mean, I really

2282
02:01:55.600 --> 02:01:58.319
<v Speaker 3>am proud of these two that I did for before

2283
02:01:58.399 --> 02:02:02.560
<v Speaker 3>sunrise and before sunset, and then later he did before midnight.

2284
02:02:02.640 --> 02:02:04.680
<v Speaker 3>So I did a third one that was like years later,

2285
02:02:06.279 --> 02:02:07.680
<v Speaker 3>which I tried to kind of make it work with

2286
02:02:07.720 --> 02:02:10.479
<v Speaker 3>the other two. I don't know how successful that one is,

2287
02:02:10.800 --> 02:02:13.880
<v Speaker 3>but the first two, you know, just again, you know,

2288
02:02:14.000 --> 02:02:17.319
<v Speaker 3>idea comes to you and just a very short distance

2289
02:02:17.399 --> 02:02:22.399
<v Speaker 3>between the idea coming and you executing what you see.

2290
02:02:22.640 --> 02:02:24.640
<v Speaker 3>And I'm sure you would relate to this in any

2291
02:02:24.680 --> 02:02:26.239
<v Speaker 3>of the things you do, even though you're not a

2292
02:02:26.279 --> 02:02:29.159
<v Speaker 3>visual artist, like, oh wow, I really that was a

2293
02:02:29.159 --> 02:02:32.920
<v Speaker 3>perfect flow, you know I am, And when you're doing

2294
02:02:32.960 --> 02:02:35.359
<v Speaker 3>something just for yourself, you can have that. I didn't

2295
02:02:35.359 --> 02:02:39.039
<v Speaker 3>do that for a client, although little trivia like Peter

2296
02:02:39.119 --> 02:02:43.239
<v Speaker 3>Becker at Criterion always told me back in the day like, oh,

2297
02:02:43.279 --> 02:02:44.920
<v Speaker 3>we would love to use those one day for a

2298
02:02:44.960 --> 02:02:48.039
<v Speaker 3>before trilogy, And you know, years go buy and things

2299
02:02:48.119 --> 02:02:50.520
<v Speaker 3>change and different ideas come about, and that didn't. It

2300
02:02:50.560 --> 02:02:54.239
<v Speaker 3>did end up happening. But I do love those. I'm

2301
02:02:54.239 --> 02:02:56.600
<v Speaker 3>really proud of them, and I made screenprints that sold

2302
02:02:56.640 --> 02:03:01.039
<v Speaker 3>out the whole addition, it's it's one of my things

2303
02:03:01.039 --> 02:03:02.479
<v Speaker 3>in my back pocket. I would love to do one

2304
02:03:02.479 --> 02:03:05.000
<v Speaker 3>more edition at a larger size like silk screen. And

2305
02:03:05.039 --> 02:03:07.319
<v Speaker 3>those are very inspired by the Cuban posters where you

2306
02:03:07.359 --> 02:03:10.800
<v Speaker 3>have just like shapes, colors and shapes that represents something

2307
02:03:11.119 --> 02:03:13.319
<v Speaker 3>like to how do you represent two people talking on

2308
02:03:13.319 --> 02:03:15.720
<v Speaker 3>one night? Well, you can show them walking and talking,

2309
02:03:15.880 --> 02:03:18.319
<v Speaker 3>or you just do the idea of a son with

2310
02:03:18.439 --> 02:03:21.560
<v Speaker 3>this little sliver of time, you know, so I thought

2311
02:03:21.600 --> 02:03:25.000
<v Speaker 3>that was I look back, it holds up. I wouldn't

2312
02:03:25.039 --> 02:03:26.199
<v Speaker 3>change a thing about it, you know.

2313
02:03:26.520 --> 02:03:28.720
<v Speaker 2>So, uh, sibitor has got a question for you. Here,

2314
02:03:28.720 --> 02:03:30.319
<v Speaker 2>Are you a fan of Pascal Champion?

2315
02:03:30.640 --> 02:03:32.119
<v Speaker 3>I don't know, but I'll look.

2316
02:03:33.600 --> 02:03:34.560
<v Speaker 2>I don't know the name either.

2317
02:03:34.600 --> 02:03:38.279
<v Speaker 3>Yeah, is it an artist? So I'll check and get.

2318
02:03:38.199 --> 02:03:41.279
<v Speaker 2>Back to you. One of the other things, you know,

2319
02:03:41.279 --> 02:03:43.880
<v Speaker 2>I asked what piece of art you're most proud of?

2320
02:03:44.000 --> 02:03:45.840
<v Speaker 2>Is there a piece of physical media that you have

2321
02:03:45.920 --> 02:03:49.640
<v Speaker 2>been attached to that you're still like baffled that your

2322
02:03:49.720 --> 02:03:51.000
<v Speaker 2>name is attached to that film?

2323
02:03:51.800 --> 02:03:54.319
<v Speaker 3>Well, ause, I mean I have to say how it's

2324
02:03:54.439 --> 02:03:57.239
<v Speaker 3>just the fact that, like I got a note from

2325
02:03:57.279 --> 02:04:01.079
<v Speaker 3>Obayashi himself and he has the poster, and like I

2326
02:04:01.119 --> 02:04:05.199
<v Speaker 3>got to meet his daughter Chigumi when I was in Japan,

2327
02:04:05.399 --> 02:04:07.159
<v Speaker 3>you know, just like that kind of thing, having like

2328
02:04:07.199 --> 02:04:12.520
<v Speaker 3>a personal connection to this filmmaker and this this work

2329
02:04:12.560 --> 02:04:15.319
<v Speaker 3>that's been totally reappraised, and that poster played a role

2330
02:04:15.359 --> 02:04:19.760
<v Speaker 3>in that. That's a huge honor. So that is that,

2331
02:04:20.199 --> 02:04:22.439
<v Speaker 3>And then I would say the Kotsi trilogy for Criterion.

2332
02:04:23.319 --> 02:04:26.920
<v Speaker 3>I love Kawana Scott Si, the whole Cotzi trilogy. It's

2333
02:04:26.960 --> 02:04:29.199
<v Speaker 3>something my dad, like, you know, who is an artist.

2334
02:04:29.199 --> 02:04:31.960
<v Speaker 3>He probably he had the soundtrack when I was growing up.

2335
02:04:31.960 --> 02:04:33.680
<v Speaker 3>He probably turned me on to it. And then I

2336
02:04:33.680 --> 02:04:35.600
<v Speaker 3>remember being an n YU they had the in the

2337
02:04:35.680 --> 02:04:40.319
<v Speaker 3>NYU library. You have a viewing floor, like of the library.

2338
02:04:40.359 --> 02:04:43.000
<v Speaker 3>It's a big library down in Washington Square, and you

2339
02:04:43.119 --> 02:04:45.239
<v Speaker 3>just go to this media center and you can there

2340
02:04:45.239 --> 02:04:48.239
<v Speaker 3>are these little cubicle booths and there's a little CRT

2341
02:04:48.479 --> 02:04:51.840
<v Speaker 3>televisions in each one and you can watch anything you

2342
02:04:51.920 --> 02:04:54.199
<v Speaker 3>just check. You have them pulled it from their library,

2343
02:04:54.560 --> 02:04:57.880
<v Speaker 3>and it's like not the ideal viewing conditions, but I

2344
02:04:57.920 --> 02:05:00.920
<v Speaker 3>always say that, like a great film, you can watch

2345
02:05:00.960 --> 02:05:04.079
<v Speaker 3>it on a ten inch CRT and it will blow

2346
02:05:04.079 --> 02:05:06.439
<v Speaker 3>you away. And that's what happened with Coin On SCOTTSI

2347
02:05:06.520 --> 02:05:09.199
<v Speaker 3>one of the most visually stunning films and I'll never

2348
02:05:09.239 --> 02:05:11.359
<v Speaker 3>forget seeing that. And so getting the chance to do

2349
02:05:11.399 --> 02:05:13.119
<v Speaker 3>that for Criterion was huge.

2350
02:05:14.039 --> 02:05:16.760
<v Speaker 2>It looks like Pascal Camping does covers for The New Yorker.

2351
02:05:17.079 --> 02:05:20.640
<v Speaker 3>Okay, cool, Yeah, New Yorker is on my bucket list

2352
02:05:20.640 --> 02:05:21.520
<v Speaker 3>one day to do a cover.

2353
02:05:21.880 --> 02:05:22.640
<v Speaker 2>Not yet.

2354
02:05:24.000 --> 02:05:25.640
<v Speaker 3>Times but not New Yorker.

2355
02:05:26.840 --> 02:05:28.680
<v Speaker 2>That was one of the things that I was going

2356
02:05:28.760 --> 02:05:32.000
<v Speaker 2>to ask too, is where where you know, now that

2357
02:05:32.039 --> 02:05:34.960
<v Speaker 2>you've been associated with some of these more monumental films

2358
02:05:35.000 --> 02:05:37.720
<v Speaker 2>and music and events and stuff like that, what is

2359
02:05:37.760 --> 02:05:41.319
<v Speaker 2>something that you would feel like, dang, my art being

2360
02:05:41.359 --> 02:05:44.960
<v Speaker 2>associated with this Now I've made it.

2361
02:05:44.960 --> 02:05:52.760
<v Speaker 3>Go like the next goal, the dream or whatever. Well,

2362
02:05:52.800 --> 02:05:58.000
<v Speaker 3>I want to venture into whole new terrains with different

2363
02:05:58.800 --> 02:06:03.840
<v Speaker 3>projects and ideas. One would be like to do children's

2364
02:06:04.479 --> 02:06:07.560
<v Speaker 3>books one day, and not just like not just the

2365
02:06:07.600 --> 02:06:09.880
<v Speaker 3>typical children's book, but like I really want to make

2366
02:06:10.279 --> 02:06:13.399
<v Speaker 3>I did a show in Japan that was geared at children.

2367
02:06:13.439 --> 02:06:16.319
<v Speaker 3>It was like this history of the Universe thing, and

2368
02:06:17.279 --> 02:06:19.720
<v Speaker 3>it was it was to try to get my foot

2369
02:06:19.720 --> 02:06:22.039
<v Speaker 3>in the door and meet some people and like, imagine, okay,

2370
02:06:22.039 --> 02:06:24.760
<v Speaker 3>what could I do one day, Like if I were

2371
02:06:24.800 --> 02:06:28.000
<v Speaker 3>to do like children's art. So I'm really interested in that.

2372
02:06:29.159 --> 02:06:31.880
<v Speaker 3>If if I had my way, I would have. I

2373
02:06:31.880 --> 02:06:34.880
<v Speaker 3>do have a brand called Sammy and it's it's got

2374
02:06:34.920 --> 02:06:38.479
<v Speaker 3>on Instagram. I just got it sitting there waiting because

2375
02:06:38.479 --> 02:06:43.960
<v Speaker 3>I want to make like children's cool stuff like puzzles, clothes,

2376
02:06:44.199 --> 02:06:46.520
<v Speaker 3>like that's an area I want to get into at

2377
02:06:46.520 --> 02:06:49.560
<v Speaker 3>some point. And then also, I also have a I'll

2378
02:06:49.600 --> 02:06:53.439
<v Speaker 3>just tease for everyone listen listening, I've designed a game.

2379
02:06:54.199 --> 02:06:58.399
<v Speaker 3>So this is not announced you. I'm not announcing it

2380
02:06:58.479 --> 02:07:00.600
<v Speaker 3>here the name or anything. But it is a game

2381
02:07:01.239 --> 02:07:04.399
<v Speaker 3>and I've designed it. It's done, and I'm excited to

2382
02:07:05.439 --> 02:07:08.760
<v Speaker 3>try to have that come out and potentially be a success.

2383
02:07:08.880 --> 02:07:11.960
<v Speaker 3>That would be a big goal to like, have thisam

2384
02:07:13.000 --> 02:07:13.760
<v Speaker 3>be a success.

2385
02:07:14.119 --> 02:07:14.399
<v Speaker 2>Biero.

2386
02:07:14.800 --> 02:07:17.479
<v Speaker 3>You'll you'll probably hear about it whenever I actually get

2387
02:07:17.520 --> 02:07:20.159
<v Speaker 3>around to trying to get it out, which hopefully will

2388
02:07:20.159 --> 02:07:21.880
<v Speaker 3>be in the next year. Maybe.

2389
02:07:21.920 --> 02:07:24.439
<v Speaker 2>I hope that's excellent. I'm excited for that.

2390
02:07:24.920 --> 02:07:27.239
<v Speaker 3>Yeah, I'll probably pick your brain about ideas, and I'll

2391
02:07:27.239 --> 02:07:29.039
<v Speaker 3>need your help promoting.

2392
02:07:28.680 --> 02:07:30.840
<v Speaker 2>It for sure, happily, Happily.

2393
02:07:31.000 --> 02:07:34.319
<v Speaker 3>It is a is a card game, nice, and I

2394
02:07:34.359 --> 02:07:37.399
<v Speaker 3>would say, rather than a strategy it's a party game,

2395
02:07:37.640 --> 02:07:40.119
<v Speaker 3>and it is a move is a movie game. And

2396
02:07:40.199 --> 02:07:42.960
<v Speaker 3>I know there's already a couple movie games out there.

2397
02:07:43.560 --> 02:07:46.720
<v Speaker 3>This is the best one you've ever played. Wow, I'm

2398
02:07:46.720 --> 02:07:47.680
<v Speaker 3>confident to say.

2399
02:07:48.319 --> 02:07:53.439
<v Speaker 2>Well that, okay, I'm very excited. That's awesome. Yes, all right,

2400
02:07:53.520 --> 02:07:56.680
<v Speaker 2>So to change gears entirely, this is go a little

2401
02:07:56.680 --> 02:08:01.920
<v Speaker 2>bit of whiplash. One of the things that I've I've

2402
02:08:01.960 --> 02:08:04.119
<v Speaker 2>always wanted to ask you, and I still can't believe

2403
02:08:04.119 --> 02:08:08.600
<v Speaker 2>that this friendship has happened. But yeah, I've respected you

2404
02:08:08.680 --> 02:08:11.920
<v Speaker 2>for so long for associating with the West.

2405
02:08:14.039 --> 02:08:18.359
<v Speaker 3>With the with which one the fantasy three.

2406
02:08:18.279 --> 02:08:23.439
<v Speaker 2>Yeah, okay, Uh, where where did the desire to you know,

2407
02:08:23.520 --> 02:08:25.079
<v Speaker 2>throw yourself behind that come from?

2408
02:08:26.319 --> 02:08:29.720
<v Speaker 3>Yeah? I mean, I guess just simply the ways I

2409
02:08:29.720 --> 02:08:34.920
<v Speaker 3>can do something, you know, without you know, we don't

2410
02:08:34.960 --> 02:08:37.239
<v Speaker 3>have to get into any of the politics. It's it's

2411
02:08:37.239 --> 02:08:39.479
<v Speaker 3>all common sense when it comes to gun safety.

2412
02:08:40.199 --> 02:08:40.439
<v Speaker 2>Uh.

2413
02:08:40.560 --> 02:08:42.039
<v Speaker 3>If you don't, if you're not on board with that,

2414
02:08:42.159 --> 02:08:44.800
<v Speaker 3>I don't. I don't. I got nothing for you.

2415
02:08:44.920 --> 02:08:46.600
<v Speaker 2>We're not going to fix it the next five minutes.

2416
02:08:47.039 --> 02:08:51.640
<v Speaker 3>Yeah. But yeah, I mean we had the shooting that

2417
02:08:51.800 --> 02:08:56.039
<v Speaker 3>was at Covenant School and that's five minute walk from

2418
02:08:56.039 --> 02:09:01.560
<v Speaker 3>my house, so I live in that neighborhood. And so yeah,

2419
02:09:01.720 --> 02:09:03.039
<v Speaker 3>just it's one of those things you know when you have,

2420
02:09:03.119 --> 02:09:05.279
<v Speaker 3>like there's a school shooting and that happens in your

2421
02:09:05.319 --> 02:09:08.319
<v Speaker 3>neck of the woods, and it's like oh wow, and

2422
02:09:08.399 --> 02:09:12.159
<v Speaker 3>so yeah, just getting how can I do something? You know,

2423
02:09:12.199 --> 02:09:15.119
<v Speaker 3>as an artist, you rarely feel like you can help

2424
02:09:15.159 --> 02:09:17.560
<v Speaker 3>in any way, and not that it's a big deal.

2425
02:09:17.600 --> 02:09:20.000
<v Speaker 3>It's not. But I was like, oh, I like making posters,

2426
02:09:20.039 --> 02:09:22.239
<v Speaker 3>and I one of the things that inspired me to

2427
02:09:22.319 --> 02:09:25.159
<v Speaker 3>Mague posters was the Cuban posters. There's this great book

2428
02:09:25.600 --> 02:09:28.359
<v Speaker 3>you should all check out called Well there's a few

2429
02:09:28.399 --> 02:09:30.600
<v Speaker 3>book of books of Cuban posters. Now any of them

2430
02:09:30.800 --> 02:09:34.840
<v Speaker 3>will do, but all the revolutionary Cuban posters, you know,

2431
02:09:35.319 --> 02:09:38.079
<v Speaker 3>and the film posters from Cuba at that time, they're

2432
02:09:38.119 --> 02:09:40.039
<v Speaker 3>really cool and they inspired me in the first place.

2433
02:09:40.079 --> 02:09:43.119
<v Speaker 3>So every now and then I'll just play around with

2434
02:09:43.199 --> 02:09:46.239
<v Speaker 3>like political posters just if I have an idea, and

2435
02:09:46.279 --> 02:09:48.479
<v Speaker 3>you know, throw them out online. And with Tennessee three,

2436
02:09:48.520 --> 02:09:49.880
<v Speaker 3>it was just yeah, I was down there at the

2437
02:09:49.920 --> 02:09:53.479
<v Speaker 3>capitol every day in any ways, and so I was like, well,

2438
02:09:53.520 --> 02:09:57.239
<v Speaker 3>I might as well make these posters and shirts. And yeah,

2439
02:09:57.319 --> 02:09:59.840
<v Speaker 3>then like everyone wanted shirts of the Tennessee three. So

2440
02:10:01.279 --> 02:10:03.680
<v Speaker 3>and we just like, I know, a bunch of screen printers,

2441
02:10:03.800 --> 02:10:06.239
<v Speaker 3>like I've done, you know, screenprints and stuff. So my

2442
02:10:06.359 --> 02:10:10.439
<v Speaker 3>screen printer friends and printer friends all jumped into help,

2443
02:10:10.640 --> 02:10:13.800
<v Speaker 3>and we in about twenty four hours, we went from

2444
02:10:13.880 --> 02:10:16.600
<v Speaker 3>nothing to having you know, a few hundred shirts and

2445
02:10:16.640 --> 02:10:20.319
<v Speaker 3>posters and just went down to the Capitol and yeah,

2446
02:10:20.399 --> 02:10:23.960
<v Speaker 3>sold the shirts and donated all that to every town

2447
02:10:24.199 --> 02:10:30.479
<v Speaker 3>just as like a fundraiser for gun safety awareness, and yeah,

2448
02:10:30.840 --> 02:10:32.600
<v Speaker 3>just a way to do something.

2449
02:10:33.439 --> 02:10:36.399
<v Speaker 2>This is I think one of the best examples of

2450
02:10:36.399 --> 02:10:40.079
<v Speaker 2>somebody that you know, has a platform but isn't like

2451
02:10:40.960 --> 02:10:44.039
<v Speaker 2>a Kardashian or something that we would call like an influencer,

2452
02:10:44.359 --> 02:10:47.800
<v Speaker 2>doing the most with what they can in a way

2453
02:10:47.840 --> 02:10:53.079
<v Speaker 2>that supports you know, just straight human empathy and without

2454
02:10:53.600 --> 02:10:57.199
<v Speaker 2>Without that, there are so many things that just would

2455
02:10:57.359 --> 02:10:59.640
<v Speaker 2>never get attention. There are people that wouldn't care their

2456
02:10:59.720 --> 02:11:04.640
<v Speaker 2>thing that you can put, you know, your energy behind

2457
02:11:04.840 --> 02:11:06.840
<v Speaker 2>and raise some money for people that would never get

2458
02:11:06.880 --> 02:11:11.079
<v Speaker 2>an opportunity for proper representation or what have you. And

2459
02:11:11.119 --> 02:11:13.319
<v Speaker 2>it's it's just a big deal to see somebody that

2460
02:11:13.359 --> 02:11:15.960
<v Speaker 2>you respect respect others like that. So thank you.

2461
02:11:17.560 --> 02:11:20.039
<v Speaker 3>I mean, it's the very least I can do. I

2462
02:11:20.039 --> 02:11:22.880
<v Speaker 3>mean a lot of people do a lot more. You know,

2463
02:11:24.000 --> 02:11:27.359
<v Speaker 3>I could be doing political art twenty four to seven,

2464
02:11:28.039 --> 02:11:30.800
<v Speaker 3>but I usually just don't do something like that unless

2465
02:11:30.800 --> 02:11:32.920
<v Speaker 3>the idea comes to me and it just feels natural.

2466
02:11:32.960 --> 02:11:35.880
<v Speaker 3>I'm not trying to be preachy about anything. I just

2467
02:11:36.000 --> 02:11:39.000
<v Speaker 3>I love graphic design as a problem solving tool, and

2468
02:11:39.760 --> 02:11:42.359
<v Speaker 3>you know, I was like, there's this needs to be made.

2469
02:11:42.479 --> 02:11:45.920
<v Speaker 2>So yeah, on that note, to.

2470
02:11:45.960 --> 02:11:47.600
<v Speaker 3>Meet got to meet them too, you know, got to

2471
02:11:47.640 --> 02:11:52.800
<v Speaker 3>meet Pearson and Justin and Gloria and that was so

2472
02:11:52.920 --> 02:11:57.279
<v Speaker 3>cool because I think Peerson is an incredibly inspiring political

2473
02:11:57.319 --> 02:11:58.039
<v Speaker 3>figure man like.

2474
02:11:59.079 --> 02:12:02.439
<v Speaker 2>So yeah, yeah, it's an interesting time out there. Every

2475
02:12:02.479 --> 02:12:04.840
<v Speaker 2>town has done some good stuff, so yes, it's good

2476
02:12:04.840 --> 02:12:08.439
<v Speaker 2>to hear. On that note, we we both prepared some

2477
02:12:08.439 --> 02:12:11.119
<v Speaker 2>some top five lists you of titles that you would

2478
02:12:11.159 --> 02:12:12.960
<v Speaker 2>want to work on, and I've got five that I

2479
02:12:12.960 --> 02:12:16.920
<v Speaker 2>would want you to work on. I will happily go

2480
02:12:17.000 --> 02:12:20.720
<v Speaker 2>first here, and I tried to make these as the blue.

2481
02:12:20.600 --> 02:12:24.239
<v Speaker 3>Rays that have not been released on Did you have

2482
02:12:24.279 --> 02:12:25.159
<v Speaker 3>a framework here?

2483
02:12:26.159 --> 02:12:28.680
<v Speaker 2>I did, because.

2484
02:12:28.279 --> 02:12:30.159
<v Speaker 3>None of mine have been released on Blue ray at all.

2485
02:12:31.199 --> 02:12:35.520
<v Speaker 2>Well, I mostly have a framework, yes, yes, so I'll

2486
02:12:35.560 --> 02:12:39.039
<v Speaker 2>go first here. Number five is one that has has

2487
02:12:39.079 --> 02:12:41.840
<v Speaker 2>been on Blu Ray. However, it was only by the

2488
02:12:41.920 --> 02:12:44.920
<v Speaker 2>director and it had like the shortest run ever. It

2489
02:12:44.920 --> 02:12:46.680
<v Speaker 2>did get a Blu Ray over in the UK, but

2490
02:12:46.880 --> 02:12:50.560
<v Speaker 2>we need a domestic Blu Ray release of Adam Ray

2491
02:12:50.600 --> 02:12:54.000
<v Speaker 2>Meyers Dinner in America. And there is something about this

2492
02:12:54.119 --> 02:13:00.079
<v Speaker 2>movie that is Kyle Gallner and he is just like

2493
02:13:00.279 --> 02:13:03.079
<v Speaker 2>the definition of punk in this in the coolest way.

2494
02:13:03.720 --> 02:13:05.960
<v Speaker 2>He is also working with Emily Skeggs, who is just

2495
02:13:06.119 --> 02:13:10.119
<v Speaker 2>amazingly cute in this. The musician side of you, I

2496
02:13:10.159 --> 02:13:13.560
<v Speaker 2>think would pull some really interesting inspiration with the art

2497
02:13:13.600 --> 02:13:16.640
<v Speaker 2>style here, because Kyle Gallner plays the lead singer for

2498
02:13:16.680 --> 02:13:20.079
<v Speaker 2>an underground punk band that wears a ski mask, you

2499
02:13:20.079 --> 02:13:23.439
<v Speaker 2>can never see his face, and just what you've done

2500
02:13:23.479 --> 02:13:27.840
<v Speaker 2>to minimalize some of those artistic images, I feel like

2501
02:13:27.880 --> 02:13:29.600
<v Speaker 2>you could really kill a cover for this film.

2502
02:13:29.640 --> 02:13:32.279
<v Speaker 3>Okay, Cool, It's add to the watch list.

2503
02:13:32.840 --> 02:13:35.239
<v Speaker 2>It is a wonderful movie. And it has a really

2504
02:13:36.039 --> 02:13:40.039
<v Speaker 2>really great musical scene of him building a song with

2505
02:13:40.159 --> 02:13:43.039
<v Speaker 2>Emily Skeggs in front of him, and it's a it's

2506
02:13:43.079 --> 02:13:44.800
<v Speaker 2>just a beautiful film. Love this movie.

2507
02:13:45.079 --> 02:13:49.159
<v Speaker 3>Cool, Yeah, yeah, Okay, nice? Yeah. Like the iconic Like

2508
02:13:49.319 --> 02:13:53.880
<v Speaker 3>when I say iconic, that word is overused, you know,

2509
02:13:54.000 --> 02:13:57.359
<v Speaker 3>Like I could say you are iconic because you have

2510
02:13:57.399 --> 02:14:00.840
<v Speaker 3>a great Blu ray channel and you do. But I

2511
02:14:00.880 --> 02:14:02.840
<v Speaker 3>what I'm what I mean by iconic is like in

2512
02:14:02.880 --> 02:14:05.800
<v Speaker 3>the sol bass type of way where something that could

2513
02:14:05.840 --> 02:14:08.720
<v Speaker 3>be especially seen at a small scale and still have

2514
02:14:08.720 --> 02:14:12.079
<v Speaker 3>an impact because we're seeing everything on thumbnails now I'm looking,

2515
02:14:12.159 --> 02:14:15.800
<v Speaker 3>I'm looking at you know, something that small. I want

2516
02:14:15.840 --> 02:14:19.159
<v Speaker 3>my posters to hit at that size. Yep, and the

2517
02:14:19.159 --> 02:14:22.920
<v Speaker 3>full size, so you know, less is more kind of approach.

2518
02:14:23.199 --> 02:14:25.760
<v Speaker 2>I agree, and I think this is the perfect one

2519
02:14:25.800 --> 02:14:26.399
<v Speaker 2>for your style.

2520
02:14:26.680 --> 02:14:28.479
<v Speaker 3>Okay, are we going back and forth or are you

2521
02:14:28.520 --> 02:14:28.920
<v Speaker 3>going all.

2522
02:14:28.880 --> 02:14:30.479
<v Speaker 2>Your let's do it. I think that'll make it a

2523
02:14:30.479 --> 02:14:31.239
<v Speaker 2>little more interesting.

2524
02:14:31.640 --> 02:14:35.239
<v Speaker 3>You got just okay, So five favorite films of mine

2525
02:14:35.239 --> 02:14:37.319
<v Speaker 3>that have never been reallysed on blue ray. I particularly

2526
02:14:37.319 --> 02:14:40.720
<v Speaker 3>would love a chance to design something for now. You're

2527
02:14:40.720 --> 02:14:42.319
<v Speaker 3>probably gonna tell me, oh, there's a blue of that

2528
02:14:42.600 --> 02:14:47.000
<v Speaker 3>blue of that. That'll be great news. I would love

2529
02:14:47.039 --> 02:14:49.159
<v Speaker 3>to find out that there's a lut Okay, the first

2530
02:14:49.239 --> 02:14:51.840
<v Speaker 3>one is. And by the way, is it easy for

2531
02:14:51.880 --> 02:14:53.560
<v Speaker 3>you to like tap over to a scene where you

2532
02:14:53.600 --> 02:14:57.359
<v Speaker 3>could like pull up images or is that too?

2533
02:14:57.359 --> 02:14:59.640
<v Speaker 2>That's too, I can do that. But also at the

2534
02:14:59.640 --> 02:15:01.760
<v Speaker 2>bottom of your screen, if you have it up there,

2535
02:15:01.840 --> 02:15:04.640
<v Speaker 2>there's a button this is present there. You can share

2536
02:15:04.680 --> 02:15:07.520
<v Speaker 2>a tab and I can display it for everybody as well.

2537
02:15:07.640 --> 02:15:12.079
<v Speaker 3>Just like a tab yeah tab of my chrome. Yeah, okay,

2538
02:15:13.119 --> 02:15:15.199
<v Speaker 3>because it'll be it'd be interesting to give people a

2539
02:15:15.279 --> 02:15:20.000
<v Speaker 3>visual of the film and also the existing stuff. Okay,

2540
02:15:21.079 --> 02:15:26.680
<v Speaker 3>I'm going to share my tab. Sorry sorry sorry, Okay,

2541
02:15:26.720 --> 02:15:29.960
<v Speaker 3>so present and I choose my own tab.

2542
02:15:30.399 --> 02:15:33.520
<v Speaker 2>Yes, you'll click on share screen and then when that

2543
02:15:33.560 --> 02:15:36.119
<v Speaker 2>pops up, you'll keep it on chrome tab and just

2544
02:15:36.199 --> 02:15:37.079
<v Speaker 2>choose whichever.

2545
02:15:36.800 --> 02:15:40.960
<v Speaker 3>One you're Okay, perfect, Here we are. It is the

2546
02:15:41.000 --> 02:15:45.800
<v Speaker 3>Secret of Roan Inish. Okay, now I told you I

2547
02:15:45.880 --> 02:15:50.560
<v Speaker 3>love children's cinema. I love fairy tales, folklore. This is

2548
02:15:50.600 --> 02:15:54.640
<v Speaker 3>a deaf crocodile or it's waiting to happen, you guys,

2549
02:15:54.640 --> 02:15:55.159
<v Speaker 3>if you're.

2550
02:15:55.000 --> 02:15:57.520
<v Speaker 2>Listening, Craig will listen and you can.

2551
02:15:57.359 --> 02:16:01.560
<v Speaker 3>Get this going. It is a beautiful little Irish fable.

2552
02:16:01.720 --> 02:16:03.920
<v Speaker 3>You've heard of? Have you seen like Song of the Sea?

2553
02:16:04.439 --> 02:16:08.359
<v Speaker 3>Oh yeah, you see like the Selki the idea of

2554
02:16:08.359 --> 02:16:11.960
<v Speaker 3>a the Selki, which is this like seal spirit of

2555
02:16:12.000 --> 02:16:16.159
<v Speaker 3>someone from who's gone. So it's this father daughter thing.

2556
02:16:16.680 --> 02:16:19.960
<v Speaker 3>It's just on this little island house where this girl

2557
02:16:20.039 --> 02:16:24.920
<v Speaker 3>encounters with Selki that maybe maybe her mother. Oh so

2558
02:16:25.159 --> 02:16:30.840
<v Speaker 3>beautiful man directed by John Sales. Love it. So yeah,

2559
02:16:31.199 --> 02:16:33.719
<v Speaker 3>let's get that we're gonna manifest.

2560
02:16:34.760 --> 02:16:37.280
<v Speaker 2>As as a deaf Crocodile release. I could definitely see that,

2561
02:16:37.559 --> 02:16:41.479
<v Speaker 2>right man, that is a good idea. And look at that,

2562
02:16:41.840 --> 02:16:44.360
<v Speaker 2>Tony says, Rowe nine Ish is one of my favorites,

2563
02:16:44.840 --> 02:16:46.719
<v Speaker 2>longtime favorite films. There you go.

2564
02:16:46.920 --> 02:16:50.040
<v Speaker 3>Oh you're on Facebook too? Yeah, okay, I see, I

2565
02:16:50.040 --> 02:16:50.879
<v Speaker 3>didn't see all the comments.

2566
02:16:50.879 --> 02:16:51.360
<v Speaker 2>You a mission?

2567
02:16:51.440 --> 02:16:54.760
<v Speaker 3>Okay? Yeah, Tony knows what's up pretty much anyone. Oh yeah,

2568
02:16:54.799 --> 02:16:57.200
<v Speaker 3>if you love Banshees of an a Shearin, go right

2569
02:16:57.239 --> 02:16:57.520
<v Speaker 3>to this.

2570
02:16:59.639 --> 02:17:04.000
<v Speaker 2>Uh so mine. My next one is one that I

2571
02:17:04.079 --> 02:17:06.360
<v Speaker 2>have a feeling. This is not a guarantee, but I

2572
02:17:06.360 --> 02:17:08.639
<v Speaker 2>have a feeling is going to be in the Criterion

2573
02:17:08.639 --> 02:17:11.719
<v Speaker 2>collection soon. So this is the triumphant return. Hopefully we

2574
02:17:11.760 --> 02:17:16.879
<v Speaker 2>get you on this. With the recent success, I think

2575
02:17:16.920 --> 02:17:19.760
<v Speaker 2>that Sean Baker is going to get his release of

2576
02:17:20.200 --> 02:17:25.040
<v Speaker 2>Four Letter Words soon. This is his first feature film. Yeah,

2577
02:17:25.079 --> 02:17:28.040
<v Speaker 2>I have not seen it yet, and he just had

2578
02:17:28.040 --> 02:17:30.399
<v Speaker 2>this film added to the Criterion channel, and I believe

2579
02:17:30.479 --> 02:17:33.360
<v Speaker 2>Janis picked up the film rights for this, so I'm

2580
02:17:33.399 --> 02:17:36.440
<v Speaker 2>hoping that this happens soon. The style here that we're

2581
02:17:36.440 --> 02:17:39.719
<v Speaker 2>seeing in the posters is not as iconic as his

2582
02:17:39.799 --> 02:17:42.920
<v Speaker 2>most recent stuff because it was so young for him.

2583
02:17:42.959 --> 02:17:45.760
<v Speaker 2>But as you can tell you know, the colors that

2584
02:17:46.159 --> 02:17:48.159
<v Speaker 2>are with this would go great with a lot of

2585
02:17:48.200 --> 02:17:51.319
<v Speaker 2>how you've used some really great colorways. This is a

2586
02:17:51.319 --> 02:17:52.920
<v Speaker 2>movie we're gonna be talking about in a few weeks

2587
02:17:52.920 --> 02:17:56.040
<v Speaker 2>on the channel. Again, just to heads up, this is

2588
02:17:56.079 --> 02:17:58.159
<v Speaker 2>some good stuff. But yeah, Sean Baker obviously getting a

2589
02:17:58.200 --> 02:18:01.760
<v Speaker 2>lot of attention at the moment, and for good reason,

2590
02:18:02.000 --> 02:18:04.840
<v Speaker 2>and with the Criterion channel picking it up, I think

2591
02:18:04.840 --> 02:18:06.959
<v Speaker 2>we're likely to see a release it this year soon.

2592
02:18:07.200 --> 02:18:10.639
<v Speaker 3>Okay, cool. Yeah, it's got that gradient, it's got his

2593
02:18:10.760 --> 02:18:15.120
<v Speaker 3>classic font he has on everything now. But yeah, I

2594
02:18:15.159 --> 02:18:20.680
<v Speaker 3>love Baker. I loved Tangerine, especially of course Honora I

2595
02:18:20.959 --> 02:18:21.680
<v Speaker 3>thought was great.

2596
02:18:23.680 --> 02:18:26.079
<v Speaker 2>So you mentioned his font and that that brings up

2597
02:18:26.079 --> 02:18:29.120
<v Speaker 2>a good question. How do you are you passionate about

2598
02:18:29.239 --> 02:18:30.520
<v Speaker 2>fonts and testography?

2599
02:18:30.920 --> 02:18:33.360
<v Speaker 3>Oh? Sure, for sure, of course, of course I think

2600
02:18:33.360 --> 02:18:37.600
<v Speaker 3>the lettering and the typography is very important. I loved

2601
02:18:37.600 --> 02:18:41.000
<v Speaker 3>working with it. I love working with even the billing block,

2602
02:18:41.079 --> 02:18:44.159
<v Speaker 3>you know, just like making it all come together and

2603
02:18:44.200 --> 02:18:47.920
<v Speaker 3>lock in. Uh so, Yeah, you can always learn so

2604
02:18:48.000 --> 02:18:52.360
<v Speaker 3>much more about typography and fonts. Font You know, fonts

2605
02:18:52.399 --> 02:18:54.799
<v Speaker 3>just means the computer file. I don't know if you

2606
02:18:54.879 --> 02:18:58.639
<v Speaker 3>knew that, but you would really say typeface, you know,

2607
02:18:58.799 --> 02:19:02.479
<v Speaker 3>rather than a font. And I have certain designers I

2608
02:19:02.479 --> 02:19:04.799
<v Speaker 3>know who are like encyclopedias and I'll go to them

2609
02:19:04.799 --> 02:19:07.280
<v Speaker 3>with questions or can you help me identify this this

2610
02:19:07.360 --> 02:19:11.600
<v Speaker 3>typeface or this font. I love recreating fonts for typefaces

2611
02:19:11.639 --> 02:19:14.079
<v Speaker 3>from from films where you don't know what was that

2612
02:19:14.280 --> 02:19:15.840
<v Speaker 3>you know in the title car and try to bring

2613
02:19:15.879 --> 02:19:19.319
<v Speaker 3>that into the cover, especially if the title treatment from

2614
02:19:19.319 --> 02:19:22.479
<v Speaker 3>a film has not been used in a poster like

2615
02:19:22.600 --> 02:19:25.959
<v Speaker 3>The Keep did that They used that actual lettering and

2616
02:19:26.040 --> 02:19:29.600
<v Speaker 3>I love that. So yeah, I'm a big geek about.

2617
02:19:29.399 --> 02:19:32.879
<v Speaker 2>Type good stuff. Uh, next one for you, would you?

2618
02:19:32.920 --> 02:19:38.319
<v Speaker 3>Okay? Next for me? We got now this one does

2619
02:19:38.440 --> 02:19:42.680
<v Speaker 3>have like a UK Blu Ray, so okay maybe, but

2620
02:19:42.799 --> 02:19:45.360
<v Speaker 3>I want the US Blu Ray release. I want another release.

2621
02:19:45.520 --> 02:19:52.079
<v Speaker 3>It is a Japanese filmmaker that I love, Coreta, and

2622
02:19:52.799 --> 02:19:56.920
<v Speaker 3>he has made of course Shoplifters. Uh just came out.

2623
02:19:57.920 --> 02:20:01.799
<v Speaker 3>This is his first film. It's called Maba ROSSI have

2624
02:20:01.879 --> 02:20:02.600
<v Speaker 3>you ever heard of it?

2625
02:20:02.959 --> 02:20:03.520
<v Speaker 2>I have not.

2626
02:20:03.959 --> 02:20:07.520
<v Speaker 3>Okay, you know everyone talks about Shoplifters, and you know

2627
02:20:07.680 --> 02:20:13.159
<v Speaker 3>people have seen Broker Monster his new ones. But this

2628
02:20:13.399 --> 02:20:17.799
<v Speaker 3>is a film about a woman who goes to a

2629
02:20:17.799 --> 02:20:21.399
<v Speaker 3>a kind of It's also on a coastal town where

2630
02:20:21.440 --> 02:20:24.920
<v Speaker 3>she was from, and it's a type of ghost story

2631
02:20:25.639 --> 02:20:29.680
<v Speaker 3>but done in a very lyrical, beautiful poetic way. It

2632
02:20:29.799 --> 02:20:35.440
<v Speaker 3>is my favorite Creator film by the ways. Still Life

2633
02:20:35.760 --> 02:20:38.719
<v Speaker 3>another great Creator film. Criterions put that out. That's this

2634
02:20:38.879 --> 02:20:42.959
<v Speaker 3>like Afterlife, Sorry, Afterlife, not Still Life. That's Jacques Gienca.

2635
02:20:43.719 --> 02:20:47.159
<v Speaker 3>Afterlife is great. I would recommend that if you want

2636
02:20:47.159 --> 02:20:50.079
<v Speaker 3>to see more Creta. That's like people have died and

2637
02:20:50.120 --> 02:20:52.479
<v Speaker 3>they go to this in heaven or it is like

2638
02:20:52.479 --> 02:20:55.559
<v Speaker 3>a movie studio and you recreate one scene from your life.

2639
02:20:56.239 --> 02:20:59.680
<v Speaker 3>So he plays around with the like ideas of like

2640
02:20:59.719 --> 02:21:04.680
<v Speaker 3>story that deal with crossing over, you know, and it's

2641
02:21:04.719 --> 02:21:07.520
<v Speaker 3>just it's stunning film. So this is probably the most

2642
02:21:07.520 --> 02:21:09.159
<v Speaker 3>low key, like no one knows about this one when

2643
02:21:09.200 --> 02:21:11.799
<v Speaker 3>I pick it, it's not like, oh yeah, that movie.

2644
02:21:11.840 --> 02:21:14.040
<v Speaker 3>But I would highly recommend it to people. And this

2645
02:21:14.200 --> 02:21:18.399
<v Speaker 3>is this DVD by Milestone Films. You know, it's so weird,

2646
02:21:18.440 --> 02:21:22.280
<v Speaker 3>Like I saw the Blu ray at video drone from

2647
02:21:22.319 --> 02:21:26.120
<v Speaker 3>this Milestone Films, but like I can't find it on eBay.

2648
02:21:26.200 --> 02:21:28.879
<v Speaker 3>There's no listing on Blu ray dot com, Like, can

2649
02:21:28.920 --> 02:21:29.319
<v Speaker 3>you help me?

2650
02:21:29.360 --> 02:21:32.920
<v Speaker 2>Out. There is UH on Amazon right now for one

2651
02:21:33.040 --> 02:21:34.319
<v Speaker 2>hundred and forty.

2652
02:21:34.000 --> 02:21:37.079
<v Speaker 3>Five dollars exactly. So I don't know why, why is

2653
02:21:37.120 --> 02:21:38.719
<v Speaker 3>that so rare.

2654
02:21:39.159 --> 02:21:42.040
<v Speaker 2>Because it went out of print very quickly and people

2655
02:21:42.040 --> 02:21:43.479
<v Speaker 2>love Coreata, so but.

2656
02:21:43.479 --> 02:21:45.639
<v Speaker 3>I don't know anyone who has it, Like, who are

2657
02:21:45.719 --> 02:21:46.239
<v Speaker 3>these people?

2658
02:21:46.920 --> 02:21:48.440
<v Speaker 2>Video Drome in Atlanta? That's it?

2659
02:21:48.840 --> 02:21:52.040
<v Speaker 3>Yeah, I saw it. I was like, oh my god, Okay,

2660
02:21:52.040 --> 02:21:54.319
<v Speaker 3>so yeah, baby, I was wrong there. So blue ray exists,

2661
02:21:54.360 --> 02:21:57.239
<v Speaker 3>but it's it's time to get a new restoration going

2662
02:21:57.360 --> 02:22:00.520
<v Speaker 3>of this. I'm sure. I'm sure something's in the works

2663
02:22:00.559 --> 02:22:03.840
<v Speaker 3>at some point now that Corey is on such a platform.

2664
02:22:04.520 --> 02:22:07.120
<v Speaker 2>Well, I mean yeah, if people are paying attention something

2665
02:22:07.159 --> 02:22:09.079
<v Speaker 2>that's that out of print and it's going for one

2666
02:22:09.159 --> 02:22:11.719
<v Speaker 2>hundred and fifty dollars, we deserve to have an imprint

2667
02:22:11.719 --> 02:22:17.600
<v Speaker 2>release of that. And what's hilarious. I am glad that

2668
02:22:17.639 --> 02:22:19.440
<v Speaker 2>you picked that as the next one, because it's a

2669
02:22:19.520 --> 02:22:23.120
<v Speaker 2>perfect segue for the next one, which you have worked

2670
02:22:23.159 --> 02:22:26.079
<v Speaker 2>on some incredible Asian films. You were working on some

2671
02:22:26.239 --> 02:22:30.280
<v Speaker 2>Asian films coming out in the future. I think that

2672
02:22:30.520 --> 02:22:32.760
<v Speaker 2>Criterion needs to release this one because it is currently

2673
02:22:32.760 --> 02:22:35.159
<v Speaker 2>out of print in the US, and I think it

2674
02:22:35.719 --> 02:22:38.319
<v Speaker 2>deserves the notoriety of a criterion release just so that

2675
02:22:38.360 --> 02:22:43.559
<v Speaker 2>more people will see it. And this movie is so sumptuous,

2676
02:22:43.760 --> 02:22:46.719
<v Speaker 2>I guess is a good word that it deserves a deep,

2677
02:22:47.440 --> 02:22:54.159
<v Speaker 2>rich four K release of twenty sixteen's The Handmade It Ooo.

2678
02:22:54.399 --> 02:22:56.799
<v Speaker 2>This is This is one of those movies where every

2679
02:22:56.840 --> 02:23:00.399
<v Speaker 2>single frame is like, we can stop, we can it,

2680
02:23:00.440 --> 02:23:02.479
<v Speaker 2>we can put it on the wall, and you will think, yes,

2681
02:23:02.559 --> 02:23:06.959
<v Speaker 2>that is just a work of art. This movie is perfection,

2682
02:23:07.360 --> 02:23:10.479
<v Speaker 2>one of the most romantic films ever made. And with

2683
02:23:10.680 --> 02:23:18.920
<v Speaker 2>your you know, making something beautiful out of an already

2684
02:23:19.639 --> 02:23:23.399
<v Speaker 2>an already gorgeous movie and stripping that down to its

2685
02:23:23.680 --> 02:23:27.959
<v Speaker 2>bare minimum, this would be so perfect for you. I

2686
02:23:28.000 --> 02:23:31.920
<v Speaker 2>could see a screenprint of this just doing Gangbusters. This

2687
02:23:31.959 --> 02:23:35.120
<v Speaker 2>movie is. This is a life changing movie for those

2688
02:23:35.120 --> 02:23:37.440
<v Speaker 2>that have never seen it. Twenty sixteen is The Handmaid

2689
02:23:37.479 --> 02:23:40.520
<v Speaker 2>and really needs to be at the top of your

2690
02:23:40.520 --> 02:23:44.200
<v Speaker 2>watch list, not gatekeeping whatsoever, not saying, oh my god,

2691
02:23:44.239 --> 02:23:47.920
<v Speaker 2>how have you seen this? But it is a modern

2692
02:23:48.000 --> 02:23:50.600
<v Speaker 2>masterpiece that can wake you up to a different style

2693
02:23:50.639 --> 02:23:55.120
<v Speaker 2>of filmmaking than you've ever imagined. This movie is perfect.

2694
02:23:55.760 --> 02:24:01.799
<v Speaker 3>Dang hi praise, I love that. Yeah, Park Chan wuk Yeah,

2695
02:24:01.840 --> 02:24:09.760
<v Speaker 3>beautiful stuff cool, Okay, okay, it's giving me ideas. You

2696
02:24:09.840 --> 02:24:11.399
<v Speaker 3>got me, you got my gears turning?

2697
02:24:12.159 --> 02:24:13.559
<v Speaker 2>All right, what have we gotten next?

2698
02:24:13.799 --> 02:24:14.280
<v Speaker 3>Beautiful?

2699
02:24:15.000 --> 02:24:15.399
<v Speaker 2>Okay.

2700
02:24:16.760 --> 02:24:19.760
<v Speaker 3>I will say this film will be life changing. If

2701
02:24:19.799 --> 02:24:22.479
<v Speaker 3>you haven't seen it now, don't hit my tab just shew.

2702
02:24:22.479 --> 02:24:30.479
<v Speaker 3>I'll tell you when we mentioned Nicole Kidman, this film

2703
02:24:30.719 --> 02:24:35.680
<v Speaker 3>thankfully is now getting more people on board in the

2704
02:24:35.760 --> 02:24:39.159
<v Speaker 3>last couple of years because of the Zone of Interest,

2705
02:24:40.079 --> 02:24:44.879
<v Speaker 3>and that is one of my favorite films of the

2706
02:24:44.959 --> 02:24:49.399
<v Speaker 3>last twenty years, maybe my favorite film of the two thousands.

2707
02:24:50.600 --> 02:24:57.680
<v Speaker 3>Jonathan Glaser's Birth so criminally overdue for a Blu Ray release.

2708
02:24:57.719 --> 02:25:00.680
<v Speaker 3>There has to be some I'm sure this is already

2709
02:25:00.680 --> 02:25:05.559
<v Speaker 3>in the works with Criterion or someone that it has

2710
02:25:05.639 --> 02:25:11.319
<v Speaker 3>to be unless it's in some weird legal hold up.

2711
02:25:11.559 --> 02:25:14.719
<v Speaker 3>Do you know anything anyway, I'm not even worthy of

2712
02:25:14.760 --> 02:25:19.120
<v Speaker 3>this film, Like Jonathan Glazer has only made four films, right,

2713
02:25:19.520 --> 02:25:22.559
<v Speaker 3>Sexy Beast, Birth, Under the Skin, and Zone of Interest.

2714
02:25:22.959 --> 02:25:26.600
<v Speaker 3>They've all been well. Birth and Under the Skin and

2715
02:25:26.680 --> 02:25:28.239
<v Speaker 3>Zone of Mistress are masterpieces.

2716
02:25:28.280 --> 02:25:28.520
<v Speaker 2>To me.

2717
02:25:30.799 --> 02:25:33.239
<v Speaker 3>Sexy Beast is incredible. I wouldn't say it's a masterpiece,

2718
02:25:33.280 --> 02:25:39.120
<v Speaker 3>but I just man, the guy is just everything Glazer does.

2719
02:25:39.520 --> 02:25:42.760
<v Speaker 3>All his earlier videos I loved, but this was shot

2720
02:25:42.840 --> 02:25:47.520
<v Speaker 3>by Harris Savidez and he is gone now. And the

2721
02:25:47.600 --> 02:25:50.520
<v Speaker 3>cinematography it's like a full frame you know. I love

2722
02:25:50.559 --> 02:25:55.920
<v Speaker 3>the full frame aspect ratio. I'm way into that, any

2723
02:25:56.000 --> 02:25:59.120
<v Speaker 3>kind of Academy ratio or one three three. And the

2724
02:25:59.200 --> 02:26:04.360
<v Speaker 3>cinematography is astonishing. And the concept it's that the fantastique

2725
02:26:04.440 --> 02:26:07.200
<v Speaker 3>I told you about. It's like this idea that what

2726
02:26:07.280 --> 02:26:11.799
<v Speaker 3>if this child is her former husband and what that

2727
02:26:11.840 --> 02:26:15.079
<v Speaker 3>can do to your mind when you're grieving someone, This

2728
02:26:15.159 --> 02:26:18.000
<v Speaker 3>idea of not for being able to let go of

2729
02:26:18.200 --> 02:26:21.000
<v Speaker 3>someone you loved, it is so haunting. It is a

2730
02:26:21.079 --> 02:26:23.799
<v Speaker 3>New York movie. It is a winter movie, a gothic

2731
02:26:23.879 --> 02:26:27.959
<v Speaker 3>New York Upper West Side fairy tale, and it is

2732
02:26:29.479 --> 02:26:33.120
<v Speaker 3>It's kids Kidman's best work. And that includes Eyes Watched,

2733
02:26:33.239 --> 02:26:37.280
<v Speaker 3>that includes Dogville. It is phenomenal. I really hope now

2734
02:26:37.319 --> 02:26:40.559
<v Speaker 3>that zone of adventuresses out. You guys, Oh, I worked

2735
02:26:40.600 --> 02:26:41.559
<v Speaker 3>on Birth, so.

2736
02:26:42.120 --> 02:26:45.239
<v Speaker 2>I was going to that has worked on quite a

2737
02:26:45.239 --> 02:26:45.879
<v Speaker 2>few films here.

2738
02:26:46.000 --> 02:26:48.239
<v Speaker 3>Okay, like what he can tell me in the chat,

2739
02:26:48.280 --> 02:26:52.120
<v Speaker 3>but I'm curious what crew capacity or whatever, So I

2740
02:26:52.120 --> 02:26:53.799
<v Speaker 3>don't really know what I would do for birth, but

2741
02:26:53.840 --> 02:26:55.559
<v Speaker 3>it was one of those things where if someone emailed me,

2742
02:26:55.600 --> 02:26:57.399
<v Speaker 3>it was like, hey, we have birth, we heard you

2743
02:26:57.440 --> 02:27:00.000
<v Speaker 3>on Disconnected, and what would you do for this? I

2744
02:27:00.000 --> 02:27:01.719
<v Speaker 3>I would just like, oh, I don't know, I don't know,

2745
02:27:01.719 --> 02:27:06.360
<v Speaker 3>I don't know. Let me let me to yes, yes,

2746
02:27:06.520 --> 02:27:10.760
<v Speaker 3>but I'm not worthy. I'm not worthy. And the best

2747
02:27:10.760 --> 02:27:14.280
<v Speaker 3>Alexander Displas score that he's ever made, the score alone

2748
02:27:14.399 --> 02:27:15.639
<v Speaker 3>is final. Have you seen Birth?

2749
02:27:15.680 --> 02:27:20.639
<v Speaker 2>My friend? I adore Birth the first time a few gosh,

2750
02:27:20.760 --> 02:27:23.520
<v Speaker 2>maybe it was last year now, not too long ago.

2751
02:27:23.959 --> 02:27:26.680
<v Speaker 2>It was zone of interest. In talking to Sibnar, they

2752
02:27:26.719 --> 02:27:29.360
<v Speaker 2>got me to watch it, and uh, I guess I

2753
02:27:29.559 --> 02:27:32.840
<v Speaker 2>probably should have sought it out after loving under the

2754
02:27:32.879 --> 02:27:36.559
<v Speaker 2>Skin and getting Sexy Beast from overseas as well, because

2755
02:27:36.639 --> 02:27:38.760
<v Speaker 2>I don't think do Sexy Beast still not have a

2756
02:27:38.760 --> 02:27:39.799
<v Speaker 2>Blu Ray in the US either?

2757
02:27:39.840 --> 02:27:41.879
<v Speaker 3>I think, as far as I know, I don't have it.

2758
02:27:41.959 --> 02:27:45.520
<v Speaker 2>Yeah, well, it looks like it was released by Twilight

2759
02:27:45.600 --> 02:27:48.600
<v Speaker 2>Time way back in the day, but on Amazon right

2760
02:27:48.639 --> 02:27:53.639
<v Speaker 2>now for two hundred and fifty dollars. Good God, Jesus.

2761
02:27:54.879 --> 02:27:57.360
<v Speaker 2>So Sibner says he played a waiter at the reception

2762
02:27:57.520 --> 02:27:58.680
<v Speaker 2>after the husband's funeral.

2763
02:28:00.120 --> 02:28:03.440
<v Speaker 3>Oh fantastic, that's awesome.

2764
02:28:03.879 --> 02:28:07.360
<v Speaker 2>Love it, love it. Okay, so my on.

2765
02:28:07.239 --> 02:28:12.440
<v Speaker 3>Set with Harris a Vedez and the cast, Danny Houston,

2766
02:28:12.559 --> 02:28:16.120
<v Speaker 3>I mean, I could go on and on, Laren Bacall,

2767
02:28:16.239 --> 02:28:17.120
<v Speaker 3>for God's sake.

2768
02:28:17.280 --> 02:28:19.239
<v Speaker 2>It's a big deal, big big deal. Yeah, we need

2769
02:28:19.239 --> 02:28:21.840
<v Speaker 2>to release that for sure. And just like you said,

2770
02:28:21.879 --> 02:28:23.559
<v Speaker 2>I kind of assume that one is in the works.

2771
02:28:23.680 --> 02:28:25.680
<v Speaker 3>It'll just yeah, but you'd think it would have come

2772
02:28:25.719 --> 02:28:27.840
<v Speaker 3>out by now. Also, so it's like, what is taking

2773
02:28:27.879 --> 02:28:30.280
<v Speaker 3>so long? I don't know, but you know, maybe Glazer

2774
02:28:30.280 --> 02:28:32.280
<v Speaker 3>takes this time. He clearly takes his time with projects,

2775
02:28:32.280 --> 02:28:36.200
<v Speaker 3>so maybe he's supervising a whole new restoration. I mean

2776
02:28:36.239 --> 02:28:38.879
<v Speaker 3>the DVD, like the version that's shown on Criterion Channel.

2777
02:28:38.879 --> 02:28:41.879
<v Speaker 3>Whenever they show it, it looks perfect to me. I

2778
02:28:42.159 --> 02:28:47.920
<v Speaker 3>don't know why you'd reapproach the anything about the transfer, but.

2779
02:28:48.399 --> 02:28:52.200
<v Speaker 2>Yeah, good question. Yeah. My next one is a bit

2780
02:28:52.239 --> 02:28:56.360
<v Speaker 2>of a cheat a little bit, because I have envisioned

2781
02:28:56.760 --> 02:28:59.760
<v Speaker 2>you doing a great version, like we talked about, where

2782
02:28:59.799 --> 02:29:02.280
<v Speaker 2>you the entire package, not just the cover art. But

2783
02:29:04.280 --> 02:29:06.520
<v Speaker 2>some of my favorite releases over the last I think

2784
02:29:06.559 --> 02:29:08.920
<v Speaker 2>we're going on three years now are the two box

2785
02:29:09.000 --> 02:29:11.520
<v Speaker 2>that's the seven Films has put out called All the

2786
02:29:11.559 --> 02:29:16.639
<v Speaker 2>Hauntspy Hours the Okay, seeing your take on a full

2787
02:29:16.719 --> 02:29:20.159
<v Speaker 2>design of this where you're integrating the booklet on the inside,

2788
02:29:20.360 --> 02:29:24.959
<v Speaker 2>the menus, everything would make one of these mind blowing.

2789
02:29:25.559 --> 02:29:28.120
<v Speaker 2>The way that you can take, you know, fifteen films

2790
02:29:28.719 --> 02:29:33.000
<v Speaker 2>and make stylized key art that all matches in very

2791
02:29:33.079 --> 02:29:36.079
<v Speaker 2>unique ways with the styles of those films from all

2792
02:29:36.079 --> 02:29:39.280
<v Speaker 2>across the world. Because your styles are so different, it

2793
02:29:39.399 --> 02:29:41.959
<v Speaker 2>is the perfect way to showcase all of those at once.

2794
02:29:42.719 --> 02:29:45.440
<v Speaker 2>And I would just love to see that sort of

2795
02:29:45.479 --> 02:29:46.360
<v Speaker 2>a platform for you.

2796
02:29:47.239 --> 02:29:54.120
<v Speaker 3>Interesting. Well, I think very highly of those releases. Again,

2797
02:29:55.959 --> 02:29:57.520
<v Speaker 3>I used to just say I don't love horror, but

2798
02:29:57.559 --> 02:29:59.479
<v Speaker 3>now I've found so many of these sub genres that

2799
02:29:59.520 --> 02:30:02.120
<v Speaker 3>are really feeling and that that a lot of those

2800
02:30:02.200 --> 02:30:05.120
<v Speaker 3>are that you know, I got the first box, uh,

2801
02:30:05.280 --> 02:30:07.959
<v Speaker 3>the House of Psychotic Women. Like you said, I know

2802
02:30:08.040 --> 02:30:11.600
<v Speaker 3>that's that's not folk horror, but this kind of academic

2803
02:30:12.159 --> 02:30:15.200
<v Speaker 3>I love the Yeah, I love that All the Haunts.

2804
02:30:16.239 --> 02:30:19.639
<v Speaker 3>There's some not okay, there's not really over but you know,

2805
02:30:19.799 --> 02:30:25.639
<v Speaker 3>Kierla Janice talks about some folk horror things and the

2806
02:30:25.840 --> 02:30:33.000
<v Speaker 3>art on the the all the Haunts already. I can't. Like,

2807
02:30:33.040 --> 02:30:35.000
<v Speaker 3>if they asked me to do volume three, I would say, no,

2808
02:30:35.319 --> 02:30:37.760
<v Speaker 3>you guys, just do what you do on the others,

2809
02:30:37.799 --> 02:30:41.719
<v Speaker 3>because it's it's great all that, like the Woodland Days

2810
02:30:41.799 --> 02:30:45.760
<v Speaker 3>Dark and Bewitched documentary with all those great Guy Madden

2811
02:30:45.879 --> 02:30:50.520
<v Speaker 3>due the collages or my dein it all looks so

2812
02:30:50.600 --> 02:30:55.200
<v Speaker 3>great already. So I mean, and it's funny you say that,

2813
02:30:55.239 --> 02:30:57.159
<v Speaker 3>because there have been times when someone's asked me to

2814
02:30:57.159 --> 02:30:59.600
<v Speaker 3>do something and I pass it on to someone else

2815
02:30:59.639 --> 02:31:02.239
<v Speaker 3>because I'm like, this person would do with an even

2816
02:31:02.280 --> 02:31:05.760
<v Speaker 3>better job, you know. But yeah, that's that's cool. It

2817
02:31:05.760 --> 02:31:08.040
<v Speaker 3>would be fun to do some kind of maybe not

2818
02:31:08.159 --> 02:31:11.120
<v Speaker 3>another All the Haunts by name, but something similar to

2819
02:31:11.159 --> 02:31:13.479
<v Speaker 3>that where I could do a whole series. I am

2820
02:31:13.520 --> 02:31:16.440
<v Speaker 3>doing a box set right now of a TV show,

2821
02:31:16.600 --> 02:31:20.079
<v Speaker 3>so it is a lot of assets. I can't say

2822
02:31:20.120 --> 02:31:23.239
<v Speaker 3>what it is yet under I'm under contract on that,

2823
02:31:23.840 --> 02:31:26.479
<v Speaker 3>but it'll be a chance to do a lot of

2824
02:31:26.600 --> 02:31:28.719
<v Speaker 3>art in a style that kind of goes together.

2825
02:31:28.879 --> 02:31:34.479
<v Speaker 2>So nice. All right, Then your next one.

2826
02:31:34.399 --> 02:31:38.360
<v Speaker 3>Oh yeah, okay again, don't go to the tabu till

2827
02:31:38.399 --> 02:31:42.920
<v Speaker 3>I tell yeah, this is an interesting one. And you

2828
02:31:42.959 --> 02:31:44.879
<v Speaker 3>know what I'm gonna go ahead and say, right now,

2829
02:31:45.440 --> 02:31:47.799
<v Speaker 3>this might be very hard for you to pull off.

2830
02:31:48.280 --> 02:31:54.840
<v Speaker 3>That may give you a challenge that you should manifest

2831
02:31:54.879 --> 02:31:57.920
<v Speaker 3>with me. This this existing because I think you have

2832
02:31:58.040 --> 02:32:05.200
<v Speaker 3>some I some resources, some similar lines of thinking that

2833
02:32:05.319 --> 02:32:08.840
<v Speaker 3>something like this should be released. Okay, And before you

2834
02:32:08.879 --> 02:32:11.079
<v Speaker 3>click in, I'm just going to say, you know, the

2835
02:32:11.120 --> 02:32:16.159
<v Speaker 3>most famous poster designer anyone can name is Sallbass. He

2836
02:32:16.200 --> 02:32:19.079
<v Speaker 3>did the Vertigo poster. He also did a bunch of

2837
02:32:19.159 --> 02:32:22.879
<v Speaker 3>title sequences. He directed the shower scene in Psycho. Let

2838
02:32:22.879 --> 02:32:26.920
<v Speaker 3>me say that again. He directed the shower scene in Psycho, the.

2839
02:32:26.879 --> 02:32:28.559
<v Speaker 2>Most well known scene.

2840
02:32:28.760 --> 02:32:32.840
<v Speaker 3>Yeah, maybe the most well known and well edited scene ever.

2841
02:32:33.040 --> 02:32:37.840
<v Speaker 3>Like yeah, okay, so title sequences. He did some short films,

2842
02:32:37.840 --> 02:32:40.479
<v Speaker 3>a lot of corporate films that are interesting, and they

2843
02:32:41.000 --> 02:32:44.200
<v Speaker 3>those Japan has released some of them on DVD and

2844
02:32:44.319 --> 02:32:46.600
<v Speaker 3>Blue Red I think. But all of his shorts are

2845
02:32:46.600 --> 02:32:49.959
<v Speaker 3>really interesting. And there's one in particular that blew me away.

2846
02:32:50.040 --> 02:32:53.879
<v Speaker 3>If you love genre, if you love fantasy, you need

2847
02:32:53.959 --> 02:33:00.639
<v Speaker 3>to see hit it Quest. Have you heard of or

2848
02:33:00.719 --> 02:33:01.760
<v Speaker 3>seen Quest?

2849
02:33:02.120 --> 02:33:04.280
<v Speaker 2>I've definitely heard of it. I've not seen it.

2850
02:33:04.399 --> 02:33:06.879
<v Speaker 3>Super cool man, It's like a short. I'm going to

2851
02:33:06.920 --> 02:33:09.840
<v Speaker 3>say it's under let's see what's the run on. It's

2852
02:33:09.840 --> 02:33:13.120
<v Speaker 3>probably like thirty minutes, so you know, not it's a

2853
02:33:13.159 --> 02:33:18.280
<v Speaker 3>substantial short, and it's you know, if you've see like

2854
02:33:18.319 --> 02:33:20.719
<v Speaker 3>he did a feature called Phase is A Phase five

2855
02:33:22.840 --> 02:33:25.600
<v Speaker 3>is four Phase four Yeah yeah, and like I saw that,

2856
02:33:25.680 --> 02:33:28.159
<v Speaker 3>I was like, okay, that was pretty cool, but it

2857
02:33:28.200 --> 02:33:31.680
<v Speaker 3>didn't something about quest. You can see just from these

2858
02:33:31.680 --> 02:33:35.200
<v Speaker 3>pictures alone, how neat this looks. He uses like paintings

2859
02:33:35.280 --> 02:33:38.040
<v Speaker 3>and miniatures and all this stuff. It's about this. It's

2860
02:33:38.079 --> 02:33:41.760
<v Speaker 3>this myth of this boy who comes from the from

2861
02:33:41.920 --> 02:33:44.600
<v Speaker 3>nature and he's selected to be the chosen one. It's

2862
02:33:44.719 --> 02:33:49.959
<v Speaker 3>very abstract and there's no good version of it. And

2863
02:33:50.040 --> 02:33:53.079
<v Speaker 3>the idea that you can't get a great nude transfer

2864
02:33:53.239 --> 02:33:55.399
<v Speaker 3>is on Blue rat Like I would love to see

2865
02:33:55.399 --> 02:33:59.159
<v Speaker 3>this and you could just pair it with other Slivas shorts. Yeah,

2866
02:33:59.280 --> 02:34:01.040
<v Speaker 3>this really neat to happen.

2867
02:34:02.079 --> 02:34:05.520
<v Speaker 2>For some reason, I'm getting like Jim Henson and Ken

2868
02:34:05.600 --> 02:34:07.600
<v Speaker 2>Russell made a baby from looking at this.

2869
02:34:07.760 --> 02:34:10.559
<v Speaker 3>Oh well, it's because it's showing that that monster the

2870
02:34:10.600 --> 02:34:14.239
<v Speaker 3>second one that's this like weird beast that he plays

2871
02:34:14.319 --> 02:34:17.760
<v Speaker 3>chess with in one see. But you know, Bass would

2872
02:34:17.799 --> 02:34:20.479
<v Speaker 3>just do these really interesting visual sequences and effects that

2873
02:34:20.479 --> 02:34:23.000
<v Speaker 3>that fifth see the sixth image that's like a black

2874
02:34:23.079 --> 02:34:26.639
<v Speaker 3>border with a yulage of photos. That is a poster

2875
02:34:26.760 --> 02:34:30.479
<v Speaker 3>that saw Bass designed. And so what I would want

2876
02:34:30.520 --> 02:34:32.639
<v Speaker 3>to do if I were tasked with this, I would

2877
02:34:32.680 --> 02:34:35.040
<v Speaker 3>want to do something that Saul Bass would have done too,

2878
02:34:35.399 --> 02:34:39.200
<v Speaker 3>and use some of some of that approach make it

2879
02:34:39.280 --> 02:34:41.760
<v Speaker 3>kind of look similar to that. I really love to

2880
02:34:41.760 --> 02:34:43.959
<v Speaker 3>do things. I've done a couple of criterions actually where

2881
02:34:44.000 --> 02:34:47.280
<v Speaker 3>I didn't actually create the cover art. I just adapted

2882
02:34:47.280 --> 02:34:50.040
<v Speaker 3>a poster and tried to develop the rest of the

2883
02:34:50.040 --> 02:34:52.159
<v Speaker 3>package in a way that felt like what they would

2884
02:34:52.159 --> 02:34:54.319
<v Speaker 3>have done at the time. So I would love to

2885
02:34:54.399 --> 02:34:58.399
<v Speaker 3>handle the release of quests you know nice. Yeah, interesting,

2886
02:34:58.479 --> 02:35:01.200
<v Speaker 3>it wasn't one oh one going to put it out.

2887
02:35:01.559 --> 02:35:02.600
<v Speaker 3>Oh interesting. I don't know.

2888
02:35:03.239 --> 02:35:05.559
<v Speaker 2>I have not heard about that, but that would be

2889
02:35:05.639 --> 02:35:09.719
<v Speaker 2>good to know. Okay, Yeah, chase that down, Simon or

2890
02:35:09.719 --> 02:35:12.040
<v Speaker 2>if you can, if you can figure that out, that'd

2891
02:35:12.079 --> 02:35:16.920
<v Speaker 2>be good to know. Okay. So my number one is, uh,

2892
02:35:17.000 --> 02:35:19.479
<v Speaker 2>this is this is like the most obvious number one

2893
02:35:19.479 --> 02:35:22.639
<v Speaker 2>in the world. I feel like because this is from

2894
02:35:22.680 --> 02:35:26.239
<v Speaker 2>a director that you can take a couple images from

2895
02:35:26.280 --> 02:35:29.159
<v Speaker 2>every single one of his films and say, oh, yeah,

2896
02:35:29.239 --> 02:35:32.200
<v Speaker 2>this person directed that. We we absolutely know that, so

2897
02:35:32.639 --> 02:35:34.680
<v Speaker 2>it would never be a question. But the way that

2898
02:35:34.959 --> 02:35:41.520
<v Speaker 2>you I could see using his just jarring imagery and

2899
02:35:41.559 --> 02:35:45.440
<v Speaker 2>make something minimalist out of that that captures the brain

2900
02:35:45.520 --> 02:35:50.079
<v Speaker 2>in a cool way. I can't possibly imagine anyone else

2901
02:35:50.280 --> 02:35:52.040
<v Speaker 2>doing Ken Russell's the films.

2902
02:35:52.639 --> 02:35:55.600
<v Speaker 3>Oh okay, okay.

2903
02:35:55.680 --> 02:35:57.760
<v Speaker 2>This would be such a cool turn for you. I

2904
02:35:57.799 --> 02:36:00.719
<v Speaker 2>mean some of the ways that uh, you know, some

2905
02:36:00.760 --> 02:36:04.559
<v Speaker 2>of the more I don't know, frenetic I guess designs

2906
02:36:04.559 --> 02:36:06.760
<v Speaker 2>that you've done could work well for this. With Ken

2907
02:36:06.840 --> 02:36:12.520
<v Speaker 2>Russell being just such a unique bastion for the surreal

2908
02:36:13.120 --> 02:36:16.360
<v Speaker 2>in some of his films and you coming from like

2909
02:36:16.399 --> 02:36:19.319
<v Speaker 2>the opposite spectrum of that, I feel I could make

2910
02:36:19.360 --> 02:36:23.479
<v Speaker 2>this such a damn unique clash of styles.

2911
02:36:23.639 --> 02:36:28.680
<v Speaker 3>Okay, cool, cool, Yeah, certainly, I'm game. There was a

2912
02:36:28.719 --> 02:36:31.440
<v Speaker 3>great poster I saw in my I think it was

2913
02:36:31.479 --> 02:36:37.639
<v Speaker 3>Midnight Marauder. Who did it? If you tab over to

2914
02:36:37.719 --> 02:36:41.479
<v Speaker 3>my tab? Wait, oh no, it's not the same tab anymore,

2915
02:36:43.120 --> 02:36:45.000
<v Speaker 3>I need to go Yeah it is so right here.

2916
02:36:46.840 --> 02:36:48.879
<v Speaker 2>Ah yeah, I like that a lot.

2917
02:36:50.120 --> 02:36:53.120
<v Speaker 3>Now, I'm sure there's lots of cool things you could

2918
02:36:53.120 --> 02:36:57.680
<v Speaker 3>do with it. Okay, okay, cool, Well you've given me

2919
02:36:57.760 --> 02:36:59.840
<v Speaker 3>some fun ideas.

2920
02:37:00.959 --> 02:37:02.799
<v Speaker 2>So you got number one yours.

2921
02:37:02.879 --> 02:37:04.520
<v Speaker 3>Yeah, I got one left and I don't I don't

2922
02:37:04.520 --> 02:37:06.719
<v Speaker 3>actually know if I ranked these. So these these are

2923
02:37:06.719 --> 02:37:07.879
<v Speaker 3>all five kind of equally.

2924
02:37:08.200 --> 02:37:09.840
<v Speaker 2>Yeah, this is.

2925
02:37:11.920 --> 02:37:16.079
<v Speaker 3>One I've already done a a toaster for for myself

2926
02:37:16.159 --> 02:37:20.559
<v Speaker 3>for fun. So would I just use this if I

2927
02:37:20.600 --> 02:37:23.520
<v Speaker 3>were to be asked to do the Blu Ray maybe

2928
02:37:23.600 --> 02:37:26.440
<v Speaker 3>if they if they let me get away with it.

2929
02:37:26.440 --> 02:37:30.760
<v Speaker 3>It is Gus Van Sant's Paranoid Park. This is one

2930
02:37:30.760 --> 02:37:36.840
<v Speaker 3>of my favorite films period. Uh, Gus Van Sant. You know,

2931
02:37:37.319 --> 02:37:40.000
<v Speaker 3>he's done a lot of interesting things from you know,

2932
02:37:40.079 --> 02:37:43.639
<v Speaker 3>his early work My Own Private Idaho, then like a

2933
02:37:43.719 --> 02:37:46.559
<v Speaker 3>couple of Hollywood things like Goodwill Hunting, but then he

2934
02:37:46.600 --> 02:37:49.680
<v Speaker 3>did this death trilogy in the two thousands with Jerry

2935
02:37:50.719 --> 02:37:54.479
<v Speaker 3>Elephants and Last Days. Have you seen any of those?

2936
02:37:55.440 --> 02:37:57.760
<v Speaker 2>Uh, I've seen a few. I've seen my Own Private Idaho.

2937
02:37:57.799 --> 02:38:00.200
<v Speaker 2>Of course. I love that we talked about side Kill

2938
02:38:00.280 --> 02:38:01.639
<v Speaker 2>right before you bring up with ghost fans.

2939
02:38:01.520 --> 02:38:04.799
<v Speaker 3>In that's true, that's true. I even thought that was

2940
02:38:04.799 --> 02:38:06.920
<v Speaker 3>cool that he remade Psycho and no one else thinks that.

2941
02:38:06.959 --> 02:38:10.559
<v Speaker 3>But I think it's cool, but yeah, Jerry is awesome.

2942
02:38:10.559 --> 02:38:10.840
<v Speaker 2>By the way.

2943
02:38:10.879 --> 02:38:13.239
<v Speaker 3>It's just Matt Damon and Casey Affleck as two guys

2944
02:38:13.319 --> 02:38:16.440
<v Speaker 3>named Jerry walking in a desert and you don't know

2945
02:38:16.520 --> 02:38:21.600
<v Speaker 3>what's going on, and that is a great there. They

2946
02:38:21.680 --> 02:38:25.079
<v Speaker 3>just have a great feeling to them. And Paranoid Park

2947
02:38:25.159 --> 02:38:27.319
<v Speaker 3>he made after the Death Trilogy, and it is a

2948
02:38:28.120 --> 02:38:30.559
<v Speaker 3>it's from the point of view of this boy, this

2949
02:38:30.639 --> 02:38:35.559
<v Speaker 3>teenage boy, and he encounters something traumatic that happens, and

2950
02:38:35.799 --> 02:38:38.680
<v Speaker 3>the whole film is him kind of just in this

2951
02:38:38.799 --> 02:38:42.879
<v Speaker 3>moment of his life, reflecting on the experience of what

2952
02:38:43.040 --> 02:38:47.079
<v Speaker 3>he just witnessed and the effect it has on him.

2953
02:38:47.200 --> 02:38:52.479
<v Speaker 3>I've never seen a film truly capture what in my

2954
02:38:52.680 --> 02:38:56.840
<v Speaker 3>experience it felt like to be a teenager and just

2955
02:38:57.120 --> 02:39:02.799
<v Speaker 3>in just the thoughts in your head, feeling so like

2956
02:39:03.159 --> 02:39:05.840
<v Speaker 3>tender in the world and like kind of like trying

2957
02:39:05.879 --> 02:39:07.799
<v Speaker 3>to figure out who you are, but in the least

2958
02:39:07.840 --> 02:39:13.760
<v Speaker 3>cliche possible way. This is a very special film and

2959
02:39:14.280 --> 02:39:16.280
<v Speaker 3>really would love to see a Blu ray release. And

2960
02:39:16.559 --> 02:39:20.680
<v Speaker 3>I did a to show you the print I did.

2961
02:39:21.600 --> 02:39:22.879
<v Speaker 3>I'll see if I do, I'll see if it comes

2962
02:39:22.959 --> 02:39:26.760
<v Speaker 3>up on Google search test Google's ability. Okay, not yet,

2963
02:39:29.040 --> 02:39:30.639
<v Speaker 3>but it is not. It's on my site, so I'll

2964
02:39:30.680 --> 02:39:34.600
<v Speaker 3>go there. Yeah, here we go. This is what I

2965
02:39:34.639 --> 02:39:38.399
<v Speaker 3>did for it. I know that's a very strange looking thing.

2966
02:39:39.559 --> 02:39:41.399
<v Speaker 3>You probably look at that and say, what what's that?

2967
02:39:43.959 --> 02:39:46.319
<v Speaker 3>But I'm just gonna let it speak for itself. That's

2968
02:39:46.360 --> 02:39:49.639
<v Speaker 3>my that that's what I did. And of course it's

2969
02:39:49.639 --> 02:39:52.559
<v Speaker 3>a pretty abstract to be a blue red cover, but.

2970
02:39:52.920 --> 02:39:55.680
<v Speaker 2>I mean that's perfect for Ghosts Fan's antho too. Yeah.

2971
02:39:55.760 --> 02:40:00.239
<v Speaker 3>It's actually like he has his hands over his face

2972
02:40:00.879 --> 02:40:04.840
<v Speaker 3>and it's from a scene, a shower scene where the

2973
02:40:04.879 --> 02:40:09.120
<v Speaker 3>water is pouring down over his face. And the way

2974
02:40:09.159 --> 02:40:14.479
<v Speaker 3>they did a frame rate or something, I actually think

2975
02:40:15.319 --> 02:40:20.280
<v Speaker 3>it was okay. Christopher Doyle and rain Lee. Christopher Doyle

2976
02:40:20.360 --> 02:40:25.000
<v Speaker 3>is a cinematographer. He did the one car y stuff wow,

2977
02:40:25.239 --> 02:40:28.239
<v Speaker 3>and so I'm telling you man, And then it's in

2978
02:40:28.559 --> 02:40:32.079
<v Speaker 3>the rain Lee aspect is too. Rain Lee did all

2979
02:40:32.079 --> 02:40:34.799
<v Speaker 3>this skateboard footage, so he does he skateboards this kid

2980
02:40:34.879 --> 02:40:37.479
<v Speaker 3>with his friends, and so interspersed you have this like

2981
02:40:37.920 --> 02:40:43.920
<v Speaker 3>DV or like eight millimeters maybe skateboard footage. So it's

2982
02:40:44.000 --> 02:40:48.079
<v Speaker 3>kind of a skateboarding movie too. Man. It's just very

2983
02:40:48.200 --> 02:40:50.319
<v Speaker 3>powerful film. Please check it out.

2984
02:40:50.719 --> 02:40:52.200
<v Speaker 2>Yeah, I'm gonna have to see this one. I love

2985
02:40:52.280 --> 02:40:54.559
<v Speaker 2>some of those movies that just captures I don't know,

2986
02:40:54.600 --> 02:40:59.319
<v Speaker 2>the zeitgeist of that era of skateboarding. I was too

2987
02:40:59.360 --> 02:41:02.079
<v Speaker 2>tall and and a klutz and way overweight to skateboard,

2988
02:41:02.120 --> 02:41:04.399
<v Speaker 2>but I was dying to be one of them. Yeah.

2989
02:41:04.440 --> 02:41:06.680
<v Speaker 3>I tried to. I tried to, and like I never

2990
02:41:06.719 --> 02:41:08.319
<v Speaker 3>made it, like to a skate park, but it's got

2991
02:41:08.360 --> 02:41:10.440
<v Speaker 3>those moments where like he he goes to a skate

2992
02:41:10.479 --> 02:41:12.120
<v Speaker 3>park for the first time and sits on the edge

2993
02:41:12.120 --> 02:41:15.159
<v Speaker 3>and they're like that nervousness of like, oh am I

2994
02:41:15.200 --> 02:41:18.239
<v Speaker 3>allowed to be with these kind of try kind of

2995
02:41:18.239 --> 02:41:20.680
<v Speaker 3>fit in with these people, and then just the freedom,

2996
02:41:20.719 --> 02:41:23.680
<v Speaker 3>like almost in a I think of me as Zaki,

2997
02:41:23.799 --> 02:41:27.600
<v Speaker 3>this idea of like you're on the board and you're

2998
02:41:27.639 --> 02:41:31.520
<v Speaker 3>you're skating, and it's like everything is safe, everything is perfect,

2999
02:41:31.600 --> 02:41:32.680
<v Speaker 3>everything is fine.

3000
02:41:34.680 --> 02:41:39.319
<v Speaker 2>It hits that amazing. Yeah, I think you missed this

3001
02:41:39.360 --> 02:41:42.120
<v Speaker 2>because we were talking about your title. Quest is a

3002
02:41:42.120 --> 02:41:44.559
<v Speaker 2>short film included on the Phase four release over in

3003
02:41:44.600 --> 02:41:49.680
<v Speaker 2>the UK, and dug Up then found that Quest was

3004
02:41:49.719 --> 02:41:51.680
<v Speaker 2>newly restored an HD for that release.

3005
02:41:51.920 --> 02:41:53.440
<v Speaker 3>Well, see, so it's ready to go.

3006
02:41:54.079 --> 02:41:56.319
<v Speaker 2>But it is probably region lock to reagion.

3007
02:41:56.120 --> 02:41:58.959
<v Speaker 3>B Okay, Yeah, but I mean I don't know how

3008
02:41:59.000 --> 02:42:01.079
<v Speaker 3>this works. I'm just saying, like, if there's a new

3009
02:42:01.120 --> 02:42:03.319
<v Speaker 3>restoration and it could be paired with some of the

3010
02:42:03.360 --> 02:42:04.799
<v Speaker 3>other shorts, this could be really neat.

3011
02:42:05.159 --> 02:42:07.239
<v Speaker 2>Yeah, that would be a really fun idea. And not

3012
02:42:07.280 --> 02:42:10.159
<v Speaker 2>to mention that the history of his I don't know,

3013
02:42:10.280 --> 02:42:15.239
<v Speaker 2>like ability to craft something like you said, iconic without

3014
02:42:15.360 --> 02:42:18.639
<v Speaker 2>using the the overused version of that word. Yeah, to

3015
02:42:18.959 --> 02:42:21.600
<v Speaker 2>make it something that is so striking that it digs

3016
02:42:21.600 --> 02:42:24.680
<v Speaker 2>into you. Just the history on that could be very

3017
02:42:24.760 --> 02:42:26.479
<v Speaker 2>very cool. Cool.

3018
02:42:27.479 --> 02:42:29.840
<v Speaker 3>Patty Boy has picks for me made in Heaven, the

3019
02:42:29.879 --> 02:42:33.680
<v Speaker 3>thing called Love. They all laughed, Blind Shaft, Bubble and

3020
02:42:33.760 --> 02:42:36.159
<v Speaker 3>Schizopholis two Soda Borks. I do love soda work.

3021
02:42:36.479 --> 02:42:38.079
<v Speaker 2>Bubble could be really cool for you.

3022
02:42:38.159 --> 02:42:39.799
<v Speaker 3>How do you top the original art?

3023
02:42:40.200 --> 02:42:41.399
<v Speaker 2>Yeah, so good.

3024
02:42:41.479 --> 02:42:44.159
<v Speaker 3>Soda Birks posters are great. You know, Kellor House did

3025
02:42:44.159 --> 02:42:47.000
<v Speaker 3>a lot of them. He's always doing interesting posters.

3026
02:42:48.000 --> 02:42:48.159
<v Speaker 1>That.

3027
02:42:48.280 --> 02:42:52.040
<v Speaker 2>Yeah, that that is such a cool idea. Got BOGDANOVICHA

3028
02:42:52.079 --> 02:42:56.520
<v Speaker 2>that'd be fun. What's your favorite soda brig then.

3029
02:43:00.159 --> 02:43:03.399
<v Speaker 3>Gut gut feeling gut goes right to the Ocean's eleven.

3030
02:43:04.159 --> 02:43:07.280
<v Speaker 2>Nice? Nice I mean it's just perfect, right, It's a

3031
02:43:07.440 --> 02:43:08.639
<v Speaker 2>very very fun movie.

3032
02:43:08.959 --> 02:43:11.840
<v Speaker 3>I love his his you know, slower Arts, you know,

3033
02:43:11.840 --> 02:43:14.319
<v Speaker 3>I love you know Traffic and Solara. I love the

3034
02:43:14.360 --> 02:43:20.159
<v Speaker 3>Solaris remake, but yeah, probably Oceans. Love him.

3035
02:43:20.200 --> 02:43:23.280
<v Speaker 2>Did you ever see Aaron Brockovich that he did? Yeah? Great,

3036
02:43:23.719 --> 02:43:26.000
<v Speaker 2>So when we were talking before we went live, Aaron

3037
02:43:26.040 --> 02:43:28.799
<v Speaker 2>Brockovich was set about ten minutes from where I grew up.

3038
02:43:28.920 --> 02:43:32.559
<v Speaker 2>I know, I know people that were affected by the whole.

3039
02:43:32.520 --> 02:43:37.000
<v Speaker 3>Real Okay, okay, yeah we watched that recently because my

3040
02:43:37.040 --> 02:43:40.760
<v Speaker 3>wife hadn't seen it, and yeah, there was a great

3041
02:43:40.760 --> 02:43:43.520
<v Speaker 3>one he made recently. I've really I have to say,

3042
02:43:44.479 --> 02:43:48.440
<v Speaker 3>I hope he's not watching this. He hasn't wowed me

3043
02:43:48.479 --> 02:43:50.920
<v Speaker 3>in a while since he came back and started making

3044
02:43:50.920 --> 02:43:54.719
<v Speaker 3>films like all the time. Only one of them really

3045
02:43:54.760 --> 02:43:57.840
<v Speaker 3>really hit for me, which was called Let Them All Talk.

3046
02:43:58.159 --> 02:44:00.639
<v Speaker 3>It was a Meryl Street film and not many people

3047
02:44:00.680 --> 02:44:02.280
<v Speaker 3>saw it, so it went right to Max had never

3048
02:44:02.319 --> 02:44:04.920
<v Speaker 3>even got theatricals. I think it was during COVID. I

3049
02:44:05.000 --> 02:44:05.559
<v Speaker 3>love that one.

3050
02:44:06.040 --> 02:44:08.120
<v Speaker 2>Yeah, I think you did that right after Kimmy and

3051
02:44:08.239 --> 02:44:14.559
<v Speaker 2>Kimmy like overshadowed that one. Yeah, good stuff. So one

3052
02:44:14.559 --> 02:44:16.879
<v Speaker 2>of the last things I wanted to ask for people

3053
02:44:17.000 --> 02:44:20.600
<v Speaker 2>that are you know, interested in hearing your responses to

3054
02:44:20.600 --> 02:44:23.600
<v Speaker 2>all this tonight. Who are some graphic designers that you love?

3055
02:44:23.639 --> 02:44:25.799
<v Speaker 2>Who are some other artists that you admire right now?

3056
02:44:25.920 --> 02:44:28.799
<v Speaker 2>Active people that every time you see something they put out,

3057
02:44:28.799 --> 02:44:30.360
<v Speaker 2>you go, damn, that's inspiring.

3058
02:44:30.840 --> 02:44:33.040
<v Speaker 3>Oh gosh, so many. I mean, like I said, Adam

3059
02:44:33.159 --> 02:44:35.399
<v Speaker 3>might have who just did the phase he did that

3060
02:44:35.440 --> 02:44:40.399
<v Speaker 3>Phase four that we were just talking about. Adam's great man,

3061
02:44:42.040 --> 02:44:48.920
<v Speaker 3>uh Drew sister Hyde. My friend Brandon Schaeffer, who I

3062
02:44:48.920 --> 02:44:51.319
<v Speaker 3>did the Poster Boys podcast with. We did that for

3063
02:44:51.440 --> 02:44:54.719
<v Speaker 3>a few years, maybe four years or so. We did

3064
02:44:54.959 --> 02:44:57.040
<v Speaker 3>a graphic design podcast that's still out there if you

3065
02:44:57.079 --> 02:44:59.799
<v Speaker 3>want to listen to me talk about poster design and

3066
02:45:00.239 --> 02:45:05.319
<v Speaker 3>different luminaries from film posters throughout the decades. And Brand

3067
02:45:05.440 --> 02:45:09.479
<v Speaker 3>is just a workhorse man. He's he always does nice things.

3068
02:45:10.280 --> 02:45:15.959
<v Speaker 3>And Akiko is a friend of a. Keiko Sternberger. I

3069
02:45:16.399 --> 02:45:18.319
<v Speaker 3>will brag every day that she is a friend of

3070
02:45:18.360 --> 02:45:23.239
<v Speaker 3>mine because she is the most talented poster designer in

3071
02:45:23.280 --> 02:45:27.920
<v Speaker 3>the game, just period. Like she she paints, so like

3072
02:45:28.000 --> 02:45:32.319
<v Speaker 3>she She did the Funny Games US theatrical poster that

3073
02:45:32.399 --> 02:45:35.639
<v Speaker 3>close up of Naomi Watts crying and that is a painting,

3074
02:45:36.920 --> 02:45:40.360
<v Speaker 3>so she's capable of doing these photo realistic paintings, but

3075
02:45:40.399 --> 02:45:43.760
<v Speaker 3>also just like great concepts that are like funny, you know.

3076
02:45:44.680 --> 02:45:49.200
<v Speaker 3>So definitely followed doy rivetive on on Instagram. And there's

3077
02:45:49.200 --> 02:45:51.520
<v Speaker 3>now a book out of a Kiko's work called The

3078
02:45:51.600 --> 02:45:55.680
<v Speaker 3>Kiko Matic that I would highly recommend. So yeah, those

3079
02:45:55.680 --> 02:45:57.479
<v Speaker 3>are a few that come to mind, you know, But

3080
02:45:57.959 --> 02:46:00.360
<v Speaker 3>I mean, I really am more. I'm not the saying more.

3081
02:46:00.559 --> 02:46:02.959
<v Speaker 3>There's a lot of great people doing work right now,

3082
02:46:03.040 --> 02:46:07.319
<v Speaker 3>of course, but I really just my biggest inspirations are,

3083
02:46:07.360 --> 02:46:10.959
<v Speaker 3>you know, stuff from the past, the Polish grades, the

3084
02:46:11.000 --> 02:46:17.479
<v Speaker 3>Cuban poster artists. Hans Hillman is a German designer. If

3085
02:46:17.479 --> 02:46:20.799
<v Speaker 3>you want to like discover someone, Hans Hillman. He he

3086
02:46:21.639 --> 02:46:24.879
<v Speaker 3>did all these German posters that actually ended up long

3087
02:46:24.879 --> 02:46:28.000
<v Speaker 3>story short, inspiring Jani's films to make some of their

3088
02:46:28.000 --> 02:46:31.040
<v Speaker 3>first posters, including that one for Donkey Skin, which then

3089
02:46:31.120 --> 02:46:35.000
<v Speaker 3>led to Criterion. And there was a whole history, you know,

3090
02:46:35.040 --> 02:46:37.920
<v Speaker 3>as you kind of retrace the steps of graphic design history,

3091
02:46:37.920 --> 02:46:41.639
<v Speaker 3>which is still young as an academic field, but you're

3092
02:46:41.680 --> 02:46:44.360
<v Speaker 3>learning about more of these important people that we're doing

3093
02:46:44.360 --> 02:46:49.319
<v Speaker 3>it and in these like idealistic conditions where they could

3094
02:46:49.360 --> 02:46:50.920
<v Speaker 3>just do whatever they want for a poster and they

3095
02:46:50.920 --> 02:46:53.639
<v Speaker 3>don't have an email of twenty people on it all

3096
02:46:53.719 --> 02:46:56.559
<v Speaker 3>chiming in, or you know, they don't have to use

3097
02:46:57.040 --> 02:47:02.319
<v Speaker 3>contractual obligations for actors and things like this. But yeah,

3098
02:47:02.440 --> 02:47:05.479
<v Speaker 3>I just love I love poster design history and modern

3099
02:47:05.559 --> 02:47:06.280
<v Speaker 3>modern history.

3100
02:47:08.120 --> 02:47:11.239
<v Speaker 2>Have there been any projects that you've had I we'll say,

3101
02:47:11.360 --> 02:47:14.559
<v Speaker 2>restrictions put on you that you've not enjoyed, because I'm

3102
02:47:14.559 --> 02:47:15.879
<v Speaker 2>sure that this is one thing that a lot of

3103
02:47:15.920 --> 02:47:19.079
<v Speaker 2>people worry about. Like, you just did a cinematograph title,

3104
02:47:19.159 --> 02:47:21.399
<v Speaker 2>and last year one of the biggest complaints was Little

3105
02:47:21.440 --> 02:47:24.440
<v Speaker 2>Darlings the title they put out that they didn't get

3106
02:47:24.440 --> 02:47:26.799
<v Speaker 2>permission to use the likeness and so a lot of

3107
02:47:26.799 --> 02:47:29.159
<v Speaker 2>people didn't love that they couldn't see the faces and

3108
02:47:29.280 --> 02:47:33.520
<v Speaker 2>they made a choice scatter that looks like brown and

3109
02:47:33.760 --> 02:47:36.319
<v Speaker 2>could have been a little bit better. But anything like

3110
02:47:36.360 --> 02:47:38.479
<v Speaker 2>that that is tough for you to work around.

3111
02:47:38.479 --> 02:47:40.520
<v Speaker 3>Sometimes we'll see I always have the I have the

3112
02:47:40.520 --> 02:47:44.239
<v Speaker 3>other perspective on that one, which is like I never

3113
02:47:44.280 --> 02:47:46.120
<v Speaker 3>even thought twice about that. I was like, that's a

3114
02:47:46.159 --> 02:47:48.879
<v Speaker 3>cool cover and now that makes sense to me that

3115
02:47:48.879 --> 02:47:50.840
<v Speaker 3>that's why they did it that way. And I would

3116
02:47:50.840 --> 02:47:54.000
<v Speaker 3>always say, and it's totally okay if you didn't like

3117
02:47:54.079 --> 02:47:57.799
<v Speaker 3>that cover. But there's always a reason for something, you know,

3118
02:47:57.920 --> 02:48:03.760
<v Speaker 3>Like people love to just whatever armchair quarterback graphic design.

3119
02:48:03.840 --> 02:48:06.239
<v Speaker 3>They love to say, but stupid, why do they do this?

3120
02:48:06.280 --> 02:48:09.520
<v Speaker 3>Why do they do that? And there's usually a reason,

3121
02:48:09.760 --> 02:48:14.760
<v Speaker 3>And it's sometimes these contract things. You did the best

3122
02:48:14.760 --> 02:48:17.840
<v Speaker 3>with what you can't and with the time, the budget,

3123
02:48:18.000 --> 02:48:26.280
<v Speaker 3>the brief, the restrictions there. Yeah, I've been pretty lucky,

3124
02:48:26.440 --> 02:48:28.360
<v Speaker 3>Like there haven't been a lot of things I've worked

3125
02:48:28.360 --> 02:48:32.440
<v Speaker 3>on that have had strict contractual stuff. But the cinematograph

3126
02:48:32.559 --> 02:48:34.879
<v Speaker 3>one I did for the Last of the Red Hot Lovers,

3127
02:48:35.520 --> 02:48:38.440
<v Speaker 3>that was hard because if you see that cover I did,

3128
02:48:40.280 --> 02:48:41.319
<v Speaker 3>I actually have one right here.

3129
02:48:41.360 --> 02:48:48.079
<v Speaker 2>I can show you other current titles that Sam has

3130
02:48:48.120 --> 02:48:50.360
<v Speaker 2>worked on, a tail of Star and Sadness from Radiance

3131
02:48:51.280 --> 02:48:53.399
<v Speaker 2>them Rock from Radiance is also another one that you

3132
02:48:53.479 --> 02:48:53.719
<v Speaker 2>just did.

3133
02:48:54.079 --> 02:48:57.840
<v Speaker 3>Yes, that's an insane film, Like if that if them

3134
02:48:57.920 --> 02:49:00.920
<v Speaker 3>Rock is not on your radar, players don't radar now,

3135
02:49:01.079 --> 02:49:06.600
<v Speaker 3>like trust me, So this one last of the Red

3136
02:49:06.639 --> 02:49:11.680
<v Speaker 3>how Levers. You see how much writing is on this.

3137
02:49:11.680 --> 02:49:14.719
<v Speaker 3>This is all because it had to be that way.

3138
02:49:16.920 --> 02:49:18.520
<v Speaker 3>I had to come up with a solution that was

3139
02:49:18.600 --> 02:49:21.959
<v Speaker 3>just like, fits so much stuff, and I know it's

3140
02:49:22.000 --> 02:49:23.879
<v Speaker 3>a scribbly mess, but I was just like, it's just

3141
02:49:23.879 --> 02:49:25.559
<v Speaker 3>going to be a scribbly mess. It's going to be

3142
02:49:26.200 --> 02:49:30.959
<v Speaker 3>a tic tac toe with litprints and he makes notes

3143
02:49:30.959 --> 02:49:33.120
<v Speaker 3>on napkins in the movie, so I was like it

3144
02:49:33.120 --> 02:49:39.239
<v Speaker 3>could maybe feel like that. And so yeah, Arkin had

3145
02:49:39.280 --> 02:49:44.440
<v Speaker 3>to be literally seventy of the title size, and then

3146
02:49:44.559 --> 02:49:48.440
<v Speaker 3>the three actresses had to be the same height. And

3147
02:49:48.479 --> 02:49:50.719
<v Speaker 3>this is how in the this goes back to a

3148
02:49:50.760 --> 02:49:54.760
<v Speaker 3>contract from the original poster. You still have to honor

3149
02:49:55.479 --> 02:49:58.360
<v Speaker 3>where you know, the actors have these clauses and their

3150
02:49:58.440 --> 02:50:00.920
<v Speaker 3>name have to appear equally. So the of these actresses

3151
02:50:00.920 --> 02:50:02.920
<v Speaker 3>have to appear as the same size as Alan Arkin,

3152
02:50:03.959 --> 02:50:07.479
<v Speaker 3>and so already there that's so much. And then everything

3153
02:50:07.520 --> 02:50:10.479
<v Speaker 3>else had to be at this size too and had

3154
02:50:10.520 --> 02:50:13.280
<v Speaker 3>to be included. So basically you're looking at a poster

3155
02:50:13.360 --> 02:50:16.959
<v Speaker 3>that's all text. Yeah, you know, unless you go real

3156
02:50:17.040 --> 02:50:19.040
<v Speaker 3>small with it, but then you can't see what it's

3157
02:50:19.079 --> 02:50:24.479
<v Speaker 3>saying because it's so that was tricky, and then actually

3158
02:50:24.559 --> 02:50:27.680
<v Speaker 3>I'm doing another cinematograph. I think you alluded to it,

3159
02:50:27.719 --> 02:50:30.360
<v Speaker 3>but it's not been announced yet. Did you say you

3160
02:50:30.440 --> 02:50:31.079
<v Speaker 3>have one coming?

3161
02:50:31.920 --> 02:50:34.680
<v Speaker 2>Uh No, that's the one that I've ordered that I

3162
02:50:34.719 --> 02:50:35.399
<v Speaker 2>have not got yet.

3163
02:50:35.719 --> 02:50:38.200
<v Speaker 3>This is the one. Okay, So there's another one coming

3164
02:50:40.079 --> 02:50:44.600
<v Speaker 3>that I did for Justin it'll be announced soon. And

3165
02:50:44.639 --> 02:50:49.360
<v Speaker 3>that one had an actor likeness situation where we could

3166
02:50:49.440 --> 02:50:53.120
<v Speaker 3>not get approval on one of the likenesses ultimately, and

3167
02:50:53.360 --> 02:50:56.360
<v Speaker 3>I had to change something about it. It was minor,

3168
02:50:56.799 --> 02:50:58.840
<v Speaker 3>but you know, I try to. That's one of the

3169
02:50:58.920 --> 02:51:02.000
<v Speaker 3>nice things about just coming up like conceptual covers. You

3170
02:51:02.000 --> 02:51:06.200
<v Speaker 3>don't have to worry as much about actors. But yeah, no,

3171
02:51:06.280 --> 02:51:09.000
<v Speaker 3>if you're doing like real movie posters for big agencies

3172
02:51:09.399 --> 02:51:15.280
<v Speaker 3>and big studios, which I don't, I can't compete with

3173
02:51:15.319 --> 02:51:19.000
<v Speaker 3>the big agencies that you saw one hundred poster concepts for,

3174
02:51:19.239 --> 02:51:23.239
<v Speaker 3>you know, whatever, big movie. But then you're dealing with

3175
02:51:23.280 --> 02:51:27.360
<v Speaker 3>a lot more of those restrictions. But it's always it's

3176
02:51:27.399 --> 02:51:30.159
<v Speaker 3>fun to have restrictions, restrict like the five instructions. You know,

3177
02:51:30.719 --> 02:51:35.399
<v Speaker 3>it creates creativity. You know, if you have no limitations,

3178
02:51:35.440 --> 02:51:39.600
<v Speaker 3>then then you're just making five avatar movies for the

3179
02:51:39.600 --> 02:51:45.559
<v Speaker 3>next twenty years. That's not interesting. Sorry to throw shots fire,

3180
02:51:45.639 --> 02:51:47.840
<v Speaker 3>but that's not interesting at all. You have no, you've

3181
02:51:47.879 --> 02:51:54.360
<v Speaker 3>lost all sense of creative restriction. That's not interesting. What's

3182
02:51:54.399 --> 02:51:56.879
<v Speaker 3>interesting is you making the Abyss when you did.

3183
02:51:57.120 --> 02:51:57.879
<v Speaker 2>That's correct.

3184
02:51:59.719 --> 02:52:01.879
<v Speaker 3>So sorry I had to go off there for a second.

3185
02:52:02.040 --> 02:52:04.360
<v Speaker 2>I completely agree, and I love that. You know, the

3186
02:52:04.399 --> 02:52:06.399
<v Speaker 2>abys comes out in nineteen eighty nine and a year

3187
02:52:06.440 --> 02:52:11.639
<v Speaker 2>of aquatic horror things that just it all struck it

3188
02:52:11.799 --> 02:52:14.479
<v Speaker 2>is and it makes it just just this unique like

3189
02:52:14.600 --> 02:52:16.319
<v Speaker 2>subculture of film at that moment.

3190
02:52:16.760 --> 02:52:19.159
<v Speaker 3>Speaking of nineteen eighty nine, I'm going to shout back

3191
02:52:19.200 --> 02:52:21.760
<v Speaker 3>to something I mentioned earlier. I found for you my

3192
02:52:22.000 --> 02:52:29.200
<v Speaker 3>steel case CD of The Prince Batman soundtrack.

3193
02:52:29.959 --> 02:52:31.159
<v Speaker 2>Amazing. Yeah.

3194
02:52:31.799 --> 02:52:34.600
<v Speaker 3>Now, the only thing I wish I had is the

3195
02:52:34.719 --> 02:52:39.239
<v Speaker 3>bat Discman from Batman Returns, so that I could use

3196
02:52:39.280 --> 02:52:42.719
<v Speaker 3>this in that. But it is a cool special edition

3197
02:52:43.239 --> 02:52:46.559
<v Speaker 3>of the Prince. This movie was pretty formative for me,

3198
02:52:46.760 --> 02:52:50.799
<v Speaker 3>you know, eight years old, nine years old. Yeah, this

3199
02:52:50.879 --> 02:52:55.399
<v Speaker 3>is cool because it's a round booklet. Oh no, and

3200
02:52:55.479 --> 02:52:58.920
<v Speaker 3>it's just got the regular soundtrack in there. But it's

3201
02:52:58.920 --> 02:52:59.600
<v Speaker 3>a cool disc.

3202
02:53:00.200 --> 02:53:00.399
<v Speaker 2>Yeah.

3203
02:53:00.440 --> 02:53:02.520
<v Speaker 3>So if you're a Batman eighty nine fan, this is

3204
02:53:02.559 --> 02:53:05.159
<v Speaker 3>a nice little eBay thing you can look.

3205
02:53:04.959 --> 02:53:08.200
<v Speaker 2>For very nice. I love the black on the outside too,

3206
02:53:08.239 --> 02:53:09.559
<v Speaker 2>and they didn't put the yellow on there.

3207
02:53:09.760 --> 02:53:10.479
<v Speaker 3>Yeah, totally.

3208
02:53:11.360 --> 02:53:16.600
<v Speaker 2>Oh man, that's that's really real. Any any Criterion cover

3209
02:53:16.760 --> 02:53:18.639
<v Speaker 2>art that you look at that wasn't you and it

3210
02:53:18.760 --> 02:53:21.239
<v Speaker 2>isn't an original poster that you go Damn, I wish

3211
02:53:21.280 --> 02:53:21.799
<v Speaker 2>I'd designed that.

3212
02:53:21.959 --> 02:53:24.479
<v Speaker 3>Oh so many. We did a whole Poster Boys episode

3213
02:53:24.520 --> 02:53:31.360
<v Speaker 3>on that so got out in the where to begin honestly, gees,

3214
02:53:32.799 --> 02:53:35.639
<v Speaker 3>I mean any of the keller House stuff. Neil Kellerhouse

3215
02:53:36.959 --> 02:53:40.360
<v Speaker 3>and his company. A couple other designers were involved in

3216
02:53:40.520 --> 02:53:43.040
<v Speaker 3>some of them, but they did some great ones that

3217
02:53:43.120 --> 02:53:52.879
<v Speaker 3>really got me into Criteria, like walk About. Um gosh,

3218
02:53:53.280 --> 02:53:55.559
<v Speaker 3>I'm trying to think. There's so many. Jay Shaw, who

3219
02:53:55.600 --> 02:53:57.440
<v Speaker 3>I love, is a friend and he's one of my

3220
02:53:57.479 --> 02:54:00.120
<v Speaker 3>favorite designers. He's not doing much anymore, but he did all.

3221
02:54:00.440 --> 02:54:04.159
<v Speaker 3>He had a period of Mondo stuff and Jayshaw did Repo. Man.

3222
02:54:04.200 --> 02:54:06.399
<v Speaker 3>I thought that's a great one. I was like, I

3223
02:54:06.479 --> 02:54:08.920
<v Speaker 3>wish I had done that or thought of that, or

3224
02:54:09.000 --> 02:54:12.159
<v Speaker 3>been able to do that. Oh god, there's so many,

3225
02:54:12.200 --> 02:54:15.120
<v Speaker 3>mad but we did. We did a Posterboice episode of

3226
02:54:15.280 --> 02:54:19.600
<v Speaker 3>Top Top ten Criterion covers and so if you want

3227
02:54:19.600 --> 02:54:21.600
<v Speaker 3>to find out on Spotify, I do go through my

3228
02:54:21.719 --> 02:54:24.719
<v Speaker 3>ten favorites nice, so you guys can check that out.

3229
02:54:24.559 --> 02:54:26.280
<v Speaker 2>For further One more, I wanted to shout out, that's

3230
02:54:26.319 --> 02:54:31.360
<v Speaker 2>amazing your print for Kumiko h Y is a friend

3231
02:54:31.360 --> 02:54:34.680
<v Speaker 2>of mine. He swears by this movie. It's like one

3232
02:54:34.719 --> 02:54:37.120
<v Speaker 2>of his favorite films from the last twenty years or

3233
02:54:37.399 --> 02:54:40.680
<v Speaker 2>art perfectly captured so much about that film, how it's

3234
02:54:40.799 --> 02:54:44.399
<v Speaker 2>just easy to get lost in essentially kind of like

3235
02:54:44.440 --> 02:54:48.159
<v Speaker 2>the film. That's cool, beautiful colors. Really like what you

3236
02:54:48.200 --> 02:54:49.680
<v Speaker 2>did with the incredible choices.

3237
02:54:50.399 --> 02:54:55.040
<v Speaker 3>Thank you. We Yeah, they just reused it last year

3238
02:54:55.079 --> 02:55:00.360
<v Speaker 3>for the ten anniversary and the original piece we It

3239
02:55:00.520 --> 02:55:04.840
<v Speaker 3>is a screenprint and it is a twenty four thirty

3240
02:55:04.879 --> 02:55:09.559
<v Speaker 3>six ten color silkscreen, which is it's pretty rare for

3241
02:55:09.680 --> 02:55:13.239
<v Speaker 3>me design something that has that many layers of color,

3242
02:55:13.280 --> 02:55:15.719
<v Speaker 3>and it's expensive to make a print that's that complex.

3243
02:55:17.920 --> 02:55:20.079
<v Speaker 3>But yeah, I've got some in my flatfall. I might

3244
02:55:20.120 --> 02:55:21.360
<v Speaker 3>have to get your address.

3245
02:55:22.479 --> 02:55:25.239
<v Speaker 2>I participate a lot, and I don't know if you

3246
02:55:25.280 --> 02:55:28.319
<v Speaker 2>know many people that do this. There are Facebook groups

3247
02:55:28.319 --> 02:55:32.639
<v Speaker 2>dedicated to screenprint commissions and I have I don't know,

3248
02:55:32.760 --> 02:55:36.639
<v Speaker 2>probably fifteen here, which is a lot cool. Just you

3249
02:55:36.760 --> 02:55:39.959
<v Speaker 2>join a group and there's usually less than fifty people

3250
02:55:40.040 --> 02:55:43.639
<v Speaker 2>that are literally privately commissioning an artists to come up

3251
02:55:43.639 --> 02:55:47.840
<v Speaker 2>with a design. And some of the best silk screen

3252
02:55:47.959 --> 02:55:50.879
<v Speaker 2>print designs are coming from these random ass groups. And

3253
02:55:50.920 --> 02:55:54.079
<v Speaker 2>then you see the art used in other places for

3254
02:55:54.159 --> 02:55:56.799
<v Speaker 2>years to come because it becomes so great, Like Graham

3255
02:55:56.879 --> 02:56:00.120
<v Speaker 2>Humphreys is doing stuff in some of these groups, suspirit it.

3256
02:56:01.399 --> 02:56:05.159
<v Speaker 2>There's so much that's just beautiful, beautiful, beautiful art.

3257
02:56:05.600 --> 02:56:08.079
<v Speaker 3>Yeah, and I've never like I've never really kind of

3258
02:56:08.200 --> 02:56:11.280
<v Speaker 3>entered that world, like with Mondo. I never did any

3259
02:56:11.360 --> 02:56:16.799
<v Speaker 3>Mondo things. Yeah, they never asked me, which is fine.

3260
02:56:16.840 --> 02:56:19.000
<v Speaker 3>I mean it would have been it would have been cool.

3261
02:56:20.399 --> 02:56:23.760
<v Speaker 3>But you know, I never became like a screen prints

3262
02:56:24.280 --> 02:56:28.280
<v Speaker 3>artist that people collect although you know, the house poster

3263
02:56:29.040 --> 02:56:31.840
<v Speaker 3>is you know, like I said, like kind of my

3264
02:56:31.840 --> 02:56:35.200
<v Speaker 3>my one famous thing that you know, if I were

3265
02:56:35.239 --> 02:56:38.159
<v Speaker 3>to do one more addition, I probably will, but it'll

3266
02:56:38.159 --> 02:56:39.079
<v Speaker 3>be a large addition.

3267
02:56:39.799 --> 02:56:40.000
<v Speaker 2>You know.

3268
02:56:40.079 --> 02:56:42.079
<v Speaker 3>I know that that print will sell and people will

3269
02:56:42.120 --> 02:56:45.360
<v Speaker 3>want it, but most print collectors like don't know who

3270
02:56:45.360 --> 02:56:47.600
<v Speaker 3>I am, you know, just because I haven't done any

3271
02:56:47.719 --> 02:56:50.799
<v Speaker 3>Mondo and you just don't you gotta do Mondo or else.

3272
02:56:51.239 --> 02:56:54.120
<v Speaker 3>No one knows who you are, but those commissions are

3273
02:56:54.159 --> 02:56:56.159
<v Speaker 3>cool and branded. My co host I mentioned he does

3274
02:56:56.239 --> 02:56:57.000
<v Speaker 3>he does some of those.

3275
02:56:58.959 --> 02:57:01.520
<v Speaker 2>I wanted to up one last thing and this is

3276
02:57:01.559 --> 02:57:03.760
<v Speaker 2>not meant to end on a negative or anything, but

3277
02:57:04.959 --> 02:57:07.920
<v Speaker 2>fucking Ai Sam. We we probably should talk about this

3278
02:57:08.000 --> 02:57:11.879
<v Speaker 2>because man, the the the tendency lately to see cover

3279
02:57:12.000 --> 02:57:15.600
<v Speaker 2>art on a release that is quote bad in somebody's mind,

3280
02:57:15.760 --> 02:57:18.760
<v Speaker 2>and the first thing they say, this is AI because

3281
02:57:18.760 --> 02:57:22.079
<v Speaker 2>it's bad. Uh, how do we how do we get

3282
02:57:22.120 --> 02:57:25.120
<v Speaker 2>out of this point? How do we scrutinize these things

3283
02:57:25.159 --> 02:57:27.239
<v Speaker 2>in a way that is meaningful to the artist and

3284
02:57:27.280 --> 02:57:30.840
<v Speaker 2>respectful to the artists without accusing people? And how do

3285
02:57:30.879 --> 02:57:34.239
<v Speaker 2>we keep this filled with integrity? God?

3286
02:57:34.319 --> 02:57:37.799
<v Speaker 3>Man, I mean, that's such a big question, and it's

3287
02:57:37.920 --> 02:57:45.520
<v Speaker 3>just it's all about visual literacy and truth. It's if

3288
02:57:45.520 --> 02:57:48.639
<v Speaker 3>you've been following what's been happening culturally in this country

3289
02:57:48.680 --> 02:57:54.520
<v Speaker 3>for the last twenty years, there's a and it's the

3290
02:57:54.559 --> 02:58:03.559
<v Speaker 3>Internet's fault, and it's you know, certain influential Without getting

3291
02:58:03.559 --> 02:58:08.000
<v Speaker 3>into politics, it's just like we've lost the ability to

3292
02:58:08.040 --> 02:58:12.200
<v Speaker 3>even discern what is or even regulate the idea of

3293
02:58:12.399 --> 02:58:17.079
<v Speaker 3>discerning what is real. And so the bigger problem is

3294
02:58:17.079 --> 02:58:20.559
<v Speaker 3>not DVDs and Blu rays. It's that it's you can't

3295
02:58:20.559 --> 02:58:24.280
<v Speaker 3>even look at a photo anymore until I mean, people

3296
02:58:24.319 --> 02:58:26.799
<v Speaker 3>like me can kind of still tell. But you're gonna

3297
02:58:26.799 --> 02:58:28.719
<v Speaker 3>have deep fakes of all kinds of stuff that's going

3298
02:58:28.799 --> 02:58:33.159
<v Speaker 3>to cause major world problems, I guarantee you. So when

3299
02:58:33.200 --> 02:58:35.000
<v Speaker 3>it comes to Blu ray, it's like it's less of

3300
02:58:35.200 --> 02:58:42.520
<v Speaker 3>you know, it's less significance. But you're right that, I mean, gosh,

3301
02:58:42.600 --> 02:58:45.399
<v Speaker 3>I always try to encourage people to just stay informed.

3302
02:58:46.079 --> 02:58:51.000
<v Speaker 3>You can't expect the average person to, especially at the

3303
02:58:51.079 --> 02:58:56.319
<v Speaker 3>rate AI is progressing and Generative Imagery is progressing with

3304
02:58:56.319 --> 02:59:01.639
<v Speaker 3>with mid Journey and now chat GPT kind of catching

3305
02:59:01.719 --> 02:59:04.360
<v Speaker 3>up to mid Journey. I've really tried to stay informed

3306
02:59:04.360 --> 02:59:08.879
<v Speaker 3>about it myself. I am not a black or white

3307
02:59:08.879 --> 02:59:12.280
<v Speaker 3>person on this. I think that everything you do, if

3308
02:59:12.319 --> 02:59:15.079
<v Speaker 3>something's inevitably happening, then go ahead and figure out how

3309
02:59:15.079 --> 02:59:20.440
<v Speaker 3>you can use it as a tool and evolve might

3310
02:59:20.479 --> 02:59:22.920
<v Speaker 3>as well. And then I always you can always not

3311
02:59:23.000 --> 02:59:25.760
<v Speaker 3>use it, but good to like know what's going on.

3312
02:59:26.680 --> 02:59:31.559
<v Speaker 3>But god, it's just it is hard to tell. It's

3313
02:59:31.840 --> 02:59:33.760
<v Speaker 3>a lot of the it's the devil in the details.

3314
02:59:33.840 --> 02:59:37.120
<v Speaker 3>Usually with like even spotting AI. It's not what you

3315
02:59:37.159 --> 02:59:40.840
<v Speaker 3>asked me. You asked me how to defend a real

3316
02:59:40.959 --> 02:59:43.680
<v Speaker 3>artist from being accused of AI? And I don't know.

3317
02:59:43.719 --> 02:59:48.239
<v Speaker 3>I just think that, Yeah, I don't know about that one.

3318
02:59:48.399 --> 02:59:50.639
<v Speaker 3>I would just I would just say it speaks to

3319
02:59:51.360 --> 02:59:56.159
<v Speaker 3>the lack of thorough critical thinking in our visual culture, and.

3320
02:59:56.799 --> 03:00:00.719
<v Speaker 2>There a vi lack of media literacy across research.

3321
03:00:00.719 --> 03:00:06.840
<v Speaker 3>In general, not just visual but reading information, truth, all

3322
03:00:06.879 --> 03:00:12.360
<v Speaker 3>of it. The people who want to be literate in

3323
03:00:12.399 --> 03:00:16.120
<v Speaker 3>these areas will and most people find that it's a

3324
03:00:16.200 --> 03:00:19.079
<v Speaker 3>lot of people find that it's easy just to to

3325
03:00:19.159 --> 03:00:25.840
<v Speaker 3>coast and accept the reality they're presented. And I don't know, Man,

3326
03:00:25.920 --> 03:00:29.559
<v Speaker 3>what do you do? I don't know, rewind twenty twenty

3327
03:00:29.559 --> 03:00:33.559
<v Speaker 3>five years and do things differently. I don't know.

3328
03:00:37.600 --> 03:00:39.520
<v Speaker 2>It's an odd time, it's ad time.

3329
03:00:39.680 --> 03:00:43.239
<v Speaker 3>But I I've used AI and I'm against AI in

3330
03:00:43.319 --> 03:00:48.959
<v Speaker 3>general as like as a as a harmful kind of resource.

3331
03:00:50.920 --> 03:00:55.200
<v Speaker 3>But it is being used. You know, I don't eat

3332
03:00:55.200 --> 03:00:57.879
<v Speaker 3>a lot of meat. I don't really eat meat. But

3333
03:00:58.000 --> 03:01:00.520
<v Speaker 3>people are not going to start eating meat, stop eating

3334
03:01:00.520 --> 03:01:02.799
<v Speaker 3>me on the entire planet, even though I think it

3335
03:01:02.879 --> 03:01:05.520
<v Speaker 3>is great to be vegan, and I'm trying, and my

3336
03:01:05.559 --> 03:01:10.360
<v Speaker 3>wife's vegan, and like I can't, I can't expect the

3337
03:01:10.399 --> 03:01:12.319
<v Speaker 3>whole world to do it, So I can't expect a

3338
03:01:12.600 --> 03:01:15.079
<v Speaker 3>there's not going to just be an end to AI imagery.

3339
03:01:15.120 --> 03:01:19.440
<v Speaker 3>So it's here. Understand it. Know that in a year

3340
03:01:19.479 --> 03:01:22.239
<v Speaker 3>from now it's going to be even more impossible and complicated.

3341
03:01:22.239 --> 03:01:24.239
<v Speaker 3>I personally believe it's it's always about what you do

3342
03:01:24.280 --> 03:01:28.120
<v Speaker 3>with the tools, just like synthesizers did not put trumpet

3343
03:01:28.120 --> 03:01:31.120
<v Speaker 3>players out of work or string musicians out of work.

3344
03:01:32.280 --> 03:01:36.479
<v Speaker 3>And I've used generative imagery. I mean, I'm not afraid

3345
03:01:36.520 --> 03:01:39.600
<v Speaker 3>to say this, I've used generative imagery in recent jobs.

3346
03:01:39.959 --> 03:01:41.399
<v Speaker 3>But I use it in a way that is a

3347
03:01:41.920 --> 03:01:44.600
<v Speaker 3>means to an end, and I will bring my human

3348
03:01:45.079 --> 03:01:47.719
<v Speaker 3>touch to that and use it as a tool to

3349
03:01:47.719 --> 03:01:51.079
<v Speaker 3>help me achieve something more easily or in a way

3350
03:01:51.079 --> 03:01:54.760
<v Speaker 3>that I could otherwise do. But just creating generative imagery

3351
03:01:54.799 --> 03:01:57.440
<v Speaker 3>of you yourself as an action figure and posting on Instagram,

3352
03:01:57.479 --> 03:02:05.319
<v Speaker 3>you're really you're not really practicing what you preach all

3353
03:02:05.360 --> 03:02:09.479
<v Speaker 3>the Miyazaki form, Yeah, and I try to see all

3354
03:02:09.479 --> 03:02:12.280
<v Speaker 3>angles of that too. It's like bless everyone's heart. They

3355
03:02:12.319 --> 03:02:15.040
<v Speaker 3>just love Ghibli and they want to see their dog

3356
03:02:15.079 --> 03:02:21.000
<v Speaker 3>as Ghibli. They don't mean to be, you know, pushing

3357
03:02:21.079 --> 03:02:23.319
<v Speaker 3>us further into the brink of apocalypse.

3358
03:02:23.440 --> 03:02:23.840
<v Speaker 2>They just.

3359
03:02:25.680 --> 03:02:33.120
<v Speaker 3>So you know, humans are endearing that way. Yeah, but

3360
03:02:33.239 --> 03:02:37.200
<v Speaker 3>you know, like the good thing is in the in

3361
03:02:37.239 --> 03:02:41.120
<v Speaker 3>the with our interests. I mean, I don't think AI

3362
03:02:41.200 --> 03:02:44.040
<v Speaker 3>is going to replace any of these, you know, blue

3363
03:02:44.120 --> 03:02:47.639
<v Speaker 3>ray car. I mean no, I don't even see a

3364
03:02:47.680 --> 03:02:50.879
<v Speaker 3>company if someone made like an all AI generated Blu

3365
03:02:51.040 --> 03:02:54.239
<v Speaker 3>ray cover. I mean they've come close, Like those Civil

3366
03:02:54.280 --> 03:02:58.719
<v Speaker 3>War posters were or whack, but that was only because

3367
03:02:58.719 --> 03:03:02.079
<v Speaker 3>people spotted the errors. And that was what almost two

3368
03:03:02.159 --> 03:03:07.079
<v Speaker 3>years ago now, and those still those errors don't exist anymore.

3369
03:03:08.799 --> 03:03:09.159
<v Speaker 2>I don't know.

3370
03:03:10.760 --> 03:03:14.680
<v Speaker 3>I still believe art's gonna and humans will will thrive.

3371
03:03:15.440 --> 03:03:17.680
<v Speaker 2>And see that's that's to me. Like you know, similar

3372
03:03:17.760 --> 03:03:20.760
<v Speaker 2>in the chat is talking about how musicians use stuff

3373
03:03:20.799 --> 03:03:23.920
<v Speaker 2>like that to to tweak and fix small things, and

3374
03:03:23.959 --> 03:03:27.799
<v Speaker 2>that's why you know, the like some of the classic

3375
03:03:28.600 --> 03:03:32.840
<v Speaker 2>songs from history, there are actual human errors that you

3376
03:03:32.840 --> 03:03:35.600
<v Speaker 2>can hear in those things that give it that taste

3377
03:03:35.920 --> 03:03:38.719
<v Speaker 2>character that are just amazing to hold on to. I

3378
03:03:38.760 --> 03:03:39.040
<v Speaker 2>love it.

3379
03:03:39.120 --> 03:03:42.319
<v Speaker 3>Yeah, the chat is really more active on this than

3380
03:03:42.319 --> 03:03:46.639
<v Speaker 3>I've seen all night. And it's true, oh flickering waves,

3381
03:03:46.639 --> 03:03:50.479
<v Speaker 3>William mentioning a album cover I just did by William Tyler.

3382
03:03:50.520 --> 03:03:56.600
<v Speaker 3>If you love instrumental music, definitely check that out. But yeah, photoshop, yeah, exactly,

3383
03:03:56.639 --> 03:04:00.520
<v Speaker 3>Photoshop has already been using I mean, the whole thing

3384
03:04:00.559 --> 03:04:04.319
<v Speaker 3>with the brutalists and everyone going on this high horse

3385
03:04:04.360 --> 03:04:11.280
<v Speaker 3>about the vocal stuff. Like, guys, you can't like I'm

3386
03:04:11.280 --> 03:04:14.440
<v Speaker 3>not gonna throw Avatar under the bus again, But computers

3387
03:04:14.479 --> 03:04:18.920
<v Speaker 3>have been computers have been helping achieve things forever, like.

3388
03:04:18.959 --> 03:04:19.680
<v Speaker 2>Since they existed.

3389
03:04:19.799 --> 03:04:29.680
<v Speaker 3>Yeah, so like, yeah, just uh, informing yourself critical thinking.

3390
03:04:32.079 --> 03:04:35.959
<v Speaker 2>Are good. I don't think anybody in the chat would

3391
03:04:36.000 --> 03:04:38.479
<v Speaker 2>do it. But the amount of times that we're seeing

3392
03:04:38.520 --> 03:04:41.719
<v Speaker 2>people on social media specifically to say I don't like

3393
03:04:41.799 --> 03:04:44.879
<v Speaker 2>this cover art, it is bad. Therefore it was probably

3394
03:04:44.920 --> 03:04:45.799
<v Speaker 2>done by AI.

3395
03:04:47.079 --> 03:04:48.200
<v Speaker 3>See I haven't seen a lot of that.

3396
03:04:48.719 --> 03:04:52.120
<v Speaker 2>It's a lot of reductive reasoning and it makes zero

3397
03:04:52.239 --> 03:04:53.159
<v Speaker 2>sense whatsoever.

3398
03:04:53.920 --> 03:04:57.760
<v Speaker 3>Well, yeah, and I again I'm trying to look for

3399
03:04:57.799 --> 03:05:01.520
<v Speaker 3>the silver lining. At least it's showing that people don't

3400
03:05:01.559 --> 03:05:07.840
<v Speaker 3>want AI, right, Ah, it's misapplied, And yeah, we don't

3401
03:05:07.840 --> 03:05:09.959
<v Speaker 3>want to hurt artists feelings. I've seen a lot of

3402
03:05:10.200 --> 03:05:15.079
<v Speaker 3>artists get ripped off or some AI does happen to

3403
03:05:15.120 --> 03:05:19.280
<v Speaker 3>look like someone's art. But I have to hope that

3404
03:05:19.399 --> 03:05:23.479
<v Speaker 3>people are being There is like a certain watchdog mentality

3405
03:05:23.559 --> 03:05:27.479
<v Speaker 3>about AI that if you're not like an AI bro,

3406
03:05:29.959 --> 03:05:32.840
<v Speaker 3>you're pretty much kind of like we agree, like on

3407
03:05:33.120 --> 03:05:35.760
<v Speaker 3>just basic common sense principle that you know, we don't

3408
03:05:35.799 --> 03:05:39.200
<v Speaker 3>want to make AI make art. No AI is supposed

3409
03:05:39.200 --> 03:05:41.040
<v Speaker 3>to help us do all this crap we don't want

3410
03:05:41.079 --> 03:05:45.840
<v Speaker 3>to do, not make art. Making art is the only

3411
03:05:46.000 --> 03:05:52.879
<v Speaker 3>thing that humans do that other animals don't. I mean, okay,

3412
03:05:53.040 --> 03:05:59.719
<v Speaker 3>it's of course I think other animals do make art birdhouse,

3413
03:06:00.040 --> 03:06:02.959
<v Speaker 3>you know, bird nests or whatever. But you see what

3414
03:06:02.959 --> 03:06:05.440
<v Speaker 3>I'm saying. It's like it's it's the human spirit, and

3415
03:06:05.479 --> 03:06:07.040
<v Speaker 3>it's it's always going to be there.

3416
03:06:08.559 --> 03:06:13.280
<v Speaker 2>I agree. Fun way to end it. I guess, Sam,

3417
03:06:13.399 --> 03:06:16.600
<v Speaker 2>this has been amazing. Anything that you want to share

3418
03:06:16.600 --> 03:06:18.760
<v Speaker 2>with the people that you've worked on recently that you've

3419
03:06:18.760 --> 03:06:20.879
<v Speaker 2>announced that you can't.

3420
03:06:20.360 --> 03:06:23.639
<v Speaker 3>Well, I have announced the Obayashi projects.

3421
03:06:24.879 --> 03:06:26.639
<v Speaker 2>I don't want to.

3422
03:06:27.040 --> 03:06:32.639
<v Speaker 3>We probably should have led with that I'm doing for

3423
03:06:33.000 --> 03:06:38.319
<v Speaker 3>Obayashi titles. Hopefully as long as the plan goes in place. Uh,

3424
03:06:39.159 --> 03:06:43.920
<v Speaker 3>Cult Epics is releasing them on us Blu Ray. I

3425
03:06:43.959 --> 03:06:46.440
<v Speaker 3>got in touch with Cult Epics what I heard about

3426
03:06:46.479 --> 03:06:49.360
<v Speaker 3>the news, and I just offered my services and it's

3427
03:06:49.920 --> 03:06:53.760
<v Speaker 3>working out this way. So I can't say which one

3428
03:06:53.799 --> 03:06:56.959
<v Speaker 3>is first, but the first one's wrap will be announced soon.

3429
03:06:57.440 --> 03:07:01.920
<v Speaker 3>I'm excited, you know, is amazing. So I'm excited to nothing.

3430
03:07:01.959 --> 03:07:04.000
<v Speaker 3>I can't make covers that are as good as House,

3431
03:07:04.040 --> 03:07:08.639
<v Speaker 3>It's not gonna be as good as House, but I'm

3432
03:07:08.639 --> 03:07:11.879
<v Speaker 3>excited to do those, So look out for those for sure.

3433
03:07:11.959 --> 03:07:13.959
<v Speaker 3>Follow my socials, Follow Cult Epics.

3434
03:07:15.399 --> 03:07:19.000
<v Speaker 2>These are four beautiful movies. Yes, they're gonna be some

3435
03:07:19.040 --> 03:07:20.239
<v Speaker 2>really fun releases of these.

3436
03:07:20.639 --> 03:07:24.719
<v Speaker 3>Definitely fan favorites for the last twenty years, almost twenty

3437
03:07:24.760 --> 03:07:29.280
<v Speaker 3>years since House hit the hit the scene. So yeah,

3438
03:07:29.280 --> 03:07:31.959
<v Speaker 3>that's coming up. Like I said, a couple of things

3439
03:07:31.959 --> 03:07:37.760
<v Speaker 3>I can't talk about yet, but yeah, Brimstone and Treacle, them, Rock,

3440
03:07:40.040 --> 03:07:44.959
<v Speaker 3>Love Crime all in all available now too. They're all

3441
03:07:45.000 --> 03:07:47.319
<v Speaker 3>they're not no, no, those are well. Red Hot Lovers

3442
03:07:47.360 --> 03:07:52.040
<v Speaker 3>is out. Others you can pre order at Vincent and Radiance.

3443
03:07:52.920 --> 03:07:56.200
<v Speaker 3>So yeah, you'll follow a my socials to see some

3444
03:07:56.280 --> 03:07:58.079
<v Speaker 3>blue reism working on it. It's cool to be part

3445
03:07:58.120 --> 03:08:00.239
<v Speaker 3>of some of the boutiques right now. I don't know

3446
03:08:00.319 --> 03:08:02.840
<v Speaker 3>if I'll be doing them forever, and I'm just kind

3447
03:08:02.840 --> 03:08:05.120
<v Speaker 3>of like, like I said, I might pivot into some

3448
03:08:05.159 --> 03:08:07.959
<v Speaker 3>different things. I love doing album art, I love doing

3449
03:08:08.000 --> 03:08:13.159
<v Speaker 3>illustrations for all sorts of things. Got a game coming,

3450
03:08:13.600 --> 03:08:16.559
<v Speaker 3>got it, hopefully got this game coming, so stay tuned

3451
03:08:16.959 --> 03:08:17.680
<v Speaker 3>excited for that.

3452
03:08:18.760 --> 03:08:22.440
<v Speaker 2>All right, everybody, thanks for hanging out to that. As usual,

3453
03:08:22.600 --> 03:08:26.000
<v Speaker 2>my pitch. If you want to continue conversations like this,

3454
03:08:26.399 --> 03:08:29.040
<v Speaker 2>join the Patreon the link in the description below. We

3455
03:08:29.280 --> 03:08:31.319
<v Speaker 2>got a discord associated with the community. We'd love to

3456
03:08:31.360 --> 03:08:35.920
<v Speaker 2>have you the discord. We would love to see some

3457
03:08:36.040 --> 03:08:37.680
<v Speaker 2>background on the art in there. They would, they would,

3458
03:08:37.920 --> 03:08:41.280
<v Speaker 2>They would be all over that, I promise. Other than

3459
03:08:41.360 --> 03:08:44.479
<v Speaker 2>that's come back next week. It's going to be a

3460
03:08:44.479 --> 03:08:47.559
<v Speaker 2>another fun conversation. We got some stuff that I believe

3461
03:08:47.639 --> 03:08:49.399
<v Speaker 2>is getting announced this week that is going to be

3462
03:08:49.440 --> 03:08:54.600
<v Speaker 2>a fun one. John Daly, who is Rock Hudson Online

3463
03:08:55.079 --> 03:08:57.200
<v Speaker 2>video editor. He is somebody that I work with on

3464
03:08:57.239 --> 03:09:00.000
<v Speaker 2>stuff for tear Vision and some other stuff, will be

3465
03:09:00.600 --> 03:09:02.479
<v Speaker 2>the guests again next week, so come check that out.

3466
03:09:02.479 --> 03:09:05.360
<v Speaker 2>It will be a good time. Sam, You're incredible. I

3467
03:09:05.399 --> 03:09:06.440
<v Speaker 2>hope we can do this again.

3468
03:09:06.639 --> 03:09:09.000
<v Speaker 3>Thanks Ryan, it's so awesome to me you and connects

3469
03:09:09.079 --> 03:09:12.479
<v Speaker 3>and yeah, I'm game to do it again and follow

3470
03:09:12.559 --> 03:09:14.680
<v Speaker 3>I'll be following the show. Thanks for everything you're doing. Man,

3471
03:09:14.719 --> 03:09:19.840
<v Speaker 3>you're like a major figurehead in this community, just in

3472
03:09:19.959 --> 03:09:24.520
<v Speaker 3>terms of the services you're the give, the giving nature

3473
03:09:24.559 --> 03:09:27.239
<v Speaker 3>of everything you're doing. I think it's it's awesome. And

3474
03:09:27.280 --> 03:09:31.680
<v Speaker 3>you have a damn great voice. Well, I mean yeah,

3475
03:09:31.680 --> 03:09:37.000
<v Speaker 3>I'm sure that's how you got into No. No, I

3476
03:09:37.000 --> 03:09:38.040
<v Speaker 3>mean people have told you that.

3477
03:09:38.079 --> 03:09:41.319
<v Speaker 2>I'm sure I've only been told that once ever in

3478
03:09:41.319 --> 03:09:41.719
<v Speaker 2>my life.

3479
03:09:42.319 --> 03:09:46.319
<v Speaker 3>My square I what I chat back me up chat

3480
03:09:46.399 --> 03:09:51.000
<v Speaker 3>is that you are made for, say radio, They would say.

3481
03:09:51.719 --> 03:09:54.079
<v Speaker 2>When when I grew up, my first job was at

3482
03:09:54.079 --> 03:09:57.559
<v Speaker 2>Carl's Junior in California, and I had a car full

3483
03:09:57.600 --> 03:10:00.959
<v Speaker 2>of like forty year old women that pulled up and said,

3484
03:10:01.200 --> 03:10:03.159
<v Speaker 2>can you give us directions the highway? And I'm like,

3485
03:10:03.440 --> 03:10:05.239
<v Speaker 2>it's right there, you can see it. They're like, no,

3486
03:10:05.360 --> 03:10:05.879
<v Speaker 2>just tell us.

3487
03:10:06.879 --> 03:10:10.639
<v Speaker 3>Yeah, I love it.

3488
03:10:11.280 --> 03:10:17.680
<v Speaker 2>Thanks for that voice. Yeah, we see all next Thursday.

3489
03:10:17.840 --> 03:10:20.840
<v Speaker 2>Be safe, it's Easter Sunday. Have a good, safe Easter

3490
03:10:21.079 --> 03:10:26.760
<v Speaker 2>and we'll talk soon. Thank you for watching The Disconnected

3491
03:10:27.040 --> 03:10:29.079
<v Speaker 2>on the way out, make sure that you are subscribed

3492
03:10:29.079 --> 03:10:31.360
<v Speaker 2>to the channel, that you've liked the video, and that

3493
03:10:31.399 --> 03:10:33.040
<v Speaker 2>you've copied the link to be able to share with

3494
03:10:33.040 --> 03:10:38.280
<v Speaker 2>someone else that may appreciate this. Tell me.

3495
03:11:01.440 --> 03:11:10.520
<v Speaker 4>No, Hey, This is Jason Kleeberg from The Force five podcast,

3496
03:11:10.559 --> 03:11:12.319
<v Speaker 4>a show that forces a guest to come up with

3497
03:11:12.360 --> 03:11:14.879
<v Speaker 4>a movie themed top five list topic and then we

3498
03:11:14.959 --> 03:11:18.280
<v Speaker 4>reveal our picks on air. Top five heist films, top

3499
03:11:18.280 --> 03:11:21.760
<v Speaker 4>five tier Jerkers, top five movie dogs. Every show you'll

3500
03:11:21.799 --> 03:11:25.000
<v Speaker 4>be asking yourself what would be on my list. Guests

3501
03:11:25.040 --> 03:11:29.559
<v Speaker 4>include directors, screenwriters, actors, podcasters, musicians, authors, and even a

3502
03:11:29.600 --> 03:11:32.840
<v Speaker 4>professional wrestler. Subscribe to the Force five podcast and you

3503
03:11:32.879 --> 03:11:35.040
<v Speaker 4>won't just be a listener, you'll be a listen nerd.

3504
03:11:35.319 --> 03:11:39.920
<v Speaker 4>The Force five podcast available wherever you are listening now.

3505
03:11:44.879 --> 03:11:47.719
<v Speaker 1>Thank you for listening to hear more shows from the

3506
03:11:47.760 --> 03:11:51.559
<v Speaker 1>Someone's Favorite Productions podcast network. Please select the link in

3507
03:11:51.600 --> 03:11:52.159
<v Speaker 1>the description
