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Speaker 1: At the Galla.

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Speaker 2: Fort Laramie.

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Speaker 3: Fort Laramie, starring Raymond Burr as Captain lee Quins, especially

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transcribed tales of the dark and tragic ground of the

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wild Frontier, the saga of fighting men who rode the

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rim of Empire, and the dramatic story of lee Quin's

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captain of cavalry.

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Speaker 2: Easy boy, he goes, good doorm.

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Speaker 4: What you got the old day, Harrison?

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Speaker 5: I'm moving, Sergeant, that moutal chill and die of pneumonia.

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You don't rub and brisk and get some elbow grease

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behind it?

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Speaker 6: Yes, sir, sergeant, Why you suppose he does it? Sergeant?

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Speaker 4: Who does what?

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Speaker 7: Captain Quince.

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Speaker 4: Up for? Redly? He was an off and riding habit.

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Speaker 5: Maybe it was a clean morning, had a feel to it,

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riding off alone.

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Speaker 4: I'd like that myself.

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Speaker 8: Here's a touch of springing there, all right, Buffalo grass

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as green as can be. I was down to corral

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this morning, and even in the low water, the old

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army was rippling along like it had a song in Harrison. Yes, sergeant,

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you think you could manage to blanket that mount.

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Speaker 5: Before you write your next poem? M I guess I'm

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holding you up captain says he threw a nail. I

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told him I'd see the ferry. You gotta look at it.

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Speaker 8: Right four foot looks like I meant to see to it.

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Speaker 4: I got business at the saddlery.

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Speaker 5: Anyway, Sergeant, i'd sure admire some outdoor duty today, if

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you could arrange it.

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Speaker 4: Stable detailed sort of outdoors, Harrison in and out.

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Speaker 8: I was thinking more like the hayyard, or lending a

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hand in the post garden, or like that.

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Speaker 7: I'd be obliged.

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Speaker 4: Anything outdoors, anything at all, Sergeant. You see up there

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on the bluff by the old.

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Speaker 5: Cemetery, I'm looking that away that white patch top of

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the rise.

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Speaker 6: Oh sure I see that.

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Speaker 4: Well, now that's a patch of wild daisies. Harrison.

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Speaker 5: Anybody asks you, tell them you got my leave to

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go up there and pick them.

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Speaker 2: Oh, sergeant's outdoor work.

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Speaker 8: I don't aim to get myself laughed right off this post.

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Speaker 5: The useful service you was performing, Harrison officers are having

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a fancy ball to nighted old bedlam. Well, they might

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give a stripe or two to the trooper who sort

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of their decorations.

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Speaker 8: I'll tell you, Sergeant, I like this stable details just fine.

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Speaker 2: More think of it more like it.

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Speaker 4: Lad's oblige anytime, Harrison.

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Speaker 8: Now get me three stripes someday, like it's not our

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mosy over the post two on a fine spring day, I.

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Speaker 4: Could make them daisies in order, Harrison.

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Speaker 8: Why looking down there, Sergeant Gorse, he't got a stage

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coming over the bridge.

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Speaker 4: He is when he's riding on a flat wheel.

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Speaker 8: Yeah, maybe that's why he's pulling into the fort this

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time of day.

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Speaker 5: Being the wheelwrights are near the smithy, in the saddlery.

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I'll just mosey on down there and see what's going on.

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Speaker 4: Give me that lead rope.

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Speaker 5: Soldier here, get to your duty, daisy dog, Yes, sergeant.

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Speaker 9: Well, what do you mean we'll have to put up

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here for the night.

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Speaker 1: This is an army post, now, Ophie, setting yourself this minute.

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Speaker 9: There's nothing but men here.

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Speaker 10: Now, ma'am. There ain't a stage built that'll run on

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three wheels, but.

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Speaker 9: An army post.

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Speaker 1: Why we're women.

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Speaker 2: I'll be that as it may.

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Speaker 10: We we gotta put up here. It took all I

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had and then some to bring us clean to the fort.

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Now the wheel right tells me he can put us

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on the trail by sun up and that's the level

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best we can do.

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Speaker 1: I declare, I don't know what Homer off there in

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Virginia City waiting for.

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Speaker 4: Opie and me.

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Speaker 10: Well, you could maybe telegraph ahead. If you think your

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husband will worry after you.

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Speaker 9: Well, I don't know what to make of you. Of

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course he'll worry.

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Speaker 1: Homer's bound to worry his wife and baby girls spending

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the night in the middle of nowhere at an army post, Ophie,

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if you own mall me once more, I'll bang you

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with my umbrella.

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Speaker 9: But there's one coming right.

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Speaker 4: Up to us.

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Speaker 10: One what sold Oh, sergeant course stand right behind you.

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Speaker 4: We are right, says you've got trouble Clay.

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Speaker 10: Yeah, all kinds sergeants, or meet up with missus klein Exel,

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her daughter, Miss Sophie.

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Speaker 5: Sergeant Gorse, ma'am, Miss.

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Speaker 9: Sophie, are you in charge here a young man?

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Speaker 4: No, ma'am exactly.

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Speaker 9: Then I demand to be taken to whoever it is.

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I want to telegraph Homer.

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Speaker 1: I want to see with my own eyes the quarters

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for my daughter and.

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Speaker 4: Me, Homer, ma'am.

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Speaker 10: And that's mister klein Exel.

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Speaker 2: He's in Virginia City.

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Speaker 7: Oh are you listening to me?

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Speaker 1: Young man.

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Speaker 4: Why yes, ma'am, I clay clay where you're going?

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Speaker 10: Well, I'm pretty sure that wheel Wright needs a hand,

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I'm sure. Thank you for taking over this way, sergeant.

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Speaker 7: Hey, I play.

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Speaker 6: We had no food since breakfast, young man.

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Speaker 9: That'll have to be taken care of.

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Speaker 4: Now.

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Speaker 1: Those carpet bags over there are ours, and they were.

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Speaker 9: Brand new when we left Omaha. So mind you, tender

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and easy. Who did you say was in charge here?

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Speaker 4: I didn't say, ma'am, but off hand i'd say you was.

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Speaker 9: Ophy simmered down, and I.

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Speaker 5: Just wondered if if you were in my position, what

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would you do?

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Speaker 2: Captain right?

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Speaker 4: What would you do?

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Speaker 2: I'm afraid I haven't been listening, mister Sabitson. Sorry, what

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would I do about?

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Speaker 4: What would you go alone?

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Speaker 5: If you didn't have a young lady to escort.

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Speaker 4: To the officer's ball tonight?

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Speaker 2: Good lord, I'd forgotten about that.

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Speaker 5: It's the first one since I've been here.

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Speaker 2: If you're smart, you'll get a poker game. You did

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play right here in my quarters if you want, well,

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I was rather.

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Speaker 5: Looking forward to the ball.

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Speaker 2: I'd sooner ride into an ambush.

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Speaker 5: You know, it's hard to picture in your mind. A

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ball right here in old Bedlam. It doesn't seem part

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of the West.

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Speaker 2: Somehow it shouldn't be part of it. One of cigars habits.

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Speaker 4: No, thank you, sir, Captain. You don't talk like you're

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planning to attend this evening.

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Speaker 2: I'm not you sure, mister sybrids. The last ball I

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attended was on an order. Besides, I have some work

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I want to do tonight. If I can get the

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major's permission.

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Speaker 5: Well, I don't know, and it's your business, all right, sir.

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But she thinks you're going to the ball, miss Willer.

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I was over at the Sutler's store this morning, and Planny,

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mister Burgess, gave me his leave to ask Miss Willer

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to the ball. Well, but she means to go with you, Captain.

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Speaker 2: I don't know why I didn't ask him.

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Speaker 5: She seems right sure you will low before the days

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are Oh, she seems content just to wait for you.

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Speaker 2: Miss Will is a pretty thing. She makes a mistake, though,

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waiting for anyone.

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Speaker 4: Captain.

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Speaker 5: I wouldn't have asked her, but there aren't many single

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ladies to choose from.

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Speaker 2: I've got no claim on Miss Will and mister Savage,

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if that's what you mean.

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Speaker 5: No, it's more her claim I was thinking about.

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Speaker 4: She's sat on you, Captain Quinn's.

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Speaker 2: It's a pure waste, oh is it?

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Speaker 11: Captain Quin's tennant Savage made as you were, gentlemen, this

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isn't exactly official business.

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Speaker 2: It's him.

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Speaker 11: He just looked in the ballroom all the way up.

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Looks like things are taking shape for the night.

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Speaker 4: Yes they are.

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Speaker 5: Missus Daggett and the other wives are doing a fine

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job with the decorations.

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Speaker 11: Well, they enjoy that sort of thing. It's time we

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had some festivity around here.

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Speaker 2: Yes, sir, that what you came to tell us. Major.

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Speaker 11: I expect to see you both there, Captain Quinch.

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Speaker 2: There's something I want to talk to you about.

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Speaker 11: Both of you there. I don't know whether you've heard

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yet or not, but we have some guests on the post,

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Missus Klein Exel from Omaha and her daughter. The stage

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broke down. They'll be with us overnight.

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Speaker 5: The daughter, sir, what about her, mister Savage, Well, sir,

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in the interest of showing fort Laramie's hospitality, what I

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mean is, if she's not otherwise engaged, I'd be proud to.

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Speaker 2: See her to the ball tonight.

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Speaker 11: I think that's a good idea, Savage.

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Speaker 2: I would like to discuss something major.

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Speaker 11: Yes, so would I, Captain Quinch.

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Speaker 5: Then, if you'll excuse me, Major, Captain mister Sabert.

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Speaker 11: You will find the young lady in a mother quartered

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next to the Sutler store.

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Speaker 2: Yes, sir, welly, if we can forget that pink tea

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a while.

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Speaker 11: I told you Lee, I expect you at that ball tonight.

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This is no mere whim of mine, and if I

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have to order you to be there, I will.

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Speaker 2: We're not gonna see eye to eye on that. Ever.

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Speaker 11: You understand all about troop morale in the field. I

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never knew an officer to show greater concern for his men.

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But I think you owe something to your fellow officers. Captain,

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What do you mean? It's such a thing as post

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morale too. The junior officers admire you, they respect you.

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It'll mean something to them to see you sharing their

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off duty entertainment relaxation. You're a hard man toon, oldie,

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especially in a ball I wouldn't insist if I didn't

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think it was important.

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Speaker 2: I've been trying to tell you what I think is

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important every since you came in. All Right, yellow Horse.

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He's still in the stockade.

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Speaker 11: Yes, I know that, but I can't send him to

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Levenworth till I receive orders from Washington. So far they

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haven't come through.

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Speaker 2: Can't you telegraph Washington.

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Speaker 11: In an emergency?

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Speaker 2: Is Renegate band of Sue is still marauding?

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Speaker 11: Tell me does this have any connection with the fact

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that you left the post alone before Revely?

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Speaker 2: This morning, I rode out to the reservation, had a

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long talk with eagle Wing.

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Speaker 11: I hope he understood it was unofficial.

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Speaker 2: Captain eagle Wing and I talked only as men interested

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in peace.

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Speaker 11: Well, at least he isn't a hostile and no great

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friend of yellow Horse, as I remember.

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Speaker 2: He says, a few of yellow Horses old band have

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come onto the reservation in the last few weeks. That

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could mean trouble.

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Speaker 11: Major a few hostiles on a reservation of four thousand.

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I don't think so, Captain.

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Speaker 2: I'm not talking about a Sioux uprising. I'm talking about

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maybe six hostiles thinking to set yellow Horse free.

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Speaker 11: Eagle Wing said this, I said it could happen. I

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suppose it could. I don't think it's likely.

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Speaker 2: I do. This band has never had a leader like

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yellow Horse never killed for gain or because the Whites

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invaded his hunting grounds. He killed to kill, because he

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loved to kill. He's there, their inspirational leader. They'll come after.

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Speaker 11: Him, all right, Lee, what is it you want?

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Speaker 2: Move yellow Horse?

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Speaker 11: Move him?

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Speaker 2: Yeah, over to Fort Carney, small details, starting at dusk.

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I don't like it, Lee, He'd be that much closer

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to leven words.

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Speaker 11: No, No, I can't risk it. I'm on orders to

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secure yellow Horse at Fort Laramie. I'd need more reason

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than you'll give me to go against them.

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Speaker 2: Then I've said my piece. Major Lee.

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Speaker 11: You you feel pretty keenly about this.

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Speaker 2: Why maybe it's not important. I asked you a question,

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all right, call it a symbol. We could have killed

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him when we took him, but we held something out

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to the Indians, a fair trial, white man's justice. Yellow

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Horse was tried fairly and sentenced fairly. The Indians know

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that yellow Horse should pay for his killing legally if

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an escape is arranged, even if he's killed in the attempt.

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He's a martyr to every red Man because a white

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man killed him. Sir, I don't disagree with any of that, Lee,

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but your answer is still the same.

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Speaker 11: It has to be. My orders are clear. I have

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to respect them. I wish I could count on your understanding.

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Speaker 2: I wish I could give it to you major.

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Speaker 11: All right, cap'n. We both had our say. Now let's

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forget it, like you to join my party this evening.

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Speaker 2: That an invitation's er, that is an order, Captain, Yes, sir.

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Speaker 12: Well, I wouldn't have believed it.

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Speaker 1: It's a regular storm, I declare, mister Burgess. It's the

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equal of anything.

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Speaker 9: We have in Omaha.

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Speaker 5: Oh yes, it is Chicago, New York, Boston, Pliny Burgess

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bowls to no one when it comes to merchandise.

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Speaker 1: Now this bowl of cloth, OPHI just look at the

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quality those threads.

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Speaker 4: Pure gold, madam, pure gold.

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Speaker 9: Why there are no such things in color?

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Speaker 4: I mean, yes, pure gold.

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Speaker 1: Oh well, yes, I see they are, Ophy. Will you

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stop clutching me?

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Speaker 11: So it's a love.

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Speaker 1: Oh my well, he's just another soldier. Hopey, you'd get

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used to the side of them. They're all over out.

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Speaker 6: Here, afternoon to your captain.

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Speaker 2: Quint's miss willow around Flanny to.

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Speaker 1: The back with the account books as usual, Captain, thank you.

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Speaker 9: My six.

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Speaker 1: He's a big one. Yeah, oh yes, you stop making

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eyes this minute. You've been spoke for by that other one,

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and he's Lieutenant lovely.

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Speaker 2: Miss Willem.

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Speaker 13: Yes, helloly, hello, come.

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Speaker 2: Onie, if you're busy, way we can forget about it.

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Speaker 13: Oh, you'll not get off that easy.

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Speaker 14: I'm not busy, and I've been expecting you.

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Speaker 2: You you shouldn't wait for me, will you know that?

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Speaker 13: Sit down?

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Speaker 10: Lee?

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Speaker 2: Thanks?

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Speaker 13: I don't wait for you, as you say. I know

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better than that. I wait for Major Daggett.

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Speaker 2: How's that?

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Speaker 13: Sooner or later?

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Speaker 14: He always orders you to attend the ball, and when

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he does sooner or later, you decide you'd rather escort

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me than dance with ranking officer's wives the entire evening.

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Speaker 2: That's the way it is.

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Speaker 13: I'm afraid so, but that's not a complaint. I'll be

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ready at eight, all right. Don't look so Trappedly, you're not.

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You know, I.

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Speaker 2: Wasn't thinking about me.

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Speaker 13: Don't worry about me. I understand. It's a lovely day.

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It'll be a lovely eveningly.

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Speaker 2: Yeah, it looks like mister Seyberts is going to have

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a lovely evening too, Poor Ophy, poor Sybris. You could

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00:17:55,680 --> 00:17:59,119
have spared him that if it accepted him instead of

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waiting around.

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Speaker 13: For from major Daggett.

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Speaker 2: Yeah, yeah, from major daggots.

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Speaker 6: What you're perfectly saying.

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Speaker 11: Not do nothing, walk in store, do nothing.

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Speaker 7: Will be careful, bare what's wrong out here?

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Speaker 2: Awful?

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Speaker 6: Get him out of here.

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Speaker 2: Take the girl.

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Speaker 13: I'm along, Opie, it's all right.

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Speaker 6: Tell her it's all right, Captain, it's the engine. She's

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not used to the sight.

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Speaker 15: Of them, Captain, White woman, bad Spirit, no, white Bird.

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Speaker 2: She's just frightened.

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Speaker 4: White bird frightened too, him doing nothing.

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Speaker 1: He walked in here, big as life. That's what he

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did right in the storemind you like he was.

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Speaker 2: A human being, Yes, like he.

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Speaker 1: Was a human being.

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Speaker 2: Is that all he did?

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Speaker 7: Well?

334
00:19:06,640 --> 00:19:11,039
Speaker 1: Yes, But if I hadn't cried the alarm, we'd have

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00:19:11,079 --> 00:19:12,119
all been massacred.

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Speaker 9: That's what they do, you know.

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Speaker 2: Whitebird go.

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00:19:18,559 --> 00:19:19,680
Speaker 15: Come later to trade.

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00:19:19,799 --> 00:19:23,759
Speaker 4: Well, now you bring silver, more blankets, whitebird.

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Speaker 15: Trade for food, come back later when bad Spirit and

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white woman go.

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Speaker 9: Well, I never.

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Speaker 4: You people dealing with him.

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00:19:38,119 --> 00:19:42,559
Speaker 2: Trading like he was. He's a reservation Indian, ma'am. He's

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all right, Oh, yes, I would like to look at

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00:19:45,519 --> 00:19:46,319
what he has to offer.

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Speaker 11: Captain.

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Speaker 2: We'll go on into the storeroom. Make your trades. Go on.

349
00:19:50,400 --> 00:19:52,519
It's all right, whitebird, of course, come on, come on,

350
00:19:52,559 --> 00:19:56,319
white bird, come on and see you trade him fair pliny.

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00:19:56,559 --> 00:19:57,720
Speaker 4: Why I'm the soul of other.

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00:20:01,000 --> 00:20:06,359
Speaker 2: You feel better, ma'am, Well, you've.

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00:20:06,160 --> 00:20:07,720
Speaker 9: Done nothing to make me feel better.

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Speaker 1: I see you're mighty solicitous about your savage in there,

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and not so much as a kind word pro frightened

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white woman.

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Speaker 2: Sorry, ma'am. We know white Bird is our friend. We've

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lived with him, but we've no mind to be unkind

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to strangers.

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Speaker 9: You mean to say that Indians have the run of

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this fort.

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Speaker 2: Young man, Some Indians, the ones we know and trust,

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ones who trust us. You'll find that in the west.

364
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Speaker 1: But what about all the killing, the massacres. That's all

365
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you hear in o Mahan near all you read how

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many whites the red savages are murdered.

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Speaker 9: Now I say that's true or it isn't.

368
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Speaker 2: Some of it is, ma'am. Indians are like us. There's

369
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good and we've got a bad one on the post

370
00:21:03,240 --> 00:21:05,680
yellow Horse. But he's in the stockade.

371
00:21:05,799 --> 00:21:06,759
Speaker 9: That's as it should be.

372
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Speaker 1: You think that, don't you.

373
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Speaker 2: I think that.

374
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Speaker 9: Well, it's a pretty You can't tell by looking.

375
00:21:17,119 --> 00:21:21,079
Speaker 2: Oh you can sometimes if you know what to look for,

376
00:21:22,599 --> 00:21:26,559
but that comes with known folks, white men or red men.

377
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Speaker 4: Face value.

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Speaker 1: It's a risky business, young man. Many's the time I've

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been dead wrong and judging a body on first side

380
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of me.

381
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Speaker 9: Of course, I'm talking about white folks.

382
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Speaker 2: You planning to live in the West.

383
00:21:41,640 --> 00:21:43,680
Speaker 9: Ma'am Virginia City.

384
00:21:44,240 --> 00:21:48,680
Speaker 1: Homer's out there now, Oh, me are going to him?

385
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Speaker 4: Sikes.

386
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Speaker 1: I guess I got a lot of learning hitting me,

387
00:21:53,920 --> 00:22:13,920
a lot of learning, sergeant.

388
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Speaker 2: Oh yes, sergeant, Oh yes, sir. Captain finished eating goys, Yes, sir.

389
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Speaker 5: Eat plenty too, good thing. I got no bars on

390
00:22:30,000 --> 00:22:33,559
my shoulders. I'd be right to stuffed to waltz tonight.

391
00:22:34,599 --> 00:22:39,559
That's all fine, spring evening for a flock of fancy waltzes.

392
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Speaker 2: Though, All right, sergeant, you're making your point, Yes, sir,

393
00:22:44,119 --> 00:22:48,279
you get any plans for the night after tend two?

394
00:22:48,799 --> 00:22:52,400
Speaker 5: Oh, I drew some duty, captain duty, kind of special

395
00:22:52,480 --> 00:22:55,640
duty too. Orders come down from Major Dagget to double

396
00:22:55,680 --> 00:22:56,799
the guard at the stark Kave.

397
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Speaker 2: I figured you'd know that, No, Oh I didn't.

398
00:23:03,839 --> 00:23:07,000
Speaker 5: Ain't They send a yellow horse out Elevenworth before long.

399
00:23:07,440 --> 00:23:08,400
Speaker 2: That's up to Washington.

400
00:23:09,240 --> 00:23:13,039
Speaker 5: Yeah, sure, got a lot of time back there, ain't

401
00:23:13,039 --> 00:23:13,920
they Captain.

402
00:23:14,279 --> 00:23:15,079
Speaker 2: Seems like it.

403
00:23:15,640 --> 00:23:19,519
Speaker 4: Sometimes you have something you wanted me to do tonight.

404
00:23:20,680 --> 00:23:25,920
Speaker 5: No, oh, nothing, Well, before I told you about the duty,

405
00:23:26,000 --> 00:23:27,720
you asked about my plans.

406
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Speaker 2: Captain, you answered my questions. Yes, sir, that's all.

407
00:23:32,680 --> 00:23:35,880
Speaker 5: Sa If anything comes up at the stockade, I'll see

408
00:23:35,920 --> 00:23:36,240
you hear.

409
00:23:36,160 --> 00:23:36,759
Speaker 4: About it, sir.

410
00:23:36,880 --> 00:23:38,839
Speaker 2: You will report to Major Daggett.

411
00:23:40,039 --> 00:23:42,720
Speaker 4: Yes, sir, and that goes Captain.

412
00:23:43,359 --> 00:23:47,519
Speaker 5: Yeah, it's a right smart sash you wear.

413
00:23:49,079 --> 00:24:16,200
Speaker 2: Good night, guys, Yes, sir, she's.

414
00:24:16,000 --> 00:24:18,319
Speaker 14: Been trying to get your attention for the last half

415
00:24:18,319 --> 00:24:22,519
hourly who asked missus Kleinexe And you haven't even asked

416
00:24:22,519 --> 00:24:24,720
her to dance yet either, I know, I know.

417
00:24:24,720 --> 00:24:26,480
Speaker 2: But she she comes.

418
00:24:26,839 --> 00:24:29,599
Speaker 1: Excuse me, you two, but I've got to have word

419
00:24:29,640 --> 00:24:32,319
to this young man. I'm sending the lieutenant to dance

420
00:24:32,359 --> 00:24:33,079
with you, dearie.

421
00:24:33,079 --> 00:24:35,319
Speaker 14: Captain Quince was just on his way over to you,

422
00:24:35,359 --> 00:24:36,359
missus Cleinexel.

423
00:24:36,759 --> 00:24:40,319
Speaker 13: I'll find Lieutenant Cyberts will shall we.

424
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Speaker 2: Captain proud to ma'am.

425
00:24:44,000 --> 00:24:46,119
Speaker 1: I could waltz with a glass of water on my head.

426
00:24:46,240 --> 00:24:49,039
Never spill a drop, That's what Homer always says.

427
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Speaker 2: You tried with me, ma'am, you stand a chance at drowning.

428
00:24:53,680 --> 00:24:55,480
Speaker 1: There's good humor in you, young man.

429
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Speaker 2: I like that, Thank you. Oh, I'm sorry.

430
00:25:01,200 --> 00:25:02,240
Speaker 9: I wanted to tell you.

431
00:25:02,960 --> 00:25:05,000
Speaker 1: I went out on the baranda for a breath of

432
00:25:05,000 --> 00:25:08,400
air a while back, and when I first saw them,

433
00:25:08,440 --> 00:25:10,799
I came near to screaming, like I did this afternoon

434
00:25:10,839 --> 00:25:11,599
with the other agent.

435
00:25:12,079 --> 00:25:14,839
Speaker 2: You're developing a real life for Indians, ma'am.

436
00:25:15,119 --> 00:25:19,200
Speaker 1: Yes, I am. I've been trying to recollect though I

437
00:25:19,240 --> 00:25:21,519
don't believe he was wearing them in the store to.

438
00:25:21,599 --> 00:25:26,839
Speaker 2: Day, Whitebird wearing what the feathers? No, ma'am, he wasn't

439
00:25:26,839 --> 00:25:27,599
wearing feathers.

440
00:25:27,799 --> 00:25:28,839
Speaker 9: I didn't think so.

441
00:25:29,519 --> 00:25:34,200
Speaker 1: Now these Indians was well, maybe it suits their fancy.

442
00:25:35,119 --> 00:25:37,279
Speaker 2: You're sure they were wearing feathers.

443
00:25:37,480 --> 00:25:39,839
Speaker 9: I just told you there was five or six, I guess.

444
00:25:39,839 --> 00:25:41,839
Speaker 2: Excuse me, ma'am. I have to speak to the major.

445
00:25:42,200 --> 00:25:48,079
Speaker 6: Now, what's wrong with feathers?

446
00:25:49,039 --> 00:25:49,920
Speaker 7: Ator Daggetar?

447
00:25:50,880 --> 00:25:52,000
Speaker 6: Where those shots coming from?

448
00:25:52,039 --> 00:25:52,359
Speaker 2: Kevin?

449
00:25:53,720 --> 00:25:56,359
Speaker 7: That's a stockade? Me too, Siblets.

450
00:25:56,839 --> 00:26:16,359
Speaker 2: Listen, let's go six of them all dead?

451
00:26:16,359 --> 00:26:23,559
Speaker 4: Sergeant dead Engines, Captain good thing you doubled the guard. Major?

452
00:26:23,960 --> 00:26:24,920
Speaker 11: What about yellow Horse?

453
00:26:25,480 --> 00:26:26,880
Speaker 4: Oh?

454
00:26:26,960 --> 00:26:31,160
Speaker 5: He was hoping for a while. I checked him. He's

455
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got his health.

456
00:26:32,079 --> 00:26:36,160
Speaker 11: All of it. Captain, Yes, sir, fall into detail. I

457
00:26:36,200 --> 00:26:38,240
want yellow Horse and he's wait eleven worths. No later

458
00:26:38,279 --> 00:26:43,720
than noon tomorrow. Any questions, just one, n What about Washington.

459
00:26:44,599 --> 00:26:56,559
I'll telegraph Washington tonight. Oh, Captain, yes, major, thank you.

460
00:27:09,440 --> 00:27:13,480
Speaker 3: Fort Laramie is produced and directed by Norman MacDonald and

461
00:27:13,559 --> 00:27:17,640
stars Raymond Burr as lee Quince, Captain of Cavalry, with

462
00:27:17,759 --> 00:27:21,599
Vic Perrin as Sergeant Gorse. The script was specially written

463
00:27:21,599 --> 00:27:24,839
for Fort Laramie by Kathleen Hight, with sound patterns by

464
00:27:24,839 --> 00:27:28,920
Bill James and ray Kemper musical supervision by Amarigo Marino.

465
00:27:29,519 --> 00:27:33,119
Featured in the cast were Jeanette Nolan, Sam Edwards, Eleanor Tannon,

466
00:27:33,400 --> 00:27:37,759
Harry Bartel, Jack Moyles, Shirley Mitchell, Howard mcneer, Frank Cady,

467
00:27:37,920 --> 00:27:38,559
and Jack.

468
00:27:38,440 --> 00:27:58,799
Speaker 7: Crushian Company tencent.

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00:28:01,960 --> 00:28:16,319
Speaker 3: Dismiss next week, another transcribed story of the Northwest Frontier

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and the troopers who fought under lee Quin's Captain of Cavalry,

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comes an emergency. It's savings that talk when sickness strikes.

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In time of accident or emergency. It helps to be

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in good financial shape. That's why it pays and pays

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to invest in United States Savings bonds regularly, have the

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money deducted automatically through payroll savings or through your banks.

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Bond a month plan. Let the bonds you've saved save

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you when you need money. The new three percent interest

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United States Savings Bond better than ever. This has been

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a public service message from CBS Radio