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Speaker 1: This is Security Police headquarters. We've just seen the photoprint

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and it's impossible. I said, impossible. No matter what the

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evidence proves, no man can be two places at once.

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Speaker 2: Two thousand plus Science fiction Adventures in the World of

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Tomorrow two thousand plus presents the other Man.

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Speaker 3: Here.

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Speaker 4: I'm hey, now, I ain't you home? Hey? When I

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come home, I want my wife to be here. Maryan' here? Hey?

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Didn't you hear me?

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Speaker 5: Boddy? Oh?

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Speaker 3: My knowing Scully?

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Speaker 4: Scotty here a half say? What's the matter?

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Speaker 3: When did you escape? How did you get away?

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Speaker 4: Escape? Would you mind telling you quiet?

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Speaker 3: I thought I heard someone just a moment, Darling. There,

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now we can talk. Oh, Scottie, I couldn't understand what

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had happened to you. I was so worried. I couldn't

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believe it.

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Speaker 4: Mira, I hate to stand here like an idiot. I

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just can't go on repeating your silly phrases. After what

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are you talking about?

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Speaker 3: Then? You didn't kill the man in the blue turban?

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Speaker 4: Where was I supposed to have killed him?

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Speaker 3: In Cairo?

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Speaker 4: Cairo? When this morning? Look, Darling, I know this is

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the year two thousand plus, one hundred and twenty. But

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even in this age of super science, there's no jet

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plane fast enough to fly me from Cairo, Egypt to

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Metropolitan City, USA that fast.

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Speaker 3: Scotty, I'm telling you the truth. Look I'll show you.

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It's all over the pages of the five similar newspaper.

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Speaker 6: See this, the whole story in headlines and your picture too.

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Speaker 3: Read it. Read it.

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Speaker 4: The world Security Police and a daring action in Cairo,

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Egypt today captured Scott Douglas, chief of the Eastern Zone

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Security Police Section, as the chief criminal behind a worldwide

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black market operation running into millions of dollars annually. In

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the struggle preceding his arrest, mister Douglas shot and killed

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a mysterious stranger wearing a blue turban.

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Speaker 3: You see, Darling, it is true, not only in the papers,

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but all day in the Televox news. I've seen it,

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Scotty with my own eyes, being taken to the police,

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to the airport. It was yours, gouty.

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Speaker 4: I tell you this is not true. It's not me.

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We'll call my office, ask for the chief, ask him

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what this is all about.

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Speaker 3: I know you've escaped. They'll come here.

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Speaker 4: Don't cat, you won't do any such thing. Because none

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of it's true. Look, if you're worried about it, don't

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tell him. I'm here. Yes, you deny it, but for

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Heaven's sake, call him, all.

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Speaker 3: Right, Scotty here, all right, mister Enright.

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Speaker 1: Hello, Mirah. I was rather expecting you to call. You

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want to know about Scotty, don't you.

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Speaker 3: I can't understand it, mister Enwright. I've seen it in

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the papers on the televions, but I can't believe if.

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Speaker 5: It's true, Mirah.

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Speaker 3: But are you certain it's Scotty?

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Speaker 1: There's no doubt of it. How do you know by

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the obvious methods. It looks like Scotty, It talks like Scotty.

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It's wearing Scotty's clothes, carrying Scotty's wallet with your picture,

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and there's private papers in it. A small birthmark on

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the left arm, same blood type, same fillings in the teeth,

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and the fingerprints are exactly Scotty's. I had everything double

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checked by audio from Egypt against Scotty's personal identification file

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here at the top. It all off, mirror. I talked

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to him by audiophone just a few minutes before for

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the jet plane took off. I'm sorry, I see thank you, mister.

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Just one thing more, Mirror, Scottie as due to land

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in about three hours. I'll send someone over in a

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little while to pick you up. I know you'd want

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to see him.

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Speaker 6: Thank you.

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Speaker 4: It's unbelievable. It's fantastic. Mirror.

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Speaker 3: Who are you?

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Speaker 7: Who are you?

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Speaker 4: Who am I? I'm your husband, I'm Scott Douglas.

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Speaker 3: I'm going to call the police.

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Speaker 4: Stop it. I am Scottie. Look at my mirror. I

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am your husband. No one can fool you about that.

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Look at me, good lord, mirror. Look look look here's

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my wallet, the one he talked about. See it is mine?

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Speaker 7: You know it?

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Speaker 4: Look, touch it, thumb through it. There's a picture. There's

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the stitching where I had it repaired last October, Remember mirror,

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when I didn't want to throw it away for sentimental reasons,

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because bought it that night last summer at the little bazaar.

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Who would know that mirror except your husband? Who would

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remember that? Except me? Here? Look at this pull asleep

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up the birth Michael I left arm. Nobody could fake

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that ugly thing. You know that mark? Every twist of

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a fingerprints, fingerprints, I'll give you all you want. Have

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them checked anyway, you want. I am Scott Douglas. I

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am your husband.

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Speaker 7: Then who.

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Speaker 6: Who is the other man? That's the police, Scottie.

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Speaker 4: There here to pick me up and take you the

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airport to meet your husband.

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Speaker 3: Oh, Scottie, I'm frightened.

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Speaker 4: You must never let anyone know that. It's the only

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way I'll ever be able to figure this thing out.

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Speaker 3: I'll try, Darling, just a moment. I'm coming. Oh Darling.

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Speaker 4: I remember. This whole thing may be a trick. I

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don't know why or for what reason, but there's always

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the possibility of this was a deliberate deception.

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Speaker 3: But they can't for me.

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Speaker 4: They did for you, Mirror. You believed all the publicity,

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all the newspaper reports, everything you saw in the telefox.

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That's what I can't understand. This whole thing's being carried

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out so openly, so boldly. The actors, if they're so

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sure of themselves.

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Speaker 3: I've got to go now. They'll be suspicious, yes, yes.

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Speaker 4: And I'll remember our plan. After you leave. I'll get

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out of here. I don't know where I'll go, but

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I'll get in touch with you from time to time.

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You always know it's me and not the other man,

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because I'll use the code word bizarre.

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Speaker 6: I know, darling.

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Speaker 3: You don't have to tell me again.

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Speaker 4: All right, And I told this other man as if

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he really were me, at least do that for a while.

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It's obviously what they expect of you.

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Speaker 6: Yes, yes, god, he you've told me a dozen times.

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Speaker 3: I know what to do.

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Speaker 8: Goodbye, darling.

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Speaker 1: Yes, what is it?

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Speaker 4: Plane from Cairo with Douglas aboard, coming in, sir.

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Speaker 1: Okay, over here, mirror, we can see the plane land

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from this window. We'll be landing over there by that ramp.

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Speaker 3: Who are those men?

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Speaker 1: Security police? I'm sorry, mirror, but we can't take any

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chance of Scotty escaping. You've taken great care ever since

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his arrest.

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Speaker 5: Plane's coming in now, taxing.

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Speaker 3: I wonder what what he'll look.

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Speaker 1: Like, a little tired perhaps, But it's Scotty. I told

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you that the plane stopped. You'll see him in a moment, mirror. Now,

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look when he comes in here, don't break down. He's

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going to need all the courage and help you can

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give him there.

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Speaker 3: Look, it doesn't look like Scotty.

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Speaker 1: Yes, prison's coming up, sir, bring him in the moment

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he arrives. Yes, do you like a drink?

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Speaker 6: Mirror, no, no cigarette, nothing, Please, I'll hear they are

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all right?

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Speaker 1: Man outside, leave Douglas with me.

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Speaker 4: Hello, Scottie, Hello, Chief, Hello, Miram Hello.

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Speaker 5: Uh I think I'll look.

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Speaker 1: I'll leave you to alone for a while.

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Speaker 4: Thanks, Jeef. I'm glad you hear, Miry. I was wondering

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if you would be were you? Mirror? What's the matter?

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So cold, so distant, Darling? I don't understand. Don't you

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want to talk to me?

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Speaker 5: Mirror?

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Speaker 3: I don't know, I am, I don't know.

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Speaker 4: It's all been a terrible shock to you, hasn't it.

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What did you learn? Did the chief calling?

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Speaker 3: No? I first learned to the newspaper, then the telebox.

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Speaker 4: You mean it's it's been published broadcast. Good Lord, everybody

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knows then that's right, Oh, Darling. I'm sorry. I hardly

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know what happened myself. The last few days are a blur,

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a blank. All I remember is a room in a

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hotel in Cairo, a man with a blue turban, the police.

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I became panic stricken. There was a fighter shot, and

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then the arrest and the talk about the black market.

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I don't know what that means. Marry you look so

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strange for Heaven's sake, what's the matter. Don't tutch me,

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don't touch you. I'm your husband, you darling, Darling, I.

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Speaker 3: Can't ret You're not Scotty.

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Speaker 4: You're not I'm I'm not Scotty. A mere staff is

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hysteriat once, What do you mean I'm not Scotty.

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Speaker 3: It's a trick.

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Speaker 1: It's a cruel.

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Speaker 4: You serious, Call the men tell them, I know, mirror.

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What have they done to you? Said to you?

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Speaker 3: I could ask you those questions, and I can also

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ask you.

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Speaker 8: Who are you?

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Speaker 4: Who am? This is crazy?

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Speaker 3: Let me see your birthmark?

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Speaker 1: What all right?

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Speaker 4: Look it's me Dolly. You know that's real.

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Speaker 3: But I let me see the wallet?

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Speaker 4: You mean this here? It is your picture, even the

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stitching I had done when I wouldn't throw it away?

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You remember, Darling, it is the wallet.

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Speaker 3: It looks just like it.

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Speaker 4: What did you expect?

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Speaker 3: They could fake it? They have ways a wallet could

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be faked.

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Speaker 4: Look, Miream, I don't understand all this, but I am

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your husband. I am Scottie.

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Speaker 1: Let me prove it.

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Speaker 4: Do you ask me anything about us? Anything? Where did

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we go last summer to Paris? For two weeks? We

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stayed at the hotel George fifth.

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Speaker 3: What did we do when we first got We.

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Speaker 4: Opened the window and sang a silly song about Paris.

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We made it up as we went along, and then

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and then I kissed you.

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Speaker 3: We were alone. No one could have seen.

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Speaker 4: We went out, had a drink. You ordered champagne in

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the afternoon. The way to try to talk you out.

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Speaker 3: I don't know how you know these things. You seem

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to be Scotty And yeah.

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Speaker 4: Oh, darling, darling, I saw only a few hours ago.

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I was on the plane. You saw that, all right,

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all right, darling. If he says, I'll take it easy, honey,

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don't cry, don't don't there. If you say Scotty was

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at home, then that's where I was home home.

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Speaker 1: I've got the reports from Cairol Chief complete, as completely

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as I'll ever be. They just came in by a

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high frequency telebox, and we had photoprints made here.

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Speaker 5: They are never mind, just give me the highlights.

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Speaker 7: Well, the man in the blue turbine was Mustafa Cornelius.

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Speaker 4: He made his living in art, sold pictures and things.

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Speaker 1: What was he doing in Scotty's room, Oh, primarily picking

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up some stuff.

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Speaker 4: You know, the place was filled.

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Speaker 1: With pictures, and Scotty said he doesn't know how they

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got there. He said that even when we showed him

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Egyptian police reports that he and Mustafa had been followed

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for two days, and on several occasions Scotty was carrying

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pictures himself, so he was lying. No, he wasn't. He

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gave him a lie detective test and he came through

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one hundred percent. I didn't know that, but it's true.

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And why was Scotty and Cairo anyway? He had no

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orders to go there? How do you explain it didn't?

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He said he couldn't remember.

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Speaker 4: This is one for the books. Sounds like two other guys.

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Speaker 5: That's not so funny.

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Speaker 1: What do you mean that's not so funny? When Scotty

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got off the plane and came in here, I turned

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on the intercom and left him and Mirror together. I

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listened to their conversation from the outer office.

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Speaker 5: Learn anything.

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Speaker 1: I don't know, except that Mirror seemed to doubt it

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was Scotty. I weighed them minute it was Sky know

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it was Scotti, and you know it was Scotti. But

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why wouldn't Scotty's own wife know it was Scotty.

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Speaker 4: I don't know.

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Speaker 5: I don't either. Two other guys huh.

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Speaker 1: Well, we know that the Scotty who got off the

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plane is safely locked up in this building. You and

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I are going to see his wife and try to

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figure this puzzle out.

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Speaker 8: Come on, hello, Mirah, mister Enwright, I want to.

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Speaker 1: Talk to you. Close the door, Paul.

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Speaker 3: Right, you shouldn't have come here.

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Speaker 1: Why not? I have some questions to ask you.

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Speaker 3: I'm expecting someone to please go.

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Speaker 5: It'll only take a few minutes.

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Speaker 4: Mire.

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Speaker 1: I want to help Scotty, but I can't do it alone.

255
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Speaker 3: I'll come to your office, but the.

256
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Speaker 1: Chief wants the answers. Now, missus Douglas, Oh, then come

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in here.

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Speaker 5: Thanks.

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Speaker 3: When my visitor comes, I must ask you to stay

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in here.

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Speaker 1: Of course, I'm sorry to have disturbed you like this,

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but there are some very strange things about this matter.

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Speaker 3: What do you mean strange?

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Speaker 1: Why didn't you believe that was Scotty in my office?

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Speaker 3: Then he told you that he isn't Scotty.

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Speaker 1: He told me nothing. I listened in and it was Scotty.

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00:14:27,080 --> 00:14:30,519
It's the Scotty I know now. Why don't you believe that?

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That's one of the things that puzzles me. One of

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the strange things.

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Speaker 3: Where's Scotty?

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00:14:33,960 --> 00:14:34,159
Speaker 7: Now?

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00:14:34,279 --> 00:14:38,200
Speaker 1: That's your doorbell? Person, you're experience Scotty's attention. House in

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a cell? Why aren't you answering the door?

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Speaker 3: You stay here, Please stay here till I get back.

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Speaker 4: She if she's as nervous as a rate of skull. Quiet.

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Speaker 5: Put your ear to the door and listen. It's a man.

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Speaker 1: You can't make out what they're saying.

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00:14:57,919 --> 00:15:00,919
Speaker 5: Something vaguely familiar. Oh no, it can't be.

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Speaker 4: What do you mean, Chief?

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Speaker 5: Think your gun?

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Speaker 1: All right? Now?

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Speaker 4: Just don't move? How about gef Man was just turning

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00:15:09,159 --> 00:15:10,200
me away? Here, Scotty.

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Speaker 1: I don't know how you did it, but escaping from

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00:15:13,440 --> 00:15:14,919
detention is a very serious.

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Speaker 4: I didn't escape. I've never been there. I've never been

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00:15:17,679 --> 00:15:20,200
to Cairo. I don't know what's going on and right,

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00:15:20,200 --> 00:15:21,759
but I'm glad you're here so this whole mess can

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be clear.

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Speaker 1: Just don't move, Scotty. Get on the audiophone, Paul, Yes,

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00:15:25,399 --> 00:15:30,200
I call headquarters. Have them check on Scotty. Right, Scotty,

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00:15:30,639 --> 00:15:32,440
you and I have been friends for ten years.

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00:15:32,519 --> 00:15:34,120
Speaker 5: Now, what kind of a game are you playing?

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Speaker 4: I don't think friends? Hold on?

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00:15:35,919 --> 00:15:36,919
Speaker 1: What do you want me to do? Let you get

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00:15:36,960 --> 00:15:37,440
away again.

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Speaker 3: Mister android it you're you're as.

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Speaker 1: Mixed up as I am. Admitted you see, Scotty, I

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00:15:42,159 --> 00:15:44,360
overheard the conversation you and Mira had at headquarters.

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00:15:44,519 --> 00:15:44,960
Speaker 4: I wasn't.

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00:15:45,000 --> 00:15:47,360
Speaker 1: That's why I argue about it. We'll know in a moment. Hey,

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00:15:47,919 --> 00:15:51,440
as what is it? I told the headquarters Chief, Well, Scotty.

303
00:15:51,200 --> 00:15:54,840
Speaker 3: Is still there in a cell. What still there?

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00:15:54,960 --> 00:15:55,120
Speaker 4: Now?

305
00:15:55,159 --> 00:15:56,960
Speaker 1: Wait a minute, that's what they said for them to

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00:15:56,960 --> 00:16:01,039
put Scotty on the phone. Yes, sir, we'll get to

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00:16:01,080 --> 00:16:03,320
the bottom of this pretty quickly. Now let's go into

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00:16:03,360 --> 00:16:08,200
the other room. Come on, Yeah, that's right, all right,

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00:16:08,320 --> 00:16:09,720
whole line. Chief wants to.

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00:16:09,639 --> 00:16:12,440
Speaker 5: Talk to you here he is keep them covered.

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00:16:13,360 --> 00:16:16,080
Speaker 1: Hello, Yes, Chief, that you Scotty.

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00:16:16,679 --> 00:16:20,039
Speaker 5: Yes, sir, I just wanted to be sure, Chief.

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00:16:19,919 --> 00:16:22,159
Speaker 4: Full and I is going on. You don't have to

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00:16:22,159 --> 00:16:23,720
talk to me to be sure, not when you've got

315
00:16:23,720 --> 00:16:25,519
me locked and to sell the dynamite couldn't blow?

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00:16:25,519 --> 00:16:28,000
Speaker 1: Okay, Scotty.

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00:16:28,240 --> 00:16:29,080
Speaker 4: Who are you talking to to?

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00:16:29,200 --> 00:16:32,000
Speaker 1: Scott Douglas who got off the plane from Cairo this morning.

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00:16:32,200 --> 00:16:35,639
Speaker 4: I'm Scott Douglas. Chief. You've seen mirror. I want to

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00:16:35,679 --> 00:16:36,279
talk to her again.

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00:16:36,399 --> 00:16:37,200
Speaker 1: Just hang on a moment.

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00:16:38,480 --> 00:16:39,559
Speaker 5: I just repeat after me.

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00:16:40,200 --> 00:16:42,759
Speaker 1: I am Scott Douglas of the World Security Police.

324
00:16:42,840 --> 00:16:48,080
Speaker 4: Now look you all right, I am Scott Douglas of

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00:16:48,120 --> 00:16:49,360
the World Security Police.

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00:16:50,039 --> 00:16:51,360
Speaker 1: Okay, let's hear you say that.

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00:16:53,000 --> 00:16:56,879
Speaker 4: I am Scott Douglas of the World Security Police.

328
00:16:57,840 --> 00:17:01,440
Speaker 1: That sounds exactly alike. I want to what do you do?

329
00:17:01,559 --> 00:17:03,120
Is what you've been doing all day? You wait for

330
00:17:03,200 --> 00:17:06,480
me in your cell and you're coming along with me.

331
00:17:06,880 --> 00:17:07,680
Speaker 3: What are you going to do?

332
00:17:07,720 --> 00:17:11,079
Speaker 1: Missus Douglas. I'm going to take you and your husband

333
00:17:11,519 --> 00:17:21,839
to meet your husband. He's out here, Chief, bring him

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00:17:21,839 --> 00:17:25,319
in mirror, Scotty, you stand over there.

335
00:17:26,480 --> 00:17:32,599
Speaker 4: All right. She's now wants it for all count mirror. Oh, darling,

336
00:17:32,680 --> 00:17:33,519
I'm glad.

337
00:17:35,920 --> 00:17:39,720
Speaker 3: Good lord. I can't believe.

338
00:17:39,839 --> 00:17:45,759
Speaker 4: It's absolutely incredible. He looks just like me. What is this? Chief?

339
00:17:45,759 --> 00:17:47,599
Speaker 1: What have either of you who ever seen each other.

340
00:17:47,519 --> 00:17:50,359
Speaker 4: Before every morning in the mirror?

341
00:17:50,599 --> 00:17:51,519
Speaker 3: What kind of a gag is?

342
00:17:51,559 --> 00:17:54,839
Speaker 1: I'll be quiet, both of you. Yes, have you got

343
00:17:54,839 --> 00:17:58,799
those reports about two minutes? Let me know now one

344
00:17:58,839 --> 00:18:01,400
of you two is an impossible I will say this.

345
00:18:01,519 --> 00:18:05,119
The resemblance is fantastic. You the one we had in

346
00:18:05,119 --> 00:18:08,680
the cell. We got your fingerprints, teeth, identifications, birthmark and

347
00:18:08,680 --> 00:18:11,279
so on. When you were arrested. They all verified that

348
00:18:11,359 --> 00:18:12,920
you are the real Scott Douglas.

349
00:18:12,880 --> 00:18:16,039
Speaker 4: I've told you that all along. I'm Scott Douglas. Chief,

350
00:18:16,039 --> 00:18:17,319
whatever is going on you are.

351
00:18:17,319 --> 00:18:19,160
Speaker 1: In a few minutes, we'll have the results of the

352
00:18:19,200 --> 00:18:21,440
fingerprint and identification check we had you take before I

353
00:18:21,480 --> 00:18:26,400
brought Scottie up from downstairs. Yes, I've got the report.

354
00:18:26,480 --> 00:18:26,759
Speaker 4: Chief.

355
00:18:26,799 --> 00:18:29,640
Speaker 1: Well, everything checks, sir. Now come on talk sense, will you?

356
00:18:29,680 --> 00:18:30,640
What do you mean? Everything checks?

357
00:18:30,680 --> 00:18:34,279
Speaker 7: Fingerprints, teeth, identification, birthmarks, everything checks, sir.

358
00:18:35,119 --> 00:18:43,039
Speaker 4: They're both Scott Douglas.

359
00:18:46,119 --> 00:18:50,839
Speaker 1: All right now, I remember, don't interrupt me. The only

360
00:18:50,880 --> 00:18:52,279
way I can tell you to a part is a

361
00:18:52,279 --> 00:18:56,359
by the clothes you wear. You you're wearing a tropical suit,

362
00:18:56,440 --> 00:18:57,720
the one you had on when we picked you up

363
00:18:57,720 --> 00:18:59,599
in Cairo. Yes, sir, but I'm going to call you

364
00:18:59,680 --> 00:19:03,799
tropic and you with the Tweed that's your name, Tweed?

365
00:19:04,039 --> 00:19:07,920
That clear right? Cheer. The last two hours of questioning

366
00:19:07,960 --> 00:19:10,480
has revealed that the memory of your lives is exactly

367
00:19:10,519 --> 00:19:13,920
the same up to four days ago. Whatever questions you

368
00:19:13,920 --> 00:19:16,640
were asked separately, you both answered the same intimate questions,

369
00:19:16,680 --> 00:19:20,880
family questions, every kind but as of four days ago,

370
00:19:20,920 --> 00:19:25,519
the police interrogators report that you Tropical, you are hazy,

371
00:19:26,079 --> 00:19:29,559
almost blank until the arrest and murder in Cairo Atrites.

372
00:19:29,680 --> 00:19:32,119
On the other hand, you Tweed, you have a clear

373
00:19:32,200 --> 00:19:35,039
memory except for a few hours three days ago. Here

374
00:19:35,119 --> 00:19:39,160
let me read it. Pursuon to File one nine eight,

375
00:19:39,640 --> 00:19:42,680
I was ordered to visit a mister David Eichner, suspected

376
00:19:42,680 --> 00:19:45,480
of dealing in black market paintings at two twenty three

377
00:19:45,559 --> 00:19:48,519
West eighteenth Street, and to pose as a buyer of

378
00:19:48,599 --> 00:19:52,599
rare paintings. Mister Eichner conducted himself in a reasonable and

379
00:19:52,680 --> 00:19:56,200
normal manner and exhibited several paintings, allegedly genuine old Masters.

380
00:19:56,920 --> 00:19:59,720
During our conversation, I heard a faint, oscillating sound in

381
00:19:59,720 --> 00:20:02,440
the room and inquired whether it was the air conditioning unit,

382
00:20:02,960 --> 00:20:06,319
and then I blacked out. Now at this point your

383
00:20:06,319 --> 00:20:10,039
two memories separate. You both remember everything up to the

384
00:20:10,039 --> 00:20:13,400
moment Scott Douglas blacked out, but after that Tweed's memory

385
00:20:13,440 --> 00:20:16,480
does not pick up until two hours has passed. Then

386
00:20:16,559 --> 00:20:20,079
he reports the next thing I knew, I awoke lying

387
00:20:20,119 --> 00:20:22,319
on the floor. I thought I had been slugged, But

388
00:20:22,400 --> 00:20:25,759
subsequent examination by police medical authority showed no injury of

389
00:20:25,799 --> 00:20:29,039
any sort. The assumption was that I had fainted, but

390
00:20:29,079 --> 00:20:32,359
no reason for this possibility was advanced. The paintings, together

391
00:20:32,400 --> 00:20:34,319
with mister Eichner were nowhere to be found when I

392
00:20:34,359 --> 00:20:38,599
regained consciousness. Subsequent police investigation failed to reveal any trace

393
00:20:38,640 --> 00:20:43,160
of mister Eiitner or his paintings. So there it is,

394
00:20:43,960 --> 00:20:46,759
and you tropical. You remember nothing for the next several

395
00:20:46,799 --> 00:20:48,240
days until we picked you up in Cairo.

396
00:20:48,599 --> 00:20:50,000
Speaker 4: I remember that report very well.

397
00:20:50,599 --> 00:20:51,119
Speaker 1: I wrote it.

398
00:20:51,640 --> 00:20:53,480
Speaker 4: But he couldn't have known about the first part of

399
00:20:53,480 --> 00:20:56,759
that report. I went along, no one else I was there.

400
00:20:56,839 --> 00:20:58,079
That was my repslse you.

401
00:20:58,119 --> 00:21:03,359
Speaker 1: Too enough seeing double without YouTube, talking double and remembering

402
00:21:03,400 --> 00:21:10,759
double two hours two hours? What happened in those two hours?

403
00:21:11,519 --> 00:21:14,599
Speaker 4: Chief, I've got an idea, But is it? Probably nothing

404
00:21:14,599 --> 00:21:17,000
to it after three days, But why don't we visit

405
00:21:17,039 --> 00:21:20,480
two twenty three West eighteenth Street again. Let's see whether

406
00:21:20,480 --> 00:21:23,079
mister Eytoner possibly left something behind when he fled with

407
00:21:23,119 --> 00:21:23,759
the paintings.

408
00:21:44,400 --> 00:21:54,039
Speaker 5: This is the place looks pretty empty now.

409
00:21:57,839 --> 00:21:59,880
Speaker 4: This is where he had several old paintings hanging on

410
00:21:59,880 --> 00:22:02,799
the wall. This is where I was standing when I

411
00:22:02,960 --> 00:22:05,759
blacked out. That's right. She if I walked over there

412
00:22:05,759 --> 00:22:06,720
from here and then at half?

413
00:22:07,079 --> 00:22:08,000
Speaker 5: What's that that sound?

414
00:22:08,720 --> 00:22:10,279
Speaker 4: Keep him over there? That class.

415
00:22:12,279 --> 00:22:17,920
Speaker 7: Colorad Klarasu, do not shoot, sahib No, do not kill me.

416
00:22:18,839 --> 00:22:20,839
Speaker 1: Do not kill me, sah What are you doing here

417
00:22:20,839 --> 00:22:21,319
in this room?

418
00:22:21,400 --> 00:22:22,400
Speaker 4: Talk? Talk?

419
00:22:23,240 --> 00:22:24,000
Speaker 3: Do not kill me.

420
00:22:24,839 --> 00:22:26,359
Speaker 1: If you don't talk, I make no promises.

421
00:22:26,480 --> 00:22:28,480
Speaker 7: I have children, I have a and.

422
00:22:28,480 --> 00:22:29,119
Speaker 1: I've got a gun.

423
00:22:29,160 --> 00:22:34,240
Speaker 7: Well, if I talk, you let me leave talk. I

424
00:22:34,920 --> 00:22:36,960
come to destroy the instrument.

425
00:22:37,680 --> 00:22:39,799
Speaker 4: What instruments? It is in here?

426
00:22:40,279 --> 00:22:44,279
Speaker 7: Heip the instrument of Mustafa Cornelius.

427
00:22:43,559 --> 00:22:44,720
Speaker 4: The man of the broad Turban.

428
00:22:45,119 --> 00:22:48,000
Speaker 7: I swear to come back and destroy it if he

429
00:22:48,079 --> 00:22:52,079
ever died. It is built into this closet, behind this

430
00:22:52,200 --> 00:22:55,559
secret panel. It made Mustafa and knee where he reached.

431
00:22:55,680 --> 00:22:57,920
Speaker 5: Let's see that instrument open. The panel.

432
00:23:00,200 --> 00:23:01,440
Speaker 4: Looks like a control board.

433
00:23:02,359 --> 00:23:05,920
Speaker 1: What's I do not know the words to describe it.

434
00:23:06,559 --> 00:23:10,920
Speaker 7: Only mustafan now, because he was very wise and very.

435
00:23:10,880 --> 00:23:13,039
Speaker 1: Scientific, you know how to operate this?

436
00:23:13,400 --> 00:23:16,799
Speaker 7: Oh yes, sir hip, Mustafa showed me what to do,

437
00:23:17,240 --> 00:23:20,319
and I work longer. I was doing that for our

438
00:23:20,400 --> 00:23:21,960
both becoming very rich.

439
00:23:22,480 --> 00:23:25,839
Speaker 4: Show us what it does and remember any danger results

440
00:23:25,839 --> 00:23:27,880
this man has a gun. You'll be the first to die.

441
00:23:28,039 --> 00:23:33,160
Speaker 7: I understand, sir hip. Give me something for the instrument.

442
00:23:33,920 --> 00:23:35,160
Speaker 5: What do you mean, give you something?

443
00:23:35,799 --> 00:23:41,359
Speaker 7: I tried to explain. Give me something picture.

444
00:23:41,119 --> 00:23:43,160
Speaker 1: Perhaps there are no pictures here?

445
00:23:43,440 --> 00:23:49,680
Speaker 7: Then ring? Perhaps a watch, would his shoe, a dog?

446
00:23:50,279 --> 00:23:52,000
Speaker 1: Anything? Does this make any sense?

447
00:23:52,039 --> 00:23:56,160
Speaker 4: Silo, Chief, Here, here's a ring and a watch.

448
00:23:56,640 --> 00:24:00,960
Speaker 7: Thank you, sir hip. I placed them in here, and

449
00:24:01,359 --> 00:24:07,119
close this more door. I turn on the instrument.

450
00:24:12,519 --> 00:24:16,200
Speaker 4: That's a sound. The sound I heard his right chafe

451
00:24:16,720 --> 00:24:18,000
the son before I blacked out.

452
00:24:18,039 --> 00:24:18,920
Speaker 1: Now what do you do?

453
00:24:19,640 --> 00:24:29,440
Speaker 7: A moment until the bell sound it he's finished. No,

454
00:24:30,079 --> 00:24:37,640
you see there are no two watches, two rings.

455
00:24:37,960 --> 00:24:42,559
Speaker 4: Let me see them great xynamos and I at rather

456
00:24:42,680 --> 00:24:48,319
exactly alike, even though the scratches, the dirt marks everything you.

457
00:24:48,319 --> 00:24:53,759
Speaker 1: Say, you're right identical perfect copies.

458
00:24:54,000 --> 00:24:57,039
Speaker 7: No, no, sir hip, they are not copies.

459
00:24:57,640 --> 00:25:00,559
Speaker 4: All our original But that can't be. The ones I

460
00:25:00,640 --> 00:25:02,559
gave you were the originals. The others are the copies.

461
00:25:02,559 --> 00:25:02,920
Speaker 1: That's right.

462
00:25:04,160 --> 00:25:07,839
Speaker 4: Just a minute, Chief, I've got a sparking. I like

463
00:25:07,880 --> 00:25:12,880
kill a duplicator. What did you say? I like the duplicator.

464
00:25:13,359 --> 00:25:18,400
That's right. That means that somehow. Well, it's possible theoretically,

465
00:25:18,440 --> 00:25:20,599
but it means that the molecules and atoms of the

466
00:25:20,599 --> 00:25:25,319
originals are perfectly duplicated. And we know that if somehow

467
00:25:25,319 --> 00:25:30,160
the atoms and molecules could be exactly arranged, you'd actually

468
00:25:30,200 --> 00:25:33,599
have two originals where only one existed before.

469
00:25:33,680 --> 00:25:38,599
Speaker 7: Yes, yes, that is what Mustafa see. Those are the

470
00:25:38,680 --> 00:25:40,640
words that I do not know how to use.

471
00:25:40,799 --> 00:25:42,720
Speaker 4: All right now, listen to me. It doesn't rat. Does

472
00:25:42,720 --> 00:25:45,160
this machine work on anything other than inanimate objects?

473
00:25:46,680 --> 00:25:48,000
Speaker 7: I do not understand.

474
00:25:48,440 --> 00:25:53,559
Speaker 4: Doesn't work on living things, dogs, birds, human beings.

475
00:25:54,160 --> 00:25:59,079
Speaker 7: He has work only dogs, Mustafa, he had a dog

476
00:25:59,240 --> 00:26:03,279
he likes so much. He makes himself another dog like

477
00:26:03,359 --> 00:26:04,799
it with this istru.

478
00:26:04,680 --> 00:26:08,960
Speaker 4: Me and and it would work on human beings too.

479
00:26:09,279 --> 00:26:13,440
Speaker 7: But the dog, one of them, I do not know

480
00:26:13,480 --> 00:26:14,519
which one of them.

481
00:26:15,359 --> 00:26:17,440
Speaker 1: The dog he died very.

482
00:26:17,440 --> 00:26:23,200
Speaker 4: Horribly, So he what do you mean, died horribly.

483
00:26:23,440 --> 00:26:27,519
Speaker 7: One day, about a month after the first dog become

484
00:26:27,640 --> 00:26:32,640
two dog. One day the dog bark and whine. It

485
00:26:32,759 --> 00:26:38,519
is in agony, Sahib, and before my eyes I do

486
00:26:38,559 --> 00:26:43,720
not know how to say it. It is disappeared slowly

487
00:26:44,240 --> 00:26:48,079
as if it fall apart, and in a little while

488
00:26:48,720 --> 00:26:50,720
there is nothing left.

489
00:26:51,200 --> 00:27:00,640
Speaker 4: Nothing, molecular disintegration. I'm having flesh the effect. The machine

490
00:27:00,759 --> 00:27:11,359
lasts only a limited time. Chief which one of us

491
00:27:11,799 --> 00:27:24,680
him oh me, which one of us is Scott Douglas.

492
00:27:33,000 --> 00:27:36,839
Speaker 2: Next Week two thousand plus presents another exciting melodrama from

493
00:27:36,839 --> 00:27:40,359
the world of tomorrow, for a thrilling for thrillers that

494
00:27:40,400 --> 00:27:46,359
are different, Join us again next week and every week.

495
00:27:47,279 --> 00:27:49,960
Two thousand plus is produced by Dryer And with Nelson

496
00:27:50,000 --> 00:27:54,960
Productions incorporated. In today's cast, Ralph Fell portrayed, Scottie john

497
00:27:55,039 --> 00:27:57,039
Sha was mirror, Nat Poland was the.

498
00:27:57,079 --> 00:27:59,200
Speaker 5: Chief, and Gilbert mac was the Era.

499
00:28:07,440 --> 00:28:10,599
Speaker 2: The orchestra was conducted by Emerson Buckley. Music composed by

500
00:28:10,640 --> 00:28:16,160
Elliott Jacobi, Sound, Vold Shaver and Adrian Penner engineer and Formica.

501
00:28:16,960 --> 00:28:18,480
This is Ken Marvin Speaking.

502
00:29:05,559 --> 00:29:08,680
Speaker 1: Two thousand plus is a regular presentation of the United

503
00:29:08,680 --> 00:30:06,200
States Armed Forces Radio Service as a TA

