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<v Speaker 1>And now doctor Watson.

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<v Speaker 2>What about this adventure of the fabulous celebrities.

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<v Speaker 3>Well, mister Harris, it began in the year nineteen oh one,

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<v Speaker 3>a year when Holmes was at the very pinnacle of

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<v Speaker 3>success by the turn of the centuries. You know, the

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<v Speaker 3>name of Sherlock Holmes was famous in every corner of

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<v Speaker 3>the civilized world, and people stared at him whenever he

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<v Speaker 3>walked out of our quarters at Baker Street. And then

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<v Speaker 3>very suddenly it became very dangerous to be a celebrated

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<v Speaker 3>person in the city of London. In the short space

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<v Speaker 3>of three weeks, four persons of great prominence were struck

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<v Speaker 3>down by a mysterious assassin, and finally, in great desperation

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<v Speaker 3>in Speculus, Strad asked us to appear at Scotland Yard.

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<v Speaker 4>Mister Holmes, you understand Scotland Yards conducting its own investigation

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<v Speaker 4>of the battling murders.

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<v Speaker 2>Oh, quite, Inspectulus, stars quite.

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<v Speaker 1>In due time.

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<v Speaker 4>Of course, we should know, doubt trap this peculiaris as him.

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<v Speaker 1>However, knowing your taste for.

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<v Speaker 4>The unusual, and admitting that you have some gallons in

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<v Speaker 4>these matters.

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<v Speaker 2>Coming from you, Inspector, I consider that a great comfortence

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<v Speaker 2>It is.

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<v Speaker 3>Indeed, we've never been reluctant to give the official police

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<v Speaker 3>a hand in these unusual matters.

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<v Speaker 2>Hey, hosts, no, what we have not now? Then inspecton? Yes, yes,

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<v Speaker 2>let us review the facts. A mysterious and deadly killer

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<v Speaker 2>is roaming the metropolis of London. His special victims are

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<v Speaker 2>persons of great prominence. In the last three weeks he's

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<v Speaker 2>assassinated a great English beauty, a champion heavyweight futurist, a

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<v Speaker 2>world famous astronomer, and a famous admiral.

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<v Speaker 3>Yes, and every one of them a likely candidate for

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<v Speaker 3>any Hall of Day.

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<v Speaker 2>Quite Watson, quite, But to continue inspecton. In each case

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<v Speaker 2>the celebrated victims valuables were not taken from their copsies.

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<v Speaker 2>In short, we made a deuce that those important people

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<v Speaker 2>were murdered for some other motive.

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<v Speaker 1>Rather than money. That is correct me to Huns. But

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<v Speaker 1>we have found no gills, no traits.

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<v Speaker 2>Exactly inspected, Austrade, you find no clue, no trae. You

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<v Speaker 2>have let the trail go cold, and we must make

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<v Speaker 2>a fresh start. Come Watson, virtuo Home Baker Street, My

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<v Speaker 2>dear fellow Baker speak to think the plan to use

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<v Speaker 2>the tools of logic, assuming of course, that we are

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<v Speaker 2>fortunate enough to find a cab in this foul weather.

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<v Speaker 3>Why jove, Holmes, we're in luck. There's a cab at

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<v Speaker 3>the curb right here on Darby Street. You can just

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<v Speaker 3>make it out in this beastly far's hello, that hello,

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<v Speaker 3>cab early seen us? You know, I must say I

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<v Speaker 3>anticipated the dreary until we wait. It's rather surprised the

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<v Speaker 3>cab run. He's driving his horse, spread, Holmes, he's trying

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<v Speaker 3>to run us down homes.

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<v Speaker 5>Are you all right?

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<v Speaker 1>Yes?

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<v Speaker 2>What's I'm quite all right. Just managed to get out

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<v Speaker 2>of the way of those horses.

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<v Speaker 3>Yes, with that drive. What the jews was he trying

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<v Speaker 3>to do of this, My.

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<v Speaker 2>Dear Watson, he was trying to kill me.

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<v Speaker 3>Oh, thank heaven, Holmes were finally heard Baker Street. I've

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<v Speaker 3>had a feeling that some kind of danger was stalking

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<v Speaker 3>us through this wretched farm.

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<v Speaker 1>That's quite Watson.

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<v Speaker 2>As for myself, I am aware of the danger, not

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<v Speaker 2>as a mere presentiment, but as an actual fact. What

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<v Speaker 2>do you mean the driver of the carriage on Darby's

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<v Speaker 2>feet he might very well be the assassin we seek. Remember, Watson,

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<v Speaker 2>I am a person of some renown and am therefore

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<v Speaker 2>vulnerable to his rather peculiar taste for victims. Here's our door.

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<v Speaker 3>Yes, what we need now, Holmes, is a good fire.

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<v Speaker 3>Hooves the top of the steps outside of flat.

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<v Speaker 2>There's some one looking there, see shadow? Quick, what's down

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<v Speaker 2>down the.

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<v Speaker 3>Hoose? Hose of you?

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<v Speaker 2>I'm all right? Will it just grazed my neck, went

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<v Speaker 2>through the color of my great coat. Quick up the stairs,

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<v Speaker 2>offering well hose.

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<v Speaker 3>The beggar went up the stairs under the roof. I

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<v Speaker 3>lost him in the fog. Cus it homes. Yes, Watson,

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<v Speaker 3>you think this assassin's is the same.

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<v Speaker 2>Who is accounted to the others. Yes, I must certainly

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<v Speaker 2>think he is the driver of that carriage and the

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<v Speaker 2>man looking in our hallway are one of the same.

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<v Speaker 5>Well hopes.

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<v Speaker 2>You've got to be careful.

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<v Speaker 3>He's made two attempts on your life, and one night

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<v Speaker 3>the beggar may try still again.

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<v Speaker 2>Undoubtedly he will, Watson. It seems that for the moment

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<v Speaker 2>the hunter becomes the hunted. But I hope to reverse

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<v Speaker 2>that order in a very short time.

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<v Speaker 3>Dash it homes. I must say, you're rather matter of

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<v Speaker 3>fact about this whole.

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<v Speaker 2>Thing, quite Watson. I'm thoroughly aware that my personal existence

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<v Speaker 2>is in great jeopardy, but I cannot allow any emotion

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<v Speaker 2>on this scord to cloud my reason. The assassin who

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<v Speaker 2>seeks my life is a very cool fellow, and I

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<v Speaker 2>must meet him on his own ground. But the hour

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<v Speaker 2>is late, Watson. There'll be time enough tomorrow to deal

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<v Speaker 2>with my assailant.

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<v Speaker 3>What the what's wake up.

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<v Speaker 5>Homes?

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<v Speaker 3>What the devil?

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<v Speaker 2>We seem to have a nocturnality time, mister Hall, mister Holt,

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<v Speaker 2>for the love of Heaven, met me any if I

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<v Speaker 2>had your pistol ready, Watson, as I'm already host.

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<v Speaker 3>Wonder what the juice the beggar want? Three o'clock in

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<v Speaker 3>the morning.

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<v Speaker 1>You'll soon see, my dear.

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<v Speaker 3>Well, it's a hard names. Governor of the Bank of.

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<v Speaker 1>Ingram Mister Holmes, shut.

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<v Speaker 3>The door quicker by jove, he's got a gas across

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<v Speaker 3>his cheek.

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<v Speaker 6>Yes, yes, doctor Watson. An assassin attacked me with a

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<v Speaker 6>knife near my home.

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<v Speaker 1>Just grave me. It was not seriously bleeding stuff.

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<v Speaker 2>I came straight here. Pray be seated, retch johnself. Thank

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<v Speaker 2>you now then will say you were attacked, Yes, mister Holmes, Yes,

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<v Speaker 2>I couldn't get a glimpse of him in the fog.

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<v Speaker 2>But I think the fellow followed me to your very door. Interesting, then, Holmes,

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<v Speaker 2>it must be the same fellow. Undoubted they wants them.

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<v Speaker 2>The killer is abroad tonight, pursuing his strange custom of

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<v Speaker 2>hunting illustrious persons such as Sir Hartley.

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<v Speaker 3>How does it happen, Sir Hartley, that you didn't go

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<v Speaker 3>to the official police.

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<v Speaker 6>Or impossible, Doctor Watson. That could be an only disaster.

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<v Speaker 6>The financial structure of the empire is based on delicate factors.

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<v Speaker 6>If it became known that my life was in jeopardy,

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<v Speaker 6>it might cause a panic on the exchange, a run

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<v Speaker 6>on the bank.

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<v Speaker 2>Sir Hartley is quite right, Watson. Mister Holmes, what shall

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<v Speaker 2>I do at the moment? There's but one thing to do,

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<v Speaker 2>Sir Hartley. Dr Watson and I will escort you to

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<v Speaker 2>your home, and when you get there, lock your door

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<v Speaker 2>and boat your windows, and under no circumstances leave unless

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<v Speaker 2>I summon you.

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<v Speaker 3>Well, now that we've seen, Sir Hartley safely under lock

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<v Speaker 3>and key, if you look forward to a night's sleep there,

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<v Speaker 3>good Lord, five in the morning.

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<v Speaker 2>Yes, Onston, it's good to be back at Baker.

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<v Speaker 3>Street, especially in view of this beastly weather. The fobs

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<v Speaker 3>turned to rain. Oh someone's coming.

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<v Speaker 4>Our way, begging your pardon, gentlemen, which one of you

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<v Speaker 4>is Sherlock Holmes?

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<v Speaker 2>I am Sherlock Holmes.

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<v Speaker 4>Oh indeed, so you are the great homes the world's

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<v Speaker 4>most famous detective.

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<v Speaker 2>Cat not thensas state your business?

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<v Speaker 4>Oh, oh, my dear mister Holmes, I have no business.

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<v Speaker 5>It's it's just.

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<v Speaker 4>That I wanted to look at you. It isn't often

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<v Speaker 4>the poor man like myself can stand face to face

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<v Speaker 4>with the great person like yourself. No, indeed, it isn't often.

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<v Speaker 4>I must say, you look exactly like your photographs.

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<v Speaker 3>Exactly.

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<v Speaker 2>Thank you. I am flattered. And now, my good man,

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<v Speaker 2>if you've had your fillip staring at me, we should

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<v Speaker 2>like to enter our quarters.

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<v Speaker 4>Oh, no offense, mister Holmes, the offense at all. It's

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<v Speaker 4>just that I'll be able to tell my friends I.

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<v Speaker 5>Thought a great home.

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<v Speaker 3>The cheek of the fellow horses, the infernal impudence of

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<v Speaker 3>the bounder.

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<v Speaker 2>Watson, Hey, did you notice that old man's coat and shoe?

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<v Speaker 3>I know, interesting that it holds what in blazers are

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<v Speaker 3>you talking about?

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<v Speaker 1>First, Watson?

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<v Speaker 2>The man's coat was hardly wet yet it's raining. The second,

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<v Speaker 2>certain areas of his boots seemed to be waterproofed. The

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<v Speaker 2>rain dampened the letter only in spotches.

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<v Speaker 3>Well, what of it?

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<v Speaker 2>I merely mentioned these of elementary observations, Watson, which may

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<v Speaker 2>or may not soo significant. But for the first time

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<v Speaker 2>I believe I see a glimmer of light in this

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<v Speaker 2>very intriguing adventure. Well, doctor Watson, so far it's been

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<v Speaker 2>quite a story, yes, mister.

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<v Speaker 3>Harris, and I might add that events thereafter shape themselves

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<v Speaker 3>with dizzying speed. I shall relate to you the second

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<v Speaker 3>half of this remarkable adventure after you tell your audience

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<v Speaker 3>some remarkable facts about clipper cross clips.

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<v Speaker 7>They are remarkable, indeed, doctor Watson. When I describe the

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<v Speaker 7>qualities of clipper craft clothes to you, I myself sometimes

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<v Speaker 7>think that clipper craft values seem too good to be true.

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<v Speaker 2>But clipper craft fabrics are actually.

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<v Speaker 7>As luxurious as they are long unwear, and the superior

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<v Speaker 7>talent of clippercraft experts shows up admirably in the smart

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<v Speaker 7>hang of your jacket, the comfortable, roomy fit of your

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<v Speaker 7>clipper craft suit. It's when you check all these superb

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<v Speaker 7>features against the amazingly low priced for suits bearing the

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<v Speaker 7>clipper Craft label that you realize clipper Craft values are

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<v Speaker 7>nothing short of sensational, only forty and forty five dollars.

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<v Speaker 7>Why even a pure worsted suit with the clipper Craft

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<v Speaker 7>label costs only forty five dollars. Yes, you save plenty

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<v Speaker 7>because more than twelve hundred independence doors throughout America have

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<v Speaker 7>concentrated their vast purchasing power to make these great Clippercraft

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<v Speaker 7>values possible.

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<v Speaker 1>That's why men who know insist.

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<v Speaker 7>On clipper Craft clothes bearing the clipper Craft label. So

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<v Speaker 7>be short of visit clipper Craft store in your city.

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<v Speaker 7>These leading stores in the metropolitan area are proud to

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<v Speaker 7>have their names to clipper Craft in your suits, top

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<v Speaker 7>coats and overcoats. In Manhattan, Sachs thirty four Broadway at

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<v Speaker 7>thirty fourth, John Wannamaker Men's Stores Broadway at eighth and

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<v Speaker 7>sixty seven, Lipperty Street in Brooklyn, Abraham and Strauss in Newark,

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<v Speaker 7>New Jersey, Boulevard Men's Shop Cresgy, Newark.

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<v Speaker 1>And in Jamaica the B and B Clothed, the.

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<v Speaker 7>Shop one sixty four oh eight Jamaica Avenue, and now

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<v Speaker 7>Doctor Watson. You were relating to us the adventure of

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<v Speaker 7>the fabulous celebrity.

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<v Speaker 3>Yes, mister Harris, I was on the evening after I

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<v Speaker 3>encounter with a strange old man a note with thrust

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<v Speaker 3>and droud door. It carried the wax and sea the

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<v Speaker 3>Bank of England at Its signer was Sir Hotley Am.

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<v Speaker 3>It was an urgent method from Sir Hatley, bidding us

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<v Speaker 3>to meet him that night at the warehouse he owned

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<v Speaker 3>at arm dead Wark, London Bridge. The note said simply

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<v Speaker 3>that Sir Hartley had some new and vital information on

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<v Speaker 3>the assessed and he wished to transmit this information to us.

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<v Speaker 3>I was watching my friend's face as he finished reading

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<v Speaker 3>the letter, and I saw his eyes narrow. Then quickly

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<v Speaker 3>Holmes examined the seal through his magnifying glass.

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<v Speaker 2>Ah, what is it, my dear Watson. This feel of

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<v Speaker 2>the Bank of Engdon is a forgery, precisely a devilishly

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<v Speaker 2>clever piece of work of pine imitation. The forgery, nevertheless,

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<v Speaker 2>send the letter is focus on the will.

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<v Speaker 3>And it's a trap. Someone is trying to lure us

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<v Speaker 3>to that. Well quite well, then we better hurr it

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<v Speaker 3>to Sir Hartleys than warn him.

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<v Speaker 2>I fear it too, Lake Watson, I'm willing to wager

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<v Speaker 2>that sir Hartley has in some similar manner endured from

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<v Speaker 2>his home. I'm willing to wage up further that he

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<v Speaker 2>is at the warehouse with Holmes.

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<v Speaker 3>If it's a trap, surely will not go in.

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<v Speaker 2>On the contrary, we are perhaps, Watson, we can spring

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<v Speaker 2>the killer trap without favoring the ch.

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<v Speaker 3>So where houses are dark and chilly.

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<v Speaker 4>Purse was.

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<v Speaker 2>Thirty And if I'm with you there, watch and it

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<v Speaker 2>only seems as I have a feeling we're being watched.

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<v Speaker 1>Tell you the truth?

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<v Speaker 3>So do I walking up this corridor between these huge

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<v Speaker 3>piles and machineries.

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<v Speaker 2>Yes, marine machinery, the hearty aims, among other things on

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<v Speaker 2>the steamship line.

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<v Speaker 1>And Hose, what is it?

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<v Speaker 4>Uh?

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<v Speaker 1>I just kicked something?

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<v Speaker 2>What was it?

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<v Speaker 3>Something solid?

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<v Speaker 2>It felt low my body. There's quick Pott in the

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<v Speaker 2>match here you are, Hose, quick Heavens. It's a Hartly aim, Yes,

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<v Speaker 2>shut through the heart and note Watson, there's a flake

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<v Speaker 2>of paraffine and his left nostril a significant detail on

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<v Speaker 2>my dad.

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<v Speaker 3>That's what hold? What are you doing?

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<v Speaker 2>A quick setch of the heartless pockets? I have an

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<v Speaker 2>eye the other.

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<v Speaker 1>Is it hose note, Watson, a porged note.

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<v Speaker 2>From myself, just not hardly asking him to meet us here.

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<v Speaker 3>So that's how so hotly is your from his.

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<v Speaker 2>Holy you remember I gave him strict orders not to move,

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<v Speaker 2>and if he heard from him, Watson, that kind of creaked.

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<v Speaker 2>Just the bbbit's poppling down the car. What's you are? Right?

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<v Speaker 3>His homes?

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<v Speaker 2>There goes the killer. He running too a brear entrance.

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<v Speaker 3>Halt you, blagger, half cassid hose the the beggar got

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<v Speaker 3>away from us again he did. Indeed, Watson, I must confess, Homes.

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<v Speaker 3>I'm not the hand with the pistol. I was at

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<v Speaker 3>my wand you know time and age, jim a man's

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<v Speaker 3>arm a thin. I saw the boundary shadow moving along

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<v Speaker 3>the fence behind the warehouse. Here I saw him go

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<v Speaker 3>through the real gate. Did I'm all the word?

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<v Speaker 2>Come, Watson, don't be too upset. Our quarries sought to

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<v Speaker 2>kill two birds with one stone that he managed to

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<v Speaker 2>down only one moreover in his escape, He's unwittingly given

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<v Speaker 2>us some valuable information. It is significant that he did

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<v Speaker 2>not hurdle that low fence, but chose a long way

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<v Speaker 2>to the gate, even though you were firing at him.

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<v Speaker 1>I confess, don't you, Watson?

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<v Speaker 2>Come then, come the conclusion of elementary generate. I'm becoming

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<v Speaker 2>rather tired of being struck by the Sussassin. I know

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<v Speaker 2>who he is, and it's high time we closed with him.

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<v Speaker 3>You know who he is?

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<v Speaker 1>I do, indeed more than.

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<v Speaker 2>That, I know when I can find him well in

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<v Speaker 2>a large brick building on Melbourne Road, just east of

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<v Speaker 2>Baker Street, and only a few doors from.

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<v Speaker 1>Our own room.

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<v Speaker 2>That brick building precisely what it houses, that famous London museum,

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<v Speaker 2>Madam Tussaul's Waxworth.

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<v Speaker 3>Wooden blazes homes. Would the killer be doing it? Madam

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<v Speaker 3>Tussau's Waxworth supposed to go.

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<v Speaker 2>There and find out? Watson, you mean tomorrow morning and

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<v Speaker 2>the contrary, Watson, I mean tonight. All right, pots and

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<v Speaker 2>close that window.

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<v Speaker 3>Jenny, I suppose you're aware we're breaking.

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<v Speaker 2>My dear Watson, I cannot quibble with legal technicalities at

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<v Speaker 2>this moment. Come that's inspected museum.

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<v Speaker 3>Oh it's a early places night. I must say. All

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<v Speaker 3>these wax figures standing around, they look juice in life

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<v Speaker 3>like that look hot. Here's Napoleon Bonapart Judus Caesar Oliver Cromwell,

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<v Speaker 3>whose well.

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<v Speaker 2>It's yes, what's in a new wax effigy of the

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<v Speaker 2>Hartley Ends made within the last ten minutes. The waxing

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<v Speaker 2>face is still warm to the touch, and the scar

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<v Speaker 2>from the assassin's knife still shows.

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<v Speaker 3>And the killer made a mold of Sir Hartley's face

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<v Speaker 3>as he lay dead in the warehouse.

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<v Speaker 1>Decisely watch them.

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<v Speaker 2>You recall a fake of paraffine we found into Hartley's nostril.

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<v Speaker 1>And what assumes right under that door?

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<v Speaker 2>So who is shore the hundred grips with our quality?

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<v Speaker 1>That is who?

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<v Speaker 2>Now the pistol is already follow me. There was no

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<v Speaker 2>one in here whose true seems to be a small workshomp.

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<v Speaker 3>Yes, hoose, good lord, look at that waxen statchues.

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<v Speaker 2>Yes you recognize it, Watson, Well.

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<v Speaker 3>It's a waxen image of you, Hose.

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<v Speaker 2>It is indeed made by our master artist, our friend

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<v Speaker 2>dear captain, getting in a little preliminary work before he

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<v Speaker 2>did away with me. I do think the nose is

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<v Speaker 2>a little too aquiline, and the face rather thin. But

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<v Speaker 2>Watson's get back against the wall, the killers coming back

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<v Speaker 2>into his workshop. But those who is it obvious the

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<v Speaker 2>strange old man. We met on the pavement at the

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<v Speaker 2>entrance to Baker Street.

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<v Speaker 1>Be ready when he comes to Martin.

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<v Speaker 2>Stand where you are and don't reach for that knight,

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<v Speaker 2>My dear fellow, I assure you doctor Watson will not

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<v Speaker 2>hesitate to blow your head off. But the slight is provaca.

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<v Speaker 4>That's all you've caught me, Mister Holmes, you've finally caught hold.

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<v Speaker 2>I have, indeed, and I assure you that you're hung

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<v Speaker 2>for your crimes in very short order.

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<v Speaker 5>It doesn't matter, mister Holmes, nothing matters. Let them hang

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<v Speaker 5>me now, Let them hang Old Lufflur, the greatest artist

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<v Speaker 5>in wax. The world is even home in Heaven's.

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<v Speaker 3>Name, Laflir, Why did you commit these these terrible murders

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<v Speaker 3>to Watson?

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<v Speaker 5>I am an artist, a great artist, Hi Luffleur, who

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<v Speaker 5>studied under the great marinee to all. But I am

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<v Speaker 5>old and sick, and I have not long to live.

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<v Speaker 5>The museum was about to retire me, and that I

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<v Speaker 5>didn't want to retire. I still had what to do.

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<v Speaker 4>There are great men and women still living worthy of

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<v Speaker 4>recognition in Madame Pruto's waxworks. I wanted to carve their

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<v Speaker 4>images in wax for posterity. But I had so little time,

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<v Speaker 4>so little time, and the museum would not allow me

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<v Speaker 4>to immortalize them until they were dead.

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<v Speaker 2>So you took matters in your own hand.

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<v Speaker 5>Yes, mister Holmes, I couldn't wait for them to die,

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<v Speaker 5>so I had to kill them myself. You, mister Holmes,

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<v Speaker 5>you were to be my greatest brier.

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<v Speaker 2>I had already begun.

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<v Speaker 4>Work on you and reserved a favored place for you

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<v Speaker 4>here in the museum nat Ton Pourium.

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<v Speaker 3>Host. Now we have delivered our passin to inspect the

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<v Speaker 3>strad I still don't see how you detected all the flowers,

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<v Speaker 3>but how you traced him to Madame Tusser.

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<v Speaker 2>I'm pious by dear Watson's. First of all, I knew

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<v Speaker 2>the killer was an old man. Remember he was not

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<v Speaker 2>agile enough to climb over that low fence in the

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<v Speaker 2>rear of the warehouse, even when he was under fire.

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<v Speaker 2>Then to Watson, you recall the time he met old

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<v Speaker 2>outflirred in the rain in front of our rooms here. Yes,

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<v Speaker 2>his coat was only slightly wet. That indicated he walked

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<v Speaker 2>for a short distance, and Madame Tussau's is only a

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<v Speaker 2>few steps from here, but his boots gave him away

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<v Speaker 2>Watson's house. They were waterproof in some spots and work

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<v Speaker 2>in others. That meant that his boots were splotched with

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<v Speaker 2>drippings of wax. Watsons, the material of his profession, the

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<v Speaker 2>forgery of the wax seal of the Bank of England,

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<v Speaker 2>and of course the flake of paraffine which foundhim to

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<v Speaker 2>Harts nostrils were added evidence. There is only one question

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<v Speaker 2>left unanswered in my mind, Watson.

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<v Speaker 3>Yes, what's that post?

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<v Speaker 2>I wonder how I would have looked in wax standing

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<v Speaker 2>next to Napoleon. Well, doctor Watson, that was an exciting adventure. Indeed,

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<v Speaker 2>thank you, mister Harris.

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<v Speaker 3>I thought you'd find it interesting. However, I might add

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<v Speaker 3>that Holmes never got his wish. Madame Tussau's waxworks burned

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<v Speaker 3>down in marks of nineteen twenty five, and all the

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<v Speaker 3>Napoleonic relics were destroyed.

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<v Speaker 2>See and doctor, what adventure will have for us next week?

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<v Speaker 3>Next week, mister Harris, I shall relate to you the

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<v Speaker 3>adventure of the Bloomsbury Ballast. It concerns a punch ticket,

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00:20:34.799 --> 00:20:38.920
<v Speaker 3>an empty cold scuttle and a sentimental soft