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Speaker 1: We're all owned by the syndicate Body and Soul or

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should I just say Bunny?

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Speaker 2: Hello? Philthy Movie Lovers, Something Weirdos and Anti Criterion Bros

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To the third episode of the Short Ends, our series

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of bite sized bonus episodes where we present the odds,

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ends and ephemera that didn't exactly fit into our previous discussions.

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In this minisode, we are following up on episode thirty

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one love Land, where we discussed Gary Kent's ultra rare

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melodramatic sexploitation masterpiece, Secret Places, Secret Things. We wanted to

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spend some extra time talking about the people who helped

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make this film's re emergence happen, as well as shine

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a light on researchers who are going the extra mile

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behind the scenes. So without further do onto more secrets

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and more things. Why don't you and I get together

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some night?

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Speaker 3: Go to hotel, I, have a couple of drinks, get

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between the sheets, just get.

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Speaker 1: To know each other. Why, mister Taylor, I don't.

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Speaker 2: Do that sort of thing.

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Speaker 3: Well I don't either.

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Speaker 2: Let's start with a message I got from mister Charles Devlin.

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If you remember in the last episode, Chris Poggiali mentioned

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that a key person in helping to unearth secret places,

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secret things was a mister Charles Devlin, and so I

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sent a message to Charles to see if he could

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give us some more details about exactly how he came

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into possession of this film. So I'm going to summarize

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the message from Charles so his finding of secret places,

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secret things. It was around the mid nineteen nineties, he says,

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he acquired a VHS of a film called Satin Lips

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from a British label called red Light Films. The tape

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was issued around nineteen eighty four or eighty five, he said,

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and all the credits had been removed and replaced with

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a video generated title that said Satin Lips. So he

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had this film for a while before he eventually watched it.

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And while he had a feeling that Satin Lips was

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not the actual title, he had no idea what the

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real title was. So for a long time it sort

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of remained a mystery. But eventually, around ten years or so,

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he got friendly with mister Benneger syndrome Joe Rubin through Facebook,

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and he described the film to Joe, and so Joe

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came back with a number of couple possible titles, and

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Charles checked up on them, but nothing really seemed to

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click until Joe mentioned this movie Secret Places, Secret Things.

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So Charles actually found a description of secret Places over

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at the Temple of Schlock and everything sort of fell

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into place from there. So he says that he also

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believes that a copy was sent to Gary Kent before

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he passed away, and because Gary wanted to revisit it

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after all these years of it being missing. And I

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think you had said as well, Casey, that when you

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talked to Gary. I think Gary had said he saw

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it right.

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Speaker 4: Yeah. The first time I spoke to him and asked

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him about it was several years before this re emerged,

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and he said, yeah, I don't know where it is.

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And then once I got a hold of it, I

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messaged him immediately and asked to be at a copy.

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Speaker 2: He said, yes, I have a copy.

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Speaker 4: I actually just confirmed because I just posted the first

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like five minutes of the movie on my personal Instagram

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because I.

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Speaker 2: That's what I've want.

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Speaker 4: I watched that on repeat because it's like a music

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video for that instrumental version of Loveland and Lars from

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Alamo Drafthouse commented on the video and said, uh, I yeah,

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I got a copy of this several years ago and

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was able to give a copy to Gary. So Lars

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at Alamo was able to give him the copy of

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the movie because he I think he was neighbors with

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Gary too. So yeah, I didn't. I had no idea

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that he was going to comment on that, but I did.

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I did hashtag Gary Kent, so I don't know if

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he just gets search results for new hashtag Gary Kent

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on his old Graver right, So yeah, I he said

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he hadn't seen it since he edited it, which is

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interesting because we have an update on the editor too.

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Yes it was Gary, yeah, so and that's that's something else.

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Charles was able to clarify for us because I know

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we had we you had suggested Gary grab was potentially

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the editor due to the connections to Gary Kent and Grads,

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and I agreed. I was like, oh, would make sense.

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He was able to confirm that it was not Gary Graver.

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It was a woman. A woman edited this film. Her

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name was Susan Trieste Collins, and she also edited The

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Blue Hour for Grads. She was assistant editor on a

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movie called The Ski Bum which I have a copy

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of and haven't watched yet. And then she was involved

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with editing a lot of television through the nineteen eighties.

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Then she retired and she worked in real estate. She

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had a company called Trieste Properties in Ventura County And

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unfortunately she died in twenty twenty one. But she did

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leave a daughter who I'm hoping to reach out to

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you to talk about her mom, because it's kind of

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it's bittersweet. We get that update from Charles and I

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think he found it in a book called Women Who

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Edit Films. Yeah, it's because I asked him. I was like,

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where did you find where? Where did you hear this?

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Where did you find this? He said, no, it's in

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this book. It says that she all of her credits

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are in there, including secret places, secret things.

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Speaker 2: I was like, that's crazy. Yeah.

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Speaker 4: So, and unfortunately it's one more person involved with production

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of this movie who is not here to tell us

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anything more about it. So, but yeah, I'd like to

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reach out to the daughter. Maybe it's possible her daughter

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doesn't even know anything about her mom's editing career based

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on how old that she based on how hold the

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daughter is but edited by a woman and that actually

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makes it even more interesting to me, right, because the

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rhythm of that movie and the focus on the women

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and it's yeah, it's it adds that extra layer of

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interest for me.

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Speaker 2: Yeah, I hesitate to say, like, well, you know, she's

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a woman editor, so of course it has like feminine

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rhythms to it. But you know, I think you can

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make that argument if you wanted to.

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Speaker 4: But yeah, I don't remember much about The Blue Hour,

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but I I need to rewatch it, I guess. I mean,

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I remember not liking it. I think I gave it

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one and a half stars on Letterbox, so I guess

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I should have rewatched it, especially because it co stars

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Ed Blessington, who Chris and we talked about for from

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his work in this uh in this one.

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Speaker 2: Yeah, talk about the location update we have regarding places

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secret things.

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Speaker 4: That was very exciting. So Mike McCollum, who is always

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really good about reaching out after episodes and providing any updates,

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so he was able to watch the film. And that's

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something else that I'd love to see, by the way,

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is the little trickle of reviews on letterbox that people

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who are watching it and they're confirming that it's good

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and I'm like, okay, good, it's not just me. It's

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got people. It's not me blowing smoke. This is like

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a mini masterpiece of the genre that more.

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Speaker 2: People need to see.

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Speaker 4: Okay. So he did some very very good research. Mike

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is really good about locations. He and Sean Langrick are

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actually both really good about locations. So he found a Yeah,

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so we found a classified ad for this location for

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and it was a hotel apartments. The Westgate Hotel was

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the actual name of the hotel. It was at four

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forty five Southwestern near Wiltshire, and it was these apartments

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in this hotel were fifteen dollars a week or a

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monthly rate. So essentially the beginning of the movie. Yeah,

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when Theolograph is behind on rent, it's because she is

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renting the room and living there.

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Speaker 2: Yeah, that is funny that they actually worked that into

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the film, like it was an actual you know, I

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think people forget for a while there there were certain

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hotels that you could also rent to stay long term,

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and this was one of those.

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Speaker 4: Yeah, and yeah, he sent us a shot from Google

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Earth that shows that right now it's for rent affordable

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and modern studio units. There's a two to one three

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phone number.

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Speaker 1: Here.

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Speaker 4: All utilities included laundry on site, so you can rent

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a studio apartment at the old Westgate Hotel if you

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so desire. What else he really want to bump them

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beyond finding virtually all the locations in this movie except

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for or the studio where this stuff was shot. But

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I don't know, I wonder if those are the actual

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hotel rooms. There was you see a shot of a

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restaurant called the Mexican Inn, and he found that which

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is which was Rangell's Mexican Inn at fourteen forty Northwestern

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near Sunset, So that was, you know, on the same street. Yep,

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he sent a bunch of advertisements for them. Let's see

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what else did he get he found He thinks that

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the Eric Stern sequences on the college campus is probably USC,

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which makes sense. He says that the friend and the

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friend that he's walking with is wearing a shirt with

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a USC logo on it, so that, yeah, he thinks

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that's probably accurate.

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Speaker 2: And again that was like, what was it twenty minutes away?

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You know it was near Yeah, it's a.

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Speaker 4: Yeah, fifteen to twenty minute drive from USC to the

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Westgate Hotel. So yeah, that was close by. He also

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found two other locations. I don't know how he found

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the construction side.

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Speaker 2: Oh yeah, that one. I was like, I don't know.

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Speaker 4: How you found the construction site. I think he said

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it was Madison Enterprises and the apparently adjacent Spencer and Jones.

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They were contractors and these were their headquarters, so it

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wasn't actually a constructor it was not yeah, maybe not

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a construction site, but contractors site. He also found the

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Mandarin Custom Taylor, which is where Ed Blessington walks by

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that place. It looks like it's been knocked down for

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a two story strip mall based on Google Maps. And

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he also was very helpfully pointed out that the Pussycat

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Sunset Theater was very close to the Mexican Inn, so

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it was all kind of shot really kind of close.

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It's not like these New York films where he watch

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Where You Go You hop all over Manhattan. This was all.

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It all seems logical that this little universe that's captured

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in the movie is all very closely connected and could

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have been logical shot just hopping around a little you.

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Speaker 2: Know, well in that kind of lolication more or less

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confirmed that they probably shot this very quickly. This was

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probably this could have been a weekend literally.

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Speaker 4: Yeah, it probably was. I mean, yeah, I think, well,

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exteriors are probably done very quickly. Yeah, I'm not sure

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about the about the schedule for like shooting the stuff

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on the set, but yeah, there, I mean, there are

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a surprising amount of setups in the movie that show that,

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you know, there Dolly shots and things like that. So

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he also, you know, I think a lot of us

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commented on that rosen Krantz and Guildenstern poster, and he

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found a playbill for it where it played in or

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played in Hollywood. It was at the Amanson Theater in

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April nineteen sixty nine, so it was a few years

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before this. But yeah, he was kind of chucking to

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see if any of the names in the cast had

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any connections to the industry at the time, and he

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didn't recognize any names. Okay, So yeah, Mike really went

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above and beyond really insane.

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Speaker 2: Yeah that's fun, you.

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Speaker 4: Know, I love it, And yeah, he really I mean,

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he took screenshots of the maps, he took the screenshots

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of the newspaper ads, he took Google Earth. Yeah, so

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like we have a really great snapshot now of the

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production of the movie in terms of how it moved

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around to so many different locations for this little movie.

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Speaker 2: Very interesting. Yeah, that is kind of the nice thing

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sometimes about having digital access to these films as you

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can you know, screen capture this stuff and freeze frame

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it as you're like researching on a computer. Yeah, so

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it's nice. Yeah. So yeah, like we said, this is

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still available up on our Patreon if you want to

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watch it yourself, give it a look and add more

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reviews to letterbox, because you know, boutique labels are looking

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at the this they are they are looking at these things.

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They are seeing who's reviewing movies and the they are

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response to them and getting ideas for future releases. So yeah,

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cross your fingers.

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Speaker 4: And I will say if anyone out there, I don't

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know if we have any private collectors listening, If any

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private collector has a print of this, it is your

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duty to provide this to a Boots label for a

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00:13:28,200 --> 00:13:32,639
scan because they just based on what Charles said, the

241
00:13:32,679 --> 00:13:35,159
original credits were removed, so we don't know if there

242
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are additional credits with more people listed that we might

243
00:13:38,679 --> 00:13:42,000
be able to know and research. In terms of crew members.

244
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We might be able to identify the black actress who

245
00:13:44,799 --> 00:13:47,960
plays the prostitute, We might be able to identify the

246
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two hotel workers. So yeah, please if anyone has a print, like,

247
00:13:53,600 --> 00:13:56,080
let's let's let it resurface, please.

248
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Speaker 2: You know, Yeah, that opening credits, if there are some

249
00:14:00,320 --> 00:14:03,480
is yeah, that's kind of the holy grail for this

250
00:14:03,600 --> 00:14:07,919
if we can find those. Yeah, I'm assuming they they

251
00:14:08,039 --> 00:14:11,039
there was something there, And I mean that's it kind

252
00:14:11,039 --> 00:14:13,320
of lines up with what Charles Devon said with regard

253
00:14:13,399 --> 00:14:16,440
to the VHS. He got is it looks like someone

254
00:14:16,759 --> 00:14:19,519
cut off the beginning so that they could insert that

255
00:14:19,600 --> 00:14:22,240
satin lips credits.

256
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Speaker 4: Right, right, But I do like that. He well, yeah,

257
00:14:26,679 --> 00:14:29,559
I'm sorry, I think I like that. The version that

258
00:14:29,600 --> 00:14:32,200
we have now doesn't have that fake correct, right, Yeah,

259
00:14:32,240 --> 00:14:33,600
it starts with the actual movie.

260
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Speaker 2: Yeah, someone cut that part off because they realized this

261
00:14:37,360 --> 00:14:40,480
is this was added, this is actually yeah.

262
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Speaker 4: Now the end shot is the end shot is kind

263
00:14:43,600 --> 00:14:45,879
of similar to a lot of these other cheap the

264
00:14:46,080 --> 00:14:47,840
end title cards that are on like a lot of

265
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weekend Wonders and sixteen millimeter storefront theater movies, where it's

266
00:14:52,000 --> 00:14:56,039
just a little tiny like text blocks that are on

267
00:14:56,200 --> 00:14:58,879
like a background. So that's that is kind of a

268
00:14:58,919 --> 00:15:02,120
weird red flag for me. It was like, well, that

269
00:15:02,200 --> 00:15:04,519
seems strengths for like a major movie from Grads Corp.

270
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To have that on it. So then it makes you

271
00:15:06,679 --> 00:15:09,679
wonder if the print that the company had access to

272
00:15:10,679 --> 00:15:14,639
didn't also was missing credits. And then the end credit

273
00:15:14,720 --> 00:15:17,360
that end shot was just tagged on by whoever distributed

274
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the movie.

275
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Speaker 2: Yeah, you knows.

276
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Speaker 4: A lot, a lot more mystery, a lot more mystery

277
00:15:22,399 --> 00:15:24,039
we got to know about yep.

278
00:15:24,480 --> 00:15:28,000
Speaker 2: But I feel like we've already kind of learned quite

279
00:15:28,039 --> 00:15:30,919
a bit about this movie, more than we did, you know,

280
00:15:31,759 --> 00:15:35,639
a month or so ago. Yeah, Yeah, but much more

281
00:15:35,679 --> 00:15:39,240
to come. Hopefully keep sending us stuff that you find,

282
00:15:39,360 --> 00:15:43,600
you know, and we will keep pounding the pavement for

283
00:15:44,000 --> 00:15:48,639
secret places, secret things. Absolutely. Maybe a quick you know,

284
00:15:49,279 --> 00:15:52,240
related to one last thing related to that movie is

285
00:15:52,879 --> 00:15:57,679
you know Debbie Osborne. We are still interested in speaking

286
00:15:57,720 --> 00:16:00,399
with her, and I did a little bit of recent church.

287
00:16:01,399 --> 00:16:01,600
Speaker 1: You know.

288
00:16:02,279 --> 00:16:04,399
Speaker 2: One of the key things you see in her biography

289
00:16:04,519 --> 00:16:07,799
is that she went to high school in Minneapolis. So

290
00:16:08,320 --> 00:16:14,639
I will say I did find her yearbook photo. I

291
00:16:14,679 --> 00:16:17,320
think I'm comfortable putting this out there. People don't be

292
00:16:17,360 --> 00:16:21,720
weird about it. Okay, I think we can trust our listeners, right, casey, casey, Shit.

293
00:16:22,360 --> 00:16:26,519
Speaker 4: No, I think I think so. I mean, you know it, Yeah,

294
00:16:26,600 --> 00:16:28,480
I think anybody who would know how to use this

295
00:16:28,559 --> 00:16:32,440
information wouldn't be doing it for nefarious.

296
00:16:31,840 --> 00:16:35,639
Speaker 2: Purposes, yes, you know. Yeah, but she she did graduate

297
00:16:35,679 --> 00:16:40,600
from West High School in Minneapolis, Minnesota in nineteen sixty four,

298
00:16:41,120 --> 00:16:46,840
and she had an emphasis on occupational relations, which is

299
00:16:46,960 --> 00:16:50,080
kind of this. I don't know. I look through the yearbook.

300
00:16:50,159 --> 00:16:53,759
A lot of people have occupational relations as their emphasis.

301
00:16:53,799 --> 00:16:56,039
I think it was just kind of that throwaway thing.

302
00:16:56,240 --> 00:16:59,720
I mean, everybody had to do something, So I think

303
00:16:59,759 --> 00:17:03,639
that she, I don't know. It gives me the feeling that,

304
00:17:04,039 --> 00:17:06,599
you know, she was probably moving around a lot. She

305
00:17:06,799 --> 00:17:10,480
didn't have a lot of I don't think that she

306
00:17:10,599 --> 00:17:13,880
was too interested in school that much. And clearly like

307
00:17:14,240 --> 00:17:18,359
she left for California as soon as she could. So yeah,

308
00:17:18,400 --> 00:17:20,680
I did not find any evidence that she went to

309
00:17:20,759 --> 00:17:25,200
any other Minneapolis high schools. So again there's some mystery

310
00:17:25,240 --> 00:17:28,680
there about what was going on with her family. Seems

311
00:17:28,680 --> 00:17:32,119
like they were probably bouncing around for whatever reason.

312
00:17:32,759 --> 00:17:36,240
Speaker 4: Right, And actually that reminds me. I need to recheck

313
00:17:36,279 --> 00:17:42,240
that because you the information that you found is how

314
00:17:42,279 --> 00:17:45,440
I was able to find her, because it was just

315
00:17:45,519 --> 00:17:48,960
that little bit of extra information that I needed to

316
00:17:49,039 --> 00:17:53,599
find her, and so including the obituary of her father,

317
00:17:54,319 --> 00:17:56,400
which I need to recheck that because I wonder if

318
00:17:56,440 --> 00:18:02,039
he was military. Yeah, yeah, because I don't remember now.

319
00:18:02,599 --> 00:18:05,960
Speaker 2: Yeah, and we won't say what name she's going by now,

320
00:18:06,079 --> 00:18:09,759
but I have reached out to her, so I will

321
00:18:09,839 --> 00:18:14,000
let you guys know if I hear anything. But Debbie

322
00:18:14,039 --> 00:18:17,279
is a she is alive. So that's good news.

323
00:18:17,559 --> 00:18:20,799
Speaker 4: Thank goodness, because I remember I found she I found

324
00:18:20,880 --> 00:18:22,920
I remember when I found what I thought was her obituary.

325
00:18:22,920 --> 00:18:25,400
I was like, oh no, this is not her obituary. Okay, good,

326
00:18:26,680 --> 00:18:30,680
you know, and we have an updated.

327
00:18:30,359 --> 00:18:31,559
Speaker 2: Photo, which is great.

328
00:18:31,960 --> 00:18:34,640
Speaker 4: Yeah, it's is really good. It's good to see you know.

329
00:18:35,000 --> 00:18:37,759
So that's good. So essentially two of the stars of

330
00:18:37,799 --> 00:18:41,400
this movie we I still haven't reached out to Naola.

331
00:18:41,680 --> 00:18:45,039
Speaker 2: I've been too busy. This is my commentary weekend. I'm

332
00:18:45,079 --> 00:18:49,079
doing the two commentaries. So yeah, the mention. Yeah, the photo.

333
00:18:49,400 --> 00:18:53,240
The most recent photo of Debbie is from about ten

334
00:18:53,319 --> 00:18:58,440
years ago, but she looks very healthy. She looks very Debbie.

335
00:18:59,079 --> 00:19:02,480
She's outside in the sun. Yeah, it's a great photo.

336
00:19:03,119 --> 00:19:04,279
Speaker 4: Yeah, now she looks good.

337
00:19:04,680 --> 00:19:05,319
Speaker 2: She looks good.

338
00:19:05,480 --> 00:19:06,640
Speaker 4: I'm hoping she gets back to.

339
00:19:06,599 --> 00:19:53,880
Speaker 1: You any wild good lady.

340
00:19:53,680 --> 00:19:54,599
Speaker 5: Make you first, Gore.

341
00:19:56,240 --> 00:20:00,599
Speaker 2: Well, that's what we have for secret places updates. For now,

342
00:20:01,680 --> 00:20:05,160
a few more things here. Let's talk about this new

343
00:20:05,200 --> 00:20:12,279
Beverly lineup in February. Oh Lord, full rundown. I'm going

344
00:20:12,359 --> 00:20:14,440
to chew him out for a couple of things. Hold on,

345
00:20:14,680 --> 00:20:17,200
go ahead, Casey's well.

346
00:20:17,039 --> 00:20:21,480
Speaker 4: I know you brought this up because you what the hell?

347
00:20:21,799 --> 00:20:27,839
Whereas I'm I'm trying to find it because I know I.

348
00:20:27,319 --> 00:20:31,000
Speaker 2: Well, so a little background, yeah, is if you haven't

349
00:20:31,039 --> 00:20:35,960
seen it, the new Beverly, you know, the Quentin Tarantino

350
00:20:36,079 --> 00:20:39,839
Theater is doing a whole month of I don't know

351
00:20:39,839 --> 00:20:41,599
how are they billing it. Let me look at this again.

352
00:20:41,720 --> 00:20:47,920
They're not calling it sex Bloy. Europe's Europe's in Hollywood's

353
00:20:47,960 --> 00:20:50,920
finest adult films. It's like a throwback to the Arrows Theater.

354
00:20:52,519 --> 00:20:56,400
Say that it's at the very top, is it?

355
00:20:56,400 --> 00:20:59,200
Speaker 4: It's not in the calendar. I'm looking at interesting.

356
00:20:59,279 --> 00:21:02,119
Speaker 2: Okay, Well let me read this. So in February, you

357
00:21:02,200 --> 00:21:05,160
present a month long tribute to the new Beverly's earliest

358
00:21:05,200 --> 00:21:11,200
business model, the Aeros, a theater showing exclusively erotica from America, Europe,

359
00:21:11,240 --> 00:21:17,400
and Scandinavia. So yeah, that's the theme for the month. Okay, interesting.

360
00:21:20,039 --> 00:21:22,839
Well let me just say first of all, Yeah, this

361
00:21:23,000 --> 00:21:27,039
is a crazy lineup for a lot of reasons. And

362
00:21:27,160 --> 00:21:33,000
I don't understand how they do this because it feels

363
00:21:33,039 --> 00:21:36,119
like they should be spacing this stuff out. I don't know,

364
00:21:36,200 --> 00:21:38,519
it seems like a lot to take in for a month.

365
00:21:38,720 --> 00:21:41,680
I don't know how this business model works for this theater.

366
00:21:42,920 --> 00:21:46,400
Speaker 4: Well, I mean, this is a theater that famously Quentin

367
00:21:46,400 --> 00:21:48,960
Tarantino bought and said it's gonna be thirty five millimere

368
00:21:49,000 --> 00:21:54,400
only and proceeded to dismantle their digital projector and said

369
00:21:54,400 --> 00:21:56,279
this doesn't belong here. And I was like, well, they

370
00:21:56,400 --> 00:21:58,319
just spent money on this and I all this shit.

371
00:21:58,400 --> 00:22:00,480
So I was like, look, an't Tarantino? Are you covering

372
00:22:00,480 --> 00:22:02,759
those costs of ripping this thing out of the theater?

373
00:22:04,359 --> 00:22:04,640
Speaker 2: Yeah?

374
00:22:04,720 --> 00:22:06,920
Speaker 4: I don't know, because we have we've had this conversation

375
00:22:06,960 --> 00:22:11,759
about Los Angeles audiences strangely being very anti sex and

376
00:22:11,799 --> 00:22:13,000
I don't know what that's about.

377
00:22:13,119 --> 00:22:13,799
Speaker 2: I could see this.

378
00:22:13,799 --> 00:22:16,440
Speaker 4: Going over really well, even a full month, even in

379
00:22:16,480 --> 00:22:18,720
like Chicago or New York. I wouldn't see a whole

380
00:22:18,759 --> 00:22:19,799
month working like this.

381
00:22:20,400 --> 00:22:23,519
Speaker 2: Yeah, Well, my issue is like, I don't you just

382
00:22:23,599 --> 00:22:26,039
have such a small window to see.

383
00:22:25,759 --> 00:22:29,079
Speaker 4: These and you have to go Some of them are

384
00:22:29,079 --> 00:22:29,519
one day.

385
00:22:29,759 --> 00:22:34,319
Speaker 2: It's a lot of you know, projectionists chime in. I know,

386
00:22:34,480 --> 00:22:38,839
it's a lot of work to do this, to project film.

387
00:22:39,279 --> 00:22:41,880
So it's like they're doing they're doing changeovers every day.

388
00:22:42,000 --> 00:22:43,799
I don't know why they don't run some of these

389
00:22:43,839 --> 00:22:45,759
for a little bit longer to give people a chance

390
00:22:45,799 --> 00:22:48,640
to see them. Because now it's just like you want

391
00:22:48,640 --> 00:22:53,200
to see Wife Mistress with Laura Antonelli, and you know

392
00:22:53,839 --> 00:22:58,000
you have tuesdayday or Wednesday. This is like, this is

393
00:22:58,000 --> 00:23:01,440
a movie that's never I mean it's screened in the

394
00:23:01,559 --> 00:23:05,200
US when it was released pretty extensively, but yeah, you're

395
00:23:05,240 --> 00:23:07,599
never going to see this again. Screened in the US,

396
00:23:07,640 --> 00:23:10,119
A lot of these you won't see again. So it's like,

397
00:23:10,279 --> 00:23:13,039
give give them a few more days to like get

398
00:23:13,079 --> 00:23:17,079
there and see it. I don't Yeah, that's my rant.

399
00:23:17,279 --> 00:23:20,400
Speaker 4: Well, Also, I think I feel like they're also just

400
00:23:20,440 --> 00:23:24,440
going by whatever prints they have available. If they if

401
00:23:24,440 --> 00:23:28,599
this was actually being programmed as a monthly program that's

402
00:23:28,640 --> 00:23:32,480
spotlighting like the genre, then I think that they would

403
00:23:32,559 --> 00:23:34,880
it would there would be some different selections here. I

404
00:23:34,920 --> 00:23:36,960
think it's kind of like, well what do we got? Okay,

405
00:23:36,960 --> 00:23:39,119
this kind of works for this, and it's just like, well, no,

406
00:23:39,680 --> 00:23:43,279
it doesn't fair. No, No, Blood Spattered Bride is not

407
00:23:43,319 --> 00:23:44,359
an exploitation movie.

408
00:23:44,359 --> 00:23:44,559
Speaker 3: Why.

409
00:23:44,680 --> 00:23:47,039
Speaker 4: I mean, I love that movie, but no, And why

410
00:23:47,079 --> 00:23:48,799
is it pair within the realm with a census when

411
00:23:48,839 --> 00:23:52,079
there are other Asian Asian sexploitation movies that could have

412
00:23:52,079 --> 00:23:53,119
worked with that.

413
00:23:54,079 --> 00:23:57,640
Speaker 2: It's very it's very weird. Yeah, I just I would

414
00:23:57,640 --> 00:24:00,279
want to see it like spaced out February in Arch

415
00:24:00,359 --> 00:24:03,279
and let a few of these play for a few

416
00:24:03,279 --> 00:24:06,240
more days. That's just my That's what I would have done.

417
00:24:06,319 --> 00:24:09,839
But I don't know, maybe that's how they work. Yeah,

418
00:24:09,960 --> 00:24:12,200
it's just like, well, you got a day to go

419
00:24:12,240 --> 00:24:14,039
see it, and if you miss it, you miss it.

420
00:24:14,119 --> 00:24:17,400
Speaker 4: I guess that's pretty typical for their for their calendar though.

421
00:24:17,720 --> 00:24:19,680
Speaker 2: Yes, yeah, and then.

422
00:24:19,599 --> 00:24:22,599
Speaker 4: I understand that it may it creates that sense of urgency,

423
00:24:22,640 --> 00:24:24,920
like you don't want to miss this, so come. That's

424
00:24:24,960 --> 00:24:27,519
why when I did my series, we showed those those

425
00:24:27,559 --> 00:24:30,240
that screenings happened once. You had to come to see

426
00:24:30,240 --> 00:24:31,920
it that night or you were going to miss it.

427
00:24:32,200 --> 00:24:34,880
And so you need to prioritize around a thirty five

428
00:24:34,920 --> 00:24:38,319
millimeter screening with guests one time only and it's not

429
00:24:38,359 --> 00:24:40,480
going to be shown again. So I get it. I

430
00:24:40,839 --> 00:24:42,599
get it, And that's why some of these other some

431
00:24:42,680 --> 00:24:44,519
of these are double features, and some of them are

432
00:24:44,559 --> 00:24:48,839
single features, which I think is insane. Uh, are for

433
00:24:48,880 --> 00:24:52,119
two days, but then you have stuff like what are

434
00:24:52,200 --> 00:24:53,519
some of them? I don't know. Do we want to

435
00:24:53,519 --> 00:24:54,359
do a rundown of this?

436
00:24:56,039 --> 00:24:57,920
Speaker 2: We don't have to go day by day, but well

437
00:24:58,079 --> 00:25:01,359
that's okay, so let's just start. Yeah, every second, sure

438
00:25:01,599 --> 00:25:04,839
student nurses, private duty nurses, and the young nurses. I

439
00:25:04,880 --> 00:25:06,440
haven't seen any of these nurses.

440
00:25:06,440 --> 00:25:09,519
Speaker 4: Student nurses is amazing, Private judy nurses is terrible, Young

441
00:25:09,599 --> 00:25:12,440
nurses is fun. So basically, if you're gonna go, it's

442
00:25:12,519 --> 00:25:14,279
not worth paying for all three of those. But if

443
00:25:14,319 --> 00:25:17,400
you must see student nurses, take a naptor in private

444
00:25:17,480 --> 00:25:20,880
duty and then wake up for young yeah, private, that's

445
00:25:20,880 --> 00:25:23,160
how terrible terrible.

446
00:25:23,160 --> 00:25:24,880
Speaker 2: Is that how it works as well. Is it each

447
00:25:24,960 --> 00:25:27,160
movie is a ticket price or is it.

448
00:25:27,759 --> 00:25:30,480
Speaker 4: You're paying for the whole package. Yeah, you're not paying

449
00:25:30,480 --> 00:25:33,440
for movie. You're basically paying for that triple feature. It's

450
00:25:33,480 --> 00:25:34,440
one admission price.

451
00:25:34,759 --> 00:25:36,839
Speaker 2: Yeah, okay, yeah.

452
00:25:36,359 --> 00:25:38,880
Speaker 4: So yeah, that's why. Like my friend Dan, who I

453
00:25:38,880 --> 00:25:40,440
love I went to high school with, and he's an

454
00:25:40,519 --> 00:25:42,880
editor out and he does editing for like reality shows

455
00:25:42,880 --> 00:25:45,000
and stuff. He posted on Facebook and tag me and

456
00:25:45,000 --> 00:25:46,480
I said, Okay, what do I need to go see?

457
00:25:46,480 --> 00:25:49,240
And I said, there's really only four that you need

458
00:25:49,279 --> 00:25:53,920
to prioritize. Four out of the entire fucking month. Is crazy?

459
00:25:54,200 --> 00:25:56,279
That just gotta shows the Yeah, I don't know what

460
00:25:56,319 --> 00:25:57,119
these choices are.

461
00:25:58,519 --> 00:26:02,039
Speaker 2: Okay, so that's day one. Yeah, so February, third, and fourth,

462
00:26:02,079 --> 00:26:04,680
you got, like I said, Wife Mistress and Divine Nymph

463
00:26:04,680 --> 00:26:07,759
for which are it's a it's an answerin Ally and

464
00:26:07,839 --> 00:26:12,279
Mastrianni pairing. Yeah, they're both in that again, Like, well,

465
00:26:12,480 --> 00:26:15,240
you know, I have an interest in Wife Mistress. It's

466
00:26:15,279 --> 00:26:19,720
one of Annie Bell's first, like really serious roles. It's

467
00:26:19,759 --> 00:26:23,400
one of her favorite roles. She's great in it. Yes,

468
00:26:23,680 --> 00:26:25,759
so I would love to see that, but I.

469
00:26:25,960 --> 00:26:27,920
Speaker 4: Well, I know that you need to get out there

470
00:26:27,960 --> 00:26:31,039
for next week, right, I got to book a ticket

471
00:26:31,079 --> 00:26:34,960
for one week exactly, yes, exactly, But yeah, it's funny.

472
00:26:35,000 --> 00:26:37,000
Speaker 2: I was looking back at some of the ads for that,

473
00:26:37,039 --> 00:26:40,119
and you know it was you know, it played widely

474
00:26:40,319 --> 00:26:44,279
in the United States, as you know, an Italian sexy

475
00:26:44,440 --> 00:26:47,680
art film. It did pretty well. So I like that

476
00:26:47,720 --> 00:26:49,440
sort of thing. Yeah, I think you might like it.

477
00:26:49,480 --> 00:26:51,920
I like it. It's a good movie. So I will skip.

478
00:26:52,279 --> 00:26:54,519
Speaker 4: Yeah, he's skipping, right, I'll skip this two days.

479
00:26:54,559 --> 00:26:55,680
Speaker 2: I can save my money.

480
00:26:56,880 --> 00:26:57,640
Speaker 4: What's the next?

481
00:26:57,680 --> 00:26:58,359
Speaker 2: What are the next? Oh?

482
00:26:58,400 --> 00:27:01,000
Speaker 4: Yeah, you know the dates? Soundm going back Friday.

483
00:27:00,680 --> 00:27:05,880
Speaker 2: February fifth and sixth. Revenge of the Cheerleaders and Sex

484
00:27:05,920 --> 00:27:07,559
on the Run. What's your TAKEE?

485
00:27:08,119 --> 00:27:10,880
Speaker 4: Why would you not pair it with the Cheerleaders? Made

486
00:27:10,880 --> 00:27:14,759
by They're both Richard Lerner movies. Richard Lerner was involved

487
00:27:14,799 --> 00:27:16,920
with the first Cheerleaders and then he directed Revenge of

488
00:27:16,960 --> 00:27:17,559
the Cheerleaders.

489
00:27:17,599 --> 00:27:20,079
Speaker 2: So why again, Maybe they just.

490
00:27:20,079 --> 00:27:22,480
Speaker 4: Don't have a pee and that's that's an issue. There

491
00:27:22,559 --> 00:27:25,079
is a print of it, I guess, just not in LA.

492
00:27:25,319 --> 00:27:27,440
But that's that's one of those things where like I

493
00:27:27,480 --> 00:27:31,000
don't know, Sex on the Run is does not match

494
00:27:31,079 --> 00:27:35,880
this and it's terrible. It's it's AKA. Isn't AKA sound

495
00:27:35,960 --> 00:27:39,279
like it cool? Isn't that it? It's a Tony Curtis movie.

496
00:27:40,000 --> 00:27:42,039
It might not be that, but it's Tony Curtis, and

497
00:27:42,119 --> 00:27:44,400
I don't need to see a sexy movie starring Tony Curtis.

498
00:27:44,480 --> 00:27:45,359
Speaker 2: You gotta be kidneing me.

499
00:27:46,440 --> 00:27:48,680
Speaker 4: So no, that's another one. If you're gonna pay for it,

500
00:27:48,720 --> 00:27:50,960
see Revenge of the Cheerleaders. Skip out on the Tony

501
00:27:50,960 --> 00:27:54,359
Curtis movie. Revenge of the Cheerleaders is really so much fun,

502
00:27:54,799 --> 00:27:56,160
and so that's why it would have been great to

503
00:27:56,160 --> 00:27:58,759
put it with, like, I don't know, Swinging Cheerleaders, Yes,

504
00:28:00,319 --> 00:28:03,160
and it's Jack Hill, one of Tarantino's favorites. That would

505
00:28:03,160 --> 00:28:04,720
have made sense. Or if you want to do a

506
00:28:04,759 --> 00:28:07,279
Rainbow Smith double feature, you could have paired it with,

507
00:28:07,519 --> 00:28:10,960
you know, Swinging Cheerleaders, which, well, yeah, Swing Cheerleaders is

508
00:28:11,039 --> 00:28:13,079
Rainbow Smith. That would have made total sense. So I

509
00:28:13,119 --> 00:28:14,960
don't know, I know, Prince exist of that.

510
00:28:15,559 --> 00:28:20,119
Speaker 2: And February seventh and eighth, we got the the og

511
00:28:20,559 --> 00:28:23,720
Emmanuel and we have Black Emmanuel. I know you are

512
00:28:23,759 --> 00:28:25,759
not a fan of this. Parent you want to see

513
00:28:26,079 --> 00:28:27,680
a Manuel Original America.

514
00:28:28,200 --> 00:28:30,559
Speaker 4: Yeah, the original Black Emmanuel is not good.

515
00:28:30,839 --> 00:28:33,599
Speaker 2: I think it's fine. I think the pairing works on.

516
00:28:33,920 --> 00:28:37,680
It's just like the two you know, the two ogs.

517
00:28:37,759 --> 00:28:40,519
You know, sure, I like it.

518
00:28:40,920 --> 00:28:43,920
Speaker 4: I mean, so go watch Emmanuel, except the second half

519
00:28:43,960 --> 00:28:46,640
of that movie is rough, and then Black Emmanuel the

520
00:28:46,680 --> 00:28:49,319
same thing. It's like Black Emmanuel. It's the reason why

521
00:28:49,359 --> 00:28:51,279
Black Emanuel is not as good as the rest is

522
00:28:51,319 --> 00:28:54,640
because it's one location. The rest is her hopping all

523
00:28:54,680 --> 00:28:57,319
over the place and there's different adventures and stuff. Black

524
00:28:57,319 --> 00:28:59,680
Emanuel is her stuck with the same boring ass rich

525
00:28:59,720 --> 00:29:03,519
people in Africa. It's like, okay, anyway, can we move on?

526
00:29:03,880 --> 00:29:06,559
Can you go like see a guru in India or

527
00:29:07,559 --> 00:29:11,359
you know, like a prince in in Egypt or something. Yeah.

528
00:29:11,559 --> 00:29:14,640
Speaker 2: Yeah, it's not the Joe Dematto ones, but I still

529
00:29:14,759 --> 00:29:17,319
know it's a good start to if you want to

530
00:29:17,359 --> 00:29:20,599
see you know where Laura got her Black and Manuel start.

531
00:29:20,720 --> 00:29:23,759
Speaker 4: You know, sure, Actually, you know what, I would have

532
00:29:23,799 --> 00:29:27,559
even preferred Emanuel too, to see her. She's even better

533
00:29:27,599 --> 00:29:30,079
in that than she is. She's she's barely in that,

534
00:29:30,119 --> 00:29:32,279
but she's better in that than in Black and Manuel.

535
00:29:32,480 --> 00:29:34,680
Speaker 2: Yeah, yeah, that would have been fun. Just do a man.

536
00:29:34,880 --> 00:29:39,000
Yeah one and two. Yeah, yeah, it's funny. After this,

537
00:29:39,640 --> 00:29:42,960
you know that new sever and Emmanuel set came out.

538
00:29:43,640 --> 00:29:47,000
It's interesting to see that the consensus is clearly am

539
00:29:47,039 --> 00:29:50,400
Manuel Too is the best, the best one. Everybody loves it,

540
00:29:50,440 --> 00:29:52,559
the best one. It's just fun to see everybody like

541
00:29:52,599 --> 00:29:55,799
coming around on that, like, yeah, it's absolutely the best one.

542
00:29:56,000 --> 00:29:59,960
That's definitely the best one. Yeah. Sorry, just just Jackie

543
00:30:00,079 --> 00:30:00,799
in or whatever.

544
00:30:01,200 --> 00:30:03,960
Speaker 4: Who Yeah, he's fine. I like Wendelin a lot, but

545
00:30:04,559 --> 00:30:06,759
I hate story about so.

546
00:30:07,000 --> 00:30:11,720
Speaker 2: February ninth, we have the genre long double feature. They're

547
00:30:11,759 --> 00:30:14,759
calling it Thrill of the Vampires, which is interesting.

548
00:30:14,920 --> 00:30:17,559
Speaker 4: Maybe it's the American version.

549
00:30:17,920 --> 00:30:18,640
Speaker 2: Yeah, I don't know.

550
00:30:19,079 --> 00:30:21,440
Speaker 4: I don't think it was released in that under that title.

551
00:30:21,559 --> 00:30:24,359
Harry Novac claimed that he had that movie, and he didn't.

552
00:30:24,519 --> 00:30:28,160
He never distributed it. He just had a print in

553
00:30:28,240 --> 00:30:32,160
his vault. And uh, because I think he got once

554
00:30:32,240 --> 00:30:34,839
when he did Cage's Virgins, I believe that he also

555
00:30:34,880 --> 00:30:37,480
got a print to Thrill the Vampires to screen to

556
00:30:37,559 --> 00:30:40,720
potentially distribute it, and then he didn't distribute it. Yeah,

557
00:30:40,720 --> 00:30:44,440
so that's why is this something we dubbed it out? Yeah?

558
00:30:44,480 --> 00:30:47,759
Probably Yeah, it might be even that print. I don't know,

559
00:30:48,160 --> 00:30:49,920
it might be very curious.

560
00:30:50,039 --> 00:30:53,640
Speaker 2: Yeah, I wonder if the music's changed. No, because I've

561
00:30:53,640 --> 00:30:56,759
seen that version. It is not. Oh okay, all right, Yeah,

562
00:30:56,839 --> 00:30:57,440
it's it's the.

563
00:30:57,400 --> 00:31:00,119
Speaker 4: Same English dub version that we're familiar with and nothing else.

564
00:31:00,519 --> 00:31:04,160
Speaker 2: All right. Yeah, and yeah it's paired with This is

565
00:31:04,240 --> 00:31:08,240
so funny they're pairing it with uh, you know, Gen's

566
00:31:08,279 --> 00:31:10,519
like soft core sex film fly Me the French Way

567
00:31:10,559 --> 00:31:16,119
again this, So this must be the English dub I'm guessing, yes,

568
00:31:16,920 --> 00:31:18,640
which is I don't know if that's any difference from that,

569
00:31:19,279 --> 00:31:21,720
not that you know. I No, I don't think it is,

570
00:31:21,759 --> 00:31:25,359
because I mean even the most recent uh Blu ray

571
00:31:25,440 --> 00:31:27,400
for fly Me the French Way, which is under the

572
00:31:27,440 --> 00:31:31,160
title Buccanalis Sexualist, it has to fly Me the French

573
00:31:31,160 --> 00:31:36,039
Way opening credits. So yeah, I think they're the same.

574
00:31:36,279 --> 00:31:40,160
So again, yeah, that's Casey's saying pass on that. Yeah,

575
00:31:40,240 --> 00:31:44,559
it's a snoozer for a lot. It's it's so long,

576
00:31:44,880 --> 00:31:46,359
but it's going so long.

577
00:31:46,519 --> 00:31:48,839
Speaker 4: But then again, this is the American version. Maybe they

578
00:31:48,880 --> 00:31:52,440
cut it down, that's possible, but I don't know. But

579
00:31:52,519 --> 00:31:55,519
I mean, I like thll the Vampires enough. Why is

580
00:31:55,559 --> 00:31:59,960
this not with cage versions? Yeah, cage versions makes total sense.

581
00:32:00,480 --> 00:32:01,839
Speaker 2: Yeah, I don't know why. I don't know.

582
00:32:02,720 --> 00:32:05,880
Speaker 4: And prince and Prince exists, a lot of prince exists.

583
00:32:06,039 --> 00:32:08,359
So I'm just like, okay, that's what I mean. I'm

584
00:32:08,400 --> 00:32:10,200
just kind of like, I don't know what y'all are doing.

585
00:32:10,200 --> 00:32:13,759
Speaker 2: But okay, yeah again, Flying Me the French Tray has

586
00:32:13,839 --> 00:32:20,160
Annie Bell, so I have to sho so crazy. Yeah

587
00:32:20,160 --> 00:32:23,240
that there's I look at this and yeah, that really

588
00:32:23,240 --> 00:32:27,559
shocked me. But yeah, that's her very very first film.

589
00:32:27,720 --> 00:32:31,279
She was very very young, that is all I wasting.

590
00:32:31,440 --> 00:32:34,680
Speaker 4: If she was, that's going to be awkward. If anyone

591
00:32:34,759 --> 00:32:37,359
that audience does any kind of Google search, I know,

592
00:32:37,599 --> 00:32:42,720
or they watched the movie so interesting, they already are.

593
00:32:42,960 --> 00:32:45,279
They're already sexphobic, and they're going to be mad thinking

594
00:32:45,279 --> 00:32:46,359
they're watching kiddie.

595
00:32:46,079 --> 00:32:50,119
Speaker 2: Porn now, yep, yep, Yeah, that's great. Hey, it was

596
00:32:50,160 --> 00:32:51,920
different in Europe, that's all I'll say.

597
00:32:52,000 --> 00:32:54,480
Speaker 4: It was. You could still buy Tracy Lord's movies over there.

598
00:32:55,000 --> 00:32:57,880
Speaker 2: February tenth and eleven in the Realm of the Senses

599
00:32:57,960 --> 00:33:01,160
and yeah, like you said, blood Spattered buy very weird pairing.

600
00:33:01,640 --> 00:33:04,079
Speaker 4: I love both and I actually did suggest to my

601
00:33:04,160 --> 00:33:07,200
friend go see those because both are great, but they

602
00:33:07,240 --> 00:33:09,720
have nothing to do with each other. And one is

603
00:33:09,799 --> 00:33:14,079
hardcore basically, and the other is it's a vampire horror

604
00:33:14,160 --> 00:33:16,839
movie with some sexy stuff. The sexiest thing in that

605
00:33:17,000 --> 00:33:21,640
is when when she's buried in the sand with her breasts.

606
00:33:22,000 --> 00:33:23,200
Speaker 2: Oh yeah, Oh, it's like.

607
00:33:23,359 --> 00:33:27,720
Speaker 4: Okay, so we're sun tanning, slash burning your breasts and

608
00:33:27,759 --> 00:33:28,359
nothing else.

609
00:33:29,079 --> 00:33:29,279
Speaker 1: Yeah.

610
00:33:29,319 --> 00:33:31,480
Speaker 4: It's very visually stylish, just like in the realm of

611
00:33:31,480 --> 00:33:34,079
the census, but it's kind of yeah, I mean there,

612
00:33:34,119 --> 00:33:36,119
we know there are prints of Japanese stuff that this

613
00:33:36,160 --> 00:33:37,000
could have been paired with.

614
00:33:37,519 --> 00:33:40,039
Speaker 2: Yeah. You know who was a big fan of Blood

615
00:33:40,039 --> 00:33:43,279
Spattered Bride was our friend just below this role here,

616
00:33:43,920 --> 00:33:47,359
David F. Friedman. I remember he told that story. Really

617
00:33:47,400 --> 00:33:49,799
he went over to Europe and he wanted to buy it,

618
00:33:49,839 --> 00:33:52,359
but somebody else bought it. He loved that movie. Yeah,

619
00:33:52,400 --> 00:33:56,519
Oh I did not know that. Yeah, I heard him

620
00:33:56,519 --> 00:33:58,440
say that in the commentary. Yeah, and I was.

621
00:33:58,400 --> 00:34:02,519
Speaker 4: Like, oh, it was whoever it was, whoever released it

622
00:34:02,559 --> 00:34:04,720
with I just remember Mama, right, and I forget who

623
00:34:04,759 --> 00:34:07,559
that was. Yeah, which is crazy because I feel like

624
00:34:07,559 --> 00:34:09,599
they would have had. I feel like it might have

625
00:34:09,599 --> 00:34:11,440
been a smaller outfit. I would have thought they would

626
00:34:11,440 --> 00:34:14,159
have had less money than Dave would have.

627
00:34:14,320 --> 00:34:15,480
Speaker 2: But I don't know.

628
00:34:15,559 --> 00:34:17,800
Speaker 4: Dave didn't really have them any imports that he handled.

629
00:34:18,280 --> 00:34:21,079
Speaker 2: No, that's why I was Yeah, it was an interesting story.

630
00:34:22,360 --> 00:34:26,000
February twelfth and thirteenth, we got Pretty Maids in a

631
00:34:26,079 --> 00:34:29,639
Row a Rock Hudson movie, and High School Girl a

632
00:34:29,719 --> 00:34:31,519
Sergio Martino movie.

633
00:34:31,880 --> 00:34:36,440
Speaker 4: So you have a Hollywood film with an Italian import,

634
00:34:36,599 --> 00:34:37,400
which is crazy.

635
00:34:38,559 --> 00:34:39,039
Speaker 2: I'm surprised.

636
00:34:39,079 --> 00:34:41,000
Speaker 4: I don't know schoolgro Report movies?

637
00:34:41,039 --> 00:34:43,360
Speaker 2: Actually? Is that too problem Are those too problematic?

638
00:34:43,440 --> 00:34:43,639
Speaker 6: Now?

639
00:34:44,079 --> 00:34:47,840
Speaker 2: Did those play? They played?

640
00:34:48,000 --> 00:34:51,559
Speaker 4: Okay, they all played here. The Hemisphere pictures handled like

641
00:34:51,639 --> 00:34:54,639
three of them. Yeah, they pretty much all played here

642
00:34:55,840 --> 00:35:00,480
under really wild titles. But yeah, yeah, well, I well,

643
00:35:00,639 --> 00:35:03,280
isn't class what is it Campus Swingers? Wasn't that a

644
00:35:03,280 --> 00:35:06,400
school Report movie that was a major release by Hemisphere?

645
00:35:06,800 --> 00:35:11,039
And then they handled School Report as the schoolgirls? Uh

646
00:35:11,280 --> 00:35:14,800
it was not tempting roommates something weird. Handle a lot

647
00:35:14,800 --> 00:35:18,159
of them and they discontinued several of them. But in

648
00:35:18,280 --> 00:35:19,880
High School Girl on like whatever.

649
00:35:19,719 --> 00:35:22,719
Speaker 2: I mean, I guess the theme there is high.

650
00:35:22,559 --> 00:35:25,280
Speaker 4: School Girls yeah, Pretty Maids All in a Row is

651
00:35:25,360 --> 00:35:29,480
Rock Hudson sleeping with his students. Yeah, yeah, I like

652
00:35:29,480 --> 00:35:31,760
Pretty Maids All the Row. It's Roger Vadeen being a purv.

653
00:35:33,480 --> 00:35:37,800
Speaker 2: Yeah yeah, that Martino is a pretty deep cut. I mean,

654
00:35:37,840 --> 00:35:40,119
if you can get out to see that, you should

655
00:35:40,159 --> 00:35:44,679
definitely try, because that has not I don't believe that's

656
00:35:44,719 --> 00:35:48,679
seen any sort of North American release on home video.

657
00:35:49,079 --> 00:35:50,239
That I it's really wild.

658
00:35:50,320 --> 00:35:52,440
Speaker 4: I thought that it did. I think I'm thinking of

659
00:35:52,440 --> 00:35:55,320
something else. Yeah, I'm confusing it maybe with like a

660
00:35:55,320 --> 00:35:56,960
Fernando de Lao film possible.

661
00:35:56,960 --> 00:36:00,719
Speaker 2: Oh there's yeah, there's some DVD some like Italian I think,

662
00:36:00,760 --> 00:36:03,440
floating around. But yeah, that's interesting one.

663
00:36:03,519 --> 00:36:06,119
Speaker 4: I thought maybe Maya Communications put it out, But I

664
00:36:06,480 --> 00:36:09,320
must be thinking of something else, all right.

665
00:36:09,400 --> 00:36:13,360
Speaker 2: February fourteenth and fifteenth, go off, fixent and up.

666
00:36:14,519 --> 00:36:19,679
Speaker 4: Who the fuck Chowse This like Vixen is great, But honestly, again,

667
00:36:19,719 --> 00:36:24,440
I'm thinking of this ultra wope, super surprisingly conservative New

668
00:36:24,480 --> 00:36:28,079
Beverly audience that are gonna have to deal with. First

669
00:36:28,079 --> 00:36:31,599
of all, she's a racist. Second of all, she fucks

670
00:36:31,599 --> 00:36:35,239
her brother. Third of all, she does the fish dance.

671
00:36:35,400 --> 00:36:36,960
So I'm just like, I don't know how this is

672
00:36:37,000 --> 00:36:39,920
gonna go over with these, with these you know, with

673
00:36:40,000 --> 00:36:43,840
these namby Pamby people. Up is even worse. Up is

674
00:36:44,000 --> 00:36:46,880
almost is so much sexual assault. Raven to lacross thing

675
00:36:46,920 --> 00:36:49,559
where she's her opening sex scene is her almost beaten

676
00:36:50,400 --> 00:36:54,159
to a bloody pulp in a river. I think this

677
00:36:54,280 --> 00:36:57,280
is an odd choice. I personally would have done Viction

678
00:36:57,400 --> 00:37:01,960
and super Vixen's Yeah, or I wouldn't have done Ultra Ditions.

679
00:37:02,000 --> 00:37:04,599
But yeah, Vixen and Superdictions. I would have done.

680
00:37:04,679 --> 00:37:06,679
Speaker 2: Yeah, because then at least if you are staying for

681
00:37:06,760 --> 00:37:09,920
both with super Vixen's look, I mean there's another Yeah,

682
00:37:10,000 --> 00:37:14,480
like pretty rough, that bathtub beating scenes bad, but it's

683
00:37:14,480 --> 00:37:17,559
a lot more fun. It's it's you. You'll leave the

684
00:37:17,559 --> 00:37:22,039
theater feeling not completely like deflated. Right.

685
00:37:22,199 --> 00:37:24,559
Speaker 4: It has good references to like the rest of his movies,

686
00:37:24,559 --> 00:37:27,920
and if you watch it after Vixen, you Garth Pillsbury

687
00:37:28,000 --> 00:37:30,559
is in Supervictions as well, so you get the reference

688
00:37:30,599 --> 00:37:35,400
to him returning in Supervixen's Yeah. So I don't know,

689
00:37:35,800 --> 00:37:38,679
I'm very precious about my russ Meyer stuff, So yeah,

690
00:37:38,800 --> 00:37:41,159
I was kind of like, Okay, here we go. Everyone's

691
00:37:41,159 --> 00:37:44,159
trying to make up a thing again, and it's just like, guys,

692
00:37:45,360 --> 00:37:46,519
give up a rest please.

693
00:37:47,760 --> 00:37:51,880
Speaker 2: February sixteenth, we got the David double feature Defilers and

694
00:37:51,920 --> 00:37:54,119
to Smell Honey swallow'brien.

695
00:37:54,199 --> 00:37:57,719
Speaker 4: Yep, and that's one I gotta go see this. And

696
00:37:57,760 --> 00:37:59,400
I'm telling you right now they made it a one

697
00:37:59,480 --> 00:38:03,039
night only because specifically of the roughy angle. I'm sure.

698
00:38:03,519 --> 00:38:04,519
Speaker 2: I'm sure that's why.

699
00:38:05,000 --> 00:38:08,199
Speaker 4: Yeah, a smell of honey and also when you I

700
00:38:08,239 --> 00:38:11,320
saw a Smell of Honey at the Anthology Something Weird series,

701
00:38:11,320 --> 00:38:13,840
and I think that was the screening that Frank Hannelotter

702
00:38:13,920 --> 00:38:16,360
came to and sat behind me and watched and we

703
00:38:16,360 --> 00:38:18,039
were like, oh my god, there's extra stuff in this

704
00:38:18,119 --> 00:38:21,039
print that you know, this was missing on the DVD whatever.

705
00:38:22,400 --> 00:38:24,639
That walking out of that movie at the end of

706
00:38:24,679 --> 00:38:29,320
the movie, after she's been beaten into submission, it's kind

707
00:38:29,320 --> 00:38:34,440
of like, okay, going out into the night. I'm just

708
00:38:34,480 --> 00:38:38,119
thinking in terms of that audience mindset. For me, I'm

709
00:38:38,199 --> 00:38:40,079
kind of like, well, Stacy's walker is walking out of

710
00:38:40,079 --> 00:38:42,599
our lives. We'll never see her again. That's why the

711
00:38:42,719 --> 00:38:45,480
ending is sad to me. Yeah, But I think I

712
00:38:45,519 --> 00:38:47,199
think people were like, Oh, this is so sad. She's

713
00:38:47,239 --> 00:38:53,199
being punished for her sexual promiscuity and her fake cries

714
00:38:53,199 --> 00:38:56,079
of rape. Yeah, great double future.

715
00:38:56,280 --> 00:38:59,800
Speaker 2: Lisa said, yeah, they helped provide those prints, I believe,

716
00:39:00,280 --> 00:39:00,840
but that's.

717
00:39:00,639 --> 00:39:03,039
Speaker 4: What so smell honey. I will say if you have

718
00:39:03,079 --> 00:39:04,880
a chance to see it, and it's one of only

719
00:39:04,960 --> 00:39:09,119
two prints, so I hope it doesn't break them the projector.

720
00:39:09,239 --> 00:39:11,880
But I mean that was my that was my fear

721
00:39:11,920 --> 00:39:13,960
when when the screened it Anthology and I was like,

722
00:39:14,000 --> 00:39:16,920
please don't let it die. And it didn't.

723
00:39:17,159 --> 00:39:20,800
Speaker 2: Yeah, it was great. February seventeenth and eighteenth, they got

724
00:39:20,840 --> 00:39:26,239
the Swedish Art House double feature of Monica and directed

725
00:39:26,280 --> 00:39:30,800
by Ingmar Bergman and with the Ingmar Bergman of forty

726
00:39:30,840 --> 00:39:38,199
Second Street. Inga yeah, go ahead, what do you think?

727
00:39:38,400 --> 00:39:42,800
Speaker 4: Well, I initially was against this, but then someone made

728
00:39:42,840 --> 00:39:44,840
a good point that it might be a print of

729
00:39:44,880 --> 00:39:48,599
the Kroger Bab version of Monica, which is not available

730
00:39:48,719 --> 00:39:51,239
and has never come out on video. With I think

731
00:39:51,239 --> 00:39:53,920
there's different music, and I think there's some additional footage

732
00:39:53,960 --> 00:39:57,960
that's added, so for historical purposes, I would want to

733
00:39:58,000 --> 00:39:59,519
see the Kroger Bab version.

734
00:39:59,760 --> 00:40:01,119
Speaker 2: How Ever, if it's a.

735
00:40:01,079 --> 00:40:04,480
Speaker 4: Print from Janis Films, then it's just Summer with Monica.

736
00:40:04,639 --> 00:40:07,000
But I think based on this artwork, it might be

737
00:40:07,079 --> 00:40:10,400
the Kroger Bad version, which I would die to see.

738
00:40:10,519 --> 00:40:12,199
But I still don't think it's a good double.

739
00:40:12,000 --> 00:40:12,679
Speaker 2: Feature with Inga.

740
00:40:12,800 --> 00:40:15,000
Speaker 4: I think it should be Inga in either Seduction of

741
00:40:15,119 --> 00:40:17,320
Inger or Made in Sweden, which is basically the remake

742
00:40:17,400 --> 00:40:18,440
with Christina Lindberg.

743
00:40:19,039 --> 00:40:20,559
Speaker 2: Yeah, and Prince.

744
00:40:20,400 --> 00:40:23,280
Speaker 4: Do exist of that, but MGM might say no because

745
00:40:23,360 --> 00:40:25,599
MGM has us rights on that, so I don't know.

746
00:40:25,920 --> 00:40:28,719
Speaker 2: I mean, they they probably got a hold of the

747
00:40:28,800 --> 00:40:32,119
Monica print and then they wanted to pair it with something.

748
00:40:31,920 --> 00:40:35,679
Speaker 4: And and they're both black and white, so that makes

749
00:40:35,840 --> 00:40:39,559
that makes sense thematically Inga. I'm interested to see how

750
00:40:39,559 --> 00:40:42,840
an audience reacts to that, because I feel like, I

751
00:40:42,880 --> 00:40:45,360
know it was very popular then I think a lot

752
00:40:45,400 --> 00:40:47,840
of people think it's slow. Now I love it. I

753
00:40:47,920 --> 00:40:50,800
still love it, but yeah, I'm very intrigued to see

754
00:40:50,800 --> 00:40:51,480
how that goes over.

755
00:40:52,119 --> 00:40:55,599
Speaker 2: Yeah, me too. It's gonna be interesting to check letterboxed

756
00:40:55,920 --> 00:40:58,039
the day after night.

757
00:40:58,159 --> 00:41:01,360
Speaker 4: You've better believe February I'm checked and all this ship

758
00:41:01,559 --> 00:41:04,599
just to see and to make myself angry essentially.

759
00:41:04,440 --> 00:41:07,119
Speaker 2: Oh my god, don't do that to yourself.

760
00:41:07,199 --> 00:41:09,519
Speaker 4: Yeah, oh, I know, it's just you know, it is

761
00:41:09,559 --> 00:41:11,719
what it is. Well, honestly, I sometimes like when there

762
00:41:11,719 --> 00:41:14,599
are people who do give good reviews and are like, oh,

763
00:41:14,639 --> 00:41:16,719
this was really great and I really love this, but

764
00:41:16,760 --> 00:41:18,760
there's it feels like they're so few and far between.

765
00:41:18,800 --> 00:41:24,519
Speaker 2: Sometimes yeah, sometimes it yeah, we rag on these guys.

766
00:41:24,519 --> 00:41:28,480
But yeah, sometimes it feels performative, like go see a

767
00:41:28,519 --> 00:41:32,000
dirty movie and make fun of it on letterboxed afterwards, and.

768
00:41:32,039 --> 00:41:34,079
Speaker 4: Then you're like a two weird review that's funny, and

769
00:41:34,119 --> 00:41:35,840
I'm like, this is is this the new is this

770
00:41:35,880 --> 00:41:38,719
the new comedy? Yeah, this is where comedy is now.

771
00:41:38,760 --> 00:41:40,840
So I'm like, I don't know. I like the idea

772
00:41:40,920 --> 00:41:44,159
that you're getting a lot of these prints are incredibly rare, so.

773
00:41:44,119 --> 00:41:47,239
Speaker 2: I yeah, like spend a you know, spend a day

774
00:41:47,360 --> 00:41:49,719
on it, you know, like sleep on it, and then

775
00:41:49,760 --> 00:41:52,159
come back and write review. You don't have to write

776
00:41:52,199 --> 00:41:55,440
your review in the movie theater as the credits are playing. Guys, Okay, no,

777
00:41:55,559 --> 00:41:56,199
that's crazy.

778
00:41:56,719 --> 00:41:59,320
Speaker 4: No, let it sink in, let it let it wash

779
00:41:59,360 --> 00:42:01,079
over you die ingest it and then.

780
00:42:00,960 --> 00:42:01,599
Speaker 2: Do a review.

781
00:42:01,920 --> 00:42:04,119
Speaker 4: Yes, at least give it a couple hours, like I

782
00:42:04,519 --> 00:42:05,559
typically will do that.

783
00:42:05,880 --> 00:42:13,400
Speaker 2: Yeah, February nineteenth and twentieth Arabian Nights, Pasolini ass. I

784
00:42:13,400 --> 00:42:17,559
mean like I like his you know, Canterbury series of

785
00:42:18,000 --> 00:42:20,960
his de Cameerontics, but I don't know if this is

786
00:42:20,960 --> 00:42:23,519
my favorite one. But I still think it would be

787
00:42:23,599 --> 00:42:26,239
great to see you on film on a big screen.

788
00:42:26,400 --> 00:42:30,519
Speaker 4: So I don't know, No, Solo, We're not going to

789
00:42:30,559 --> 00:42:35,840
see Solo's played out, man, and they wouldn't work with

790
00:42:35,880 --> 00:42:39,440
that audience. I still I've never seen it theatrically.

791
00:42:39,119 --> 00:42:42,320
Speaker 2: So sallows the new Possession. Man, I'm tired of hearing

792
00:42:42,360 --> 00:42:42,760
about it.

793
00:42:44,480 --> 00:42:47,360
Speaker 4: Well, Possession, I will die on this hill. Possession is

794
00:42:47,400 --> 00:42:49,760
so overrated. I really hate a Possession.

795
00:42:50,559 --> 00:42:51,239
Speaker 2: Did I ever tell you?

796
00:42:51,239 --> 00:42:52,639
Speaker 4: I think I'm the only person in the world that

797
00:42:52,760 --> 00:42:53,199
hates it.

798
00:42:53,239 --> 00:42:56,840
Speaker 2: I just think it's so annoying. I saw a print

799
00:42:56,840 --> 00:42:59,559
of it up here. Actually they played a film print

800
00:43:00,039 --> 00:43:03,960
and for the first thirty or forty five minutes, for

801
00:43:04,000 --> 00:43:09,360
whatever reason, there was like this shrill noise on the soundtrack.

802
00:43:09,440 --> 00:43:12,679
I don't know if there's something baked into that print.

803
00:43:12,519 --> 00:43:12,800
Speaker 4: I think.

804
00:43:12,920 --> 00:43:18,039
Speaker 2: So it was so annoying, and then you know, the

805
00:43:18,039 --> 00:43:21,039
film also is what it is, so yeah, it was

806
00:43:21,079 --> 00:43:24,239
like it was like an assault, even more of an

807
00:43:24,280 --> 00:43:28,280
assault on my senses. Yeah, I don't care for it.

808
00:43:28,360 --> 00:43:30,920
Speaker 4: I think. Also is I can't believe Isabella Johnny won

809
00:43:31,599 --> 00:43:35,039
Best Actress that can for that. When everyone's like, oh

810
00:43:35,039 --> 00:43:36,639
my god that scene in the subway, I'm like, oh,

811
00:43:36,639 --> 00:43:39,000
the scene where there's no direction and she basically does

812
00:43:39,039 --> 00:43:41,239
what ever the fuck she wants and the director has

813
00:43:41,239 --> 00:43:44,639
no control over the scene. Yeah, I don't like that scene.

814
00:43:44,719 --> 00:43:48,519
I think it's so fucking annoying. So yeah, very unpopular

815
00:43:48,599 --> 00:43:51,119
opinion because everyone loses their mind over this movie.

816
00:43:51,159 --> 00:43:54,320
Speaker 2: I've never liked that movie. Yeah's move on before we

817
00:43:54,360 --> 00:43:59,239
get too much hate mail. February twenty First, this is exciting.

818
00:43:59,360 --> 00:44:02,519
Here you go, oh Mitchell Brothers double feature. This is exciting.

819
00:44:02,679 --> 00:44:06,760
Tell us about these Sodom and Gomora and Autobiography of

820
00:44:06,800 --> 00:44:08,719
a Flea. I don't know anything about these.

821
00:44:09,199 --> 00:44:13,639
Speaker 4: So Soldom and Gomorrah was the Mitchell Brothers very expensive

822
00:44:13,679 --> 00:44:18,159
follow up to Resurrection of Eve, and they decided they

823
00:44:18,199 --> 00:44:22,039
wanted to do this really extravagant biblical epic. So they

824
00:44:22,159 --> 00:44:24,480
had a leading lady that they I think ran off.

825
00:44:25,480 --> 00:44:29,280
They they made. Yeah, I think that they just funneled

826
00:44:29,360 --> 00:44:32,000
every penny that they had into this movie, and it

827
00:44:32,039 --> 00:44:37,400
was a huge bomb. It's a huge disaster, and I

828
00:44:37,440 --> 00:44:39,199
think they took a lot of time trying to get

829
00:44:39,239 --> 00:44:41,079
money back on it. I don't I think it came

830
00:44:41,119 --> 00:44:43,320
out of video. I'm not sure it came out of

831
00:44:43,400 --> 00:44:46,400
video here. I think it came out in video overseas.

832
00:44:46,519 --> 00:44:48,800
And the only reverson I've seen is disgusting, but it

833
00:44:48,920 --> 00:44:52,639
is going to be restored by Vinegar Syndrome as part

834
00:44:52,679 --> 00:44:53,800
of the Mintchell Brothers line.

835
00:44:54,079 --> 00:44:56,639
Speaker 2: Like disgusting, the print was like ragged or what.

836
00:44:57,440 --> 00:45:00,360
Speaker 4: It's just really fuzzy and gross. Yeah. The VHS answer,

837
00:45:00,400 --> 00:45:02,199
the one that's been circulating all over the place, is

838
00:45:02,239 --> 00:45:06,920
just just it's it's just not Visually, it doesn't capture

839
00:45:07,679 --> 00:45:10,119
all the budget that they put into the movie. It's

840
00:45:10,159 --> 00:45:12,960
kind of like Wakefield Pool's Bible, except it's not.

841
00:45:13,079 --> 00:45:13,800
Speaker 2: It's better than that.

842
00:45:13,960 --> 00:45:17,320
Speaker 4: I didn't like Wakefield Pool's Bible that much. But an

843
00:45:17,320 --> 00:45:19,960
autobiography of a flea is an adaptation of like a

844
00:45:19,960 --> 00:45:24,480
famous like dirty like an old dirty book from like

845
00:45:24,519 --> 00:45:28,280
the Victorian era or whatever that was kind of passed

846
00:45:29,159 --> 00:45:32,920
passed around to people you know under counters and stuff,

847
00:45:33,400 --> 00:45:35,800
and that's Gene Jennings and I think her first role

848
00:45:36,400 --> 00:45:40,199
as an adult because when she started in porn she

849
00:45:40,360 --> 00:45:43,559
was underage and then she after she did Autobiography of Flea,

850
00:45:43,599 --> 00:45:48,280
she married Just Bnell. And it's also Paul Thomas's first

851
00:45:48,280 --> 00:45:53,039
adult movie after Jesus Christ Superstar and that Haven is

852
00:45:53,079 --> 00:45:56,400
in it. I think it's her first movie with the Mitchells.

853
00:45:56,920 --> 00:46:00,880
Speaker 2: I think Paul was doing like and stuff for a

854
00:46:00,920 --> 00:46:02,519
long time, right, but this is.

855
00:46:02,519 --> 00:46:05,199
Speaker 4: He did a gay he did his first feature. No,

856
00:46:05,320 --> 00:46:07,800
he had never he had. The only thing hardcore before

857
00:46:07,840 --> 00:46:11,960
this he had done was it was a gay loop

858
00:46:12,159 --> 00:46:15,400
for Falcon. Yeah, he was a three way scene and

859
00:46:15,440 --> 00:46:19,280
he's actually very into it. So I'm actually was that

860
00:46:19,360 --> 00:46:23,559
before or after? I try to go by his facial hair.

861
00:46:24,719 --> 00:46:27,159
The facial hair is how you can tell. But yeah, no,

862
00:46:27,280 --> 00:46:29,000
he that was. This is his first one, and this

863
00:46:29,199 --> 00:46:32,559
was the same year that he did Emmanuel Around the World.

864
00:46:33,519 --> 00:46:35,440
He's on that opening sequence with Laura Gemzer.

865
00:46:36,119 --> 00:46:37,559
Speaker 2: Yeah, so yeah, I.

866
00:46:37,559 --> 00:46:39,639
Speaker 4: Know that's a good double feature, especially because they're both

867
00:46:39,639 --> 00:46:43,280
incredibly rare to see in good quality, especially Sodom and Gomorrah.

868
00:46:43,480 --> 00:46:45,679
Speaker 2: So I really like to see how that print looks. Yeah,

869
00:46:45,719 --> 00:46:52,000
that's so February twenty second, we have more hardcore. We

870
00:46:52,079 --> 00:46:57,760
got Through the Looking Glass and Bacchanalle with Adibin Yes

871
00:46:58,320 --> 00:47:02,400
and lud the Boys and my third feature feature.

872
00:47:02,840 --> 00:47:04,920
Speaker 4: I wonder, I don't know, I would like to see

873
00:47:04,960 --> 00:47:07,519
what I don't because I don't know who programmed this.

874
00:47:08,519 --> 00:47:12,239
Through the Looking Glass that was that's when I screened

875
00:47:12,239 --> 00:47:14,280
that in anthology from my series. That was one of

876
00:47:14,320 --> 00:47:17,039
the best experiences seeing that. Yeah, it was life changing

877
00:47:17,079 --> 00:47:19,800
seeing that movie in a theater with an audience, captive

878
00:47:19,840 --> 00:47:22,079
audience and they're just mesmids by.

879
00:47:22,119 --> 00:47:23,239
Speaker 2: It was a great experience.

880
00:47:23,400 --> 00:47:25,159
Speaker 4: Bac and all. I'd like to see in theaters too.

881
00:47:26,800 --> 00:47:28,880
That my work is like an artsy, fartsy film with

882
00:47:29,199 --> 00:47:32,519
this particular audience. And Uh, I wonder what the third

883
00:47:32,559 --> 00:47:36,119
feature is. I feel like it's something else horror adjacent, probably.

884
00:47:35,719 --> 00:47:36,760
Speaker 2: To fit in with these two.

885
00:47:37,679 --> 00:47:41,280
Speaker 4: Yeah, but I did uh And actually, yeah, this weekend

886
00:47:41,320 --> 00:47:43,119
I would be living at that theater because I'd be

887
00:47:43,159 --> 00:47:44,280
seeing those two.

888
00:47:44,719 --> 00:47:49,320
Speaker 2: Yeah, those two porno uh bills for sure. Yeah, well,

889
00:47:49,320 --> 00:47:53,039
it's nice to see they're not programming corruption again for

890
00:47:53,159 --> 00:47:53,679
a million.

891
00:47:53,760 --> 00:47:56,920
Speaker 4: Yeah, we need to put that to bed please because yeah,

892
00:47:56,960 --> 00:48:00,159
I mean, if you're gonna do do pink ladies, make

893
00:48:00,199 --> 00:48:02,320
a chance do Her name was Lisa. Like you know,

894
00:48:02,480 --> 00:48:05,199
corruption is it doesn't really work with an audience. I

895
00:48:05,320 --> 00:48:08,039
learned that the hard way. Yeah, so, Ruben and I

896
00:48:08,119 --> 00:48:09,159
both learned that the hard way.

897
00:48:09,480 --> 00:48:13,480
Speaker 2: Yeah you did. So Sunday is the sexy sci fi

898
00:48:13,639 --> 00:48:16,840
double feature. We have the girl from Starship Venus and

899
00:48:17,119 --> 00:48:23,760
Flesh Gordon. These are also hardcore. No yeah, wait, okay,

900
00:48:25,360 --> 00:48:27,159
I thought that there was a Yeah. I don't know why.

901
00:48:27,199 --> 00:48:29,880
I always think it is hardcore. Maybe because there's somebody

902
00:48:29,920 --> 00:48:32,079
supposed to be hard for people in it. Yeah.

903
00:48:32,159 --> 00:48:33,840
Speaker 4: Yes, it was supposed to be hardcore and then they

904
00:48:33,920 --> 00:48:38,079
ended up not being hardcore. Plus Gordon's great. That is

905
00:48:38,119 --> 00:48:40,119
so much fun. I have seen that in a theater,

906
00:48:40,599 --> 00:48:43,039
uh through a print. It screened weirdly at like a

907
00:48:43,119 --> 00:48:46,000
DC theater at midnight screening, and I took my brothers

908
00:48:46,039 --> 00:48:48,400
and sister to go see it because I was like, guys,

909
00:48:48,800 --> 00:48:50,880
this is you can you can see some of the

910
00:48:50,880 --> 00:48:53,599
people that I love and it's not hardcore. And they

911
00:48:53,639 --> 00:48:55,960
really loved it. They laughed, they laughed just as much

912
00:48:55,960 --> 00:48:58,159
as I did. So Yeah, Flesh. Gordon's great. I wish

913
00:48:58,199 --> 00:48:59,920
you didn't have to sit through Gout the Girl from

914
00:49:00,119 --> 00:49:03,039
Starts with Venus to see it, but it is what

915
00:49:03,079 --> 00:49:03,320
it is.

916
00:49:03,400 --> 00:49:07,760
Speaker 2: Yeah, maybe they should have swapped those maybe, I think so. First, Yeah,

917
00:49:07,840 --> 00:49:08,239
I mean the.

918
00:49:08,199 --> 00:49:10,400
Speaker 4: Double feature is typically that's what you should be doing.

919
00:49:10,400 --> 00:49:12,800
You should put you're supposed to lead with the strongest one,

920
00:49:12,840 --> 00:49:14,599
and then people can leave if they want to if

921
00:49:14,599 --> 00:49:18,039
the second one's not as good. Yeah, but it is

922
00:49:18,039 --> 00:49:18,440
what it is.

923
00:49:18,599 --> 00:49:20,880
Speaker 2: So if you're listening programmer, it's not too late. You

924
00:49:20,960 --> 00:49:27,480
can flip those right. February are twenty fourth. February twenty fourth,

925
00:49:27,480 --> 00:49:32,159
and twenty fifth, we have the the Proto Giallo Day.

926
00:49:32,239 --> 00:49:37,639
Here we have Paranoia aka or Gasmo and The Sweet

927
00:49:37,639 --> 00:49:39,920
Body of Deborah. You are not a fan of Deborah.

928
00:49:40,159 --> 00:49:43,440
You think it's slow boring? I like it.

929
00:49:44,760 --> 00:49:49,280
Speaker 4: Paranoia is great though. Yeah, everyone is terrible in that movie.

930
00:49:50,599 --> 00:49:52,320
There are no there are no people to root for

931
00:49:52,400 --> 00:49:56,119
in that movie. It's great. I really quite enjoy it.

932
00:49:56,400 --> 00:50:01,400
Speaker 2: Yeah. I love Castel that Yeah. Yeah, she's great in Face.

933
00:50:02,320 --> 00:50:06,440
Speaker 4: Yeah. That soundtrack is good, including that song that plays

934
00:50:06,480 --> 00:50:09,039
over and over and over The Driver Mad.

935
00:50:09,360 --> 00:50:09,960
Speaker 2: This is good.

936
00:50:10,320 --> 00:50:12,920
Speaker 4: Yeah, I think this is probably gonna be I imagine

937
00:50:12,920 --> 00:50:14,400
it's probably the US X rated.

938
00:50:14,440 --> 00:50:16,679
Speaker 2: Yeah, I was just gonna say, yeah, this does have

939
00:50:16,760 --> 00:50:19,079
distinct versions, So.

940
00:50:19,760 --> 00:50:22,320
Speaker 4: The US X rated cut, Uh, yeah, I think it

941
00:50:22,480 --> 00:50:26,519
eliminates dialogue, but it also eliminates some dialogue which isn't necessary.

942
00:50:26,559 --> 00:50:28,639
Speaker 2: But then it all seems a little nunity. I think.

943
00:50:28,880 --> 00:50:32,320
Speaker 4: Yeah, the ending is different. Yeah, yeah, I like it.

944
00:50:32,679 --> 00:50:33,360
Speaker 2: You go see it.

945
00:50:33,519 --> 00:50:37,840
Speaker 4: Yeah, sleep before Deborah, take a nap during Deborah, and

946
00:50:37,840 --> 00:50:40,239
then you can talk about paranoia with people at the

947
00:50:40,320 --> 00:50:40,679
end of it.

948
00:50:40,920 --> 00:50:43,280
Speaker 2: Yeah. Yeah. I mean again, like I don't know the

949
00:50:43,400 --> 00:50:48,639
situation with Prince, but there are other Carol Baker Giallo's

950
00:50:48,719 --> 00:50:51,239
you could have used instead, So.

951
00:50:52,079 --> 00:50:55,800
Speaker 4: Yeah, well they also could have put it with maybe Sacrilege,

952
00:50:55,800 --> 00:50:59,280
Andy Warhol's Bad, which was an X rated movie technically

953
00:50:59,480 --> 00:51:02,719
when it came out out. That's a great movie anywhere,

954
00:51:02,719 --> 00:51:04,719
all as bad as terrific. And that's when that Vinicercinder

955
00:51:04,760 --> 00:51:06,280
were supposed to have put out. But I think something

956
00:51:06,320 --> 00:51:09,079
happened with either rights or elements, So I think it's

957
00:51:09,079 --> 00:51:14,360
on permanent back burner for Okay, the Foreseeable Future. That's

958
00:51:14,360 --> 00:51:15,239
a really good one though.

959
00:51:15,519 --> 00:51:18,800
Speaker 2: February twenty sixth and twenty seventh, we have the big

960
00:51:19,599 --> 00:51:25,119
Coleiguila Ultimate Cut. No thanks, no, thank you. I'm still

961
00:51:25,239 --> 00:51:25,719
really mad.

962
00:51:25,800 --> 00:51:27,960
Speaker 4: I don't know why no one has asked Tinto Brass

963
00:51:27,960 --> 00:51:30,559
to create his cut. Why has he been left out

964
00:51:30,599 --> 00:51:33,719
of the conversation for decades now? I don't understand that,

965
00:51:33,920 --> 00:51:36,239
like this ultimate cut is just like a fan edit

966
00:51:36,320 --> 00:51:39,599
that somehow got a major distribution deal. I think it's crazy.

967
00:51:39,960 --> 00:51:42,079
Intento Brass has disowned it. That's all I need to

968
00:51:42,079 --> 00:51:43,760
know if you want something to do with it, So

969
00:51:43,760 --> 00:51:45,800
I'm like, well, I get it, dude, they should have

970
00:51:45,840 --> 00:51:47,159
asked you to create your cut.

971
00:51:47,800 --> 00:51:51,280
Speaker 2: Yeah, that that production is just so insane that I

972
00:51:51,320 --> 00:51:55,119
don't know what's going on with people's rights to certain

973
00:51:55,239 --> 00:51:56,679
versions and all that stuff.

974
00:51:57,639 --> 00:51:59,880
Speaker 4: It's also just boring. That's why I'd like to see

975
00:51:59,880 --> 00:52:03,800
Tinto Brass's version, because Tinto Brass doesn't make boring movies.

976
00:52:04,039 --> 00:52:06,679
So I feel like if he edited it the way

977
00:52:06,719 --> 00:52:09,280
a Tento Brass movies edited, if included the foot is

978
00:52:09,320 --> 00:52:11,920
that he wanted, then I feel like it would flow better.

979
00:52:11,960 --> 00:52:14,280
It might actually work as a movie. No version of

980
00:52:14,320 --> 00:52:15,559
this I've ever seen has been good.

981
00:52:16,199 --> 00:52:23,199
Speaker 6: So yeah, we also have the last double feature February

982
00:52:23,239 --> 00:52:27,800
twenty eighth and March first, Domiano's Deep Throat and Hot

983
00:52:27,880 --> 00:52:29,199
Summer in the City.

984
00:52:29,440 --> 00:52:32,639
Speaker 2: What is going on with this double feature? I don't know.

985
00:52:32,800 --> 00:52:36,079
Speaker 4: I think it's because Deep Throat is the most famous

986
00:52:36,199 --> 00:52:39,360
adult movie and haw Summer in City is Tarantino's quote

987
00:52:39,400 --> 00:52:43,519
unquote favorite adult film. But what does he know? You know,

988
00:52:43,800 --> 00:52:49,719
that's like Anderson saying, no, I don't know who cares. No,

989
00:52:50,719 --> 00:52:53,079
he's in it. No he's in Israel. I don't Yeah

990
00:52:53,400 --> 00:52:55,559
he is, Yeah, No, he can go, he can go

991
00:52:55,639 --> 00:52:59,519
choking Israel. This is also a die. I mentioned this

992
00:52:59,599 --> 00:53:01,320
to Diana Gino message me and he's like, what do

993
00:53:01,360 --> 00:53:03,239
you think about this? You know how many messages from

994
00:53:03,280 --> 00:53:06,079
people that I got asking me for my thoughts on this,

995
00:53:06,239 --> 00:53:07,079
on this thing.

996
00:53:07,159 --> 00:53:09,760
Speaker 2: And you said, hold on, we're gonna Actually we didn't

997
00:53:09,760 --> 00:53:14,840
actually we didn't actually plan this. We just I I yeah,

998
00:53:14,920 --> 00:53:15,440
I just I.

999
00:53:15,960 --> 00:53:18,800
Speaker 4: My friend Dan posted and tagged me, and because I

1000
00:53:18,840 --> 00:53:21,639
love Dan uh and he lives in La that I

1001
00:53:21,760 --> 00:53:23,719
was just like, Okay, I'm gonna lay this out and

1002
00:53:23,719 --> 00:53:25,480
then I'm gonna take a screenshot. I'm gonna post it

1003
00:53:25,519 --> 00:53:28,440
to Instagram and then people can just yea smart do

1004
00:53:28,519 --> 00:53:29,280
with it what they will.

1005
00:53:31,719 --> 00:53:32,360
Speaker 2: I don't know.

1006
00:53:32,440 --> 00:53:34,599
Speaker 4: I don't mind it, you know, I love a chance

1007
00:53:34,639 --> 00:53:38,440
to tell people what I think. But I described this

1008
00:53:38,480 --> 00:53:43,280
double feature as both diabolical and clueless.

1009
00:53:43,679 --> 00:53:44,559
Speaker 2: Somehow, it's both.

1010
00:53:45,320 --> 00:53:50,440
Speaker 4: Somehow, it's both diabolical to have a sucks comedy like

1011
00:53:50,480 --> 00:53:52,920
Deep Throat, which actually Deep Throat it gets a bad rap.

1012
00:53:53,000 --> 00:53:55,119
I enjoy Deep Throat. I would go see it in

1013
00:53:55,159 --> 00:53:57,440
a theater, and then pair with Hot Summer in the City,

1014
00:53:57,440 --> 00:54:01,000
which is this brutal like black sploitation rape revenge movie.

1015
00:54:01,559 --> 00:54:02,280
Speaker 2: Yeah.

1016
00:54:02,400 --> 00:54:05,679
Speaker 4: I think it's a terrible double feature. I think it's illogical.

1017
00:54:05,719 --> 00:54:07,199
I think if they were gonna do the double feature

1018
00:54:07,199 --> 00:54:08,639
and close out the month, that should have been Deep

1019
00:54:08,639 --> 00:54:13,159
Throat and Devil Miss Jones, because at least it's Domiano

1020
00:54:13,239 --> 00:54:15,440
and those are the two most important point of k

1021
00:54:15,519 --> 00:54:17,960
movies from that period, and there are so many prints

1022
00:54:17,960 --> 00:54:20,559
of double in Miss Jones. So I think Hot some

1023
00:54:20,719 --> 00:54:24,039
of the City's probably bending the knee to Tarantino.

1024
00:54:24,320 --> 00:54:24,840
Speaker 2: Probably.

1025
00:54:25,440 --> 00:54:28,280
Speaker 4: Yeah, I would still go. I would still go.

1026
00:54:29,000 --> 00:54:32,400
Speaker 2: But you could have paired it with some you know,

1027
00:54:32,719 --> 00:54:35,719
like Deep High Rise, a Deep Throat, or a Deep

1028
00:54:35,719 --> 00:54:38,519
Throat adjacent movie, you know, like high Rise.

1029
00:54:38,719 --> 00:54:40,480
Speaker 4: High Rise was a follow up to Deep Throat, and

1030
00:54:40,480 --> 00:54:42,519
it's actually better than Deep Throat. And we showed it

1031
00:54:42,519 --> 00:54:45,519
at my series and the audience loved it so that.

1032
00:54:45,840 --> 00:54:48,280
But they don't the people whoever did this doesn't know

1033
00:54:48,360 --> 00:54:51,480
high Rise. They don't know these They don't know what

1034
00:54:51,679 --> 00:54:55,039
sex comedies would work from this era. To pair these two,

1035
00:54:55,320 --> 00:54:57,840
Chuck Vincent Print like, misbehaving is around.

1036
00:54:59,480 --> 00:55:02,280
Speaker 2: Yeah, it's just what it is. You know what they

1037
00:55:02,280 --> 00:55:05,079
should have done. They should have done Sarno's Deep Throat

1038
00:55:05,119 --> 00:55:05,599
part two.

1039
00:55:07,360 --> 00:55:09,960
Speaker 4: He likes that softcore that would have worked. But no,

1040
00:55:10,039 --> 00:55:10,639
it's terrible.

1041
00:55:10,719 --> 00:55:15,239
Speaker 2: It's so bad. Hey, don't tell. Don't tell Bowen that.

1042
00:55:15,840 --> 00:55:19,159
Speaker 4: Bowen knows what I think about it. We've had that

1043
00:55:19,199 --> 00:55:22,639
conversation in person. He knows exactly what I think about it.

1044
00:55:22,719 --> 00:55:25,320
I'm like, he's like, I'm like, I'll let you have

1045
00:55:25,400 --> 00:55:28,360
your favorite. We all have our favorites that nobody else likes.

1046
00:55:29,599 --> 00:55:33,280
I can't name any of mine right now, but nobody likes.

1047
00:55:33,559 --> 00:55:37,199
Speaker 2: We kind of, uh, we kind of laughed at John Hayes,

1048
00:55:37,280 --> 00:55:41,320
director in Comedy Mode, is not our favorite. Joe Sarno

1049
00:55:41,440 --> 00:55:44,760
in Comedy Mode is also not our favorite.

1050
00:55:45,079 --> 00:55:49,000
Speaker 4: No, the only one that actually is is legitimately amusing

1051
00:55:49,159 --> 00:55:50,159
is Touch of Genie.

1052
00:55:50,440 --> 00:55:52,719
Speaker 2: Yes, yes, I do like that one quite a bit.

1053
00:55:53,079 --> 00:55:53,239
Speaker 1: Yea.

1054
00:55:53,519 --> 00:55:57,760
Speaker 2: Everything else is not good. It's very borsch felt his

1055
00:55:57,760 --> 00:56:00,000
his comedy sensibility.

1056
00:55:59,480 --> 00:56:03,119
Speaker 4: Yeah right, which is wild because he's Italian. He's not

1057
00:56:03,159 --> 00:56:05,880
He's not right, He's like borse Belt. It's typically like

1058
00:56:05,920 --> 00:56:09,039
you know, like a certain form of Jewish comedy, like

1059
00:56:09,039 --> 00:56:10,199
baggy pants comedians.

1060
00:56:10,360 --> 00:56:12,639
Speaker 2: I think he's I guess like that. I think he

1061
00:56:12,760 --> 00:56:15,679
hung around with those people. And we'll have to ask

1062
00:56:15,800 --> 00:56:18,280
well again, we'll have to ask Bowing about that, because

1063
00:56:18,840 --> 00:56:21,679
it is very It's a very clear through line in

1064
00:56:21,719 --> 00:56:24,840
his comedy. Yeah. So, yeah, it's a bummer.

1065
00:56:25,159 --> 00:56:27,800
Speaker 4: I wish that was he Well, then you have things that,

1066
00:56:28,159 --> 00:56:30,320
but then you have actual funny moments and like young

1067
00:56:30,360 --> 00:56:33,159
American housewife like Chris Jordan who can't stop eating, like

1068
00:56:33,239 --> 00:56:35,360
her thing with food. I'm like, see, this is something

1069
00:56:35,480 --> 00:56:38,679
nice and subtle and character based, which I still find

1070
00:56:38,719 --> 00:56:41,519
really amusing. And I think it's probably why Touch Genie

1071
00:56:41,519 --> 00:56:43,440
works is because Chris Jordan's really good and that Tina

1072
00:56:43,480 --> 00:56:46,840
Russo is really good in that Doug wets his face,

1073
00:56:46,880 --> 00:56:49,800
who fakesbook keeps suggesting to me as a friend the

1074
00:56:49,920 --> 00:56:52,599
male leite of it. It's not Doug Stone, is it.

1075
00:56:52,840 --> 00:56:54,639
I forget what his real name is, but yeah, he

1076
00:56:54,719 --> 00:56:56,400
keeps they keeps suggesting him to me, And I'm like,

1077
00:56:56,679 --> 00:56:58,239
I don't need to be friends with him. I only

1078
00:56:58,320 --> 00:56:59,159
liked him and touch.

1079
00:57:00,320 --> 00:57:00,760
Speaker 2: Yeah, I don't.

1080
00:57:00,800 --> 00:57:02,039
Speaker 4: I don't have anything to talk to him about.

1081
00:57:02,039 --> 00:57:05,119
Speaker 2: I don't think you've seen Sarno's Doctor Jeco movie. Have

1082
00:57:05,199 --> 00:57:06,960
you the Switch or How to Alter your Ego?

1083
00:57:07,639 --> 00:57:07,960
Speaker 4: No?

1084
00:57:08,280 --> 00:57:11,719
Speaker 2: I have not. The comedy that one's pretty good, Yeah,

1085
00:57:11,840 --> 00:57:14,840
is it okay? Jordan? Jordan's really funny in that one.

1086
00:57:15,039 --> 00:57:17,840
Speaker 4: Anything anything Chris Jordan, I mean, she never she never

1087
00:57:17,880 --> 00:57:19,960
did anything. The only bad movie she made was Massage

1088
00:57:19,960 --> 00:57:23,360
Parlor Murders, Yeah, which she doesn't seem to be having

1089
00:57:23,400 --> 00:57:25,000
much fun in. Everything else is great.

1090
00:57:25,639 --> 00:57:29,800
Speaker 2: Well, that was our impromptu rundown of the New Beverly

1091
00:57:29,880 --> 00:57:32,480
Cinema line. No, we did twenty six.

1092
00:57:33,079 --> 00:57:35,519
Speaker 4: No, I'll tell you New Beverly. I admire what you do.

1093
00:57:35,639 --> 00:57:37,440
I'm glad that you I'm glad you're taking a chance

1094
00:57:37,480 --> 00:57:40,480
with this. I just wish that there was a little

1095
00:57:40,519 --> 00:57:42,960
more care with the programming.

1096
00:57:43,400 --> 00:57:46,039
Speaker 2: I'll just put it that way. I'll get props where

1097
00:57:46,039 --> 00:57:46,599
they're due.

1098
00:57:46,679 --> 00:57:49,000
Speaker 4: I just think there could have been some improvements there,

1099
00:57:49,199 --> 00:57:50,199
but that's just you know.

1100
00:57:50,679 --> 00:57:54,480
Speaker 2: But still, yeah, whatever, it's you know, they're I'm just

1101
00:57:54,519 --> 00:57:57,159
happy some of this stuff is getting screened and hopefully

1102
00:57:57,239 --> 00:58:01,400
people are receptive to it and they actually, you know,

1103
00:58:02,079 --> 00:58:06,599
who knows, open up some open up some eyes and minds. Maybe.

1104
00:58:06,840 --> 00:58:09,079
Speaker 4: Well, well, kind of what we did for our series

1105
00:58:09,119 --> 00:58:11,119
when we programmed it, so it was I worked with

1106
00:58:11,239 --> 00:58:14,599
Joe and Steven to pick the right movies for that series.

1107
00:58:14,639 --> 00:58:17,360
So what we did was we started by listing what

1108
00:58:17,400 --> 00:58:21,000
we wanted to show and then went to print availability,

1109
00:58:21,119 --> 00:58:23,400
so we had an idea of what we wanted first.

1110
00:58:23,679 --> 00:58:27,480
We didn't base it around what was available. So I

1111
00:58:27,480 --> 00:58:30,199
think whoever programmed this, if they had a general idea

1112
00:58:30,519 --> 00:58:32,880
of what they wanted to do for the entire month,

1113
00:58:33,400 --> 00:58:35,639
rather than just relying on whatever princes they had available,

1114
00:58:35,960 --> 00:58:39,039
that it would have been more consistent across the board.

1115
00:58:39,719 --> 00:58:42,079
I'm just saying, if you're a programmer, start with that.

1116
00:58:42,599 --> 00:58:45,039
Don't go by with what's available. If you have to

1117
00:58:45,079 --> 00:58:48,119
make some concessions or replacements, that's fine, but start with

1118
00:58:48,159 --> 00:58:50,760
an idea of what you want to do. And it

1119
00:58:50,800 --> 00:58:52,599
doesn't seem like they had any idea what they wanted

1120
00:58:52,599 --> 00:58:55,400
to do, except well, we're gonna do like a sex month,

1121
00:58:55,480 --> 00:58:58,559
so whatever sexy stuff we have in the Prince, then

1122
00:58:58,639 --> 00:58:59,880
let's just program this shit.

1123
00:59:00,440 --> 00:59:04,320
Speaker 2: Yeah, last couple of things here you wanted to.

1124
00:59:04,280 --> 00:59:10,039
Speaker 4: Tease, Yes, we Well what I'm trying to think of

1125
00:59:10,280 --> 00:59:12,559
how to properly tease this so we can We mentioned

1126
00:59:12,639 --> 00:59:13,119
the company.

1127
00:59:13,519 --> 00:59:16,440
Speaker 2: So Casey did a solo commentary the other day, and

1128
00:59:16,480 --> 00:59:19,440
he I did, and he couldn't stop thinking about how

1129
00:59:19,519 --> 00:59:22,079
much he missed me, so he wanted to tease our

1130
00:59:22,960 --> 00:59:25,000
upcoming joint commentaries.

1131
00:59:25,199 --> 00:59:28,280
Speaker 4: It was very strange. I've never done a solo commentary ever,

1132
00:59:28,360 --> 00:59:30,719
because usually my stuff is just like even before I

1133
00:59:30,760 --> 00:59:32,960
started doing it with you, it's interviews and commentaries and

1134
00:59:33,000 --> 00:59:36,920
doing with filmmakers. So trying to develop like a script

1135
00:59:37,039 --> 00:59:40,760
or an outline to do by myself was wild. So

1136
00:59:41,159 --> 00:59:43,360
I have to do it again today. I'm more confident

1137
00:59:43,400 --> 00:59:46,519
than that. But yeah, I did. It's a commentary for

1138
00:59:46,599 --> 00:59:49,079
release coming out from Film Movement. I'll put it that way.

1139
00:59:49,880 --> 00:59:51,159
I won't tell you the title, but.

1140
00:59:51,159 --> 00:59:53,800
Speaker 2: I classy, very classy Casey.

1141
00:59:54,000 --> 00:59:57,400
Speaker 4: Yes, it's a it's a little a little transition away

1142
00:59:57,679 --> 01:00:00,880
from the bottom dwellers. We haven't well, I don't know.

1143
01:00:00,880 --> 01:00:01,840
Speaker 2: We've also had.

1144
01:00:01,840 --> 01:00:06,480
Speaker 4: Keno is classy too, Yeah, but yeah, like, and then

1145
01:00:06,599 --> 01:00:09,960
we're also doing I'm doing my my solo commentary I'm

1146
01:00:10,000 --> 01:00:12,960
doing today is for another AGFA, and then you are

1147
01:00:13,000 --> 01:00:15,639
doing something else for that release as well, in written form,

1148
01:00:15,679 --> 01:00:17,760
and I might be doing a written form thing too,

1149
01:00:17,960 --> 01:00:19,880
depending on if I can convince someone to talk.

1150
01:00:20,239 --> 01:00:20,639
Speaker 2: Yeah.

1151
01:00:20,519 --> 01:00:24,239
Speaker 4: Okay, very last minute, but we wanted to make it work.

1152
01:00:24,599 --> 01:00:27,800
Speaker 2: So yeah, so that I think you still haven't really

1153
01:00:27,840 --> 01:00:32,880
teased what you wanted to tease though, which one oh.

1154
01:00:32,559 --> 01:00:36,280
Speaker 4: Oh oh, Well, we are doing two more commentaries for Keno.

1155
01:00:36,519 --> 01:00:41,119
But I'm very excited because we also got another friend

1156
01:00:41,119 --> 01:00:44,519
of ours involved with the release. We're spreading the love

1157
01:00:44,639 --> 01:00:46,800
because we want to, you know, that's the thing. I'm

1158
01:00:46,880 --> 01:00:49,519
kind of I do that anyway if I know that

1159
01:00:49,719 --> 01:00:51,360
somebody's right for the gig and I want to.

1160
01:00:51,559 --> 01:00:52,239
Speaker 2: Get them in there.

1161
01:00:52,320 --> 01:00:54,480
Speaker 4: And that was actually your idea, because I know that

1162
01:00:54,559 --> 01:00:56,639
I tried to get him involved with another release and

1163
01:00:56,679 --> 01:00:59,480
it didn't happen. And I'm glad that you thought of this,

1164
01:00:59,599 --> 01:01:01,800
because I I was too busy trying to think of

1165
01:01:01,800 --> 01:01:05,639
how I could prepare for my for what I could contribute, Yeah, think.

1166
01:01:05,719 --> 01:01:09,239
Speaker 2: Yeah, I can say is like it is. It's involving

1167
01:01:09,360 --> 01:01:12,599
cameras and this person knows a lot about cameras, so

1168
01:01:12,760 --> 01:01:16,239
absolutely it's a perfect fit and sex.

1169
01:01:17,000 --> 01:01:20,440
Speaker 4: Yeah, it's like a proper combo cameras and sex. So yeah,

1170
01:01:20,480 --> 01:01:22,679
I'm really excited. I know I'm going to actually learn

1171
01:01:22,760 --> 01:01:25,559
something from this, which is why. Yeah, if I'm going

1172
01:01:25,599 --> 01:01:28,000
to suggest someone for something, I wanted to be someone

1173
01:01:28,039 --> 01:01:31,480
who I can learn from their contributions to that release.

1174
01:01:31,559 --> 01:01:33,760
That's always the most important people to get involved.

1175
01:01:34,000 --> 01:01:34,800
Speaker 2: So exactly.

1176
01:01:34,880 --> 01:01:37,960
Speaker 4: Yeah, I'm really excited. And he's been keeping us updated

1177
01:01:37,960 --> 01:01:39,679
with with his thoughts and things. I'm like, oh, this

1178
01:01:39,760 --> 01:01:41,920
is going to be so good, like rubbing, rubbing my

1179
01:01:41,960 --> 01:01:43,760
filthy pause. I'm like, oh, I can't wait to I

1180
01:01:43,840 --> 01:01:47,960
can't wait to see this. Okay, great, Yeah, don't let

1181
01:01:48,039 --> 01:01:51,079
us down, all right, No, I know he won't.

1182
01:01:52,519 --> 01:01:55,599
Speaker 2: Last thing. I actually just got a message right before

1183
01:01:55,599 --> 01:02:01,719
recording this from a listener follower. He sent me this

1184
01:02:01,840 --> 01:02:04,880
great list that he's been compiling on letterbox. It is

1185
01:02:04,960 --> 01:02:08,760
all of Frank ken Ladder's sexy shockers and hardcore horrors.

1186
01:02:09,599 --> 01:02:13,400
So he's adding them all to letterboxed in a nice list,

1187
01:02:13,880 --> 01:02:19,360
and he's also uploading the original artwork when it's not available.

1188
01:02:19,599 --> 01:02:24,480
So if you sort, like if you use letterboxed and

1189
01:02:24,559 --> 01:02:29,079
you go to someone's list, it works differently if you're

1190
01:02:29,119 --> 01:02:31,760
like a patron of letterbox or if you're like a

1191
01:02:31,800 --> 01:02:33,559
free user or whatever. But if you go to like

1192
01:02:33,599 --> 01:02:37,400
the little eyeball, I think if you select like custom posters,

1193
01:02:38,360 --> 01:02:42,119
select theirs, and then on this list that will link

1194
01:02:42,119 --> 01:02:44,119
to in the show notes, then you can see all

1195
01:02:44,199 --> 01:02:50,159
the posters he's selected. Does that make sense, Casey, it does? Okay, Yeah,

1196
01:02:50,840 --> 01:02:54,239
so yes, that's good.

1197
01:02:54,360 --> 01:02:58,719
Speaker 4: I'm excited. That's that's a lot of good artwork too.

1198
01:02:59,440 --> 01:03:02,280
Speaker 2: It's nice to see all the artwork next to each

1199
01:03:02,320 --> 01:03:06,159
other and see what variety. You know, how much variety

1200
01:03:06,199 --> 01:03:09,559
there really was? These and lotters sexy shocking.

1201
01:03:09,639 --> 01:03:14,039
Speaker 4: Now, what I would suggest to him is to put

1202
01:03:14,039 --> 01:03:18,239
them in order of they were numbered. The sexy chokers

1203
01:03:18,280 --> 01:03:22,639
were numbered, so like, there's sexually choker number one, sixteen, whatever.

1204
01:03:23,559 --> 01:03:25,800
I would love that list to be put in that

1205
01:03:25,960 --> 01:03:27,000
order if possible.

1206
01:03:27,400 --> 01:03:30,519
Speaker 2: Yeah, I will tell him that that's not that now.

1207
01:03:30,760 --> 01:03:32,000
Speaker 4: It's not that hard to do when I have my

1208
01:03:32,039 --> 01:03:34,800
something weird catalog database, which I think I have them

1209
01:03:34,840 --> 01:03:36,360
all listed, if he needs help with that.

1210
01:03:36,480 --> 01:03:39,519
Speaker 2: But yeah, I'm looking at it based on list order.

1211
01:03:39,960 --> 01:03:42,599
Did you look at it is? I don't know the ordering,

1212
01:03:42,719 --> 01:03:43,719
so could you.

1213
01:03:43,840 --> 01:03:45,559
Speaker 4: Well, it would have to be something, No, it would

1214
01:03:45,599 --> 01:03:48,079
be have to be yeah, it's it's in alphabetical right now.

1215
01:03:48,320 --> 01:03:51,920
Oh okay, yeah, because Alpha Doctor Orloff ironically was also

1216
01:03:52,039 --> 01:03:54,840
number one, but Visa Killed Women was not number two,

1217
01:03:55,159 --> 01:03:57,480
so right now it is, yeah, right now, it's in

1218
01:03:57,519 --> 01:04:00,079
alphabetical order. So this would be something that he you

1219
01:04:00,119 --> 01:04:03,440
would have to, yeah, just make in order. You'd have

1220
01:04:03,480 --> 01:04:06,199
to manually do it. Yeah, which I but I that's

1221
01:04:06,199 --> 01:04:09,920
something that I think would be super helpful. Yeah, yeah,

1222
01:04:10,000 --> 01:04:11,880
I think that would be. Yeah, that would be that

1223
01:04:11,920 --> 01:04:13,559
would be gorgeous. I would love him to do that.

1224
01:04:14,039 --> 01:04:16,280
Speaker 2: But the nice thing about these lists, I mean, as

1225
01:04:16,280 --> 01:04:19,239
far as this is, you know how I use sometimes

1226
01:04:19,320 --> 01:04:23,719
letterbox as a reference tool. Is if you like the

1227
01:04:23,840 --> 01:04:27,079
list and then you're looking at like, Okay, I'm gonna

1228
01:04:27,079 --> 01:04:30,440
click here, I click on Deadly organ If I'm looking

1229
01:04:30,480 --> 01:04:33,239
at the page on Letterbox for Deadly organ I scroll

1230
01:04:33,320 --> 01:04:36,639
to the very bottom. I can see like the lists

1231
01:04:36,719 --> 01:04:40,440
I've liked, and it shows letter sexy shockers. So that way,

1232
01:04:40,480 --> 01:04:42,039
if I'm looking at a film and I'm like, oh,

1233
01:04:42,159 --> 01:04:44,679
is this a sexy shocker, I can just scroll to

1234
01:04:44,760 --> 01:04:47,840
the very bottom of letterbox and if my if that

1235
01:04:47,920 --> 01:04:51,239
list is there, then yep, it's on the list. Great. Yeah,

1236
01:04:51,880 --> 01:04:54,079
I like that. But I know you're you probably have

1237
01:04:54,119 --> 01:04:56,000
a Google doc of all of them, so you can

1238
01:04:56,039 --> 01:04:58,159
always just I do that. I do.

1239
01:04:58,360 --> 01:05:01,719
Speaker 4: I do well because I have almost all the catalog supplements,

1240
01:05:01,719 --> 01:05:05,000
so I have everything listed in order of catalog supplements.

1241
01:05:05,039 --> 01:05:08,519
I basically did catalog one and then listed everything in

1242
01:05:08,719 --> 01:05:11,119
order of catalog and then the supplements and stuff. So

1243
01:05:11,719 --> 01:05:15,000
that way I know exactly when it came out hypothetically

1244
01:05:15,199 --> 01:05:16,199
and what order.

1245
01:05:16,119 --> 01:05:18,000
Speaker 2: Stuff came out, things like. But this way, yeah, it's

1246
01:05:18,039 --> 01:05:20,320
just like if you're on Letterbox, then you're looking at

1247
01:05:20,320 --> 01:05:21,840
a movie and you're like, oh, I can't remember if

1248
01:05:21,840 --> 01:05:24,079
that was on if that was a Hendon letter Just

1249
01:05:24,119 --> 01:05:26,280
scroll to the bottom. Oh yep, I writ that list

1250
01:05:26,280 --> 01:05:26,599
there it is.

1251
01:05:27,400 --> 01:05:30,119
Speaker 4: Yeah, I have a list like that, but it's private

1252
01:05:30,199 --> 01:05:32,599
because I'm trying to rank them before I make it public.

1253
01:05:33,079 --> 01:05:37,480
But I'm not making any progress there. Yeah, someone just

1254
01:05:37,519 --> 01:05:40,840
asked me there was a list of the third Sex

1255
01:05:40,880 --> 01:05:44,159
Cinema titles everything they released, and I had that private

1256
01:05:44,199 --> 01:05:46,199
too because I wanted to rank that before I made

1257
01:05:46,199 --> 01:05:48,000
it public. I was like, I'll just make a public

1258
01:05:48,480 --> 01:05:50,639
and I'll edit it so people don't think this is

1259
01:05:50,760 --> 01:05:51,280
ranked yet.

1260
01:05:52,400 --> 01:05:55,679
Speaker 2: Oh last thing, I told Jacob that I would put

1261
01:05:55,760 --> 01:05:59,679
on a call. So if you have artwork for some

1262
01:05:59,719 --> 01:06:03,639
of the you know, the original Sexy Shocker like VHS artwork,

1263
01:06:04,639 --> 01:06:08,239
you know, if you have it digitized, please upload it

1264
01:06:08,320 --> 01:06:13,639
to TMDb so that also we can add it to letterboxed. Yes,

1265
01:06:13,960 --> 01:06:16,239
you know he's been doing that for you know, he's

1266
01:06:16,239 --> 01:06:18,480
got quite a few of them here that have the

1267
01:06:18,519 --> 01:06:21,360
original Sexy Shocker artwork, but there are still quite a

1268
01:06:21,360 --> 01:06:24,800
few that need updating. So yep, those of you.

1269
01:06:25,039 --> 01:06:26,920
Speaker 4: But it's interesting to look at this though, because you

1270
01:06:26,920 --> 01:06:29,599
can see the way that the designs changed over, like

1271
01:06:29,639 --> 01:06:32,239
the first group with the woman with the with the

1272
01:06:32,280 --> 01:06:36,119
skirt up showing the leg, and then that changes for

1273
01:06:36,280 --> 01:06:38,760
visicall women where it's a little lighter, and then eventually

1274
01:06:38,800 --> 01:06:40,800
the woman goes away and then it becomes like there's

1275
01:06:40,840 --> 01:06:43,880
a blue version of the Sexy Shockers and that was

1276
01:06:43,960 --> 01:06:48,760
I believe again all Lisa because she was the design queen,

1277
01:06:49,400 --> 01:06:52,679
so it really, I mean, that was something that it

1278
01:06:52,760 --> 01:06:54,719
was always nice if I had the sexy shockers and

1279
01:06:54,760 --> 01:06:57,679
you have them on a on a shelf in the VHS,

1280
01:06:57,719 --> 01:07:01,079
they looked so nice and uniform when you had them.

1281
01:07:01,119 --> 01:07:02,920
I mean, something weird was always like that, though they

1282
01:07:02,960 --> 01:07:05,239
always had really good uniform looks.

1283
01:07:05,639 --> 01:07:08,360
Speaker 2: Yeah, it is also a good reason for him to

1284
01:07:08,480 --> 01:07:12,039
reorganize these by number because then, yeah, you can see

1285
01:07:12,079 --> 01:07:12,800
the artwork change.

1286
01:07:12,960 --> 01:07:19,079
Speaker 4: You definitely notice. Yep. Yeah, I do have one more thing.

1287
01:07:19,639 --> 01:07:19,880
Speaker 1: Yep.

1288
01:07:21,360 --> 01:07:26,159
Speaker 4: My Alice in Wonderland screening is sold out, so I'm

1289
01:07:26,199 --> 01:07:29,239
so excited about So yeah, hopefully if you're in New

1290
01:07:29,320 --> 01:07:33,280
York you got your ticket. I have mine, but actually,

1291
01:07:33,280 --> 01:07:35,840
you know what's funny, I have mine. But I think

1292
01:07:35,880 --> 01:07:39,119
I told you, and I told the Deuce guys as

1293
01:07:39,119 --> 01:07:41,480
well the Night Hot guys, that I don't sit down

1294
01:07:41,559 --> 01:07:43,960
at screenings that I host. I stand in the back

1295
01:07:44,000 --> 01:07:46,840
because I want to see the audience reactions. So I'm

1296
01:07:46,840 --> 01:07:48,840
probably going to be doing that. So it's possible that

1297
01:07:48,840 --> 01:07:51,840
there's going to be another seat that I won't be occupying.

1298
01:07:52,000 --> 01:07:55,440
Speaker 2: A seat you can sell for hundreds of hundreds of dollars.

1299
01:07:56,599 --> 01:07:59,280
Speaker 4: I would just give it to somebody I know, but

1300
01:07:59,320 --> 01:08:01,679
I think everyone I know who's gonna go it's already

1301
01:08:01,679 --> 01:08:04,039
got their ticket. They already got, they already ordered when

1302
01:08:04,039 --> 01:08:04,800
it popped up.

1303
01:08:05,000 --> 01:08:06,760
Speaker 2: As well, you can do is you can be the

1304
01:08:07,000 --> 01:08:08,719
you can be the nice guy and like wait at

1305
01:08:08,719 --> 01:08:11,039
the ticket booth and you know when someone comes up like,

1306
01:08:11,079 --> 01:08:13,599
oh I want to see this movie and they're like, oh, sorry,

1307
01:08:13,599 --> 01:08:15,800
it's sold out, you can be like, you can have

1308
01:08:15,880 --> 01:08:16,319
my seat.

1309
01:08:17,960 --> 01:08:20,000
Speaker 4: I need to know that they're I didn't even know

1310
01:08:20,039 --> 01:08:23,319
they're good though, because some people what if I give

1311
01:08:23,359 --> 01:08:24,800
them the What if they give them that and they're

1312
01:08:24,840 --> 01:08:26,640
on their phone during the movie, I'll be like ugh.

1313
01:08:27,119 --> 01:08:29,039
Speaker 2: But yeah, so you could say, oh, you can have

1314
01:08:29,079 --> 01:08:29,439
my seat.

1315
01:08:29,479 --> 01:08:33,079
Speaker 4: But here's the rules, yes, right exactly. These are like

1316
01:08:33,119 --> 01:08:35,920
almal nine hun rules are like Alamo drafts rules. Put

1317
01:08:35,960 --> 01:08:38,399
your phone away, well old Alamo before they change the

1318
01:08:38,399 --> 01:08:40,000
fucking rules and now you have to use your phone

1319
01:08:40,000 --> 01:08:41,960
to order shit, which is crazy.

1320
01:08:42,479 --> 01:08:45,760
Speaker 2: Well, that turned into them maybe the longest short ends

1321
01:08:45,800 --> 01:08:47,920
will probably ever record, but.

1322
01:08:48,119 --> 01:08:51,039
Speaker 4: It was probably it was an amount of short ends

1323
01:08:51,039 --> 01:08:54,840
that to make like a sixteen millimeter storefront theater movie.

1324
01:08:54,880 --> 01:08:55,720
Speaker 2: So it's like an hour.

1325
01:09:19,520 --> 01:09:23,279
Speaker 3: All those loving people upstairs. You're not here, not really,

1326
01:09:24,920 --> 01:09:29,560
They're in another universe. When we'll have we don't exist.

1327
01:09:31,039 --> 01:09:36,239
It's just them tonight in the rain, and the rain helps.

1328
01:09:36,880 --> 01:09:41,239
Speaker 1: You'll read row John for the whole World in books.

1329
01:09:42,199 --> 01:09:43,159
That's an escape.

1330
01:09:43,960 --> 01:09:47,119
Speaker 3: The world's outside on the streets and upstairs between some

1331
01:09:47,279 --> 01:09:51,640
chick's legs.

1332
01:09:53,640 --> 01:10:12,159
Speaker 5: M Thank you for listening to hear more shows from

1333
01:10:12,159 --> 01:10:16,000
the Someone's Favorite Productions podcast network. Please select the link

1334
01:10:16,039 --> 01:10:16,680
in the description.

1335
01:10:23,079 --> 01:10:25,239
Speaker 7: Are you a film fan who loves the ultimate home

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01:10:25,359 --> 01:10:30,319
video experience, look no further than The disc Connected. Your host,

1337
01:10:30,560 --> 01:10:33,319
Ryan Verel, is your go to source for the latest

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01:10:33,359 --> 01:10:37,520
and most accurate information on home video releases, exclusive interviews

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01:10:37,560 --> 01:10:41,279
with industry insiders and filmmakers, and has established a thriving

1340
01:10:41,279 --> 01:10:45,239
community where every film and physical media enthusiast feels welcome.

1341
01:10:46,000 --> 01:10:50,159
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01:10:50,159 --> 01:10:53,119
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01:10:53,159 --> 01:10:56,560
love of cinema. Watch every Thursday night at nine thirty

1344
01:10:56,600 --> 01:10:59,800
Eastern six thirty Pacific for the live announcements show, and

1345
01:11:00,119 --> 01:11:02,640
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1346
01:11:02,720 --> 01:11:04,960
Speaker 4: To stay updated, subscribe to

1347
01:11:05,000 --> 01:11:08,279
Speaker 7: The Disconnected on YouTube or on the podcast provider of

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01:11:08,319 --> 01:11:11,560
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1349
01:11:11,680 --> 01:11:12,800
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