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<v Speaker 1>Welcome to Wine Soundtrack USA. Listen to the passion with

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<v Speaker 1>which producers narrate their winery and their world team thirty

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<v Speaker 1>answers discover their stories, personalities, and passions.

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<v Speaker 2>Hello, friends and listeners of Wine Soundtrack. This is Alison Levine,

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<v Speaker 2>and today I have the pleasure, the privilege, and the

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<v Speaker 2>honor to be sitting with Greg Lafollett, the proprietor and

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<v Speaker 2>whymaker of Marshall Wines. And while you may not be

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<v Speaker 2>familiar with Marshall Win's a younger brand, the name probably

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<v Speaker 2>you've heard of over the years, because Greg has pretty

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<v Speaker 2>much been everywhere anywhere any winery you name, which we're

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<v Speaker 2>going to talk about now. But we're sitting here in

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<v Speaker 2>his lovely vineyard in Occidental in Sebastopol, California. And Greg,

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<v Speaker 2>welcome to Wine Soundtrack and tell us about Marshall Wines.

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<v Speaker 3>Well, Marshall Wines was the idea of my now managing partner,

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<v Speaker 3>business partner, Kevin Lee. I had a brand called Alchemista

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<v Speaker 3>and before that Lafolllett Wines. But the same goreer as

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<v Speaker 3>I've had for gosh, almost forty years, a lot of

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<v Speaker 3>them have just gone with me with each project, and

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<v Speaker 3>so I started Alchemista as a white tablecloth brand, and

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<v Speaker 3>during the pandemic, of course, all the restaurants closed.

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<v Speaker 2>And we're white tablecloth restaurants for a while, right.

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<v Speaker 3>So what happened was I've been making wine for Single Thread,

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<v Speaker 3>which is knocked the French laundry off their perch, is

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<v Speaker 3>the top dog restaurant. They got all three Michelin stars

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<v Speaker 3>in two years and are now rated one of the

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<v Speaker 3>top fifty restaurants in the world. And they'd been buying

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<v Speaker 3>some of my Alchemista wines. They called me up and said,

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<v Speaker 3>we want you to make our house white.

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<v Speaker 4>And two provisos.

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<v Speaker 3>It's got to be from Sonoma County because they're in

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<v Speaker 3>Healsburg and it can't be chardonay. Well, I'd been working

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<v Speaker 3>on a Columbard project from vines planted in nineteen oh

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<v Speaker 3>two that had kind of been abandoned with Clark and

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<v Speaker 3>Bonnie Lestra, and we've been resuscitating these vines together and

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<v Speaker 3>just doing it out of passion. When Single Thread called

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<v Speaker 3>me up and I said, boy, I've got just the

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<v Speaker 3>thing for you.

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<v Speaker 4>Columbard. Who's heard of that, you know?

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<v Speaker 3>Even though it was the most widely planted white wine

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<v Speaker 3>grape up until the early seventies or late sixties.

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<v Speaker 4>No one does it anymore, and so.

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<v Speaker 3>They loved it. They loved the idea. I made the

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<v Speaker 3>wine for them. The pandemic hit and then they quote

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<v Speaker 3>sold me back for a song and a dance. Thirty

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<v Speaker 3>five cases of Columbard.

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<v Speaker 2>Who knows about that? What are you going to do

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<v Speaker 2>with it?

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<v Speaker 3>Yeah, well it's so unknown that it's hip and it

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<v Speaker 3>was all Shiner's.

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<v Speaker 4>So I said, well what am.

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<v Speaker 3>I going to do with thirty five cases of Columbard?

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<v Speaker 3>And Kevin at the time he was helping el Chemista,

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<v Speaker 3>because I don't know anything about it or computers or anything.

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<v Speaker 3>He said, well, here's what we're going to do, Greg,

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<v Speaker 3>We're going to start a brand. We'll name it after

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<v Speaker 3>our wives, Mara and Michelle, so we'll call it Marshall

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<v Speaker 3>and his thirteen year old daughter designed the label, and

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<v Speaker 3>we're going to name some of the wines after our

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<v Speaker 3>best friends. And I was thinking, well, if you've been

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<v Speaker 3>in this industry for forty years and you don't name

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<v Speaker 3>a brand after your wives and have your kids designed

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<v Speaker 3>the labels and name after your friends, what are you

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<v Speaker 3>doing in this business? So that was the birth of

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<v Speaker 3>Marshall with thirty five cases of the lowly Columbard grape.

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<v Speaker 2>Wow. And I know you still make Columbard, But what

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<v Speaker 2>are you making today and what is your total case production?

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<v Speaker 3>Well, I have six kids, we're stopping there and a

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<v Speaker 3>bit we're getting grandkids now. But we make on a

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<v Speaker 3>yearly basis around nine hundred cases. Most of our different

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<v Speaker 3>lots of wine are between fifty and one hundred cases

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<v Speaker 3>of wine, so we don't make a whole lot. It's

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<v Speaker 3>very artisanal and it's hard to find, so but that's

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<v Speaker 3>the way I like it. And my wine maker ev

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<v Speaker 3>and Domiano, we've promoted him to winemaker last year. Go

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<v Speaker 3>through every barrel all the time, every barrel counts. We

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<v Speaker 3>only have about, oh like ninety barrels or so. And

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<v Speaker 3>we are starting a custom crush facility so that we

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<v Speaker 3>can make our own wines the way we want them

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<v Speaker 3>and bring some of our friends on board too, and

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<v Speaker 3>we'll do about one hundred tons this year.

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<v Speaker 2>Great, and so of those nine hundred you've got, I

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<v Speaker 2>know you do some traditional varieties like chardonnay and pino noir,

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<v Speaker 2>and then you're doing weird varieties wonderful weird varieties like colmbard.

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<v Speaker 2>What other lesser known forgotten grapes are you working with?

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<v Speaker 4>Well.

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<v Speaker 3>In addition to Colmbard, we make a one carbonic maceration

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<v Speaker 3>Pino manne. And for those of you who haven't heard

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<v Speaker 3>of pinomnie, it is the most widely planted red grape

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<v Speaker 3>in Champagne. It's one of the three Champagneoi grapes, and

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<v Speaker 3>very little of it's ever made into a table wine,

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<v Speaker 3>let alone carbonic macerations, So that's really odd. For the

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<v Speaker 3>wine officionado who's had everything that will not have had

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<v Speaker 3>a table wine Pinomine especially done carbonic maceration. And it's

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<v Speaker 3>really good, yes, and it's one of my wife's favorites.

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<v Speaker 3>We also make a charbono from the Freddioni vineyard in

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<v Speaker 3>the Napa Valley, planted around nineteen twenty.

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<v Speaker 4>We make.

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<v Speaker 3>Some sins from the world's oldest and sou vineyard, the

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<v Speaker 3>Bechtold Vineyard in the mccoulmay River Aba. We make one

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<v Speaker 3>of the oldest zinfandel vineyards wines ever, the Royal Tea Vineyard,

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<v Speaker 3>also in the mccoulmay River Aba, that was planted in

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<v Speaker 3>the eighteen eighties, and then we make a Carinnon that

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<v Speaker 3>was planted in nineteen hundred, so it's only one hundred

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<v Speaker 3>and twenty four years old. But these grapes all have

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<v Speaker 3>real weird o varietals in them, like the Carinon has

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<v Speaker 3>an almost extinct white grape varietal called Manbadon, and it's

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<v Speaker 3>about ten percent of the Carinon is actually one hundred

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<v Speaker 3>percent whole cluster. Manbadon, a white grape put in the

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<v Speaker 3>bottom of the fermentner and then done semi carbonic. And

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<v Speaker 3>when we press that wine, we have to hand press

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<v Speaker 3>the manvad on because it has a very gelatinous parrot carp,

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<v Speaker 3>meaning it's really hard to press. We also press it

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<v Speaker 3>in a little wooden one ton basket press, and it's

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<v Speaker 3>so gentle I won't pop those clusters. Shown you pictures

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<v Speaker 3>of my wife actually stomping the grapes in the fermenter

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<v Speaker 3>and crushing the manvad on by hand.

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<v Speaker 2>Yeah, you put her to work. She has to do.

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<v Speaker 2>The winery is named after her.

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<v Speaker 4>Yes, that's right.

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<v Speaker 3>But I wouldn't be here without her because when I

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<v Speaker 3>had my brand tandem, she fed our entire crew, twenty

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<v Speaker 3>four people of the custom crush facility had then seven

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<v Speaker 3>days a week for eleven weeks, and she ran a

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<v Speaker 3>daycare center for my crew who had been together so

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<v Speaker 3>long they were starting to pair up and have babies

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<v Speaker 3>and such.

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<v Speaker 4>Wow.

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<v Speaker 2>Wow, so you've been in the wine industry a long time.

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<v Speaker 2>I know that this. You've been doing it for forty

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<v Speaker 2>years and since you've worked around the world you've done

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<v Speaker 2>I think you said this will be your sixty ninth harvest.

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<v Speaker 2>But I'm curious, what is your first memory relevant to wine?

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<v Speaker 2>How old were you and what do you remember?

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<v Speaker 3>My parents, when we lived in Europe, would drag me

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<v Speaker 3>through every keller and shae on the continent, and I

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<v Speaker 3>just remember visiting a lot of these wineries, but the

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<v Speaker 3>ones that impressed me the most were the ones on

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<v Speaker 3>the Rhine River with lots of castles around, like right

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<v Speaker 3>around the Laurel Eye. So Schlos Johannesburg was an early

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<v Speaker 3>memory for me. That was around seven years old.

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<v Speaker 4>Wow.

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<v Speaker 2>And then when you got a little older and could

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<v Speaker 2>drink wine, is there I mean, in your illustrious career

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<v Speaker 2>and with all the wines you make. I hate to

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<v Speaker 2>ask if there's one, because I'm sure there are many.

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<v Speaker 2>But what is one of those memorable wines that sticks

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<v Speaker 2>out to you that you had in aha moment with

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<v Speaker 2>I mean, was it at the beginning of your career?

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<v Speaker 2>Was it somewhere along the way? Did it surprise you

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<v Speaker 2>when you tasted that because you were so much f

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<v Speaker 2>in your career.

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<v Speaker 3>Well, yeah, one of the most profound moments was when

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<v Speaker 3>I was in the cellar at Domain Romani Conti and

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<v Speaker 3>got to taste a sixty one macachet.

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<v Speaker 2>And I guess nothing comparison to that.

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<v Speaker 3>Yeah, that was pretty spectacular. I really felt like I

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<v Speaker 3>was home at that point. So that's probably the single

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<v Speaker 3>most peak, or the first one of my life. But

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<v Speaker 3>I have others that I've since done since then.

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<v Speaker 2>I love that. So if we were to come home

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<v Speaker 2>to your house now and go into your cellar, what

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<v Speaker 2>kind of wines would we find? What do you like

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<v Speaker 2>to drink, what do you like to collect?

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<v Speaker 3>Well, my house burned down, unfortunately, and so my whole

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<v Speaker 3>life's work. I had verticals of a lot of the

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<v Speaker 3>wines that I've made over the years, like Porter Bass,

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<v Speaker 3>dating all the way back from my Flowers days in

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<v Speaker 3>the mid nineties, and so I now have the philosophy

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<v Speaker 3>not to collect wine. I just drink it and I

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<v Speaker 3>trade it. But I love drinking pinos and Chardonnays. Of course,

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<v Speaker 3>I love these ancient vine varietals, and so I've really

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<v Speaker 3>put my focus into ancient vines and the pinot and

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<v Speaker 3>chardonnay spectrum.

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<v Speaker 2>And are there particular regions in the world that you

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<v Speaker 2>have in affinity to or is it a lot of

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<v Speaker 2>like local wines you like to drink.

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<v Speaker 3>Well, there's a lot of local wines. But I also

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<v Speaker 3>I love wines from all over the world. I used

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<v Speaker 3>to live in Australia and I made wine there for

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<v Speaker 3>many years, and so I love the wines from the

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<v Speaker 3>Hunter especially what they call Hunter River Revelings, which are

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<v Speaker 3>actually semi on. I love the pinos from the Ara Valley,

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<v Speaker 3>where one of my kids was born. And I love

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<v Speaker 3>a lot of the wines from Beechworth and the outlands

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<v Speaker 3>of the Snowy Mountains.

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<v Speaker 4>I love New Zealand wines. It's hard for me not

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<v Speaker 4>to love any of these.

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<v Speaker 2>So is there a wine you opened up recently that

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<v Speaker 2>drank really well?

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<v Speaker 4>Yes? I had an six.

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<v Speaker 3>Peloton recently that some Assemolier brought to me when we

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<v Speaker 3>were doing the Pino Forum and boy, that wine was

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<v Speaker 3>still singing. The Peloton is a blend of between eight

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<v Speaker 3>and eleven grapes. It's like a mongrel, but it's meant

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<v Speaker 3>to be the winner of the first empty glass to contest.

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<v Speaker 3>And I didn't mean it to age for a long time.

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<v Speaker 3>But it was tasting really good.

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<v Speaker 2>Wow. Wow, So you're working you know, you said that

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<v Speaker 2>you love Peano Noi and chardonnay, but you like these

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<v Speaker 2>odd ball varieties. And you've worked with so many different

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<v Speaker 2>grapes and had such an illustrious career. I'm curious if

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<v Speaker 2>you think there's a such thing as a perfect variety.

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<v Speaker 4>No, no such thing.

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<v Speaker 3>They're all perfect, all perfect in their own ways.

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<v Speaker 4>Yes, just like the cherry blossoms in the Last Samurai.

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<v Speaker 4>They are all perfect.

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<v Speaker 2>So then talking about perfection in your career with all

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<v Speaker 2>the wines, and you've worked for some big name wineries

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<v Speaker 2>b V. Flowers, La Crema, Hartford, all hardcourts. Are you

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<v Speaker 2>so many great wines that have gotten big reputations and

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<v Speaker 2>big scores. What's your opinion on wine scores and critics?

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<v Speaker 2>I mean, what kind of a role do they play

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<v Speaker 2>for you as a winemaker and now working with a

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<v Speaker 2>smaller brand. You know what does that mean for you?

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<v Speaker 3>Well, wine scores are helpful, I think to the general public,

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<v Speaker 3>especially people who don't get a chance to taste a

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<v Speaker 3>lot of wines. But I think rather than looking at

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<v Speaker 3>wine scores, I think listening to a critic who maybe

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<v Speaker 3>doesn't even give scores, but instead describes the wine and

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<v Speaker 3>talks about it.

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<v Speaker 4>And it's kind of like films.

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<v Speaker 3>You know, it's much better to not give a film

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<v Speaker 3>a rating and listen to a critic that you really like,

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<v Speaker 3>And if you have tasted wines that this critic likes

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<v Speaker 3>and believe in them, then you can use them as

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<v Speaker 3>a guidepost. A good example is Dan Berger. He doesn't

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<v Speaker 3>give any scores, but he is very very good at

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<v Speaker 3>describing wines and talking about how they're made, and he

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<v Speaker 3>researches his notes really thoroughly. Those are the kind of

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<v Speaker 3>critics that I really admire.

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<v Speaker 2>So as a wine drinker, taking the critic out of it,

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<v Speaker 2>red whiter rose, Yes, still are sparkling, Yes, equal opportunist.

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<v Speaker 3>It's whatever my wife likes best at that time. She

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<v Speaker 3>happens to really love bubbles, and I've made bubbles all

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<v Speaker 3>over the world.

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<v Speaker 4>But with Marshall.

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<v Speaker 3>We started making sparkling wine because she loves sparkling wine.

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<v Speaker 4>And it's a sparkling old wine Co Lombard.

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<v Speaker 2>Yeah, I mean not your typical but quite delicious because

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<v Speaker 2>I've had the pleasure to drink that one as well.

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<v Speaker 2>So sparkling co Lombard that you've never heard of?

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<v Speaker 3>That no, And in fact Co Lombard is the perfect

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<v Speaker 3>grape grown in Sonoma County for sparkling because it never

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<v Speaker 3>gets really ripe, It never gets above ten and a

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<v Speaker 3>half or eleven percent alcohol, So you pick it at

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<v Speaker 3>the end of October just when it is not going

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<v Speaker 3>to rot all the help and you can make both

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<v Speaker 3>a regular table wine from it, but it's low enough

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<v Speaker 3>alcohol that you can do a charge to it and

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<v Speaker 3>do a secondary fermentation.

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<v Speaker 4>And then your wife loves you.

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<v Speaker 2>Well, your wife cooks these great meals for well, she

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<v Speaker 2>did cook these great meals for your harvest teams and

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<v Speaker 2>such like that. It sounds like she's.

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<v Speaker 4>A good cook.

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<v Speaker 2>And food probably plays a very important role in what

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<v Speaker 2>you do. So how do you pair those combinations of

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<v Speaker 2>wine and food? Do you follow rules? Do you think

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<v Speaker 2>there are rules people have to follow? You know, the

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<v Speaker 2>old saying of white wine and fish, red wine and meat,

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<v Speaker 2>or do you have other guidelines that you suggest when

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<v Speaker 2>selecting a wine to pair with your food or a

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<v Speaker 2>dish to pair with your wine.

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<v Speaker 3>Well, I don't really have any guidelines, but someone who

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<v Speaker 3>really knows a lot about that is Randy Caparoso, and

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<v Speaker 3>he's actually writing a new book right now that goes

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<v Speaker 3>over that much more in depth than I ever could.

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<v Speaker 3>I'm just good at stuff putting. I'm good at putting

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<v Speaker 3>wine into a bottle, not taking it out and pairing

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<v Speaker 3>it with food. I tend to leave that more to

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<v Speaker 3>Mara my wife, are winemaker Evan and Jackson, who's our

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<v Speaker 3>trustee every man. He's really good at food and wine pairings.

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<v Speaker 3>I lead that up to the pros.

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<v Speaker 2>Do you open up the wine and then let them

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<v Speaker 2>pair the food or they pick the food and then

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<v Speaker 2>the wine comes later.

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<v Speaker 3>We usually have so many different wines that we're opening.

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<v Speaker 3>I have been trying out that there's bound to be

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<v Speaker 3>something else that goes with them.

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<v Speaker 4>And we make so many different kinds of food.

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<v Speaker 3>We grow a lot of our own vegetables, we make

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<v Speaker 3>our own bread. My wife pretty much makes everything from scratch.

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<v Speaker 3>So and there's a lot of food going on around

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<v Speaker 3>all the time, and there's always wine. There's always good food,

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<v Speaker 3>and we were always finding amazing things to pair with them.

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<v Speaker 2>I love that. God, I want to just kind of

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<v Speaker 2>hang out here all day. So for somebody who hasn't

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<v Speaker 2>had the pleasure to taste your wines yet, what do

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<v Speaker 2>you think they're missing out on?

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<v Speaker 3>Well, I think I'm best known for mouthfeel, so one

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<v Speaker 3>of the threads all of my wines are really different.

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<v Speaker 3>So when you taste like a Bien Decito Chardonnay or

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<v Speaker 3>a Lorenzo Chardenay, one of my blends, I really want

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<v Speaker 3>that particular wine to speak of that particular site. So

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<v Speaker 3>if people want to explore my wines, they're going to

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<v Speaker 3>explore the different tear war that I do, and they're

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<v Speaker 3>also going to explore mouthfeel. I did my postgraduate work

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<v Speaker 3>on Helpergundian wine making techniques affect mouthfeel. It was actually

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<v Speaker 3>the first person to elucidate mouthfeel and wine. It had

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<v Speaker 3>been done in beer and milk before, but not in wine.

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<v Speaker 3>So that's kind of my claim to fame is mouthfeel.

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<v Speaker 2>And how do you achieve mouthfeel with wine? And how

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<v Speaker 2>do you describe that to somebody who may not quite

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<v Speaker 2>understand what Mauthfeeld means.

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<v Speaker 3>Well, I actually wrote a book on it. Well it's

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00:16:12.399 --> 00:16:15.279
<v Speaker 3>very so horrific if you have trouble sleeping at night.

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<v Speaker 3>But basically, mouthfeel is the presentation of how a wine

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<v Speaker 3>feels in your mouth and how the flavor persists after

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<v Speaker 3>the wine is swallowed or expectorated. And it involves things

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<v Speaker 3>like viscosity, salivatory response, and how much salivation you have,

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<v Speaker 3>fruit characters, late palette, temporal aspect. So it's quite complex,

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<v Speaker 3>but it's all about how the wine tastes in your mouth. Actually,

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<v Speaker 3>So that's probably the best way to put it.

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<v Speaker 2>And so if space aliens were to land on your

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<v Speaker 2>property right now, walk on over here, which of your

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<v Speaker 2>wines would you say, Welcome to Marrow?

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<v Speaker 3>Oh boy, I'd probably say the Pino mine that's done

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<v Speaker 3>carbonic maceration, because it's very light in color. It's a

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<v Speaker 3>light red, very pretty color, but it packs a lot

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<v Speaker 3>of mouthfeel. It just fills your mouth up with flavors

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<v Speaker 3>and persists a long time. And I think I wouldn't

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<v Speaker 3>want to spoil my extraterrestrial friends on some big ass

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<v Speaker 3>Cabernet or something like that.

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<v Speaker 2>You don't make that kind of stuff, do you.

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<v Speaker 4>I do.

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<v Speaker 3>I've made a lot of cabernets over the years, and

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<v Speaker 3>I still consult a little bit in the Napa Valley.

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<v Speaker 3>But and I'd like making cabernet too, But really my

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<v Speaker 3>favorites to make are these ancient vines and pino and chardonnay,

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<v Speaker 3>and the pino mignet has been a real delight from

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<v Speaker 3>the Vandercamp vineyard is just one of the best places

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<v Speaker 3>in the world to grow pino mine.

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<v Speaker 2>So we're sitting here in your vineyard. You have three

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<v Speaker 2>point three three acres of pino and shard and then

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<v Speaker 2>of courser sourcing fruit. You've worked around the world, You've

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<v Speaker 2>worked for sixty nine harvests, are coming up on sixty

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00:18:06.519 --> 00:18:09.359
<v Speaker 2>nine harvests, and we know that every vintage tells a

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00:18:09.359 --> 00:18:12.839
<v Speaker 2>different story. In your experience, especially in a place like this,

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<v Speaker 2>do you see more variation from year to year? Do

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00:18:15.279 --> 00:18:18.000
<v Speaker 2>you see more commonality? Have you what is your sort

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<v Speaker 2>of assessment of looking at vintage variation?

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<v Speaker 3>Well, when I've worked for big companies, and I work

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00:18:23.640 --> 00:18:27.079
<v Speaker 3>for big and small, you look for sameness. You try

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<v Speaker 3>to have a product that from year to year is

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<v Speaker 3>very reliable, and that's not a bad thing. But for

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<v Speaker 3>my own wines, which I make in very small quantities,

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00:18:35.880 --> 00:18:39.519
<v Speaker 3>like two to four barrels for each lot, I am

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<v Speaker 3>looking for a story that's being told for each vintage

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<v Speaker 3>and for each block of wine. And for instance, where

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<v Speaker 3>we are right now, we've gone through some big swings.

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<v Speaker 3>We've had three years of drought, which was very, very

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<v Speaker 3>different than the last two years of copious water.

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<v Speaker 4>And I want my.

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<v Speaker 3>Vines to tell the story of the year as well

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<v Speaker 3>as of the plot of land. I don't want them

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00:19:02.119 --> 00:19:03.960
<v Speaker 3>to be the same, but there are there are There

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00:19:03.960 --> 00:19:08.079
<v Speaker 3>are similarities that you find through these things. Like the

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00:19:08.119 --> 00:19:12.400
<v Speaker 3>Lorenzo Chardonnay has almost an oiliness to it. It's it's

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00:19:12.480 --> 00:19:16.519
<v Speaker 3>almost very viscous. The Haikup Vineyard has a really great

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00:19:17.160 --> 00:19:21.960
<v Speaker 3>single thread of vicinity running into it, and they can't

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00:19:22.400 --> 00:19:25.759
<v Speaker 3>you couldn't have different wines than those two. And you

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00:19:25.880 --> 00:19:28.440
<v Speaker 3>got to taste the Haikup from the barrel and then

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<v Speaker 3>the Lorenzo so ah.

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<v Speaker 2>And so are there any sort of signs or predictors

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00:19:34.000 --> 00:19:35.720
<v Speaker 2>that you look for that are going to tell you

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<v Speaker 2>what a vintage is going to be?

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<v Speaker 4>No, not particularly.

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<v Speaker 3>I kind of take it all in as it comes,

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00:19:43.200 --> 00:19:46.319
<v Speaker 3>and I take each vintage as it has. Of course,

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<v Speaker 3>you do look at the upcoming weather. You take a

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00:19:50.359 --> 00:19:52.519
<v Speaker 3>look at whether or not you're going to have a

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<v Speaker 3>drought year. That's going to affect how you prune your vines,

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<v Speaker 3>and we do prune differently. We do a vine has

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<v Speaker 3>been throughout the year differently with different vintages. An example

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<v Speaker 3>is three years ago when we were in drought. We

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<v Speaker 3>actually had a freak rain right at bloom and normally

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00:20:13.440 --> 00:20:15.960
<v Speaker 3>I would pull my leaves right around bloom to create

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<v Speaker 3>a little bit of shatter and make an open cluster architecture.

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<v Speaker 3>But with the rain, I knew that that was already

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<v Speaker 3>going to create shatter and if I pulled leaves at

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<v Speaker 3>that time.

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00:20:25.240 --> 00:20:26.759
<v Speaker 4>I would have very little crop.

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00:20:26.920 --> 00:20:30.440
<v Speaker 3>So we pulled leaves after the rains changed, and that

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<v Speaker 3>changed the character of the wine.

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<v Speaker 2>So you have to adapt with mother nature and kind

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<v Speaker 2>of go with the flow in what you do instead

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00:20:37.920 --> 00:20:40.960
<v Speaker 2>of predicting something and then walking away.

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00:20:41.720 --> 00:20:46.319
<v Speaker 3>Yes, Mother Nature is who we should really be listening to.

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00:20:46.759 --> 00:20:52.680
<v Speaker 3>And our job as winemakers is to translate the speech

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00:20:52.720 --> 00:20:55.720
<v Speaker 3>of the land into the glass. And it's a great

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00:20:56.319 --> 00:20:59.200
<v Speaker 3>honor and it's a privilege to be able to do that.

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<v Speaker 3>And I think in order to be able to make

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00:21:02.160 --> 00:21:06.599
<v Speaker 3>that translation, you have to first really listen to the land,

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00:21:06.880 --> 00:21:10.160
<v Speaker 3>Listen to the grapes, hear what they have to say.

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<v Speaker 3>And because the speech of the land is more powerful

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00:21:16.240 --> 00:21:17.920
<v Speaker 3>than any of us, I'm going to be dust in

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00:21:17.960 --> 00:21:21.079
<v Speaker 3>the wind in a few years. But the voice of

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00:21:21.119 --> 00:21:23.759
<v Speaker 3>the land is eternal. The rocks, the sun, the wind,

399
00:21:23.920 --> 00:21:27.599
<v Speaker 3>the rain. And who am I to add even a

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00:21:27.720 --> 00:21:32.079
<v Speaker 3>letter to the voice of the land without first sitting

401
00:21:32.119 --> 00:21:35.799
<v Speaker 3>patiently and listening to what it has to say, and

402
00:21:35.839 --> 00:21:38.799
<v Speaker 3>then understanding where I need to go to partner with it.

403
00:21:39.079 --> 00:21:42.319
<v Speaker 3>And if you do that, then what happens is the

404
00:21:42.400 --> 00:21:45.759
<v Speaker 3>land not only allows you to partner with it, it

405
00:21:45.880 --> 00:21:50.160
<v Speaker 3>invites you to share with it and commingle your dreams

406
00:21:50.240 --> 00:21:52.680
<v Speaker 3>with the dreams of the land, because the land has

407
00:21:52.759 --> 00:21:55.559
<v Speaker 3>dreams too, all the rocks and the sun and the wind,

408
00:21:55.960 --> 00:22:01.000
<v Speaker 3>they all have dreams. And my form of moretal is

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00:22:01.039 --> 00:22:04.519
<v Speaker 3>to be invited by the land to commingle my dreams

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00:22:04.880 --> 00:22:07.839
<v Speaker 3>with it and make something that we can do together.

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<v Speaker 2>Wow, that is beautiful, And I must say you clearly

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00:22:12.599 --> 00:22:15.839
<v Speaker 2>are listening to your vines. There's a reason why you've

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00:22:15.880 --> 00:22:19.279
<v Speaker 2>been called the grape whisper. Now I understand, but as

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00:22:19.319 --> 00:22:21.720
<v Speaker 2>the grape whisper, I'm curious when you walk through your vines,

415
00:22:21.759 --> 00:22:23.359
<v Speaker 2>what do you whisper to them? What do you say

416
00:22:23.359 --> 00:22:24.839
<v Speaker 2>to your vines? Do you talk to them?

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00:22:25.640 --> 00:22:26.039
<v Speaker 4>Mostly?

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00:22:26.079 --> 00:22:30.000
<v Speaker 3>I listen, but I do play my bagpipes to them

419
00:22:30.079 --> 00:22:35.079
<v Speaker 3>and my penny whistle. Yeah, And mostly it's listening and

420
00:22:35.119 --> 00:22:37.839
<v Speaker 3>then trying things out and then making sure that's the

421
00:22:37.920 --> 00:22:42.519
<v Speaker 3>right thing to do to me, my piananoa vines. It's

422
00:22:42.599 --> 00:22:46.839
<v Speaker 3>kind of like having a really great partner, but who

423
00:22:46.880 --> 00:22:51.039
<v Speaker 3>is also fairly demanding. You know, there's there's some vineyards

424
00:22:51.039 --> 00:22:54.000
<v Speaker 3>and some wines that it's It's kind of like it's

425
00:22:54.000 --> 00:22:56.480
<v Speaker 3>an easy date. It's just as good to go out

426
00:22:56.519 --> 00:22:58.920
<v Speaker 3>to a fancy restaurant and blow a big wad of

427
00:22:58.920 --> 00:23:03.039
<v Speaker 3>money as get a taken baked pizza and Papa vcr

428
00:23:03.119 --> 00:23:07.279
<v Speaker 3>in the machine and they don't really care. But Pino

429
00:23:07.400 --> 00:23:10.279
<v Speaker 3>in particular really care. So if you're going to do

430
00:23:10.359 --> 00:23:14.880
<v Speaker 3>something that is going to be changing things for your

431
00:23:14.920 --> 00:23:20.119
<v Speaker 3>Pino without first really listening or really asking, you're either

432
00:23:20.200 --> 00:23:23.119
<v Speaker 3>destined to a very short or a very unhappy relationship,

433
00:23:23.240 --> 00:23:26.680
<v Speaker 3>or both. You have to really listen and ask.

434
00:23:26.920 --> 00:23:29.519
<v Speaker 2>I love that. Do you in all the years you've

435
00:23:29.559 --> 00:23:32.279
<v Speaker 2>been making wine, have you set up any good luck

436
00:23:32.720 --> 00:23:34.599
<v Speaker 2>rituals that you do at the start of harvest?

437
00:23:35.640 --> 00:23:38.799
<v Speaker 3>Oh? Yes, well, I always pipe in the first grapes

438
00:23:38.920 --> 00:23:43.440
<v Speaker 3>that come in. I also wrote a poem called an

439
00:23:43.440 --> 00:23:48.519
<v Speaker 3>ode to mister Coffee that is, Oh God, the methylated

440
00:23:48.559 --> 00:23:51.359
<v Speaker 3>bromine derivative, please grant unto me, and then you ask

441
00:23:51.480 --> 00:23:56.480
<v Speaker 3>for strength, and then you promise you're seventh born or

442
00:23:56.519 --> 00:24:00.480
<v Speaker 3>something like that. So I read that invocation. I played

443
00:24:00.480 --> 00:24:05.200
<v Speaker 3>the bagpipes, and I also wear a talisman from the

444
00:24:05.279 --> 00:24:09.799
<v Speaker 3>Vandercamp vineyard that Ulysses vander Camp made for me. He

445
00:24:09.880 --> 00:24:12.920
<v Speaker 3>took a fiddle head fern from his vineyard. He put

446
00:24:12.960 --> 00:24:15.680
<v Speaker 3>it in a solution containing silver ions and then charged it,

447
00:24:15.720 --> 00:24:20.119
<v Speaker 3>and the silver ions all collected around the fiddlehead fern.

448
00:24:20.799 --> 00:24:23.920
<v Speaker 3>And that's my talisman that I now wear all the

449
00:24:24.000 --> 00:24:28.240
<v Speaker 3>time and occasionally touch just for good luck.

450
00:24:28.559 --> 00:24:31.079
<v Speaker 2>Wow, it's really quite beautiful as I see it now.

451
00:24:31.240 --> 00:24:37.640
<v Speaker 2>That's really fascinating. So you say you play the bagpipes

452
00:24:37.640 --> 00:24:40.079
<v Speaker 2>in the vineyard, do you go into the winery and

453
00:24:40.440 --> 00:24:42.519
<v Speaker 2>play music for your barrels? Do you talk to your

454
00:24:42.559 --> 00:24:43.640
<v Speaker 2>wine once it's in beryl?

455
00:24:44.519 --> 00:24:47.000
<v Speaker 4>Oh, I certainly do. That's where I have more.

456
00:24:47.079 --> 00:24:48.799
<v Speaker 2>Now you stopped listening, Now you start talking.

457
00:24:49.160 --> 00:24:51.400
<v Speaker 4>Well, no, you still have to listen, that's for sure.

458
00:24:52.000 --> 00:24:57.519
<v Speaker 3>But I think that the wine really does enjoy music,

459
00:24:57.599 --> 00:24:59.960
<v Speaker 3>and in fact, there's been some pretty good studies done.

460
00:25:00.920 --> 00:25:04.440
<v Speaker 3>The Japanese did a study that was published in ajev

461
00:25:05.480 --> 00:25:08.640
<v Speaker 3>and they had three different kinds of music playing piped

462
00:25:08.720 --> 00:25:15.519
<v Speaker 3>through a fermentation and there was like heavy metal, there

463
00:25:15.680 --> 00:25:20.000
<v Speaker 3>was easy listening rock, and there was classical or something

464
00:25:20.079 --> 00:25:24.440
<v Speaker 3>like that. And with the heavy metal, the fermentation actually

465
00:25:24.519 --> 00:25:27.599
<v Speaker 3>died really and the one that did the best with

466
00:25:27.680 --> 00:25:30.960
<v Speaker 3>the control was the classical music was Mozart or something

467
00:25:31.000 --> 00:25:32.880
<v Speaker 3>like that. I don't know, people can look that up

468
00:25:32.920 --> 00:25:34.359
<v Speaker 3>and the ajav it's out there.

469
00:25:34.559 --> 00:25:39.799
<v Speaker 2>Wow. How fascinating. So, Greg, I'm curious when you were

470
00:25:39.799 --> 00:25:41.240
<v Speaker 2>a little boy, what did you want to be when

471
00:25:41.240 --> 00:25:41.759
<v Speaker 2>you grew up?

472
00:25:43.119 --> 00:25:46.519
<v Speaker 3>Well, my earliest earliest memories, I wanted to be a

473
00:25:46.559 --> 00:25:50.519
<v Speaker 3>garbage collector. I saw those guys coming in. And then

474
00:25:50.519 --> 00:25:53.079
<v Speaker 3>as I got older, I wanted to be a forest ranger.

475
00:25:54.160 --> 00:25:58.920
<v Speaker 3>And then after a while, I thought when I was seventeen,

476
00:25:58.960 --> 00:26:01.519
<v Speaker 3>I thought I wanted to be a winemaker, but living

477
00:26:01.559 --> 00:26:04.440
<v Speaker 3>in LA, it's like, you know, who becomes a winemaker, right,

478
00:26:04.880 --> 00:26:06.960
<v Speaker 3>It's like going to rabbinical clown school.

479
00:26:07.000 --> 00:26:08.400
<v Speaker 4>You know, no one does it anymore.

480
00:26:09.359 --> 00:26:14.000
<v Speaker 3>So instead I became a professional bagpiper, and I was

481
00:26:14.000 --> 00:26:17.400
<v Speaker 3>the ship's piper on the Queen Mary. Yeah, and one

482
00:26:17.440 --> 00:26:20.000
<v Speaker 3>of two bagpipers in the La Musicians Union.

483
00:26:20.480 --> 00:26:21.680
<v Speaker 4>So yeah.

484
00:26:21.720 --> 00:26:24.200
<v Speaker 3>But of course that ended up not being very practical.

485
00:26:24.359 --> 00:26:27.440
<v Speaker 3>So after a short stint in the seminary of the

486
00:26:27.480 --> 00:26:31.599
<v Speaker 3>Catholic Church or six kids later, that didn't take I

487
00:26:32.480 --> 00:26:34.759
<v Speaker 3>did the next easiest thing and got another degree in

488
00:26:35.200 --> 00:26:39.039
<v Speaker 3>chemistry and became a physical chemist and did HIV research

489
00:26:39.079 --> 00:26:43.759
<v Speaker 3>at UCSF, and everybody who I worked on died. It

490
00:26:43.799 --> 00:26:46.119
<v Speaker 3>was the early days and including when it didn't even

491
00:26:46.200 --> 00:26:49.160
<v Speaker 3>have a name, and it really burned me out because

492
00:26:49.880 --> 00:26:52.079
<v Speaker 3>I thought my job was to track the behavior of

493
00:26:52.119 --> 00:26:54.599
<v Speaker 3>molecules and how they split up, and I happened to

494
00:26:54.599 --> 00:26:56.640
<v Speaker 3>be doing it in the human body. I watched a

495
00:26:56.680 --> 00:26:59.720
<v Speaker 3>lot of mostly young people die. I got seriously burned out,

496
00:26:59.720 --> 00:27:04.759
<v Speaker 3>and I remembered my childhood teenage dream of being a winemaker,

497
00:27:04.759 --> 00:27:08.359
<v Speaker 3>and I made a lateral transfer on staff from UCSF

498
00:27:08.400 --> 00:27:09.680
<v Speaker 3>to UC Davis.

499
00:27:10.480 --> 00:27:13.759
<v Speaker 2>And look at you now, never looking back forty years later.

500
00:27:15.839 --> 00:27:18.839
<v Speaker 2>So when you're not working, how do you like to

501
00:27:18.839 --> 00:27:19.759
<v Speaker 2>spend your free time?

502
00:27:20.480 --> 00:27:21.279
<v Speaker 4>What's free time?

503
00:27:21.559 --> 00:27:25.960
<v Speaker 3>I don't know, you and I both Yeah, Well, I

504
00:27:26.000 --> 00:27:30.880
<v Speaker 3>really enjoy cooking with my wife. I love hiking music.

505
00:27:31.799 --> 00:27:35.359
<v Speaker 3>I love playing with and spending time with my grandkids,

506
00:27:35.799 --> 00:27:39.279
<v Speaker 3>and that's been a real joy for me after having

507
00:27:39.319 --> 00:27:42.960
<v Speaker 3>raised six kids. I didn't know that grandkids could be

508
00:27:43.039 --> 00:27:48.200
<v Speaker 3>so fun, but they really are. And I like traveling,

509
00:27:48.319 --> 00:27:51.759
<v Speaker 3>but mostly I like being in the vineyard and winery,

510
00:27:51.960 --> 00:27:54.960
<v Speaker 3>and especially if I've got my kids or grandkids around me.

511
00:27:55.440 --> 00:27:56.960
<v Speaker 2>You said you like music. Do you have a favorite

512
00:27:56.960 --> 00:27:58.039
<v Speaker 2>band or genre?

513
00:27:59.480 --> 00:28:03.480
<v Speaker 3>Yeah, classical music, and I love jazz. I love a

514
00:28:03.480 --> 00:28:07.759
<v Speaker 3>lot of vintage rock. My first major in college was music, actually,

515
00:28:08.039 --> 00:28:11.599
<v Speaker 3>and so I love all forms of music, but mostly

516
00:28:12.279 --> 00:28:14.680
<v Speaker 3>I really really like the music that my wife wants

517
00:28:14.759 --> 00:28:15.319
<v Speaker 3>to listen to.

518
00:28:16.720 --> 00:28:21.480
<v Speaker 2>Well, clearly, your wife dictates the happiness in your home,

519
00:28:21.519 --> 00:28:24.240
<v Speaker 2>which sounds like great because she cooks well and if

520
00:28:24.240 --> 00:28:26.440
<v Speaker 2>she's happy, you're happy. So I'm curious what makes her

521
00:28:26.480 --> 00:28:29.119
<v Speaker 2>happy when planting a romantic evening in terms of the

522
00:28:29.160 --> 00:28:30.079
<v Speaker 2>wines are going to open?

523
00:28:33.160 --> 00:28:34.720
<v Speaker 4>Well, she leaves that to me.

524
00:28:34.839 --> 00:28:39.079
<v Speaker 3>Actually, she literally says, just put something good in my glass.

525
00:28:39.240 --> 00:28:42.400
<v Speaker 3>And I am the luckiest man I know, in part

526
00:28:42.480 --> 00:28:45.880
<v Speaker 3>because my wife really loves my work.

527
00:28:46.240 --> 00:28:48.000
<v Speaker 4>So what can I say?

528
00:28:48.279 --> 00:28:50.720
<v Speaker 2>It's one of any wine you've made she's happy with.

529
00:28:51.680 --> 00:28:53.839
<v Speaker 3>For the most part, there's some wines that I make

530
00:28:53.920 --> 00:28:57.839
<v Speaker 3>for some clients that have a lot of acidity. So,

531
00:28:57.880 --> 00:29:01.599
<v Speaker 3>for instance, I make a reasling. The one that I

532
00:29:01.640 --> 00:29:04.480
<v Speaker 3>made in twenty two had a pH of two point

533
00:29:04.559 --> 00:29:09.200
<v Speaker 3>nine two, so that was a little bit too much

534
00:29:09.240 --> 00:29:12.200
<v Speaker 3>for her. But most everything, Yeah, wow.

535
00:29:13.000 --> 00:29:18.119
<v Speaker 2>So I'm sure that you have been a mentor to

536
00:29:18.240 --> 00:29:20.920
<v Speaker 2>many people. I'm sure you are a mentor to many people.

537
00:29:21.400 --> 00:29:23.920
<v Speaker 2>But is there a mentor somewhere along the way, or

538
00:29:23.920 --> 00:29:25.880
<v Speaker 2>a teacher or a parent that gave you a piece

539
00:29:25.920 --> 00:29:28.920
<v Speaker 2>of advice that you've carried through your life and either

540
00:29:28.920 --> 00:29:30.400
<v Speaker 2>how you live or how you work.

541
00:29:31.119 --> 00:29:31.359
<v Speaker 4>Yeah.

542
00:29:31.680 --> 00:29:34.319
<v Speaker 3>The best winemaking advice I've ever gotten was from my

543
00:29:34.440 --> 00:29:36.920
<v Speaker 3>dad and from my grandpa, and they had nothing to

544
00:29:36.920 --> 00:29:40.799
<v Speaker 3>do with wine making, but it was trying to treat

545
00:29:40.839 --> 00:29:44.160
<v Speaker 3>each person that you work with with dignity and respect

546
00:29:44.200 --> 00:29:47.319
<v Speaker 3>and empowering them. And my dad particularly was really good

547
00:29:47.359 --> 00:29:50.160
<v Speaker 3>at that, And so what I try to do with

548
00:29:50.319 --> 00:29:54.359
<v Speaker 3>my wine making is the people around me who are

549
00:29:54.880 --> 00:29:59.279
<v Speaker 3>bloody competent. I really don't try to micromanage them. I

550
00:29:59.319 --> 00:30:03.920
<v Speaker 3>try to empower them, and my great love is watching

551
00:30:04.000 --> 00:30:08.160
<v Speaker 3>them hopefully make even better wine than I have ever made,

552
00:30:08.200 --> 00:30:10.880
<v Speaker 3>because I would consider that the best sign of success,

553
00:30:11.440 --> 00:30:15.200
<v Speaker 3>and that was fostered further by people like Andre Cellis.

554
00:30:15.240 --> 00:30:18.559
<v Speaker 3>Jeff I was his last pupil I got to work

555
00:30:18.559 --> 00:30:22.319
<v Speaker 3>with Zelm Long was when the first college educated woman

556
00:30:22.400 --> 00:30:27.720
<v Speaker 3>wine maker in America, and just Dick Graff who started Shaloon,

557
00:30:28.599 --> 00:30:33.000
<v Speaker 3>John Congsguard, Ben Zeittman and Katie Quinn were early on

558
00:30:33.240 --> 00:30:37.440
<v Speaker 3>responsible for me at amateur Foothill Winery. So I think

559
00:30:38.160 --> 00:30:42.359
<v Speaker 3>success has a thousand mothers and fathers, and I'm part

560
00:30:42.400 --> 00:30:43.359
<v Speaker 3>of that.

561
00:30:43.359 --> 00:30:46.599
<v Speaker 2>That's beautiful. So when you look back at your work

562
00:30:47.440 --> 00:30:50.400
<v Speaker 2>and you know, even pre wine, what would you say

563
00:30:50.400 --> 00:30:52.480
<v Speaker 2>as one of your proudest achievements to date?

564
00:30:54.559 --> 00:31:01.119
<v Speaker 3>Ooh, developing the AZTSSA for HIV and AZT is still

565
00:31:01.200 --> 00:31:03.680
<v Speaker 3>used to this day, but now as a cocktail of

566
00:31:03.799 --> 00:31:07.559
<v Speaker 3>different drugs. The other one that I was really proud

567
00:31:07.559 --> 00:31:14.160
<v Speaker 3>of was in two thousand and six when everything was

568
00:31:14.160 --> 00:31:16.119
<v Speaker 3>coming in all at once, and I had already sold

569
00:31:16.160 --> 00:31:20.680
<v Speaker 3>my custom crush facility to the new guys called owl Ridge.

570
00:31:21.160 --> 00:31:24.359
<v Speaker 3>They didn't want to use like my old d stemmer

571
00:31:24.359 --> 00:31:27.920
<v Speaker 3>which I had modified myself, or my old grape sorting

572
00:31:27.960 --> 00:31:30.680
<v Speaker 3>table which my crew and I had built ourselves out

573
00:31:30.680 --> 00:31:35.279
<v Speaker 3>of scrap stainless steel, and my old dairy tanks. It

574
00:31:35.359 --> 00:31:37.839
<v Speaker 3>was just too retro and hard for them. And they

575
00:31:37.839 --> 00:31:40.359
<v Speaker 3>bought this new like one hundred thousand dollars worth of

576
00:31:40.640 --> 00:31:44.400
<v Speaker 3>vibrating sorting table and magic fingers that pop things off

577
00:31:44.440 --> 00:31:49.640
<v Speaker 3>and inclines, neoprene inclines, and so.

578
00:31:49.599 --> 00:31:50.720
<v Speaker 4>They bought all that stuff.

579
00:31:50.920 --> 00:31:53.519
<v Speaker 3>And so I was ready to bring my first grapes in.

580
00:31:54.039 --> 00:31:56.400
<v Speaker 3>And since I'd sold it, all of my old crew

581
00:31:56.480 --> 00:31:59.119
<v Speaker 3>left and the new production manager I came in and

582
00:31:59.160 --> 00:32:01.640
<v Speaker 3>I said, I know that my contract says I have

583
00:32:01.680 --> 00:32:03.480
<v Speaker 3>to give you twenty four hours notice, but I know

584
00:32:03.559 --> 00:32:05.440
<v Speaker 3>it's really tough, so I'm going to give you forty eight.

585
00:32:05.839 --> 00:32:07.920
<v Speaker 3>And he looked at his schedule and he says, you

586
00:32:07.920 --> 00:32:11.160
<v Speaker 3>could bring in your first grapes in eight days. So

587
00:32:11.200 --> 00:32:14.440
<v Speaker 3>I stormed into the new owner's office and I said,

588
00:32:14.960 --> 00:32:17.200
<v Speaker 3>you let me because all of my old stuff was

589
00:32:17.240 --> 00:32:19.319
<v Speaker 3>still sitting out there in the junkyard. I said, you

590
00:32:19.400 --> 00:32:22.079
<v Speaker 3>let me use all my old stuff. I promise I

591
00:32:22.079 --> 00:32:25.200
<v Speaker 3>will not bring a single berry across your threshold. I'll

592
00:32:25.200 --> 00:32:27.200
<v Speaker 3>do it all outside. I'll do it all with my

593
00:32:27.240 --> 00:32:29.400
<v Speaker 3>old equipment. I just want you to stay the hell

594
00:32:29.400 --> 00:32:32.000
<v Speaker 3>out of my way. And so the first day the

595
00:32:32.039 --> 00:32:36.839
<v Speaker 3>grapes came and my crew was myself and my wife

596
00:32:36.920 --> 00:32:41.359
<v Speaker 3>and my six children, the youngest of whom was five

597
00:32:41.519 --> 00:32:46.880
<v Speaker 3>or six, and a friend. And in two hours we

598
00:32:46.920 --> 00:32:50.839
<v Speaker 3>had processed twenty tons of fruit and looked beautiful. In

599
00:32:50.880 --> 00:32:54.519
<v Speaker 3>two hours, the professional crew of eight had processed four

600
00:32:54.559 --> 00:32:58.759
<v Speaker 3>tons and it looked like crap. By That was a

601
00:32:58.839 --> 00:33:01.440
<v Speaker 3>very proud moment for me. I was so proud of

602
00:33:01.440 --> 00:33:04.640
<v Speaker 3>my children. And the end of that year they had

603
00:33:04.640 --> 00:33:07.640
<v Speaker 3>stopped using the magic fingers and vibrator. Of course, that

604
00:33:07.759 --> 00:33:11.680
<v Speaker 3>sounds like a cheap Midwestern hotel. And the next year

605
00:33:11.720 --> 00:33:14.880
<v Speaker 3>they sold it off after one use, and they had

606
00:33:14.920 --> 00:33:17.400
<v Speaker 3>been using all of my equipment ever since.

607
00:33:18.160 --> 00:33:19.839
<v Speaker 2>And the great thing is is that you get your

608
00:33:19.839 --> 00:33:22.119
<v Speaker 2>equipment back, because that's where you're moving your new custom

609
00:33:22.160 --> 00:33:24.240
<v Speaker 2>crush facility into. You're moving back.

610
00:33:24.839 --> 00:33:29.119
<v Speaker 3>Yes, al Ridge unfortunately had to close their doors, so

611
00:33:29.759 --> 00:33:32.519
<v Speaker 3>I leased a portion of my old lease, and I

612
00:33:32.640 --> 00:33:34.400
<v Speaker 3>bought back a lot of my old equipment that we'd

613
00:33:34.440 --> 00:33:37.319
<v Speaker 3>made ourselves, and so it really feels like it's coming

614
00:33:37.359 --> 00:33:38.000
<v Speaker 3>full circle.

615
00:33:38.200 --> 00:33:42.119
<v Speaker 2>I love that. I love that so complete this sentence.

616
00:33:42.119 --> 00:33:44.240
<v Speaker 2>For me, A table without wine.

617
00:33:44.119 --> 00:33:48.880
<v Speaker 4>Is like a day without sunshine.

618
00:33:52.279 --> 00:33:53.400
<v Speaker 2>First thing that came to mind.

619
00:33:54.640 --> 00:34:00.400
<v Speaker 3>I'm a slave for commercialism. A week without wine that

620
00:34:00.440 --> 00:34:01.440
<v Speaker 3>wine makes one week.

621
00:34:03.319 --> 00:34:03.680
<v Speaker 4>How's that?

622
00:34:05.440 --> 00:34:07.440
<v Speaker 2>So we're sitting at a table, Your wine's are on

623
00:34:07.519 --> 00:34:09.760
<v Speaker 2>the table, and there's an empty chair next to you. Who,

624
00:34:09.800 --> 00:34:13.400
<v Speaker 2>from any walk of life, living or deceased, known or unknown,

625
00:34:13.639 --> 00:34:16.440
<v Speaker 2>do you wish you could share a bottle of Marshall wines.

626
00:34:16.119 --> 00:34:21.159
<v Speaker 3>With Andre Cellis Jeff He's He was probably the most

627
00:34:21.159 --> 00:34:24.639
<v Speaker 3>influential mentor of my life, and I still think of

628
00:34:24.719 --> 00:34:26.639
<v Speaker 3>him all the time. I think of what he would do.

629
00:34:26.880 --> 00:34:29.559
<v Speaker 3>And there's a great movie out about him right now

630
00:34:29.599 --> 00:34:33.599
<v Speaker 3>called Andrea the Voice of Wine, and nothing that you

631
00:34:33.639 --> 00:34:35.760
<v Speaker 3>can ever see or read would ever come close to it.

632
00:34:35.800 --> 00:34:38.440
<v Speaker 3>But if you watch Andre the Voice of Wine, I

633
00:34:38.440 --> 00:34:42.719
<v Speaker 3>think you'll really catch just how passionate and powerful this

634
00:34:42.800 --> 00:34:46.480
<v Speaker 3>man was. And at one point he was having dinner

635
00:34:46.519 --> 00:34:48.519
<v Speaker 3>with my parents down in La while I was making

636
00:34:48.559 --> 00:34:54.119
<v Speaker 3>wine up North, and basically he said, you know, Greg

637
00:34:54.199 --> 00:34:58.159
<v Speaker 3>drives me crazy. He asks all these questions and he's

638
00:34:58.199 --> 00:34:59.159
<v Speaker 3>he's always.

639
00:34:58.840 --> 00:35:01.000
<v Speaker 4>So demanding, picky on things.

640
00:35:01.440 --> 00:35:03.519
<v Speaker 3>He said, but this is the reason I think that

641
00:35:03.559 --> 00:35:06.119
<v Speaker 3>he will make a really good wine maker. And he

642
00:35:06.239 --> 00:35:08.519
<v Speaker 3>used different words than that, but I think he wanted

643
00:35:08.519 --> 00:35:12.599
<v Speaker 3>to make my dad feel proud of me.

644
00:35:13.079 --> 00:35:16.119
<v Speaker 2>So that's wonderful. I love that. I love that. Well,

645
00:35:16.760 --> 00:35:18.760
<v Speaker 2>you know, he knew your talent, so you can only

646
00:35:18.760 --> 00:35:20.800
<v Speaker 2>imagine what he would think of your wines, especially at

647
00:35:20.840 --> 00:35:24.840
<v Speaker 2>Pino Mine because or the Columbard, Well, all the wines

648
00:35:24.840 --> 00:35:29.719
<v Speaker 2>that I've had so far pretty darn good. So, as

649
00:35:29.719 --> 00:35:31.679
<v Speaker 2>I have said before, and you have mentioned, you have

650
00:35:31.960 --> 00:35:35.679
<v Speaker 2>worked many harvests, You've seen many vintages. You said that

651
00:35:36.199 --> 00:35:39.519
<v Speaker 2>you have to listen to nature because nature lives on

652
00:35:39.679 --> 00:35:43.039
<v Speaker 2>beyond us. Do you think wine will live on beyond us?

653
00:35:43.199 --> 00:35:45.679
<v Speaker 2>With climate change and everything going on? You think people

654
00:35:45.679 --> 00:35:48.199
<v Speaker 2>will be drinking wine in three hundred years?

655
00:35:48.639 --> 00:35:48.760
<v Speaker 4>Oh?

656
00:35:48.880 --> 00:35:53.760
<v Speaker 3>Yeah, greapevines are survivors. We've been drinking wine ever since

657
00:35:53.800 --> 00:35:58.719
<v Speaker 3>before history, and we may be drinking wine after history.

658
00:35:58.760 --> 00:36:01.440
<v Speaker 3>If we bomb ourselves off the face of the planet.

659
00:36:01.440 --> 00:36:04.159
<v Speaker 3>Whoever's ever left wine is probably going to be there

660
00:36:04.159 --> 00:36:08.119
<v Speaker 3>along with cockroaches and wine makers. Wine makers and cockroaches

661
00:36:08.159 --> 00:36:09.000
<v Speaker 3>are hard to get rid of.

662
00:36:11.320 --> 00:36:15.079
<v Speaker 2>So if you were being sent off to a deserted island,

663
00:36:16.079 --> 00:36:18.519
<v Speaker 2>what three wines would you take with you? Any three

664
00:36:18.519 --> 00:36:21.960
<v Speaker 2>wines you could have, which would be your last three wines.

665
00:36:23.639 --> 00:36:26.800
<v Speaker 3>Whatever three wines my wife likes the most at that time.

666
00:36:29.239 --> 00:36:34.000
<v Speaker 3>The simple answer, yeah, well, I think well it would

667
00:36:34.039 --> 00:36:39.880
<v Speaker 3>have to be in the pino spectrum. Well, pino and chardonay.

668
00:36:40.400 --> 00:36:43.199
<v Speaker 3>Chardonnay is like a blanc canvas. I think that you

669
00:36:43.280 --> 00:36:46.360
<v Speaker 3>have to make shardonay when you make pino because pino

670
00:36:46.480 --> 00:36:49.559
<v Speaker 3>kind of makes you a crazy person, and chardonay is

671
00:36:49.599 --> 00:36:52.519
<v Speaker 3>like a blanc canvas. You know, it's very It's like

672
00:36:52.840 --> 00:36:54.920
<v Speaker 3>a gumby toy. You can push and pull and stretch

673
00:36:54.960 --> 00:36:57.360
<v Speaker 3>it different ways. Of course, you want to really listen

674
00:36:57.400 --> 00:36:59.239
<v Speaker 3>to it and make it the best that it wants.

675
00:36:59.559 --> 00:37:04.199
<v Speaker 3>But yeah, pino, chardonnay, pino mine.

676
00:37:05.960 --> 00:37:08.679
<v Speaker 2>So I'm curious. I mean, I have one more question

677
00:37:08.760 --> 00:37:10.519
<v Speaker 2>for you, but I do want to jump aside and

678
00:37:10.519 --> 00:37:12.639
<v Speaker 2>play our little game because we have come almost at

679
00:37:12.639 --> 00:37:15.440
<v Speaker 2>the very end of this little podcast interview, which I

680
00:37:15.440 --> 00:37:17.360
<v Speaker 2>don't want to end because I love listening to you talking,

681
00:37:17.679 --> 00:37:20.840
<v Speaker 2>you're a wealth of knowledge, but and your passion comes through.

682
00:37:20.880 --> 00:37:24.840
<v Speaker 2>But having tasted some of your wines, I want you

683
00:37:25.079 --> 00:37:28.199
<v Speaker 2>to you know, wine soundtrack, pair wine with music, what

684
00:37:28.280 --> 00:37:30.440
<v Speaker 2>it kind of conjures up. And since I've tasted it,

685
00:37:30.440 --> 00:37:32.039
<v Speaker 2>I'm going to play you know, I'm going to know

686
00:37:32.039 --> 00:37:33.760
<v Speaker 2>if you're right and wrong. But this is a guide

687
00:37:33.760 --> 00:37:38.360
<v Speaker 2>for those listening who haven't yet tasted your wines to

688
00:37:38.440 --> 00:37:41.920
<v Speaker 2>maybe get a sense of their what they remind you of.

689
00:37:42.039 --> 00:37:46.199
<v Speaker 2>So whether it's a genre, a specific musician, a specific song,

690
00:37:46.480 --> 00:37:48.559
<v Speaker 2>whatever comes to mind. But I want to start with

691
00:37:48.599 --> 00:37:50.800
<v Speaker 2>your Columbard.

692
00:37:52.000 --> 00:37:55.480
<v Speaker 3>The Columbard, Well, that's zippy and minerally high acid. I

693
00:37:55.480 --> 00:38:01.519
<v Speaker 3>would say that's probably a fun, high octane as riff.

694
00:38:02.320 --> 00:38:04.599
<v Speaker 3>But because it is a classic and oldie, I'd say

695
00:38:05.119 --> 00:38:06.039
<v Speaker 3>maybe take five.

696
00:38:06.400 --> 00:38:12.960
<v Speaker 2>Okay, And as we've been talking, we've had the bien Mesuito, Vineyard,

697
00:38:13.000 --> 00:38:16.079
<v Speaker 2>Santa Maria Valley Chardonay, So what about.

698
00:38:15.880 --> 00:38:18.039
<v Speaker 4>That one fanfare for trumpets?

699
00:38:19.679 --> 00:38:23.039
<v Speaker 2>Okay, Oh, you're gonna make this. This is I'm gonna

700
00:38:23.480 --> 00:38:25.280
<v Speaker 2>throw them out. Okay, let's do your Pino munet.

701
00:38:26.000 --> 00:38:29.880
<v Speaker 3>Oh that would be Samuel Barber's dagio for strings.

702
00:38:30.159 --> 00:38:37.800
<v Speaker 2>Okay, and what about your pino noir from this home vineyard.

703
00:38:39.079 --> 00:38:43.639
<v Speaker 3>Well, that would probably Beethoven's Pastoral Symphony because that has

704
00:38:44.119 --> 00:38:49.599
<v Speaker 3>elements of call and response to it, or maybe even better, Well,

705
00:38:49.679 --> 00:38:52.159
<v Speaker 3>Takata and Fuguen d minor by Bach is maybe a

706
00:38:52.159 --> 00:38:55.320
<v Speaker 3>bit dark, so I would say Beethoven's Pastoral Symphony.

707
00:38:55.719 --> 00:38:58.679
<v Speaker 2>Okay, what about us, since.

708
00:39:00.079 --> 00:39:04.039
<v Speaker 3>Oh, people who know ghosts and so that's really fun

709
00:39:04.440 --> 00:39:07.760
<v Speaker 3>and been a little bit rustic, I would say something

710
00:39:07.800 --> 00:39:11.119
<v Speaker 3>from Aaron Copeland, like the Grand Canyon Suite.

711
00:39:11.239 --> 00:39:13.519
<v Speaker 2>Okay, wow, you're charbono.

712
00:39:14.599 --> 00:39:19.360
<v Speaker 3>Oh Charbono is gosh, Well that's big guns, So I

713
00:39:19.360 --> 00:39:21.440
<v Speaker 3>would say Beethoven's Ninth.

714
00:39:21.559 --> 00:39:23.599
<v Speaker 2>Okay, I'm going to do one more. We didn't talk

715
00:39:23.639 --> 00:39:28.239
<v Speaker 2>about this wine, but you make a late harvest dessert

716
00:39:28.400 --> 00:39:30.880
<v Speaker 2>pino no ar, kind of a port style wine that's

717
00:39:30.920 --> 00:39:32.840
<v Speaker 2>actually quite quite tasty.

718
00:39:32.920 --> 00:39:39.280
<v Speaker 3>So what about that, Foxy lady.

719
00:39:39.440 --> 00:39:41.639
<v Speaker 2>You're good. He did not pre plan for any of this.

720
00:39:41.840 --> 00:39:44.000
<v Speaker 2>That was really on the spot, and I'm pretty impressed.

721
00:39:44.400 --> 00:39:46.480
<v Speaker 2>But I guess since you did study music at some

722
00:39:46.599 --> 00:39:48.880
<v Speaker 2>point in college, you had an advantage.

723
00:39:49.159 --> 00:39:53.159
<v Speaker 3>Yeah, well, foxy lady, is that wine is good in

724
00:39:53.239 --> 00:39:58.039
<v Speaker 3>almost every orifice you can imagine. And my wife and

725
00:39:58.079 --> 00:40:00.639
<v Speaker 3>I used to shovel out those dairy tanks together late

726
00:40:00.679 --> 00:40:04.039
<v Speaker 3>at night at two o'clock and we'd also when you

727
00:40:04.039 --> 00:40:06.719
<v Speaker 3>have all the lees, you war paint each other and

728
00:40:06.760 --> 00:40:09.159
<v Speaker 3>then you put on Foxy later, lady, and then it's

729
00:40:09.199 --> 00:40:09.639
<v Speaker 3>all over.

730
00:40:09.880 --> 00:40:14.360
<v Speaker 2>So well, I love it. It's left quite an image

731
00:40:14.360 --> 00:40:17.480
<v Speaker 2>in my head. So I can only imagine. I'm just

732
00:40:17.519 --> 00:40:21.280
<v Speaker 2>going to look at the pretty vines, the sunshining. So Greg,

733
00:40:21.320 --> 00:40:23.320
<v Speaker 2>it has been such an honor and a pleasure to

734
00:40:23.320 --> 00:40:25.199
<v Speaker 2>talk to you today. But I have one final question

735
00:40:25.280 --> 00:40:27.760
<v Speaker 2>with a two part answer. Two part question, I should say.

736
00:40:27.760 --> 00:40:31.679
<v Speaker 2>The first part is you have made wine in five

737
00:40:31.800 --> 00:40:36.760
<v Speaker 2>continents you've traveled the world. Is there one wine region

738
00:40:37.000 --> 00:40:39.480
<v Speaker 2>in the world that's on your bucket list that you

739
00:40:39.519 --> 00:40:40.440
<v Speaker 2>want to go explore?

740
00:40:40.480 --> 00:40:45.039
<v Speaker 3>Still a bucket list, I would say Mount Parker and

741
00:40:45.079 --> 00:40:49.440
<v Speaker 3>Franklin River in southwestern Australia. But really the place that

742
00:40:49.480 --> 00:40:52.039
<v Speaker 3>I want to make wine is wherever my family and

743
00:40:52.440 --> 00:40:53.320
<v Speaker 3>grandkids are.

744
00:40:54.039 --> 00:40:58.960
<v Speaker 2>Okay, Yeah, And if people want to taste Marshall wines,

745
00:40:59.360 --> 00:41:01.639
<v Speaker 2>how can they find you? Where can they find you?

746
00:41:01.719 --> 00:41:04.880
<v Speaker 2>How can they taste your wines? And can they meet you?

747
00:41:05.800 --> 00:41:10.119
<v Speaker 3>Yeah? You can get on our website at Marshallwines dot com.

748
00:41:10.119 --> 00:41:12.840
<v Speaker 3>That's m A r c h E l l E

749
00:41:13.119 --> 00:41:17.800
<v Speaker 3>Wines Plural dot com and there's a section on there

750
00:41:17.840 --> 00:41:19.760
<v Speaker 3>where you can sign up for a barrel to bottle

751
00:41:19.800 --> 00:41:23.280
<v Speaker 3>tasting or you can order wines from there. That's probably

752
00:41:23.320 --> 00:41:25.559
<v Speaker 3>the best way because we're not in very many places.

753
00:41:25.599 --> 00:41:29.000
<v Speaker 3>When you only make fifty cases of something, it's not

754
00:41:29.760 --> 00:41:35.159
<v Speaker 3>easily found. So look at our website, drop us an email,

755
00:41:35.480 --> 00:41:38.440
<v Speaker 3>come and taste with us. We have a tasting room

756
00:41:38.440 --> 00:41:41.079
<v Speaker 3>in Calistoga that's shared. But more importantly, if you come

757
00:41:41.119 --> 00:41:45.519
<v Speaker 3>to our winery, either our winemaker Evan or I will

758
00:41:46.639 --> 00:41:48.679
<v Speaker 3>guide you through a barrel to bottle tasting.

759
00:41:49.360 --> 00:41:51.440
<v Speaker 2>And that would be a pretty special treat. I mean

760
00:41:51.519 --> 00:41:56.800
<v Speaker 2>it's not it's really special. When Greg Leffalette the man,

761
00:41:57.280 --> 00:41:59.079
<v Speaker 2>the myth, I mean these wineries that you might have

762
00:41:59.119 --> 00:42:01.360
<v Speaker 2>heard of, he laughs, But he is the grape whisperer,

763
00:42:01.639 --> 00:42:04.280
<v Speaker 2>the greepe whisper. No, but to be able to spend

764
00:42:04.320 --> 00:42:07.280
<v Speaker 2>time and to listen to more of the stories is

765
00:42:07.320 --> 00:42:09.119
<v Speaker 2>a real treat. And Greg, I can't thank you enough

766
00:42:09.119 --> 00:42:11.119
<v Speaker 2>for spending time with us today on wine soundtrack, and

767
00:42:11.159 --> 00:42:12.000
<v Speaker 2>I say cheers to.

768
00:42:11.960 --> 00:42:16.480
<v Speaker 3>You cheers, my friend, and I have to say that

769
00:42:17.559 --> 00:42:20.239
<v Speaker 3>I've already said to you. You are a favorite winemaker drug,

770
00:42:20.239 --> 00:42:23.440
<v Speaker 3>You're a heroine. You tell the stories of wine, and

771
00:42:23.480 --> 00:42:26.480
<v Speaker 3>without gals like you, I just wouldn't go thirsty for

772
00:42:26.480 --> 00:42:27.119
<v Speaker 3>a couple of years.

773
00:42:27.159 --> 00:42:28.760
<v Speaker 4>So thank you from the bottom of my heart for

774
00:42:28.840 --> 00:42:29.880
<v Speaker 4>doing what you do well.

775
00:42:29.920 --> 00:42:32.360
<v Speaker 2>Thank you, and thank you, and I hope everyone enjoyed

776
00:42:32.400 --> 00:42:34.119
<v Speaker 2>listening to this and cheers.

777
00:42:34.400 --> 00:42:37.880
<v Speaker 1>Thanks for listening to a new episode of Wine Soundtrack USA.

778
00:42:38.159 --> 00:42:44.000
<v Speaker 1>For details and updates, visit our website windsoundtrack dot com.
