WEBVTT

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<v Speaker 1>Werner Herzog has had a quietly busy few days, the

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<v Speaker 1>kind of low rumble that matters more to his long

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<v Speaker 1>term legend than to trending charts. According to The Rap

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<v Speaker 1>and The Hollywood Reporter, a f FI fast two thousand

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<v Speaker 1>twenty five is still leaning on his stature, with a

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<v Speaker 1>new Herzog film slotted among the headline otor titles alongside

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<v Speaker 1>Jim Jarmish and Charlie Kaufman. A reminder that at eighty three,

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<v Speaker 1>he is still treated as active canon, not archive, I, N, D,

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<v Speaker 1>B and variety round up pieces note that his Venice

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<v Speaker 1>appearance earlier this year, where he received an r ary

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<v Speaker 1>Lion and premiered his angle and documentary Ghost Elephants, continues

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<v Speaker 1>to generate reviews and think pieces. One recent festival review

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<v Speaker 1>on IMDb News calls him simply there is only one

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<v Speaker 1>Werner Herzog and Frame's Ghost Elephants as a late career

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<v Speaker 1>companion to Grizzly Man, a judgment that feels biographically weighty

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<v Speaker 1>rather than fleeting commentary in broader casting circles. An upcoming

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<v Speaker 1>sixty minutes line up flagged by CBS promotional material and

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<v Speaker 1>summarized by IMDb News is still chading on his name,

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<v Speaker 1>teasing a segment pairing his worldview with broader reporting. This

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<v Speaker 1>is less about new revelations than about Herzog as enduring

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<v Speaker 1>reference point. Screen South in the UK has just promoted

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<v Speaker 1>a special screening of When A Herzog Radical Dreamer, the

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<v Speaker 1>Thomas von Steinecker documentary, positioning it as both event and

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<v Speaker 1>many retrospective, which underscores how institutions are actively curating his

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<v Speaker 1>myth in real time. At Mississippi University for Women, a

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<v Speaker 1>newly announced documentary Studies Concentration, cites Herzog alongside Ken Burns

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<v Speaker 1>and Amy Berg in its launch communications, enshoying him in

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<v Speaker 1>the educational canon and ensuring his influence is formally taught

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<v Speaker 1>to a new cohort of filmmakers. London Net's current film

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<v Speaker 1>of the Week is a revival review of Lessons of Darkness,

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<v Speaker 1>a golf Wer documentary more than three decades old, again

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<v Speaker 1>resurfacing his work for fresh audiences. On the industry gossip front,

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<v Speaker 1>Daily Ovation reports that producer Andrea Bucko's Yuma entertainment slate

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<v Speaker 1>includes an upcoming Hertzong project titled Bucking Faster. Details are

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<v Speaker 1>sparse and there is no independent confirmation of financing or

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<v Speaker 1>production start, so that remains speculative but intriguing, especially if

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<v Speaker 1>it signals another narrative feature. No major, verified social media

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<v Speaker 1>blow ups, controversies, or public health scarce have attached to

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<v Speaker 1>his name in the past few days. The chatter is

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<v Speaker 1>mostly reverent, institutional and legacy focused, the hum of a

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<v Speaker 1>filmmaker sliding further into legend while still apparently working. And

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<v Speaker 1>that is it for today. Make sure you hit the

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<v Speaker 1>subscribe button and never miss an update on Werner Herzog.

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<v Speaker 1>Thanks for listening. This has been a quiet please production.

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