WEBVTT

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<v Speaker 1>Welcome to Spacing Out with BB and Jason this week

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<v Speaker 1>covering Foundation season two episode three, King and Commoner.

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<v Speaker 2>Welcome to Spacing Out.

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<v Speaker 3>I'm BB and I'm Jason, and we are discussing Foundation

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<v Speaker 3>one episode at a time. Spoiler free. Foundation is currently

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<v Speaker 3>available to stream on Apple TV. This is our first

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<v Speaker 3>time watching a series, so we will not be watching

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<v Speaker 3>ahead and therefore we won't have any spoiler section or

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<v Speaker 3>any spoilers at all. May occasionally bring up some things

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<v Speaker 3>from the books. This episode is being released on two

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<v Speaker 3>different podcasts, so if you're listening via Spacing Out with Foundation,

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<v Speaker 3>I invite you to check out our main channel, Spacing

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<v Speaker 3>Out with BB and Jason, where we have covered other

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<v Speaker 3>shows and movies such as Battlestar Galactica, Star Trek, Our,

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<v Speaker 3>Flag Means Death, Alien, and more. Today we are talking

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<v Speaker 3>about Foundation season two, episode three, King and Commoner. This

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<v Speaker 3>originally aired on July twenty eighth, two twenty three, Written

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<v Speaker 3>by lay Dana Jackson and Jane Esmondson and directed by

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<v Speaker 3>David S. Goyer. In this episode, Lady Demerzil recruits General

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<v Speaker 3>bell Rios from prison to investigate the Foundation, reuniting him

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<v Speaker 3>with his husband gleywyn Heer before leading a fleet to

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<v Speaker 3>the outer Reach, Harry, Gale, and Salvor visit UNA's world,

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<v Speaker 3>where Harry's consciousness has transferred into an organic body. With

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<v Speaker 3>the help of the mysterious Cali. While evading reactivated mining machines,

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<v Speaker 3>they retrieve Harry's body and escape the planet. Meanwhile, huber

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<v Speaker 3>Mallow steals the eye of Coral using teleportation technology. It's

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<v Speaker 3>captured and sentenced to death, but out smarts his captors

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<v Speaker 3>and escapes in the ship Polly.

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<v Speaker 1>Five check. Did we like the episode overall?

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<v Speaker 2>It was all over the place, but I liked it.

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<v Speaker 3>Yeah, definitely, Sana show that likes to like focus on

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<v Speaker 3>on one storyline. It's always jumping around. Yeah, but yet

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<v Speaker 3>overall I'm liking it. It's bringing in more characters that

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<v Speaker 3>are more interesting and saw a lot of things I'm

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<v Speaker 3>not understanding, but still here for it. You have anything

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<v Speaker 3>else to say about.

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<v Speaker 2>It, I'm waiting until we go to the deep dive

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<v Speaker 2>copy that.

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<v Speaker 1>Trivia time. What facts or news could we uncover for

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<v Speaker 1>King and Commoner?

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<v Speaker 3>Last time talked a little bit about the writer Jane Espenson.

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<v Speaker 3>We have another writer today. Lay Danna Jackson is known

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<v Speaker 3>for the Old Man, which is ANTHX TV series starring

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<v Speaker 3>Jeff Bridges and Raising Dion, so Netflix TV series about

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<v Speaker 3>a child superhero. And he's also worked a lot with

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<v Speaker 3>Spike Lee, including being his teaching assistant in n Yu

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<v Speaker 3>from the books. I think last week, maybe it was

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<v Speaker 3>two weeks ago bel Rios his name was mentioned. Now

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<v Speaker 3>we actually meet him, and then the storyline about rescuing

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<v Speaker 3>Hobert Mallow is the Roofs adaptation of one of the

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<v Speaker 3>sections of the first novel, and he's a very different

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<v Speaker 3>character than his book counterpart. The book version is a

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<v Speaker 3>hardened trader turned politician who is always very serious, and

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<v Speaker 3>the TV version, as we see, is a little more

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<v Speaker 3>comic relief. That's all the trivia I have. So let's

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<v Speaker 3>get into our discussion.

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<v Speaker 1>Deep space dive. Let's break down some of our thoughts

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<v Speaker 1>on the episode. You can share your thoughts with us

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<v Speaker 1>through email or social media. We may use your comments

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<v Speaker 1>on an upcoming episode.

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<v Speaker 2>So how about that internment camp? Huh yay, we're forced labor.

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<v Speaker 2>You think your society is advanced, and so you see

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<v Speaker 2>how the corporal punishment system operates. That's the real testament

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<v Speaker 2>to your society. I think, how do you punish people.

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<v Speaker 2>I think it's very interesting and not much changed in

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<v Speaker 2>our human existence, so I should have changed in a fantasy, right, Yeah, you.

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<v Speaker 3>Don't have Trantur without the opposite on other worlds.

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<v Speaker 2>Yeah, well were they mining the cocaine? What was that?

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<v Speaker 3>Something just piles.

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<v Speaker 2>A white pouter? Yeah, baking soda? What was it?

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<v Speaker 3>Not relevant?

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<v Speaker 2>It's just random white shit, And it didn't seem like

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<v Speaker 2>mining to me. Like when I think of mining, I

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<v Speaker 2>either think of like strip mining, which is like the

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<v Speaker 2>worst kind of mining, or.

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<v Speaker 3>Because you have to strip while you're doing.

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<v Speaker 2>It, Well that's not bad. No, it's because it like

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<v Speaker 2>gets rid of good Earth. You're you're digging down past

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<v Speaker 2>like the best layers of our like Earth's crust and

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<v Speaker 2>like the soil and rich like plantable like usable soils,

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<v Speaker 2>just to get to minerals and deposits that are below it.

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<v Speaker 2>I don't know, though, I don't know how viable like

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<v Speaker 2>coal mining, you know, like an area above a coal mine,

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<v Speaker 2>I don't know how fruitful it could be either. Based

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<v Speaker 2>on this show, it's like, you know, two feet thick

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<v Speaker 2>and you're done. So I don't know if that's like

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<v Speaker 2>enough for plants to find foothold for their root systems.

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<v Speaker 3>We also saw that the other planet that Gale and

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<v Speaker 3>then landed on that they had forget what they said.

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<v Speaker 3>They did those machines like pulled everything useful out of

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<v Speaker 3>the ground and that's why it was hollow like that.

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<v Speaker 2>Yeah, and then they turned towards the people scary.

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<v Speaker 3>I don't know.

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<v Speaker 2>I was interesting though, to see like a character that

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<v Speaker 2>Empire didn't agree with and punished that now he needs

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<v Speaker 2>him and he's like still being umpire about it.

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<v Speaker 3>Yeah, because it seems like he feared him more than

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<v Speaker 3>was like needing to punish him, like you needed to

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<v Speaker 3>keep him away because he had popularity.

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<v Speaker 2>Yeah, he's a popular person with who was probably like

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<v Speaker 2>could have been a better leader than him, to be honest,

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<v Speaker 2>But because they're so like committed to this like genetic line,

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<v Speaker 2>there's no opportunity for better leadership. I'm sad that we

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<v Speaker 2>didn't get to see what happened with him and his girlfriend.

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<v Speaker 3>Yeah. I guess they couldn't fit everything into one episode.

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<v Speaker 2>Jeez, But they seem to be able to fit him.

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<v Speaker 2>Watching the to the gay couple reuniting and Cassine while

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<v Speaker 2>he's being caressed by his robot stepmom. This show makes

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<v Speaker 2>really weird choices. Yeah, when it comes to that robot

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<v Speaker 2>lady and an empire.

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<v Speaker 3>Yeah, I'm not sure why they're doing that. But lots

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<v Speaker 3>of butts too, Oh yeah, lots of butts. Butts, but

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<v Speaker 3>never a never a penis shadow. Never a penis shadow

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<v Speaker 3>your or balls. Your balls don't have low enough for

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<v Speaker 3>us to see anything between your legs, which to me

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<v Speaker 3>doesn't make sense no at all, because I took a

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<v Speaker 3>lot of like figure drawing classes, and testicles like are

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<v Speaker 3>ever present even from the back, depending on the angle,

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<v Speaker 3>you know. I thought it was kind of a power

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<v Speaker 3>move for him to be like, no, I'm not going

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<v Speaker 3>to shower and clean up fuck that. He made me this,

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<v Speaker 3>so he has to sit with this, and that was

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<v Speaker 3>like I really respected that. And even when he was

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<v Speaker 3>like negotiating his like freedom, he's like, nah, nah, not

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<v Speaker 3>just me, freedom for everybody here. And obviously that's not

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<v Speaker 3>going to happen, but hopefully he did manage to get

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<v Speaker 3>better working conditions for them. Yeah, I guess we just

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<v Speaker 3>have to trust empire. Yeah.

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<v Speaker 2>I don't think I trust Empire. I don't know.

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<v Speaker 3>It's interesting that this is demersals kind of idea to

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<v Speaker 3>bring him into this, and like she's kind of making

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<v Speaker 3>decisions within the empire.

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<v Speaker 2>I think that's kind of her point of being like

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<v Speaker 2>a seductress, right, She's probably tired of sitting on the

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<v Speaker 2>sidelines and watching empires slowly turn the ship into the

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<v Speaker 2>fucking iceberg. You know, like she can see it, even

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<v Speaker 2>though she doesn't know psychohistory or whatever the fuck they

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<v Speaker 2>called it, she can clearly see that there's a pattern

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<v Speaker 2>here for this dumb ass to like do dumb ass shit.

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<v Speaker 2>And she's finally stepping in and using emotional and physical

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<v Speaker 2>manipulation to have a say in how things are run.

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<v Speaker 2>And I feel like women have had to resort to

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<v Speaker 2>this type of quote unquote manipulation because they're not seen

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<v Speaker 2>as like leaders. And I don't know if this show

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<v Speaker 2>really sees women as leaders in a way that's like impactful,

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<v Speaker 2>because like it's kind of minor. But like when they

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<v Speaker 2>were landing on that planet, Harry was like, let me

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<v Speaker 2>land us and the girls just like let go of

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<v Speaker 2>the reins and let Jesus take the wheel. And I'm like,

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<v Speaker 2>that's very subtle and most people wouldn't recognize it, but

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<v Speaker 2>it's just like to me, it's very overt, like let

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<v Speaker 2>this white man, this older white man, take over the driving,

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<v Speaker 2>let him have the front seat. And it's just like

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<v Speaker 2>I don't.

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<v Speaker 3>Know everything in their storyline, like Gale and Salvoard, like

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<v Speaker 3>no power over anything happening. No, they're kind of they

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<v Speaker 3>make one decision to leave and that doesn't work out. Yeah,

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<v Speaker 3>And I mean there's one character I really don't like

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<v Speaker 3>in this show. It is Harry Selden. And initially I

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<v Speaker 3>thought like, well, that's fine because I know he's not

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<v Speaker 3>going to be around very long. Like as a book reader,

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<v Speaker 3>I knew like he kind of exits the story just

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<v Speaker 3>the idea of him is out there. But she's like

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<v Speaker 3>deeply entrenched in this. Yeah, and now now he's a

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<v Speaker 3>person again. Yeah, so now he's a full on character. Yeah. Yeah,

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<v Speaker 3>he's just so arrogant.

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<v Speaker 2>And I don't like the way that he behaves around

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<v Speaker 2>these women of color, how he's like choking them and

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<v Speaker 2>like and like manipulating them and like misleading them in

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<v Speaker 2>a lot of ways, like oh, I said it was

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<v Speaker 2>gonna be five hundred meters horizontally, like you asshole, And

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<v Speaker 2>she didn't bring enough water, like you are not a

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<v Speaker 2>corporal bean right now. You don't realize how fucked up

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<v Speaker 2>that is that you didn't tell her. Maybe you should

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<v Speaker 2>bring an extra water bottle. It's gonna be a long

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<v Speaker 2>trip and she's got to come back alone. I'm interested

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<v Speaker 2>to see how that lady in that cave kind of

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<v Speaker 2>comes into play, what her role is other than turning

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<v Speaker 2>water into wine or whatever she did to make him

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<v Speaker 2>a person. Very interesting. I think she's one of the

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<v Speaker 2>ladies that he was like talking to when he was

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<v Speaker 2>stuck in that prism.

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<v Speaker 3>Yeah.

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<v Speaker 2>Yeah, so it's like I don't know what her role

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<v Speaker 2>is or what she does or I don't know. It's

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<v Speaker 2>very mysterious, and I kind of like that. Usually when

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<v Speaker 2>there's a mystery in this show, I fucking hate it.

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<v Speaker 3>And according to Gail, that woman should be long dead

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<v Speaker 3>as well.

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<v Speaker 2>Yeah, but so should she. So shut up, Gail, who

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<v Speaker 2>are you to talk?

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<v Speaker 3>Go talk to your daughter some really having parental issues.

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<v Speaker 2>Well, she just got like informed that she's gonna die.

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<v Speaker 2>Trying to deal with her mortality is kind of hard.

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<v Speaker 3>Yeah, it's interesting that, like there's two kind of weird,

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<v Speaker 3>omniscient things happening where the prime Radiant is making a

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<v Speaker 3>decision for them to like to go to this place

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<v Speaker 3>and do this thing that gives Harry a body, and

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<v Speaker 3>that's not how the psychohistory thing is supposed to work.

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<v Speaker 3>And they all acknowledge that. So we're like why how

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<v Speaker 3>did this happen? And then also on terminus the same thing,

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<v Speaker 3>they're saying, like psychohistory shouldn't know about one individual person.

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<v Speaker 3>It's all about like, you know, the movement of massive mass. Yeah, yeah,

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<v Speaker 3>so it's calling for hober Mallow and like how does

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<v Speaker 3>he even know this single person exist?

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<v Speaker 2>I don't know, Maybe that teleport device is somehow vital

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<v Speaker 2>or something, because that seems like a really important invention.

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<v Speaker 2>Uh and uh, that guy was interesting. I did like him.

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<v Speaker 2>I liked how he's kind of like finessing that leader

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<v Speaker 2>and that scene where he was getting tied down to

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<v Speaker 2>that like Pike thing. Yeah, that feels like somebody's like

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<v Speaker 2>it's a mixture of like Nazi Germany and like the

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<v Speaker 2>Jim Crows House where there were lyncheans and public and stuff,

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<v Speaker 2>and it's just like again, like this idea of corporal

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<v Speaker 2>punishment is very prominent in this world, Like what do

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<v Speaker 2>you do with your criminals or perceived criminals because in

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<v Speaker 2>both of these cases, like it didn't seem like the

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<v Speaker 2>person had a proper trial. It didn't seem like they

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<v Speaker 2>really hurt anybody, and they didn't to me, like whatever

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<v Speaker 2>that rock he's like, they could have just taken the

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<v Speaker 2>rock back and led it, told him like you're banned

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<v Speaker 2>from this planet and called it good. But they're like, no,

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<v Speaker 2>we're gonna strap your ass down and put you in

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<v Speaker 2>this cool hoodie.

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<v Speaker 3>Because you have to wear the thing with a target

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<v Speaker 3>on you. It would miss.

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<v Speaker 2>No what if it did miss? What if he like,

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<v Speaker 2>you know when you sit down and your shirt goes

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<v Speaker 2>up a little, what was like the target was way

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<v Speaker 2>too high and it was off target on his belly

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<v Speaker 2>button or something.

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<v Speaker 3>I think it was big enough to kill himself.

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<v Speaker 2>Yeah.

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<v Speaker 3>That so we see them execute one guy first. He

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<v Speaker 3>didn't get final words or no, they're like.

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<v Speaker 2>Prisoner number one execute boom.

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<v Speaker 3>Yeah.

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<v Speaker 2>You know what it reminded me of. You know when

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<v Speaker 2>you click a pen and the little pen comes down,

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<v Speaker 2>that's what it gave you click click, and then they

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<v Speaker 2>retracts and they use the same rusted point for the

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<v Speaker 2>next guy. Very medieval, very Spanish inquisition, very Catholic. I

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<v Speaker 2>don't know. It was uh. I think that was the

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<v Speaker 2>liveliest scene in the whole episode. And then one thing

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<v Speaker 2>that did bother me was when he gave his speech

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<v Speaker 2>and he's like making new friends. Then he looks at

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<v Speaker 2>the girl with the blue eyes that shouldn't have blue

248
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<v Speaker 2>eyes because she's a brown person, and it just feels

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<v Speaker 2>like she's an alien or something. I don't know, Like

250
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<v Speaker 2>those gotta be contacts, right, they look so scary on her,

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<v Speaker 2>like freaky. But I are they trying to like do

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<v Speaker 2>a love connection there? I don't he when they do

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<v Speaker 2>that where it's like, oh, well you're a pretty young

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<v Speaker 2>woman and he's a handsome young man and so about

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<v Speaker 2>a being a bad a boom love try it love interest?

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<v Speaker 3>I don't know, because he did like do that thing

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<v Speaker 3>where he landed on top of her and there's an

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<v Speaker 3>awkward moment.

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00:15:35.120 --> 00:15:39.039
<v Speaker 2>Yeah, so so lame. It's so lame. And I thought

260
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<v Speaker 2>she was a woman of the cloths. I thought there

261
00:15:41.440 --> 00:15:46.600
<v Speaker 2>was like a abstinence or something there. What is she doing?

262
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<v Speaker 2>She's not serious about her magic Mojo jojo red religion.

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<v Speaker 3>Rules about that, I guess, and also spreading the good

264
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<v Speaker 3>news of the Foundation and then and.

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00:16:00.320 --> 00:16:03.600
<v Speaker 2>Like she injected him with that shit that sobers you up. Right,

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<v Speaker 2>That's what that was. That's what it looked like.

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<v Speaker 3>I'm not sure.

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<v Speaker 2>I'm not sure if he's just started throwing up, I'm like,

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<v Speaker 2>he must have been high off his mind.

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<v Speaker 3>Then. Yeah, he definitely brings a little different energy to

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<v Speaker 3>the show. Yeah, he feels like he could be out

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<v Speaker 3>of Was it that new Dungeon and Dragons movie?

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<v Speaker 2>Oh yeah with Crispine. Yeah, yeah, yeah, he gave that energy.

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<v Speaker 2>I thought you were gonna say, Hitchhiker's Guide to the

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<v Speaker 2>Galaxy maybe a little, a little Ford prefect. I'm still

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<v Speaker 2>on the fence about this show. I know a lot

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<v Speaker 2>of people really really love it, but there's just like

278
00:16:45.600 --> 00:16:50.879
<v Speaker 2>certain elements that feel very like microaggressions, Like things that

279
00:16:50.919 --> 00:16:54.559
<v Speaker 2>are so subtle that somebody wouldn't notice them unless they

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<v Speaker 2>are hyper tuned to like stuff like that. Also, like

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<v Speaker 2>the scene with the two men reuniting when he finally

282
00:17:06.680 --> 00:17:10.680
<v Speaker 2>cleaned himself up, it took forever for them to embrace

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00:17:10.759 --> 00:17:13.799
<v Speaker 2>and kiss, and then they didn't let you see the

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<v Speaker 2>real kiss. You had to watch like a second hand

285
00:17:17.440 --> 00:17:20.559
<v Speaker 2>version of the kiss. So that was also very like

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<v Speaker 2>I don't know, like it felt weird. It also felt

287
00:17:24.160 --> 00:17:27.519
<v Speaker 2>weird that we were watching them kiss through Empire's eyes,

288
00:17:27.839 --> 00:17:33.359
<v Speaker 2>Like I don't know, it's giving Empire like really pervate vibes.

289
00:17:33.720 --> 00:17:36.400
<v Speaker 2>And I know he's not supposed to be likable, but

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00:17:36.799 --> 00:17:39.359
<v Speaker 2>I thought we agreed that he's not the villain, So

291
00:17:39.480 --> 00:17:42.359
<v Speaker 2>what is he? There seems to be like a higher

292
00:17:43.079 --> 00:17:47.640
<v Speaker 2>level threat like approaching, So what is the role of

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00:17:47.720 --> 00:17:53.839
<v Speaker 2>Empire now, Like it's like, what is the failing government

294
00:17:54.119 --> 00:17:59.000
<v Speaker 2>like grasping to like survive flailing? Yeah, but what's the

295
00:17:59.200 --> 00:18:02.680
<v Speaker 2>significance of that? Whenever we have bigger fish to fry,

296
00:18:03.119 --> 00:18:06.119
<v Speaker 2>one government failing. I mean there's got to be hundreds

297
00:18:06.160 --> 00:18:10.799
<v Speaker 2>of factions right in a universe. I'm interested to see

298
00:18:10.839 --> 00:18:14.960
<v Speaker 2>what the General finds in the outer Reach and how

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00:18:15.039 --> 00:18:19.200
<v Speaker 2>he approaches it because I feel like, I don't know why,

300
00:18:19.240 --> 00:18:21.200
<v Speaker 2>but I feel like I can trust him. Maybe it's

301
00:18:21.200 --> 00:18:23.880
<v Speaker 2>because I saw him as an enslaved person who was

302
00:18:23.920 --> 00:18:27.359
<v Speaker 2>helping other enslaved people, and you don't see that in

303
00:18:27.440 --> 00:18:28.000
<v Speaker 2>this show.

304
00:18:28.400 --> 00:18:30.640
<v Speaker 3>Yeah, I mean that's a quick shortcut to be like, hey,

305
00:18:30.680 --> 00:18:35.240
<v Speaker 3>this is a good guy. Yeah, and he's he's loyal

306
00:18:35.319 --> 00:18:37.359
<v Speaker 3>to the Empire, but he seems to make it clear

307
00:18:37.400 --> 00:18:40.680
<v Speaker 3>that like is because he actually cares about the people.

308
00:18:40.519 --> 00:18:42.799
<v Speaker 2>Well, and I think he cares about the role that

309
00:18:42.880 --> 00:18:47.559
<v Speaker 2>he plays in a larger society. Like he understands Empire

310
00:18:47.880 --> 00:18:51.680
<v Speaker 2>is our faction right now and so and I made

311
00:18:51.680 --> 00:18:55.720
<v Speaker 2>a commitment to serve the public that you serve. So

312
00:18:55.799 --> 00:18:59.039
<v Speaker 2>it's not like a commitment to Empire himself. It's it's

313
00:18:59.279 --> 00:19:03.599
<v Speaker 2>a commitment to the people, which I completely understand. Yeah, Like,

314
00:19:03.720 --> 00:19:06.880
<v Speaker 2>I may not like who you are, what you represent,

315
00:19:07.440 --> 00:19:11.160
<v Speaker 2>but at the end of the day, you are the

316
00:19:11.200 --> 00:19:14.680
<v Speaker 2>government for all of these people, and those people all

317
00:19:14.759 --> 00:19:18.240
<v Speaker 2>need protection, and you're not good at giving it to them,

318
00:19:18.480 --> 00:19:20.039
<v Speaker 2>So I'm gonna do it.

319
00:19:20.160 --> 00:19:24.559
<v Speaker 3>Empires two disconnected from the people to care about them.

320
00:19:24.839 --> 00:19:26.920
<v Speaker 2>I feel like he has no idea what the people

321
00:19:27.039 --> 00:19:29.839
<v Speaker 2>are like. If he sees like the way that he

322
00:19:29.960 --> 00:19:33.160
<v Speaker 2>sees the people is probably like the ones who are

323
00:19:33.200 --> 00:19:36.759
<v Speaker 2>trying to kill him. They're the ones to control. They

324
00:19:36.880 --> 00:19:42.279
<v Speaker 2>don't to him, they symbolize like his ability to control.

325
00:19:42.680 --> 00:19:47.039
<v Speaker 2>And so I think he doesn't understand that the people

326
00:19:47.079 --> 00:19:50.240
<v Speaker 2>can Well maybe he does now because he hadn't for

327
00:19:50.319 --> 00:19:53.519
<v Speaker 2>a long time. The people can also be his downfall.

328
00:19:53.680 --> 00:19:58.559
<v Speaker 2>It's like that scene in the movie A Bugs Life

329
00:19:58.880 --> 00:20:05.640
<v Speaker 2>where the grasshoppers are like telling the bugs like the

330
00:20:05.720 --> 00:20:10.000
<v Speaker 2>ants specifically, like that they work for them. But then

331
00:20:10.079 --> 00:20:14.920
<v Speaker 2>the ants realize, we're like way bigger, Like there's twenty

332
00:20:14.960 --> 00:20:18.480
<v Speaker 2>of you and one hundred of us. We can overpower you,

333
00:20:18.559 --> 00:20:21.440
<v Speaker 2>we can say no. And I feel like Empire doesn't

334
00:20:21.480 --> 00:20:24.119
<v Speaker 2>see that, and that's I think that's gonna be the

335
00:20:25.240 --> 00:20:29.000
<v Speaker 2>cause of his downfall ultimately, is him not seeing the

336
00:20:29.079 --> 00:20:32.720
<v Speaker 2>power in people becaus little as they may be together,

337
00:20:32.880 --> 00:20:38.319
<v Speaker 2>they can form like strong opposition. And I think that's

338
00:20:38.319 --> 00:20:41.240
<v Speaker 2>why the Foundation is finally seen as a threat. He

339
00:20:41.279 --> 00:20:44.720
<v Speaker 2>didn't realize he gave them power by putting them so

340
00:20:44.839 --> 00:20:47.359
<v Speaker 2>far out of reach. Yeah, he thought he was being

341
00:20:47.440 --> 00:20:49.920
<v Speaker 2>clever by putting them all the way out there, you.

342
00:20:49.880 --> 00:20:54.480
<v Speaker 3>Know, because as his power is drinking and like they're

343
00:20:54.519 --> 00:20:57.240
<v Speaker 3>losing the outer planets and the Foundation is out there

344
00:20:57.240 --> 00:21:01.559
<v Speaker 3>on the outer rim scooping them up with their their

345
00:21:01.799 --> 00:21:03.920
<v Speaker 3>door to door Bible salesman.

346
00:21:04.200 --> 00:21:07.319
<v Speaker 2>Yeah, very interesting. I do. I do see the lure

347
00:21:07.359 --> 00:21:11.640
<v Speaker 2>of that kind of ideology of saying, like, you know,

348
00:21:12.680 --> 00:21:17.200
<v Speaker 2>do not trust these men in high places because they

349
00:21:17.200 --> 00:21:20.680
<v Speaker 2>don't have you your best interest in mind. Like I

350
00:21:21.400 --> 00:21:24.640
<v Speaker 2>like that, and I think it's interesting that they're exploring that.

351
00:21:25.960 --> 00:21:28.759
<v Speaker 2>I don't know, I'm interested to see more, for sure.

352
00:21:29.039 --> 00:21:31.559
<v Speaker 2>I feel like the show's finally peaking my interest in

353
00:21:31.599 --> 00:21:33.359
<v Speaker 2>a way that's not annoyance.

354
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<v Speaker 3>Well, that's good. One more interesting thing to note when

355
00:21:42.720 --> 00:21:45.039
<v Speaker 3>Harry and Gale were walking across the sand, that he

356
00:21:45.119 --> 00:21:47.839
<v Speaker 3>wasn't leaving footprints. I thought that was a nice little detail.

357
00:21:48.200 --> 00:21:50.279
<v Speaker 2>I thought it was weird that he wouldn't just jump

358
00:21:50.319 --> 00:21:55.599
<v Speaker 2>from one position to a next like a like a mirage,

359
00:21:55.759 --> 00:21:57.759
<v Speaker 2>you know, I mean he could have. It would have

360
00:21:57.759 --> 00:21:59.920
<v Speaker 2>been cool if he did, just to show how inhuman

361
00:22:00.119 --> 00:22:02.640
<v Speaker 2>he is, you know. I think that was too subtle

362
00:22:02.680 --> 00:22:05.039
<v Speaker 2>to say he doesn't leave footprints. It would have been

363
00:22:05.039 --> 00:22:07.599
<v Speaker 2>funnier if he was like standing next to Gale and

364
00:22:07.599 --> 00:22:09.160
<v Speaker 2>then all of a sudden, he's like twenty foot of

365
00:22:09.200 --> 00:22:14.440
<v Speaker 2>hoever and he's like, come on, bitch, hurry up, and

366
00:22:14.480 --> 00:22:18.680
<v Speaker 2>she's like sweating, you know, Like, I don't know, it

367
00:22:18.720 --> 00:22:21.680
<v Speaker 2>would have been fun. I feel like they could have

368
00:22:21.720 --> 00:22:25.599
<v Speaker 2>played with that more, because, especially if they were gonna

369
00:22:25.599 --> 00:22:28.960
<v Speaker 2>turn him human, they should have like definitely played up

370
00:22:28.960 --> 00:22:32.319
<v Speaker 2>his inhumanness way more. Because the way they did it

371
00:22:32.400 --> 00:22:35.039
<v Speaker 2>was super subtle, and if you weren't watching the well

372
00:22:35.359 --> 00:22:37.640
<v Speaker 2>like close enough, you would have missed it that she

373
00:22:37.839 --> 00:22:40.000
<v Speaker 2>was like sweating her balls off and he was still

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00:22:40.039 --> 00:22:42.680
<v Speaker 2>clean and pristine and that white shirt.

375
00:22:42.960 --> 00:22:45.880
<v Speaker 3>I don't know. He's been in human for the last

376
00:22:45.960 --> 00:22:49.599
<v Speaker 3>like several episodes, jumping around the ship all the time. Yeah, yeah,

377
00:22:49.599 --> 00:22:51.640
<v Speaker 3>but I would have liked to seen it in the desert.

378
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<v Speaker 3>Any other thoughts, then let's talk about an astral queen.

379
00:22:58.200 --> 00:23:02.359
<v Speaker 1>Astral Queen was the stand out character in the episode.

380
00:23:03.119 --> 00:23:08.079
<v Speaker 2>I'm gonna give it to that guy that they mentioned

381
00:23:08.119 --> 00:23:12.960
<v Speaker 2>before they fried, that homeboy forget his name, global Marshmallow.

382
00:23:12.519 --> 00:23:13.559
<v Speaker 3>Before they fried.

383
00:23:13.880 --> 00:23:16.519
<v Speaker 2>Remember in the last episode, the last thing you saw

384
00:23:16.599 --> 00:23:17.559
<v Speaker 2>was that man get.

385
00:23:17.400 --> 00:23:24.559
<v Speaker 3>Is generated marshall over mouth Yeah yeah, also known as

386
00:23:24.599 --> 00:23:28.880
<v Speaker 3>Marshmallow from henceforth. I mean he was on my mind

387
00:23:28.920 --> 00:23:33.720
<v Speaker 3>too for this is because he was such a dea, yeah,

388
00:23:33.799 --> 00:23:35.839
<v Speaker 3>and he was one step ahead of everyone.

389
00:23:35.599 --> 00:23:38.319
<v Speaker 2>And he gave that energy that you're not getting from

390
00:23:38.359 --> 00:23:42.240
<v Speaker 2>this show, Like this show desperately needed some sort of

391
00:23:42.359 --> 00:23:45.640
<v Speaker 2>like like a lightheartedness.

392
00:23:45.759 --> 00:23:49.119
<v Speaker 3>Yeah. Like I mentioned in trivia that the book version

393
00:23:49.160 --> 00:23:51.960
<v Speaker 3>of him is very hard and serious, and it'd be

394
00:23:52.079 --> 00:23:54.359
<v Speaker 3>very be another dull character yeah.

395
00:23:54.559 --> 00:23:58.119
<v Speaker 2>Like, I'm already tired with Gail and how their homegirl

396
00:23:58.200 --> 00:24:04.240
<v Speaker 2>having really sad, boring basic conversations about the future. Uh,

397
00:24:04.279 --> 00:24:07.599
<v Speaker 2>it's still boring, Like I'm falling asleep whenever those two talk.

398
00:24:08.279 --> 00:24:13.200
<v Speaker 2>There's no chemistry whatsoever there, And I'm really sad because

399
00:24:13.240 --> 00:24:15.920
<v Speaker 2>that's supposed to be mother daughter. I don't know why

400
00:24:15.960 --> 00:24:18.920
<v Speaker 2>they did that to themselves. They should have put them

401
00:24:18.920 --> 00:24:21.960
<v Speaker 2>in a room to see, like, do these people like

402
00:24:22.240 --> 00:24:25.079
<v Speaker 2>seem like they're related, because they would have been great

403
00:24:25.119 --> 00:24:27.839
<v Speaker 2>if they had like a mannerism or a little twitch

404
00:24:28.039 --> 00:24:31.680
<v Speaker 2>or a little something that was slightly similar. I don't know,

405
00:24:31.759 --> 00:24:33.640
<v Speaker 2>but yeah, I like cobor Marshmallow.

406
00:24:34.200 --> 00:24:37.440
<v Speaker 3>All right, two votes for Marshmallow. I believe that's all

407
00:24:37.440 --> 00:24:41.000
<v Speaker 3>we have for this episode. Then the next one, well,

408
00:24:41.039 --> 00:24:45.119
<v Speaker 3>the episode four titled where the stars are scattered thinly

409
00:24:45.720 --> 00:24:47.440
<v Speaker 3>and that's just out of space, right.

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00:24:47.440 --> 00:24:50.039
<v Speaker 2>Okay, thinly. Maybe it's like the outer reach.

411
00:24:50.359 --> 00:24:52.680
<v Speaker 3>Okay, maybe the edges of the galaxy.

412
00:24:53.000 --> 00:24:56.519
<v Speaker 2>Yeah, all right, all right them enjoy the piece.

413
00:24:56.920 --> 00:24:59.839
<v Speaker 1>Yep, thank you for spacing out with BB and Jason.

414
00:25:00.759 --> 00:25:03.160
<v Speaker 1>You can help us out by subscribing and leaving a

415
00:25:03.200 --> 00:25:07.599
<v Speaker 1>positive rating or review. Remember, you can contact us through

416
00:25:07.599 --> 00:25:11.680
<v Speaker 1>email or social media. Next time we will cover Foundation

417
00:25:11.839 --> 00:25:15.359
<v Speaker 1>season two, episode four, where the stars are scattered thinly
