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<v Speaker 1>Callaroga Shark Media, Hello Chunny Mack with your daily comedy news.

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<v Speaker 1>Whitney Cummings tells The Dallas Observer, I always worried that

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<v Speaker 1>if I ever got happy, I'd stop being funny. I

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<v Speaker 1>wish that someone had told me sooner that that's not

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<v Speaker 1>how it works. My act was about me and my

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<v Speaker 1>self sabotaging behaviors. But now it's obvious about the world

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<v Speaker 1>that I'm bringing up my son into and needing to

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<v Speaker 1>understand it a bit better. It's a nice upgrade from

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<v Speaker 1>an emotionally fraught, confused person to someone who is less

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<v Speaker 1>confused and no longer emotionally fraught. As a comedian, I

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<v Speaker 1>could stay image sure forever, but I learned I could

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<v Speaker 1>be mature and be happy and still be funny. Micha

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<v Speaker 1>Leean blacks All the Inside Hook on Twitter. I learned

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<v Speaker 1>very early on I'm not going to change anybody's mind

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<v Speaker 1>about anything, and I no longer try. I'm not trying

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<v Speaker 1>to change anybody's mind. What I'm trying to do is

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<v Speaker 1>engage with people on the basis of their arguments, not

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<v Speaker 1>because I'm trying to convince them, but because I'm trying

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<v Speaker 1>to help people who may feel the way I do,

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<v Speaker 1>but don't necessarily know how to approach these conversations. And

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<v Speaker 1>I don't either a lot of times, so a lot

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<v Speaker 1>of time when I'm engaging, it's not because I'm so

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<v Speaker 1>sure of my own position. It's to understand my own

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<v Speaker 1>position better. It's to be able to defend my own

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<v Speaker 1>position so that if I were to have a conversation

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<v Speaker 1>with you in real life and something would come up,

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<v Speaker 1>I might have an actually informed opinion rather than just

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<v Speaker 1>kind of a knee jerk liberal response to something. Inside

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<v Speaker 1>Hook points out that Michael Ian Black is not shy

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<v Speaker 1>about calling out his fellow comedians, including appearing in the

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<v Speaker 1>recent Louis Ck documentary Sorry Not Sorry, or about writing

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<v Speaker 1>a piece about the time Andrew dice Clay threatened to

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<v Speaker 1>kick his ass where Joe Rogan's lazy use of slurs

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<v Speaker 1>in his latest special. Michael ian Black has a substack

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<v Speaker 1>which I follow is pretty good, which reminds me I

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<v Speaker 1>should promote my own substack. Mine is called media Thoughts

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<v Speaker 1>by John McDermott. I'll throw a link in the show notes. Basically,

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<v Speaker 1>I have music Mondays where I just write about whatever

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<v Speaker 1>band I feel like writing about. Wednesdays or podcast recommendations,

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<v Speaker 1>and maybe once or twice a week on the other

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<v Speaker 1>days I'll write about podcasting. It is not a comedy blog.

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<v Speaker 1>If I want to talk about comedy, that's this anyway,

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<v Speaker 1>It's free. I hope you will check it out link

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<v Speaker 1>of the show notes. Michael Black says it feels hypocritical

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<v Speaker 1>of me to call out politicians for crappy behavior and

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<v Speaker 1>then somehow not call out fellow comics for crappy behavior.

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<v Speaker 1>I don't want to be that guy. Like in a

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<v Speaker 1>case of Rogan in particular, he is such a massive platform,

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<v Speaker 1>He's such an influential part of the culture that when

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<v Speaker 1>he releases a special in the punchline to one of

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<v Speaker 1>his jokes is I don't want to say the word

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<v Speaker 1>rhymes with make it. I'm like, you can do better,

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<v Speaker 1>and you oughte to your audience to do better. Because

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<v Speaker 1>he knows who his audience is, and he knows the

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<v Speaker 1>influence he has over them. So when he's giving them

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<v Speaker 1>more a license to be a jerk faces, they're gonna

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<v Speaker 1>take that license. Slight paraphrase there by me, I don't

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<v Speaker 1>think it's enough when you're at Joe Rogan's level to say,

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<v Speaker 1>I'm just a comic. You're not for better or worse

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<v Speaker 1>or whatever the term actually applies to you. In particular,

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<v Speaker 1>you're a thought leader, and I think if was me,

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<v Speaker 1>I think you just have responsibility there not to make

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<v Speaker 1>things worse for people. And I know that's not his intention.

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<v Speaker 1>I really, in my heart, I believe that. But that's

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<v Speaker 1>the effect it has. And so Joe Rogan doesn't give

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<v Speaker 1>a hoot about what I think. Joe Rogan doesn't know

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<v Speaker 1>who I am. But I thought it was incumbent on me,

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<v Speaker 1>just to my own conscience, to calling out Greg Fitzsimmons

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<v Speaker 1>talked about working with Ellen and said, working with Ellen,

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<v Speaker 1>what doesn't kill you makes you stronger, right, And I

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<v Speaker 1>think that it killed me. It was amazing watching the

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<v Speaker 1>evolution of that show. I was run in to help

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<v Speaker 1>come up with ideas for the show before it launched.

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<v Speaker 1>It was a really exciting feeling about it. It was all

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<v Speaker 1>about positivity and possibility. Then we started winning Emmys and

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<v Speaker 1>it became very unpleasant. There was a lot of fear

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<v Speaker 1>going around. It didn't feel fun at the end. I'd

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<v Speaker 1>go on the road and all these Midwestern housewives would

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<v Speaker 1>come up to me after the show and be like,

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<v Speaker 1>oh my god, you were with Vellen what she like?

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<v Speaker 1>And I would tell them what she's like, and you

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<v Speaker 1>could see their shoulders slump and tears wall up in

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<v Speaker 1>their eyes and they'd be like no, and I'd be like, yeah,

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<v Speaker 1>America loves to tear down its level icons. In some cases,

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<v Speaker 1>I feel like it's unwarranted. But in this case, it's

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<v Speaker 1>amazing to me to see her going out. She's doing

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<v Speaker 1>this new special where she was talking about how she

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<v Speaker 1>got thrown under the bus. Let's just say it was warranted. Wow.

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<v Speaker 1>Ali Sadiq spoke to the spokesman. Ali said people make

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<v Speaker 1>a lot of mistakes in their life and go through

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<v Speaker 1>things you should have went right, but he went left.

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<v Speaker 1>He zigged when you should have zagged. Things happen. You

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<v Speaker 1>don't get a chance to pinpoint a lot of times

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<v Speaker 1>when you went wrong. During his time in prison, he

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<v Speaker 1>reflected on the mistakes he had made and pinpoint into

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<v Speaker 1>the exact year in which the first domino fell, leading

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<v Speaker 1>to his incarceration. The Domino effect was supposed to be

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<v Speaker 1>a one off, but he says, as people got to

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<v Speaker 1>wonder how I got locked up, I want to give

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<v Speaker 1>the history of it. Once I did Domino Effect and

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<v Speaker 1>people were interested, it was like, oh, what a way

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<v Speaker 1>to go, and I can continue to do them. He

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<v Speaker 1>recalls comedian Billy D. Washington telling him, when you're not

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<v Speaker 1>being funny, be interesting. Ollie says, the Domino effects are

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<v Speaker 1>a reality of that. When I'm not being funny, the

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<v Speaker 1>story's interesting. I don't even start off trying to be funny.

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<v Speaker 1>It's me telling the story and taking this deep dive

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<v Speaker 1>into what I've experienced versus what somebody else has experienced.

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<v Speaker 1>I'm still trying to get better as a storyteller. I'm

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<v Speaker 1>not the best that I can be, yet I can

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<v Speaker 1>get better, I can develop better. I'm doing other specials

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<v Speaker 1>in order to get better what I actually do and

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<v Speaker 1>put out all these different works. He says he wants

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<v Speaker 1>to be like Denzel Washington. By the way, you know,

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<v Speaker 1>if you had a time machine. So when I graduated

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<v Speaker 1>from Fordham at University in nineteen eighty seven, the commencement

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<v Speaker 1>speaker was some unknown actor Denzel Washington. We weren't impressed. Boy,

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<v Speaker 1>I like a do over on that one. Dumb teenagers,

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<v Speaker 1>Ollie says, denzil Ell is Denzel Regardless, it doesn't matter

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<v Speaker 1>what role he's in, he just tells you something else.

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<v Speaker 1>I want to get better in my craft, to beat

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<v Speaker 1>myself and give you all this different work. It's like, Yo,

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<v Speaker 1>he was great in this. He was great in that.

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<v Speaker 1>He was different than this, but he was still great.

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<v Speaker 1>Same chair, same microphone. He's just giving us something different

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<v Speaker 1>from the Daily Mail. A Ricky Gervai's skit was shown

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<v Speaker 1>in court. Man claimed he was copying at Ricky Gervase

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<v Speaker 1>when he allegedly did a Nazi salute outside a Jewish

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<v Speaker 1>museum in Sydney. Three men were charge with behaving in

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<v Speaker 1>an offensive manner in public after knowing displaying Nazi symbols

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<v Speaker 1>without an excuse near the Sydney Jewish Museum last October.

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<v Speaker 1>The men told the police they were joking. One of

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<v Speaker 1>the men said he was copying a Ricky Gervay's routine,

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<v Speaker 1>and a clip played for the court. Ricky Gervas performs

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<v Speaker 1>a mock Nazi salute while pushing his hair down to

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<v Speaker 1>Mimick Hitler and says, I do that quick so no

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<v Speaker 1>one can take a picture of me doing that. Not

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<v Speaker 1>a traditional subject for comedy. The Old Holocaust Magistrate Jennifer

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<v Speaker 1>Atkinson question the timing of the acts, which occurred less

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<v Speaker 1>than a week after the attacks by Hamas last October.

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<v Speaker 1>She told the court, it really is a matter of

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<v Speaker 1>common knowledge what occurred in Israel days earlier. You might

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<v Speaker 1>have said it as a joke, But why that location,

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<v Speaker 1>why that time, the magistrate added, I'm not making a

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<v Speaker 1>decision about Ricky Gervais. Friend of the Show, Jason Zenneman

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<v Speaker 1>writes in The New York Times under the headline is

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<v Speaker 1>the comedy club booking process broken? The owners of a

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<v Speaker 1>new spot say hiring comics based on referrals from other

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<v Speaker 1>stand ups is no guarantee the acts will be funny.

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<v Speaker 1>This is the Bushwick Comedy club owner Jad and his

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<v Speaker 1>partners plan to book via tape submissions rather than referrals.

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<v Speaker 1>Jad tells Jason, whether or not you get on stage

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<v Speaker 1>at most clubs in the city is very little to

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<v Speaker 1>do at this point with how funny you are. Most

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<v Speaker 1>major clubs use a referral system to varying degrees. That

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<v Speaker 1>means to get on stage you need other comics to

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<v Speaker 1>vouch for you. Naturally, comedians pick their friends. There's even

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<v Speaker 1>motivation to promote mediocrity. Jad told Zenneman Honestly, you don't

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<v Speaker 1>want to follow someone who buries you. Wow. Our main

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<v Speaker 1>difference is gonna sound stupid, but simply put, we're gonna

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<v Speaker 1>actually watch submission tapes. Referrals will not matter, nor will

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<v Speaker 1>social media followers. Only how funny you are on tape?

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<v Speaker 1>On its Grambush What Comedy Club promotes itself as the

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<v Speaker 1>only club in New York who books that's line up

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<v Speaker 1>purely off video submissions. So what's gonna happen? You submit

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<v Speaker 1>a tape, the three owners watch it. If all three

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<v Speaker 1>give a thumbs up, you become part of the rotation.

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<v Speaker 1>If one doesn't like it, you're out. They've already pored

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<v Speaker 1>over one thousand tapes and signed up seventy comics. I

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<v Speaker 1>got news for these guys. That's gonna get old really quick,

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<v Speaker 1>and comedians gonna be like, hey, you know who's funny?

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<v Speaker 1>You should check out this guy, Zenman writes. Several newer

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<v Speaker 1>club owners, including one of the Tiny Cupboard, describe only

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<v Speaker 1>watching tapes as impractical because there's not enough hours in

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<v Speaker 1>the day. Amen. They also say this critique mischaracterizes the process,

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<v Speaker 1>which typically finds talent through multiple sources, including submissions. This

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<v Speaker 1>weekend in DC. It's the second annual because they're Funny

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<v Speaker 1>Comedy Festival, the BTF Festival. I mentioned this before. I

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<v Speaker 1>think they're being very generous with the word festival. Saturday

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<v Speaker 1>at eight o'clock, Dean Cole hosts the second annual Breakout

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<v Speaker 1>Comedian of the Year competition, All Right to Get Dion

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<v Speaker 1>Cole and six comedians. Leslie Jones performs Sunday at eight eight.

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<v Speaker 1>It's not really a festival, guys. That's two shows and

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<v Speaker 1>some good branding. Shane Brendan has an album out today.

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<v Speaker 1>It's called either Way Pretty Funny. It is a funny

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<v Speaker 1>album and Shane Brennan is way cool. How do I

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<v Speaker 1>know because I listened to the album and I interviewed

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<v Speaker 1>Shane Brendan. He'll be the guest on tomorrow's podcast. Loved him.

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<v Speaker 1>I got to talk to him for another hour, but

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<v Speaker 1>I had a volleyball game at ten minutes after the

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<v Speaker 1>end of the recording and I had a split. Portland,

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<v Speaker 1>Oregon based comedian and military veteran Shane Brendan releases his

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<v Speaker 1>debut album Via Blonde Medicine at today in in either

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<v Speaker 1>Way Pretty Funny, Brendan obsesses over NBA rookies and endearingly

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<v Speaker 1>gripes about his family and if you ever want to

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<v Speaker 1>hear somebody do slam poetry about working at McDonald's, well

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<v Speaker 1>he's got you covered. He is my guest tomorrow. It

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<v Speaker 1>is a wonderful conversation. Please check it out. Also out today,

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<v Speaker 1>Paige Weldon's comedy album I've Turned Out Fine. This one

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<v Speaker 1>from a Special Thing Records, Recorded in la It's Page's

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<v Speaker 1>third comedy album and includes personal stories about working in

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<v Speaker 1>a library, being an only child, and not attending high

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<v Speaker 1>school reunion, as well as takes on her parents, tattoos,

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<v Speaker 1>surprise continents, and health Therapista likes strippers now I'm remembering.

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<v Speaker 1>I asked the record label if Page Weldon wanted to

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<v Speaker 1>do the show. I didn't hear back from them. What's

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<v Speaker 1>the deal with that? And that is your comedy news

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<v Speaker 1>for today? Why? Because my voice just gave out. I'd

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<v Speaker 1>recorded three of these in a row to accommodate my schedule.

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<v Speaker 1>So that's your comedy news for today. If you'd like

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<v Speaker 1>the program with us commercial interruption, there's a link of

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<v Speaker 1>the show notes. I'd tell you how to do that.

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<v Speaker 1>This podcast supports podcasting two point zero if you want

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<v Speaker 1>to stream some SATs my way, use a podcasting two

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<v Speaker 1>point zero app and you can do that. I like

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<v Speaker 1>true Fans. I also like Hastematic is another good app

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<v Speaker 1>for that sort of thing. And it always helps to

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<v Speaker 1>grow the show. If you tell a friend about it,

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<v Speaker 1>if you like the show, they might like it too.

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<v Speaker 1>You know what I'm saying. Yeah, see you tomorrow with

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<v Speaker 1>Shane Brennan. He's really great.
