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<v Speaker 1>This is Gary and Shannon and you're listening to KFI

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<v Speaker 1>AM six forty, the Gary and Shannon Show on demand

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<v Speaker 1>on the iHeartRadio app.

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<v Speaker 2>Well, we were.

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<v Speaker 1>Talking about that two hundred year old condom at the

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<v Speaker 1>Amsterdam Museum and the history there from nine eighteen thirty.

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<v Speaker 1>Los Angeles is not often in the same conversation of history.

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<v Speaker 1>We make distinctions between our city and going to just

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<v Speaker 1>the East Coast for a juxtaposition of buildings and appreciating

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<v Speaker 1>history and what still remains. Of course, going to Europe

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<v Speaker 1>and the like anywhere else on the globe is a

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<v Speaker 1>totally different ballgame. But there is quite a bit of

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<v Speaker 1>history in Los Angeles. Maybe it's not preserved as well

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<v Speaker 1>as it is in other places. But Nathan Marsak is

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<v Speaker 1>an author from Los Angeles and celebrates all of the

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<v Speaker 1>history of Los Angeles architecturally and the like.

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<v Speaker 2>That exists or that has tragically.

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<v Speaker 3>Been lost in some situations in a lot of cases,

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<v Speaker 3>and Nathan has helped expanded has helped expand a book

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<v Speaker 3>that was originally put out by photographer Arnold Hyland. Nathan

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<v Speaker 3>is joining us now to talk about this. First question, Nathan,

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<v Speaker 3>are you currently wearing a bow tie.

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<v Speaker 4>Thanks for having me on, And the answer is incredibly No,

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<v Speaker 4>I'm wearing a long, regular necktie, but it is from

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<v Speaker 4>the nineteen.

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<v Speaker 3>Thirty Are you wearing pants?

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<v Speaker 4>No, we live in a zoom era now, and so

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<v Speaker 4>I'm just in like my pajama shorts, but then a

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<v Speaker 4>full suit on top.

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<v Speaker 2>Yes, that's the way to do. I like the honesty.

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<v Speaker 3>Let's talk about Arnold Hyland originally who put out this

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<v Speaker 3>book Los Angeles before the freeways. How did you find

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<v Speaker 3>out about this guy? And how did you fall in

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<v Speaker 3>love with this book?

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<v Speaker 4>You know, I'll tell you I've always loved old buildings

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<v Speaker 4>and I've always loved Los Angeles. Those are my two

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<v Speaker 4>great passions in life. And so I was in a bar.

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<v Speaker 4>I moved to Los Angeles in the mid nineties. I'm

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<v Speaker 4>a Santa Barbara boy originally, and it was in a

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<v Speaker 4>bar and I'm near Central Library because I used to

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<v Speaker 4>go there to try and you know, pick up librarians.

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<v Speaker 4>And one of the old rummies he says to me,

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<v Speaker 4>you know, kid, you like old la out that window

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<v Speaker 4>right there that was all mansions and I'm like no,

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<v Speaker 4>it's like yeah, and all the buildings down here, you know,

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<v Speaker 4>they used to have finials and turrets and gargoyles on them.

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<v Speaker 4>I'm like, come on, and they're like And there was

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<v Speaker 4>a guy, it was Arnold Highland, and he took photos

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<v Speaker 4>in the fifties and he put out books about it.

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<v Speaker 4>And I said, well, I'll go to Barnes and Noble

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<v Speaker 4>and find these books. And they're like, yeah, you know,

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<v Speaker 4>good luck because the only printed a couple hundred copies

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<v Speaker 4>of each one. So I got obsessed and I kind

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<v Speaker 4>of made it my mission to find these book. One

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<v Speaker 4>was he had two books. One was called Bunker Hill,

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<v Speaker 4>a Los Angeles landmark, and one was called Los Angeles

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<v Speaker 4>Before the Freeways. It comes out in nineteen eighty one,

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<v Speaker 4>six hundred copies. I finally find the book, and I

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<v Speaker 4>would kind of drive around with it like a like

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<v Speaker 4>a weird Phantom Thomas guide, you know, like on my

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<v Speaker 4>lap graving around downtown. I'd be like, like, look at

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<v Speaker 4>that giant, crazy building, and then I would look at

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<v Speaker 4>and be like, oh, and it's a parking lot now.

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<v Speaker 4>And so I started to sort of develop this idea

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<v Speaker 4>about what's old like in the nineteen fifties, if you

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<v Speaker 4>were walking around downtown, was nothing but Victorian buildings. There

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<v Speaker 4>had been a giant building boom in the eighteen eighties

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<v Speaker 4>because of the new railroads, and Hyland knew that this

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<v Speaker 4>stuff was starting to disappear, so he got obsessive about

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<v Speaker 4>photographing it. I would have done the same thing if

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<v Speaker 4>i'd been around that time. And so I got this book,

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<v Speaker 4>and I eventually said, you know what, someday, I'm going

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<v Speaker 4>to reprint this.

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<v Speaker 1>You go to the south, you go to the East coast,

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<v Speaker 1>and there are mansions that exist the way they existed

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<v Speaker 1>in the eighteen hundreds or before then. We don't have

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<v Speaker 1>that in Los Angeles. And the way that you described

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<v Speaker 1>the Brunson Mansion, which was once on the corner of

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<v Speaker 1>Fourth and Grand, I find to be fascinating. And the

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<v Speaker 1>fact that we lost that is just heartbreaking. Could you

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<v Speaker 1>talk a little bit about the Brunson Mansion?

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<v Speaker 4>Oh, I certainly could. So. If you know downtown, if

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<v Speaker 4>you've been to Bunker Hill, those two big matching eighties Granite,

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<v Speaker 4>you know Reggian era muscular buildings, the Wells Fargo Center,

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<v Speaker 4>originally the Clark Center, that's what the Brunton Mansion was.

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<v Speaker 4>North and Grant, and there was a judge. His name

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<v Speaker 4>was Brunson. He was very rich, and he built a

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<v Speaker 4>like eighteen thousand square foot mansion, the kind of stuff

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<v Speaker 4>you think about knob Hill in San Francisco. This Bunker

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<v Speaker 4>Hill was like our knob Hill, and it had finials

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<v Speaker 4>and it had turrets and frescoes inside and stained glass

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<v Speaker 4>and freezes. And it only lasted till like nineteen seventeen

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<v Speaker 4>because somebody said, you know what we need here, We

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<v Speaker 4>need a parking lot and a garage. Because of Los

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<v Speaker 4>Angeles entered the age of the automobile, people were like,

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<v Speaker 4>all these funny old buildings, you know, they're they're falling down,

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<v Speaker 4>they're pointless. We don't like them, Like, get rid of it.

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<v Speaker 4>We need parking lots. And that's sort of what Los

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<v Speaker 4>Angeles is known for all over the world. You know.

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<v Speaker 4>I've been all over the world and people always say like, oh,

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<v Speaker 4>you're from La. What did they tear down you know, yesterday?

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<v Speaker 4>And I'm like, uh, you know, thanks a lot.

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<v Speaker 5>Yeah.

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<v Speaker 2>It's like I brought up Parker Center the other day.

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<v Speaker 1>I got some crap about it because it's a dated reference.

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<v Speaker 1>But Parker Center is another piece of history that even

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<v Speaker 1>cinematic history alone that we.

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<v Speaker 4>Lost well, I know, I kind of got into the

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<v Speaker 4>old LA thing and part and I know you were

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<v Speaker 4>mentioning Perry Mason. It's like super noir. Everyone loves old

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<v Speaker 4>Noir La. Everyone's seen you know, Black Dolly and stuff

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<v Speaker 4>like that. Parker Center, designed by Welton Beckett, opened in

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<v Speaker 4>nineteen fifty five, super important, super progressive for the way

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<v Speaker 4>in which it changed policing and the way we jailed people,

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<v Speaker 4>Like the cells had rubber matts and it had glass

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<v Speaker 4>walls instead of bars, and the city was so hot

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<v Speaker 4>to tear it down. And what's there now? Nothing still

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<v Speaker 4>a parking one. Yeah, not even a parking one. It's

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<v Speaker 4>like it's fenced off. So they destroyed it as some

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<v Speaker 4>sort of you know, performative justice for criminals, and it's

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<v Speaker 4>I was just rolling my eyes and you know what

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<v Speaker 4>they say, When it's gone, it's gone. And it breaks

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<v Speaker 4>my heart that we are still, especially now with you know,

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<v Speaker 4>the housing push all down around USC where there used

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<v Speaker 4>to be incredible craftsman homes, those are falling left and right.

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<v Speaker 4>We're really watching, especially in the last five years, we're

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<v Speaker 4>watching the city disappear before our eyes.

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<v Speaker 2>I love the spirit we don't learn.

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<v Speaker 4>We don't learn it.

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<v Speaker 2>No, we are big dumb animals.

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<v Speaker 3>I love the spirit with which you talk about the

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<v Speaker 3>older architecture and the passion were you. Did you use

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<v Speaker 3>that to talk to Arnold Hyland's family about reissuing the

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<v Speaker 3>book and expanding upon it.

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<v Speaker 4>Absolutely. They were very type fisted about his legacy and

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<v Speaker 4>about the negatives that existed, and I really had to

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<v Speaker 4>sort of prove myself. I started writing about bunker Hill,

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<v Speaker 4>especially around two thousand and five for a blog called

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<v Speaker 4>on bunker Hill, and that's when I reached out to them,

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<v Speaker 4>And it took about ten years before I convinced them

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<v Speaker 4>that I wasn't. You know, anyone who has an archive

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<v Speaker 4>always thinks, oh, you know, we're gonna a million dollars

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<v Speaker 4>at it. I hate to say it, folks, but no,

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<v Speaker 4>you put out a book like this, you do it

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<v Speaker 4>for the love. And once they realized that I was

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<v Speaker 4>completely obsessed, they said, okay, kid, you know, here's the negatives.

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<v Speaker 4>Go to town. And then I went to very important

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<v Speaker 4>Angel City Press, Dean and Titan of Great La Publishing.

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<v Speaker 4>They also put out my book on bunker Hill called

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<v Speaker 4>Bunker Hill Los Angeles and ACP was like, we love

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<v Speaker 4>this idea, let's reprint this book. And everyone wonders, like,

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<v Speaker 4>who wants to sit and look through you know, one

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<v Speaker 4>hundred and fifty photos of old building like eighteen eighties

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<v Speaker 4>buildings in the nineteen fifties downtown. And it has been

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<v Speaker 4>selling really well. People really eat it up, They love it.

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<v Speaker 4>They If I can make people as enthusiastic as I

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<v Speaker 4>am about it, then I've done my job.

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<v Speaker 1>We're talking to Nathan Marsak. Nathan, can you hold on

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<v Speaker 1>for another segment?

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<v Speaker 2>Absolutely awesome. I have some more questions.

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<v Speaker 1>I also want to find out if you ever picked

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<v Speaker 1>up that librarian or librarians.

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<v Speaker 2>I think everyone wants to know.

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<v Speaker 4>I'll tell you I was not terribly successful, but I

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<v Speaker 4>wasn't totally unsuccessful.

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<v Speaker 2>Oh go, that's excellent. T tell you the story. Gary

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<v Speaker 2>and Shannon will continue.

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<v Speaker 5>You're listening to Gary and Shannon on demand from KFI

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<v Speaker 5>AM six forty.

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<v Speaker 2>Live everywhere on the iHeart Radio app.

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<v Speaker 3>We're talking with Nathan Marsak, who has put out a

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<v Speaker 3>reissue of a book, Los Angeles Before the Freeways, Building

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<v Speaker 3>on what Arnold Hyland put together back in the eighties,

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<v Speaker 3>which was a collection of his photos of some of

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<v Speaker 3>the greatest architecture that La has ever seen. Granted it's not,

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<v Speaker 3>you know, six hundred years old, like the tavern in

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<v Speaker 3>Scotland or something like that, but it is important to

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<v Speaker 3>know kind of where.

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<v Speaker 2>We were one hundred and ten years ago, and it's

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<v Speaker 2>hard to imagine.

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<v Speaker 1>It wasn't until that Angelina Joe Lee movie Changeling I

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<v Speaker 1>think twenty years ago something now, fifteen twenty years ago

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<v Speaker 1>where it shows all the orchards out where several freeways lie,

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<v Speaker 1>that you think of Last Angels having a history before

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<v Speaker 1>the freeways, because so much of it has been lost

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<v Speaker 1>as well, we don't have those museums of mansions that

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<v Speaker 1>once were in downtown La anymore.

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<v Speaker 3>Nathan, you said the family gave you that Highland's family

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<v Speaker 3>gave you access to his negative so his entire collection

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<v Speaker 3>of photos. Was there anything surprising that you saw in

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<v Speaker 3>the negatives that you didn't see in the original book.

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<v Speaker 4>Oh very much so. I should mention that the original book,

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<v Speaker 4>as published in nineteen eighty one by Dawson's Books, has

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<v Speaker 4>one hundred and fifteen images in it, and this new version,

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<v Speaker 4>the expanded version with bigger, larger, lush pictures, one hundred

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<v Speaker 4>and forty three images. Wow, because he shot in like

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<v Speaker 4>the one twenty format. Each each strip of negatives was

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<v Speaker 4>three shots, So each shot from the book had two

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<v Speaker 4>other shots next to it, and usually those were like

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<v Speaker 4>it's a house, It's like, let's say it's the Brussau Mansion,

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<v Speaker 4>and it's like two other versions of that. But once

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<v Speaker 4>in a while he turn around and shoot something across

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<v Speaker 4>the street. And in a lot of cases, those are

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<v Speaker 4>the ones that just blew my mind. That was stuff

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<v Speaker 4>that no one had ever photographed before. So I was

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<v Speaker 4>just thrilled to be able to put about thirty forty

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<v Speaker 4>images like that in the book that no one's ever

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<v Speaker 4>seen before.

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<v Speaker 1>What do you think about Los Angeles's time with the

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<v Speaker 1>street cars? Do you see us ever returning to any

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<v Speaker 1>sort of.

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<v Speaker 4>That you know we are they're trying to re engineer

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<v Speaker 4>Los Angeles to be Manhattan. You know, you can build

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<v Speaker 4>as big as you want without zoning if you're near

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<v Speaker 4>a bus. And then they're building without parking. They're like,

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<v Speaker 4>everyone's just gonna ride, you know, public transit and have

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<v Speaker 4>bicycles from now on. We're Los Angeles, damn we always

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<v Speaker 4>I think dams aren't it. We were built around the automobile.

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<v Speaker 4>We're an oil town and God blessed the street cars.

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<v Speaker 4>But the narrative that there was a conspiracy by big

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<v Speaker 4>oil and big tire, big road to destroy the street

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<v Speaker 4>cars is false. That's actually it's actually not true. It's

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<v Speaker 4>great and Rodgers rabbit, But we like bringing back Broadway.

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<v Speaker 4>Huizar tried to put street cars back on Broadway. I

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<v Speaker 4>don't know if that's ever gonna happen. And don't get

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<v Speaker 4>me wrong, if I could go back in time and

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<v Speaker 4>ride the you know, the yellow car out to the

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<v Speaker 4>Orange Groves, you know, or or ride the red car downtown,

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<v Speaker 4>that'd be amazing. But I think we, you know, we

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<v Speaker 4>can't even build a bullet train. Come on, it would

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<v Speaker 4>cost a billion dollars in studies to find out if

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<v Speaker 4>we could have street cars in Los Angeles. So I'm

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<v Speaker 4>gonna go ahead and say that that day has passed.

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<v Speaker 1>I just love that era though, and that idea of

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<v Speaker 1>getting around l A and vibrant.

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<v Speaker 2>Yeah exactly.

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<v Speaker 4>Oh yeah, I'm an old New Orleans boy. My family's

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<v Speaker 4>from there, and so I ride, you know, the street

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<v Speaker 4>car up and down St. Charles Avenue. Yeah, I know

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<v Speaker 4>it and it's there's just nothing better than that. And

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<v Speaker 4>I just don't know if it would totally translate to

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<v Speaker 4>LA And I would love to be proven wrong, you know,

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<v Speaker 4>twenty years from now, I'd love to have a nice

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<v Speaker 4>street car cruising down. But you know, when I moved

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<v Speaker 4>to Highland Park thirty years ago, we didn't have the

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<v Speaker 4>gold Line, and you know, it was just empty tracks.

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<v Speaker 4>So we're slowly putting back public transits. Uh.

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<v Speaker 3>Is there a specific landmark or neighborhood or building that

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<v Speaker 3>you think is most at risk right now?

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<v Speaker 4>Oh, that's an excellent question. Well, I don't have to

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<v Speaker 4>tell you how heartbreaking the fires were in January. But

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<v Speaker 4>the stuff that the sort of areas we're tearing down

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<v Speaker 4>right now, just in spades, is like Koreatown and Westlake,

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<v Speaker 4>that area, like around MacArthur Park, so many incredible buildings

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<v Speaker 4>between there and like down towards USC, so many incredible

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<v Speaker 4>built like mostly houses built in the turn of the century,

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<v Speaker 4>turn of the last entries, like around nineteen oh five,

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<v Speaker 4>and I'm just watching them go left and right. They're

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<v Speaker 4>being demolished for these you know, six story gray boxes

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<v Speaker 4>that have that are absolutely featureless, that are built to

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<v Speaker 4>the edge of the property on either every side because

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<v Speaker 4>there's no more zoning in Los Angeles. They call it

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<v Speaker 4>a density bonus. It's not a density bonus. It's the

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<v Speaker 4>zoning variant. And I've probably seen there's probably been a

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<v Speaker 4>thousand important houses demolished and commercial structures demolished since I

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<v Speaker 4>started tracking them around twenty twenty one.

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<v Speaker 2>So did you marry a librarian?

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<v Speaker 4>I married an archaeologist.

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<v Speaker 2>Okay, same kind of thing, and I love like, I.

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<v Speaker 4>Love trust me. I had a very lengthy stretch of

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<v Speaker 4>you know, brainy girls with glasses and drinking problems, but

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<v Speaker 4>that's what I like, and I like. But but then

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<v Speaker 4>I met this too little archaeologist and she's a little

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<v Speaker 4>more sane and sober, so I said, okay, you know

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<v Speaker 4>you're the one, and we've been together ever since.

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<v Speaker 2>Well, you got to know your limits.

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<v Speaker 4>Exactly. You gotta know at some point you've got to

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<v Speaker 4>you got to grow up.

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<v Speaker 2>And yeah, oh there is that too.

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<v Speaker 3>By the way, Nathan's going to speak about the book

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<v Speaker 3>coming up Los Angeles before the Freeways, part of the

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<v Speaker 3>Marine North of lecture series for the La City Historical

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<v Speaker 3>Society coming up on Sunday. That's June eighth Sunday afternoon

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<v Speaker 3>at the Tape Auditorium at the Central Library.

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<v Speaker 2>Rife with librarians. I'm sure and.

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<v Speaker 4>Oh it's like I'm like, it's in a candy store.

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<v Speaker 4>Oh my god.

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<v Speaker 2>Yeah.

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<v Speaker 3>You can find out more when you go to La

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<v Speaker 3>lacityhistory dot org. The events page on there is going

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<v Speaker 3>to have more about Nathan and that. That talk coming

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<v Speaker 3>up again Los Angeles before the Freeways, the Tape Auditorium

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<v Speaker 3>at the Central Library coming up on Sunday afternoon at

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<v Speaker 3>two Apart.

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<v Speaker 2>Nathan, that was so much fun. Thank you so much

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<v Speaker 2>for joining us.

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<v Speaker 4>You guys are the best. Thank you, thanks so much.

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<v Speaker 3>You bet all right, coming up more stuff including I

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<v Speaker 3>don't talk about that.

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<v Speaker 2>Let's talk about the elderly treehouse when we come back.

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<v Speaker 5>You're listening to Gary and Shannon on demand from KFI

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<v Speaker 5>AM six forty.

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<v Speaker 3>FBI and Port Authority police have arrested a guy at

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<v Speaker 3>JFK Airport and Queen's overnight in connection with their investigation

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<v Speaker 3>into the bombing of that fertility clinic and Palm Springs.

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<v Speaker 3>He was a They believe that he may have been

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<v Speaker 3>supplying materials for the bomb.

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<v Speaker 2>That was used.

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<v Speaker 3>He was a guy from Washington State, private payrolls increased

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<v Speaker 3>far less than expected in May. Adp national employment reports

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<v Speaker 3>showed this morning a new potential warning sign for the

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<v Speaker 3>direction of the economy and air quality in the Midwest

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<v Speaker 3>and the East really bad, but for no reason of ours.

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<v Speaker 3>Out of control wildfires in Canada is producing a bunch

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<v Speaker 3>of smoke that is pouring to the south, and there's

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<v Speaker 3>a plume of dust that originated from the Sahara over

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<v Speaker 3>in Africa that's tracking west across the Atlantic Ocean. They're

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<v Speaker 3>saying that the dust could collide with the smoke sometime

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<v Speaker 3>someplace around the South this week, causing unhealthy air quality

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<v Speaker 3>and very hazy, dull skies during the day. But of

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<v Speaker 3>course gorgeous sunrises and sunset.

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<v Speaker 1>It is Wednesday, so don't forget. Let us know what

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<v Speaker 1>you are watching. I'm a big fan of adults on

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<v Speaker 1>Hulu right now. We're also going to be talking to

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<v Speaker 1>Justin Worsham. We're going to be talking parenting coming up

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<v Speaker 1>in about an hour from now. Research showing that most

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<v Speaker 1>consider their dad to be a top life mentor.

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<v Speaker 2>We'll dig into that as well. Well.

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<v Speaker 3>Benito Flores is upset that his home in El Serena

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<v Speaker 3>was being taken away from him. He says that the

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<v Speaker 3>home was illegally seized after its owner, the Department of Transportation,

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<v Speaker 3>left at vacant. He'd been allowed to stay for a

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<v Speaker 3>few months, but with Zen told he had to go

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<v Speaker 3>to this nearby home owned by the agency. But now

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<v Speaker 3>that clock has ticked too far down on that home

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<v Speaker 3>as well.

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<v Speaker 2>Well.

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<v Speaker 1>Over the months, he has Benito sawed wooden two by

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<v Speaker 1>fours to use as a brace between the front door

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<v Speaker 1>and an anterior wall to make it harder to breach.

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<v Speaker 1>He has bolted shut the metal screen door. He has

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<v Speaker 1>secured the entrance. He has retreated into a wooden structure

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<v Speaker 1>that he has built twenty eight feet high in an

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<v Speaker 1>ash tree in the backyard, a treehouse.

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<v Speaker 2>I have a question.

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<v Speaker 3>This goes back to the screwdriver from last week, the

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<v Speaker 3>slotted versus flathead. Yeah, what other kind of two by

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<v Speaker 3>fours are there besides wooden?

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<v Speaker 2>Why did they write.

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<v Speaker 1>That that is redundant? You're right, Chris Little is somewhere

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<v Speaker 1>losing his freaking mind anyway.

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<v Speaker 2>Well, I guess you could have a you have a

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<v Speaker 2>metal stud I don't know.

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<v Speaker 1>Yeah, you're right, it's so redundant wooden two by fours.

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<v Speaker 1>You know what, Let's get this author who wrote this

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<v Speaker 1>in the La Times, Liam Liam Dylan, Let's get on

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<v Speaker 1>the horn.

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<v Speaker 3>No, it turns out that Benito then retreated to that

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<v Speaker 3>wooden structure in the backyard. If the police wanted to believe,

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<v Speaker 3>they're going to have to go up to his treehouse

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<v Speaker 3>and get him.

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<v Speaker 2>He says, I planned to resist as long as I can.

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<v Speaker 2>It's six feet tall, three feet wide.

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<v Speaker 1>They say it represents the last stand for Benito and

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<v Speaker 1>a larger protest that has captured the national attention. Starting

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<v Speaker 1>in March twenty twenty, he and a dozen others occupied

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<v Speaker 1>empty homes owned by Caltrans. They were acquired was this

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<v Speaker 1>imminent domain acquired by the hundred and a half century

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<v Speaker 1>ago for the freeway expansion that never happened, for.

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<v Speaker 3>The original high speed rail plan, the idea of that

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<v Speaker 3>something is never going to happen. The agencies have continued

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<v Speaker 3>to offer referrals for permanent housing. They've offered financial settlements

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<v Speaker 3>of up to twenty thousand dollars if group members would

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<v Speaker 3>leave voluntarily. The evictions would have been a last resort,

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<v Speaker 3>but they would be required by law. Basically, Tina Booth,

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<v Speaker 3>director of Asset Management for the Housing Authority of the

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<v Speaker 3>City of La which is operating the program on behalf

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<v Speaker 3>of Caltrans, says, we just don't have any authority to

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<v Speaker 3>operate outside of that.

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<v Speaker 1>Unfortunately, this is one of those things that you'll find

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<v Speaker 1>a lot with people who get older. They don't understand

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<v Speaker 1>that there are rules and the hoops that they have

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<v Speaker 1>to jump through, and I get it. Caltrans wants to

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<v Speaker 1>sell this guy's home and a bunch of other empty

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<v Speaker 1>houses in Elserino to public or nonprofit housing providers, which

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<v Speaker 1>would make them available to people like Oh, I don't know, Benito,

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<v Speaker 1>low income residents for rent or purchase.

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<v Speaker 2>He says.

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<v Speaker 1>Evicting him makes no sense because the properties intended to

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<v Speaker 1>be used as affordable housing that he qualifies for. Yes,

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<v Speaker 1>and you still have to jump through all the hoops.

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<v Speaker 1>You still have to do all the paperwork.

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<v Speaker 4>You know.

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<v Speaker 1>It's not as easy as just saying, well, I qualify

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<v Speaker 1>for what you want to do here with this, with

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<v Speaker 1>this house or this property. It's just not that Unfortunately,

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<v Speaker 1>it's not that simple anymore. It may have been at

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<v Speaker 1>one point, it's not that way. There's too much red tape.

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<v Speaker 3>The way that Benito says it is they are out

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<v Speaker 3>of options, that his treehouse, as much as a form

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<v Speaker 3>of protest as it is, is really the only option

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<v Speaker 3>before he moves into his and sleeps in his van.

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<v Speaker 3>And he wrote he and others wrote an open letter

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<v Speaker 3>to Sheriff Robert Luna and said, we're going to live

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<v Speaker 3>on the streets for the rest of our lives. So

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<v Speaker 3>the idea that this is a this is one of

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<v Speaker 3>the hardest parts about it. But it is one of

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<v Speaker 3>those things like you move into a neighborhood where the

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<v Speaker 3>airport is there before you and then complain about the

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<v Speaker 3>air traffic. You know, you complain about the noise from

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<v Speaker 3>the airport. This is an awful, awful.

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<v Speaker 1>Well, you move into a vacant home that's not yours.

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<v Speaker 1>You're gonna have to pay the piper. It's all that's yeah,

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<v Speaker 1>I mean you you know, Yes, story's sad. It's very

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<v Speaker 1>sad that Benito us to live in a treehouse. But

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<v Speaker 1>he moved into a home that wasn't his, and it

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<v Speaker 1>was vacant, and they're going to at some point and

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<v Speaker 1>get it from you.

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<v Speaker 2>And if it makes sense.

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<v Speaker 1>If it doesn't make sense, it doesn't make sense, Just

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<v Speaker 1>like in this case, it doesn't make sense. They're trying

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<v Speaker 1>to take the home away from him to give it

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<v Speaker 1>to someone just like him. Why isn't it him? Why

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<v Speaker 1>can't he just stay put? That's what this stuff is

425
00:21:14.119 --> 00:21:19.599
<v Speaker 1>intended for. Well, you know that's actually best case scenario.

426
00:21:20.519 --> 00:21:23.240
<v Speaker 1>If he's going to get press out of this, they

427
00:21:23.319 --> 00:21:25.559
<v Speaker 1>might make an exception and be like, all right, Benito,

428
00:21:25.680 --> 00:21:27.000
<v Speaker 1>you can move to the front of the line.

429
00:21:27.079 --> 00:21:28.960
<v Speaker 2>We'll see how it's going. Maybe you can stay in

430
00:21:29.000 --> 00:21:30.000
<v Speaker 2>your home or what have you.

431
00:21:30.400 --> 00:21:32.240
<v Speaker 1>But you move into a home that's not your home,

432
00:21:33.839 --> 00:21:35.759
<v Speaker 1>chances are it's not going to work.

433
00:21:35.599 --> 00:21:36.160
<v Speaker 2>Out for you.

434
00:21:37.720 --> 00:21:40.240
<v Speaker 3>This is a pretty gross story out of Long Beach.

435
00:21:40.279 --> 00:21:42.880
<v Speaker 3>An ad who is working with disabled children has been arrested.

436
00:21:42.920 --> 00:21:44.279
<v Speaker 3>We'll tell you why when we come back.

437
00:21:44.359 --> 00:21:47.400
<v Speaker 2>It is as dark as you could go in your mind.

438
00:21:47.599 --> 00:21:49.839
<v Speaker 2>Gary and Shannon will continue.

439
00:21:50.200 --> 00:21:53.640
<v Speaker 5>You're listening to Gary and Shannon on demand from KFI

440
00:21:53.880 --> 00:21:57.559
<v Speaker 5>AM six forty.

441
00:21:57.759 --> 00:22:01.519
<v Speaker 3>I was scrolling through Facebook to find an old image

442
00:22:01.519 --> 00:22:04.000
<v Speaker 3>that had come up, and one of the things that

443
00:22:04.039 --> 00:22:08.799
<v Speaker 3>I'm now being forced in my algorithm is a page

444
00:22:08.839 --> 00:22:12.400
<v Speaker 3>called Los Angeles Relics, and it's pictures of La back

445
00:22:12.400 --> 00:22:14.559
<v Speaker 3>from the forties and fifties and things like this is

446
00:22:14.559 --> 00:22:18.720
<v Speaker 3>the four level Interchange, the first stack interchange in the world,

447
00:22:18.799 --> 00:22:24.759
<v Speaker 3>nineteen fifty four, the Horleywood Harbor, Pasadena and Santa Ana freeways.

448
00:22:24.920 --> 00:22:26.119
<v Speaker 2>It's it's wild.

449
00:22:26.440 --> 00:22:33.000
<v Speaker 1>I was off a couple days, stayed at a Weston,

450
00:22:34.039 --> 00:22:37.960
<v Speaker 1>said the word Weston and immediately got an email on

451
00:22:38.000 --> 00:22:42.319
<v Speaker 1>my phone from Weston. I mean, the listening is out

452
00:22:42.359 --> 00:22:47.640
<v Speaker 1>of control, the directed ads, all the things are.

453
00:22:47.279 --> 00:22:48.319
<v Speaker 2>It's so cute.

454
00:22:48.440 --> 00:22:53.279
<v Speaker 1>How we worry about sharing passwords and privacy and social

455
00:22:53.359 --> 00:22:57.759
<v Speaker 1>security emit, it's all. It's all done. It's done.

456
00:22:58.039 --> 00:22:59.640
<v Speaker 3>When we get into swamp Watch at the top of

457
00:22:59.640 --> 00:23:05.519
<v Speaker 3>the hour, one massive figure in the Democratic Party has

458
00:23:05.559 --> 00:23:08.839
<v Speaker 3>given up on the Democratic Party. They just said that

459
00:23:09.000 --> 00:23:10.480
<v Speaker 3>they'll be independent from this point.

460
00:23:10.480 --> 00:23:13.200
<v Speaker 1>For I have a story about what you need to

461
00:23:13.240 --> 00:23:15.359
<v Speaker 1>do if you want a job in the federal government.

462
00:23:15.440 --> 00:23:17.720
<v Speaker 1>Yes they're still hiring, but you got to write an

463
00:23:17.799 --> 00:23:19.960
<v Speaker 1>essay to get in. We'll tell you what the subject

464
00:23:20.119 --> 00:23:20.640
<v Speaker 1>needs to be.

465
00:23:20.759 --> 00:23:22.839
<v Speaker 2>Let chech ept do it. There you go.

466
00:23:23.000 --> 00:23:25.839
<v Speaker 3>There is an aid working for a school in Long Beach,

467
00:23:26.400 --> 00:23:30.519
<v Speaker 3>twenty two years old, arrested on suspicion of possessing and

468
00:23:30.559 --> 00:23:34.960
<v Speaker 3>distributing images of the sexual abuse of children. She was

469
00:23:35.000 --> 00:23:40.039
<v Speaker 3>working with disabled kids. The Longbeach Unified School District. The

470
00:23:40.440 --> 00:23:45.880
<v Speaker 3>LAPDS Harbord Division served a warrant and arrested her just yesterday. Now,

471
00:23:46.000 --> 00:23:49.920
<v Speaker 3>the school district says she was specifically a contractor, not

472
00:23:50.000 --> 00:23:52.000
<v Speaker 3>a direct employee of the district.

473
00:23:52.119 --> 00:23:55.079
<v Speaker 1>Okay, I have a question, but before I get to it,

474
00:23:55.920 --> 00:23:59.839
<v Speaker 1>police also announced that a thirty seven year old kids

475
00:23:59.839 --> 00:24:03.119
<v Speaker 1>so Welker coach was arrested on suspicion of attempting to

476
00:24:03.119 --> 00:24:06.680
<v Speaker 1>meet up with a minor for sex. That was in

477
00:24:06.799 --> 00:24:10.480
<v Speaker 1>Redondo Beach so also Harbor area.

478
00:24:12.240 --> 00:24:13.000
<v Speaker 2>What kind of.

479
00:24:14.440 --> 00:24:18.279
<v Speaker 1>Checks are we doing before we put people in the

480
00:24:18.359 --> 00:24:19.920
<v Speaker 1>company of our children.

481
00:24:20.279 --> 00:24:23.240
<v Speaker 3>Listen, I'm amazed. I've said this multiple times. I referred

482
00:24:23.279 --> 00:24:28.640
<v Speaker 3>to the training background check, fingerprinting I had to go

483
00:24:28.680 --> 00:24:30.039
<v Speaker 3>through as a soccer coach.

484
00:24:30.119 --> 00:24:31.519
<v Speaker 2>For seven year olds.

485
00:24:31.599 --> 00:24:35.960
<v Speaker 3>I mean, and the specifically the coaches training that you

486
00:24:36.000 --> 00:24:38.039
<v Speaker 3>had to go through, where they'd bring in all the

487
00:24:38.079 --> 00:24:41.720
<v Speaker 3>coaches and then whoever's the for whoever represents the league,

488
00:24:41.720 --> 00:24:44.160
<v Speaker 3>would say here's how you can talk to kids, Here's

489
00:24:44.200 --> 00:24:46.160
<v Speaker 3>what you can't say to kids. Here's how you refer

490
00:24:46.359 --> 00:24:49.759
<v Speaker 3>you know, if you suspect something that your kids. The

491
00:24:50.160 --> 00:24:53.279
<v Speaker 3>kids are being abused or whatever mistreated in some way,

492
00:24:53.319 --> 00:24:55.160
<v Speaker 3>you can always go through the league. We have a

493
00:24:55.200 --> 00:24:58.880
<v Speaker 3>specific phone number that you can call, or email address

494
00:24:58.960 --> 00:25:02.519
<v Speaker 3>that you can or you know references. You can't hug

495
00:25:02.559 --> 00:25:04.440
<v Speaker 3>a kid, you have to hug, you have to side

496
00:25:04.480 --> 00:25:07.559
<v Speaker 3>hug or fist bump a kid. You can't ever give

497
00:25:07.599 --> 00:25:10.400
<v Speaker 3>a kid a ride home alone. You gotta have somebody

498
00:25:10.440 --> 00:25:12.880
<v Speaker 3>else in the car, or other kids in the car.

499
00:25:12.960 --> 00:25:13.599
<v Speaker 2>Whatever. I mean.

500
00:25:14.559 --> 00:25:19.400
<v Speaker 3>That kind of stuff for a volunteer organization was so

501
00:25:19.559 --> 00:25:23.599
<v Speaker 3>much more aggressive, it seems, than anything that these people

502
00:25:23.640 --> 00:25:26.440
<v Speaker 3>have had to go through. Yeah, and they have much more.

503
00:25:26.559 --> 00:25:29.319
<v Speaker 3>Here's the thing. I saw these kids two times a

504
00:25:29.319 --> 00:25:32.519
<v Speaker 3>week for ninety minutes at a time. These people are

505
00:25:32.599 --> 00:25:35.079
<v Speaker 3>around kids six seven, nine hours a day.

506
00:25:35.160 --> 00:25:37.079
<v Speaker 2>Whatever it is, right.

507
00:25:37.759 --> 00:25:40.279
<v Speaker 1>I mean, for it to get to the point of

508
00:25:40.319 --> 00:25:44.680
<v Speaker 1>a warrant and arrest has to be pretty blatant. And

509
00:25:45.440 --> 00:25:47.440
<v Speaker 1>I think that the hoops you had to jump through

510
00:25:47.720 --> 00:25:50.119
<v Speaker 1>while a pain in the ass good.

511
00:25:50.319 --> 00:25:51.880
<v Speaker 2>And I didn't mind it. That was the thing.

512
00:25:51.920 --> 00:25:54.920
<v Speaker 3>Like I as a parent, was perfectly willing to go

513
00:25:55.000 --> 00:25:59.519
<v Speaker 3>through a two hour welcome mindless seminar, hoping that the

514
00:25:59.559 --> 00:26:02.400
<v Speaker 3>other people that were in the room were the same

515
00:26:02.519 --> 00:26:05.200
<v Speaker 3>way as I was, which was this is a perfectly

516
00:26:05.279 --> 00:26:07.400
<v Speaker 3>acceptable way to scream for coaches.

517
00:26:09.799 --> 00:26:10.160
<v Speaker 2>All right.

518
00:26:10.240 --> 00:26:13.039
<v Speaker 1>Coming up next, we will get to what kind of

519
00:26:13.240 --> 00:26:15.680
<v Speaker 1>essay you got to write to get into the federal

520
00:26:15.720 --> 00:26:19.119
<v Speaker 1>government these days, as well as.

521
00:26:20.640 --> 00:26:22.119
<v Speaker 2>What did you say.

522
00:26:22.200 --> 00:26:24.920
<v Speaker 3>The very high profile democrat that has given up on

523
00:26:25.319 --> 00:26:25.799
<v Speaker 3>the party?

524
00:26:26.400 --> 00:26:28.240
<v Speaker 2>How do have I not heard about this? I don't know.

525
00:26:29.519 --> 00:26:31.400
<v Speaker 2>I think you'll be surprised. I was surprised when I

526
00:26:31.440 --> 00:26:31.720
<v Speaker 2>saw it.

527
00:26:31.799 --> 00:26:33.680
<v Speaker 1>I love it when news breaks on this show. It

528
00:26:33.759 --> 00:26:37.759
<v Speaker 1>happens all the time. I think that that eagle is

529
00:26:37.799 --> 00:26:39.000
<v Speaker 1>going to take flight again.

530
00:26:39.119 --> 00:26:40.759
<v Speaker 2>Gary and Shannon will continue.

531
00:26:40.799 --> 00:26:43.079
<v Speaker 3>If you miss any part of our show, just go

532
00:26:43.160 --> 00:26:45.839
<v Speaker 3>back and check out the podcast. It's posted every day

533
00:26:45.920 --> 00:26:48.359
<v Speaker 3>right after the show airs. And all you have to

534
00:26:48.400 --> 00:26:51.240
<v Speaker 3>do is wherever you find podcasts, just type in Gary

535
00:26:51.279 --> 00:26:51.759
<v Speaker 3>and Shannon.

536
00:26:51.799 --> 00:26:55.240
<v Speaker 2>You'll see our faces there. Hey, oh, if you do that.

537
00:26:55.480 --> 00:26:59.039
<v Speaker 1>If you do that, you'll get the special Weekend and

538
00:26:59.119 --> 00:27:02.119
<v Speaker 1>it doesn't even make air. It's all fresh stuff for

539
00:27:02.119 --> 00:27:04.440
<v Speaker 1>the weekend, and it's dirty.

540
00:27:05.079 --> 00:27:07.400
<v Speaker 2>Sometimes it's dirty, it's less.

541
00:27:08.359 --> 00:27:11.480
<v Speaker 1>Is there a disclaimer on that, though, because like if

542
00:27:11.480 --> 00:27:14.000
<v Speaker 1>people are listening with their children and then they just

543
00:27:14.000 --> 00:27:15.839
<v Speaker 1>pull it up the way my mother pulled it up

544
00:27:15.880 --> 00:27:17.599
<v Speaker 1>like she would our weekday podcast.

545
00:27:17.720 --> 00:27:20.200
<v Speaker 2>Wonder if it does tell you that, it should.

546
00:27:20.039 --> 00:27:22.240
<v Speaker 1>Tell you that there's I don't want to I don't

547
00:27:22.279 --> 00:27:24.319
<v Speaker 1>want to teach kids new words.

548
00:27:24.599 --> 00:27:26.519
<v Speaker 2>I'm not in the business of that. I have to

549
00:27:26.559 --> 00:27:27.000
<v Speaker 2>look at that.

550
00:27:27.160 --> 00:27:30.680
<v Speaker 3>So type in Gary and Shannon, find the podcast, subscribe

551
00:27:30.720 --> 00:27:33.039
<v Speaker 3>to it, rate it, comment on it.

552
00:27:33.240 --> 00:27:35.240
<v Speaker 2>Most importantly, share it with people.

553
00:27:35.319 --> 00:27:38.079
<v Speaker 1>Your kids should know the basics at this point, right

554
00:27:38.240 --> 00:27:43.319
<v Speaker 1>my kids, No, my kids teach kids are kids, they're

555
00:27:43.400 --> 00:27:44.279
<v Speaker 1>grown adults.

556
00:27:44.480 --> 00:27:45.359
<v Speaker 2>They're not there kids.

557
00:27:46.799 --> 00:27:50.960
<v Speaker 1>Well, there are always kids in your heart. They'll always

558
00:27:51.079 --> 00:27:52.960
<v Speaker 1>need you.

559
00:27:52.960 --> 00:27:56.240
<v Speaker 3>No, they will not. It does say E for explicit

560
00:27:57.279 --> 00:27:58.839
<v Speaker 3>on Apple podcasts.

561
00:27:58.519 --> 00:28:01.519
<v Speaker 1>Oh my god, that's awesome an E rating more like

562
00:28:01.519 --> 00:28:05.200
<v Speaker 1>a rap album, very similar, very similar.

563
00:28:05.240 --> 00:28:09.599
<v Speaker 3>Gary Shannon will continue right after this. You've been listening

564
00:28:09.640 --> 00:28:11.880
<v Speaker 3>to The Gary and Shannon Show. You can always hear

565
00:28:11.960 --> 00:28:14.559
<v Speaker 3>us live on KFI AM six forty nine am to

566
00:28:14.599 --> 00:28:18.400
<v Speaker 3>one pm every Monday through Friday, and anytime on demand

567
00:28:18.440 --> 00:28:19.720
<v Speaker 3>on the iHeartRadio ap
