WEBVTT

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<v Speaker 1>For decades, people have disappeared in the woods without a trace.

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<v Speaker 1>Some blame wild animals, others whisper of creatures the world

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<v Speaker 1>refuses to believe in. But those who have survived they

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<v Speaker 1>know the truth. Welcome to Backwoods Bigfoot Stories, where we

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<v Speaker 1>share real encounters with the things lurking in the darkness bigfoot,

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<v Speaker 1>dog man, UFOs, and creatures that defy explanation. Some make

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<v Speaker 1>it out, others aren't so lucky. Are you ready, because

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<v Speaker 1>once you hear these stories, you'll never walk in the

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<v Speaker 1>woods alone again. So grab your flashlight, stay close, and

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<v Speaker 1>remember some things in the woods don't want to be found.

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<v Speaker 1>Hit that follow or subscribe button, turn on auto downloads,

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<v Speaker 1>and let's head off into the woods if you dare.

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<v Speaker 1>If you've been riding along with me for a while,

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<v Speaker 1>you know how this works. By now, every stop we

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<v Speaker 1>pull into a new state, we find the thing the

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<v Speaker 1>locals whisper about, and we dig into it the way

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<v Speaker 1>I dig into everything. We've stood on the banks of

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<v Speaker 1>a lake in Idaho waiting for Charlie. We've walked the

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<v Speaker 1>fields outside Van Meter, Iowa, where a winged thing with

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<v Speaker 1>a glowing horn shot out of an old coal mine,

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<v Speaker 1>and terrorized a whole town for a week.

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<v Speaker 2>We've circled Folk Lake.

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<v Speaker 1>In Indiana hunting a five hundred pounds snapping turtle named Oscar.

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<v Speaker 1>We've chased sinkhole serpents across Kansas weak Country, and stood

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<v Speaker 1>in the dark timber of northern California listening for footsteps

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<v Speaker 1>that were too heavy to be a deer. Tonight we

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<v Speaker 1>crossed the Ohio River into Kentucky. And before I say

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<v Speaker 1>one more word about this, stop, I need to do

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<v Speaker 1>something I've never had to do on this show, not

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<v Speaker 1>like this. I need to give you a warning, and

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<v Speaker 1>I need you to actually hear it. Because tonight's location

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<v Speaker 1>is not in a lake or an empty stretch of

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<v Speaker 1>forest road. Tonight's location has killed people, real people, teenagers,

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<v Speaker 1>a young woman on vacation with her boyfriend. Their names

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<v Speaker 1>are in the newspaper archives and their families are still

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<v Speaker 1>out there, and every single one of them died in

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<v Speaker 1>the same place, on the same structure, chasing the same story.

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<v Speaker 1>I'm about to tell you. So here's the rule, and

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<v Speaker 1>it is not negotiable. Do not go to the pope

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<v Speaker 1>Lick trestle, Do not climb the fence, do not walk

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<v Speaker 1>the tracks, do not stand under it at midnight with

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<v Speaker 1>your phone out, and do not, under any circumstances, set

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<v Speaker 1>one foot on that bridge. The trestle is private property

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<v Speaker 1>owned by an active freight railroad. Trains cross it day

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<v Speaker 1>and night with no fixed schedule you can count on.

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<v Speaker 1>There is no walkway, there is no railing, there is

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<v Speaker 1>no safe spot to stand when a train comes, and

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<v Speaker 1>a loaded freight train cannot stop for you, no matter

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<v Speaker 1>how hard the engineer lays on the brakes. By the

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<v Speaker 1>time you hear the math is already against you. You

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<v Speaker 1>can hear this whole story from your couch. That's the

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<v Speaker 1>entire point of this show. I go so you don't

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<v Speaker 1>have to. And in this case, I didn't even go

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<v Speaker 1>on to the structure myself because I've seen what a

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<v Speaker 1>train does to a human body. Nobody needs to see that.

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<v Speaker 1>Nobody needs to cause that. Okay, warning delivered, and I

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<v Speaker 1>mean every word of it. Now, let me tell you

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<v Speaker 1>about the goat man. Because Kentucky has a lot of monsters.

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<v Speaker 1>It has more bigfoot reports than most people would ever guess.

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<v Speaker 1>It has lake creatures and hill haints and a whole

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<v Speaker 1>catalog of things screaming in the hollows after dark. But

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<v Speaker 1>there's one legend in this state that stands apart from

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<v Speaker 1>all of them, and it stands apart because it's the

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<v Speaker 1>only one where the body count is real, documented and

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<v Speaker 1>still climbing. They call him the Pope Lick Monster, half man,

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<v Speaker 1>half goat. He lives under a railroad trestle on the

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<v Speaker 1>eastern edge of Louisville, and according to the legend, he

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<v Speaker 1>doesn't chase you. He calls you, he gets inside your head,

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<v Speaker 1>or he mimics a voice you trust, and he draws

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<v Speaker 1>you up onto that bridge, out over the creek, out

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<v Speaker 1>onto eight stories of open steel with no way down,

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<v Speaker 1>and then the train comes. That's the legend. Stay with

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<v Speaker 1>me tonight, because by the end of this episode I'm

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<v Speaker 1>going to make the case that the Pope Licked Monster

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<v Speaker 1>might be the most honest monster in America. Whether he's

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<v Speaker 1>flesh and blood, whether he's a ghost story, or whether

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<v Speaker 1>he's something the community built on purpose. He tells you

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<v Speaker 1>exactly what he is going to do to you, and

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<v Speaker 1>people keep going anyway. Let me set the scene, because

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<v Speaker 1>the location matters more in this story than in any

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<v Speaker 1>other episode we've done. Drive East out of Louisville on

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<v Speaker 1>Taylorsville Road, out past the subdivisions, out to where Jefferson

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<v Speaker 1>County starts to loosen its collar and turn back into

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<v Speaker 1>farm country. There's a little community out there called Fisherville,

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<v Speaker 1>rolling ground creeks, hardwood bottoms. Running through it is a

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<v Speaker 1>stream called Pope Lick Creek, which feeds into a bigger

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<v Speaker 1>stream called Floyd's Fork. If the name sounds strange to you,

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<v Speaker 1>a lick in old Kentucky talk is a salt lick,

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<v Speaker 1>a place where the ground held minerals and the deer

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<v Speaker 1>in buffalo would come to work it with their tongues.

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<v Speaker 1>The Pope family owned land along the creek way back,

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<v Speaker 1>and so it became Pope's Lick, and eventually Pope Lick.

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<v Speaker 1>Nothing sinister in the name at all, just settlers and

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<v Speaker 1>salt and deer. Then there's the bridge. The Pope Lick

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<v Speaker 1>Trestle is a railroad bridge built to carry a rail

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<v Speaker 1>line across the valley of Pope Lick Creek, and it

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<v Speaker 1>also passes over South Pope Lick Road down below. The

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<v Speaker 1>original crossing there goes back to the eighteen eighties, and

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<v Speaker 1>the steel structure standing today has been rebuilt and reinforced

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<v Speaker 1>over the years into the thing you can see now.

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<v Speaker 1>It is enormous. The span runs somewhere in the neighborhood

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<v Speaker 1>of seven hundred and seventy feet from end to end,

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<v Speaker 1>which is longer than two football fields, and at its

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<v Speaker 1>highest point it stands roughly eight to nine stories above

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<v Speaker 1>the creek bottom. It's a working freight line currently operated

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<v Speaker 1>by Norfolk Southern, and trains still cross it regularly, long

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<v Speaker 1>heavy freight trains, the kind that take a mile or

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<v Speaker 1>more of track to come to a stop once the

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<v Speaker 1>engineer dumps the air. Now here's the part I need

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<v Speaker 1>you to understand, because this detail is the trap at

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<v Speaker 1>the center of the whole legend. The trestle is single track.

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<v Speaker 1>There is no pedestrian walkway. There are no refuge platforms,

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<v Speaker 1>no bailout spots, no ladder you can scramble down. The

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<v Speaker 1>ties are spaced so you can see daylight between them

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<v Speaker 1>all the way down to the creek. If you're standing

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<v Speaker 1>in the middle of that span and a train enters

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<v Speaker 1>the bridge, you have three options, and all three of

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<v Speaker 1>them are terrible. You can try to outrun a freight

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<v Speaker 1>train across hundreds of feet of open ties. You can

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<v Speaker 1>lie down and pray the train passes over you, which

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<v Speaker 1>does not work because the equipment hanging under those cars

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<v Speaker 1>rides lower than a human body.

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<v Speaker 2>Or you can go over the side, and.

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<v Speaker 1>The side is a drop that has killed and broken

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<v Speaker 1>people all by itself. There's one more cruel detail. People

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<v Speaker 1>who live near that valley will tell you. The trestle

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<v Speaker 1>plays tricks with sound, the way the ground rolls, the

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<v Speaker 1>way the creek bottom channels noise. A train can be

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<v Speaker 1>almost on top of the bridge before you hear it clearly.

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<v Speaker 1>Add to that a myth that has floated around Louisville

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<v Speaker 1>for decades, the idea that only one train a day

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<v Speaker 1>uses that line, and you have a perfect machine for

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<v Speaker 1>killing trespassers because the one train a day story is

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<v Speaker 1>flat wrong.

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<v Speaker 2>Always was.

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<v Speaker 1>The trains come when they come at all hours, and

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<v Speaker 1>the people who climbed up there, believing they had checked

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<v Speaker 1>the schedule, found that out in the worst way a

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<v Speaker 1>person can find anything out.

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<v Speaker 2>So that's the stage.

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<v Speaker 1>A giant steel bridge over a quiet creek in the

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<v Speaker 1>farm fringe of Louisville deadly by design, not because anyone

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<v Speaker 1>designed it to kill, but because it was designed for trains,

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<v Speaker 1>and only trains and human beings keep putting themselves on it.

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<v Speaker 1>The question tonight is why, and the answer Louisville has

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<v Speaker 1>been giving for about eighty years is that something lives

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<v Speaker 1>under that bridge, something that wants you up there on

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<v Speaker 1>the ties. When the rail starts to sing, every telling

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<v Speaker 1>of the Pope Lick Monster agrees on the basics, and

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<v Speaker 1>after that the versions scatter like buckshot, which, if you've

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<v Speaker 1>listened to this show for any length of time, you

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<v Speaker 1>know is exactly what a real folk legend looks like.

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<v Speaker 1>Tidy stories come from one author. Messy stories come from

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<v Speaker 1>a community. The basics are these. The creature is a hybrid.

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<v Speaker 1>From the waist up, mostly a man, though a wrong

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<v Speaker 1>looking one, with pale or grayish skin, a heavy brow,

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<v Speaker 1>and short, sharp horns growing out of a forehead framed

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<v Speaker 1>by greasy hair. From the waist down, a goat, furred

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<v Speaker 1>legs that bend the wrong way, ending in hoofs that

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<v Speaker 1>can grip steel and ballast better than any boot ever made.

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<v Speaker 1>Some tellings give him wide set eyes with rectangular pupils

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<v Speaker 1>like a real goat has, Some give him a bleeding,

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<v Speaker 1>broken voice. Almost all of them put him on under

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<v Speaker 1>or around that trestle, and almost all of them agree

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<v Speaker 1>on his method.

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<v Speaker 2>He doesn't run you down. He lures you.

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<v Speaker 1>In some versions, it's outright hypnosis, a gaze or a

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<v Speaker 1>sound that empties your head and walks your legs up

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<v Speaker 1>the embankment for you. In others it's mimicry. And to

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<v Speaker 1>me this is the creepier version by a mile. The

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<v Speaker 1>goat man calls out in a voice you know a

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<v Speaker 1>friend who wandered ahead in the dark, A kid crying

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<v Speaker 1>your own name, said the way your mother says it.

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<v Speaker 1>And you follow the voice up the slope, and you

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<v Speaker 1>follow it out onto the ties, and somewhere around the

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<v Speaker 1>middle of the span, the voice stops, and that's when

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<v Speaker 1>you feel the rail humming under your feet. Some versions

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<v Speaker 1>arm him with a rusty, blood crusted axe and say

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<v Speaker 1>that if the train doesn't get you, the axe will

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<v Speaker 1>version say he doesn't need any of it, that he

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<v Speaker 1>simply drops from the underside of the trestle onto the

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<v Speaker 1>roofs of cars passing on the road below. And there

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<v Speaker 1>are people in Louisville who will swear to you they've

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<v Speaker 1>heard of dented roofs and claw marks and paint I've

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<v Speaker 1>never seen a police report or an insurance claim to

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<v Speaker 1>back that one up.

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<v Speaker 2>But I'll tell you this much.

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<v Speaker 1>If you park under that trestle at night and you

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<v Speaker 1>look up at eight stories of black crisscrossed steel with

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<v Speaker 1>a flashlight, you will absolutely understand why that version exists.

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<v Speaker 1>The underside of that bridge looks like a place where

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<v Speaker 1>something waits.

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<v Speaker 2>Where did he come from?

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<v Speaker 1>The origin stories are where the legend really shows its

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<v Speaker 1>age and its fingerprints, because there are at least three,

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<v Speaker 1>and they don't agree with each other at all. The

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<v Speaker 1>first and most popular origin says the goat man was

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<v Speaker 1>a circus freak. In this telling, sometime in the late

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<v Speaker 1>eighteen hundreds or early nineteen hundreds, a traveling circus was

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<v Speaker 1>moving through the area by rail, and among its attractions

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<v Speaker 1>was a captive half man half goat creature billed as

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<v Speaker 1>a freak of nature, caught somewhere wild, sometimes Canada, sometimes

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<v Speaker 1>deeper backwoods that nobody names. The story goes that a

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<v Speaker 1>storm came up, lightning struck the tracks, or the train

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<v Speaker 1>derailed right there at the Pope Lick crossing cars went

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<v Speaker 1>off the trestle, and in the wreck the creature escaped.

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<v Speaker 1>Everyone else died. He lived, and having been caged and

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<v Speaker 1>prodded and gawked at by humans for years, he took

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<v Speaker 1>up residents under the bridge that freed him and started

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<v Speaker 1>evening the score, one trespasser at a time. I want

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<v Speaker 1>to pause on that version for a second, because as

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<v Speaker 1>a researcher, I love it, and I don't believe a

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<v Speaker 1>word of it. Circus train wrecks were real. They happened,

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<v Speaker 1>and some of them were horrific. But a circus train

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<v Speaker 1>wreck at Popelit Creek would have made the Lieusville papers,

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<v Speaker 1>and it isn't there. What that version does beautifully, though,

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<v Speaker 1>is explain the creature's grudge. He isn't evil for no reason.

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<v Speaker 1>Humans made him a prisoner and a spectacle. The revenge

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<v Speaker 1>is personal. Folklore loves a monster with a reason. The

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<v Speaker 1>second origin is darker, and it's pure Southern Gothic. This

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<v Speaker 1>one says there was a farmer out in that country,

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<v Speaker 1>and in some tellings folks even hang a name on him,

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<v Speaker 1>a man usually called something like Silas Cooper, though the

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<v Speaker 1>name floats from telling to telling. The story says he

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<v Speaker 1>raised goats, and that he didn't just raise them, he

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<v Speaker 1>sacrificed them. Made deals in the dark, the kind of

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<v Speaker 1>deals Hill preachers warned about, trading blood for power or

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<v Speaker 1>money or land, and the deal went the way those

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<v Speaker 1>deals always go in these stories. Whatever he was bargaining

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<v Speaker 1>with collected. Either the farmer was twisted and merged into

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<v Speaker 1>a goat bodied thing as punishment, or the thing he

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<v Speaker 1>summoned killed him and stayed. Either way, the debt lives

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<v Speaker 1>under the trestle now and it's still collecting. The third

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<v Speaker 1>origin skips the biography entirely and just says he's a reincarnation,

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<v Speaker 1>a rebirth of that same sacrifice. Farmer sent back wearing

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<v Speaker 1>the shape of the animals he butchered on the altar,

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<v Speaker 1>same idea in cheaper packaging. Sin comes home wearing hoofs.

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<v Speaker 1>And then there's a four thread quieter that you hear

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<v Speaker 1>from older folks and from people who like their monsters biological,

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<v Speaker 1>which says, forget all the theater. Something lives in the

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<v Speaker 1>Floyd's fork bottoms always has it's big, It walks on

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<v Speaker 1>two legs, It screams at night, and the goat business

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<v Speaker 1>got stuck onto it by teenagers and drive in movies.

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<v Speaker 1>File that thread away, because we're coming back to it

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<v Speaker 1>in the second half of tonight's episode, and it's going

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<v Speaker 1>to take us straight into Kentucky's sasquatch problem. Yes, Kentucky

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<v Speaker 1>has a sasquatch problem, a big one. Here's something a

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<v Speaker 1>lot of Louisville folks don't realize their monster has cousins.

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<v Speaker 1>The goat Man is not a Kentucky invention. He's a

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<v Speaker 1>recurring American character, and he shows up in places that

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<v Speaker 1>have no connection to Pope Lick at all. The most

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<v Speaker 1>fame famous relative lives in Maryland, in Prince George's County,

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<v Speaker 1>where the Maryland goat Man has been blamed for slaughtered

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<v Speaker 1>dogs and stalked lovers lanes since at least the nineteen

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<v Speaker 1>fifties and sixties. The Maryland version comes with his own

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<v Speaker 1>origin story, and it's a beauty of the atomic age.

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<v Speaker 1>He was supposedly a scientist at the Agricultural Research Center

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<v Speaker 1>in Beltsville whose experiment on goats went wrong and merged

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<v Speaker 1>him with his test subjects, and he escaped into the

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<v Speaker 1>woods with an axe a government lab an experiment gone wrong,

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<v Speaker 1>an axe. That's not medieval folklore, that's nineteen fifties America

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<v Speaker 1>processing its brand new fear of what the men and

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<v Speaker 1>lab coats were up to. Texas has won two. In

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<v Speaker 1>the summer of nineteen sixty nine, the town of lake

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<v Speaker 1>Worth outside Fort Worth went absolutely sideways over something people

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<v Speaker 1>called the lake Worth Monster, a white, scaled or shaggy

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<v Speaker 1>goat man that allegedly jumped on a car hood, terrorized

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<v Speaker 1>parked couples, at one point supposedly hurled attire at a

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<v Speaker 1>crowd of onlookers from a bluff. Stay tuned for more

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<v Speaker 1>Backwoods Bigfoot stories. We'll be back after these messages. That

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<v Speaker 1>flap made the newspapers drew armed crowds out to Greer

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<v Speaker 1>Island and produced one famously blurry white photograph. Louisiana has

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<v Speaker 1>goat mantails tied to train bridges too, and so do

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<v Speaker 1>pockets of Alabama and Arkansas bridge goat man. The same

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<v Speaker 1>three cards keep getting dealt all over the country, and

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<v Speaker 1>if you pull the thread back far enough, it doesn't

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<v Speaker 1>even start. In America, a creature with a man's torso

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<v Speaker 1>and a goat's legs and horns is one of the

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<v Speaker 1>oldest characters human beings have ever drawn. The Greeks called

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<v Speaker 1>them satyrs and fawns and put them in the wild

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<v Speaker 1>margins of the world, the places past the last farm fence,

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<v Speaker 1>where the rules of town didn't reach. Pan himself, the

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<v Speaker 1>goat legged god of the wild, is where we get

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<v Speaker 1>the word panic. His voice in the trees, they said,

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<v Speaker 1>could fill a traveler with sudden, unreasoning terror. And when

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<v Speaker 1>Christianity moved through Europe, the old goat legged wild gods

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<v Speaker 1>got repainted as the devil, which is why the devil

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<v Speaker 1>in a thousand years of art has horns and hoofs.

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<v Speaker 1>So think about what the pope lick Monster actually is. Structurally,

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<v Speaker 1>he's a goat legged figure who lives at the edge

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<v Speaker 1>of town, in the wild margin, whose voice makes people

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00:16:25.440 --> 00:16:29.679
<v Speaker 1>lose their reason and walk to their deaths. That is Pan, folks.

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<v Speaker 1>That is a four thousand year old character wearing Kentucky

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<v Speaker 1>clothes and squatting under a Norfolk Southern trestle. I'm an

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<v Speaker 1>evidence guy. You all know that, and I'm not telling

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<v Speaker 1>you the ancient Greeks were reporting a real animal. I'm

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00:16:43.120 --> 00:16:45.399
<v Speaker 1>telling you that when human beings need to explain why

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<v Speaker 1>the wild edge of the map keeps eating people, we

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00:16:48.559 --> 00:16:53.279
<v Speaker 1>reach for the same shape every single time. Horns, hooves,

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<v Speaker 1>a voice that calls you off the safe path. Kentucky

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<v Speaker 1>just gave him a railroad bridge, and the railroad bridge

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<v Speaker 1>is what made him lethal. Nobody can point to the

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<v Speaker 1>first telling of the popelic monster. That's normal, legends don't

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<v Speaker 1>have birth certificates. But folklorus and local historians who have

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00:17:11.240 --> 00:17:14.319
<v Speaker 1>worked on this one generally trace the oral story back

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<v Speaker 1>to at least the nineteen forties and fifties, when the

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00:17:17.119 --> 00:17:20.200
<v Speaker 1>land around the Trestle was still working farm country and

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00:17:20.279 --> 00:17:24.039
<v Speaker 1>the bridge was already an old fixture. Farm kids dared

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00:17:24.079 --> 00:17:28.440
<v Speaker 1>each other out there. Older brothers scared younger ones. The

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00:17:28.480 --> 00:17:31.599
<v Speaker 1>story got passed down at sleepovers and scout camps and

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<v Speaker 1>in the beds of pickup trucks, and every generation added

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<v Speaker 1>a code of paint.

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<v Speaker 2>By the sixties and seventies, the.

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<v Speaker 1>Trestle had become what folklors call a legend tripping site.

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<v Speaker 1>That's the academic term for a very old teenage ritual.

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<v Speaker 1>You take the scary local story, you load up a

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<v Speaker 1>car full of your friends, and you drive out to

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<v Speaker 1>the place where the story lives to test yourselves against it.

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<v Speaker 1>Every region has one, a haunted bridge, a witch's grave,

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<v Speaker 1>a cursed stretch of road, the trip is the point.

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<v Speaker 1>The screaming and laughing on the drive home is the point.

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<v Speaker 1>It's a rite of passage, and for the most part,

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<v Speaker 1>at most sites it's harmless. Pope Lick is the exception,

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<v Speaker 1>because at Pope Lick the legend trip has a live

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<v Speaker 1>rail line running through the middle of it. The test

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00:18:19.440 --> 00:18:22.759
<v Speaker 1>of courage isn't standing in a dark graveyard. The test

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<v Speaker 1>of courage the way it evolved out there was walking

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<v Speaker 1>the trestle itself, and that turned an ordinary rite of

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<v Speaker 1>passage into a game of chance with a freight schedule.

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<v Speaker 1>Nobody actually knew then. In nineteen eighty eight, the legend

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<v Speaker 1>went from local to national, and it happened.

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<v Speaker 2>Because of a movie.

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<v Speaker 1>A Louisville filmmaker named Ron Shield Connect made a short

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<v Speaker 1>film about sixteen minutes long, called The Legend of the

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00:18:47.319 --> 00:18:51.279
<v Speaker 1>Pope Lick Monster. It's a moody little piece shot around

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<v Speaker 1>the real trestle about teenagers, the dare and the thing

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<v Speaker 1>under the bridge. It premiered in Louisville at the tail

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<v Speaker 1>end of December nineteen eighty eight eight and before it

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<v Speaker 1>even screened, it kicked up a fight that made the

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<v Speaker 1>papers Norfolk, Southern the Railroad that owns the trestle was

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<v Speaker 1>not amused. The company worried out loud and in writing

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<v Speaker 1>that a film glamorizing the trestle would send waves of

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<v Speaker 1>kids up onto the tracks, and they pushed for warnings.

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<v Speaker 1>The premiere ended up carrying a disclaimer hammering the point

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<v Speaker 1>that trespassing on the trustle was illegal and could get

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<v Speaker 1>you killed. And the whole dispute, of course, did exactly

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<v Speaker 1>what disputes like that always do. It advertised the monster

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<v Speaker 1>to everybody who'd never heard of him. I want to

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<v Speaker 1>be fair to shield Necked here, because I've read his

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00:19:38.839 --> 00:19:42.359
<v Speaker 1>comments from back then, and he wasn't being reckless. He

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00:19:42.400 --> 00:19:45.279
<v Speaker 1>grew up with the story. He treated the film partly

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<v Speaker 1>as a warning in itself. But the Railroad wasn't wrong either.

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<v Speaker 1>Telling a story about a dangerous place always cuts both ways.

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<v Speaker 1>The story warns some people off and it draws other

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<v Speaker 1>people in, and you cannot control which listener is which.

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<v Speaker 1>That's why why I front loaded the disclaimer tonight instead

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<v Speaker 1>of tucking it at the end. If you take one

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00:20:04.720 --> 00:20:08.039
<v Speaker 1>thing from this episode, take the warning, not the dare.

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<v Speaker 1>After the film, the monster never went back in the box.

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<v Speaker 1>He showed up in newspaper halloween features. Year after year,

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<v Speaker 1>he got chapters in books about Kentucky ghosts and monsters.

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00:20:20.000 --> 00:20:23.960
<v Speaker 1>When the Internet arrived, he got forums, then creepypasta rewrites,

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<v Speaker 1>then video after video of people doing exactly what Norfolk

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<v Speaker 1>Southern feared, filming themselves at the trestle. In the twenty tens,

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<v Speaker 1>the city built a beautiful string of parks along Floyd's

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<v Speaker 1>Fork called the park Lands, and one of those parks

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<v Speaker 1>sits close enough to the trestle that visitors can see

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<v Speaker 1>it foot Traffic near the bridge went up. Interest went up,

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<v Speaker 1>and the railroad kept raising fences and posting signs and

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<v Speaker 1>people kept climbing over them with cameras, Which brings us

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<v Speaker 1>to the part of this episode I've been dreading, and

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<v Speaker 1>the part that makes Pope Lick different from every other

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<v Speaker 1>stop on this road trip. Everything I've told you so

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<v Speaker 1>far as folklore. What I'm about to tell you is not.

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<v Speaker 1>These are real people. I've pieced this together from newspaper

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<v Speaker 1>archives and reporting over the years, and while the details

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00:21:12.880 --> 00:21:16.599
<v Speaker 1>in old coverage don't always line up perfectly, the outline

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00:21:16.720 --> 00:21:20.240
<v Speaker 1>is solid. In early nineteen eighty seven, a seventeen year

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<v Speaker 1>old student named Jack Charles Baum. The second was on

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<v Speaker 1>the trestle when a train came. He had no chance.

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<v Speaker 1>He was struck and killed on the bridge, seventeen years old.

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<v Speaker 1>Just months later, in the spring of that same year,

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00:21:33.039 --> 00:21:35.839
<v Speaker 1>a nineteen year old named David Wayne Bryant was up

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00:21:35.839 --> 00:21:38.920
<v Speaker 1>there with friends when a train entered the span. He

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00:21:38.960 --> 00:21:41.240
<v Speaker 1>did the only thing left to do and went over

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00:21:41.279 --> 00:21:45.079
<v Speaker 1>the side to escape it. He survived the fall badly hurt,

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00:21:45.359 --> 00:21:48.079
<v Speaker 1>and he fought his injuries for months. He died of

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00:21:48.119 --> 00:21:51.799
<v Speaker 1>them the following year. Two young men the same bridge,

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00:21:52.000 --> 00:21:55.160
<v Speaker 1>the same twelve months. And here's the detail that ties

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00:21:55.200 --> 00:21:58.359
<v Speaker 1>it to our story tonight. The coverage from that era

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00:21:58.480 --> 00:22:01.039
<v Speaker 1>makes clear these weren't kids who wandered on to some

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00:22:01.119 --> 00:22:05.359
<v Speaker 1>anonymous bridge. The monster legend was part of the landscape.

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00:22:05.640 --> 00:22:08.119
<v Speaker 1>The trestle was the place you went because of the story.

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00:22:08.599 --> 00:22:11.960
<v Speaker 1>The deaths didn't stop there. In the year two thousand,

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<v Speaker 1>a nineteen year old man fell from the trestle and

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00:22:14.359 --> 00:22:17.559
<v Speaker 1>was killed. Over the years, there have been other falls

397
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<v Speaker 1>and other close calls that ended in emergency rooms instead

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<v Speaker 1>of funerals, and those mostly don't make the archives. But

399
00:22:24.799 --> 00:22:28.079
<v Speaker 1>talked to Louisville area first responders, and they'll tell you

400
00:22:28.119 --> 00:22:30.880
<v Speaker 1>the trestle has been a repeated dress for a long time.

401
00:22:31.720 --> 00:22:34.880
<v Speaker 1>Then came April of twenty sixteen, and the case that

402
00:22:34.920 --> 00:22:38.599
<v Speaker 1>put Pope Lick back in national headlines. A twenty six

403
00:22:38.640 --> 00:22:42.160
<v Speaker 1>year old woman named Roquel Bain was visiting Louisville from Dayton,

404
00:22:42.160 --> 00:22:45.960
<v Speaker 1>Ohio with her boyfriend. They'd come down for a haunted

405
00:22:46.000 --> 00:22:49.720
<v Speaker 1>attraction tour at the old Waverley Hills Sanatorium, and while

406
00:22:49.759 --> 00:22:52.119
<v Speaker 1>they were in town they went looking for the famous

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00:22:52.160 --> 00:22:53.079
<v Speaker 1>goat Man trestle.

408
00:22:53.720 --> 00:22:54.519
<v Speaker 2>They climbed up.

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00:22:54.960 --> 00:22:57.000
<v Speaker 1>They were out on the span when a train came.

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00:22:57.680 --> 00:22:59.799
<v Speaker 1>Her boyfriend managed to get over the edge and hang

411
00:22:59.799 --> 00:23:02.279
<v Speaker 1>from the side of the trestle while the train passed

412
00:23:02.279 --> 00:23:06.319
<v Speaker 1>over him, and he survived. Roquel didn't make it. She

413
00:23:06.480 --> 00:23:08.920
<v Speaker 1>was struck on the bridge and fell to her death below.

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00:23:09.559 --> 00:23:12.680
<v Speaker 1>The engineer saw them. The train by the time it

415
00:23:12.720 --> 00:23:15.880
<v Speaker 1>stopped was something like a half mile past the trestle.

416
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<v Speaker 1>That's what stopping distance means for a freight train, and

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00:23:19.640 --> 00:23:22.599
<v Speaker 1>that's why every warning about out running one is written

418
00:23:22.640 --> 00:23:26.720
<v Speaker 1>in past tears. And it still didn't stop. In May

419
00:23:26.759 --> 00:23:30.279
<v Speaker 1>of twenty nineteen, a fifteen year old girl named Savannah

420
00:23:30.319 --> 00:23:33.079
<v Speaker 1>Bright was killed on the trestle and the friend with

421
00:23:33.160 --> 00:23:36.519
<v Speaker 1>her was hurt going off the bridge. And since then

422
00:23:36.680 --> 00:23:40.440
<v Speaker 1>there have been more injuries, more falls, more rescues, enough

423
00:23:40.440 --> 00:23:43.839
<v Speaker 1>that the railroad added taller fencing and more signage, and

424
00:23:43.920 --> 00:23:46.960
<v Speaker 1>local officials have gone in front of cameras practically begging

425
00:23:47.000 --> 00:23:50.200
<v Speaker 1>people to stay off the structure. At least five dead

426
00:23:50.319 --> 00:23:54.920
<v Speaker 1>across four decades, multiple serious injuries, and every single one

427
00:23:54.920 --> 00:23:59.039
<v Speaker 1>of them one hundred percent preventable. No other legend we

428
00:23:59.119 --> 00:24:01.720
<v Speaker 1>have covered on this road trip has a ledger like that.

429
00:24:02.400 --> 00:24:05.920
<v Speaker 1>The van meter visitor never killed anybody. Oscar the turtle

430
00:24:06.000 --> 00:24:10.559
<v Speaker 1>never killed anybody. Charlie never pulled one swimmer under the

431
00:24:10.599 --> 00:24:14.200
<v Speaker 1>Pope Lick Monster, or more precisely, the pilgrimage to him

432
00:24:14.640 --> 00:24:17.480
<v Speaker 1>has a body count that a real predator would envy.

433
00:24:18.160 --> 00:24:20.640
<v Speaker 1>Let's do what we came here to do. Let's get

434
00:24:20.640 --> 00:24:23.640
<v Speaker 1>into the encounters. Because for all the history and all

435
00:24:23.680 --> 00:24:26.759
<v Speaker 1>the tragedy, people out there in the Floyd's Fork Bottoms

436
00:24:26.759 --> 00:24:29.039
<v Speaker 1>have been seeing and hearing things for a long time.

437
00:24:29.599 --> 00:24:32.279
<v Speaker 1>Some of it sounds like teenage theater, some of it

438
00:24:32.319 --> 00:24:35.039
<v Speaker 1>does not. The first account I want to share with

439
00:24:35.079 --> 00:24:37.880
<v Speaker 1>you comes out of the early nineteen nineties from a

440
00:24:37.920 --> 00:24:41.119
<v Speaker 1>man I'll call Danny, who grew up off Taylorsville Road,

441
00:24:41.160 --> 00:24:43.960
<v Speaker 1>when that country still had more cattle than cul de sacs.

442
00:24:44.880 --> 00:24:47.559
<v Speaker 1>Danny was sixteen the summer this happened, and he told

443
00:24:47.559 --> 00:24:50.599
<v Speaker 1>this story the same way for thirty years to family,

444
00:24:50.920 --> 00:24:54.119
<v Speaker 1>to a local researcher, and eventually in writing, and the

445
00:24:54.160 --> 00:24:58.160
<v Speaker 1>details never wandered. As a former cop, I pay attention

446
00:24:58.240 --> 00:25:03.119
<v Speaker 1>to that liars improved their stories, witnesses repeat them. It

447
00:25:03.200 --> 00:25:06.039
<v Speaker 1>was a Friday night in July. Danny and two friends,

448
00:25:06.079 --> 00:25:08.759
<v Speaker 1>his cousin Mark and a kid named Toby, had ridden

449
00:25:08.799 --> 00:25:11.839
<v Speaker 1>bikes down toward the creek to shoot bottle rockets because

450
00:25:11.880 --> 00:25:14.759
<v Speaker 1>it was July and Kentucky, and that's what sixteen year

451
00:25:14.759 --> 00:25:17.680
<v Speaker 1>olds did. They ended up in the low ground, maybe

452
00:25:17.720 --> 00:25:21.200
<v Speaker 1>a quarter mile downstream of the trestle, on a gravel bar,

453
00:25:21.920 --> 00:25:24.559
<v Speaker 1>with the bridge visible against the sky. Whenever the moon

454
00:25:24.640 --> 00:25:28.119
<v Speaker 1>got clear of the clouds around eleven, they ran out

455
00:25:28.160 --> 00:25:31.039
<v Speaker 1>of rockets and started messing around in the shallows. And

456
00:25:31.039 --> 00:25:33.680
<v Speaker 1>that's when Toby stopped and said, you all hear that

457
00:25:34.720 --> 00:25:37.680
<v Speaker 1>they stood still from up the creek from the direction

458
00:25:37.799 --> 00:25:41.039
<v Speaker 1>of the trestle. Somebody was calling a name Danny said

459
00:25:41.039 --> 00:25:42.559
<v Speaker 1>it took him a minute to make it out over

460
00:25:42.599 --> 00:25:45.799
<v Speaker 1>the water, and then it came clear. It was calling

461
00:25:45.839 --> 00:25:48.680
<v Speaker 1>Toby the way your mother calls you in for supper

462
00:25:48.720 --> 00:25:52.160
<v Speaker 1>when you've drifted too far down the property. Toby's house

463
00:25:52.240 --> 00:25:54.880
<v Speaker 1>was a good two miles the other direction, and his

464
00:25:55.000 --> 00:25:57.880
<v Speaker 1>mother did not go walking creek bottoms. At eleven at night,

465
00:25:58.759 --> 00:26:00.759
<v Speaker 1>the boys stood in the water and listened to it

466
00:26:00.799 --> 00:26:06.720
<v Speaker 1>call four, five, six times, evenly spaced patient coming from

467
00:26:06.720 --> 00:26:09.480
<v Speaker 1>the black tangle where the creek bent toward the bridge.

468
00:26:10.359 --> 00:26:16.319
<v Speaker 1>Mark hollared back, who's there. The calling stopped. They waited, nothing,

469
00:26:16.960 --> 00:26:20.359
<v Speaker 1>just the creek and the bugs. Then it started again,

470
00:26:20.920 --> 00:26:23.640
<v Speaker 1>and this time, Danny swore to his dying day it

471
00:26:23.759 --> 00:26:28.599
<v Speaker 1>was closer, same two notes, same name, but it had

472
00:26:28.640 --> 00:26:31.720
<v Speaker 1>moved one hundred yards downstream toward them without one sound

473
00:26:31.759 --> 00:26:34.680
<v Speaker 1>of brush breaking. And here's the detail that stuck with

474
00:26:34.720 --> 00:26:37.720
<v Speaker 1>me when I first read his account. He said, the

475
00:26:37.799 --> 00:26:41.559
<v Speaker 1>voice was right, but the spacing was wrong. Nobody calling

476
00:26:41.599 --> 00:26:44.960
<v Speaker 1>for a lost kid calls in perfect rhythm. Real people

477
00:26:45.039 --> 00:26:49.359
<v Speaker 1>speed up, they get scared, they get angry, their voice cracks.

478
00:26:50.079 --> 00:26:54.519
<v Speaker 1>This didn't same interval, same pitch, over and over, like

479
00:26:54.559 --> 00:26:57.559
<v Speaker 1>a recording. The boys got out of that creek without

480
00:26:57.559 --> 00:27:00.400
<v Speaker 1>discussing it. Danny said Toby was up the bank and

481
00:27:00.480 --> 00:27:02.680
<v Speaker 1>on his bike before the other two had their shoes on,

482
00:27:03.160 --> 00:27:05.359
<v Speaker 1>and Toby was the kid who talked the whole ride

483
00:27:05.440 --> 00:27:08.440
<v Speaker 1>down about wanting to see the goat man. They pedaled

484
00:27:08.480 --> 00:27:10.759
<v Speaker 1>the gravel road in the dark, and Danny said that

485
00:27:10.799 --> 00:27:14.200
<v Speaker 1>about half way out the calling behind them changed. It

486
00:27:14.279 --> 00:27:18.759
<v Speaker 1>stopped saying Toby's name, it started laughing. He described it

487
00:27:18.799 --> 00:27:20.920
<v Speaker 1>as a laugh that broke apart at the end into

488
00:27:20.960 --> 00:27:23.400
<v Speaker 1>something like a bleat, And he said all three of

489
00:27:23.440 --> 00:27:25.920
<v Speaker 1>them heard it, and that Toby never went back to

490
00:27:25.960 --> 00:27:30.039
<v Speaker 1>that creek again, not that summer, not ever, as far

491
00:27:30.079 --> 00:27:33.920
<v Speaker 1>as Danny knew. Now, my instinct as an investigator says

492
00:27:33.960 --> 00:27:36.839
<v Speaker 1>a great deal of that can be explained. A barred

493
00:27:36.880 --> 00:27:38.880
<v Speaker 1>owl can make a noise you would swear as a

494
00:27:38.880 --> 00:27:43.839
<v Speaker 1>woman being murdered. Sound carries strangely along water. Some older

495
00:27:43.920 --> 00:27:46.119
<v Speaker 1>kid could have followed them down there to run a prank,

496
00:27:46.640 --> 00:27:49.440
<v Speaker 1>and the perfect rhythm was a teenager doing his best

497
00:27:49.599 --> 00:27:53.480
<v Speaker 1>spooky voice. All plausible, But I'll give you the two

498
00:27:53.519 --> 00:27:57.000
<v Speaker 1>things that don't sit right for me. One the voice

499
00:27:57.039 --> 00:28:00.440
<v Speaker 1>knew which boy to call, and called only him and

500
00:28:00.480 --> 00:28:04.000
<v Speaker 1>two whatever moved one hundred yards down a brushy Kentucky

501
00:28:04.039 --> 00:28:06.960
<v Speaker 1>Creek bank in July. Did it without making a sound,

502
00:28:07.440 --> 00:28:10.519
<v Speaker 1>and I've walked brush like that. I can't do it.

503
00:28:11.240 --> 00:28:15.519
<v Speaker 1>You can't do it, but something out there could. The

504
00:28:15.559 --> 00:28:18.319
<v Speaker 1>second account is a sighting, and it comes from an adult,

505
00:28:18.720 --> 00:28:21.759
<v Speaker 1>which matters. This one was reported by a man in

506
00:28:21.799 --> 00:28:24.720
<v Speaker 1>his forties, a delivery driver, and it happened in the

507
00:28:24.759 --> 00:28:28.119
<v Speaker 1>fall in the late two thousands, in the last usable

508
00:28:28.200 --> 00:28:31.680
<v Speaker 1>light of the day. He was driving south Pope Lick Road,

509
00:28:32.160 --> 00:28:35.839
<v Speaker 1>the road that passes under the trestle. He'd driven at plenty.

510
00:28:36.279 --> 00:28:39.000
<v Speaker 1>He knew the bridge, knew the legend, thought it was

511
00:28:39.039 --> 00:28:41.680
<v Speaker 1>a good story for scaring his kids, and nothing more.

512
00:28:42.680 --> 00:28:44.960
<v Speaker 1>On this evening, he came around toward the underpass and

513
00:28:45.000 --> 00:28:48.440
<v Speaker 1>caught movement up top on the trestle itself, and his

514
00:28:48.480 --> 00:28:52.079
<v Speaker 1>first thought was, exactly what yours would be. Somebody's on

515
00:28:52.119 --> 00:28:56.079
<v Speaker 1>the bridge, Some idiot kid is up there. He slowed down,

516
00:28:56.480 --> 00:28:59.640
<v Speaker 1>partly out of concern and partly, he admitted, because of

517
00:28:59.680 --> 00:29:02.039
<v Speaker 1>a train. He didn't want to watch what happened next.

518
00:29:02.960 --> 00:29:04.920
<v Speaker 1>The figure was out near the middle of the span,

519
00:29:05.400 --> 00:29:10.400
<v Speaker 1>and it was crouched, not sitting, not standing, crouch down

520
00:29:10.400 --> 00:29:13.200
<v Speaker 1>on the rail itself. He said, balance the way you'd

521
00:29:13.240 --> 00:29:16.480
<v Speaker 1>balance on the balls of your feet, except nobody holds

522
00:29:16.519 --> 00:29:20.880
<v Speaker 1>that pose comfortably. And this thing looked planted against the

523
00:29:20.920 --> 00:29:24.440
<v Speaker 1>gray sky. He could see the outline clearly broad through

524
00:29:24.440 --> 00:29:28.440
<v Speaker 1>the shoulders, head slightly down. He stopped the truck under

525
00:29:28.440 --> 00:29:30.519
<v Speaker 1>the edge of the trestle and rolled his window down

526
00:29:30.559 --> 00:29:32.599
<v Speaker 1>to yell up at the kid to get off the bridge.

527
00:29:33.119 --> 00:29:34.960
<v Speaker 1>And when he stuck his head out and looked up,

528
00:29:35.319 --> 00:29:38.319
<v Speaker 1>the figure stood. He said, it came up too smooth

529
00:29:38.400 --> 00:29:40.839
<v Speaker 1>and too fast for the crouch. It had been in

530
00:29:40.839 --> 00:29:44.880
<v Speaker 1>in one motion, no hands, no wobble on a railhead

531
00:29:44.920 --> 00:29:49.519
<v Speaker 1>maybe three inches wide. Standing it was tall. He put

532
00:29:49.519 --> 00:29:52.519
<v Speaker 1>it well over six feet, judging against the trestle framing

533
00:29:52.559 --> 00:29:55.680
<v Speaker 1>he'd driven past a thousand times. And on the head

534
00:29:55.880 --> 00:30:00.599
<v Speaker 1>silhouetted there were two points short ones yup, saying that

535
00:30:00.680 --> 00:30:04.519
<v Speaker 1>in his report they were short like a young goat's horns,

536
00:30:04.680 --> 00:30:08.200
<v Speaker 1>a few inches curved slightly back. Stay tuned for more

537
00:30:08.240 --> 00:30:14.240
<v Speaker 1>Backwoods bigfoot stories. We'll be back after these messages. He

538
00:30:14.279 --> 00:30:17.079
<v Speaker 1>never saw a face. What he saw was the thing

539
00:30:17.160 --> 00:30:19.680
<v Speaker 1>turn its head and look down at him, hold that

540
00:30:19.759 --> 00:30:22.319
<v Speaker 1>look for a couple of seconds, and then walk away

541
00:30:22.359 --> 00:30:25.640
<v Speaker 1>down the rail toward the far bank, walking the rail,

542
00:30:26.079 --> 00:30:29.319
<v Speaker 1>not the ties, the rail heel to toe if it

543
00:30:29.359 --> 00:30:32.920
<v Speaker 1>had heels, without one hitch in its stride, until the

544
00:30:32.920 --> 00:30:36.680
<v Speaker 1>framing swallowed the silhouette. He sat in his truck a minute,

545
00:30:36.960 --> 00:30:39.960
<v Speaker 1>and then he did something I respect. He got out

546
00:30:40.119 --> 00:30:42.440
<v Speaker 1>and he looked at the ground under the trestle, and

547
00:30:42.519 --> 00:30:44.960
<v Speaker 1>he checked the embankment on the far side for anybody

548
00:30:45.000 --> 00:30:47.839
<v Speaker 1>climbing down, because he wanted a kid in a costume.

549
00:30:48.440 --> 00:30:49.519
<v Speaker 2>He wanted it badly.

550
00:30:50.160 --> 00:30:54.160
<v Speaker 1>There was nobody, no car parked anywhere near, no bike

551
00:30:54.240 --> 00:30:57.920
<v Speaker 1>ditched in the weeds, no laughter from the brush. He

552
00:30:57.960 --> 00:30:59.759
<v Speaker 1>got back in the truck and went home and didn't

553
00:30:59.759 --> 00:31:03.160
<v Speaker 1>tell his wife for three days. When he finally reported

554
00:31:03.160 --> 00:31:05.759
<v Speaker 1>it to a local researcher, he opened with a line

555
00:31:05.799 --> 00:31:08.920
<v Speaker 1>I've heard in one form or another from hundreds of

556
00:31:08.920 --> 00:31:13.079
<v Speaker 1>witnesses across forty years of doing this. He said, I'm

557
00:31:13.119 --> 00:31:15.680
<v Speaker 1>not asking you to believe me. I'm telling you what

558
00:31:15.759 --> 00:31:19.480
<v Speaker 1>I saw so I can quit carrying it by myself. Folks,

559
00:31:19.799 --> 00:31:23.200
<v Speaker 1>hoaxers don't say that. Attention seekers don't sit on a

560
00:31:23.240 --> 00:31:25.839
<v Speaker 1>story for three days and then tell it with embarrassment

561
00:31:25.839 --> 00:31:29.200
<v Speaker 1>in their voice. Could a very committed prankster in a

562
00:31:29.240 --> 00:31:32.799
<v Speaker 1>costume balance on a railhead eight stories over a creek

563
00:31:32.839 --> 00:31:36.960
<v Speaker 1>at dusk to fool one delivery truck? I suppose I

564
00:31:36.960 --> 00:31:39.880
<v Speaker 1>wouldn't bet a dollar on it. Anybody with the balance

565
00:31:39.920 --> 00:31:42.759
<v Speaker 1>to do that has better ways to die. And now

566
00:31:42.799 --> 00:31:46.240
<v Speaker 1>the hardest category, the one that gives this legend its teeth,

567
00:31:47.160 --> 00:31:49.680
<v Speaker 1>the survivors who say they didn't decide to walk on

568
00:31:49.720 --> 00:31:53.960
<v Speaker 1>to that trestle, They say they were drawn. I've collected

569
00:31:54.000 --> 00:31:57.039
<v Speaker 1>several of these over the years, second hand in first hand,

570
00:31:57.519 --> 00:32:00.279
<v Speaker 1>and I'm going to give you one in detail. Young

571
00:32:00.279 --> 00:32:03.480
<v Speaker 1>woman I'll call Aaron, who was nineteen when this happened

572
00:32:03.519 --> 00:32:06.480
<v Speaker 1>in the mid twenty tens, and who told her account

573
00:32:06.519 --> 00:32:09.400
<v Speaker 1>to a Louisville area researcher on the condition her name

574
00:32:09.480 --> 00:32:12.200
<v Speaker 1>stayed out of it. She wasn't proud of any of it.

575
00:32:12.720 --> 00:32:16.240
<v Speaker 1>That comes through in every line. Aaron and three friends

576
00:32:16.319 --> 00:32:18.240
<v Speaker 1>went out to the trestle on a Saturday night in

577
00:32:18.279 --> 00:32:23.480
<v Speaker 1>October for the usual reason the dare the legend. They

578
00:32:23.519 --> 00:32:26.319
<v Speaker 1>parked off the road, walked the fence line, found the

579
00:32:26.319 --> 00:32:29.759
<v Speaker 1>spot where everybody crossed, and climbed the embankment to track level.

580
00:32:30.559 --> 00:32:33.480
<v Speaker 1>The plan, she said, and I've heard this exact plan

581
00:32:33.599 --> 00:32:36.240
<v Speaker 1>from other survivors, and it makes me sick every time

582
00:32:36.839 --> 00:32:39.720
<v Speaker 1>was to walk out just a little way, just far

583
00:32:39.880 --> 00:32:43.319
<v Speaker 1>enough for a picture. Everybody always thinks the bridge works

584
00:32:43.319 --> 00:32:46.880
<v Speaker 1>on a dimmer switch a little danger, then a little more.

585
00:32:47.559 --> 00:32:48.119
<v Speaker 2>It doesn't.

586
00:32:48.799 --> 00:32:51.720
<v Speaker 1>The moment your foot leaves solid ground, you're all the

587
00:32:51.759 --> 00:32:54.359
<v Speaker 1>way in the trap. They stood at the end of

588
00:32:54.400 --> 00:32:57.319
<v Speaker 1>the trestle, passing a phone around, taking photos of the

589
00:32:57.359 --> 00:33:00.160
<v Speaker 1>span in the dark, and Aaron said that while the

590
00:33:00.160 --> 00:33:03.680
<v Speaker 1>other three were laughing and talking, she stopped hearing them,

591
00:33:04.000 --> 00:33:07.160
<v Speaker 1>not that they went quiet. She could see their mouths moving.

592
00:33:07.759 --> 00:33:10.079
<v Speaker 1>She described it like the volume on them was turned

593
00:33:10.119 --> 00:33:11.359
<v Speaker 1>down and the volume.

594
00:33:11.039 --> 00:33:12.319
<v Speaker 2>On the bridge was turned up.

595
00:33:12.960 --> 00:33:15.559
<v Speaker 1>She could hear the creek below, she could hear the

596
00:33:15.599 --> 00:33:18.400
<v Speaker 1>steel ticking as the night cooled it, and she could

597
00:33:18.480 --> 00:33:21.359
<v Speaker 1>hear very faint from somewhere out in the middle of

598
00:33:21.400 --> 00:33:24.039
<v Speaker 1>the span what she took at first for a radio,

599
00:33:24.400 --> 00:33:27.079
<v Speaker 1>because it had a rhythm to it. She took two

600
00:33:27.079 --> 00:33:30.079
<v Speaker 1>steps out onto the ties to hear it better, then

601
00:33:30.119 --> 00:33:33.440
<v Speaker 1>a few more, she told the researcher. She remembers thinking

602
00:33:33.720 --> 00:33:38.119
<v Speaker 1>clear as anything. It's not that far, that exact phrase,

603
00:33:38.599 --> 00:33:40.920
<v Speaker 1>sitting in her head like somebody had said it there,

604
00:33:41.559 --> 00:33:45.039
<v Speaker 1>it's not that far. She was forty feet out over

605
00:33:45.079 --> 00:33:48.000
<v Speaker 1>the drop at night, stepping tied to tie with her

606
00:33:48.079 --> 00:33:51.359
<v Speaker 1>arms out for balance, before her friends realized she wasn't

607
00:33:51.400 --> 00:33:52.559
<v Speaker 1>standing with them anymore.

608
00:33:53.440 --> 00:33:55.880
<v Speaker 2>What snapped her out of it, she said, was light.

609
00:33:56.799 --> 00:33:59.240
<v Speaker 1>The rail in front of her lit up, a thin

610
00:33:59.319 --> 00:34:01.599
<v Speaker 1>white line running out ahead of her along the top

611
00:34:01.640 --> 00:34:06.359
<v Speaker 1>of each rail, brightening, and one heartbeat later, the sound arrived,

612
00:34:06.839 --> 00:34:09.280
<v Speaker 1>the horn, and the whole bridge started to buzz under

613
00:34:09.280 --> 00:34:12.480
<v Speaker 1>her shoes. The train was coming from the far side.

614
00:34:12.960 --> 00:34:15.920
<v Speaker 1>Her friends were screaming behind her. She turned around on

615
00:34:16.000 --> 00:34:18.800
<v Speaker 1>the ties, and she said, turning around took longer than

616
00:34:18.840 --> 00:34:21.920
<v Speaker 1>any single act of her life before or since, and

617
00:34:21.960 --> 00:34:24.960
<v Speaker 1>she ran heeled a toe on railroad ties with gaps

618
00:34:25.000 --> 00:34:27.920
<v Speaker 1>to the creek showing between every step, with the horn

619
00:34:27.960 --> 00:34:30.719
<v Speaker 1>hammering and the light throwing her own shadow out in

620
00:34:30.760 --> 00:34:32.760
<v Speaker 1>front of her like it was running away from her too.

621
00:34:33.760 --> 00:34:36.119
<v Speaker 1>Her friends grabbed her arms and hauled her the last

622
00:34:36.159 --> 00:34:38.280
<v Speaker 1>few feet off the span, and all four of them

623
00:34:38.320 --> 00:34:41.440
<v Speaker 1>tumbled down the embankment into the brush, and the train

624
00:34:41.519 --> 00:34:43.639
<v Speaker 1>went by above them. For what she guessed was two

625
00:34:43.679 --> 00:34:47.519
<v Speaker 1>full minutes, car after car after car after car.

626
00:34:48.280 --> 00:34:48.960
<v Speaker 2>Nobody talked.

627
00:34:49.000 --> 00:34:51.199
<v Speaker 1>On the walk back to the vehicle, one of the

628
00:34:51.239 --> 00:34:53.840
<v Speaker 1>boys threw up next to the fence. And here's what

629
00:34:53.880 --> 00:34:56.800
<v Speaker 1>Aaron said about the pull the thing that walked her

630
00:34:56.840 --> 00:35:00.119
<v Speaker 1>out there, Because the researcher asked her straight out if

631
00:35:00.199 --> 00:35:02.960
<v Speaker 1>she believed the monster had called her. She thought about

632
00:35:03.000 --> 00:35:05.480
<v Speaker 1>it a long time, and her answer is one of

633
00:35:05.480 --> 00:35:08.119
<v Speaker 1>the more honest things I've ever read in this field.

634
00:35:08.920 --> 00:35:11.320
<v Speaker 1>She said, I don't know if something called me onto

635
00:35:11.400 --> 00:35:14.239
<v Speaker 1>that bridge. I know I didn't decide to walk out there.

636
00:35:14.639 --> 00:35:17.239
<v Speaker 1>There was no moment where I chose it. And both

637
00:35:17.280 --> 00:35:19.599
<v Speaker 1>of those things are true at the same time. And

638
00:35:19.679 --> 00:35:21.960
<v Speaker 1>I don't know what to do with that. Neither do

639
00:35:22.079 --> 00:35:25.599
<v Speaker 1>I Errin. But I know the twenty sixteen case, the

640
00:35:25.639 --> 00:35:28.800
<v Speaker 1>one that killed Roquelbane, has an echo of the same

641
00:35:28.840 --> 00:35:31.119
<v Speaker 1>shape in it, a couple that went up for a

642
00:35:31.159 --> 00:35:34.079
<v Speaker 1>look and ended up out over the middle. I know

643
00:35:34.159 --> 00:35:36.880
<v Speaker 1>the nineteen eighty seven cases put two young men in

644
00:35:36.920 --> 00:35:39.159
<v Speaker 1>the exact same fatal geometry.

645
00:35:39.639 --> 00:35:40.400
<v Speaker 2>Whatever you want to.

646
00:35:40.400 --> 00:35:43.079
<v Speaker 1>Call the pool, whether it's a goat legged thing with

647
00:35:43.159 --> 00:35:46.480
<v Speaker 1>a voice like your mother's or the plain human catastrophe

648
00:35:46.519 --> 00:35:50.880
<v Speaker 1>of curiosity plus bad information about train schedules. The result

649
00:35:50.920 --> 00:35:54.360
<v Speaker 1>on the ledger reads identical people who meant to take

650
00:35:54.360 --> 00:35:57.559
<v Speaker 1>one step, take forty. Keep that in your back pocket.

651
00:35:57.880 --> 00:35:59.679
<v Speaker 1>We're going to come back to it at the end,

652
00:36:00.280 --> 00:36:02.519
<v Speaker 1>but right now, we're going to do what I promised

653
00:36:02.559 --> 00:36:04.880
<v Speaker 1>at the top of the show. Because the goat man

654
00:36:04.960 --> 00:36:07.960
<v Speaker 1>is not the only thing walking the dark bottoms of Kentucky.

655
00:36:08.159 --> 00:36:10.119
<v Speaker 1>And if you pull back from that trestle and look

656
00:36:10.159 --> 00:36:13.000
<v Speaker 1>at the wider country around it, the woods start filling

657
00:36:13.079 --> 00:36:15.400
<v Speaker 1>up with something a lot more familiar to this show.

658
00:36:16.280 --> 00:36:20.519
<v Speaker 1>Let's talk about Kentucky Sasquatch. When people rank Bigfoot states,

659
00:36:20.679 --> 00:36:27.000
<v Speaker 1>they name the same ones every time, Washington, Oregon, California, Ohio.

660
00:36:27.079 --> 00:36:28.039
<v Speaker 2>If they know their stuff.

661
00:36:28.960 --> 00:36:32.039
<v Speaker 1>Kentucky almost never makes the list, and that has always

662
00:36:32.039 --> 00:36:34.960
<v Speaker 1>struck me as flat wrong, because Kentucky is close to

663
00:36:35.000 --> 00:36:38.679
<v Speaker 1>a perfect Sasquatch habitat on paper. Look at the map.

664
00:36:39.119 --> 00:36:42.559
<v Speaker 1>You've got the Appalachian Ranges stacked along the east. You've

665
00:36:42.559 --> 00:36:45.519
<v Speaker 1>got the Daniel Boone National Forest running north to south

666
00:36:45.599 --> 00:36:49.000
<v Speaker 1>like a green spine, seven hundred thousand acres and change

667
00:36:49.000 --> 00:36:53.000
<v Speaker 1>of ridges, gorges, rock shelters, and hollows that no casual

668
00:36:53.079 --> 00:36:56.559
<v Speaker 1>hiker ever touches. You've got the western wetlands and river

669
00:36:56.599 --> 00:37:00.280
<v Speaker 1>bottoms along the Ohio and the Mississippi, the huge wooded

670
00:37:00.360 --> 00:37:03.760
<v Speaker 1>peninsula at Land between the Lakes, and cave country in

671
00:37:03.800 --> 00:37:06.079
<v Speaker 1>the middle, riddled with more holes in the ground than

672
00:37:06.119 --> 00:37:12.760
<v Speaker 1>anywhere else on earth. Water everywhere, deer everywhere, massed crops,

673
00:37:13.159 --> 00:37:17.800
<v Speaker 1>feral hogs, thin rural population in the exact places that matter.

674
00:37:18.320 --> 00:37:21.639
<v Speaker 1>And sure enough the reports are there, hundreds of them.

675
00:37:22.239 --> 00:37:25.559
<v Speaker 1>Kentucky researchers and there are some good careful ones working

676
00:37:25.639 --> 00:37:29.280
<v Speaker 1>that state have logged sighting reports from a large majority

677
00:37:29.280 --> 00:37:34.239
<v Speaker 1>of Kentucky's counties going back generations. Long before anybody coined

678
00:37:34.280 --> 00:37:37.800
<v Speaker 1>the word bigfoot, Kentucky settlers and hunters were telling stories

679
00:37:37.840 --> 00:37:41.400
<v Speaker 1>about hairy wild men in the hills. There are old

680
00:37:41.400 --> 00:37:44.519
<v Speaker 1>accounts and traditions that reach back toward the frontier era,

681
00:37:45.000 --> 00:37:47.800
<v Speaker 1>tales of the Yahoe and wild men that mothers used

682
00:37:47.840 --> 00:37:51.000
<v Speaker 1>to keep children close to the cabin. This is old

683
00:37:51.119 --> 00:37:54.280
<v Speaker 1>lore in that state, folks. It did not arrive with

684
00:37:54.360 --> 00:37:57.199
<v Speaker 1>the Patterson film. It was waiting there when the cameras

685
00:37:57.239 --> 00:37:59.800
<v Speaker 1>showed up. So for the rest of tonight, we're going

686
00:37:59.880 --> 00:38:03.280
<v Speaker 1>to road trip inside the road trip four stops across

687
00:38:03.360 --> 00:38:06.960
<v Speaker 1>Kentucky four encounters, starting with the most famous case in

688
00:38:07.000 --> 00:38:11.760
<v Speaker 1>the state's history. Henderson County, far western Kentucky, right down

689
00:38:11.840 --> 00:38:15.559
<v Speaker 1>on the Ohio River. There's a little community there called Spottsville,

690
00:38:15.960 --> 00:38:18.480
<v Speaker 1>and in nineteen seventy five, a family living in a

691
00:38:18.519 --> 00:38:21.559
<v Speaker 1>farmhouse near the river bottoms went through something that Kentucky

692
00:38:21.599 --> 00:38:25.880
<v Speaker 1>researchers have been documenting ever since. It stands today as

693
00:38:25.920 --> 00:38:30.000
<v Speaker 1>the state's flagship case. The family, the Nuntealies, had moved

694
00:38:30.039 --> 00:38:33.519
<v Speaker 1>into an old farmhouse near Spottsville, close to the Green

695
00:38:33.639 --> 00:38:37.159
<v Speaker 1>River bottoms, thick timber and slew country behind the property.

696
00:38:37.760 --> 00:38:41.639
<v Speaker 1>Almost immediately things went wrong in ways of farm family notices.

697
00:38:42.440 --> 00:38:45.559
<v Speaker 1>Chickens and rabbits started disappearing from pens, and not the

698
00:38:45.599 --> 00:38:50.199
<v Speaker 1>way a fox takes them. Pens tore open, animals gone entirely,

699
00:38:50.519 --> 00:38:52.880
<v Speaker 1>or left in a state I won't describe in detail,

700
00:38:53.360 --> 00:38:56.199
<v Speaker 1>but a fox doesn't do it. The family dog wouldn't

701
00:38:56.239 --> 00:38:59.760
<v Speaker 1>leave the porch after dark, and then the scream started

702
00:39:00.119 --> 00:39:02.960
<v Speaker 1>out of the bottoms at night, and the family described

703
00:39:02.960 --> 00:39:06.079
<v Speaker 1>them the way witnesses always seemed to describe them, as

704
00:39:06.119 --> 00:39:09.000
<v Speaker 1>something between a woman screaming and a siren winding up

705
00:39:09.480 --> 00:39:12.400
<v Speaker 1>loud enough to feel in your chest. Then they started

706
00:39:12.400 --> 00:39:17.039
<v Speaker 1>seeing it, multiple family members on multiple occasions over a

707
00:39:17.079 --> 00:39:21.320
<v Speaker 1>stretch of months. What they described was consistent every time,

708
00:39:22.000 --> 00:39:25.719
<v Speaker 1>a very large, upright figure covered in dark hair, broad

709
00:39:25.840 --> 00:39:28.639
<v Speaker 1>long armed, watching the house from the tree line at

710
00:39:28.719 --> 00:39:32.920
<v Speaker 1>dusk and after dark. The children saw it, the adult

711
00:39:32.960 --> 00:39:35.840
<v Speaker 1>saw it. One of the boys, Larry, was a child

712
00:39:35.960 --> 00:39:38.480
<v Speaker 1>during the events, and he grew up and kept telling

713
00:39:38.480 --> 00:39:42.519
<v Speaker 1>the account, the same account into adulthood and middle age

714
00:39:42.559 --> 00:39:47.559
<v Speaker 1>to researchers with recorders running decades of consistency. I keep

715
00:39:47.599 --> 00:39:49.840
<v Speaker 1>coming back to that standard tonight because it's one of

716
00:39:49.840 --> 00:39:52.239
<v Speaker 1>the few tools we have in this field, and the

717
00:39:52.239 --> 00:39:56.400
<v Speaker 1>Spotsville case passes it. The encounters escalated to the point

718
00:39:56.400 --> 00:39:58.480
<v Speaker 1>that the family said the thing came in close to

719
00:39:58.519 --> 00:40:01.559
<v Speaker 1>the house at night, that there were heavy impacts against

720
00:40:01.599 --> 00:40:05.719
<v Speaker 1>the walls, that the father sat up armed. Depending on

721
00:40:05.760 --> 00:40:08.880
<v Speaker 1>the account, shots were fired toward it at least once,

722
00:40:09.280 --> 00:40:13.599
<v Speaker 1>with no evident effect except a temporary retreat. Eventually, the

723
00:40:13.639 --> 00:40:17.079
<v Speaker 1>situation pushed the family off the property, and the bottoms

724
00:40:17.159 --> 00:40:22.199
<v Speaker 1>kept producing reports. Spottsville and the surrounding Henderson County River

725
00:40:22.239 --> 00:40:25.719
<v Speaker 1>Country show up in Kentucky sighting databases again and again

726
00:40:25.840 --> 00:40:28.960
<v Speaker 1>in the decades since, right up into recent years.

727
00:40:29.679 --> 00:40:31.079
<v Speaker 2>Whatever the family ran.

728
00:40:30.920 --> 00:40:33.679
<v Speaker 1>Into down there, that corridor of the Green and Ohio

729
00:40:33.840 --> 00:40:37.760
<v Speaker 1>River bottoms stayed active. Move south from Henderson County and

730
00:40:37.800 --> 00:40:40.360
<v Speaker 1>you hit one of the strangest pieces of geography in

731
00:40:40.400 --> 00:40:44.639
<v Speaker 1>the Eastern United States. Land Between the Lakes. It's a

732
00:40:44.639 --> 00:40:50.039
<v Speaker 1>peninsula forty miles long, pinch between two enormous reservoirs, Kentucky

733
00:40:50.119 --> 00:40:53.679
<v Speaker 1>Lake and Lake Barkley, straddling the Kentucky and Tennessee line.

734
00:40:54.400 --> 00:40:57.239
<v Speaker 1>When the government dammed those rivers in the twentieth century,

735
00:40:57.599 --> 00:41:00.760
<v Speaker 1>whole communities were bought out and removed, and what got

736
00:41:00.840 --> 00:41:03.760
<v Speaker 1>left behind is roughly one hundred and seventy thousand acres

737
00:41:03.800 --> 00:41:07.960
<v Speaker 1>of managed forest with almost nobody living inside it. Old

738
00:41:08.000 --> 00:41:11.559
<v Speaker 1>home sites, going back to woods, cemeteries in the timber,

739
00:41:12.039 --> 00:41:16.039
<v Speaker 1>a restored elk and bison range, and two giant bodies

740
00:41:16.039 --> 00:41:18.760
<v Speaker 1>of water fencing the whole thing in. If you were

741
00:41:18.800 --> 00:41:21.440
<v Speaker 1>going to design a containment area for a large shy

742
00:41:21.559 --> 00:41:24.880
<v Speaker 1>omnivorous primate in the mid South, you could not do

743
00:41:25.000 --> 00:41:28.840
<v Speaker 1>much better. And the report record agrees Land between the

744
00:41:28.920 --> 00:41:32.280
<v Speaker 1>Lakes has a sasquatch tradition that predates the lakes themselves,

745
00:41:32.800 --> 00:41:35.599
<v Speaker 1>going back to when the area was called between the Rivers,

746
00:41:36.039 --> 00:41:39.440
<v Speaker 1>and it has a darker reputation layered on top, including

747
00:41:39.480 --> 00:41:44.320
<v Speaker 1>a widely retold and never officially substantiated story about a

748
00:41:44.360 --> 00:41:47.239
<v Speaker 1>family in a camper meeting a violent end out there

749
00:41:47.280 --> 00:41:50.679
<v Speaker 1>in the late nineteen seventies. That story has grown a

750
00:41:50.719 --> 00:41:53.440
<v Speaker 1>beard and a life of its own online, and I

751
00:41:53.480 --> 00:41:56.480
<v Speaker 1>treated as folklore until somebody shows me a case file.

752
00:41:57.400 --> 00:41:58.320
<v Speaker 2>But underneath the.

753
00:41:58.239 --> 00:42:01.599
<v Speaker 1>Campfire layer, the ordinary ports from land between the Lakes

754
00:42:01.599 --> 00:42:05.360
<v Speaker 1>are steady, numerous, and mundane in the way real data

755
00:42:05.480 --> 00:42:11.000
<v Speaker 1>is mundane. Campers hearing bipedal movement, circling tents, rock impacts

756
00:42:11.119 --> 00:42:15.159
<v Speaker 1>near shore lines at night, vocalizations that clear out a campground,

757
00:42:15.760 --> 00:42:19.719
<v Speaker 1>fishermen seeing tall dark figures cross gravel roads, and two steps.

758
00:42:20.400 --> 00:42:22.880
<v Speaker 1>I'll give you one from that country, an account from

759
00:42:22.920 --> 00:42:25.480
<v Speaker 1>a bow hunter i'll call Ray from the fall of

760
00:42:25.519 --> 00:42:28.719
<v Speaker 1>twenty twelve. And I like this one because nothing in

761
00:42:28.760 --> 00:42:32.320
<v Speaker 1>it is spectacular. Ray was in a climbing stand on

762
00:42:32.360 --> 00:42:35.960
<v Speaker 1>a ridge finger above a creeked drainage inside the recreation area,

763
00:42:36.320 --> 00:42:41.360
<v Speaker 1>an hour before dark October, Acorns dropping squirrels had been

764
00:42:41.360 --> 00:42:44.880
<v Speaker 1>working the flat below him all afternoon. Then the squirrels

765
00:42:44.960 --> 00:42:48.679
<v Speaker 1>quit all at once, he said, like somebody hit a switch,

766
00:42:49.039 --> 00:42:51.280
<v Speaker 1>and the woods went so quiet he could hear boat

767
00:42:51.280 --> 00:42:54.760
<v Speaker 1>traffic miles off. From up the drainage, came a knock,

768
00:42:55.519 --> 00:43:00.480
<v Speaker 1>one sharp, wood on wood loud. Ray had heard limbs

769
00:43:00.519 --> 00:43:03.800
<v Speaker 1>fall his whole life, and it wasn't that a single

770
00:43:03.840 --> 00:43:08.239
<v Speaker 1>clean impact. And then maybe thirty seconds later, an answer

771
00:43:08.239 --> 00:43:11.159
<v Speaker 1>from the opposite ridge, same sound.

772
00:43:11.119 --> 00:43:11.840
<v Speaker 2>Farther off.

773
00:43:12.480 --> 00:43:16.039
<v Speaker 1>Then footsteps below him in the leaves, heavy two legged,

774
00:43:16.199 --> 00:43:19.000
<v Speaker 1>unhurried moving up the drainage bottom toward where the first

775
00:43:19.119 --> 00:43:22.480
<v Speaker 1>knock had come from. He never saw hair or eyes.

776
00:43:23.199 --> 00:43:26.400
<v Speaker 1>What he saw was a walnut sapling about wrist thick,

777
00:43:26.719 --> 00:43:28.920
<v Speaker 1>bend over near the bottom of the flat, and spring

778
00:43:29.000 --> 00:43:32.760
<v Speaker 1>back up twice, the way a sapling moves when something

779
00:43:32.800 --> 00:43:35.639
<v Speaker 1>pushes past it. And he watched the leaves stir along

780
00:43:35.639 --> 00:43:38.440
<v Speaker 1>the line going away from him for fifty or sixty yards.

781
00:43:39.360 --> 00:43:42.400
<v Speaker 1>Ray sat in that stand until full dark because climbing

782
00:43:42.440 --> 00:43:44.920
<v Speaker 1>down did not seem smart, And then he came down

783
00:43:44.960 --> 00:43:47.719
<v Speaker 1>and walked out with his flashlight off because turning it

784
00:43:47.760 --> 00:43:51.639
<v Speaker 1>on seemed worse. That's a real detail from a real woodsman.

785
00:43:52.480 --> 00:43:52.840
<v Speaker 2>He said.

786
00:43:52.840 --> 00:43:56.400
<v Speaker 1>The whole walk out roughly a mile, the wood stayed silent,

787
00:43:56.920 --> 00:44:00.599
<v Speaker 1>and one time, off his right shoulder, something big shifted

788
00:44:00.599 --> 00:44:03.679
<v Speaker 1>its weight in the leaves and stopped. He didn't stop.

789
00:44:04.519 --> 00:44:07.679
<v Speaker 1>He kept the same pace, heart going all the way

790
00:44:07.719 --> 00:44:11.679
<v Speaker 1>to the gravel. No monster leaping out, no red eyes,

791
00:44:12.239 --> 00:44:14.599
<v Speaker 1>just a chain of small wrong things adding up in

792
00:44:14.679 --> 00:44:19.639
<v Speaker 1>country famous for exactly those wrong things. In my experience,

793
00:44:19.920 --> 00:44:23.840
<v Speaker 1>that's what ninety percent of credible sasquatch encounters actually sound like.

794
00:44:24.639 --> 00:44:24.800
<v Speaker 2>Now.

795
00:44:24.840 --> 00:44:27.840
<v Speaker 1>Swing all the way east into the Daniel Boone National

796
00:44:27.880 --> 00:44:33.159
<v Speaker 1>Forest to the Red River Gorge country, cliff lines, natural arches,

797
00:44:33.199 --> 00:44:36.880
<v Speaker 1>and hundreds of rock shelters, the same overhangs that sheltered

798
00:44:36.960 --> 00:44:40.559
<v Speaker 1>human beings in that gorge for thousands of years. It's

799
00:44:40.559 --> 00:44:43.480
<v Speaker 1>some of the most rugged terrain in the Eastern United States,

800
00:44:43.800 --> 00:44:47.760
<v Speaker 1>and it produces reports year after year. The account I'll

801
00:44:47.760 --> 00:44:50.920
<v Speaker 1>share comes from two backpackers, a married couple in the

802
00:44:50.920 --> 00:44:56.400
<v Speaker 1>spring of twenty eighteen. Experienced hikers, both school teachers, camped

803
00:44:56.480 --> 00:44:59.000
<v Speaker 1>legally and well off trail near a cliff line in

804
00:44:59.039 --> 00:45:02.239
<v Speaker 1>one of the quieter drains. They'd hung their food properly,

805
00:45:02.679 --> 00:45:06.039
<v Speaker 1>They'd done everything right, stay tuned for more Backwoods big

806
00:45:06.079 --> 00:45:11.480
<v Speaker 1>foot stories. We'll be back after these messages. Around two

807
00:45:11.559 --> 00:45:13.599
<v Speaker 1>in the morning, the wife woke up because something was

808
00:45:13.639 --> 00:45:16.159
<v Speaker 1>walking the bench above their camp, along the base of

809
00:45:16.199 --> 00:45:19.800
<v Speaker 1>the cliff line. She lay there and counted footfalls, and

810
00:45:19.880 --> 00:45:22.000
<v Speaker 1>she told the researcher who took her report that she

811
00:45:22.079 --> 00:45:26.400
<v Speaker 1>got past thirty slow spaced, heavy enough that she felt

812
00:45:26.400 --> 00:45:29.280
<v Speaker 1>a couple of them through the ground pad. Her husband

813
00:45:29.360 --> 00:45:32.679
<v Speaker 1>woke and they lay still, and the steps stopped directly

814
00:45:32.760 --> 00:45:36.920
<v Speaker 1>upslope of the tent. Then it screamed, she said. The

815
00:45:36.960 --> 00:45:40.599
<v Speaker 1>scream started low like a moan, and climbed until it

816
00:45:40.639 --> 00:45:43.320
<v Speaker 1>was a ragged, whooping howl that bounced off the cliff

817
00:45:43.360 --> 00:45:46.440
<v Speaker 1>opposite and came back at them from two directions, and

818
00:45:46.519 --> 00:45:49.760
<v Speaker 1>it went on longer than a breath should last. Their dog,

819
00:45:50.079 --> 00:45:52.599
<v Speaker 1>a sixty pound Shepherd mix, who had growled at bears

820
00:45:52.639 --> 00:45:56.599
<v Speaker 1>before without backing up an inch, did not growl. The

821
00:45:56.679 --> 00:45:59.360
<v Speaker 1>dog crawled into the foot of the wife's sleeping bag

822
00:45:59.440 --> 00:46:02.960
<v Speaker 1>and shook that detail right there is the one I'd

823
00:46:02.960 --> 00:46:06.360
<v Speaker 1>take to court. You can coach a witness, you cannot

824
00:46:06.440 --> 00:46:09.480
<v Speaker 1>coach a dog. The scream came twice more over the

825
00:46:09.559 --> 00:46:12.480
<v Speaker 1>next few minutes, each one a little farther along the

826
00:46:12.480 --> 00:46:16.239
<v Speaker 1>cliff line, moving away. And then the drainage went quiet

827
00:46:16.280 --> 00:46:20.480
<v Speaker 1>and stayed quiet till a gray, very welcome dawn. In

828
00:46:20.519 --> 00:46:23.639
<v Speaker 1>the morning, the husband walked the bench on a patch

829
00:46:23.639 --> 00:46:26.159
<v Speaker 1>of moss and thin mud at the cliff base. He

830
00:46:26.199 --> 00:46:29.599
<v Speaker 1>found part of one track, the front half toes and

831
00:46:29.679 --> 00:46:33.239
<v Speaker 1>pad pressed deep. He put his own boot next to it,

832
00:46:33.599 --> 00:46:37.320
<v Speaker 1>a size eleven, and photographed both, and the impression made

833
00:46:37.320 --> 00:46:42.159
<v Speaker 1>his boot look small, no claw marks, five toes. They

834
00:46:42.199 --> 00:46:44.760
<v Speaker 1>packed out early, and the wife said something on the

835
00:46:44.800 --> 00:46:48.079
<v Speaker 1>trail that has stayed with me. She said, it knew

836
00:46:48.159 --> 00:46:51.039
<v Speaker 1>exactly where we were the whole time, and it wanted

837
00:46:51.079 --> 00:46:51.519
<v Speaker 1>us to know.

838
00:46:51.559 --> 00:46:51.960
<v Speaker 2>It new.

839
00:46:52.760 --> 00:46:55.960
<v Speaker 1>Whether that's projection or a dead accurate read of primate

840
00:46:56.000 --> 00:46:59.599
<v Speaker 1>display behavior, I'll let you decide, but I'll point out

841
00:46:59.599 --> 00:47:02.480
<v Speaker 1>that every thing that animal did that night, the approach,

842
00:47:02.880 --> 00:47:07.159
<v Speaker 1>the positioning above them, the vocal display, the departure, matches

843
00:47:07.199 --> 00:47:10.239
<v Speaker 1>intimidation and escort behavior we can watch in the great

844
00:47:10.280 --> 00:47:13.920
<v Speaker 1>apes we do have in hand. Nothing about it matches

845
00:47:13.920 --> 00:47:18.000
<v Speaker 1>a bobcat, a coyote chorus, or an elk, and a

846
00:47:18.000 --> 00:47:20.639
<v Speaker 1>screech owl does not put a sixty pound shepherd into

847
00:47:20.679 --> 00:47:24.400
<v Speaker 1>a sleeping bag. And now let's bring the sasquatch thread home,

848
00:47:24.840 --> 00:47:26.880
<v Speaker 1>because I promised at the top of the show that

849
00:47:26.920 --> 00:47:29.559
<v Speaker 1>the two halves of tonight's episode were going to meet,

850
00:47:30.039 --> 00:47:33.639
<v Speaker 1>and here's where they do. The Popelic Trestle crosses a

851
00:47:33.639 --> 00:47:37.360
<v Speaker 1>tributary of Floyd's Fork, and the Floyd's Fork Corridor is

852
00:47:37.400 --> 00:47:41.920
<v Speaker 1>a genuine greenway, a ribbon of creek bottom, floodplain, forest,

853
00:47:42.280 --> 00:47:46.239
<v Speaker 1>and steep wooded slope running for miles through eastern Jefferson County,

854
00:47:46.559 --> 00:47:50.559
<v Speaker 1>stitched into bigger woodlands south of the city. In plain

855
00:47:50.679 --> 00:47:55.559
<v Speaker 1>wildlife biology terms, it is a travel corridor. Deer use it,

856
00:47:56.079 --> 00:48:00.360
<v Speaker 1>coyotes use it. Everything uses it because it's continuous cover

857
00:48:00.440 --> 00:48:03.559
<v Speaker 1>and water running through developed country. And over the years,

858
00:48:03.639 --> 00:48:07.599
<v Speaker 1>quietly that corridor has produced upright hairy figure reports of

859
00:48:07.599 --> 00:48:13.199
<v Speaker 1>its own. Not goat men, no horns, no hoofs, big dark,

860
00:48:13.519 --> 00:48:16.840
<v Speaker 1>two legged, and gone fast. The account I'll leave you

861
00:48:16.880 --> 00:48:19.960
<v Speaker 1>with came from a utility contractor, and it happened just

862
00:48:20.000 --> 00:48:23.599
<v Speaker 1>a few years ago. Early on a February morning, cold

863
00:48:23.960 --> 00:48:26.960
<v Speaker 1>with snow dust on the ground. He was checking an

864
00:48:26.960 --> 00:48:30.920
<v Speaker 1>easement along a creek bottom in that corridor alone around

865
00:48:30.960 --> 00:48:34.599
<v Speaker 1>seven in the morning, good gray light. He came around

866
00:48:34.599 --> 00:48:36.719
<v Speaker 1>a bend in the access path and standing at the

867
00:48:36.800 --> 00:48:38.760
<v Speaker 1>edge of the timber on the far side of the creek,

868
00:48:39.159 --> 00:48:42.199
<v Speaker 1>maybe sixty yards off was what he took for one

869
00:48:42.239 --> 00:48:45.800
<v Speaker 1>full second to be a man in insulated coveralls. Then

870
00:48:45.840 --> 00:48:48.639
<v Speaker 1>it took a step, and he stopped thinking that. He

871
00:48:48.719 --> 00:48:51.719
<v Speaker 1>said the step was too long. That was the first thing,

872
00:48:52.159 --> 00:48:56.719
<v Speaker 1>before size, before anything. The stride was wrong for a person,

873
00:48:56.760 --> 00:48:59.719
<v Speaker 1>and the arms swung through an arc no coverall allows,

874
00:49:00.119 --> 00:49:02.920
<v Speaker 1>and it covered the open gap between two stands of trees,

875
00:49:03.559 --> 00:49:06.480
<v Speaker 1>a gap he'd later paced at over ten yards in

876
00:49:06.559 --> 00:49:10.960
<v Speaker 1>three steps, without ever appearing to hurry, dark brown snow

877
00:49:11.000 --> 00:49:14.119
<v Speaker 1>dust kicking up at its feet, head slightly forward, and

878
00:49:14.159 --> 00:49:17.079
<v Speaker 1>it never looked at him. It crossed the open ground

879
00:49:17.159 --> 00:49:19.440
<v Speaker 1>and was in the far timber, and the bottoms were

880
00:49:19.440 --> 00:49:22.480
<v Speaker 1>empty again. He stood there, and then he did the

881
00:49:22.519 --> 00:49:25.920
<v Speaker 1>practical thing. He crossed on a downed log and went

882
00:49:26.000 --> 00:49:27.199
<v Speaker 1>and looked at the ground.

883
00:49:26.920 --> 00:49:29.199
<v Speaker 2>Where it had walked. In the snow.

884
00:49:29.239 --> 00:49:31.920
<v Speaker 1>He found the line of impressions, and he measured the

885
00:49:31.960 --> 00:49:34.719
<v Speaker 1>distance between them with his tape, and the number he

886
00:49:34.800 --> 00:49:36.159
<v Speaker 1>got between prince.

887
00:49:35.960 --> 00:49:37.159
<v Speaker 2>Was over five feet.

888
00:49:37.880 --> 00:49:41.039
<v Speaker 1>He took pictures on a phone that he freely admits

889
00:49:41.400 --> 00:49:45.280
<v Speaker 1>took terrible pictures. He finished his inspection, and he sat

890
00:49:45.320 --> 00:49:47.960
<v Speaker 1>in his truck with the heater running for a while before.

891
00:49:47.679 --> 00:49:48.400
<v Speaker 2>He drove off.

892
00:49:49.079 --> 00:49:51.800
<v Speaker 1>He never reported it to any agency. What was he

893
00:49:51.880 --> 00:49:54.960
<v Speaker 1>going to say? He told a researcher about it two

894
00:49:55.039 --> 00:49:58.599
<v Speaker 1>years later, almost in passing, and when asked why he'd

895
00:49:58.599 --> 00:50:00.880
<v Speaker 1>sat on it, he gave the answer I have now

896
00:50:00.960 --> 00:50:04.480
<v Speaker 1>heard in one wording or another for four decades.

897
00:50:05.159 --> 00:50:06.119
<v Speaker 2>I like my job.

898
00:50:06.679 --> 00:50:10.400
<v Speaker 1>I like people thinking I'm sensible that sighting happened in

899
00:50:10.440 --> 00:50:13.760
<v Speaker 1>the same watershed as the pope Lick Trestle. A few

900
00:50:13.760 --> 00:50:17.119
<v Speaker 1>miles of continuous creek bottom. That's all that separates them.

901
00:50:17.719 --> 00:50:20.320
<v Speaker 1>Strip the horns and the circus and the Devil's bargain

902
00:50:20.320 --> 00:50:23.079
<v Speaker 1>off the pope Lick Monster, and underneath you find the

903
00:50:23.079 --> 00:50:27.679
<v Speaker 1>same report Kentucky has been generating since the frontier, something tall,

904
00:50:28.000 --> 00:50:31.199
<v Speaker 1>hairy and bipedal, moving through the bottoms at the edge

905
00:50:31.199 --> 00:50:34.880
<v Speaker 1>of settled land, screaming in the night, seen for seconds,

906
00:50:35.119 --> 00:50:38.199
<v Speaker 1>and gone. It is at least possible, and I'd put

907
00:50:38.199 --> 00:50:41.239
<v Speaker 1>it stronger than possible, that the oldest layer of the

908
00:50:41.280 --> 00:50:44.360
<v Speaker 1>goatman legend started with exactly the kind of sightings the

909
00:50:44.400 --> 00:50:48.119
<v Speaker 1>Floyd's Fort corridor still produces, and that the goat parts,

910
00:50:48.320 --> 00:50:51.800
<v Speaker 1>the horns and hoofs and hypnosis got bolted on later

911
00:50:51.880 --> 00:50:54.639
<v Speaker 1>by generations of storytellers who needed the thing under the

912
00:50:54.639 --> 00:50:57.800
<v Speaker 1>bridge to be a devil, because a devil explains dead

913
00:50:57.800 --> 00:51:01.679
<v Speaker 1>teenagers better than a train does, which brings us finally

914
00:51:01.719 --> 00:51:04.639
<v Speaker 1>to the question. This whole episode has been walking toward.

915
00:51:05.679 --> 00:51:09.159
<v Speaker 1>What is the Pope Lick Monster? Longtime listeners know how

916
00:51:09.159 --> 00:51:12.960
<v Speaker 1>I close these episodes. I lay the possibilities on the table,

917
00:51:13.320 --> 00:51:15.480
<v Speaker 1>I tell you which way I lean, and I let

918
00:51:15.559 --> 00:51:19.000
<v Speaker 1>you make up your own mind. Tonight, there are three doors,

919
00:51:19.480 --> 00:51:22.559
<v Speaker 1>and I'm going to walk through each one honestly, including

920
00:51:22.559 --> 00:51:25.760
<v Speaker 1>the one that makes me uncomfortable, Door number one. The

921
00:51:25.840 --> 00:51:29.280
<v Speaker 1>monster is real, a flesh and blood something or a

922
00:51:29.320 --> 00:51:33.079
<v Speaker 1>supernatural something that lives around that trestle and lures people

923
00:51:33.119 --> 00:51:36.559
<v Speaker 1>onto it. Here's my problem with the flesh and blood version,

924
00:51:36.880 --> 00:51:38.400
<v Speaker 1>and it's the same problem I.

925
00:51:38.320 --> 00:51:39.400
<v Speaker 2>Have with every hybrid.

926
00:51:39.519 --> 00:51:44.760
<v Speaker 1>Cryptid biology doesn't build half man half goat. Primates and

927
00:51:44.800 --> 00:51:47.760
<v Speaker 1>goats sit on branches of the family tree that split

928
00:51:47.800 --> 00:51:50.679
<v Speaker 1>tens of millions of years back, and no amount of

929
00:51:50.719 --> 00:51:52.199
<v Speaker 1>Backwood's mischief.

930
00:51:51.960 --> 00:51:53.000
<v Speaker 2>Crosses that gap.

931
00:51:53.960 --> 00:51:58.159
<v Speaker 1>Everything I've spent forty years arguing about sasquatch works precisely

932
00:51:58.199 --> 00:52:03.400
<v Speaker 1>because sasquatch requires no man. A large, undiscovered North American

933
00:52:03.440 --> 00:52:08.280
<v Speaker 1>ape is unlikely, It is not impossible. A satyr is impossible.

934
00:52:08.599 --> 00:52:10.280
<v Speaker 1>And I say that as a man who watched a

935
00:52:10.320 --> 00:52:14.079
<v Speaker 1>sasquatch cross a Washington State trail just ten feet away

936
00:52:14.079 --> 00:52:17.039
<v Speaker 1>from me just two short years ago, and had his

937
00:52:17.159 --> 00:52:20.920
<v Speaker 1>whole life rearranged by it. My standard didn't get looser

938
00:52:20.960 --> 00:52:24.320
<v Speaker 1>after my sighting. If anything, it got tighter, because now

939
00:52:24.360 --> 00:52:27.199
<v Speaker 1>I know exactly what a real encounter costs a witness,

940
00:52:27.639 --> 00:52:30.159
<v Speaker 1>and I refuse to spend that on a creature. Evolution

941
00:52:30.360 --> 00:52:35.400
<v Speaker 1>can't produce the supernatural version, the demon, the cursed farmer,

942
00:52:35.800 --> 00:52:40.039
<v Speaker 1>the reincarnated sacrifice. I don't believe in curses or devils

943
00:52:40.199 --> 00:52:43.159
<v Speaker 1>at the trestle or anywhere else. I know some of

944
00:52:43.159 --> 00:52:46.119
<v Speaker 1>you do, and I respect you. And you'll notice I

945
00:52:46.159 --> 00:52:48.920
<v Speaker 1>told those origin stories tonight with a straight face, because

946
00:52:48.960 --> 00:52:51.599
<v Speaker 1>they're part of the record and they matter to the history.

947
00:52:52.079 --> 00:52:55.400
<v Speaker 1>But I can't sell you a demon. I don't own one.

948
00:52:55.440 --> 00:52:58.719
<v Speaker 1>What I'll grant door number one is this, some of

949
00:52:58.760 --> 00:53:01.280
<v Speaker 1>the witnesses are telling the true truth about their experience.

950
00:53:02.280 --> 00:53:05.599
<v Speaker 1>Danny heard something called his friend's name in perfect rhythm.

951
00:53:05.920 --> 00:53:08.760
<v Speaker 1>The driver saw something crouched on a railhead that stood

952
00:53:08.800 --> 00:53:11.800
<v Speaker 1>up like nothing he'd ever seen. I don't think those

953
00:53:11.840 --> 00:53:15.440
<v Speaker 1>people are lying. I think a barred owl, a prankster,

954
00:53:15.960 --> 00:53:19.760
<v Speaker 1>a misjudged silhouette, and eighty years of expectation can do

955
00:53:19.840 --> 00:53:22.639
<v Speaker 1>heavy lifting. And I think there remains a residue and

956
00:53:22.679 --> 00:53:25.360
<v Speaker 1>a few of these accounts that I cannot fully explain.

957
00:53:25.760 --> 00:53:28.880
<v Speaker 1>And I've told you before, I'm comfortable saying I don't know.

958
00:53:29.440 --> 00:53:31.760
<v Speaker 1>A man who can't say I don't know has no

959
00:53:31.840 --> 00:53:37.119
<v Speaker 1>business in this field. Door number two, the monster is psychological,

960
00:53:37.480 --> 00:53:40.519
<v Speaker 1>and this door deserves more respect than it usually gets.

961
00:53:41.480 --> 00:53:45.079
<v Speaker 1>There's a documented, boring and genuinely frightening thing the human

962
00:53:45.119 --> 00:53:48.159
<v Speaker 1>brain does around heights and rails, And if you've ever

963
00:53:48.159 --> 00:53:51.280
<v Speaker 1>stood somewhere high and felt a little tug toward the edge,

964
00:53:51.599 --> 00:53:55.840
<v Speaker 1>you already know it. Psychologists have studied that pull. Most

965
00:53:55.880 --> 00:53:58.760
<v Speaker 1>people who feel it aren't suicidal, and it passes in

966
00:53:58.800 --> 00:54:01.719
<v Speaker 1>a second. But he fully agrees on why the brain

967
00:54:01.840 --> 00:54:04.599
<v Speaker 1>generates it. Now put a nineteen year old on the

968
00:54:04.639 --> 00:54:07.119
<v Speaker 1>approach to a seven hundred and seventy foot trestle at

969
00:54:07.239 --> 00:54:11.440
<v Speaker 1>night with adrenaline up with friends watching, with a legend

970
00:54:11.440 --> 00:54:14.000
<v Speaker 1>in their head that says the monster calls people out

971
00:54:14.039 --> 00:54:17.440
<v Speaker 1>onto the span. The legend hands the pull a name

972
00:54:17.519 --> 00:54:21.480
<v Speaker 1>and a voice. Aaron said it perfectly. She never decided

973
00:54:21.519 --> 00:54:24.440
<v Speaker 1>to walk out there, and she also was never dragged.

974
00:54:25.000 --> 00:54:25.599
<v Speaker 2>Both true.

975
00:54:26.320 --> 00:54:28.480
<v Speaker 1>The story she'd been told her whole life gave her

976
00:54:28.480 --> 00:54:33.480
<v Speaker 1>feet permission. There's also plain sensory failure that valley bends.

977
00:54:33.480 --> 00:54:37.920
<v Speaker 1>Sound trains arrive faster and quieter than intuition says they should.

978
00:54:38.639 --> 00:54:41.800
<v Speaker 1>Rails hum and shine before the noise makes sense, and

979
00:54:41.840 --> 00:54:45.039
<v Speaker 1>a brain primed for a monster has a whole library

980
00:54:45.079 --> 00:54:48.440
<v Speaker 1>of explanations ready before the correct one, which is run,

981
00:54:48.960 --> 00:54:52.239
<v Speaker 1>gets its boots on. Under door number two, the goat

982
00:54:52.280 --> 00:54:54.400
<v Speaker 1>man is real in the only place he needs to

983
00:54:54.440 --> 00:54:55.440
<v Speaker 1>be real to kill you.

984
00:54:56.119 --> 00:54:57.119
<v Speaker 2>Between your ears.

985
00:54:57.840 --> 00:55:00.840
<v Speaker 1>Door number three, the monster is a warning that got

986
00:55:00.880 --> 00:55:03.639
<v Speaker 1>out of hand. This is the folklore door, and it's

987
00:55:03.679 --> 00:55:07.519
<v Speaker 1>where I put most of my chips. Communities build monsters

988
00:55:07.559 --> 00:55:12.079
<v Speaker 1>to guard dangerous places. They always have. Kentucky river towns

989
00:55:12.119 --> 00:55:14.679
<v Speaker 1>told kids about creatures in the water so they'd fear.

990
00:55:14.719 --> 00:55:19.400
<v Speaker 1>The current mining country told stories about knockers in the tunnels.

991
00:55:19.840 --> 00:55:22.960
<v Speaker 1>The goat legged figure at the wild Edge, remember, is

992
00:55:23.000 --> 00:55:26.159
<v Speaker 1>four thousand years old, and his job has always been

993
00:55:26.199 --> 00:55:30.360
<v Speaker 1>the same, mark the boundary. Whatever the very first Pope

994
00:55:30.400 --> 00:55:33.239
<v Speaker 1>Lick story was, and I've told you I suspect a

995
00:55:33.320 --> 00:55:36.519
<v Speaker 1>hairy bipedal siding in those bottoms may sit underneath it.

996
00:55:36.840 --> 00:55:39.679
<v Speaker 1>At some point the community pointed the story at the trestle,

997
00:55:40.000 --> 00:55:43.920
<v Speaker 1>and the message was never subtle. That bridge kills stay

998
00:55:43.920 --> 00:55:47.239
<v Speaker 1>off it. The monster was the fence before Norfolk Southern

999
00:55:47.280 --> 00:55:50.000
<v Speaker 1>built one, and then the warning inverted.

1000
00:55:50.400 --> 00:55:53.360
<v Speaker 2>That's the tragedy. At the middle of this episode.

1001
00:55:53.400 --> 00:55:56.480
<v Speaker 1>Somewhere between the campfire and the car culture and the

1002
00:55:56.480 --> 00:55:59.880
<v Speaker 1>film and the Internet, the story stopped saying stay away

1003
00:56:00.000 --> 00:56:03.559
<v Speaker 1>and started saying come see. The monster became the attraction,

1004
00:56:04.199 --> 00:56:07.599
<v Speaker 1>The fence became the challenge, and the trestle went right

1005
00:56:07.639 --> 00:56:09.760
<v Speaker 1>on doing the one thing it has always done to

1006
00:56:09.840 --> 00:56:13.599
<v Speaker 1>human beings on foot, with a mechanical indifference no demon

1007
00:56:13.639 --> 00:56:20.239
<v Speaker 1>could match. Jack Baum, David Bryant, Roquel Bain, Savannah Bright.

1008
00:56:21.000 --> 00:56:24.280
<v Speaker 1>The monster didn't kill any of them. The legend, working

1009
00:56:24.360 --> 00:56:27.679
<v Speaker 1>exactly backward from its original purpose, put every one of

1010
00:56:27.719 --> 00:56:30.559
<v Speaker 1>them in front of a train. So here's my verdict

1011
00:56:30.880 --> 00:56:34.480
<v Speaker 1>for whatever one old cops verdict is worth. I believe

1012
00:56:34.519 --> 00:56:37.199
<v Speaker 1>there may well be a real animal in Kentucky's bottoms

1013
00:56:37.199 --> 00:56:41.119
<v Speaker 1>and hollows. And I believe the state's sasquatch record from

1014
00:56:41.119 --> 00:56:44.480
<v Speaker 1>Spottsville to the Gorge deserves far more serious attention than

1015
00:56:44.519 --> 00:56:47.679
<v Speaker 1>it gets. I believe the thing under the Pope Lick Tressel,

1016
00:56:48.039 --> 00:56:51.679
<v Speaker 1>the goat legged one, is us our oldest boundary marker

1017
00:56:52.000 --> 00:56:56.039
<v Speaker 1>posted at a genuinely lethal boundary, doing its job in reverse.

1018
00:56:56.519 --> 00:56:59.440
<v Speaker 1>And I believe the deadliest sentence in this entire episode

1019
00:56:59.599 --> 00:57:03.239
<v Speaker 1>is only four words long. It's not that far. That's

1020
00:57:03.239 --> 00:57:07.000
<v Speaker 1>the monster's whole voice, right there. Not a bleat, not

1021
00:57:07.079 --> 00:57:11.039
<v Speaker 1>a hiss, not your mother calling your name, just that quiet,

1022
00:57:11.159 --> 00:57:14.000
<v Speaker 1>reasonable thought on the edge of the span. It's not

1023
00:57:14.119 --> 00:57:18.559
<v Speaker 1>that far. The train schedule says, we're fine. Everybody does

1024
00:57:18.639 --> 00:57:22.639
<v Speaker 1>this one picture and we're gone. If you ever hear

1025
00:57:22.679 --> 00:57:25.960
<v Speaker 1>that voice near a railroad track anywhere, that's him. That's

1026
00:57:26.000 --> 00:57:28.800
<v Speaker 1>the goat man. And now you know what he sounds like,

1027
00:57:29.159 --> 00:57:31.559
<v Speaker 1>so you can turn around and walk away, which is

1028
00:57:31.599 --> 00:57:35.000
<v Speaker 1>the one power every victim in tonight's episode had right

1029
00:57:35.079 --> 00:57:38.639
<v Speaker 1>up until the second they didn't one more time because

1030
00:57:38.639 --> 00:57:42.000
<v Speaker 1>it bears repeating. And then some stay off the pope

1031
00:57:42.039 --> 00:57:46.079
<v Speaker 1>lick trestle, stay off every trestle. Don't walk tracks, don't

1032
00:57:46.079 --> 00:57:50.400
<v Speaker 1>pose on tracks, don't fly drones over cruise, don't test fences.

1033
00:57:50.960 --> 00:57:53.840
<v Speaker 1>You can love this legend. You can visit the park lands.

1034
00:57:54.159 --> 00:57:56.360
<v Speaker 1>You can see that bridge from a legal distance and

1035
00:57:56.400 --> 00:57:59.039
<v Speaker 1>feel every bit of the shiver it's earned, and you

1036
00:57:59.079 --> 00:58:01.880
<v Speaker 1>can go home to the people who love you. The

1037
00:58:01.960 --> 00:58:04.320
<v Speaker 1>story works fine from the safe side of the fence.

1038
00:58:04.920 --> 00:58:05.800
<v Speaker 2>I just proved it.

1039
00:58:06.239 --> 00:58:08.440
<v Speaker 1>We spent this whole night together and neither one of

1040
00:58:08.519 --> 00:58:12.039
<v Speaker 1>us set foot on a single tie. Kentucky, you were

1041
00:58:12.119 --> 00:58:15.159
<v Speaker 1>everything I hoped. A monster with the deepest roots in

1042
00:58:15.239 --> 00:58:19.360
<v Speaker 1>human storytelling, a real tragedy that demands respect, and a

1043
00:58:19.400 --> 00:58:22.320
<v Speaker 1>sasquatch record hiding behind it. All that could fill five

1044
00:58:22.400 --> 00:58:27.280
<v Speaker 1>more episodes. I suspect we'll be back someday. Next stop,

1045
00:58:27.599 --> 00:58:31.440
<v Speaker 1>another state line, another set of back roads, another thing

1046
00:58:31.519 --> 00:58:35.280
<v Speaker 1>waiting in the dark that somebody swears they saw. Until then,

1047
00:58:35.719 --> 00:58:38.079
<v Speaker 1>keep your eyes on the tree line, keep your feet

1048
00:58:38.079 --> 00:58:40.320
<v Speaker 1>off the tracks, and I'll see you down the road.

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<v Speaker 2>Didn' the
