1 00:00:16,079 --> 00:00:19,399 Speaker 1: Come in welcome. 2 00:00:20,199 --> 00:00:23,559 Speaker 2: I me, g Marshall, what are you doing right now? 3 00:00:24,480 --> 00:00:27,559 Give me the next hour of your life. Let me 4 00:00:27,719 --> 00:00:30,719 fill it full of mystery and suspense. And who knows 5 00:00:31,280 --> 00:00:36,320 that hour might just last as long as eternity? Is 6 00:00:36,359 --> 00:00:40,000 there a judgment? And is there a judge at the 7 00:00:40,119 --> 00:00:44,320 very end? Do we approach the final bar, the ultimate bench? 8 00:00:45,119 --> 00:00:48,880 We do? The philosopher tells us we do, And sitting there, 9 00:00:49,439 --> 00:00:51,520 ready to put on the white cap or the black 10 00:00:52,000 --> 00:00:55,719 is the severest judge of all, And from his judgment 11 00:00:56,079 --> 00:00:58,600 there is neither appeal nor hope. 12 00:00:58,359 --> 00:00:58,960 Speaker 1: Of the creed. 13 00:01:00,079 --> 00:01:04,640 Speaker 2: This judge, this last stern arbiter of our fate, is 14 00:01:04,719 --> 00:01:08,719 the very person each of us was meant to be. 15 00:01:10,319 --> 00:01:15,319 Our mystery drama, Every Blossom Dies was written especially for 16 00:01:15,359 --> 00:01:19,280 the Mystery Theater by Sam Dan and stars Michael Tolan. 17 00:01:20,159 --> 00:01:23,799 It is sponsored in part by Bullick Motor Division. I'll 18 00:01:23,840 --> 00:01:35,359 be back shortly with that one. Why does the moth 19 00:01:35,680 --> 00:01:40,120 constantly seek the flame? Surely the moth must be aware 20 00:01:40,159 --> 00:01:44,719 of the ultimate consequence. The question will only permit two answers. 21 00:01:45,120 --> 00:01:49,680 A the moth is driven by mysterious forces beyond our comprehension, 22 00:01:49,879 --> 00:01:52,599 or B the moth is out to have a good 23 00:01:52,680 --> 00:01:54,920 time and simply doesn't care. 24 00:01:56,200 --> 00:01:57,280 Speaker 1: Like so many maws. 25 00:01:57,799 --> 00:02:02,319 Speaker 2: There are so many girls like Georgia time ample, pretty vivacious, 26 00:02:02,719 --> 00:02:06,719 fun to be with, smart, except for one little thing. 27 00:02:07,599 --> 00:02:10,800 They have atrocious luck with men. I wish I could 28 00:02:10,879 --> 00:02:14,360 go on talking about Georgia longer, because the moment I stop, 29 00:02:15,039 --> 00:02:19,240 she's going to be killed. But fortunately none of us 30 00:02:19,280 --> 00:02:21,039 here may prevail against fate. 31 00:02:22,039 --> 00:02:27,280 Speaker 3: But what are you doing? Wh Why are you pointing 32 00:02:27,280 --> 00:02:32,319 that gun at me? It's not a joke, Billy, I 33 00:02:32,360 --> 00:02:55,919 don't like it, Billy, don't look at me like that. Uh. 34 00:02:57,000 --> 00:02:57,879 Speaker 4: I was worried. 35 00:02:58,360 --> 00:03:05,039 Speaker 2: Worried for dinner? Ah? Is it the first time, Barbara, No, and. 36 00:03:05,039 --> 00:03:06,159 Speaker 4: It won't be the last. 37 00:03:06,879 --> 00:03:09,159 Speaker 2: But you usually called I'm sorry? Did I Did I 38 00:03:09,240 --> 00:03:09,800 ruin the stake? 39 00:03:10,400 --> 00:03:10,759 Speaker 1: Steak? 40 00:03:11,599 --> 00:03:13,680 Speaker 3: You ought to do the shopping. You're lucky to get 41 00:03:13,759 --> 00:03:15,599 STU Huh. 42 00:03:14,960 --> 00:03:17,080 Speaker 2: Well, if it's ready, I'm ready. 43 00:03:17,199 --> 00:03:18,680 Speaker 3: You know, I was really worried there. 44 00:03:19,000 --> 00:03:20,080 Speaker 2: Oh why should you be worried? 45 00:03:20,840 --> 00:03:22,919 Speaker 3: You mean a CoP's wife doesn't have the right to worry. 46 00:03:22,919 --> 00:03:24,879 Speaker 2: Oh, I'm not really a cop in that sense. I 47 00:03:24,919 --> 00:03:28,599 mean I'm not in uniform. I'm called in after the crime. 48 00:03:28,719 --> 00:03:32,759 Jerry Ferris and me. Whatever shooting or stabbing, the rough 49 00:03:32,840 --> 00:03:36,039 stuff has already happened. Jerry and I. We do the 50 00:03:36,120 --> 00:03:37,840 gentleman's job, the inquiry. 51 00:03:37,840 --> 00:03:40,439 Speaker 3: It's called Well, you still should have phoned. 52 00:03:40,719 --> 00:03:43,000 Speaker 2: That's right, and there's no excuse. 53 00:03:43,479 --> 00:03:46,439 Speaker 3: I wanted to know about dinner, so I called the 54 00:03:46,439 --> 00:03:48,319 desk at five and they said you'd left for the 55 00:03:48,400 --> 00:03:51,439 day about an hour before. And do you know at 56 00:03:51,439 --> 00:03:57,800 seven thirty? Now, Well, Darling, um, no, honey, I I'm sorry. 57 00:03:58,000 --> 00:03:58,960 Speaker 4: I have no right to time. 58 00:03:59,159 --> 00:04:01,879 Speaker 2: You have every right now, it's not under these conditions, Barbara. 59 00:04:01,879 --> 00:04:04,280 If you wanna know where I would, because. 60 00:04:04,719 --> 00:04:10,080 Speaker 3: That would mean that I'm well, I'm taking that note seriously, Barbara. 61 00:04:10,199 --> 00:04:11,199 Speaker 2: Let me tell you, I. 62 00:04:11,080 --> 00:04:12,599 Speaker 4: Don't believe that note. 63 00:04:12,960 --> 00:04:14,800 Speaker 3: It was sent by some vicious psycho. 64 00:04:14,919 --> 00:04:15,240 Speaker 1: Darling. 65 00:04:15,319 --> 00:04:16,240 Speaker 2: I wanted to explain it. 66 00:04:16,319 --> 00:04:18,480 Speaker 3: If a person has something to say to me about 67 00:04:18,519 --> 00:04:23,439 my husband, if anyone wish to accuse my husband of infidelity, 68 00:04:24,360 --> 00:04:26,399 let that person fat me openly. 69 00:04:26,480 --> 00:04:27,000 Speaker 4: And with crew. 70 00:04:27,160 --> 00:04:29,279 Speaker 2: I'll tell you where I was this afternoon. I just 71 00:04:29,519 --> 00:04:33,560 know you wouldn't have another woman say you are sure 72 00:04:33,600 --> 00:04:34,199 of me, aren't you? 73 00:04:35,319 --> 00:04:36,000 Speaker 3: I know you? 74 00:04:36,240 --> 00:04:36,759 Speaker 1: That's all. 75 00:04:38,639 --> 00:04:41,319 Speaker 3: It's just a note like that. 76 00:04:42,120 --> 00:04:44,079 Speaker 4: Well, I it's upsetting, darling. 77 00:04:44,079 --> 00:04:45,959 Speaker 2: Why didn't you let me see it? Because I could 78 00:04:45,959 --> 00:04:47,759 have taken it to headquarters and turned it over to 79 00:04:47,800 --> 00:04:48,160 the lab. 80 00:04:48,639 --> 00:04:52,160 Speaker 3: I didn't wanna get involved in anything, and oh, it's 81 00:04:52,199 --> 00:04:55,439 just a crank thing anyhow, I thought it'd be best 82 00:04:55,439 --> 00:04:58,279 all around if i'd just tore it up. I don't 83 00:04:58,279 --> 00:05:02,720 even know why I told you when I'm just scared 84 00:05:02,759 --> 00:05:04,839 to think there are people with that type of mentality 85 00:05:04,920 --> 00:05:05,600 running around. 86 00:05:05,839 --> 00:05:09,480 Speaker 2: Look, the fact is I left headquarters completely resolved to 87 00:05:09,480 --> 00:05:12,680 get home early. When I saw someone, a huddler who 88 00:05:12,680 --> 00:05:16,000 has no business in this particular territory, I thought i'd 89 00:05:16,040 --> 00:05:17,360 keep an eye on him for a while to see 90 00:05:17,360 --> 00:05:18,120 where he might lead me. 91 00:05:18,639 --> 00:05:19,639 Speaker 3: And where did he lead you? 92 00:05:19,920 --> 00:05:23,040 Speaker 2: To a rooming house where he's evidently living? So I 93 00:05:23,199 --> 00:05:25,920 filed him in my mind for future reference and came home. 94 00:05:28,879 --> 00:05:33,399 Speaker 3: Well, I hope you like this stew and made it 95 00:05:33,399 --> 00:05:33,959 with wine. 96 00:05:34,720 --> 00:05:35,600 Speaker 2: How could it be bad? 97 00:05:36,000 --> 00:05:38,519 Speaker 3: And a little music to aid the digestion? 98 00:05:45,680 --> 00:05:46,519 Speaker 2: Uh do you mind? 99 00:05:46,800 --> 00:05:48,759 Speaker 3: Would I love that you hear it? 100 00:05:48,800 --> 00:05:49,120 Speaker 4: Everyone? 101 00:05:49,279 --> 00:05:51,040 Speaker 2: That's the trouble. I've been listening to it all day, 102 00:05:51,399 --> 00:05:51,680 so have. 103 00:05:51,759 --> 00:05:53,519 Speaker 3: I and I never get tired of him? 104 00:05:53,560 --> 00:05:55,439 Speaker 2: Could we could we just do without it. 105 00:05:55,639 --> 00:05:58,360 Speaker 3: Oh sure, but it's such a pretty tune. 106 00:05:58,480 --> 00:06:00,240 Speaker 2: I think it's the title that turns me up. Uh, 107 00:06:01,160 --> 00:06:02,920 every flower must die. 108 00:06:03,399 --> 00:06:08,040 Speaker 3: No, it's every blossom dies. Kind of gives it a 109 00:06:08,040 --> 00:06:09,040 feeling of mystery. 110 00:06:09,120 --> 00:06:10,800 Speaker 2: Al Right, if you really wanna hear it? Oh none, 111 00:06:10,800 --> 00:06:12,639 if it really bothers you, no, it doesn't go ahead 112 00:06:12,639 --> 00:06:12,959 play it? 113 00:06:13,680 --> 00:06:18,000 Speaker 3: No, No, I'd rather talk about something more important. What well, 114 00:06:18,040 --> 00:06:21,079 I hate a nag, but it's money. I'm sure again 115 00:06:21,160 --> 00:06:21,560 this week? 116 00:06:22,120 --> 00:06:26,680 Speaker 2: I know, I I know, Look I I just have 117 00:06:26,879 --> 00:06:27,800 this situation. 118 00:06:28,920 --> 00:06:31,079 Speaker 4: But look at that be I said, I know. 119 00:06:31,720 --> 00:06:33,720 Speaker 3: Jerry Ferris tried to reach a half hour ago. 120 00:06:33,920 --> 00:06:34,920 Speaker 4: He left word to call it? 121 00:06:35,040 --> 00:06:36,360 Speaker 2: Honey, why didn't you tell me it? 122 00:06:36,360 --> 00:06:38,000 Speaker 4: Want it loose? To have your dinner? 123 00:06:38,319 --> 00:06:43,920 Speaker 2: Oh well, hello, they'll saddle and rie. Uh not me, friend, Jerry, 124 00:06:43,920 --> 00:06:46,920 I'm starting my forty eight hours off. We got his homicide, 125 00:06:47,199 --> 00:06:50,160 he addresses seven eighteen as you don't even more than 126 00:06:50,160 --> 00:06:51,199 fifteen minutes to get here? 127 00:06:51,759 --> 00:06:54,240 Speaker 1: Faris? 128 00:06:55,920 --> 00:06:56,959 Speaker 2: Yeah, I had better run. 129 00:06:57,360 --> 00:06:58,439 Speaker 3: O can't you get finny? 130 00:06:58,639 --> 00:07:00,519 Speaker 2: No, dear, I don't even know what kind of homicide 131 00:07:00,560 --> 00:07:04,160 we're up against. I better get right over there. I'm sorry. 132 00:07:04,920 --> 00:07:08,040 Speaker 3: Why it isn't that you didn't warn me before we 133 00:07:08,040 --> 00:07:08,680 were married. 134 00:07:09,000 --> 00:07:10,680 Speaker 2: Look, Darling about that note. 135 00:07:10,480 --> 00:07:12,040 Speaker 3: I've already forgotten about it. 136 00:07:12,519 --> 00:07:13,399 Speaker 4: I wish you would too. 137 00:07:14,120 --> 00:07:17,800 Speaker 2: Seven eighteen Hayes seven eighteen Hayes. 138 00:07:18,160 --> 00:07:18,639 Speaker 1: What there? 139 00:07:19,199 --> 00:07:20,879 Speaker 2: It's you address? Were I'm supposed to meet Jerry? 140 00:07:21,639 --> 00:07:21,680 Speaker 1: That? 141 00:07:22,160 --> 00:07:23,120 Speaker 4: No? If he isn't it? 142 00:07:23,199 --> 00:07:26,360 Speaker 2: Yeah? And why should that? A dress sounds familiar? 143 00:07:26,720 --> 00:07:35,519 Speaker 1: Oh? 144 00:07:35,680 --> 00:07:38,800 Speaker 2: You made a good time, Jerry. Don't you have an 145 00:07:38,800 --> 00:07:41,319 ear for music? That needle stuck in a groove? I 146 00:07:41,360 --> 00:07:43,680 know we'll turn the damn thing. Oh it don't be sore. 147 00:07:43,800 --> 00:07:46,439 I know I pulled you away from dinner. Why are 148 00:07:46,439 --> 00:07:48,040 you just standing there listening to that? 149 00:07:48,319 --> 00:07:49,000 Speaker 1: I'll explain. 150 00:07:51,319 --> 00:07:54,879 Speaker 2: And her name on the door, says Georgia Temple said 151 00:07:54,920 --> 00:07:58,160 her on the floor. Yeah, why you mean? Doc hasn't 152 00:07:58,160 --> 00:07:58,759 been here yet? 153 00:07:59,160 --> 00:08:02,920 Speaker 5: Everybody's been here, and God, I decided not to move 154 00:08:02,959 --> 00:08:04,519 her until you showed up. I want to get some 155 00:08:04,560 --> 00:08:06,240 of that famous Bill Maitland inside. 156 00:08:06,279 --> 00:08:09,079 Speaker 2: Well, I don't do too well on an empty stomach. Bill. 157 00:08:09,360 --> 00:08:10,879 Speaker 1: We got to crack this one. 158 00:08:11,199 --> 00:08:13,399 Speaker 5: The mayor, the DA, they're all up for re election. 159 00:08:14,160 --> 00:08:15,920 Safety that's the big thing today. 160 00:08:16,079 --> 00:08:16,800 Speaker 2: How could you knock it? 161 00:08:17,319 --> 00:08:19,839 Speaker 5: Incidentally, you signed out at four to go home, and 162 00:08:19,879 --> 00:08:20,759 we couldn't reach it. 163 00:08:20,959 --> 00:08:22,680 Speaker 2: I ran into a guy I knew for the army. 164 00:08:22,720 --> 00:08:26,000 We stopped for a couple of beers. What we got 165 00:08:26,000 --> 00:08:27,920 here her. 166 00:08:27,839 --> 00:08:32,559 Speaker 5: Name is was Georgia Temple. Turns out she's an old 167 00:08:32,600 --> 00:08:33,600 girlfriend of yours. 168 00:08:34,279 --> 00:08:35,720 Speaker 2: I never knew a Georgia Temple. Now. 169 00:08:35,799 --> 00:08:38,480 Speaker 5: Now let's get that famous Bill Maitland memory and gear 170 00:08:39,120 --> 00:08:41,600 the name Georgia Temple. 171 00:08:41,799 --> 00:08:47,759 Speaker 2: Temple, Georgia Temple. Oh, there was that murder at the carousel, 172 00:08:47,879 --> 00:08:48,840 probably about a year ago. 173 00:08:49,000 --> 00:08:49,480 Speaker 1: Keep going. 174 00:08:49,840 --> 00:08:52,759 Speaker 2: Georgia at Temple was the singer there, and we picked 175 00:08:52,840 --> 00:08:54,399 up the other one in the joint for questioning it. 176 00:08:54,440 --> 00:08:56,279 Since we finished late at night. We gave her a 177 00:08:56,360 --> 00:08:56,799 lift home. 178 00:08:56,840 --> 00:08:59,360 Speaker 5: You mean you gave her a lift home? You topped 179 00:08:59,360 --> 00:09:01,360 me off, as I recalled. 180 00:09:01,039 --> 00:09:02,679 Speaker 2: Because I had to pass your house first. 181 00:09:02,759 --> 00:09:05,279 Speaker 1: I just mentioned in fact, I read nothing into it. 182 00:09:05,720 --> 00:09:06,960 Speaker 2: Hey, I just dropped her off. 183 00:09:07,080 --> 00:09:09,679 Speaker 1: I know. I kept thinking, what a shame both of 184 00:09:09,759 --> 00:09:10,440 us were married. 185 00:09:11,320 --> 00:09:12,559 Speaker 2: That doesn't stop a lot of guys. 186 00:09:12,559 --> 00:09:14,919 Speaker 5: But in short circuits, guys like you and me, you're 187 00:09:14,960 --> 00:09:16,639 too idealistic and I'm too scared. 188 00:09:17,480 --> 00:09:19,399 Speaker 2: No wonder that address sounded familiar. 189 00:09:20,039 --> 00:09:22,360 Speaker 1: Yeah, well, we meet her again. 190 00:09:22,840 --> 00:09:24,039 Speaker 2: Close that musted up. 191 00:09:24,960 --> 00:09:27,600 Speaker 5: No signs of the fight, no marks of any kind, 192 00:09:27,639 --> 00:09:30,840 Doc says, just three shots, even through the place. Just 193 00:09:30,879 --> 00:09:34,039 a quick glance around, It doesn't look like a robbery. 194 00:09:34,039 --> 00:09:37,039 There's her pers good looking portable TV. There's silver in 195 00:09:37,080 --> 00:09:40,720 the chest drawers. Now let's roll out a robbery. Doc's 196 00:09:40,720 --> 00:09:42,080 pretty sure she wasn't assaulted. 197 00:09:42,360 --> 00:09:45,200 Speaker 2: No sign of forced entry, So evidently she knew the guy. 198 00:09:45,600 --> 00:09:47,600 There's a lot of anger, a great deal of passion 199 00:09:47,679 --> 00:09:48,320 involved here. 200 00:09:48,399 --> 00:09:50,440 Speaker 1: Now why she was shot three times? 201 00:09:51,320 --> 00:09:55,039 Speaker 2: Why? Why fire three shots? Any one of them was 202 00:09:55,120 --> 00:09:57,600 but enough? One in the head, two in the heart, 203 00:09:58,320 --> 00:10:00,200 as if the killer were determined to a knife? Yeah, 204 00:10:00,240 --> 00:10:02,159 later completely, Who do. 205 00:10:02,159 --> 00:10:04,320 Speaker 1: We look for? Disappointed boyfriend? 206 00:10:04,399 --> 00:10:07,200 Speaker 2: Those are always good? Who found the body? 207 00:10:07,840 --> 00:10:09,720 Speaker 1: A lady who has the apartment down the hall. I 208 00:10:09,759 --> 00:10:13,080 got her statement here. She kept hearing music. 209 00:10:12,919 --> 00:10:20,559 Speaker 2: With music this now when you shut that office? Driving 210 00:10:20,559 --> 00:10:21,000 me nuts? 211 00:10:21,080 --> 00:10:23,519 Speaker 5: Yeah, well it was driving the neighbor nuts too. It 212 00:10:23,639 --> 00:10:25,919 kept going and going for two hours at least. So 213 00:10:26,080 --> 00:10:27,919 she knocked on the door. She couldn't get any answer, 214 00:10:27,960 --> 00:10:29,519 and for some reason she got nervous. 215 00:10:29,600 --> 00:10:31,960 Speaker 2: Call the police. What was the reason she got nervous? 216 00:10:32,080 --> 00:10:35,519 Speaker 5: She couldn't say, Well, if she's down the hall, let's 217 00:10:35,559 --> 00:10:38,159 ask her. 218 00:10:40,679 --> 00:10:44,000 Speaker 3: As I tell you, I heard the music, and I 219 00:10:44,120 --> 00:10:46,120 knew the needle must have been stock. 220 00:10:46,759 --> 00:10:48,519 Speaker 2: And then missus Woodlard's life. 221 00:10:48,440 --> 00:10:52,559 Speaker 3: Already told this officer. I went down the hall, knocked 222 00:10:52,600 --> 00:10:56,559 on her door, but received no answer. Yes, I called 223 00:10:56,559 --> 00:11:00,759 to her, Miss Temple, Miss Temple, but there was no answer. 224 00:11:01,799 --> 00:11:04,200 Poor child, Now I know why. 225 00:11:04,240 --> 00:11:10,000 Speaker 2: And yes, they said, why are you staring at me? 226 00:11:10,279 --> 00:11:12,399 Speaker 3: Well, I'm not staring at you, young man. 227 00:11:12,799 --> 00:11:14,960 Speaker 2: Uh, I'm sorry. Perhaps I shouldn't have used that word, 228 00:11:15,000 --> 00:11:18,120 but it it does appear that you are looking at 229 00:11:18,120 --> 00:11:19,120 me rather intently. 230 00:11:19,360 --> 00:11:20,960 Speaker 4: I'm I'm sorry. 231 00:11:21,120 --> 00:11:25,840 Speaker 3: I do give that impression sometimes, but it doesn't do 232 00:11:25,919 --> 00:11:28,519 me any good to look at anyone in any way. 233 00:11:29,559 --> 00:11:32,120 You see, I'm blind. 234 00:11:33,240 --> 00:11:33,919 Speaker 2: Oh, I'm sorry. 235 00:11:34,200 --> 00:11:37,919 Speaker 3: Oh it's quite all right. You'd never know it, man, 236 00:11:38,279 --> 00:11:41,200 You never know it here in my home, when everything 237 00:11:41,279 --> 00:11:43,799 is meticulously arranged. Uh. 238 00:11:44,080 --> 00:11:46,320 Speaker 2: You say you heard the record player in this Temple's 239 00:11:46,320 --> 00:11:48,799 apartment and it kept playing the same thing over and 240 00:11:48,840 --> 00:11:51,399 over again. There was no answer. When you knocked on 241 00:11:51,440 --> 00:11:54,240 a door, no answer, and you became very nervous and 242 00:11:54,320 --> 00:11:57,440 called the police. That is correct, sir, what would have 243 00:11:57,519 --> 00:11:58,399 made you that nervous? 244 00:11:58,840 --> 00:12:02,960 Speaker 3: I can only say an old lady becomes nervous for 245 00:12:03,039 --> 00:12:05,600 any reason or no reason. 246 00:12:06,519 --> 00:12:09,600 Speaker 2: About miss Temple, who he meaned. 247 00:12:09,320 --> 00:12:10,600 Speaker 1: A nice enough young lady. 248 00:12:11,440 --> 00:12:14,120 Speaker 3: Of course, she's only been living here a few months. 249 00:12:14,919 --> 00:12:18,759 I hear she was a singer, Yes, but she wasn't working. 250 00:12:19,360 --> 00:12:20,360 Speaker 2: What did she do doing day? 251 00:12:20,679 --> 00:12:21,200 Speaker 4: As father? 252 00:12:21,279 --> 00:12:26,000 Speaker 3: I know she didn't do anything the What shouldn't say that? 253 00:12:26,799 --> 00:12:30,879 She did practice a lot voice, you know, and acting. 254 00:12:31,279 --> 00:12:32,159 Speaker 2: You'd heard her do this. 255 00:12:32,720 --> 00:12:35,360 Speaker 3: She had a tape recorder and she'd work with it 256 00:12:35,480 --> 00:12:36,200 all day. 257 00:12:36,639 --> 00:12:37,879 Speaker 2: Did she have any visitors? 258 00:12:38,360 --> 00:12:43,759 Speaker 3: Oh, well, I shouldn't say this, say what She had 259 00:12:43,840 --> 00:12:47,759 a gentleman friend who I don't know who. 260 00:12:48,120 --> 00:12:49,240 Speaker 4: He would come and go. 261 00:12:50,120 --> 00:12:54,919 Speaker 3: I could hear them quarreling sometimes about what. Two things, 262 00:12:54,960 --> 00:12:59,480 always the same two things. Money was the first and 263 00:12:59,559 --> 00:13:05,120 listen he was unwilling to divorce his wife. Now I 264 00:13:05,200 --> 00:13:09,039 know why I felt nervous this time. Their voices had 265 00:13:09,080 --> 00:13:10,879 an especially ugly tone. 266 00:13:11,679 --> 00:13:13,759 Speaker 1: There was anger the man. 267 00:13:13,879 --> 00:13:15,519 Speaker 2: Did he have a distinctive voice? 268 00:13:15,759 --> 00:13:19,120 Speaker 3: Well, I never heard it, very clearly. It was always 269 00:13:19,159 --> 00:13:20,480 on the other side of the wall. 270 00:13:20,639 --> 00:13:21,679 Speaker 2: What kind of voice was it? 271 00:13:22,080 --> 00:13:24,159 Speaker 4: What kind? Well? 272 00:13:25,399 --> 00:13:29,000 Speaker 3: I would say he had a voice that sounded very 273 00:13:29,080 --> 00:13:36,240 much like yours, Lieutenant, very much like yours. 274 00:13:36,639 --> 00:13:41,200 Speaker 2: If they say physician, heal thyself, should they also say 275 00:13:41,679 --> 00:13:47,480 policemen investigate thyself. Well, there's such a thing as coincidence, 276 00:13:47,840 --> 00:13:52,600 and certainly we all know about circumstantial evidence. Right now, 277 00:13:52,639 --> 00:13:55,799 we only know that a girl named Georgia Temple has 278 00:13:55,879 --> 00:13:59,240 been shocked to death in her apartments. We have no 279 00:13:59,399 --> 00:14:03,799 real evidence that could point to anyone. I'll be back 280 00:14:03,840 --> 00:14:10,240 shortly with that too. Georgia Temple was found a shot 281 00:14:10,320 --> 00:14:14,159 to death in her apartment. The police are naturally asking 282 00:14:14,200 --> 00:14:18,679 the expected question, who killed Georgia Temple? So far, there 283 00:14:18,720 --> 00:14:22,240 isn't any evidence that would point to anyone. There is, however, 284 00:14:22,320 --> 00:14:26,519 a clue, a lead. It isn't much, but it's all 285 00:14:26,559 --> 00:14:30,399 we have, and it points at one person, and that 286 00:14:30,559 --> 00:14:34,480 person happens to be the police detective who is heading 287 00:14:34,519 --> 00:14:39,679 the investigation. Let me understand this, missus Woodruff. You've heard 288 00:14:39,720 --> 00:14:44,960 this man's voice, yes, lieutenant, and it reminds you of mine? 289 00:14:45,360 --> 00:14:47,799 Speaker 3: Will It sounds like yours. 290 00:14:48,559 --> 00:14:53,320 Speaker 2: They say that blind that sightless people have remarkable hearing. 291 00:14:53,440 --> 00:14:55,799 Speaker 3: Oh, it's like everything else. 292 00:14:55,919 --> 00:14:57,399 Speaker 4: Some do, some don't. 293 00:14:58,159 --> 00:15:00,879 Speaker 3: And the fact that your voice sounds it almost exactly 294 00:15:01,000 --> 00:15:06,639 like the the gentleman friend of Miss Temples will that 295 00:15:06,720 --> 00:15:10,639 doesn't have to move very much. After all, just as 296 00:15:10,720 --> 00:15:14,200 there are people who look very much alike, there are 297 00:15:14,279 --> 00:15:16,559 people who sound very much alike. 298 00:15:17,399 --> 00:15:18,559 Speaker 2: Thank you, missus Woodrow. 299 00:15:18,960 --> 00:15:20,600 Speaker 3: I hope i'd been able to help you. 300 00:15:20,679 --> 00:15:30,320 Speaker 2: Gentlemen, you were very helpful, Missus Woodrow. Well, Bill, have 301 00:15:30,440 --> 00:15:32,480 we cracked this case this fast? 302 00:15:32,840 --> 00:15:33,720 Speaker 1: Are you the killer? 303 00:15:33,879 --> 00:15:36,000 Speaker 2: If she's willing to testify on her oath said it 304 00:15:36,039 --> 00:15:36,919 was my voice? 305 00:15:37,200 --> 00:15:39,320 Speaker 5: Were you pulling a fast one on everybody? 306 00:15:39,559 --> 00:15:40,879 Speaker 2: It were a way in every way? 307 00:15:41,720 --> 00:15:44,720 Speaker 1: Like you saw her home that time? You did, didn't you? 308 00:15:45,000 --> 00:15:45,200 Speaker 2: Yeah? 309 00:15:45,320 --> 00:15:47,840 Speaker 1: And maybe why not come in for a night cap? 310 00:15:48,039 --> 00:15:48,440 Speaker 2: Tell more? 311 00:15:48,519 --> 00:15:49,200 Speaker 1: And maybe you did? 312 00:15:49,240 --> 00:15:52,559 Speaker 5: And well, maybe one thing led to another, and you've 313 00:15:52,600 --> 00:15:54,519 had this cozy little setup. 314 00:15:54,200 --> 00:15:58,159 Speaker 2: For the past couple of years. Keep talking, But you 315 00:15:58,320 --> 00:15:59,440 know the course of true. 316 00:15:59,279 --> 00:15:59,960 Speaker 1: Love, it never runs. 317 00:16:00,399 --> 00:16:02,919 Speaker 5: So maybe you have this fight and you pumped three 318 00:16:02,960 --> 00:16:03,759 slugs into her. 319 00:16:04,279 --> 00:16:06,080 Speaker 2: Maybe you better check my service revolver. 320 00:16:07,799 --> 00:16:09,600 Speaker 5: I already got the lab report. The weapon was a 321 00:16:09,639 --> 00:16:12,039 twenty two caliber. I guess that puts me in a 322 00:16:12,120 --> 00:16:13,240 clear I guess it does. 323 00:16:13,360 --> 00:16:16,559 Speaker 1: So where are we. 324 00:16:15,320 --> 00:16:18,639 Speaker 2: We know it's a guy. They quarreled for any one 325 00:16:18,679 --> 00:16:23,480 of uh the maybe reasons or something else. How carefully, 326 00:16:23,480 --> 00:16:26,159 if you searched the place, we don't have any prints. 327 00:16:26,360 --> 00:16:27,519 You mean, no finger prints. 328 00:16:27,279 --> 00:16:30,600 Speaker 5: At all, not not even hers, not even hers. 329 00:16:30,639 --> 00:16:32,559 Speaker 2: But her print should be all over the place, after all, 330 00:16:32,600 --> 00:16:35,840 she lived here. Nothing that means he took a rag 331 00:16:35,879 --> 00:16:38,960 and worked the whole apartment over because his prince must 332 00:16:38,960 --> 00:16:41,240 have been all over the place too. This guy spent 333 00:16:41,320 --> 00:16:42,159 a lot of time here. 334 00:16:43,279 --> 00:16:45,360 Speaker 1: Somebody must have seen him. 335 00:16:45,519 --> 00:16:48,879 Speaker 2: Look, why don't you ring some doorbells? I'll poke around 336 00:16:48,960 --> 00:16:49,519 the apartment. 337 00:16:54,440 --> 00:16:57,679 Speaker 5: There's no good in the eyewitness departments. Four other tenants, 338 00:16:58,120 --> 00:17:01,120 Missus Woodruff was blind. We already know down to three. 339 00:17:02,120 --> 00:17:05,720 Mister Sasax, musician all night, sleeps all day, doesn't know anything. 340 00:17:06,400 --> 00:17:09,200 Mister McPhee has been in Afghanistan for the past four months. 341 00:17:09,279 --> 00:17:12,039 Nobody can tell us when he'll be back. Lewis is 342 00:17:12,039 --> 00:17:14,240 here in Florida. Well, they spend six months of. 343 00:17:14,160 --> 00:17:17,119 Speaker 1: The year and that's it. Now, what do you got? 344 00:17:17,480 --> 00:17:20,119 Speaker 2: I look through the garbage? Can I find these papers? 345 00:17:20,440 --> 00:17:24,599 These half torn, crumpled papers here? Read? 346 00:17:26,160 --> 00:17:28,359 Speaker 5: Ask your husband where he is all the times when 347 00:17:28,359 --> 00:17:32,240 he tells you he's at work, Ask and stuff that's 348 00:17:32,240 --> 00:17:32,640 cost on. 349 00:17:33,599 --> 00:17:36,279 Speaker 2: I'll read the next one. 350 00:17:36,920 --> 00:17:38,599 Speaker 5: Ask your husband where he is when he's supposed to 351 00:17:38,599 --> 00:17:41,160 be working. Ask him why money is so short. 352 00:17:42,480 --> 00:17:43,440 Speaker 1: The rest is cost off. 353 00:17:43,559 --> 00:17:46,359 Speaker 2: Yeah, she was writing or had written a note. These 354 00:17:46,400 --> 00:17:49,119 are just the copies she made the mistakes on. Then 355 00:17:49,119 --> 00:17:51,240 when she typed one finally that was okay. That was 356 00:17:51,279 --> 00:17:51,559 the one. 357 00:17:51,599 --> 00:17:54,759 Speaker 5: She said, Hey, that figures bill. She sent a note 358 00:17:54,799 --> 00:17:55,759 to the guy's wife. 359 00:17:56,279 --> 00:17:58,799 Speaker 2: But why, who knows why? Maybe to force him into 360 00:17:58,839 --> 00:18:00,599 some kind of move, to put it in a position 361 00:18:00,640 --> 00:18:02,440 where he'd have to choose between them. 362 00:18:02,799 --> 00:18:04,839 Speaker 1: She's got a typewriter. I saw it in her bedroom. 363 00:18:04,920 --> 00:18:07,200 Speaker 2: Yeah, you can see these were typed on her machine. 364 00:18:07,720 --> 00:18:09,960 Speaker 1: So, oh, she sent the note. The guy's wife got it. 365 00:18:10,039 --> 00:18:10,839 She raised the roof. 366 00:18:11,240 --> 00:18:14,559 Speaker 5: The guy got so Mady killed her. Sounds reasonable, Yeah, 367 00:18:14,680 --> 00:18:18,319 so somewhere there's a note that was typed on her machine. 368 00:18:19,200 --> 00:18:23,319 Speaker 2: Some wife has it. If we find the wife, we 369 00:18:23,440 --> 00:18:30,480 find the guy. 370 00:18:30,519 --> 00:18:33,440 Speaker 4: Hey, I remember your tellers. Yeah, the cops that. 371 00:18:33,519 --> 00:18:36,880 Speaker 3: Was in the place tonight, we had that unfortunate situation. 372 00:18:37,160 --> 00:18:40,880 Speaker 2: Tell us about Georgia Temple, Poor Georgia. She said, all 373 00:18:40,880 --> 00:18:41,759 you can say all. 374 00:18:41,720 --> 00:18:45,160 Speaker 4: That about thumbs it up. Poor Georgia. She left here 375 00:18:45,160 --> 00:18:45,880 about a year ago. 376 00:18:46,480 --> 00:18:47,920 Speaker 2: Did she go to another job. 377 00:18:49,400 --> 00:18:52,960 Speaker 3: Now she's I guess you'd have to say she retired 378 00:18:53,480 --> 00:18:54,079 at her age. 379 00:18:54,400 --> 00:18:56,440 Speaker 4: Wow, that's what it came to see. 380 00:18:56,559 --> 00:19:00,880 Speaker 3: She started running around with a guy who nobody knows who. 381 00:19:01,160 --> 00:19:03,920 Any how, she must have been nuts about him. She 382 00:19:03,960 --> 00:19:06,279 could sing him just because he told her to. Boy, 383 00:19:06,759 --> 00:19:09,559 I asked her, she said, he doesn't want me to 384 00:19:09,559 --> 00:19:10,440 be an entertainer. 385 00:19:10,480 --> 00:19:13,200 Speaker 4: He doesn't want to share me. Does she quit? 386 00:19:13,799 --> 00:19:14,480 Speaker 2: How did she live? 387 00:19:15,000 --> 00:19:15,839 Speaker 4: He was supporting her. 388 00:19:16,359 --> 00:19:18,039 Speaker 2: He must have been a man with money, No. 389 00:19:18,160 --> 00:19:20,720 Speaker 4: Not too much, not the type that's got it to 390 00:19:20,759 --> 00:19:23,200 throw around. After all, she. 391 00:19:23,160 --> 00:19:26,440 Speaker 3: Wasn't living in a lot of luxuries. That's what she wanted. 392 00:19:26,480 --> 00:19:27,960 She could have done better. 393 00:19:27,799 --> 00:19:28,559 Speaker 2: Do you think so? Oh? 394 00:19:28,680 --> 00:19:30,039 Speaker 4: Yeah, oh yeah. 395 00:19:30,079 --> 00:19:33,279 Speaker 3: She was a kid who could at gone places. You know, 396 00:19:33,640 --> 00:19:35,200 some gals they just get. 397 00:19:35,039 --> 00:19:38,359 Speaker 4: Tied in with the wrong guys. I guess you fellas. 398 00:19:38,039 --> 00:19:42,440 Speaker 2: See things like this every day, maybe every other day. 399 00:19:48,599 --> 00:19:50,279 Speaker 5: She didn't tell me why he wanted to come back 400 00:19:50,319 --> 00:19:51,519 to the apartment built. 401 00:19:51,240 --> 00:19:54,400 Speaker 2: The tape recorder, Missus Woodluf said, Georgia Temple worked with 402 00:19:54,440 --> 00:19:57,559 a tape recorder. Yeah, where is it. Do you remember 403 00:19:57,559 --> 00:19:59,000 seeing it? No? 404 00:19:59,799 --> 00:20:00,759 Speaker 1: They if you stole him. 405 00:20:01,119 --> 00:20:02,640 Speaker 2: Come on, why would a guy come in here kill 406 00:20:02,640 --> 00:20:05,119 her and just take the paper recorder? She had money 407 00:20:05,119 --> 00:20:06,400 in her purse, remember. 408 00:20:06,200 --> 00:20:07,319 Speaker 1: Okay, let's look around. 409 00:20:07,599 --> 00:20:12,039 Speaker 2: Hey, hold it. I think I remember something when I 410 00:20:12,079 --> 00:20:15,599 looked through her bag, I think I saw why I 411 00:20:15,720 --> 00:20:20,279 hold it? Uh, Lieutenant Maitland, let me have the property office. Please? 412 00:20:20,279 --> 00:20:21,079 Speaker 1: What do you think you saw? 413 00:20:21,920 --> 00:20:25,920 Speaker 2: Maxwell? This is Bill Maitland. There stuff that belonged to 414 00:20:25,960 --> 00:20:30,359 Georgia Temple. See if there's a pawn ticket. Yeah, I'll 415 00:20:30,359 --> 00:20:34,240 hold pawn ticket. She pawned the recorder. But why she 416 00:20:34,279 --> 00:20:37,119 needed money? Look? The guy paid for everything else, the 417 00:20:37,160 --> 00:20:40,680 TV set, the furniture, the silver But the tape recorder 418 00:20:41,359 --> 00:20:48,160 that must have been hers? Yeah, Maxwell, there is be 419 00:20:48,240 --> 00:20:49,200 right down to pick it up. 420 00:20:53,920 --> 00:20:56,240 Speaker 5: Yeah, yeah, I wrote it about in the paper. 421 00:20:57,079 --> 00:21:00,319 Speaker 2: Why what can you do? You gave her fifty dollars 422 00:21:00,319 --> 00:21:01,279 for this type ability? 423 00:21:01,319 --> 00:21:03,000 Speaker 1: It's a good one, high quality. 424 00:21:03,119 --> 00:21:09,039 Speaker 6: Listen, wait, Justice, Let there be no delay, no shadow 425 00:21:09,119 --> 00:21:15,799 of suspicion, delay, A A dot A sound say a 426 00:21:16,279 --> 00:21:21,799 not a well, great actress. You'll never be Georgie, back 427 00:21:21,839 --> 00:21:26,440 to night clubs for you. Let there be no delay, 428 00:21:28,279 --> 00:21:31,839 and let there be no delay tonight. Either have it 429 00:21:31,880 --> 00:21:38,480 out with Billy boy without delay, weak justice. Let there 430 00:21:38,599 --> 00:21:43,079 be no delay nor shadow of suspicion. How if he 431 00:21:43,119 --> 00:21:43,960 doesn't shape. 432 00:21:43,720 --> 00:21:47,079 Speaker 2: Up, you'll have to hold it. Let's uh, let's run. 433 00:21:46,960 --> 00:21:47,599 Speaker 1: It back. 434 00:21:51,480 --> 00:21:54,680 Speaker 6: And let there be no delay tonight. Either, I have it 435 00:21:54,799 --> 00:21:57,599 out with Billy boy without delay. 436 00:21:59,039 --> 00:22:02,200 Speaker 2: Billy boy, Billy, let's run. 437 00:22:03,759 --> 00:22:07,400 Speaker 6: Sweet justice. Let there be no delay or shadow up 438 00:22:07,440 --> 00:22:10,759 the STI and if he doesn't shape up, you'll have 439 00:22:10,839 --> 00:22:12,559 to you'll have. 440 00:22:12,599 --> 00:22:15,039 Speaker 3: To do something definite. 441 00:22:15,240 --> 00:22:16,480 Speaker 6: Sweet justice. 442 00:22:16,680 --> 00:22:22,319 Speaker 1: Let there be, let there be, Let there be. What 443 00:22:23,160 --> 00:22:23,759 a letter? 444 00:22:24,480 --> 00:22:27,519 Speaker 6: We'll write a little letter, just a simple little note 445 00:22:27,640 --> 00:22:32,480 guaranteed to get his goat. Ask your husband where he 446 00:22:32,640 --> 00:22:34,759 is all the times when he tells you he's at work. 447 00:22:35,599 --> 00:22:40,759 Where is he's spending those long evening in hours dying 448 00:22:41,319 --> 00:22:45,519 one of the girls. Well, Billy boy, that should get 449 00:22:45,599 --> 00:22:49,240 us some action. You won't have to worry about divorcing her. 450 00:22:49,359 --> 00:22:55,000 Maybe she'll divorce you. MM, that's the way to rite it. 451 00:22:58,759 --> 00:22:59,559 Speaker 1: I guess that's all. 452 00:23:00,480 --> 00:23:19,680 Speaker 2: So now we know his name, Billy. 453 00:23:13,880 --> 00:23:21,759 Speaker 3: And me block and die Hu Hi, Bob deal. I 454 00:23:21,759 --> 00:23:23,519 think you were coming home late tonight. 455 00:23:23,799 --> 00:23:26,079 Speaker 2: I am Paris and I am making around at some 456 00:23:26,119 --> 00:23:28,720 of the watering places. I was at the Starlight Club. 457 00:23:28,759 --> 00:23:32,359 There's a few blocks from here. Do you wanna shut 458 00:23:32,400 --> 00:23:37,240 that off for a minute. I I just like to relax, Oh, shure. I. 459 00:23:37,240 --> 00:23:39,119 I don't know what there is about that song. It 460 00:23:39,319 --> 00:23:41,920 just I don't know. It makes me nervous. I don't 461 00:23:41,960 --> 00:23:42,279 know why. 462 00:23:43,400 --> 00:23:44,599 Speaker 3: I think you're working too hard. 463 00:23:44,880 --> 00:23:45,559 Speaker 2: That's possible. 464 00:23:45,839 --> 00:23:47,640 Speaker 3: You're probably killing yourself. 465 00:23:47,319 --> 00:23:51,319 Speaker 2: I know, but that's me. How's the key inching along? 466 00:23:52,519 --> 00:23:53,920 Speaker 4: Why you be getting the saloon? 467 00:23:54,559 --> 00:23:56,680 Speaker 2: Somebody must have seen that girl out with this guy. 468 00:23:56,759 --> 00:23:59,000 They had to go somewhere. Why do you say that 469 00:24:00,000 --> 00:24:03,079 you're a woman. Would you be satisfied just to sit 470 00:24:03,160 --> 00:24:05,640 home and wait for your man and never get to 471 00:24:05,680 --> 00:24:06,279 go out? 472 00:24:06,680 --> 00:24:06,839 Speaker 1: Well? 473 00:24:06,880 --> 00:24:08,880 Speaker 3: I do sit around here most of the time, don't. 474 00:24:08,880 --> 00:24:14,559 Speaker 2: I'm sorry. That's how It is not just that this 475 00:24:14,599 --> 00:24:16,240 has been an unusually busy year. 476 00:24:16,440 --> 00:24:21,000 Speaker 3: No, just that you're an unusually busy cop. Your own partner, 477 00:24:21,079 --> 00:24:23,000 Jerry Ferris, is home a good deal of the time. 478 00:24:23,559 --> 00:24:25,160 I know, I talk to Janet. 479 00:24:25,880 --> 00:24:26,799 Speaker 4: But I'm satisfied. 480 00:24:26,920 --> 00:24:28,559 Speaker 2: No, Barbie, you shouldn't be. It isn't right. 481 00:24:28,880 --> 00:24:31,400 Speaker 3: If it's the way you look at your job your responsibility. 482 00:24:31,759 --> 00:24:34,119 Speaker 2: Then it's right now I have another responsibility, and it's 483 00:24:34,200 --> 00:24:35,480 just as important. 484 00:24:35,799 --> 00:24:41,200 Speaker 3: You dear, I don't mind, and I do understand because 485 00:24:41,240 --> 00:24:44,039 I love you and I want you to be happy 486 00:24:44,039 --> 00:24:44,599 in your work. 487 00:24:44,759 --> 00:24:47,400 Speaker 2: We're we're going away just as soon as this case 488 00:24:47,480 --> 00:24:49,680 is in the bag. I'm taking my leave. Do you 489 00:24:49,680 --> 00:24:51,200 realize I've got a whole month coming? 490 00:24:51,759 --> 00:24:52,559 Speaker 4: Are you sure? You let? 491 00:24:52,640 --> 00:24:55,680 Speaker 2: And you know where we're going. We're going to Europe? 492 00:24:56,160 --> 00:25:02,119 Speaker 3: Europe? Oh oh? How can we even talk about it? 493 00:25:02,559 --> 00:25:03,359 You yourself did? 494 00:25:03,359 --> 00:25:04,279 Speaker 4: Money's very kind? 495 00:25:04,480 --> 00:25:08,000 Speaker 2: Yeah, but I think I think I'm out for London. 496 00:25:13,960 --> 00:25:14,480 Speaker 1: I think hard. 497 00:25:14,559 --> 00:25:14,839 Speaker 2: Molly. 498 00:25:15,119 --> 00:25:17,039 Speaker 1: The name Billy, What does it mean to you? 499 00:25:17,720 --> 00:25:18,400 Speaker 4: Not a thing? 500 00:25:19,519 --> 00:25:22,400 Speaker 5: She never spoke about a guy named Billy. Now you 501 00:25:22,480 --> 00:25:24,599 knew she was going out with a guy. Yep, Billy 502 00:25:24,720 --> 00:25:25,319 means nothing. 503 00:25:26,799 --> 00:25:31,000 Speaker 4: Not in connection with your pampa. Well not to me anytime, Jerry. 504 00:25:31,079 --> 00:25:33,759 Speaker 5: Let's get out of here. You come across anything in 505 00:25:33,799 --> 00:25:34,319 your travels? 506 00:25:34,359 --> 00:25:37,319 Speaker 2: Nothing? Molly? Don't they ever play any other kind of 507 00:25:37,400 --> 00:25:37,960 song in here? 508 00:25:38,319 --> 00:25:39,200 Speaker 4: I like her? 509 00:25:39,920 --> 00:25:40,599 Speaker 1: Where you wanna go? 510 00:25:40,680 --> 00:25:45,119 Speaker 2: Now back to the apartment again? Yeah, let's start all over. 511 00:25:46,440 --> 00:25:48,519 I think I see the trail that will lead us 512 00:25:48,559 --> 00:25:58,119 straight to the killer. What do we know for sure? 513 00:25:58,960 --> 00:26:01,839 We know a girl was killed. We know a man 514 00:26:01,920 --> 00:26:05,519 named Billy is the killer. We know they quarreled over money. 515 00:26:06,160 --> 00:26:09,920 We're pretty sure Georgia wrote an anonymous note to Billy's wife. 516 00:26:10,599 --> 00:26:13,519 We also know the police detective who is investigating the 517 00:26:13,599 --> 00:26:18,640 murder is also named Bill. His wife received an anonymous 518 00:26:18,640 --> 00:26:23,440 note accusing her husband of being with another woman. Well, 519 00:26:23,920 --> 00:26:28,319 before you reach any definite conclusions, wait until I returned. 520 00:26:28,319 --> 00:26:39,319 Shortly with Act three, the great French writer De Mossan 521 00:26:39,440 --> 00:26:43,240 wrote a fascinating short story. The man was a professional 522 00:26:43,319 --> 00:26:47,680 knife thrower. His wife was his partner. He threw the heavy, 523 00:26:47,720 --> 00:26:50,880 sharp knives at her outlined form on the board. The 524 00:26:50,960 --> 00:26:54,240 slightest error of judgment on his part would mean death 525 00:26:54,319 --> 00:26:57,799 for her, But the audience was unaware of the real 526 00:26:58,039 --> 00:27:01,920 drama on the stage. She was unfaithful to him. He 527 00:27:02,039 --> 00:27:06,200 knew it. She even taunted him. Why didn't she know that? 528 00:27:06,279 --> 00:27:11,079 He could have killed her by accident? But she knew 529 00:27:11,119 --> 00:27:15,319 a great secret. He was an artist. He could not 530 00:27:15,559 --> 00:27:21,200 deliberately make a mistake, so she was safe. Why do 531 00:27:21,319 --> 00:27:21,920 we tell you this? 532 00:27:22,759 --> 00:27:24,440 Speaker 1: What is the connection with our story? 533 00:27:25,079 --> 00:27:28,559 Speaker 2: Well, don't you want to do any of the work yourself. 534 00:27:28,960 --> 00:27:30,559 Speaker 5: You still haven't told me why I wanted to come 535 00:27:30,599 --> 00:27:33,279 back to her apartments. We picked it clean, We found 536 00:27:33,279 --> 00:27:34,119 everything that was here. 537 00:27:34,279 --> 00:27:38,640 Speaker 2: Okay, now let's look for what isn't here. Like what 538 00:27:39,319 --> 00:27:41,279 the lad says, she was killed because she was shot 539 00:27:41,319 --> 00:27:44,880 three times. It was a twenty two caliber pistol. Yeah, 540 00:27:44,960 --> 00:27:45,720 it was the gun. 541 00:27:47,839 --> 00:27:49,079 Speaker 5: But it would have been great if the guy I'd 542 00:27:49,119 --> 00:27:50,920 loved to hear. But as you well know, killers aren't 543 00:27:50,960 --> 00:27:51,960 usually that considerate. 544 00:27:51,960 --> 00:27:54,599 Speaker 2: Now, I don't expect him to leave the gun. But 545 00:27:54,640 --> 00:27:57,880 what should have been here that wasn't and they should 546 00:27:57,880 --> 00:28:01,559 have been on the floor. Chrischelle, you fire a pistol. 547 00:28:01,599 --> 00:28:04,599 The shellcases are ejected. Now would the guy stop to 548 00:28:04,599 --> 00:28:06,640 look for him and pick him up? Not likely now, 549 00:28:06,680 --> 00:28:10,720 But for our guy it is likely smart capable killer, 550 00:28:11,480 --> 00:28:14,279 no mess, no fuss. He picks a weapon that makes 551 00:28:14,279 --> 00:28:16,559 hardly any noise, just a crack that could be an 552 00:28:16,599 --> 00:28:21,680 automobile backfire, no panic. He cleans the place from top 553 00:28:21,759 --> 00:28:23,880 to bottom, does away with all his prints. 554 00:28:23,759 --> 00:28:26,200 Speaker 1: Tries there's not a trace of him here. 555 00:28:26,599 --> 00:28:31,240 Speaker 2: Another thing, Now, it's his closet, it's empty. Would a 556 00:28:31,240 --> 00:28:34,720 woman have an empty closet in her house? Never, So 557 00:28:34,799 --> 00:28:35,400 what does it mean? 558 00:28:35,599 --> 00:28:39,079 Speaker 5: Means he kept some clothes here, that's right, And he 559 00:28:39,160 --> 00:28:46,039 removed all traces of him and of himself. Well, we 560 00:28:46,119 --> 00:28:48,200 kind of knew all this about him, Bill, How do 561 00:28:48,319 --> 00:28:49,200 we move ahead? 562 00:28:49,680 --> 00:28:51,799 Speaker 2: What did he do with the gun? He got rid 563 00:28:51,839 --> 00:28:54,640 of it? Right, He wouldn't keep that gun five seconds 564 00:28:54,720 --> 00:28:57,400 longer than necessary. He knows he has to get rid 565 00:28:57,440 --> 00:29:02,160 of that weapon. But where, okay, where you're this guy? 566 00:29:03,519 --> 00:29:06,680 He just killed her, he got the gun. You go 567 00:29:06,720 --> 00:29:11,079 to your car, you drive off. Now, just nine hundred 568 00:29:11,160 --> 00:29:13,640 yards from here is the bridge over the Westland River, 569 00:29:14,519 --> 00:29:19,119 a very deep, fast flowing, murky body of water. So 570 00:29:19,200 --> 00:29:22,799 you stop the car. Is there a better place? 571 00:29:25,200 --> 00:29:25,400 Speaker 1: You know? 572 00:29:25,519 --> 00:29:25,720 Speaker 2: Bill? 573 00:29:27,119 --> 00:29:29,599 Speaker 1: You say this as if you're gonna actually see it. 574 00:29:30,119 --> 00:29:32,599 Speaker 2: It's just a question of putting yourself in the killer's place. 575 00:29:32,680 --> 00:29:33,039 Speaker 1: That's all. 576 00:29:38,240 --> 00:29:40,039 Speaker 2: I have to come home for dinner more often. This 577 00:29:40,359 --> 00:29:41,200 chicken is great. 578 00:29:42,440 --> 00:29:42,640 Speaker 4: You know. 579 00:29:42,720 --> 00:29:44,880 Speaker 2: I forgot how fantastic a cook you are. 580 00:29:46,920 --> 00:29:47,160 Speaker 4: Bill. 581 00:29:47,440 --> 00:29:50,559 Speaker 3: I was going through your closet today. I wanted to 582 00:29:50,559 --> 00:29:52,720 see if you had anything to the cleaners and and what. 583 00:29:53,599 --> 00:29:54,880 Speaker 4: And I came. 584 00:29:54,720 --> 00:29:55,680 Speaker 1: Across some clothes. 585 00:29:56,119 --> 00:29:57,880 Speaker 2: You clothes, Oh, I. 586 00:29:57,799 --> 00:29:59,759 Speaker 3: Don't remember you're buying them. 587 00:29:59,319 --> 00:30:00,920 Speaker 2: How do you like 'em? 588 00:30:00,920 --> 00:30:03,359 Speaker 3: Well, they're not quite the conservative styyer. 589 00:30:03,200 --> 00:30:04,960 Speaker 2: You were on your job that I was for the job. 590 00:30:05,000 --> 00:30:07,000 I just picked him up the other day I I 591 00:30:07,079 --> 00:30:09,799 passed by this place. They were having a sale. I'll 592 00:30:09,839 --> 00:30:10,599 need 'em for the trip. 593 00:30:11,480 --> 00:30:12,079 Speaker 1: What trip? 594 00:30:12,720 --> 00:30:14,359 Speaker 2: The trip to Europe? Don't you remember? 595 00:30:16,039 --> 00:30:17,519 Speaker 4: Do you mean you were serious? 596 00:30:17,599 --> 00:30:19,319 Speaker 2: Sure? Why do you think I bought all these clothes? 597 00:30:19,559 --> 00:30:21,000 Speaker 4: When you are going? 598 00:30:21,240 --> 00:30:23,240 Speaker 2: Look tomorrow, you go shopping? 599 00:30:23,319 --> 00:30:23,759 Speaker 1: Okay? 600 00:30:23,759 --> 00:30:25,759 Speaker 2: Can I depend on you to get yourself a complete 601 00:30:25,759 --> 00:30:27,119 wardrobe house? 602 00:30:27,799 --> 00:30:36,160 Speaker 3: I'm so happy I'll get it. Hi, Marlborah, Uh, come 603 00:30:36,200 --> 00:30:37,960 on in there, Bill? 604 00:30:38,039 --> 00:30:39,119 Speaker 4: It your sign me? Quinn? 605 00:30:40,480 --> 00:30:45,160 Speaker 2: Anything new? They finally got where. 606 00:30:46,480 --> 00:30:47,519 Speaker 1: Where you set? 607 00:30:48,480 --> 00:30:52,079 Speaker 2: It was in the river bed under the bridge? Anything 608 00:30:52,079 --> 00:30:52,400 on it? 609 00:30:53,279 --> 00:30:54,079 Speaker 1: The lad's checking it. 610 00:30:54,119 --> 00:30:54,240 Speaker 2: Now. 611 00:30:54,319 --> 00:30:55,640 Speaker 1: Let's go down and wait for the report. 612 00:30:55,839 --> 00:30:57,240 Speaker 3: Who Bill, won't you finish your dinner? 613 00:30:57,319 --> 00:30:58,720 Speaker 2: How do you put it away for me? I'll be 614 00:30:58,759 --> 00:30:59,880 stabbed when I get home? Who? 615 00:31:00,240 --> 00:31:00,920 Speaker 4: I don't know? 616 00:31:01,039 --> 00:31:04,319 Speaker 3: When you even have a minute for yourself? Where did 617 00:31:04,319 --> 00:31:05,799 you get a chance to do that shopping? 618 00:31:06,279 --> 00:31:06,920 Speaker 1: Want shopping? 619 00:31:07,759 --> 00:31:09,799 Speaker 3: You mean you boys have secrets from each other? 620 00:31:10,160 --> 00:31:10,960 Speaker 4: Came I'll show you? 621 00:31:13,599 --> 00:31:16,359 Speaker 3: How do you like that snazzy new wardrobe? 622 00:31:16,400 --> 00:31:21,759 Speaker 1: Your partner picked up not bad? Would you buy all these? 623 00:31:22,319 --> 00:31:25,599 Speaker 3: Simon Lagreen? You gave him some time off the other afternoon. 624 00:31:25,680 --> 00:31:27,480 Speaker 4: Remember, I don't. 625 00:31:27,319 --> 00:31:29,759 Speaker 2: Remember how we were checking out places where Georgia Temple 626 00:31:29,839 --> 00:31:31,759 might have been seen with her boyfriend. You and I 627 00:31:31,880 --> 00:31:34,079 split up. I passed by this store and did a 628 00:31:34,079 --> 00:31:37,000 little shopping on the city. Time is if the city. 629 00:31:36,759 --> 00:31:39,279 Speaker 3: Doesn't owe you more time than it can ever pay. 630 00:31:39,119 --> 00:31:40,400 Speaker 1: You for, Well, don't look at me. 631 00:31:40,880 --> 00:31:42,759 Speaker 2: We better get downtown and check out the story on 632 00:31:42,799 --> 00:31:43,200 that gun. 633 00:31:47,799 --> 00:31:50,640 Speaker 5: Hollistics establishes this little baby used the gun, all right? 634 00:31:51,200 --> 00:31:54,759 Speaker 2: What about the serial number? Take a look and file off. 635 00:31:54,759 --> 00:31:57,079 But can't be filed off completely. Lab can always find 636 00:31:57,079 --> 00:31:57,400 a trace. 637 00:31:57,480 --> 00:31:58,519 Speaker 1: This guy, I know what he was doing. 638 00:32:00,240 --> 00:32:04,599 Speaker 2: Yeah, well, I don't know about you, but I'm stuck. 639 00:32:06,160 --> 00:32:07,400 I must be losing my grip. 640 00:32:08,079 --> 00:32:12,480 Speaker 1: Come on, Billy, look at how you carry the case? 641 00:32:12,640 --> 00:32:14,000 Speaker 2: Is far you mean? 642 00:32:14,039 --> 00:32:14,119 Speaker 3: We? 643 00:32:14,400 --> 00:32:14,440 Speaker 6: No? 644 00:32:14,599 --> 00:32:14,680 Speaker 5: You? 645 00:32:15,759 --> 00:32:17,319 Speaker 1: We'd be at god zero without you. 646 00:32:17,319 --> 00:32:19,079 Speaker 5: You found out about the notes, You found out about 647 00:32:19,079 --> 00:32:22,799 the tape recorder which gave us his first name. You 648 00:32:22,880 --> 00:32:24,720 figured out where to look for the gun. I was 649 00:32:24,799 --> 00:32:25,960 great police officers. 650 00:32:25,720 --> 00:32:29,160 Speaker 2: Routine police work, Jerry. And what does it mean? Now? 651 00:32:29,240 --> 00:32:35,079 I'm stuck. This uh guy. He's been making moves, and 652 00:32:35,119 --> 00:32:37,160 I've been finding the counter move to each of them. 653 00:32:37,559 --> 00:32:40,319 I get him to reveal his motive, then his first name. 654 00:32:40,960 --> 00:32:42,720 Then when he tried to hide the murder weapon, and 655 00:32:42,759 --> 00:32:45,279 we find the gun, and on the serial number, I 656 00:32:45,279 --> 00:32:49,920 should be able to trace him down. But well, you're 657 00:32:49,920 --> 00:32:54,480 feeling okay, But there's no serial number. It is if 658 00:32:54,480 --> 00:32:56,640 this guy knew every move I'd make. And he leads 659 00:32:56,680 --> 00:32:59,720 me on, feeds me one little clue after another, and 660 00:32:59,799 --> 00:33:01,359 just feel like I'm ready to go in for the cot. 661 00:33:01,400 --> 00:33:06,680 He yanks the rug out come under You know something 662 00:33:07,519 --> 00:33:09,160 right now, I'm sure he's laughing at me. 663 00:33:09,599 --> 00:33:12,160 Speaker 1: We been in thoughts like this before, Bill, hundreds of time. 664 00:33:12,240 --> 00:33:15,079 Speaker 2: Now, there comes a time in every case when you 665 00:33:15,079 --> 00:33:19,720 know who's smarter. You are the guy you're after. Bill, 666 00:33:19,960 --> 00:33:21,920 you don't know what you're saying. What I'm saying is 667 00:33:21,920 --> 00:33:24,119 we're up against the killer who's smarter than we are, 668 00:33:25,519 --> 00:33:27,079 and that's why he's gonna get away with it. 669 00:33:38,640 --> 00:33:42,519 Speaker 3: Oh hi, Jake, Bill's left a lady. 670 00:33:42,720 --> 00:33:45,359 Speaker 1: I know I came to see you. 671 00:33:45,359 --> 00:33:46,680 Speaker 4: Who who come on? 672 00:33:46,799 --> 00:33:46,839 Speaker 1: You? 673 00:33:48,640 --> 00:33:49,319 Speaker 3: What you got there? 674 00:33:51,000 --> 00:33:51,960 Speaker 1: Portable typewriter? 675 00:33:52,680 --> 00:33:53,160 Speaker 2: Oh? 676 00:33:54,000 --> 00:33:56,400 Speaker 3: Well, can I do something for you. Jack. 677 00:33:57,680 --> 00:33:59,319 Speaker 1: You'll have to answer question, Barbara. 678 00:34:00,279 --> 00:34:01,640 Speaker 4: Why you sound serious? 679 00:34:02,519 --> 00:34:05,839 Speaker 1: I should. It's a matter of life and death? Barbara? 680 00:34:07,119 --> 00:34:08,199 Did did you get a notes? 681 00:34:09,000 --> 00:34:12,639 Speaker 5: A typewritten note suggesting that Bill. 682 00:34:12,559 --> 00:34:13,679 Speaker 1: Might be seeing another woman? 683 00:34:15,039 --> 00:34:16,880 Speaker 3: What are you talking about? 684 00:34:17,079 --> 00:34:19,639 Speaker 1: I said, it's a matter of life and death. 685 00:34:20,079 --> 00:34:21,079 Speaker 4: No, it's the. 686 00:34:21,119 --> 00:34:22,800 Speaker 3: Matter is my own personal and private. 687 00:34:22,800 --> 00:34:23,159 Speaker 4: Didn't it? 688 00:34:23,239 --> 00:34:25,440 Speaker 1: Note? Why a girl named Georgia Temple? 689 00:34:26,880 --> 00:34:29,760 Speaker 3: Georgie you mean the one who would murder? 690 00:34:30,280 --> 00:34:31,360 Speaker 1: Yeah? 691 00:34:31,400 --> 00:34:33,360 Speaker 2: But what would that have to do with Barbara? 692 00:34:34,599 --> 00:34:36,159 Speaker 1: You did get the notes? 693 00:34:38,000 --> 00:34:38,480 Speaker 3: How'd you know? 694 00:34:39,159 --> 00:34:41,639 Speaker 5: That's the only thing that makes sense, the only possibility left. 695 00:34:42,719 --> 00:34:45,159 Speaker 3: Why would she let me a note about Bell? 696 00:34:47,159 --> 00:34:49,639 Speaker 1: I said, we have to help him? 697 00:34:50,280 --> 00:34:51,159 Speaker 4: Help him do what? 698 00:34:51,480 --> 00:34:54,719 Speaker 1: Get the killer? You see right now? He's stuck. 699 00:34:54,880 --> 00:34:58,559 Speaker 5: He needs a hand, he needs a clue. When we 700 00:34:58,599 --> 00:35:00,440 first came across the idea of the note, he said, 701 00:35:00,440 --> 00:35:02,480 the note some wife has. 702 00:35:02,760 --> 00:35:05,039 Speaker 1: If we find the wife, we find eyes. 703 00:35:05,960 --> 00:35:07,119 Speaker 3: But I destroyed the nose. 704 00:35:08,119 --> 00:35:09,440 Speaker 1: I have Miss Temple's typewriter. 705 00:35:10,599 --> 00:35:12,920 Speaker 3: Ah, you're trying to find him? 706 00:35:14,000 --> 00:35:15,800 Speaker 4: What Miss you think I would help you? 707 00:35:15,960 --> 00:35:17,360 Speaker 1: Barbara? He killed her? 708 00:35:18,400 --> 00:35:21,480 Speaker 3: No, No, I don't believe you. 709 00:35:22,239 --> 00:35:23,239 Speaker 4: You're talking about this? 710 00:35:23,639 --> 00:35:25,639 Speaker 1: I know, but not your Bill another Bill. 711 00:35:25,760 --> 00:35:27,400 Speaker 4: I don't understand what you're saying. 712 00:35:27,119 --> 00:35:29,800 Speaker 1: Please, Barbara. Bill is two people. Two yes. 713 00:35:30,159 --> 00:35:32,960 Speaker 5: One is the hard working, brilliant detective of your husband, 714 00:35:33,119 --> 00:35:36,199 the guy who loves you. The other is a wild 715 00:35:36,320 --> 00:35:37,960 kind of guy who lives in the same skull, but 716 00:35:38,280 --> 00:35:40,800 nobody ever know about him, not even Bill himself. And 717 00:35:40,840 --> 00:35:44,840 suddenly this guy broke out. He fell for a girl 718 00:35:44,920 --> 00:35:46,000 named Georgia Temple. 719 00:35:46,039 --> 00:35:46,840 Speaker 2: Here we get out of here. 720 00:35:46,880 --> 00:35:50,320 Speaker 5: He had to kill her, and Bill's been trying to 721 00:35:50,480 --> 00:35:51,000 find him. 722 00:35:51,079 --> 00:35:53,519 Speaker 3: You're saying, my Bill is a murderer. 723 00:35:53,519 --> 00:35:56,440 Speaker 1: I'm saying there's a part of me doesn't know about. It. 724 00:35:56,480 --> 00:35:57,679 Speaker 3: All comes down to one thing. 725 00:36:00,320 --> 00:36:01,079 Speaker 4: He's the killer. 726 00:36:01,239 --> 00:36:04,159 Speaker 1: Yes, he's the killer. Say it that way. But he's blocked. 727 00:36:04,639 --> 00:36:06,119 It's gone from his mind. 728 00:36:06,599 --> 00:36:11,400 Speaker 3: Chi what I goed to do. 729 00:36:12,280 --> 00:36:18,400 Speaker 5: Help him, help him find a note he'ld his rest, Barbara, 730 00:36:18,480 --> 00:36:20,559 it has to be done. 731 00:36:26,840 --> 00:36:30,239 Speaker 3: Mind if I put something on the record, say your Bill, No, 732 00:36:30,360 --> 00:36:30,840 of course not. 733 00:36:37,039 --> 00:36:38,800 Speaker 2: How did he know enough to get rid of the 734 00:36:38,960 --> 00:36:39,719 serial number? 735 00:36:40,559 --> 00:36:41,519 Speaker 1: But he staying dying. 736 00:36:41,960 --> 00:36:44,920 Speaker 2: He knew enough to file it down all the way 737 00:36:45,840 --> 00:36:48,480 I would've had him. 738 00:36:48,480 --> 00:36:50,039 Speaker 1: Why do I see it so clearly? 739 00:36:52,840 --> 00:36:55,280 Speaker 2: Actually, the way I would have done it myself. 740 00:36:56,840 --> 00:36:58,519 Speaker 1: But I'll get him. 741 00:36:58,519 --> 00:37:04,599 Speaker 2: He left something loose. He couldn't have tied everything up. Barbara, Barbara, 742 00:37:04,639 --> 00:37:05,760 don't hear that thing? It's stuck? 743 00:37:06,000 --> 00:37:08,480 Speaker 3: Well, if it bother you can do well. 744 00:37:08,480 --> 00:37:10,599 Speaker 2: That silly thing bothers me even when it isn't stuck 745 00:37:11,000 --> 00:37:13,119 every blossom. Guys, what a name for a song? 746 00:37:13,239 --> 00:37:14,920 Speaker 4: What tune does? Honey? Is it bother? 747 00:37:15,079 --> 00:37:16,239 Speaker 1: He's so much al right? 748 00:37:16,320 --> 00:37:21,639 Speaker 2: I will did you uh got this piece of paper 749 00:37:21,639 --> 00:37:22,119 on the floor? 750 00:37:23,440 --> 00:37:25,719 Speaker 4: What piece of paper here? 751 00:37:27,840 --> 00:37:28,480 Speaker 1: What is it that? 752 00:37:29,159 --> 00:37:35,039 Speaker 2: He says? Dear missus Maitland, ask your husband where he 753 00:37:35,159 --> 00:37:36,920 is all the time? Is when he tells you he's 754 00:37:36,920 --> 00:37:41,360 at work, whereas he's spending those long evening hours. 755 00:37:41,760 --> 00:37:46,159 Speaker 1: Ay, Bill, I think I found a new lead. 756 00:37:46,280 --> 00:37:48,639 Speaker 2: Forget it, we just won the whole ball game. We 757 00:37:48,679 --> 00:37:52,159 found a note. Note the note, Georgia Temple wrote to 758 00:37:52,199 --> 00:37:55,119 the guy's wife. Remember what we said, find the wife 759 00:37:55,159 --> 00:37:58,719 and you got the guy. Yeah, we got the wife, 760 00:37:59,039 --> 00:38:07,039 dear missus Maitland, And her husband's the killer. Huh her 761 00:38:07,840 --> 00:38:08,760 her husband? 762 00:38:09,840 --> 00:38:10,320 Speaker 1: Yes? Bill? 763 00:38:12,119 --> 00:38:21,519 Speaker 2: But I I I'm her husband, Yes Bill? No, No, 764 00:38:21,679 --> 00:38:25,360 I I didn't kill her. I didn't kill her, Bill. 765 00:38:27,320 --> 00:38:31,840 Speaker 5: Tell her to detective Lieutenant Bill Maitland tell her detective 766 00:38:31,840 --> 00:38:32,440 he didn't kill. 767 00:38:32,360 --> 00:38:35,159 Speaker 1: Her bear By? I didn't. 768 00:38:35,159 --> 00:38:35,800 Speaker 4: How could I? 769 00:38:35,880 --> 00:38:39,039 Speaker 2: I don't care see why I didn't. 770 00:38:39,079 --> 00:38:40,519 Speaker 1: I didn't. You see it now, Bill? 771 00:38:40,880 --> 00:38:41,039 Speaker 2: Hi? 772 00:38:41,239 --> 00:38:47,039 Speaker 1: Bill? Can you? Oh? 773 00:38:47,760 --> 00:38:48,480 Speaker 2: Yes, yeah, I. 774 00:38:51,679 --> 00:38:57,840 Speaker 1: See it now? What happened? What happened? You know what happened? 775 00:38:59,039 --> 00:39:00,480 Speaker 2: You thought it was a joke, and you send it 776 00:39:00,519 --> 00:39:03,480 back at her apartment. I thought it was a joke. 777 00:39:04,760 --> 00:39:08,000 You said, did you take her home that night? And 778 00:39:08,079 --> 00:39:09,639 did she ask you in for a night cap? And 779 00:39:09,679 --> 00:39:10,840 did one thing lead to another? 780 00:39:12,360 --> 00:39:18,000 Speaker 1: Well, yes it did, it did, But a. 781 00:39:18,280 --> 00:39:20,599 Speaker 2: Thing like that, it was wrong, and it kept getting worse, 782 00:39:20,639 --> 00:39:23,840 and I couldn't face it anymore. It wouldn't go away, 783 00:39:23,960 --> 00:39:26,440 She wouldn't go away, or maybe I couldn't stay away. 784 00:39:26,519 --> 00:39:29,960 So I had to blast it away, wipe it out. 785 00:39:30,000 --> 00:39:34,559 I fired three shots, and it was gone, gone, and 786 00:39:34,639 --> 00:39:35,400 I was released. 787 00:39:35,440 --> 00:39:37,400 Speaker 1: I was I was. 788 00:39:37,320 --> 00:39:40,719 Speaker 2: Free as if it had never happened. 789 00:39:43,280 --> 00:39:48,920 Speaker 5: Lieutenant, We've got all the evidence. Do you wanna bring 790 00:39:49,000 --> 00:39:52,719 him in, Jerry? 791 00:39:54,639 --> 00:40:06,960 Speaker 2: We have to bring him in. He's a killer. Temporary 792 00:40:07,079 --> 00:40:10,840 insanity was the way it finally wound up. Legally, Bill 793 00:40:10,960 --> 00:40:13,960 is no longer a coup. He had undergone a long 794 00:40:14,039 --> 00:40:17,920 period of treatment, and I and Barbara lived quietly together. 795 00:40:18,039 --> 00:40:23,639 Now Bill's life isn't very exciting, but it has other satisfactions. 796 00:40:24,320 --> 00:40:28,400 At least Bill knows who he is. I shall be 797 00:40:28,440 --> 00:40:40,760 back shortly. In music, they have what is known as 798 00:40:41,039 --> 00:40:45,000 theme and variations. Often one composer will take a theme 799 00:40:45,079 --> 00:40:48,519 written by another and write a beautiful series of variations 800 00:40:48,519 --> 00:40:51,920 on it. The basic theme of today's story was, of course, 801 00:40:52,119 --> 00:40:55,280 Doctor Jekyll and mister Hyde, which was a variation by 802 00:40:55,320 --> 00:41:00,360 Stevenson on a famous medieval legend. Jekyll and Hyde, a 803 00:41:00,440 --> 00:41:05,239 famous partnership which only requires one person, and you find 804 00:41:05,239 --> 00:41:10,679 it so often almost everyone. Our cast included Michael Tolan, 805 00:41:10,840 --> 00:41:15,159 George Petrie, Katherine Byers, and E. V. Jester. The entire 806 00:41:15,239 --> 00:41:21,360 production was under the direction of Hyman Brown. For this 807 00:41:21,519 --> 00:41:23,880 is a G. Marshall inviting you to return to our 808 00:41:23,920 --> 00:41:29,679 Mystery Theater for another adventure in the macabre. Until next time, 809 00:41:30,760 --> 00:41:45,519 Pleasant Dream. The preceding program was furnished by CBS Radio.