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<v Speaker 1>You're watching Chewing the Cud with Lee Robertson and Dominic Berry.

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<v Speaker 2>There's a distinct roma of Sultan vinegar. Hello, they're watching

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<v Speaker 2>Chewing the Cud, your lighthearted weekly look at the world

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<v Speaker 2>peaking around a sequin curtain. I'm Lee Robertson and with

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<v Speaker 2>me today is the only poet I know who can

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<v Speaker 2>rhyme with nantucket. It's dominic Berry. All Hello, Nantucket? What

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<v Speaker 2>rhymes with nantucket?

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<v Speaker 1>Oh? You know, Lee?

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<v Speaker 2>Yeah, exactly, chuck it anyway, what have you got for

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<v Speaker 2>us this week in the buzz? Well, Lee, I'm glad

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<v Speaker 2>that you asked.

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<v Speaker 1>I'm bringing you a story about things that you can

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<v Speaker 1>rob on your boy and something which you really should

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<v Speaker 1>not rub on your body. And we are going to

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<v Speaker 1>have lots of fun playing a lovely game.

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<v Speaker 2>Okay, slightly worries, and then domin it will be slamming

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<v Speaker 2>us with poetry. That's what the trendy people say in Spotlight.

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<v Speaker 2>But on the screen now you can see I contact details.

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<v Speaker 2>It's apt they could t be on your social media now.

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<v Speaker 2>If you want to catch up with previous episodes, you

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<v Speaker 2>can always binge us on YouTube. Look for Chewing the Cud.

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<v Speaker 1>You can see the names of people who have reached

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<v Speaker 1>out and touched our souls going along the bottom of

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<v Speaker 1>the screen. But now it is time for lee in

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<v Speaker 1>the showbiz.

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<v Speaker 2>Where do you stand on Elton John?

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<v Speaker 1>Ah, I love Elton John. I love. For once on

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<v Speaker 1>this show, you're talking about someone that I've heard of.

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<v Speaker 1>You're not talking about some influencer. He's Barkey McNaughty. I'm

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<v Speaker 1>aware of Elton John. I grew up first autobiography. I

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<v Speaker 1>ever read Elton John's first CD. I got his double

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<v Speaker 1>very best off, and I saw him in concerts. But

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<v Speaker 1>he's not always pleasant. He behave wise.

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<v Speaker 2>I don't know. I've never had sex system, so I

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<v Speaker 2>don't know. Well, he's he's he's not just a singer.

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<v Speaker 2>He has many, many fingers in many pies. So he's

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<v Speaker 2>brought out the Elton John eyewear collection, right, So it's

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<v Speaker 2>so what they did was they were approached by this

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<v Speaker 2>isn't his eyewear collection. There's a selection of his original

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<v Speaker 2>glasses from over the decades.

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<v Speaker 1>That's not him in the middle. That is that not

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<v Speaker 1>the actor who played him in Rocket Man.

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<v Speaker 2>He was quite attractive when he was very very young. Yeah,

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<v Speaker 2>so that what they've done is they've they've been approached

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<v Speaker 2>by Specsavers to design a range of sunglasses. So him

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<v Speaker 2>and his partner David Furnish sat down with all his

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<v Speaker 2>glasses that he did. They well, that's what they're telling us,

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<v Speaker 2>and they went. So he has cabinets and cabinets in

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<v Speaker 2>his house with all his glasses in them, and each

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<v Speaker 2>one has a story. So what they did was they

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<v Speaker 2>kind of chose different ones. This is him with the

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<v Speaker 2>actual collection. He's got a good wig on I'm lucky.

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<v Speaker 2>I'm not impressed by that one. These are all in

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<v Speaker 2>hither collection. So they're things like one's called yellow Brick Road,

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<v Speaker 2>obviously it's very obvious. Then we've got Tiny Dancer, I

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<v Speaker 2>assuming that's a very small pair of glasses, and then

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<v Speaker 2>Crocodile Rock. So he's named them after his head.

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<v Speaker 1>He's not named them. I've been mister cynical today is

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<v Speaker 1>the thing? Right? Elton John When he started, he had

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<v Speaker 1>years and years and years of not having it and

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<v Speaker 1>he was very very humble and reading the autobiography, the

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<v Speaker 1>early days are wonderful. But like he's just had an

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<v Speaker 1>album come out recently and they've done like a documentary

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<v Speaker 1>something I don't know who it is with a female singer,

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<v Speaker 1>isn't it Yeah, yeah, yeah, sparky nasty the country singer.

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<v Speaker 1>I don't know her name. I don't know modern people,

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<v Speaker 1>but like the documentary is just him being vile and

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<v Speaker 1>we're all meant to be like nay lovely, no no Lee,

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<v Speaker 1>no vile. He's not named these glasses.

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<v Speaker 2>You won't be part of about three hundred quid for

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<v Speaker 2>a pair of his sunglasses. No, well that's good because

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<v Speaker 2>we've I've actually blurged. If you if you're look in

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<v Speaker 2>your couple behind you, there is there is there is,

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<v Speaker 2>Yeah there You've got a pair, and I've got a.

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<v Speaker 1>Pair this yeah right, okay, Oh my words? Oh are

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<v Speaker 1>these Elton genre? Are these Lee around?

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<v Speaker 2>These are Elton John originals. These are called blue balls?

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<v Speaker 2>And see what's these are very It's like he's in

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<v Speaker 2>the room I have, I have don't go breaking my heart?

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<v Speaker 1>Oh look at this?

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<v Speaker 2>Look this marvelous. Yeah, that might have changed your mind.

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<v Speaker 1>Do you know who is humble? You know? Is humble

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<v Speaker 1>Y d Elton John's one time singing partner of Don't

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<v Speaker 1>Go bre She's wonderful. Matter have you. I've kissed the

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<v Speaker 1>face of Kiki d consentually.

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<v Speaker 2>I was to say it was it like a nighttime

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<v Speaker 2>situation where she woke up and you were just like

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<v Speaker 2>leaving over right. Okay, so we can keep them on

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<v Speaker 2>if you would lie, I love her?

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<v Speaker 1>Can we swap can like you can't? Yeah, I will.

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<v Speaker 2>I'll put the blue balls down for now. Next bit

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<v Speaker 2>of Showbus news again. You might have heard of this person,

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<v Speaker 2>Juanna Lumley. Yeah, gosh, she's made a heartbreaking statement apparently. Okay,

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<v Speaker 2>so she's she's she's been interviewed. She's made the heartbreaking

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<v Speaker 2>mission that she doesn't think she has much time left

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<v Speaker 2>something Dag knows as an illness or anything. It's just

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<v Speaker 2>that at seventy nine she doesn't think a huge amount

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<v Speaker 2>of time left on earth.

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<v Speaker 1>I don't know what I'm surprised by that because she's had.

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<v Speaker 2>Such a long different things done. She's done it. She

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<v Speaker 2>was a bundle in the nineteen sixties.

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<v Speaker 1>Be Avengers, the British Avengers.

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<v Speaker 2>Obviously Sapphire and Steel. You might not remember Safire and Steel. No, yeah,

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<v Speaker 2>I've seen it.

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<v Speaker 1>Yeah, she's and.

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<v Speaker 2>Obviously Patsy in ab Fab and she's going to be

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<v Speaker 2>playing Grandma in the Wednesday series on Netflix. That's her

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<v Speaker 2>as Grandmama, and then that's her as Patsy. So basically,

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<v Speaker 2>what you're saying is that as you're near the top

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<v Speaker 2>of the hill, you suddenly think, gosh, there's not a

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<v Speaker 2>lot of time left. My time must be coming quite soon,

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<v Speaker 2>and I don't want to have wasted a minute being

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<v Speaker 2>in this beautiful planet. I used to plan it when

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<v Speaker 2>I was young, but as I got older started to

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<v Speaker 2>live day to day. When so when I was eighteen,

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<v Speaker 2>I long to be thirty. When I was thirty, long

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<v Speaker 2>to be fifty. So yeah, basically she kind of like saying,

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<v Speaker 2>you know, but I've had a good life. I'm not

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<v Speaker 2>actually planning on carking it anytime soon, but you never know.

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<v Speaker 2>You have you stalked Johanna Lumley and.

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<v Speaker 1>Touched I've not yet kissed the face of well she has.

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<v Speaker 2>Apparently she has this condition where she can't remember people's names,

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<v Speaker 2>and it's an actual thing. It's called proso pannosia, and

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<v Speaker 2>it's where she's called it's called face blindness. So I

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<v Speaker 2>have to know who people are in advance because I

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<v Speaker 2>don't always remember who they are. So she said, I

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<v Speaker 2>just kiss everybody because that way I can Oh my god. Wow.

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<v Speaker 2>So she's no plans to retire, but she's been doing

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<v Speaker 2>it for as long as she can, as long as

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<v Speaker 2>she can speak, she said, as long as she can breathe.

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<v Speaker 1>How fantastic. I went to see Focusing at Leonard Cohen

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<v Speaker 1>on tour when he was eighty and he was in

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<v Speaker 1>Manchester and he was like, I remember when I was

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<v Speaker 1>last year. I was only a little kid. I was

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<v Speaker 1>only sixty oh, and that was a really sobering moment.

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<v Speaker 1>Really made me think. I was like, wow, yeah, yeah,

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<v Speaker 1>it was a weel. No, No, it's luck, isn't it.

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<v Speaker 1>You can do all the best things, to look after

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<v Speaker 1>your help, to make good choices, and sometimes.

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<v Speaker 2>Are going to live forever. At some point that's depressing.

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<v Speaker 2>The grim Reaper is going to appear and you're gone.

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<v Speaker 1>I enjoy what I can cheerfully.

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<v Speaker 2>Last bit of show is And you might not get

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<v Speaker 2>this one, Dan, You must know who, of course I do.

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<v Speaker 2>You may not have watched the series that she's been

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<v Speaker 2>presented for the past couple of years. I kissed a

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<v Speaker 2>boy and then the female version, I kissed a girl. Okay,

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<v Speaker 2>so basically what they do is they get a group

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<v Speaker 2>of gay people, put them on an island. Is it

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<v Speaker 2>an island or is it just a nice place in Italy?

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<v Speaker 2>Italy is not an island anyway, that's that's geography. So

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<v Speaker 2>they get these young people and they kind of try

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<v Speaker 2>and encourage relationships so that the latest series is forward.

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<v Speaker 2>Ten single men are matched and meet for the first

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<v Speaker 2>time with a kiss. So they've never met each other before.

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<v Speaker 2>They meet at this villa, give each other a kiss.

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<v Speaker 2>You might like that because you're into kissing people without

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<v Speaker 2>without any knowing meeting each other before.

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<v Speaker 1>There's a there's a guess in each other.

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<v Speaker 2>So season two, which has just started, has got eleven

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<v Speaker 2>people in there, including a cheerleading coach, a model, and

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<v Speaker 2>notably the shows first to have a challenge under male,

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<v Speaker 2>which is fantastic. However, there has been a bit of

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<v Speaker 2>BackFlash with people kind of saying, well, you've gone for

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<v Speaker 2>all the usual pretty young, thin, attractive people. Where's the

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<v Speaker 2>where's the where's the sort of where's the fat ugly

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<v Speaker 2>ones or the fat beautiful the fat beautiful ones, where's

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<v Speaker 2>the ones that perhaps wouldn't get kissed anyway? So they're

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<v Speaker 2>kind of like, yeah, there's something called an instant kiss off,

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<v Speaker 2>which is a new thing where contestants are caught off guard.

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<v Speaker 2>It is about you, this isn't it. The contestants are

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<v Speaker 2>caught off guard and require immediate decisions about their pairings,

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<v Speaker 2>so they can just kind of like just go and kiss. Yeah.

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<v Speaker 2>Apparently one of the kiss offs occurs during a lightning storm,

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<v Speaker 2>adding to the season's heightened drama. I don't know whether

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<v Speaker 2>it's actual lightning storm or whether perhaps it's just done know,

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<v Speaker 2>with a torch going turning it on.

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<v Speaker 1>Well, I've not heard of this before of all the

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<v Speaker 1>various many ways people can humiliate themselves on national television.

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<v Speaker 1>And I speak as somebody who's who has humiliated who's

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<v Speaker 1>a Channel four got me to pull the penis out

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<v Speaker 1>for them, So so yeah, that speakers eason to do that.

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<v Speaker 1>This is like on the lower end, isn't it. It's

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<v Speaker 1>the lower It's not.

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<v Speaker 2>As awful as you think. It's not for me, but

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<v Speaker 2>check it out on BBC. I play it. See what

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<v Speaker 2>you see what yourself we may be seeing dom on

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<v Speaker 2>I kissed a boy and that is it for this

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<v Speaker 2>week Shobby's News.

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<v Speaker 1>Thanks Lee. Yeah, I'm up for being on that kissing

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<v Speaker 1>all the fat, beautiful people, thin beautiful people. Everyone everyone's

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<v Speaker 1>got everyone's got beauty somewhere. They well.

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<v Speaker 2>Stay right there because coming up after this short break,

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<v Speaker 2>we get up to date with the usual side of

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<v Speaker 2>the news in the buzz. Welcome back and you're watching

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<v Speaker 2>Chewing the Card. This is a part of the show

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<v Speaker 2>where we look into the fun side of the news

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<v Speaker 2>as it's dominic with the buzz.

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<v Speaker 1>Right, thrown in your wear or thrown in?

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<v Speaker 2>Is throning thrown in? Is it a sexual reference?

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<v Speaker 1>It is not necessarily it could be, it could be. Right,

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<v Speaker 1>So this is a new term that gen z. You've

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<v Speaker 1>heard of them, haven't. You know, scally.

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<v Speaker 2>Wags never stop hearing.

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<v Speaker 1>Right. Thrown in is where individuals pursue a relationship where

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<v Speaker 1>they're doing it to enhance their own appearance on like

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<v Speaker 1>social media and stuff. So you know, it's less about, oh,

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<v Speaker 1>is there a genuine connection? Do I like this person?

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<v Speaker 1>It's more about how can this person make me appear in?

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<v Speaker 2>Okay, it's not a new thing.

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<v Speaker 1>Well yeah, people are saying it's like the equivalent of

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<v Speaker 1>the sort of old fashioned view of gold inging, like

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<v Speaker 1>going with someone just for their money. But this isn't

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<v Speaker 1>necessarily about it's about financial it's more about yeah, be.

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<v Speaker 2>Called punching above your weight.

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<v Speaker 1>Apparently, like loads of folks have been really upset because

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<v Speaker 1>they meet someone and I think there's the real click

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<v Speaker 1>and they only like them because they're a multi award

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<v Speaker 1>winning poets.

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<v Speaker 2>These are the crosses you must bear.

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<v Speaker 1>They are, they are okay. I don't think I've ever

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<v Speaker 1>been throwned, not to my knowledge.

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<v Speaker 2>Been doing this for donkeys years. They go out with

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<v Speaker 2>people who they think. I mean, the most famous one

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<v Speaker 2>is is Rita Aura. She goes, she goes like, oh,

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<v Speaker 2>I'll go up with him for a little bit. Taylor

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<v Speaker 2>Swift she goes through and like nobody's business.

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<v Speaker 1>So it's yeah, they're not necessarily throning, are they, if

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<v Speaker 1>they just date more than one person.

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<v Speaker 2>I think. I think certain celebrities kind of go right,

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<v Speaker 2>if I go up with this person, this is going

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<v Speaker 2>to get me this amount of coverage or attention, and

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<v Speaker 2>then I'll move on. I'll work my way up the

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<v Speaker 2>celebrity celebrity ladder.

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<v Speaker 1>I agree with what you said a moment ago. I mean,

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<v Speaker 1>that's just it's just because all of our lives are

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<v Speaker 1>so much more visible online that there's a new frame.

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<v Speaker 1>I mean, that's like Madonna, isn't it. You know, when

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<v Speaker 1>when Madonna was in the Avita movie, Ping av you

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<v Speaker 1>know what Ava Pon did. It's what people have always done,

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<v Speaker 1>isn't it. Unless you're just a really talented poet who

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<v Speaker 1>just relies on nothing but their rhymes.

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<v Speaker 2>Yeah? Whatever, whatever, gen Z.

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<v Speaker 1>All right, let's move on to the next story. Then

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<v Speaker 1>let's see the next story is the purpose behind Imperial

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<v Speaker 1>Leathers soap sticker. Oh, that's something you didn't know that

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<v Speaker 1>we'd been narrowing about.

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<v Speaker 2>Realize that there was still being made.

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<v Speaker 1>It is. Indeed, they have a distinctive sticker on top,

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<v Speaker 1>and there it is. Brits have been stunned after discovering

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<v Speaker 1>that this sticker has got a hidden use. Right when

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<v Speaker 1>it's placed label side down, it creates a concave surface

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<v Speaker 1>that helps water drain away, preventing soap from becoming mushy. Wow,

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<v Speaker 1>it's there, you go. Well, I'm just reading what we've

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<v Speaker 1>got it. I don't know what this has got to

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<v Speaker 1>do with the Gays. I don't know. I mean, well,

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<v Speaker 1>they show them up the box. No one's interested in

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<v Speaker 1>my mushy concave surface. So you know, like, yeah, yeah,

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<v Speaker 1>so the sticker reinforces brand identity has become a nostalgic

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<v Speaker 1>feature for many folks.

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<v Speaker 2>Yeah, I'm sure.

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<v Speaker 1>I didn't know it was still going.

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<v Speaker 2>It's like, well, I'm yeah, I'm sure when I'm talking

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<v Speaker 2>about the nineteen forties that hugely useful. Do people still

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<v Speaker 2>use bars of soap?

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<v Speaker 1>I do? Do you? I do?

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<v Speaker 2>I imagine you're a kind of a a bespoke vegan product.

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<v Speaker 1>Do you have absolutely read me? Correct?

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<v Speaker 2>Yeah?

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<v Speaker 1>So I go around the vegan festivals performing my poetry.

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<v Speaker 1>Leeds is coming up. Come see me at Leeds Vegan Festival,

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<v Speaker 1>that's on the cards. Yeah, And I do try and

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<v Speaker 1>get stuff because you know, I'm an independent poet, you know,

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<v Speaker 1>I'm with a relatively small publisher. And so when you

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<v Speaker 1>buy stuff from folks like that, as opposed to Imperial leather,

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<v Speaker 1>you know, you're supporting someone who's trying to set themselves,

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<v Speaker 1>trying to be a little bit removed from the rat race.

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<v Speaker 1>And there's loads of soap making people at the vegan festivals.

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<v Speaker 1>So yeah, I generally make it from the.

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<v Speaker 2>Sweat of vegans, don't they little buckets?

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<v Speaker 1>Ye? Vegan tears, Vegan.

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<v Speaker 2>Tears wonder well, that was very useful.

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<v Speaker 1>Less plastic in it, less plastic rather than using shower

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<v Speaker 1>jel if you get lovely soap, yeah, okay, get from

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<v Speaker 1>a local road. It's just in.

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<v Speaker 2>That's very seventies. Isn't it a rope? Do you remember

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<v Speaker 2>soapen a rope?

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<v Speaker 1>I'm aware of its existence.

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<v Speaker 2>Yes, just me them.

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<v Speaker 1>Yeah. Of course. It's not only Lee's mushy concave in

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<v Speaker 1>which I'm interested. I'm interested in all beautiful, fat mushy

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<v Speaker 1>concaves of all love viewers. I'm linking to the Dad

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<v Speaker 1>even Oaks story about the beautiful fat people doing that.

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<v Speaker 1>Call the throatback social media quick, yeah, yeah, send us,

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<v Speaker 1>send us, send us your photos. He a fat, mushy concave.

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<v Speaker 1>We'd love to see him on at the Cuds TVV.

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<v Speaker 1>That's the one that takes us to our story of

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<v Speaker 1>the weekly, the story of the leak. We not story

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<v Speaker 1>of the leak, story of the week.

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<v Speaker 3>Right.

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<v Speaker 1>We know the Imperial lever is pleasant upon the body.

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<v Speaker 1>But I'm going to chat about something which is not

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<v Speaker 1>pleasant on the body, Lee, which people have been doing.

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<v Speaker 1>People have been doing and it's not pleasant, it's not healthy.

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<v Speaker 2>It's not good it's good.

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<v Speaker 1>It's not good for the gen z. I mean, I'm

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<v Speaker 1>making a presumption that it's gen z doing this.

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<v Speaker 2>That's right. What are the something on themselves?

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<v Speaker 1>Cooking oil? Okay, cooking oil so fry light. Yeah, so

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<v Speaker 1>people have been using this for the purpose of tanning.

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<v Speaker 1>That's what people are doing as a way of getting

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<v Speaker 1>their skin to.

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<v Speaker 2>Look at Chrispot like crackling.

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<v Speaker 1>Ah, how awful. So are the trend echoes past behaviors

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<v Speaker 1>from the nineteen seventies, highlighting a recurring issue with unsafe

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<v Speaker 1>tanning methods. You see, dermatologists emphasize that such practices are

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<v Speaker 1>dangerous and colead to premature aging and skin cancer. So

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<v Speaker 1>don't put tanning oil on your mushy concave. Stick it up.

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<v Speaker 2>There, tanning oil on your mushy coun cave. But don't

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<v Speaker 2>put cooking oil on your mushy coun cave. Tanning oil.

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<v Speaker 2>We want, oh, sometime we want.

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<v Speaker 1>Yeah, I said it wrong, didn't but but well, probably

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<v Speaker 1>external use, only one would presume, I.

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<v Speaker 2>Would assume, yeah, yeah, yeah, unless you you know, spreading

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<v Speaker 2>good and get in a bit of something.

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<v Speaker 1>What what a recurring theme in these stories about the

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<v Speaker 1>pressures that folks are on. I often think about, like

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<v Speaker 1>everybody does, about leaving social media altogether. But but you know,

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<v Speaker 1>we we we are so often. You know, good stuff

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<v Speaker 1>comes from it. You know. I'm a public speaker. You

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<v Speaker 1>know my career, I make connections through being on the

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<v Speaker 1>Instagram and the Facebook and all that. People literally offer

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<v Speaker 1>me work through that way. But yeah, you do become

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<v Speaker 1>more image conscious, don't you Like? You know you you

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<v Speaker 1>want to put far up because no one, no one

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<v Speaker 1>reads words to that. You've got to have an image.

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<v Speaker 1>You've got to have an image if you're doing social

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<v Speaker 1>media posts. So people do worry about am I tanned?

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<v Speaker 1>In our Fersma, just put a filter on yourself. It's

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<v Speaker 1>that top tip, just in top tips. Yeah, don't don't

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<v Speaker 1>become a suckling pig or one of these beautiful glasses.

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<v Speaker 1>That's it, that's it. I saw Lulu in concert. I

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<v Speaker 1>didn't kiss the face of Lulu. I didn't kiss the face.

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<v Speaker 1>But Lulu covered in oil. Well, she said, she said,

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<v Speaker 1>she went these days, she went dark glasses and hat.

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<v Speaker 1>I've always been I've had the great pleasure to date

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<v Speaker 1>a large number of gentlemen, and they've all been beautiful

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<v Speaker 1>in there.

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<v Speaker 2>I've been milky white, never.

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<v Speaker 1>Dated all all the crown creeds.

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<v Speaker 2>Doesn't matter what creed you want, don't matter what race,

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<v Speaker 2>you don't cover yourself in oil.

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<v Speaker 1>I've always been very proud of just like being like,

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<v Speaker 1>you know, when it's.

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<v Speaker 2>Going back to the door in times when the ghost white,

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<v Speaker 2>corpse like complexion was was designed.

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<v Speaker 1>But it's like authenticity, isn't it. This is my point.

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<v Speaker 1>I'm very clumsily making that, like you know, we are,

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<v Speaker 1>we are who we are, and I wonder, I wonder

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<v Speaker 1>if it is being one's authentic self to cover oneself

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<v Speaker 1>in fries light.

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<v Speaker 2>Yeah, tasty.

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<v Speaker 1>Well that is all from the buzz this week.

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<v Speaker 2>Thank you for that, Dominica. I'm going to be off

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<v Speaker 2>to get some Chrisp and Fry after this show.

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<v Speaker 1>Don't do that, Lee, be your authentic, beautiful self. You're lovely,

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<v Speaker 1>You're lovely. You don't need itly, you don't need any

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<v Speaker 1>Crisp and fry anyway. Don't you go anywhere, because we

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<v Speaker 1>have coming up a game for all of you to

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<v Speaker 1>play along.

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<v Speaker 4>With in our Game of the Week, Welcome back.

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<v Speaker 2>To Chewing the Card with Mealy Robertson and Dominic Berry.

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<v Speaker 2>Now this part of the show is where we play

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<v Speaker 2>a game and this is one for the person who

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<v Speaker 2>gets very excited by bombs.

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<v Speaker 1>Dominic, I do that is that is factually accurate?

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<v Speaker 2>Would you like to make your way?

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<v Speaker 1>Oh?

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<v Speaker 2>How thrilling to the game zone.

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<v Speaker 1>Day of the week.

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<v Speaker 2>So this week we are playing any hole is a Goal,

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<v Speaker 2>where Dominic and I go heads ahead to try and

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<v Speaker 2>work out what is the picture? Are you ready, Dominic?

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<v Speaker 1>I was bored already.

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<v Speaker 2>Okay, let's have the first. I'm gonna say, whole. Apparently

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<v Speaker 2>this is this is a whole.

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<v Speaker 1>Oh my words. Let me look at it through the

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<v Speaker 1>eyes of l some john like me.

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<v Speaker 2>Is it? Is it a human hole? Or is it? Ah,

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<v Speaker 2>I've been told it is not a human hole.

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<v Speaker 1>This you know? Goodness me, goodness me. It is a hole.

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<v Speaker 2>It's a hole.

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<v Speaker 1>So we look in all we've got to guess.

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<v Speaker 2>We've got to guess what what hole it is. I'm

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<v Speaker 2>I don't really know. I'm going to I'm going to

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<v Speaker 2>say some kind of fruit.

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<v Speaker 1>It looks a little bit like one of the pac

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<v Speaker 1>Man ghosts that we have for is it is? It

399
00:23:33.640 --> 00:23:37.240
<v Speaker 1>is is a pac Man ghost born of a kind

400
00:23:37.279 --> 00:23:40.440
<v Speaker 1>of mother ghost and like a kneeber. It kind of

401
00:23:40.480 --> 00:23:43.200
<v Speaker 1>splits up. I think it's a giant pac Man ghost.

402
00:23:43.279 --> 00:23:44.160
<v Speaker 1>That's just given for.

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00:23:44.759 --> 00:23:47.039
<v Speaker 2>Let's let's see what it is. I'm really hoping it

404
00:23:47.119 --> 00:23:52.240
<v Speaker 2>is a gaping pac Man ghost.

405
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<v Speaker 1>Oh, could there be more wrong?

406
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<v Speaker 2>It is a geranium leaf. I believe it looks like nice. Okay,

407
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<v Speaker 2>let's have a little let's have the next hole.

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00:24:08.240 --> 00:24:12.119
<v Speaker 1>Ah, this is easy. This is for all us, beautiful

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<v Speaker 1>fat people, beautiful fat people. It's a donor in Italy.

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<v Speaker 1>It's a donut. We know about them, don't we? We

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<v Speaker 1>know about them. It's like lovely fondant fancy.

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<v Speaker 2>It is as a beautiful fat person myself, as a

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<v Speaker 2>fondant fancier, I'm going to say that is a donut hole.

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<v Speaker 1>Yeah, it's not like someone who's just dropped their trousers

415
00:24:40.839 --> 00:24:44.279
<v Speaker 1>for an STD examination. It's not that, although the bobbly

416
00:24:44.319 --> 00:24:47.039
<v Speaker 1>bits suggest that could be a possibility.

417
00:24:47.119 --> 00:24:49.559
<v Speaker 2>Yeah, I mean, it could be a clown's gizzy bumhole.

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<v Speaker 1>But across the line, across the line, it's a lovely donut,

419
00:24:59.519 --> 00:25:05.720
<v Speaker 1>isn't it a look if I'm now unable to think

420
00:25:05.960 --> 00:25:11.880
<v Speaker 1>of anything other than clowns, and therefore, well, that's probably

421
00:25:11.920 --> 00:25:14.359
<v Speaker 1>a good thing. We could all do with eating fewer donuts,

422
00:25:14.359 --> 00:25:18.119
<v Speaker 1>couldn't we. So if you want to eat fewer donuts,

423
00:25:18.240 --> 00:25:23.599
<v Speaker 1>just imagine that it's a clown's STD ridden orifice and

424
00:25:23.799 --> 00:25:31.680
<v Speaker 1>that will prevent you from devouring your own. Yes, the

425
00:25:31.720 --> 00:25:36.480
<v Speaker 1>next one, it's one nilt no, yeah, but one or

426
00:25:36.559 --> 00:25:37.319
<v Speaker 1>one hole in it?

427
00:25:37.440 --> 00:25:37.640
<v Speaker 4>One?

428
00:25:37.680 --> 00:25:40.279
<v Speaker 1>All? What's this? I think this is a tear in

429
00:25:40.319 --> 00:25:44.039
<v Speaker 1>the fabric of time and space. This looks like something

430
00:25:44.039 --> 00:25:46.960
<v Speaker 1>from a Doctor Who episode, isn't there. I think it's

431
00:25:47.000 --> 00:25:48.279
<v Speaker 1>a hole in reality.

432
00:25:48.759 --> 00:25:51.599
<v Speaker 2>I think it's a hole in the ground and you're

433
00:25:51.640 --> 00:25:53.799
<v Speaker 2>just looking up at the sky.

434
00:25:54.519 --> 00:25:57.240
<v Speaker 1>I'm not just being silly. I think it does look

435
00:25:57.359 --> 00:26:02.359
<v Speaker 1>like one of those things where you'd get on, you know, space.

436
00:26:02.759 --> 00:26:03.680
<v Speaker 2>A worm run.

437
00:26:04.799 --> 00:26:08.079
<v Speaker 1>Yeah, that that kind of thing. I reckon. Yeah, I'm

438
00:26:08.119 --> 00:26:09.440
<v Speaker 1>sticking with my answer.

439
00:26:10.279 --> 00:26:11.240
<v Speaker 2>Was I right?

440
00:26:11.440 --> 00:26:19.079
<v Speaker 1>No? Water? So water is like not ground.

441
00:26:19.240 --> 00:26:22.880
<v Speaker 2>It's closer to the bloody than a bloody wormhole in

442
00:26:22.920 --> 00:26:24.400
<v Speaker 2>the in the sky.

443
00:26:24.599 --> 00:26:28.720
<v Speaker 1>Falls right, So at least my one was in the

444
00:26:28.759 --> 00:26:30.559
<v Speaker 1>air and that's a hole in the air.

445
00:26:32.119 --> 00:26:39.039
<v Speaker 2>Wow, Okay, well neither was when then.

446
00:26:39.200 --> 00:26:45.240
<v Speaker 1>All right, I'll go with that blurry holes like going

447
00:26:45.279 --> 00:26:47.319
<v Speaker 1>to the sauna without your contacts, and.

448
00:26:50.160 --> 00:26:55.200
<v Speaker 2>I don't know what that is. People, there's that that

449
00:26:55.319 --> 00:26:57.000
<v Speaker 2>horrible phobia, isn't there of holes?

450
00:26:58.039 --> 00:27:01.200
<v Speaker 1>Can't relate, can't relate. I think this is another edible hole.

451
00:27:01.279 --> 00:27:02.880
<v Speaker 1>I think this is another hole that you could stick

452
00:27:02.920 --> 00:27:06.759
<v Speaker 1>your tongue in. That's what I think. I think it's

453
00:27:07.279 --> 00:27:10.960
<v Speaker 1>which is my personal favorite kind of hole. I think

454
00:27:11.640 --> 00:27:14.000
<v Speaker 1>this one it looks like I think it looks like

455
00:27:14.039 --> 00:27:18.799
<v Speaker 1>in all sorts. Do you remember Bertie about sticking your

456
00:27:18.799 --> 00:27:20.039
<v Speaker 1>tongue in Bertie Bassetts?

457
00:27:20.039 --> 00:27:22.240
<v Speaker 2>Holy, I don't remember that.

458
00:27:23.359 --> 00:27:24.559
<v Speaker 1>You're familiar with Bertie.

459
00:27:24.559 --> 00:27:27.720
<v Speaker 2>I'm family. I mean, I've never I've never been chagged

460
00:27:27.720 --> 00:27:28.160
<v Speaker 2>about him.

461
00:27:28.519 --> 00:27:33.319
<v Speaker 1>But everyone has their fetish. We're not into kink shaming

462
00:27:33.480 --> 00:27:35.799
<v Speaker 1>in chewing the cuds. So some people, you know, they

463
00:27:35.799 --> 00:27:39.000
<v Speaker 1>have their you know, their pups or their you know,

464
00:27:39.920 --> 00:27:45.720
<v Speaker 1>BDSM is a Bertie Bassett is a genuine kink.

465
00:27:45.880 --> 00:27:52.119
<v Speaker 2>I think that this is a hole in Dominic's brain. Yeah,

466
00:27:52.160 --> 00:27:52.839
<v Speaker 2>let's see.

467
00:27:53.039 --> 00:27:55.039
<v Speaker 1>Oh no, that's horrible.

468
00:27:55.880 --> 00:27:57.920
<v Speaker 2>What I can't look at that. That's that thong.

469
00:27:58.960 --> 00:28:03.680
<v Speaker 1>That's photoshop. That's not real. Surely that's not real. That's horrible.

470
00:28:03.880 --> 00:28:08.279
<v Speaker 2>That's that's that's that's a gun.

471
00:28:14.000 --> 00:28:16.359
<v Speaker 1>It's off what lee, it's off what make you go

472
00:28:16.400 --> 00:28:17.440
<v Speaker 1>Away's a gun.

473
00:28:19.960 --> 00:28:22.680
<v Speaker 2>It's that fear of holes in there's like.

474
00:28:24.519 --> 00:28:30.839
<v Speaker 1>A it's not real, is it? That's like photo shop. Sure,

475
00:28:32.480 --> 00:28:33.759
<v Speaker 1>it's gone like.

476
00:28:33.799 --> 00:28:40.440
<v Speaker 2>Things like like honeycombs. That's creepy, like random holes in

477
00:28:40.559 --> 00:28:42.279
<v Speaker 2>things that it's a phobia.

478
00:28:43.000 --> 00:28:45.319
<v Speaker 1>So, but that is a fake image.

479
00:28:45.359 --> 00:28:50.319
<v Speaker 2>Galleries that a fake. It's fine. I don't have Google.

480
00:28:50.720 --> 00:28:57.200
<v Speaker 2>I'll go on YouTube and typing skin holes horrible? Anyway,

481
00:28:58.799 --> 00:29:00.920
<v Speaker 2>should we get the next So it's still.

482
00:29:00.759 --> 00:29:04.680
<v Speaker 1>On one all, aren't we one? All? Is that correct? Yeah?

483
00:29:04.839 --> 00:29:05.039
<v Speaker 2>One?

484
00:29:05.599 --> 00:29:11.240
<v Speaker 1>Right? Is this could be the deciding answer? Ly, let's

485
00:29:11.279 --> 00:29:19.559
<v Speaker 1>find out that is a plug hole? By plug, I

486
00:29:19.599 --> 00:29:23.279
<v Speaker 1>don't mean plug, the character from the Bash Street kids

487
00:29:23.319 --> 00:29:25.559
<v Speaker 1>in the Bino. I don't mean plug thought I.

488
00:29:25.680 --> 00:29:33.039
<v Speaker 2>Was looking random celerity longer from the Bino.

489
00:29:34.440 --> 00:29:37.599
<v Speaker 1>And to be specific, I think it is a sink

490
00:29:37.960 --> 00:29:40.960
<v Speaker 1>plug hole. I don't think it's a bath or bath

491
00:29:41.319 --> 00:29:43.680
<v Speaker 1>plug hole. I think it's a plug hole of an

492
00:29:43.839 --> 00:29:45.000
<v Speaker 1>unclean sink.

493
00:29:46.000 --> 00:29:55.119
<v Speaker 2>Yeah, I'm going to go with a waste disposal hole. Yeah. OK,

494
00:29:55.519 --> 00:29:59.720
<v Speaker 2>let's find out. Oh I think we both were right?

495
00:30:01.240 --> 00:30:05.759
<v Speaker 1>Well, no, I'm right, Lee, it's a sinkhole. What are

496
00:30:05.759 --> 00:30:09.279
<v Speaker 1>you talking about? It could be well, you know what

497
00:30:09.319 --> 00:30:10.880
<v Speaker 1>do you mean? A waste disposed?

498
00:30:10.920 --> 00:30:12.880
<v Speaker 2>That's what we call them in the seventies, isn't it.

499
00:30:13.160 --> 00:30:19.200
<v Speaker 1>That's what you called sinks seventy well, waste. No, you're

500
00:30:19.240 --> 00:30:21.400
<v Speaker 1>going to plug up your pipes. If you do that,

501
00:30:21.640 --> 00:30:21.960
<v Speaker 1>you're not.

502
00:30:22.200 --> 00:30:23.480
<v Speaker 2>It's the seventies. Nobody cared.

503
00:30:23.799 --> 00:30:27.680
<v Speaker 1>No, no, no, no, I'm I'm let's ask the gallery.

504
00:30:27.799 --> 00:30:31.400
<v Speaker 1>Does Lee get a point where his incorrect answer? Gallery

505
00:30:33.039 --> 00:30:35.200
<v Speaker 1>they're saying, we both get a point.

506
00:30:35.319 --> 00:30:42.200
<v Speaker 2>Leave the unfair right, Let's have another hole.

507
00:30:43.119 --> 00:30:47.599
<v Speaker 1>Oh, I think I know what this is. I think

508
00:30:47.759 --> 00:30:49.839
<v Speaker 1>show us, show us a close up image, show us

509
00:30:49.759 --> 00:30:52.839
<v Speaker 1>a close up. Let's have another look, right, I think

510
00:30:53.400 --> 00:30:55.519
<v Speaker 1>I don't know. I'll tell you what I was going

511
00:30:55.640 --> 00:30:57.400
<v Speaker 1>to say, but I've changed my mind. I was going

512
00:30:57.480 --> 00:30:59.720
<v Speaker 1>to say cheese greater. That's what I was gonna say,

513
00:30:59.759 --> 00:31:02.759
<v Speaker 1>bring non vegan or you can grape vegan cheese. But

514
00:31:02.799 --> 00:31:05.119
<v Speaker 1>I don't know that. I think they would be more

515
00:31:05.720 --> 00:31:10.400
<v Speaker 1>symmetrically apart if it was cheese great. Why are you laughing?

516
00:31:12.079 --> 00:31:14.839
<v Speaker 2>But he goes, you're allowed to grate your cheese. You

517
00:31:14.880 --> 00:31:19.519
<v Speaker 2>can't do that. You don't ever greater, you just eat

518
00:31:19.559 --> 00:31:24.720
<v Speaker 2>it from the packet. I I think it's a strawberry

519
00:31:26.799 --> 00:31:28.039
<v Speaker 2>of strawberry holes.

520
00:31:29.119 --> 00:31:31.319
<v Speaker 1>Do you know what? I'm going to stick with cheese greater, just.

521
00:31:31.279 --> 00:31:33.039
<v Speaker 2>Too, He's going to go with cheese grader. I'm going

522
00:31:33.039 --> 00:31:33.839
<v Speaker 2>to sit with could.

523
00:31:33.599 --> 00:31:41.000
<v Speaker 1>Be an unusual angle, couldn't it? For the love of God, right,

524
00:31:41.480 --> 00:31:44.359
<v Speaker 1>I think we should have real.

525
00:31:46.480 --> 00:31:49.640
<v Speaker 2>Just like he does it. It's done it on purpose

526
00:31:50.160 --> 00:31:55.440
<v Speaker 2>because he knows I don't like has done it. Okay,

527
00:31:55.559 --> 00:31:58.480
<v Speaker 2>that's enough whole action for now. But coming up after

528
00:31:58.519 --> 00:32:01.680
<v Speaker 2>this short break, we get all close and personal without

529
00:32:01.680 --> 00:32:14.680
<v Speaker 2>even buying me a drink. It's Dominic in Spotlight. Welcome back.

530
00:32:14.960 --> 00:32:18.680
<v Speaker 2>You are still watching Dominican Lee in Chewing the Cud. Now,

531
00:32:18.720 --> 00:32:20.559
<v Speaker 2>Domic is going to bring us some of his brilliant

532
00:32:20.599 --> 00:32:21.880
<v Speaker 2>poetry in Spotlight.

533
00:32:28.839 --> 00:32:32.000
<v Speaker 1>Brilliant poetry. You say that's setting it up in it, Well,

534
00:32:32.000 --> 00:32:34.400
<v Speaker 1>I think I've been on Chewing the cud so often

535
00:32:34.480 --> 00:32:37.680
<v Speaker 1>now I've done like all the greatest hits. So I'm

536
00:32:37.720 --> 00:32:41.079
<v Speaker 1>going to the book that's the compilation. I'm going for

537
00:32:41.160 --> 00:32:46.039
<v Speaker 1>some deep cuts Lee, some deep cut someone. So I'm

538
00:32:46.039 --> 00:32:49.839
<v Speaker 1>a forty six year old person and I'm going to

539
00:32:50.039 --> 00:32:53.640
<v Speaker 1>share a poem that I wrote when I was twenty six.

540
00:32:53.839 --> 00:32:57.240
<v Speaker 1>Is a twenty year old poem Lee and It's about

541
00:32:57.880 --> 00:33:02.440
<v Speaker 1>going out to the Nike and having a lovely time.

542
00:33:03.119 --> 00:33:04.039
<v Speaker 2>Oh can't wait.

543
00:33:04.440 --> 00:33:10.880
<v Speaker 1>Yeah, yeah, So this poem is called This room has lips.

544
00:33:11.519 --> 00:33:18.640
<v Speaker 1>They pucker to the beat, a glitter smeared kiss, as

545
00:33:18.839 --> 00:33:25.359
<v Speaker 1>warm as lovers sweat. These dim lit walls are open

546
00:33:25.559 --> 00:33:33.319
<v Speaker 1>mouth bricks, salivating, smacking molten honey, as the mirror ball

547
00:33:34.119 --> 00:33:42.400
<v Speaker 1>drawls light. We dance, wet as fresh varnish nails, sticky

548
00:33:42.559 --> 00:33:49.759
<v Speaker 1>blotches on sin, blessed skin. Hallowed be the flame, Halloween,

549
00:33:50.079 --> 00:33:55.000
<v Speaker 1>be thy name. A fiery tongue that licks the flesh,

550
00:33:55.359 --> 00:34:02.799
<v Speaker 1>caresses every unwrapped chest. We done in lines like bright

551
00:34:03.279 --> 00:34:11.320
<v Speaker 1>jagged teeth, grinding together, solid sharp eyes glisten like newly

552
00:34:11.480 --> 00:34:12.599
<v Speaker 1>drilled fillings.

553
00:34:12.679 --> 00:34:15.320
<v Speaker 2>This room has had a feast.

554
00:34:15.559 --> 00:34:29.639
<v Speaker 1>Of sweet treats now, It whispers, lies with hot, treacherous lips,

555
00:34:30.039 --> 00:34:36.079
<v Speaker 1>sweeter than a shared Alco pop. It says, dominic morning

556
00:34:37.039 --> 00:34:46.800
<v Speaker 1>will not come. I want to be drunk, sucked through

557
00:34:46.800 --> 00:34:53.960
<v Speaker 1>a straw, eyes, first absorbed, digested into this room.

558
00:34:54.360 --> 00:35:02.199
<v Speaker 5>Don't spit me out, Clamp your jaw hard on my leg,

559
00:35:02.679 --> 00:35:10.960
<v Speaker 5>don't send me home, Grip me here where I feel

560
00:35:12.440 --> 00:35:16.760
<v Speaker 5>tasty where I might have a chance.

561
00:35:16.719 --> 00:35:26.039
<v Speaker 1>Of being swallowed. Wow, that was twenty six year old dominant. Right,

562
00:35:26.079 --> 00:35:29.159
<v Speaker 1>that's a bit fruity, I was. That was a bit follows,

563
00:35:29.159 --> 00:35:33.559
<v Speaker 1>a bit fruity, full of juice, full of juice, that is, Yeah,

564
00:35:33.840 --> 00:35:37.159
<v Speaker 1>three words to describe a dominic in his twenties. Full

565
00:35:37.199 --> 00:35:39.119
<v Speaker 1>of juice, full of juice, juice.

566
00:35:41.280 --> 00:35:44.159
<v Speaker 2>Wow. That that that was? That was that was, that

567
00:35:44.280 --> 00:35:48.360
<v Speaker 2>was erotic. So we we we've been to the nightclub.

568
00:35:48.400 --> 00:35:51.039
<v Speaker 2>We've we've found out that you like like it's sticky.

569
00:35:52.920 --> 00:35:53.920
<v Speaker 2>Let's hear the next one.

570
00:35:54.559 --> 00:35:58.079
<v Speaker 1>Oh, with joyly with joy. So another one from the

571
00:35:58.119 --> 00:36:04.920
<v Speaker 1>same time period as a mid twenties gay fella would

572
00:36:05.159 --> 00:36:10.119
<v Speaker 1>try and seduce men with my poetry. So this was

573
00:36:10.280 --> 00:36:15.199
<v Speaker 1>very much written in that frame of mind. So again

574
00:36:15.440 --> 00:36:19.519
<v Speaker 1>not said this probably about two decades, two decades since

575
00:36:19.559 --> 00:36:21.960
<v Speaker 1>I was forming this pime. How will it feel now,

576
00:36:22.000 --> 00:36:24.400
<v Speaker 1>let's find out. Let's find out this biome goes like this.

577
00:36:26.280 --> 00:36:33.480
<v Speaker 6>You should be naked, tugged, strip to your radiance. You

578
00:36:33.599 --> 00:36:44.840
<v Speaker 6>are raw, stark, pure, electrifying skin, inter stellar moral, melting wonder.

579
00:36:44.719 --> 00:36:52.159
<v Speaker 1>Ultra violent heat. I am your satellite, satellite of lust.

580
00:36:52.559 --> 00:36:55.400
<v Speaker 2>Rip out clothes and.

581
00:36:55.760 --> 00:37:06.480
<v Speaker 1>Shine burm through this vacuum of fabric. Tear those hollows

582
00:37:06.519 --> 00:37:18.199
<v Speaker 1>of textile, free your fire, smack nudity, soft magnetic curves.

583
00:37:18.480 --> 00:37:24.840
<v Speaker 1>Your natural beauty's eclipsed by eternal night of denim. Nipples

584
00:37:25.079 --> 00:37:33.320
<v Speaker 1>chafe on cold cotton, concealed thighs secretly shake, nuclearly fused,

585
00:37:33.480 --> 00:37:38.800
<v Speaker 1>aching to break. I know you're super nova. Quakes beneath

586
00:37:38.920 --> 00:37:45.239
<v Speaker 1>airless gulf of cloth touch me, and.

587
00:37:46.280 --> 00:37:57.280
<v Speaker 3>Body hair prickle upright like tiny bursts of sola flair,

588
00:37:58.079 --> 00:38:09.320
<v Speaker 3>trying to penetrate a dark fiber space between us.

589
00:38:10.559 --> 00:38:11.679
<v Speaker 2>Did that get your laid much?

590
00:38:12.400 --> 00:38:16.760
<v Speaker 1>Yeah? Yeah it did. Actually, yeah yeah it did. Yeah yeah.

591
00:38:16.840 --> 00:38:19.559
<v Speaker 2>I hate it when my nipples get chapped by cotton.

592
00:38:19.840 --> 00:38:21.159
<v Speaker 2>This was one of the worst things ever.

593
00:38:21.360 --> 00:38:25.320
<v Speaker 1>Shut this time, then shut the times. Yeah. Yeah. When

594
00:38:25.360 --> 00:38:27.559
<v Speaker 1>I was at school, there was this kind of concept

595
00:38:27.599 --> 00:38:31.679
<v Speaker 1>that poetry was like this really old fashioned, fuddy duddy thing.

596
00:38:32.039 --> 00:38:35.960
<v Speaker 1>And then I moved to Manchester where I live, and

597
00:38:36.400 --> 00:38:39.280
<v Speaker 1>Manchester is full of poets and they all have it

598
00:38:39.320 --> 00:38:43.400
<v Speaker 1>off with each other all the time, and it's lovely.

599
00:38:43.800 --> 00:38:49.519
<v Speaker 1>It's really good. I enjoy it like a poet orgy.

600
00:38:50.760 --> 00:38:56.760
<v Speaker 1>Yeah yeah, yeah, it's great, it's lovely. It's lovely. So yeah,

601
00:38:56.800 --> 00:38:59.960
<v Speaker 1>it was far cry from how I was told poetry

602
00:39:00.159 --> 00:39:05.199
<v Speaker 1>was at school. Hooray, hooray for free love for all, hooraii, hooray.

603
00:39:05.039 --> 00:39:08.559
<v Speaker 2>For sexual satellites or yeah whatever it was.

604
00:39:09.480 --> 00:39:12.559
<v Speaker 1>Yeah, but I mean I'm forty six now, so you know,

605
00:39:12.679 --> 00:39:15.119
<v Speaker 1>I'm less involved in that kind of scene. Now, I'm

606
00:39:15.159 --> 00:39:16.199
<v Speaker 1>more alike, you know.

607
00:39:16.400 --> 00:39:20.280
<v Speaker 2>Only as old as the sexual satellite. You stick up

608
00:39:20.320 --> 00:39:20.679
<v Speaker 2>your bomb.

609
00:39:23.199 --> 00:39:25.360
<v Speaker 1>That's going to be the name of my next book.

610
00:39:26.559 --> 00:39:33.400
<v Speaker 2>I want to cut. Well, you have one more, Oh,

611
00:39:33.440 --> 00:39:34.239
<v Speaker 2>I'd love to.

612
00:39:34.639 --> 00:39:40.840
<v Speaker 1>I'd love to. I've shared two medium length ones with you, Lee,

613
00:39:40.840 --> 00:39:43.440
<v Speaker 1>I'd like to end with a short, stuppy one. If

614
00:39:43.519 --> 00:39:44.000
<v Speaker 1>I may.

615
00:39:45.639 --> 00:39:48.280
<v Speaker 2>A poetry equivalent of a childe why not?

616
00:39:48.519 --> 00:39:52.000
<v Speaker 1>Why not? So? Those were those were quite free versy poems,

617
00:39:52.000 --> 00:39:54.320
<v Speaker 1>both of them. They had some internal rhymes. But this

618
00:39:54.400 --> 00:40:00.639
<v Speaker 1>one's a very strict structure of very precise rhythmic meter.

619
00:40:00.920 --> 00:40:03.119
<v Speaker 1>You awarely of the limerick.

620
00:40:04.480 --> 00:40:08.360
<v Speaker 2>Boistered on the burning deck, he burnt his bomb o

621
00:40:08.599 --> 00:40:10.239
<v Speaker 2>heck it.

622
00:40:11.159 --> 00:40:16.159
<v Speaker 1>Well that's two fifths of a limerick. Yeah, that's that's

623
00:40:16.159 --> 00:40:18.519
<v Speaker 1>as much as we're getting. That's as much as we're getting,

624
00:40:18.599 --> 00:40:22.480
<v Speaker 1>all right, So I've got a five line very strictly

625
00:40:22.719 --> 00:40:29.480
<v Speaker 1>composed limerick about me being a vegan gay poet, right

626
00:40:29.480 --> 00:40:32.079
<v Speaker 1>and leale. I would love it if my vegan gay

627
00:40:32.920 --> 00:40:36.159
<v Speaker 1>limerick made you laugh and chuckle. But if it doesn't,

628
00:40:36.280 --> 00:40:40.760
<v Speaker 1>if it doesn't thee, I demand at least a groan.

629
00:40:41.480 --> 00:40:45.039
<v Speaker 1>That's what I demand to groanly. I demand your grownly

630
00:40:45.199 --> 00:40:45.440
<v Speaker 1>are you?

631
00:40:45.480 --> 00:40:48.039
<v Speaker 2>Are you old nature or just an ordinary groan?

632
00:40:48.519 --> 00:40:50.719
<v Speaker 1>Just to submit to whatever noise comes.

633
00:40:50.559 --> 00:40:53.159
<v Speaker 2>Naturally, whether the words strike.

634
00:40:53.440 --> 00:40:56.960
<v Speaker 1>Yeah, it's only five lines. Prepare the noise has got

635
00:40:56.960 --> 00:40:58.159
<v Speaker 1>to come quite soon.

636
00:40:58.320 --> 00:40:59.920
<v Speaker 2>A line and then I'm done.

637
00:41:00.159 --> 00:41:04.079
<v Speaker 1>Yeah, yeah, all right, lovely, lovely, all right, vegan gay limerick.

638
00:41:04.159 --> 00:41:08.360
<v Speaker 1>Here we go, Here we go. A vegan called Dom

639
00:41:08.639 --> 00:41:12.480
<v Speaker 1>came around here and said, please do not call me

640
00:41:13.039 --> 00:41:22.079
<v Speaker 1>a queer. I just love chickpeas and tahini, so please,

641
00:41:22.800 --> 00:41:26.800
<v Speaker 1>I'm a homosexual, my dear.

642
00:41:28.679 --> 00:41:37.039
<v Speaker 2>Yeah. I could have ended that with what was it?

643
00:41:37.960 --> 00:41:40.440
<v Speaker 2>Thomas and something? What was it?

644
00:41:40.480 --> 00:41:44.079
<v Speaker 1>Homosexual is meant to sound like homosexual? What was the

645
00:41:44.079 --> 00:41:45.599
<v Speaker 1>thing that you have to explain it?

646
00:41:45.920 --> 00:41:49.079
<v Speaker 2>Watches and chickpeas and tahini.

647
00:41:49.599 --> 00:41:57.320
<v Speaker 1>It's cleverly, No, you could have got some poetry feedback

648
00:41:57.360 --> 00:42:04.239
<v Speaker 1>from lencly please outcome it. How could it be Bai Yeah.

649
00:42:04.199 --> 00:42:10.320
<v Speaker 2>Get down on sock on Maweeni and was dominic in spotlight.

650
00:42:18.360 --> 00:42:21.320
<v Speaker 2>So if the people at home have connected with those

651
00:42:21.559 --> 00:42:25.159
<v Speaker 2>those raunchy poems, where can they purchase such a volume?

652
00:42:25.840 --> 00:42:29.920
<v Speaker 1>What a good question. All good bookshops, they all good bookshops.

653
00:42:30.000 --> 00:42:32.360
<v Speaker 2>So ones and some bad ones.

654
00:42:32.400 --> 00:42:35.199
<v Speaker 1>There's no such thing, no such thing. Yeah, yeah, you

655
00:42:35.280 --> 00:42:38.480
<v Speaker 1>can get them from places like Waterstones or Smith's or

656
00:42:38.519 --> 00:42:41.239
<v Speaker 1>any of those places. But do you know what if

657
00:42:41.280 --> 00:42:43.199
<v Speaker 1>you get it direct from the publisher, if you go

658
00:42:43.239 --> 00:42:48.559
<v Speaker 1>on the website of Flapjack Press, that's supporting independent traders.

659
00:42:48.639 --> 00:42:50.639
<v Speaker 1>That's a nice thing to do it, that's nice thing.

660
00:42:50.880 --> 00:42:52.800
<v Speaker 1>And come see me, Come see me in one of

661
00:42:52.800 --> 00:42:58.440
<v Speaker 1>the vegan festivals where I'll be serving cheese maybe grate

662
00:42:58.440 --> 00:43:01.599
<v Speaker 1>and cheese and soaping me.

663
00:43:03.039 --> 00:43:05.400
<v Speaker 2>Yeah. Yeah, that's a day.

664
00:43:06.719 --> 00:43:11.119
<v Speaker 1>That is almost the end of the show. But now

665
00:43:11.239 --> 00:43:15.159
<v Speaker 1>on your screen you can see our contact details. It

666
00:43:15.280 --> 00:43:19.079
<v Speaker 1>is at the cub TV on all your social media,

667
00:43:19.440 --> 00:43:22.679
<v Speaker 1>and if you want to catch up with previous episodes,

668
00:43:22.760 --> 00:43:28.000
<v Speaker 1>you can always binge us on YouTube look for Chewing

669
00:43:28.079 --> 00:43:28.440
<v Speaker 1>the Cud.

670
00:43:28.679 --> 00:43:30.960
<v Speaker 2>Thank you for watching, and we'll see you again next week.

671
00:43:31.880 --> 00:43:33.679
<v Speaker 2>Bye bye.