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Speaker 1: Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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This is your host, Adam Graham. In a moment, we're

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going to bring you this week's episode of yours truly

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Johnny Dollar. But first I want to encourage you. If

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you're enjoying the podcast, please follow us using your favorite

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podcast software, and remember, when making your travel plans, check

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Johnny Dollar Air dot dot com first. Johnny Dollar Air

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dot com is a prie affiliate lane, so part of

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your purchase pros supports the Great Detectives of Old Time

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Radio at no additional cost to you. So remember when

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making your travel plans check john't eadollar air dot com first.

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Now from June the eighth, nineteen fifty eight, here is

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the Wayward River manor.

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Speaker 2: From Hollywood. It's time now for Johnny Dellare Johnny.

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Speaker 3: This is Lee Hawkins Continental Insurance and Trust.

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Speaker 2: Company WAA, my old fishing fowl. You're still holding down

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the Ohio branch at the company there in Columbus, Yes, John,

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I am, but not looky brother, I never will forget

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the great fishing you and I had over on Drby

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Creek a couple of years back. Josh and a long

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about this time every year, the aarage really gets to me. Hey,

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if the streams cleared that you had from the spring rains?

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Speaker 3: Oh, quite the contrary, as a matter of five.

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Speaker 2: By little Raccoon Creek down there, Jackson boy, I remember

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those big channel cats in the bast Johnny, you were listening. Oh,

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I'm sure, I'm all ears.

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Speaker 3: The big river has gone on a rampage again. Spring floods.

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Speaker 2: You mean the Ohio, yeas in every.

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Speaker 3: Other river of any size. The rings are still coming down.

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I see old towns are being washed away by the floodwaters.

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Death and destruction all over.

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Speaker 2: Oh, I'm sorry, Lee, I didn't mean to sound so well.

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You know, mentioned fishing, and I lose my head.

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Speaker 4: Look, Johnny, I need you out here.

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Speaker 5: Can you come right away?

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Speaker 2: For sure?

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Speaker 3: You see any fishing we do maybe for the bodies

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of people.

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Speaker 6: Bob Bailey and the exciting adventures of the Man with

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the action packed expensive out America's fabulous freelance insurance investigators.

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Speaker 2: Truly Johnny Dollar. Expense accounts ofitted by Special Investigator Johnny

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Dollar the Continental Insurance and Trust Company Columbus Ohio off us.

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Following is a kount of expenses incurred during my investigation

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of the Waywood River matter expense. A contad won forty

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three dollars and a half transportation to New York in

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a flag ship to Columbus, Ohio. It was fine thirty

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pm and raining hard when the big forrange and plane

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sat down gently at Port Columbus Airport. I'm seven miles

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out of town. My plan was to go into the

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Fort Hayes Hotel and call Lee Hawkins from there. So

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after picking up my luggage, I headed for the door

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in a taxi stamp. But Lee it singes had other ideas. Here,

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let me help you with the bell.

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Speaker 3: I'm sorry, I said, I'm just looking for a text

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day Lee. My car's right out here, Johnny. As soon

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as we get started, the bitter you know, right through

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this door.

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Speaker 1: Yeah.

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Speaker 2: Well wait, as sooner we get started. Where where are

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we going?

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Speaker 3: To the town of Conter at about one hundred miles

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or so south. I'll come on if you want to

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get so hey, come on whatever whatever you say, Come on, Hopkins.

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Speaker 2: Brother. True.

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Speaker 3: Why didn't you tell me to bring a ring up?

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Why don't you read the papers?

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Speaker 2: I'm writing like this for long?

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Speaker 3: Walking on three or four weeks and they have a

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mean ride ahead of us.

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Speaker 2: Well, what's in all a valley.

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Speaker 3: Well, the floods along the Ohio and pretty severe this year, Johnny,

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I've been somewhat.

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Speaker 4: Later than usual.

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Speaker 2: Yeah, that much.

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Speaker 3: I did read about half a dozen of the big

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cities have been taking a real beating in spite of

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all their preparations for the big runoff. No, that's been

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through all over the country. What you don't read about

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in the headlines, though, is the little places like Cotterret.

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It's my old hometown, Johnny, and so a lot of

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policies there, particularly to the local shopkeepers, you know, on

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their stocks and merchandise.

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Speaker 2: So there's been a lot of flood damage and your

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company's having to pay up a lot of claim.

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Speaker 4: Not yet, so far, the town's been lucky.

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Speaker 3: Most of the recent bad storms have been across the

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state line up in Pennsylvania or over in West Virginia,

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the same.

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Speaker 4: As true last year and the year before.

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Speaker 3: So the people gone around Cotaret farmers mostly haven't gone

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ahead with their flood control project the way they should have.

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Speaker 2: It's kind of red right on the Ohio.

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Speaker 4: No, it's in a valley a few miles north it's on.

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Speaker 3: The Crooked River, and parts of the town are actually

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below the river bank. And you see what that means?

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Speaker 2: Yeah, I sure can.

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Speaker 4: Most of the year, it's a quiet.

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Speaker 3: Lazy stream about fifty or sixty feet WIAT. But when

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the feeder streams up in the hill start pouring water

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down and never overflows, half a time will go with

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it and swept right down into the Ohio.

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Speaker 2: We don't they know enough to prepare for this sort

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of thing, Johnny.

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Speaker 3: Like I say that in Lucky so far, this present

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storm has been bigger and longer than anything they've ever had.

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Speaker 2: Well, what about the State Flood Control Commission or whatever

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it's called. Can't they do anything?

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Speaker 3: Let's face it, Wat's a little bird like Carter RT

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when there are a hundred bigger and more important towns

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in the same fixture.

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Speaker 2: Yeah, I see what you mean.

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Speaker 3: Before the lines went down, I got a call from

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Fred Norlock, one of my bigger CONTs down there, big hardware.

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Unless the river goes down, he's gonna lose the whole place.

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That means over one hundred thousand dollars insurance clan.

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Speaker 2: But what can I possibly do, Lee?

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Speaker 4: I don't know, Johnny. I just don't know.

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Speaker 2: We were heading south on Aroute twenty three, and by

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the time we reached Chilliconti, the rain had led up

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to a drizzle. By the time we reached Jackson, where

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we left the main highway, it had led up entirely.

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But I noticed that every little stream we passed was

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overflowing its banks. Finally, it must have been after midnight,

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we pulled up on a low hill overlooking the town

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of Catarat, and it started to rain again, to rain

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high below, as the crooked river was a terrible, terrifying

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thing to wash. Power lines were out, but maybe hundreds

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of kerosene and gasoline land in its flashlights and lights

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fan cars showed only too plainly the perils the brown, rushing,

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raging torrent, the threat of the town man stripped of

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the waste, the banker and the ditchdiggers, side by side,

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the farmer and the merchant toil frantically to reinforcement levee

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with bags of sandstone, some men anything they could find,

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while the river lapped hungrily at their feet, trying to

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undermine the embankment as quickly as it was built up.

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Speaker 6: Back.

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Speaker 2: And then we're other filling the sand bags and bulldozing

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additional strength with the levee, hauling crountloads of sand and

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rock and gravel, digging, shoveling, filling anything they could do.

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I'd never seen a more dedicated group of people, men, women, children,

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all working in the common cars, not just for themselves,

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but for the survival of their neighbors, their town. And

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the ugly river was like a thing alive, pawing at them,

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seeking to destroy them. Huge floating masses of debris flew

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by an express train, speed whirling now and then to

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strike out at the embanker fighting to break it down,

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thousands of tongues of wreckage, plants of houses, chicken poops,

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trees and brush, anything that would float. I stood there,

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appall and almost overwhelmed by a feeling of utter helplessness.

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Speaker 3: Can't they see that they were up here on this hill,

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they could see that they're losing ground, Johnny. The river's

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rising faster than they can.

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Speaker 4: Fill up the levee.

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Speaker 2: The it looks that way.

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Speaker 4: What's the matter with you, guys? Haven't you see they

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need help down there?

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Speaker 2: Anybody doesn't help, Bobby Shot.

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Speaker 4: He's right, Johnny.

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Speaker 3: We ought to go down there and help for whatever

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it's worthway at one section where they're all working, it's

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right about the cut in the Perry Street. If the

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levee goes there, it'll sweep the whole section down the

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valley into the Ohio River.

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Speaker 2: Luckily, look back there behind us. The reason why the

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water is planning up. Don't you see that old railroad bridge.

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The trees, the mud, the ruffle it's pile up against it.

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That railroad trestle has become a regular dam. I think

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you're right, one of that degree panting up there.

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Speaker 3: The stronger it gets, and the higher it gets too,

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with the water mounting up behind it.

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Speaker 4: That way, the levee over Perry Street will go in

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a matter of a minute.

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Speaker 2: Right, But break that damn somehow and the water will

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get through down the Trucket River into the Ohio.

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Speaker 4: Yeah, break that dam and it'll save the town.

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Speaker 2: Yes. But how Johnny, how yeah? How?

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Speaker 6: Act two of yours? Truly, Johnny Dollar? In a moment,

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our flag.

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Speaker 5: Now numbers fifth the stars, and behind each star there

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stands yet another flag representing one of.

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Speaker 6: The fifty states.

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Speaker 5: Indiana's state flag is dark blue with a golden torch

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for liberty and Enlightenment. The rays of the torch indicate

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their far reaching influence. An outer circle of stars represents

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the original thirteen states, an inner circle of stars the

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next five states admitted to the Union, and a large

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star above the torch represents Indiana itself. Indiana's state flag,

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the flag of the nineteenth state to enter the Union,

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was adopted on May thirty first, nineteen hundred and seventeen.

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Speaker 6: And now Act two of yours truly, Johnny Dollar, and

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the wayward River matter from our vantage to point on

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the hill above the little town of Cariiterret, we could

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see why the crooked river was rising so fast, and

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go engulf the time.

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Speaker 3: You're right, Johnny, the debree against the old railroad Prestol

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has made.

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Speaker 2: A dam, and somehow we've got to break that dam.

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But how leave You know? Any stores down there, any

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of them carry dynamite?

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Speaker 3: Yeah, down there on Perry Street. Norlock Supply Company had

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come on on nor Lock, one of my biggest clients.

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If the levee breaks, his place will take the front

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of the flood. Yeah you see down there. Yeah, it's

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men and putting fanbag.

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Speaker 7: You're on it.

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Speaker 2: They won't mean a thing. If the levee goes. Why

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does he send those men back on up to the

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river's edge where they can do some foot.

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Speaker 4: I'm not Johnny.

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Speaker 3: He's the only man in town looking after his personal property,

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the only one's selfish enough to say listen. He's also

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the man who's always a poorest doing something about this river.

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Speaker 2: Maybe at breath Lee, we've got to get down there

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and get some dynamite. The groups we passed, still vainly

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trying to chick up holes in the levee, all but

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spat on us as we passed because we weren't working

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with them, trying to save their time on to the

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raging crooked river, or so they thought. Finally we slogged

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our way to the Norlock Supply Company on Perry Street North,

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and fast days and getting around my place the way

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goes and logging down here my fan bag Moore, you're crazy,

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miess to nor Locke, you're wasting your time. Mister Harkins,

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Why that levee goes? Nothing will save this place of yours.

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He's right, nor luck gets him in on up to

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the levee where they'll do some good. God, then you've

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had the inturns of my place and stept away. It

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won't be If we save the town, we need dynamoe.

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Speaker 4: Who are you? Oh, this is Johnny donard In turns off.

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That's bitter. What are you doing here?

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Speaker 2: Look? Look, there's no time to stand around and talk.

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We need dynamite, a lot of.

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Speaker 4: It for car of the records from up the river.

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Speaker 3: It's jammed against the old railroad trestle south of town,

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and it's made a regular damn.

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Speaker 4: That's what's backing up the water.

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Speaker 2: I know I've seen you're gonna bull that up. That's right. Now.

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Where's the dynamite?

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Speaker 4: Any of it had gone on that pissure with a

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pissure of the river against If.

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Speaker 3: He's crazy, any part of that doors you'll go where

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it it'll be killed.

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Speaker 4: He's raking soon, he's suicide to go up there.

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Speaker 2: Come on, let's have the dynamite. Then you went get

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up above where you can help. You hold their truck

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with all the bags you can, but get up there fast.

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Pose here, what about my locked where's that dynamite?

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Speaker 4: I won't give up to the hold. Listen, mister Norse.

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If he shows you go out on that railroad drims.

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But if we don't the whole town will go. And

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I tell you why it's a dollar. Are you threatening

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to shoot me?

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Speaker 3: But not away?

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Speaker 2: Johnny Witch handlessly? You're crazy?

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Speaker 4: Not up with that gun?

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Speaker 3: Away?

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Speaker 4: All right?

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Speaker 2: No, like it's up to you. What do you mean

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unless you give us the dynamite, I'll blast the lock

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off this place of yours and get it myself. Well,

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all right, all right in here, But I tell you

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you're mad, always no lockmad. I'll pick them with the

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panic that all too often seizes a man when the

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going gets tough. But he did give us the dynamite then,

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with two of his work. When Lee Hawkins and I

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trudged through the mud and the night loader with cases

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of dynamite back to the old Railroad Trust. And when

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we got there, I wanted if maybe no wasn't right

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after all, if it wouldn't be suicide to go out

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on it. The pile up of debris against it was huge,

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and back of it, the deadly brown water swirled and

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Eddie throwing telegraph poles, railroad ties, huge trees pounding against

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the battering at the old framework of the trustle if

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only they'd strike hard enough to break it down, break

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the dam perhaps they would. By that time, the town

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of Cataret would be lost, as somebody had to do

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this job, and it looked like I'd elected myself. I'm

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not quite clear on what happened during that next twenty

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or thirty minutes. They seemed like thirty years of nightmare.

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I edged my way out on that riggedy framework, a

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fuse case of dynomide under my arm. It was dark,

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and I had to feel my way along over planks

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and boards and trees that the force of the water

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had thrown up on the trustle. The wires leading back

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to the plunger that would set off the charge would

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catch and drag, But I knew I had to reach

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the first long span to make the expose of do

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its work. And all the while the old bridge creaked

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and grown and shook from the impact of the wreckage

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being thrown against it by the angry water. But then

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finally the job was done, and I felt my way

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back to the play.

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Speaker 3: Hurry, Jna, hurry, eh, yeah, I'm coming here.

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Speaker 2: Everything ready here.

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Speaker 3: Don't you see the levy above, it's going to go

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back over the town. There's a cat The water's rushing.

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Speaker 2: Okay, lay the plunger. He's all right, all right, all right,

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then lie down, quick, get down.

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Speaker 6: There's she goes, Act three of yours, truly, Johnny Dollar.

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In a moment, let me ask you a question. What

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is the most important thing to a fighting man?

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Speaker 7: His gun?

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Speaker 6: You may answer, You might also answer the Code of

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Conduct of the men of the Armed Forces of the

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United States, because you know it is something just as

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necessary to the fighting man as his gun. And just

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as he keeps his gun cleaned and oil because his

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life may depend on it, so does he keep ever

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forward in his mind his code of conduct because his

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life and honor depend on it. Part of the code reads, quote,

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I will never surrender of my own free will. If

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in command, I will never surrender my men while they

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still have means to resist, unquote. During the bloody and

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costly campaign on the Island of Saipan and World War Two,

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the Code of the soldier meant something to the men,

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and to one man in particular, essentially a quiet, peace

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loving man, Sergeant Thomas A. Baker, while with a hundred

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fifth Infantry Regiment of the United States Army, was up

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against it one night in nineteen forty four, when the

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enemy launched an attack which called for them to die

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in honor. Sergeant Baker proved it could work both ways.

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The enemy attack fell like a saber blow and continually

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hurled Baker's company back with each savage thrust. During the

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ensuing days of action, Baker wiped out an enemy position

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with a besooka killed fourteen of the enemy in a

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machine gun ambush using only his M one rifle and

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a couple of grenades, and then killed six more a

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little farther on in a last ditch stand. One night,

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the company dug in to withstand the next furious assault

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in the dark. As the enemy rolled over them in

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a thunderous attack of firepower, Sergeant Baker suffered a mangled

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leg from a grenade. Shooting and clubbing the enemy with

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his rifle, he dragged himself out of the vauxhole. Three

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of his men tried to give him maid. Two of

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them were shot from the third man. Baker got a

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cigarette and the pistol and told him to leave. The

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rest of the company moved back. Baker propped himself against

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a telephone pole, calmly puffed on his cigarette and blazed

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away with his automatic. He was later found in that position,

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with eight of the enemy dead around him, one for

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each shot, and the empty gun in his lifeless hand,

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Sergeant Baker didn't consider the medal of honor he might get.

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He considered the job that had to be done. His

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honor was at stake. Surrender wasn't in his code of conduct,

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and now at three of yours truly, Johnny Dollar and

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the Wayward River matter.

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Speaker 2: The charge of dynamite on the old railroad bridge had

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broken the dam that the angry river had thrown up against.

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It had released the little town from the threat of

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being washed down the valley into the Ohio. The men

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and women and children, spent from having struggled against the

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raging water throughout the night and all the day before,

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went quietly back to their homes and farms to rest

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and sleep. And nature defeated and gave up. The rain stopped,

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and the skies cleared. Even the charging yellow waters of

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the crooked River seemed to diminish. In a sort of frustration,

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what damage had been done to the town could wait

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now until the people were arrest refreshed. As Lee Hawkins

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and I plodded wearily over to the village, and I

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noticed that the streets were deserted. Yeah, even as the

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long gray fingers of dawn reached up into the sky.

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The town exhausted slept unmindful of the rooster in someone's

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backyard who sought to rouse it, Nor did we rouse

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the innkeeper. But picked a couple of rooms and settled

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down to arrest our wary rolls. But I couldn't sleep.

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Somewhere in the back of my brain, a little warry

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began to want to peck away at me. In all

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of Conterret the night before, there'd been one man, and

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one man only, who had ignored the common good to

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look after his own selfish interests. I went into Lee's

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room and awakening, Oh.

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Speaker 3: No, Johnny lady, So did I can go back to sleep? Now?

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Speaker 2: Come on, just a couple of questions. Lee, listen to me,

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Oh I sleep over one hundred thousand insurance, you said.

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Speaker 4: Yeah, a hundred and I don't know.

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Speaker 2: Well, if you asked me, that's too much for a

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business of any kind in the town this size, much

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too much.

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Speaker 3: So maybe I gave him a break on his evaluation. Yeah,

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you know, to help sign up some of the other merchants.

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Speaker 2: But one hundred thousand of insurance money would give him

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enough to live on the rest of his life. Look,

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00:19:46,599 --> 00:19:49,319
why don't you go back to bed, Johnny Lee. He

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knew about that damn at the railroad pressol, and so

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far as I could see, he was the only one

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who did well. Everybody else was so busy at the levee.

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But did he try to do anything about it. No, Instead,

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he went through the motions of trying to protect his property.

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But he knew that if that levee broke, nothing would safe.

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Speaker 4: All right, all right, chalk it up to panic.

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00:20:06,160 --> 00:20:09,599
Speaker 2: Panic. He fought to keep us from getting that dynamite,

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the one thing that could save the town. He kept

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00:20:11,960 --> 00:20:13,559
those workmen away from where they might have done some

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good at the levee. He alone wanted that levee to break.

394
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But good heavens, Johnny, you what.

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Speaker 4: You're right?

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00:20:22,200 --> 00:20:24,480
Speaker 2: You must be? Yeah, I'm right. I'm going out and

397
00:20:24,480 --> 00:20:27,880
look for mister fred Norlock. There is no soul out there, everybody,

398
00:20:28,839 --> 00:20:38,079
That's what I want to find out. I found fred

399
00:20:38,119 --> 00:20:41,039
nor Loach alone up on the inner bank, the river

400
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side of the levee or anyone down below couldn't see him,

401
00:20:43,920 --> 00:20:46,839
and he was working with a shovel of crowbar beside

402
00:20:46,920 --> 00:20:50,119
him was a pile of dynamite. I'd given him that idea,

403
00:20:52,400 --> 00:20:56,359
all right, nor Lock laid down that shovel all the river.

404
00:20:56,400 --> 00:20:58,519
Didn't do it the way you planned last night? Did it?

405
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Speaker 4: Maybe not goes if you, But you're not gonna stop me.

406
00:21:01,480 --> 00:21:03,680
Speaker 2: Now, and I'll put that thing down.

407
00:21:03,519 --> 00:21:05,119
Speaker 4: Now, kill you go if you got any closer.

408
00:21:05,759 --> 00:21:08,160
Speaker 3: And nobody will know, because there's nobody around house where.

409
00:21:08,000 --> 00:21:09,599
Speaker 4: Your buddy in the river, nobody will ever knows.

410
00:21:09,759 --> 00:21:12,599
Speaker 2: Sure, set up a small charge enough to breach the levee.

411
00:21:12,720 --> 00:21:15,440
That's right, it's already and you can't stop, and the

412
00:21:15,480 --> 00:21:18,359
river will crash through, destroy that feeling business of yours

413
00:21:18,359 --> 00:21:20,359
down there. I'll take with it the homes in the valley,

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the livestock, maybe even.

415
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Speaker 4: The people keep your hand over from that buckete.

416
00:21:23,880 --> 00:21:26,079
Speaker 2: So what's you or me? Huh? And if I go

417
00:21:26,160 --> 00:21:29,039
to town, goes too, Yes, but if I can outdraw it.

418
00:21:29,319 --> 00:21:32,359
Speaker 4: Pistols aimed at George Chase. Now you walk straight ahead

419
00:21:32,359 --> 00:21:45,279
to the edge of the river. Waw no, no, oh. Yes.

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00:22:06,680 --> 00:22:10,640
Speaker 2: The Rlanck's body was never recovered. He'd lived alone. He

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00:22:10,720 --> 00:22:15,680
died alone, a crooked man in the crooked river. Nor

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00:22:15,799 --> 00:22:17,920
was he mourn in the little town he tried to

423
00:22:17,960 --> 00:22:27,079
destroy expensive count toll, including transportation back to Hartford one

424
00:22:27,160 --> 00:22:44,799
hundred dollars. Even yours, truly, Johnny Dollar, Our star will return.

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00:22:44,519 --> 00:22:45,319
Speaker 6: In just a moment.

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00:22:45,920 --> 00:22:49,559
Speaker 7: Our flag now numbers fifty stars, and behind each star

427
00:22:49,720 --> 00:22:53,519
there stands yet another flag, representing one of the fifty states.

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Montana's state flag is its great seal, set upon a

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00:22:57,279 --> 00:23:00,640
field of blue. To the foreground, our apply now a

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00:23:00,720 --> 00:23:05,000
miner's pick and shovel, all set against Montana mountain scenery

431
00:23:05,359 --> 00:23:08,519
and the great falls of the Missouri River. The legend

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00:23:08,519 --> 00:23:13,039
across the banner reads oral e Plata, gold and silver.

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00:23:13,680 --> 00:23:17,440
The Montana Volunteers carried this flag in the Philippines during

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00:23:17,480 --> 00:23:21,599
the Spanish American War of eighteen ninety eight. Montana's state flag,

435
00:23:21,920 --> 00:23:24,640
the flag of the forty first state to enter the Union,

436
00:23:25,000 --> 00:23:29,400
was adopted on February twenty seventh, nineteen oh five. Next week,

437
00:23:29,880 --> 00:23:34,240
the delectable damsel matter. I hope you like it. I

438
00:23:34,279 --> 00:23:35,160
know I did.

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00:23:37,079 --> 00:23:49,279
Speaker 2: Join us. Won't you yours truly, Johnny Dollar? Yours truly,

440
00:23:49,400 --> 00:23:50,599
Johnny Dollar is storrying.

441
00:23:50,640 --> 00:23:53,200
Speaker 6: Bob Bailey originates in Hollywood, and it's but It has

442
00:23:53,240 --> 00:23:57,400
been directed by Jack Johnstone, who also wrote today's stories.

443
00:23:57,920 --> 00:24:01,200
Heard in our cast were Chet Strathman, Birstil, Bob Bruce,

444
00:24:01,240 --> 00:24:04,799
and Parley Bear. Special sound patterns by Tom Henley and

445
00:24:04,799 --> 00:24:07,799
Bill James. Be sure to join us next week, same

446
00:24:07,839 --> 00:24:11,279
time and station for another exciting story of yours, truly,

447
00:24:11,480 --> 00:24:12,240
Johnny Dollars.

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00:24:13,440 --> 00:24:15,000
Speaker 7: This is Roy Rowan speaking.

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00:24:38,039 --> 00:24:41,880
Speaker 6: This is the United States Armed Forces Radio and Television Service.

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00:25:10,000 --> 00:25:14,000
Speaker 1: Welcome back. Nice little scene at the Columbus Airport. At

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the beginning, it's my wife's hometown, and I've been at

452
00:25:17,920 --> 00:25:22,319
that airport a few times. This one, coming a couple

453
00:25:22,319 --> 00:25:26,839
of weeks after The Midnight Sun Matter, felt like a

454
00:25:26,880 --> 00:25:31,200
similar story at first, where we were dealing with an

455
00:25:31,240 --> 00:25:35,559
adventure and not really a typical Johnny Dowler story. But

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00:25:35,720 --> 00:25:41,200
Johnny's detective skills were able to kick in at the

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00:25:41,359 --> 00:25:44,960
end once the initial danger was passed and he got

458
00:25:44,960 --> 00:25:48,319
to save the town twice. And of course the story

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00:25:48,400 --> 00:25:56,160
overall reflected a very strong sentiment and moral about the

460
00:25:56,319 --> 00:26:00,759
idea of selfishness and looking out for your self even

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00:26:00,839 --> 00:26:04,519
at the cost to others. And it's important to remember

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00:26:04,799 --> 00:26:09,240
that the sort of values and ethos that was at

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00:26:09,279 --> 00:26:12,200
the core of the country during the Second World War

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00:26:12,759 --> 00:26:15,640
hadn't gone away entirely, certainly not in the heart of

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00:26:15,880 --> 00:26:19,839
Jack Johnstone. All right, listener comments and feedback now, and

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00:26:19,880 --> 00:26:23,559
we start out on Facebook and with comments on the

467
00:26:23,599 --> 00:26:28,359
Midnight Sun Matter. Skyla writes that was a crazy episode,

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00:26:28,839 --> 00:26:31,480
like just a random spot of derring do and not

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00:26:31,599 --> 00:26:35,559
a dam in sight. Thanks for the comments, Skyline. Well,

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00:26:36,200 --> 00:26:39,519
the indication is that this was inspired by a true

471
00:26:39,559 --> 00:26:46,200
life story, and in the late nineteen fifties, when you're

472
00:26:46,279 --> 00:26:52,640
dealing with a cargo plane and air traffic control and

473
00:26:52,839 --> 00:26:56,599
a lead insurance agent, are not a lot of parts

474
00:26:56,599 --> 00:26:59,480
that women would have played in that particular story. The

475
00:26:59,599 --> 00:27:02,559
lack of women in this week's episode is honestly a

476
00:27:02,640 --> 00:27:07,160
little bit more inexplicable because this was a small town.

477
00:27:07,400 --> 00:27:11,000
You know, it was full of lots of people, and

478
00:27:11,319 --> 00:27:15,519
you know, including women, but we never actually hear from

479
00:27:15,640 --> 00:27:19,599
any woman, and that's just that's just such an odd thing. Now,

480
00:27:19,720 --> 00:27:23,640
it may have been an issue with availability. There really

481
00:27:24,000 --> 00:27:28,799
was a sort of rep company set up with Jack

482
00:27:28,920 --> 00:27:32,759
Johnstone on Johnny Dowler and the same actors and actresses

483
00:27:32,880 --> 00:27:37,920
being called in multiple times. So it's just possible that

484
00:27:38,799 --> 00:27:43,279
none of the actresses that john Stone regularly worked with

485
00:27:43,880 --> 00:27:47,880
were available. But an interesting call on matt and Matthew

486
00:27:47,880 --> 00:27:50,880
writes heard this one didn't like this. I liked the

487
00:27:50,920 --> 00:27:53,440
show because of crime and mystery, but this should be

488
00:27:53,480 --> 00:27:57,720
an episode of suspense instead. That's a fair point, Matt.

489
00:27:57,880 --> 00:28:02,119
I am a bit sympathetic to Johnstone because he had

490
00:28:02,160 --> 00:28:05,680
to put out so many scripts on this series, oh

491
00:28:05,720 --> 00:28:08,960
by himself at this point, and he had this script

492
00:28:09,039 --> 00:28:11,920
to work with. And when you're dealing with the need

493
00:28:12,000 --> 00:28:15,799
to put out that volume of material, you do what

494
00:28:15,880 --> 00:28:19,599
you gotta do. And I think it's fair to make

495
00:28:20,160 --> 00:28:24,400
a little bit of an exception. I did find it entertaining,

496
00:28:24,640 --> 00:28:28,559
which makes it a bit easier to forgive. And then

497
00:28:28,720 --> 00:28:33,480
overall on Spotify, Harrison riots regarding the episode, Hey Johnny,

498
00:28:33,519 --> 00:28:36,160
real quick, did you try jiggle leing the control switch

499
00:28:36,240 --> 00:28:36,920
a few times?

500
00:28:36,960 --> 00:28:37,119
Speaker 2: Oh?

501
00:28:37,160 --> 00:28:40,119
Speaker 1: You did five times? Okay, Well, we're still working on

502
00:28:40,160 --> 00:28:44,720
the problem. I enjoyed the unique storytelling, but it would

503
00:28:44,759 --> 00:28:48,480
have been better as the first episodes in a serial,

504
00:28:49,079 --> 00:28:56,000
and that next episode teaser was spittake worthy. Well appreciate

505
00:28:56,079 --> 00:29:00,160
the comments, Harrison. In some ways, it seems like it's

506
00:29:00,279 --> 00:29:04,519
almost the opposite of the complaint of Matthew, but I

507
00:29:04,559 --> 00:29:08,519
think it's an interesting idea. Now, obviously by nineteen fifty

508
00:29:08,519 --> 00:29:13,759
eight they'd stopped doing serialized stories in the five part format. However,

509
00:29:13,839 --> 00:29:18,599
they were not overdoing a continued story every now and again,

510
00:29:18,799 --> 00:29:22,440
and this actually would have been a good one to do.

511
00:29:23,240 --> 00:29:27,680
Rather than having it turn out that nothing had really

512
00:29:27,759 --> 00:29:33,119
gone wrong, have the episode end with Johnny learning after

513
00:29:33,200 --> 00:29:37,039
the landing that there had been sabotaged and who did it,

514
00:29:37,559 --> 00:29:41,720
and then have the next episode be the investigation. That

515
00:29:41,839 --> 00:29:44,960
might have been a more intriguing story, and it would

516
00:29:45,000 --> 00:29:49,920
have worked overall, being consistent with typical Johnny Dowler. And then,

517
00:29:49,960 --> 00:29:52,920
of course Harrison had another comment, this one on our

518
00:29:53,000 --> 00:29:57,440
forty eight hundredth episode special. I'd completely forgotten about the

519
00:29:57,519 --> 00:30:01,680
giant balloon animals. The otibus was worth it just for that. Well,

520
00:30:01,839 --> 00:30:06,440
thanks so much, Harrison. We actually just featured the balloon

521
00:30:06,920 --> 00:30:11,039
animals ad in our old time radio snack Wagon ads

522
00:30:11,039 --> 00:30:15,240
sample or two last season, and of course you're going

523
00:30:15,279 --> 00:30:18,240
to get at least one more of them when we

524
00:30:18,400 --> 00:30:22,559
bring you the Henderson matter on us. And then I

525
00:30:22,559 --> 00:30:25,720
think we'll be done with the balloon animal ads for

526
00:30:27,039 --> 00:30:30,240
six or seven years, and I don't think I'll miss him.

527
00:30:30,880 --> 00:30:33,839
Then we have a couple of comments regarding the Road

528
00:30:33,880 --> 00:30:37,599
to the Valentine Manor. Nancy emails and I just adore

529
00:30:37,680 --> 00:30:41,039
the Road to the Valentine Manor. This has always been

530
00:30:41,119 --> 00:30:44,400
my favorite cereal, and to see how it's been handled

531
00:30:44,400 --> 00:30:48,559
in Recheep over the years, it's just great. I've listened

532
00:30:48,839 --> 00:30:52,440
almost from the beginning and loved every bit of it.

533
00:30:52,559 --> 00:30:56,480
Keep up the great job, Thanks so much, Nancy. And

534
00:30:56,519 --> 00:31:02,160
then over on YouTube, and then Kathy, she writes, this

535
00:31:02,240 --> 00:31:04,799
is great. I listen to a lot of old time

536
00:31:04,880 --> 00:31:07,559
radio detectives and sometimes here a story that I know

537
00:31:07,640 --> 00:31:10,400
I've heard before, but surely with a different detective, or

538
00:31:10,599 --> 00:31:13,519
was it. It's great that you've done this quality work

539
00:31:13,559 --> 00:31:17,400
to bring this to us like this. Well, thanks so much,

540
00:31:17,880 --> 00:31:20,759
and it really is fun to do the twicele tales now.

541
00:31:20,960 --> 00:31:25,519
Of course, in the interest of full disclosure, the work

542
00:31:25,680 --> 00:31:30,400
of identifying these reuse scripts has gone on for some

543
00:31:30,640 --> 00:31:35,279
times and certainly predates my efforts, But my idea has

544
00:31:35,400 --> 00:31:40,079
really been just bringing you the episodes in a single

545
00:31:40,200 --> 00:31:44,160
podcast so you can kind of hear the direct comparison.

546
00:31:44,519 --> 00:31:48,720
And so it's been fun to do these the road

547
00:31:48,799 --> 00:31:52,000
to the Valentine matter. It was, of course a lot

548
00:31:52,119 --> 00:31:55,799
more work and a longer episode than we typically do,

549
00:31:56,839 --> 00:32:00,720
and I think for the spring episode we will be

550
00:32:00,799 --> 00:32:04,920
back to just a sort of twict hold tale, but

551
00:32:06,079 --> 00:32:09,519
if people enjoyed the cereal, we might look into some

552
00:32:09,680 --> 00:32:13,519
of the more complex cereals in the future and do

553
00:32:13,640 --> 00:32:14,480
those again.

554
00:32:15,400 --> 00:32:15,640
Speaker 2: Again.

555
00:32:15,720 --> 00:32:18,759
Speaker 1: Appreciate your feedback. Well, now it is time to thank

556
00:32:19,000 --> 00:32:23,000
our Patreon supporter of the day, and I want to

557
00:32:23,000 --> 00:32:27,160
thank Gary, Patreon supporter since August twenty sixteen, currently supporting

558
00:32:27,200 --> 00:32:30,400
the podcast at the shawmus level of four dollars or

559
00:32:30,400 --> 00:32:32,880
more per month. Thanks so much for your support and

560
00:32:32,880 --> 00:32:35,839
that will do it for today. If you're enjoying the podcast,

561
00:32:35,880 --> 00:32:40,799
please follow us using your favorite podcast software and be

562
00:32:40,920 --> 00:32:43,720
sure to rate and review the podcast wherever you download

563
00:32:43,759 --> 00:32:47,240
it from. We'll be back next Friday with another episode

564
00:32:47,400 --> 00:32:51,160
of Yours Truly Johnny Dollar, and we will be back

565
00:32:51,319 --> 00:32:56,519
on Sunday with our first normal Sunday Encore, and on

566
00:32:56,640 --> 00:32:59,960
Monday we return to our regular lineup with Danger with Grangers.

567
00:33:00,359 --> 00:33:04,079
But join us back here tomorrow as we give way

568
00:33:04,160 --> 00:33:07,039
to the great adventurers of old time radio with Cloak

569
00:33:07,039 --> 00:33:08,200
and dagger, where.

570
00:33:09,200 --> 00:33:11,640
Speaker 8: All of a sudden the train gave a lunch. One

571
00:33:11,640 --> 00:33:14,039
of my suitcases took a flying dive to the floor.

572
00:33:14,880 --> 00:33:17,480
There was a suitcase with a pen knife scar across

573
00:33:17,559 --> 00:33:19,960
the other handle, the one with the radio.

574
00:33:21,319 --> 00:33:21,839
Speaker 7: I was glad.

575
00:33:21,839 --> 00:33:23,880
Speaker 8: I was long the next compartment. I couldn't wait to

576
00:33:23,920 --> 00:33:26,119
find out if that radio was all right. You see,

577
00:33:26,160 --> 00:33:28,440
the case was lined with a false backy of boxes

578
00:33:28,440 --> 00:33:32,039
of chocolates to hide the radio. I unfastened the backing

579
00:33:32,880 --> 00:33:36,599
and there was the radio. It was okay, nothing was broken.

580
00:33:37,160 --> 00:33:39,680
And then before I could refasten the backing, I heard

581
00:33:39,759 --> 00:33:45,839
voices outside the compartment door. I didn't have time to

582
00:33:45,839 --> 00:33:48,480
refasten the backing. I had just enough time to slam

583
00:33:48,519 --> 00:33:50,720
the case shut again, slide it back up in the rack,

584
00:33:50,759 --> 00:33:54,880
and get back in my seat. Major, what is this?

585
00:33:55,599 --> 00:33:57,759
Speaker 2: I was under the impression of this compartment was erft

586
00:33:57,759 --> 00:33:58,359
from me alone.

587
00:33:58,680 --> 00:34:00,839
Speaker 4: There must be some mistake, Caffield, Musha.

588
00:34:02,519 --> 00:34:05,359
Speaker 8: There was a mistake, all right, my mistake in picking

589
00:34:05,400 --> 00:34:07,400
the one compartment on the train that had been chosen

590
00:34:07,440 --> 00:34:08,000
for Field.

591
00:34:08,079 --> 00:34:10,199
Speaker 2: Marshall Ramar, I.

592
00:34:10,199 --> 00:34:13,000
Speaker 1: Hope you'll be with us then in the meantime, send

593
00:34:13,039 --> 00:34:17,599
your comments to Box thirteen at Great Detectives dot net,

594
00:34:17,960 --> 00:34:21,199
Follow us on Twitter at Radio Detectives, and check us

595
00:34:21,199 --> 00:34:28,079
out on Instagram, Instagram, dot com, slash Great Detectives from Boise, Idaho.

596
00:34:28,320 --> 00:34:30,800
This is your host, Adam Graham signing off.

